1 00:00:00,120 --> 00:00:02,719 Speaker 1: Ladies and gentlemen is the Breakfast Club and Jamie Fox 2 00:00:02,960 --> 00:00:07,320 Speaker 1: what a baby? Jamie was so man, Jamie Fox suck 3 00:00:07,760 --> 00:00:10,119 Speaker 1: if you ever figured out baby, Yeah, I'm good now, 4 00:00:10,240 --> 00:00:12,760 Speaker 1: Thank you good man, because I was like, man, if 5 00:00:12,800 --> 00:00:15,239 Speaker 1: I need to, I mean, you know what I need 6 00:00:15,280 --> 00:00:18,680 Speaker 1: to do to him? Jamie Fox gives me great advice 7 00:00:18,920 --> 00:00:21,680 Speaker 1: on relationships and everything. Sometimes you know, I gotta ask 8 00:00:21,760 --> 00:00:24,800 Speaker 1: him something really, But we were chilling though. That was like, 9 00:00:25,200 --> 00:00:27,800 Speaker 1: that was a moment Jamie Fox and get Bellair for 10 00:00:27,880 --> 00:00:30,440 Speaker 1: the first time when he was filming Annie when he 11 00:00:30,480 --> 00:00:32,240 Speaker 1: was staying in New York. So, damn, Jamie, you don't 12 00:00:32,240 --> 00:00:34,000 Speaker 1: got to the point now where you um, you can't 13 00:00:34,000 --> 00:00:35,560 Speaker 1: sleep with all the girls no more. So you just 14 00:00:35,600 --> 00:00:37,960 Speaker 1: give it a vice, you know, you know, you know, 15 00:00:38,080 --> 00:00:40,720 Speaker 1: you know what. It's crazy right you start looking at 16 00:00:40,760 --> 00:00:43,199 Speaker 1: him like, damn, you know you out have been smashing 17 00:00:43,240 --> 00:00:46,559 Speaker 1: by man. He didn't offer on my way out if 18 00:00:46,560 --> 00:00:49,640 Speaker 1: you need you know, I say, if you need a stunt, 19 00:00:49,720 --> 00:00:54,000 Speaker 1: if you need a stunt teens, I'm like, yo, whatever, yeah, 20 00:00:54,000 --> 00:00:58,160 Speaker 1: I appreciate you to what's this song? We about the premiere? 21 00:00:58,240 --> 00:01:00,440 Speaker 1: Right now? Tell us about it? Yo? You know want 22 00:01:00,520 --> 00:01:03,800 Speaker 1: first of all, when I talk about music, I'm not 23 00:01:03,920 --> 00:01:06,720 Speaker 1: Jamie Fox. I'm back to the starving artists. I'm back 24 00:01:06,760 --> 00:01:09,959 Speaker 1: to like just now trying to like figure it all out, 25 00:01:10,200 --> 00:01:13,600 Speaker 1: and so you know, I really, you know, I get nervous. 26 00:01:13,920 --> 00:01:16,360 Speaker 1: I mean it ain't It's just like, you know, we 27 00:01:16,400 --> 00:01:18,800 Speaker 1: was in Vegas when when we tried to one song 28 00:01:18,840 --> 00:01:23,480 Speaker 1: and it failed, right, that was the two Chains record, right, 29 00:01:23,520 --> 00:01:26,520 Speaker 1: party in the party? Yeah, you know, I was rocking 30 00:01:26,560 --> 00:01:28,679 Speaker 1: in Vegas. It was rocking out there in Vegas. I 31 00:01:28,680 --> 00:01:31,720 Speaker 1: think I think we were rocking. Oh okay, you know 32 00:01:31,760 --> 00:01:34,200 Speaker 1: what I'm saying. I mean our vibe was great, right right, 33 00:01:34,280 --> 00:01:36,160 Speaker 1: But let's keep it real, Jamie Fox, You've had some 34 00:01:36,240 --> 00:01:39,160 Speaker 1: great songs already. I actually love your music, so I 35 00:01:39,160 --> 00:01:41,560 Speaker 1: can't complain sort of failed right, like right when the 36 00:01:41,560 --> 00:01:43,800 Speaker 1: song got off the stage. That's when I think it 37 00:01:43,880 --> 00:01:47,600 Speaker 1: was bad. I got sued for that record, right. Yeah. 38 00:01:47,640 --> 00:01:49,360 Speaker 1: That was the other thing too, because I had like 39 00:01:49,400 --> 00:01:51,920 Speaker 1: a feeling seemed like seem like I heard first of 40 00:01:51,960 --> 00:01:54,760 Speaker 1: all the hook I've already heard before because that was 41 00:01:55,280 --> 00:01:57,720 Speaker 1: back in the day. But I was like, well, maybe 42 00:01:57,720 --> 00:01:59,880 Speaker 1: they'll let me ride, you know, Jamie trying with around 43 00:02:00,160 --> 00:02:02,440 Speaker 1: then it's man, somebody else had already sung it and 44 00:02:02,440 --> 00:02:05,520 Speaker 1: it was crazy. It's like I said, man, maybe I 45 00:02:05,600 --> 00:02:07,600 Speaker 1: thought it was another person because I heard an echo 46 00:02:07,640 --> 00:02:11,760 Speaker 1: and another studio, but you know how it goes. And 47 00:02:12,040 --> 00:02:14,200 Speaker 1: we didn't want to disrespect the guy and everything like 48 00:02:14,200 --> 00:02:16,320 Speaker 1: that said, we'll let that go anyway, cut to the 49 00:02:16,400 --> 00:02:19,799 Speaker 1: chase this one. I really am excited about this when 50 00:02:19,800 --> 00:02:23,480 Speaker 1: it's this kid, Casey and Orlando, who's a fantastic artist 51 00:02:23,520 --> 00:02:26,079 Speaker 1: and fantastic matter. And what's special about this is he 52 00:02:26,200 --> 00:02:28,640 Speaker 1: sort of he sort of took a step back on 53 00:02:29,040 --> 00:02:33,800 Speaker 1: doing his album, uh, to facilitate on my album because 54 00:02:33,800 --> 00:02:36,080 Speaker 1: you know how this man, you know, we all been 55 00:02:36,120 --> 00:02:37,800 Speaker 1: in this game for so long. So if you if 56 00:02:37,800 --> 00:02:40,000 Speaker 1: you do a song and you're successful or whatever like that, 57 00:02:40,080 --> 00:02:43,440 Speaker 1: it actually makes it tougher to reinvent yourself. So, uh, 58 00:02:43,480 --> 00:02:45,320 Speaker 1: it's called you Chase Me, which is crazy. That's what we 59 00:02:45,280 --> 00:02:46,960 Speaker 1: we was just talking about. You know. It's like, you know, 60 00:02:47,639 --> 00:02:49,680 Speaker 1: the song is sort of like about you know, meeting 61 00:02:49,720 --> 00:02:52,360 Speaker 1: this girl, you know that that sort of you know, 62 00:02:52,480 --> 00:02:54,280 Speaker 1: change me now. I want to you know, kick it 63 00:02:54,360 --> 00:02:57,480 Speaker 1: with her, you know. So it's it's it's uh, it's dope, 64 00:02:57,520 --> 00:02:59,680 Speaker 1: and we've got Chris Brown on their young Chris Brown, 65 00:02:59,680 --> 00:03:02,760 Speaker 1: who's on his young thing. So it's it's fly now 66 00:03:02,760 --> 00:03:05,760 Speaker 1: hold on the woman that changed you? Katie Holmes, Well 67 00:03:05,760 --> 00:03:12,600 Speaker 1: what happened? No, it's going on, man, Hello, And before 68 00:03:12,600 --> 00:03:15,680 Speaker 1: we play that, I gotta say your daughter's absolutely beautiful 69 00:03:16,600 --> 00:03:18,840 Speaker 1: for you. Oh man, you know what, it's crazy. My 70 00:03:18,919 --> 00:03:21,079 Speaker 1: daughter just turned twenty one. She was in London, yoke. 71 00:03:21,320 --> 00:03:25,640 Speaker 1: It was crazy. She had an incredible birthday party. But 72 00:03:25,720 --> 00:03:29,200 Speaker 1: to see that she's twenty one now is just not 73 00:03:29,360 --> 00:03:31,560 Speaker 1: I mean, we you know, we're doing shots together. It 74 00:03:31,600 --> 00:03:33,520 Speaker 1: was crazy. What happened to the Pretty Young Thing record? 75 00:03:33,520 --> 00:03:35,200 Speaker 1: I thought you had a record, Pretty Young Thing produced 76 00:03:35,240 --> 00:03:38,720 Speaker 1: by Muscle. Yeah. Yeah, you know what, man? Sometimes hey man, look, 77 00:03:38,840 --> 00:03:42,200 Speaker 1: sometimes sometimes the vibe in the studio and the weed 78 00:03:42,240 --> 00:03:45,120 Speaker 1: and everything make you take that thing is real, the thing, 79 00:03:45,800 --> 00:03:48,080 Speaker 1: and then at a while the it ain't. It Just 80 00:03:48,240 --> 00:03:49,920 Speaker 1: don't it make you know why you should have got 81 00:03:49,960 --> 00:03:53,680 Speaker 1: tied on it? You know what. Look man, I'm gonna 82 00:03:53,680 --> 00:03:55,840 Speaker 1: tell you it's tough, bro. It's like, you know, this 83 00:03:55,920 --> 00:03:57,520 Speaker 1: music game is so tough. It's like if you do 84 00:03:57,640 --> 00:04:01,800 Speaker 1: something too young or too you know, to gimmicky along 85 00:04:01,880 --> 00:04:04,840 Speaker 1: with the same sort of thing. It just doesn't play, 86 00:04:04,920 --> 00:04:06,520 Speaker 1: you know, and and and that's that's the way it 87 00:04:06,520 --> 00:04:08,960 Speaker 1: should be. It's like, you know, that's why I stay 88 00:04:09,040 --> 00:04:10,760 Speaker 1: grinding on it until I until I find it. But 89 00:04:10,920 --> 00:04:13,440 Speaker 1: I'm really happy about the whole body of the album. 90 00:04:13,960 --> 00:04:16,279 Speaker 1: And some of those records it was just like tests. 91 00:04:16,320 --> 00:04:18,279 Speaker 1: You know, they didn't necessarily task to test. But I 92 00:04:18,279 --> 00:04:20,560 Speaker 1: think the bars were about to drop right now. I 93 00:04:21,000 --> 00:04:23,120 Speaker 1: really feel good about them. That's true because you're old 94 00:04:23,200 --> 00:04:24,800 Speaker 1: enough when you do a record like pretty Young Thing, 95 00:04:24,839 --> 00:04:28,720 Speaker 1: you kind of come off as kind of creepy. Yeah, 96 00:04:29,160 --> 00:04:31,839 Speaker 1: I mean, yeah it, dude. I mean, man, you can't 97 00:04:33,000 --> 00:04:35,000 Speaker 1: you know, you put it to putty, this way to putty. 98 00:04:35,160 --> 00:04:38,160 Speaker 1: My my daughter be like, dad, don't don't. Don't get 99 00:04:38,160 --> 00:04:40,760 Speaker 1: too young on us now, Like I because I had 100 00:04:40,760 --> 00:04:42,960 Speaker 1: on some young shoes one time and she was like, Yo, 101 00:04:43,000 --> 00:04:45,640 Speaker 1: what's with them shoes? This is what the kids want? 102 00:04:45,680 --> 00:04:48,279 Speaker 1: She said, Dad, you got old, you got civil rights feet. 103 00:04:48,320 --> 00:04:51,520 Speaker 1: You can't. You can't win a type of shoes, dad. 104 00:04:51,920 --> 00:04:53,880 Speaker 1: And it's true because sometimes I see some of my 105 00:04:53,960 --> 00:04:55,880 Speaker 1: homies to be out of this my age. But we're 106 00:04:55,880 --> 00:04:57,360 Speaker 1: still trying to you know, we're still up in the 107 00:04:57,400 --> 00:05:00,480 Speaker 1: club game. The shoe game be wrong. I'm like, especially 108 00:05:00,520 --> 00:05:03,360 Speaker 1: them shoes that have all of them, the spikes on them, 109 00:05:03,040 --> 00:05:06,680 Speaker 1: the buckles and zippers. Yeah, man, I look dog, the 110 00:05:06,720 --> 00:05:09,240 Speaker 1: shoes I had on if somebody smoked me into getting them, 111 00:05:09,240 --> 00:05:11,839 Speaker 1: like your fox dash, and then it looked like I 112 00:05:11,920 --> 00:05:14,840 Speaker 1: had on some ice skates and some click I'm playing 113 00:05:14,839 --> 00:05:17,240 Speaker 1: a football game on an ice skating ring. So I 114 00:05:17,279 --> 00:05:20,240 Speaker 1: was like, listen, I'm done with that. So she keeps 115 00:05:20,360 --> 00:05:22,440 Speaker 1: me a perspective on what to do. Now, jam you 116 00:05:22,440 --> 00:05:24,120 Speaker 1: talk about letting the stuff go. Now, why you just 117 00:05:24,120 --> 00:05:26,520 Speaker 1: don't go ball then? Because you be keeping that young headline? 118 00:05:26,839 --> 00:05:29,040 Speaker 1: You know? But but see that's the thing though, it's Hollywood, 119 00:05:29,040 --> 00:05:33,160 Speaker 1: so I gotta do that. Okay, Okay, my head, My 120 00:05:33,200 --> 00:05:35,760 Speaker 1: head ain't built like that. What is that, m planta? 121 00:05:35,839 --> 00:05:37,240 Speaker 1: What do you how do you do? No? No, that's 122 00:05:37,240 --> 00:05:43,480 Speaker 1: just that's just flotting. He'sagne. Now you want to make 123 00:05:43,560 --> 00:05:47,240 Speaker 1: up the things? I see that, Yeah, but I don't know. 124 00:05:47,320 --> 00:05:49,000 Speaker 1: I don't wear make up. But I want them headline 125 00:05:49,080 --> 00:05:50,919 Speaker 1: I want them headline tips. If you got them now, 126 00:05:51,920 --> 00:05:54,800 Speaker 1: all the great's got them headlines, you know, Lebron Fox 127 00:05:54,880 --> 00:05:58,880 Speaker 1: you know? Now? Why why back to music man what 128 00:05:59,000 --> 00:06:01,240 Speaker 1: you're doing so good with the movies and acting. Why 129 00:06:01,440 --> 00:06:03,560 Speaker 1: music again, That's what I wanted to do in the 130 00:06:03,600 --> 00:06:06,479 Speaker 1: first place. It's like when I came when I came 131 00:06:06,480 --> 00:06:09,039 Speaker 1: out here, like I actually when I got on The 132 00:06:09,080 --> 00:06:12,479 Speaker 1: Living Color, it was like, you know, the comedy sort 133 00:06:12,520 --> 00:06:15,360 Speaker 1: of hit first, and I feel like, you know, like 134 00:06:15,440 --> 00:06:18,880 Speaker 1: I laid down like tracks in comedy, like no one 135 00:06:18,920 --> 00:06:20,640 Speaker 1: could every race. But then it was like, how do 136 00:06:20,680 --> 00:06:22,280 Speaker 1: I been back to the music. I remember being on 137 00:06:22,320 --> 00:06:25,200 Speaker 1: The Living Color dressed as wand that Teddy Riley is 138 00:06:25,240 --> 00:06:29,040 Speaker 1: there and it's a brand new you know, I'm just 139 00:06:29,200 --> 00:06:31,480 Speaker 1: on the show for the first time, so he don't 140 00:06:31,520 --> 00:06:33,120 Speaker 1: really know who I am. So I went and grab 141 00:06:33,160 --> 00:06:36,040 Speaker 1: my cassette tape at that time, and I'm running down 142 00:06:36,040 --> 00:06:38,680 Speaker 1: the hallway because Teddy Riley's getting ready to leave. I'm like, yo, man, 143 00:06:38,720 --> 00:06:40,640 Speaker 1: I want you to I do music. He looked at 144 00:06:40,640 --> 00:06:43,800 Speaker 1: me like impossible, and I was like, oh snap. So 145 00:06:43,839 --> 00:06:46,240 Speaker 1: I had to sort of fight through all of that, 146 00:06:46,279 --> 00:06:48,240 Speaker 1: fight through all the comedy, fight through all the acting, 147 00:06:48,279 --> 00:06:50,120 Speaker 1: and get back to what I wanted to do in 148 00:06:50,120 --> 00:06:52,880 Speaker 1: the first place. And then you know, I run into 149 00:06:52,920 --> 00:06:56,560 Speaker 1: this cat name Kanye West, who's at my crib and 150 00:06:56,640 --> 00:06:58,359 Speaker 1: one of my house parties, and that the party was 151 00:06:58,400 --> 00:07:00,360 Speaker 1: like at that time, it was pub and it was 152 00:07:00,440 --> 00:07:02,880 Speaker 1: jay Z. It was real, all these cats, and he said, 153 00:07:02,880 --> 00:07:04,640 Speaker 1: I got the song called slow Jams I want you 154 00:07:04,680 --> 00:07:07,120 Speaker 1: to sing on. And then that's what changed everything, because 155 00:07:07,200 --> 00:07:11,040 Speaker 1: people who have viewed me as just the comedian or 156 00:07:11,080 --> 00:07:13,960 Speaker 1: whatever you they now see me as a singer. So 157 00:07:14,000 --> 00:07:16,480 Speaker 1: then you know, once the music start to drop, I said, oh, 158 00:07:16,480 --> 00:07:17,880 Speaker 1: this is where I want to be in the first place. 159 00:07:17,880 --> 00:07:21,600 Speaker 1: And now I'm in a comfortable position where I can drop. 160 00:07:21,680 --> 00:07:23,600 Speaker 1: I can't. I can't take the chances with it. You 161 00:07:23,600 --> 00:07:25,680 Speaker 1: know what I'm saying. Are you never gonna went back 162 00:07:25,680 --> 00:07:30,000 Speaker 1: to Kanye and did anything? I mean, you know, like this, 163 00:07:30,200 --> 00:07:32,800 Speaker 1: this is what I also do too. It's like sometimes 164 00:07:32,880 --> 00:07:35,000 Speaker 1: you know, like I don't know when you're doing so much. 165 00:07:35,520 --> 00:07:37,960 Speaker 1: Sometimes it's just it ain't the right fit, you know 166 00:07:37,960 --> 00:07:40,840 Speaker 1: what I'm saying. But but hopefully hopefully, I mean, because 167 00:07:40,840 --> 00:07:42,360 Speaker 1: you know, I texted Man. You know, I'll be like, Yo, 168 00:07:42,400 --> 00:07:45,480 Speaker 1: what's up? Whatever? You know? I know you're in Paris. 169 00:07:46,120 --> 00:07:48,120 Speaker 1: What movie you got coming through the pipeline? Anything we 170 00:07:48,120 --> 00:07:51,280 Speaker 1: should be looking out for. I'll be honest with you. 171 00:07:51,520 --> 00:07:53,560 Speaker 1: I'm trying to figure everything out right now. But I 172 00:07:53,640 --> 00:07:56,280 Speaker 1: just went in with paramount with with with Mike Tyson. 173 00:07:56,640 --> 00:07:59,800 Speaker 1: Some gonna do the Mike Tyson story last year that 174 00:07:59,840 --> 00:08:02,400 Speaker 1: you were signing on the play Mike Tyson. Listen man 175 00:08:02,440 --> 00:08:04,880 Speaker 1: to be in the same room pitching Mike Tyson a 176 00:08:04,960 --> 00:08:07,240 Speaker 1: pair of my Mike Tyson on one side, I'm on 177 00:08:07,280 --> 00:08:09,320 Speaker 1: the other side and doing Mike Tyson at the same 178 00:08:09,400 --> 00:08:12,880 Speaker 1: time and Martin Scorsese at the ham. So this will 179 00:08:12,920 --> 00:08:17,160 Speaker 1: be the first boxing movie that Martin Scorsese has done 180 00:08:17,200 --> 00:08:20,080 Speaker 1: since Raging Bull. So that's the thing that you sort 181 00:08:20,080 --> 00:08:22,080 Speaker 1: of like, Okay, okay, that's the one that's and this 182 00:08:22,160 --> 00:08:24,760 Speaker 1: is gonna be Mike Tyson, you know, Like I called 183 00:08:24,880 --> 00:08:28,040 Speaker 1: Mike like a year ago. I was like, Mike heysan 184 00:08:28,120 --> 00:08:30,960 Speaker 1: all praised it to our live. I'm happy. My brother said, 185 00:08:30,960 --> 00:08:32,680 Speaker 1: why we call that? We call I don't have any 186 00:08:32,679 --> 00:08:34,160 Speaker 1: money anymore And I said, why do you say that? 187 00:08:34,160 --> 00:08:36,319 Speaker 1: He said, because no one, no one can take anything 188 00:08:36,400 --> 00:08:38,280 Speaker 1: from me anymore. I'm just so happy to know of 189 00:08:38,440 --> 00:08:40,680 Speaker 1: U's trying to take anything from me. And I said, 190 00:08:40,760 --> 00:08:43,880 Speaker 1: that's the story. The story of the guy who, at 191 00:08:43,960 --> 00:08:47,320 Speaker 1: eighteen years old had sixty million dollars in his pocket 192 00:08:47,320 --> 00:08:50,520 Speaker 1: and everybody's trying to get it. And now the grown 193 00:08:50,600 --> 00:08:53,200 Speaker 1: guy who sits back and reflects on the whole thing 194 00:08:53,240 --> 00:08:56,199 Speaker 1: of like the money was the downfall. So and it's 195 00:08:56,240 --> 00:08:58,400 Speaker 1: not about Mike being you know, Mike Tyler is not 196 00:08:58,440 --> 00:09:01,480 Speaker 1: that flamboyant. It's him ordering his food, it's him talking 197 00:09:01,520 --> 00:09:04,920 Speaker 1: to his kids, it's him reflecting. So it's that's that's 198 00:09:04,920 --> 00:09:06,360 Speaker 1: the one thing. I'm the site back. But you know 199 00:09:06,400 --> 00:09:08,720 Speaker 1: how this I'm met Mike Tysons. I'm met Mike Tyson, 200 00:09:09,080 --> 00:09:11,960 Speaker 1: I'm on stage at twenty one twenty two. I go 201 00:09:12,040 --> 00:09:15,040 Speaker 1: to my Mike Tyson joke. Nobody laughs at all. I said, 202 00:09:15,080 --> 00:09:17,040 Speaker 1: what's up? And then the dude in the back said, yo, 203 00:09:17,120 --> 00:09:20,480 Speaker 1: Mike Tyson is in here. And I'm like, oh, snap man, 204 00:09:20,480 --> 00:09:23,720 Speaker 1: that's what he was knock and casting out for now. 205 00:09:23,800 --> 00:09:26,040 Speaker 1: He had that bullword sweatsuit, just knocking cast on the 206 00:09:26,080 --> 00:09:28,920 Speaker 1: street out. Then the dude said, yo, Mike said, do 207 00:09:29,040 --> 00:09:31,880 Speaker 1: the joke. It better be funny. So I do the joke. 208 00:09:32,000 --> 00:09:34,040 Speaker 1: Get a standing ovation And I started hanging out with 209 00:09:34,080 --> 00:09:35,839 Speaker 1: Mike when like twenty one twenty two, when he was 210 00:09:35,920 --> 00:09:38,559 Speaker 1: riding around in Ferrari trucks and all kinds of stuff. 211 00:09:38,600 --> 00:09:40,920 Speaker 1: So I've seen it from a distance his whole life. 212 00:09:41,160 --> 00:09:43,320 Speaker 1: So now that's why it's gonna be so dope to 213 00:09:43,320 --> 00:09:46,480 Speaker 1: be able to to to embody that joint. And I'm 214 00:09:46,520 --> 00:09:48,520 Speaker 1: telling you, I'm ballooned up to like about two hundred 215 00:09:48,520 --> 00:09:51,319 Speaker 1: and five pounds and took the pictures and I'm telling 216 00:09:51,320 --> 00:09:53,360 Speaker 1: you it's like people are gonna be sitting next to me. 217 00:09:53,440 --> 00:09:54,760 Speaker 1: Like I said, I wanted to be able to wear 218 00:09:55,040 --> 00:09:57,200 Speaker 1: his kids look at me and say that's daddy. Wow. 219 00:09:57,320 --> 00:09:58,840 Speaker 1: All right, now you got that's a big thing because 220 00:09:58,840 --> 00:10:00,480 Speaker 1: you know, you did Ray, so you set the ball, 221 00:10:00,720 --> 00:10:03,880 Speaker 1: set the ball. But but that's but that's why I know, 222 00:10:04,360 --> 00:10:06,199 Speaker 1: like I know the formula. But see here to say, 223 00:10:06,240 --> 00:10:09,079 Speaker 1: after I did Ray, every old black man script that 224 00:10:09,160 --> 00:10:10,760 Speaker 1: was trying to give to they want to do Marm's. 225 00:10:11,080 --> 00:10:13,079 Speaker 1: They want to I was like, come on, man, it 226 00:10:13,200 --> 00:10:15,960 Speaker 1: was it was crazy. Absolutely, We appreciate you for checking in. 227 00:10:16,000 --> 00:10:17,600 Speaker 1: You know, we support you. Next time you're in New York, 228 00:10:17,600 --> 00:10:19,840 Speaker 1: you gotta come up here. You gotta come see us soon. Man, man, 229 00:10:19,880 --> 00:10:22,960 Speaker 1: I'm coming. Thank you, Jamie and Hey, and go to 230 00:10:23,040 --> 00:10:25,840 Speaker 1: church and pray for Doug. Williams. Man, what happened? Go 231 00:10:25,920 --> 00:10:27,559 Speaker 1: to church and pray for Doug Williams. I think you 232 00:10:27,600 --> 00:10:29,559 Speaker 1: still got bad Calm on you for killing that boy. 233 00:10:30,440 --> 00:10:32,520 Speaker 1: Hey hey, but that was dark fall. Hey man, you 234 00:10:32,520 --> 00:10:35,679 Speaker 1: know how to look. Never let your comedy sword down. Man, 235 00:10:35,720 --> 00:10:39,440 Speaker 1: I always got mine, shot Jamie Fives ladies and gentlemen. 236 00:10:39,440 --> 00:10:41,800 Speaker 1: It's Breakfast Club. Good morning, Breakfast Club.