WEBVTT - The Monster in the Igloos

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<v Speaker 1>Strange Arrivals is a production of iHeart Radio in grim

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<v Speaker 1>and mild from Aaron Nakey. For the best experience, listen

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<v Speaker 1>with headphones.

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<v Speaker 2>We had a variety of strange incidents that happened over

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<v Speaker 2>and over again and never made any sense at all.

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<v Speaker 2>One of my favorites is the phantom meter reader.

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<v Speaker 3>This is where a.

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<v Speaker 2>Man would knock at a door of a house in

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<v Speaker 2>the suburbs and say he'd come to read the meter,

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<v Speaker 2>the electric meter, the gas meter, and he would be

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<v Speaker 2>dressed in the proper coveralls and all, and they would

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<v Speaker 2>let him in. He'd go down into the basement. He

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<v Speaker 2>wouldn't come out, and these people.

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<v Speaker 3>After about an hour.

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<v Speaker 2>They said, what the hell is he doing?

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<v Speaker 4>Down to my face?

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<v Speaker 2>And they would look and sometimes a man would be

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<v Speaker 2>gone all together, never to be seen again, and even

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<v Speaker 2>though there was no way out of his face at

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<v Speaker 2>that basement. But the found of mena readers was one

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<v Speaker 2>type of MiB that we had.

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<v Speaker 5>I'm Toby Ball and this is Strange Rivals Episode nine.

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<v Speaker 5>The monster in the.

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<v Speaker 6>Igloos what is Battleship Gray five to seven feet tall,

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<v Speaker 6>has a pair of red eyes two inches in diameter,

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<v Speaker 6>which blaze like two lasers, wings which extend to ten

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<v Speaker 6>feet when spread, and loves to chase automobiles. Give up

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<v Speaker 6>if it's any constellation. Nobody else seems to know what

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<v Speaker 6>it is either, but over one hundred people in Ohio

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<v Speaker 6>and West Virginia swear that they have seen such a

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<v Speaker 6>creature since November nineteen sixty six.

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<v Speaker 5>These are the opening words to an article in the

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<v Speaker 5>October nineteen sixty eight edition of Saga magazine titled Mothman Monster.

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<v Speaker 6>The subtitle was Is it a bizarre behemoth from the

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<v Speaker 6>bowels of the Earth or is it some winged night

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<v Speaker 6>maarish visitor from outer space? One thing is sure. It

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<v Speaker 6>has terrorized hundreds of people in Ohio and West Virginia,

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<v Speaker 6>and its nocturnal visits are becoming more frequent and frightening.

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<v Speaker 5>The author was an eccentric paranormal researcher named John Keel.

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<v Speaker 5>Although he never saw the Mothman, he is the pivotal

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<v Speaker 5>character in this story because, through his reporting and his

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<v Speaker 5>book The Mothman Prophecies, he turned the story of a

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<v Speaker 5>few sightings into a compelling tale that captured the public imagination.

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<v Speaker 5>Because of Kiel's influence on how we have come to

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<v Speaker 5>understand the Mothman story. It's helpful to be clear about

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<v Speaker 5>the actual sightings around Point Pleasant, West Virginia, beginning in

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<v Speaker 5>late nineteen sixty six, and then the way Keel related

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<v Speaker 5>those events to create the popular legend we now know

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<v Speaker 5>the Mothman sightings really began around midnight on November fifteenth,

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<v Speaker 5>nineteen sixty six. Two young married couples identified in the

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<v Speaker 5>Saga article as mister and missus Roger Scarberry and mister

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<v Speaker 5>and missus Steve Molett. We're driving through a place known

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<v Speaker 5>as the TNT area, about seven miles outside of Point Pleasant,

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<v Speaker 5>West Virginia. This is John Keel from a fort Fest

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<v Speaker 5>convention in the nineteen nineties.

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<v Speaker 3>In November of nineteen sixty six, forty young people in

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<v Speaker 3>a car and we're driving past this building. And he

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<v Speaker 3>saw what looked like a very large man six or

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<v Speaker 3>seven feet twelve next to this color plant, and for

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<v Speaker 3>some reason, they were all he scared to death. They

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<v Speaker 3>were all scared to death.

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<v Speaker 5>Roger Scarberry told Kiel that quote. It was shaped like

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<v Speaker 5>a man, but bigger, maybe six and a half or

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<v Speaker 5>seven feet tall, and it had big wings folded against

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<v Speaker 5>its back. Scarberry's wife added that it was those eyes

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<v Speaker 5>that got us. It had two big red eyes like

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<v Speaker 5>automobile tail light reflectors.

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<v Speaker 3>Suddenly, boy who was driving at the accelerator and they

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<v Speaker 3>drove out of here in a high speed, and looking back,

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<v Speaker 3>this thing rose up in the air and followed their car.

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<v Speaker 3>And they were going over sixty miles an hour on

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<v Speaker 3>these jared roads and this thing was flying right along

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<v Speaker 3>with it. So they drove straight to the police station.

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<v Speaker 5>Roger told Keel quote, it followed us right to the

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<v Speaker 5>city limits. Funny thing. We noticed a dead dog by

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<v Speaker 5>the side of the road there, but when we came

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<v Speaker 5>back a few minutes later, the dog was gone.

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<v Speaker 3>Now you have to realize in small towns, teenagers do

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<v Speaker 3>not go to the police station voluntarily. And the police

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<v Speaker 3>were so convinced by their behavior that they held a

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<v Speaker 3>press conference the next day and reporters from the local

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<v Speaker 3>newspapers from Charlotte another citizen around there, came to hear

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<v Speaker 3>this very bizarre story of this flying man.

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<v Speaker 4>At that time, Batman was.

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<v Speaker 3>Very popular on television, so the newspapers labeled this creature Mothman,

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<v Speaker 3>and that was at the beginning of the Mothman paper

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<v Speaker 3>I guess you call it.

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<v Speaker 5>A deputy named Millard Halstead later remarked to Keel about

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<v Speaker 5>the two young couples. I've known them all their lives.

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<v Speaker 5>They've never been in any trouble. I took them seriously.

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<v Speaker 5>They saw something. They were really scared. The TNT area

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<v Speaker 5>where the two cups had seen the creature consisted of

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<v Speaker 5>hundreds of acres of fields and forests that had been

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<v Speaker 5>a site for storing explosives during World War Two. The

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<v Speaker 5>explosives were housed in what they called igloos, domed concrete

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<v Speaker 5>bunkers covered with a thick layer of earth for camouflage.

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<v Speaker 5>Here's John Keel again, this time from a meeting of

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<v Speaker 5>Saucer News in the late nineteen sixties, describing the TNT area.

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<v Speaker 4>I said as twenty five hundred acres. There are hundreds

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<v Speaker 4>of these igloes there. There are poor families living within

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<v Speaker 4>this area, so it's very thinly populated. If the mark

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<v Speaker 4>man wanted to live there not very many people with

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<v Speaker 4>the batherin. I also discovered that during the Second World War,

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<v Speaker 4>when they were building this ammunition dump, they built a

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<v Speaker 4>whole network of tunnels in which to transport to high

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<v Speaker 4>explosives from the arsenal to the various big glues. No

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<v Speaker 4>one in the whole region I knew the location of

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<v Speaker 4>these tunnels. There were no maps available. There were some

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<v Speaker 4>entrances to some of these tunnels, but when I went

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<v Speaker 4>into them, I found them full of water. But it's

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<v Speaker 4>very possible that there is a network of tunnels down

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<v Speaker 4>there that it is not full of water. I wanted

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<v Speaker 4>to explore them more fully, but the few companies that

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<v Speaker 4>I found I couldn't get anywhere. Perhaps it's just as

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<v Speaker 4>well as I didn't, because I hate to be crawling

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<v Speaker 4>through a tunnel. It needs something seven feet toll.

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<v Speaker 5>It was, in many ways the perfect spot for a

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<v Speaker 5>mysterious creature, massive and creepy. It's also the perfect spot

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<v Speaker 5>to spook yourself if you see something unexpected. It's been

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<v Speaker 5>repurposed as a nature preserve. You can walk around and

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<v Speaker 5>into these igloes, which are of course empty.

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<v Speaker 7>Now.

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<v Speaker 3>The next year there were over one hundred reports of

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<v Speaker 3>this monner. Some of the people who before saying this

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<v Speaker 3>time were not only adults, they were responsible adults, like bankers, locals.

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<v Speaker 5>Keel went to West Virginia to investigate, and it's here

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<v Speaker 5>that the distinction between sightings of the creature and Kill's

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<v Speaker 5>reporting on a broader paranormal context begins to complicate things.

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<v Speaker 8>Keel gets involved and goes down there and talks to

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<v Speaker 8>the witnesses and establishes a relationship with this woman. Mary Hyer,

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<v Speaker 8>who is a newspaper editor, reporter correspondent for the Athens,

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<v Speaker 8>Ohio Newspaper, which is the closest major newspaper to Point Pleasant,

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<v Speaker 8>West Virginia. I am Aaron Gullias. I am a historian

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<v Speaker 8>and teacher and writer, and I have a podcast called

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<v Speaker 8>The Saucer Life. The way the story goes along is

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<v Speaker 8>you've got these sightings in West Virginia of the Mothman,

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<v Speaker 8>overlaid with UFO sidings, and Keel through correspondents and visits

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<v Speaker 8>and phone calls, trying to keep up with the story

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<v Speaker 8>and seeing how it develops.

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<v Speaker 5>Mary Hyer worked for the Athens Messenger, where she was

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<v Speaker 5>both a reporter and the author of a column called

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<v Speaker 5>Where the Waters Mingle. It became a kind of running

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<v Speaker 5>clearing house of Mothman and UFO reports which were apparently

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<v Speaker 5>happening with alarming frequency. After the initial sighting by the

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<v Speaker 5>Scarberrys and molettes. Here's an example of her column from

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<v Speaker 5>January twenty second, nineteen sixty seven, two months after the

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<v Speaker 5>initial Mothman sighting.

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<v Speaker 9>It seems that West Virginia is seeing its share of

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<v Speaker 9>strange objects. The latest was by Tad Jones of Dunbar,

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<v Speaker 9>who said he came upon the unidentified flying object on

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<v Speaker 9>Interstate sixty four. Its descriptions like that of many which

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<v Speaker 9>have been reported in many areas of the United States

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<v Speaker 9>and around the world. One woman in Point Pleasant reported

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<v Speaker 9>several weeks ago about seeing something like that, but it

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<v Speaker 9>was in the air several hundred feet. There are, also,

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<v Speaker 9>of course, the sightings of the monster and unidentified objects

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<v Speaker 9>seen recently by people in Cheshire, Gallipolis, Eureka, and Addison.

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<v Speaker 5>In addition to her newspaper work, she kept up a

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<v Speaker 5>correspondence with Keel, keeping him informed of paranormal reports during

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<v Speaker 5>the times when he was not in West Virginia. The

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<v Speaker 5>Mothman story began to incorporate strange elements that have now

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<v Speaker 5>become part of our culture, but were not widely known

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<v Speaker 5>at the time. The story of a young woman named

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<v Speaker 5>Connie Carpenter is a good example of how this worked.

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<v Speaker 5>John Keel kept a spiral notebook the size that could

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<v Speaker 5>fit into a shirt pocket. Under the date November twenty seventh,

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<v Speaker 5>nineteen sixty six were the following notes.

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<v Speaker 6>Harri Joe Carpenter, eighteen, near New Haven. Later that night,

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<v Speaker 6>two girls saw a UFO on Route sixty near Saint Albans,

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<v Speaker 6>ran into neighbor's house. Neighbor confirmed sighting boyfriend Keith Gordon.

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<v Speaker 5>In his article for Saga magazine, Keel included Connie's story

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<v Speaker 5>among many other stories of encounters with either the creature

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<v Speaker 5>or UFOs.

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<v Speaker 6>He wrote, Miss Connie Carpenter, a shy, studious girl of

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<v Speaker 6>eighteen from new Haven, West Virginia, allegedly had an identical

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<v Speaker 6>encounter at ten thirty am Sunday, November twenty seventh. She

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<v Speaker 6>was driving home from church. She told me. When she

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<v Speaker 6>saw what she thought at first was a large man

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<v Speaker 6>in gray standing on the deserted links of the Mason

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<v Speaker 6>County Golf Course outside of Mason, West Virginia, those ten

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<v Speaker 6>foot wings suddenly unfolded. The thing took off straight up

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<v Speaker 6>and headed for her car.

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<v Speaker 5>The creature flew directly at her car before veering off

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<v Speaker 5>and disappearing. Not Surprisingly, Connie was Upset by this counter,

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<v Speaker 5>she didn't return to school for several days, and, according

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<v Speaker 5>to Kiel, required medical attention. She claimed to get a

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<v Speaker 5>look at the mothman's face, which she described as horrible,

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<v Speaker 5>like something out of a science fiction movie.

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<v Speaker 6>The next morning, her eyes were reddened and swollen, shut

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<v Speaker 6>and itched fiercely. This condition persisted for over two weeks.

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<v Speaker 6>In fact, her eyes were still red and watery when

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<v Speaker 6>I first interviewed her. I had seen this odd ailment

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<v Speaker 6>several times before, but only on UFO witnesses who claimed

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<v Speaker 6>to have gotten a close look at the luminous objects.

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<v Speaker 6>Cottie Carpenter was the only Mothman witness to come down

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<v Speaker 6>with this eyeburn.

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<v Speaker 5>This was the extent of Connie's experience with the Mothman,

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<v Speaker 5>but she continued to experience strange events. In February of

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<v Speaker 5>nineteen sixty seven, Connie married the Keith Gordon mentioned in

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<v Speaker 5>Kills an Ope book. The newly weds moved across the

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<v Speaker 5>river to a house in Middleport, Ohio. On the morning

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<v Speaker 5>of February twenty second, Connie left the house to walk

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<v Speaker 5>to school. As she walked, a large black buick pulled

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<v Speaker 5>up beside her. The story was written up in an

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<v Speaker 5>article and kills so called Mothman case book.

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<v Speaker 6>The occupant of the car opened the door and called

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<v Speaker 6>to her, Thinking that he was seeking directions, she approached him.

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<v Speaker 6>It was a clean cut young man of about twenty five,

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<v Speaker 6>she told me later. It was wearing a colorful mod shirt,

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<v Speaker 6>no jacket, and had neatly combed thick black hair and

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<v Speaker 6>appeared to be sun tanned. He spoke with no noticeable accent.

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<v Speaker 6>When she reached the car, the driver suddenly lunged and

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<v Speaker 6>grabbed her arm and ordered her to get in with him.

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<v Speaker 6>He did not get out of the car. She fought back,

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<v Speaker 6>and there was a brief struggle before she finally broke away.

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<v Speaker 5>The implication in this story is that this incident was

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<v Speaker 5>connected to her Mothman sighting. He's not a kidnapper trolling

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<v Speaker 5>the streets before school begins. He's there because of Connie's experience.

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<v Speaker 5>While he isn't in the garb that we would come

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<v Speaker 5>to expect, he seems to be performing the same function

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<v Speaker 5>as what would come to be known as the Men

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<v Speaker 5>in Black. While Keel was not the first to write

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<v Speaker 5>about the Men in Black, they play a prominent role

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<v Speaker 5>in both the book The Mothman Prophecies and his narrative

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<v Speaker 5>of the events around Point Pleasant, Connie herself would experience

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<v Speaker 5>the more stereotypical man in black within the year. On

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<v Speaker 5>December twenty second of nineteen sixty seven, Connie and Keith

0:14:43.840 --> 0:14:47.200
<v Speaker 5>were visited by a person who Keel identified as a

0:14:47.400 --> 0:14:51.560
<v Speaker 5>man in black type. This man apparently talked with them

0:14:51.600 --> 0:14:55.000
<v Speaker 5>for about two hours, but Connie was unable to remember

0:14:55.080 --> 0:14:59.800
<v Speaker 5>anything about the conversation, just the man arriving and then leaving.

0:15:00.960 --> 0:15:05.200
<v Speaker 5>Kiel continues, for the past year there have been repeated

0:15:05.240 --> 0:15:11.240
<v Speaker 5>poltergeist manifestations in her home, strange noises, objects that have

0:15:11.320 --> 0:15:15.000
<v Speaker 5>been in one place for years, suddenly falling off of shells, etc.

0:15:16.000 --> 0:15:21.120
<v Speaker 5>She has also been receiving many odd phone calls. Later,

0:15:21.360 --> 0:15:25.920
<v Speaker 5>he writes of Connie, like everyone in New Haven, she

0:15:26.000 --> 0:15:30.560
<v Speaker 5>has seen a number of UFOs in recent months. So

0:15:30.640 --> 0:15:34.200
<v Speaker 5>in Connie's case as well as others, the mothman sighting

0:15:34.360 --> 0:15:37.760
<v Speaker 5>is just one of a number of paranormal experiences that

0:15:37.880 --> 0:15:42.640
<v Speaker 5>Kiel believes are linked. The book The Mothman Prophecies is

0:15:42.760 --> 0:15:47.360
<v Speaker 5>full of Keel's drawing connections between different paranormal occurrences, and

0:15:47.920 --> 0:15:51.680
<v Speaker 5>at least in one instance, an event that was tragically real.

0:15:53.160 --> 0:15:58.880
<v Speaker 5>After the break, strange arrivals will return in a moment.

0:16:11.800 --> 0:16:15.480
<v Speaker 5>Why do some paranormal stories have staying power while others

0:16:15.520 --> 0:16:21.200
<v Speaker 5>fade from public consciousness. Sometimes events are just events until

0:16:21.240 --> 0:16:25.520
<v Speaker 5>someone spins them into a narrative. For the Mothman events,

0:16:25.720 --> 0:16:30.160
<v Speaker 5>there was John Keel, his book The Mothman Prophecies, and

0:16:30.240 --> 0:16:33.240
<v Speaker 5>the movie that was made from the book, starring Richard Gear.

0:16:34.560 --> 0:16:36.520
<v Speaker 1>A few months, people have been coming up to me

0:16:36.640 --> 0:16:38.440
<v Speaker 1>and reporting strange things.

0:16:39.320 --> 0:16:41.800
<v Speaker 4>Weird lines, strange phone calls.

0:16:43.600 --> 0:16:44.040
<v Speaker 8>Who is this?

0:16:45.160 --> 0:16:46.800
<v Speaker 4>How do you do when someone comes into your office

0:16:46.800 --> 0:16:48.560
<v Speaker 4>and tells you they saw this in their backyard.

0:16:50.120 --> 0:16:54.280
<v Speaker 5>The Mothman Prophecies, published in nineteen seventy five, doesn't read

0:16:54.360 --> 0:16:58.280
<v Speaker 5>like most books on the paranormal. In fact, its style

0:16:58.360 --> 0:17:01.880
<v Speaker 5>is more along the lines of crime or maybe Philip K.

0:17:02.080 --> 0:17:06.960
<v Speaker 5>Dick again Post of the Saucer Life Aaron Gaullias.

0:17:08.320 --> 0:17:11.560
<v Speaker 8>It's a fun book to read. It's very engaging. It's

0:17:11.600 --> 0:17:16.679
<v Speaker 8>written in this first person investigative journalistic feel. He's a reporter,

0:17:16.840 --> 0:17:20.240
<v Speaker 8>he's checking out the story. He's got his reporting contacts

0:17:20.359 --> 0:17:23.680
<v Speaker 8>there in Athens, Ohio with Mary Hire and other people

0:17:23.720 --> 0:17:27.280
<v Speaker 8>on the scene and the story of trying to uncover

0:17:27.760 --> 0:17:30.280
<v Speaker 8>what's going on at the heart of these sightings that

0:17:30.320 --> 0:17:33.160
<v Speaker 8>these young people and others have had of this flying

0:17:33.760 --> 0:17:37.760
<v Speaker 8>creature with the giant red eyes that gets dubbed the Mothman.

0:17:39.200 --> 0:17:44.480
<v Speaker 5>In doing this, Keel widens the scope both geographically and

0:17:44.640 --> 0:17:47.280
<v Speaker 5>as we heard earlier in the case of Connie Carpenter,

0:17:47.920 --> 0:17:51.760
<v Speaker 5>to include other paranormal and mysterious phenomena.

0:17:52.400 --> 0:17:55.320
<v Speaker 8>It's a sort of weird, sprawling story that's hard to

0:17:55.720 --> 0:17:59.160
<v Speaker 8>describe because it goes off on these little tangents. You've

0:17:59.200 --> 0:18:01.320
<v Speaker 8>got the Mothman and stuff, but then you've got Keel

0:18:01.440 --> 0:18:04.359
<v Speaker 8>talking about these men in black encounters that other people,

0:18:04.400 --> 0:18:06.600
<v Speaker 8>not people in West Virginia have had, but these other

0:18:06.640 --> 0:18:09.199
<v Speaker 8>people various places have had, and how it relates to

0:18:09.440 --> 0:18:13.960
<v Speaker 8>similar encounters with strange men telling Mary Higher to stop

0:18:14.000 --> 0:18:17.199
<v Speaker 8>looking into this story or telling witnesses to stop talking

0:18:17.280 --> 0:18:20.359
<v Speaker 8>about this. So Keel is telling the story of what

0:18:20.440 --> 0:18:24.280
<v Speaker 8>happened in West Virginia, but tying in specific things that

0:18:24.320 --> 0:18:27.399
<v Speaker 8>are happening in West Virginia to the wider world of

0:18:28.400 --> 0:18:32.560
<v Speaker 8>UFOs and the paranormal. He's telling the story that he's

0:18:32.600 --> 0:18:35.199
<v Speaker 8>trying to tell about a certain time and place, but

0:18:35.880 --> 0:18:39.920
<v Speaker 8>giving it a lot of context. In the wider UFO scene.

0:18:41.520 --> 0:18:45.240
<v Speaker 5>This said times leads the reader far from West Virginia.

0:18:46.119 --> 0:18:48.800
<v Speaker 5>For instance, there's a great scene of a man in

0:18:48.840 --> 0:18:52.159
<v Speaker 5>black having difficulty figuring out how to eat at the

0:18:52.280 --> 0:18:57.960
<v Speaker 5>legendary New York City club Max's Kansas City. This strange

0:18:58.000 --> 0:19:01.199
<v Speaker 5>man is described as wearing an ill fitting suit and

0:19:01.280 --> 0:19:07.120
<v Speaker 5>having bulging eyes what Keel calls thyroid eyes. He beckons

0:19:07.119 --> 0:19:12.000
<v Speaker 5>the waitress over with long, tapering fingers. She offers him

0:19:12.000 --> 0:19:15.159
<v Speaker 5>a menu that he looks at helplessly and then merely

0:19:15.240 --> 0:19:19.920
<v Speaker 5>says food. The waitress thinks that perhaps he can't read,

0:19:20.359 --> 0:19:24.040
<v Speaker 5>and suggests a steak, which he then brings to his table.

0:19:25.359 --> 0:19:28.679
<v Speaker 6>She bought a mistake with all the trimmings. He stared

0:19:28.720 --> 0:19:31.280
<v Speaker 6>at it for a long moment and then picked up

0:19:31.320 --> 0:19:34.360
<v Speaker 6>his knife and fork, glancing around at the other diners.

0:19:35.080 --> 0:19:37.320
<v Speaker 6>It was obvious he did not know how to handle

0:19:37.359 --> 0:19:42.560
<v Speaker 6>the implements. The waitress watched him as he fumbled helplessly. Vitally.

0:19:42.680 --> 0:19:45.280
<v Speaker 6>She showed him how to cut the steak and spirit

0:19:45.480 --> 0:19:49.680
<v Speaker 6>with the fork, he sawed away at the meat. Clearly

0:19:50.320 --> 0:19:55.480
<v Speaker 6>he really was hungry. Where are you from she asked gently.

0:19:56.560 --> 0:20:04.159
<v Speaker 6>Not from here where world boy? Another put on artist,

0:20:04.440 --> 0:20:05.600
<v Speaker 6>she thought to herself.

0:20:07.000 --> 0:20:09.760
<v Speaker 5>But one of the novel's great conceits relates to an

0:20:09.800 --> 0:20:13.159
<v Speaker 5>all two real tragedy that also marks the end of

0:20:13.200 --> 0:20:14.480
<v Speaker 5>the Mothman sightings.

0:20:15.640 --> 0:20:20.040
<v Speaker 8>He crafts a narrative story that culminates in this deadly

0:20:20.160 --> 0:20:23.840
<v Speaker 8>bridge collapse right before Christmas in West Virginia between West

0:20:23.880 --> 0:20:28.639
<v Speaker 8>Virginia and Ohio, and he links and there's some debate

0:20:28.840 --> 0:20:32.320
<v Speaker 8>about whether or not this was a factually correct thing

0:20:32.320 --> 0:20:35.080
<v Speaker 8>to do, he links the Mothman with the bridge collapse.

0:20:35.160 --> 0:20:38.679
<v Speaker 8>Maybe not explicitly, but there's this implicit notion that the

0:20:38.720 --> 0:20:42.360
<v Speaker 8>Mothman was a warning, the Mothman was a harbinger, and

0:20:42.560 --> 0:20:46.120
<v Speaker 8>he's able to, like I said, craft this narrative.

0:20:47.520 --> 0:20:50.520
<v Speaker 5>This is John Keel from his Fortfest lecture.

0:20:51.920 --> 0:20:56.040
<v Speaker 3>In the Christmas season of nineteen sixty seven, in Point Pleasant,

0:20:56.040 --> 0:20:58.679
<v Speaker 3>West Virginia, there was a bridge called a Silver Bridge

0:20:58.840 --> 0:21:03.320
<v Speaker 3>across the High River, and on December fifteenth, nineteen sixty seven,

0:21:04.119 --> 0:21:07.560
<v Speaker 3>that bridge collapsed and it was loaded down with cars

0:21:07.840 --> 0:21:12.240
<v Speaker 3>people who had been Christmas shopping for forty years.

0:21:12.280 --> 0:21:16.280
<v Speaker 10>The Silver Bridge spanned the Ohio River laking Point Pleasant,

0:21:16.320 --> 0:21:21.320
<v Speaker 10>West Virginia, with Caanaga, Ohio, laking those two points until.

0:21:21.000 --> 0:21:26.240
<v Speaker 11>Five oh two yesterday afternoon. The Silver Bridge, so called

0:21:26.280 --> 0:21:29.399
<v Speaker 11>because of the aluminum paint covering It was packed with

0:21:29.600 --> 0:21:33.760
<v Speaker 11>rush hour traffic and holiday shoppers, all sitting and waiting

0:21:33.840 --> 0:21:36.720
<v Speaker 11>on a red light. Then there was a loud cracking

0:21:36.840 --> 0:21:40.520
<v Speaker 11>sound and one of the towers began to violently twist.

0:21:40.680 --> 0:21:45.280
<v Speaker 11>Within minutes, three spans collapsed into the forty three degree river.

0:21:45.520 --> 0:21:48.320
<v Speaker 10>At least fifty seven automobiles and trucks were spilled into

0:21:48.359 --> 0:21:51.960
<v Speaker 10>the icy waters of the Ohio. Eyewitnesses said the bridge

0:21:52.000 --> 0:21:55.880
<v Speaker 10>seemed to shudder and then drop into the water. Some vehicles,

0:21:55.920 --> 0:21:58.639
<v Speaker 10>those in the center of the span, fell eighty feet.

0:21:59.119 --> 0:22:03.840
<v Speaker 10>The massive steel superstructure crashed down onto the automobiles. Passengers

0:22:03.840 --> 0:22:05.560
<v Speaker 10>were trapped on the twisted wreckage.

0:22:07.400 --> 0:22:11.400
<v Speaker 8>I think that Harbinger connection is probably the weakest thing

0:22:11.640 --> 0:22:14.240
<v Speaker 8>he does in the book. It's always has struck me

0:22:14.280 --> 0:22:17.520
<v Speaker 8>as more of a narrative device that he thought would

0:22:17.520 --> 0:22:22.159
<v Speaker 8>be good than anything else, Because you know, there's the

0:22:22.160 --> 0:22:25.640
<v Speaker 8>Mothman doesn't talk, you know, so we don't have any

0:22:25.680 --> 0:22:29.000
<v Speaker 8>indication from the Mothman that there's this thing coming. People

0:22:29.040 --> 0:22:32.000
<v Speaker 8>have a sense of foreboding, but they're frightened by the

0:22:32.040 --> 0:22:34.360
<v Speaker 8>Mothman things and all the other things that are going

0:22:34.359 --> 0:22:37.080
<v Speaker 8>on at the time. I think the link is tenuous.

0:22:37.560 --> 0:22:41.840
<v Speaker 8>There have been other alleged Mothman sightings since then in

0:22:41.920 --> 0:22:44.639
<v Speaker 8>various places, and people have tried to link them to

0:22:44.720 --> 0:22:48.040
<v Speaker 8>various disasters, and it always seems like a bit of

0:22:48.040 --> 0:22:49.000
<v Speaker 8>a stretch.

0:22:50.440 --> 0:22:50.720
<v Speaker 4>To me.

0:22:51.400 --> 0:22:54.560
<v Speaker 5>It seems like kil is taking advantage of the proximity

0:22:54.560 --> 0:22:59.000
<v Speaker 5>of the Mothman flap with the bridge collapse and superimposing

0:22:59.080 --> 0:23:03.200
<v Speaker 5>some kind of connection. It's not surprising that people who

0:23:03.240 --> 0:23:07.000
<v Speaker 5>saw the moth Man would feel ill at ease. That

0:23:07.040 --> 0:23:10.000
<v Speaker 5>would seem more connected to the sending itself than the

0:23:10.040 --> 0:23:15.240
<v Speaker 5>perception of foreboding. But of course the connection does make

0:23:15.359 --> 0:23:21.360
<v Speaker 5>for a more compelling story. So what was the moth Man?

0:23:22.200 --> 0:23:24.800
<v Speaker 5>The fairly obvious idea that it could be a large

0:23:24.840 --> 0:23:29.000
<v Speaker 5>bird was put forward early on here at the Saucer

0:23:29.040 --> 0:23:32.880
<v Speaker 5>News meeting. Keel makes the case that the bird hypothesis

0:23:33.160 --> 0:23:33.880
<v Speaker 5>can't be right.

0:23:35.119 --> 0:23:38.359
<v Speaker 4>The moths Man has pursued automobiles on a number of

0:23:38.359 --> 0:23:41.600
<v Speaker 4>occasions and has reached speeds up to one hundred miles

0:23:41.640 --> 0:23:44.840
<v Speaker 4>an hour, scaring the daylights out of the drivers. There

0:23:44.920 --> 0:23:48.200
<v Speaker 4>is only one bird that can go anywhere near that fast.

0:23:48.240 --> 0:23:51.240
<v Speaker 4>It's a certain ego, and it can reach seventy or

0:23:51.280 --> 0:23:54.360
<v Speaker 4>eighty miles in a steep dive straight down if it's

0:23:54.400 --> 0:23:57.840
<v Speaker 4>diving at some prey on the ground. But we don't

0:23:57.840 --> 0:24:00.520
<v Speaker 4>know if any bird that could do that thing is

0:24:00.520 --> 0:24:04.520
<v Speaker 4>a bird is see wordess bird. On Mothnam first appeared,

0:24:05.080 --> 0:24:09.480
<v Speaker 4>a number of distinguished scientists hundreds of miles away decided

0:24:09.520 --> 0:24:12.400
<v Speaker 4>that it was the sand hill crane. So I got

0:24:12.400 --> 0:24:14.440
<v Speaker 4>some pictures of a sand hill crane, which is a

0:24:14.520 --> 0:24:17.400
<v Speaker 4>large bird stands about this high, has very long neck.

0:24:17.800 --> 0:24:20.480
<v Speaker 4>I took this picture around to all the witnesses of Mothman,

0:24:20.760 --> 0:24:23.200
<v Speaker 4>showed it to them, and they said it wasn't a bird.

0:24:23.800 --> 0:24:25.280
<v Speaker 4>It wasn't a sand hill crane.

0:24:26.960 --> 0:24:31.000
<v Speaker 5>Despite Keel's objection, the sandhill crane has continued to be

0:24:31.040 --> 0:24:34.960
<v Speaker 5>a popular explanation for the Mothman, but a new theory

0:24:35.000 --> 0:24:38.040
<v Speaker 5>has been proposed by a researcher who agrees that a

0:24:38.119 --> 0:24:41.639
<v Speaker 5>large bird is likely responsible for the sightings, but not

0:24:41.760 --> 0:24:46.480
<v Speaker 5>the sand hill crane. His story begins with an invitation

0:24:46.640 --> 0:24:47.320
<v Speaker 5>from a friend.

0:24:48.600 --> 0:24:51.760
<v Speaker 7>One day. He said, Hey, let's go to point pleasant

0:24:52.040 --> 0:24:54.879
<v Speaker 7>and check out the Mothman Museum. I said, sure, let's go.

0:24:55.720 --> 0:24:58.560
<v Speaker 7>While we were there, we decided both of us independently

0:24:59.119 --> 0:25:01.480
<v Speaker 7>had been to the Mothma Museum, but neither of us

0:25:01.480 --> 0:25:04.639
<v Speaker 7>had been to the TNT area, So why don't we

0:25:04.720 --> 0:25:08.200
<v Speaker 7>venture out there? And he said sure. My name's Daniel Reid.

0:25:08.520 --> 0:25:10.200
<v Speaker 7>I've done a lot of things in my life. I've

0:25:10.240 --> 0:25:13.520
<v Speaker 7>been interested in the strange and the utre and the

0:25:13.520 --> 0:25:17.720
<v Speaker 7>paranormal for most of my life. I've taught on the

0:25:17.760 --> 0:25:22.080
<v Speaker 7>graduate and undergraduate level, psychology, sociology, different types of things.

0:25:22.520 --> 0:25:24.920
<v Speaker 7>So we drove out. We hoped that we were headed

0:25:24.920 --> 0:25:27.080
<v Speaker 7>in the right spot. I had directions pulled up on

0:25:27.119 --> 0:25:30.240
<v Speaker 7>my cell. We pulled in and we got out and

0:25:30.240 --> 0:25:33.240
<v Speaker 7>started walking. Well, the minute that we got there, I

0:25:33.320 --> 0:25:36.560
<v Speaker 7>looked up and I saw a blue heron that was

0:25:36.640 --> 0:25:38.280
<v Speaker 7>up in a tree, and the blue heron sort of

0:25:38.320 --> 0:25:39.200
<v Speaker 7>took off and flew.

0:25:40.600 --> 0:25:43.520
<v Speaker 5>Great blue herons can be quite big, up to four

0:25:43.520 --> 0:25:46.040
<v Speaker 5>and a half feet tall with a wingspan of nearly

0:25:46.160 --> 0:25:50.280
<v Speaker 5>seven feet. As Reid and his friend explored the igloos

0:25:50.280 --> 0:25:53.240
<v Speaker 5>at the TNT area, he thought about the sand Hill

0:25:53.320 --> 0:25:55.920
<v Speaker 5>Crane explanation, and.

0:25:55.880 --> 0:25:59.320
<v Speaker 7>So I thought, huh, I wonder how prevalent a sand

0:25:59.359 --> 0:26:01.960
<v Speaker 7>hill crane is this area, and so that led to

0:26:02.080 --> 0:26:02.640
<v Speaker 7>the research.

0:26:04.160 --> 0:26:07.800
<v Speaker 5>It turns out that, while not unheard of, sandhill cranes

0:26:07.840 --> 0:26:11.600
<v Speaker 5>are not common in this area. Great blue herons, on

0:26:11.640 --> 0:26:15.760
<v Speaker 5>the other hand, are the sandhill crane and the great

0:26:15.760 --> 0:26:19.720
<v Speaker 5>blue heron have similar physical attributes that make them plausible

0:26:19.800 --> 0:26:24.919
<v Speaker 5>explanations for the Mothman sightings. Remember, the first sighting occurred

0:26:24.920 --> 0:26:30.000
<v Speaker 5>at night in the Creepynt area, so a panicked misidentification

0:26:30.320 --> 0:26:34.920
<v Speaker 5>was not surprising. After that story came out, people were

0:26:34.920 --> 0:26:38.720
<v Speaker 5>conditioned to interpret any large flying thing as the Mothman.

0:26:40.200 --> 0:26:43.080
<v Speaker 5>But what about the shiny red eyes that witnesses mentioned.

0:26:44.359 --> 0:26:48.040
<v Speaker 5>A different explanation may account for these encounters.

0:26:48.600 --> 0:26:53.119
<v Speaker 7>Joe Nickel has determined, and I agree that bard Ow's

0:26:53.640 --> 0:26:56.640
<v Speaker 7>are probably some of the cases, but I think those

0:26:56.680 --> 0:26:59.960
<v Speaker 7>are where eyeshine is seen. So Joe Nickel put forth

0:27:00.359 --> 0:27:03.320
<v Speaker 7>that in cases where I shine that it was most

0:27:03.440 --> 0:27:05.439
<v Speaker 7>likely people were seeing barn owls.

0:27:06.880 --> 0:27:10.720
<v Speaker 5>Nicol had published an article in The Skeptical Enquirer right

0:27:10.760 --> 0:27:15.000
<v Speaker 5>as the Mothman Prophecies movie was being released, identifying the

0:27:15.040 --> 0:27:20.400
<v Speaker 5>Mothman as a barn owl. He later corrected himself asserting

0:27:20.400 --> 0:27:23.679
<v Speaker 5>that it was a barred owl that was responsible for

0:27:23.720 --> 0:27:26.720
<v Speaker 5>the sightings that referenced red reflective eyes.

0:27:28.359 --> 0:27:32.280
<v Speaker 12>I once did a Mothman and rushed to print because

0:27:32.320 --> 0:27:34.200
<v Speaker 12>there was a movie coming out. I made a big

0:27:34.280 --> 0:27:37.199
<v Speaker 12>mistake and I identified it as the Barnell again, and

0:27:37.240 --> 0:27:41.679
<v Speaker 12>then nobody caught anything. But I realized later with further

0:27:41.760 --> 0:27:45.240
<v Speaker 12>research that I was wrong. It wasn't a barnell. It

0:27:45.320 --> 0:27:49.040
<v Speaker 12>was a barred owl, and I knew for sure because

0:27:49.080 --> 0:27:53.280
<v Speaker 12>it had crimson eye shine and that just tells you

0:27:53.359 --> 0:27:57.399
<v Speaker 12>it's a barnell for sure. I even had a wildlife

0:27:57.440 --> 0:28:00.560
<v Speaker 12>expert take me out one evening. My wife and I

0:28:00.680 --> 0:28:04.200
<v Speaker 12>wore moccasins and went with him out into the wilderness

0:28:04.280 --> 0:28:06.560
<v Speaker 12>and he knew right where there was a big, tall,

0:28:06.760 --> 0:28:10.200
<v Speaker 12>tall tree with bar dowls, and I got to shine

0:28:10.200 --> 0:28:14.760
<v Speaker 12>a spotlight up and see those like bicycle reflectors. Turned

0:28:14.800 --> 0:28:18.159
<v Speaker 12>out on further research where Mothman was first seen was

0:28:18.200 --> 0:28:23.440
<v Speaker 12>a bird sanctuary wildlife sanctuary with known bar dowls right there.

0:28:24.760 --> 0:28:27.960
<v Speaker 4>And then in January somebody shot a large owl down

0:28:28.000 --> 0:28:32.080
<v Speaker 4>there and so they which solved the mystery. It's an owl,

0:28:32.520 --> 0:28:34.600
<v Speaker 4>and the owl of quested about this high it was

0:28:34.600 --> 0:28:39.360
<v Speaker 4>a pretty big owl. But again the witnesses went around

0:28:39.800 --> 0:28:41.680
<v Speaker 4>and looked at the aisle, and he said, no, that's

0:28:41.720 --> 0:28:44.320
<v Speaker 4>not the moth man. The month man is from six

0:28:44.400 --> 0:28:48.600
<v Speaker 4>to seven feet toll. He has two large red eyes

0:28:48.720 --> 0:28:49.840
<v Speaker 4>two inches in diameter.

0:28:51.520 --> 0:28:54.320
<v Speaker 5>Keel ignores the idea that the barred owl and the

0:28:54.400 --> 0:28:58.440
<v Speaker 5>crane or heron are responsible for different sightings or different

0:28:58.440 --> 0:29:02.680
<v Speaker 5>parts of the same sighting. Again, people were primed to

0:29:02.720 --> 0:29:07.239
<v Speaker 5>see the mothman. Any eerie encounter would be interpreted through that.

0:29:07.400 --> 0:29:14.320
<v Speaker 5>Lens Keel maintained that zoological explanations for the mothman were inadequate.

0:29:15.320 --> 0:29:19.240
<v Speaker 5>In fact, he questioned whether the mothman was actually flying

0:29:19.280 --> 0:29:22.760
<v Speaker 5>in the way a bird or I guess a moth would.

0:29:24.080 --> 0:29:27.240
<v Speaker 4>Now all of the witnesses say the same thing. He

0:29:27.320 --> 0:29:31.280
<v Speaker 4>has a wingspread of ten feet. And here's another little irony.

0:29:31.480 --> 0:29:35.720
<v Speaker 4>And actually this size needs very large wings to support it.

0:29:36.120 --> 0:29:39.240
<v Speaker 4>A human being, you or I, if we were going

0:29:39.280 --> 0:29:43.280
<v Speaker 4>to make a glider that we could strap on ourselves

0:29:43.320 --> 0:29:45.880
<v Speaker 4>and fly with that, we would need a wingspan of

0:29:45.920 --> 0:29:50.200
<v Speaker 4>about thirty five feet. Now, mothman is bigger than we are,

0:29:50.720 --> 0:29:53.240
<v Speaker 4>and he's got a ten foot wingspan, and he flies anyway,

0:29:53.360 --> 0:29:56.920
<v Speaker 4>like the bumblebee. Some of the witnesses down there, and

0:29:57.000 --> 0:29:58.920
<v Speaker 4>I'll say that they have heard the sound of some

0:29:59.040 --> 0:30:02.560
<v Speaker 4>kind of motor sounds the object passes over their head.

0:30:03.880 --> 0:30:06.520
<v Speaker 4>So possibly this thing is propelled by something.

0:30:07.880 --> 0:30:10.720
<v Speaker 5>Now Kiel is speculating that the mothman might be wearing

0:30:10.760 --> 0:30:14.360
<v Speaker 5>a kind of jetpack and not using his wings at all.

0:30:15.560 --> 0:30:18.520
<v Speaker 4>The wings do not move when it's in flight. When

0:30:18.560 --> 0:30:21.440
<v Speaker 4>this creature is standing on the ground, his wings are

0:30:21.440 --> 0:30:25.520
<v Speaker 4>pulled back, and then when he takes off, the wings spread.

0:30:26.000 --> 0:30:27.840
<v Speaker 4>As I said last night, no one has seen any

0:30:27.960 --> 0:30:30.480
<v Speaker 4>arms on a thing. The wings spread, the thing takes

0:30:30.520 --> 0:30:34.920
<v Speaker 4>off straight out. Now, most large birds need a running start,

0:30:35.080 --> 0:30:37.080
<v Speaker 4>and this thing doesn't do that. It just goes straight

0:30:37.120 --> 0:30:40.120
<v Speaker 4>up in the air and then goes straight across and

0:30:40.520 --> 0:30:44.800
<v Speaker 4>pursues whatever it's pursuing. People or automombile are buying to

0:30:44.880 --> 0:30:46.720
<v Speaker 4>his flying saucer to go away.

0:30:48.360 --> 0:30:54.360
<v Speaker 5>Here, Keel has directly connected the mothman to the UFO sightings. Again,

0:30:55.120 --> 0:30:56.080
<v Speaker 5>Daniel Reid.

0:30:57.120 --> 0:31:01.320
<v Speaker 7>I think that there was a lot of well, I

0:31:01.320 --> 0:31:03.480
<v Speaker 7>don't want to say hysteria, but there was a lot

0:31:03.520 --> 0:31:07.400
<v Speaker 7>of imaginative people that were involved in looking for it,

0:31:07.520 --> 0:31:09.800
<v Speaker 7>and so on and so forth. I think that a

0:31:09.840 --> 0:31:14.440
<v Speaker 7>lot of the hype that came of this was a

0:31:14.480 --> 0:31:16.920
<v Speaker 7>lot of imagination on a lot of different people's parts,

0:31:17.040 --> 0:31:20.360
<v Speaker 7>and the stories conflated, many went into one and it

0:31:20.480 --> 0:31:21.840
<v Speaker 7>ended up being what we have now.

0:31:23.600 --> 0:31:27.600
<v Speaker 8>It spawned numerous documentaries, and you can say, well, the

0:31:27.600 --> 0:31:30.000
<v Speaker 8>Mathman story was out there before kil wrote it. It was

0:31:30.040 --> 0:31:32.840
<v Speaker 8>in the late sixties. Keell's book came out in the

0:31:32.880 --> 0:31:36.000
<v Speaker 8>mid seventies. So why does Kill get the credit for it,

0:31:36.040 --> 0:31:38.160
<v Speaker 8>Because he's the one who put the story out there

0:31:38.600 --> 0:31:41.480
<v Speaker 8>and packaged it in such a way that it grabbed

0:31:41.520 --> 0:31:42.240
<v Speaker 8>the imagination.

0:31:43.480 --> 0:31:46.240
<v Speaker 13>But don't forget there's lots and lots of other equally

0:31:46.360 --> 0:31:51.720
<v Speaker 13>baffling mysteries, UFO flaps and monster outbreaks that haven't had

0:31:52.360 --> 0:31:55.360
<v Speaker 13>that sort of storytelling imput. You know that are being

0:31:55.400 --> 0:31:58.400
<v Speaker 13>forgotten about. You know that there in the archives some way.

0:31:58.520 --> 0:32:00.920
<v Speaker 13>You know they were reported in a local newspaper or something.

0:32:02.200 --> 0:32:06.560
<v Speaker 5>Folklorist and journalist David Clark we heard from him last

0:32:06.600 --> 0:32:10.080
<v Speaker 5>season about his research into the Rendolsome Forest encounters.

0:32:11.160 --> 0:32:14.959
<v Speaker 13>But he needs someone like a proselytizer, like John Fuller

0:32:15.160 --> 0:32:17.480
<v Speaker 13>with Betty Barney Hill, and like John Keele with the

0:32:17.520 --> 0:32:21.440
<v Speaker 13>Mothman and like Arthur Shuppelwood for the Warmingster mystery in

0:32:21.480 --> 0:32:24.680
<v Speaker 13>England in the nineteen sixties, to transform that into a legend.

0:32:25.360 --> 0:32:29.160
<v Speaker 13>If you don't have that, then these stories fade away

0:32:29.440 --> 0:32:33.000
<v Speaker 13>or become obscure mysteries that you know, turn up some

0:32:33.160 --> 0:32:35.640
<v Speaker 13>in a book, some wear a few lines. So I

0:32:35.680 --> 0:32:39.440
<v Speaker 13>think it's important to have that storytelling element, and effectively,

0:32:39.880 --> 0:32:43.400
<v Speaker 13>all the best stories live on because they are good stories.

0:32:44.040 --> 0:32:47.920
<v Speaker 13>It's something inside us that we react emotionally to those stories.

0:32:47.960 --> 0:32:50.880
<v Speaker 13>That's why the legend of King Arthur has lived on,

0:32:50.920 --> 0:32:53.960
<v Speaker 13>and the legend of Robin Hood. Whereas you know, Robin

0:32:53.960 --> 0:32:56.280
<v Speaker 13>Hood was this medieval outlaw, but there's tons of other

0:32:56.320 --> 0:33:00.520
<v Speaker 13>medieval outlaws who peoples have been long forgotten about. If

0:33:00.520 --> 0:33:02.520
<v Speaker 13>I mentioned one of their names, that you'd say who.

0:33:04.680 --> 0:33:07.760
<v Speaker 5>John Keel took the events of nineteen sixty six in

0:33:07.840 --> 0:33:12.080
<v Speaker 5>nineteen sixty seven around Point Pleasant, West Virginia and turned

0:33:12.120 --> 0:33:15.200
<v Speaker 5>them into a story whose tentacles spread from the Mothman

0:33:15.360 --> 0:33:19.360
<v Speaker 5>sightings to other parts of this country and other phenomena

0:33:19.640 --> 0:33:24.400
<v Speaker 5>occurring around where the Mothman was seen. In this broadening

0:33:24.440 --> 0:33:27.720
<v Speaker 5>of the tale, we can see signs of Keel's beliefs

0:33:27.760 --> 0:33:32.520
<v Speaker 5>about paranormal phenomena, beliefs that can be seen behind the

0:33:32.600 --> 0:33:36.600
<v Speaker 5>work being carried out by government funded UFO investigators today.

0:33:38.440 --> 0:33:43.840
<v Speaker 5>So what did John Keele really believe? Next time on

0:33:43.880 --> 0:33:52.520
<v Speaker 5>Strange Arrivals.

0:33:53.600 --> 0:33:57.000
<v Speaker 1>Strange Arrivals is a production of iHeartRadio and Grimm and

0:33:57.040 --> 0:34:00.800
<v Speaker 1>Mild from Aaron Manky. This episode was written and hosted

0:34:00.840 --> 0:34:05.240
<v Speaker 1>by Toby Ball and produced by rima Il Kayali, Jesse Funk,

0:34:05.560 --> 0:34:10.719
<v Speaker 1>and Noemi Griffin, with executive producers Alexander Williams, Matt Frederick,

0:34:10.920 --> 0:34:15.400
<v Speaker 1>and Aaron Mankey, and supervising producer Josh Thame, with voice

0:34:15.440 --> 0:34:20.160
<v Speaker 1>acting by Ben Bolin and Noemi Griffin. Learn more about

0:34:20.200 --> 0:34:24.719
<v Speaker 1>the show at Grimminmild dot com, slash Strange Arrivals and

0:34:24.800 --> 0:34:29.160
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