WEBVTT - Locker Room Talk with Melissa Ludtke

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<v Speaker 1>Welcome to Good Game, where we're rereading this Mirror and

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<v Speaker 1>Fader deep dive on Paige Becker's for a second time.

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<v Speaker 2>Miron's one of the best, and she's done it again.

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<v Speaker 2>On today's show, we're going to talk.

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<v Speaker 1>To award winning journalist Melissa Ludkey about her new book,

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<v Speaker 1>Locker Room Talk, A Woman Struggled to get inside, and

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<v Speaker 1>how she won her lawsuit against Major League Baseball to

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<v Speaker 1>earn the right to locker room access. Plus WNBA Playoffs,

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<v Speaker 1>close Talkers, and more. It's all coming up right after

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<v Speaker 1>this welcome back slices. Meche has your need to note today,

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<v Speaker 1>Take it away, Mesh.

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<v Speaker 3>The Connecticut Sun in Minnesota Lynks meet tonight in a winner,

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<v Speaker 3>go home Game five to determine who will face off

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<v Speaker 3>against the New York Liberty in the WNBA Finals. The

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<v Speaker 3>Connecticut son are looking to make it back to the

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<v Speaker 3>finals for the second time in three years, while the

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<v Speaker 3>Links are looking for their first finals appearance since winning

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<v Speaker 3>it All in twenty seventeen. In other basketball news, sisters

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<v Speaker 3>Isabelle and Dory Harrison are both gonna hoop in the

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<v Speaker 3>upcoming season of Athletes Unlimited Basketball in Nashville Tennessee. And

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<v Speaker 3>it's even cooler because that's where they grew up. Talk

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<v Speaker 3>about a full circle moment with your pal. I don't

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<v Speaker 3>actually know if they like each other as siblings. I

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<v Speaker 3>don't know nothing about that. I'm an only child. That

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<v Speaker 3>ain't my business. But Izzy plays in the WNBA for

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<v Speaker 3>the Chicago Sky and has been a part of AU

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<v Speaker 3>since the league's inaugural twenty twenty two season, while Dorry made.

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<v Speaker 2>Her AU debut last year.

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<v Speaker 3>The twenty four game AU season will run from February

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<v Speaker 3>fifth through March second at the Nashville Municipal Auditorium. In

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<v Speaker 3>hockey news, GG Marvin is retiring after a long career

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<v Speaker 3>that included three Olympics, seven World Championship appearances in one

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<v Speaker 3>Walter Cup Finals run. The thirty seven year old was

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<v Speaker 3>a member of the US Olympic team that won gold

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<v Speaker 3>in twenty eighteen, ending a nearly two decade gold medal

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<v Speaker 3>drought during which Canada topped the podium four straight times.

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<v Speaker 3>Marvin initially retired from the national team in twenty twenty one,

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<v Speaker 3>but she returned to competitive hockey last year in order

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<v Speaker 3>to play for Boston in the inaugural PWHL season.

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<v Speaker 2>P WHL.

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<v Speaker 3>Boston went on to make the Walter Cup Finals, losing

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<v Speaker 3>to Minnesota in a decisive game five. Thanks so much

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<v Speaker 3>for everything, Gigi. We're gonna Misha. And in tennis, the

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<v Speaker 3>tournaments keep on coming. The Wuhan Open got started yesterday

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<v Speaker 3>at the Optics Valley International Tennis Center. The tournament features

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<v Speaker 3>a stacked field including Coco Golf, who just won the

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<v Speaker 3>China Open, and Arena Sabalanka, the number one seed in

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<v Speaker 3>the tournament and the number two rink player in the world.

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<v Speaker 3>World number one IGOs Viantik withdrew from the tournament after

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<v Speaker 3>splitting with her coach of three seasons at the end

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<v Speaker 3>of last week. Arena Sabalanka took home the trophy at

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<v Speaker 3>the last iteration of the contest way back in twenty nineteen,

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<v Speaker 3>beating American Alison Risk in three sets. Sabalanka was also

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<v Speaker 3>the champion twenty eighteen. And we'll look to three pte.

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<v Speaker 2>Thanks Mesh, we got to take another break. Well we

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<v Speaker 2>come back. Melissa Ludkey.

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<v Speaker 1>She's an award winning journalist who in nineteen seventy eight

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<v Speaker 1>won a law suit for the right to be allowed

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<v Speaker 1>in Major League Baseball locker rooms. She's worked for ABC Sports, Sports, Illustrated,

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<v Speaker 1>Time Magazine, CBS News, and spent thirteen years as a

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<v Speaker 1>writer and editor for The Niemen Reports, magazine of Harvard

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<v Speaker 1>University's Nieman Foundation for Journalism. This year, she released a

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<v Speaker 1>new book, Locker Room Talk, A woman Struggle to get inside.

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<v Speaker 1>She's a Wellesley alum, like producer Alex. Will have to

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<v Speaker 1>let them chat about that later. It's Melissa Lutkey. What's up, Melissa.

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<v Speaker 1>Thanks for joining us.

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<v Speaker 4>Hey, that's the best news I've heard recently. Alex. I'll

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<v Speaker 4>just ask you at some point if we do our

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<v Speaker 4>reunion together.

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<v Speaker 1>There we go, Melissa, This conversation in your book is

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<v Speaker 1>actually especially relevant now. The WNBA doesn't currently allow media

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<v Speaker 1>access in the locker room. That was the change made

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<v Speaker 1>a few years ago, and just last week the NFLP

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<v Speaker 1>announced publicly that they've been working to follow suit, spending

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<v Speaker 1>the last three years and discussions to try to move

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<v Speaker 1>media interviews out of locker rooms. Now, before we get

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<v Speaker 1>into the modern conversations about that space and access, I

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<v Speaker 1>want to go back to your particular fight and how

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<v Speaker 1>it all fits in. So let's start with how you

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<v Speaker 1>got into sports reboarding and why you felt confident and

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<v Speaker 1>comfortable pursuing the job despite so few women and what

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<v Speaker 1>was often a really toxic environment at that time.

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<v Speaker 4>Sarah, I don't think I understood the toxicity the environment.

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<v Speaker 4>What drove me to get into it was absolute love

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<v Speaker 4>of sports and a knowledge and a love of baseball

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<v Speaker 4>that had been passed down to me from my mom.

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<v Speaker 4>When I did graduate from Wellesley College in nineteen seventy three,

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<v Speaker 4>I really had no plan. I'd majored in art history,

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<v Speaker 4>which I loved studying, but I'd worked in an art

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<v Speaker 4>gallery and that had maybe decided that that was not

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<v Speaker 4>the venue for me to be happy in a job,

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<v Speaker 4>and so I began to think about the other passions

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<v Speaker 4>that drove me. One of them was teaching, but the

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<v Speaker 4>other really was sports. I didn't know it at the time,

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<v Speaker 4>but I had an exceptional girlhood in the sense that

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<v Speaker 4>I had the opportunity to play team sports. In the

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<v Speaker 4>nineteen fifty and sixties, when you're growing up, you think

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<v Speaker 4>everyone is doing what you're doing. You just don't have

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<v Speaker 4>a wider perspective. But I've come to learn over the

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<v Speaker 4>years and appreciate even more the opportunities I had. So

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<v Speaker 4>not only could I talk sports, my mother teaching me baseball,

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<v Speaker 4>my dad taking me along at football games. Basketball was

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<v Speaker 4>something we watched in our house. I played basketball. I

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<v Speaker 4>really had a grounding in it that I was once

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<v Speaker 4>told And this is really the spur to me moving

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<v Speaker 4>into sports media. After having the opportunity to sit at

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<v Speaker 4>a dinner table with Frank Gifford, who was then at

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<v Speaker 4>ABC Sports, he'd just become one of the opening trio

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<v Speaker 4>on Monday Night Football with Dandy, Don Meredith and Howard Cosell.

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<v Speaker 4>So he was a very well known sports broadcaster. And

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<v Speaker 4>after we had talked across a dining room table for

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<v Speaker 4>I don't know, maybe an hour and a half with

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<v Speaker 4>just sports, sports, sports, he told me, you know that

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<v Speaker 4>for a girl, I knew a lot about sports, and

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<v Speaker 4>I thought, wow, I mean, you know, that was a

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<v Speaker 4>huge compliment, I thought, coming from him, And he followed

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<v Speaker 4>it up with an invitation that if I was in

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<v Speaker 4>New York, he would be happy to show me around

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<v Speaker 4>ABC Sports and introduce me to the people who worked there.

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<v Speaker 4>So when I went to dinner that night, I had

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<v Speaker 4>no intention of going to New York City, But as

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<v Speaker 4>I walked home from that dinner, I was already planning

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<v Speaker 4>a trip, it would take a couple of weeks to

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<v Speaker 4>pull it together, and in those intervening weeks, Sarah, you

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<v Speaker 4>can't make this up. Billy Jean King played Bobby Riggs

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<v Speaker 4>at the Houston Astrodome in that Battle of the Sexes, which,

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<v Speaker 4>in many ways, coming on the heels of the passage

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<v Speaker 4>of Title nine, really began to change everything. And it

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<v Speaker 4>was at that time that I did take my father's

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<v Speaker 4>car drive down to New York, have a chance for

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<v Speaker 4>Frank to show me around. And the last thing I'll

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<v Speaker 4>say is that Frank left me that afternoon in the

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<v Speaker 4>office of the only woman sports producer at ABC Sports.

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<v Speaker 4>She then invited me to stay an extra couple days.

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<v Speaker 4>They were going to be doing a special on women

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<v Speaker 4>in sports and evening special. And when I said yes

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<v Speaker 4>and hung out for three more days with them, Billy

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<v Speaker 4>Jean King walked up the stairs into that studio and Sarah,

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<v Speaker 4>I had no idea how, but I knew at that

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<v Speaker 4>moment that I was going to figure out a way

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<v Speaker 4>to get into sports media.

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<v Speaker 1>Gosh, it sounds like truly the stars aligned to bring

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<v Speaker 1>you into the space. It also helps me confirm my

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<v Speaker 1>pre existing theory that Billy Jing King is the forrest

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<v Speaker 1>Gump of women in sports that at any time, in

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<v Speaker 1>any place, someone will tell a story, and Billy jan

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<v Speaker 1>King was always there.

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<v Speaker 2>I love that she played role in your story too.

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<v Speaker 1>So it's the mid seventies, you're reporting for Sports Illustrated.

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<v Speaker 1>You're the only woman assigned full time to Major League Baseball.

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<v Speaker 1>The Yankees give you a credential for the final games

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<v Speaker 1>of the regular season in nineteen seventy seven. What were

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<v Speaker 1>those first few games, like, how were you received by

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<v Speaker 1>players and managers and other media.

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<v Speaker 4>Well, the reason that they gave me those two credentials,

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<v Speaker 4>and you're right, the very last two games of the

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<v Speaker 4>nineteen seventy seven season, Mickey Morribido, the very young PR,

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<v Speaker 4>first year PR person for the Yankees, gave me the

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<v Speaker 4>clubhouse passes. Now, let's be sure that we understand that

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<v Speaker 4>that was after two years of me gradually gradually earning

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<v Speaker 4>the trust both of Mickey but also the players being

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<v Speaker 4>up at that ballg park game after game after game,

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<v Speaker 4>having no access whatsoever, and Mickey coming to understand by

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<v Speaker 4>watching the frustrations that I would have with my reporting,

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<v Speaker 4>first opening up the manager's office for me after the games,

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<v Speaker 4>and then those last two games, deciding, for whatever reason,

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<v Speaker 4>leaving those two passes for me. And when I went

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<v Speaker 4>out on the field, I said, Mickey, you left these passes.

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<v Speaker 4>Did you really mean to He said yes, He says,

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<v Speaker 4>you certainly earned the right to do this, use them

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<v Speaker 4>how you want. And I think you said that knowing

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<v Speaker 4>me very well. By that point, I was really understanding

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<v Speaker 4>that to make this work I had to be a gradualist.

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<v Speaker 4>This wasn't banging down a door, It wasn't demanding. It

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<v Speaker 4>was being the only woman up there, and that meant

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<v Speaker 4>trying to get along with the men, trying not to

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<v Speaker 4>upset them in the process of making forward progress for me.

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<v Speaker 4>So the fact that Micky recognized that and gave me

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<v Speaker 4>the two passes, Sarah, I only used them before the game, which,

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<v Speaker 4>for some mysterious reason, i'd alway been kept out of

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<v Speaker 4>the clubhouse. Then too, the commissioner contended that the reason

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<v Speaker 4>for me being out of the clubhouse was to protect

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<v Speaker 4>the sexual privacy of players. Well before the game started,

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<v Speaker 4>between batting practice and the game, not one player changed

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<v Speaker 4>out of his uniform. So I went into the clubhouse

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<v Speaker 4>during that period. For those two games, I didn't need

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<v Speaker 4>to be there like a daily reporter might for the

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<v Speaker 4>game coverage afterwards. And so again, as a gradualist, you know,

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<v Speaker 4>I have to frankly say it worked fine. The players

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<v Speaker 4>knew me, they were prepared by Mickey that I had

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<v Speaker 4>the pass, and things worked out well well enough. I

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<v Speaker 4>might add that not one baseball reporter wrote about me

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<v Speaker 4>being in the locker room during those two games, or

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<v Speaker 4>during the American League Championship series, in which I was

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<v Speaker 4>also in the locker room, which gave me a sense

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<v Speaker 4>that maybe my gradualist kind of mother may I approach

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<v Speaker 4>had actually worked. So when we come to that nineteen

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<v Speaker 4>seventy seven World Series, I have a sense, why wouldn't

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<v Speaker 4>I have a sense at that point that maybe we're

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<v Speaker 4>going to make this work.

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<v Speaker 1>Throughout those games, you only went in before the game,

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<v Speaker 1>Yes you didn't.

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<v Speaker 4>No, that is not the case. I'm sorry I did that.

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<v Speaker 4>Just those two games. And then during the American League

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<v Speaker 4>Championship I was in the locker room both before games

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<v Speaker 4>as well as.

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<v Speaker 2>After, and no incidents, no one complaining.

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<v Speaker 4>No incidents. I wasn't thrown out. I wouldn't say that

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<v Speaker 4>there were no incidents. I mean there were players who

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<v Speaker 4>very much voiced their disapproval of my presence among them.

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<v Speaker 4>But I came. I understood from the very beginning that

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<v Speaker 4>this was their clubhouse, this was their locker room, and

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<v Speaker 4>if something egregious happened, I had a sense that I

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<v Speaker 4>would understand a redline and if a player lost, then

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<v Speaker 4>I would either say or do something or leave. And

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<v Speaker 4>you know, share with Mickey my experience. But none of

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<v Speaker 4>that happened. Yes, were their jokes made. Yes, were there

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<v Speaker 4>are things that were probably said of me at the

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<v Speaker 4>time that were uncomfortable to year, Yes, but you know

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<v Speaker 4>that was part of what I knew would happen. I mean,

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<v Speaker 4>I just knew it. So your roll with it.

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<v Speaker 1>So it ends up happening that the first game of

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<v Speaker 1>the nineteen seventy seven World Series arrives, the Los Angeles

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<v Speaker 1>Dodgers actually had a vote during which the players approved

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<v Speaker 1>your presence in the locker room and agreed with the

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<v Speaker 1>Yankees that it was fine that you were in there,

0:12:37.640 --> 0:12:40.320
<v Speaker 1>but the Commissioner of Baseball, Booie Kune, banned you from

0:12:40.360 --> 0:12:42.880
<v Speaker 1>the locker room because of your gender. Take us to

0:12:42.960 --> 0:12:45.360
<v Speaker 1>that day, Like you said, at this point, you've arrived

0:12:45.360 --> 0:12:48.400
<v Speaker 1>at the World Series, believing that the barrier has been broken,

0:12:48.440 --> 0:12:50.120
<v Speaker 1>and now you're a part of the crew that goes

0:12:50.160 --> 0:12:52.040
<v Speaker 1>in the locker room. How do you find out that

0:12:52.120 --> 0:12:54.400
<v Speaker 1>this is a problem and that Booie has stepped in?

0:12:54.920 --> 0:12:58.160
<v Speaker 4>Yeah, I mean the Dodgers were in town. I recognized

0:12:58.240 --> 0:13:00.160
<v Speaker 4>right away that they had never had a woman and

0:13:00.240 --> 0:13:04.040
<v Speaker 4>covering them. So it was actually by me going to

0:13:04.120 --> 0:13:06.560
<v Speaker 4>them what I thought of as playing a sort of

0:13:06.679 --> 0:13:10.400
<v Speaker 4>courtesy call, explaining to them that I had a pass

0:13:10.480 --> 0:13:14.400
<v Speaker 4>that said I had entrance to the clubhouse, telling them

0:13:14.440 --> 0:13:18.319
<v Speaker 4>about my experiences with the Yankees. I hoped that that

0:13:18.400 --> 0:13:21.520
<v Speaker 4>would ease the way for them to understand that I

0:13:21.640 --> 0:13:24.920
<v Speaker 4>might be coming into their clubhouse as well. It was

0:13:25.000 --> 0:13:28.520
<v Speaker 4>because of the conversation that I'm kind of relaying to

0:13:28.600 --> 0:13:31.280
<v Speaker 4>you at this point, with those elements in it that

0:13:31.360 --> 0:13:34.400
<v Speaker 4>I had with their player Rep. Tommy John, that that

0:13:34.559 --> 0:13:38.760
<v Speaker 4>vote was taken. And right before the first game, Tommy

0:13:38.840 --> 0:13:42.120
<v Speaker 4>John came out to meet me, as he said he would,

0:13:42.760 --> 0:13:45.000
<v Speaker 4>told me that it was a majority of players that

0:13:45.160 --> 0:13:49.079
<v Speaker 4>they understood and that it was fine with them for

0:13:49.120 --> 0:13:52.960
<v Speaker 4>me to be in there, And so that was how

0:13:53.000 --> 0:13:57.120
<v Speaker 4>I walked away from him. He then called me back however,

0:13:57.679 --> 0:14:01.160
<v Speaker 4>and asked me another favor, and that was to let

0:14:01.240 --> 0:14:06.520
<v Speaker 4>their PR people know that this might happen. And it

0:14:06.640 --> 0:14:11.600
<v Speaker 4>was that going my willingness to convey that message to

0:14:11.720 --> 0:14:14.679
<v Speaker 4>the PR people on behalf of Tommy and the team

0:14:15.520 --> 0:14:19.600
<v Speaker 4>that sort of sealed my fate, which I was informed

0:14:19.640 --> 0:14:21.680
<v Speaker 4>of five innings later.

0:14:22.320 --> 0:14:25.600
<v Speaker 1>So their PR person went to the commissioner, presumably and

0:14:25.880 --> 0:14:28.240
<v Speaker 1>maybe decided that that would be the person that they

0:14:28.240 --> 0:14:30.360
<v Speaker 1>would have to do their dirty work. Perhaps the PR

0:14:30.400 --> 0:14:32.120
<v Speaker 1>person for the Dodgers was the one who wanted it.

0:14:32.160 --> 0:14:34.920
<v Speaker 1>Who knows, At the very least they managed to take

0:14:34.920 --> 0:14:37.440
<v Speaker 1>it to a commissioner who for sure wanted to prevent you.

0:14:37.760 --> 0:14:41.640
<v Speaker 1>So your five innings into the game, and who approaches

0:14:41.680 --> 0:14:45.360
<v Speaker 1>you and how soon after that game did you decide

0:14:45.360 --> 0:14:46.520
<v Speaker 1>that you were going to take up a fight.

0:14:47.160 --> 0:14:49.880
<v Speaker 4>During the fifth inning, I was sitting in the overflow

0:14:49.960 --> 0:14:53.920
<v Speaker 4>press box that was in the grand stands. Sports Illustrated

0:14:54.000 --> 0:14:57.480
<v Speaker 4>had four people assigned to the game. Only one of

0:14:57.480 --> 0:15:00.480
<v Speaker 4>them was in the main press box. So I called

0:15:00.480 --> 0:15:03.800
<v Speaker 4>over a very small loud speaker in our press box

0:15:04.240 --> 0:15:08.200
<v Speaker 4>to report to the main press box, and through a

0:15:08.280 --> 0:15:12.280
<v Speaker 4>series of conversations I had none of them directly with

0:15:12.360 --> 0:15:16.440
<v Speaker 4>the commissioner, even though I asked to speak with him directly,

0:15:16.480 --> 0:15:20.280
<v Speaker 4>since it was his edict, but I refused permission to

0:15:20.360 --> 0:15:23.480
<v Speaker 4>do that. The bottom line was that I was told

0:15:23.480 --> 0:15:27.000
<v Speaker 4>that it didn't matter if the Yankees gave permission. It

0:15:27.040 --> 0:15:29.880
<v Speaker 4>didn't matter that the Dodgers gave permission. It did not

0:15:30.080 --> 0:15:33.120
<v Speaker 4>matter that the Baseball Writers had given me permission by

0:15:33.120 --> 0:15:38.160
<v Speaker 4>issuing me that press credential. The only person in Baseball

0:15:38.440 --> 0:15:41.680
<v Speaker 4>who could give me permission was the commissioner, and he

0:15:41.720 --> 0:15:45.320
<v Speaker 4>would not He would take that permission away for the

0:15:45.480 --> 0:15:49.840
<v Speaker 4>entire series. And then added to that, I was told

0:15:50.120 --> 0:15:52.840
<v Speaker 4>permission would be not granted forever.

0:15:53.920 --> 0:15:57.640
<v Speaker 2>He was very young, My goodness, a lifetime ban of sorts.

0:15:57.720 --> 0:16:02.520
<v Speaker 4>Well, he was young, and it rose. Yeah, I guess so.

0:16:03.240 --> 0:16:05.680
<v Speaker 4>But I guess the difference is that if you live

0:16:05.760 --> 0:16:10.080
<v Speaker 4>long enough as I have my passes, that clubhouse pass

0:16:10.120 --> 0:16:13.000
<v Speaker 4>and my pass for the series is in the Hall

0:16:13.040 --> 0:16:13.440
<v Speaker 4>of Fame.

0:16:13.680 --> 0:16:16.080
<v Speaker 2>That's right, that's right. You've got one up on it

0:16:16.680 --> 0:16:17.080
<v Speaker 2>so far.

0:16:18.200 --> 0:16:22.080
<v Speaker 1>Okay, So in this moment, this feels very extreme. Not

0:16:22.160 --> 0:16:24.320
<v Speaker 1>only are we rejecting you right now, but don't bother

0:16:24.400 --> 0:16:27.240
<v Speaker 1>coming back later to ask again. You decide to file

0:16:27.280 --> 0:16:30.720
<v Speaker 1>a lawsuit, and I wonder what the response to the

0:16:30.760 --> 0:16:34.880
<v Speaker 1>lawsuit was. Let's start with from colleagues, your editor, or

0:16:34.880 --> 0:16:37.280
<v Speaker 1>your bosses. What kind of support or criticism did you get?

0:16:38.080 --> 0:16:40.880
<v Speaker 4>Well, it was actually my bosses. It was actually Time

0:16:40.920 --> 0:16:45.160
<v Speaker 4>Incorporated who came to me and asked if I would

0:16:45.200 --> 0:16:48.440
<v Speaker 4>be in a plaintiff in a lawsuit they would file

0:16:49.240 --> 0:16:52.920
<v Speaker 4>at the Southern District Court of Manhattan. This only came

0:16:53.000 --> 0:16:56.240
<v Speaker 4>about after several weeks. It might have even been two

0:16:56.280 --> 0:17:00.440
<v Speaker 4>months of negotiations that had gone on between the baseball

0:17:00.600 --> 0:17:04.280
<v Speaker 4>editor and the lawyer at Sports Illustrated and the commissioner

0:17:04.280 --> 0:17:08.120
<v Speaker 4>and his lawyer, And it was only toward the beginning

0:17:08.200 --> 0:17:12.280
<v Speaker 4>of December, I believe, when they realized that there was

0:17:12.480 --> 0:17:17.600
<v Speaker 4>no progress being made. Baseball believe that quote unquote, separate

0:17:17.640 --> 0:17:21.600
<v Speaker 4>accommodations would for me would be equal to what the

0:17:21.680 --> 0:17:25.320
<v Speaker 4>men had by interviewing the players in the clubhouse. We

0:17:25.480 --> 0:17:30.760
<v Speaker 4>disagreed fundamentally, separate would not be equal, and we demanded

0:17:30.800 --> 0:17:33.600
<v Speaker 4>equal access. There was no meeting of the minds to

0:17:33.680 --> 0:17:36.480
<v Speaker 4>be had. And it was at that point that Time

0:17:36.640 --> 0:17:41.280
<v Speaker 4>Ink made the decision Time Incorporated to file this lawsuit,

0:17:41.359 --> 0:17:44.640
<v Speaker 4>and they came to me and asked if I would

0:17:44.680 --> 0:17:47.359
<v Speaker 4>be the named plaintiff in the lawsuit.

0:17:47.520 --> 0:17:50.360
<v Speaker 1>As owners of Sports Illustrated, Time Inc. Which is where

0:17:50.359 --> 0:17:50.600
<v Speaker 1>we were.

0:17:50.840 --> 0:17:55.880
<v Speaker 4>Owners of Sports Illustrated. They had been sued a Time

0:17:55.920 --> 0:18:00.280
<v Speaker 4>Incorporated by their own women for gender discrimination and this

0:18:00.320 --> 0:18:05.119
<v Speaker 4>is across the company in the early nineteen seventies, and

0:18:05.240 --> 0:18:10.240
<v Speaker 4>had signed a conciliation agreement to end that legal action

0:18:10.880 --> 0:18:15.800
<v Speaker 4>by agreeing that from then that point out there would

0:18:15.840 --> 0:18:21.520
<v Speaker 4>be gender equality in assignments, etc. Now that wasn't instantly

0:18:21.600 --> 0:18:26.760
<v Speaker 4>something that happened, but I always believed that it was

0:18:26.880 --> 0:18:30.960
<v Speaker 4>because that conciliation agreement existed, that there was the pressure

0:18:32.040 --> 0:18:35.080
<v Speaker 4>through the legal department and the rest to make this happen.

0:18:35.680 --> 0:18:38.840
<v Speaker 4>They came to me, asked me, And you know, Sarah,

0:18:38.840 --> 0:18:41.520
<v Speaker 4>I was twenty six at the time. I started covering

0:18:41.600 --> 0:18:45.240
<v Speaker 4>baseball when I was twenty four, I was very naive

0:18:45.680 --> 0:18:48.880
<v Speaker 4>when I said yes, because I saw it through one

0:18:48.960 --> 0:18:52.199
<v Speaker 4>lens and one lens only. I wanted to do a

0:18:52.280 --> 0:18:56.639
<v Speaker 4>job I absolutely loved. I felt I was just really

0:18:56.640 --> 0:18:59.640
<v Speaker 4>getting to the point of learning how to do it.

0:19:00.200 --> 0:19:05.080
<v Speaker 4>Two years of really putting in my time at the ballparks,

0:19:05.960 --> 0:19:09.560
<v Speaker 4>I'd already written a few baseball stories by then I

0:19:09.680 --> 0:19:12.520
<v Speaker 4>just wanted to keep doing this. I loved it, and

0:19:12.560 --> 0:19:14.760
<v Speaker 4>I felt there was no reason for me not to

0:19:14.800 --> 0:19:17.200
<v Speaker 4>be able to do it. So I looked at it

0:19:17.240 --> 0:19:21.560
<v Speaker 4>totally as almost an employment lawsuit, But little did I

0:19:21.680 --> 0:19:25.920
<v Speaker 4>understand its cultural touchstones.

0:19:26.320 --> 0:19:29.840
<v Speaker 1>Yeah, it's nice, whether they're hand forced or not, that

0:19:29.920 --> 0:19:33.360
<v Speaker 1>you then felt the support legally and es of your

0:19:33.400 --> 0:19:36.520
<v Speaker 1>bosses and your company. Can you sum up the personal

0:19:36.560 --> 0:19:38.919
<v Speaker 1>price that you paid by being the face of the

0:19:39.119 --> 0:19:40.440
<v Speaker 1>of the change of that lawsuit.

0:19:42.280 --> 0:19:45.840
<v Speaker 4>I can try to sum it up. I certainly talk

0:19:45.960 --> 0:19:48.560
<v Speaker 4>about it in my in writing this book, and I

0:19:48.680 --> 0:19:51.400
<v Speaker 4>felt in writing the book that I had to be

0:19:51.760 --> 0:19:54.320
<v Speaker 4>incredibly well. I had to just be honest. I had

0:19:54.320 --> 0:19:59.600
<v Speaker 4>to be honest about the toll that being the target

0:20:00.119 --> 0:20:03.879
<v Speaker 4>of a lot of criticism of a person that I

0:20:03.960 --> 0:20:09.280
<v Speaker 4>didn't even see in myself. I was challenged, My morality

0:20:09.440 --> 0:20:13.600
<v Speaker 4>was challenged for wanting to do this. I was sexually

0:20:13.640 --> 0:20:20.119
<v Speaker 4>objectified in many ways, certainly not the loud misogyny that

0:20:20.200 --> 0:20:23.800
<v Speaker 4>you see on social media, because you had the civilizing

0:20:23.960 --> 0:20:27.679
<v Speaker 4>impact of the men had to have their bylines and

0:20:27.840 --> 0:20:31.679
<v Speaker 4>often their pictures on the top of the columns. But

0:20:31.880 --> 0:20:36.760
<v Speaker 4>to me it still felt harsh. It felt crude, it

0:20:36.840 --> 0:20:41.520
<v Speaker 4>felt demeaning. I didn't handle it well. So I guess

0:20:41.640 --> 0:20:45.160
<v Speaker 4>to add to the summation, I would say I made

0:20:45.200 --> 0:20:48.360
<v Speaker 4>some terrible decisions in my life in some ways as

0:20:48.400 --> 0:20:55.000
<v Speaker 4>a response to feeling very alone and targeted, perhaps to

0:20:55.000 --> 0:20:58.800
<v Speaker 4>some extent for being a single woman, you know, with

0:20:58.960 --> 0:21:03.640
<v Speaker 4>blonde hair, I was somewhat slim, so I think people

0:21:04.359 --> 0:21:09.000
<v Speaker 4>made a lot of assumptions about me, and the implications

0:21:09.040 --> 0:21:12.400
<v Speaker 4>were that I was there really to wanting to date

0:21:12.440 --> 0:21:15.840
<v Speaker 4>the ballplayers and to see them naked in their locker room.

0:21:16.200 --> 0:21:20.240
<v Speaker 4>So those were essentially the implications. So what I did

0:21:20.359 --> 0:21:23.920
<v Speaker 4>is I somewhat ran for cover. There was a sports

0:21:24.000 --> 0:21:27.680
<v Speaker 4>journalist I met a week after my lawsuit was filed,

0:21:28.920 --> 0:21:32.600
<v Speaker 4>and within three weeks he had asked me to marry him,

0:21:32.760 --> 0:21:36.159
<v Speaker 4>and I just lost my mind at that point and

0:21:36.200 --> 0:21:38.920
<v Speaker 4>I said I would. And it was a very bad

0:21:39.000 --> 0:21:41.840
<v Speaker 4>decision in my life that of course ended up with

0:21:41.960 --> 0:21:44.760
<v Speaker 4>a divorce several years later. But it was a very

0:21:44.840 --> 0:21:49.919
<v Speaker 4>very unhappy marriage and a very very wrong decision for

0:21:50.000 --> 0:21:52.959
<v Speaker 4>me to have made in the midst of what was

0:21:53.000 --> 0:21:55.480
<v Speaker 4>happening to me as part of this lawsuit.

0:21:55.960 --> 0:21:58.960
<v Speaker 1>Feels like protection though, or safety protection against rumors that

0:21:58.960 --> 0:22:04.520
<v Speaker 1>you're after something else, safety against accusations, and yeah, so it.

0:22:04.560 --> 0:22:06.879
<v Speaker 4>Was a safe harbor. You're right, there's a notion that

0:22:06.920 --> 0:22:08.119
<v Speaker 4>it would be a safe harbor.

0:22:08.400 --> 0:22:08.640
<v Speaker 3>Right.

0:22:09.359 --> 0:22:11.240
<v Speaker 2>What were your feelings after you won the lawsuit?

0:22:13.480 --> 0:22:18.480
<v Speaker 4>Relief? Relief that I felt like a year of coverage

0:22:19.000 --> 0:22:22.480
<v Speaker 4>about it might finally end. That was wrong. In fact,

0:22:22.520 --> 0:22:26.520
<v Speaker 4>it went into the next season, and certainly we've seen

0:22:26.560 --> 0:22:33.240
<v Speaker 4>indications of this same issues of women just in covering baseball,

0:22:33.640 --> 0:22:38.359
<v Speaker 4>incidents in locker room, sexual harassment, etc. Play out even

0:22:38.960 --> 0:22:43.520
<v Speaker 4>up till now. So you know, the victory in court

0:22:43.600 --> 0:22:46.880
<v Speaker 4>felt very good. I think I felt at the time,

0:22:46.960 --> 0:22:52.439
<v Speaker 4>again naively, that victory and court would lead to a

0:22:52.560 --> 0:22:57.560
<v Speaker 4>change in attitudes. I came to understand as I moved

0:22:57.560 --> 0:23:00.920
<v Speaker 4>through those decades, and certainly by the time I started

0:23:00.960 --> 0:23:04.320
<v Speaker 4>writing this book maybe in the last five, six, seven years,

0:23:04.960 --> 0:23:09.280
<v Speaker 4>that that change in attitude took takes a lot longer,

0:23:09.320 --> 0:23:12.639
<v Speaker 4>And in fact, I'd argue that we haven't quite gotten

0:23:12.680 --> 0:23:15.040
<v Speaker 4>to where I might have wished we'd gotten, even nearly

0:23:15.080 --> 0:23:16.040
<v Speaker 4>fifty years later.

0:23:16.600 --> 0:23:18.120
<v Speaker 2>Yeah, was there retaliation?

0:23:18.640 --> 0:23:22.520
<v Speaker 1>Were there other reporters or players or managers who knew

0:23:22.520 --> 0:23:25.000
<v Speaker 1>who you were when you came in after the loss.

0:23:25.000 --> 0:23:28.240
<v Speaker 1>It was one and after you were allowed and okay

0:23:28.280 --> 0:23:30.000
<v Speaker 1>to be in there, that you felt took it out

0:23:30.040 --> 0:23:31.400
<v Speaker 1>on you that you had changed things.

0:23:31.800 --> 0:23:34.919
<v Speaker 4>No, I don't feel like I was retaliated against. I

0:23:34.960 --> 0:23:38.400
<v Speaker 4>really don't. But I will say that a very dear

0:23:38.480 --> 0:23:41.760
<v Speaker 4>friend of mine, in fact, the only woman reporter who's

0:23:41.840 --> 0:23:44.840
<v Speaker 4>in the Hall of Fame in the Writer's Wing, Claire Smith,

0:23:45.520 --> 0:23:49.040
<v Speaker 4>was still dealing with sort of the residue of my

0:23:49.240 --> 0:23:53.280
<v Speaker 4>lawsuit and the action I'd taken, and it had been resolved,

0:23:53.280 --> 0:23:56.760
<v Speaker 4>we thought in seventy eight. She's still in nineteen eighty four,

0:23:57.320 --> 0:24:02.320
<v Speaker 4>was basically lifted up by two players Padres, lifted out

0:24:02.359 --> 0:24:05.560
<v Speaker 4>of the locker room, put in the hallway with manager,

0:24:05.720 --> 0:24:07.960
<v Speaker 4>the manager saying we don't want you in here, we

0:24:08.000 --> 0:24:11.080
<v Speaker 4>don't like you in here. And so you know, that

0:24:11.240 --> 0:24:14.080
<v Speaker 4>was still happening, and you know, in some ways buoy

0:24:14.200 --> 0:24:17.480
<v Speaker 4>Kyun was a man of his word, because it took

0:24:17.560 --> 0:24:21.639
<v Speaker 4>that incident in Chicago during the National League playoffs for

0:24:21.760 --> 0:24:26.880
<v Speaker 4>the brand new commissioner Peter Uberroth to issue finally a

0:24:26.920 --> 0:24:30.199
<v Speaker 4>statement that said we're no longer saying it would be

0:24:30.400 --> 0:24:34.600
<v Speaker 4>nice if you would treat all reporters the same while

0:24:34.640 --> 0:24:39.879
<v Speaker 4>they're there, we're saying that you will treat It's a mandate.

0:24:40.320 --> 0:24:43.919
<v Speaker 4>So it took Qune leaving. It might have taken that

0:24:44.080 --> 0:24:48.080
<v Speaker 4>incident that Claire had to go through that evening for

0:24:48.160 --> 0:24:52.400
<v Speaker 4>Peter Ruberroth and Baseball to make the official change in

0:24:52.440 --> 0:24:58.040
<v Speaker 4>its policy. But again we see through the decades indications

0:24:58.080 --> 0:25:01.000
<v Speaker 4>that attitudes still we're lagging.

0:25:01.520 --> 0:25:02.600
<v Speaker 2>Sort of like Title nine.

0:25:02.640 --> 0:25:05.000
<v Speaker 1>The law can exist, but the enforcement of it is

0:25:05.040 --> 0:25:06.399
<v Speaker 1>the thing that matters most.

0:25:06.800 --> 0:25:07.959
<v Speaker 2>So women can be allowed.

0:25:07.960 --> 0:25:10.080
<v Speaker 1>But over the decades, what you see so often is

0:25:10.119 --> 0:25:13.359
<v Speaker 1>that there are so many women repeating the stories about

0:25:13.440 --> 0:25:17.160
<v Speaker 1>not feeling fully welcome, being treated poorly, being treated differently,

0:25:17.560 --> 0:25:19.600
<v Speaker 1>even if technically they are allowed.

0:25:20.440 --> 0:25:23.399
<v Speaker 4>But I think you're absolutely right, Sarah. I sometimes think

0:25:23.440 --> 0:25:27.480
<v Speaker 4>back to the history of the Brown versus Board of Education,

0:25:28.160 --> 0:25:31.560
<v Speaker 4>in which was a nine nothing decision in the Supreme

0:25:31.560 --> 0:25:34.720
<v Speaker 4>Court in nineteen fifty four, and yet in the early

0:25:34.880 --> 0:25:39.119
<v Speaker 4>sixties you still found school systems throughout the South and

0:25:39.160 --> 0:25:42.480
<v Speaker 4>in other places who refuse to adhere to it, and

0:25:42.520 --> 0:25:45.719
<v Speaker 4>they set up separate academies so they didn't have to

0:25:45.760 --> 0:25:50.640
<v Speaker 4>adhere to it. So these things, despite an order, despite

0:25:50.760 --> 0:25:54.720
<v Speaker 4>a landmark ruling, take a lot more than that. They

0:25:54.760 --> 0:25:58.960
<v Speaker 4>take the pressure of influential people, moving people out of

0:25:59.080 --> 0:26:04.320
<v Speaker 4>habits into a different place in their thinking, and.

0:26:04.280 --> 0:26:05.440
<v Speaker 2>The fight sort of continues.

0:26:05.480 --> 0:26:07.960
<v Speaker 1>Every time we rest believing that something has been settled,

0:26:08.000 --> 0:26:10.280
<v Speaker 1>we run the risk of finding out later it hasn't,

0:26:10.359 --> 0:26:14.479
<v Speaker 1>as obviously Dobbs showed us, and as an effort to

0:26:14.520 --> 0:26:16.720
<v Speaker 1>turn back the time on some other things as as well.

0:26:17.200 --> 0:26:19.359
<v Speaker 1>Despite the fact that women still have to go in

0:26:19.400 --> 0:26:21.959
<v Speaker 1>and sometimes fight these fights on a smaller scale than

0:26:21.960 --> 0:26:25.199
<v Speaker 1>an actual lawsuit, which was your battle, you do recognize

0:26:25.200 --> 0:26:26.760
<v Speaker 1>the impact that you had on other women in the

0:26:26.800 --> 0:26:29.080
<v Speaker 1>space and other women joining the space in the years

0:26:29.119 --> 0:26:32.560
<v Speaker 1>that followed as a result of what you did. When

0:26:32.560 --> 0:26:34.639
<v Speaker 1>you're writing this book now and you look back, how

0:26:34.720 --> 0:26:37.000
<v Speaker 1>much pride do you feel in understanding the impact that

0:26:37.040 --> 0:26:38.720
<v Speaker 1>you had and putting your name on that lawsuit and

0:26:38.720 --> 0:26:39.640
<v Speaker 1>being the first.

0:26:40.280 --> 0:26:42.720
<v Speaker 4>Well, you're not seeing me right now, but I am smiling.

0:26:44.359 --> 0:26:47.520
<v Speaker 4>There was a lot of reflection that went into writing

0:26:47.560 --> 0:26:50.440
<v Speaker 4>this book on my part, and I think it's fair

0:26:50.480 --> 0:26:52.640
<v Speaker 4>to say that one of the things that I might

0:26:52.680 --> 0:26:55.879
<v Speaker 4>have felt even more as I set out to write

0:26:55.920 --> 0:26:59.360
<v Speaker 4>this story and till it was a sense of accomplishment

0:26:59.480 --> 0:27:03.080
<v Speaker 4>and Joy. I write in the book that I thought back,

0:27:04.000 --> 0:27:09.280
<v Speaker 4>as I was going through my early years to the

0:27:09.320 --> 0:27:12.560
<v Speaker 4>words that Shirley Chisholm, who had been the first black

0:27:12.560 --> 0:27:15.760
<v Speaker 4>woman to have a seat in Congress. She was my

0:27:15.880 --> 0:27:20.440
<v Speaker 4>commencement speaker in nineteen seventy three, and at our commencement

0:27:20.720 --> 0:27:24.760
<v Speaker 4>she made a point of talking about her own activism.

0:27:24.880 --> 0:27:28.800
<v Speaker 4>She had run for president the year before, so she

0:27:28.960 --> 0:27:32.479
<v Speaker 4>was very well known as an activist for civil rights

0:27:32.520 --> 0:27:37.600
<v Speaker 4>and also women's rights. She urged us, as highly educated

0:27:37.640 --> 0:27:41.439
<v Speaker 4>women to find our place in what she called the

0:27:41.480 --> 0:27:45.600
<v Speaker 4>social movements of our time. I had not done that.

0:27:46.520 --> 0:27:50.920
<v Speaker 4>I had gone into sports media. They were eighteen nineteen

0:27:50.960 --> 0:27:53.399
<v Speaker 4>hour days for me because of my time at the

0:27:53.480 --> 0:27:57.159
<v Speaker 4>ballpark every night. I hadn't carved out a space to

0:27:57.320 --> 0:28:02.200
<v Speaker 4>really become the participatory, act activist in either of those movements,

0:28:02.640 --> 0:28:06.480
<v Speaker 4>although my heart was certainly with them. But I looked

0:28:06.520 --> 0:28:10.840
<v Speaker 4>back and I realized that by moving into this space,

0:28:11.160 --> 0:28:16.399
<v Speaker 4>into this visible space, and winning this lawsuit, which is

0:28:16.560 --> 0:28:20.879
<v Speaker 4>memorable and did have a lasting impact, that somehow I

0:28:21.000 --> 0:28:25.200
<v Speaker 4>did finally manage to sort of live up to what

0:28:25.359 --> 0:28:27.760
<v Speaker 4>she had asked me to do as a sort of

0:28:28.240 --> 0:28:32.280
<v Speaker 4>soldier in her campaign and I so admire her that

0:28:33.280 --> 0:28:35.520
<v Speaker 4>there did come a point in writing this book, and

0:28:35.560 --> 0:28:37.760
<v Speaker 4>I think I actually say it in the book that

0:28:37.840 --> 0:28:40.080
<v Speaker 4>I did feel as though I lived up to Shirley's

0:28:40.120 --> 0:28:41.720
<v Speaker 4>words and I love that good.

0:28:42.160 --> 0:28:43.200
<v Speaker 2>Yeah, that's wonderful.

0:28:44.280 --> 0:28:46.120
<v Speaker 1>Run out of time here, but I want to ask you,

0:28:46.120 --> 0:28:48.400
<v Speaker 1>you know, understanding the fight that you put up for

0:28:48.560 --> 0:28:51.560
<v Speaker 1>access in locker rooms, how do you feel about the

0:28:51.640 --> 0:28:55.680
<v Speaker 1>potential change in the way pro sports operate taking interviews

0:28:55.680 --> 0:28:58.720
<v Speaker 1>outside of that space like they do in that WNBA,

0:28:58.920 --> 0:29:02.760
<v Speaker 1>like the NFLPA working toward most professional women's sports now

0:29:02.840 --> 0:29:07.280
<v Speaker 1>don't offer up access in the PWHL, in the NWSL,

0:29:07.760 --> 0:29:11.120
<v Speaker 1>the interviews are done outside the locker room. Do you

0:29:11.120 --> 0:29:13.840
<v Speaker 1>feel like that's something that can be done in other

0:29:13.880 --> 0:29:18.760
<v Speaker 1>professional spaces, assuming that there is still control over deadlines

0:29:18.800 --> 0:29:22.000
<v Speaker 1>and time and whether athletes have to participate, as long

0:29:22.040 --> 0:29:23.640
<v Speaker 1>as it's done in a different space.

0:29:25.480 --> 0:29:30.080
<v Speaker 4>The short answer is yes, And in terms of my

0:29:30.240 --> 0:29:34.040
<v Speaker 4>own situation and how it relates to what's happening today,

0:29:34.920 --> 0:29:38.880
<v Speaker 4>we were always fighting not for access to the locker room,

0:29:38.920 --> 0:29:44.240
<v Speaker 4>but for equal access to the athletes. Had Baseball decided

0:29:44.480 --> 0:29:49.200
<v Speaker 4>at that time to move the interviews outside of the

0:29:49.200 --> 0:29:53.200
<v Speaker 4>clubhouse and provide the same access to men and women.

0:29:54.080 --> 0:29:57.760
<v Speaker 4>The order that my judge ruled in my case, that

0:29:57.840 --> 0:30:02.400
<v Speaker 4>would have solved their problem. But at the time, and

0:30:02.480 --> 0:30:06.280
<v Speaker 4>we found this out in our discovery process, the men

0:30:06.320 --> 0:30:10.760
<v Speaker 4>who were covering baseball were communicating with the commissioner's office

0:30:10.840 --> 0:30:14.240
<v Speaker 4>and sort of warning him, however, you take care of

0:30:14.280 --> 0:30:19.960
<v Speaker 4>this lucky situation. Do not take away our access, do not.

0:30:20.440 --> 0:30:23.800
<v Speaker 4>And so, in fact, I think that baseball and other

0:30:23.880 --> 0:30:31.440
<v Speaker 4>sports in the seventies were almost singularly relying on newspaper

0:30:31.560 --> 0:30:36.360
<v Speaker 4>coverage to drive people to those stadiums. That is very

0:30:36.400 --> 0:30:39.760
<v Speaker 4>different now, as we know, and so we're in a

0:30:39.920 --> 0:30:44.400
<v Speaker 4>very different media environment. We're in a very different ecosystem.

0:30:44.880 --> 0:30:48.880
<v Speaker 4>The players are on Instagram, they send out their stories,

0:30:49.160 --> 0:30:52.720
<v Speaker 4>they're even players channels that they can send out their

0:30:52.760 --> 0:30:59.959
<v Speaker 4>information on. They are no longer dependent on newspapers in particular,

0:31:00.600 --> 0:31:03.560
<v Speaker 4>who needed that kind of access to write the kind

0:31:03.600 --> 0:31:07.200
<v Speaker 4>of in depth stories that they wanted to write, carrying

0:31:07.240 --> 0:31:10.040
<v Speaker 4>the emotion and the rest that we now might get

0:31:10.320 --> 0:31:16.479
<v Speaker 4>mainly through TV into people's living rooms the next morning.

0:31:16.960 --> 0:31:19.960
<v Speaker 4>It was sort of a direct way to convey what

0:31:20.160 --> 0:31:24.880
<v Speaker 4>TV largely conveys. Do I feel that there's still a

0:31:25.000 --> 0:31:28.880
<v Speaker 4>reason for players, I mean for people to want to

0:31:28.880 --> 0:31:32.360
<v Speaker 4>be in a clubhouse. I do because with a team

0:31:32.560 --> 0:31:36.560
<v Speaker 4>sport as large as a team is in baseball or football,

0:31:37.080 --> 0:31:42.040
<v Speaker 4>unlike basketball, by the way, you have, I believe a

0:31:42.200 --> 0:31:46.880
<v Speaker 4>need for that communicator to be able to see and

0:31:47.120 --> 0:31:51.920
<v Speaker 4>hear the dynamics that are going on between the team members.

0:31:52.400 --> 0:31:57.840
<v Speaker 4>There is nothing that can be conveyed on a conference

0:31:57.920 --> 0:32:02.560
<v Speaker 4>table with three microphones in a conference room that will

0:32:02.600 --> 0:32:05.960
<v Speaker 4>give you the kind of paragraphs that Roger Kahn wrote

0:32:06.520 --> 0:32:10.680
<v Speaker 4>at the end of the nineteen fifty five World Series,

0:32:10.960 --> 0:32:13.760
<v Speaker 4>when the Brooklyn Dodgers came into that locker room and

0:32:13.840 --> 0:32:16.560
<v Speaker 4>sat there, I would urge people to go back and

0:32:16.600 --> 0:32:20.040
<v Speaker 4>read the Voice of Summer. It's a fabulous It takes

0:32:20.080 --> 0:32:22.880
<v Speaker 4>you in there, you understand the feelings you see in

0:32:22.960 --> 0:32:27.960
<v Speaker 4>their actions. That's what a writer can do. If you're

0:32:28.000 --> 0:32:32.239
<v Speaker 4>doing mainly radio TV and you're putting it out on

0:32:32.320 --> 0:32:35.880
<v Speaker 4>social media as a press conference, of course you can

0:32:35.920 --> 0:32:38.440
<v Speaker 4>do that the way they're doing it now. But I

0:32:38.480 --> 0:32:40.480
<v Speaker 4>think I've given you a sense of where I come

0:32:40.560 --> 0:32:44.160
<v Speaker 4>down on this. But as it relates to my case,

0:32:44.760 --> 0:32:47.800
<v Speaker 4>we never pretended it was never an issue of us

0:32:47.800 --> 0:32:50.680
<v Speaker 4>saying we're going to federal court so that I can

0:32:50.720 --> 0:32:53.280
<v Speaker 4>be in the locker room. That was never it. That's

0:32:53.320 --> 0:32:57.600
<v Speaker 4>how the stories conveyed it because the male writers did

0:32:57.640 --> 0:33:00.800
<v Speaker 4>not want to treat it as an equal rights case.

0:33:01.240 --> 0:33:04.160
<v Speaker 4>They wanted to treat it as a woman invading a

0:33:04.240 --> 0:33:09.440
<v Speaker 4>man's space, etc. So that's why people have a misinterpretation

0:33:09.640 --> 0:33:12.600
<v Speaker 4>in many ways that I was fighting to get inside

0:33:12.640 --> 0:33:15.160
<v Speaker 4>of locker room so as fighting for equal access. So

0:33:16.080 --> 0:33:18.520
<v Speaker 4>you know, who am I to say that elite can't

0:33:18.560 --> 0:33:21.840
<v Speaker 4>provide equal access in the way they want to their athletes.

0:33:23.840 --> 0:33:24.880
<v Speaker 4>You know, it's a tough question.

0:33:24.960 --> 0:33:27.040
<v Speaker 1>You bring up some interesting points, though, and we're going

0:33:27.120 --> 0:33:29.280
<v Speaker 1>to keep having this conversation on the show, because there

0:33:29.280 --> 0:33:33.440
<v Speaker 1>are elements of immediacy. There are elements of elusiveness from

0:33:33.480 --> 0:33:35.520
<v Speaker 1>athletes if they know that they can evade the media

0:33:35.560 --> 0:33:37.560
<v Speaker 1>by just waiting long enough before coming out, and then

0:33:37.560 --> 0:33:40.200
<v Speaker 1>they'll skip deadlines and other things. And then the personal

0:33:40.240 --> 0:33:42.800
<v Speaker 1>connection and the relationships that you can create in a

0:33:42.840 --> 0:33:45.320
<v Speaker 1>locker room that aren't done with simple scrums. There's so

0:33:45.400 --> 0:33:49.160
<v Speaker 1>many elements to this. But your perspective is fascinating and

0:33:49.200 --> 0:33:51.840
<v Speaker 1>the book is fascinating. Locker room talk a woman struggle

0:33:51.880 --> 0:33:54.360
<v Speaker 1>to get inside. There is so much to be learned

0:33:55.200 --> 0:33:57.720
<v Speaker 1>by hearing stories from people like Melissa Ludkey and how

0:33:57.720 --> 0:34:00.800
<v Speaker 1>things were decades ago. A specially when we see how

0:34:00.840 --> 0:34:04.680
<v Speaker 1>things have not changed, it reminds us that the fight

0:34:04.840 --> 0:34:07.200
<v Speaker 1>remains in so many ways, but also how far we've

0:34:07.200 --> 0:34:09.040
<v Speaker 1>come in some ways. So Melissa, thank you so much

0:34:09.080 --> 0:34:11.200
<v Speaker 1>for the time, and thank you for writing the book,

0:34:11.200 --> 0:34:13.080
<v Speaker 1>and thank you for being part of the reason that

0:34:13.160 --> 0:34:14.560
<v Speaker 1>I've been able to be in locker rooms and do

0:34:14.680 --> 0:34:15.279
<v Speaker 1>the job that I do.

0:34:15.640 --> 0:34:17.920
<v Speaker 4>Sarah, what a pleasure it is to be with you.

0:34:17.960 --> 0:34:19.520
<v Speaker 4>Thanks so much for thinking of me.

0:34:22.200 --> 0:34:24.480
<v Speaker 1>Thanks again to Melissa for joining us. We have to

0:34:24.480 --> 0:34:27.399
<v Speaker 1>take another break when we come back, step back, bro,

0:34:34.560 --> 0:34:37.760
<v Speaker 1>Welcome back, my little slices. We love that you're listening,

0:34:37.800 --> 0:34:39.120
<v Speaker 1>but we always want you to get in the game

0:34:39.160 --> 0:34:41.640
<v Speaker 1>every day too. So here's our good gameplay of the day.

0:34:42.560 --> 0:34:46.279
<v Speaker 1>Duh winner take all Game five tonight, Baby, who's going

0:34:46.360 --> 0:34:47.640
<v Speaker 1>to meet the Liberty in the finals?

0:34:47.640 --> 0:34:48.520
<v Speaker 2>The Sun or the Links?

0:34:49.040 --> 0:34:52.160
<v Speaker 1>You got to watch eight pm Eastern ESPN two and

0:34:52.280 --> 0:34:53.680
<v Speaker 1>we always love to hear from you, so hit us

0:34:53.719 --> 0:34:56.360
<v Speaker 1>up on email. Good game at wondermedianetwork dot com. Or

0:34:56.440 --> 0:34:58.399
<v Speaker 1>leave us a voicemail at eight seven two two oh

0:34:58.440 --> 0:35:02.400
<v Speaker 1>four fifty seventy, and don't forget to subscribe, Rate and review.

0:35:02.760 --> 0:35:06.600
<v Speaker 1>It's so easy. Watch people who step closer to you

0:35:06.880 --> 0:35:10.400
<v Speaker 1>when you step away from them. Rating zero out of

0:35:10.480 --> 0:35:13.840
<v Speaker 1>five review How are you not even remotely self aware?

0:35:13.960 --> 0:35:17.000
<v Speaker 1>I took a step back because you're talking too close.

0:35:17.600 --> 0:35:19.680
<v Speaker 1>I can literally smell what you had for lunch, and

0:35:19.719 --> 0:35:23.000
<v Speaker 1>I can see the leftovers in your teeth. Get the hint, bro,

0:35:23.920 --> 0:35:26.280
<v Speaker 1>And if I keep stepping back and you keep stepping

0:35:26.320 --> 0:35:29.360
<v Speaker 1>toward me, we're literally going to fight spatial awareness.

0:35:29.400 --> 0:35:29.920
<v Speaker 2>Motherfucker.

0:35:30.280 --> 0:35:34.439
<v Speaker 1>Thanks for listening, See you tomorrow. Good Game, Melissa, Good Game,

0:35:34.480 --> 0:35:38.920
<v Speaker 1>Billy Jean King again and forever few people who think

0:35:38.960 --> 0:35:40.360
<v Speaker 1>women are trying to pick up a man in the

0:35:40.400 --> 0:35:45.080
<v Speaker 1>locker room. Good Game with Sarah Spain is an iHeart

0:35:45.160 --> 0:35:48.480
<v Speaker 1>women's sports production in partnership with Deep Blue Sports and Entertainment.

0:35:48.680 --> 0:35:51.320
<v Speaker 1>You can find us on the iHeartRadio app, Apple Podcasts,

0:35:51.400 --> 0:35:54.840
<v Speaker 1>or wherever you get your podcasts. Production by Wonder Media Network,

0:35:54.960 --> 0:35:58.040
<v Speaker 1>our producers are Alex Azzie and Misha Jones. Our executive

0:35:58.040 --> 0:36:00.960
<v Speaker 1>producers are Christina Everett Jesse Katz. It's Jenny Kaplan and

0:36:01.000 --> 0:36:04.640
<v Speaker 1>Emily Rudder. Our editors are Emily Rudder, Britney Martinez, Grace

0:36:04.719 --> 0:36:06.120
<v Speaker 1>Lynch and Lindsay Cradwell.

0:36:06.280 --> 0:36:07.600
<v Speaker 2>Production assistant from Lucy

0:36:07.680 --> 0:36:09.640
<v Speaker 1>Jones and I'm Your Host Santa Spain,