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Speaker 1: Rory maul four Whole City Tour. We'll be in Toronto

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Speaker 1: on October twelfth, Los Angeles on November fifth, London November seventeenth,

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Speaker 1: and back in New York City December one. Get your

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Speaker 1: tickets now new roymol dot com. These are exclusive tortis

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Speaker 1: that will only be available at our live shows this year.

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Speaker 1: We also have our regular merch available as well there,

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Speaker 1: but if you come to our shows, you get this

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Speaker 1: shirt only at the show, and your girl boy or

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Speaker 1: they can all walk with their hips like that in

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Speaker 1: the shirt.

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Speaker 2: Limited edition.

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Speaker 3: No, well, someone's there, tell Ryan mal that their show

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Speaker 3: is like not it at all, Mike, It's so cringe

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Speaker 3: listening Tori like be the choken like is like trash

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Speaker 3: Bilber impression like Aaron, I mean, mall like with like

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Speaker 3: the fat vegan stuff like okay, no, like you can't

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Speaker 3: be a fat vegan.

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Speaker 4: It's just like no, Julin't.

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Speaker 3: I mean he's fine, but like like I'd much rather

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Speaker 3: look at Julian than listen to him talk that like

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Speaker 3: this weird drawing out like draggy like a hipster like ah.

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Speaker 5: Like who kiss the fuck? And Demaras just wants to

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Speaker 5: be liked.

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Speaker 2: She just really wants to be liked.

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Speaker 3: Ye, what has been a likeable light black woman that

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Speaker 3: like actually gotten anyone?

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Speaker 6: Suck?

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Speaker 5: Yeah, the voice is a little like.

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Speaker 3: I'm sorry, you guys are cool, but the Rorrian Mall

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Speaker 3: show fucking sucks.

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Speaker 1: That was our sister in christ, Zilia Banks, giving us

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Speaker 1: some encouragement to get this podcast. I'll start it off right. Yeah,

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Speaker 1: oh man, thanks to Celia. Sometimes you just need like

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Speaker 1: some encouragement. Yeah, look yourself in the mirror and get

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Speaker 1: an honest opinion, And what a better one from a

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Speaker 1: Zilia Bank.

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Speaker 7: Seems to be a lot of opinions, uh, floating around.

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Speaker 7: It's funny how honest opinions can have, like, ah, the

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Speaker 7: effect that you don't want it to have. Yeah, why

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Speaker 7: why are people mad at honest opinions?

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Speaker 1: Well, I'm not mad at honest opinions. I'm just confused

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Speaker 1: sometimes if the show is trash, why did you want

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Speaker 1: to come on here and plug your products? I'm asking

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Speaker 1: this simple question because I like Aazilia Banks and I

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Speaker 1: laughed at that. I even put a little heart on

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Speaker 1: it on the story.

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Speaker 4: On the story. You put heart in the story because.

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Speaker 1: Azili has done this a bunch of times, like this

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Speaker 1: is nothing in my life. I just found it kind

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Speaker 1: of funny. Ed, how do you feel that you got

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Speaker 1: left off to control of this?

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Speaker 2: She knew better, That's what I'm going to say.

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Speaker 1: I think, Yeah, I think that's what it is.

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Speaker 4: She knew better.

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Speaker 1: Maybe next year you'll be yea year. Yeah, now you

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Speaker 1: know I felt with the but thank you for the box,

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Speaker 1: young Miami.

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Speaker 8: I got a compliment that was nice.

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Speaker 1: I mean, I guess, Julia, well, how are you feeling?

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Speaker 1: How did you feel about the rent? Do you feel inspired?

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Speaker 2: Being a fake?

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Speaker 1: You feel like you want to give the craziest takes

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Speaker 1: of all time?

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Speaker 4: Now?

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Speaker 6: Yeah?

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Speaker 7: Yeah, like I want to totally just disrespect people in

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Speaker 7: their craft for no reason.

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Speaker 8: Okay, Yeah, she says, you've been eating meat and piece

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Speaker 8: and it's all the sugar.

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Speaker 6: You're being quiet and.

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Speaker 7: They're going crazy on like me, just down in bottles

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Speaker 7: of honey.

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Speaker 1: And ship like.

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Speaker 6: Honey.

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Speaker 7: Yeah, just drink honey. I can't stop drinking it. And

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Speaker 7: animal products, just eating fucking just loads wonder bread and

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Speaker 7: ship like that.

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Speaker 5: Wonder bread is sick. You make so much money?

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Speaker 1: Are all vegan skinny?

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Speaker 6: Though? I don't know?

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Speaker 7: Listen, man, you know people you know you know, I

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Speaker 7: don't know, man, people, it's just a weird time in

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Speaker 7: the world. A lot of people are dealing with ship

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Speaker 7: And because you have a phone in your hand and

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Speaker 7: can upload to social media and people can hear things,

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Speaker 7: that's like an outlet. So it's like, you know, sometimes

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Speaker 7: you're just the subject of an outlet. I'm not mad

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Speaker 7: at it. You know, she said what she said. I mean,

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Speaker 7: you know, continue prayers to her and hopefully she's okay.

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Speaker 1: And you know, I thought maybe you would leave like

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Speaker 1: a really long paragraph on one of her photos.

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Speaker 2: Yeah, I can't.

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Speaker 7: I don't when I don't know. I'm a little older

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Speaker 7: than y'all. Man, I can't get into it. I can't

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Speaker 7: go back and I don't go back and forth with

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Speaker 7: anybody on the internet. But you gotta shoot, I definitely

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Speaker 7: can't go back and forth with anybody. No, I can't

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Speaker 7: go back and forth with women.

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Speaker 1: I can't do that over there's only one exception for you,

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Speaker 1: Michael Jeffrey Jordan. That's the only time you'll go back

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Speaker 1: and forth in the internet.

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Speaker 8: Yeah, but even that's not with women. That's always with like, yeah,

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Speaker 8: that's drama.

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Speaker 7: That's with a bunch of like, well, yeah, drama and lake,

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Speaker 7: But I mean, you just can't. I'm at a disadvantage

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Speaker 7: a lot of times, man, because I can't jump out

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Speaker 7: of who I am just because I have a show

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Speaker 7: and I'm not a kid. This is not a character.

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Speaker 1: I'm not well, I'm indifferent with the whole. You can't

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Speaker 1: go back and forth with a woman. I think it's

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Speaker 1: weird when men get really loud and disrespectful when they're

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Speaker 1: having a war of words with women. I think that's

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Speaker 1: my behavior. But I think you're allowed to engage in

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Speaker 1: a disagreement with a woman respectfully.

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Speaker 6: Yeah.

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Speaker 7: I mean, she gave her opinion on you know, the

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Speaker 7: show on us, and you know, I mean cool, listen,

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Speaker 7: that's your opinion. I'm not great, you know, I'm just

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Speaker 7: I go further than that. It's it's glad to see

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Speaker 7: your okay, I guess. And you know, still still Azilia.

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Speaker 1: Yeah, still like some of the products that you get us.

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Speaker 7: Yeah, like you know some of the socials dope that

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Speaker 7: I could be a rapper copy but she you know, listen, man,

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Speaker 7: it's all love? Is it from me?

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Speaker 6: Yeah? Is it?

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Speaker 7: I mean from from my end?

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Speaker 6: It's all love.

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Speaker 7: I find love, meaning like I wish you the best.

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Speaker 7: I want to see you do well. I want to

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Speaker 7: see you happy, I want to see you healthy. I

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Speaker 7: want to see you achieving all the dreams and aspirations

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Speaker 7: you have. Whatever you're selling, whatever you're creating, whatever you feel.

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Speaker 7: You know, that is love love, I mean success.

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Speaker 1: It's all nothing with me.

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Speaker 4: I don't.

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Speaker 1: I don't care the way Yeah, yeah, I don't know.

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Speaker 1: I'm not not negatively, not positively.

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Speaker 7: I simply I didn't even I didn't even hear it

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Speaker 7: until y'all played it for me. I don't think that

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Speaker 7: ship doesn't even reach my radar. I just don't pay

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Speaker 7: attention to a lot of the ads.

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Speaker 4: You muted her stories.

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Speaker 7: No, I just don't.

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Speaker 6: I don't.

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Speaker 7: I really don't pay attention to a lot of the ship, bro.

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Speaker 7: Like I really, it's just a bunch of it's just weird,

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Speaker 7: like people because somebody says something somewhere else and now

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Speaker 7: they're popping in the algorithms. Now somebody's gonna say something

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Speaker 7: about you to get in that algorithm. It's like, I

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Speaker 7: don't play the algorithm game, bro, Like you know what

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Speaker 7: I'm saying.

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Speaker 4: I just don't.

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Speaker 7: That's just weird to me, Like that's like going outside

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Speaker 7: and like people fighting and then you go outside and

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Speaker 7: throw a water bloom. It's like, yo, you could have

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Speaker 7: stayed your bitch ass in the house.

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Speaker 2: If it don't that is that what that correlated to?

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Speaker 7: Like, it's like, yeah, what he's saying, you want somebody

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Speaker 7: to turn and pay you attention and then come fight you.

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Speaker 7: And it's like, I'm not gonna be the one that

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Speaker 7: you know what I'm saying, Like that shit is crazy.

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Speaker 7: It's weird, bro, It's like a lot of weird shit

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Speaker 7: going on. But and then the thing is I always

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Speaker 7: notice is once all of this weird shit is over,

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Speaker 7: you go back and look at it and be like,

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Speaker 7: why did I entertain that shit?

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Speaker 6: Oh?

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Speaker 1: That always happens.

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Speaker 7: So that's why I learned from that. And I don't

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Speaker 7: entertain the ship in the moment, like it's in a moment,

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Speaker 7: it's current, your the algorithms is pop and no no,

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Speaker 7: And then two weeks later you like that was corny

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Speaker 7: as fuck? Why the fuck did I even jump in

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Speaker 7: that ship? I mean, like, I just can't do shit

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Speaker 7: for the moment. But I'm not one of those for

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Speaker 7: the moment niggas, Like I just I cannot do that well.

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Speaker 1: Critiques and exchanges and sensitivity was the theme of this weekend.

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Speaker 1: I feel like yo, so we fit right into the too,

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Speaker 1: the algorithm thanks to Azilia.

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Speaker 7: Listen what happened? What happened to the times when niggas

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Speaker 7: just listen to music and just enjoyed it or didn't

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Speaker 7: like it. There was a time like, do you know

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Speaker 7: how many people called my phone and threatened me that

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Speaker 7: I better not like this Drake album That's funny, mind

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Speaker 7: you and mind you. I didn't even I didn't listen

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Speaker 7: to the album until Saturday night. Wow, Like didn't hear

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Speaker 7: anything like you had hit me? And I was like, yo, bro,

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Speaker 7: I didn't even listen.

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Speaker 1: I wasn't one of the people that threatened you not to.

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Speaker 7: No, no, no.

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Speaker 1: I was actually hoping you would come in here and

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Speaker 1: love it so we could have somewhat of a debate.

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Speaker 7: But well, back to that word love.

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Speaker 2: Love is a strong word.

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Speaker 7: Love is a strong word. But I will say this

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Speaker 7: after Saturday when I listened to it, Are we gonna

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Speaker 7: get into it now? You want to just get right

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Speaker 7: into it? We can, all right, we can't. I also

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Speaker 7: want to hear about the people that threaten you not

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Speaker 7: to like it though.

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Speaker 1: I mean, no, it's what I like. No, it wasn't.

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Speaker 4: It wasn't.

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Speaker 7: It wasn't that type of threat. It was more so like, Yo,

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Speaker 7: I know you ain't. You ain't feeling this ship. There's

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Speaker 7: no way you. I know that's your boy, but you

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Speaker 7: ain't feeling. And I'm like, bro, I haven't even listened yet. Well,

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Speaker 7: first of all, niggas was niggas set alarms to wake

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Speaker 7: up at six am.

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Speaker 2: That's crazy.

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Speaker 9: You gotta say, niggas, just say peg and Julian No, no, no, no,

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Speaker 9: I know you texted me at six thirty in the morning.

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Speaker 7: I know I know a lot of people that really

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Speaker 7: woke up to download. I'm like, there's no way I'm

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Speaker 7: waking the best six am to listen to anybody. Y,

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Speaker 7: I'm not. So it was like that, I'm not doing that.

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Speaker 7: And then I go back to you know when when

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Speaker 7: when when honestly, never Mind came out and we were

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Speaker 7: in Mexico, people going crazy, I hate this ship. This

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Speaker 7: is trash and I'm just like, yo, it just came

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Speaker 7: out four hours ago.

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Speaker 2: It hasn't even been a weekend.

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Speaker 7: Like you know what I'm saying. So It's like, I

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Speaker 7: just don't remember when that was. Like, I know, we

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Speaker 7: in the reactive time, and everybody wants to be the

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Speaker 7: first to say something, and you know, everybody wants to

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Speaker 7: be the first to say, oh, this is trash. And

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Speaker 7: if you don't say it's trash, that made you pandering

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Speaker 7: because you going to Toronto this week and you ain't

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Speaker 7: trying to I'm just like, I didn't even listen to

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Speaker 7: that album yet, Like, what the fuck are y'all?

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Speaker 1: I'm already scared of the sixth Yeah.

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Speaker 7: I'm like, yo, what are you talking about? Like I

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Speaker 7: have nothing, like there's nothing to talk about.

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Speaker 1: Well, before we get into the album, you would know

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Speaker 1: better than me, because for the most part, I did

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Speaker 1: grow up in the social media age to some degree

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Speaker 1: with my Space. Yeah, Facebook, people still gave music opinions

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Speaker 1: pretty quickly on there, But the time I remember before that,

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Speaker 1: I felt like we ran to the CD store and

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Speaker 1: gave an opinion pretty quickly. It changed because you're also

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Speaker 1: forced to listen to it because you have to carry

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Speaker 1: out a big as CD booklet and sometimes you were

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Speaker 1: just with that album no matter what. And yeah, it's

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Speaker 1: drew to like things better. But I've there still was

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Speaker 1: that in the era before us that people reacted quickly.

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Speaker 1: It was in barbershop outside, whether it's at school, it

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Speaker 1: was lunch.

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Speaker 7: People are hours though. That's but it's changing.

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Speaker 4: It's just not at that time had a megaphone.

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Speaker 7: It's just that's what it is. Everybody, you can hear it.

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Speaker 7: They have a platform. Everybody feels like they have a voice.

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Speaker 7: Everybody feels and they do want to go No, they

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Speaker 7: do not.

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Speaker 4: It's not a feel. Heybody does not have social media.

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Speaker 4: You have a voice.

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Speaker 7: That's that's not true.

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Speaker 1: I feel like a meme killed Chances album for sure,

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Speaker 1: that I Love my Wife video meme shit. I felt

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Speaker 1: like that killed his rollout pretty quickly. I mean job

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Speaker 1: and that was probably that was from a nobody. It

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Speaker 1: just went viral. So like I kind of feel what

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Speaker 1: Julian is saying. These people know they don't have a

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Speaker 1: voice or even probably have the background to accurately try

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Speaker 1: to critique something. They're usually just doing it so they

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Speaker 1: can go viral. But they have a voice and somewhat

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Speaker 1: of an impact for people that look at social media

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Speaker 1: for their opinions.

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Speaker 7: I'm gonna say something funny. I remember one time it's

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Speaker 7: somebody's album at drop. I'm not gonna say a dude's name.

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Speaker 7: And then somebody went on social media and it was like,

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Speaker 7: this album is fucking terrible. So I hit them. I'm like, damn,

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Speaker 7: it's whack. He said, Bro, I didn't even listen yet.

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Speaker 7: I'm just trying to start a fire online.

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Speaker 4: I believe it.

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Speaker 7: But this is somebody that people would probably be like, yo,

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Speaker 7: they have good tastes of music. Yeah, you understand what

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Speaker 7: I'm saying. So when that happened, I'm like, I wonder

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Speaker 7: how many other people do this?

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Speaker 1: A lot of people do that, because.

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Speaker 7: I could have easily went on Twitter and been like,

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Speaker 7: I don't know, bro, this is kind of shaky and

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Speaker 7: I didn't even listen to the album yet, you understand

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Speaker 7: what I'm saying, and that would have gained some traction.

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Speaker 7: People would have been jacking it like yeah, this shit.

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Speaker 7: So I know that that happens a lot because I've

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Speaker 7: seen people do it. I've seen people say this album

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Speaker 7: is whack and they didn't even hit the album. It's like, yo,

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Speaker 7: you just the album just came out three hours ago,

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Speaker 7: Like have you even like brushed your teeth yet, Like

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Speaker 7: it's just a lot of weird shit, but I get it.

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Speaker 7: And at the same time, art is to be critiqued.

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Speaker 7: If you're a consumer and you purchase something, and you

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Speaker 7: buy something, you have the freedom in the right to

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Speaker 7: say I like it, I don't whether it's clothes, whether

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Speaker 7: it's sneakers, whether it's food. Like if I order something,

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Speaker 7: I buy it, I don't like it. I have the

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Speaker 7: writ and freedom to say that. That's another thing. So

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Speaker 7: I don't want people to feel like, you know, they

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Speaker 7: can't have their opinion on music, have an opinion on

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Speaker 7: whatever you purchase and whatever you consume, but at the

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Speaker 7: same time, understand what you're listening to understand how long

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Speaker 7: it took. It's just it's fucked up because it's like

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Speaker 7: somebody that took a year and a half to create

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Speaker 7: this art and twenty minutes it can be shit it on.

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Speaker 1: I feel like the hype around music is just not

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Speaker 1: what it used to be. So I enjoyed watching a

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Speaker 1: bunch of people get hype and set their alarm.

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Speaker 7: It brought us, It brought us together for better or worse.

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Speaker 1: Yeah, I mean I did like that.

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Speaker 4: I did not like marriage.

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Speaker 1: I didn't wake up at six a m. But I

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Speaker 1: thought it was cool that Drake got that many people

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Speaker 1: to want to do that for music.

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Speaker 6: I got it.

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Speaker 1: That doesn't happen that often.

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Speaker 7: I laughed all Friday reading tweets and you got up

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Speaker 7: at six am.

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Speaker 4: You slept in like you're knocked at Nike Tech.

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Speaker 7: Fucking I was sleep. I wouldn't know what was that

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Speaker 7: When I woke up and we had war Brake album

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Speaker 7: Drive was all kind of shit going on. All I'm like, well,

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Speaker 7: I got some good sleep listen. But I will say

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Speaker 7: that it was entertaining to see people on social media

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Speaker 7: go back and forth about the album on Friday, and

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Speaker 7: you know, have their opinions, like seeing a lot of

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Speaker 7: funny tweets. But let's get to it. So where do

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Speaker 7: you stand on it? Well? Do you still stand where

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Speaker 7: you stand it? Friday or Friday?

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Speaker 6: When?

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Speaker 2: What did you listen to it?

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Speaker 1: I listened to it on six thirty no Friday, six

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Speaker 1: thirty one, around noon or something, and I listened to

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Speaker 1: it throughout the weekend that.

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Speaker 4: He said let's new it around. I got to it

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Speaker 4: around one.

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Speaker 1: I mean I had stuff to do, like fucking hell,

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Speaker 1: all right, wait, first of all, when I wake up

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Speaker 1: on Fridays, regardless. You just always go to new music

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Speaker 1: and like it doesn't it's not just Drake.

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Speaker 2: You just sound like you were a little better than

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Speaker 2: us for a moment. Yeah, and it was only like

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Speaker 2: six hours.

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Speaker 1: I'm one better than you. Guys were setting your alarm

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Speaker 1: at six am.

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Speaker 2: I didn't send my alarm.

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Speaker 1: I did I feel like I'm better.

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Speaker 4: I didn't.

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Speaker 8: I wake up at seven to go to the gym

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Speaker 8: by seven thirty.

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Speaker 4: So when it was up, the album was out, I

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Speaker 4: played it at the gym.

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Speaker 8: It's not really a gym music, so it didn't really

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Speaker 8: hit that.

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Speaker 4: That's cool.

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Speaker 1: My first my first first take off, the first listen

356
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Speaker 1: was wow, that kind of took some effort to get through.

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Speaker 1: And I know that sounds very negative, but I don't

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Speaker 1: mean it in that that negative of way. But it

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Speaker 1: was surprising because it was the first Drake album that's

360
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Speaker 1: ever felt somewhat like a chore to finish. And yeah,

361
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Speaker 1: it's it's long as fuck, Paul's it's just too many

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Speaker 1: fucking records, Like I can't even go back, because you know,

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Speaker 1: most Drake albums do get better with time, like they

364
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Speaker 1: age pretty well, and it takes a few listeners to

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Speaker 1: really get into them, I don't know where to go

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Speaker 1: go back. It's like an hour and a half and

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Speaker 1: the middle drags so much that if you just trim

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Speaker 1: the fat, I don't think there's a terrible album here

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Speaker 1: at all. Do you like love Boy? Yes, but I

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Speaker 1: gave a critique of certified lovel Boy. This makes certified

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Speaker 1: lover Boy look like thriller. That's sick.

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Speaker 7: Well, I only actually that could certify love a Boy

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Speaker 7: is the same amount of tracks.

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Speaker 1: It didn't feel like it trag. And here's the thing,

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Speaker 1: like there is there is great records on here, but

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Speaker 1: there's so many like duplicates, and I don't know. Maybe

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Speaker 1: that could change. The more I listened to it, I

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Speaker 1: could get into some of the records, but especially from

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Speaker 1: like seven nine to six nine, I love love it.

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Speaker 7: Wait you don't like nothing before that?

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Speaker 1: No, no, no, I'm gonna get that I was saying, starting

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Speaker 1: at starting at number seven was number eight is where

383
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Speaker 1: the album started to decline for me, not in quality

384
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Speaker 1: of music, it just drags. Like if you listen like

385
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Speaker 1: if you listen to Tried Our Best on its own,

386
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Speaker 1: firefucking great, fucking record, but when you sandwich it with slim,

387
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Speaker 1: you out Bahama Promises Screw the World interlude, which is

388
00:16:05,320 --> 00:16:12,440
Speaker 1: dope but so unnecessary. Drew Picasso members only, I Am asleep. Individually,

389
00:16:12,480 --> 00:16:14,800
Speaker 1: they are good records, but you got to take out

390
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Speaker 1: Screw the World. It's pointless.

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Speaker 4: Yeah, that didn't make any sense.

392
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Speaker 1: Bahama promises is cool. That would be like a cool

393
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Speaker 1: lucy for Drake on SoundCloud. Yeah, pointless in this album,

394
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Speaker 1: Like you should just focus on the same ppms, but

395
00:16:27,640 --> 00:16:29,600
Speaker 1: the better records you don't need. Bahama promises, you have

396
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Speaker 1: tried our best. What uh roy Well that members only?

397
00:16:32,240 --> 00:16:33,920
Speaker 1: Why why would you need all these other ones?

398
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Speaker 4: What record? Did he introduce the radio part?

399
00:16:36,560 --> 00:16:39,360
Speaker 8: Because we discussed that that it just seemed like he

400
00:16:39,480 --> 00:16:43,320
Speaker 8: was mixing creative ideas in halfway through the album introduced

401
00:16:43,320 --> 00:16:45,400
Speaker 8: a radio station that didn't exist prior.

402
00:16:45,160 --> 00:16:47,680
Speaker 1: To It was odd. Either commit to the radio theme or.

403
00:16:48,120 --> 00:16:50,200
Speaker 8: He started the radio part at seven nine to six nine,

404
00:16:50,400 --> 00:16:53,840
Speaker 8: which is what seven records in eight records in Why

405
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Speaker 8: was that the beginning of the radio station.

406
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Speaker 1: It was just confusing and I either don't have it

407
00:17:00,240 --> 00:17:03,560
Speaker 1: or commit to every other record having somewhat of that

408
00:17:03,680 --> 00:17:05,400
Speaker 1: radio theme to get into the next.

409
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Speaker 7: So are you saying that you don't like the songs.

410
00:17:07,800 --> 00:17:10,560
Speaker 7: You don't like the structure, you don't like the sequencing,

411
00:17:10,680 --> 00:17:13,880
Speaker 7: you don't like the it's the direction of the album.

412
00:17:14,000 --> 00:17:16,080
Speaker 7: You don't like the like what are you saying?

413
00:17:16,960 --> 00:17:21,359
Speaker 1: It's too many records that sound too similar? Like it

414
00:17:21,520 --> 00:17:23,320
Speaker 1: just it dragged to the point where you can get

415
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Speaker 1: rid of almost half of these and have a pretty

416
00:17:27,560 --> 00:17:30,679
Speaker 1: decent album. Yeah, it's just like, dude, you don't need

417
00:17:30,720 --> 00:17:33,119
Speaker 1: Fear of Heights. You don't need Fear of Heights at all.

418
00:17:33,200 --> 00:17:36,280
Speaker 1: You don't need the Yeat record Maama Promises threw the world,

419
00:17:36,880 --> 00:17:38,000
Speaker 1: all the parties.

420
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Speaker 7: You don't worry dis Rihanna. Would you like that record?

421
00:17:42,400 --> 00:17:42,560
Speaker 4: No?

422
00:17:44,240 --> 00:17:46,639
Speaker 1: I thought the anti flip, like, I see what he

423
00:17:46,680 --> 00:17:49,199
Speaker 1: was trying to do. And you can have your opinions

424
00:17:49,240 --> 00:17:50,880
Speaker 1: on if it was mature, if it was corny, or

425
00:17:51,080 --> 00:17:54,840
Speaker 1: if Rocky needs to you know, see Drake. That's that's you.

426
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Speaker 1: Guys can decide on that. I just didn't like the flip.

427
00:17:57,080 --> 00:17:58,720
Speaker 1: I just thought it was just a bad flip.

428
00:18:00,000 --> 00:18:00,840
Speaker 7: So you didn't like the song.

429
00:18:00,960 --> 00:18:03,320
Speaker 1: No, I don't like that song. Okay, all the parties

430
00:18:03,320 --> 00:18:06,399
Speaker 1: can go BBL love can go gently. I get it.

431
00:18:06,520 --> 00:18:07,680
Speaker 7: You don't like BBL love.

432
00:18:08,720 --> 00:18:12,320
Speaker 1: I never wanted to know if they loved Fred like

433
00:18:12,359 --> 00:18:15,120
Speaker 1: they loved Drake, or love ed like they love Drake,

434
00:18:15,280 --> 00:18:17,200
Speaker 1: or love Greg like they love Drake, or love said

435
00:18:17,240 --> 00:18:17,840
Speaker 1: like they love Drake.

436
00:18:17,880 --> 00:18:20,160
Speaker 7: All right, that's one part of the song. What about

437
00:18:20,160 --> 00:18:20,760
Speaker 7: the rest of it?

438
00:18:21,320 --> 00:18:25,040
Speaker 1: Unnecessary? I'm not saying it's terrible, but there's so many

439
00:18:25,040 --> 00:18:27,480
Speaker 1: other slower records on this album, Like, you don't need

440
00:18:27,560 --> 00:18:30,760
Speaker 1: fifteen slow records when you have five great ones, right,

441
00:18:31,640 --> 00:18:33,720
Speaker 1: A Polar Opposites, you could have just ended the album

442
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Speaker 1: away from Home.

443
00:18:34,480 --> 00:18:36,919
Speaker 5: Nah, you bugging, I'm not with you.

444
00:18:37,520 --> 00:18:40,359
Speaker 1: Par Opposite. It's not a bad song again, just unnecessary

445
00:18:40,400 --> 00:18:42,480
Speaker 1: in the scope of the album, Like there's ten other

446
00:18:42,520 --> 00:18:43,800
Speaker 1: records that sounded like Polar Opposite.

447
00:18:43,880 --> 00:18:46,400
Speaker 8: Yeah, it wasn't the usual go off on a beat

448
00:18:47,320 --> 00:18:49,879
Speaker 8: outro that we love from Drake so to that I

449
00:18:49,880 --> 00:18:51,680
Speaker 8: think it could we could do with that, because it didn't.

450
00:18:51,680 --> 00:18:53,480
Speaker 8: It didn't Stary's point didn't stand out.

451
00:18:53,640 --> 00:18:57,840
Speaker 1: And gently like again I get it, and it turned

452
00:18:57,880 --> 00:18:58,560
Speaker 1: out a bad bunny.

453
00:18:58,600 --> 00:19:00,720
Speaker 4: I don't think it was I and didn't like it.

454
00:19:00,760 --> 00:19:01,400
Speaker 4: That is not good.

455
00:19:01,480 --> 00:19:05,199
Speaker 1: I can't get his Manny Pacchio impression from the Espie's

456
00:19:05,200 --> 00:19:07,080
Speaker 1: out of my head. When I listened to that's like,

457
00:19:07,080 --> 00:19:10,080
Speaker 1: it sounds like the amazing parody he did for the Spies.

458
00:19:10,480 --> 00:19:14,880
Speaker 1: It sounds like a joke, So I did. I did

459
00:19:14,880 --> 00:19:17,080
Speaker 1: smoke that though, believe it or not. I think Rich

460
00:19:17,119 --> 00:19:17,919
Speaker 1: Baby Daddy.

461
00:19:17,680 --> 00:19:18,560
Speaker 4: Is fire fire song.

462
00:19:18,840 --> 00:19:21,720
Speaker 1: Think it's really good super As soon as I heard it,

463
00:19:21,760 --> 00:19:23,080
Speaker 1: I was like, themar's gonna love this shit?

464
00:19:23,240 --> 00:19:24,960
Speaker 2: What the fuck in my line?

465
00:19:25,119 --> 00:19:26,480
Speaker 4: You let your koochie breathe all weekend?

466
00:19:26,600 --> 00:19:27,040
Speaker 2: For Sure.

467
00:19:27,880 --> 00:19:29,919
Speaker 1: I don't mind calling for you with twenty one, but

468
00:19:30,040 --> 00:19:31,720
Speaker 1: I feel like Daylight is a better record and you

469
00:19:31,720 --> 00:19:34,639
Speaker 1: could just have Daylight there. I agree Virginia Beach or

470
00:19:34,680 --> 00:19:38,840
Speaker 1: Amen picked one dumb. I think a men could start

471
00:19:38,840 --> 00:19:42,080
Speaker 1: the album. I liked the Frank Ocean flip with Virginia Beach,

472
00:19:42,119 --> 00:19:45,080
Speaker 1: don't get me wrong, but I feel like it's not

473
00:19:45,119 --> 00:19:48,080
Speaker 1: necessary when Amen was way better and could have started

474
00:19:48,119 --> 00:19:50,639
Speaker 1: the album out. Teaso smoked, Tezo smoked. Everything he did

475
00:19:50,640 --> 00:19:53,560
Speaker 1: on for Sure to me was by far the biggest

476
00:19:53,600 --> 00:19:55,760
Speaker 1: highlight on here. I feel like Virginia's not a sexy

477
00:19:55,800 --> 00:20:00,400
Speaker 1: Red is the weakest drake opener of every album. Wait,

478
00:20:00,440 --> 00:20:03,800
Speaker 1: besides which one he said, Oh yeah, no, It definitely

479
00:20:03,800 --> 00:20:06,879
Speaker 1: the weakest by far. It doesn't even feel like an

480
00:20:06,960 --> 00:20:10,200
Speaker 1: intro per se. Maybe Virginia Beach would make better sense

481
00:20:10,200 --> 00:20:12,560
Speaker 1: somewhere else in the album. It just doesn't hit as

482
00:20:12,600 --> 00:20:13,960
Speaker 1: an intro, and I didn't really.

483
00:20:13,800 --> 00:20:15,960
Speaker 7: So what it sounds so what it sounds like to me,

484
00:20:16,200 --> 00:20:18,200
Speaker 7: which is probably one of the one of the things

485
00:20:18,240 --> 00:20:24,000
Speaker 7: that I took from it. I said, the sequencing to me,

486
00:20:25,000 --> 00:20:27,240
Speaker 7: could have been better, like I would have I would

487
00:20:27,240 --> 00:20:29,720
Speaker 7: have shuffled some of the songs around and just the

488
00:20:29,720 --> 00:20:34,720
Speaker 7: way it flowed. But surprisingly, I like the album. I

489
00:20:34,720 --> 00:20:37,040
Speaker 7: think the album is really good. Actually it's like out

490
00:20:37,040 --> 00:20:38,760
Speaker 7: of twenty one because it's two in the lude, so

491
00:20:38,960 --> 00:20:42,000
Speaker 7: twenty three tracks, twenty one songs. I like probably fifteen

492
00:20:42,040 --> 00:20:45,040
Speaker 7: of them. I like Virginia Beach, I like Amen with

493
00:20:45,040 --> 00:20:46,960
Speaker 7: Tizo's crazy. I like to call them for you record

494
00:20:47,240 --> 00:20:50,359
Speaker 7: Fifth Heights, I like Daylight was okay. First Person, Shooter

495
00:20:50,480 --> 00:20:52,840
Speaker 7: is crazy. I Don't give a fuck with Eat was okay.

496
00:20:52,880 --> 00:20:55,160
Speaker 7: Seven six nine to Me is crazy, Slim You Out.

497
00:20:55,520 --> 00:20:56,920
Speaker 7: I knew it was gonna sound good on the album.

498
00:20:56,920 --> 00:20:59,320
Speaker 7: I said it was an awkward Feach single. When they

499
00:20:59,320 --> 00:21:03,040
Speaker 7: put it out, Buhama promises to me, that's a classic

500
00:21:03,080 --> 00:21:06,200
Speaker 7: Drake sound whenever he could just go off on a beat,

501
00:21:06,240 --> 00:21:09,400
Speaker 7: tried our best to me is crazy. Drew A Picasto

502
00:21:09,440 --> 00:21:11,080
Speaker 7: to me is some of Drake's best bars.

503
00:21:11,400 --> 00:21:12,080
Speaker 1: It's a good record.

504
00:21:12,359 --> 00:21:17,200
Speaker 7: Drew A Picasto is fucking incredible. Members only Drake and

505
00:21:17,280 --> 00:21:19,800
Speaker 7: Party is Mike and Pittman. As far as I'm concerned

506
00:21:19,800 --> 00:21:22,000
Speaker 7: with the songs that they have together. Members only is

507
00:21:22,280 --> 00:21:24,919
Speaker 7: fucking crazy. What would Pluto do is crazy to me.

508
00:21:25,920 --> 00:21:29,400
Speaker 7: I like all the parties with Chief Keith, ADM and Charlotte.

509
00:21:29,600 --> 00:21:31,360
Speaker 7: We know how we feel about that BB. I love

510
00:21:31,440 --> 00:21:32,480
Speaker 7: the interlude. I liked it.

511
00:21:32,600 --> 00:21:36,680
Speaker 1: I have all the parties taken off in my track list.

512
00:21:36,960 --> 00:21:40,800
Speaker 1: Really I should go. It was I don't want to say,

513
00:21:40,800 --> 00:21:42,879
Speaker 1: a waste of a Chief Keith feature. But when I

514
00:21:42,960 --> 00:21:45,680
Speaker 1: saw Chief Keith, when he put out the track list,

515
00:21:46,400 --> 00:21:49,040
Speaker 1: that was the song I was probably the most excited about.

516
00:21:49,200 --> 00:21:52,200
Speaker 1: I think that's all we were gonna get, like a

517
00:21:52,480 --> 00:21:55,679
Speaker 1: up tempo, hard run. Hey listen. I'm never mad at

518
00:21:56,000 --> 00:21:58,560
Speaker 1: doing the opposite of what people are expecting, especially with

519
00:21:58,560 --> 00:22:01,359
Speaker 1: an artist like Chief Keith. But like he didn't, he

520
00:22:01,440 --> 00:22:05,040
Speaker 1: didn't give me what's on Jesus.

521
00:22:06,080 --> 00:22:08,960
Speaker 4: Oh yes, hold my liquor.

522
00:22:09,119 --> 00:22:12,480
Speaker 1: Hold my licks like the way Yeah used Chief Keith

523
00:22:12,480 --> 00:22:15,120
Speaker 1: in that regard is what I would have preferred Drake

524
00:22:15,160 --> 00:22:16,480
Speaker 1: to do if he was going to go that route,

525
00:22:16,480 --> 00:22:19,400
Speaker 1: and it just it was a how long was his verse?

526
00:22:19,480 --> 00:22:21,600
Speaker 1: Like fifteen seconds? If it didn't even feel like it

527
00:22:21,600 --> 00:22:22,240
Speaker 1: should have been.

528
00:22:22,160 --> 00:22:24,960
Speaker 7: There gently with Bad Bunny, I mean, we know what

529
00:22:24,960 --> 00:22:27,120
Speaker 7: that song is gonna do, but not on this project.

530
00:22:28,119 --> 00:22:30,520
Speaker 7: Rich Baby Daddy, we know what that's gonna do. Fire

531
00:22:31,400 --> 00:22:33,040
Speaker 7: another Late Night. I don't know how you don't like

532
00:22:33,080 --> 00:22:33,600
Speaker 7: that record.

533
00:22:33,880 --> 00:22:36,680
Speaker 1: It's cool, it's it's very God's planish.

534
00:22:37,400 --> 00:22:40,920
Speaker 7: Away from Home to me is crazy and pole opposites

535
00:22:40,960 --> 00:22:43,960
Speaker 7: are like. So I listened. I listened to the album

536
00:22:44,160 --> 00:22:47,240
Speaker 7: once I got Away from because when we got what

537
00:22:47,359 --> 00:22:50,520
Speaker 7: was the single, we got you Out? And then I

538
00:22:50,560 --> 00:22:51,960
Speaker 7: was like, first of all, when we heard it was

539
00:22:51,960 --> 00:22:54,080
Speaker 7: fall of Dogs. I remember me saying, like, yo, he

540
00:22:54,119 --> 00:22:57,000
Speaker 7: was gonna give us that all rap, that entire rap product,

541
00:22:57,040 --> 00:22:58,320
Speaker 7: even though he said he never would do it.

542
00:22:58,640 --> 00:23:00,760
Speaker 1: I thought this was it all His album's sense More

543
00:23:00,800 --> 00:23:02,480
Speaker 1: Life have kind of sounded like a playlist to me.

544
00:23:03,000 --> 00:23:06,080
Speaker 7: This but this one not only sounded like the way

545
00:23:06,119 --> 00:23:09,479
Speaker 7: it sequenced, it felt like a playlist as well. But

546
00:23:09,520 --> 00:23:12,440
Speaker 7: aside from that, I mean, I don't It's a lot

547
00:23:12,440 --> 00:23:13,879
Speaker 7: of good songs on here for me for you to

548
00:23:13,920 --> 00:23:16,119
Speaker 7: take and put on your own playlist. So I just

549
00:23:16,119 --> 00:23:18,840
Speaker 7: don't know what people I think people want it more rap,

550
00:23:18,880 --> 00:23:21,080
Speaker 7: and I can agree with that. I wanted more rap,

551
00:23:21,440 --> 00:23:24,879
Speaker 7: but Drew Picasso is a lot of rap. It's a

552
00:23:24,920 --> 00:23:27,000
Speaker 7: lot of other songs, ad M Charlotte, a lot of rap.

553
00:23:28,720 --> 00:23:33,679
Speaker 7: Away from Home, rapping, polar Opposites, rapping off. You scroll up,

554
00:23:33,720 --> 00:23:34,800
Speaker 7: I can see the rest of the names of the

555
00:23:35,160 --> 00:23:36,000
Speaker 7: what would Pluto do?

556
00:23:36,119 --> 00:23:36,239
Speaker 6: Like?

557
00:23:37,480 --> 00:23:39,800
Speaker 7: This is rapping on here Now. The music may be

558
00:23:39,920 --> 00:23:42,399
Speaker 7: a lot of keys and a lot of you know,

559
00:23:42,680 --> 00:23:44,600
Speaker 7: melodies and things like that to where it's like, but

560
00:23:44,680 --> 00:23:48,320
Speaker 7: that's still classic Drake rapping over Bahama's promises or tried

561
00:23:48,320 --> 00:23:50,359
Speaker 7: our best seven nine to six. And I don't know

562
00:23:50,359 --> 00:23:53,679
Speaker 7: how you don't like that. When Tizo got.

563
00:23:55,320 --> 00:23:58,760
Speaker 1: You weren't listening at first. I started saying may I

564
00:23:58,760 --> 00:24:02,640
Speaker 1: started saying seven nine to six, dumm.

565
00:24:04,640 --> 00:24:08,040
Speaker 7: Come man, that's hard. That's just music.

566
00:24:08,080 --> 00:24:08,240
Speaker 6: Man.

567
00:24:08,240 --> 00:24:10,159
Speaker 7: I like music, man, I get it. We want to

568
00:24:10,240 --> 00:24:12,440
Speaker 7: hit Drake? What you want to hear Drake on Alchemists?

569
00:24:12,440 --> 00:24:12,800
Speaker 4: Me too?

570
00:24:13,280 --> 00:24:14,920
Speaker 7: You want to hit Drake on a bunch of hard

571
00:24:14,960 --> 00:24:17,520
Speaker 7: hit boys joint me too. But at the end of

572
00:24:17,560 --> 00:24:19,000
Speaker 7: the day, this is good music. It's a lot of

573
00:24:19,040 --> 00:24:19,639
Speaker 7: good songs on it.

574
00:24:19,960 --> 00:24:22,399
Speaker 1: I mean, I didn't look at all the credits, but

575
00:24:22,480 --> 00:24:25,879
Speaker 1: this album felt like the album Forty may have had

576
00:24:25,920 --> 00:24:27,399
Speaker 1: the least to do with. And I don't know that

577
00:24:27,440 --> 00:24:28,960
Speaker 1: to be a fact that I could be completely wrong

578
00:24:29,040 --> 00:24:31,480
Speaker 1: and you could flood my mentions and say, look, Forty

579
00:24:31,480 --> 00:24:34,679
Speaker 1: did every song just saying feel listening to it, it

580
00:24:34,720 --> 00:24:38,320
Speaker 1: felt like this album was the least hands on Forty

581
00:24:39,040 --> 00:24:42,040
Speaker 1: has been. And I know it's very a lot of loops,

582
00:24:42,040 --> 00:24:45,440
Speaker 1: a lot of regular drums. Like so when you say, yeah,

583
00:24:45,440 --> 00:24:46,600
Speaker 1: of course I would love to hear Drake on all

584
00:24:46,640 --> 00:24:49,280
Speaker 1: his producers as well, I'll start by saying I would

585
00:24:49,320 --> 00:24:53,800
Speaker 1: love to hear Drake back on the regular forty EP

586
00:24:53,960 --> 00:24:58,120
Speaker 1: production like this didn't sound like Forty's mixing. It didn't

587
00:24:58,119 --> 00:25:01,000
Speaker 1: sound like his beats, Like it felt like Drake grabbed

588
00:25:01,000 --> 00:25:02,960
Speaker 1: a bunch of different beats from a bunch of different people.

589
00:25:02,960 --> 00:25:05,760
Speaker 1: And that's why it doesn't feel like an album. It

590
00:25:05,800 --> 00:25:07,479
Speaker 1: feels like a playlist. It feels like he was going

591
00:25:07,520 --> 00:25:09,880
Speaker 1: through beat packs. And I don't think I've ever heard

592
00:25:09,960 --> 00:25:11,800
Speaker 1: a Drake album that sounded like he was going through

593
00:25:11,800 --> 00:25:14,240
Speaker 1: beat packs. It sounded like he YouTube Drake type me.

594
00:25:14,359 --> 00:25:17,600
Speaker 7: It's you know because and this is another way I

595
00:25:17,640 --> 00:25:21,840
Speaker 7: listened to it. If a bunch of other artists had

596
00:25:22,200 --> 00:25:23,600
Speaker 7: any one of these songs on their.

597
00:25:23,480 --> 00:25:26,400
Speaker 10: Albums, niggas beyond it, this would be those songs, those

598
00:25:26,400 --> 00:25:28,800
Speaker 10: holding on, Hold on, Hold on, those songs would be

599
00:25:28,880 --> 00:25:30,639
Speaker 10: the standout songs on those albums.

600
00:25:30,720 --> 00:25:33,160
Speaker 7: Sure, so we're comparing Drake to Drake.

601
00:25:33,200 --> 00:25:35,760
Speaker 1: That's all we should do with the artists of his gallery, right.

602
00:25:35,800 --> 00:25:38,080
Speaker 7: So it's like, I understand that because we're comparing him.

603
00:25:38,080 --> 00:25:40,000
Speaker 7: He's one of the greatest everts. So we're comparing them

604
00:25:40,000 --> 00:25:42,200
Speaker 7: to his last efforts, to what we deem his most

605
00:25:42,240 --> 00:25:46,480
Speaker 7: classic projects. But at the same time, we gotta be fair,

606
00:25:47,160 --> 00:25:51,159
Speaker 7: like this is how many albums, how many years studio,

607
00:25:51,240 --> 00:25:55,320
Speaker 7: how many songs? Like I get it. I when I

608
00:25:55,400 --> 00:25:58,840
Speaker 7: heard for All the Dogs, I thought he was talking

609
00:25:58,880 --> 00:26:01,119
Speaker 7: to rat niggas like me, I say, yo, he's fine,

610
00:26:01,119 --> 00:26:03,040
Speaker 7: he's gonna he's gonna give us, he's gonna shut these

611
00:26:03,119 --> 00:26:05,520
Speaker 7: niggas up, saying he can't really wrap, which I don't

612
00:26:05,520 --> 00:26:07,560
Speaker 7: know how people still say that, but people say it,

613
00:26:07,920 --> 00:26:09,600
Speaker 7: and I'm like, this is gonna be the album.

614
00:26:10,119 --> 00:26:13,640
Speaker 9: I feel like that was y'all like project definitely projecting,

615
00:26:13,680 --> 00:26:16,320
Speaker 9: because when I heard that, I immediately thought about him dogging

616
00:26:16,320 --> 00:26:18,400
Speaker 9: women like that's immediately what came to my brain.

617
00:26:18,240 --> 00:26:19,480
Speaker 4: Like faught, ye but cool.

618
00:26:19,720 --> 00:26:20,919
Speaker 5: And then people he's asking.

619
00:26:20,720 --> 00:26:22,400
Speaker 9: For old Drake, He's about to sting.

620
00:26:23,800 --> 00:26:26,080
Speaker 1: I thought would slam you out and Am and Charlotte,

621
00:26:26,119 --> 00:26:28,040
Speaker 1: I thought we were correct because it could have too

622
00:26:28,040 --> 00:26:29,560
Speaker 1: many for the dog for the guys that like wrap

623
00:26:29,800 --> 00:26:31,960
Speaker 1: and then dogging women out, which slammed you out is about.

624
00:26:32,000 --> 00:26:34,480
Speaker 1: I thought it was the perfect mixture of that is

625
00:26:34,480 --> 00:26:37,359
Speaker 1: what was gonna come here, and I just feel like

626
00:26:37,400 --> 00:26:42,640
Speaker 1: that didn't happened. Yeah, the content is about dogging chicks out.

627
00:26:42,920 --> 00:26:45,080
Speaker 1: I've just heard him dog chicks out better.

628
00:26:45,440 --> 00:26:49,280
Speaker 8: True, And I think in pause, I think Drake for

629
00:26:49,320 --> 00:26:51,960
Speaker 8: the first time in his career, is being spread too thin.

630
00:26:52,200 --> 00:26:54,840
Speaker 4: He's put out. He's been on a crazy album run.

631
00:26:54,960 --> 00:26:57,920
Speaker 8: He's put out three albums very in a very short

632
00:26:57,960 --> 00:27:00,520
Speaker 8: amount of time. He's on a world tour like he's

633
00:27:00,560 --> 00:27:02,800
Speaker 8: doing a lot, and I think to the point of

634
00:27:02,800 --> 00:27:05,119
Speaker 8: the sequencing another album, he recorded a lot of this

635
00:27:05,160 --> 00:27:08,080
Speaker 8: while he was on the tour. So that's and that's

636
00:27:08,119 --> 00:27:09,359
Speaker 8: the thing, Kevin Durant.

637
00:27:09,359 --> 00:27:10,480
Speaker 4: I get. It's the credit.

638
00:27:11,240 --> 00:27:13,040
Speaker 7: I know Kevin Durant did not aim.

639
00:27:12,840 --> 00:27:14,920
Speaker 4: But yeah, so I get it. For the look. It's cute.

640
00:27:14,960 --> 00:27:16,439
Speaker 4: Put that you put your front on the album. That's

641
00:27:16,520 --> 00:27:17,439
Speaker 4: that's great. Nice.

642
00:27:17,680 --> 00:27:21,560
Speaker 8: It's obvious that Yachti was the prime person in charge

643
00:27:21,640 --> 00:27:23,080
Speaker 8: or at the helm of this project.

644
00:27:23,240 --> 00:27:25,920
Speaker 1: Yeah, and I don't know this to be true at all.

645
00:27:26,080 --> 00:27:28,760
Speaker 1: This is me. It's possibly spreading a false rumor. I apologize.

646
00:27:28,800 --> 00:27:30,760
Speaker 1: This is very girlish of me. I did hear that

647
00:27:30,840 --> 00:27:35,479
Speaker 1: this album was very much on the wrap side, on

648
00:27:35,560 --> 00:27:38,320
Speaker 1: the harder side, on shooting at other rappers side, and

649
00:27:38,440 --> 00:27:42,720
Speaker 1: Yachti stepped in and we have this album now, Okay,

650
00:27:42,840 --> 00:27:46,320
Speaker 1: that the direction did start to change once Yachti got involved.

651
00:27:46,320 --> 00:27:48,640
Speaker 1: And I'm not saying if that's for better for worse,

652
00:27:48,680 --> 00:27:51,840
Speaker 1: because I did not hear any of the rap album

653
00:27:52,040 --> 00:27:54,439
Speaker 1: that maybe exists. Again, I could be making this completely up.

654
00:27:54,440 --> 00:27:57,720
Speaker 1: It was just told to me, But I don't know. Man,

655
00:27:58,119 --> 00:27:59,800
Speaker 1: Maybe Yadi should have waited for the next one.

656
00:28:00,320 --> 00:28:02,320
Speaker 7: Listen, you know, I would have liked some d but

657
00:28:02,359 --> 00:28:03,760
Speaker 7: he was involved in her loss.

658
00:28:03,760 --> 00:28:05,399
Speaker 8: And it was perfect, like what y'all he did on

659
00:28:05,520 --> 00:28:07,399
Speaker 8: her law. So that's very and great.

660
00:28:07,760 --> 00:28:10,960
Speaker 1: Also to your point, and I wanted to ask maure

661
00:28:12,040 --> 00:28:15,080
Speaker 1: after listening to this, do you feel like Drake is

662
00:28:15,119 --> 00:28:18,399
Speaker 1: probably needs a break. It is a little tired because

663
00:28:18,560 --> 00:28:23,680
Speaker 1: her loss we haven't spoken highly about enough. That album

664
00:28:23,760 --> 00:28:24,960
Speaker 1: is so good, and I was like, all right, Drake

665
00:28:25,040 --> 00:28:28,320
Speaker 1: is back in shape, he's good to go. This sounds

666
00:28:28,359 --> 00:28:30,679
Speaker 1: like compared to her loss, he's exhausted and he should

667
00:28:30,680 --> 00:28:31,240
Speaker 1: take a break.

668
00:28:31,840 --> 00:28:35,840
Speaker 7: I'm not gonna say that I think that he deserves

669
00:28:35,880 --> 00:28:38,760
Speaker 7: a break. I think what he did is we've never

670
00:28:38,760 --> 00:28:41,680
Speaker 7: seen anything like it as far as just consistency, and

671
00:28:42,400 --> 00:28:45,480
Speaker 7: you know, just at all over the years, just putting

672
00:28:45,480 --> 00:28:51,440
Speaker 7: out great songs, great music, great albums, touring, you know,

673
00:28:51,760 --> 00:28:55,880
Speaker 7: features with other artists like Drake has been you know

674
00:28:56,280 --> 00:28:58,920
Speaker 7: what he's been doing over the past what fifteen years.

675
00:28:59,560 --> 00:29:04,560
Speaker 7: Maybe it's just it's incredible, and so he deserves a break.

676
00:29:04,560 --> 00:29:05,600
Speaker 7: He deserves some time off.

677
00:29:06,120 --> 00:29:06,360
Speaker 6: You know.

678
00:29:07,160 --> 00:29:09,240
Speaker 7: Let me see what y'all listen to when Drake is gone.

679
00:29:09,520 --> 00:29:12,400
Speaker 7: Take two, take three years off, don't put nothing off

680
00:29:12,400 --> 00:29:14,920
Speaker 7: for three travel the world, spend time with your son,

681
00:29:15,040 --> 00:29:17,400
Speaker 7: have another kid. If you if they choose to do that.

682
00:29:18,240 --> 00:29:21,920
Speaker 7: But he deserves a break. Drake deserves to disappear. And

683
00:29:22,200 --> 00:29:24,080
Speaker 7: you know, because when you get to this level that

684
00:29:24,120 --> 00:29:27,040
Speaker 7: he's at, obviously you're you're you're you're fighting against your ghost,

685
00:29:27,080 --> 00:29:29,160
Speaker 7: your your stats that you put up already in your career,

686
00:29:29,480 --> 00:29:31,800
Speaker 7: and people are holding you to that every time out,

687
00:29:31,960 --> 00:29:33,560
Speaker 7: which is what they're supposed to do. But at the

688
00:29:33,560 --> 00:29:38,200
Speaker 7: same time, it's not necessarily fair all the time, which

689
00:29:38,240 --> 00:29:39,800
Speaker 7: is cool to it. That's part of the game because

690
00:29:39,840 --> 00:29:43,400
Speaker 7: your your your wins are heavily, heavily outweigh your losses.

691
00:29:43,960 --> 00:29:47,560
Speaker 7: So he deserves a break. And I think that this album,

692
00:29:47,680 --> 00:29:50,080
Speaker 7: you know, is he already said he's gonna he's gonna

693
00:29:50,080 --> 00:29:52,960
Speaker 7: take a year off at least focus on his health

694
00:29:54,200 --> 00:29:56,560
Speaker 7: against spend time with the family and things like that.

695
00:29:56,960 --> 00:30:00,320
Speaker 7: But he deserves it. He deserves a break. He deserves

696
00:30:00,360 --> 00:30:03,320
Speaker 7: time to just disappear and let people just you know,

697
00:30:03,720 --> 00:30:06,160
Speaker 7: compare him to his his what he's already put up,

698
00:30:06,480 --> 00:30:10,520
Speaker 7: debated online, debated on podcast. He deserves that breakfast. I'm

699
00:30:10,520 --> 00:30:12,200
Speaker 7: not going to say he needs a break. I wouldn't

700
00:30:12,200 --> 00:30:14,240
Speaker 7: say that, but he definitely deserves a break.

701
00:30:14,320 --> 00:30:17,080
Speaker 1: I mean, I know we covered most of the album

702
00:30:17,160 --> 00:30:20,120
Speaker 1: on the music side. What do you think of the

703
00:30:20,160 --> 00:30:23,920
Speaker 1: content of Drake being at this point in his career,

704
00:30:23,960 --> 00:30:26,120
Speaker 1: at this age, this point in his life, and we

705
00:30:26,160 --> 00:30:28,320
Speaker 1: don't know, we don't know him, but this point in

706
00:30:28,640 --> 00:30:28,960
Speaker 1: his life.

707
00:30:28,960 --> 00:30:30,479
Speaker 7: What y'all want? Y'all want Drake to get y'all four

708
00:30:30,520 --> 00:30:31,760
Speaker 7: four four He's thirty six.

709
00:30:31,600 --> 00:30:34,600
Speaker 1: Years old, Okay, ye see. I don't like that that

710
00:30:34,880 --> 00:30:37,680
Speaker 1: take because when I had a and we'll get to

711
00:30:37,720 --> 00:30:41,720
Speaker 1: the Joe exchange in a second, I had a review

712
00:30:41,880 --> 00:30:44,560
Speaker 1: similar to what Joe said when Colb came out, and

713
00:30:44,600 --> 00:30:46,680
Speaker 1: I said, no, I don't want four forty four from Drake.

714
00:30:46,680 --> 00:30:50,600
Speaker 1: I don't want a super mature Drake like he's a superstar,

715
00:30:51,840 --> 00:30:58,720
Speaker 1: just just a step above. Oh my god, the girl

716
00:30:58,720 --> 00:31:03,520
Speaker 1: that I met on Instagram betrayed me, Like, oh shit, seriously,

717
00:31:03,840 --> 00:31:04,800
Speaker 1: you didn't see that one coming.

718
00:31:05,720 --> 00:31:07,400
Speaker 7: Like, I just say that, you can say that about

719
00:31:07,440 --> 00:31:11,040
Speaker 7: anything an artist says, though, what do you mean if

720
00:31:11,040 --> 00:31:12,760
Speaker 7: they if any artist was to say that, you can

721
00:31:12,800 --> 00:31:14,680
Speaker 7: say that not just yeah, but.

722
00:31:14,600 --> 00:31:15,720
Speaker 4: Not I think you can break.

723
00:31:15,880 --> 00:31:16,880
Speaker 1: I just think you can mix it.

724
00:31:16,920 --> 00:31:19,120
Speaker 7: But that's my point. I think he's held at such

725
00:31:19,160 --> 00:31:20,120
Speaker 7: a different.

726
00:31:20,000 --> 00:31:22,560
Speaker 8: As because he earned it. It's it's yes, he what

727
00:31:22,640 --> 00:31:23,280
Speaker 8: do you mean did it?

728
00:31:23,400 --> 00:31:25,200
Speaker 7: But that's what but that but but that's what I'm saying,

729
00:31:25,520 --> 00:31:28,200
Speaker 7: is that fear for the consumers and for the fans

730
00:31:28,240 --> 00:31:30,560
Speaker 7: to say, Yo, I don't want to hear you talking. Okay,

731
00:31:30,600 --> 00:31:32,000
Speaker 7: so what would you like to hear drakeson, Well, that's

732
00:31:32,040 --> 00:31:33,440
Speaker 7: the thing. I want to hear you talk about being

733
00:31:33,440 --> 00:31:35,080
Speaker 7: the fall. I want to hear you talk about get married.

734
00:31:35,200 --> 00:31:36,280
Speaker 7: I don't want to get married.

735
00:31:36,440 --> 00:31:38,120
Speaker 8: I don't think it's a matter of hearing him talk

736
00:31:38,120 --> 00:31:40,760
Speaker 8: about those things. I just think it's a matter of maturing.

737
00:31:41,040 --> 00:31:42,600
Speaker 8: I'm not saying you have a kid now, only talk

738
00:31:42,600 --> 00:31:45,400
Speaker 8: about being a father. I think there's just a progression,

739
00:31:45,480 --> 00:31:48,360
Speaker 8: like when as your life progresses, as you become more

740
00:31:48,360 --> 00:31:50,440
Speaker 8: of an adult, as you become a better version of

741
00:31:50,480 --> 00:31:53,600
Speaker 8: yourself or worse version of yourself. The thing with like

742
00:31:54,000 --> 00:31:56,600
Speaker 8: Jay Cole that gets met like he was the college

743
00:31:56,680 --> 00:31:58,719
Speaker 8: kid rapping about going to school and I'm gonna get

744
00:31:58,720 --> 00:32:01,520
Speaker 8: a record deal, and then we're seeing different chapters of

745
00:32:01,520 --> 00:32:04,560
Speaker 8: his life as the artist grows, he grows, his music grows.

746
00:32:04,960 --> 00:32:07,960
Speaker 8: Drake's I think, to what what is though? But it's

747
00:32:08,000 --> 00:32:10,040
Speaker 8: just stagnant and he sounds like he's kind of like

748
00:32:10,720 --> 00:32:14,320
Speaker 8: hyper chambered in this like twenty five year old era

749
00:32:14,520 --> 00:32:17,160
Speaker 8: of like im I'll buy the world, I have a

750
00:32:17,240 --> 00:32:18,600
Speaker 8: jet and you're my girl.

751
00:32:18,760 --> 00:32:19,680
Speaker 4: I hate you too now.

752
00:32:19,960 --> 00:32:23,120
Speaker 1: And here's here's the thing I'm not. I'm not on

753
00:32:23,200 --> 00:32:26,960
Speaker 1: the side fully of everyone that was saying I need

754
00:32:27,000 --> 00:32:30,240
Speaker 1: the matured, fully matured break. I just would have liked

755
00:32:30,320 --> 00:32:34,520
Speaker 1: some balance within it, because the entire album is either

756
00:32:35,040 --> 00:32:36,760
Speaker 1: I have way more money than you, which is fine,

757
00:32:36,840 --> 00:32:39,920
Speaker 1: that's that's hip hop and true and true way more

758
00:32:39,920 --> 00:32:43,600
Speaker 1: money than you, or this bitch to I did dirty

759
00:32:44,480 --> 00:32:46,920
Speaker 1: but it's really her fault. It's like, I'm fine with

760
00:32:46,920 --> 00:32:49,160
Speaker 1: both of those things, but balance it with some other

761
00:32:49,200 --> 00:32:52,800
Speaker 1: shit like what but you don't like what shit? Even

762
00:32:52,960 --> 00:32:58,840
Speaker 1: on Scorpion SIDEB you get a jaded you get the

763
00:32:58,880 --> 00:33:00,880
Speaker 1: content that's on for all the but you also get

764
00:33:00,880 --> 00:33:03,760
Speaker 1: a March fifteenth. You also get where he was at

765
00:33:03,800 --> 00:33:06,520
Speaker 1: the last time I feel like Drake was really talking

766
00:33:06,680 --> 00:33:10,120
Speaker 1: about his current life was when he was beefing with

767
00:33:10,200 --> 00:33:12,480
Speaker 1: Kye West. That's when I think we got the most

768
00:33:12,560 --> 00:33:17,640
Speaker 1: vulnerable Drake. This isn't vulnerable Drake talking about but this this,

769
00:33:17,640 --> 00:33:19,600
Speaker 1: this is and again I'm not saying it's bad, but

770
00:33:20,680 --> 00:33:24,200
Speaker 1: this is Drake just doing what he knows has worked

771
00:33:24,200 --> 00:33:26,479
Speaker 1: in the past. In the content that he's doing, it

772
00:33:26,480 --> 00:33:29,560
Speaker 1: doesn't feel like it's actually happening. What doesn't feel It

773
00:33:29,560 --> 00:33:30,920
Speaker 1: almost feels like when I when I used to say,

774
00:33:30,960 --> 00:33:34,640
Speaker 1: I don't think future even Pop Smoley or does percosets

775
00:33:34,640 --> 00:33:36,479
Speaker 1: it all like, I think this is just the character

776
00:33:36,960 --> 00:33:39,080
Speaker 1: that he puts out and he's probably a pretty straight

777
00:33:39,160 --> 00:33:41,120
Speaker 1: edge guy, but he knows it works. I think now

778
00:33:41,160 --> 00:33:43,280
Speaker 1: that's the place Drake is in with his own content.

779
00:33:43,880 --> 00:33:47,600
Speaker 1: This just it's a bunch of broad topics of the

780
00:33:47,640 --> 00:33:50,400
Speaker 1: ship that you don't think he's doing. It's the same

781
00:33:50,440 --> 00:33:54,200
Speaker 1: old this bitch did me dirty think or I'm richer

782
00:33:54,200 --> 00:33:57,440
Speaker 1: than everyone. Whereas even on Scorpion you got that content,

783
00:33:57,560 --> 00:34:00,560
Speaker 1: but we really knew how frustrated dre was where he

784
00:34:00,600 --> 00:34:02,800
Speaker 1: was at in his career. There was so much more

785
00:34:02,840 --> 00:34:06,080
Speaker 1: content of the current state and maybe that is just

786
00:34:06,200 --> 00:34:10,279
Speaker 1: it right now. And as a consumer, I'm okay to

787
00:34:10,320 --> 00:34:13,160
Speaker 1: say not really for me, just too much of it.

788
00:34:13,280 --> 00:34:15,520
Speaker 1: There's just a few songs of that content I will

789
00:34:15,680 --> 00:34:18,960
Speaker 1: listen to. I don't need twenty three records of that

790
00:34:19,480 --> 00:34:21,239
Speaker 1: all of that if it's twenty three records and it's

791
00:34:21,280 --> 00:34:25,360
Speaker 1: a bunch of different topics, cool but one and a

792
00:34:25,400 --> 00:34:27,680
Speaker 1: half topics. But the I'm rich and she left me,

793
00:34:28,120 --> 00:34:28,640
Speaker 1: I left her.

794
00:34:28,719 --> 00:34:31,040
Speaker 8: The ethos of Her Loss was in the same vein

795
00:34:31,120 --> 00:34:33,000
Speaker 8: as what for All the Dogs is. It was just

796
00:34:33,120 --> 00:34:34,000
Speaker 8: done better.

797
00:34:34,239 --> 00:34:35,040
Speaker 1: It was done much better.

798
00:34:35,040 --> 00:34:35,839
Speaker 4: It was done much better.

799
00:34:35,880 --> 00:34:37,600
Speaker 8: Like he's saying the same shit on Her Loss as

800
00:34:37,600 --> 00:34:40,640
Speaker 8: he's saying on it, but it's just you could tell

801
00:34:40,680 --> 00:34:44,400
Speaker 8: they really there was so much more effort and I

802
00:34:44,440 --> 00:34:47,720
Speaker 8: think collaboratively between him and twenty one where they really

803
00:34:47,800 --> 00:34:51,360
Speaker 8: nailed the messaging of that album, which isn't too different

804
00:34:51,360 --> 00:34:52,719
Speaker 8: than the messages to.

805
00:34:52,680 --> 00:34:54,560
Speaker 7: Me, That's what I'm saying. I think Her Loss was

806
00:34:54,640 --> 00:34:58,359
Speaker 7: more of a concise, yeah direction, you understand. I think

807
00:34:58,400 --> 00:35:00,959
Speaker 7: this album was something where he was like, I'm on tour.

808
00:35:01,280 --> 00:35:04,560
Speaker 7: The last show is October sixth in Toronto. I'm gonna

809
00:35:04,600 --> 00:35:07,880
Speaker 7: drop the album October six I think he had these songs.

810
00:35:08,239 --> 00:35:10,600
Speaker 7: I don't think obviously he was on tour. So aside

811
00:35:10,600 --> 00:35:13,560
Speaker 7: from maybe the sex he read verse, I think that

812
00:35:13,640 --> 00:35:17,800
Speaker 7: was probably inserted within the last three weeks. Maybe the

813
00:35:18,920 --> 00:35:21,719
Speaker 7: cold verses probably inserted in the last month or two.

814
00:35:22,120 --> 00:35:23,960
Speaker 7: But I think for the most part, most of this

815
00:35:24,120 --> 00:35:27,200
Speaker 7: album was already done for before he wait, before he

816
00:35:27,200 --> 00:35:29,120
Speaker 7: even went on tour. I think this album been done

817
00:35:29,120 --> 00:35:30,879
Speaker 7: over a year. I think a lot of these songs

818
00:35:30,920 --> 00:35:33,440
Speaker 7: were songs he already had, and I think he was like,

819
00:35:33,520 --> 00:35:36,399
Speaker 7: let me just compile all of them, put some type

820
00:35:36,400 --> 00:35:38,719
Speaker 7: of put add some verses here and there, and then

821
00:35:38,760 --> 00:35:41,040
Speaker 7: put it out to me. That's the difference between how

822
00:35:41,120 --> 00:35:43,799
Speaker 7: Her Loss sounds and how this one sounds. Her Loss

823
00:35:43,800 --> 00:35:46,840
Speaker 7: sounds like more tight knit him in twenty one, we

824
00:35:46,960 --> 00:35:49,520
Speaker 7: know what we're doing every time. This one was like,

825
00:35:49,800 --> 00:35:52,600
Speaker 7: I got a bunch of joint Set's dope leftover, add

826
00:35:52,680 --> 00:35:54,680
Speaker 7: some verses here and there from some people, put it

827
00:35:54,760 --> 00:35:55,240
Speaker 7: on the album.

828
00:35:55,800 --> 00:35:59,279
Speaker 1: I think Drake needs enemies, and I think you don't

829
00:35:59,280 --> 00:36:03,280
Speaker 1: think he has enough. No, I think he's creating enemies

830
00:36:03,440 --> 00:36:04,799
Speaker 1: just to try to fuel.

831
00:36:06,360 --> 00:36:07,440
Speaker 5: He's looking for inspiration.

832
00:36:07,600 --> 00:36:10,160
Speaker 1: Yeah, because if you look at me, he's creating enemies.

833
00:36:10,880 --> 00:36:13,400
Speaker 1: That's not a bad point, because if you look at

834
00:36:14,440 --> 00:36:17,279
Speaker 1: after you get from like Take Care, nothing was the same.

835
00:36:17,560 --> 00:36:20,920
Speaker 1: What was obviously driving him was like any other rapper

836
00:36:21,280 --> 00:36:23,080
Speaker 1: or artist, you're trying to be the best of your craft.

837
00:36:23,239 --> 00:36:24,960
Speaker 1: You're you're new to the game. You have to prove yourself.

838
00:36:25,040 --> 00:36:28,120
Speaker 1: That's enough chip on your shoulder that you can fuel.

839
00:36:29,000 --> 00:36:33,840
Speaker 1: But once you get to if you're reading this, the

840
00:36:34,000 --> 00:36:36,280
Speaker 1: enemies come and then we get views, which was fucking incredible.

841
00:36:36,960 --> 00:36:40,759
Speaker 1: Then we get scorpion because of Kanye. Like every time

842
00:36:40,880 --> 00:36:43,960
Speaker 1: Drake I think, has put out great music, he's had

843
00:36:43,960 --> 00:36:46,360
Speaker 1: an enemy to fuel him. Like we can hear and

844
00:36:46,480 --> 00:36:49,200
Speaker 1: I don't hear. I hate the word hunger, but I

845
00:36:49,239 --> 00:36:52,760
Speaker 1: don't hear that hunger in the last project.

846
00:36:52,840 --> 00:36:56,359
Speaker 7: He's he's put out great music since he's came out.

847
00:36:56,400 --> 00:36:58,879
Speaker 7: What are you talking about. He's been putting out great

848
00:36:58,960 --> 00:36:59,920
Speaker 7: music since we heard him.

849
00:37:00,120 --> 00:37:00,560
Speaker 4: I agree.

850
00:37:01,040 --> 00:37:01,839
Speaker 7: That's what you're saying.

851
00:37:02,040 --> 00:37:03,719
Speaker 1: You get so far gone, thank me later to take care.

852
00:37:03,800 --> 00:37:05,840
Speaker 1: That's you're on your rise, like you have hunger, just

853
00:37:05,880 --> 00:37:07,880
Speaker 1: because you need to prove yourself and after nothing was

854
00:37:07,920 --> 00:37:11,239
Speaker 1: the same. Drake proved himself after if you're reading this,

855
00:37:11,800 --> 00:37:14,640
Speaker 1: it was solidified. And I'm saying we could have gotten

856
00:37:14,760 --> 00:37:17,960
Speaker 1: more of a decline after that, had Me not lit

857
00:37:18,040 --> 00:37:21,080
Speaker 1: a fire, had Kanye not lit a fire, like Drake

858
00:37:21,239 --> 00:37:23,040
Speaker 1: was obsessed after that, you could he would say he

859
00:37:23,120 --> 00:37:26,160
Speaker 1: was obsessed after that. He's been vocal about that, and

860
00:37:26,280 --> 00:37:29,279
Speaker 1: he hasn't had a situation where he's had to prove

861
00:37:29,400 --> 00:37:32,640
Speaker 1: himself in a very long fucking time. That's why I

862
00:37:32,680 --> 00:37:37,440
Speaker 1: said Cob sounded like a parody of himself, like he

863
00:37:37,560 --> 00:37:42,120
Speaker 1: was just recreating his old hits. You know, certified lover

864
00:37:42,239 --> 00:37:43,680
Speaker 1: boy is cool, but is.

865
00:37:43,680 --> 00:37:44,040
Speaker 6: What it is.

866
00:37:44,640 --> 00:37:47,399
Speaker 1: He has not been motivated. I feel like and I'm

867
00:37:47,400 --> 00:37:49,040
Speaker 1: projecting on someone I do not know, and he could

868
00:37:49,080 --> 00:37:52,399
Speaker 1: have been motivated, but well, there's there's been nothing to prove,

869
00:37:52,600 --> 00:37:55,080
Speaker 1: and it's starting to show in the music because for

870
00:37:55,280 --> 00:37:57,800
Speaker 1: his entire career, he's always had something to prove. And

871
00:37:57,920 --> 00:37:59,759
Speaker 1: once he didn't have anything to prove, he then had

872
00:37:59,800 --> 00:38:02,200
Speaker 1: to prove that he wrote he had to prove it

873
00:38:02,280 --> 00:38:05,279
Speaker 1: to me. Then once that settled, Kanye West comes in.

874
00:38:05,360 --> 00:38:06,920
Speaker 1: Now I got to prove I'm better than the greatest

875
00:38:06,960 --> 00:38:09,560
Speaker 1: of all time. Now he has absolutely nothing to prove,

876
00:38:09,600 --> 00:38:12,040
Speaker 1: and I can it's in the music. That's where I

877
00:38:12,080 --> 00:38:15,520
Speaker 1: think you just get content of just regular ig bitches

878
00:38:15,680 --> 00:38:16,880
Speaker 1: and I have a plane.

879
00:38:17,520 --> 00:38:20,719
Speaker 7: I think that it's to a point where he's been

880
00:38:21,040 --> 00:38:23,719
Speaker 7: so good for so long, just like with anything else

881
00:38:23,880 --> 00:38:28,440
Speaker 7: with boxers, with basketball players, with teams that are just

882
00:38:28,560 --> 00:38:31,200
Speaker 7: great and dominant. It gets to a point where the

883
00:38:31,320 --> 00:38:34,839
Speaker 7: people want to see you lose. They want to see

884
00:38:34,840 --> 00:38:36,799
Speaker 7: you get defeated. They want to see somebody take over

885
00:38:36,880 --> 00:38:39,480
Speaker 7: that spot. They want to see somebody challenge you and

886
00:38:39,680 --> 00:38:42,000
Speaker 7: knock you off your throne. I think that's where it's

887
00:38:42,040 --> 00:38:45,359
Speaker 7: feeling like, that's where people may be now, and I'm

888
00:38:45,480 --> 00:38:48,600
Speaker 7: sure Drake feels that like people are waiting for him

889
00:38:48,640 --> 00:38:53,080
Speaker 7: to lose. They're waiting to seem second forever. Like that's

890
00:38:53,160 --> 00:38:56,520
Speaker 7: my point. So it's like for him to perform and

891
00:38:56,640 --> 00:39:00,320
Speaker 7: execute and be as consistent and deliver no in that

892
00:39:00,719 --> 00:39:04,360
Speaker 7: for at least the past six seven years, people have

893
00:39:04,440 --> 00:39:07,160
Speaker 7: been waiting for him to decline or fall off or

894
00:39:07,719 --> 00:39:09,680
Speaker 7: you know, not be the best and not sell the

895
00:39:09,840 --> 00:39:13,120
Speaker 7: most and not have the biggest songs, and the year

896
00:39:13,200 --> 00:39:17,640
Speaker 7: after year he keeps proving that he's still the biggest artist.

897
00:39:18,000 --> 00:39:20,080
Speaker 7: I think that this album is just a reflection of

898
00:39:20,160 --> 00:39:23,480
Speaker 7: people saying, Okay, if we're ever gonna say this is

899
00:39:23,520 --> 00:39:25,879
Speaker 7: the one where he fell off, this is the one,

900
00:39:26,160 --> 00:39:27,680
Speaker 7: And that's what it feels like. It feels like people

901
00:39:27,719 --> 00:39:30,400
Speaker 7: were waiting to say, Okay, yup, this is it. This

902
00:39:30,600 --> 00:39:32,040
Speaker 7: is the album where he fell off. This is the

903
00:39:32,080 --> 00:39:35,040
Speaker 7: album where you know when you saw Mike kind of

904
00:39:35,120 --> 00:39:38,200
Speaker 7: like miss a shot and miss the playoffs, Like this

905
00:39:38,440 --> 00:39:41,879
Speaker 7: is to me, this is the album that I think

906
00:39:41,920 --> 00:39:44,040
Speaker 7: people were waiting on the point at and I think

907
00:39:44,080 --> 00:39:46,040
Speaker 7: they're doing it prematurely because I do think the album

908
00:39:46,120 --> 00:39:47,520
Speaker 7: is going to grow on a lot of people. I

909
00:39:47,600 --> 00:39:49,480
Speaker 7: do think a lot of the songs grow in a

910
00:39:49,520 --> 00:39:51,879
Speaker 7: lot of people. Same thing with what honestly, never mind

911
00:39:51,920 --> 00:39:54,439
Speaker 7: people hated it. Now you see people playing that album,

912
00:39:54,440 --> 00:39:57,080
Speaker 7: they love that album. I just think this is one

913
00:39:57,120 --> 00:39:59,160
Speaker 7: of those things. But I think that people were expecting

914
00:39:59,200 --> 00:40:03,280
Speaker 7: a different direction, a different sound, a different more rapping.

915
00:40:03,800 --> 00:40:06,400
Speaker 7: I think people had their their their their expectations that

916
00:40:06,440 --> 00:40:09,800
Speaker 7: they placed on this album due to people like Yachtis

917
00:40:09,800 --> 00:40:12,200
Speaker 7: saying Drake some of Drake's best versuses on here. He's

918
00:40:12,239 --> 00:40:14,200
Speaker 7: doing some of the best rapping he's ever done. Like

919
00:40:14,280 --> 00:40:16,239
Speaker 7: we were hearing things leading up to this where it

920
00:40:16,400 --> 00:40:19,560
Speaker 7: was just heightening our expectation, like, Okay, he gonna this

921
00:40:19,680 --> 00:40:20,960
Speaker 7: is gonna be the one where we're like, a he

922
00:40:21,080 --> 00:40:23,080
Speaker 7: wrapping his motherfucking ass off the whole project.

923
00:40:23,160 --> 00:40:25,160
Speaker 2: I feel like that ruined shit too. Though, of course

924
00:40:25,200 --> 00:40:28,040
Speaker 2: you got to stop talking. Even people involved with albums

925
00:40:28,080 --> 00:40:29,839
Speaker 2: have to stop talking about the album before it comes out.

926
00:40:30,120 --> 00:40:32,359
Speaker 4: Well for sure, but them rolling out.

927
00:40:32,360 --> 00:40:32,759
Speaker 1: I know it.

928
00:40:33,920 --> 00:40:36,160
Speaker 7: But for Drake, he doesn't need that. Drake doesn't need

929
00:40:36,200 --> 00:40:36,560
Speaker 7: to roll.

930
00:40:36,520 --> 00:40:39,280
Speaker 4: Out, doesn't but he he never needs a rollout.

931
00:40:39,320 --> 00:40:42,759
Speaker 8: But he's also very good at getting the cultural consciousness

932
00:40:42,840 --> 00:40:44,080
Speaker 8: and like getting everyone's attention.

933
00:40:44,480 --> 00:40:46,880
Speaker 7: Oh, he's one of the biggest artists. As soon as

934
00:40:46,880 --> 00:40:48,719
Speaker 7: he announced he's in the studio record and that's it,

935
00:40:48,840 --> 00:40:51,799
Speaker 7: people just start anticipating the project. That's just the type

936
00:40:51,800 --> 00:40:54,399
Speaker 7: of artist he is. I'm saying that because you place

937
00:40:54,480 --> 00:40:56,800
Speaker 7: your expectations on what something is going to sound like

938
00:40:57,480 --> 00:40:59,440
Speaker 7: or what you think is gonna feel like, and.

939
00:40:59,440 --> 00:40:59,880
Speaker 6: Then it does.

940
00:41:00,480 --> 00:41:02,919
Speaker 7: That doesn't mean it's trash. That doesn't mean it's bad.

941
00:41:03,280 --> 00:41:04,840
Speaker 7: And that's what I was doing when I listened to it.

942
00:41:05,320 --> 00:41:07,920
Speaker 7: I'm like, Okay, let me remove what I thought it

943
00:41:08,000 --> 00:41:09,799
Speaker 7: was gonna sound like and just listen to the music.

944
00:41:10,400 --> 00:41:12,800
Speaker 7: And I'm listening and I'm like, these are not bad songs.

945
00:41:13,000 --> 00:41:16,360
Speaker 7: And it's someone here that I probably won't go back to,

946
00:41:16,880 --> 00:41:19,120
Speaker 7: but it's a lot that I've been playing and I'm like, bro,

947
00:41:19,280 --> 00:41:21,360
Speaker 7: this song is when I heard you a Picasso. I

948
00:41:21,400 --> 00:41:23,239
Speaker 7: went online because I didn't see nobody talking about it.

949
00:41:23,440 --> 00:41:25,480
Speaker 5: I haven't stopped, and I'm like, yo, who the fuck.

950
00:41:25,480 --> 00:41:27,080
Speaker 7: Nobody's even talking about this song.

951
00:41:27,560 --> 00:41:28,560
Speaker 1: It's a good record to me.

952
00:41:28,719 --> 00:41:30,400
Speaker 7: That was I heard that and I was like, bro,

953
00:41:30,560 --> 00:41:33,360
Speaker 7: this this to me is some of his best rapping.

954
00:41:33,800 --> 00:41:36,000
Speaker 1: Okay, But all right, to your point, going in with

955
00:41:36,480 --> 00:41:42,440
Speaker 1: an expectation, I can also say, all right, you can

956
00:41:42,520 --> 00:41:45,319
Speaker 1: do that, it's not for me thing just because it's

957
00:41:45,400 --> 00:41:47,040
Speaker 1: not the rapping I want, it doesn't make a trash.

958
00:41:47,040 --> 00:41:49,440
Speaker 1: I agree with you there, But I also have the

959
00:41:49,600 --> 00:41:53,080
Speaker 1: right as a fan to say I don't like this

960
00:41:53,239 --> 00:41:56,160
Speaker 1: type of content from you at this point, and that's fine.

961
00:41:56,320 --> 00:41:59,720
Speaker 1: Of course it shouldn't define Drake's but when you shouldn't

962
00:41:59,719 --> 00:42:00,319
Speaker 1: define his career.

963
00:42:00,360 --> 00:42:02,440
Speaker 7: So you tell me why when you start to tell

964
00:42:02,480 --> 00:42:04,120
Speaker 7: me why you don't like it, Oh, now I'm looking

965
00:42:04,120 --> 00:42:07,080
Speaker 7: at you, like, but so you're you're putting your expectations

966
00:42:07,120 --> 00:42:09,200
Speaker 7: on something and because it wasn't that, now you think

967
00:42:09,200 --> 00:42:12,719
Speaker 7: it's terrible to me. That's where I can understand fans

968
00:42:12,719 --> 00:42:13,640
Speaker 7: and consumers go wrong.

969
00:42:14,640 --> 00:42:20,160
Speaker 1: But also I'm entitled as a fan to not have

970
00:42:20,360 --> 00:42:23,360
Speaker 1: expectations per se, but to say yes, I would like

971
00:42:23,480 --> 00:42:27,279
Speaker 1: maybe a bit more maturity from an artist that I've

972
00:42:27,320 --> 00:42:31,480
Speaker 1: been listening to since I was sixteen. I'm thirty three. Like,

973
00:42:32,920 --> 00:42:36,400
Speaker 1: that's not a crazy expectation to ask of an artist.

974
00:42:37,040 --> 00:42:38,520
Speaker 1: But I'm not saying Drake has to do that.

975
00:42:38,880 --> 00:42:41,880
Speaker 7: People are holding Drake to such a level because he

976
00:42:42,040 --> 00:42:43,440
Speaker 7: is as great as he is, yeah.

977
00:42:43,400 --> 00:42:43,880
Speaker 4: To where it was.

978
00:42:44,680 --> 00:42:49,120
Speaker 7: But it also becomes unfair on the consumer's part because

979
00:42:49,120 --> 00:42:51,440
Speaker 7: we don't say, damn, you know, I want Wayne to

980
00:42:51,520 --> 00:42:53,080
Speaker 7: kind of change his content. Wayne even talk about it.

981
00:42:53,280 --> 00:42:56,200
Speaker 7: His dick suck for nineteen twenty years on every album.

982
00:42:57,120 --> 00:42:59,600
Speaker 7: I never heard nobody that say Wayne's top five the

983
00:42:59,640 --> 00:43:02,000
Speaker 7: greatest ever say yo, way ain't gotta change his content.

984
00:43:02,080 --> 00:43:03,799
Speaker 7: Though I want to hear Waynet talking about getting married,

985
00:43:03,880 --> 00:43:05,600
Speaker 7: but we want to hear Wayne talking about being young.

986
00:43:06,040 --> 00:43:08,400
Speaker 7: We don't say that about Wayne. And I understand when

987
00:43:08,440 --> 00:43:10,719
Speaker 7: you're as great as Drake and you at a disadvantage

988
00:43:10,760 --> 00:43:13,360
Speaker 7: because people expect so much for you. But I'm just

989
00:43:13,440 --> 00:43:15,800
Speaker 7: saying this is where somebody like Drake can start to

990
00:43:15,840 --> 00:43:19,279
Speaker 7: clap back at consumers and people on podcasts because it's

991
00:43:19,360 --> 00:43:22,520
Speaker 7: like y'all only y'all only find shit to say negative

992
00:43:22,520 --> 00:43:25,640
Speaker 7: about me. I'm not saying you gotta love this project.

993
00:43:25,680 --> 00:43:28,239
Speaker 7: Let's be very clear. I'm not saying that. I'm just

994
00:43:28,320 --> 00:43:31,279
Speaker 7: saying if you tell Drake, damn, I wasn't feeling this album,

995
00:43:31,840 --> 00:43:33,440
Speaker 7: and Drake said, Okay, that's cool, tell me why you

996
00:43:33,520 --> 00:43:34,080
Speaker 7: wasn't feeling it?

997
00:43:34,600 --> 00:43:34,719
Speaker 6: Yo.

998
00:43:34,800 --> 00:43:36,839
Speaker 7: You know, I really want to hear you just talk

999
00:43:36,880 --> 00:43:40,120
Speaker 7: about like, you know, just being married and you know,

1000
00:43:40,440 --> 00:43:43,120
Speaker 7: just like being a dad and you know, like stop

1001
00:43:43,160 --> 00:43:46,319
Speaker 7: talking about ig bitches all the time. But every other

1002
00:43:46,400 --> 00:43:48,719
Speaker 7: nigga that y'all love do it. Yeah, but every other

1003
00:43:48,800 --> 00:43:50,520
Speaker 7: one that you call the greatest do it. Y'all ain't

1004
00:43:50,520 --> 00:43:52,560
Speaker 7: telling them to change their content. Y'all ain't telling them

1005
00:43:52,680 --> 00:43:55,160
Speaker 7: when four four four drop people, you're shitting on hold

1006
00:43:55,800 --> 00:43:57,160
Speaker 7: and then now they're looking at it like, yo, that

1007
00:43:57,320 --> 00:44:00,880
Speaker 7: was such a collectible piece of art because he so

1008
00:44:01,040 --> 00:44:01,600
Speaker 7: it's just like.

1009
00:44:02,400 --> 00:44:04,959
Speaker 1: Well, I can only speak for me and not everyone else.

1010
00:44:05,239 --> 00:44:07,200
Speaker 1: I do hold Drake at a way higher level with this.

1011
00:44:07,320 --> 00:44:07,759
Speaker 7: We all do.

1012
00:44:08,160 --> 00:44:08,200
Speaker 4: So.

1013
00:44:08,560 --> 00:44:10,880
Speaker 1: I've seen him give us mature content. I've seen him

1014
00:44:10,880 --> 00:44:12,879
Speaker 1: give his introspective've seen him give his fun records. I've

1015
00:44:12,880 --> 00:44:15,680
Speaker 1: seen him give us all this before. Now it feels

1016
00:44:15,719 --> 00:44:18,160
Speaker 1: like he's just giving us one thing, and that one

1017
00:44:18,280 --> 00:44:23,719
Speaker 1: thing isn't probably the best topic for somebody of his age,

1018
00:44:23,800 --> 00:44:25,360
Speaker 1: is what someone would critique in that regard.

1019
00:44:25,440 --> 00:44:27,200
Speaker 5: He's thirty six, But why do you think he making

1020
00:44:27,280 --> 00:44:28,560
Speaker 5: music like y'all, I.

1021
00:44:28,560 --> 00:44:31,279
Speaker 1: Don't think he is. That's why I'm saying, I'm only

1022
00:44:31,320 --> 00:44:33,920
Speaker 1: speaking for me and that this to me, this is

1023
00:44:34,000 --> 00:44:37,960
Speaker 1: his Magna Carta, Holy Grail. Not a bad album from Jay,

1024
00:44:38,080 --> 00:44:40,000
Speaker 1: But that was when we finally were like, Yo, we

1025
00:44:40,120 --> 00:44:42,879
Speaker 1: get it, bro, you're rich. You're talking about the same

1026
00:44:42,960 --> 00:44:49,319
Speaker 1: fucking thing over and over damn like Magna Carta. Again,

1027
00:44:49,440 --> 00:44:51,960
Speaker 1: not bad, but that we all at that point was like,

1028
00:44:52,120 --> 00:44:55,040
Speaker 1: all right, Jay is becoming extremely unrelated to all this point,

1029
00:44:55,480 --> 00:44:58,000
Speaker 1: and yeah, felt it felt that way. But because it's Jay,

1030
00:44:58,120 --> 00:44:59,880
Speaker 1: it's not gonna be terrible, but it's lower in his

1031
00:45:00,040 --> 00:45:03,160
Speaker 1: his catalog because he was talking about one fucking subject

1032
00:45:03,200 --> 00:45:04,880
Speaker 1: the whole time. And that's how I feel about For

1033
00:45:04,920 --> 00:45:07,800
Speaker 1: the Dogs. It's not a bad album, but it is

1034
00:45:07,920 --> 00:45:09,839
Speaker 1: the same throughout the whole thing.

1035
00:45:10,600 --> 00:45:12,279
Speaker 7: I just feel like this album is more like going

1036
00:45:12,360 --> 00:45:14,360
Speaker 7: to Target. I went there to get deoderant, didn't expect

1037
00:45:14,400 --> 00:45:16,760
Speaker 7: to go get a beach chair. The same.

1038
00:45:18,280 --> 00:45:19,560
Speaker 1: Was that you know what I'm saying.

1039
00:45:19,600 --> 00:45:20,800
Speaker 7: You know how you go to Target and you're like,

1040
00:45:20,840 --> 00:45:22,440
Speaker 7: Y're gonna take hold. I'm just going in here to

1041
00:45:22,480 --> 00:45:26,479
Speaker 7: get some body washed, get a pack of T shirts, whatever,

1042
00:45:26,560 --> 00:45:28,759
Speaker 7: and I'm out. You get to the register, you got

1043
00:45:28,840 --> 00:45:32,799
Speaker 7: tied pods with you, you got bottles of water. That's

1044
00:45:32,840 --> 00:45:34,600
Speaker 7: what this to me, That's what this album feels like.

1045
00:45:34,680 --> 00:45:36,800
Speaker 7: I went into it thinking like this nigga gonna be

1046
00:45:36,800 --> 00:45:40,000
Speaker 7: wrapping Am and Charlotte. I'm like, yes, Conductor, beat to do,

1047
00:45:40,120 --> 00:45:44,680
Speaker 7: Conductor got more tracks on the album, played it and

1048
00:45:44,760 --> 00:45:49,000
Speaker 7: I'm like, Okay, didn't have more conductor like I thought,

1049
00:45:49,120 --> 00:45:53,200
Speaker 7: didn't have as much rapping as I thought. But there's

1050
00:45:53,239 --> 00:45:55,719
Speaker 7: still good songs. It's a lot of good songs's at

1051
00:45:55,800 --> 00:45:58,560
Speaker 7: least for me. I'm only talking about for me. At

1052
00:45:58,640 --> 00:46:01,080
Speaker 7: least thirteen of these songs I really really like.

1053
00:46:01,280 --> 00:46:03,359
Speaker 5: At least am my toxic for really really really liking

1054
00:46:03,400 --> 00:46:05,280
Speaker 5: this album, Like I like it more than.

1055
00:46:05,600 --> 00:46:09,120
Speaker 7: I've liked I liked the Once You get Away, Like

1056
00:46:09,200 --> 00:46:09,800
Speaker 7: I said.

1057
00:46:09,680 --> 00:46:12,520
Speaker 5: What Colb, I like it more than her loss, Once

1058
00:46:12,560 --> 00:46:13,000
Speaker 5: You get.

1059
00:46:12,880 --> 00:46:16,000
Speaker 7: Away, Once I got away from what I thought and expected.

1060
00:46:16,560 --> 00:46:18,839
Speaker 7: And I'm just listening to the songs I'm like Drew

1061
00:46:18,960 --> 00:46:22,080
Speaker 7: Picasso to me, I'm just like im if E would

1062
00:46:22,080 --> 00:46:23,840
Speaker 7: have just been that out of like, I'm cool because

1063
00:46:24,040 --> 00:46:25,520
Speaker 7: he's Drake. You don't got nothing else to prove. At

1064
00:46:25,520 --> 00:46:27,719
Speaker 7: this point in his career, He's just they're a crazy tour,

1065
00:46:27,840 --> 00:46:29,640
Speaker 7: like he has nothing to prove. This is not an

1066
00:46:29,640 --> 00:46:32,800
Speaker 7: album where he's trying to prove anything. Now again, as consumers,

1067
00:46:33,000 --> 00:46:35,279
Speaker 7: art is to be critiqued. I'm all for it. If

1068
00:46:35,320 --> 00:46:37,040
Speaker 7: you hate it, say you hate it. If you love it,

1069
00:46:37,120 --> 00:46:39,000
Speaker 7: say you love it. If you're in different, say you indifferent.

1070
00:46:39,280 --> 00:46:41,759
Speaker 7: But what I'm saying is is just not fair for

1071
00:46:41,920 --> 00:46:46,040
Speaker 7: consumers to place their expectation on the artist, and when

1072
00:46:46,080 --> 00:46:49,000
Speaker 7: that artist doesn't give them what they expected, they go

1073
00:46:49,200 --> 00:46:51,520
Speaker 7: to it's terrible or it's trash. That's all I'm saying.

1074
00:46:51,560 --> 00:46:55,920
Speaker 1: So what did you think of the Joe and Drake exchange?

1075
00:47:02,360 --> 00:47:03,160
Speaker 7: What did I think of it?

1076
00:47:03,320 --> 00:47:03,520
Speaker 6: Yeah?

1077
00:47:04,640 --> 00:47:10,120
Speaker 7: I think this is a product of Drake realizing or

1078
00:47:10,760 --> 00:47:16,120
Speaker 7: making it public that he doesn't fuck with dude, because

1079
00:47:16,160 --> 00:47:18,719
Speaker 7: you know, dude doesn't really fuck with him. It's a

1080
00:47:18,760 --> 00:47:24,239
Speaker 7: lot of personal shit there. Dude kind of shit it

1081
00:47:24,320 --> 00:47:26,279
Speaker 7: on Drake on the come up. I know at one

1082
00:47:26,280 --> 00:47:29,200
Speaker 7: point he wanted a verse. Dude kind of never sent

1083
00:47:29,280 --> 00:47:31,320
Speaker 7: the verse back and kind of shunned him off a

1084
00:47:31,360 --> 00:47:34,040
Speaker 7: little bit because he was still young in the game.

1085
00:47:35,080 --> 00:47:37,320
Speaker 7: And I think Drake is very He's one of the

1086
00:47:37,360 --> 00:47:41,960
Speaker 7: guys where it's like, I'm gonna remember everybody that didn't

1087
00:47:42,040 --> 00:47:44,560
Speaker 7: lend a hand for sure, or didn't extend a hand,

1088
00:47:44,719 --> 00:47:47,120
Speaker 7: or when I extended my hand, they didn't extend back

1089
00:47:47,200 --> 00:47:50,759
Speaker 7: on my come up, because now it's I'm the big

1090
00:47:50,880 --> 00:47:53,359
Speaker 7: dog and everybody wants me to extend my And another

1091
00:47:53,400 --> 00:47:55,520
Speaker 7: thing I see people saying is he had he was

1092
00:47:55,600 --> 00:47:59,399
Speaker 7: making music for like young people or making I don't

1093
00:47:59,440 --> 00:47:59,960
Speaker 7: know what that means.

1094
00:48:02,280 --> 00:48:05,120
Speaker 1: You're saying with Joe's comments, he's rapping for the children.

1095
00:48:05,520 --> 00:48:06,560
Speaker 7: Yeah, I don't know what that means.

1096
00:48:06,600 --> 00:48:08,640
Speaker 8: He said, I want to hear adult Drake rapping for

1097
00:48:08,680 --> 00:48:11,360
Speaker 8: adult people. He's driving for kids, the streams, the accolates.

1098
00:48:11,400 --> 00:48:13,520
Speaker 8: He ain't trying to wrap for me. And then he

1099
00:48:13,560 --> 00:48:14,879
Speaker 8: also did say I accept.

1100
00:48:14,600 --> 00:48:17,600
Speaker 1: That, but I mean again, I had a very similar

1101
00:48:17,640 --> 00:48:22,399
Speaker 1: take to this when Cob came out. But I can

1102
00:48:22,640 --> 00:48:24,759
Speaker 1: understand the take that he's rapping for the children. This

1103
00:48:25,480 --> 00:48:29,279
Speaker 1: content could feel young. He's which I applaud when the

1104
00:48:29,600 --> 00:48:32,840
Speaker 1: vets go and work with like a Teazo touchdown or

1105
00:48:33,120 --> 00:48:34,560
Speaker 1: they kid like, that's another thing.

1106
00:48:34,680 --> 00:48:36,719
Speaker 7: If he didn't do that, y'all was saying, it's fucked

1107
00:48:36,760 --> 00:48:38,600
Speaker 7: up that he don't help none of the young artists

1108
00:48:39,040 --> 00:48:39,800
Speaker 7: and he's been doing it.

1109
00:48:39,840 --> 00:48:41,000
Speaker 4: I wouldn't hold that against Drake.

1110
00:48:41,040 --> 00:48:43,200
Speaker 7: Yeah, I'm just saying a lot, a lot of lot,

1111
00:48:43,360 --> 00:48:45,440
Speaker 7: a lot of people would though, if he was one

1112
00:48:45,480 --> 00:48:47,400
Speaker 7: of the older artists, and you know, he's considered one

1113
00:48:47,400 --> 00:48:49,680
Speaker 7: of the older artists even though he's thirty six, if

1114
00:48:49,719 --> 00:48:54,080
Speaker 7: he didn't reach back and give verses to the twenty

1115
00:48:54,160 --> 00:48:56,600
Speaker 7: five year olds and the twenty eight year olds, people like, yo,

1116
00:48:56,640 --> 00:48:58,279
Speaker 7: he don't fuck with none of the young dudes. So

1117
00:48:58,360 --> 00:49:00,280
Speaker 7: it's like you damned if you do, damned if you don't.

1118
00:49:00,480 --> 00:49:03,600
Speaker 7: And them dudes take that young teas. I think Sexy

1119
00:49:03,640 --> 00:49:05,879
Speaker 7: Red was the youngest artist on the album. She's twenty five.

1120
00:49:06,520 --> 00:49:07,520
Speaker 7: Teezo is twenty nine.

1121
00:49:07,520 --> 00:49:09,799
Speaker 1: I think when we say young, like we know Theo

1122
00:49:09,840 --> 00:49:12,640
Speaker 1: has been around for a little bit, but Tiso has arrived,

1123
00:49:13,040 --> 00:49:16,520
Speaker 1: Like we're talking younger in career and younger is hit

1124
00:49:16,600 --> 00:49:17,359
Speaker 1: that younger in the style.

1125
00:49:17,520 --> 00:49:19,239
Speaker 7: That's not a stat for the biggest artists in the

1126
00:49:19,280 --> 00:49:21,640
Speaker 7: world to do that. He is a back and fun

1127
00:49:21,719 --> 00:49:23,279
Speaker 7: with dudes that's on the come up and give them

1128
00:49:23,280 --> 00:49:23,520
Speaker 7: a light.

1129
00:49:23,680 --> 00:49:26,000
Speaker 1: I think that's cool. But I also think someone could

1130
00:49:26,000 --> 00:49:27,960
Speaker 1: critique and say balance it out a little bit more,

1131
00:49:28,000 --> 00:49:30,479
Speaker 1: where the whole album shouldn't have the younger kids sound,

1132
00:49:30,520 --> 00:49:33,239
Speaker 1: the younger kid content, and the younger kid features. That's

1133
00:49:33,320 --> 00:49:36,800
Speaker 1: what that is an acceptable take if there is no

1134
00:49:36,920 --> 00:49:38,879
Speaker 1: balance when we so much balanced.

1135
00:49:38,560 --> 00:49:40,400
Speaker 7: Features though it's four features on this album.

1136
00:49:42,000 --> 00:49:43,759
Speaker 4: Yeah, but I think that's what I'm saying.

1137
00:49:43,840 --> 00:49:45,759
Speaker 7: Niggas is just niggas is just throwing she at the

1138
00:49:45,800 --> 00:49:46,680
Speaker 7: wall hoping something stick.

1139
00:49:46,719 --> 00:49:46,839
Speaker 11: Bro.

1140
00:49:47,280 --> 00:49:50,359
Speaker 7: The excuses why they don't like this albumI yo, it's

1141
00:49:50,400 --> 00:49:52,560
Speaker 7: too many young niggas. It's four artists on the album,

1142
00:49:52,640 --> 00:49:56,200
Speaker 7: Bad Bunny, Sexy, Red Scissors on it twice, Tiso, and

1143
00:49:56,400 --> 00:49:58,240
Speaker 7: Fucking yacht Oh Jacob.

1144
00:49:58,360 --> 00:50:01,319
Speaker 1: Ye those ain't young artist, But you think a lot

1145
00:50:01,360 --> 00:50:03,239
Speaker 1: of the sound is young as well.

1146
00:50:03,320 --> 00:50:06,000
Speaker 7: Though it sounds young, I don't think that.

1147
00:50:06,160 --> 00:50:06,360
Speaker 1: To me.

1148
00:50:06,520 --> 00:50:08,400
Speaker 7: All My life with Little Dirk and j Cole is

1149
00:50:08,400 --> 00:50:11,680
Speaker 7: a young sounding record. My life, that's the young sounding

1150
00:50:11,719 --> 00:50:13,800
Speaker 7: record to me. None of these records on this album

1151
00:50:13,880 --> 00:50:16,520
Speaker 7: sound like that. So what is this young sound that niggas,

1152
00:50:16,880 --> 00:50:17,280
Speaker 7: You don't.

1153
00:50:17,120 --> 00:50:17,920
Speaker 1: Think the yat record.

1154
00:50:18,360 --> 00:50:20,600
Speaker 2: The record is definitely like a younger I think.

1155
00:50:20,640 --> 00:50:25,760
Speaker 1: Daylight, which I like is daylights Fire, keep going Calling

1156
00:50:25,800 --> 00:50:28,759
Speaker 1: for you? Him and twenty one do the younger sound

1157
00:50:28,920 --> 00:50:30,960
Speaker 1: very well, same way they did on her loss.

1158
00:50:31,040 --> 00:50:33,480
Speaker 4: You think that was her lost record, by the way, Yeah, yeah,

1159
00:50:33,640 --> 00:50:35,920
Speaker 4: it's definitely. Yeah, it's a throwaway.

1160
00:50:36,880 --> 00:50:39,000
Speaker 1: What would Pluto Do is cool, but it's on the

1161
00:50:39,040 --> 00:50:40,800
Speaker 1: younger side. I like that song, but it's on the

1162
00:50:40,840 --> 00:50:41,359
Speaker 1: younger side.

1163
00:50:41,880 --> 00:50:44,200
Speaker 5: I think the content was more young than the music.

1164
00:50:44,360 --> 00:50:45,880
Speaker 5: The content gave young to me.

1165
00:50:47,440 --> 00:50:49,040
Speaker 9: I still think of myself as young, so I like

1166
00:50:49,080 --> 00:50:51,040
Speaker 9: the content, but I think the content gave young more

1167
00:50:51,080 --> 00:50:51,560
Speaker 9: than the music.

1168
00:50:52,280 --> 00:50:54,759
Speaker 7: I mean, been that ass over, hands on your knee.

1169
00:50:54,840 --> 00:50:55,480
Speaker 1: I like that song.

1170
00:50:55,600 --> 00:50:58,359
Speaker 7: Noh, yeah, that's just that's probably the youngest sounding song

1171
00:50:58,400 --> 00:51:00,600
Speaker 7: on it because we know what that's. That's for the

1172
00:51:00,680 --> 00:51:02,560
Speaker 7: girls in the dorm room shaking that. Oh they're gonna

1173
00:51:02,560 --> 00:51:03,480
Speaker 7: go crazy on tiktoking.

1174
00:51:03,560 --> 00:51:04,319
Speaker 2: Oh yeah that one.

1175
00:51:04,480 --> 00:51:06,719
Speaker 7: But that ain't for us, fellas, but that's for us.

1176
00:51:06,880 --> 00:51:07,880
Speaker 4: I was going up in the sauna.

1177
00:51:07,960 --> 00:51:11,040
Speaker 7: Yeah that ain't for us, but that's for us. I

1178
00:51:11,160 --> 00:51:13,600
Speaker 7: means for us, we can't get jiggy to that ship.

1179
00:51:13,880 --> 00:51:14,440
Speaker 5: Yes I can.

1180
00:51:15,600 --> 00:51:16,840
Speaker 4: You're not gonna do that in Toronto?

1181
00:51:17,440 --> 00:51:22,160
Speaker 7: Shake my ass? Yeahs Toronto if I go out there

1182
00:51:22,160 --> 00:51:22,680
Speaker 7: to because you.

1183
00:51:22,680 --> 00:51:26,120
Speaker 4: Creat shake my ass? Not for Drake. He she does say, se,

1184
00:51:27,360 --> 00:51:27,879
Speaker 4: you have the option.

1185
00:51:28,000 --> 00:51:29,200
Speaker 7: You can choose shaking my ass.

1186
00:51:29,480 --> 00:51:30,840
Speaker 4: It's like choose your own careermer.

1187
00:51:31,120 --> 00:51:32,440
Speaker 7: No, no, no, no, how about this.

1188
00:51:32,480 --> 00:51:33,400
Speaker 4: You can choose what happened?

1189
00:51:33,800 --> 00:51:35,680
Speaker 7: How about this? How about shake your ass? And I

1190
00:51:35,760 --> 00:51:37,960
Speaker 7: watch whoa well not you?

1191
00:51:38,719 --> 00:51:40,319
Speaker 1: Not whoa not you.

1192
00:51:40,840 --> 00:51:42,719
Speaker 7: About I'm talking about the girls that are dancing and

1193
00:51:42,840 --> 00:51:45,880
Speaker 7: making those viral video watch them shake their ass, and

1194
00:51:46,000 --> 00:51:47,719
Speaker 7: then I can watch I'm not shaking my ass.

1195
00:51:47,760 --> 00:51:47,920
Speaker 1: I do.

1196
00:51:48,040 --> 00:51:50,000
Speaker 7: But that's the youngest sounding the record on the album

1197
00:51:50,040 --> 00:51:50,160
Speaker 7: to me.

1198
00:51:52,400 --> 00:51:53,839
Speaker 1: Wait, you're saying, I don't right.

1199
00:51:53,880 --> 00:51:57,400
Speaker 4: I don't think the Yat record sounds the Yeat.

1200
00:51:57,280 --> 00:51:59,520
Speaker 7: Right, But the Bounce record is the you know, you know,

1201
00:51:59,640 --> 00:52:00,239
Speaker 7: I want to see that.

1202
00:52:00,480 --> 00:52:03,160
Speaker 4: The part a break beat was cool. That for Drake

1203
00:52:03,280 --> 00:52:05,160
Speaker 4: and we haven't given much flowers.

1204
00:52:05,440 --> 00:52:05,680
Speaker 7: Listen.

1205
00:52:05,840 --> 00:52:06,400
Speaker 4: I like that.

1206
00:52:07,000 --> 00:52:09,600
Speaker 7: People. I know people want to want and I get it.

1207
00:52:09,640 --> 00:52:11,400
Speaker 7: I understand, man. When you as good as this, this

1208
00:52:11,520 --> 00:52:13,120
Speaker 7: dude that has been for this many years, people want

1209
00:52:13,160 --> 00:52:15,120
Speaker 7: to see the moment where they could sit down and

1210
00:52:15,160 --> 00:52:16,960
Speaker 7: say that was the moment he fell off. That was

1211
00:52:16,960 --> 00:52:19,080
Speaker 7: with the decline. So I get it, and this this

1212
00:52:19,239 --> 00:52:22,439
Speaker 7: feels like their opportunity to say, Yo, this is the one.

1213
00:52:22,520 --> 00:52:23,520
Speaker 4: See I wouldn't go that far.

1214
00:52:23,640 --> 00:52:26,439
Speaker 5: Yeah, I think that the decline is just starting for Drake.

1215
00:52:27,480 --> 00:52:30,440
Speaker 1: I can't even I think all we can't even have

1216
00:52:30,920 --> 00:52:34,560
Speaker 1: album that that isn't up to their best and they

1217
00:52:35,120 --> 00:52:39,280
Speaker 1: typically come back. Jay has had slopes, nas as Wayne

1218
00:52:39,360 --> 00:52:41,200
Speaker 1: has multiple Asking is.

1219
00:52:41,400 --> 00:52:43,360
Speaker 7: You can't say Nas had a decline because he just

1220
00:52:43,400 --> 00:52:44,400
Speaker 7: put out six albums.

1221
00:52:45,320 --> 00:52:48,120
Speaker 1: Crazy, You can have a decline, there's been, it's been

1222
00:52:48,360 --> 00:52:53,839
Speaker 1: a dip. Grasp listen streets. Disciple was cool, but it's

1223
00:52:53,920 --> 00:52:57,440
Speaker 1: nowhere near life is good. That's when he was back. Okay,

1224
00:52:58,160 --> 00:53:00,279
Speaker 1: the artists on the chart, this may be the one

1225
00:53:00,280 --> 00:53:02,640
Speaker 1: people going back to him like this did with their

1226
00:53:02,680 --> 00:53:03,480
Speaker 1: own desography.

1227
00:53:03,640 --> 00:53:06,680
Speaker 9: Like y'all think that the Drake's first four album y'all

1228
00:53:06,719 --> 00:53:11,759
Speaker 9: think that Drake has consistently gotten better in his albums for.

1229
00:53:11,840 --> 00:53:14,279
Speaker 7: A long time. Yeah, he did not for a long time.

1230
00:53:14,320 --> 00:53:16,480
Speaker 5: You might you might go back to four albums compared

1231
00:53:16,520 --> 00:53:17,800
Speaker 5: to his last four albums.

1232
00:53:18,440 --> 00:53:23,320
Speaker 1: Thank me later, to views is a crazy run on

1233
00:53:23,680 --> 00:53:28,399
Speaker 1: line where he continued to become a better artist. I'm

1234
00:53:28,400 --> 00:53:30,400
Speaker 1: not even saying just a rapper, a better artist.

1235
00:53:30,239 --> 00:53:30,560
Speaker 6: Just up.

1236
00:53:30,880 --> 00:53:32,359
Speaker 7: But nothing was the same as a dip.

1237
00:53:34,000 --> 00:53:35,200
Speaker 1: That's my favorite Drake album.

1238
00:53:35,280 --> 00:53:38,360
Speaker 7: Bye yeah, I'm about to stay hold on And now

1239
00:53:38,560 --> 00:53:41,040
Speaker 7: now we're just saying it even in if.

1240
00:53:40,920 --> 00:53:46,760
Speaker 1: You're reading and more Life I love. I think scorp Scorpion, Yeah, Scorpid.

1241
00:53:46,800 --> 00:53:47,520
Speaker 1: I don't think it's bad.

1242
00:53:47,640 --> 00:53:50,759
Speaker 7: But you did see a plateau the only, the only,

1243
00:53:50,840 --> 00:53:51,399
Speaker 7: the only knock.

1244
00:53:51,680 --> 00:53:53,040
Speaker 1: Plateau is pretty high.

1245
00:53:53,120 --> 00:53:54,879
Speaker 7: The only knock I had on Scorpion was a knock

1246
00:53:54,920 --> 00:53:58,359
Speaker 7: I have on most double disc. It's too much, it's

1247
00:53:58,360 --> 00:54:01,000
Speaker 7: too much. That prediction was one like the Blueprint two

1248
00:54:01,120 --> 00:54:04,279
Speaker 7: Jay jay Z's Blueprint two. Great album. If it was

1249
00:54:04,360 --> 00:54:07,960
Speaker 7: just one. To me, it was great songs both take

1250
00:54:08,000 --> 00:54:10,720
Speaker 7: those compiliaments to one. We don't have no gripes.

1251
00:54:10,840 --> 00:54:12,759
Speaker 1: That's where I give Big and Poc. They're they're one

1252
00:54:12,840 --> 00:54:13,640
Speaker 1: up over everybody.

1253
00:54:13,960 --> 00:54:15,319
Speaker 7: They were able to success it.

1254
00:54:15,440 --> 00:54:16,839
Speaker 1: To double disc.

1255
00:54:16,920 --> 00:54:18,000
Speaker 6: That different.

1256
00:54:18,080 --> 00:54:20,040
Speaker 1: Not a skip on y'all.

1257
00:54:20,120 --> 00:54:21,400
Speaker 7: Not fucking with Drew Picasso.

1258
00:54:23,680 --> 00:54:25,399
Speaker 1: I told you the records that I like, do lie.

1259
00:54:25,719 --> 00:54:26,680
Speaker 7: I'll be starting to feel like.

1260
00:54:26,719 --> 00:54:28,600
Speaker 1: You're talking to us like the Twitter timeline. I have

1261
00:54:28,719 --> 00:54:30,960
Speaker 1: my critius, but I told you the records I.

1262
00:54:31,080 --> 00:54:32,400
Speaker 4: Like, and that was one of them.

1263
00:54:32,400 --> 00:54:35,200
Speaker 7: I'm just making sure, bro, because I sometimes I be

1264
00:54:35,239 --> 00:54:38,359
Speaker 7: feeling like I'm I'm bugging the fun out some because

1265
00:54:38,360 --> 00:54:40,560
Speaker 7: I hear it and I'm just like, yo, y'all not

1266
00:54:40,760 --> 00:54:43,200
Speaker 7: fucking with that. That, to me is some of the

1267
00:54:43,239 --> 00:54:45,680
Speaker 7: best rapping we've heard for Did you.

1268
00:54:45,680 --> 00:54:47,719
Speaker 4: Try to draw one? No?

1269
00:54:48,040 --> 00:54:51,960
Speaker 7: Never started to draw a pocasso well before.

1270
00:54:51,719 --> 00:54:54,719
Speaker 1: We get off this, this exchange, this just felt like

1271
00:54:54,800 --> 00:54:57,640
Speaker 1: something that was being Harvard for quite some time.

1272
00:54:57,920 --> 00:54:58,520
Speaker 4: It was personal.

1273
00:54:58,800 --> 00:55:01,560
Speaker 7: That's personal, man, It's person. I was it's personal. It's

1274
00:55:01,600 --> 00:55:03,600
Speaker 7: personal for a lot of reasons. It's it's personal. And

1275
00:55:03,680 --> 00:55:06,839
Speaker 7: I think that Drake again, I think that he's been

1276
00:55:07,080 --> 00:55:11,400
Speaker 7: very Drake is very observant. He hears everything, he sees everything.

1277
00:55:11,480 --> 00:55:14,200
Speaker 7: He may not always respond to everything, but he hears

1278
00:55:14,239 --> 00:55:18,160
Speaker 7: and he sees it. And obviously in this situation, there's

1279
00:55:18,200 --> 00:55:20,360
Speaker 7: a there's a lot more personal shit than people know.

1280
00:55:21,440 --> 00:55:23,919
Speaker 1: Yeah, because because what I don't think what Joe said

1281
00:55:24,000 --> 00:55:27,880
Speaker 1: was really that bad. I just felt like Drake said, oh,

1282
00:55:27,920 --> 00:55:29,719
Speaker 1: you finally said my name again. It wasn't now I

1283
00:55:29,760 --> 00:55:32,200
Speaker 1: could say everything that I've been wanting to say because

1284
00:55:32,239 --> 00:55:35,000
Speaker 1: they pretended to be friends during the pandemic and fake

1285
00:55:35,040 --> 00:55:35,640
Speaker 1: squash stuff.

1286
00:55:35,719 --> 00:55:36,640
Speaker 7: Yeah, but this was.

1287
00:55:36,719 --> 00:55:38,640
Speaker 1: This is he's been harboring this because he didn't reply.

1288
00:55:38,960 --> 00:55:40,840
Speaker 1: He didn't reply in the raps, and you know, he

1289
00:55:40,920 --> 00:55:41,520
Speaker 1: had a bunch to.

1290
00:55:41,520 --> 00:55:44,320
Speaker 7: Say, don't do that after this because this is because

1291
00:55:44,400 --> 00:55:47,280
Speaker 7: in that rent there was a lot of personal shots.

1292
00:55:47,480 --> 00:55:49,960
Speaker 1: That's what I'm saying. He's been holding on to this

1293
00:55:50,160 --> 00:55:53,000
Speaker 1: and was like, oh, you think Joe gave personal shots.

1294
00:55:52,960 --> 00:55:54,440
Speaker 7: Stopped fucking twenty five year olds?

1295
00:55:54,520 --> 00:55:54,719
Speaker 6: Yeah?

1296
00:55:54,760 --> 00:55:59,080
Speaker 1: I mean, okay, I didn't watch the whole joke cub.

1297
00:55:59,080 --> 00:56:01,000
Speaker 9: I just watched like the one that viral fair Drake

1298
00:56:01,080 --> 00:56:03,879
Speaker 9: literally has a lyric in it, like he talked about

1299
00:56:03,960 --> 00:56:05,120
Speaker 9: fucking twenty five year olds.

1300
00:56:05,239 --> 00:56:07,200
Speaker 7: Yeah, but dude, can't be the one to tell Drake that.

1301
00:56:07,840 --> 00:56:10,279
Speaker 1: Well, I think that was that was gree But see,

1302
00:56:10,320 --> 00:56:12,439
Speaker 1: I think a lot of people agreed with with Joe's take.

1303
00:56:13,120 --> 00:56:15,560
Speaker 1: But also we're like, okay, but you were kind of

1304
00:56:15,600 --> 00:56:16,400
Speaker 1: the post child of that.

1305
00:56:16,600 --> 00:56:17,279
Speaker 7: You can't be the one.

1306
00:56:17,360 --> 00:56:18,800
Speaker 1: But maybe that's the guy that should tell you to

1307
00:56:18,840 --> 00:56:22,560
Speaker 1: stop fucking twenty five year olds. No, he's been through it.

1308
00:56:23,280 --> 00:56:25,080
Speaker 1: He's trying to guide him through that.

1309
00:56:25,239 --> 00:56:26,080
Speaker 7: No, because don't do it.

1310
00:56:26,160 --> 00:56:26,920
Speaker 1: Look what happened to me.

1311
00:56:27,120 --> 00:56:29,520
Speaker 7: No, because now now you just talk. Now you just

1312
00:56:29,719 --> 00:56:32,640
Speaker 7: again you're trying to know, You're trying to find a

1313
00:56:32,840 --> 00:56:35,400
Speaker 7: valid point to say why you wasn't feeling the art.

1314
00:56:35,880 --> 00:56:38,080
Speaker 7: You trying to connect to the fact that I'm fucking

1315
00:56:38,120 --> 00:56:39,759
Speaker 7: twenty five year olds, Like, what does that have to

1316
00:56:39,800 --> 00:56:40,960
Speaker 7: do with the album I just put out?

1317
00:56:41,000 --> 00:56:43,360
Speaker 1: Because it's it sounds like that's all the content. Is

1318
00:56:44,120 --> 00:56:48,640
Speaker 1: someone in their mid to late thirties fucking young chicks

1319
00:56:49,360 --> 00:56:50,080
Speaker 1: from Instagram.

1320
00:56:50,920 --> 00:56:52,279
Speaker 7: Drake can't fuck twenty five year olds.

1321
00:56:52,280 --> 00:56:54,640
Speaker 5: It's not It's not about him fucking twenty five year olds.

1322
00:56:54,680 --> 00:56:56,759
Speaker 7: So that's my stop right there. That's the point. So

1323
00:56:56,840 --> 00:56:59,080
Speaker 7: why even say that, because that means nothing. What does

1324
00:56:59,120 --> 00:56:59,400
Speaker 7: that mean?

1325
00:56:59,600 --> 00:57:03,400
Speaker 9: It's a if somebody, if I'm asking for mormon, if

1326
00:57:03,400 --> 00:57:05,240
Speaker 9: I'm asking for more mature I'm not asking.

1327
00:57:05,040 --> 00:57:07,359
Speaker 7: For more niggas. That's giving you mature music. And guess

1328
00:57:07,360 --> 00:57:10,439
Speaker 7: how old the bitches are they fucking? That has nothing

1329
00:57:10,520 --> 00:57:14,239
Speaker 7: to listen to what I'm telling you. That's personal ship.

1330
00:57:16,080 --> 00:57:19,000
Speaker 7: That's personal ship. And that's the only reason Drake responded

1331
00:57:19,040 --> 00:57:20,880
Speaker 7: the way he did, because it's.

1332
00:57:20,800 --> 00:57:23,000
Speaker 1: Like, I didn't look that deep into it.

1333
00:57:23,880 --> 00:57:26,280
Speaker 7: You don't have to look deep into its personally.

1334
00:57:26,240 --> 00:57:28,800
Speaker 9: You don't think you don't think that, Okay, that could

1335
00:57:28,800 --> 00:57:30,960
Speaker 9: be part of it, But you don't think that Drake

1336
00:57:31,280 --> 00:57:35,400
Speaker 9: was possibly offended by what Joe said because Drake respects

1337
00:57:35,480 --> 00:57:36,440
Speaker 9: Joe's musical opinion.

1338
00:57:36,800 --> 00:57:39,320
Speaker 7: I don't think Drake respects Joe's musical opinion at all.

1339
00:57:39,520 --> 00:57:41,040
Speaker 7: I think he made that very clear.

1340
00:57:41,360 --> 00:57:42,600
Speaker 1: Well in this paragraph, for sure.

1341
00:57:43,000 --> 00:57:45,680
Speaker 8: I think that the bottom line did he made it

1342
00:57:45,760 --> 00:57:48,680
Speaker 8: a point in his younger years he was there was

1343
00:57:48,960 --> 00:57:50,360
Speaker 8: obviously since this moment happened.

1344
00:57:50,400 --> 00:57:52,680
Speaker 7: If you rapped, if you rapped growing up in the

1345
00:57:52,760 --> 00:57:56,160
Speaker 7: two thousands, you looked at dude as one of those

1346
00:57:56,280 --> 00:57:58,880
Speaker 7: those rappers. He really be saying some ship, he got flow,

1347
00:57:58,920 --> 00:58:01,280
Speaker 7: he could spit. Yeah, there's nothing wrong with with with

1348
00:58:01,400 --> 00:58:03,520
Speaker 7: with with saying that, of course, And I think Drake

1349
00:58:03,560 --> 00:58:06,320
Speaker 7: will still say that. But we not gonna act like

1350
00:58:06,360 --> 00:58:09,120
Speaker 7: because I said that when I was fucking twenty four

1351
00:58:10,160 --> 00:58:12,720
Speaker 7: that now it's like, Yo, you can't say nothing to

1352
00:58:12,800 --> 00:58:14,320
Speaker 7: me because you was a fan of mine's going to

1353
00:58:14,400 --> 00:58:16,520
Speaker 7: come up. Yeah, I was a fan of push It too,

1354
00:58:16,720 --> 00:58:18,800
Speaker 7: said that on record I was a fan of a

1355
00:58:18,840 --> 00:58:21,120
Speaker 7: lot of you dudes until I became I got skinned

1356
00:58:21,160 --> 00:58:23,600
Speaker 7: in the game and I became yam. And now you

1357
00:58:23,840 --> 00:58:26,760
Speaker 7: niggas start acting funny, and you niggas start talking crazy

1358
00:58:26,760 --> 00:58:28,680
Speaker 7: about me, and you niggas act like y'all fucking me.

1359
00:58:28,920 --> 00:58:31,240
Speaker 7: But behind these doors with these women, y'all kicking my

1360
00:58:31,360 --> 00:58:33,080
Speaker 7: back end. Not saying that that's what this is here,

1361
00:58:33,680 --> 00:58:37,080
Speaker 7: but that's what happens. I'm the young, corny kid from Toronto.

1362
00:58:37,160 --> 00:58:39,640
Speaker 7: Nobody ever expected me to blow up. Nobody ever expected

1363
00:58:39,680 --> 00:58:42,200
Speaker 7: I'll take over the game. I tried to get versus

1364
00:58:42,280 --> 00:58:44,040
Speaker 7: from these dudes on the come up. Nobody gave me

1365
00:58:44,120 --> 00:58:45,440
Speaker 7: a verse. A lot of nigga sh it on me.

1366
00:58:45,520 --> 00:58:47,640
Speaker 9: I think Drake gotta get out of that. I feel

1367
00:58:47,680 --> 00:58:51,520
Speaker 9: like that chip is still on his shoulder, and no, no, no, it's.

1368
00:58:51,440 --> 00:58:53,560
Speaker 7: Only on his shoulder. It's only on the show, easy,

1369
00:58:53,640 --> 00:58:55,760
Speaker 7: it's only on his shoulder when you shoot at me

1370
00:58:55,840 --> 00:59:00,600
Speaker 7: on some personal shit, because had this not that personal shit? Again?

1371
00:59:00,640 --> 00:59:02,360
Speaker 7: You don't have to like the album. I'm not saying

1372
00:59:02,360 --> 00:59:05,000
Speaker 7: people gotta like it, but when you start giving your

1373
00:59:05,040 --> 00:59:06,680
Speaker 7: reason why you don't like it, and now you add

1374
00:59:06,800 --> 00:59:09,560
Speaker 7: personal shit to it, it's like, Okay, so it's personal

1375
00:59:09,600 --> 00:59:11,120
Speaker 7: why you don't like my mom It has nothing to

1376
00:59:11,200 --> 00:59:12,920
Speaker 7: do with the songs. It's personal.

1377
00:59:13,720 --> 00:59:16,360
Speaker 9: I don't think that that's fair because everybody I saw

1378
00:59:16,480 --> 00:59:18,640
Speaker 9: talking about this album, outside of like the couple people

1379
00:59:18,680 --> 00:59:19,360
Speaker 9: I saw that liked.

1380
00:59:19,320 --> 00:59:21,680
Speaker 5: It, said the same thing that No, No, no, in

1381
00:59:21,800 --> 00:59:23,280
Speaker 5: this particular, I know.

1382
00:59:23,360 --> 00:59:25,120
Speaker 9: But what I'm saying is you you saying that Drake

1383
00:59:25,160 --> 00:59:26,760
Speaker 9: is shooting like, oh, you're talking this is why you

1384
00:59:26,800 --> 00:59:28,440
Speaker 9: don't like my album. No, A bunch of people don't

1385
00:59:28,480 --> 00:59:30,240
Speaker 9: like your album for the same exact reason.

1386
00:59:30,680 --> 00:59:33,880
Speaker 7: No, But again, the personal digs that was in that rant,

1387
00:59:34,440 --> 00:59:35,560
Speaker 7: that's why he responded.

1388
00:59:35,560 --> 00:59:37,720
Speaker 8: It's also there's a difference between the collective of a

1389
00:59:37,840 --> 00:59:40,440
Speaker 8: of an anonymous time not anonymous, but a timeline that

1390
00:59:40,560 --> 00:59:43,480
Speaker 8: has no connection to him as the person, versus someone

1391
00:59:43,600 --> 00:59:46,080
Speaker 8: like Joe, where they have a history and.

1392
00:59:46,280 --> 00:59:48,520
Speaker 4: This like it's personal. Someone made it tweet.

1393
00:59:48,560 --> 00:59:51,000
Speaker 8: It's like it's it's like you're in the room getting

1394
00:59:51,040 --> 00:59:55,320
Speaker 8: bullied and everyone yeah, and there's that one person that yeah,

1395
00:59:55,760 --> 00:59:57,520
Speaker 8: and we and we've all been in this case, it's

1396
00:59:57,600 --> 01:00:01,560
Speaker 8: Joe Jo. He's getting the aggression for everybody else that's

1397
01:00:01,560 --> 01:00:02,240
Speaker 8: saying the same thing.

1398
01:00:02,480 --> 01:00:04,720
Speaker 7: Again, you could not like something. I'm not saying you've

1399
01:00:04,720 --> 01:00:08,080
Speaker 7: got to love everything that people put out, but don't

1400
01:00:08,120 --> 01:00:11,240
Speaker 7: start throwing personal shit as to why you don't like it,

1401
01:00:11,320 --> 01:00:13,280
Speaker 7: because now we're going to get into some personal shit.

1402
01:00:13,200 --> 01:00:15,800
Speaker 1: Outside of of the personal shots, which I agree. Once

1403
01:00:15,840 --> 01:00:18,320
Speaker 1: you go personal, all gloves are off. You could say,

1404
01:00:18,400 --> 01:00:23,960
Speaker 1: do whatever. Where do you stand with artists lashing out

1405
01:00:24,160 --> 01:00:27,600
Speaker 1: at media, specifically podcasters, because Drake is the only one

1406
01:00:27,640 --> 01:00:32,000
Speaker 1: that's done this, with multiple different outlets that get mad

1407
01:00:32,040 --> 01:00:33,200
Speaker 1: when you critique their work.

1408
01:00:34,000 --> 01:00:36,760
Speaker 7: I think that it falls down. It falls on simple

1409
01:00:36,800 --> 01:00:39,760
Speaker 7: shit like yo, okay, you don't do what I do,

1410
01:00:40,640 --> 01:00:42,840
Speaker 7: so to you never try to do what I do,

1411
01:00:43,280 --> 01:00:45,480
Speaker 7: And none of y'all have ever done it as consistent

1412
01:00:45,520 --> 01:00:46,840
Speaker 7: as I've done it to the level I've done it.

1413
01:00:47,520 --> 01:00:49,040
Speaker 7: So if I feel like none of y'all can really

1414
01:00:49,080 --> 01:00:51,240
Speaker 7: tell me shit, I would have a great case to say, Yo, listen,

1415
01:00:51,320 --> 01:00:53,360
Speaker 7: what I've been doing is working pretty fine. But I

1416
01:00:53,400 --> 01:00:54,840
Speaker 7: don't need none of you niggas to tell me how

1417
01:00:54,840 --> 01:00:56,200
Speaker 7: to create my art or what I should do in

1418
01:00:56,240 --> 01:00:57,840
Speaker 7: my career because I've done what none of you have

1419
01:00:57,920 --> 01:00:58,400
Speaker 7: been able to do.

1420
01:00:58,560 --> 01:01:02,800
Speaker 1: Hip Hop is the only place where that happens because

1421
01:01:03,280 --> 01:01:06,520
Speaker 1: if you look at sports commentators, a lot of them

1422
01:01:06,600 --> 01:01:08,720
Speaker 1: never went past high school to play. If you look

1423
01:01:08,760 --> 01:01:12,960
Speaker 1: at certain coaches, they never went past high school. There's

1424
01:01:12,960 --> 01:01:16,080
Speaker 1: a lot of people that never got to the professional

1425
01:01:16,160 --> 01:01:19,840
Speaker 1: level or even really got on the field, but know

1426
01:01:20,000 --> 01:01:22,560
Speaker 1: how to critique it, know how to teach it, know

1427
01:01:22,720 --> 01:01:26,520
Speaker 1: how to maneuver through just they're just not an athlete.

1428
01:01:26,840 --> 01:01:31,440
Speaker 1: If you look at any political commentators, they were never governors,

1429
01:01:31,480 --> 01:01:33,400
Speaker 1: they were never presidents, they were never any of these

1430
01:01:33,440 --> 01:01:35,960
Speaker 1: things that they critique every day. Why and hip hop

1431
01:01:36,960 --> 01:01:40,560
Speaker 1: do artists feel that that is their go to that

1432
01:01:40,880 --> 01:01:42,560
Speaker 1: we cannot speak on it because we haven't done it,

1433
01:01:42,600 --> 01:01:44,640
Speaker 1: which I understand. When I went on my press run,

1434
01:01:44,640 --> 01:01:45,880
Speaker 1: the first thing I said was, I started to feel

1435
01:01:45,880 --> 01:01:48,040
Speaker 1: like Skip Bayless, I'm critiquing on these people and I've

1436
01:01:48,080 --> 01:01:51,160
Speaker 1: never I've never played the sport like critiquing Floyd Mayweather,

1437
01:01:51,240 --> 01:01:54,560
Speaker 1: and I've never been punched in the face. So I

1438
01:01:54,720 --> 01:01:56,760
Speaker 1: get it. But I think that's very unfair. And I

1439
01:01:56,800 --> 01:02:00,480
Speaker 1: think it's healthy for the culture for let's to be

1440
01:02:00,720 --> 01:02:03,840
Speaker 1: critical but also praise and be honest. And I think

1441
01:02:03,960 --> 01:02:07,000
Speaker 1: that's just kind of what comes with art and entertainment.

1442
01:02:07,080 --> 01:02:09,200
Speaker 1: Everywhere else. Athletes have to they have to deal with it.

1443
01:02:09,480 --> 01:02:12,240
Speaker 1: They could shoot back, like Katie does. Artist should be

1444
01:02:12,240 --> 01:02:14,760
Speaker 1: able to shoot back, but they can't say we're not

1445
01:02:14,880 --> 01:02:17,720
Speaker 1: allowed to critique the music that they are putting out

1446
01:02:17,880 --> 01:02:19,840
Speaker 1: to be critiqued. Now, think it's unfair.

1447
01:02:19,720 --> 01:02:21,720
Speaker 7: Art is to be critiqued. Once you put something into

1448
01:02:22,200 --> 01:02:25,480
Speaker 7: the consumption space and people consume it, people have the

1449
01:02:25,560 --> 01:02:27,600
Speaker 7: right to say feel however they feel about it. So

1450
01:02:27,800 --> 01:02:31,960
Speaker 7: that's people have critiqued plenty of Drake's albums. He's never

1451
01:02:32,080 --> 01:02:35,200
Speaker 7: really like when honestly never Mind came out, everybody hated

1452
01:02:35,240 --> 01:02:37,080
Speaker 7: that shit. Nobody was like a dance album, What the

1453
01:02:37,120 --> 01:02:37,560
Speaker 7: fuck is this?

1454
01:02:37,760 --> 01:02:37,800
Speaker 4: Like?

1455
01:02:38,280 --> 01:02:39,160
Speaker 7: People were going crazy.

1456
01:02:39,160 --> 01:02:39,439
Speaker 2: He didn't.

1457
01:02:39,440 --> 01:02:40,720
Speaker 7: I didn't seehim respond.

1458
01:02:40,520 --> 01:02:42,640
Speaker 1: Much to that, And I'm also not saying that's exactly

1459
01:02:42,680 --> 01:02:44,280
Speaker 1: what Drake is doing here. I do think there is

1460
01:02:44,320 --> 01:02:47,919
Speaker 1: some importance of, outside of the shots and the funny shit,

1461
01:02:48,120 --> 01:02:51,640
Speaker 1: of telling younger artists, like, don't let this frustrate you.

1462
01:02:51,680 --> 01:02:53,440
Speaker 1: If you feel like you're doing something right, don't take

1463
01:02:53,480 --> 01:02:55,720
Speaker 1: these critiques that serious. I don't think he's saying we

1464
01:02:55,800 --> 01:02:56,480
Speaker 1: can't critique.

1465
01:02:56,640 --> 01:02:57,080
Speaker 6: Yeah, but.

1466
01:02:58,800 --> 01:03:01,439
Speaker 1: When younger artists see the biggest artist in the world

1467
01:03:01,600 --> 01:03:03,840
Speaker 1: shooting a podcast. I think this is going to continue

1468
01:03:03,880 --> 01:03:06,280
Speaker 1: on and I think it's healthy if there is back

1469
01:03:06,320 --> 01:03:11,120
Speaker 1: and forth between artists and us. But have that mentality

1470
01:03:11,160 --> 01:03:13,120
Speaker 1: as an artist. So you guys are not allowed to

1471
01:03:13,240 --> 01:03:13,680
Speaker 1: critique this.

1472
01:03:13,880 --> 01:03:17,120
Speaker 8: But it's twofold for Joe because to have ninety percent

1473
01:03:17,200 --> 01:03:20,400
Speaker 8: of this shot at him, He's saying, you tried it,

1474
01:03:20,520 --> 01:03:21,400
Speaker 8: it didn't work out for you.

1475
01:03:21,680 --> 01:03:23,360
Speaker 1: But that's most commentatorship.

1476
01:03:23,400 --> 01:03:25,840
Speaker 8: Yeah, but like that, but it's specifically again just unique

1477
01:03:25,880 --> 01:03:28,440
Speaker 8: to Joe, like he's like bro. And I think this

1478
01:03:28,600 --> 01:03:31,320
Speaker 8: is a lot of the crisis. Criticism comes from you

1479
01:03:31,520 --> 01:03:35,040
Speaker 8: never changed your sound, you never evolved your age. Literally

1480
01:03:35,240 --> 01:03:39,160
Speaker 8: your sound expired. It just doesn't happen, like people stop

1481
01:03:39,280 --> 01:03:41,920
Speaker 8: listening because people didn't care for that sound anymore. So

1482
01:03:42,000 --> 01:03:43,600
Speaker 8: it's like, who are you to tell me someone that's

1483
01:03:43,840 --> 01:03:47,480
Speaker 8: been over almost two decades in has had multiple sounds,

1484
01:03:47,520 --> 01:03:50,200
Speaker 8: evolved as an artist, done all these things, is obviously

1485
01:03:50,320 --> 01:03:53,720
Speaker 8: most more successful. Who are you to say have an

1486
01:03:53,720 --> 01:03:56,560
Speaker 8: opinion at all on the sound that I'm currently making

1487
01:03:56,640 --> 01:03:59,600
Speaker 8: when your sound lasted this amount of years and is

1488
01:03:59,640 --> 01:04:02,280
Speaker 8: no longer or even in hip hop. And I guess

1489
01:04:02,360 --> 01:04:04,440
Speaker 8: I think that's what you're saying sound political without all

1490
01:04:04,480 --> 01:04:06,240
Speaker 8: the direct shots and all like the coming at the

1491
01:04:06,280 --> 01:04:07,760
Speaker 8: dirty beaters and the jeans and shit.

1492
01:04:07,800 --> 01:04:09,760
Speaker 4: I think that's like the crux of the thing.

1493
01:04:11,560 --> 01:04:13,640
Speaker 1: My point on this is going to sound sort of political.

1494
01:04:14,000 --> 01:04:17,360
Speaker 1: I think both are right. I think Joe has a

1495
01:04:17,480 --> 01:04:19,440
Speaker 1: right to his opinion about this project and Drake has

1496
01:04:19,480 --> 01:04:22,800
Speaker 1: the right to reply, and that should be able to

1497
01:04:23,160 --> 01:04:27,720
Speaker 1: exist within our media space because it exists in every

1498
01:04:27,800 --> 01:04:29,840
Speaker 1: other media space in the world.

1499
01:04:30,000 --> 01:04:31,360
Speaker 7: Yeah, but you got both people.

1500
01:04:31,720 --> 01:04:33,600
Speaker 1: I don't think either of them are wrong here.

1501
01:04:33,840 --> 01:04:37,720
Speaker 7: No, But again, it's just because it's personal. It's a

1502
01:04:37,800 --> 01:04:41,560
Speaker 7: lot of history. There, a lot of you know, little

1503
01:04:41,600 --> 01:04:44,640
Speaker 7: back and forth, and you know, a lot of the

1504
01:04:44,800 --> 01:04:48,280
Speaker 7: same women, friends involved, things like that. You know how

1505
01:04:48,320 --> 01:04:50,440
Speaker 7: that shit go. Man, It's just so when I saw that,

1506
01:04:50,560 --> 01:04:53,600
Speaker 7: I knew that was happening. Before that, I knew that

1507
01:04:53,680 --> 01:04:56,040
Speaker 7: was gonna happen. I said, it's going it's going to

1508
01:04:56,080 --> 01:04:57,919
Speaker 7: be a long reply. This is gonna be a long

1509
01:04:58,080 --> 01:05:01,080
Speaker 7: drawn out thing. And and like you said, two people

1510
01:05:01,160 --> 01:05:02,920
Speaker 7: can be right. But at the end of the day,

1511
01:05:04,360 --> 01:05:06,720
Speaker 7: you can't be mad at somebody sitting back watching people

1512
01:05:06,840 --> 01:05:08,640
Speaker 7: shit on them and not have a valor reason and

1513
01:05:08,680 --> 01:05:10,800
Speaker 7: then giving personal reasons of why they don't like something

1514
01:05:11,000 --> 01:05:12,480
Speaker 7: and don't expect that artist too small?

1515
01:05:12,600 --> 01:05:15,040
Speaker 1: What do we think numbers wise? Not that I think

1516
01:05:15,120 --> 01:05:19,640
Speaker 1: numbers really matter for these guys anymore, but yeah.

1517
01:05:19,520 --> 01:05:20,120
Speaker 7: It doesn't matter.

1518
01:05:21,200 --> 01:05:23,800
Speaker 4: It's predicted to do between four hundred and four fifty

1519
01:05:23,880 --> 01:05:24,360
Speaker 4: first week.

1520
01:05:24,560 --> 01:05:25,080
Speaker 1: That makes sense.

1521
01:05:25,680 --> 01:05:28,760
Speaker 4: So and here's a chart comparatively what he's done over

1522
01:05:28,800 --> 01:05:29,840
Speaker 4: the course of his career.

1523
01:05:30,400 --> 01:05:33,080
Speaker 1: What what did Miss Morale do again?

1524
01:05:34,840 --> 01:05:35,480
Speaker 2: Big stuffers?

1525
01:05:35,920 --> 01:05:40,440
Speaker 1: Yeah, I mean his his tour sold a million tickets,

1526
01:05:40,480 --> 01:05:42,479
Speaker 1: So I mean, who gives a fuck about streaming numbers

1527
01:05:42,480 --> 01:05:48,400
Speaker 1: at that point? But a half I don't know. I

1528
01:05:48,440 --> 01:05:51,080
Speaker 1: don't really particularly care when it comes to Cold Drake

1529
01:05:51,160 --> 01:05:54,120
Speaker 1: and Kendrick about numbers, like they're just gonna be a

1530
01:05:54,160 --> 01:05:57,439
Speaker 1: reflection of the times, yeah, rather than who's actually listening

1531
01:05:57,480 --> 01:05:58,800
Speaker 1: and who's not care about the culture.

1532
01:06:00,040 --> 01:06:03,360
Speaker 9: But yeah, y'all didn't mention Cole like I know, like

1533
01:06:03,400 --> 01:06:04,840
Speaker 9: they've been talking about on the internet. But I just

1534
01:06:04,920 --> 01:06:06,640
Speaker 9: really want you to use your platform to talk about

1535
01:06:06,680 --> 01:06:09,440
Speaker 9: really how good Cole's verse was and how crazy Cold is.

1536
01:06:09,600 --> 01:06:11,960
Speaker 5: Like I don't like y'all just glossing over that like

1537
01:06:12,400 --> 01:06:12,720
Speaker 5: he was.

1538
01:06:12,800 --> 01:06:14,240
Speaker 7: He was just the highlight of the album.

1539
01:06:15,600 --> 01:06:18,560
Speaker 5: Oh, I'll glaze cold all day like bol is crazy,

1540
01:06:18,840 --> 01:06:21,720
Speaker 5: Like he's also married. I'm not. I'm talking about with kids.

1541
01:06:22,160 --> 01:06:22,480
Speaker 2: Respect.

1542
01:06:22,560 --> 01:06:23,800
Speaker 4: He's a family man, DeMar.

1543
01:06:24,040 --> 01:06:26,800
Speaker 5: He has grown raps literally talking about his music.

1544
01:06:26,920 --> 01:06:28,840
Speaker 10: Very mature content, Yeah, very much. I don't know if

1545
01:06:28,840 --> 01:06:30,560
Speaker 10: you heard him like prety insensitive. He thinks he's like

1546
01:06:30,640 --> 01:06:36,240
Speaker 10: Muhammad Ali. He ain't out, but is he He's nothing?

1547
01:06:36,280 --> 01:06:38,840
Speaker 10: He's not, He's nothing.

1548
01:06:38,880 --> 01:06:39,640
Speaker 7: Let's be very clear.

1549
01:06:39,920 --> 01:06:42,160
Speaker 5: So you're talking about is not Mohammed?

1550
01:06:42,440 --> 01:06:44,760
Speaker 4: No, Mohammed he's a prophet.

1551
01:06:45,880 --> 01:06:48,120
Speaker 7: No, he's a very good rapper, very good artist.

1552
01:06:48,320 --> 01:06:50,080
Speaker 5: So who's Mohammed if it ain't call like sugar?

1553
01:06:50,160 --> 01:06:53,080
Speaker 7: None of these dudes, none of them, I answer your question,

1554
01:06:53,160 --> 01:06:54,360
Speaker 7: none of none of these times.

1555
01:06:54,360 --> 01:06:55,360
Speaker 4: The comparison doesn't need to.

1556
01:06:57,040 --> 01:06:59,880
Speaker 7: For none of these none of these rappers on Mhamad Ali,

1557
01:07:00,080 --> 01:07:01,680
Speaker 7: none of them. But I respect the fact that you

1558
01:07:01,720 --> 01:07:03,360
Speaker 7: say he feels like him. But let me let me

1559
01:07:03,560 --> 01:07:05,080
Speaker 7: show you you did not go through anything.

1560
01:07:05,240 --> 01:07:07,680
Speaker 8: What do you think of the bust Drake had added

1561
01:07:07,760 --> 01:07:10,240
Speaker 8: to his doorbell of twenty one savage?

1562
01:07:12,240 --> 01:07:12,760
Speaker 7: Is that twenty one?

1563
01:07:12,800 --> 01:07:13,280
Speaker 6: Oh? Yeah it is?

1564
01:07:13,600 --> 01:07:17,160
Speaker 4: So this is the the doorbell gate outside of Drake's home.

1565
01:07:17,560 --> 01:07:18,240
Speaker 7: Full of dogs.

1566
01:07:19,320 --> 01:07:22,720
Speaker 1: So that's just like, what would make you think of

1567
01:07:22,840 --> 01:07:23,120
Speaker 1: doing that?

1568
01:07:23,680 --> 01:07:24,560
Speaker 2: Yeah, that's all we'd done.

1569
01:07:25,520 --> 01:07:25,880
Speaker 6: That's quit.

1570
01:07:26,080 --> 01:07:28,600
Speaker 1: I understand Drake loves his friends and he's done things

1571
01:07:28,720 --> 01:07:31,120
Speaker 1: like this before, but like I just don't know, like

1572
01:07:31,240 --> 01:07:33,640
Speaker 1: walking into the house, like you know what is missing

1573
01:07:34,200 --> 01:07:36,720
Speaker 1: right now? Twenty one? Savage's face?

1574
01:07:36,880 --> 01:07:37,840
Speaker 7: Yeah right right?

1575
01:07:38,520 --> 01:07:40,240
Speaker 4: Does it speak? Is like it's a guest.

1576
01:07:40,760 --> 01:07:43,720
Speaker 1: If the doorbell goes twenty one twenty one, I'm all man,

1577
01:07:44,000 --> 01:07:45,920
Speaker 1: and I want to know how I can get one.

1578
01:07:46,080 --> 01:07:47,360
Speaker 7: But yeah, then it's worth it.

1579
01:07:47,800 --> 01:07:49,680
Speaker 1: But if it's just his face, that's that's kind of funny.

1580
01:07:49,680 --> 01:07:51,320
Speaker 2: Did you get a bust of maul in your house

1581
01:07:52,520 --> 01:07:53,480
Speaker 2: if it said that's crazy?

1582
01:07:53,560 --> 01:07:56,920
Speaker 1: Yes, I definitely would no because I don't even like

1583
01:07:56,960 --> 01:07:57,840
Speaker 1: my doorbell. It's sound.

1584
01:07:57,920 --> 01:07:59,040
Speaker 7: Now if you do that, I don't know. If you

1585
01:07:59,120 --> 01:08:00,880
Speaker 7: do that, I'm going to the house taking that in,

1586
01:08:01,480 --> 01:08:03,480
Speaker 7: putting your no, I'm just gonna throw it in the

1587
01:08:03,520 --> 01:08:05,160
Speaker 7: go yeah about it?

1588
01:08:05,760 --> 01:08:08,160
Speaker 5: Auto, bitches want to fuck Drake? Gotta go bang out

1589
01:08:08,200 --> 01:08:08,680
Speaker 5: twenty one?

1590
01:08:08,800 --> 01:08:10,840
Speaker 1: First you thought about that, Yeah, you thought about that.

1591
01:08:11,560 --> 01:08:13,520
Speaker 1: You were hearsed, went in the bathroom during that break.

1592
01:08:13,680 --> 01:08:15,560
Speaker 7: We're not saying, see this is why Drake be mad

1593
01:08:15,600 --> 01:08:17,599
Speaker 7: when Nigga said it shit tries you try to get

1594
01:08:17,640 --> 01:08:21,200
Speaker 7: your balls. Well, look how you said he did. That's

1595
01:08:21,200 --> 01:08:22,439
Speaker 7: why this is why he be tight.

1596
01:08:22,479 --> 01:08:22,599
Speaker 6: Though.

1597
01:08:22,640 --> 01:08:23,679
Speaker 7: See y'all don't see why.

1598
01:08:23,920 --> 01:08:25,920
Speaker 1: That was better than the bisexual bar, though it was.

1599
01:08:26,520 --> 01:08:28,479
Speaker 8: He did say twenty one the ADDI so the knife

1600
01:08:28,560 --> 01:08:31,479
Speaker 8: is on the gate all right, which is an actual bar,

1601
01:08:31,920 --> 01:08:34,600
Speaker 8: so he might sh it was doper. He also, I

1602
01:08:34,680 --> 01:08:36,920
Speaker 8: think he's like in that phase of like really living

1603
01:08:37,040 --> 01:08:39,439
Speaker 8: his like he has to prove all those little like

1604
01:08:39,600 --> 01:08:41,760
Speaker 8: non secudor lyrics. Like he has a line on the

1605
01:08:41,800 --> 01:08:43,839
Speaker 8: album that says, I use it grammy as a doorstop,

1606
01:08:44,040 --> 01:08:45,920
Speaker 8: and then on his story he posted the photo of

1607
01:08:45,960 --> 01:08:47,960
Speaker 8: that Grammy being used as a doorstop. I like that,

1608
01:08:48,000 --> 01:08:49,960
Speaker 8: And I wanted to ask you, guys, of all of

1609
01:08:50,040 --> 01:08:53,280
Speaker 8: Drake's Grammys, not that we know everyone he's won and

1610
01:08:53,320 --> 01:08:55,200
Speaker 8: what they were rewarded for, but which Grammy do you

1611
01:08:55,280 --> 01:08:57,160
Speaker 8: think he would use to put on the floor to

1612
01:08:57,240 --> 01:08:58,200
Speaker 8: be the doorstop of his.

1613
01:08:58,640 --> 01:09:02,240
Speaker 2: Uh no clue, Julian, take me take care.

1614
01:09:03,120 --> 01:09:05,679
Speaker 4: Really your first I see, I wouldn't put my first

1615
01:09:05,720 --> 01:09:06,559
Speaker 4: Grammy on the floor.

1616
01:09:07,680 --> 01:09:09,200
Speaker 1: Does he have one where like he just you know,

1617
01:09:09,360 --> 01:09:10,360
Speaker 1: was a feature or some ship.

1618
01:09:11,080 --> 01:09:13,360
Speaker 4: That's what I'm saying, Like, what's his like throw never Grammy?

1619
01:09:13,360 --> 01:09:14,120
Speaker 7: He won with Kanye?

1620
01:09:15,400 --> 01:09:16,400
Speaker 1: Did he win with with Kaya?

1621
01:09:16,880 --> 01:09:18,600
Speaker 7: If he did, I'm guessing that would be it.

1622
01:09:18,720 --> 01:09:21,719
Speaker 4: Oh you could do he won? Uh, let's see, Okay,

1623
01:09:21,880 --> 01:09:25,760
Speaker 4: not hot line bling that was a fun era. Maybe

1624
01:09:25,840 --> 01:09:26,400
Speaker 4: God's Plan.

1625
01:09:27,120 --> 01:09:29,479
Speaker 7: No, No, that's like one of his biggest, isn't it.

1626
01:09:30,479 --> 01:09:33,240
Speaker 2: Mm damn that's hard Maybe the one.

1627
01:09:33,400 --> 01:09:35,160
Speaker 7: Remember what they had to like basically beg him to

1628
01:09:35,200 --> 01:09:38,920
Speaker 7: come to Grammy to get the war showed up and

1629
01:09:39,080 --> 01:09:39,920
Speaker 7: like they gave it to him.

1630
01:09:39,960 --> 01:09:41,639
Speaker 4: He only has five not only I mean, I don't

1631
01:09:41,640 --> 01:09:42,519
Speaker 4: know something like this, but he.

1632
01:09:42,640 --> 01:09:46,200
Speaker 7: Has he has five, only has five, one of them

1633
01:09:46,240 --> 01:09:46,639
Speaker 7: on the floor.

1634
01:09:46,920 --> 01:09:49,680
Speaker 8: It's actually insane comparatively to how many nominations he has.

1635
01:09:50,560 --> 01:09:51,200
Speaker 1: I mean, that's what.

1636
01:09:51,640 --> 01:09:52,280
Speaker 7: That's a lot of rap.

1637
01:09:52,360 --> 01:09:56,360
Speaker 8: Okay, So it's either God's Plan, wait for You, no,

1638
01:09:56,840 --> 01:09:59,800
Speaker 8: hot line blank, nothing was the same.

1639
01:10:00,000 --> 01:10:00,840
Speaker 1: He got one for wait for You.

1640
01:10:01,240 --> 01:10:05,559
Speaker 4: That's define that might be. That's a great record, latest one.

1641
01:10:05,439 --> 01:10:08,439
Speaker 1: But compared to the other ones that take care God's planned,

1642
01:10:08,520 --> 01:10:11,160
Speaker 1: other ones more direct future and SAMs are going on

1643
01:10:11,200 --> 01:10:15,120
Speaker 1: the floor. It's a great song.

1644
01:10:15,160 --> 01:10:17,040
Speaker 8: It's the best melodic raph performance. So it's like a

1645
01:10:17,160 --> 01:10:19,000
Speaker 8: like a kind of like a category that.

1646
01:10:18,960 --> 01:10:22,040
Speaker 7: Would be the one that's like if it's holding the

1647
01:10:22,080 --> 01:10:23,560
Speaker 7: door open into the studio, then that's kind of like

1648
01:10:23,600 --> 01:10:24,519
Speaker 7: a that's kind of cool.

1649
01:10:24,640 --> 01:10:26,960
Speaker 4: That's cool, Like wait here, what door is it?

1650
01:10:27,080 --> 01:10:28,160
Speaker 7: Is it the door to the bathroom?

1651
01:10:29,200 --> 01:10:31,799
Speaker 4: He just posted a photo of a he didn't specify

1652
01:10:31,840 --> 01:10:32,559
Speaker 4: where it was going.

1653
01:10:32,960 --> 01:10:37,840
Speaker 1: So on that Speaking of Cole and that verse, I

1654
01:10:38,040 --> 01:10:39,680
Speaker 1: like the beat switch up, and I know him and

1655
01:10:39,720 --> 01:10:41,560
Speaker 1: Cole were trying to make an actual song, not just

1656
01:10:41,640 --> 01:10:43,760
Speaker 1: try to like redo Josy freestyle and so you could

1657
01:10:43,800 --> 01:10:47,560
Speaker 1: rap better? Was that maybe an excuse and Drake was

1658
01:10:47,560 --> 01:10:48,400
Speaker 1: a little scared of that was.

1659
01:10:48,439 --> 01:10:50,120
Speaker 5: The smoke duck. That was a smoke duck.

1660
01:10:50,120 --> 01:10:54,080
Speaker 2: All day has a smoke ducks ducking with smoke from.

1661
01:10:53,960 --> 01:10:58,880
Speaker 1: Who from Cole? Like that beat switch and he didn't

1662
01:10:58,880 --> 01:11:00,800
Speaker 1: have to do that flow. It was cool for the song,

1663
01:11:00,920 --> 01:11:02,760
Speaker 1: don't get me wrong, but he could have rapped rapped

1664
01:11:02,920 --> 01:11:05,400
Speaker 1: biggest then what I don't.

1665
01:11:05,280 --> 01:11:07,080
Speaker 7: When y'all say duck in the smoke, he has a

1666
01:11:07,160 --> 01:11:07,680
Speaker 7: song with him.

1667
01:11:08,640 --> 01:11:11,559
Speaker 1: He didn't duck smoke at that time. Friendly and yeah,

1668
01:11:11,600 --> 01:11:11,960
Speaker 1: the same.

1669
01:11:11,800 --> 01:11:14,599
Speaker 7: Way song like y'all want them to these are real friends.

1670
01:11:14,880 --> 01:11:17,280
Speaker 1: I mean, I get that jodasy Freestyle was set up

1671
01:11:17,360 --> 01:11:19,760
Speaker 1: just for them to rap. This was more of a song,

1672
01:11:20,520 --> 01:11:22,320
Speaker 1: but he could have rapped like they could have done

1673
01:11:22,360 --> 01:11:23,800
Speaker 1: that on this song. Would that beat?

1674
01:11:24,479 --> 01:11:24,719
Speaker 4: Yeah?

1675
01:11:25,000 --> 01:11:26,639
Speaker 7: I mean because I still like the record.

1676
01:11:27,160 --> 01:11:28,760
Speaker 4: I mean, yeah, great record.

1677
01:11:29,120 --> 01:11:31,120
Speaker 7: Record is hard, but I understand what you're saying. If

1678
01:11:31,120 --> 01:11:33,320
Speaker 7: you wanted him to go, I don't know you wanted

1679
01:11:33,360 --> 01:11:34,680
Speaker 7: him to rap like most death. I don't know who

1680
01:11:34,760 --> 01:11:35,680
Speaker 7: y'all be wanting this nigga to rap.

1681
01:11:35,880 --> 01:11:39,200
Speaker 1: I wanted to rap like Drake right. I love Jodosey freestyle.

1682
01:11:39,360 --> 01:11:40,599
Speaker 1: I think they both both got.

1683
01:11:40,479 --> 01:11:40,760
Speaker 6: Off on that.

1684
01:11:40,840 --> 01:11:43,599
Speaker 4: That song got them canceled, col canceled.

1685
01:11:44,960 --> 01:11:46,680
Speaker 6: I don't know who it was.

1686
01:11:46,760 --> 01:11:50,400
Speaker 1: So because I feel like Drake's first verse was really

1687
01:11:50,439 --> 01:11:52,280
Speaker 1: good for song purposes. Then Cole went off, and I

1688
01:11:52,320 --> 01:11:54,360
Speaker 1: think on that last verse he could have just rapped.

1689
01:11:55,120 --> 01:11:56,760
Speaker 7: Well, I mean, if y'all looking for more rap, there

1690
01:11:56,840 --> 01:11:58,600
Speaker 7: was more music that came out this week, and that

1691
01:11:58,680 --> 01:12:01,040
Speaker 7: was really dope. Earl's are sure. The Alchemists put out

1692
01:12:01,080 --> 01:12:04,479
Speaker 7: a dope project, Vore Dire. That's really dope if you're

1693
01:12:04,520 --> 01:12:08,719
Speaker 7: looking for I don't know, not Drake rapping some Earl rappers.

1694
01:12:09,080 --> 01:12:11,040
Speaker 7: I mean, you knows, niggas what Drake the rap like?

1695
01:12:11,080 --> 01:12:11,400
Speaker 6: I don't know.

1696
01:12:11,479 --> 01:12:13,360
Speaker 1: Do you think she loves ear the way she loves Drake?

1697
01:12:13,760 --> 01:12:17,200
Speaker 7: Probably more than the same. Rome Streets put out another

1698
01:12:17,439 --> 01:12:20,720
Speaker 7: dope project, Noise Candy five great great project is out

1699
01:12:20,840 --> 01:12:24,240
Speaker 7: so and I'm still listening. Nick Grant might have the

1700
01:12:24,360 --> 01:12:25,960
Speaker 7: best rap album of the year to me so far.

1701
01:12:26,040 --> 01:12:27,720
Speaker 2: Y'all gonna hate me, but I'm not bad at that tick.

1702
01:12:27,760 --> 01:12:28,719
Speaker 2: Are you still listening to Doja?

1703
01:12:29,360 --> 01:12:29,599
Speaker 6: Yeah?

1704
01:12:30,280 --> 01:12:31,640
Speaker 7: Those this albums crazy, We're not doing that.

1705
01:12:31,680 --> 01:12:33,599
Speaker 1: Who who has a better album? Those Drake?

1706
01:12:35,640 --> 01:12:37,120
Speaker 4: Because you are loving this Drake album?

1707
01:12:37,240 --> 01:12:37,400
Speaker 6: Yeah?

1708
01:12:37,479 --> 01:12:39,599
Speaker 7: Yeah, but we're not doing this just for three days.

1709
01:12:39,640 --> 01:12:39,800
Speaker 6: Man.

1710
01:12:41,000 --> 01:12:42,720
Speaker 7: I asked when those album first came out, I came

1711
01:12:42,760 --> 01:12:44,240
Speaker 7: here and I was like, yo, I'm not mad at this.

1712
01:12:45,040 --> 01:12:46,559
Speaker 7: Then the next week I was like, no, this album

1713
01:12:46,640 --> 01:12:49,280
Speaker 7: is hard, like y'all, and he said for the girls

1714
01:12:49,320 --> 01:12:51,560
Speaker 7: as a pop record, I still don't. Oh fuck the

1715
01:12:51,640 --> 01:12:55,599
Speaker 7: girls all right, pop record, that's a rap record. That's

1716
01:12:55,640 --> 01:12:58,479
Speaker 7: a buff But I like this album though.

1717
01:12:59,040 --> 01:12:59,880
Speaker 5: I like it too, Mam.

1718
01:13:00,200 --> 01:13:00,840
Speaker 6: I like this album.

1719
01:13:00,880 --> 01:13:02,280
Speaker 7: It's a lot of good songs on this album.

1720
01:13:02,479 --> 01:13:04,479
Speaker 5: It's nice and toxic. We'll see in a week how

1721
01:13:04,520 --> 01:13:05,960
Speaker 5: I like my Drake nice and toxic.

1722
01:13:06,880 --> 01:13:08,760
Speaker 7: Okay, so y'all all fucking with you at PICASA. I

1723
01:13:08,800 --> 01:13:09,880
Speaker 7: just want to make sure I ain't bugging out. I

1724
01:13:09,920 --> 01:13:11,600
Speaker 7: mean it's good, all right, cool, all right, I'm just

1725
01:13:11,640 --> 01:13:13,200
Speaker 7: making sure. I'm just making sure I didn't hear that

1726
01:13:13,320 --> 01:13:14,880
Speaker 7: and was bugging out over what I was hearing.

1727
01:13:14,920 --> 01:13:17,080
Speaker 4: We stay on music. Roy went to North Carolina to

1728
01:13:17,120 --> 01:13:18,679
Speaker 4: go hang out a Little Brother over the weekend.

1729
01:13:18,840 --> 01:13:23,400
Speaker 1: Yeah, I definitely did where Drake where Drake was lashing

1730
01:13:23,479 --> 01:13:26,519
Speaker 1: out and like all the people that love the album

1731
01:13:26,680 --> 01:13:28,679
Speaker 1: saying like, go listen to your fucking real hip hop bullshit.

1732
01:13:28,840 --> 01:13:32,320
Speaker 1: I did that this weekend. I did exactly what they suggested,

1733
01:13:32,400 --> 01:13:35,400
Speaker 1: listen to the album. And I went to Durham, North Carolina. Yeah,

1734
01:13:35,720 --> 01:13:37,840
Speaker 1: and I went to see Little Brother. They had their

1735
01:13:37,840 --> 01:13:42,720
Speaker 1: block party, Big crit cool kids, cool kids were great, great,

1736
01:13:42,800 --> 01:13:43,280
Speaker 1: a lot of fun.

1737
01:13:43,520 --> 01:13:43,760
Speaker 4: Great.

1738
01:13:44,360 --> 01:13:46,400
Speaker 1: Yeah, it was shut out the Little Brother. It was

1739
01:13:46,479 --> 01:13:49,240
Speaker 1: just a fun block party. I got to get my

1740
01:13:49,439 --> 01:13:54,560
Speaker 1: adult complaining, adult contemporary complaining off, like, all right, this

1741
01:13:54,720 --> 01:13:55,519
Speaker 1: is how hip hop can.

1742
01:13:55,560 --> 01:13:57,439
Speaker 7: H did you did you? Did you tell Fonte and

1743
01:13:57,560 --> 01:13:59,600
Speaker 7: the guys yo, I ain't gonna lie y'all should like

1744
01:14:00,120 --> 01:14:01,920
Speaker 7: we need like more like Drake raps from y'all.

1745
01:14:02,760 --> 01:14:03,920
Speaker 1: Yeah, I would say that to them.

1746
01:14:04,960 --> 01:14:05,760
Speaker 7: No, but did you say it?

1747
01:14:06,080 --> 01:14:06,280
Speaker 6: Yeah?

1748
01:14:06,600 --> 01:14:08,439
Speaker 1: No, Drake never came up in conversation.

1749
01:14:08,600 --> 01:14:11,240
Speaker 7: It was too busy. No, we were just like you know,

1750
01:14:11,360 --> 01:14:12,679
Speaker 7: we were in little brother world.

1751
01:14:14,040 --> 01:14:16,560
Speaker 1: No artists came up. Oh okay, we were just like

1752
01:14:16,720 --> 01:14:17,719
Speaker 1: enjoying our weekend.

1753
01:14:18,080 --> 01:14:21,880
Speaker 7: So the biggest artists dropped the album and rappers that

1754
01:14:22,040 --> 01:14:25,200
Speaker 7: really rapped around each other, and nobody spoke about that album.

1755
01:14:25,320 --> 01:14:27,639
Speaker 1: Well, when Fontaine I went to waffle House on Sunday,

1756
01:14:27,960 --> 01:14:30,280
Speaker 1: I did ask him at that point did he listen yet?

1757
01:14:30,360 --> 01:14:32,080
Speaker 7: But he he didn't know he had.

1758
01:14:32,280 --> 01:14:33,240
Speaker 1: He threw a whole event.

1759
01:14:33,439 --> 01:14:35,080
Speaker 7: No, not getting he catch it going on.

1760
01:14:35,160 --> 01:14:37,639
Speaker 1: I'm just no, it really didn't come up in conversation.

1761
01:14:37,880 --> 01:14:41,439
Speaker 7: Okay, all right, I'm just trying to see like no

1762
01:14:41,520 --> 01:14:43,479
Speaker 7: selective polity to get an artists say yo, you need

1763
01:14:43,560 --> 01:14:45,040
Speaker 7: to make music like this, and then don't tell other

1764
01:14:45,120 --> 01:14:47,200
Speaker 7: artists they need to make music like this. That's all

1765
01:14:47,240 --> 01:14:48,960
Speaker 7: I'm saying. I just think it's unfair.

1766
01:14:49,040 --> 01:14:53,280
Speaker 1: I mean, the Drake I love is very fonte ish, absolutely,

1767
01:14:53,600 --> 01:14:55,960
Speaker 1: you know, Okay, mall.

1768
01:14:55,840 --> 01:14:58,080
Speaker 5: Came here ready to fucking defend his mofuck.

1769
01:14:58,120 --> 01:15:00,000
Speaker 1: He's been talking to me like I am the timeline.

1770
01:15:00,240 --> 01:15:02,400
Speaker 7: No, it's not a defenditive thing. I just I'm hearing.

1771
01:15:02,800 --> 01:15:05,680
Speaker 7: I'm okay with people not liking the project, but when

1772
01:15:05,720 --> 01:15:07,840
Speaker 7: people start saying why they don't like it, I'm just listening, Like,

1773
01:15:09,120 --> 01:15:11,639
Speaker 7: but that sounds like you want somebody to do something

1774
01:15:11,720 --> 01:15:14,479
Speaker 7: that you want them to do, like, not that they're

1775
01:15:14,520 --> 01:15:16,120
Speaker 7: not capable of doing something like you want them to do.

1776
01:15:16,160 --> 01:15:17,400
Speaker 7: That they didn't do it, that means it's wack. I

1777
01:15:17,479 --> 01:15:19,600
Speaker 7: just think that that's crazy that you could not like it.

1778
01:15:19,640 --> 01:15:20,800
Speaker 7: And I don't give a fuck who like what. I

1779
01:15:20,840 --> 01:15:22,080
Speaker 7: don't care what you like or don't like.

1780
01:15:22,320 --> 01:15:24,599
Speaker 1: I mean, I could have brought up that little brother

1781
01:15:24,720 --> 01:15:27,000
Speaker 1: did just put out a two pack produced by Conductor

1782
01:15:27,520 --> 01:15:31,080
Speaker 1: the week The week before, Drake put out Adam and Charlotte,

1783
01:15:31,120 --> 01:15:33,080
Speaker 1: and he happened to be in North Carolina, like M.

1784
01:15:34,680 --> 01:15:37,840
Speaker 7: Do the Sign, so he did make an adult record.

1785
01:15:38,720 --> 01:15:43,320
Speaker 1: Am Charlotte is adult adult ish, that's daddy goat. Yeah,

1786
01:15:44,320 --> 01:15:45,479
Speaker 1: I don't mind that type of concept.

1787
01:15:46,320 --> 01:15:48,559
Speaker 7: So Drake said, oll catered to you, but at night

1788
01:15:48,560 --> 01:15:49,240
Speaker 7: you're a terrorist.

1789
01:15:50,880 --> 01:15:51,200
Speaker 6: You like that?

1790
01:15:51,439 --> 01:15:53,680
Speaker 4: That wasn't feeling that he started the unrestl in the

1791
01:15:53,680 --> 01:15:54,200
Speaker 4: Middle East.

1792
01:15:55,360 --> 01:15:57,400
Speaker 7: He might have his album drop Bomb started going off.

1793
01:15:57,439 --> 01:16:00,479
Speaker 7: I didn't know what was going on, Ohn got I'm

1794
01:16:00,520 --> 01:16:01,960
Speaker 7: just saying that's when I woke up. That's what was

1795
01:16:01,960 --> 01:16:04,320
Speaker 7: happening in the world. We were at war, and well

1796
01:16:04,400 --> 01:16:07,600
Speaker 7: we were funding two wars currently and our special to

1797
01:16:07,920 --> 01:16:08,679
Speaker 7: Drake dropped.

1798
01:16:08,880 --> 01:16:11,280
Speaker 1: Now you feel like you know she has a guy,

1799
01:16:11,479 --> 01:16:12,519
Speaker 1: but you don't think he's a guy.

1800
01:16:13,439 --> 01:16:16,479
Speaker 7: M hmm, Wait, because I want to answer that.

1801
01:16:18,280 --> 01:16:19,360
Speaker 1: That's the question you want to ask.

1802
01:16:19,560 --> 01:16:22,160
Speaker 7: I ask it again. Do I feel like she has

1803
01:16:22,200 --> 01:16:24,400
Speaker 7: a guy? Yeah, but I know the guy, but.

1804
01:16:24,479 --> 01:16:25,320
Speaker 1: You don't think he's a guy.

1805
01:16:25,840 --> 01:16:28,920
Speaker 4: Oh, you think he's a trans I don't know.

1806
01:16:29,400 --> 01:16:32,080
Speaker 1: I didn't do the science on that boat. I know

1807
01:16:32,200 --> 01:16:33,760
Speaker 1: she got a guy, but I don't think he's a guy.

1808
01:16:35,200 --> 01:16:37,120
Speaker 5: He not one of them guys. You won't even get

1809
01:16:37,200 --> 01:16:38,120
Speaker 5: it because.

1810
01:16:37,840 --> 01:16:39,920
Speaker 1: I'm not one of those guys. I'm the loser that

1811
01:16:40,000 --> 01:16:41,719
Speaker 1: Drake is talking about when he says that he's.

1812
01:16:43,960 --> 01:16:48,439
Speaker 7: He's transitioning. You know, this world today, we don't know.

1813
01:16:48,520 --> 01:16:50,120
Speaker 7: We got to throw everything is on the table here.

1814
01:16:50,160 --> 01:16:53,840
Speaker 7: He maybe trans like we we you know it is

1815
01:16:53,920 --> 01:16:54,320
Speaker 7: what it is.

1816
01:16:55,040 --> 01:16:57,880
Speaker 1: That would be an interesting perspective. Right after Sexy Red

1817
01:16:57,960 --> 01:17:00,320
Speaker 1: says shake your ass for Drake and then you get

1818
01:17:00,320 --> 01:17:00,759
Speaker 1: a transition.

1819
01:17:01,040 --> 01:17:03,680
Speaker 7: How do you feel about Candis owns fam? No?

1820
01:17:05,080 --> 01:17:05,680
Speaker 6: Yeah, what.

1821
01:17:07,360 --> 01:17:08,120
Speaker 1: That's a loaded question.

1822
01:17:08,200 --> 01:17:08,880
Speaker 4: Why do you like her?

1823
01:17:08,920 --> 01:17:10,720
Speaker 8: Because I know where you're going with the Did I

1824
01:17:10,760 --> 01:17:12,920
Speaker 8: say I like her? I just asked, how do you sibivized?

1825
01:17:12,960 --> 01:17:14,320
Speaker 4: If you didn't, I love her.

1826
01:17:17,080 --> 01:17:17,920
Speaker 1: I could have guessed that one.

1827
01:17:18,160 --> 01:17:20,080
Speaker 7: I loved it, but no, you know why I love

1828
01:17:20,120 --> 01:17:24,240
Speaker 7: Candis Owners because and every every time I've seen it. Now,

1829
01:17:24,320 --> 01:17:25,720
Speaker 7: I don't. First of all, I don't agree with nothing.

1830
01:17:25,760 --> 01:17:29,000
Speaker 7: I don't. I don't agree with everything that most people say.

1831
01:17:29,160 --> 01:17:30,840
Speaker 7: Like it's like you're not most people are not going

1832
01:17:30,880 --> 01:17:32,120
Speaker 7: to say shit. I'm like, I agree with all of that.

1833
01:17:32,240 --> 01:17:34,320
Speaker 7: You know. So she had ship that she says where

1834
01:17:34,640 --> 01:17:36,760
Speaker 7: I don't agree with her, but she got a lot

1835
01:17:36,800 --> 01:17:39,000
Speaker 7: of things that she says. Well, I'm like, she's not lying,

1836
01:17:39,560 --> 01:17:42,760
Speaker 7: she's right, she's correct. Like what I saw a clip

1837
01:17:42,840 --> 01:17:45,880
Speaker 7: going around where she was at a university. She was

1838
01:17:46,960 --> 01:17:50,120
Speaker 7: she was at a university and I think it was

1839
01:17:50,720 --> 01:17:55,759
Speaker 7: lgbt Q, and students were saying, you know, like because

1840
01:17:55,800 --> 01:17:58,120
Speaker 7: of her presence on campus. You know, people are upset

1841
01:17:58,160 --> 01:18:01,519
Speaker 7: people this or that. So she saying, you're upset that

1842
01:18:01,600 --> 01:18:04,040
Speaker 7: a pregnant woman is on campus talking about what I'm

1843
01:18:04,040 --> 01:18:06,960
Speaker 7: talking about, like put a helmet on if she's pregnant.

1844
01:18:07,240 --> 01:18:07,439
Speaker 6: Yeah.

1845
01:18:07,760 --> 01:18:07,920
Speaker 4: Good.

1846
01:18:08,439 --> 01:18:10,200
Speaker 7: And then she was saying, you know some people saying

1847
01:18:10,240 --> 01:18:13,000
Speaker 7: like it's people like you that make trans people feel

1848
01:18:13,120 --> 01:18:16,439
Speaker 7: victimized and commit suicide. And she said, well, studies will

1849
01:18:16,479 --> 01:18:21,120
Speaker 7: show that trans people commit suicide after they transition, not before.

1850
01:18:21,479 --> 01:18:23,880
Speaker 7: So it's pills, it's all other things you can point to.

1851
01:18:24,040 --> 01:18:26,680
Speaker 7: Not Candas Owns. She wasn't lying in that. I just

1852
01:18:26,760 --> 01:18:28,120
Speaker 7: think that Candace Owners.

1853
01:18:27,920 --> 01:18:29,559
Speaker 1: I don't know the study that or where she got

1854
01:18:29,600 --> 01:18:30,120
Speaker 1: her information.

1855
01:18:30,240 --> 01:18:33,200
Speaker 7: Well, what a dude that stood up said well so

1856
01:18:33,280 --> 01:18:35,679
Speaker 7: and so, however, many people commit suicide a year, trans

1857
01:18:35,720 --> 01:18:39,799
Speaker 7: people commit suicide, whatever, whatever, whatever, And then somebody completely

1858
01:18:39,840 --> 01:18:41,599
Speaker 7: debunked that because they was like, well, by your math,

1859
01:18:41,680 --> 01:18:44,200
Speaker 7: that would mean that eight hundred thousand people trans people

1860
01:18:44,200 --> 01:18:46,400
Speaker 7: a year commit suicide and that does not happen.

1861
01:18:46,520 --> 01:18:50,560
Speaker 1: So well, I think for some of the agendas that

1862
01:18:50,680 --> 01:18:54,599
Speaker 1: she's spewed out about that community, somebody could feel bullied.

1863
01:18:55,680 --> 01:18:56,240
Speaker 7: I can see that.

1864
01:18:56,680 --> 01:18:57,080
Speaker 2: Mm hmm.

1865
01:18:57,680 --> 01:18:59,639
Speaker 7: Like I said, I don't agree with everything she says.

1866
01:18:59,760 --> 01:19:01,960
Speaker 7: But I do think that she says some things, like

1867
01:19:02,120 --> 01:19:03,800
Speaker 7: she's one of those people that because you don't agree

1868
01:19:03,800 --> 01:19:06,559
Speaker 7: with one thing she said, people don't like her. That's

1869
01:19:06,560 --> 01:19:08,280
Speaker 7: a lot of people, though, and that's crazy to me

1870
01:19:08,320 --> 01:19:09,680
Speaker 7: because it's why everybody.

1871
01:19:09,360 --> 01:19:11,720
Speaker 1: Reddit thinks I fucking love Andrew Tait and I don't

1872
01:19:11,760 --> 01:19:13,320
Speaker 1: just because I liked one thing said once.

1873
01:19:13,520 --> 01:19:15,599
Speaker 7: Yeah, like some people say certain things, You're like, okay,

1874
01:19:16,040 --> 01:19:18,280
Speaker 7: I agree with that, and she's just another person to

1875
01:19:18,320 --> 01:19:19,920
Speaker 7: add to the list that people hate that. I'm like, well,

1876
01:19:20,200 --> 01:19:22,080
Speaker 7: certain things that she says, I agree and I think

1877
01:19:22,200 --> 01:19:22,599
Speaker 7: is true.

1878
01:19:22,760 --> 01:19:26,920
Speaker 1: But all right, you're right. But the issue with Candace

1879
01:19:27,240 --> 01:19:30,479
Speaker 1: doesn't always get down to exactly everything that she says,

1880
01:19:30,520 --> 01:19:33,040
Speaker 1: Because she said a few things before that I've agreed with.

1881
01:19:33,280 --> 01:19:35,519
Speaker 1: I've seen a lot of shit I disagree with. It's

1882
01:19:36,760 --> 01:19:39,600
Speaker 1: how she's being used and what she represents true that

1883
01:19:39,920 --> 01:19:43,240
Speaker 1: is the real issue. Now, if someone wants to argue

1884
01:19:43,400 --> 01:19:45,120
Speaker 1: with me and say, well, listen to everything she's saying

1885
01:19:45,160 --> 01:19:47,400
Speaker 1: before you make that conclusion, I'd agree with him. But

1886
01:19:48,280 --> 01:19:51,519
Speaker 1: in this case, she is being fed the same right

1887
01:19:51,560 --> 01:19:57,840
Speaker 1: wing narrative. If she wasn't a black woman, the right

1888
01:19:57,920 --> 01:20:00,640
Speaker 1: would not be fucking with her. They know they can

1889
01:20:00,680 --> 01:20:03,880
Speaker 1: give her these talking points, and it's been clear she's

1890
01:20:03,880 --> 01:20:06,000
Speaker 1: the same fucking talking points as everyone else on Daily Wire.

1891
01:20:06,320 --> 01:20:09,040
Speaker 1: There's no difference of opinion. They are just using her

1892
01:20:09,560 --> 01:20:12,080
Speaker 1: to say these things because she's a black woman. It's

1893
01:20:12,120 --> 01:20:14,479
Speaker 1: like what they they can get some of because because

1894
01:20:14,520 --> 01:20:17,200
Speaker 1: Candace can get off and I'm stay out of it

1895
01:20:17,240 --> 01:20:19,120
Speaker 1: because it's you know, how am I going to tell

1896
01:20:19,160 --> 01:20:21,519
Speaker 1: a black person how to talk to black people about

1897
01:20:21,520 --> 01:20:24,840
Speaker 1: black issues? Now my place to say that. But a

1898
01:20:24,920 --> 01:20:26,920
Speaker 1: lot because of that, A lot of the ship she

1899
01:20:27,080 --> 01:20:30,439
Speaker 1: says is what the right wants to get off. But

1900
01:20:30,560 --> 01:20:32,120
Speaker 1: now they're using a black woman to say it so

1901
01:20:32,200 --> 01:20:35,519
Speaker 1: they can say, how could I be racist? Look at

1902
01:20:35,560 --> 01:20:39,560
Speaker 1: Candace so like it's she's been Yeah she is. I

1903
01:20:39,600 --> 01:20:41,639
Speaker 1: think she has probably a few thoughts of her own,

1904
01:20:41,680 --> 01:20:43,640
Speaker 1: But no, I think she's a puppet as and I'm

1905
01:20:43,680 --> 01:20:45,639
Speaker 1: not saying the left doesn't have puppets too, but yeah,

1906
01:20:45,640 --> 01:20:46,439
Speaker 1: I think she's a puppet.

1907
01:20:46,479 --> 01:20:49,439
Speaker 8: And we've discussed even Tucker Carlson. At one point he

1908
01:20:49,600 --> 01:20:52,760
Speaker 8: was an MSNBC on More on the left leaning side.

1909
01:20:53,120 --> 01:20:54,880
Speaker 8: The right wing gave him a bag all of a sudden,

1910
01:20:54,920 --> 01:20:56,479
Speaker 8: he's mister conspiracy.

1911
01:20:56,080 --> 01:20:57,519
Speaker 4: Or going to take car of everything.

1912
01:20:57,880 --> 01:20:59,920
Speaker 8: So it's like it's it's you know, your com from

1913
01:21:01,160 --> 01:21:05,880
Speaker 8: for a steady career in a fat check, which I get.

1914
01:21:06,160 --> 01:21:07,960
Speaker 8: It happens a lot in journalism.

1915
01:21:08,040 --> 01:21:12,080
Speaker 7: I just think it's weird that people, you know, because

1916
01:21:12,080 --> 01:21:14,639
Speaker 7: I look at all these people tucking cars and Candice

1917
01:21:14,680 --> 01:21:18,040
Speaker 7: Owns whoever, and if they say certain things that I

1918
01:21:18,160 --> 01:21:20,519
Speaker 7: agree with, it's like, okay, cool, I agree with that,

1919
01:21:20,760 --> 01:21:22,240
Speaker 7: they say things I don't agree with, like, yo, that's

1920
01:21:22,280 --> 01:21:25,080
Speaker 7: kind of crazy, but cool, get your shit off. I

1921
01:21:25,200 --> 01:21:27,160
Speaker 7: just think it's funny when people totally just throw the

1922
01:21:27,200 --> 01:21:28,800
Speaker 7: person away, like I don't fuck with her, and it's like,

1923
01:21:29,320 --> 01:21:31,479
Speaker 7: so you don't think that she says anything that's right,

1924
01:21:31,600 --> 01:21:35,080
Speaker 7: or anything that's intelligent or anything that's like true. No.

1925
01:21:35,360 --> 01:21:36,880
Speaker 7: I just think that that's weird when people do that.

1926
01:21:37,240 --> 01:21:38,920
Speaker 7: And to me, that sounds like you are one of

1927
01:21:38,920 --> 01:21:40,760
Speaker 7: those people that are like, okay, you're all the way

1928
01:21:40,760 --> 01:21:42,800
Speaker 7: over there. So if that doesn't if everything a person

1929
01:21:42,800 --> 01:21:45,040
Speaker 7: says doesn't align with what you believe, you don't fuck

1930
01:21:45,080 --> 01:21:45,280
Speaker 7: with them.

1931
01:21:45,360 --> 01:21:49,800
Speaker 1: But I mean her, like so many others, attack the

1932
01:21:50,320 --> 01:21:52,800
Speaker 1: left for so much stuff that sometimes I do agree with,

1933
01:21:52,840 --> 01:21:55,040
Speaker 1: but she's just the same as the people she attacks.

1934
01:21:55,080 --> 01:21:57,400
Speaker 1: She just is on the right, Like they're all puppets,

1935
01:21:57,400 --> 01:22:00,120
Speaker 1: they're all giving us misinformation, they're all have agendas. The

1936
01:22:00,200 --> 01:22:02,679
Speaker 1: way she attacks people for having that I always find

1937
01:22:02,800 --> 01:22:05,479
Speaker 1: very funny because she is very much the exact same thing,

1938
01:22:05,600 --> 01:22:06,360
Speaker 1: just on the other side.

1939
01:22:07,240 --> 01:22:08,280
Speaker 7: What agenda is she pushing?

1940
01:22:09,280 --> 01:22:11,880
Speaker 1: The right wing conservative.

1941
01:22:11,400 --> 01:22:14,599
Speaker 8: One, it's pretty it's divisiveness and fear mongering. Yeah, that's

1942
01:22:14,640 --> 01:22:18,559
Speaker 8: like the collect that's like the consensus of that side

1943
01:22:18,560 --> 01:22:19,000
Speaker 8: of the aisle.

1944
01:22:19,280 --> 01:22:22,599
Speaker 1: It's it's all hypocritical on both sides, the way they

1945
01:22:22,760 --> 01:22:26,040
Speaker 1: just make up facts, create a scare. Yeah, to scare people.

1946
01:22:26,720 --> 01:22:30,360
Speaker 1: One thing happens in one town and now all Christians

1947
01:22:30,400 --> 01:22:30,840
Speaker 1: are under it.

1948
01:22:31,040 --> 01:22:31,599
Speaker 4: One transom.

1949
01:22:32,240 --> 01:22:34,960
Speaker 1: You're gonna die if you walk outside and believe in

1950
01:22:35,040 --> 01:22:37,320
Speaker 1: Jesus Christ. Like it's just to scare people. And the

1951
01:22:37,400 --> 01:22:39,519
Speaker 1: left does it too, But can't get she's just a

1952
01:22:39,600 --> 01:22:41,240
Speaker 1: hypocrite because she does the same thing the left does.

1953
01:22:41,520 --> 01:22:43,320
Speaker 7: I'm just I'm just glad you said both sides do it.

1954
01:22:43,439 --> 01:22:43,880
Speaker 7: That's wow.

1955
01:22:44,040 --> 01:22:46,240
Speaker 1: Of course you could say the left does it way more.

1956
01:22:46,360 --> 01:22:48,559
Speaker 1: I think everyone's crazy.

1957
01:22:48,920 --> 01:22:51,920
Speaker 7: Yeah, but you know, right, well, I mean, do we

1958
01:22:52,040 --> 01:22:54,840
Speaker 7: have a do we have a voicemail or we do.

1959
01:22:55,080 --> 01:22:56,160
Speaker 7: Did Drake call us yet?

1960
01:22:57,080 --> 01:22:57,559
Speaker 4: I wish?

1961
01:22:57,800 --> 01:22:58,240
Speaker 1: I doubt it?

1962
01:22:58,360 --> 01:22:59,640
Speaker 7: Word you wish Drake called you?

1963
01:23:00,120 --> 01:23:01,000
Speaker 6: Yeah? Why not? Why not?

1964
01:23:02,400 --> 01:23:04,120
Speaker 4: We took good for Okay, first of all, we took

1965
01:23:04,120 --> 01:23:06,760
Speaker 4: good for Drake called any of us. We're going to

1966
01:23:06,800 --> 01:23:08,559
Speaker 4: be like, now, I wait a minute, I'm busy. We're

1967
01:23:08,560 --> 01:23:09,519
Speaker 4: going to answer the phone.

1968
01:23:09,680 --> 01:23:12,679
Speaker 7: You don't to if anybody calls me, I might answer

1969
01:23:12,680 --> 01:23:14,800
Speaker 7: the phone. I said you wished you never picked up

1970
01:23:14,840 --> 01:23:16,160
Speaker 7: my calls. I've never wished him.

1971
01:23:16,160 --> 01:23:17,840
Speaker 4: Man, Well, I'm not like, I'm like, it's not like

1972
01:23:17,880 --> 01:23:18,240
Speaker 4: I'm wishing.

1973
01:23:18,320 --> 01:23:20,320
Speaker 7: That's what I That's what they skipped, like I didn't

1974
01:23:20,320 --> 01:23:21,920
Speaker 7: say if Drake, Like if Drake called right now, I'm

1975
01:23:21,920 --> 01:23:23,760
Speaker 7: going to answer the phone. I'm not sitting like I

1976
01:23:23,800 --> 01:23:24,479
Speaker 7: wish you would call.

1977
01:23:24,640 --> 01:23:26,880
Speaker 1: You didn't we didn't look up and see the shooting star.

1978
01:23:26,960 --> 01:23:27,439
Speaker 6: Like with like.

1979
01:23:28,920 --> 01:23:31,760
Speaker 8: Would DM him back, like I'm waiting for my call.

1980
01:23:31,920 --> 01:23:33,640
Speaker 8: But there was no like reach out. I don't have

1981
01:23:33,760 --> 01:23:35,240
Speaker 8: access to him directly.

1982
01:23:35,479 --> 01:23:36,240
Speaker 7: Thank God, thank you.

1983
01:23:36,800 --> 01:23:39,599
Speaker 4: You would be in Toronto so you would.

1984
01:23:39,360 --> 01:23:40,439
Speaker 2: Be on That doesn't mean anything.

1985
01:23:41,360 --> 01:23:43,040
Speaker 1: Are you gonna drop a pen in his DMS? Like

1986
01:23:43,840 --> 01:23:49,040
Speaker 1: just touch touch the city boy double by any of

1987
01:23:49,080 --> 01:23:49,320
Speaker 1: the boy?

1988
01:23:51,840 --> 01:23:53,280
Speaker 4: Sure think if I told him on twenty five and

1989
01:23:53,320 --> 01:23:55,559
Speaker 4: hang out with me? Sorry, we have a voicemail.

1990
01:23:55,840 --> 01:23:57,720
Speaker 1: Yeah, when you hang out with Drake? What do you

1991
01:23:57,800 --> 01:23:58,120
Speaker 1: call him?

1992
01:23:59,520 --> 01:24:02,000
Speaker 7: When I hang out with Drake? Yeah, Drake?

1993
01:24:02,120 --> 01:24:04,680
Speaker 2: Okay, what do you call him?

1994
01:24:05,400 --> 01:24:05,599
Speaker 4: Drake?

1995
01:24:07,160 --> 01:24:07,840
Speaker 7: I don't think.

1996
01:24:09,400 --> 01:24:12,040
Speaker 5: From a source that everyone calls him the boy that.

1997
01:24:12,400 --> 01:24:13,000
Speaker 1: I'm the source.

1998
01:24:13,000 --> 01:24:17,760
Speaker 7: I watched it. I was beside myself. You're saying I'm

1999
01:24:17,800 --> 01:24:20,599
Speaker 7: the y I'm the source.

2000
01:24:20,640 --> 01:24:20,920
Speaker 6: It was me.

2001
01:24:21,120 --> 01:24:22,880
Speaker 1: It was all Toronto people that grew up with him.

2002
01:24:22,960 --> 01:24:24,760
Speaker 1: So who am I to talk with the boys? Just

2003
01:24:24,920 --> 01:24:27,040
Speaker 1: I don't know. It's funny when you hear like people

2004
01:24:28,040 --> 01:24:31,519
Speaker 1: in like settings, not like in a green room like

2005
01:24:32,640 --> 01:24:33,400
Speaker 1: collect when the boy.

2006
01:24:33,439 --> 01:24:34,720
Speaker 4: Has anyone seen the boy's cup?

2007
01:24:35,280 --> 01:24:36,920
Speaker 1: Yes, Like, it's funny.

2008
01:24:37,680 --> 01:24:39,960
Speaker 7: I just can't. I can't do that if I didn't, like,

2009
01:24:40,280 --> 01:24:42,519
Speaker 7: if we're not like really close and we didn't, I

2010
01:24:42,560 --> 01:24:44,479
Speaker 7: can't call you that, yo, That's not for me.

2011
01:24:44,920 --> 01:24:47,479
Speaker 1: Did I ever tell you the the sort of palooza

2012
01:24:47,560 --> 01:24:49,360
Speaker 1: we did in Toronto years and years and years ago

2013
01:24:49,640 --> 01:24:51,600
Speaker 1: before Henny Plus even really popped off. We did a

2014
01:24:51,680 --> 01:24:55,080
Speaker 1: small one in Toronto, and that was the first time

2015
01:24:55,080 --> 01:24:58,880
Speaker 1: I had heard that the boy lingo this, this guy

2016
01:24:59,120 --> 01:25:01,439
Speaker 1: came up with a girl and he wasn't on the list,

2017
01:25:02,040 --> 01:25:04,479
Speaker 1: and he like pulled us closer and said, that's the

2018
01:25:04,560 --> 01:25:10,400
Speaker 1: boy's X. And I was like, what, that's the boy's ex? Like,

2019
01:25:10,520 --> 01:25:13,000
Speaker 1: who the fuck is the boy? Yeah, that's Drake's X.

2020
01:25:13,200 --> 01:25:16,800
Speaker 2: I was like, okay, yeah, iragually.

2021
01:25:16,840 --> 01:25:20,800
Speaker 1: Now stop talking tickets over there, Yeah, just purchase the ticket.

2022
01:25:22,280 --> 01:25:24,519
Speaker 1: He was, yes, he was trying to. They weren't on

2023
01:25:24,560 --> 01:25:26,840
Speaker 1: the list, and he was saying, like who who she was?

2024
01:25:27,560 --> 01:25:29,920
Speaker 1: That's cool, you'll imagine And it looked like they were

2025
01:25:30,000 --> 01:25:30,639
Speaker 1: probably together.

2026
01:25:30,840 --> 01:25:35,320
Speaker 4: Yeah, that's like, like imagine blocking her blessings.

2027
01:25:35,479 --> 01:25:38,679
Speaker 7: Word of what of risk band to get into duce

2028
01:25:39,320 --> 01:25:40,120
Speaker 7: let her get a cup.

2029
01:25:40,040 --> 01:25:44,000
Speaker 1: Of Can you imagine? Listen if somebody dates Drake's X. Cool,

2030
01:25:44,000 --> 01:25:45,920
Speaker 1: we all have excees, but imagine like going to a

2031
01:25:45,960 --> 01:25:48,479
Speaker 1: party you're not on the list for and your stat

2032
01:25:48,640 --> 01:25:51,200
Speaker 1: is that you're dating Drake sex and you don't even

2033
01:25:51,240 --> 01:25:53,120
Speaker 1: refer to her as your girl. You refer to her

2034
01:25:53,160 --> 01:25:53,639
Speaker 1: as the boy.

2035
01:25:54,280 --> 01:25:55,439
Speaker 7: Oh he was dating her.

2036
01:25:55,640 --> 01:25:58,000
Speaker 1: When he said that, they looked like they came up together.

2037
01:25:59,040 --> 01:26:00,480
Speaker 1: They could have been frona.

2038
01:26:00,760 --> 01:26:03,840
Speaker 7: We add, there's no way he has a girlfriend and

2039
01:26:03,920 --> 01:26:06,240
Speaker 7: he's introducing her at a door at a club saying, Yo,

2040
01:26:06,479 --> 01:26:07,400
Speaker 7: this is Drake's ex.

2041
01:26:07,560 --> 01:26:08,759
Speaker 1: I'm just telling you what happened.

2042
01:26:08,840 --> 01:26:10,280
Speaker 7: That's the crazy. We need to find that.

2043
01:26:10,400 --> 01:26:11,120
Speaker 1: This isn't embellish.

2044
01:26:11,280 --> 01:26:14,800
Speaker 7: He is gonna shift for university, So that's that's psychopathic.

2045
01:26:15,040 --> 01:26:16,559
Speaker 1: I promise I'm not embellishing this at all.

2046
01:26:16,600 --> 01:26:18,600
Speaker 7: That's exactly what I'm willing to say. That was just

2047
01:26:18,680 --> 01:26:19,920
Speaker 7: his friend. He's not dating that girl.

2048
01:26:20,360 --> 01:26:22,320
Speaker 1: They weren't like holding hands or kissing. But you know,

2049
01:26:22,400 --> 01:26:24,880
Speaker 1: you can tell when people's body language like they're together.

2050
01:26:25,520 --> 01:26:27,200
Speaker 7: Her manager, I don't speak body language.

2051
01:26:27,200 --> 01:26:29,160
Speaker 2: Her manager, you don't speak body language.

2052
01:26:29,160 --> 01:26:31,160
Speaker 1: But you like the song body Language by Drick.

2053
01:26:32,600 --> 01:26:33,200
Speaker 6: The song.

2054
01:26:33,720 --> 01:26:35,400
Speaker 2: Maybe it's the language. Yeah, it's the language.

2055
01:26:39,280 --> 01:26:40,639
Speaker 1: I know his body you talking about?

2056
01:26:40,800 --> 01:26:50,880
Speaker 6: Hey, all right, all right, you've got male.

2057
01:26:51,080 --> 01:26:55,880
Speaker 4: We have a very nice voicemail from Michael. I like

2058
01:26:56,000 --> 01:26:57,679
Speaker 4: this guy, guy Michael.

2059
01:26:57,760 --> 01:27:02,040
Speaker 11: Hey, Michael, I probably wouldn't be subscribe to your Patreon,

2060
01:27:03,000 --> 01:27:04,360
Speaker 11: but anyway, I'm actually.

2061
01:27:04,160 --> 01:27:06,240
Speaker 4: Calling for some career advice.

2062
01:27:06,640 --> 01:27:09,400
Speaker 11: So to give you guys some backstory, I am the

2063
01:27:09,520 --> 01:27:13,719
Speaker 11: general manager for a very successful dairy queen location. After

2064
01:27:13,880 --> 01:27:17,680
Speaker 11: base salary and profit sharing and bonuses. I'm making just

2065
01:27:17,840 --> 01:27:20,840
Speaker 11: shy of one hundred and fifty thousand dollars a year,

2066
01:27:21,439 --> 01:27:23,519
Speaker 11: and in the Midwest, one hundred and fifty thousand dollars

2067
01:27:23,520 --> 01:27:27,439
Speaker 11: a year goes pretty far. But the issue I'm running

2068
01:27:27,479 --> 01:27:32,040
Speaker 11: into lately is I burnt out. You guys. I've been

2069
01:27:32,120 --> 01:27:35,000
Speaker 11: doing this job since i was fifteen years old. I'm

2070
01:27:35,080 --> 01:27:37,400
Speaker 11: thirty two years old now, and it's all I know.

2071
01:27:38,160 --> 01:27:40,920
Speaker 11: It's all I've ever known in regards to the workforce.

2072
01:27:42,400 --> 01:27:45,120
Speaker 11: But I'm very good at my job. But the issue

2073
01:27:45,240 --> 01:27:47,240
Speaker 11: I don't have a college degree to fall back on.

2074
01:27:48,320 --> 01:27:51,160
Speaker 11: So any other job outside of the restaurant industry I take,

2075
01:27:51,320 --> 01:27:54,920
Speaker 11: I'm going to take a significant decrease in pay, and

2076
01:27:55,000 --> 01:27:56,880
Speaker 11: I'm trying to balance is it worth it or not?

2077
01:27:57,040 --> 01:27:59,360
Speaker 11: Like do I just stick it out do what you're

2078
01:27:59,400 --> 01:27:59,800
Speaker 11: good at?

2079
01:28:00,280 --> 01:28:00,360
Speaker 1: Ye?

2080
01:28:00,840 --> 01:28:04,000
Speaker 11: But I'm working on average seventy two hours a week,

2081
01:28:04,439 --> 01:28:06,920
Speaker 11: and that's like a good week, so that's about twelve

2082
01:28:07,000 --> 01:28:08,800
Speaker 11: hours a day, six days a week. I don't have

2083
01:28:08,880 --> 01:28:12,200
Speaker 11: time for dating. I don't have time for friends. I

2084
01:28:12,439 --> 01:28:15,200
Speaker 11: just don't have time for anything fun. My whole life

2085
01:28:15,320 --> 01:28:18,040
Speaker 11: is work. So if you guys were in my situation,

2086
01:28:18,439 --> 01:28:19,920
Speaker 11: I'm just wondering what you guys would do.

2087
01:28:20,520 --> 01:28:23,120
Speaker 7: Thanks we thowt Drake had a tough weekend.

2088
01:28:23,479 --> 01:28:24,320
Speaker 4: He's a dairy king.

2089
01:28:24,680 --> 01:28:28,160
Speaker 7: Yeah, it sounds like he needs to Mike. It sounds

2090
01:28:28,200 --> 01:28:31,320
Speaker 7: like you need to find uh, like, what do you

2091
01:28:31,439 --> 01:28:33,080
Speaker 7: what do you what are you passionate about? What do

2092
01:28:33,160 --> 01:28:33,960
Speaker 7: you you know?

2093
01:28:34,200 --> 01:28:34,720
Speaker 4: Blizzards?

2094
01:28:34,760 --> 01:28:36,720
Speaker 7: What are some things that you have outside of.

2095
01:28:40,680 --> 01:28:41,160
Speaker 6: That's great?

2096
01:28:41,240 --> 01:28:42,880
Speaker 2: I mean, I mean he's not wrong.

2097
01:28:44,200 --> 01:28:45,560
Speaker 4: How many times do you think he hit him with

2098
01:28:45,560 --> 01:28:48,720
Speaker 4: the turnament that yeah, hey, maybe I could do the

2099
01:28:48,800 --> 01:28:49,839
Speaker 4: number one in the Midwest.

2100
01:28:50,240 --> 01:28:52,639
Speaker 7: I'm pretty sure Mike is really good at making blizzards.

2101
01:28:52,760 --> 01:28:54,960
Speaker 1: I'd still go to Queen on West Side Avenue as

2102
01:28:54,960 --> 01:28:55,519
Speaker 1: you should.

2103
01:28:55,360 --> 01:28:56,960
Speaker 7: But he needs to. It sounds like you need to

2104
01:28:57,080 --> 01:29:00,920
Speaker 7: just find something that you can have fun doing, because

2105
01:29:00,920 --> 01:29:02,760
Speaker 7: this is just work work work. You need something that

2106
01:29:03,479 --> 01:29:06,920
Speaker 7: is fun for you. I don't know, maybe get into

2107
01:29:07,960 --> 01:29:10,320
Speaker 7: looking at starting some dairy queen trucks or something.

2108
01:29:10,360 --> 01:29:12,400
Speaker 2: I don't know, what do you mean dairy queen trucks?

2109
01:29:12,680 --> 01:29:14,800
Speaker 4: So like, if you take you on, you want to

2110
01:29:14,840 --> 01:29:16,080
Speaker 4: find more time to.

2111
01:29:16,120 --> 01:29:18,800
Speaker 7: Do No, no, not him, But I'm just saying like

2112
01:29:18,880 --> 01:29:21,280
Speaker 7: he needs to do shit where it's like he can

2113
01:29:21,360 --> 01:29:23,080
Speaker 7: be at the truck for like three hours a day

2114
01:29:23,080 --> 01:29:24,479
Speaker 7: and then he's done, like he needs sounding like he

2115
01:29:24,560 --> 01:29:27,280
Speaker 7: needs to delegate some of his work to other people.

2116
01:29:27,360 --> 01:29:29,000
Speaker 7: It sounds like he just wants to be hands on

2117
01:29:29,120 --> 01:29:29,599
Speaker 7: with everything.

2118
01:29:29,800 --> 01:29:30,880
Speaker 2: Then he wants they though.

2119
01:29:31,040 --> 01:29:32,680
Speaker 5: I also think he's in corporate, so I don't think

2120
01:29:32,720 --> 01:29:34,559
Speaker 5: he wants to be hands on. I think that's what's

2121
01:29:34,640 --> 01:29:35,559
Speaker 5: required by his role.

2122
01:29:36,200 --> 01:29:37,840
Speaker 7: Yeah, but you got to put people in play where

2123
01:29:37,840 --> 01:29:39,960
Speaker 7: you don't have to be this seventy two hours a week, though, Like,

2124
01:29:40,160 --> 01:29:40,880
Speaker 7: you gotta find some.

2125
01:29:40,960 --> 01:29:44,400
Speaker 9: Time corporate job that's not for him to the budget

2126
01:29:44,600 --> 01:29:48,519
Speaker 9: is with the corporation. He can't choose who to delegate

2127
01:29:48,600 --> 01:29:50,560
Speaker 9: to or to have somebody like he can't do that.

2128
01:29:50,640 --> 01:29:51,640
Speaker 5: That's not so he might have to.

2129
01:29:51,640 --> 01:29:53,160
Speaker 7: Take a he might have to take a step back,

2130
01:29:53,320 --> 01:29:56,800
Speaker 7: maybe take a pay decrease. Yeah, I take a pay

2131
01:29:56,840 --> 01:29:59,000
Speaker 7: decrease to have more free time to do other things.

2132
01:29:59,040 --> 01:30:00,639
Speaker 7: Seventy two hour work, it's crazy.

2133
01:30:00,920 --> 01:30:03,120
Speaker 8: Yeah, you can't date, he said he doesn't date. Isn't

2134
01:30:03,120 --> 01:30:04,720
Speaker 8: that much of a social life, So he's saying his

2135
01:30:04,840 --> 01:30:07,240
Speaker 8: life is his work. I don't think there's any amount

2136
01:30:07,240 --> 01:30:11,040
Speaker 8: of money to sacrifice your well being and hanging out

2137
01:30:11,080 --> 01:30:13,040
Speaker 8: with your friends and family and moving out.

2138
01:30:12,920 --> 01:30:15,320
Speaker 7: It, especially in the Midwest. But like you can, you

2139
01:30:15,400 --> 01:30:17,759
Speaker 7: can make he's making a lot of money in the Midwest.

2140
01:30:17,840 --> 01:30:19,719
Speaker 4: Like he's all you need out there's like ten dollars

2141
01:30:20,120 --> 01:30:20,920
Speaker 4: that sounds gonna pay.

2142
01:30:20,960 --> 01:30:22,400
Speaker 1: But I'm never one of those people that says, just

2143
01:30:22,560 --> 01:30:27,479
Speaker 1: quit your job. No not he he needs to still

2144
01:30:27,760 --> 01:30:29,760
Speaker 1: work and find a way to cut back some of

2145
01:30:29,800 --> 01:30:32,840
Speaker 1: those hours or put your head down for a year

2146
01:30:32,840 --> 01:30:35,519
Speaker 1: and a half, two years, stack up some money, and

2147
01:30:35,680 --> 01:30:38,280
Speaker 1: then maybe take that risk of quitting your to.

2148
01:30:38,360 --> 01:30:40,439
Speaker 4: You don't even need to quit. Look for another job

2149
01:30:40,439 --> 01:30:42,040
Speaker 4: while you have this job, or.

2150
01:30:42,040 --> 01:30:43,840
Speaker 1: It's all point look for. I know he doesn't have

2151
01:30:43,880 --> 01:30:45,920
Speaker 1: a lot of time, but look for something you're passionate about,

2152
01:30:46,080 --> 01:30:47,920
Speaker 1: and you could stack your money for a few years

2153
01:30:48,520 --> 01:30:50,680
Speaker 1: while you work on passion on the side, and then

2154
01:30:50,800 --> 01:30:54,680
Speaker 1: quit passion. Cold Stone like, he just needs to use

2155
01:30:54,960 --> 01:30:57,160
Speaker 1: this free time. He has to figure out what he likes.

2156
01:30:57,960 --> 01:31:01,200
Speaker 1: Maybe it isn't dating right now, maybe it's something else.

2157
01:31:01,200 --> 01:31:03,120
Speaker 7: He's young too, let's get let's get Mike into the

2158
01:31:03,200 --> 01:31:05,080
Speaker 7: dating scene. He makes one hundred and fifty thousand dollars

2159
01:31:05,120 --> 01:31:06,280
Speaker 7: in the Midwest, so.

2160
01:31:06,320 --> 01:31:07,800
Speaker 4: He's drink ice cream.

2161
01:31:07,840 --> 01:31:09,479
Speaker 7: He's a good catch. You know how to make blizzards.

2162
01:31:10,640 --> 01:31:13,080
Speaker 7: He's a good catch, but he needs to not be

2163
01:31:13,280 --> 01:31:14,960
Speaker 7: in dairy Queen so much though. He needs to find

2164
01:31:14,960 --> 01:31:16,599
Speaker 7: a way to get away from that. A few more

2165
01:31:16,600 --> 01:31:18,360
Speaker 7: hours out of the week. Have some time for yourself,

2166
01:31:18,720 --> 01:31:19,879
Speaker 7: at least a Saturday.

2167
01:31:20,520 --> 01:31:21,960
Speaker 2: Don't go in what I mean, that's like the most

2168
01:31:22,000 --> 01:31:23,080
Speaker 2: popular time for dairy Queen.

2169
01:31:23,080 --> 01:31:23,360
Speaker 1: I love it.

2170
01:31:23,439 --> 01:31:25,679
Speaker 7: Yeah, but I mean, you gotta have somebody else running

2171
01:31:26,439 --> 01:31:26,840
Speaker 7: the shot.

2172
01:31:27,200 --> 01:31:28,840
Speaker 9: Y'all really think that that man who is making one

2173
01:31:28,920 --> 01:31:30,880
Speaker 9: hundred and fifty thousand dollars a year is in the

2174
01:31:30,960 --> 01:31:32,240
Speaker 9: dairy cream making blizzards?

2175
01:31:33,520 --> 01:31:35,719
Speaker 2: Well, I sure he's a fair share of management.

2176
01:31:36,040 --> 01:31:39,880
Speaker 1: Top seller working seventy two hours against bonuses, meets marks

2177
01:31:39,920 --> 01:31:42,560
Speaker 1: of how much income. Yeah, I could see that. I

2178
01:31:42,600 --> 01:31:43,839
Speaker 1: don't think he's at the window.

2179
01:31:44,240 --> 01:31:45,559
Speaker 2: Yeah he's not that he blizzard guy.

2180
01:31:45,560 --> 01:31:47,400
Speaker 1: I think he probably started there at fifteen and worked

2181
01:31:47,439 --> 01:31:47,840
Speaker 1: his way up.

2182
01:31:47,880 --> 01:31:49,400
Speaker 7: Mike fucking I'm gonna just keep it real, man, Just

2183
01:31:49,400 --> 01:31:51,639
Speaker 7: start selling coked. You sound like you're great at selling white.

2184
01:31:51,640 --> 01:31:52,120
Speaker 4: Oh you could do.

2185
01:31:52,160 --> 01:31:52,639
Speaker 1: That's true.

2186
01:31:52,920 --> 01:31:55,240
Speaker 7: Like, I mean, you ain't gotta work whiles you're gonna

2187
01:31:55,240 --> 01:31:56,600
Speaker 7: make more than a hundred fifty grand you can make

2188
01:31:56,680 --> 01:31:57,280
Speaker 7: that in one run.

2189
01:31:58,760 --> 01:32:01,760
Speaker 1: Or I mean you could work out of the dairy Queen.

2190
01:32:02,520 --> 01:32:03,320
Speaker 7: That's what I'm talking about.

2191
01:32:04,040 --> 01:32:05,559
Speaker 1: Yeah, starts Saggy's bagg he's in the.

2192
01:32:05,520 --> 01:32:07,880
Speaker 7: Blizzard, start selling coke through them through the drive through.

2193
01:32:07,960 --> 01:32:10,320
Speaker 1: Yeah, and then some people will wonder, why was that

2194
01:32:10,400 --> 01:32:13,759
Speaker 1: blizzard one hundred and ten dollars? Yeah, cocin it exactly.

2195
01:32:15,040 --> 01:32:16,400
Speaker 7: You had a blizard, had a blizzard.

2196
01:32:16,479 --> 01:32:17,280
Speaker 2: COVID that's a blizzard.

2197
01:32:17,479 --> 01:32:20,240
Speaker 7: You go start selling drugs. Mike is so good, but

2198
01:32:20,360 --> 01:32:21,000
Speaker 7: really I think he.

2199
01:32:20,960 --> 01:32:23,280
Speaker 1: Should just focus for a year or two, stack his

2200
01:32:23,360 --> 01:32:25,160
Speaker 1: money and if he wants to quit at that point, quit.

2201
01:32:25,080 --> 01:32:26,160
Speaker 4: But don't quit with no.

2202
01:32:26,960 --> 01:32:27,800
Speaker 7: Yeah, you got to have it all.

2203
01:32:27,880 --> 01:32:31,360
Speaker 1: Yeah, take those two years to try to find other ship.

2204
01:32:31,520 --> 01:32:33,519
Speaker 7: That's a great it's a great problem to have, though, Mike,

2205
01:32:33,600 --> 01:32:36,360
Speaker 7: you have a successful business. You're making a lot of money. Uh,

2206
01:32:36,439 --> 01:32:37,960
Speaker 7: you're not getting no pussies, so that sucks.

2207
01:32:39,840 --> 01:32:40,679
Speaker 4: I mean it does suck.

2208
01:32:40,800 --> 01:32:41,000
Speaker 6: Yeah.

2209
01:32:41,280 --> 01:32:43,960
Speaker 4: Yeah, it's cutting cost and condoms, so there's uh.

2210
01:32:44,479 --> 01:32:46,800
Speaker 1: You know what he could do as a new career

2211
01:32:47,000 --> 01:32:48,599
Speaker 1: since he doesn't have much free time but he does

2212
01:32:48,680 --> 01:32:51,599
Speaker 1: have money, he could do those dating sites that get

2213
01:32:51,640 --> 01:32:54,040
Speaker 1: you onto like ninety day fiance, like he should be

2214
01:32:54,120 --> 01:32:57,320
Speaker 1: looking in third world countries for a wife to bring

2215
01:32:57,479 --> 01:33:01,120
Speaker 1: over here. She wouldn't work obviously right off, and she'd

2216
01:33:01,200 --> 01:33:03,679
Speaker 1: just be there, you know, to slow him whenever he wants.

2217
01:33:03,760 --> 01:33:05,519
Speaker 1: And then they get on the reality show and he

2218
01:33:05,560 --> 01:33:07,560
Speaker 1: can quit his job and just do three seasons of

2219
01:33:07,760 --> 01:33:11,640
Speaker 1: naughty Fiance. Now he's a reality star and he has

2220
01:33:11,680 --> 01:33:13,759
Speaker 1: a wife, you thought, and he's done with dairy queen.

2221
01:33:13,640 --> 01:33:18,200
Speaker 7: Reality star today white House, so it goes.

2222
01:33:18,280 --> 01:33:18,600
Speaker 6: I love it.

2223
01:33:19,080 --> 01:33:21,120
Speaker 2: Good for Mike, Good job, Mike, go Mike.

2224
01:33:22,840 --> 01:33:23,280
Speaker 1: Exact yer.

2225
01:33:23,360 --> 01:33:24,679
Speaker 7: He has a president named to Michael.

2226
01:33:25,200 --> 01:33:27,160
Speaker 8: That's the president Michael from the Midwes. That's a president's

2227
01:33:27,200 --> 01:33:30,120
Speaker 8: a resume. That's the west Man named Midwest. Mike started

2228
01:33:30,120 --> 01:33:30,679
Speaker 8: from the bottom.

2229
01:33:30,760 --> 01:33:32,639
Speaker 7: Now he's all the way up in the MI what's

2230
01:33:32,680 --> 01:33:34,040
Speaker 7: more American and serving ice cream.

2231
01:33:35,520 --> 01:33:36,960
Speaker 5: Strap community to eat him up.

2232
01:33:38,960 --> 01:33:40,680
Speaker 1: Now you definitely got it. Buy the bootstraps for sure.

2233
01:33:40,720 --> 01:33:42,360
Speaker 4: What's your guys favorite ice cream flavors?

2234
01:33:42,760 --> 01:33:47,519
Speaker 7: Cookie dough, cookie dough guy, Rocky Road, I like cookies

2235
01:33:47,560 --> 01:33:50,439
Speaker 7: and cream. Fuck you laughing my Rocky Road, for you

2236
01:33:50,479 --> 01:33:52,280
Speaker 7: know what used to be really good that I was

2237
01:33:52,320 --> 01:33:55,680
Speaker 7: surprised that I like hogging Doll's coffee ice cream. Oh great, Yeah,

2238
01:33:55,920 --> 01:33:57,720
Speaker 7: I was surprised. I like that flavor as much as

2239
01:33:57,720 --> 01:34:00,760
Speaker 7: I did. That ship was crazy and somebody had it

2240
01:34:00,840 --> 01:34:03,200
Speaker 7: in the fridge. I was like, coffee ice cream raising.

2241
01:34:03,240 --> 01:34:04,439
Speaker 7: He was like, you don't even understand.

2242
01:34:04,640 --> 01:34:06,719
Speaker 1: Did they also have the coffee patron in their freezer?

2243
01:34:06,800 --> 01:34:07,320
Speaker 6: They got me?

2244
01:34:07,520 --> 01:34:10,840
Speaker 1: Oh my god, how people like that is beyond me.

2245
01:34:11,280 --> 01:34:11,640
Speaker 4: But it's not.

2246
01:34:11,800 --> 01:34:13,479
Speaker 9: That's not like you're not supposed to like make that

2247
01:34:13,560 --> 01:34:16,160
Speaker 9: as like a No, it's supposed to flavor as a kid,

2248
01:34:16,240 --> 01:34:16,560
Speaker 9: you don't know.

2249
01:34:17,280 --> 01:34:18,920
Speaker 7: It's so as a kid, you shouldn't be drinking.

2250
01:34:18,920 --> 01:34:19,200
Speaker 6: But rong.

2251
01:34:19,280 --> 01:34:21,040
Speaker 5: I don't mean a kid. I mean like when you're

2252
01:34:21,080 --> 01:34:21,960
Speaker 5: twenty one years.

2253
01:34:21,800 --> 01:34:23,800
Speaker 2: Old, Like I got it, the boy of the kid.

2254
01:34:23,920 --> 01:34:25,479
Speaker 1: You know what I saw for the first time in

2255
01:34:26,479 --> 01:34:32,040
Speaker 1: maybe ten years in North Carolina, Honey Jack, Really, I

2256
01:34:32,120 --> 01:34:34,439
Speaker 1: tell you I almost threw up just that at the

2257
01:34:34,520 --> 01:34:34,920
Speaker 1: sight of it.

2258
01:34:35,479 --> 01:34:37,120
Speaker 4: I was like, I thought, I thought they banned this

2259
01:34:37,120 --> 01:34:38,120
Speaker 4: talk about syrup.

2260
01:34:38,880 --> 01:34:40,400
Speaker 7: I don't have a weak's stomach, but if you want

2261
01:34:40,439 --> 01:34:43,799
Speaker 7: to see me throw up, put some ninety nine bananas

2262
01:34:43,840 --> 01:34:44,280
Speaker 7: on the table.

2263
01:34:44,800 --> 01:34:46,320
Speaker 1: I think they they recalled that.

2264
01:34:46,960 --> 01:34:47,200
Speaker 4: That was.

2265
01:34:49,000 --> 01:34:52,360
Speaker 1: I thought, Honey Jack, was we used to guzzle bananas.

2266
01:34:52,400 --> 01:34:53,920
Speaker 7: Is the worst ship in the fucking world.

2267
01:34:54,160 --> 01:34:57,760
Speaker 8: Ple Nah, but Cardi Lamone, I was lit with all

2268
01:34:57,800 --> 01:35:01,280
Speaker 8: those like fake flavoring lomons, Lemone Lemon?

2269
01:35:01,520 --> 01:35:03,040
Speaker 7: What's your favorite limon?

2270
01:35:03,520 --> 01:35:06,280
Speaker 5: My favorite ice cream would probably be black cherry.

2271
01:35:07,160 --> 01:35:08,200
Speaker 4: What the fuck?

2272
01:35:09,720 --> 01:35:10,000
Speaker 6: What do you?

2273
01:35:10,400 --> 01:35:11,240
Speaker 4: Black cherry?

2274
01:35:11,400 --> 01:35:11,560
Speaker 6: Are you?

2275
01:35:11,640 --> 01:35:12,000
Speaker 4: Kendrick?

2276
01:35:14,320 --> 01:35:17,360
Speaker 7: Black cherry ice cream should be band in every country.

2277
01:35:17,439 --> 01:35:18,479
Speaker 1: I didn't even know they sold it.

2278
01:35:18,760 --> 01:35:24,120
Speaker 7: BlackBerry gettist, black cherry soda? Black cherry ice cream? Who

2279
01:35:24,160 --> 01:35:25,040
Speaker 7: makes the hogging dogs?

2280
01:35:26,000 --> 01:35:31,080
Speaker 1: Definitely an off brand? That definitely act me bread.

2281
01:35:31,120 --> 01:35:33,400
Speaker 4: That's that's like blueberry.

2282
01:35:33,439 --> 01:35:38,000
Speaker 9: That's black che Buddy, that's like blue Bundy, right, blue Buddy.

2283
01:35:38,040 --> 01:35:38,760
Speaker 9: Black cherry is good.

2284
01:35:38,800 --> 01:35:41,960
Speaker 4: That yeah, makes one. They make great ice cream. Yes.

2285
01:35:42,240 --> 01:35:43,920
Speaker 5: So actually what I eat a lot now is t

2286
01:35:44,040 --> 01:35:46,320
Speaker 5: Linsey has the Raspberry.

2287
01:35:47,240 --> 01:35:47,800
Speaker 1: That's my ship.

2288
01:35:47,920 --> 01:35:49,719
Speaker 5: Yeah, I eat that the Roman Raspberry.

2289
01:35:49,800 --> 01:35:51,760
Speaker 9: I don't really like ice cream anymore because I'm getting

2290
01:35:51,760 --> 01:35:54,519
Speaker 9: all what you said about dairy fucking me up as

2291
01:35:54,560 --> 01:35:55,040
Speaker 9: I get older.

2292
01:35:55,080 --> 01:35:55,600
Speaker 5: You jinxed me?

2293
01:35:55,760 --> 01:35:55,960
Speaker 6: Are you?

2294
01:35:56,280 --> 01:35:56,559
Speaker 4: Literally?

2295
01:35:56,600 --> 01:35:58,479
Speaker 9: When I first got this job, I was like, no,

2296
01:35:58,560 --> 01:36:00,439
Speaker 9: I can eat dairy, Like dairy did not fuck with me.

2297
01:36:00,520 --> 01:36:02,400
Speaker 9: He was like, watch you getting old and Darry gonna

2298
01:36:02,400 --> 01:36:03,679
Speaker 9: start fuckling you now.

2299
01:36:04,880 --> 01:36:05,400
Speaker 2: And the toilet.

2300
01:36:05,439 --> 01:36:07,719
Speaker 7: Look at you, look at you going there. I remember

2301
01:36:07,720 --> 01:36:09,360
Speaker 7: the first time I had a stomach ache from eating

2302
01:36:09,400 --> 01:36:11,240
Speaker 7: dairy nigga. I went into I went in the bathroom

2303
01:36:11,280 --> 01:36:12,920
Speaker 7: with a full outfit and I came out with my folk.

2304
01:36:13,040 --> 01:36:16,040
Speaker 7: I clothed, folded in my hand. I had my naked

2305
01:36:16,400 --> 01:36:17,680
Speaker 7: like you ever take a ship and you like you

2306
01:36:17,760 --> 01:36:20,880
Speaker 7: get hot. I was sweating. I was like, Yo, what

2307
01:36:21,120 --> 01:36:22,880
Speaker 7: the fun. That's when I knew I can't.

2308
01:36:22,920 --> 01:36:25,599
Speaker 5: I can't do the type of stomach cramps I was having.

2309
01:36:25,680 --> 01:36:28,240
Speaker 7: I thought my appendix bust one time. Damn, because I

2310
01:36:28,320 --> 01:36:30,760
Speaker 7: only had heard about the pain, and I thought that

2311
01:36:31,200 --> 01:36:33,880
Speaker 7: I had gas. Yeah, I had gas from eating ice cream.

2312
01:36:33,920 --> 01:36:36,000
Speaker 7: I was like, yo, this had my appendix. Is I'm dying.

2313
01:36:36,040 --> 01:36:39,519
Speaker 1: Imagine black cherry ice cream exploding your appendix. I would

2314
01:36:39,600 --> 01:36:42,000
Speaker 1: I would call you, Yeah, you'd be pussy.

2315
01:36:42,040 --> 01:36:43,439
Speaker 7: It's not that it's not the flavor.

2316
01:36:43,520 --> 01:36:46,000
Speaker 8: It's like little Zan got sent to the hospital for

2317
01:36:46,080 --> 01:36:49,120
Speaker 8: eating hot cheetos. That's it, and that though it's a

2318
01:36:49,160 --> 01:36:50,360
Speaker 8: real thing that actually happened.

2319
01:36:50,840 --> 01:36:51,439
Speaker 7: How much did he eat?

2320
01:36:51,479 --> 01:36:52,120
Speaker 2: How much did he eat?

2321
01:36:52,400 --> 01:36:54,879
Speaker 4: He it was like a baggers.

2322
01:36:54,920 --> 01:36:57,680
Speaker 8: It wasn't a lot Jesus, it was just like, I

2323
01:36:57,720 --> 01:36:59,120
Speaker 8: guess it sucked his stomach up.

2324
01:36:59,520 --> 01:37:01,760
Speaker 9: Would you guys be willing to do the one chip

2325
01:37:02,120 --> 01:37:06,639
Speaker 9: one hip challenge that it's basically like a really stupid

2326
01:37:06,720 --> 01:37:07,840
Speaker 9: good chip that all.

2327
01:37:07,760 --> 01:37:08,600
Speaker 7: These in cells do.

2328
01:37:09,280 --> 01:37:09,560
Speaker 6: I don't know.

2329
01:37:09,680 --> 01:37:11,519
Speaker 2: Damn, damn insels.

2330
01:37:13,080 --> 01:37:16,600
Speaker 7: I mean, that's my fan base is the damn. I

2331
01:37:16,640 --> 01:37:18,000
Speaker 7: didn't know we had insults that listen.

2332
01:37:18,080 --> 01:37:19,560
Speaker 2: Yeah, I don't know what the inseel is.

2333
01:37:19,920 --> 01:37:20,880
Speaker 7: You don't know what the inseel is.

2334
01:37:21,040 --> 01:37:23,759
Speaker 1: No, it's like a cell in your body.

2335
01:37:24,120 --> 01:37:27,960
Speaker 7: No, it's like guys that can't get like attention from women,

2336
01:37:28,080 --> 01:37:29,400
Speaker 7: they can't have sex like so.

2337
01:37:29,439 --> 01:37:32,240
Speaker 4: It's like the on set school shooter resume got Okay.

2338
01:37:32,240 --> 01:37:34,479
Speaker 7: If we may have some those fans, I hope not

2339
01:37:34,520 --> 01:37:35,160
Speaker 7: stop listening.

2340
01:37:36,240 --> 01:37:38,000
Speaker 4: They said Drake's albums should have been called for all

2341
01:37:38,000 --> 01:37:38,559
Speaker 4: the in cells.

2342
01:37:39,000 --> 01:37:40,519
Speaker 6: Yeah, I'm not out.

2343
01:37:40,680 --> 01:37:44,040
Speaker 7: Definitely, Yeah, that album is for I just saw that

2344
01:37:44,080 --> 01:37:46,400
Speaker 7: they got women problems and they kind of dogging women out.

2345
01:37:46,439 --> 01:37:47,400
Speaker 7: That's what that's what that's for.

2346
01:37:48,160 --> 01:37:49,160
Speaker 2: What's your favorite rescue later?

2347
01:37:49,880 --> 01:37:51,920
Speaker 6: Oh uh?

2348
01:37:52,320 --> 01:37:54,479
Speaker 2: Butanela obviously, No, I like.

2349
01:37:57,400 --> 01:37:59,040
Speaker 7: That's underrated, Like.

2350
01:38:01,320 --> 01:38:04,400
Speaker 5: You look like you like or like mint chocolate chip yeah,

2351
01:38:04,760 --> 01:38:05,360
Speaker 5: when I was a kid.

2352
01:38:05,640 --> 01:38:09,360
Speaker 8: That was my favorite mint chip as a kid when

2353
01:38:09,360 --> 01:38:10,200
Speaker 8: I was Yeah, it's a kid.

2354
01:38:10,280 --> 01:38:12,160
Speaker 4: Why is that bad? It's mint and ice cream. It's

2355
01:38:12,200 --> 01:38:12,719
Speaker 4: just delicious.

2356
01:38:12,760 --> 01:38:15,120
Speaker 7: What kid likes, man, what kid likes peppermint?

2357
01:38:15,160 --> 01:38:15,760
Speaker 4: To tasty tree?

2358
01:38:15,920 --> 01:38:19,360
Speaker 7: No, kids like peppermint? You definitely what mint?

2359
01:38:20,640 --> 01:38:21,080
Speaker 4: Kids like.

2360
01:38:21,400 --> 01:38:25,240
Speaker 7: Kids like chocolate, kids like strawberry, kids like fucking sprinkled chocolates.

2361
01:38:25,280 --> 01:38:26,240
Speaker 4: In the name of the mint.

2362
01:38:26,320 --> 01:38:29,920
Speaker 7: Chocolate can't get to the chocolate chip before you pass

2363
01:38:30,000 --> 01:38:30,400
Speaker 7: the mint though.

2364
01:38:30,400 --> 01:38:32,120
Speaker 4: That's you get chocolate every bite.

2365
01:38:33,080 --> 01:38:35,200
Speaker 7: But that mint, though, that mint is the after taste.

2366
01:38:35,240 --> 01:38:37,000
Speaker 7: That's what stays on the tongue and it clears your

2367
01:38:37,040 --> 01:38:39,040
Speaker 7: sinus starts smelling peppermint.

2368
01:38:39,120 --> 01:38:42,200
Speaker 1: Forty five divorces like that, just like what.

2369
01:38:42,280 --> 01:38:45,080
Speaker 7: Your grandmother has in the freezing when it's like we're

2370
01:38:45,080 --> 01:38:45,439
Speaker 7: going through.

2371
01:38:45,920 --> 01:38:47,439
Speaker 5: That's white grandmas, Black grandmas have.

2372
01:38:48,360 --> 01:38:49,679
Speaker 1: But were you smoking?

2373
01:38:49,880 --> 01:38:50,040
Speaker 6: Mother?

2374
01:38:52,760 --> 01:38:52,880
Speaker 1: Uh?

2375
01:38:53,240 --> 01:38:54,719
Speaker 4: Cookie butter is good? Underrated?

2376
01:38:54,800 --> 01:38:58,280
Speaker 8: Now cook as a bass because then you can just

2377
01:38:58,400 --> 01:38:59,800
Speaker 8: like kind of, I had ice cream over the weekend.

2378
01:38:59,800 --> 01:39:01,320
Speaker 8: I send a photo to you, Mal you.

2379
01:39:01,360 --> 01:39:02,040
Speaker 5: Went on ice cream?

2380
01:39:02,880 --> 01:39:06,160
Speaker 7: Would I would have blocked you?

2381
01:39:06,200 --> 01:39:06,400
Speaker 6: If you.

2382
01:39:09,200 --> 01:39:12,280
Speaker 1: Damn well for all the in cells and non in cells,

2383
01:39:12,560 --> 01:39:14,639
Speaker 1: ice cream eaters and non ice cream eaters. We will

2384
01:39:14,640 --> 01:39:18,920
Speaker 1: be in Toronto ironically, Hey this week over twelfth, we'll

2385
01:39:18,960 --> 01:39:21,920
Speaker 1: let the dan Forth Music Hall, which I'm told is

2386
01:39:21,960 --> 01:39:23,759
Speaker 1: like a write of passage for Toronto.

2387
01:39:24,000 --> 01:39:24,240
Speaker 6: Nice.

2388
01:39:24,640 --> 01:39:26,240
Speaker 1: Mean, it's like one of the.

2389
01:39:26,280 --> 01:39:27,720
Speaker 5: It's almost it's like Sony Hall.

2390
01:39:28,200 --> 01:39:29,160
Speaker 1: You're like an s Obs and.

2391
01:39:29,160 --> 01:39:29,599
Speaker 4: Some of the Green.

2392
01:39:29,920 --> 01:39:32,599
Speaker 1: That's where everyone goes for like their first show in Toronto.

2393
01:39:32,640 --> 01:39:34,960
Speaker 1: It's it's to write a passage. Everyone's performed there and

2394
01:39:35,000 --> 01:39:35,599
Speaker 1: that made.

2395
01:39:35,439 --> 01:39:37,200
Speaker 4: Me so guys gonna check in with the boy. This

2396
01:39:37,360 --> 01:39:45,880
Speaker 4: is our s Obs, Yeah, this is our for the end.

2397
01:39:46,280 --> 01:39:47,640
Speaker 1: Are you going to reach out to the boy or

2398
01:39:47,680 --> 01:39:47,920
Speaker 1: any of.

2399
01:39:47,960 --> 01:39:52,320
Speaker 7: His check in any of his eXess I might, I

2400
01:39:52,400 --> 01:39:53,600
Speaker 7: might hit him. I don't think he's gonna be in

2401
01:39:53,640 --> 01:39:56,240
Speaker 7: town though. I think he's leaving once of toy And did.

2402
01:39:56,160 --> 01:39:59,120
Speaker 4: I think he wouldn't go to that you got his routing?

2403
01:39:59,640 --> 01:40:02,679
Speaker 7: No, I think that he just towards ended. He would

2404
01:40:02,720 --> 01:40:03,559
Speaker 7: probably go on vacation.

2405
01:40:03,720 --> 01:40:04,679
Speaker 4: You wouldn't want to be home.

2406
01:40:05,479 --> 01:40:07,840
Speaker 1: I would not drake for like a week at least

2407
01:40:08,000 --> 01:40:10,920
Speaker 1: I would be at your house, sure, but I.

2408
01:40:10,920 --> 01:40:13,559
Speaker 7: Will probably I have a house in somewhere else too,

2409
01:40:13,920 --> 01:40:14,599
Speaker 7: not just Toronto.

2410
01:40:15,320 --> 01:40:16,880
Speaker 1: That's like a point I mean, but he's back to

2411
01:40:16,920 --> 01:40:17,800
Speaker 1: the sixth That's what we said.

2412
01:40:18,360 --> 01:40:20,800
Speaker 7: Yeah, gave y'all album. I was home, get y'all the shows,

2413
01:40:20,840 --> 01:40:23,200
Speaker 7: two shows back to back. Now I'm gonna go. It's

2414
01:40:23,280 --> 01:40:25,080
Speaker 7: kind of cold, getting chilli. I'm gonna go sit on

2415
01:40:25,120 --> 01:40:27,320
Speaker 7: the beach, get some sun, get some water.

2416
01:40:27,600 --> 01:40:29,840
Speaker 1: Remember when Kanye went to Chicago and said I'm never

2417
01:40:29,840 --> 01:40:31,360
Speaker 1: gonna leave Chicago for the rest of my life, and

2418
01:40:31,400 --> 01:40:32,599
Speaker 1: then he left that afternoon.

2419
01:40:33,400 --> 01:40:36,160
Speaker 7: Hasn't been back since. Hasn't been back since.

2420
01:40:37,000 --> 01:40:41,080
Speaker 1: We'll also be in Los Angeles November fifth, London November seventeenth,

2421
01:40:41,760 --> 01:40:43,240
Speaker 1: back in New York December first.

2422
01:40:43,520 --> 01:40:45,639
Speaker 7: Get your tickets, come kick it. We're gonna have some fun,

2423
01:40:45,760 --> 01:40:49,320
Speaker 7: give out some some some some merch, sell some merch. Hopefully.

2424
01:40:49,760 --> 01:40:51,760
Speaker 7: I think they're gonna like the merch that we have.

2425
01:40:51,920 --> 01:40:54,320
Speaker 1: Yeah, I think it's great. Pray for my safety in

2426
01:40:54,360 --> 01:40:56,800
Speaker 1: the sixth I don't think I said anything too disrespectful,

2427
01:40:56,880 --> 01:40:57,800
Speaker 1: But you never know.

2428
01:40:58,040 --> 01:41:00,679
Speaker 5: You said that men should have chopped his album half bro.

2429
01:41:01,320 --> 01:41:02,479
Speaker 2: Okay, I don't think that was that crazy.

2430
01:41:02,920 --> 01:41:05,200
Speaker 1: Yeah, what's wrong with that?

2431
01:41:05,640 --> 01:41:05,840
Speaker 6: Yeah?

2432
01:41:06,600 --> 01:41:07,240
Speaker 2: Are you trying to start?

2433
01:41:07,280 --> 01:41:10,040
Speaker 7: Nothing wrong with it? But yeah, I am looking forward

2434
01:41:10,120 --> 01:41:13,240
Speaker 7: to all these shows. Get to see the people have

2435
01:41:13,400 --> 01:41:17,919
Speaker 7: some fun. And yeah, get your tickets newrymaul dot com exclusive.

2436
01:41:18,120 --> 01:41:21,040
Speaker 7: You'll see y'all soon. Let's have some fun, Let's talk

2437
01:41:21,120 --> 01:41:23,320
Speaker 7: some ship's break up, some couples.

2438
01:41:24,160 --> 01:41:25,240
Speaker 5: I do see y'all for a week.

2439
01:41:25,280 --> 01:41:28,000
Speaker 1: I'm a misshap any any hot takes before we close?

2440
01:41:28,479 --> 01:41:29,000
Speaker 7: Hot takes?

2441
01:41:29,280 --> 01:41:29,559
Speaker 6: I think.

2442
01:41:29,720 --> 01:41:31,880
Speaker 1: I think in two years, when Drake comes back to

2443
01:41:31,920 --> 01:41:34,280
Speaker 1: give us music, he's gonna say he felt really uninspired

2444
01:41:34,439 --> 01:41:35,600
Speaker 1: when for the Dogs came up.

2445
01:41:36,840 --> 01:41:39,280
Speaker 4: No, does Drake have a dog? Does he have a pet?

2446
01:41:39,400 --> 01:41:40,120
Speaker 2: I'm sure he does.

2447
01:41:40,800 --> 01:41:41,200
Speaker 4: Probably.

2448
01:41:41,439 --> 01:41:41,639
Speaker 6: Yeah.

2449
01:41:41,760 --> 01:41:42,639
Speaker 4: Do the women account?

2450
01:41:43,360 --> 01:41:43,400
Speaker 3: No?

2451
01:41:43,960 --> 01:41:45,160
Speaker 2: No, that was a good job though.

2452
01:41:45,920 --> 01:41:47,639
Speaker 4: I mean, I don't know about you guys, but I'm viral.

2453
01:41:48,680 --> 01:41:50,920
Speaker 7: Oh my god, we talked to y'all soon.

2454
01:41:51,760 --> 01:41:54,200
Speaker 1: Wait, I do one last hot take question. We don't

2455
01:41:54,200 --> 01:41:55,640
Speaker 1: have to dive into ius. Just want to see what

2456
01:41:55,880 --> 01:41:58,000
Speaker 1: your yes or no answered. Does Rocky have to see

2457
01:41:58,040 --> 01:42:02,479
Speaker 1: Drake for that? Some wild things to say of your girl?

2458
01:42:03,080 --> 01:42:03,599
Speaker 2: Kind of Yeah?

2459
01:42:04,840 --> 01:42:09,320
Speaker 7: And yeah, I think that they if they didn't already,

2460
01:42:10,479 --> 01:42:11,920
Speaker 7: they have to have They have to have a face

2461
01:42:11,960 --> 01:42:15,000
Speaker 7: to face just them too. Yeah, I didn't I didn't

2462
01:42:15,000 --> 01:42:17,639
Speaker 7: think that it was that was kind of a shock

2463
01:42:17,680 --> 01:42:19,280
Speaker 7: in to hear Drake talk like that. Actually, now I

2464
01:42:19,360 --> 01:42:21,280
Speaker 7: think about it about ree.

2465
01:42:21,680 --> 01:42:22,200
Speaker 4: Was kind of whack.

2466
01:42:22,840 --> 01:42:24,519
Speaker 1: I don't know if there's been stuff behind the scenes

2467
01:42:24,560 --> 01:42:26,360
Speaker 1: that Rihanna has said that we don't know about. It

2468
01:42:26,560 --> 01:42:29,439
Speaker 1: felt it felt unnecessary, and it felt like you started

2469
01:42:30,160 --> 01:42:31,960
Speaker 1: it's not necessary that we don't know what happened, and

2470
01:42:32,000 --> 01:42:34,200
Speaker 1: then went on to tell us how much he wasn't

2471
01:42:34,240 --> 01:42:34,439
Speaker 1: over it.

2472
01:42:34,880 --> 01:42:35,400
Speaker 7: Well, that's.

2473
01:42:37,280 --> 01:42:37,840
Speaker 2: That's what we do.

2474
01:42:37,960 --> 01:42:38,120
Speaker 6: Though.

2475
01:42:38,320 --> 01:42:40,800
Speaker 7: I don't fuck with her. Yeah, you seen her, she

2476
01:42:40,920 --> 01:42:42,920
Speaker 7: was out there. Why you hit my line asking me

2477
01:42:42,920 --> 01:42:44,320
Speaker 7: if she was at that party, like, don't do that,

2478
01:42:45,520 --> 01:42:46,479
Speaker 7: like you ain't fu with her no more.

2479
01:42:46,479 --> 01:42:48,400
Speaker 1: I think it was misplaced shock value, and I don't

2480
01:42:48,400 --> 01:42:49,559
Speaker 1: think it went the way Drake thought it.

2481
01:42:49,600 --> 01:42:49,960
Speaker 6: Was gonna go.

2482
01:42:50,560 --> 01:42:51,840
Speaker 7: Drake doesn't need shock value.

2483
01:42:52,400 --> 01:42:56,240
Speaker 1: That was shocked. I think that saying Rihanna sex was whacked.

2484
01:42:57,800 --> 01:42:59,640
Speaker 7: Don't I don't think. I don't think said that. I

2485
01:42:59,640 --> 01:43:02,320
Speaker 7: don't think he said that for shock value though that's

2486
01:43:02,360 --> 01:43:04,479
Speaker 7: my thing. How if you take it as shock value

2487
01:43:04,520 --> 01:43:05,840
Speaker 7: and yeah, but I don't think that's how he meant that.

2488
01:43:06,120 --> 01:43:07,760
Speaker 7: I think he I think he may have said it

2489
01:43:07,840 --> 01:43:10,479
Speaker 7: like at the end of the days like let me stop,

2490
01:43:10,520 --> 01:43:11,800
Speaker 7: and he was like, nah, fuck that, like he went

2491
01:43:11,880 --> 01:43:15,280
Speaker 7: back in like I think he was just like being cornball,

2492
01:43:15,320 --> 01:43:16,720
Speaker 7: he said, he said, I could have win in more

2493
01:43:16,720 --> 01:43:18,760
Speaker 7: on this album, but I didn't like he referred to

2494
01:43:18,880 --> 01:43:20,560
Speaker 7: like a lot of ship. Now again, I don't know

2495
01:43:20,560 --> 01:43:22,920
Speaker 7: if that's all just about red he went in on

2496
01:43:23,640 --> 01:43:26,080
Speaker 7: and on that song. Yeah, but I'm saying on the

2497
01:43:26,200 --> 01:43:27,600
Speaker 7: album other songs.

2498
01:43:27,479 --> 01:43:30,280
Speaker 1: Rocky and Rihanna were sending shots to Drake Cool say

2499
01:43:30,320 --> 01:43:30,760
Speaker 1: what you want.

2500
01:43:30,800 --> 01:43:31,040
Speaker 6: I don't.

2501
01:43:31,160 --> 01:43:33,439
Speaker 7: But even the hairstyle kind of I think even though

2502
01:43:33,640 --> 01:43:35,960
Speaker 7: the clips, like the head clips, well didn't didn't. Rocky

2503
01:43:36,080 --> 01:43:39,880
Speaker 7: posted a photo like that, well like head I mean yeah,

2504
01:43:40,520 --> 01:43:42,000
Speaker 7: so I was like, looking at that, I thought it

2505
01:43:42,080 --> 01:43:44,439
Speaker 7: was kind of like a play on that. I don't know,

2506
01:43:44,560 --> 01:43:46,200
Speaker 7: I just didn't. I didn't think that it would be

2507
01:43:46,360 --> 01:43:47,640
Speaker 7: some real smoke between them.

2508
01:43:47,680 --> 01:43:49,680
Speaker 8: Why rehash that, that's the thing because they did have

2509
01:43:49,760 --> 01:43:52,800
Speaker 8: a little thing before, but now she's married, but like

2510
01:43:52,960 --> 01:43:54,320
Speaker 8: they're so past that.

2511
01:43:54,760 --> 01:43:55,639
Speaker 4: Why it makes.

2512
01:43:56,439 --> 01:43:59,840
Speaker 1: Weird, something had to have happened that we don't see

2513
01:44:01,000 --> 01:44:04,280
Speaker 1: to go that in for something that like you're applying

2514
01:44:04,320 --> 01:44:06,560
Speaker 1: to the internet saying you're not over her. Because I

2515
01:44:06,720 --> 01:44:09,560
Speaker 1: haven't seen Rihanna or Rocky say word, But I don't know.

2516
01:44:09,680 --> 01:44:12,360
Speaker 1: I feel like Rocky might have to. I might have

2517
01:44:12,439 --> 01:44:13,000
Speaker 1: to go to the six.

2518
01:44:14,800 --> 01:44:16,000
Speaker 7: I think you want to go there to see him,

2519
01:44:16,000 --> 01:44:19,040
Speaker 7: but you know you don't want to go there to

2520
01:44:19,080 --> 01:44:21,160
Speaker 7: step toward. But I mean, I think at some point

2521
01:44:21,200 --> 01:44:23,120
Speaker 7: they're gonna have to like have a real face to

2522
01:44:23,160 --> 01:44:24,080
Speaker 7: face man conversation.

2523
01:44:24,360 --> 01:44:26,400
Speaker 9: So like nobody's gonna call out that that's corny, Like

2524
01:44:26,760 --> 01:44:29,920
Speaker 9: I thought to say that she had box was whack. No,

2525
01:44:30,240 --> 01:44:33,760
Speaker 9: just to like do that, like to go like, y'all

2526
01:44:33,760 --> 01:44:35,439
Speaker 9: don't think that that's Rory said is corny. But ma,

2527
01:44:35,560 --> 01:44:36,960
Speaker 9: you don't think that's corny to.

2528
01:44:37,000 --> 01:44:39,240
Speaker 7: Say her sex was white? Yeah, I wouldn't want to

2529
01:44:39,240 --> 01:44:39,479
Speaker 7: say that.

2530
01:44:39,520 --> 01:44:40,040
Speaker 6: I don't.

2531
01:44:40,560 --> 01:44:42,479
Speaker 7: I don't. I would never put that in the album,

2532
01:44:42,680 --> 01:44:45,759
Speaker 7: like about a girl, especially not Rihanna. Like I wouldn't

2533
01:44:45,760 --> 01:44:46,240
Speaker 7: do got.

2534
01:44:46,200 --> 01:44:49,320
Speaker 4: Kids, just like she's way past, she's a billionaire probably.

2535
01:44:49,400 --> 01:44:51,240
Speaker 7: I just I just wouldn't do that. That's but that's

2536
01:44:51,240 --> 01:44:51,720
Speaker 7: again that's me.

2537
01:44:51,800 --> 01:44:52,080
Speaker 6: I don't.

2538
01:44:52,080 --> 01:44:54,200
Speaker 7: And then I don't know what would happened with what

2539
01:44:54,200 --> 01:44:56,200
Speaker 7: was said, what he felt like it was directed towards him.

2540
01:44:57,000 --> 01:44:59,000
Speaker 7: Me personally, I would never I would never talk about

2541
01:44:59,040 --> 01:44:59,840
Speaker 7: no woman I've ever been with.

2542
01:45:00,080 --> 01:45:04,360
Speaker 1: That That's just me, especially Rihanna. If you oh God,

2543
01:45:05,520 --> 01:45:06,240
Speaker 1: but God blessed.

2544
01:45:06,240 --> 01:45:07,040
Speaker 7: And do we think it's Mid?

2545
01:45:08,560 --> 01:45:10,240
Speaker 1: I personally I don't think so.

2546
01:45:10,479 --> 01:45:12,800
Speaker 7: But you'll find you will.

2547
01:45:13,680 --> 01:45:15,640
Speaker 1: I don't think I'll ever find out. So, I mean,

2548
01:45:15,960 --> 01:45:17,760
Speaker 1: who am I saying if it's whack or not? But

2549
01:45:17,920 --> 01:45:19,280
Speaker 1: it wouldn't be just.

2550
01:45:19,360 --> 01:45:22,320
Speaker 7: Said Nigga was number three, fucking remd. This is where

2551
01:45:22,320 --> 01:45:25,840
Speaker 7: we're at now, Sisic could say homies number three?

2552
01:45:25,960 --> 01:45:26,559
Speaker 6: Why you mean?

2553
01:45:28,520 --> 01:45:30,400
Speaker 7: I'm just saying, no, we don't know who homie is.

2554
01:45:31,840 --> 01:45:34,040
Speaker 1: You told me a story that popped back up in

2555
01:45:34,120 --> 01:45:37,360
Speaker 1: my head when Drake said it was Mid where I

2556
01:45:37,439 --> 01:45:38,040
Speaker 1: kind of believe him.

2557
01:45:39,000 --> 01:45:40,320
Speaker 2: I don't want to say it on the white phone.

2558
01:45:40,439 --> 01:45:43,559
Speaker 7: Patreon, I mean no, but that doesn't anyway.

2559
01:45:44,000 --> 01:45:44,599
Speaker 4: He's off here.

2560
01:45:44,760 --> 01:45:47,879
Speaker 7: We'll talk to y'all soon. Actually, let's finish that conversation

2561
01:45:48,000 --> 01:45:48,839
Speaker 7: on Patreon.

2562
01:45:49,400 --> 01:45:49,719
Speaker 6: That alright?

2563
01:45:49,760 --> 01:45:49,920
Speaker 4: Cool?

2564
01:45:50,360 --> 01:45:51,760
Speaker 5: No Wan now