WEBVTT - Part One: The Tramp Printers: Union Vagabonds

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<v Speaker 1>Hello, and welcome to Cool People Who Did Cool Stuff,

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<v Speaker 1>the podcast that does what it says in the title,

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<v Speaker 1>I mean host Margaret Kiljoy, the Arbiter of Cool People,

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<v Speaker 1>the Arbiter of cool Stuff. Also, I discovered today I'm

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<v Speaker 1>the one who gets to determine who is sick and

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<v Speaker 1>who is healthy with me today, as my guest is

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<v Speaker 1>a cool person, a bona fide cool person. Since I'm

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<v Speaker 1>the arbiter of cool people, this is a good bit.

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<v Speaker 1>I'm very excited about this. Caitlin durante Um, best known

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<v Speaker 1>perhaps for hosting the show The Beachtel Cast. Caitlin, how

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<v Speaker 1>are you? I'm pretty good? Thank you? How are you?

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<v Speaker 1>I'm okay. I've been driving all day and now I'm

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<v Speaker 1>podcasting all day. I somehow I have two days today.

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<v Speaker 1>Mm hmm, yeah, I guess I already asked how are you?

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<v Speaker 1>I'll answer again. All allow right, all right, all right.

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<v Speaker 1>Let's you said that you get to decide who is

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<v Speaker 1>sick and who is not. And that's a reference to

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<v Speaker 1>when we were talking off Mike about how I've been

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<v Speaker 1>a little sick lately and it's my responsibility to be

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<v Speaker 1>so like just funny and good and charming on your

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<v Speaker 1>episode today or I will stay sick. That will be punishment. Yeah,

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<v Speaker 1>and so it's up to the audience to descernment. How funny, Caitlin,

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<v Speaker 1>this is the worst and luckily humor is completely objective.

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<v Speaker 1>That's true, so classically yeah, famously yeah, yeah, Okay, well,

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<v Speaker 1>I'll tell you what. Well, at the end, we'll let

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<v Speaker 1>it'll be Sophie and I will decide how about that

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<v Speaker 1>instead of as the audience, Yes, our producer, uh and

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<v Speaker 1>fellow arboriter of illness and well healthy Sophie. Sophie, how

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<v Speaker 1>are you doing? I mean, I'm doing well, and I

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<v Speaker 1>feel like I feel like, uh, you know, Caitlin, who

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<v Speaker 1>does have a master's integrating, we'll we'll do really well

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<v Speaker 1>at um. I mean, I know you don't like to

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<v Speaker 1>mention it, but we'll do really well. I mean, I

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<v Speaker 1>hate it, will do really well and making us go ah,

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<v Speaker 1>and therefore will not have to be unwell, Okay, Like

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<v Speaker 1>I feel I feel confident that because Kaylin has a

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<v Speaker 1>master's screwding, that this is going to go really well

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<v Speaker 1>for all of us. I mean, I've met a lot

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<v Speaker 1>of people with masters in screenwriting and otherwise who are

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<v Speaker 1>not good at making people laugh, So it's not. But

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<v Speaker 1>what I mean is, yes, s freaking funny. That's good. Good,

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<v Speaker 1>I'm glad. So to considue our credits, our sound engineers Ian,

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<v Speaker 1>and our theme music was written by the esteemable musician

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<v Speaker 1>known only under the mysterious name on Woman, also under

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<v Speaker 1>other names to friends. But so, Caitlin, you have a

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<v Speaker 1>master's degree in screenwriting, is what I hear? That makes

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<v Speaker 1>you kind of an expert on film stuff. And last

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<v Speaker 1>time we had you on we talked about film stuff

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<v Speaker 1>Max Shrek who Since that recording, we did a bectel

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<v Speaker 1>past episode on Batman Returns, which famously has a character

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<v Speaker 1>played by Christopher Walkin named Max Shrek. The character was

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<v Speaker 1>named after the actor whoa he discussed at length. I

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<v Speaker 1>watched a nose ferato Since the last time I saw you,

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<v Speaker 1>I watched and you did not watch Twilight, so you

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<v Speaker 1>will not get Caitlin eyes jokes that still continues to

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<v Speaker 1>be true now. Instead I had to watch like something

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<v Speaker 1>like Okay, who's the the director who likes getting shot

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<v Speaker 1>on camera and jumping into thanks full of cactuses and

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<v Speaker 1>making documentaries about how terrible the world is? Dead Pan Germany? Um,

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<v Speaker 1>oh my gosh, his name he did Grizzly Man and stuff. Yeah,

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<v Speaker 1>I think so, oh what is his name? I normally

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<v Speaker 1>this is like a name I normally know in my

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<v Speaker 1>daily life. Same. Uh it's um Oh. I am googling

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<v Speaker 1>it because I have to know. I watched The Verner

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<v Speaker 1>her Zog Knows ferrall too since last I really liked it.

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<v Speaker 1>But then I watched on The Devil's based on Aldie

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<v Speaker 1>Huxley book, and like, this makes me sound like I'm

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<v Speaker 1>very much like an old film buff, which is I'll

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<v Speaker 1>pretend like it's true in order to get the cred

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<v Speaker 1>and viewed as pretentious that that will allow me to

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<v Speaker 1>have access to but every every all the other movies

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<v Speaker 1>I watched this, Like last week, I kind of wiped

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<v Speaker 1>away by The Devil's Um, it was really good m

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<v Speaker 1>But this time we're not talking about film stuff. I

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<v Speaker 1>just like having you on. Thank you so much. Today

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<v Speaker 1>we're going to talk about labor union Hobos. We traveled

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<v Speaker 1>around the US on freight trains and later in r

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<v Speaker 1>vs who were printers and printed newspapers. No kidding, I

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<v Speaker 1>also have a master's degree in that, so I don't

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<v Speaker 1>know this episode. Yeah, exactly master's degree in freight train writing. Yeah, excellent.

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<v Speaker 1>So these tramp printers laid out a ton of the

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<v Speaker 1>newspapers that did a ton of the political ship that

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<v Speaker 1>made a ton of things happen in this country, lots

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<v Speaker 1>of good things and bad things. M They were the hard, drinking,

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<v Speaker 1>hard fighting, hard cussin book reading, lonely road rail writing,

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<v Speaker 1>short living, morally complicated and not boring tramp printers. All right,

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<v Speaker 1>but first, have you ever heard of a printing press?

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<v Speaker 1>I have heard of a printing press. Yes, excellent. Um,

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<v Speaker 1>I gotta I gotta talk. In order to talk about

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<v Speaker 1>these people. I thought I'd be able to like cut

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<v Speaker 1>right in, to be like and then they had a union,

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<v Speaker 1>and then they did this off and then like slowly

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<v Speaker 1>I realized that the like, the physical form of printing

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<v Speaker 1>really ties into a lot of stuff about their culture.

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<v Speaker 1>So we got a flashback to like, that's my guests

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<v Speaker 1>for the date that a printing press was invented. Well,

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<v Speaker 1>there might have been a printing press invented, but it

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<v Speaker 1>is not when the printing presses we're talking about were invented?

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<v Speaker 1>Is the main European one. I think it's in my script,

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<v Speaker 1>and so therefore I totally know it and I don't

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<v Speaker 1>ever forget things, and like a whatever animal it is

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<v Speaker 1>that doesn't forget things. Um, that's also a good bit.

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<v Speaker 1>It's a joke. Yeah, thank you, all right. So on

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<v Speaker 1>some level, printing seems like a chore that is just

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<v Speaker 1>part of what we read, right, It's part of the

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<v Speaker 1>process of making things. But printing is really the core

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<v Speaker 1>of media and mass communication, and like the origin of

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<v Speaker 1>mass communication, without hands set type, there wouldn't be mass literacy,

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<v Speaker 1>at least in the Western world. There was a good

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<v Speaker 1>amount of literacy in the Eastern world going back a

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<v Speaker 1>thousand years before Europe figured out how to read without

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<v Speaker 1>using movable type, even though they had movable type. Whatever

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<v Speaker 1>I'm getting ahead, mhm. Europe was kind of a backwater

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<v Speaker 1>of the world until people they're figured out that they

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<v Speaker 1>could colonize everyone and be monsters. And movable type, like

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<v Speaker 1>a lot of things, was first invented in what is

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<v Speaker 1>now China, or I guess was China at the time too.

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<v Speaker 1>In the eleventh century, guy named b Shang mostly used porcelain,

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<v Speaker 1>but he also used wood, and he made movable type

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<v Speaker 1>with all of the different characters and stuff and it

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<v Speaker 1>didn't really catch on at the time he invented it,

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<v Speaker 1>and it was used for some stuff, but it wasn't

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<v Speaker 1>like it didn't replace woodblock cutting m pretty quickly. Uh,

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<v Speaker 1>some folks in China and some folks in Korea figured

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<v Speaker 1>out metal movable type started using it. Again, didn't really

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<v Speaker 1>take off, basically, would block printing with whole pages carved

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<v Speaker 1>at a time stayed the normal way of printing stuff.

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<v Speaker 1>And there's lots of like reasons why this is. But

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<v Speaker 1>like a lot of history that has to do with

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<v Speaker 1>Western historians writing about Asian history, everyone's like, I'm not

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<v Speaker 1>really sure if they're being objective or I'm not really

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<v Speaker 1>sure he's being objective in these histories. Sure, it seems

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<v Speaker 1>like it didn't catch on basically because it wasn't necessary

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<v Speaker 1>based on the way that typography worked and like the

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<v Speaker 1>way that the written language has worked in different places.

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<v Speaker 1>So for like a thousand years, the Eastern world was

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<v Speaker 1>using woodblock printed books and they were doing quite well,

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<v Speaker 1>while Europe was still scribbling away by candle light with

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<v Speaker 1>quill and ink. And so once again that's how I

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<v Speaker 1>send my tweets out. It's quill and ink. Yeah, yeah, yeah, yeah,

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<v Speaker 1>no that. Um, yeah, you know, I feel like at

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<v Speaker 1>this point, tweets are probably about as long as I

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<v Speaker 1>used to handwrite all my like fiction, no kidding, yeah,

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<v Speaker 1>I I couldn't imagine doing that anymore. I don't know,

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<v Speaker 1>because of a man named Johannes Guttenberg. I don't know

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<v Speaker 1>if I said his first name, right. He was probably

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<v Speaker 1>born around the year fourteen hundred. And I'm really annoyed

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<v Speaker 1>because I was like, oh, I'm gonna do this deep

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<v Speaker 1>Divan Gutenberg for this part of this episode. He's really boring. Like, yeah,

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<v Speaker 1>as far as I can tell, maybe some would have

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<v Speaker 1>proved me wrong, but everything I've read about him not

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<v Speaker 1>like the most interesting guy, one of the most influential

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<v Speaker 1>figures in history, like kind of up there with like

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<v Speaker 1>Jesus and Mohammed in terms of like pure cultural impact,

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<v Speaker 1>you know. But um, by the mid fourteen hundreds, he

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<v Speaker 1>was like, hey, guys, I've got an idea, and he

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<v Speaker 1>changed basically everything about the world ever since. Not necessarily

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<v Speaker 1>for the better, because Europe no longer being a backwater

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<v Speaker 1>has actually worked out really badly for everyone, right, but

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<v Speaker 1>he certainly changed the world. Okay, As a tangent, I

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<v Speaker 1>used to stay in the squat in Amsterdam years ago,

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<v Speaker 1>and there was this, um, this little piece of graffiti

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<v Speaker 1>that said changed the world, make it worse, um, and

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<v Speaker 1>then someone changed it to change the world, make it

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<v Speaker 1>hoarsey instead of worse. But okay, nice anyway, I already know.

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<v Speaker 1>And then I think about that one. I'm feeling really

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<v Speaker 1>cynicals changed the world make it worse, which is what

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<v Speaker 1>Guttenberg managed to do. Maybe I don't know. Whatever, I'm

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<v Speaker 1>not trying to put a moral judgment on this particular character.

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<v Speaker 1>He invented movable type again sort of in four it's

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<v Speaker 1>like one or whatever date I said, right, yes, sorry, yeah, okay,

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<v Speaker 1>well for now we'll go on the wrong one, the

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<v Speaker 1>one that I got off offers. Yeah, Um, I didn't

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<v Speaker 1>ask you. I should have asked you. So historians like

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<v Speaker 1>to argue about whether or not movable type found its

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<v Speaker 1>way over from China or whether it was like invented

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<v Speaker 1>whole cloth separately. Um. There's a couple other people who

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<v Speaker 1>were like, no, I swear I invented at the same

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<v Speaker 1>time over in the Netherlands. It just didn't like take off, right,

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<v Speaker 1>And so a lot of people were like thinking about

0:11:08.679 --> 0:11:11.200
<v Speaker 1>these concepts at the same time. And Gutenberg of force

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<v Speaker 1>also didn't like solely invented. He was working with a

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<v Speaker 1>bunch of other people whose names are forgotten from mystery,

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<v Speaker 1>who I didn't feel like writing into my script, so

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<v Speaker 1>they will continue to be forgotten. And he still did

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<v Speaker 1>a lot no matter what. He got an immovable type,

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<v Speaker 1>and he also invented an alloy of lead, tin and

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<v Speaker 1>antimony called type metal that was very good to cast

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<v Speaker 1>type out of, basically like making you know, casting each

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<v Speaker 1>individual letter so that you can print with it. Sure,

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<v Speaker 1>he developed really neat ways of casting type. He developed

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<v Speaker 1>oil based inks that did a really good job of printing,

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<v Speaker 1>and just like all around good job Gutenberg. He he

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<v Speaker 1>took things further than anyone else had taken them as

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<v Speaker 1>far as I can tell, mhm. And this time movable type.

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<v Speaker 1>It takes off. Within a decade, it's all over Europe.

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<v Speaker 1>You've got this massive explosion of media and literacy and

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<v Speaker 1>all kinds of neat ship. The most famous thing he

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<v Speaker 1>did is in that fourteen fifty five or you know,

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<v Speaker 1>before he even invented this, in he printed the Gutenberg Bible,

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<v Speaker 1>which was the first type set Bible, which probably did

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<v Speaker 1>a lot for people being Christians. I guess, I don't know.

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<v Speaker 1>The printing press first reached Mexico and the fifteen hundreds,

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<v Speaker 1>it first reached what became later the US in early

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<v Speaker 1>sixteen hundreds, when a woman actually started the first printing

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<v Speaker 1>press in the United States, Elizabeth Glover feminist icon, I know,

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<v Speaker 1>and like many medieval feminist icons or Renaissance femist icons

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<v Speaker 1>or whatever, she became in charge of things through the

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<v Speaker 1>old fashioned method of her husband dying. Her husband was like,

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<v Speaker 1>we're taking this print and press to America, babe, and

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<v Speaker 1>she was like, all right, that's cool. And then on

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<v Speaker 1>the boat over he mysteriously died. I don't actually think

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<v Speaker 1>she murdered him, but I wish she had. That would

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<v Speaker 1>have been more. I like that headcanon though, And so

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<v Speaker 1>you know, he probably died of smallpox. Because it's the

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<v Speaker 1>seventeenth century, right, So women have been involved in printing

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<v Speaker 1>since the beginning of printing, basically before it was the US.

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<v Speaker 1>The first woman editor of a newspaper was named Katerina Zanger,

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<v Speaker 1>who took over the business from her husband. And this

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<v Speaker 1>time she took over because he was in jail for printing.

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<v Speaker 1>Like pamphlets critical of the governor, and then later he

0:13:38.440 --> 0:13:43.000
<v Speaker 1>died and so she became the first woman editor of

0:13:43.000 --> 0:13:47.640
<v Speaker 1>a newspaper. Mm hmm. Western World gets ahold of the

0:13:47.640 --> 0:13:50.440
<v Speaker 1>printing press and printing they did. And the thing that's

0:13:50.440 --> 0:13:54.440
<v Speaker 1>really interesting is that for fucking hundreds of years, more

0:13:54.520 --> 0:13:57.199
<v Speaker 1>or less than toil than eighteen eighties, the basic idea

0:13:57.200 --> 0:14:01.680
<v Speaker 1>of how printing was done didn't change mm hmm. Like

0:14:01.840 --> 0:14:04.679
<v Speaker 1>it was a stationary and not entirely right. There was

0:14:04.679 --> 0:14:07.600
<v Speaker 1>like different things people developed, but overall more or less

0:14:07.600 --> 0:14:11.920
<v Speaker 1>like a mature technology for like four hundred years. Okay,

0:14:12.320 --> 0:14:16.679
<v Speaker 1>you know, when it's not broke, don't fix it. Yeah,

0:14:17.000 --> 0:14:26.680
<v Speaker 1>until whatever e eighties and then fix it. Yeah, and yep, Wow,

0:14:26.720 --> 0:14:30.040
<v Speaker 1>amazing contribution, Caitlin. I'm killing it and being so funny

0:14:30.040 --> 0:14:32.400
<v Speaker 1>and charming and hilarious. Yeah, you're totally going to get

0:14:32.440 --> 0:14:42.680
<v Speaker 1>your cold here. Thank you, Sophie get at left. I

0:14:42.720 --> 0:14:44.920
<v Speaker 1>don't know why I were doing this bit where if

0:14:44.960 --> 0:14:52.680
<v Speaker 1>you don't perform, you stay sick. You invent I know,

0:14:52.920 --> 0:14:56.800
<v Speaker 1>but but why did you let me? I thought you

0:14:56.840 --> 0:15:01.960
<v Speaker 1>were in charge? No, this is yeah, you're the arbiter

0:15:02.040 --> 0:15:13.040
<v Speaker 1>of accountability. So interesting, not funny kitly. Oh no, I

0:15:13.160 --> 0:15:21.640
<v Speaker 1>feel so sick. So the way that people sit type

0:15:22.200 --> 0:15:24.440
<v Speaker 1>for hundreds of years, going back to Gutenberg, is that

0:15:24.760 --> 0:15:27.520
<v Speaker 1>type setters would spell out each word letter by letter.

0:15:28.000 --> 0:15:30.800
<v Speaker 1>Have you ever seen a type case, like an actual

0:15:31.080 --> 0:15:34.040
<v Speaker 1>physical object that holds type. I have no idea how

0:15:34.080 --> 0:15:37.600
<v Speaker 1>common about I think in real life, but I feel

0:15:37.640 --> 0:15:41.280
<v Speaker 1>like I've seen it in a movie, maybe at the

0:15:41.400 --> 0:15:45.080
<v Speaker 1>end of like Little Women or something like that. Yeah. Probably,

0:15:46.920 --> 0:15:48.800
<v Speaker 1>you know. It's funny too to me because like, um,

0:15:48.840 --> 0:15:50.960
<v Speaker 1>a lot of the like little like knickknack shelves that

0:15:51.000 --> 0:15:54.160
<v Speaker 1>people have in their house, like the little tiny knick

0:15:54.200 --> 0:15:56.480
<v Speaker 1>knack shells, a little tiny squares cut out of it

0:15:56.560 --> 0:15:58.400
<v Speaker 1>or whatever, right, Like I think actually a lot of

0:15:58.440 --> 0:16:02.360
<v Speaker 1>them are literally type cases wooden cases like trays meant

0:16:02.400 --> 0:16:07.240
<v Speaker 1>for holding type. And certainly that that's an easy way

0:16:07.280 --> 0:16:10.160
<v Speaker 1>to imagine a type case. And this is where upper

0:16:10.200 --> 0:16:12.720
<v Speaker 1>case and lower case letters come from. Is like literally

0:16:12.760 --> 0:16:16.560
<v Speaker 1>the capitals were in the upper case and the non

0:16:16.640 --> 0:16:19.840
<v Speaker 1>capitals were in the lower case. So you pull out

0:16:19.840 --> 0:16:22.480
<v Speaker 1>a letter one at a time, and you put it

0:16:22.520 --> 0:16:25.560
<v Speaker 1>upside down and backwards onto something called a composity and stick,

0:16:25.600 --> 0:16:28.480
<v Speaker 1>which is a little stick that you can fit type into.

0:16:29.440 --> 0:16:31.280
<v Speaker 1>You do it one line at a time until it

0:16:31.320 --> 0:16:34.280
<v Speaker 1>goes into an iron frame called a chase, and you

0:16:34.480 --> 0:16:36.320
<v Speaker 1>fill everything, all the rest of it up with like

0:16:36.400 --> 0:16:39.840
<v Speaker 1>blocks of wood or different slugs of lead and all

0:16:39.840 --> 0:16:41.600
<v Speaker 1>this other ship in order to like fill it all

0:16:41.720 --> 0:16:44.560
<v Speaker 1>up right to do the layout, and then that gets

0:16:44.560 --> 0:16:48.280
<v Speaker 1>inked and printed. And some folks still do this. I

0:16:48.320 --> 0:16:50.160
<v Speaker 1>got to do it once. I used to have business.

0:16:50.480 --> 0:16:53.320
<v Speaker 1>I'm totally not pretentious. I used a business cards that

0:16:53.440 --> 0:16:56.320
<v Speaker 1>I like. Yeah, I use my friends letter press to

0:16:57.480 --> 0:17:00.600
<v Speaker 1>hand set all the type on my fun And did

0:17:00.600 --> 0:17:03.560
<v Speaker 1>that take a very long time. It's like I don't

0:17:03.560 --> 0:17:06.159
<v Speaker 1>have the longest name in the world. I don't even remember.

0:17:06.200 --> 0:17:07.719
<v Speaker 1>I mean, I didn't know what I was doing. And

0:17:07.800 --> 0:17:09.560
<v Speaker 1>my poor friend had likes it over my shoulder and

0:17:09.600 --> 0:17:13.440
<v Speaker 1>be like, now you're doing it wrong, like several times. Um,

0:17:13.520 --> 0:17:16.560
<v Speaker 1>but I don't know. I didn't didn't take an hour

0:17:16.800 --> 0:17:19.840
<v Speaker 1>just to lay out my name or whatever. You know. Yeah,

0:17:19.840 --> 0:17:21.639
<v Speaker 1>I guess a business card doesn't have a lot of

0:17:21.680 --> 0:17:25.560
<v Speaker 1>text on it. Yeah, unless I get into like the

0:17:25.640 --> 0:17:32.040
<v Speaker 1>Dr Bronner's style business cards or something which food for thought. Yeah,

0:17:32.840 --> 0:17:34.560
<v Speaker 1>if someone hand me a business carden, it was like

0:17:34.920 --> 0:17:40.160
<v Speaker 1>full of indecipherable, complicated theology. I would probably be more

0:17:41.320 --> 0:17:45.879
<v Speaker 1>interested in what in my own fighting into my life.

0:17:46.119 --> 0:17:50.919
<v Speaker 1>So the type setting is a nasty business in the

0:17:50.960 --> 0:17:55.040
<v Speaker 1>colonial era, and actually for a long long time, presses

0:17:55.040 --> 0:17:58.399
<v Speaker 1>were cleaned with urine to get the end lie and

0:17:58.440 --> 0:18:01.520
<v Speaker 1>all kinds of off. You don't really want to hang

0:18:01.560 --> 0:18:05.520
<v Speaker 1>out with urine. I don't know, and I wish I did,

0:18:05.600 --> 0:18:08.760
<v Speaker 1>and nothing I immediately read would tell me mm hmm.

0:18:09.560 --> 0:18:11.840
<v Speaker 1>I don't know whether it's animal urine or whether like

0:18:12.400 --> 0:18:14.160
<v Speaker 1>a lot of these printers drank a lot of beer,

0:18:14.200 --> 0:18:18.080
<v Speaker 1>so it could have just been there urine, I don't know.

0:18:19.119 --> 0:18:23.000
<v Speaker 1>In dark, unventilated basements is where you were working, they'd

0:18:23.000 --> 0:18:26.200
<v Speaker 1>be like lit by like whale oil lamps or kerosene,

0:18:26.200 --> 0:18:29.520
<v Speaker 1>depending on the era. Sometimes these rooms are a hundred

0:18:29.520 --> 0:18:34.040
<v Speaker 1>and thirty degrees because of all the type molten crap

0:18:34.080 --> 0:18:38.480
<v Speaker 1>that they're fucking dealing with. Typesetters would hold lead type

0:18:38.520 --> 0:18:40.439
<v Speaker 1>in their mouths in order, you know, in the same

0:18:40.480 --> 0:18:42.879
<v Speaker 1>way that you hold a nail while you're being a

0:18:43.280 --> 0:18:47.800
<v Speaker 1>cartoon character on a ladder with a hammer. So they're

0:18:47.800 --> 0:18:51.560
<v Speaker 1>getting lead poisoning. They're breathing in piss fumes, it's hot,

0:18:51.960 --> 0:18:57.640
<v Speaker 1>it's you know, there's flammable lamps. Yeah, getting knocked over,

0:18:57.760 --> 0:19:02.080
<v Speaker 1>I'm guessing. Yeah, yeah, actually that gets us. That's guess

0:19:02.080 --> 0:19:06.320
<v Speaker 1>to someone I want to mention. In the eight hundreds,

0:19:06.359 --> 0:19:09.240
<v Speaker 1>at one point um it was estimated at twelve percent

0:19:09.359 --> 0:19:16.280
<v Speaker 1>of printers had had the symptom spits blood. M I

0:19:16.320 --> 0:19:18.600
<v Speaker 1>don't know. He's just spinning some blood up every now

0:19:18.640 --> 0:19:22.119
<v Speaker 1>and then he's like, oh, hold on, guess it's some

0:19:22.160 --> 0:19:27.040
<v Speaker 1>blood up, which I've seen a movie. I don't know

0:19:27.040 --> 0:19:30.119
<v Speaker 1>if you've ever seen a movie, but if someone is

0:19:30.240 --> 0:19:33.520
<v Speaker 1>coughing there, they might die. If someone is spitting up blood,

0:19:33.520 --> 0:19:35.200
<v Speaker 1>they are not even making it to the last act

0:19:35.200 --> 0:19:39.840
<v Speaker 1>of the film. They're they're already dead. And that's what

0:19:39.920 --> 0:19:45.720
<v Speaker 1>I will get sick with if I'm not funny Enough's

0:19:45.920 --> 0:19:51.560
<v Speaker 1>blood my hardcore band. So they contracted a friend of

0:19:51.560 --> 0:19:55.560
<v Speaker 1>the pod tuberculosis at about twice the rate of everyone else,

0:19:56.080 --> 0:19:58.600
<v Speaker 1>which was saying something because everyone else got a lot

0:19:58.640 --> 0:20:04.520
<v Speaker 1>of tuberculosis and venture and the presses themselves were crazy dangerous.

0:20:04.560 --> 0:20:06.200
<v Speaker 1>Like at one point it was like like they would

0:20:06.240 --> 0:20:10.600
<v Speaker 1>like eat fingers, you know, like because why it's just

0:20:10.640 --> 0:20:12.639
<v Speaker 1>like you get your finger in the wrong way and like, whoops,

0:20:12.640 --> 0:20:15.320
<v Speaker 1>it gets sliced off. Whatever. Sorry, I thought you were

0:20:15.320 --> 0:20:19.000
<v Speaker 1>talking about the people who worked at the press and

0:20:19.040 --> 0:20:26.480
<v Speaker 1>they were just just that's why the printers roamed as

0:20:26.560 --> 0:20:32.000
<v Speaker 1>they needed new flesh eat. So it's like that movie. Um,

0:20:32.000 --> 0:20:33.800
<v Speaker 1>oh my gosh, this would have been a good joke

0:20:33.840 --> 0:20:35.679
<v Speaker 1>if I could have thought of the title of the

0:20:35.680 --> 0:20:38.879
<v Speaker 1>movie I just saw two days ago. No, klin are

0:20:38.960 --> 0:20:45.240
<v Speaker 1>you coughing? You can't get the joke out. It's the

0:20:45.280 --> 0:20:48.000
<v Speaker 1>Blood Bones and all buns and all. Well, that's a

0:20:48.000 --> 0:20:50.320
<v Speaker 1>good name for a movie. I've never heard of it. Um,

0:20:50.320 --> 0:20:56.119
<v Speaker 1>it's about like cannibal, like the early twenties cannibal people

0:20:57.080 --> 0:21:00.560
<v Speaker 1>calling in love anyway, So you're speaking of the machine

0:21:00.600 --> 0:21:06.320
<v Speaker 1>itself eats people's fingers, not the people. Are people probably

0:21:06.359 --> 0:21:09.600
<v Speaker 1>not eating a ton of fingers, Like, can't say never sure,

0:21:10.080 --> 0:21:15.040
<v Speaker 1>But you know what else won't eat your fingers? You

0:21:15.080 --> 0:21:18.360
<v Speaker 1>don't know that. You know what else probably won't eat

0:21:18.400 --> 0:21:22.399
<v Speaker 1>your fingers most of the time. Approved is it the

0:21:22.440 --> 0:21:25.520
<v Speaker 1>products and services you're about to hear about? It is?

0:21:25.680 --> 0:21:27.880
<v Speaker 1>And if it's one of those true crime podcasts about

0:21:27.920 --> 0:21:32.080
<v Speaker 1>people who eat people, then I was wrong and we

0:21:32.119 --> 0:21:37.760
<v Speaker 1>didn't authorize it. Here's some podcasts. No, here's some ads,

0:21:38.000 --> 0:21:45.879
<v Speaker 1>usually for podcasts. And we are back, Kalen. What do

0:21:45.960 --> 0:21:50.200
<v Speaker 1>you think of those, um buying goods and services? Oh

0:21:50.400 --> 0:21:57.080
<v Speaker 1>my favorite. Yeah, they're so good, except for the terrible ones. Yeah, yeah,

0:21:57.320 --> 0:21:59.600
<v Speaker 1>which is a lot of them. So the other ways

0:21:59.640 --> 0:22:03.240
<v Speaker 1>that prints would die, uh sometimes they would dry the

0:22:03.320 --> 0:22:08.520
<v Speaker 1>type like the ink over flame. And sometimes for some

0:22:08.560 --> 0:22:12.880
<v Speaker 1>odd reason, drying ink on paper over flame would ignite.

0:22:13.840 --> 0:22:18.080
<v Speaker 1>Uh uh yeah, and so that wasn't very good. Um.

0:22:18.080 --> 0:22:20.600
<v Speaker 1>And then my other weird self insert about printing into

0:22:20.680 --> 0:22:24.000
<v Speaker 1>this episode is that I apprenticed as a as a

0:22:24.040 --> 0:22:27.960
<v Speaker 1>printer for one summer once when I was bored, and

0:22:27.960 --> 0:22:30.760
<v Speaker 1>and the first day I showed up Charles Oberbeck, who

0:22:30.800 --> 0:22:32.679
<v Speaker 1>wrote the book Tramp Printers, which is a lot of

0:22:32.680 --> 0:22:35.720
<v Speaker 1>what I'm pulling from. It's a very good book. He

0:22:35.840 --> 0:22:38.160
<v Speaker 1>was like, you need to tie your hair back. If

0:22:38.160 --> 0:22:40.760
<v Speaker 1>that falls into the machine, it will rip your hair

0:22:40.760 --> 0:22:44.920
<v Speaker 1>out of your scalp. So and that's the modern offset printers.

0:22:45.040 --> 0:22:48.040
<v Speaker 1>That's not so. I don't know whether people were losing

0:22:48.040 --> 0:22:49.600
<v Speaker 1>their hair or not. I can't speak to that part.

0:22:50.080 --> 0:22:54.360
<v Speaker 1>I mean, if they're losing fingers, they're probably losing hair, Yeah, totally.

0:22:55.160 --> 0:22:59.760
<v Speaker 1>So the life expectancy for printers from about eight eighteen

0:22:59.800 --> 0:23:05.480
<v Speaker 1>five D was you want to guess this fun was

0:23:05.520 --> 0:23:10.960
<v Speaker 1>it like thirty seven years old? It's so optimistic less,

0:23:11.880 --> 0:23:14.840
<v Speaker 1>I guess probably the average lifespan that during that time,

0:23:14.920 --> 0:23:20.520
<v Speaker 1>let's thirty seven. So let's say twenty six, it was

0:23:20.520 --> 0:23:25.399
<v Speaker 1>twenty eight years old. Okay, that's how long printers were lasting.

0:23:26.680 --> 0:23:29.360
<v Speaker 1>Later they get unionized and we'll talk about that part

0:23:29.359 --> 0:23:30.760
<v Speaker 1>of the story in a little bit, and their life

0:23:30.760 --> 0:23:36.399
<v Speaker 1>expectancy went up dramatically, so much so that by the

0:23:36.440 --> 0:23:43.280
<v Speaker 1>average printer lived to be forty one years Wow for them. Yeah,

0:23:43.880 --> 0:23:46.480
<v Speaker 1>so printing was actually this very no future job. It

0:23:46.560 --> 0:23:48.840
<v Speaker 1>was very punk rock in all of the negative ways,

0:23:49.320 --> 0:23:54.320
<v Speaker 1>you know. Hell yeah, printing was fairly cheap all told.

0:23:54.600 --> 0:23:57.760
<v Speaker 1>During this time. With this style of printing, you could

0:23:57.760 --> 0:24:00.399
<v Speaker 1>start a press without a ton of capital compared to

0:24:00.400 --> 0:24:03.560
<v Speaker 1>a lot of other business ventures. So presses followed the

0:24:03.560 --> 0:24:07.240
<v Speaker 1>westward expansion across the US as part of the great

0:24:07.320 --> 0:24:10.359
<v Speaker 1>colonial project that they don't really have very many positive

0:24:10.359 --> 0:24:14.399
<v Speaker 1>things to say about. Often, mere days after a town

0:24:14.600 --> 0:24:18.240
<v Speaker 1>or something would show up, ox drawn carts would bring

0:24:18.280 --> 0:24:21.200
<v Speaker 1>hand presses out to the frontier, and some of which

0:24:21.240 --> 0:24:23.720
<v Speaker 1>were up and running and like printing that town's newspaper

0:24:24.240 --> 0:24:28.119
<v Speaker 1>before buildings were erected to house the presses. Because the

0:24:28.119 --> 0:24:32.359
<v Speaker 1>presses are these like giant hulking industrial machine, not giant hulking,

0:24:32.400 --> 0:24:36.600
<v Speaker 1>but like they're sturdy, right, sure you can. You can

0:24:36.600 --> 0:24:39.480
<v Speaker 1>have it out in the weather a little bit. And

0:24:39.560 --> 0:24:42.400
<v Speaker 1>at least in the beginning of Paddington too, I've seen

0:24:42.440 --> 0:24:46.160
<v Speaker 1>a printing press, yeah, totally. And I've know who Paddington

0:24:46.240 --> 0:24:51.399
<v Speaker 1>Bear is. For those listening eight full twenty six minutes

0:24:51.440 --> 0:24:54.920
<v Speaker 1>for Caitlin's reference Paddington And that is a new record,

0:24:55.520 --> 0:24:57.320
<v Speaker 1>my friend. How long do you think it will take

0:24:57.359 --> 0:25:02.120
<v Speaker 1>into my reference Titanic? It's right now. It just happened.

0:25:04.960 --> 0:25:07.960
<v Speaker 1>We just well, we actually already talked about Shrekh, although

0:25:08.000 --> 0:25:12.760
<v Speaker 1>in a different way to speak of the green ogre

0:25:13.080 --> 0:25:19.160
<v Speaker 1>Shrek who was also have that come up? Mm hmm. Anyway,

0:25:20.160 --> 0:25:23.720
<v Speaker 1>So one of the other dangers of printing presses was

0:25:23.760 --> 0:25:26.840
<v Speaker 1>that you could say stuff with printing presses very easily.

0:25:27.840 --> 0:25:30.000
<v Speaker 1>And some people don't like it when you talk shit,

0:25:30.840 --> 0:25:34.159
<v Speaker 1>but it's a very good machine for talking. Ship a

0:25:34.200 --> 0:25:36.679
<v Speaker 1>lot of people started getting shot and stabbed over what

0:25:36.720 --> 0:25:40.600
<v Speaker 1>they said in their papers, especially in the US Frontier,

0:25:41.440 --> 0:25:45.240
<v Speaker 1>especially when they were saying stuff like maybe pretending like

0:25:45.320 --> 0:25:49.560
<v Speaker 1>you own people is a bad thing. So I don't

0:25:49.560 --> 0:25:51.000
<v Speaker 1>know if you knew this, but the entire US had

0:25:51.000 --> 0:25:53.880
<v Speaker 1>this whole big argument about that concept. At one point

0:25:53.960 --> 0:25:57.480
<v Speaker 1>it got kind of violent. Yeah, yeah, I remember, I

0:25:57.560 --> 0:26:02.600
<v Speaker 1>was no, I wasn't there. So take, for instance, Susan B.

0:26:02.760 --> 0:26:08.200
<v Speaker 1>Anthony's brother. He was a newspaper editor named Daniel Read Anthony.

0:26:08.400 --> 0:26:10.760
<v Speaker 1>He moved to Kansas and he set up an anti

0:26:10.800 --> 0:26:14.840
<v Speaker 1>slavery newspaper because he wanted to, and that is a

0:26:14.840 --> 0:26:16.480
<v Speaker 1>good thing to want to do and a good thing

0:26:16.520 --> 0:26:19.399
<v Speaker 1>to do. So he's our first named cool person who

0:26:19.440 --> 0:26:23.080
<v Speaker 1>did cool stuff in this episode. Nice. His first week

0:26:23.400 --> 0:26:25.920
<v Speaker 1>running that paper living in Kansas, he was attacked three

0:26:25.960 --> 0:26:31.920
<v Speaker 1>times by pro slavery mobs, and that motherfucker he spent

0:26:32.000 --> 0:26:35.080
<v Speaker 1>his life walking around with two horse pistols on his waist.

0:26:36.400 --> 0:26:39.199
<v Speaker 1>What is a horse pistol, you might ask, I was

0:26:39.320 --> 0:26:42.720
<v Speaker 1>just gonna ask, I had to ask. I asked the internet.

0:26:43.240 --> 0:26:46.320
<v Speaker 1>Horse pistol is his old timey pistol that's so large

0:26:46.359 --> 0:26:48.879
<v Speaker 1>that you can't comfortably carry it at your waist, you

0:26:48.960 --> 0:26:53.520
<v Speaker 1>carry it on your horse alongside the saddles. Just a

0:26:53.560 --> 0:26:57.159
<v Speaker 1>big old pirate gun. And now do you think that

0:26:57.640 --> 0:27:03.120
<v Speaker 1>when you saw that bit of graffiti in you said Amsterdam,

0:27:03.160 --> 0:27:06.359
<v Speaker 1>and I said, like for originally it said what was

0:27:06.400 --> 0:27:08.720
<v Speaker 1>it like, change the world make it worse? The world,

0:27:08.840 --> 0:27:11.879
<v Speaker 1>make it worse, and then someone change changed that to

0:27:12.040 --> 0:27:14.680
<v Speaker 1>said to say make it horsey. Do you think that's

0:27:14.680 --> 0:27:18.639
<v Speaker 1>what they meant by make it horsey? Probably to introduce

0:27:18.760 --> 0:27:22.560
<v Speaker 1>some horse pistols. Yeah. It was actually a a big

0:27:23.440 --> 0:27:26.960
<v Speaker 1>second pro Second Amendment movement in Amsterdam where they said

0:27:27.000 --> 0:27:29.760
<v Speaker 1>we should amend things so that we can carry horse pistols.

0:27:30.760 --> 0:27:34.479
<v Speaker 1>Very specific argument that they that they were making. So

0:27:36.240 --> 0:27:40.680
<v Speaker 1>our guy, Daniel Reid Anthony he uh, he carried two

0:27:40.680 --> 0:27:43.040
<v Speaker 1>of them at his waist, even though they specifically were

0:27:43.040 --> 0:27:45.359
<v Speaker 1>designed for being too big to carry at your waist.

0:27:47.080 --> 0:27:48.720
<v Speaker 1>And the two of them, I think, I think these

0:27:48.720 --> 0:27:51.880
<v Speaker 1>are single shot pistols. Is like long enough ago, right,

0:27:52.920 --> 0:27:55.000
<v Speaker 1>I don't think that. I think that's why he is too.

0:27:55.000 --> 0:27:57.240
<v Speaker 1>It's not so he's like dual wielding them anime style,

0:27:57.280 --> 0:27:59.159
<v Speaker 1>but the whole thing has a very anime vibe of

0:27:59.240 --> 0:28:04.600
<v Speaker 1>like two oversized guns mm hmm. He also got into

0:28:04.720 --> 0:28:08.680
<v Speaker 1>arguments with other publishers. There was a rival pro slavery

0:28:08.680 --> 0:28:13.640
<v Speaker 1>publisher who called him a coward. Daniel Reid Anthony, not

0:28:13.720 --> 0:28:16.800
<v Speaker 1>being a coward, challenged him to a duel. I am

0:28:16.840 --> 0:28:18.639
<v Speaker 1>not coming in one way or the other about the

0:28:18.680 --> 0:28:21.480
<v Speaker 1>dual argument and masculinity and autonomy and all kinds of

0:28:21.520 --> 0:28:27.120
<v Speaker 1>weird ship. Sure, he told the guy h and shot

0:28:27.200 --> 0:28:31.280
<v Speaker 1>him to death in the street and was acquitted at trial.

0:28:31.840 --> 0:28:34.840
<v Speaker 1>I'm pretty sure his defense was we were dueling, it's Kansas,

0:28:35.040 --> 0:28:38.960
<v Speaker 1>leave me alone. I feel like that was a valid

0:28:39.000 --> 0:28:42.560
<v Speaker 1>defense back in the day. Yeah, during the Civil War,

0:28:42.840 --> 0:28:45.320
<v Speaker 1>after he shot a one pro slavery guy to death,

0:28:45.720 --> 0:28:48.360
<v Speaker 1>he volunteered and joined the cavalry, and so he probably

0:28:48.360 --> 0:28:50.080
<v Speaker 1>was able to vent this point to start keeping his

0:28:50.120 --> 0:28:53.760
<v Speaker 1>horse pistols on his horse because using the cavalry. He

0:28:53.880 --> 0:28:55.800
<v Speaker 1>later he gets out and he goes back to Kansas

0:28:55.840 --> 0:28:59.000
<v Speaker 1>and he keeps publishing papers. A rival publisher shoots him

0:28:59.040 --> 0:29:02.560
<v Speaker 1>in the chest, not in a duel, just ambushes him,

0:29:02.600 --> 0:29:06.720
<v Speaker 1>and she was I know she was. People when you're dueling,

0:29:07.280 --> 0:29:12.480
<v Speaker 1>consensual shooting. When you're dueling, you know what you're getting into.

0:29:12.600 --> 0:29:15.680
<v Speaker 1>You're like, I might be shot. I might shoot someone,

0:29:15.720 --> 0:29:18.800
<v Speaker 1>but we're both it's two consenting parties. Yeah, well I

0:29:18.800 --> 0:29:23.280
<v Speaker 1>think that that's what Kansas was a fine, that's consent state.

0:29:25.560 --> 0:29:29.760
<v Speaker 1>If you're if you have an opinion pro or anti

0:29:29.880 --> 0:29:33.920
<v Speaker 1>slavery in Kansas, you're consenting to shoot or be shot

0:29:34.000 --> 0:29:38.120
<v Speaker 1>at the other side. Yeah. So he survives getting shot

0:29:38.640 --> 0:29:42.400
<v Speaker 1>right next to the heart, and like everyone thought he

0:29:42.400 --> 0:29:44.000
<v Speaker 1>was dead, and he was like, no, I'm not dead,

0:29:44.040 --> 0:29:48.360
<v Speaker 1>I'm fucking Daniel read Anthony, And so he kept publishing

0:29:48.440 --> 0:29:53.160
<v Speaker 1>a bunch of dangerous ship and another paper. During all

0:29:53.200 --> 0:29:54.719
<v Speaker 1>of this stuff. There was like he was not the

0:29:54.760 --> 0:29:57.080
<v Speaker 1>only newspaper writer. It was like shooting and getting shots

0:29:57.160 --> 0:29:58.560
<v Speaker 1>right all this He's just the one who I found

0:29:58.560 --> 0:30:02.280
<v Speaker 1>most interesting. Another paper at the time wrote that someone

0:30:02.320 --> 0:30:06.760
<v Speaker 1>should quote stuff and preserve a specimen Kansas editor before

0:30:06.760 --> 0:30:10.720
<v Speaker 1>the race becomes extinct altogether, because they were all dying

0:30:11.000 --> 0:30:17.640
<v Speaker 1>so much. Who knew that between having to work in

0:30:18.520 --> 0:30:24.120
<v Speaker 1>weird little basements covered in piss while you're spitting up

0:30:24.120 --> 0:30:29.280
<v Speaker 1>blood and getting shot all the time for the rhetoric

0:30:29.400 --> 0:30:31.600
<v Speaker 1>that you're printing, that it would be one of the

0:30:31.640 --> 0:30:36.000
<v Speaker 1>most dangerous professions of the time. Yeah. I didn't know that. Yeah,

0:30:36.160 --> 0:30:39.880
<v Speaker 1>like a real like rough and tumble job. And and

0:30:39.880 --> 0:30:41.000
<v Speaker 1>one of the things is going to come up a

0:30:41.040 --> 0:30:45.240
<v Speaker 1>little bit later. But at the time, newspaper editors mostly

0:30:45.280 --> 0:30:49.120
<v Speaker 1>came out of being type setters rather than later, once

0:30:49.160 --> 0:30:51.720
<v Speaker 1>type setting became a less specialized craft with the additional

0:30:51.880 --> 0:30:55.640
<v Speaker 1>addition additional machinery, more and more type setters were coming

0:30:55.640 --> 0:31:00.000
<v Speaker 1>out of like journalism school. And I'm not making an

0:31:00.000 --> 0:31:03.280
<v Speaker 1>opinion about this, um, but basically it was like we

0:31:03.320 --> 0:31:05.520
<v Speaker 1>had to be a weird, rough and tumble type setter

0:31:05.600 --> 0:31:08.480
<v Speaker 1>in order to end up being a newspaper editor for

0:31:08.480 --> 0:31:14.720
<v Speaker 1>a while. So they should make a movie about that anyway.

0:31:15.240 --> 0:31:19.960
<v Speaker 1>And actually, yeah, like the Cowboys of the West, but

0:31:20.800 --> 0:31:25.400
<v Speaker 1>they're typesetters, type setters. Yeah, now these people like this

0:31:25.480 --> 0:31:27.280
<v Speaker 1>is like why I like picked this topic because I

0:31:27.280 --> 0:31:29.400
<v Speaker 1>had heard a little bits and hints because the person

0:31:29.440 --> 0:31:31.440
<v Speaker 1>I promised underwrote the book about them and would talk

0:31:31.440 --> 0:31:33.680
<v Speaker 1>about them sometimes, you know, and I would like to

0:31:33.720 --> 0:31:35.800
<v Speaker 1>hear these little bits and hints of this like culture

0:31:35.880 --> 0:31:39.200
<v Speaker 1>that I had no idea about, and no one I

0:31:39.480 --> 0:31:42.200
<v Speaker 1>this is not a not to be like, oh I've

0:31:42.280 --> 0:31:44.200
<v Speaker 1>uncovered this forgotten, but it's just like it's it's just

0:31:44.240 --> 0:31:46.640
<v Speaker 1>not the ship we talk about, you know, it's not

0:31:46.720 --> 0:31:49.360
<v Speaker 1>within the specific mythos of like the wild West that

0:31:49.400 --> 0:31:53.240
<v Speaker 1>people talk about. Mm hmm. So there was another enemy

0:31:53.440 --> 0:32:00.400
<v Speaker 1>that editors and printers faced, which was capitalist exploitation, and

0:32:00.680 --> 0:32:02.920
<v Speaker 1>I've heard of it. Yeah, yeah, I'm glad that this

0:32:03.000 --> 0:32:05.440
<v Speaker 1>is a it's a relic of the nineteenth century. It's

0:32:06.200 --> 0:32:11.280
<v Speaker 1>thank goodness it's no longer. They figured out a way

0:32:11.280 --> 0:32:14.400
<v Speaker 1>to fight against that, and which brings us to some

0:32:14.480 --> 0:32:17.520
<v Speaker 1>of the coolest and some of the well the big

0:32:17.560 --> 0:32:19.880
<v Speaker 1>one funk off on cool. Part of what we're going

0:32:19.920 --> 0:32:25.720
<v Speaker 1>to talk about is their labor union done. That's my

0:32:25.800 --> 0:32:27.800
<v Speaker 1>like clippanger even I'm about to go into it because

0:32:27.800 --> 0:32:29.560
<v Speaker 1>at the end of the episode, thank you appreciate that

0:32:33.840 --> 0:32:36.480
<v Speaker 1>we're going back in time again. The U S didn't

0:32:36.480 --> 0:32:38.920
<v Speaker 1>even have a constitution yet. That would come next year,

0:32:39.480 --> 0:32:41.280
<v Speaker 1>and it only had its name the United States of

0:32:41.280 --> 0:32:45.240
<v Speaker 1>America for ten years. And so some printers in Philadelphia

0:32:45.360 --> 0:32:47.800
<v Speaker 1>they were like, we're being treated like ship, and we

0:32:47.840 --> 0:32:50.960
<v Speaker 1>don't like it. And a couple of years earlier, some

0:32:51.040 --> 0:32:53.040
<v Speaker 1>printers in New York have been like, we're being treated

0:32:53.040 --> 0:32:54.560
<v Speaker 1>like ship. We don't like it. If you don't pay

0:32:54.640 --> 0:32:56.840
<v Speaker 1>us more, we'll walk off the job. And the editors

0:32:56.840 --> 0:32:59.640
<v Speaker 1>have been like, all right, well, here's some money. And

0:32:59.720 --> 0:33:01.840
<v Speaker 1>so they tried to do the same thing in Philadelphia.

0:33:01.960 --> 0:33:04.640
<v Speaker 1>They were like, we're being treated like shit. We want

0:33:04.960 --> 0:33:07.520
<v Speaker 1>a dollar a day. Because at the time, a lot

0:33:07.560 --> 0:33:10.000
<v Speaker 1>of labors are getting paid by the day, and you

0:33:10.080 --> 0:33:13.000
<v Speaker 1>have this like nasty thing that employers would do where

0:33:13.040 --> 0:33:15.520
<v Speaker 1>if you're paying someone by the day, you hire them

0:33:15.600 --> 0:33:17.120
<v Speaker 1>during the summer when the days are long, and then

0:33:17.120 --> 0:33:22.160
<v Speaker 1>you fire them in the winter when the days are short. Yeah,

0:33:22.200 --> 0:33:23.840
<v Speaker 1>And so the printers were getting that happening, and they

0:33:23.840 --> 0:33:26.120
<v Speaker 1>were like, look, we want a dollar a day, and

0:33:26.160 --> 0:33:28.640
<v Speaker 1>they went on strike. Only they didn't use the word

0:33:28.720 --> 0:33:31.560
<v Speaker 1>strike because it was so long ago that strike wasn't

0:33:31.640 --> 0:33:34.640
<v Speaker 1>used in that context in the US. Yet it became

0:33:34.680 --> 0:33:37.280
<v Speaker 1>a in case anyone was curious. It became a verb

0:33:37.360 --> 0:33:40.680
<v Speaker 1>in seventeen sixty eight when English sailors struck, which is

0:33:40.720 --> 0:33:44.000
<v Speaker 1>probably a reference to them taking down the sales, striking

0:33:44.040 --> 0:33:47.960
<v Speaker 1>the sales. And it's likely that it didn't become a

0:33:48.000 --> 0:33:51.840
<v Speaker 1>noun like a strike until a long time later. But

0:33:52.280 --> 0:33:54.360
<v Speaker 1>I don't know, I mean, I do know. I read

0:33:54.360 --> 0:33:56.560
<v Speaker 1>some matemology about it, but I'm not sure entirely believe it.

0:33:56.960 --> 0:33:58.760
<v Speaker 1>The thing I read claimed it wasn't until the eighteen

0:33:58.800 --> 0:34:00.920
<v Speaker 1>hundreds that people used to the down, and but it

0:34:00.960 --> 0:34:03.440
<v Speaker 1>was like what it was a verb like hundred years

0:34:03.440 --> 0:34:07.920
<v Speaker 1>before that anyway, whatever, I know, you really came here

0:34:07.920 --> 0:34:09.839
<v Speaker 1>for the amology of strike. So what they did they

0:34:09.880 --> 0:34:13.959
<v Speaker 1>called a turnout, and turn out they did, and they won.

0:34:14.239 --> 0:34:18.920
<v Speaker 1>And this was America's first labor strike as America and

0:34:18.600 --> 0:34:24.240
<v Speaker 1>um and it was one apparently fairly handily all right, nice,

0:34:25.120 --> 0:34:27.279
<v Speaker 1>And so they start being like, printers are like, oh,

0:34:27.320 --> 0:34:30.279
<v Speaker 1>we we stick together, right, And they already had kind

0:34:30.280 --> 0:34:33.080
<v Speaker 1>of a guild model going on, sort of based on

0:34:33.120 --> 0:34:35.720
<v Speaker 1>the craft guilds that you would have like the medieval

0:34:35.840 --> 0:34:39.560
<v Speaker 1>guild system of apprenticeships and all that ship, right, And

0:34:39.880 --> 0:34:43.680
<v Speaker 1>but it's like unionizing started kind of coming around. They

0:34:43.680 --> 0:34:47.239
<v Speaker 1>were like, we're going to form a union, and it

0:34:47.360 --> 0:34:50.040
<v Speaker 1>started off informally, like a lot of good things do.

0:34:50.239 --> 0:34:52.040
<v Speaker 1>They agreed that they would never give up the right

0:34:52.080 --> 0:34:55.160
<v Speaker 1>to strike, and they went for a long apprent They

0:34:55.239 --> 0:34:58.960
<v Speaker 1>like coalesced and held strong this idea of printers would

0:34:58.960 --> 0:35:01.680
<v Speaker 1>have a long apprenticeship program before they would like become

0:35:01.800 --> 0:35:06.040
<v Speaker 1>guild members or union members or whatever, and they emphasized

0:35:06.120 --> 0:35:08.560
<v Speaker 1>being like really good at the work and taking pride

0:35:08.560 --> 0:35:10.839
<v Speaker 1>in a job well done instead of just like just

0:35:10.960 --> 0:35:15.440
<v Speaker 1>being laborers or whatever. They also worked for closed shops,

0:35:15.520 --> 0:35:18.000
<v Speaker 1>basically being like, no, everyone who works in the shop

0:35:18.080 --> 0:35:20.680
<v Speaker 1>must be a member of the union. They also worked

0:35:20.719 --> 0:35:23.279
<v Speaker 1>to keep printing a sort of secret society which had

0:35:23.280 --> 0:35:25.759
<v Speaker 1>actually been going on for hundreds of years. There's this

0:35:25.800 --> 0:35:28.359
<v Speaker 1>whole weird, ironic and kind of interesting thing I want

0:35:28.400 --> 0:35:31.839
<v Speaker 1>to know more about some point where with a history

0:35:31.880 --> 0:35:34.960
<v Speaker 1>of printing in the Western world, most information about printing

0:35:35.239 --> 0:35:39.560
<v Speaker 1>passed by word of mouth rather than the printed word. Yeah,

0:35:40.120 --> 0:35:43.120
<v Speaker 1>and that's irony. I know, I mean, I think it is.

0:35:43.360 --> 0:35:45.440
<v Speaker 1>I got my brain got broken when two people told

0:35:45.440 --> 0:35:46.840
<v Speaker 1>me when I was a teenager and they told me

0:35:46.880 --> 0:35:50.839
<v Speaker 1>that lensmore SAT's song ironic isn't ironic, And so then

0:35:50.880 --> 0:35:55.239
<v Speaker 1>I just stopped comprehending the word people to even have

0:35:55.280 --> 0:35:59.560
<v Speaker 1>the capacity to understand what irony is. Yeah, I know,

0:35:59.600 --> 0:36:02.200
<v Speaker 1>I'm I'm like, is this irony? I still don't quite know.

0:36:02.960 --> 0:36:07.640
<v Speaker 1>There was like a Freemason's but for like printers. Yeah, basically, wow,

0:36:09.640 --> 0:36:14.600
<v Speaker 1>teenage Margaret's mind would have been blown, whoa, it isn't

0:36:14.600 --> 0:36:18.440
<v Speaker 1>that ironic. Maybe I don't think it's probably not sardonic.

0:36:18.600 --> 0:36:20.359
<v Speaker 1>I feel like I have a stronger handle on that,

0:36:20.400 --> 0:36:23.239
<v Speaker 1>which is like sarcast. See I don't even know what

0:36:23.320 --> 0:36:33.360
<v Speaker 1>sardonic means even a little bit unsick. Oh wait, grimly

0:36:33.480 --> 0:36:36.680
<v Speaker 1>I'm not even joking about grimly, mocking or cynical. Well

0:36:36.920 --> 0:36:40.839
<v Speaker 1>that describes me quite a bit. So yeah, you're fairly sardonic. Yeah,

0:36:44.040 --> 0:36:51.600
<v Speaker 1>I mean thanks, Yeah, wow, Okay. I was glad I

0:36:51.640 --> 0:36:55.160
<v Speaker 1>had listened to beckdel Cast before I came onto beckdel Cast,

0:36:56.480 --> 0:36:58.480
<v Speaker 1>because I was like, ah, I see this is the

0:36:58.560 --> 0:37:02.760
<v Speaker 1>dry humor, which I really like. I really like dry humor.

0:37:02.800 --> 0:37:08.240
<v Speaker 1>But thank you. Yeah yeah, so u s printers. They

0:37:08.280 --> 0:37:12.160
<v Speaker 1>took this close shot mentality seriously and they distributed rat lists,

0:37:12.239 --> 0:37:16.040
<v Speaker 1>which was that everyone who worked for too cheap um

0:37:16.160 --> 0:37:18.520
<v Speaker 1>or otherwise betrayed everyone else, because if you took a

0:37:18.560 --> 0:37:21.080
<v Speaker 1>printing job for less than the going rate, you funk

0:37:21.120 --> 0:37:24.359
<v Speaker 1>up everyone's ability to get that rate. So these were

0:37:24.360 --> 0:37:27.480
<v Speaker 1>like the scabs, yeah exactly. And it was kind of

0:37:27.520 --> 0:37:30.319
<v Speaker 1>before this came about, even before they were a union,

0:37:30.360 --> 0:37:33.120
<v Speaker 1>I believe, so it wasn't even quite scabbing. Because they

0:37:33.120 --> 0:37:37.880
<v Speaker 1>weren't necessarily like working on a place that was on strike.

0:37:39.200 --> 0:37:41.200
<v Speaker 1>But just basically, if you were like working for cheap

0:37:41.239 --> 0:37:44.520
<v Speaker 1>as a printery, you or a fucking rat. And if

0:37:44.560 --> 0:37:46.919
<v Speaker 1>you taught non union workers how to print, you would

0:37:46.920 --> 0:37:50.360
<v Speaker 1>be ostracized, ship talked, or just jumped. And that actually

0:37:50.360 --> 0:37:52.799
<v Speaker 1>will tie back into the really messy thing about all

0:37:52.840 --> 0:37:58.800
<v Speaker 1>of this. Got it. Eventually they created the National Typographical

0:37:58.920 --> 0:38:01.760
<v Speaker 1>Union in eighteen d two, which was the first national

0:38:01.760 --> 0:38:05.920
<v Speaker 1>trade union in the US. And the union was so

0:38:06.000 --> 0:38:07.760
<v Speaker 1>old school that it stuck to a bunch of medieval

0:38:07.840 --> 0:38:10.040
<v Speaker 1>ship I think left over from it being basically a guild.

0:38:10.480 --> 0:38:14.480
<v Speaker 1>The local union was called a chapel, and the chapel

0:38:14.480 --> 0:38:17.560
<v Speaker 1>elected a father as the chairman, who is the most

0:38:17.560 --> 0:38:22.879
<v Speaker 1>senior member of the shop. Okay, what about a mother? Well,

0:38:23.160 --> 0:38:27.440
<v Speaker 1>sound we'll talk. Actually this isn't the big route. They

0:38:27.480 --> 0:38:33.239
<v Speaker 1>did let women in. But first, do you know who

0:38:33.239 --> 0:38:36.960
<v Speaker 1>else has a craft or profession that they operate within

0:38:37.000 --> 0:38:40.840
<v Speaker 1>a marketplace in order to feed themselves and other people

0:38:41.480 --> 0:38:45.520
<v Speaker 1>and then advertise the things that they create on podcasts?

0:38:47.080 --> 0:38:48.440
<v Speaker 1>I thought you were going to say, you know who

0:38:48.520 --> 0:38:50.719
<v Speaker 1>else let women in? That's where I thought you were

0:38:50.719 --> 0:38:56.319
<v Speaker 1>going with that, the Highway State Patrol. Who oh yeah,

0:38:56.360 --> 0:38:58.000
<v Speaker 1>I don't think it's advertised on this show in a

0:38:58.120 --> 0:39:01.080
<v Speaker 1>very long time, maybe never on this one. No. Yeah,

0:39:01.080 --> 0:39:03.320
<v Speaker 1>I we actually were able to get them removed. It

0:39:03.480 --> 0:39:05.520
<v Speaker 1>just took an absurd amount of time and we had

0:39:05.560 --> 0:39:08.280
<v Speaker 1>no power over it, and it made me very unhappy.

0:39:08.440 --> 0:39:10.799
<v Speaker 1>I'm so tired. Well, all of the ads that you

0:39:10.800 --> 0:39:13.480
<v Speaker 1>were about to listen to were handpicked by Caitlyn Durante.

0:39:14.120 --> 0:39:19.160
<v Speaker 1>And if you have any problem morally ethically whatever the

0:39:19.160 --> 0:39:21.040
<v Speaker 1>difference who those two words is? Speaking of words, I

0:39:21.080 --> 0:39:22.879
<v Speaker 1>don't know the difference between I use all the time.

0:39:23.520 --> 0:39:26.759
<v Speaker 1>You can talk to Caitlyn Durrante about your problems with

0:39:26.800 --> 0:39:29.600
<v Speaker 1>the ads that are now about to be her, and

0:39:29.680 --> 0:39:32.279
<v Speaker 1>you can tweet at her at at I right, okay, yeah,

0:39:33.160 --> 0:39:45.719
<v Speaker 1>that's okay, like oklahoma, not okay, like okay, okay, and

0:39:45.920 --> 0:39:49.919
<v Speaker 1>we are back. Yeah. So your father was the most

0:39:49.920 --> 0:39:54.840
<v Speaker 1>senior member of your shop most most of the time. Uh.

0:39:55.040 --> 0:39:58.040
<v Speaker 1>I don't know whether or not any specific ones had mothers,

0:39:58.160 --> 0:40:01.680
<v Speaker 1>or whether women in that role called fathers. Anyway, the

0:40:01.719 --> 0:40:04.279
<v Speaker 1>cool thing, I don't know if you knew this, but

0:40:04.640 --> 0:40:07.480
<v Speaker 1>sometimes we're written out of history and they only talk

0:40:07.560 --> 0:40:12.560
<v Speaker 1>about boys. What. I've never heard that before. Yeah, I

0:40:12.600 --> 0:40:15.920
<v Speaker 1>mean that would be a massive Was that me being sardonic?

0:40:16.040 --> 0:40:21.320
<v Speaker 1>I still don't understand quite now. I don't know mo

0:40:21.400 --> 0:40:26.680
<v Speaker 1>being sardonic when you say that, I don't know, or

0:40:26.719 --> 0:40:30.040
<v Speaker 1>am I being ironic? I don't know. I don't know.

0:40:30.200 --> 0:40:32.279
<v Speaker 1>We should ask the expert. What if one day we

0:40:32.360 --> 0:40:39.719
<v Speaker 1>get just giving people the we don't know ironic, the

0:40:40.280 --> 0:40:45.280
<v Speaker 1>we don't know? I think Caitlyn sardonic. I think Caitlyn

0:40:45.320 --> 0:40:48.680
<v Speaker 1>is sardonic as well. I take that as a huge compliment. Yeah,

0:40:48.920 --> 0:40:51.279
<v Speaker 1>it's intended you don't give me the ick, and I

0:40:51.320 --> 0:40:54.360
<v Speaker 1>haven't seen you being ironic in the last four minutes.

0:40:54.760 --> 0:40:59.240
<v Speaker 1>I'm gonna go with sardonic. Yeah, okay, cool passive illumination. Yeah,

0:40:59.400 --> 0:41:01.200
<v Speaker 1>this is gonna be the thing that we get the

0:41:01.280 --> 0:41:04.200
<v Speaker 1>most random Internet people giving us feedback on on anything

0:41:04.280 --> 0:41:09.239
<v Speaker 1>that's done on the shop. Yeah. Actually, sardonic means blah

0:41:09.280 --> 0:41:14.960
<v Speaker 1>blah blah blah. Also, um, somebody some I'm like again

0:41:15.080 --> 0:41:17.360
<v Speaker 1>at I write okay on Twitter, that is where you

0:41:17.360 --> 0:41:20.040
<v Speaker 1>can send that feedback. Yeah, and if you want to

0:41:20.040 --> 0:41:23.680
<v Speaker 1>get through I write okay spam filters, you have to um,

0:41:23.800 --> 0:41:27.480
<v Speaker 1>the secret code is you look up the word pedant

0:41:28.080 --> 0:41:30.160
<v Speaker 1>and then you put the copy and paste the definition

0:41:30.160 --> 0:41:35.640
<v Speaker 1>of the word pedant into it. All right, which wasn't

0:41:35.640 --> 0:41:37.240
<v Speaker 1>a slight at I right, Okay, it was a slight

0:41:37.280 --> 0:41:39.720
<v Speaker 1>about people who have a problem with Okay whatever. Anyway,

0:41:39.880 --> 0:41:42.239
<v Speaker 1>all right, so all of this should have ruled all

0:41:42.280 --> 0:41:45.600
<v Speaker 1>this stuff about the union, Like they sound fucking cool

0:41:45.640 --> 0:41:47.719
<v Speaker 1>as hell, And I started off this episode researching and

0:41:47.840 --> 0:41:51.040
<v Speaker 1>being like, hell, yeah, these people rule. Um. They did

0:41:51.080 --> 0:41:53.640
<v Speaker 1>a lot of good stuff. They supported strikes, they organized

0:41:53.719 --> 0:41:57.600
<v Speaker 1>legal defense funds, They built retirement homes for their union printers.

0:41:58.120 --> 0:42:00.759
<v Speaker 1>They soon became the international type of epical union when

0:42:00.760 --> 0:42:04.040
<v Speaker 1>they started including Canadian printers. They struck for the shorter

0:42:04.239 --> 0:42:07.120
<v Speaker 1>hour work day for decades. They lost the fight for

0:42:07.160 --> 0:42:10.040
<v Speaker 1>the nine hour workday in eight seven, but they won

0:42:10.160 --> 0:42:13.520
<v Speaker 1>the eight hour worked in nineteen o seven after organizing

0:42:13.560 --> 0:42:16.080
<v Speaker 1>strikes all across the country, and this paved the way

0:42:16.120 --> 0:42:18.440
<v Speaker 1>for other trades to win the same concessions. So they

0:42:18.480 --> 0:42:21.480
<v Speaker 1>did all of this amazing groundbreaking work. They were one

0:42:21.520 --> 0:42:24.080
<v Speaker 1>of the first unions to let women in. Uh. They

0:42:24.120 --> 0:42:27.000
<v Speaker 1>absorbed the Women's Typographical Union of New York in eighteen

0:42:27.040 --> 0:42:30.600
<v Speaker 1>seventy one, and the logic they used makes sense. They

0:42:30.600 --> 0:42:32.520
<v Speaker 1>were like, well, if we allow women into the union,

0:42:33.000 --> 0:42:36.919
<v Speaker 1>then women won't be hired as scabs, you know, because

0:42:36.960 --> 0:42:41.399
<v Speaker 1>they're with us, right And and most of what I'm

0:42:41.400 --> 0:42:43.840
<v Speaker 1>talking about today, the most of the stuff that's woken

0:42:43.840 --> 0:42:47.440
<v Speaker 1>into the history is mostly about individual men. But there

0:42:47.440 --> 0:42:50.280
<v Speaker 1>were women there too. For a lot of printing presses.

0:42:50.320 --> 0:42:52.200
<v Speaker 1>Through a couple of the different decades that I'll be

0:42:52.200 --> 0:42:55.399
<v Speaker 1>talking about, the majority of printers were women. Um, they

0:42:55.400 --> 0:42:58.160
<v Speaker 1>were a minority of the tramp printers. They still did

0:42:58.239 --> 0:43:01.920
<v Speaker 1>do that, but for a lot of well basically, women

0:43:02.320 --> 0:43:04.880
<v Speaker 1>didn't have a fucking never have an easy time in

0:43:04.880 --> 0:43:06.880
<v Speaker 1>the workplace, and so they faced a lot of harassment

0:43:07.440 --> 0:43:12.160
<v Speaker 1>in the workplace. And so like randomly going to new

0:43:12.200 --> 0:43:14.880
<v Speaker 1>shops all the time as a tramp printer meant exposing

0:43:14.880 --> 0:43:17.760
<v Speaker 1>yourself to harassment on the road and meant exposing yourself

0:43:17.800 --> 0:43:20.640
<v Speaker 1>to a whole new set of people. Um, just like

0:43:21.040 --> 0:43:25.200
<v Speaker 1>being a comedian, like a woman in comedy. Yeah, going

0:43:25.280 --> 0:43:30.799
<v Speaker 1>on the road, everyone's being gross at you. Anyway, Well,

0:43:30.960 --> 0:43:32.920
<v Speaker 1>clearly you must have been doing it in the nineteenth century,

0:43:32.920 --> 0:43:36.720
<v Speaker 1>because now that would never happen exactly if you imagine

0:43:36.760 --> 0:43:40.040
<v Speaker 1>it happening, you're wrong and incorrectly assessing the amount of

0:43:40.040 --> 0:43:45.279
<v Speaker 1>harassment that you're receiving. Yes, um, somehow I wish I

0:43:45.360 --> 0:43:47.840
<v Speaker 1>knew what time they stopped using gas for gaslights, so

0:43:47.880 --> 0:43:50.440
<v Speaker 1>I could somehow tight it in a little bit more efficiently,

0:43:50.440 --> 0:43:52.439
<v Speaker 1>because no one got gasolate in the twentieth century because

0:43:52.440 --> 0:43:56.719
<v Speaker 1>it was electrical. That's my joke. I'm desperately trying to

0:43:56.719 --> 0:43:58.279
<v Speaker 1>make jokes as if I'm the one who's gonna get

0:43:58.280 --> 0:44:02.359
<v Speaker 1>sick if I sucked this up. Well, you know what,

0:44:02.400 --> 0:44:11.919
<v Speaker 1>the tables have turned. Helen Torrante decides who lives and dies. Yeah,

0:44:11.960 --> 0:44:19.000
<v Speaker 1>put that on a T shirt and well, so one

0:44:19.040 --> 0:44:21.480
<v Speaker 1>thing that was cool by the women in the Union

0:44:21.560 --> 0:44:24.879
<v Speaker 1>were given equal pay same as men hundred fifty years

0:44:24.880 --> 0:44:28.080
<v Speaker 1>ago printing women in the Union got the same equal

0:44:28.080 --> 0:44:32.440
<v Speaker 1>pay for white women. That's the bad part. This is

0:44:32.480 --> 0:44:35.640
<v Speaker 1>the part that we're going to talk about. Here's where

0:44:35.640 --> 0:44:38.879
<v Speaker 1>the story gets shitty. They didn't let black people into

0:44:38.920 --> 0:44:43.040
<v Speaker 1>the union. For a long time, I've run across conflicting

0:44:43.080 --> 0:44:46.359
<v Speaker 1>information about this in a couple of books, like as

0:44:46.400 --> 0:44:49.520
<v Speaker 1>best as I can tell. For the first very long time,

0:44:49.840 --> 0:44:51.640
<v Speaker 1>at least for the first seventy years of the union,

0:44:52.000 --> 0:44:55.440
<v Speaker 1>they either explicitly excluded black workers from joining or they

0:44:55.440 --> 0:44:58.800
<v Speaker 1>have allowed individual locals to choose to exclude black workers.

0:44:59.520 --> 0:45:02.000
<v Speaker 1>My this is the former, but I have read things

0:45:02.040 --> 0:45:08.839
<v Speaker 1>that make both claims. Okay, the black author who have

0:45:08.920 --> 0:45:11.120
<v Speaker 1>anything I've ever read by him for this show has

0:45:11.160 --> 0:45:14.360
<v Speaker 1>just been a fucking hit and it's like amazing. W. B.

0:45:14.560 --> 0:45:19.480
<v Speaker 1>Dubois wrote about this in UM and this isn't a

0:45:19.560 --> 0:45:24.360
<v Speaker 1>magazine that on the front says is union printed quote.

0:45:24.880 --> 0:45:27.120
<v Speaker 1>I carry on the title page, for instance, of this

0:45:27.200 --> 0:45:30.560
<v Speaker 1>magazine the union label. And yet I know and every

0:45:30.600 --> 0:45:33.560
<v Speaker 1>one of my Negro readers knows that the very fact

0:45:33.600 --> 0:45:36.160
<v Speaker 1>that this label is there is an advertisement that no

0:45:36.280 --> 0:45:38.800
<v Speaker 1>Negro's hand is engaged in the printing of this magazine,

0:45:39.080 --> 0:45:43.000
<v Speaker 1>since the International Typographical Union systematically and deliberately excludes every

0:45:43.040 --> 0:45:46.840
<v Speaker 1>Negro that it dares from membership, no matter what his qualifications.

0:45:48.600 --> 0:45:51.560
<v Speaker 1>And I feel like that really cuts it. What's really

0:45:51.600 --> 0:45:57.000
<v Speaker 1>important is now the label union made means white, maide

0:45:58.200 --> 0:46:02.080
<v Speaker 1>in this union that tries to be the union of

0:46:02.160 --> 0:46:06.160
<v Speaker 1>printers in the entire country. UM and this is awful

0:46:06.160 --> 0:46:08.719
<v Speaker 1>A ton of levels like one. It's awful because fuck

0:46:08.800 --> 0:46:12.319
<v Speaker 1>them for not allowing black people into their union. Yeah.

0:46:12.600 --> 0:46:14.840
<v Speaker 1>And second of all, it makes everything they did that

0:46:14.880 --> 0:46:20.439
<v Speaker 1>should have been really cool really shitty because closed shop

0:46:20.560 --> 0:46:24.759
<v Speaker 1>unions are an important part of labor organizing practices right

0:46:25.280 --> 0:46:27.160
<v Speaker 1>where you have to be union in order to work

0:46:27.160 --> 0:46:31.680
<v Speaker 1>certain industries. If you're if your clothes shop union is racist,

0:46:32.680 --> 0:46:37.680
<v Speaker 1>then it's systematically excluding people from entire industries, and it's

0:46:37.719 --> 0:46:40.480
<v Speaker 1>not just any industry. Printing was the only form of

0:46:40.520 --> 0:46:44.120
<v Speaker 1>mass communication for most of this time. Of course, black

0:46:44.160 --> 0:46:46.520
<v Speaker 1>folks printed anyways, just not in the I t U.

0:46:47.200 --> 0:46:49.240
<v Speaker 1>And since the I TU tried to maintain a monopoly

0:46:49.280 --> 0:46:52.040
<v Speaker 1>over print shops, that put them in conflict in the

0:46:52.040 --> 0:46:55.120
<v Speaker 1>I t U s eighteen sixty nine and eighteen seventy conventions,

0:46:55.880 --> 0:46:59.400
<v Speaker 1>this whole thing was angrily and fiercely debated, and uh

0:47:00.080 --> 0:47:03.600
<v Speaker 1>a sizeable minority of people wanted to not be a

0:47:03.600 --> 0:47:08.839
<v Speaker 1>bunch of fucking racists. They lost out, and they used

0:47:08.840 --> 0:47:11.920
<v Speaker 1>a peculiar and shitty and hypocritical logic of how they

0:47:11.920 --> 0:47:16.160
<v Speaker 1>excluded black people. The first person who was specifically excluded

0:47:16.200 --> 0:47:21.120
<v Speaker 1>for race was Frederick Douglas's son L. H. Douglas. He

0:47:21.160 --> 0:47:24.279
<v Speaker 1>tried to join the Union, and the argument against letting

0:47:24.360 --> 0:47:27.240
<v Speaker 1>him was, Look, this has nothing to do with race.

0:47:27.400 --> 0:47:31.120
<v Speaker 1>We're not racists. It's just that he's a rat, and

0:47:31.160 --> 0:47:34.680
<v Speaker 1>we hate him because he was a rat because he

0:47:34.719 --> 0:47:41.320
<v Speaker 1>had worked printing jobs because he wasn't allowed being the union,

0:47:41.520 --> 0:47:44.640
<v Speaker 1>which was the inverse of this is exactly the argument

0:47:44.680 --> 0:47:47.279
<v Speaker 1>that they used about why they let women in, right,

0:47:47.760 --> 0:47:49.920
<v Speaker 1>because they didn't want women to be rats, so they

0:47:49.960 --> 0:47:54.080
<v Speaker 1>let them in. And I really don't like this. It

0:47:54.160 --> 0:47:56.920
<v Speaker 1>just makes me really angry. I like, I discovered this, like,

0:47:57.000 --> 0:48:01.680
<v Speaker 1>um like three quarters of the way through researching the topic,

0:48:02.480 --> 0:48:07.040
<v Speaker 1>and I'm so angry. I'm so pissed off. It does

0:48:07.320 --> 0:48:11.400
<v Speaker 1>really taint things. And I know that the national Organization

0:48:11.480 --> 0:48:14.799
<v Speaker 1>did not pass a resolution um that some folks tried

0:48:14.840 --> 0:48:17.919
<v Speaker 1>to pass stopping racial discrimination. And I don't know whether

0:48:18.040 --> 0:48:21.040
<v Speaker 1>or not individual locals lead in black people, because I

0:48:21.040 --> 0:48:23.080
<v Speaker 1>know there were black tramp printers because a couple of

0:48:23.080 --> 0:48:25.160
<v Speaker 1>them came up in the reading, but they were likely

0:48:25.200 --> 0:48:28.840
<v Speaker 1>from the later the twentieth century incarnation of tramp printing,

0:48:29.000 --> 0:48:31.640
<v Speaker 1>which was also through the I tu the the Union,

0:48:31.719 --> 0:48:35.120
<v Speaker 1>but it was a different time. And I can't find

0:48:35.280 --> 0:48:38.719
<v Speaker 1>when the Union started letting black people in my guest

0:48:38.800 --> 0:48:41.359
<v Speaker 1>is somewhere between the twenties and the fifties, because that's

0:48:41.360 --> 0:48:43.919
<v Speaker 1>when most of the less radical American labor unions start

0:48:43.960 --> 0:48:47.400
<v Speaker 1>to reckon with their racism. And I do know that

0:48:47.400 --> 0:48:50.920
<v Speaker 1>they were like on the side of some splits within

0:48:50.960 --> 0:48:52.759
<v Speaker 1>the labor movement that were like the good and less

0:48:52.840 --> 0:48:55.760
<v Speaker 1>racist side of some splits in like the twenties and thirties.

0:48:56.520 --> 0:48:58.400
<v Speaker 1>And it's like, I feel like I like get punished

0:48:58.440 --> 0:49:00.239
<v Speaker 1>for like I've all the other times I've talked about

0:49:00.280 --> 0:49:02.560
<v Speaker 1>unions on the show, I've been talking about like the

0:49:02.640 --> 0:49:05.600
<v Speaker 1>radical unions, and the radical unions were always like what

0:49:05.719 --> 0:49:07.640
<v Speaker 1>the funk That union won't let put someone in based

0:49:07.640 --> 0:49:11.120
<v Speaker 1>on their race? Fuck them, you know. And I'm usually

0:49:11.160 --> 0:49:13.120
<v Speaker 1>using these unions that are kind of examples of like

0:49:13.120 --> 0:49:14.920
<v Speaker 1>when people are like, oh, everyone's racist the time, and

0:49:15.040 --> 0:49:17.440
<v Speaker 1>be like not these fucking people, fuck you, you know,

0:49:18.239 --> 0:49:28.120
<v Speaker 1>uh today, uh So anyway, whatever, Okay, So that's our

0:49:28.160 --> 0:49:30.440
<v Speaker 1>our union. That seems really cool, but it's kind of

0:49:30.440 --> 0:49:33.360
<v Speaker 1>sucked up when you look under the hood. Yeah, And

0:49:33.400 --> 0:49:35.400
<v Speaker 1>we're gonna talk a little bit more about the systems

0:49:35.400 --> 0:49:37.160
<v Speaker 1>that they set up and how it ties in a

0:49:37.160 --> 0:49:39.960
<v Speaker 1>tramp printing this is this is a real kill Joy

0:49:39.960 --> 0:49:45.359
<v Speaker 1>strikes again our today with this particular episode. So if

0:49:45.360 --> 0:49:46.920
<v Speaker 1>you're a printer, if you want to be a printer,

0:49:47.520 --> 0:49:49.960
<v Speaker 1>and you're a white kid, you start off as an apprentice,

0:49:50.520 --> 0:49:52.640
<v Speaker 1>he says. The whole thing is wildly old timey even

0:49:52.680 --> 0:49:57.040
<v Speaker 1>for its day. The apprentices get called printers, devils um

0:49:57.080 --> 0:50:00.760
<v Speaker 1>when they're working in the chapel under the father Nothing.

0:50:00.880 --> 0:50:04.040
<v Speaker 1>I love this language. That. Yeah, and you start at

0:50:04.040 --> 0:50:07.400
<v Speaker 1>the age of like twelve, there's the youngest twelve, and

0:50:07.400 --> 0:50:09.000
<v Speaker 1>you get called a devil because you start off in

0:50:09.040 --> 0:50:11.600
<v Speaker 1>the hot and toxic casting room, which is where all

0:50:11.600 --> 0:50:14.720
<v Speaker 1>the damaged type gets dumped into a quote hell box

0:50:15.160 --> 0:50:18.440
<v Speaker 1>in order to be melted down and recast. Sorry, let

0:50:18.480 --> 0:50:21.239
<v Speaker 1>me back up for a second. They so it's this

0:50:21.680 --> 0:50:25.919
<v Speaker 1>union that excludes black people number one, And it's also

0:50:26.040 --> 0:50:36.440
<v Speaker 1>like child labor is awesome. What are you saying? Just

0:50:36.520 --> 0:50:38.560
<v Speaker 1>checking just what I want to make sure I understand that,

0:50:38.640 --> 0:50:41.759
<v Speaker 1>you think, Yeah, where you take the children and you

0:50:41.800 --> 0:50:45.920
<v Speaker 1>put them in the room with the most toxic stuff. Yeah, yeah,

0:50:46.000 --> 0:50:50.520
<v Speaker 1>are they still cleaning things with piss? Believe? And actually

0:50:50.840 --> 0:50:52.680
<v Speaker 1>one of the things that the union does a little

0:50:52.680 --> 0:50:56.440
<v Speaker 1>bit later is someone develops like it was so excited

0:50:56.440 --> 0:51:03.280
<v Speaker 1>that you were like yes, like is there pp cleaning products?

0:51:03.440 --> 0:51:08.080
<v Speaker 1>Good to know? Fantastic? At one point, I don't think

0:51:08.080 --> 0:51:10.640
<v Speaker 1>this person in the script at one point, uh, the

0:51:10.800 --> 0:51:14.360
<v Speaker 1>union like they often try to stop new technologies that

0:51:14.360 --> 0:51:15.960
<v Speaker 1>are specific I mean a lot of the new technologies

0:51:15.960 --> 0:51:18.760
<v Speaker 1>are specifically like let's break the union and by creating

0:51:18.760 --> 0:51:21.040
<v Speaker 1>these new technologies that lets us fire a bunch of workers.

0:51:21.640 --> 0:51:23.920
<v Speaker 1>And I think one of the technologies they stopped was

0:51:23.960 --> 0:51:27.640
<v Speaker 1>a way to clean with like these like rolling devices

0:51:27.800 --> 0:51:32.400
<v Speaker 1>that didn't involve hearing. In the union was like no,

0:51:33.480 --> 0:51:38.440
<v Speaker 1>we we want our piss um. That was probably the

0:51:38.560 --> 0:51:41.600
<v Speaker 1>signs that they held up. Yeah, yeah, yeah, and they

0:51:41.600 --> 0:51:47.120
<v Speaker 1>successfully stopped that technology. So as a as a young

0:51:47.160 --> 0:51:50.880
<v Speaker 1>printer's devil, Caitlin, it's your job to build up the

0:51:50.880 --> 0:51:53.920
<v Speaker 1>shop fire in the morning, hall water, wash rollers and

0:51:54.000 --> 0:51:58.880
<v Speaker 1>forms m piss yes, yes, with piss fold newspapers, maybe

0:51:58.920 --> 0:52:01.040
<v Speaker 1>deliver the newspapers that her seems likely kind of blurry,

0:52:01.320 --> 0:52:03.000
<v Speaker 1>seems to tie into the newsiest thing, and it's probably

0:52:03.040 --> 0:52:05.319
<v Speaker 1>different in different place. I was gonna say, wow, there's

0:52:05.360 --> 0:52:09.160
<v Speaker 1>a lot a lot of tie ins. Yeah, you would

0:52:09.160 --> 0:52:12.560
<v Speaker 1>also dis the type as well, which means you take

0:52:12.600 --> 0:52:14.319
<v Speaker 1>they used letters out and you put them back in

0:52:14.360 --> 0:52:16.800
<v Speaker 1>the case, which is how you learn the type cases

0:52:16.840 --> 0:52:18.799
<v Speaker 1>so well, as you spend years just taking all the

0:52:18.960 --> 0:52:20.799
<v Speaker 1>like when they're done printing, you just like take out

0:52:20.800 --> 0:52:24.319
<v Speaker 1>each individual letter and put it back. M hm. And

0:52:24.840 --> 0:52:28.480
<v Speaker 1>the apprentices were hazed mostly in jovial ways, because the

0:52:28.520 --> 0:52:32.359
<v Speaker 1>mean part of hazing was the job, you know, like

0:52:33.200 --> 0:52:36.080
<v Speaker 1>hanging out in lead fumes and having a short life expectancy,

0:52:36.440 --> 0:52:40.680
<v Speaker 1>like you're twelve, you're halfway done, kid um. The fun

0:52:40.760 --> 0:52:42.600
<v Speaker 1>hazing was that you would like send them out for

0:52:42.640 --> 0:52:45.160
<v Speaker 1>impossible task. This kind of ship still happens in offices

0:52:45.200 --> 0:52:48.640
<v Speaker 1>and stuff like go find a left handed wrench, or

0:52:49.000 --> 0:52:52.239
<v Speaker 1>check the case for type place, or go get a

0:52:52.280 --> 0:52:56.720
<v Speaker 1>paper stretcher which doesn't exist. Okay, so these these people

0:52:56.760 --> 0:52:59.960
<v Speaker 1>have a sense of humor, I know, I'm noticing. They

0:53:00.080 --> 0:53:02.239
<v Speaker 1>actually attempted to do it in an attempt to get

0:53:02.280 --> 0:53:07.920
<v Speaker 1>me to spare their lives. So m and as an apprentice,

0:53:07.960 --> 0:53:10.799
<v Speaker 1>you would be exposed to basically the two types of

0:53:10.920 --> 0:53:15.160
<v Speaker 1>journeyman printers. The more experienced printers. There's the home guard

0:53:15.760 --> 0:53:18.759
<v Speaker 1>who work in a shop day in and day out.

0:53:18.800 --> 0:53:21.279
<v Speaker 1>They get steady paychecks, they get steady work. They get

0:53:21.920 --> 0:53:23.480
<v Speaker 1>that thing sorts of the p that you get at

0:53:23.480 --> 0:53:24.879
<v Speaker 1>the end of your job if you have a job

0:53:24.880 --> 0:53:28.640
<v Speaker 1>that isn't like my job, pension pension. And then there's

0:53:28.680 --> 0:53:33.799
<v Speaker 1>the tramp printers, a huge percentage running from twelve to

0:53:33.840 --> 0:53:36.360
<v Speaker 1>six in different years of like some books of like

0:53:36.440 --> 0:53:39.080
<v Speaker 1>Charts and ship of It, of the union printers of

0:53:39.120 --> 0:53:41.279
<v Speaker 1>the I T I TU. They would take out a

0:53:41.280 --> 0:53:44.480
<v Speaker 1>travel card from the union, which was basically the right

0:53:44.560 --> 0:53:48.160
<v Speaker 1>to show up at any chapel in the country and

0:53:48.200 --> 0:53:51.520
<v Speaker 1>get a job. And so some printers do that for

0:53:51.560 --> 0:53:54.279
<v Speaker 1>a little while, or some people do it because they

0:53:54.320 --> 0:53:56.279
<v Speaker 1>want to move from one place to another every now

0:53:56.320 --> 0:53:57.680
<v Speaker 1>and then they're like, oh fun this job. I want

0:53:57.680 --> 0:54:00.960
<v Speaker 1>to go somewhere else, and and or others the real

0:54:00.960 --> 0:54:06.319
<v Speaker 1>tramp printers who just tramped, they're just fucking rambled, just

0:54:06.560 --> 0:54:11.399
<v Speaker 1>going on the road, road road dogs. An apprentice would

0:54:11.440 --> 0:54:14.120
<v Speaker 1>see two distinct cultures. They would see two options in

0:54:14.160 --> 0:54:18.680
<v Speaker 1>front of him or her, you know them if and basically,

0:54:18.960 --> 0:54:20.600
<v Speaker 1>I like to imagine it's like you're a girl in

0:54:20.640 --> 0:54:23.960
<v Speaker 1>a mid teens y a series. You know, um, you

0:54:24.000 --> 0:54:26.480
<v Speaker 1>can pick between the home guard and the tramps. They're

0:54:26.480 --> 0:54:29.240
<v Speaker 1>both fighting for the same team, the union, the white

0:54:29.280 --> 0:54:36.120
<v Speaker 1>supremacist organization that m that loves child labor and piss yes. Then,

0:54:36.719 --> 0:54:40.719
<v Speaker 1>after years of hard work, most apprentices intentionally apply at

0:54:40.760 --> 0:54:44.200
<v Speaker 1>the toughest shop in town and go work there for

0:54:44.239 --> 0:54:46.440
<v Speaker 1>a little bit. To kind of close out their apprenticeship

0:54:46.520 --> 0:54:50.880
<v Speaker 1>by like proving they can that done. They apply for

0:54:51.480 --> 0:54:54.400
<v Speaker 1>a journeyman's status. Journeyman's status they joined the I t

0:54:54.560 --> 0:54:57.600
<v Speaker 1>U and they get a travelers card. They get a

0:54:57.640 --> 0:55:00.160
<v Speaker 1>set of clothes and some tools, and off you go

0:55:00.480 --> 0:55:04.120
<v Speaker 1>on the freight train or the riverboat. Time to wander

0:55:04.160 --> 0:55:07.319
<v Speaker 1>and put words into print, but that will have to

0:55:07.360 --> 0:55:13.879
<v Speaker 1>wait until part two. Getting better at these cliffhangers, I think,

0:55:14.920 --> 0:55:21.200
<v Speaker 1>mm hmmm, Caitlin, how are you feeling? I feel good.

0:55:22.520 --> 0:55:28.239
<v Speaker 1>It's because you were funny. Yeah, I'm not. I'm not

0:55:28.280 --> 0:55:33.919
<v Speaker 1>spinning up blood. So there's that love that, Caitlin. Where

0:55:33.960 --> 0:55:38.840
<v Speaker 1>can people follow you and or see your work? You

0:55:39.040 --> 0:55:46.760
<v Speaker 1>can follow me on such social media platforms as Instagram,

0:55:46.920 --> 0:55:50.400
<v Speaker 1>TikTok Yeah I do. I'm kind of I'm more of

0:55:50.400 --> 0:55:56.440
<v Speaker 1>these like young hip people who's on TikTok now and um,

0:55:57.360 --> 0:56:02.160
<v Speaker 1>you know Twitter, uh on live Twitter jk um and

0:56:02.480 --> 0:56:04.720
<v Speaker 1>you can follow me at all those places at Caitlin

0:56:04.760 --> 0:56:09.320
<v Speaker 1>Durante and check out my podcast that I co host

0:56:09.560 --> 0:56:14.080
<v Speaker 1>with Jamie Loftus called The Bechtel Cast. It is produced

0:56:14.080 --> 0:56:21.120
<v Speaker 1>by a one Sophie Lichtman Hi and we analyze movies

0:56:21.160 --> 0:56:24.280
<v Speaker 1>through an intersexual feminist lens. And guess who's been a guest.

0:56:25.120 --> 0:56:30.279
<v Speaker 1>It's me Margaret kill Joyce. Oh my gosh. She's great. Yeah. Yeah,

0:56:30.520 --> 0:56:34.680
<v Speaker 1>as she's kind of pretentious, well overrated, maybe a little

0:56:34.719 --> 0:56:38.799
<v Speaker 1>bit sardonic, maybe a little bit ironic the second, but

0:56:38.960 --> 0:56:45.960
<v Speaker 1>never gives any of us the yeah exactly, yeah, yeph Sophie.

0:56:45.960 --> 0:56:50.400
<v Speaker 1>Do you have anything you want to plug? Uh just

0:56:50.440 --> 0:56:54.000
<v Speaker 1>act cool zone media and all the things. Yeah, I

0:56:54.040 --> 0:56:57.120
<v Speaker 1>have anything to plug. Oh my god, Margaret, you have

0:56:57.200 --> 0:56:59.520
<v Speaker 1>a new thing to plug and it's very very well

0:56:59.600 --> 0:57:02.840
<v Speaker 1>titled go Yeah. Thanks. So I used to plug my

0:57:03.000 --> 0:57:05.640
<v Speaker 1>old book, my boring book that came out in November.

0:57:05.960 --> 0:57:08.640
<v Speaker 1>But um, I have a new book coming out in February.

0:57:09.719 --> 0:57:13.160
<v Speaker 1>It's called Escape from Insul Island and it is available

0:57:13.200 --> 0:57:15.520
<v Speaker 1>through the publishers Strangers and the Tangled Wilderness and you

0:57:15.520 --> 0:57:19.160
<v Speaker 1>can pre order it at Tangled Wilderness dot org. Um,

0:57:19.200 --> 0:57:21.960
<v Speaker 1>and if you preorder it, you get a poster, and

0:57:22.000 --> 0:57:25.440
<v Speaker 1>you also make the book industry, which is otherwise in

0:57:25.480 --> 0:57:28.920
<v Speaker 1>trouble continue a little bit, because pre orders make the

0:57:28.960 --> 0:57:31.000
<v Speaker 1>world go round in a way that I wish they didn't.

0:57:31.560 --> 0:57:35.040
<v Speaker 1>And it's a fiction book. It's full of lies. You

0:57:35.080 --> 0:57:38.720
<v Speaker 1>can't trust a word in it. Oh my gosh, who

0:57:38.760 --> 0:57:43.560
<v Speaker 1>printed it? Though? Was it? Now? I wish I like

0:57:43.720 --> 0:57:46.840
<v Speaker 1>kind of. I don't feel great about the decisions that

0:57:46.960 --> 0:57:49.360
<v Speaker 1>small presses sometimes have to make in terms of working

0:57:49.400 --> 0:57:52.560
<v Speaker 1>with the printers that are not as ethical, well actually

0:57:53.080 --> 0:57:55.320
<v Speaker 1>maybe about equally ethical, depending on what time period of

0:57:55.360 --> 0:58:00.200
<v Speaker 1>I you were talking about. That's what I got. I

0:58:00.240 --> 0:58:08.120
<v Speaker 1>will see you all on Wednesday. Goodbye, Goodbye. Cool People

0:58:08.240 --> 0:58:11.000
<v Speaker 1>Who Did Cool Stuff is a production of cool Zone Media.

0:58:11.320 --> 0:58:14.160
<v Speaker 1>For more podcasts on cool zone Media, visit our website

0:58:14.280 --> 0:58:16.800
<v Speaker 1>cool zone media dot com, or check us out on

0:58:16.880 --> 0:58:19.800
<v Speaker 1>the I Heart Radio app, Apple Podcasts, or wherever you

0:58:19.840 --> 0:58:20.880
<v Speaker 1>get your podcasts.