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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max. You can also watch

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Speaker 1: the video version of the history of Curby Your Enthusiasm

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Speaker 1: podcast on Max and YouTube as well.

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Speaker 2: Links available in the episode description.

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Speaker 1: So we are on season two, episode ten, The Massage

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Speaker 1: and amshusiasm?

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Speaker 2: The Massage? The Massage? Who are you? Oh, I'm Jeff Darland.

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Speaker 2: I'm Baron von Digression because I will digress. I'm just

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Speaker 2: prepping you this episode. In all episodes, I digress.

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Speaker 3: I think any of our listeners know that already.

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Speaker 2: They do. But Susie is always on point, So have

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Speaker 2: no fear at my digressions because we'll always get back

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Speaker 2: to it.

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Speaker 1: Okay, So we open the episode with a meeting with

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Speaker 1: Julia and you and Larry and Julia's manager, and Julia

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Speaker 1: doesn't want to do this Evelyn show any longer.

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Speaker 2: Which you can't blame her.

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Speaker 1: No, she's had she's had it with Larry. It's a

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Speaker 1: great idea, of course, it's a great idea, but the

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Speaker 1: problem has been Larry, as it usually.

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Speaker 2: Is it is. But you know what I love about

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Speaker 2: that scene. Everybody in that scene has purpose. Jane Carr,

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Speaker 2: who plays the manager who really lays into Larry, Julia

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Speaker 2: who's really frustrated Larry, obviously Larry, but especially myself. You

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Speaker 2: want to make it happen. No, no, yes, that's my

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Speaker 2: motivation in there. But everything I say is perfect, not

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Speaker 2: in terms of perfect look at me perfect. I'm saying

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Speaker 2: in terms of it helps the scene move along. And

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Speaker 2: Julia really she gave me a big compliment, especially upcoming

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Speaker 2: in the CBS meeting, how I don't say anything. And

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Speaker 2: the truth is I love not saying anything in a scene.

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Speaker 2: I really do. And the most frustrating thing for me

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Speaker 2: is when there's really nothing for me to say in

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Speaker 2: a scene, but yet Larry and Jeff Shaeffer to talk

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Speaker 2: about this, and I always feel like I'm shoehorning myself

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Speaker 2: into the scene.

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Speaker 3: Then it becomes the exposition issues.

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Speaker 2: Do you know how many times when you're speaking with Larry,

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Speaker 2: I just sit there and I don't say a word

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Speaker 2: because you two are going at it and it's like,

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Speaker 2: how am I going to help this? How will I

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Speaker 2: move this forward? I won't, So I love naturally, believe

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Speaker 2: it or not. Listeners listeners. Who am I saying listeners

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Speaker 2: believe it? Well, no, I've often say that, believe it

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Speaker 2: or not. Though I like being still and quiet in

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Speaker 2: the scene and observing.

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Speaker 1: And actually, what I noticed, I think was it was

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Speaker 1: in this episode, or maybe it was in the one before,

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Speaker 1: is that in the earlier days you were actually quieter. Well, yeah,

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Speaker 1: but I think that's how it was written in the

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Speaker 1: earlier day.

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Speaker 2: No, no, no, no. My natural instinct in doing this

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Speaker 2: work is to not say or do anything, do action

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Speaker 2: whatever is required of me. But I sit and wait.

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Speaker 3: And by the way, I do think you were more

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Speaker 3: laid back in the earlier episodes.

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Speaker 2: Yeah, because I was in denial about my life. I

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Speaker 2: was maybe maybe lots of food. My visits to craft

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Speaker 2: service calm me.

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Speaker 1: So Larry claims he's a victim of circumstances. And then

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Speaker 1: they decided they can't go to HBO is done, ABC

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Speaker 1: has done Fox, He refuses for political reasons, CBS is

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Speaker 1: left and Larry and you remember.

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Speaker 2: Those those times where there were five choices and we're

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Speaker 2: obviously not on the show gonna although we did it

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Speaker 2: in the hour, we're not gonna say we'll go pitch

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Speaker 2: it to HBO. It's two meta you know, it's just

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Speaker 2: it's nonsense.

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Speaker 1: Well, the HBO's already out because of the Alan Wasserman

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Speaker 1: and the and the Shrimp.

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Speaker 2: Oh fuck yeah, no no, no, no, no, no, it

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Speaker 2: was already out. Did we We didn't even pitch to them.

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Speaker 2: I don't think in the in the Shrimp episode it

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Speaker 2: was clearly Larry since he backed out in the hour.

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Speaker 4: No there was.

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Speaker 3: The Shrimp episode was after the backing out in the hour.

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Speaker 2: No. I know. What I'm saying is he saw Larry

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Speaker 2: in different terrible circumstances after it.

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Speaker 1: Was so as the HBO was out for those reasons.

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Speaker 2: So and Larry claims one more.

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Speaker 1: Shot and he'll do all the work in the pitch,

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Speaker 1: Julia doesn't have to do anything, and you're backing him

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Speaker 1: up there, and.

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Speaker 2: Which, by the way, is the way I like to

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Speaker 2: pitch if I'm involved with the show, especially with the writing,

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Speaker 2: I like going in by myself. I just did it

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Speaker 2: the other day with HBO. I talked to the head

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Speaker 2: of comedy and made my suggestion for what show we

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Speaker 2: should do next. And I was by myself very comfortable

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Speaker 2: in person. In person, No, even though we get tested

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Speaker 2: every day I can't even with the head of HBO.

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Speaker 2: You think I could do that one? Nope?

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Speaker 1: And which is it's always better in person pitching something

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Speaker 1: like pitching is always better in person. Okay, So Julia

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Speaker 1: agrees to one more shot. Larry's gonna do everything. Julia

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Speaker 1: doesn't have to do anybody way.

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Speaker 2: When he's sitting in there and he's imagining the psychic,

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Speaker 2: that's not yet. Oh, my mistake, that's not yet. And

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Speaker 2: then we see you, Oh, I know we've agreed to

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Speaker 2: do CBS. We haven't pitched the CBS. My mistake, ok.

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Speaker 1: Right, And then you and Larry are walking and you're

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Speaker 1: talking about they needed reassurance and you gave them reassurance.

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Speaker 1: And then we see a guy with the sandwich board

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Speaker 1: sign don't stare, come on home.

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Speaker 2: I just read about that in the paper. It's called

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Speaker 2: scarlet letter punishment. And by the way, I don't know

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Speaker 2: who that guy is. He might have been just a

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Speaker 2: background guy because he doesn't talk. Boy did he look

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Speaker 2: sad and he like I'm saying, it wasn't just like

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Speaker 2: where a bad exp It must have been somebody that

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Speaker 2: we looked at for as an actor to play that.

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Speaker 2: Because I can't see a background doing that, and.

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Speaker 3: It wasn't a true person. That's the kind of thing

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Speaker 3: sometimes person.

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Speaker 2: And by the way, in all years of our show,

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Speaker 2: whenever we use the they've done great, they've done great,

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Speaker 2: there's no exceptions.

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Speaker 1: It's kind of a yeah, well, because they understand what

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Speaker 1: the show is, they do, but they're still So he's

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Speaker 1: wearing a sandwich board sign.

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Speaker 2: It is they're not nervous in front.

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Speaker 1: Of le Okay, so he's wearing a sandwich board sign

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Speaker 1: that says I am a shoplifter. And apparently this is

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Speaker 1: a scarlet letter punishment that's going around.

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Speaker 2: Is that a real thing? By the way, I don't

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Speaker 2: think so, but I'm sure it's happened. And by the way,

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Speaker 2: I know for sure that that scarlet letter sign line.

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Speaker 2: I know that was written because I wouldn't improvise scarlet lets.

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Speaker 2: So it's a scarlet letters times in the show where

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Speaker 2: it's written exactly what's the kind of.

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Speaker 1: Thing that's that that's in the outlines yea. And you

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Speaker 1: don't necessarily have to say that either, but it was.

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Speaker 2: A good thing to say.

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Speaker 1: And so we establish that there is this thing that

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Speaker 1: we don't know if that's a real thing.

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Speaker 3: Or not right in real life.

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Speaker 1: And then there's a guy who passes says solo to

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Speaker 1: Larry and Larry didn't want to have a stop and chat.

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Speaker 1: And that was the guy who who runs the restaurant.

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Speaker 1: He's the matri d at the restaurant, at the hotel

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Speaker 1: that you're staying it. I thought found it a little

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Speaker 1: odd that at the hotel, yes you are, you're staying

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Speaker 1: at the w because we split up.

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Speaker 2: No, yes you are established. I was thinking that you

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Speaker 2: were talking about Larry. No, I am so hotels I

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Speaker 2: found for the first season.

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Speaker 1: Yes, but I found it odd that he didn't say

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Speaker 1: hello to you too, because you're in that restaurant all

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Speaker 1: the time. But I was not thinking when we were

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Speaker 1: he said hey, Larry, and Larry didn't want to do

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Speaker 1: a stop and chat.

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Speaker 2: But the awkwardness of that was so beautiful. That was

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Speaker 2: played by Steve Sheridan, who I was in Second City with,

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Speaker 2: as I always say, a wonderful person, sweet man, but

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Speaker 2: the look of confusion and disappointment on his face, he

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Speaker 2: couldn't have played it better. It was that's the same

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Speaker 2: thing with the guy, but was also good about the

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Speaker 2: sign guy. And Steve was, you know, if you watch

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Speaker 2: the show that this is not just going to be

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Speaker 2: forgotten the scarlet let.

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Speaker 1: You know, because everything comes back to buy him, yes always,

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Speaker 1: and you tell him it's rude and you have a

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Speaker 1: whole issue.

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Speaker 3: He's got all these rules.

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Speaker 1: You have all these rules, you know, and it's true,

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Speaker 1: he has all these rules, and you never know if

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Speaker 1: you're crossing the line with him or not.

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Speaker 2: What if I told you no kidding around that Up

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Speaker 2: until this point, I thought that was the best improvising

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Speaker 2: I've done on the show. When I went into him

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Speaker 2: with his rules and the whole thing, it felt like

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Speaker 2: a flow more than anything I'd done up until that point. Yes,

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Speaker 2: surprise me, And just that little moment I'm watching it

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Speaker 2: going oh you you were so like that whole moment

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Speaker 2: from seeing the guy with the board to the stop

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Speaker 2: and chat Larry making his rules and then my reaction

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Speaker 2: to all of it, I was really and by the way,

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Speaker 2: it's something that small that I can look at myself

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Speaker 2: and went, yeah, that is really great work. Look at you,

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Speaker 2: not me getting a big laugh, not me, Oh the

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Speaker 2: focus is on me. Fuck that. This is me being supporting.

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Speaker 2: I'm a supporting actor and really serving the scene not

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Speaker 2: very often. That's the first time that I felt that.

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Speaker 1: I don't know if that's true. But okay, it's true.

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Speaker 1: I know it's true that you felt it. I don't

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Speaker 1: know if it's true. It's the first time. Okay, we

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Speaker 1: cut too. He's at home and Cheryl and Wanda are

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Speaker 1: stuffing envelopes, probably in our DC or something like the way.

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Speaker 2: What's beautiful about that is that no one stuffs envelopes

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Speaker 2: any email I know, which, by the way, is one

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Speaker 2: of the great things about the Internet and computers is

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Speaker 2: the more stuffing. No more stuffing. Although who doesn't love

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Speaker 2: a good handwritten letter.

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Speaker 3: It's true, it's quite lovely to get one.

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Speaker 2: Yeah, ideal Jeff sends them all the time. Real Jeff

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Speaker 2: doesn't even write email.

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Speaker 1: No, it doesn't even it doesn't even respond to text.

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Speaker 1: I don't Who are you telling? And then we establish

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Speaker 1: that Cheryl is going to Kim her psychic, and the

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Speaker 1: psychic is incredible. Last time Cheryl went, Kim told Cheryl

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Speaker 1: that Larry was going to get a hole in the world.

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Speaker 2: No, no, no, it's Larry points that out of course. Last

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Speaker 2: time she was dead on. Oh she's great.

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Speaker 4: Yeah, she told Cheryl that I was going to get

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Speaker 4: a hole in one and golf and I got a

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Speaker 4: hole in one.

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Speaker 2: Wow, that's amazing, It's almost magical.

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Speaker 4: She also told Cheryl I was going to have a

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Speaker 4: bad time in Hawaii, which which I did, but.

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Speaker 2: Yeah, only you could have a not only hole in one.

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Speaker 2: But what I think is the great line of bad Yeah,

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Speaker 2: which is a given. But what was great also was Wanda.

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Speaker 2: Wanda sykes her reaction. She is great with subtle sarcasm,

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Speaker 2: subtle sarcasm that Larry doesn't even notice, you know, And

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Speaker 2: she said, oh, how that's really you know, it was

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Speaker 2: the way she did it. I mean, it was just so,

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Speaker 2: you know, Larry being an idiot, and.

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Speaker 3: But look who has a bad time in Hawaii?

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Speaker 2: Larry.

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Speaker 1: And then also her friend Carrie was going to get

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Speaker 1: pregnant the shit. So we're establishing that the psychic is

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Speaker 1: really good, really really good. I have a hard time

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Speaker 1: believing that Larry actually believes in a psychic, but so

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Speaker 1: be it.

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Speaker 2: It works for the episode. No, no, no, hold on, look

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Speaker 2: at the things he believed in hold So of course

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Speaker 2: he believes, but in a way that's imaginative. It's not real,

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Speaker 2: you know.

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Speaker 1: And then Wanda sets up that. The good thing about

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Speaker 1: Kim is she doesn't hold back. She'll tell you bad news.

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Speaker 1: A lot of times you go to these psychics, they

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Speaker 1: only tell you good news what you want to hear.

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Speaker 2: Kim does not. She'll tell you the bad shit too.

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Speaker 2: You know what our show doesn't have, and I was

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Speaker 2: talking about Larry, we don't have red herrings. Like you

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Speaker 2: watch a cop show. They introduce something that makes you

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Speaker 2: think something's going to happen and it doesn't. That's it's

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Speaker 2: a red herring, which I don't even know the exact definition,

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Speaker 2: but that the derivation, you know. But it's something where

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Speaker 2: they send you down a path that you think you're

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Speaker 2: going and you're not going there. We don't have that

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Speaker 2: for the purpose of fooling and that. We have the

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Speaker 2: opposite of that, I know we do, but nothing drops

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Speaker 2: between the cracks. If something happens early in the episodeoff,

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Speaker 2: they'll be a payoff. Yep.

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Speaker 1: We cut to You're at the golf course, you and Larry.

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Speaker 1: What the fuck was that hat you were wearing?

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Speaker 2: Jeff, that's a kangle hat. I know you're wearing it backwards. No,

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Speaker 2: that's how they're supposed to be worn. Most some golfers.

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Speaker 2: It's funny. But what's so funny about that is I

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Speaker 2: actually wore a kangle hat, a white one. I don't

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Speaker 2: think I still have like that backwards in my life

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Speaker 2: day to day. Really, I didn't realize, how goofy do

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Speaker 2: you wear that? Now? No? No, I'd be an imbecile

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Speaker 2: to wear it now. I'd be so you know, not

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Speaker 2: self aware.

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Speaker 3: And Larry's pet peeve.

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Speaker 1: As we know in real life, they're playing slow in

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Speaker 1: front of him, they're lining up their putts. He's getting

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Speaker 1: all tense and upset about it and out of proportion

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Speaker 1: to the reality.

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Speaker 2: And you suggest he goes, here's one I want we're missing.

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Speaker 2: That is fascinating to me. Just the other day I

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Speaker 2: forgot this episode that we did this in fake World,

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Speaker 2: and I probably asked him back then. I said, when

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Speaker 2: you play golf, which you every Saturday, do you have

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Speaker 2: a lot of problems with the people ahead of you?

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Speaker 2: He's not very often, but if I do, I call

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Speaker 2: the marshall. And I thought that term calling the marshal,

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Speaker 2: what does that mean? There's a marshal on a golf

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Speaker 2: course to make sure everything goes smooth. And I asked

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Speaker 2: Larry if he carries a gun. Never mind, But the

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Speaker 2: point is he hates that. But what he hates worse

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Speaker 2: is when the people behind him catch up. He can't

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Speaker 2: hit a golf ball because he gets nervous because people.

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Speaker 2: He goes, I don't need to know, and in this

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Speaker 2: episode he goes, I don't need And then I didn't

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Speaker 2: even realize that is the exact truth of Larry on

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Speaker 2: the golf.

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Speaker 1: And later on we have a few references in the

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Speaker 1: whole episode with norm right about the slowness. Oh yeah,

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Speaker 1: that comes, yeah, yeah, okay, but you suggest he goes

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Speaker 1: to your massuse and it's going to be your treat,

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Speaker 1: and he says, I can't hit in front of an audience.

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Speaker 3: He's all tense, and Little Black cut to he's at

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Speaker 3: the messusse.

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Speaker 2: Well, hold on, let me take a step back. You know,

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Speaker 2: when I'm saying to Larry, I got a masseuse, my treat,

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Speaker 2: that whatever happens with the massuse, it is trouble for him.

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Speaker 3: But I don't think it was telegraph that it was.

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Speaker 2: By Even when I was watching, I forgot what it

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Speaker 2: was because I haven't seen these shows in twenty five years,

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Speaker 2: twenty two years. But I knew I recognize. I go,

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Speaker 2: oh shit, Whatever I tell him about the massage, it's

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Speaker 2: going to reflect on him for the rest of the episode.

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Speaker 3: Right and it does.

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Speaker 1: Yeah, And cut to we're at the massuse and she's massaging.

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Speaker 1: Know that's a bad spot. You know, the shoulders have

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Speaker 1: body memory and whatever. The body has a memory. She says,

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Speaker 1: did you have trauma as a child?

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Speaker 2: There was Wait one second before you do that. I

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Speaker 2: finally found a great messuse here in La, which has

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Speaker 2: saved me my neck is who doesn't matter why anyhow?

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Speaker 2: The point being is there are those massuses that you

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Speaker 2: see that really want to clean out your mind, Yes,

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Speaker 2: clean out your soul, as opposed to let me kill

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Speaker 2: these muscles. And there is something good to lightening your load,

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Speaker 2: but it's not for a masseuse to your load. Well yeah,

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Speaker 2: I didn't mean that, but a masseuse should really focus

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Speaker 2: on your muscles, not if you had trauma.

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Speaker 3: Shrink.

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Speaker 2: No. But I've been to numerous ones that think, and

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Speaker 2: I don't like it. I don't like it one bit.

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Speaker 3: I don't like when they talk too much either.

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Speaker 2: Oh, by the way, I used to talk too much

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Speaker 2: and then I don't say a word now. It's better

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Speaker 2: just relax. I used to reigate because I want to

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Speaker 2: know what their life was about. Yeah, that led them

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Speaker 2: to being a masseuse.

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Speaker 5: We'll be right back, stay tuned, Okay, we're back.

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Speaker 2: Okay.

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Speaker 1: So Larry says, she yesked if he had any childhood trauma,

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Speaker 1: and he says.

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Speaker 4: My mother did throw me against a brick wall when

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Speaker 4: I was an infant.

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Speaker 2: Maybe maybe that's how good it. Yeah, I think it

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Speaker 2: hurt at all?

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Speaker 4: Wow?

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Speaker 2: Yeah, And have you ever talked her about this? Maybe? Yeah.

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Speaker 4: I've mentioned it to her a couple of times.

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Speaker 2: She's okay with that.

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Speaker 4: Yeah, she said I was a little prick.

335
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Speaker 2: But the point being here with is he plays it

336
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Speaker 2: so straight that it almost seems really really real, because

337
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Speaker 2: sometimes you just got to put a gentle spin, never

338
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Speaker 2: a big spin, but a gentle spin where just the

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Speaker 2: tone of your voice slight, you know. But this was

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Speaker 2: very real and absurd, beyond believable.

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Speaker 3: And first of all, he was an infant. How would

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Speaker 3: he remember it?

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Speaker 2: You know? Not that but the idea of throwing into

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Speaker 2: a brick wall, which is about his with child abuse,

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Speaker 2: that's pretty bad. That's pretty bad.

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Speaker 1: And the messus says, the whole body does better when

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Speaker 1: there are no blockages, and would you like me to

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Speaker 1: finish you off? Now, I have to say, I believe

349
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Speaker 1: that he didn't know what that meant.

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Speaker 2: By the way, if someone said that to me, unless

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Speaker 2: I'd been hoping or I've been told, I would not

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Speaker 2: think at all that she'd be touching my wiener.

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Speaker 1: And I didn't know until this episode that there was

354
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Speaker 1: such a thing as a happy ending.

355
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Speaker 4: It.

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Speaker 2: Yes, I didn't know. Oh I hate that turn, you know,

357
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Speaker 2: happy ending, because I don't know how happy she could

358
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Speaker 2: be jacking you off for money. Hold on, she's jacking

359
00:17:17,520 --> 00:17:21,119
Speaker 2: you off for money for him, I know, but I

360
00:17:21,160 --> 00:17:23,320
Speaker 2: don't like that. But that's what it's called. I know,

361
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Speaker 2: but I don't like it regardless, Okay, I don't like.

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Speaker 3: So she's giving him a hand job while she's chewing gum,

363
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Speaker 3: I believe.

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Speaker 2: Which struck me. She's disconnected, exactly, a nonchalant.

365
00:17:34,280 --> 00:17:35,919
Speaker 3: This is a job. This is what she does. She

366
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Speaker 3: gives people hand jobs.

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Speaker 4: Hot stop stop stop, stop, stop stop.

368
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Speaker 2: And he's like stop stop, no stop pots. He can't

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Speaker 2: get himself to say stops. He says pots twice and

370
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Speaker 2: then he gets his bearings and goes.

371
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Speaker 1: Stop stop, stop, but he says, pots and his face

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Speaker 1: is just priceless.

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Speaker 2: Yes, and she stops.

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Speaker 1: Yeah, and we cut to you are in a meeting

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Speaker 1: in your office with Mike Binder. Mike Binder, yes, and

376
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Speaker 1: he Larry says to you, are you nuts? He comes

377
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Speaker 1: to confront you about giving him with this masseuse and

378
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Speaker 1: what's wrong with you is finish you off this whole thing?

379
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Speaker 2: And Mike before he mentions that because it's really funny,

380
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Speaker 2: I'm looking at this scene now. Yes, I always have loathing,

381
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Speaker 2: I mean self loathing when I see how fat I was.

382
00:18:34,760 --> 00:18:37,359
Speaker 2: But I'm wearing a pair of glasses in this scene

383
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Speaker 2: that looked like someone would wearing an eye doctor's office.

384
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Speaker 2: If they're doing anything, it's just they're clear frames. They're absurd.

385
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Speaker 3: Why are you wearing them?

386
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Speaker 2: I don't know. Doors would show me a bunch of glasses.

387
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Speaker 2: I don't know if I was trying to be funny

388
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Speaker 2: or I was stupid, probably a combination, all right, keep

389
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Speaker 2: going so.

390
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Speaker 3: Saying to you, and Mike Binder mentions that his care

391
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Speaker 3: what was the name of the show?

392
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Speaker 2: I forgot the name of that's right inside the mind.

393
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Speaker 1: The mind of the married man, right, and Mike Binder

394
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Speaker 1: says that his character in his show does that. He

395
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Speaker 1: goes to the messeuse who wants to give him a

396
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Speaker 1: happy ending, and Larry's like, well, I never saw it,

397
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Speaker 1: and he's like, you don't watch my show.

398
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Speaker 2: That becomes a whole thing. Wait, wait, wait, wait, you're skipping,

399
00:19:19,400 --> 00:19:22,840
Speaker 2: which is really funny. I stopped it. You stopped it.

400
00:19:22,880 --> 00:19:24,000
Speaker 2: Who stops a whackle?

401
00:19:24,080 --> 00:19:28,400
Speaker 4: If duped it after twelve pumps, you're still away either

402
00:19:28,680 --> 00:19:32,600
Speaker 4: zero pumps or like a thousand pumps. I don't know

403
00:19:32,640 --> 00:19:35,440
Speaker 4: how I did it so much, don't you.

404
00:19:35,720 --> 00:19:38,240
Speaker 2: I don't know how I did it. Well, if I

405
00:19:38,359 --> 00:19:40,280
Speaker 2: stopped at twelve pumps, I would tell my wife.

406
00:19:40,280 --> 00:19:42,119
Speaker 4: I'd go home that night and say, honey, I was

407
00:19:42,160 --> 00:19:44,119
Speaker 4: getting a massage and I took twelve pumps and I

408
00:19:44,119 --> 00:19:47,199
Speaker 4: stopped because I I will never ever ever tell her.

409
00:19:47,280 --> 00:19:48,879
Speaker 2: I would. And you know what, if your wife hair

410
00:19:49,000 --> 00:19:50,919
Speaker 2: finds out you're a noble man, you made it.

411
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Speaker 4: Step what she's not going to find out. Don't worry

412
00:19:53,000 --> 00:19:53,520
Speaker 4: about it.

413
00:19:53,520 --> 00:19:57,040
Speaker 1: It was twelve pumps. And Mike Binder says that he'd

414
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Speaker 1: tell his wife. He would tell his wife.

415
00:19:59,240 --> 00:20:02,280
Speaker 2: And Larry is, no, absolutely not. And that's when.

416
00:20:02,240 --> 00:20:04,720
Speaker 3: Larry realizes that Cheryl is going to the psychic.

417
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Speaker 2: Well, he says it out loud, doesn't he? Yeah?

418
00:20:07,000 --> 00:20:10,280
Speaker 1: Yeah, And would the psychic know about the happy ending?

419
00:20:10,880 --> 00:20:12,600
Speaker 1: And you mentioned, by the way, there's a meeting at

420
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Speaker 1: CBS later that afternoon, and then Larry leaves, and you

421
00:20:16,200 --> 00:20:17,440
Speaker 1: say to Mike Brida, Hey, she's great.

422
00:20:17,440 --> 00:20:19,280
Speaker 3: Do you want her number? Mike Bunder says absolutely.

423
00:20:19,520 --> 00:20:22,440
Speaker 2: Oh. By the way, what's rare about that is generally

424
00:20:22,440 --> 00:20:24,959
Speaker 2: when Larry leaves a scene and you and I do

425
00:20:25,040 --> 00:20:27,560
Speaker 2: this all the time, we have some funny dialogue, it's

426
00:20:27,600 --> 00:20:30,680
Speaker 2: always cut and that's not Larry being no, it's story

427
00:20:30,720 --> 00:20:33,199
Speaker 2: per Yeah, it's like, is this driving the story? But

428
00:20:33,520 --> 00:20:36,560
Speaker 2: me saying to him do you want to? He says sure.

429
00:20:36,960 --> 00:20:39,680
Speaker 2: It shows that not everybody on the show is neurotic.

430
00:20:40,000 --> 00:20:41,840
Speaker 2: You know, we're both good with it. Yeah, I'll get

431
00:20:41,880 --> 00:20:42,440
Speaker 2: whacked off.

432
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Speaker 1: Okay, well wait a minute, Hold on a minute, Jem.

433
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Speaker 1: You're saying that it's neurotic not to want a happy ending.

434
00:20:49,040 --> 00:20:54,040
Speaker 2: Not necessarily, No, it's not wrong to not want one.

435
00:20:54,440 --> 00:20:57,240
Speaker 2: But think of the journey he takes to a not

436
00:20:57,440 --> 00:21:01,840
Speaker 2: getting it and be dealing with Cheryl. It's a big neurosis,

437
00:21:01,920 --> 00:21:06,359
Speaker 2: like For example, let's say I I stopped a woman hypothetically.

438
00:21:06,440 --> 00:21:08,480
Speaker 2: I'm saying oupathetically because I don't know that I could,

439
00:21:08,920 --> 00:21:12,720
Speaker 2: and she's done twelve pumps. I've said pots, I've said stop.

440
00:21:13,040 --> 00:21:16,080
Speaker 2: Do you think I'm ever going to mention that to

441
00:21:16,240 --> 00:21:20,480
Speaker 2: my significant other or that i'd be worried about?

442
00:21:20,640 --> 00:21:22,160
Speaker 3: Let me let me ask you a question.

443
00:21:23,000 --> 00:21:26,879
Speaker 1: Is getting a hand job from a masseuse cheating on

444
00:21:26,920 --> 00:21:27,920
Speaker 1: your significant other?

445
00:21:28,080 --> 00:21:30,400
Speaker 2: I don't think so, you don't, I'll do I'll tell

446
00:21:30,400 --> 00:21:32,560
Speaker 2: you why. This is male female? No, no, no, no,

447
00:21:32,920 --> 00:21:37,960
Speaker 2: there's no emotional connection. You're totally it's a physical release

448
00:21:38,720 --> 00:21:42,800
Speaker 2: and once you're done, you're done. It's not it's like

449
00:21:42,840 --> 00:21:46,360
Speaker 2: all right here, because it is the way if you're

450
00:21:46,440 --> 00:21:49,080
Speaker 2: if you're having an emotional affair, which is worse than

451
00:21:49,119 --> 00:21:50,120
Speaker 2: having a physical.

452
00:21:49,920 --> 00:21:52,000
Speaker 3: It doesn't it doesn't, it doesn't matter to me. It's

453
00:21:52,040 --> 00:21:52,720
Speaker 3: still sex.

454
00:21:53,119 --> 00:21:55,919
Speaker 1: It's still the thing that that I do with my husband,

455
00:21:55,920 --> 00:21:58,320
Speaker 1: that we only do together. That's the thing that we

456
00:21:58,359 --> 00:22:01,480
Speaker 1: do together. Yeah, a sexual relationships.

457
00:22:01,000 --> 00:22:02,080
Speaker 2: Pretend you're a messus.

458
00:22:02,119 --> 00:22:07,480
Speaker 1: No, but maybe, but you know, it's him having a

459
00:22:07,600 --> 00:22:11,920
Speaker 1: sexual relationship with somebody else and having whatever's going through

460
00:22:11,960 --> 00:22:15,159
Speaker 1: his head. That's about the sex with somebody else. To me,

461
00:22:15,240 --> 00:22:17,399
Speaker 1: that's cheating, okay, that to you.

462
00:22:17,520 --> 00:22:21,560
Speaker 2: To me if I had an emotional affair with anyone

463
00:22:22,080 --> 00:22:25,199
Speaker 2: or I had let's say, there's a pretty comedian and

464
00:22:25,240 --> 00:22:27,080
Speaker 2: I have sex with her, which by the way, has

465
00:22:27,200 --> 00:22:29,639
Speaker 2: never happened. I just want to make that clear. I

466
00:22:29,720 --> 00:22:33,040
Speaker 2: wasn't doing that hypothetical from my memory. My point thing is,

467
00:22:33,240 --> 00:22:36,760
Speaker 2: then it's an affair, that's just me. But by the way,

468
00:22:37,920 --> 00:22:43,480
Speaker 2: cheat a cheat cheatah, the cheatah is a cheatah at cheetah.

469
00:22:43,720 --> 00:22:47,119
Speaker 2: I remember We're sitting at chatcherizing star and I said,

470
00:22:47,400 --> 00:22:51,119
Speaker 2: how can Billy Joel cheat on Christy Brinkley? And you

471
00:22:51,200 --> 00:22:52,480
Speaker 2: looked at me and said.

472
00:22:52,600 --> 00:22:54,920
Speaker 3: A cheetah is a cheatah is a cheatah.

473
00:22:55,000 --> 00:22:57,720
Speaker 2: Yes, But I'm saying, even if you played a massseuse

474
00:22:57,800 --> 00:22:59,800
Speaker 2: game with this other woman.

475
00:23:00,359 --> 00:23:02,959
Speaker 1: Like you said to me, you just said earlier that

476
00:23:03,040 --> 00:23:06,359
Speaker 1: you would never tell your significant other no, but why

477
00:23:06,400 --> 00:23:08,000
Speaker 1: if it's not cheating, why would you not?

478
00:23:08,080 --> 00:23:11,760
Speaker 2: Because you want to know why a Jewish women who

479
00:23:11,800 --> 00:23:14,800
Speaker 2: don't appreciate that, not that other women don't appreciate it,

480
00:23:14,880 --> 00:23:18,320
Speaker 2: but there's a certain by the way, it's so appropriate

481
00:23:18,359 --> 00:23:21,520
Speaker 2: that you play my TV wife, because there are qualities

482
00:23:21,560 --> 00:23:24,000
Speaker 2: of you that are in my ex wife and my

483
00:23:24,119 --> 00:23:26,879
Speaker 2: girlfriend right now. There are things you share in common,

484
00:23:26,960 --> 00:23:30,120
Speaker 2: and I would be a dead man to say even

485
00:23:30,160 --> 00:23:33,720
Speaker 2: twelve I stopped dead. But that's their viewpoint.

486
00:23:33,840 --> 00:23:36,480
Speaker 1: I don't want anybody touching my husband's penis but me

487
00:23:36,720 --> 00:23:40,600
Speaker 1: and him. Okay, I don't consider him touching himself cheating

488
00:23:40,640 --> 00:23:42,200
Speaker 1: by the way, yes, well.

489
00:23:42,080 --> 00:23:44,440
Speaker 2: By the way, what if he's thinking about a messeuse

490
00:23:44,840 --> 00:23:48,440
Speaker 2: or another woman. I don't want to know. I don't

491
00:23:48,440 --> 00:23:49,800
Speaker 2: want to know as anger.

492
00:23:49,920 --> 00:23:52,120
Speaker 1: I don't want to know what his fantasies are, right,

493
00:23:52,200 --> 00:23:54,000
Speaker 1: I don't want I have no interest in knowing what

494
00:23:54,040 --> 00:23:54,640
Speaker 1: you remember the.

495
00:23:54,600 --> 00:23:58,160
Speaker 2: Episode that's coming up where I act to.

496
00:23:58,160 --> 00:24:00,960
Speaker 1: Cheryl, Yes, oh yeah that one. Yeah, Well I don't

497
00:24:00,960 --> 00:24:03,280
Speaker 1: blame him for being Okay, so we'll get there.

498
00:24:03,320 --> 00:24:03,600
Speaker 2: Okay.

499
00:24:03,640 --> 00:24:08,800
Speaker 1: So Larry goes home and Cheryl made big plans for

500
00:24:08,920 --> 00:24:11,120
Speaker 1: the night to celebrate the CBS deal.

501
00:24:11,240 --> 00:24:13,199
Speaker 3: She's got a limo coming and they're going to.

502
00:24:13,400 --> 00:24:17,520
Speaker 2: I think is weird because her character copying Larry's real

503
00:24:17,560 --> 00:24:22,360
Speaker 2: wife is very ecologically thoughtful and a stretch limo.

504
00:24:22,160 --> 00:24:24,399
Speaker 6: Correctly, but no, no, I'm just yeah, I agree, I

505
00:24:24,440 --> 00:24:27,440
Speaker 6: agree with whatever no, Ben just said, and they're going

506
00:24:27,480 --> 00:24:30,159
Speaker 6: to Moho at the w Hotel and that might be

507
00:24:30,200 --> 00:24:32,720
Speaker 6: too awkward because I didn't do a stop and chat

508
00:24:32,760 --> 00:24:34,280
Speaker 6: with the maitre d earlier.

509
00:24:34,520 --> 00:24:36,960
Speaker 3: And it's it's horrible. It's the awkward as horrible.

510
00:24:37,040 --> 00:24:37,600
Speaker 2: Have to talk to him?

511
00:24:37,600 --> 00:24:40,000
Speaker 3: What I don't have to talk to these people. He

512
00:24:40,040 --> 00:24:41,040
Speaker 3: has a better idea.

513
00:24:41,440 --> 00:24:43,320
Speaker 1: She's going to leave to go see him, the psychic,

514
00:24:43,480 --> 00:24:45,399
Speaker 1: and he suddenly wants to have sex with her to

515
00:24:45,440 --> 00:24:46,000
Speaker 1: distract her.

516
00:24:46,040 --> 00:24:50,240
Speaker 2: And he's relentless, relentless. You see his face, and his

517
00:24:50,400 --> 00:24:53,480
Speaker 2: face is I am so fucked. I'm so fucked. What

518
00:24:53,520 --> 00:24:55,320
Speaker 2: can I do? What can you? And he tries the

519
00:24:55,400 --> 00:24:57,720
Speaker 2: sex one.

520
00:24:56,720 --> 00:24:58,480
Speaker 5: My keys, I have an appointment with the psychic.

521
00:24:58,920 --> 00:25:00,240
Speaker 4: I'm actually running. Let eight.

522
00:25:00,920 --> 00:25:04,600
Speaker 2: Oh, I got him, I got him, all right, Well

523
00:25:04,640 --> 00:25:05,679
Speaker 2: I will see you there.

524
00:25:06,359 --> 00:25:09,119
Speaker 4: I got a better idea.

525
00:25:10,359 --> 00:25:14,000
Speaker 2: Right now, listen, listen, I have an appointment. I forget no, sorry,

526
00:25:14,080 --> 00:25:14,880
Speaker 2: I have an appointment.

527
00:25:14,840 --> 00:25:26,080
Speaker 4: And take me along girl, and get this now right now.

528
00:25:19,560 --> 00:25:30,680
Speaker 2: No, no, savey listen, I have got to keep going.

529
00:25:30,760 --> 00:25:33,399
Speaker 4: You're gonna be you got a lump, and I'm afraid

530
00:25:33,440 --> 00:25:34,640
Speaker 4: she's gonna tell you about it.

531
00:25:34,880 --> 00:25:40,040
Speaker 2: Do you hear what I'm saying, I'm dying. It's even hilarious,

532
00:25:40,320 --> 00:25:43,440
Speaker 2: even though we know he's not assaulting her. He's doing

533
00:25:43,480 --> 00:25:47,640
Speaker 2: everything to the idea and into bed. But and then

534
00:25:47,880 --> 00:25:50,080
Speaker 2: she's holding on to the side of the wall and

535
00:25:50,119 --> 00:25:53,040
Speaker 2: he's still pulling her. I think that's hilarious.

536
00:25:53,080 --> 00:25:55,919
Speaker 3: And then he says, I've got a lump to tell.

537
00:25:55,800 --> 00:25:59,000
Speaker 2: You about it running away from the go he goes

538
00:25:59,040 --> 00:26:01,639
Speaker 2: to the cancer and he says, I've got a lump

539
00:26:01,680 --> 00:26:03,600
Speaker 2: and I didn't want to tell you, and I don't

540
00:26:03,640 --> 00:26:06,480
Speaker 2: want you to find out to me. That's the hilarious point.

541
00:26:06,560 --> 00:26:07,840
Speaker 1: Yes, so he doesn't want her to go to the

542
00:26:07,880 --> 00:26:09,560
Speaker 1: psychic because he doesn't want the psychic to tell her

543
00:26:09,560 --> 00:26:12,720
Speaker 1: about the happy ending, the twelve pumps. And then we're

544
00:26:12,720 --> 00:26:15,720
Speaker 1: in the CBS meeting and you know, the executives, so

545
00:26:15,840 --> 00:26:18,720
Speaker 1: I like it. It's an edge and Julia's doing her dance,

546
00:26:18,840 --> 00:26:23,359
Speaker 1: dancing around, and Larry is just not present at all.

547
00:26:23,600 --> 00:26:27,439
Speaker 1: He's traumatized. All he could think about is Cheryl is

548
00:26:27,440 --> 00:26:28,040
Speaker 1: at the psychic.

549
00:26:28,119 --> 00:26:32,359
Speaker 2: Okay, also the flashback. Then he has the fantasy, which

550
00:26:32,440 --> 00:26:36,880
Speaker 2: is amazing because you can see but the idea that.

551
00:26:37,960 --> 00:26:40,800
Speaker 1: Let's just describe it, that the flashback is that in

552
00:26:40,840 --> 00:26:43,720
Speaker 1: his mind, he's it's not a flashbackcause a fantasy sequence

553
00:26:43,920 --> 00:26:46,560
Speaker 1: that Cheryl is with Kim, who in his fantasy is

554
00:26:46,600 --> 00:26:50,040
Speaker 1: an Asian woman, and Kim is telling Cheryl that.

555
00:26:49,960 --> 00:26:53,399
Speaker 2: Actress's name Amy Hill. If I do believe we were

556
00:26:53,440 --> 00:26:55,040
Speaker 2: lucky to get her because she's so great.

557
00:26:55,160 --> 00:26:57,320
Speaker 1: Kim is telling her happy ending more than just a

558
00:26:57,359 --> 00:26:59,280
Speaker 1: massage pumped thirty two.

559
00:26:59,160 --> 00:27:04,280
Speaker 2: Times, by the way, no better number than thirty two times.

560
00:27:04,320 --> 00:27:06,800
Speaker 2: Then she looks right and camera and goes and then whoosh,

561
00:27:07,000 --> 00:27:09,400
Speaker 2: that's right, and Larry wakes up out of it. He's

562
00:27:09,440 --> 00:27:13,480
Speaker 2: got to find his place, and then he's over enthusiastic.

563
00:27:13,119 --> 00:27:14,720
Speaker 3: And then he's ridiculous in that meeting.

564
00:27:14,800 --> 00:27:17,600
Speaker 2: I know, but yes he is. And by the way,

565
00:27:17,840 --> 00:27:20,120
Speaker 2: that goes to show if I may take a step back,

566
00:27:20,440 --> 00:27:25,000
Speaker 2: I personally, especially on Zoom, have fallen asleep during pitches.

567
00:27:25,040 --> 00:27:29,600
Speaker 2: If I'm not talking, I fall asleep the executive, the writer,

568
00:27:29,680 --> 00:27:33,320
Speaker 2: whoever's talking. I will not off because I'm almost always tired.

569
00:27:33,440 --> 00:27:36,240
Speaker 2: I can take a nap. And he's not that. No, no, no,

570
00:27:36,320 --> 00:27:39,040
Speaker 2: this was distraction, you know, I know, but I'm saying

571
00:27:39,600 --> 00:27:41,119
Speaker 2: I have felt something like that, and then you have

572
00:27:41,160 --> 00:27:43,600
Speaker 2: to wake up and recover if they're going to you

573
00:27:43,720 --> 00:27:47,040
Speaker 2: for anything. And also, and by the way, that's Norah

574
00:27:47,119 --> 00:27:50,200
Speaker 2: Dune and you're from Messin now and she's from Chicago.

575
00:27:50,400 --> 00:27:53,440
Speaker 2: I know her, you know. And the fact she says,

576
00:27:53,480 --> 00:27:56,080
Speaker 2: we'd love to be in business view on a pitch

577
00:27:56,240 --> 00:28:00,120
Speaker 2: that bad ye, Well it's Julia Wei Dreyfus gave it.

578
00:28:00,440 --> 00:28:03,920
Speaker 2: So basically those two know before they walk in the

579
00:28:04,040 --> 00:28:05,480
Speaker 2: room this is a done deal.

580
00:28:05,560 --> 00:28:07,800
Speaker 1: Well, that's what Cheryl says, it's a done deal. That's

581
00:28:07,800 --> 00:28:09,840
Speaker 1: why she ordered the laying.

582
00:28:10,160 --> 00:28:12,760
Speaker 2: And I've been involving situations where only one of the

583
00:28:12,800 --> 00:28:15,960
Speaker 2: people is somebody you'd want to work with, no guarantees.

584
00:28:16,000 --> 00:28:18,360
Speaker 2: They say no a lot to some of the biggest

585
00:28:18,359 --> 00:28:21,680
Speaker 2: writers and actors. I know that being said, if you've

586
00:28:21,720 --> 00:28:25,240
Speaker 2: got a great writer and a great actor one way

587
00:28:25,320 --> 00:28:28,280
Speaker 2: or another star, it's not who's going to say yes,

588
00:28:28,320 --> 00:28:30,040
Speaker 2: it's how soon will somebody say?

589
00:28:30,680 --> 00:28:31,880
Speaker 3: Until Larry fucks it up?

590
00:28:32,040 --> 00:28:32,520
Speaker 2: Yeah?

591
00:28:32,600 --> 00:28:36,159
Speaker 1: So Larry then goes home and Cheryl says, how does

592
00:28:36,200 --> 00:28:38,600
Speaker 1: it go? And she's sitting on the couch, clearly her

593
00:28:38,680 --> 00:28:42,480
Speaker 1: arms are folded, her body language, she's clearly upset, and

594
00:28:42,520 --> 00:28:45,240
Speaker 1: she says, I know everything Larry, I know what happened

595
00:28:45,440 --> 00:28:46,440
Speaker 1: now when.

596
00:28:46,280 --> 00:28:49,800
Speaker 2: She says this, because I don't remember exactly what had happened.

597
00:28:49,800 --> 00:28:53,360
Speaker 2: I didn't remember. I thought that she might go the

598
00:28:53,440 --> 00:28:57,600
Speaker 2: other way. You've been blankety blank having nothing to do

599
00:28:57,680 --> 00:28:59,960
Speaker 2: with sex, Like she knows he's been up to something

600
00:29:00,120 --> 00:29:03,000
Speaker 2: no good. That may be true, but it's not sex.

601
00:29:03,040 --> 00:29:06,560
Speaker 2: And he's relie. She says something horrible, and he's relieved,

602
00:29:06,600 --> 00:29:10,760
Speaker 2: he believed. And I saw in my mind as she

603
00:29:10,840 --> 00:29:12,960
Speaker 2: would say that, and Larry do the opposite of what

604
00:29:13,040 --> 00:29:15,400
Speaker 2: you think. He would be very excited that that's all

605
00:29:15,440 --> 00:29:16,720
Speaker 2: it is. That was much.

606
00:29:16,760 --> 00:29:18,160
Speaker 3: But that's not what happened, all right.

607
00:29:18,640 --> 00:29:21,360
Speaker 1: Cheryl says, I know you're having an affair a woman

608
00:29:21,440 --> 00:29:23,520
Speaker 1: with long red hair and a.

609
00:29:23,640 --> 00:29:27,320
Speaker 2: Tattoo of a star, which is amazing and great.

610
00:29:27,560 --> 00:29:29,680
Speaker 1: And Cheryl's like, why would she make up a story

611
00:29:29,720 --> 00:29:32,520
Speaker 1: like that. Larry's like, no, no, no, maybe she's an

612
00:29:32,520 --> 00:29:35,440
Speaker 1: anti Semite. There are Korean anti semites. And then Cheryl

613
00:29:35,480 --> 00:29:40,000
Speaker 1: says she's not Korean, she's American. Larry denies, denies, no affair.

614
00:29:40,200 --> 00:29:43,160
Speaker 4: Sorry, no, who's gonna have an affair with me?

615
00:29:43,240 --> 00:29:44,000
Speaker 2: I'm not a cool guy.

616
00:29:44,080 --> 00:29:45,280
Speaker 4: You gotta be a cool guy, to do.

617
00:29:45,360 --> 00:29:47,800
Speaker 2: That's true. I couldn't do that. I wouldn't know how

618
00:29:47,920 --> 00:29:48,479
Speaker 2: what would I do?

619
00:29:48,640 --> 00:29:49,200
Speaker 4: I don't know.

620
00:29:49,480 --> 00:29:50,640
Speaker 2: You would not be good at it.

621
00:29:50,640 --> 00:29:52,800
Speaker 4: It took me six months to even put a move

622
00:29:52,840 --> 00:29:53,800
Speaker 4: on you, I know.

623
00:29:54,520 --> 00:29:57,080
Speaker 3: So she finally accepts, by the way, and believes him.

624
00:29:57,160 --> 00:29:59,920
Speaker 2: I completely concur with him as someone who's not a

625
00:30:00,080 --> 00:30:02,960
Speaker 2: cool guy. I can't pull an affair off. I couldn't.

626
00:30:03,440 --> 00:30:06,120
Speaker 1: Uh yeah, I mean my husband happens to be a

627
00:30:06,160 --> 00:30:06,960
Speaker 1: horrible liar.

628
00:30:07,360 --> 00:30:09,719
Speaker 3: I would know so quickly if he was having an affair.

629
00:30:09,800 --> 00:30:11,800
Speaker 1: Okay, So now they're going to go to the w

630
00:30:12,000 --> 00:30:14,600
Speaker 1: hotel and they're getting out of the limo and.

631
00:30:14,600 --> 00:30:17,520
Speaker 3: Larry's Larry's concerned, but what's the driver going to do?

632
00:30:17,560 --> 00:30:17,720
Speaker 1: Now?

633
00:30:17,720 --> 00:30:19,680
Speaker 3: What are you going to do now? And concern for

634
00:30:19,760 --> 00:30:20,480
Speaker 3: the driver.

635
00:30:20,560 --> 00:30:23,200
Speaker 2: And the driver? No, I'll be fine. And that was

636
00:30:23,240 --> 00:30:26,800
Speaker 2: Tom Booker from the Annoyance Theater in Chicago. I did

637
00:30:26,880 --> 00:30:29,920
Speaker 2: have quite the influence with casting I always have, but

638
00:30:30,400 --> 00:30:34,720
Speaker 2: then especially and Booker was so perfect for that role

639
00:30:35,000 --> 00:30:38,760
Speaker 2: because he could say without because it's a fine liary,

640
00:30:39,400 --> 00:30:43,160
Speaker 2: without splattering it in Larry's face. He could say, no,

641
00:30:43,400 --> 00:30:45,800
Speaker 2: I'll be fine to where if you have a heart,

642
00:30:46,000 --> 00:30:47,760
Speaker 2: you feel bad. But if you don't have a heart,

643
00:30:47,800 --> 00:30:50,120
Speaker 2: you're not gonna know shit. Yeah. And by the way,

644
00:30:50,160 --> 00:30:53,120
Speaker 2: the real Larry David has such a big heart. He's

645
00:30:53,120 --> 00:30:53,720
Speaker 2: so big heart.

646
00:30:53,840 --> 00:30:55,760
Speaker 1: I always care about the drivers and I always make

647
00:30:55,760 --> 00:30:57,000
Speaker 1: sure they get said and stuff.

648
00:30:57,040 --> 00:31:01,560
Speaker 2: Oh my god, Yes, yes, we'll be right back. Stay tuned.

649
00:31:12,120 --> 00:31:13,240
Speaker 5: Okay, we're back.

650
00:31:13,640 --> 00:31:14,240
Speaker 2: They're standing.

651
00:31:14,280 --> 00:31:16,840
Speaker 1: There's a line and Rick, the Maitre d who Larry

652
00:31:16,840 --> 00:31:20,240
Speaker 1: did not stop and chat with, approaches them and sees them,

653
00:31:20,240 --> 00:31:22,280
Speaker 1: and Larry feels that it's chilly in here.

654
00:31:22,680 --> 00:31:25,400
Speaker 2: He feels is a snub from him. And by the way,

655
00:31:25,800 --> 00:31:29,240
Speaker 2: Cheryl in this scene and in the scene that's coming up,

656
00:31:29,280 --> 00:31:31,840
Speaker 2: which is connected to the scene, who else could there's

657
00:31:31,880 --> 00:31:34,840
Speaker 2: a way that she plays it that's so unique and

658
00:31:34,880 --> 00:31:37,360
Speaker 2: so special. Yeah, I agree, you know, I just I

659
00:31:37,440 --> 00:31:40,960
Speaker 2: was watching her in this. She was with the whole

660
00:31:41,240 --> 00:31:44,360
Speaker 2: limo driver thing. It's something I can associate with because

661
00:31:44,360 --> 00:31:46,120
Speaker 2: I have this all the time in my life. No

662
00:31:46,240 --> 00:31:49,720
Speaker 2: good deed goes sons. I am so trusting and I'm

663
00:31:49,760 --> 00:31:52,560
Speaker 2: so I think about the other person so much that

664
00:31:52,920 --> 00:31:54,800
Speaker 2: someone might say to a fault, like how can you

665
00:31:54,880 --> 00:31:57,720
Speaker 2: be thoughtful and kind to a fault? But it bites

666
00:31:57,760 --> 00:32:00,040
Speaker 2: me and they ass I'd say, no.

667
00:32:00,880 --> 00:32:02,200
Speaker 3: That's what this whole show is about.

668
00:32:02,560 --> 00:32:03,280
Speaker 2: That I'm just saying.

669
00:32:03,760 --> 00:32:06,480
Speaker 1: So Larry then starts complaining about having to do this

670
00:32:06,520 --> 00:32:09,240
Speaker 1: stop and chanybody have to talk to people and they're

671
00:32:09,280 --> 00:32:12,280
Speaker 1: they're eating, and that he has over he's overly concerned

672
00:32:12,440 --> 00:32:15,680
Speaker 1: about the driver. He's uncomfortable, he feels like he has

673
00:32:15,720 --> 00:32:18,520
Speaker 1: to hurry, so the limo driver is not waiting, he's

674
00:32:18,560 --> 00:32:22,680
Speaker 1: probably hungry. Cheryl talks about it's their favorite restaurant and

675
00:32:22,760 --> 00:32:25,000
Speaker 1: they ordered the same thing, and then should we should we.

676
00:32:25,000 --> 00:32:29,920
Speaker 2: Buy the fact that he says he's unhappy that they

677
00:32:30,000 --> 00:32:33,520
Speaker 2: both ordered the same thing. That whole discussion hilarious.

678
00:32:33,640 --> 00:32:36,760
Speaker 1: Yes, And should we order something for Greg the limo driver?

679
00:32:36,800 --> 00:32:39,280
Speaker 1: Should we give him a doggie bag? And Larry decides

680
00:32:39,320 --> 00:32:40,840
Speaker 1: that he's not going to eat all the shrimp, and

681
00:32:40,880 --> 00:32:42,560
Speaker 1: then he's on Cheryl about it you can finish that

682
00:32:42,640 --> 00:32:44,640
Speaker 1: last shrimp because he wants an extra shrimp for Greg,

683
00:32:44,760 --> 00:32:47,920
Speaker 1: because he cares more about Greg than Cheryl. At this moment,

684
00:32:48,120 --> 00:32:52,440
Speaker 1: he's ruining the romantic dinner and he goes out that

685
00:32:52,480 --> 00:32:55,800
Speaker 1: whole shrimp thing was really he really crossed the line

686
00:32:55,840 --> 00:32:56,760
Speaker 1: with that, right you know.

687
00:32:57,240 --> 00:32:58,800
Speaker 3: And then he goes out and he gives Greg.

688
00:32:59,760 --> 00:33:02,480
Speaker 2: He beats Cheryl down, he beats her, and she gives

689
00:33:02,560 --> 00:33:04,200
Speaker 2: that last shrimp that she wanted to do.

690
00:33:04,480 --> 00:33:07,000
Speaker 1: And she's so unhappy and she has had it again

691
00:33:07,240 --> 00:33:07,840
Speaker 1: at this again.

692
00:33:08,160 --> 00:33:09,360
Speaker 2: Who plays that better?

693
00:33:09,480 --> 00:33:09,720
Speaker 1: No?

694
00:33:09,720 --> 00:33:10,160
Speaker 3: Nobody.

695
00:33:10,600 --> 00:33:13,400
Speaker 1: And you know, here's why she plays it so well,

696
00:33:13,640 --> 00:33:16,240
Speaker 1: because on a certain level, you say, well, why is

697
00:33:16,280 --> 00:33:19,240
Speaker 1: she even with him? Yet the way Cheryl plays it,

698
00:33:19,280 --> 00:33:21,040
Speaker 1: you understand why she's with him.

699
00:33:20,880 --> 00:33:23,720
Speaker 2: Without it, even though well you feel that that's a

700
00:33:23,840 --> 00:33:24,880
Speaker 2: real relationship.

701
00:33:25,000 --> 00:33:27,080
Speaker 3: I'll ask me all the time, why do you and

702
00:33:27,160 --> 00:33:28,240
Speaker 3: Jeff stay to get there?

703
00:33:28,880 --> 00:33:31,560
Speaker 2: Oh, by the way, the answer is for purpose of

704
00:33:31,640 --> 00:33:36,120
Speaker 2: comedy on the show, because in real life you would

705
00:33:36,240 --> 00:33:37,920
Speaker 2: jump out of that mat y. I know I would.

706
00:33:37,920 --> 00:33:40,280
Speaker 1: But there are plenty of marriages like that, Jeff. People

707
00:33:40,320 --> 00:33:43,680
Speaker 1: stop me on the street all the time and they say, oh,

708
00:33:43,720 --> 00:33:46,080
Speaker 1: you're exactly like me, or men say, oh, my wife

709
00:33:46,120 --> 00:33:48,800
Speaker 1: is exactly like you, or my marriage is exactly Jeff.

710
00:33:48,960 --> 00:33:51,600
Speaker 2: That happens to me all the time. I can't imagine

711
00:33:51,600 --> 00:33:53,600
Speaker 2: how many times it happens to you. But don't you

712
00:33:53,680 --> 00:33:55,920
Speaker 2: just look at him and go, what the fuck you?

713
00:33:56,320 --> 00:33:58,840
Speaker 2: Get out? Get out? Because in real life. I know

714
00:33:58,920 --> 00:34:01,200
Speaker 2: for a fact I would have been out the first.

715
00:34:01,080 --> 00:34:04,160
Speaker 3: Year, you know, but people stay.

716
00:34:04,480 --> 00:34:07,560
Speaker 1: So now Larry goes out to give Greg the doggie bag.

717
00:34:07,920 --> 00:34:13,040
Speaker 2: Yeah, some shrimp in there, just like leftovers.

718
00:34:13,440 --> 00:34:17,960
Speaker 4: Well there there's shrimp, and you know, there's some rice

719
00:34:18,000 --> 00:34:19,839
Speaker 4: in there. But I did know. I didn't touch any

720
00:34:19,880 --> 00:34:22,879
Speaker 4: of the shrimp. I divided the rice very carefully. It's

721
00:34:22,880 --> 00:34:24,080
Speaker 4: all clean, it's all good.

722
00:34:24,120 --> 00:34:26,360
Speaker 2: How much was he throwing? There's no fork, there's no napkin.

723
00:34:27,800 --> 00:34:29,280
Speaker 2: I can't.

724
00:34:29,680 --> 00:34:35,160
Speaker 4: I'm sorry, I forgot the fork. I'll go I'll go get.

725
00:34:34,960 --> 00:34:37,000
Speaker 2: Your fork, all right, napkin, that'd be great.

726
00:34:37,239 --> 00:34:39,600
Speaker 1: And you could see Greg's a little nonplus that it's

727
00:34:39,680 --> 00:34:42,040
Speaker 1: leftovers and Larry's I didn't touch it.

728
00:34:42,080 --> 00:34:46,040
Speaker 2: I divided this frustrated almost right point. He's frustrated, almost

729
00:34:46,040 --> 00:34:50,600
Speaker 2: to the point of being rude. Yeah, absolutely, yeah, you know,

730
00:34:49,840 --> 00:34:52,319
Speaker 2: And then.

731
00:34:51,320 --> 00:34:53,960
Speaker 1: Greg says there's no fork, there's no napkin. How am

732
00:34:53,960 --> 00:34:56,400
Speaker 1: I supposed to eat this? And Larry's like, I'll go

733
00:34:56,480 --> 00:34:58,799
Speaker 1: get them. You know, I should have gotten the guy

734
00:34:58,800 --> 00:34:59,240
Speaker 1: at dinner.

735
00:34:59,239 --> 00:34:59,640
Speaker 2: I should have.

736
00:34:59,719 --> 00:35:02,600
Speaker 1: But he goes in to get the fork in the napkin,

737
00:35:02,680 --> 00:35:06,080
Speaker 1: and Cheryl's sitting there waiting to eat her dessert, you know, very.

738
00:35:06,120 --> 00:35:09,799
Speaker 2: Pol likely he gives a thought to him taking a

739
00:35:09,840 --> 00:35:12,520
Speaker 2: fork in a napkin. Well story, no, no, no, no, no,

740
00:35:12,600 --> 00:35:15,680
Speaker 2: I'm saying you know, I'm talking about I'm not talking

741
00:35:15,680 --> 00:35:20,560
Speaker 2: about Cheryl him whatever. It's clearly revenge by the matre d.

742
00:35:20,760 --> 00:35:23,279
Speaker 2: So it's not like but who would ever give a

743
00:35:23,320 --> 00:35:26,440
Speaker 2: thought that this might lead to me being in court?

744
00:35:27,000 --> 00:35:29,400
Speaker 2: Right well, by the way, in all sincerity, I have

745
00:35:29,440 --> 00:35:32,040
Speaker 2: found that is the way life works. A lot of times,

746
00:35:32,280 --> 00:35:35,200
Speaker 2: something very little you think, oh, there's it's nothing cheating

747
00:35:35,239 --> 00:35:37,759
Speaker 2: the world, But you doing something that you think is

748
00:35:37,840 --> 00:35:41,279
Speaker 2: no big deal, and you're fucked again when I say go.

749
00:35:41,760 --> 00:35:44,360
Speaker 1: Larry takes a fork and a napkin from an empty table,

750
00:35:44,640 --> 00:35:46,919
Speaker 1: puts it in his pocket, and he's about to walk

751
00:35:46,960 --> 00:35:49,200
Speaker 1: out to give Greg the Limo driver the fork nap

752
00:35:49,560 --> 00:35:50,879
Speaker 1: and Rick the maitre D.

753
00:35:50,920 --> 00:35:54,160
Speaker 3: Stops him and asks us in his pocket.

754
00:35:54,000 --> 00:35:58,440
Speaker 2: Oh hey, Larry, how's it going? Oh hey? The food

755
00:35:58,560 --> 00:35:59,399
Speaker 2: was sensational?

756
00:35:59,560 --> 00:36:02,360
Speaker 4: Excellent, Yeah, really spectacular, wonderful.

757
00:36:02,400 --> 00:36:04,080
Speaker 2: Do you mind tell me what you got in your pocket?

758
00:36:07,719 --> 00:36:10,759
Speaker 2: The pen I was thinking of the other pocket, Oh.

759
00:36:10,480 --> 00:36:16,520
Speaker 4: I got a napkin and a fork, there's a driver outside.

760
00:36:16,680 --> 00:36:18,719
Speaker 4: Pardon me for suggesting this, but it seems like you

761
00:36:18,760 --> 00:36:20,239
Speaker 4: are walking out with our silverware.

762
00:36:20,880 --> 00:36:24,360
Speaker 1: And you're walking out with our silverware. I call that stealing.

763
00:36:24,680 --> 00:36:27,239
Speaker 1: Makes a big cause. The leb about it, and Larry says,

764
00:36:27,280 --> 00:36:29,440
Speaker 1: I know what's going on here. You're upset with me

765
00:36:29,520 --> 00:36:32,120
Speaker 1: about the stop and chat, and Rick goes and calls

766
00:36:32,120 --> 00:36:32,640
Speaker 1: the police.

767
00:36:32,880 --> 00:36:36,160
Speaker 2: Old on a couple things. First off, what we discover

768
00:36:36,280 --> 00:36:39,120
Speaker 2: in this scene as he has been watching Larry like

769
00:36:39,120 --> 00:36:42,640
Speaker 2: a hawk, so he knows that silverware and that napkin

770
00:36:42,680 --> 00:36:45,080
Speaker 2: is in his pocket, and he thinks, no matter what

771
00:36:45,360 --> 00:36:48,920
Speaker 2: the excuse is, I've got him right. And then also

772
00:36:49,080 --> 00:36:51,959
Speaker 2: how about him calmly saying, Uh, could you wait right there?

773
00:36:52,239 --> 00:36:54,400
Speaker 2: And then he walks over to the thing. Oh what

774
00:36:54,440 --> 00:36:57,200
Speaker 2: are you doing? I'm calling the police, But it's done

775
00:36:57,280 --> 00:36:59,200
Speaker 2: so calmly on his side.

776
00:36:59,480 --> 00:37:01,720
Speaker 1: And then the cap comes and he gives him a summons,

777
00:37:01,760 --> 00:37:04,000
Speaker 1: and he tells him he's going to go before Judge Kats.

778
00:37:04,280 --> 00:37:06,759
Speaker 1: Yeah to you know, to deal with the summons. I

779
00:37:06,800 --> 00:37:09,120
Speaker 1: should have let the guy eat with his hands, Larry says.

780
00:37:09,400 --> 00:37:11,600
Speaker 1: And they go out to the driver and Larry never

781
00:37:11,640 --> 00:37:13,839
Speaker 1: brought the fork up because he got stopped by Rick,

782
00:37:14,200 --> 00:37:16,480
Speaker 1: and as they're getting in the car, you.

783
00:37:16,840 --> 00:37:20,120
Speaker 2: Right, hold on. I love the way Tom Booker plays this,

784
00:37:21,160 --> 00:37:24,319
Speaker 2: even with the fork thing. Not quite an asshole because

785
00:37:24,360 --> 00:37:28,399
Speaker 2: you understand his frustration, but kind of an asshole. Then

786
00:37:28,760 --> 00:37:32,920
Speaker 2: when Larry comes, you can see his frustration with Larry.

787
00:37:33,360 --> 00:37:35,440
Speaker 2: Yet when they say, what do you know? I'll get

788
00:37:35,520 --> 00:37:39,200
Speaker 2: something on the way home, it's okay, But he's not aggressive,

789
00:37:39,480 --> 00:37:42,120
Speaker 2: but he's not throwing guilt his way. I don't feel okay.

790
00:37:42,200 --> 00:37:44,520
Speaker 3: I felt that he was, well, you're wrong, but well I.

791
00:37:44,560 --> 00:37:46,880
Speaker 2: Said that to me numerous times. I'm getting back at you.

792
00:37:47,400 --> 00:37:49,840
Speaker 2: I'm like the matre d. I'm getting back at you.

793
00:37:50,080 --> 00:37:52,440
Speaker 3: Okay, I am taking your getting back at me.

794
00:37:52,560 --> 00:37:52,880
Speaker 2: Okay.

795
00:37:53,080 --> 00:37:54,879
Speaker 3: And then we see as they're getting in the.

796
00:37:54,800 --> 00:37:58,400
Speaker 2: Car guilt by the way fact you're okay.

797
00:37:58,640 --> 00:38:00,640
Speaker 1: Then as we see as they're getting in the cart,

798
00:38:00,719 --> 00:38:04,320
Speaker 1: you because you're staying at that hotel which was established

799
00:38:04,360 --> 00:38:07,600
Speaker 1: in the first scene, right walking out with the messeuse

800
00:38:07,640 --> 00:38:10,399
Speaker 1: who had been there to give you a massage, and I.

801
00:38:10,360 --> 00:38:12,960
Speaker 3: Guarantee you a happy ending as well, oh without a doubt.

802
00:38:13,239 --> 00:38:17,319
Speaker 1: And she has long red hair, and Cheryl notices right,

803
00:38:17,600 --> 00:38:21,080
Speaker 1: and Cheryl very slowly walks up to her and says,

804
00:38:21,480 --> 00:38:23,280
Speaker 1: do you have a tattoo of a star?

805
00:38:23,640 --> 00:38:26,759
Speaker 2: But by the way, the way she approaches it, which is,

806
00:38:27,040 --> 00:38:29,440
Speaker 2: how do I sound not sound like a nutbag? But

807
00:38:29,560 --> 00:38:32,760
Speaker 2: I'm pretty sure what's going on? And this is gonna

808
00:38:32,760 --> 00:38:33,279
Speaker 2: sound so.

809
00:38:33,320 --> 00:38:34,640
Speaker 3: Striking all in her face.

810
00:38:34,680 --> 00:38:38,640
Speaker 2: But by the way, Larry wouldn't even say this is weird.

811
00:38:38,840 --> 00:38:40,040
Speaker 2: He would just go up and go do you have

812
00:38:40,080 --> 00:38:43,440
Speaker 2: a tattoo on your arm or whatever? Cheryl just massages it.

813
00:38:43,560 --> 00:38:45,160
Speaker 2: I don't know, I really think she's a.

814
00:38:45,160 --> 00:38:48,759
Speaker 1: Great go ahead, and she's yes, I do have a

815
00:38:48,880 --> 00:38:49,799
Speaker 1: tattoo of a star?

816
00:38:50,120 --> 00:38:51,320
Speaker 3: And then the messus sees.

817
00:38:51,160 --> 00:38:55,160
Speaker 1: Larry and says, oh hi, Larry, and that's you wa

818
00:38:55,480 --> 00:38:56,080
Speaker 1: done with Cheryl.

819
00:38:56,120 --> 00:38:57,759
Speaker 2: Although by the way that storyline has.

820
00:38:57,719 --> 00:38:59,680
Speaker 1: Done, it's done I know, which I found a little

821
00:38:59,719 --> 00:39:01,799
Speaker 1: disc inserting because it's never resolved.

822
00:39:01,480 --> 00:39:04,000
Speaker 2: But that was fine. And then we're at court with

823
00:39:04,120 --> 00:39:07,759
Speaker 2: Judge Cats and Larry. By the way, Judge Cats, you

824
00:39:07,800 --> 00:39:10,279
Speaker 2: look at him and you go, jew, yeah, he's not

825
00:39:10,400 --> 00:39:13,439
Speaker 2: like and Larry starts by saying and may I say,

826
00:39:14,920 --> 00:39:17,759
Speaker 2: oh my god, I and it's about to be a

827
00:39:17,760 --> 00:39:22,640
Speaker 2: weird white jacket all I guess that large jacket. It's

828
00:39:22,719 --> 00:39:28,560
Speaker 2: very much like the jacket, the Seinfeldt jacket, except in white,

829
00:39:29,520 --> 00:39:33,560
Speaker 2: the white cat white jacket. Court. No, no, but I

830
00:39:33,560 --> 00:39:36,319
Speaker 2: wanted to say I love the Jewish stuff. I mean

831
00:39:36,560 --> 00:39:39,279
Speaker 2: what I think some of the things that Larry does

832
00:39:39,320 --> 00:39:42,759
Speaker 2: that really hit me hard is any Jewish stuff to

833
00:39:42,960 --> 00:39:44,000
Speaker 2: help him get by.

834
00:39:44,360 --> 00:39:47,239
Speaker 1: So so Larry starts to explain about the fork and

835
00:39:47,520 --> 00:39:50,200
Speaker 1: that the matre d had a personal enemis because he

836
00:39:50,239 --> 00:39:53,160
Speaker 1: didn't stop and chat, and the judge, who was terrific

837
00:39:53,480 --> 00:39:55,200
Speaker 1: by the way.

838
00:39:54,520 --> 00:39:57,920
Speaker 2: Well done though, as Larry when he first starts, it

839
00:39:58,040 --> 00:40:01,759
Speaker 2: makes sense the first three sentences, he says, if you

840
00:40:01,920 --> 00:40:05,880
Speaker 2: only would have stopped, you know, if you only Bachelum's fine,

841
00:40:06,080 --> 00:40:08,879
Speaker 2: If he only would have stopped after three four sentences,

842
00:40:09,000 --> 00:40:11,400
Speaker 2: it would be fine. When he went into the whole

843
00:40:11,440 --> 00:40:14,239
Speaker 2: other stop and chat part of the whole thing. You

844
00:40:14,360 --> 00:40:16,919
Speaker 2: knew watching You Learn A dead man a dead man.

845
00:40:17,160 --> 00:40:21,000
Speaker 4: What happened is simply that I was trying to bring

846
00:40:21,040 --> 00:40:24,600
Speaker 4: a fork to a workingman who was a driver, a

847
00:40:24,640 --> 00:40:27,239
Speaker 4: limousine driver, and he had dinner, but he did not

848
00:40:27,280 --> 00:40:28,960
Speaker 4: have a fork to eat the dinner. So all I

849
00:40:29,040 --> 00:40:30,799
Speaker 4: was doing was attempting to bring him a fork. And

850
00:40:30,800 --> 00:40:32,799
Speaker 4: a napkin so he wouldn't have to eat with his

851
00:40:32,920 --> 00:40:35,800
Speaker 4: hands and get it all over his face and his clothing.

852
00:40:36,440 --> 00:40:40,319
Speaker 4: And it was only out of some personal animus that

853
00:40:40,400 --> 00:40:43,480
Speaker 4: the restaurant tour had toward me, because I ranged him

854
00:40:43,480 --> 00:40:45,360
Speaker 4: on the street and I didn't stop and have a

855
00:40:45,360 --> 00:40:48,520
Speaker 4: little chat with him. You know, I don't like to

856
00:40:48,560 --> 00:40:51,440
Speaker 4: make little chit chat on the street. I like to

857
00:40:51,480 --> 00:40:53,680
Speaker 4: have a real conversation with people.

858
00:40:53,880 --> 00:40:56,799
Speaker 1: And it's the judge goes into a whole big thing

859
00:40:56,840 --> 00:40:59,680
Speaker 1: about celebrity, and you think you have no consequences, and

860
00:40:59,719 --> 00:41:02,319
Speaker 1: you think you were a buffet all Larry's I could

861
00:41:02,320 --> 00:41:02,839
Speaker 1: work it off.

862
00:41:02,880 --> 00:41:04,880
Speaker 3: I could work at the temple and the judgement.

863
00:41:07,120 --> 00:41:09,200
Speaker 2: I want to say this, he'd already said to Larry

864
00:41:09,239 --> 00:41:12,200
Speaker 2: at this point, I can't find you because it means

865
00:41:12,239 --> 00:41:14,600
Speaker 2: nothing to you because you're rich, which, by the way,

866
00:41:14,680 --> 00:41:17,640
Speaker 2: is a thing that's rarely mentioned on the show, someone

867
00:41:17,760 --> 00:41:20,160
Speaker 2: saying he's rich, because I know he's not comfortable with that.

868
00:41:20,320 --> 00:41:22,640
Speaker 2: I'm sure he enjoys being rich, but he doesn't like

869
00:41:22,719 --> 00:41:25,439
Speaker 2: acknowledging it. But he says that, and he goes, what

870
00:41:25,520 --> 00:41:29,600
Speaker 2: do you think we could do to have you? You

871
00:41:29,600 --> 00:41:32,359
Speaker 2: know what punishment do you think that's why I could?

872
00:41:33,520 --> 00:41:35,600
Speaker 3: And the justice isn't it a joy to work at

873
00:41:35,600 --> 00:41:36,040
Speaker 3: the test?

874
00:41:37,000 --> 00:41:40,800
Speaker 2: And he says I could hand out yamakas. And and

875
00:41:40,920 --> 00:41:43,520
Speaker 2: by the way, yamaka is the little skull kept thing

876
00:41:43,920 --> 00:41:46,640
Speaker 2: that Jews wear, either in temple or on the street,

877
00:41:46,840 --> 00:41:50,120
Speaker 2: depending on your level of Jewishness. And a talis, which

878
00:41:50,120 --> 00:41:52,040
Speaker 2: I don't think I've ever seen on a jew wearing

879
00:41:52,040 --> 00:41:56,880
Speaker 2: on the street. Yeah, you see them hanging out of

880
00:41:56,880 --> 00:42:00,360
Speaker 2: the underneath. Yes, my mistake. But a talis is like

881
00:42:00,440 --> 00:42:02,160
Speaker 2: the scarf that Jews wear.

882
00:42:02,320 --> 00:42:05,200
Speaker 1: Okay, Yeah, And then we don't know what the sentence is,

883
00:42:05,480 --> 00:42:09,400
Speaker 1: but we cut to seeing Larry standing outside wearing a

884
00:42:09,480 --> 00:42:10,480
Speaker 1: big sandwich.

885
00:42:10,960 --> 00:42:14,560
Speaker 2: Well again, I'm digressing because I'm just remembering. At the

886
00:42:14,719 --> 00:42:18,560
Speaker 2: end of his spiel, he says I was giving it

887
00:42:18,600 --> 00:42:20,520
Speaker 2: to a driver, a working man, A.

888
00:42:20,440 --> 00:42:22,400
Speaker 3: Working man, Yes, kill a working man.

889
00:42:22,680 --> 00:42:25,840
Speaker 1: And we see Larry wearing the sandwich, boards saying I

890
00:42:26,000 --> 00:42:29,560
Speaker 1: steal forks from restaurants, and we cut to we see

891
00:42:29,560 --> 00:42:32,680
Speaker 1: that he's at the restaurant and from the w But

892
00:42:32,680 --> 00:42:35,759
Speaker 1: but it's but it's a network symposium.

893
00:42:36,640 --> 00:42:39,480
Speaker 2: Networks, one by one, all the people.

894
00:42:39,480 --> 00:42:42,880
Speaker 3: First, Alan Wasserman gets the toe.

895
00:42:42,719 --> 00:42:45,000
Speaker 2: Oh, by the way, I missed terribly one of the

896
00:42:45,040 --> 00:42:47,719
Speaker 2: great talents and commons and gone much too young.

897
00:42:48,200 --> 00:42:50,440
Speaker 1: And and then Larry says to him enjoying the shrimp,

898
00:42:50,760 --> 00:42:52,040
Speaker 1: to enjoy the shrimp.

899
00:42:51,960 --> 00:42:53,799
Speaker 2: And then Lane Michaels from Maybe c.

900
00:42:54,040 --> 00:42:57,040
Speaker 1: Gets out that was a water bottle of my pants.

901
00:42:57,160 --> 00:42:58,280
Speaker 2: That's not his wife.

902
00:42:58,600 --> 00:43:00,239
Speaker 3: Well, his wife was Rita, Yeah, but.

903
00:43:00,239 --> 00:43:02,600
Speaker 2: We probably couldn't get her for that day, but could

904
00:43:02,640 --> 00:43:05,359
Speaker 2: have been associate. It could have been an associate. But

905
00:43:05,440 --> 00:43:07,719
Speaker 2: I got a vibe of stage going on.

906
00:43:07,800 --> 00:43:09,799
Speaker 1: Okay, and Larry starts with me, that was a water

907
00:43:09,800 --> 00:43:13,480
Speaker 1: bottle in my pants. So we're revisiting everything that happened.

908
00:43:14,000 --> 00:43:17,760
Speaker 2: But then he actually yells at him something insulting after

909
00:43:17,800 --> 00:43:20,600
Speaker 2: he's made his case and they're ignoring. Oh, why don't

910
00:43:20,600 --> 00:43:22,759
Speaker 2: you I forget what the cutdown was. Why don't you

911
00:43:22,840 --> 00:43:26,320
Speaker 2: tell people that you're the lame Lane Michaelson or whatever.

912
00:43:26,800 --> 00:43:29,839
Speaker 1: And then the CBS people come out and then he's

913
00:43:29,920 --> 00:43:32,280
Speaker 1: it's a long story. I was helping a workingman again

914
00:43:32,320 --> 00:43:34,919
Speaker 1: with the workingman working man, and then we just see

915
00:43:34,960 --> 00:43:36,040
Speaker 1: him pacing back.

916
00:43:35,880 --> 00:43:38,520
Speaker 3: And forth, and that's it. Yeah, I mean, it's a

917
00:43:38,560 --> 00:43:39,200
Speaker 3: great episode.

918
00:43:39,320 --> 00:43:42,520
Speaker 2: Yeah, but because it's the finale, he has just killed

919
00:43:42,800 --> 00:43:47,000
Speaker 2: the CBS deal, that's course, and she mumbles and I

920
00:43:47,040 --> 00:43:49,640
Speaker 2: hear it in the mix, she mumbles like something I'll

921
00:43:49,640 --> 00:43:53,040
Speaker 2: never work with that guy or something something like that. Yeah,

922
00:43:53,160 --> 00:43:56,279
Speaker 2: by the way, that's a perfect moment for you know, the.

923
00:43:56,840 --> 00:43:59,640
Speaker 1: And it was it was season two, but season one

924
00:43:59,640 --> 00:44:02,200
Speaker 1: didn't wrap up in quite the same way, so it

925
00:44:02,239 --> 00:44:04,120
Speaker 1: was the beginning of the wrap up.

926
00:44:04,440 --> 00:44:07,759
Speaker 2: No, but it was the beginning of arcs right then

927
00:44:07,880 --> 00:44:10,759
Speaker 2: that episode, because the next season is an arc. So

928
00:44:10,920 --> 00:44:13,959
Speaker 2: that episode sort of set a tone for the way

929
00:44:14,040 --> 00:44:14,920
Speaker 2: the show is about.

930
00:44:15,120 --> 00:44:17,440
Speaker 3: This season had somewhat of an arc with the Julius.

931
00:44:17,840 --> 00:44:20,480
Speaker 2: But by the way, yes, we've had one episode that

932
00:44:20,560 --> 00:44:23,839
Speaker 2: I remember, which is my favorite all time episode, Wandering Bear,

933
00:44:24,480 --> 00:44:28,560
Speaker 2: where it's a self contained episode the reason before, but

934
00:44:28,680 --> 00:44:31,719
Speaker 2: we've not done it before or since we started doing

935
00:44:31,760 --> 00:44:34,239
Speaker 2: the storylines where there's a what.

936
00:44:34,320 --> 00:44:37,319
Speaker 3: Was episode Palestinian Chicken was a standalone?

937
00:44:37,320 --> 00:44:41,200
Speaker 2: What season was that? That was season in the picture?

938
00:44:41,640 --> 00:44:43,920
Speaker 3: The season eight was the New York and you know

939
00:44:43,960 --> 00:44:44,400
Speaker 3: all of that.

940
00:44:44,440 --> 00:44:46,719
Speaker 1: There were several you'll see as we move along in

941
00:44:46,840 --> 00:44:49,600
Speaker 1: several seasons, there's this, by the way, to stand alone.

942
00:44:49,840 --> 00:44:51,680
Speaker 2: You know better than I do, and I'm not saying

943
00:44:51,719 --> 00:44:55,160
Speaker 2: that's arcas not wrong. No, by the way, you're almost

944
00:44:55,200 --> 00:44:58,600
Speaker 2: always right. Oh, I gotta tell this story before we go,

945
00:44:59,040 --> 00:45:02,640
Speaker 2: so it's fact. And I'm not exaggerating when I say

946
00:45:02,920 --> 00:45:05,120
Speaker 2: Larry and I have made at least thirty bets with

947
00:45:05,160 --> 00:45:07,160
Speaker 2: each other, and he's made some with Jeff Shaffer, because

948
00:45:07,200 --> 00:45:10,080
Speaker 2: Jeff Shaffer was there going I'm not touching that, meaning

949
00:45:10,360 --> 00:45:12,680
Speaker 2: I've never won a bet with Larry. No, no, no,

950
00:45:12,880 --> 00:45:15,759
Speaker 2: I have never won. Well, we're talking. I'm not gonna

951
00:45:15,760 --> 00:45:18,960
Speaker 2: say what we were talking about. But he said something that

952
00:45:19,000 --> 00:45:22,440
Speaker 2: I damn well knew was wrong, but having lost every

953
00:45:22,480 --> 00:45:25,200
Speaker 2: bet to him, Jeff and I laughed because he said

954
00:45:25,200 --> 00:45:27,120
Speaker 2: to Jeff, I'll bet you a thousand dollars. I want

955
00:45:27,120 --> 00:45:28,799
Speaker 2: none of it. And then he said to me, and

956
00:45:28,800 --> 00:45:30,600
Speaker 2: I go, no, I'm not betting you, but I know

957
00:45:30,680 --> 00:45:33,520
Speaker 2: I'm right, and I'll be by gone. I was right.

958
00:45:34,000 --> 00:45:38,000
Speaker 2: I was so right. Well by the way he wrote me, going,

959
00:45:38,480 --> 00:45:41,759
Speaker 2: it's too bad, Yes, you are right, it's too bad

960
00:45:41,760 --> 00:45:44,520
Speaker 2: you didn't make the bet. So I'm back to like,

961
00:45:44,600 --> 00:45:47,279
Speaker 2: oh and thirty with him. That one doesn't count. That's

962
00:45:47,280 --> 00:45:50,640
Speaker 2: an almost that's like being a golfer and losing by

963
00:45:50,680 --> 00:45:53,640
Speaker 2: a stroke. There you go, by the way. You know,

964
00:45:53,920 --> 00:45:57,080
Speaker 2: when I tell these things, you give me at my response,

965
00:45:57,120 --> 00:45:58,080
Speaker 2: what do you want me to say?

966
00:45:58,440 --> 00:45:59,879
Speaker 3: Oh, that's fascinating, But.

967
00:46:00,200 --> 00:46:04,000
Speaker 2: Feigning interest is just so insulting. You will look on

968
00:46:04,080 --> 00:46:05,719
Speaker 2: your face of like, all right, I'll put up with this.

969
00:46:06,040 --> 00:46:08,560
Speaker 2: We've done the show, where we've done the show. We

970
00:46:08,600 --> 00:46:11,560
Speaker 2: love each other, just know that, all right, Thank you.

971
00:46:18,760 --> 00:46:21,160
Speaker 2: The history of carm Your Enthusiasm is the production of

972
00:46:21,239 --> 00:46:24,879
Speaker 2: iHeart Radio. For more podcasts from iHeart Radio, visit

973
00:46:24,960 --> 00:46:28,400
Speaker 1: The iHeart Radio Apple Podcasts, or wherever you listen to

974
00:46:28,440 --> 00:46:29,280
Speaker 1: your favorite shows.