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Terms at sportsbook dot 29 00:01:28,840 --> 00:01:34,520 Speaker 1: DraftKings dot com slash football terms. All right, we backing 30 00:01:34,520 --> 00:01:36,560 Speaker 1: another episode of Club five twenty podcasts. 31 00:01:36,600 --> 00:01:38,160 Speaker 4: I'm the host. My name is DJ Wells. 32 00:01:38,200 --> 00:01:40,440 Speaker 1: Special guest to my left, we're gonna introduce her last 33 00:01:40,640 --> 00:01:42,880 Speaker 1: to my far left on my dog Bishop be here 34 00:01:42,920 --> 00:01:43,600 Speaker 1: and out the prairies. 35 00:01:43,640 --> 00:01:44,720 Speaker 4: My nigga, how you are today? 36 00:01:44,880 --> 00:01:46,720 Speaker 3: Cool on that as let's get two it. We got 37 00:01:46,840 --> 00:01:49,279 Speaker 3: a music vet in this motherfucker today. 38 00:01:49,600 --> 00:01:51,200 Speaker 4: Yeah, so you'll have to listen to her opinion over 39 00:01:51,240 --> 00:01:52,280 Speaker 4: yours today. You know what I'm saying. 40 00:01:52,680 --> 00:01:56,160 Speaker 1: We'll see to my right, my dog, he will know 41 00:01:56,200 --> 00:01:58,760 Speaker 1: about his music taste right now. Still young notch, all 42 00:01:58,800 --> 00:01:59,920 Speaker 1: young t how you at man? 43 00:02:00,160 --> 00:02:03,559 Speaker 4: Listen? I'm still rolling with all right, Mike's the greatest. 44 00:02:03,600 --> 00:02:05,480 Speaker 2: Alright, I'm done. We ain't worry about that. But my 45 00:02:05,560 --> 00:02:09,360 Speaker 2: feet old schools about a double man. I hooped today 46 00:02:09,360 --> 00:02:11,080 Speaker 2: and these actually my feet kind of hurt right now, 47 00:02:11,200 --> 00:02:14,160 Speaker 2: I'll see why. Yeah, that's crazy. You look at them 48 00:02:14,200 --> 00:02:14,600 Speaker 2: old shoes. 49 00:02:14,600 --> 00:02:16,440 Speaker 1: And Niggas was probably geeked it like when they first 50 00:02:16,800 --> 00:02:18,760 Speaker 1: Like when I say my Niggas was geeked, but. 51 00:02:18,800 --> 00:02:21,560 Speaker 4: They was playing in chuck, so that ship was upgrade. Yeah, definitely, 52 00:02:21,639 --> 00:02:22,880 Speaker 4: but it's cool. 53 00:02:24,040 --> 00:02:25,280 Speaker 1: But to my left, you know what I'm saying, we 54 00:02:25,400 --> 00:02:28,840 Speaker 1: got a legend from the city song Winterer, Grammy Winner, 55 00:02:29,320 --> 00:02:30,519 Speaker 1: Award winning artists. 56 00:02:30,560 --> 00:02:31,720 Speaker 4: MISTERR Thomas, how you doing? 57 00:02:32,160 --> 00:02:32,359 Speaker 1: Hey? 58 00:02:32,600 --> 00:02:33,000 Speaker 5: What's up? 59 00:02:34,000 --> 00:02:36,079 Speaker 4: Put up the five twenty? You said, what I'm doing great? 60 00:02:36,120 --> 00:02:36,799 Speaker 5: Thanks for having me. 61 00:02:37,240 --> 00:02:39,679 Speaker 1: Hey, we appreciate you being here. We already started to 62 00:02:39,720 --> 00:02:41,160 Speaker 1: show with a frog question. You know what I'm saying. 63 00:02:41,160 --> 00:02:44,160 Speaker 1: Obviously you're into music. What's one song that you was like, 64 00:02:44,280 --> 00:02:46,000 Speaker 1: damn I wish I had, or he was a part 65 00:02:46,040 --> 00:02:48,919 Speaker 1: of and it maybe got switched up, or your dream song? 66 00:02:50,000 --> 00:02:53,760 Speaker 4: Oh that's a good I gave you a whole bunch 67 00:02:53,760 --> 00:02:55,000 Speaker 4: of options that you can't bound out. 68 00:02:55,040 --> 00:03:02,320 Speaker 5: Of that I wish I was a part of. I 69 00:03:02,440 --> 00:03:06,120 Speaker 5: want to say, like some Ratchet ship, but it's actually 70 00:03:06,200 --> 00:03:09,799 Speaker 5: probably any Lauren Hill song from this education of Warren Hill. 71 00:03:10,760 --> 00:03:12,920 Speaker 4: He's a big Laura Hill fan. Yeah, we just had 72 00:03:12,960 --> 00:03:14,000 Speaker 4: a very proud about. 73 00:03:13,800 --> 00:03:19,440 Speaker 5: Her good taste. Yeah, probably anything that I would have 74 00:03:19,560 --> 00:03:23,120 Speaker 5: loved to work on anything on that project, but I 75 00:03:23,320 --> 00:03:27,960 Speaker 5: was still such I was so young being influenced still 76 00:03:28,600 --> 00:03:29,280 Speaker 5: during that point. 77 00:03:29,400 --> 00:03:33,560 Speaker 4: So yeah, what was a Rats song? What the Ratch project? 78 00:03:34,400 --> 00:03:40,400 Speaker 5: A Ratchet project? Maybe some Ego ship early migos. 79 00:03:42,880 --> 00:03:43,680 Speaker 4: You was in a Lanta for that. 80 00:03:43,880 --> 00:03:46,840 Speaker 1: Yeah, I remember they was doing Pokemon and shit, but uh, 81 00:03:47,680 --> 00:03:48,800 Speaker 1: I had a song called Pokemon. 82 00:03:48,800 --> 00:03:50,760 Speaker 2: I never forget it. Got to catch them all something 83 00:03:50,800 --> 00:03:52,600 Speaker 2: like that, But I've never heard a song about life. 84 00:03:52,640 --> 00:03:56,200 Speaker 2: It didn't come out, but damn na, I was going 85 00:03:56,280 --> 00:03:58,200 Speaker 2: to ask you. So, was it like Lauryn Hill from 86 00:03:58,240 --> 00:04:00,440 Speaker 2: Sister Act that got you? Because that's the only reason 87 00:04:00,440 --> 00:04:02,600 Speaker 2: I like Morehill be cause the Sister No, it was. 88 00:04:02,640 --> 00:04:05,720 Speaker 5: Like Laurence Hill. Laurence Hill. So the way I grew 89 00:04:05,840 --> 00:04:09,480 Speaker 5: up like I wasn't allowed to really listen to hip 90 00:04:09,480 --> 00:04:13,040 Speaker 5: hop music. So the way I heard hip hop music 91 00:04:13,240 --> 00:04:15,920 Speaker 5: was listening to my older brothers mixtapes and stuff. You know, 92 00:04:16,080 --> 00:04:22,039 Speaker 5: That's why I just discovered like three six Mafia Biggie 93 00:04:22,160 --> 00:04:26,120 Speaker 5: Tupac project, like literally all the. 94 00:04:28,360 --> 00:04:31,680 Speaker 4: Physic's Mafia. You gotta be from that project to DJ. 95 00:04:31,600 --> 00:04:36,560 Speaker 5: Black, yeah for sure. And so yeah, I gravitated towards Uh. 96 00:04:38,120 --> 00:04:39,719 Speaker 5: I listened. I grew up on a lot of different 97 00:04:39,720 --> 00:04:41,880 Speaker 5: type of music. I listened to music that people would 98 00:04:41,880 --> 00:04:45,760 Speaker 5: be like, quote unquote considered white people music. And then 99 00:04:45,800 --> 00:04:48,680 Speaker 5: also I gravitated towards Laurence Hill just because I loved 100 00:04:48,720 --> 00:04:53,000 Speaker 5: her tone and like she had like this deep, soulful 101 00:04:53,320 --> 00:04:55,880 Speaker 5: voice and that I wasn't used to hearing voices like 102 00:04:55,960 --> 00:04:58,120 Speaker 5: that because usually the girls they sound like real girly 103 00:04:58,920 --> 00:05:02,200 Speaker 5: and you know, feminine, and uh, so I loved her tone, 104 00:05:02,240 --> 00:05:04,240 Speaker 5: and I love the fact that she played guitar, and 105 00:05:04,560 --> 00:05:07,400 Speaker 5: I wanted to learn how to play guitar. So yeah, 106 00:05:07,400 --> 00:05:09,640 Speaker 5: that's why I gravitated towards her. But then Sister Act 107 00:05:09,680 --> 00:05:13,520 Speaker 5: though Sister Act is Fire is a fire movie. For sure? 108 00:05:14,120 --> 00:05:15,640 Speaker 4: Would you pay tickets for our concert? 109 00:05:16,920 --> 00:05:24,120 Speaker 5: Uh? What I paid tickets? I would? I would uh listen, 110 00:05:24,200 --> 00:05:26,440 Speaker 5: I've seen Lauren Hill before, it was for free, and 111 00:05:26,560 --> 00:05:31,680 Speaker 5: she did show up, she was there, I don't remember. 112 00:05:31,800 --> 00:05:35,200 Speaker 5: I don't think so. I don't think so. But I'm 113 00:05:35,240 --> 00:05:39,560 Speaker 5: definitely gonna support Laurren Hill like forever because she's been 114 00:05:39,600 --> 00:05:42,719 Speaker 5: a huge inspiration to me. So but I buy tickets. Yeah, 115 00:05:42,720 --> 00:05:44,880 Speaker 5: I buy tickets to Lawren Hill. Maybe not super in 116 00:05:44,960 --> 00:05:48,120 Speaker 5: advance like you buy Beyonce tickets super in advance, but 117 00:05:48,440 --> 00:05:50,400 Speaker 5: you know I would. I would definitely buy tickets to 118 00:05:50,400 --> 00:05:52,040 Speaker 5: see Lauren if they weren't free. 119 00:05:53,000 --> 00:05:57,839 Speaker 4: That's real. Yeah, I won't people with you. I don't 120 00:05:57,839 --> 00:05:58,800 Speaker 4: think she's gonna show up. 121 00:05:59,480 --> 00:06:00,560 Speaker 3: She does not trustworthy. 122 00:06:01,520 --> 00:06:04,520 Speaker 5: Surely she reimbursing though. If she don't want to show up, 123 00:06:04,640 --> 00:06:06,039 Speaker 5: surely that's out of pocket. 124 00:06:06,080 --> 00:06:07,280 Speaker 4: Though, yeah, I'm many that back. 125 00:06:07,920 --> 00:06:09,560 Speaker 1: If you know, that's like you getting booked for a 126 00:06:09,600 --> 00:06:11,160 Speaker 1: show and you just not pull it up and say hey, 127 00:06:11,160 --> 00:06:11,960 Speaker 1: I got your next time. 128 00:06:12,360 --> 00:06:14,479 Speaker 5: That would be crazy. That's a little crazy. 129 00:06:14,880 --> 00:06:21,320 Speaker 4: Fabric concert You ever been to my favorite? Oh yeah, uh. 130 00:06:22,839 --> 00:06:27,280 Speaker 3: That's a good one. Drake versus one just because they 131 00:06:27,560 --> 00:06:32,160 Speaker 3: they I'm a concert board so I've never seen a 132 00:06:32,279 --> 00:06:35,040 Speaker 3: battle in the concert with two major artists like that, 133 00:06:35,400 --> 00:06:37,920 Speaker 3: So that was different team. 134 00:06:38,880 --> 00:06:46,760 Speaker 5: I would say it would be between uh, Beyonce I've 135 00:06:46,800 --> 00:06:52,960 Speaker 5: seen her twice. Drake I did. I did pay for 136 00:06:53,000 --> 00:06:56,760 Speaker 5: those tickets. Drake Drake was pretty amazing. I saw him 137 00:06:56,800 --> 00:07:04,640 Speaker 5: in Houston and uh random experience. Oh Coldplay, I with that. 138 00:07:05,880 --> 00:07:09,400 Speaker 4: That ship was fire bullshit though it was, it was. 139 00:07:09,480 --> 00:07:09,880 Speaker 3: Up and there. 140 00:07:10,280 --> 00:07:14,040 Speaker 5: No, I was like backstate Wool because her she I 141 00:07:14,240 --> 00:07:16,680 Speaker 5: was just went on tour with her, not even I 142 00:07:16,760 --> 00:07:18,600 Speaker 5: wasn't even performing. I just got on the tour bus 143 00:07:18,720 --> 00:07:20,520 Speaker 5: just to go on tour with her and cold Play. 144 00:07:21,320 --> 00:07:22,840 Speaker 5: I will go to the shows. And that was like 145 00:07:22,960 --> 00:07:26,720 Speaker 5: one of my favorite bands growing up because I told you, 146 00:07:26,760 --> 00:07:28,160 Speaker 5: I want a lot to listen about music. So I 147 00:07:28,280 --> 00:07:30,840 Speaker 5: was listening to the bands and Ship, so I was 148 00:07:30,880 --> 00:07:35,040 Speaker 5: listening to cold Play so that that was amazing. Cold Play, 149 00:07:35,320 --> 00:07:37,160 Speaker 5: fallout Boy, those were dope concerts. 150 00:07:38,520 --> 00:07:44,200 Speaker 2: I ain't going no call out fallout Boy, play, I 151 00:07:44,240 --> 00:07:50,080 Speaker 2: ain't messing with the best. I did me too at 152 00:07:50,120 --> 00:07:53,000 Speaker 2: that just tipulator, I get them in the backtrat boys 153 00:07:53,000 --> 00:07:57,640 Speaker 2: mixing up. Yeah, but I went to I went to 154 00:07:57,760 --> 00:08:00,960 Speaker 2: a jay Z ANDZ concert. That's probably my favorite concert. 155 00:08:01,640 --> 00:08:06,760 Speaker 2: And then the rong Wave concert was damn that was special. 156 00:08:06,840 --> 00:08:10,160 Speaker 2: Bro shouts about that here you bro. He took me 157 00:08:10,200 --> 00:08:13,800 Speaker 2: to the Right Way because I did take out. He 158 00:08:14,000 --> 00:08:17,320 Speaker 2: inspired me to go and I had a great time 159 00:08:17,360 --> 00:08:20,120 Speaker 2: at Right Way. I was crying happy all at one time. 160 00:08:20,200 --> 00:08:22,440 Speaker 2: I ain't never been. 161 00:08:23,480 --> 00:08:26,720 Speaker 4: Won that concert so bad, I said, I don't know 162 00:08:26,800 --> 00:08:29,320 Speaker 4: what emotion I have right now. It was like I 163 00:08:29,480 --> 00:08:31,440 Speaker 4: played for the patients. It has never been to spitting 164 00:08:31,440 --> 00:08:36,160 Speaker 4: people here. On the personal it was a couple of 165 00:08:36,200 --> 00:08:38,040 Speaker 4: games when we was in the playoffs, it was like that. 166 00:08:38,240 --> 00:08:42,080 Speaker 3: But then it got crazy that mother I personally now 167 00:08:42,160 --> 00:08:45,080 Speaker 3: the Roight Wave. I've never been to a concert where 168 00:08:45,160 --> 00:08:47,719 Speaker 3: motherfucker son word for word from the beginning to the 169 00:08:47,880 --> 00:08:51,000 Speaker 3: end of somebody on stage shouting to be honest, I 170 00:08:51,360 --> 00:08:55,040 Speaker 3: swear like no disrespect. But that was just kind of different. 171 00:08:55,840 --> 00:09:00,600 Speaker 5: I think Wave has that he has like this following, 172 00:09:00,800 --> 00:09:04,000 Speaker 5: like it's like you either love him. He got people 173 00:09:04,040 --> 00:09:08,400 Speaker 5: that really mess with him because deep emotional music and 174 00:09:08,679 --> 00:09:10,719 Speaker 5: so when you those are the kind of people that's 175 00:09:10,720 --> 00:09:12,839 Speaker 5: gonna buy tickets to the concert. They're not just like 176 00:09:12,960 --> 00:09:18,560 Speaker 5: listening passively on Spotify or whatever. So, yeah, what. 177 00:09:18,640 --> 00:09:21,640 Speaker 4: Sures did Jay ship one of is that together that 178 00:09:22,480 --> 00:09:25,640 Speaker 4: that Drake NICKI and Ross, I mean I d. 179 00:09:27,880 --> 00:09:32,240 Speaker 1: Be Rick Ross was dimmer the opener, and he just 180 00:09:32,280 --> 00:09:34,439 Speaker 1: got up there with a backdrop and just did the 181 00:09:34,480 --> 00:09:36,720 Speaker 1: whole techlon all the way through and got off stage. 182 00:09:36,760 --> 00:09:37,880 Speaker 4: It was fire as that was. 183 00:09:37,880 --> 00:09:40,679 Speaker 5: Homecoming, right, I remember that. I used to have the 184 00:09:40,800 --> 00:09:42,560 Speaker 5: craziest homecoming performances. 185 00:09:42,880 --> 00:09:46,080 Speaker 4: Oh yeah, my niggah. We was on that bus wild. 186 00:09:47,240 --> 00:09:48,040 Speaker 4: Tell us more about that. 187 00:09:49,520 --> 00:09:54,720 Speaker 1: We ain't talking about it, but y to start getting 188 00:09:54,760 --> 00:09:55,679 Speaker 1: that in the stories. 189 00:09:58,040 --> 00:09:58,679 Speaker 4: Situations. 190 00:09:59,240 --> 00:10:01,959 Speaker 1: No, Someboddy, but that was like prime Nikki too, And 191 00:10:02,080 --> 00:10:03,560 Speaker 1: like Nikki about to have an album come out next 192 00:10:03,600 --> 00:10:04,760 Speaker 1: week and ain't nobody talking about it. 193 00:10:05,040 --> 00:10:07,559 Speaker 4: She's not, but I mean she is. 194 00:10:08,240 --> 00:10:08,480 Speaker 5: She had. 195 00:10:09,320 --> 00:10:10,920 Speaker 1: I used to love Nikki. I know that was my 196 00:10:11,000 --> 00:10:13,000 Speaker 1: favorite girl in the world. I think I wanted to 197 00:10:13,440 --> 00:10:15,000 Speaker 1: her female all time. 198 00:10:15,559 --> 00:10:18,000 Speaker 4: About I think so too. 199 00:10:18,040 --> 00:10:22,800 Speaker 3: I think I was just keeping this music. You're not 200 00:10:23,679 --> 00:10:25,320 Speaker 3: a little horny horn horn over there. 201 00:10:26,400 --> 00:10:27,920 Speaker 4: I used to have a Nikki shirt with a little 202 00:10:28,800 --> 00:10:33,959 Speaker 4: cheeks was out. But she's so unique, that's what you say. 203 00:10:34,559 --> 00:10:35,480 Speaker 5: She's so unique? 204 00:10:35,559 --> 00:10:36,040 Speaker 4: Yeah she is. 205 00:10:36,160 --> 00:10:40,040 Speaker 5: She got a beautiful look. She beautiful and she people 206 00:10:40,120 --> 00:10:41,800 Speaker 5: trying to shoot on Nikki like that. 207 00:10:42,800 --> 00:10:46,920 Speaker 3: I don't think she looked. It's the ship that comes 208 00:10:47,000 --> 00:10:47,360 Speaker 3: with her. 209 00:10:47,640 --> 00:10:48,959 Speaker 5: Yeah, you know what I mean. 210 00:10:49,160 --> 00:10:51,640 Speaker 3: It's the whole, her husband, all that ship. It's kind 211 00:10:51,679 --> 00:10:53,040 Speaker 3: of like she married. 212 00:10:54,520 --> 00:10:59,600 Speaker 4: No disrespect my boy. He said, damn, I don't want 213 00:10:59,600 --> 00:11:00,360 Speaker 4: know she man. 214 00:11:01,280 --> 00:11:04,360 Speaker 3: Just that changed. I feel like that changed her career 215 00:11:04,440 --> 00:11:06,720 Speaker 3: for real, like when she got with him and people 216 00:11:06,760 --> 00:11:07,600 Speaker 3: started finding out like. 217 00:11:07,640 --> 00:11:11,560 Speaker 4: Who he was, and honestly, on top of that, when 218 00:11:11,600 --> 00:11:16,000 Speaker 4: she left Sofari, she got different. He wrote her boss. Yeah, 219 00:11:16,160 --> 00:11:18,480 Speaker 4: some of it. I don't think he contributed. I'm not 220 00:11:18,480 --> 00:11:20,720 Speaker 4: gonna say she's talented, but he definitely contributed. 221 00:11:21,400 --> 00:11:23,800 Speaker 5: I think people try to try to pin try to 222 00:11:23,920 --> 00:11:27,280 Speaker 5: pin people against Nikki and other and other, you know, 223 00:11:27,480 --> 00:11:31,760 Speaker 5: female rappers. I think I think people do that when like, 224 00:11:31,840 --> 00:11:34,199 Speaker 5: you know, somebody else come out, especially with women, like 225 00:11:34,280 --> 00:11:36,760 Speaker 5: female artists, they try to like, don't know, I ever 226 00:11:36,840 --> 00:11:40,640 Speaker 5: see like somebody trying to pin Taylor Swift against I 227 00:11:40,679 --> 00:11:42,319 Speaker 5: don't know, another one of these white girls. 228 00:11:42,480 --> 00:11:44,720 Speaker 3: Girl Taylor Swift from Britney Spears. 229 00:11:45,559 --> 00:11:46,000 Speaker 4: We don't. 230 00:11:47,360 --> 00:11:50,760 Speaker 3: That's a that's what. That's the black community trying to 231 00:11:50,800 --> 00:11:53,400 Speaker 3: discredit the motherfucker trying to nitpick right. 232 00:11:53,280 --> 00:11:55,480 Speaker 5: And act like it's only one person who can exist 233 00:11:55,640 --> 00:11:57,520 Speaker 5: in that space. And so I feel like they really 234 00:11:57,559 --> 00:11:59,760 Speaker 5: try to amb up that whole whatever. 235 00:12:00,120 --> 00:12:01,360 Speaker 3: Fucked up the music industry. 236 00:12:01,520 --> 00:12:02,679 Speaker 5: It did, it really did. 237 00:12:03,040 --> 00:12:05,400 Speaker 3: But how you feel about writing though, Like, I know 238 00:12:05,520 --> 00:12:08,880 Speaker 3: you clearly you look at it as you helping the 239 00:12:08,960 --> 00:12:11,720 Speaker 3: artists become better or whatever. But look, what's your take 240 00:12:11,800 --> 00:12:13,680 Speaker 3: on writing? Do you prefer writing or performing? 241 00:12:14,320 --> 00:12:18,240 Speaker 5: My take on writing, Yeah, I prefer performing. I don't 242 00:12:18,280 --> 00:12:22,800 Speaker 5: really like so like I started writing by accident a 243 00:12:22,920 --> 00:12:25,520 Speaker 5: little bit, because you know, I did the song with 244 00:12:25,600 --> 00:12:29,280 Speaker 5: Walle Bad that people know, and I put that song 245 00:12:29,360 --> 00:12:32,640 Speaker 5: on YouTube like as my own song when I was 246 00:12:32,679 --> 00:12:38,160 Speaker 5: in college, and it just so happened that Walle wanted 247 00:12:38,200 --> 00:12:43,160 Speaker 5: to use that song for a single. So after, you know, 248 00:12:44,880 --> 00:12:47,560 Speaker 5: Walle and I kind of fell out after that song, 249 00:12:47,760 --> 00:12:50,160 Speaker 5: and then I went and signed a deal with Interscope 250 00:12:51,080 --> 00:12:55,000 Speaker 5: and it just like I didn't love it there. I 251 00:12:55,080 --> 00:12:58,559 Speaker 5: feel like they wanted me to be on some like 252 00:12:58,760 --> 00:13:04,360 Speaker 5: I was on my stoner like bad girl shit, acoustic shit, 253 00:13:04,480 --> 00:13:05,920 Speaker 5: and I feel like they wanted me to be on 254 00:13:07,120 --> 00:13:11,000 Speaker 5: like some I don't know, a little bit more corny 255 00:13:11,240 --> 00:13:13,360 Speaker 5: than like a little bit more corny than what I 256 00:13:13,480 --> 00:13:15,520 Speaker 5: wanted to do. They didn't like the whole stoner shit 257 00:13:15,559 --> 00:13:18,319 Speaker 5: because they didn't realize like a whole wave of that 258 00:13:19,080 --> 00:13:22,000 Speaker 5: was about to come, Yeah for sure exactly, And so 259 00:13:23,760 --> 00:13:26,439 Speaker 5: I was kind of just trying to figure my life out. 260 00:13:26,520 --> 00:13:29,160 Speaker 5: While I was at Innerscope. I put out a couple 261 00:13:29,200 --> 00:13:31,199 Speaker 5: of projects. I put out a project that was kind 262 00:13:31,240 --> 00:13:36,199 Speaker 5: of like different from what people knew me as on 263 00:13:36,360 --> 00:13:41,599 Speaker 5: my acoustic raw shit, and so yeah, I was just 264 00:13:41,640 --> 00:13:43,599 Speaker 5: trying to figure it out. And in the meantime, I 265 00:13:43,679 --> 00:13:46,800 Speaker 5: had gotten a new management company and at the time 266 00:13:47,160 --> 00:13:51,440 Speaker 5: her was her wasn't even thought of her name. Her 267 00:13:51,520 --> 00:13:54,280 Speaker 5: name is Gappy, but she wasn't even thought that name 268 00:13:54,440 --> 00:13:55,079 Speaker 5: wasn't even thought of. 269 00:13:55,200 --> 00:13:55,959 Speaker 4: She was like fifteen. 270 00:13:58,240 --> 00:14:03,880 Speaker 5: I want to say to thousand and fifteen, I was. 271 00:14:04,000 --> 00:14:06,480 Speaker 5: I signed with Rico. Yeah, through in a sco we 272 00:14:06,640 --> 00:14:13,240 Speaker 5: go love with the show. Yeah yeah, shout out to Rico. Uh, 273 00:14:13,320 --> 00:14:16,040 Speaker 5: he's super talented writer. But I think I just think 274 00:14:16,080 --> 00:14:18,720 Speaker 5: our chemistry like we just didn't mix over there at 275 00:14:18,760 --> 00:14:21,920 Speaker 5: the label. And as someone who he was a writer producer, 276 00:14:22,000 --> 00:14:23,080 Speaker 5: I'm a writer producer. 277 00:14:24,520 --> 00:14:27,720 Speaker 4: It, you know, I can understand. 278 00:14:27,920 --> 00:14:32,160 Speaker 5: So anyway, I met her, Gabby, she was like fifteen, 279 00:14:32,560 --> 00:14:36,240 Speaker 5: and uh, we had to say management and she was 280 00:14:36,360 --> 00:14:38,960 Speaker 5: just kind of like she was fired. I started playing 281 00:14:39,000 --> 00:14:41,760 Speaker 5: guitar and singing. One day, she the first day I 282 00:14:41,840 --> 00:14:44,000 Speaker 5: met her, I walked in the studio and she was 283 00:14:44,080 --> 00:14:47,120 Speaker 5: in there, playing like Aliyah on the guitar, and I 284 00:14:47,200 --> 00:14:51,520 Speaker 5: was like, damn, she's fired. And I just love when 285 00:14:51,640 --> 00:14:54,480 Speaker 5: artists are fired, Like I just be wanting other people 286 00:14:54,480 --> 00:14:56,640 Speaker 5: to see them. I'm like, damn, Like she this little 287 00:14:56,640 --> 00:14:58,720 Speaker 5: fifteen year old girl, she got a tone like this. 288 00:14:58,920 --> 00:15:04,480 Speaker 5: So I started write music with her, and her ship 289 00:15:04,600 --> 00:15:07,080 Speaker 5: just took off. And so like all that ship, all 290 00:15:07,160 --> 00:15:09,880 Speaker 5: that her ship was just like kind of by accident. 291 00:15:10,440 --> 00:15:14,920 Speaker 5: We just have a very organic writing relationship, and so 292 00:15:15,080 --> 00:15:17,240 Speaker 5: it just so happened that I just wrote all these 293 00:15:17,280 --> 00:15:19,800 Speaker 5: songs with her, like I was the last album that 294 00:15:19,920 --> 00:15:23,640 Speaker 5: she put out, Like, I wrote maybe eleven songs on 295 00:15:23,720 --> 00:15:25,080 Speaker 5: there with her. We would just it would just be 296 00:15:25,200 --> 00:15:28,200 Speaker 5: us two in the studio for hours, just vibing out. 297 00:15:28,360 --> 00:15:29,400 Speaker 3: Was part of Damage. 298 00:15:30,080 --> 00:15:37,760 Speaker 5: Yeah, yep, Damage, come Through, Come Through. I wrote come 299 00:15:37,840 --> 00:15:40,160 Speaker 5: Through when I was I wrote come Through, like damn 300 00:15:40,160 --> 00:15:43,280 Speaker 5: near six years ago. I was I was like mad 301 00:15:43,360 --> 00:15:44,960 Speaker 5: depressed at the time, and I was trying to figure 302 00:15:44,960 --> 00:15:46,600 Speaker 5: out what I was going to do with my life. 303 00:15:46,880 --> 00:15:51,680 Speaker 5: And I remember I was in the closet. I was 304 00:15:51,800 --> 00:15:55,840 Speaker 5: literally inside of my closet and in the dark, and 305 00:15:55,960 --> 00:15:58,320 Speaker 5: I was mad depressed at this time in my life, 306 00:15:58,480 --> 00:16:00,320 Speaker 5: and I was just trying to think of something cool 307 00:16:01,120 --> 00:16:04,960 Speaker 5: and somebody sent me this guitar loop First Come Through 308 00:16:05,320 --> 00:16:07,720 Speaker 5: featuring Chris Brown. It didn't have Chris Brown on it 309 00:16:07,800 --> 00:16:11,120 Speaker 5: at the time, obviously, but I just started coming up 310 00:16:11,160 --> 00:16:14,480 Speaker 5: with this fly like it was fly they won't tell 311 00:16:14,480 --> 00:16:17,120 Speaker 5: because they trying to live their best life too. Yeah, 312 00:16:17,200 --> 00:16:20,560 Speaker 5: So I was like okay, yeah, so I was like 313 00:16:20,840 --> 00:16:24,120 Speaker 5: that shit hard. But at the time, like as an artist, 314 00:16:24,240 --> 00:16:28,640 Speaker 5: sometimes when you do something you don't know that it's dope. 315 00:16:28,840 --> 00:16:31,160 Speaker 5: I mean like I knew that it was dope, but 316 00:16:31,320 --> 00:16:36,720 Speaker 5: it's like, yeah, you don't be believing sometimes until like hella, 317 00:16:36,840 --> 00:16:38,920 Speaker 5: other people say, oh, this shit is fired. But when 318 00:16:38,960 --> 00:16:40,160 Speaker 5: I heard it, when I did it, I was like 319 00:16:40,280 --> 00:16:42,480 Speaker 5: that that's fire. And I was like, Yo, my pant's crazy, 320 00:16:43,400 --> 00:16:45,600 Speaker 5: and I that song. I just set on that song 321 00:16:45,680 --> 00:16:47,360 Speaker 5: for a long time, and then I was in the 322 00:16:47,400 --> 00:16:48,800 Speaker 5: studio with her one day and I was like, yo, 323 00:16:48,920 --> 00:16:51,560 Speaker 5: listen to this song, and she was like, that's fire, 324 00:16:52,600 --> 00:16:55,320 Speaker 5: and she wanted to cut it, and she cut the song, 325 00:16:56,400 --> 00:16:58,920 Speaker 5: and then the next time we never talked about it 326 00:16:59,000 --> 00:17:01,760 Speaker 5: again because we just be writing hell of songs, so 327 00:17:02,000 --> 00:17:04,879 Speaker 5: we never talked about the song again. But my manager 328 00:17:04,960 --> 00:17:07,040 Speaker 5: came in the studio like two years later and he 329 00:17:07,160 --> 00:17:08,600 Speaker 5: was like, yo, I want you to hear something. He 330 00:17:08,640 --> 00:17:10,200 Speaker 5: played the song and it had Chris Brown on it. 331 00:17:10,240 --> 00:17:13,040 Speaker 5: We know how Chris Brown got on it. He was 332 00:17:13,119 --> 00:17:14,600 Speaker 5: just on it, and so we were like cool. 333 00:17:14,880 --> 00:17:15,920 Speaker 4: So they just went with that. 334 00:17:17,560 --> 00:17:20,479 Speaker 5: Yeah, yeah, yeah, but I was gonna use that as 335 00:17:20,520 --> 00:17:22,760 Speaker 5: one of my singles because but I felt like I 336 00:17:22,840 --> 00:17:24,399 Speaker 5: sent it around to a couple of people. I sent 337 00:17:24,480 --> 00:17:26,520 Speaker 5: it to my management and they were like, yeah, this 338 00:17:26,680 --> 00:17:29,520 Speaker 5: is cool, but they weren't like hype, and I was 339 00:17:29,560 --> 00:17:31,359 Speaker 5: just like, no, this ship is fire. 340 00:17:34,280 --> 00:17:35,159 Speaker 4: It did it. 341 00:17:35,480 --> 00:17:39,880 Speaker 5: I Mean that's how it be though, Like that's really 342 00:17:39,960 --> 00:17:41,879 Speaker 5: how it be in the music industry. Like you might 343 00:17:41,960 --> 00:17:45,560 Speaker 5: write some ship that's fire and somebody here and they'd 344 00:17:45,560 --> 00:17:49,400 Speaker 5: be like, yeah, this is cool, and you kind of think, dang, 345 00:17:49,480 --> 00:17:53,280 Speaker 5: maybe it's just cool, and then it come up a 346 00:17:53,320 --> 00:17:58,480 Speaker 5: couple of years later and everybody confirms that this ship 347 00:17:58,600 --> 00:18:01,600 Speaker 5: is fire and and they're like, oh, this is fire. 348 00:18:01,960 --> 00:18:04,600 Speaker 4: But that's just how it be, Like that's just the game. 349 00:18:04,720 --> 00:18:06,360 Speaker 4: You know, it's crazy if you think about it. Every 350 00:18:06,400 --> 00:18:08,760 Speaker 4: good song has got passed on. Everything got passed on. 351 00:18:08,960 --> 00:18:11,440 Speaker 1: It's crazy that somebody made this far and it took 352 00:18:11,440 --> 00:18:13,679 Speaker 1: the right person, the right circumstance to get to that exactly. 353 00:18:13,720 --> 00:18:15,600 Speaker 1: But with you been a writer, I always wondered, like, 354 00:18:15,720 --> 00:18:18,639 Speaker 1: you know, obviously in rap niggas getting ridiculed if you 355 00:18:18,720 --> 00:18:21,000 Speaker 1: write for somebody else, bars like they they nothing on you. 356 00:18:21,440 --> 00:18:24,200 Speaker 4: With it being R and B and a double genres 357 00:18:24,200 --> 00:18:24,639 Speaker 4: of music. 358 00:18:24,520 --> 00:18:28,400 Speaker 1: Where that's more welcome with today's accessibility to put out 359 00:18:28,400 --> 00:18:30,560 Speaker 1: your own music, or like having different platforms to where 360 00:18:30,600 --> 00:18:32,840 Speaker 1: you can be your own manager, your own label. Right 361 00:18:32,840 --> 00:18:35,280 Speaker 1: now everybody can hear your music go viral. Now would 362 00:18:35,280 --> 00:18:37,360 Speaker 1: you fl differently being a writer if you came out 363 00:18:37,400 --> 00:18:37,920 Speaker 1: in this era? 364 00:18:40,160 --> 00:18:45,200 Speaker 5: I think, uh, I'm not. I don't regret like any 365 00:18:45,400 --> 00:18:50,120 Speaker 5: how anything went, because I think my career like has 366 00:18:50,240 --> 00:18:54,200 Speaker 5: worked out well. It wasn't how I expected, but it 367 00:18:54,359 --> 00:18:56,800 Speaker 5: was like, oh okay, it's not gonna go that way, 368 00:18:56,880 --> 00:19:01,560 Speaker 5: but okay, okay, that's cool, So so I don't regret it. 369 00:19:02,119 --> 00:19:05,800 Speaker 5: I don't regret how anything went. And also what I 370 00:19:05,880 --> 00:19:11,399 Speaker 5: do understand as a writer, as a singer songwriter, is 371 00:19:11,440 --> 00:19:16,000 Speaker 5: that sometimes you have a song, and I wanted to. 372 00:19:16,640 --> 00:19:19,720 Speaker 5: I wanted her to hear this song in particular, come through. 373 00:19:20,920 --> 00:19:22,920 Speaker 5: I thought it would be a bigger song if she 374 00:19:23,080 --> 00:19:23,399 Speaker 5: sang it. 375 00:19:23,920 --> 00:19:24,680 Speaker 4: Yeah, that's true. 376 00:19:25,200 --> 00:19:27,360 Speaker 5: And with the with the place that I was at 377 00:19:27,840 --> 00:19:29,480 Speaker 5: in my career at the time, I thought it would 378 00:19:29,480 --> 00:19:34,640 Speaker 5: be a bigger song if she sang it. And so now, yeah, 379 00:19:35,520 --> 00:19:37,680 Speaker 5: now it's a different it's a different time in music. 380 00:19:37,760 --> 00:19:40,480 Speaker 5: You don't need a label. You can just personally hire 381 00:19:40,560 --> 00:19:42,760 Speaker 5: all these people that the label hires, because that's what 382 00:19:42,840 --> 00:19:46,920 Speaker 5: they do. They just they hire social media marketers and 383 00:19:48,520 --> 00:19:51,000 Speaker 5: all these different people, and you know, and the artists 384 00:19:51,040 --> 00:19:53,200 Speaker 5: can do that themselves independently now if you got the 385 00:19:53,240 --> 00:19:56,680 Speaker 5: bread to do it. So definitely, I've been doing a 386 00:19:56,760 --> 00:20:00,840 Speaker 5: lot less writing for other artists because I've a publishing deal. 387 00:20:01,040 --> 00:20:01,960 Speaker 4: So nice. 388 00:20:02,760 --> 00:20:05,719 Speaker 5: I get opportunities to don't call me and be like, yo, 389 00:20:05,840 --> 00:20:08,439 Speaker 5: you want to work with so and so, And if 390 00:20:08,440 --> 00:20:09,879 Speaker 5: I don't want to work with them, I don't. I 391 00:20:09,920 --> 00:20:12,280 Speaker 5: don't work with them. If I think they're dope, if 392 00:20:12,320 --> 00:20:14,840 Speaker 5: I like their voice, if I like their vibe, then 393 00:20:14,880 --> 00:20:19,760 Speaker 5: I'm like, okay, cool, I'll go fuck with them. But yeah, 394 00:20:20,119 --> 00:20:22,439 Speaker 5: there's a lot of stuff that I keep to myself. 395 00:20:23,119 --> 00:20:23,959 Speaker 5: I keep to myself. 396 00:20:24,000 --> 00:20:26,200 Speaker 3: Now, what was the biggest lesson you learned from that 397 00:20:26,320 --> 00:20:26,879 Speaker 3: bad record? 398 00:20:26,920 --> 00:20:35,040 Speaker 5: Though from bad those bad was very it was very 399 00:20:35,119 --> 00:20:46,680 Speaker 5: interesting because I felt like I didn't now ten years 400 00:20:46,880 --> 00:20:48,879 Speaker 5: more than ten years later, a little bit more than 401 00:20:48,920 --> 00:20:51,359 Speaker 5: ten years later, I look back and I realized I 402 00:20:51,520 --> 00:20:56,680 Speaker 5: didn't enjoy that moment like I like an artist should 403 00:20:56,760 --> 00:21:00,119 Speaker 5: enjoy their first song being on the radio, right, I 404 00:21:00,160 --> 00:21:03,800 Speaker 5: didn't enjoy it. I think there was a lot of 405 00:21:04,359 --> 00:21:12,600 Speaker 5: drama surrounding the song. I think, maybe also coming from Indiana, 406 00:21:12,640 --> 00:21:15,280 Speaker 5: I didn't know anything about the music industry at the time. 407 00:21:15,320 --> 00:21:18,440 Speaker 5: I didn't know how anything worked, and so some things 408 00:21:18,480 --> 00:21:24,360 Speaker 5: I may have taken personally or I just didn't understand 409 00:21:24,880 --> 00:21:33,600 Speaker 5: until several years later. But I'm happy that that the 410 00:21:33,720 --> 00:21:35,240 Speaker 5: song turned out the way it did, that it was 411 00:21:35,320 --> 00:21:39,000 Speaker 5: my song, and then Walla ended up using a hit 412 00:21:39,119 --> 00:21:42,200 Speaker 5: as his song. I know during that time when Walle 413 00:21:42,440 --> 00:21:45,160 Speaker 5: was with Atlantic, and I don't even know if I'm 414 00:21:45,160 --> 00:21:48,080 Speaker 5: supposed to say this, but I mean, it's just a facts. 415 00:21:48,359 --> 00:21:51,159 Speaker 5: All I can do is just say the facts. They 416 00:21:51,320 --> 00:21:54,880 Speaker 5: At the time, it wasn't popular to have an unsigned 417 00:21:55,119 --> 00:21:59,680 Speaker 5: artist on your song. Now, any type of artists don't 418 00:21:59,680 --> 00:22:01,440 Speaker 5: have to be sign you can you know, be on 419 00:22:01,520 --> 00:22:04,320 Speaker 5: the radio. Nobody, you know, nobody cares. But at the 420 00:22:04,440 --> 00:22:07,720 Speaker 5: time they were this song that it was was already 421 00:22:07,760 --> 00:22:10,160 Speaker 5: on my YouTube for like, you know, two years. Maybe 422 00:22:10,640 --> 00:22:12,359 Speaker 5: they were trying to find somebody else to sing it 423 00:22:14,080 --> 00:22:17,840 Speaker 5: and the hook, so they was they I heard, you know, 424 00:22:18,960 --> 00:22:21,040 Speaker 5: I heard Kelly Rowland's name thrown out there. I heard 425 00:22:21,119 --> 00:22:27,440 Speaker 5: Cassie's name thrown out there. But initially it was my 426 00:22:27,680 --> 00:22:31,320 Speaker 5: voice that stayed on the song because I wrote and 427 00:22:32,080 --> 00:22:33,080 Speaker 5: co produce a song, so. 428 00:22:35,359 --> 00:22:36,120 Speaker 4: Publishing money. 429 00:22:37,280 --> 00:22:39,280 Speaker 5: Yeah, and then you know, as you know, the Bad 430 00:22:39,359 --> 00:22:42,320 Speaker 5: Remix came out with Rihanna, and that's that's what I 431 00:22:42,400 --> 00:22:46,119 Speaker 5: really didn't understand at the time, was owning publishing on 432 00:22:46,200 --> 00:22:49,439 Speaker 5: a song and then having an artist as big as 433 00:22:49,520 --> 00:22:53,639 Speaker 5: Rihanna sing your song. Like when a Ship first came 434 00:22:53,720 --> 00:22:56,080 Speaker 5: out and I first heard Rihanna was on that joint, 435 00:22:56,160 --> 00:22:59,840 Speaker 5: I was like, hold on, where'd you a. 436 00:23:01,880 --> 00:23:02,080 Speaker 4: Lit? 437 00:23:02,440 --> 00:23:02,600 Speaker 1: Nah? 438 00:23:02,680 --> 00:23:08,320 Speaker 5: I was, I was saltyre here's it? Because yeah, I 439 00:23:08,440 --> 00:23:12,360 Speaker 5: was salty because it wasn't long lived. 440 00:23:12,400 --> 00:23:12,879 Speaker 4: Here's the thing. 441 00:23:13,040 --> 00:23:16,880 Speaker 5: I'm a Rihanna fan. That's who I listened to in college. 442 00:23:17,040 --> 00:23:21,560 Speaker 5: I had a haircut that was inspired by Rihanna. Like 443 00:23:21,880 --> 00:23:24,280 Speaker 5: Rihanna albums, Like I will still say to this day, 444 00:23:24,440 --> 00:23:27,200 Speaker 5: out of all singers, I think Rihanna has the most 445 00:23:27,359 --> 00:23:28,960 Speaker 5: well put together albums. 446 00:23:30,080 --> 00:23:30,960 Speaker 4: What's your favorite album? 447 00:23:31,560 --> 00:23:31,679 Speaker 1: Uh? 448 00:23:32,080 --> 00:23:32,760 Speaker 5: Maybe Anti? 449 00:23:34,400 --> 00:23:34,600 Speaker 4: Yeah? 450 00:23:35,560 --> 00:23:37,840 Speaker 5: Could she'd just be having everything on that joint, like 451 00:23:37,920 --> 00:23:41,520 Speaker 5: she's gonna cover all the all the basses. And so 452 00:23:41,800 --> 00:23:44,000 Speaker 5: I was just I was very inspired by Rihanna. I 453 00:23:44,080 --> 00:23:47,280 Speaker 5: loved Rihanna, and uh so when she sang my song, 454 00:23:47,880 --> 00:23:51,359 Speaker 5: all I saw was online like as somebody who's like 455 00:23:51,440 --> 00:23:53,480 Speaker 5: a nobody from Indiana and then you get online and 456 00:23:53,520 --> 00:23:56,680 Speaker 5: you hear all these people talking like you just not. 457 00:23:56,840 --> 00:23:58,600 Speaker 5: I wasn't prepared for that, you know, and they were like, oh, 458 00:23:58,680 --> 00:24:01,160 Speaker 5: Rihanna's soyo song, And I was like, what the heck? 459 00:24:02,000 --> 00:24:04,600 Speaker 5: And uh, I know me and me and while they 460 00:24:04,640 --> 00:24:07,880 Speaker 5: were beefing at the time, and so he had called 461 00:24:07,960 --> 00:24:10,720 Speaker 5: me maybe like a couple of days before that song 462 00:24:10,800 --> 00:24:12,920 Speaker 5: came out, and you know, he's trying to clean it 463 00:24:13,040 --> 00:24:14,440 Speaker 5: up a little bit because you know that remix was 464 00:24:14,440 --> 00:24:17,000 Speaker 5: about to come out. He was like basically they was 465 00:24:17,040 --> 00:24:19,800 Speaker 5: in a club. While they had a section in the club, 466 00:24:19,920 --> 00:24:22,680 Speaker 5: Rihanna had a section in the club and Rihanna was 467 00:24:22,800 --> 00:24:25,119 Speaker 5: like the dad came on and Rihanna was like, I 468 00:24:25,200 --> 00:24:29,280 Speaker 5: want to sing that song, and so he was like, yo, come, 469 00:24:29,520 --> 00:24:34,199 Speaker 5: you know, come sing a remix. And so yeah, when 470 00:24:34,200 --> 00:24:36,720 Speaker 5: a joint came out, I heard it when everybody else 471 00:24:36,800 --> 00:24:40,240 Speaker 5: heard it, and I was like, damn, Rihanna on my song. 472 00:24:41,320 --> 00:24:43,280 Speaker 5: And I was salty at the time. And I think 473 00:24:43,320 --> 00:24:46,120 Speaker 5: I was just salty because you know, me and while 474 00:24:46,320 --> 00:24:48,760 Speaker 5: were beefing, and I felt like it was something behind that, 475 00:24:49,320 --> 00:24:53,600 Speaker 5: you know, the reason why Rihanna was on my song. Yeah, 476 00:24:54,359 --> 00:24:57,960 Speaker 5: And then when I saw that the song actually blew 477 00:24:58,200 --> 00:25:02,119 Speaker 5: up because Rihanna was on on a joint, I was like, 478 00:25:02,359 --> 00:25:05,760 Speaker 5: and I still own the song. I was like, hold 479 00:25:05,800 --> 00:25:08,879 Speaker 5: on now, yeah. I was like, now, who else can 480 00:25:08,960 --> 00:25:16,840 Speaker 5: we get on the song? Taylor Swift one up? I 481 00:25:16,920 --> 00:25:19,399 Speaker 5: want to get a verse on the song. Yeah. So 482 00:25:19,520 --> 00:25:21,800 Speaker 5: when I when I realized, like really, how that worked, 483 00:25:22,400 --> 00:25:25,000 Speaker 5: and then actually really once I like kind of stepped 484 00:25:25,000 --> 00:25:30,280 Speaker 5: out of my ego and listened to the song, I 485 00:25:30,400 --> 00:25:33,119 Speaker 5: was like, Yo, Rihanna singing a joint just like me. 486 00:25:34,240 --> 00:25:36,720 Speaker 5: She didn't switch up, how like she sing that like me? 487 00:25:36,840 --> 00:25:40,399 Speaker 5: She like how I sing it? And uh, and so 488 00:25:40,800 --> 00:25:43,359 Speaker 5: h yeah, and so I was like, and also, this 489 00:25:43,560 --> 00:25:45,879 Speaker 5: is one of my favorite artists at the time, so 490 00:25:46,640 --> 00:25:49,119 Speaker 5: I was like, yeah, that's that's actually pretty dope. And 491 00:25:49,400 --> 00:25:52,280 Speaker 5: so and it worked out for me. And still like, 492 00:25:52,840 --> 00:25:57,600 Speaker 5: the original of Bad is the original, and you know, 493 00:25:58,000 --> 00:26:01,520 Speaker 5: I think that's the version that people gravitate towards. Although 494 00:26:02,560 --> 00:26:05,400 Speaker 5: you know Rihanna seeing the remix, So that's pretty cool 495 00:26:05,520 --> 00:26:08,720 Speaker 5: that I have Rihanna writing credit under under my belt. 496 00:26:10,640 --> 00:26:11,080 Speaker 3: Straight up. 497 00:26:11,400 --> 00:26:12,119 Speaker 4: Now, that's fine. 498 00:26:12,520 --> 00:26:14,520 Speaker 1: Like you said, you're getting used to the business acleiment 499 00:26:14,600 --> 00:26:16,359 Speaker 1: of doing something that you love. It's a hell up 500 00:26:16,400 --> 00:26:19,639 Speaker 1: a switch up because Wilet probably in some instances was 501 00:26:19,680 --> 00:26:21,760 Speaker 1: just kind of like, this is business, and then you realize, oh, 502 00:26:21,760 --> 00:26:24,200 Speaker 1: a lot of people get these situations to where oh, 503 00:26:24,280 --> 00:26:26,400 Speaker 1: this is normal, kind of like how we did with podcasting, 504 00:26:26,400 --> 00:26:28,040 Speaker 1: and we thought once we got to a points, you know, 505 00:26:28,240 --> 00:26:29,280 Speaker 1: business kind of picked up. 506 00:26:29,840 --> 00:26:31,320 Speaker 4: We thought things would go a little bit different. 507 00:26:31,359 --> 00:26:33,159 Speaker 1: They were a little bit drawn out, but like to 508 00:26:33,280 --> 00:26:35,639 Speaker 1: see all his fire reels that we didn't have on 509 00:26:35,760 --> 00:26:38,680 Speaker 1: YouTube doing like millions of views, just like how. 510 00:26:38,680 --> 00:26:40,240 Speaker 4: We made that from it. 511 00:26:40,560 --> 00:26:47,200 Speaker 5: Yeah, yeah, I mean it's really about it's really about discovery. 512 00:26:47,359 --> 00:26:51,840 Speaker 5: People people discovering and sometimes like not all the time 513 00:26:52,040 --> 00:26:54,360 Speaker 5: sometimes like that that should be Really. 514 00:26:55,960 --> 00:26:56,920 Speaker 4: It's the best publicity. 515 00:26:57,119 --> 00:26:59,840 Speaker 5: It was, it really was, it really was. 516 00:27:00,000 --> 00:27:01,639 Speaker 3: I put you in different rooms for real, because now 517 00:27:01,720 --> 00:27:03,560 Speaker 3: my fuckers want to know who really behind the song. 518 00:27:03,960 --> 00:27:06,400 Speaker 5: And the only thing is, like I would you ask 519 00:27:06,480 --> 00:27:08,720 Speaker 5: me what my my biggest take lesson from that, I 520 00:27:08,800 --> 00:27:12,560 Speaker 5: wish I would have taken advantage of that more instead 521 00:27:12,600 --> 00:27:15,800 Speaker 5: of realizing, like you know, nowadays, some people like they 522 00:27:16,160 --> 00:27:19,320 Speaker 5: like the even whether it's positive attention or negative attention, 523 00:27:19,560 --> 00:27:21,800 Speaker 5: like I took the negative attention, and I like, I 524 00:27:21,880 --> 00:27:24,919 Speaker 5: took you personal when really because I didn't know at 525 00:27:24,960 --> 00:27:27,119 Speaker 5: the time, like, yo, you better use this as the 526 00:27:27,160 --> 00:27:34,520 Speaker 5: opportunity to catapult herself and like you know exactly. Yeah, 527 00:27:34,680 --> 00:27:37,399 Speaker 5: So I think that's one thing that I wish I 528 00:27:37,440 --> 00:27:40,880 Speaker 5: would have done better. But I was young, very young 529 00:27:40,920 --> 00:27:42,720 Speaker 5: at the time, like I said, from Indiana, I don't 530 00:27:42,800 --> 00:27:44,720 Speaker 5: know anything about the industry. So I wish I just 531 00:27:44,760 --> 00:27:48,720 Speaker 5: would have you know, Noody really got Yeah, I didn't 532 00:27:48,720 --> 00:27:49,639 Speaker 5: have anybody to get me. 533 00:27:49,840 --> 00:27:52,240 Speaker 3: It was literally yeah, you and him straighten out though, right. 534 00:27:52,720 --> 00:27:55,560 Speaker 5: Yeah, So he hit up my his people hit up 535 00:27:55,600 --> 00:27:58,959 Speaker 5: my people, like a couple of weeks ago, I did 536 00:27:59,040 --> 00:28:02,240 Speaker 5: a show. I did a song on Victoria and Victoria 537 00:28:02,320 --> 00:28:06,760 Speaker 5: Mone's tour. I sang bad and uh my manager hit 538 00:28:06,800 --> 00:28:08,560 Speaker 5: me upon was like, yo, Whalley said, he wants you 539 00:28:08,600 --> 00:28:11,720 Speaker 5: to come to DC and do uh do bad. So 540 00:28:11,800 --> 00:28:14,240 Speaker 5: I did that like two weeks ago. And that's the 541 00:28:14,359 --> 00:28:19,080 Speaker 5: first time I saw Wala in like several years, ten 542 00:28:19,119 --> 00:28:21,919 Speaker 5: plus years, and for definitely the first time I performed 543 00:28:21,960 --> 00:28:24,359 Speaker 5: it with him in like ten plus years. So that 544 00:28:24,560 --> 00:28:24,960 Speaker 5: was cool. 545 00:28:25,400 --> 00:28:26,440 Speaker 3: That's a good energy. 546 00:28:27,000 --> 00:28:28,359 Speaker 4: That's far. I mean, you know what I'm saying that 547 00:28:28,560 --> 00:28:29,280 Speaker 4: I got that back right. 548 00:28:29,400 --> 00:28:31,520 Speaker 1: I gotta ask you, what is your favorite concert that 549 00:28:31,600 --> 00:28:34,479 Speaker 1: you performed at, Like your favorite setting that you're doing. 550 00:28:34,600 --> 00:28:36,359 Speaker 4: Like, I know you've been on a lot of different stages. 551 00:28:36,640 --> 00:28:37,800 Speaker 4: What's the most memorable one? 552 00:28:38,120 --> 00:28:46,360 Speaker 5: Hmmm, my most memorable? I don't know. I think all 553 00:28:46,440 --> 00:28:48,720 Speaker 5: this shit's been pretty fun. I was on I think 554 00:28:48,760 --> 00:28:50,200 Speaker 5: it's cool that. I mean, I was on tour and 555 00:28:50,240 --> 00:28:53,760 Speaker 5: Push Your Tea and I was so random, but definitely, yeah, 556 00:28:54,040 --> 00:28:56,360 Speaker 5: that was it was pushing TA and be A before 557 00:28:56,440 --> 00:28:57,760 Speaker 5: Bea like really got cracking. 558 00:28:58,240 --> 00:29:01,160 Speaker 4: Was Coke on the tour, not that. 559 00:29:01,280 --> 00:29:03,800 Speaker 5: I know, No, he wasn't. 560 00:29:03,840 --> 00:29:06,560 Speaker 4: He was mad cool, but I was following right there. Yeah, 561 00:29:06,800 --> 00:29:07,440 Speaker 4: for sure. 562 00:29:09,520 --> 00:29:09,640 Speaker 5: I do. 563 00:29:10,760 --> 00:29:12,640 Speaker 4: But man, right here with Coke Verse, I'm gonna go crazy. 564 00:29:12,720 --> 00:29:13,080 Speaker 4: We need it. 565 00:29:13,160 --> 00:29:15,000 Speaker 5: But yeah, I was on tour and Push Your Tea 566 00:29:15,040 --> 00:29:17,040 Speaker 5: and that ship was cool because like I was on 567 00:29:17,120 --> 00:29:20,000 Speaker 5: a rap concert and like that was that was fire, 568 00:29:20,640 --> 00:29:23,040 Speaker 5: and I thought being on tour with her was pretty fun. 569 00:29:23,160 --> 00:29:24,840 Speaker 5: That's when I got to travel the world. I had 570 00:29:24,920 --> 00:29:27,480 Speaker 5: never left the country and never had a passport, so 571 00:29:27,600 --> 00:29:30,160 Speaker 5: I was like bouncing. I was in Germany, I was 572 00:29:30,240 --> 00:29:33,280 Speaker 5: in Paris, I was I was going, So that shit 573 00:29:33,400 --> 00:29:37,720 Speaker 5: was crazy. So yeah, that was fun to just traveling 574 00:29:37,840 --> 00:29:41,280 Speaker 5: and just experiencing life. So it's just cool to be 575 00:29:41,400 --> 00:29:44,000 Speaker 5: in different countries and ship and people be singing your songs. 576 00:29:44,360 --> 00:29:46,520 Speaker 5: They don't even speak English that well, but they know 577 00:29:46,640 --> 00:29:50,880 Speaker 5: I know the words to your songs. So I don't know. 578 00:29:51,000 --> 00:29:53,160 Speaker 5: I just I like being on stage. I like performing. 579 00:29:53,200 --> 00:29:55,200 Speaker 5: I'm looking forward to getting back to that. 580 00:29:57,480 --> 00:30:02,720 Speaker 3: Don't turn into Lauren Hill. Goddamn, nah, pull up your inspiration. 581 00:30:02,960 --> 00:30:04,080 Speaker 4: She was on time today though. 582 00:30:05,080 --> 00:30:08,040 Speaker 5: Yeah, I was a little bit late today, but I 583 00:30:08,240 --> 00:30:11,920 Speaker 5: usually yeah, I'm usually like very Yeah, I'm punctual, like 584 00:30:12,000 --> 00:30:14,320 Speaker 5: I try to be professional. You know, I haven't had 585 00:30:14,600 --> 00:30:18,840 Speaker 5: i had like one media training back in twenty thirteen. 586 00:30:19,040 --> 00:30:22,880 Speaker 5: But I'll be sure. I'm a communications major, so like 587 00:30:22,960 --> 00:30:24,880 Speaker 5: i'd be trying to like, you know you sure, I 588 00:30:25,000 --> 00:30:27,440 Speaker 5: was just fucking with you professional. 589 00:30:29,600 --> 00:30:32,760 Speaker 4: Want to get the updated a little bit different things. 590 00:30:32,800 --> 00:30:33,840 Speaker 4: You can't say that you can say. 591 00:30:34,280 --> 00:30:37,880 Speaker 5: I realized that. I realized that. But it's cool. Yeah, 592 00:30:38,000 --> 00:30:39,680 Speaker 5: I just thought I might have to put out there, y'all. 593 00:30:39,680 --> 00:30:40,840 Speaker 5: I don't got the media training. 594 00:30:40,840 --> 00:30:41,240 Speaker 4: It's just me. 595 00:30:41,920 --> 00:30:43,720 Speaker 5: It's just me and my thoughts for sure. 596 00:30:44,640 --> 00:30:46,640 Speaker 4: Yeah, you said you was a basketball fan before we 597 00:30:46,680 --> 00:30:48,240 Speaker 4: got on the show. We got on here. 598 00:30:48,520 --> 00:30:49,280 Speaker 5: I like basketball. 599 00:30:49,360 --> 00:30:51,880 Speaker 2: You telling me your cousin was Isaiah Thomas. Isaiah Thomas 600 00:30:51,920 --> 00:30:53,560 Speaker 2: got a little history, made cuts me out. 601 00:30:53,600 --> 00:30:56,960 Speaker 5: One day I heard he said you was trashed and 602 00:30:57,000 --> 00:30:57,760 Speaker 5: you said he was trashed. 603 00:30:57,840 --> 00:30:59,080 Speaker 4: Yeah, we had a little back and forth. 604 00:30:59,280 --> 00:31:04,720 Speaker 5: Yeah that is my cousin. Uh so I discovered this. 605 00:31:07,680 --> 00:31:11,080 Speaker 5: So my grandma and granddaddy had twenty kids together. 606 00:31:11,000 --> 00:31:12,280 Speaker 4: Goddamn. 607 00:31:13,720 --> 00:31:13,920 Speaker 6: Yeah. 608 00:31:15,960 --> 00:31:19,680 Speaker 5: Yeah, so my daddy, Yeah, I think my daddy is 609 00:31:19,840 --> 00:31:25,400 Speaker 5: number seventeen. And my daddy's brother, my uncle Jimmy is 610 00:31:25,480 --> 00:31:29,800 Speaker 5: is so my uncle Jimmy, my daddy's brother. His son 611 00:31:30,160 --> 00:31:35,040 Speaker 5: is Keith Isaiah's daddy. And so anyway, I knew Isaiah 612 00:31:35,320 --> 00:31:38,600 Speaker 5: was my cousin when he played for the Sacramento Kings. 613 00:31:39,760 --> 00:31:42,080 Speaker 5: I was like, that's your cousin. He plays professional basketball 614 00:31:42,200 --> 00:31:44,200 Speaker 5: whatever blah blah blah blah blah. I was like, oh cool, 615 00:31:44,520 --> 00:31:48,719 Speaker 5: So yes, I'm a basketball fan. I liked basketball. Used 616 00:31:48,920 --> 00:31:54,320 Speaker 5: I used to play. I played point, as you can see. 617 00:31:56,000 --> 00:31:56,560 Speaker 4: Was nice. 618 00:31:57,040 --> 00:32:01,480 Speaker 5: I mean getting dragged listen, it was a long listen, 619 00:32:01,600 --> 00:32:04,440 Speaker 5: it was a long time. I can shoot. Okay, I 620 00:32:06,040 --> 00:32:09,239 Speaker 5: can shoot. I can shoot. I got bad knees at 621 00:32:09,280 --> 00:32:10,600 Speaker 5: this point in ankle. 622 00:32:16,720 --> 00:32:23,520 Speaker 4: That I gotta look up the line maybe. 623 00:32:24,760 --> 00:32:30,520 Speaker 5: I'm gonna do my ancestry dot com. But I stopped hooping. 624 00:32:30,840 --> 00:32:34,480 Speaker 5: I gave up my hoop dreams for show Choir when 625 00:32:34,520 --> 00:32:37,320 Speaker 5: I realized, I mean, because it was girls that was hooping, 626 00:32:38,640 --> 00:32:40,800 Speaker 5: like you can tell they was like playing with niggas 627 00:32:40,800 --> 00:32:43,640 Speaker 5: growing up. You know what I'm saying, Like, yeah, they 628 00:32:43,680 --> 00:32:44,360 Speaker 5: was hooping like that. 629 00:32:44,680 --> 00:32:44,920 Speaker 3: And so. 630 00:32:46,680 --> 00:32:48,719 Speaker 5: When I realized I liked music and I was very 631 00:32:48,800 --> 00:32:51,960 Speaker 5: invested in music. Then I started doing show Choir track. 632 00:32:52,480 --> 00:32:56,960 Speaker 5: You know, I ran track. I got dusted in track 633 00:32:57,000 --> 00:33:03,320 Speaker 5: a little bit though. All together, I wasn't I wasn't slow. 634 00:33:03,520 --> 00:33:06,720 Speaker 5: I wasn't slow. But you know them girls that just 635 00:33:06,760 --> 00:33:09,640 Speaker 5: be having a when you be on a what you 636 00:33:09,720 --> 00:33:11,400 Speaker 5: call when you be on the starting line and you 637 00:33:11,480 --> 00:33:13,720 Speaker 5: about to uh you in the starting box or whatever. 638 00:33:14,400 --> 00:33:16,680 Speaker 5: I could just tell you know, them bitches they had 639 00:33:16,800 --> 00:33:18,840 Speaker 5: their thighs was just big. 640 00:33:19,400 --> 00:33:20,560 Speaker 3: They had for the life. 641 00:33:20,640 --> 00:33:21,200 Speaker 4: Yeah they did. 642 00:33:21,440 --> 00:33:24,920 Speaker 5: Their thighs was big. And they was just like they 643 00:33:25,000 --> 00:33:28,680 Speaker 5: had me in the sprints to you know, like hundred serious. Yeah, 644 00:33:28,680 --> 00:33:32,080 Speaker 5: they were serious. They were serious like the girls they was. 645 00:33:32,120 --> 00:33:37,200 Speaker 5: They was wearing Jordan's yeah, and they went but they 646 00:33:37,240 --> 00:33:39,960 Speaker 5: weren't playing. They yeah, they weren't playing. 647 00:33:42,080 --> 00:33:44,280 Speaker 1: I was. I was. 648 00:33:44,720 --> 00:33:49,640 Speaker 4: I was they had to go to I was. 649 00:33:49,760 --> 00:33:52,040 Speaker 5: I was racing against bitches and threes and they wasn't. 650 00:33:52,240 --> 00:33:53,040 Speaker 5: They wasn't playing. 651 00:33:54,360 --> 00:33:56,200 Speaker 6: Yeah that. 652 00:33:59,000 --> 00:33:59,840 Speaker 4: You just said. 653 00:34:05,960 --> 00:34:12,560 Speaker 5: To make you have the nice spikes too. I was 654 00:34:12,560 --> 00:34:21,560 Speaker 5: getting Yeah, I was getting dusted a little bit. Yeah, 655 00:34:21,640 --> 00:34:25,360 Speaker 5: but found I found my niche. I found my with music. 656 00:34:25,520 --> 00:34:27,839 Speaker 5: So I was like, you know, let me decide, let 657 00:34:27,920 --> 00:34:29,919 Speaker 5: me I can still like you know, I got little 658 00:34:29,960 --> 00:34:32,839 Speaker 5: handles and I can shoot, and you know I can 659 00:34:33,000 --> 00:34:36,120 Speaker 5: run from somebody who trying to get me. But you know, 660 00:34:36,520 --> 00:34:38,600 Speaker 5: I just decided to chill out on the sports a 661 00:34:38,640 --> 00:34:42,800 Speaker 5: little bit. But I played when I was in middle school, 662 00:34:43,120 --> 00:34:45,440 Speaker 5: and I, like I said, I probably would have took 663 00:34:45,480 --> 00:34:47,480 Speaker 5: it more seriously in high school had I not been 664 00:34:47,640 --> 00:34:50,240 Speaker 5: super involved in show choir. And it was like glee club. 665 00:34:50,840 --> 00:34:57,759 Speaker 5: It was serious. Craig. It ain't Craig no more. It's 666 00:34:57,840 --> 00:34:58,720 Speaker 5: just office buildings. 667 00:34:59,440 --> 00:35:03,319 Speaker 4: Okay, we played Craig. Mike and Mike and Greg went 668 00:35:03,360 --> 00:35:04,680 Speaker 4: to Craig. What was it? 669 00:35:04,719 --> 00:35:05,440 Speaker 3: What's your other. 670 00:35:05,360 --> 00:35:06,560 Speaker 4: School that fall Creek? 671 00:35:07,360 --> 00:35:10,560 Speaker 5: Ye? Yeah, I went to high school with Greg Olden. 672 00:35:11,960 --> 00:35:14,960 Speaker 5: I can specifically remember like walking through the hallways and 673 00:35:15,040 --> 00:35:18,960 Speaker 5: it was just like the students and Greg, you know, 674 00:35:20,760 --> 00:35:23,520 Speaker 5: he was just sticking out. Yeah, that was crazy. But yeah, 675 00:35:23,520 --> 00:35:25,480 Speaker 5: I went to middle school and high school Greg Olden. 676 00:35:25,640 --> 00:35:26,640 Speaker 5: I thought that was pretty cool. 677 00:35:26,719 --> 00:35:29,319 Speaker 3: But how was those days that ling with them? There 678 00:35:29,400 --> 00:35:30,440 Speaker 3: was they like rock stars? 679 00:35:30,640 --> 00:35:35,520 Speaker 5: Yeah they were? Yeah, yep, they really were. Greg, Greg 680 00:35:35,640 --> 00:35:36,640 Speaker 5: and don't tell me. 681 00:35:37,480 --> 00:35:40,280 Speaker 3: I'm gonna tell you. I got a few minutes. 682 00:35:40,719 --> 00:35:44,600 Speaker 5: Mike Conley, Yeah I was. I almost had a brain 683 00:35:44,680 --> 00:35:46,080 Speaker 5: farre but yeah, Mike Conley. 684 00:35:48,000 --> 00:35:50,160 Speaker 3: Shout to my nigga, Brandon mc fish and that's my dog. 685 00:35:50,440 --> 00:35:50,640 Speaker 5: Yeah. 686 00:35:51,040 --> 00:35:51,680 Speaker 4: I hated them. 687 00:35:51,680 --> 00:35:54,839 Speaker 2: They ended my season every single year old, don't ever 688 00:35:54,880 --> 00:35:57,160 Speaker 2: write Pike in Elan, like we wouldn't like Pike, ain't 689 00:35:57,200 --> 00:35:58,480 Speaker 2: them be there? 690 00:35:58,719 --> 00:36:02,280 Speaker 4: But we were still. 691 00:36:03,400 --> 00:36:09,520 Speaker 5: But Isaiah, what what Isaiah? Isaiah my cousin that I 692 00:36:09,640 --> 00:36:11,719 Speaker 5: knew that my was my cousin. I said, this is 693 00:36:11,800 --> 00:36:14,520 Speaker 5: my cousin. I used to be telling people, Yeah, my 694 00:36:14,560 --> 00:36:18,040 Speaker 5: cousin plays in the NBA. So I was in LA 695 00:36:18,200 --> 00:36:20,480 Speaker 5: one day and I was chilling with my homies from Boston. 696 00:36:20,560 --> 00:36:23,840 Speaker 5: This is when Isaiah was playing for Boston, and I 697 00:36:23,960 --> 00:36:26,600 Speaker 5: was like, you know, that's my cousin. I never met him, 698 00:36:27,400 --> 00:36:30,080 Speaker 5: but I knew that I was my cousin. And they 699 00:36:30,160 --> 00:36:31,440 Speaker 5: was like, that's not your cousin. I was like, I 700 00:36:31,520 --> 00:36:34,440 Speaker 5: swear to God, that's my cousin. And so we were 701 00:36:34,960 --> 00:36:36,480 Speaker 5: just sitting around. We were drunk, and I was like, 702 00:36:36,560 --> 00:36:39,960 Speaker 5: I'm about to d m on. So I DMed on 703 00:36:40,040 --> 00:36:42,760 Speaker 5: when I was drunk, and I was like, Yo, what's up, Isaiah, 704 00:36:43,040 --> 00:36:45,759 Speaker 5: I'm your cousin. And I was like, I'm trying to 705 00:36:45,960 --> 00:36:48,600 Speaker 5: I'm trying to come to the game because they were 706 00:36:48,640 --> 00:36:53,399 Speaker 5: playing like LA or the Clippers. I can't Clippers, Yeah, 707 00:36:53,480 --> 00:36:55,560 Speaker 5: Lakers are Clippers. And I was like I can't remember. 708 00:36:55,680 --> 00:36:58,719 Speaker 5: I think it was Lakers. Yeah. Anyway, he responded to 709 00:36:58,880 --> 00:37:02,879 Speaker 5: me because he probably looking at me like, yo, that's 710 00:37:02,960 --> 00:37:06,600 Speaker 5: my cousin, my cousin, Like that's my cousin that sings 711 00:37:06,640 --> 00:37:08,360 Speaker 5: that song, or that's my cousin that's this R and 712 00:37:08,440 --> 00:37:10,960 Speaker 5: B singer or whatever. So I didn't think he was 713 00:37:10,960 --> 00:37:13,080 Speaker 5: gonna respond to me, but he did, and he gets 714 00:37:13,120 --> 00:37:15,879 Speaker 5: gotty tickets me and my friend tickets to the game, 715 00:37:16,840 --> 00:37:18,440 Speaker 5: and so we pulled up at the game. I was like, 716 00:37:18,480 --> 00:37:19,680 Speaker 5: I told you, that's my cousin. 717 00:37:20,800 --> 00:37:21,279 Speaker 1: And uh. 718 00:37:21,560 --> 00:37:24,279 Speaker 5: After the game, we hung out and I saw I 719 00:37:24,360 --> 00:37:26,759 Speaker 5: met him and his wife and his kids, and we 720 00:37:26,840 --> 00:37:29,920 Speaker 5: took photos and I was like, damn, like, because that's 721 00:37:29,960 --> 00:37:32,800 Speaker 5: when I z I t he was he was balling 722 00:37:32,880 --> 00:37:37,200 Speaker 5: at in Boston. He was killing Yeah, he was balling, 723 00:37:37,440 --> 00:37:39,920 Speaker 5: and they were like, yeah he was. 724 00:37:40,080 --> 00:37:51,440 Speaker 6: He really Yeah, set them all home, killing them. 725 00:37:51,920 --> 00:37:54,680 Speaker 1: Yeah. You know what'swey about that? I hate you lost 726 00:37:54,719 --> 00:38:00,719 Speaker 1: of that man. He definitely get forty. Yeah, he lost 727 00:38:00,719 --> 00:38:03,160 Speaker 1: because it hit you up. Her tickets not getting read. 728 00:38:03,640 --> 00:38:07,839 Speaker 4: My cousin hit me up. Good luck, he said, it's 729 00:38:07,840 --> 00:38:08,160 Speaker 4: a wrap. 730 00:38:09,160 --> 00:38:11,000 Speaker 3: I've been like, I got too many of the motherfuckers. 731 00:38:11,080 --> 00:38:12,880 Speaker 4: Yeah, twenty. 732 00:38:13,360 --> 00:38:14,880 Speaker 5: I didn't think. I didn't think he was gonna respond 733 00:38:14,920 --> 00:38:16,000 Speaker 5: to me, but but he did. 734 00:38:16,320 --> 00:38:18,279 Speaker 1: And I would have seen that teague and been like, 735 00:38:20,239 --> 00:38:29,359 Speaker 1: mhm h ship, who is your favorite basketball player? 736 00:38:29,400 --> 00:38:29,799 Speaker 3: Growing up? 737 00:38:30,200 --> 00:38:33,160 Speaker 5: Growing up? I liked Reggie Miller growing up. 738 00:38:34,239 --> 00:38:36,640 Speaker 3: Guys, thank you, yep here, it's been a great guest. 739 00:38:41,320 --> 00:38:44,120 Speaker 5: I liked Reggie Miller. I liked Mark Jackson. I went 740 00:38:44,160 --> 00:38:45,439 Speaker 5: to Mark Jackson basketball camp. 741 00:38:48,920 --> 00:38:50,000 Speaker 3: She said, she got head. 742 00:38:53,880 --> 00:38:55,080 Speaker 5: Y'are throwing on Mark Jackson. 743 00:38:55,480 --> 00:38:56,799 Speaker 4: You're not gonna call him m J either. 744 00:38:57,440 --> 00:39:00,279 Speaker 5: You're not gonna do that Jackson. 745 00:39:00,320 --> 00:39:05,960 Speaker 4: We're not gonna she said to any of that I did. 746 00:39:06,040 --> 00:39:08,440 Speaker 5: I went to the Mark Jackson basketball camp. But I 747 00:39:08,520 --> 00:39:10,279 Speaker 5: never forget because I had a tan and I was 748 00:39:10,360 --> 00:39:12,080 Speaker 5: real black, and this white boy asked me, It's like, 749 00:39:12,120 --> 00:39:13,320 Speaker 5: are you from Africa. 750 00:39:19,920 --> 00:39:28,360 Speaker 4: Basketball camp? It's crazy. I never forgot. 751 00:39:28,600 --> 00:39:29,480 Speaker 5: I never forgot that. 752 00:39:29,640 --> 00:39:32,720 Speaker 4: I never forgot, right, there is crazy. 753 00:39:33,040 --> 00:39:35,919 Speaker 5: Yeah, what's wrong with Briggie Miller? 754 00:39:35,960 --> 00:39:40,680 Speaker 3: Though it's over, that's dead. Really Yeah, it's fine, that's 755 00:39:40,719 --> 00:39:41,399 Speaker 3: your favorite player. 756 00:39:41,560 --> 00:39:43,440 Speaker 5: That I didn't say that was my favorite player. I'm 757 00:39:43,480 --> 00:39:45,600 Speaker 5: just saying, like, that's when back in the day, when 758 00:39:45,600 --> 00:39:47,600 Speaker 5: I started playing basketball and I was like looking at 759 00:39:48,080 --> 00:39:50,440 Speaker 5: Larry Bird and these old schol niggas. I was hooping 760 00:39:50,520 --> 00:39:53,040 Speaker 5: in chucks and and messing my feet up. 761 00:39:53,800 --> 00:39:56,040 Speaker 4: You ain't that motherfucker yo. 762 00:39:56,239 --> 00:39:59,399 Speaker 5: I was watching what's the what's the movie Hoosiers? Uh? 763 00:40:00,160 --> 00:40:04,320 Speaker 5: And yeah? Yeah, I was watching like old school footage 764 00:40:04,360 --> 00:40:05,680 Speaker 5: and they was hooping and chucks. I was like, I 765 00:40:05,800 --> 00:40:07,640 Speaker 5: want a hoop and Chucks. I have some red Chucks 766 00:40:07,680 --> 00:40:09,319 Speaker 5: that I was hooping in. My feet was sucked up. 767 00:40:09,560 --> 00:40:16,200 Speaker 4: They was laughing at you. Somebody get the just tired. 768 00:40:16,239 --> 00:40:16,879 Speaker 6: I'm so tight? 769 00:40:17,239 --> 00:40:17,560 Speaker 4: I did? 770 00:40:18,719 --> 00:40:18,880 Speaker 3: You know? 771 00:40:18,960 --> 00:40:20,160 Speaker 1: What was? 772 00:40:22,280 --> 00:40:26,160 Speaker 5: You know what y'all? When I put my shoes on today, 773 00:40:26,320 --> 00:40:26,839 Speaker 5: I left them. 774 00:40:27,000 --> 00:40:28,640 Speaker 4: I left them like this because. 775 00:40:28,400 --> 00:40:31,200 Speaker 5: I usually I usually be tying them up real tight. 776 00:40:32,320 --> 00:40:35,239 Speaker 5: I usually I'm about to go, I'm about to go. 777 00:40:37,200 --> 00:40:37,399 Speaker 4: Yeah. 778 00:40:37,600 --> 00:40:39,000 Speaker 5: But I was like, I'm about to go chill with, 779 00:40:39,160 --> 00:40:41,319 Speaker 5: you know, some some hoop niggas, So let me leave 780 00:40:41,360 --> 00:40:43,080 Speaker 5: my ship loose. But I was go ti it up 781 00:40:43,120 --> 00:40:43,520 Speaker 5: real tight. 782 00:40:43,600 --> 00:40:45,960 Speaker 4: But I didn't if I were to see you with 783 00:40:46,120 --> 00:40:47,040 Speaker 4: chucks that Craig bro. 784 00:40:48,000 --> 00:40:51,759 Speaker 5: Yeah, I was hooping and chucks. No there was red. 785 00:40:54,680 --> 00:40:58,600 Speaker 4: He's supposed to make you change your shoes. No coach 786 00:40:58,760 --> 00:40:59,760 Speaker 4: was definitely a volunteer. 787 00:41:01,040 --> 00:41:03,320 Speaker 5: That was not It's cool. I was trying to I 788 00:41:03,400 --> 00:41:04,399 Speaker 5: was trying to be like them. 789 00:41:05,960 --> 00:41:07,080 Speaker 4: I've never seen movie. 790 00:41:07,800 --> 00:41:11,200 Speaker 5: You never seen Who's Yours? No, that was a good 791 00:41:11,280 --> 00:41:16,600 Speaker 5: movie movie. Yeah, that's it. You can't compare like that. 792 00:41:17,080 --> 00:41:19,399 Speaker 5: Who's This is like an indie you know, if you're 793 00:41:19,400 --> 00:41:19,840 Speaker 5: from indie. 794 00:41:19,880 --> 00:41:23,279 Speaker 4: Yeah, exactly, it's a documentary. I played in a Hickory game. 795 00:41:24,719 --> 00:41:28,080 Speaker 4: Did you had Hickory Jersey too? Yeah? They were awful 796 00:41:28,920 --> 00:41:31,680 Speaker 4: trash jersey. Some of the baddest worst jersey's ever been 797 00:41:31,719 --> 00:41:31,920 Speaker 4: part of. 798 00:41:33,680 --> 00:41:38,160 Speaker 1: Y racist for sure, they like it was definitely a 799 00:41:38,239 --> 00:41:43,719 Speaker 1: slave that but oh wow, dang, I got a question 800 00:41:43,840 --> 00:41:45,880 Speaker 1: for you, Like when you think of like classic artists, 801 00:41:46,239 --> 00:41:48,680 Speaker 1: like who haven't you worked with that you would love 802 00:41:48,760 --> 00:41:49,040 Speaker 1: to work with? 803 00:41:49,080 --> 00:41:51,240 Speaker 4: I know you worked with Mary J. She's my favorite. 804 00:41:51,480 --> 00:41:55,560 Speaker 5: Really, I worked with Mary J. That was pretty cool 805 00:41:55,680 --> 00:42:01,160 Speaker 5: because I mean she just was like she seemed just 806 00:42:01,360 --> 00:42:03,359 Speaker 5: like Mary J people. 807 00:42:04,560 --> 00:42:04,759 Speaker 4: Yeah. 808 00:42:05,719 --> 00:42:08,120 Speaker 5: No, she was nice though, Like she wasn't like, oh 809 00:42:08,200 --> 00:42:11,200 Speaker 5: my god, but she was just like yo, what's up? 810 00:42:11,320 --> 00:42:12,880 Speaker 5: Like you know, she had her Jay zone. She was 811 00:42:12,960 --> 00:42:14,799 Speaker 5: she was cool. She seemed like how Mary J would 812 00:42:14,840 --> 00:42:16,120 Speaker 5: act like she was acting cool. 813 00:42:17,200 --> 00:42:19,279 Speaker 4: Yeah, only were boots, Like. 814 00:42:20,040 --> 00:42:21,839 Speaker 5: No, she she definitely had some JS on this day. 815 00:42:21,840 --> 00:42:23,879 Speaker 5: I was looking at I was examining her whole fit. 816 00:42:24,000 --> 00:42:26,160 Speaker 5: I was examining everything about Mary J. Because I was 817 00:42:26,239 --> 00:42:28,680 Speaker 5: just like damn, like I'm in the studio. Mary J said, 818 00:42:28,760 --> 00:42:35,360 Speaker 5: that's crazy. My manager was like, YO, said to me 819 00:42:35,480 --> 00:42:38,880 Speaker 5: and her Gabby is her name? When I say her, 820 00:42:39,840 --> 00:42:42,200 Speaker 5: my manager was like, yo. This was after we want 821 00:42:42,239 --> 00:42:46,040 Speaker 5: to Oscar. I think my manager was like, say that 822 00:42:46,200 --> 00:42:47,400 Speaker 5: like that, you don't. 823 00:42:49,080 --> 00:42:49,719 Speaker 3: Say what you want? 824 00:42:50,520 --> 00:42:52,320 Speaker 5: Well I had to say that because it was literally 825 00:42:52,520 --> 00:42:53,800 Speaker 5: right after the Oscars. 826 00:42:54,040 --> 00:43:02,000 Speaker 2: She said it, like you want to you really participated, 827 00:43:02,080 --> 00:43:03,000 Speaker 2: though I didn't participate. 828 00:43:03,200 --> 00:43:04,600 Speaker 4: I do my ring like that, and we know what 829 00:43:05,239 --> 00:43:07,120 Speaker 4: for first the World the Oscar. 830 00:43:07,560 --> 00:43:11,560 Speaker 5: The Oscar was for Judas in The Black Messiah. I 831 00:43:11,560 --> 00:43:12,880 Speaker 5: don't know if you guys saw that movie, but we 832 00:43:13,000 --> 00:43:15,879 Speaker 5: wrote the end title movie of the end title song 833 00:43:16,000 --> 00:43:21,759 Speaker 5: for that movie. And so that was a crazy ass experience. 834 00:43:22,880 --> 00:43:24,879 Speaker 5: So yeah, then after that, people was just like yo. 835 00:43:26,360 --> 00:43:28,600 Speaker 5: Right after that, they was like Yo, can you come right? 836 00:43:28,719 --> 00:43:32,520 Speaker 5: Can you come do this? So my manager was like, Yo, 837 00:43:32,640 --> 00:43:34,440 Speaker 5: Mary wants you all to come write a song with her. 838 00:43:35,360 --> 00:43:37,759 Speaker 5: So we went in the studio Mary J showed up, 839 00:43:37,880 --> 00:43:39,480 Speaker 5: like I said, she had her Jason. I think they 840 00:43:39,560 --> 00:43:43,080 Speaker 5: was black and gold. I'm not sure. I don't know. 841 00:43:43,200 --> 00:43:46,160 Speaker 5: She looked no, they were I'm not sure. Actually, dang, 842 00:43:46,200 --> 00:43:48,399 Speaker 5: I wish I remember it. She looked cute. I think 843 00:43:48,400 --> 00:43:51,279 Speaker 5: there were ones I could tell. Yeah, I think there 844 00:43:51,280 --> 00:43:53,239 Speaker 5: were ones. And I was like, day Mary, Mary got 845 00:43:53,280 --> 00:43:56,440 Speaker 5: on some jays and uh. Anyway, so we wrote a 846 00:43:56,480 --> 00:43:58,800 Speaker 5: song with Mary and that shit was crazy because just 847 00:43:58,920 --> 00:44:01,960 Speaker 5: like I grew up listening to my life and then 848 00:44:02,440 --> 00:44:04,760 Speaker 5: we're writing a song with her and she just talking 849 00:44:04,800 --> 00:44:09,520 Speaker 5: to us like regular. So that was cool. So yeah, 850 00:44:09,560 --> 00:44:11,840 Speaker 5: we were just in the studio writing good Morning Gorgeous 851 00:44:11,880 --> 00:44:12,320 Speaker 5: for Mary J. 852 00:44:12,480 --> 00:44:14,840 Speaker 4: Blush, that's a song that's fire. 853 00:44:16,239 --> 00:44:19,040 Speaker 1: How do you feel about movie score like doing movies 854 00:44:19,400 --> 00:44:21,279 Speaker 1: music different than like doing movies score stuff, cause I 855 00:44:21,280 --> 00:44:23,840 Speaker 1: feel like it looks like it's way more fun to 856 00:44:23,880 --> 00:44:26,000 Speaker 1: catch like a like a feeling of a whole most 857 00:44:26,000 --> 00:44:27,480 Speaker 1: of the picture and you just get to write around that. 858 00:44:28,280 --> 00:44:30,160 Speaker 4: It's like a doing a different way of a soundtrack. 859 00:44:30,719 --> 00:44:35,960 Speaker 5: Basically, Yeah, it is cool. We went we were already 860 00:44:36,000 --> 00:44:39,880 Speaker 5: working on hers album and we were they were like, yo, 861 00:44:40,000 --> 00:44:42,360 Speaker 5: can you write the song for Judas and The Black Messiah. 862 00:44:44,200 --> 00:44:49,440 Speaker 5: So we watched the movie in the studio and then 863 00:44:49,520 --> 00:44:51,640 Speaker 5: after we watched the movie because you know, you saw 864 00:44:51,760 --> 00:44:54,360 Speaker 5: Judas in The Black Messiah and we were mad. Afterwards, 865 00:44:54,400 --> 00:44:55,360 Speaker 5: we was like these. 866 00:44:55,320 --> 00:44:58,640 Speaker 4: More you feel like that basketball camp? 867 00:44:58,680 --> 00:45:01,879 Speaker 5: Then I did. It took me back to the basketball camp. 868 00:45:02,120 --> 00:45:04,719 Speaker 5: It took me back to my Jackson basketball camp. And 869 00:45:05,000 --> 00:45:07,960 Speaker 5: uh for the dude that called me African. They said 870 00:45:08,000 --> 00:45:14,160 Speaker 5: I was African and uh no, that ship was crazy. 871 00:45:14,200 --> 00:45:16,200 Speaker 5: That's like one of the most racist things somebody. 872 00:45:19,040 --> 00:45:22,360 Speaker 4: Yeah, the simple way that he said that was so impactful. 873 00:45:22,400 --> 00:45:24,000 Speaker 4: It's like, nigga, you out of Yeah. 874 00:45:24,120 --> 00:45:26,080 Speaker 5: And I knew I was looking extra doct around that time. 875 00:45:26,200 --> 00:45:28,120 Speaker 4: So the fact that you remember that for the rest 876 00:45:28,160 --> 00:45:28,600 Speaker 4: of your life. 877 00:45:28,640 --> 00:45:28,960 Speaker 5: I did. 878 00:45:29,200 --> 00:45:29,560 Speaker 1: I will. 879 00:45:31,360 --> 00:45:31,560 Speaker 4: Yeah. 880 00:45:31,600 --> 00:45:34,759 Speaker 5: But we watched the movie in the studio and we 881 00:45:34,920 --> 00:45:39,759 Speaker 5: were just like, Wow, I didn't even know about Fred 882 00:45:39,840 --> 00:45:42,600 Speaker 5: Hampton and you know, this whole Black Panther. I mean, 883 00:45:42,600 --> 00:45:45,360 Speaker 5: I knew about the Black Panthers, but I didn't know like, dang, 884 00:45:45,480 --> 00:45:50,400 Speaker 5: they really be like they really be killing niggas. And 885 00:45:50,440 --> 00:45:51,520 Speaker 5: when I say they, I. 886 00:45:51,560 --> 00:46:00,799 Speaker 4: Mean facts and so Memphis, Yeah, so we we uh. 887 00:46:01,560 --> 00:46:03,920 Speaker 5: We're listening to a bunch of music from the seventies, 888 00:46:04,040 --> 00:46:08,120 Speaker 5: from that era, Curtis Mayfield, Marvin Gay, just listening to 889 00:46:08,239 --> 00:46:13,000 Speaker 5: different percussive elements and just grooves, and then we just 890 00:46:13,040 --> 00:46:18,560 Speaker 5: started writing a song fight for You, and we didn't 891 00:46:18,800 --> 00:46:21,239 Speaker 5: think anything about it, just like we never did after 892 00:46:21,320 --> 00:46:22,920 Speaker 5: we wrote a song. We weren't like, oh, this is 893 00:46:23,000 --> 00:46:26,000 Speaker 5: gonna win. This like we're gonna win, We're gonna get 894 00:46:26,040 --> 00:46:27,680 Speaker 5: nominated for this. We just wrote the song and we're 895 00:46:27,680 --> 00:46:31,440 Speaker 5: just like okay, and went on about the day, went 896 00:46:31,480 --> 00:46:35,480 Speaker 5: on about you know, and that's that joint got nominated. 897 00:46:35,640 --> 00:46:39,560 Speaker 5: Actually found out it was nominated for an Oscar while 898 00:46:39,640 --> 00:46:40,719 Speaker 5: I was at the Grammys. 899 00:46:41,280 --> 00:46:46,600 Speaker 4: Ah, now that's what happened. 900 00:46:48,000 --> 00:46:50,480 Speaker 5: That's what happened. We were on E News and I 901 00:46:50,600 --> 00:46:56,279 Speaker 5: think they were we had one song for Best Song 902 00:46:56,360 --> 00:47:00,160 Speaker 5: of the Year at the Grammys, and that night they said, oh, 903 00:47:00,520 --> 00:47:02,880 Speaker 5: by the way, you guys are nominated for an Oscar. 904 00:47:03,320 --> 00:47:05,400 Speaker 5: And we were nominated for so many things like the 905 00:47:05,480 --> 00:47:08,080 Speaker 5: Golden Globe Awards, just like War Awards I never heard of, 906 00:47:08,440 --> 00:47:10,560 Speaker 5: just you know, because I'm not in the acting world. 907 00:47:11,000 --> 00:47:14,239 Speaker 5: So those awards, Golden Globes and Critics Choice and you 908 00:47:14,320 --> 00:47:23,560 Speaker 5: know those things. Yeah, but it was really crazy because 909 00:47:23,680 --> 00:47:27,319 Speaker 5: as a writer, as a singer songwriter, you don't really 910 00:47:27,400 --> 00:47:30,520 Speaker 5: get to be I mean, you're not really like linked 911 00:47:30,600 --> 00:47:32,880 Speaker 5: up with actors and stuff that much. So like at 912 00:47:32,920 --> 00:47:38,200 Speaker 5: the Oscars when you're seeing Harrison Ford and halle Berry 913 00:47:38,480 --> 00:47:42,160 Speaker 5: is like it's different than seeing Megan thee Stallion and 914 00:47:43,040 --> 00:47:45,640 Speaker 5: Drake and like you don't want to see her. You 915 00:47:45,680 --> 00:47:50,400 Speaker 5: don't want to see Meke? Why not, I'll Holley, You 916 00:47:50,520 --> 00:47:51,440 Speaker 5: rather see holle. 917 00:47:51,239 --> 00:47:54,320 Speaker 4: Berry, my friend. He loves Megan stuff. He said she 918 00:47:54,360 --> 00:47:55,200 Speaker 4: looked better than Beyonce. 919 00:47:55,520 --> 00:47:57,520 Speaker 5: I think Megan, her body is. 920 00:48:00,040 --> 00:48:03,719 Speaker 4: It ain't better be Let's let's stops not well. 921 00:48:03,760 --> 00:48:05,120 Speaker 5: I don't want to compare that. I think they both 922 00:48:05,160 --> 00:48:07,200 Speaker 5: have great bodies. I think they I think they have 923 00:48:07,280 --> 00:48:09,480 Speaker 5: great bodies. But I do I like, I mean, I 924 00:48:09,600 --> 00:48:11,319 Speaker 5: like the way it make looks. She's fired, she looks 925 00:48:13,120 --> 00:48:15,360 Speaker 5: and sod its Beyonce. Beyonce looks amazing too. I just 926 00:48:15,440 --> 00:48:17,680 Speaker 5: went to the Renaissance movie and she was looking better 927 00:48:17,800 --> 00:48:18,279 Speaker 5: than ever. 928 00:48:19,640 --> 00:48:23,040 Speaker 4: So did you the tour obviously? Yes? And the movie. 929 00:48:23,160 --> 00:48:25,759 Speaker 5: Yes, you're out of opening night, you're out of pocket, Yes, 930 00:48:25,840 --> 00:48:29,359 Speaker 5: you're right. I didn't dress up. I went I went 931 00:48:29,400 --> 00:48:31,680 Speaker 5: in my in my night clothes, but I definitely went 932 00:48:31,760 --> 00:48:34,320 Speaker 5: in with a suit. I went I went in for 933 00:48:34,400 --> 00:48:42,359 Speaker 5: the Renaissance tour because Beyonce asked that of us. I mean, 934 00:48:42,840 --> 00:48:45,640 Speaker 5: you know, lord, I'm not I'm not about to be 935 00:48:47,160 --> 00:48:48,480 Speaker 5: I'm definitely a Beyonce fan. 936 00:48:48,560 --> 00:48:50,759 Speaker 4: That's I couldn't go to that tour. 937 00:48:50,840 --> 00:48:55,080 Speaker 5: Though I'm a Beyonce fan, I'm not like crazy about 938 00:48:55,280 --> 00:49:02,000 Speaker 5: any celebrity, like like people maybe, but Beyonce. You definitely 939 00:49:02,000 --> 00:49:04,239 Speaker 5: got to recognize that she has a different kind of worth, 940 00:49:04,600 --> 00:49:09,800 Speaker 5: work ethic, and she's a generational type artist and so 941 00:49:10,080 --> 00:49:14,359 Speaker 5: I respect her. I respect her work ethic, and yeah, 942 00:49:14,440 --> 00:49:15,919 Speaker 5: she's she's really that bitch. 943 00:49:16,360 --> 00:49:17,799 Speaker 4: You're going to Disney Child tour? 944 00:49:18,520 --> 00:49:22,200 Speaker 5: They got a tour? No, absolutely, I feel. 945 00:49:21,960 --> 00:49:24,600 Speaker 1: Like this gonna be Kelly because we're waiting for the 946 00:49:24,680 --> 00:49:26,919 Speaker 1: new It's gonna be beyon Kelly because I nobody. 947 00:49:27,080 --> 00:49:28,520 Speaker 5: I thought you said r Kelly. I was like, what, 948 00:49:28,920 --> 00:49:30,360 Speaker 5: he's not gonna be. 949 00:49:30,480 --> 00:49:36,360 Speaker 4: Because Nellie tour Nellie tour. Yeah, we were going to Nelly. 950 00:49:36,880 --> 00:49:37,880 Speaker 5: Are they really having a tour? 951 00:49:37,920 --> 00:49:40,600 Speaker 4: We're speaking at her for us, we want to, but 952 00:49:40,719 --> 00:49:43,080 Speaker 4: jo U has a couple of long gotta be on 953 00:49:43,120 --> 00:49:43,399 Speaker 4: the tour. 954 00:49:43,840 --> 00:49:48,160 Speaker 5: No, Joe Rule, John Roul really set the tone. Okay 955 00:49:48,400 --> 00:49:50,520 Speaker 5: for what for the singing? 956 00:49:51,680 --> 00:49:53,160 Speaker 3: Go ahead you talk. 957 00:49:54,680 --> 00:49:57,200 Speaker 5: Well, No, I'm not saying that. 958 00:49:57,719 --> 00:49:58,839 Speaker 4: Make sure he set that tone. 959 00:49:59,080 --> 00:50:01,640 Speaker 5: I'm not saying that. I when I say that, I'm 960 00:50:02,200 --> 00:50:05,200 Speaker 5: I'm not saying that because Drake Drake, I really believe. 961 00:50:06,120 --> 00:50:07,759 Speaker 5: And I don't know if like people think, because I 962 00:50:07,800 --> 00:50:09,600 Speaker 5: know people think like, oh, if you like Drake, that's like, 963 00:50:09,719 --> 00:50:13,759 Speaker 5: you know, typical rapper. But Drake really is that guy? 964 00:50:14,000 --> 00:50:17,480 Speaker 2: Drake cole as a real question though, what all right? 965 00:50:17,880 --> 00:50:19,960 Speaker 2: I said something a while back and people kind of 966 00:50:20,000 --> 00:50:25,160 Speaker 2: gave me a lot. They said that I said that 967 00:50:25,280 --> 00:50:28,440 Speaker 2: Michael Jackson really couldn't sing that good. I just say 968 00:50:28,480 --> 00:50:30,719 Speaker 2: he was cool. What you think about Michael jackson voice? 969 00:50:30,760 --> 00:50:32,680 Speaker 2: You think it's like it's like that. 970 00:50:34,000 --> 00:50:37,719 Speaker 4: Or it's just like it's just okay, here's what I 971 00:50:37,800 --> 00:50:41,520 Speaker 4: want to hear. Here, Look, she's feeling me. She's feeling me. 972 00:50:41,680 --> 00:50:44,320 Speaker 5: Yeah, here's what I want to say. Here's what I 973 00:50:44,400 --> 00:50:50,600 Speaker 5: want to say, Jeff. I think Michael Jackson had a 974 00:50:50,800 --> 00:50:55,480 Speaker 5: stylistic type of singing. It was a certain style to 975 00:50:55,600 --> 00:50:58,480 Speaker 5: it where people weren't used to hearing people sing like 976 00:50:58,600 --> 00:51:00,640 Speaker 5: that and be able to do you know, so many 977 00:51:00,680 --> 00:51:05,839 Speaker 5: different inflections with their voice, you know, So I think 978 00:51:05,880 --> 00:51:10,560 Speaker 5: he is unique as far as like a singer, no, 979 00:51:10,800 --> 00:51:13,800 Speaker 5: I don't think. Yeah, I know, as far as like 980 00:51:13,840 --> 00:51:14,880 Speaker 5: a singer, No, but. 981 00:51:16,440 --> 00:51:21,600 Speaker 4: That yeah, I said ABC one Tree was beautiful. 982 00:51:22,000 --> 00:51:25,240 Speaker 5: Yeah, I think Mike Mike has a he has a beautiful, 983 00:51:26,160 --> 00:51:29,160 Speaker 5: interesting voice. As far as like, do I think it 984 00:51:29,320 --> 00:51:32,920 Speaker 5: like fits with like a Tevin Campbell or you know, 985 00:51:33,120 --> 00:51:39,560 Speaker 5: uh uh yeah, I mean a lot of R and 986 00:51:39,680 --> 00:51:42,880 Speaker 5: B singers that we have out these days. No, I 987 00:51:42,920 --> 00:51:44,920 Speaker 5: don't think it like Emparaisons's voice, but I think he 988 00:51:44,960 --> 00:51:48,480 Speaker 5: had a stylistic type of voice, maybe like Arihanna. 989 00:51:49,560 --> 00:51:51,560 Speaker 4: So was that out of pocket for saying like Drake? 990 00:51:52,760 --> 00:51:53,239 Speaker 4: Never mind? 991 00:51:53,480 --> 00:51:56,200 Speaker 2: No to say it, I said Drake, him and MIKEL. 992 00:51:56,239 --> 00:52:00,360 Speaker 2: Jackson is like similar singing. They just both make good songs. 993 00:52:01,239 --> 00:52:02,960 Speaker 5: No, I don't think there's I don't think they're similar. 994 00:52:02,960 --> 00:52:04,680 Speaker 5: I think Drake has his pocket that he'd be in. 995 00:52:05,320 --> 00:52:08,840 Speaker 5: You know, Drake, Drake know his pocket and uh is it. 996 00:52:08,880 --> 00:52:09,480 Speaker 4: Out of pocket? 997 00:52:10,800 --> 00:52:14,560 Speaker 5: I appreciate I appreciate his pocket. On what was the 998 00:52:14,680 --> 00:52:17,920 Speaker 5: album that had a sticky on it? Not? It's like 999 00:52:17,960 --> 00:52:18,799 Speaker 5: two albums ago. 1000 00:52:20,200 --> 00:52:21,440 Speaker 3: Jeff loves Hotel. 1001 00:52:22,440 --> 00:52:28,840 Speaker 5: It's a good song. It's a good song, it's a 1002 00:52:28,880 --> 00:52:32,400 Speaker 5: good it's a really good song. And you know what, 1003 00:52:32,880 --> 00:52:36,600 Speaker 5: Drake out of out of I think Drake has the most. 1004 00:52:39,239 --> 00:52:49,239 Speaker 4: Photo You don't like hot line Drake. 1005 00:52:49,800 --> 00:52:52,279 Speaker 5: No, Drake really got them. Drake really know how to 1006 00:52:52,360 --> 00:52:56,160 Speaker 5: make them joints. He got the singy, sinky joints like 1007 00:52:56,480 --> 00:52:57,080 Speaker 5: take care. 1008 00:52:59,040 --> 00:53:00,600 Speaker 6: Drake Crazy. 1009 00:53:00,840 --> 00:53:03,640 Speaker 5: Drake is really that guy. So even if he put 1010 00:53:03,680 --> 00:53:07,640 Speaker 5: out an album that I'm like, I didn't really love that, 1011 00:53:08,400 --> 00:53:12,600 Speaker 5: it's cool us. It's cool because he got so many albums. 1012 00:53:12,640 --> 00:53:16,960 Speaker 5: I think that's the only artist that has multiple albums 1013 00:53:17,640 --> 00:53:20,560 Speaker 5: that you just like every song on there. Like Drake 1014 00:53:20,600 --> 00:53:22,719 Speaker 5: has been putting out since two thousand and eight, two 1015 00:53:22,719 --> 00:53:23,319 Speaker 5: thousand and nine. 1016 00:53:23,400 --> 00:53:26,200 Speaker 4: A couple more artists who like who you think, Oh, 1017 00:53:26,480 --> 00:53:28,520 Speaker 4: don't do that? Oh god? Five albums? 1018 00:53:28,560 --> 00:53:30,719 Speaker 5: Okay, what do you think the best hole? 1019 00:53:31,200 --> 00:53:31,359 Speaker 6: Oh? 1020 00:53:31,480 --> 00:53:36,080 Speaker 5: Okay, Wayne Carter three, that's amazing. What's the best whole album? 1021 00:53:36,400 --> 00:53:36,640 Speaker 3: Black? 1022 00:53:36,920 --> 00:53:37,480 Speaker 4: Black albums? 1023 00:53:38,239 --> 00:53:40,920 Speaker 5: I like American, I say black album. 1024 00:53:41,040 --> 00:53:43,080 Speaker 4: I love black. I understand why black album? Why would 1025 00:53:43,080 --> 00:53:43,800 Speaker 4: we just count Blueprint? 1026 00:53:43,840 --> 00:53:47,000 Speaker 3: Though? I love Blueprint, and nobody discount black album? 1027 00:53:47,160 --> 00:53:52,120 Speaker 1: Just black just that moment it was the moment he 1028 00:53:52,280 --> 00:53:55,239 Speaker 1: was done and agreed with that blackout time. 1029 00:53:56,480 --> 00:53:57,920 Speaker 5: So what's your guys favorite rap album? 1030 00:54:03,440 --> 00:54:05,600 Speaker 4: Yeah it might be I think you trying to slide 1031 00:54:05,640 --> 00:54:08,520 Speaker 4: the joke. Yeah, we got. 1032 00:54:10,680 --> 00:54:11,839 Speaker 5: Who's your favorite rap album? 1033 00:54:12,280 --> 00:54:15,840 Speaker 3: My favorite rap album? Damn till you put me on 1034 00:54:15,960 --> 00:54:18,000 Speaker 3: the spot, I'll be for Dark Twister. 1035 00:54:17,840 --> 00:54:20,880 Speaker 4: Fantasy, you know what. 1036 00:54:21,680 --> 00:54:25,960 Speaker 5: Okay, I respect it. I really respect that because I 1037 00:54:26,040 --> 00:54:27,439 Speaker 5: think Kanye is my favorite rapper. 1038 00:54:28,719 --> 00:54:29,120 Speaker 4: Took out. 1039 00:54:30,760 --> 00:54:34,000 Speaker 5: Okay, I like that. I didn't appreciate it until a 1040 00:54:34,040 --> 00:54:38,960 Speaker 5: little bit after the fact though, because also weights and 1041 00:54:38,960 --> 00:54:41,919 Speaker 5: heartbreaks so amazing. Yeah, I didn't appreciate that. So after 1042 00:54:42,000 --> 00:54:44,680 Speaker 5: the fact too, when you realize, like some stuff you 1043 00:54:44,760 --> 00:54:46,480 Speaker 5: just gotta go back and listen to, like, Wow, this 1044 00:54:47,000 --> 00:54:47,880 Speaker 5: just think really snut. 1045 00:54:48,360 --> 00:54:50,800 Speaker 1: Yeah, we're probably in the same age, realm, and we 1046 00:54:50,880 --> 00:54:53,080 Speaker 1: were coming into an our adult age when that came out. 1047 00:54:53,320 --> 00:54:54,960 Speaker 1: We didn't know that could live outside there. But once 1048 00:54:55,120 --> 00:54:56,800 Speaker 1: a little bit older, you started for a day. But 1049 00:54:56,960 --> 00:54:57,960 Speaker 1: I see why that was like that. 1050 00:54:58,239 --> 00:55:01,480 Speaker 5: Yeah, exactly, that was good. That was a good one. 1051 00:55:02,120 --> 00:55:05,319 Speaker 3: About you some time here where you're at you at. Uh, 1052 00:55:06,400 --> 00:55:08,360 Speaker 3: my favorite, I wouldn't say the best. My favorite is 1053 00:55:08,440 --> 00:55:12,480 Speaker 3: Rick Cross First album came out with White House. 1054 00:55:12,320 --> 00:55:13,080 Speaker 1: And uh. 1055 00:55:15,040 --> 00:55:16,800 Speaker 4: That's on the song That's one This ship. 1056 00:55:19,000 --> 00:55:21,360 Speaker 3: Porter Miami is my favorite, saying I'm not trying to 1057 00:55:21,400 --> 00:55:23,839 Speaker 3: compare nobody, but my favorite that I can play all 1058 00:55:23,840 --> 00:55:25,440 Speaker 3: the way through its Porter Miami for sure. 1059 00:55:25,840 --> 00:55:29,640 Speaker 2: With the album too, that's my favorite album's Dip said 1060 00:55:29,719 --> 00:55:32,040 Speaker 2: more than music, Why you wanted to to. 1061 00:55:34,520 --> 00:55:36,520 Speaker 4: Too? That's my favorite album. It ain't the best, it's 1062 00:55:36,560 --> 00:55:39,360 Speaker 4: one of my favorites. I love the albums. Okay, what 1063 00:55:39,400 --> 00:55:40,640 Speaker 4: about you me? 1064 00:55:46,640 --> 00:55:51,200 Speaker 5: I would have to say black album or I mean, 1065 00:55:51,280 --> 00:55:53,600 Speaker 5: there's a there's a few different Drake albums that I 1066 00:55:53,680 --> 00:55:58,200 Speaker 5: thought were really amazing where I can just picture times 1067 00:55:58,239 --> 00:56:00,960 Speaker 5: in my life. I was like, Wow, that that was amazing. 1068 00:56:02,680 --> 00:56:05,839 Speaker 5: I like, I like nothing once the same. I thought 1069 00:56:05,920 --> 00:56:09,799 Speaker 5: Take Care was an amazing album. I thought So Far 1070 00:56:09,960 --> 00:56:14,759 Speaker 5: Gone for sure, it was an amazing album. I thought, 1071 00:56:15,920 --> 00:56:18,600 Speaker 5: if you're reading this is too late, it's an amazing album. 1072 00:56:19,640 --> 00:56:23,360 Speaker 5: There's so many, like really really dope Drake albums that 1073 00:56:23,520 --> 00:56:25,200 Speaker 5: really had me in my feelings and I could like 1074 00:56:25,360 --> 00:56:28,000 Speaker 5: go back to particular memories in my life that I 1075 00:56:28,080 --> 00:56:29,360 Speaker 5: could relate to a Drake album. 1076 00:56:29,480 --> 00:56:33,600 Speaker 4: So yeah, I'm really surprised you ain't say DS too 1077 00:56:34,520 --> 00:56:36,399 Speaker 4: me too. I thought I'm more. 1078 00:56:36,640 --> 00:56:39,960 Speaker 3: I'm more of a like future missed mixtape. D S 1079 00:56:40,040 --> 00:56:41,080 Speaker 3: two is in my top five. 1080 00:56:42,040 --> 00:56:42,239 Speaker 4: Yeah. 1081 00:56:42,280 --> 00:56:43,640 Speaker 3: D S two is in my top five. 1082 00:56:43,680 --> 00:56:44,239 Speaker 4: But I like. 1083 00:56:45,960 --> 00:56:49,080 Speaker 3: Rapping, rapping. Yeah, yeah, I'm gonna take part in Miami. 1084 00:56:49,320 --> 00:56:51,600 Speaker 3: Like Ross was talking that ship because I could, we 1085 00:56:51,600 --> 00:56:52,960 Speaker 3: could have put g Z up there too. 1086 00:56:53,520 --> 00:56:57,880 Speaker 4: Some motivation matter fact, motivation, motivation. 1087 00:56:59,360 --> 00:57:01,080 Speaker 3: I was trying to say on the rim with y'all, 1088 00:57:01,480 --> 00:57:03,200 Speaker 3: y'all be judging by ship, so I'm trying to. 1089 00:57:05,600 --> 00:57:06,120 Speaker 4: Motivations. 1090 00:57:06,719 --> 00:57:06,919 Speaker 5: Yeah. 1091 00:57:07,160 --> 00:57:09,400 Speaker 3: So that's why you know it's. 1092 00:57:09,000 --> 00:57:10,640 Speaker 1: Different because if it wasn't that come out, I'm all 1093 00:57:10,680 --> 00:57:11,799 Speaker 1: about to say Savage Life too. 1094 00:57:11,960 --> 00:57:15,439 Speaker 4: It's different to life too? Is it's different tires the ship? 1095 00:57:15,600 --> 00:57:17,720 Speaker 5: Okay, so one more question, I know the same, the 1096 00:57:17,800 --> 00:57:20,640 Speaker 5: same my show on more question though. Okay, So if 1097 00:57:20,680 --> 00:57:23,240 Speaker 5: there's a song, if a song came out today, right 1098 00:57:24,040 --> 00:57:31,120 Speaker 5: and it had a j verse Jay Rick Ross, Wayne 1099 00:57:32,560 --> 00:57:33,640 Speaker 5: two chains. 1100 00:57:35,160 --> 00:57:37,560 Speaker 6: Drake, it's a longer song. 1101 00:57:39,480 --> 00:57:45,520 Speaker 5: Drake, Drake and uh and Kanye. Who got the best song? 1102 00:57:46,040 --> 00:57:50,520 Speaker 5: Who got the best verse on the song? Out of 1103 00:57:50,680 --> 00:57:53,320 Speaker 5: Jay Wayne, It's probably gonna be Wayne. 1104 00:57:54,240 --> 00:57:54,560 Speaker 6: I don't know. 1105 00:57:54,640 --> 00:57:56,640 Speaker 4: They just did a song with Ross, Wayne and J 1106 00:57:57,240 --> 00:57:58,400 Speaker 4: and J murdered him. 1107 00:57:58,880 --> 00:58:00,960 Speaker 1: He had a longer time. Yeah, but it was just 1108 00:58:01,160 --> 00:58:04,600 Speaker 1: it was you say, Jay, that's a cheat code. I'm 1109 00:58:04,600 --> 00:58:05,280 Speaker 1: gonna go with Jay. 1110 00:58:06,120 --> 00:58:07,680 Speaker 3: If everybody in the studio at the same time and 1111 00:58:07,720 --> 00:58:10,680 Speaker 3: get the pen at the same time, I'm gonna go 1112 00:58:10,720 --> 00:58:13,600 Speaker 3: with Wayne because niggas right rap and I don't want 1113 00:58:13,640 --> 00:58:15,520 Speaker 3: to deter it from the question. I'm just saying niggas 1114 00:58:15,600 --> 00:58:18,520 Speaker 3: right there verse depending on the order when they get it. 1115 00:58:18,680 --> 00:58:21,360 Speaker 3: So if I say Ross, I need you on this first. Yeah, 1116 00:58:21,640 --> 00:58:24,480 Speaker 3: I sent it to JJ and like you thought you 1117 00:58:24,640 --> 00:58:26,640 Speaker 3: had one. Yeah, I'm about to fuck you up a 1118 00:58:26,720 --> 00:58:29,720 Speaker 3: hand some ship. But nah, he's scrapping that. What I 1119 00:58:29,840 --> 00:58:30,800 Speaker 3: was a competitive sport. 1120 00:58:31,040 --> 00:58:32,880 Speaker 1: I was gonna say way until you said Rick Rosses 1121 00:58:32,920 --> 00:58:34,840 Speaker 1: on the song. And I gotta go ja because anytime 1122 00:58:35,000 --> 00:58:38,240 Speaker 1: Jay and Rick Rosses together, that nigga loses my Yeah, okay, 1123 00:58:39,440 --> 00:58:42,240 Speaker 1: Rick ross features are questions. 1124 00:58:42,320 --> 00:58:43,920 Speaker 3: That is the same question though with. 1125 00:58:43,960 --> 00:58:46,880 Speaker 5: Them, who I think got the best verse? 1126 00:58:47,400 --> 00:58:48,880 Speaker 4: I love to change, but on that Yo. 1127 00:58:49,760 --> 00:58:51,640 Speaker 5: The reason why the reason why I said two change though, 1128 00:58:51,720 --> 00:58:54,360 Speaker 5: is because two changs. I feel like he got Yeah, 1129 00:58:54,440 --> 00:58:56,600 Speaker 5: he do, for sure, he do. And when he get 1130 00:58:56,640 --> 00:58:58,880 Speaker 5: on the If he get on the song with all 1131 00:58:58,960 --> 00:59:01,280 Speaker 5: these rappers, all these legends, I feel like he's gonna 1132 00:59:01,360 --> 00:59:03,520 Speaker 5: he's gonna come correct he like, you know, he's not 1133 00:59:03,600 --> 00:59:06,240 Speaker 5: gonna bullsh it, So he definitely gonna have some bars 1134 00:59:06,280 --> 00:59:08,400 Speaker 5: on there that make you be like, whoa Like that's 1135 00:59:08,440 --> 00:59:13,000 Speaker 5: what I care about love music. Yeah, yeah, to change 1136 00:59:13,040 --> 00:59:14,640 Speaker 5: like I feel like to change like he a little 1137 00:59:14,640 --> 00:59:15,200 Speaker 5: bit slept on. 1138 00:59:15,280 --> 00:59:18,160 Speaker 3: Because he is, but he just that's what I'm saying. 1139 00:59:18,200 --> 00:59:20,240 Speaker 3: That's why when y'all was asking my favorite, I was 1140 00:59:20,240 --> 00:59:22,880 Speaker 3: trying to go off, y'all rim but he ain't up 1141 00:59:22,920 --> 00:59:25,360 Speaker 3: there when you say, and it's no disrespect to him, 1142 00:59:25,840 --> 00:59:27,000 Speaker 3: it's just different levels. 1143 00:59:27,160 --> 00:59:30,200 Speaker 5: I feel it. I feel it because Jay is the 1144 00:59:30,320 --> 00:59:33,200 Speaker 5: storyteller and the poet. Yeah, I get it. 1145 00:59:33,520 --> 00:59:36,120 Speaker 4: I'm surprised you didn't put cold in that, Cole. 1146 00:59:37,040 --> 00:59:39,120 Speaker 3: Okay, you could replace cold. 1147 00:59:38,960 --> 00:59:42,640 Speaker 5: With two change Okay, So even with cold, with cold 1148 00:59:42,640 --> 00:59:45,600 Speaker 5: in there and in place of two chains, y'all y'all 1149 00:59:45,640 --> 00:59:50,760 Speaker 5: gonna say cold, you look like hole. Actually, now that 1150 00:59:50,960 --> 00:59:54,640 Speaker 5: I'm one, did. 1151 00:59:54,600 --> 01:00:05,000 Speaker 7: Anybody ever tell you that? Did anyone ever tell you that? 1152 01:00:05,120 --> 01:00:13,600 Speaker 5: Oh, Cole from the Fifth Flow Cole was the dark 1153 01:00:13,640 --> 01:00:14,000 Speaker 5: skin one? 1154 01:00:14,080 --> 01:00:18,000 Speaker 4: Yeah, that Nigga had to have big Charlie. 1155 01:00:21,000 --> 01:00:23,320 Speaker 3: Cole, he'll go crazy on that. 1156 01:00:23,960 --> 01:00:24,880 Speaker 5: Cold would go crazy. 1157 01:00:25,480 --> 01:00:28,600 Speaker 4: But I think Kendrick could go crazy. No, not now. 1158 01:00:29,280 --> 01:00:31,120 Speaker 4: If it was twenty fifteen, I feel differently now. 1159 01:00:33,320 --> 01:00:35,880 Speaker 5: No, definitely that was a yeah he don't right now 1160 01:00:35,960 --> 01:00:38,280 Speaker 5: he might. But I think on a verse, on a 1161 01:00:38,400 --> 01:00:42,120 Speaker 5: verse with all those guys, I think I think Kanye 1162 01:00:42,200 --> 01:00:44,280 Speaker 5: is gonna try to show out though too. Like I 1163 01:00:44,360 --> 01:00:47,200 Speaker 5: felt like Kanye would be my favorite verse even if 1164 01:00:47,240 --> 01:00:50,760 Speaker 5: it wasn't like the best. I think Kanye gonna say 1165 01:00:50,840 --> 01:00:53,840 Speaker 5: like the most out of pocket ship that like whoa 1166 01:00:54,160 --> 01:00:56,560 Speaker 5: like how you? How do you think to say that? 1167 01:00:57,080 --> 01:01:01,080 Speaker 1: Because that's what he do sigh. But yeah, yeah, yeah, 1168 01:01:01,760 --> 01:01:05,960 Speaker 1: I kill all them if he got on there. But yeah, 1169 01:01:06,000 --> 01:01:09,360 Speaker 1: it's going to be version right. Yeah, what new music 1170 01:01:09,440 --> 01:01:10,160 Speaker 1: you got coming out? 1171 01:01:10,240 --> 01:01:10,360 Speaker 3: Man? 1172 01:01:10,840 --> 01:01:12,480 Speaker 4: I heard you getting ready to get back into it. 1173 01:01:12,800 --> 01:01:17,160 Speaker 5: Yeah, I'm excited. I just put out a single it's 1174 01:01:17,160 --> 01:01:23,080 Speaker 5: called Hit You Right Back featuring Tonstis, So I'm excited 1175 01:01:23,120 --> 01:01:25,880 Speaker 5: about that joint. I'm probably gonna put out a couple 1176 01:01:26,080 --> 01:01:27,240 Speaker 5: actually remixes to that. 1177 01:01:28,000 --> 01:01:28,720 Speaker 3: Are you toxic? 1178 01:01:29,760 --> 01:01:30,080 Speaker 5: Toxic? 1179 01:01:30,640 --> 01:01:35,960 Speaker 4: Yeah to an extent, Yes, he toxic too. 1180 01:01:36,320 --> 01:01:37,840 Speaker 5: Yeah, I'm not going to be up here and be like, 1181 01:01:37,880 --> 01:01:41,000 Speaker 5: I'm not toxic, like I'm I'm probably like a level. 1182 01:01:42,360 --> 01:01:43,200 Speaker 3: I love levels. 1183 01:01:43,360 --> 01:01:48,240 Speaker 5: This is I don't know it really just I'm definitely 1184 01:01:48,360 --> 01:01:53,000 Speaker 5: not a ten like i've met tins eight point five. 1185 01:01:53,400 --> 01:01:55,919 Speaker 5: Huh eight point five. No, I'm not an eight point five. 1186 01:01:56,000 --> 01:02:01,000 Speaker 5: I think I think I'm like a just bull six. 1187 01:02:04,200 --> 01:02:08,000 Speaker 5: I have self awareness. I have self awareness, but sometimes 1188 01:02:08,240 --> 01:02:13,320 Speaker 5: I choose the toxicity because it'd be more like fun 1189 01:02:13,400 --> 01:02:15,080 Speaker 5: a little bit and also. 1190 01:02:15,080 --> 01:02:17,200 Speaker 3: Like to. 1191 01:02:18,680 --> 01:02:18,960 Speaker 4: Danger. 1192 01:02:19,040 --> 01:02:20,520 Speaker 3: You like me, Do you spend the block? 1193 01:02:21,480 --> 01:02:28,800 Speaker 5: Do I spend the block like on exes? Well, listen, listen, 1194 01:02:31,000 --> 01:02:38,200 Speaker 5: this is this is I've never spun the block on 1195 01:02:38,320 --> 01:02:40,920 Speaker 5: an X that I like, I didn't talk to for 1196 01:02:42,120 --> 01:02:44,600 Speaker 5: months at a time. I've spun you know, I'd be 1197 01:02:44,720 --> 01:02:48,600 Speaker 5: having a little like I have like my like off 1198 01:02:48,640 --> 01:02:51,760 Speaker 5: and on situation, but you know we still be like 1199 01:02:52,800 --> 01:02:55,280 Speaker 5: talking the whole way through. So that don't really count 1200 01:02:55,520 --> 01:02:56,240 Speaker 5: because you. 1201 01:02:56,280 --> 01:02:57,840 Speaker 3: Know it counts. 1202 01:02:58,560 --> 01:03:00,000 Speaker 5: I don't spend the block like I'm not about to 1203 01:03:00,080 --> 01:03:02,080 Speaker 5: go date somebody that I used to date like back 1204 01:03:02,120 --> 01:03:03,840 Speaker 5: in the day. No, I don't do that. There's too 1205 01:03:03,880 --> 01:03:05,400 Speaker 5: many people out here in the world for that. 1206 01:03:05,760 --> 01:03:08,440 Speaker 3: All right, So you something that you might' you know 1207 01:03:08,480 --> 01:03:11,880 Speaker 3: what I mean, you did, you might hit her or 1208 01:03:12,240 --> 01:03:14,439 Speaker 3: or whatever back like what you're doing. 1209 01:03:15,120 --> 01:03:18,480 Speaker 5: No, you'll just never hear from me ever again. I 1210 01:03:18,560 --> 01:03:23,320 Speaker 5: think that's that is dark, but you know that's what happens. 1211 01:03:23,360 --> 01:03:25,160 Speaker 5: Is like I don't like to be like I don't 1212 01:03:25,240 --> 01:03:28,320 Speaker 5: like to be like disrespected or fucked with, and so 1213 01:03:28,440 --> 01:03:31,560 Speaker 5: I feel like that be my that'd be my thing like. 1214 01:03:32,560 --> 01:03:36,680 Speaker 4: Forever, you know, like a cool breakup. So you shut 1215 01:03:36,760 --> 01:03:41,440 Speaker 4: the door on a cool breakup like you just you 1216 01:03:41,480 --> 01:03:43,280 Speaker 4: ain't never had like a cool break like I just 1217 01:03:43,320 --> 01:03:44,240 Speaker 4: didn't work out for us. 1218 01:03:45,160 --> 01:03:46,880 Speaker 5: I think it's so cool when people do that. It 1219 01:03:46,960 --> 01:03:48,880 Speaker 5: seems so mature, like oh yeah, we just. 1220 01:03:55,400 --> 01:03:56,480 Speaker 6: Yeah it does. 1221 01:03:56,680 --> 01:03:59,200 Speaker 5: But like no, I'll be like you go to hell. 1222 01:04:01,200 --> 01:04:01,560 Speaker 4: Toxic. 1223 01:04:02,000 --> 01:04:06,560 Speaker 5: Yeah. But I also haven't had a ton of relationships. 1224 01:04:06,600 --> 01:04:09,160 Speaker 5: I haven't really had that many relationships Like I've had, 1225 01:04:09,720 --> 01:04:12,000 Speaker 5: you know, dealt with people. But as far as like 1226 01:04:12,120 --> 01:04:16,560 Speaker 5: real relationships, I've only had like and really I only count, 1227 01:04:16,720 --> 01:04:19,440 Speaker 5: like college don't even count. So really only had one 1228 01:04:19,520 --> 01:04:21,560 Speaker 5: real relationship after college. 1229 01:04:22,600 --> 01:04:23,360 Speaker 4: Able scale. 1230 01:04:23,680 --> 01:04:26,320 Speaker 5: Do I prefer to be single and just moving around? 1231 01:04:27,640 --> 01:04:27,680 Speaker 1: No? 1232 01:04:28,080 --> 01:04:30,920 Speaker 5: I like love and I like to be like with 1233 01:04:31,120 --> 01:04:34,800 Speaker 5: one person I like love, you know, but it's just 1234 01:04:34,920 --> 01:04:40,600 Speaker 5: like it's interesting, like just dealing with somebody else because 1235 01:04:40,640 --> 01:04:46,040 Speaker 5: somebody else has a whole different experience. People behave based 1236 01:04:46,120 --> 01:04:51,000 Speaker 5: off of their perception is how they grew up, how 1237 01:04:51,080 --> 01:04:54,000 Speaker 5: they've experienced the world, and so I just think it's 1238 01:04:54,040 --> 01:04:58,720 Speaker 5: so interesting to like then try to conjoin lives with 1239 01:04:58,880 --> 01:05:01,120 Speaker 5: somebody like that, because is I don't know, it's just 1240 01:05:01,280 --> 01:05:02,200 Speaker 5: it's a little bit weird. 1241 01:05:02,320 --> 01:05:06,439 Speaker 3: But I got a question, what you got a type? 1242 01:05:07,280 --> 01:05:08,000 Speaker 5: Do I have a type? 1243 01:05:08,080 --> 01:05:08,240 Speaker 3: Mm? 1244 01:05:08,280 --> 01:05:08,480 Speaker 4: Hmm? 1245 01:05:09,080 --> 01:05:12,200 Speaker 5: She like me, my type is. 1246 01:05:14,000 --> 01:05:15,240 Speaker 3: You ain't at all? 1247 01:05:18,880 --> 01:05:19,600 Speaker 4: No, I'm asking her. 1248 01:05:19,800 --> 01:05:22,200 Speaker 3: I'll get on your his next polls, but go ahead, 1249 01:05:22,320 --> 01:05:23,760 Speaker 3: like what if you got a type or no? 1250 01:05:24,440 --> 01:05:29,480 Speaker 5: My type is? You know what's interesting? 1251 01:05:30,720 --> 01:05:30,880 Speaker 3: Hmm? 1252 01:05:31,000 --> 01:05:31,960 Speaker 4: I like what she did that. 1253 01:05:32,360 --> 01:05:32,560 Speaker 1: Yeah. 1254 01:05:33,160 --> 01:05:36,040 Speaker 5: I think as you get older, because it used to 1255 01:05:36,080 --> 01:05:38,200 Speaker 5: be like your type, you know, they had to be cute, 1256 01:05:38,480 --> 01:05:40,840 Speaker 5: nice body, blah blah blah, and then you get older 1257 01:05:40,880 --> 01:05:45,280 Speaker 5: and you be like, I need you to have self awareness. 1258 01:05:45,440 --> 01:05:47,880 Speaker 5: I need you to have emotional intelligence, I need you 1259 01:05:47,880 --> 01:05:53,600 Speaker 5: to have money. Yeah, Like I like that type awareness, Yes, 1260 01:05:54,200 --> 01:05:57,520 Speaker 5: a self awareness obviously, I want to be attracted to 1261 01:05:57,560 --> 01:06:04,120 Speaker 5: you respectful to an extent. 1262 01:06:04,440 --> 01:06:06,080 Speaker 3: So what if a motherfucker had all there, but there 1263 01:06:06,200 --> 01:06:10,800 Speaker 3: was a booger. What is a booger ugly who you're 1264 01:06:10,840 --> 01:06:18,040 Speaker 3: not attracted to physically they vibe though they vib be ugly, 1265 01:06:18,400 --> 01:06:19,840 Speaker 3: don't that's dangerous? 1266 01:06:20,040 --> 01:06:24,280 Speaker 4: Hecks? Ah, Oh, she's. 1267 01:06:29,160 --> 01:06:31,280 Speaker 5: No, no, because you know what, because you know what, 1268 01:06:31,400 --> 01:06:32,960 Speaker 5: in the long term, like you feel like you do 1269 01:06:33,120 --> 01:06:38,320 Speaker 5: have to be attracted to someone actual, and that matters 1270 01:06:38,360 --> 01:06:41,080 Speaker 5: to me. It matters to me to be attracted to someone. 1271 01:06:41,320 --> 01:06:43,360 Speaker 5: But like I said, it also matters, like for you 1272 01:06:43,480 --> 01:06:47,200 Speaker 5: to have some emotional intelligence and self awarenes It's like, 1273 01:06:47,280 --> 01:06:50,080 Speaker 5: you can't just be cute like it's that's not cutting 1274 01:06:50,120 --> 01:06:50,520 Speaker 5: it no more. 1275 01:06:50,640 --> 01:06:51,560 Speaker 3: Yeah we're too old. 1276 01:06:51,880 --> 01:06:54,080 Speaker 5: Yeah, you can't just be cute like you gotta have 1277 01:06:54,280 --> 01:06:56,920 Speaker 5: be cute with some money or cute with some emotional 1278 01:06:57,040 --> 01:07:01,120 Speaker 5: intelligence or preferably like the emotional intelligent and respect part. 1279 01:07:01,480 --> 01:07:05,120 Speaker 5: And then if you're cute along with that, I love that. 1280 01:07:05,760 --> 01:07:10,840 Speaker 5: But if you just booger like ugly. I just watched 1281 01:07:10,880 --> 01:07:12,520 Speaker 5: a TikTok the other day of this lady trying to 1282 01:07:12,600 --> 01:07:16,120 Speaker 5: convince people that it's okay if they ugly because they 1283 01:07:16,600 --> 01:07:18,760 Speaker 5: this this this, But I just I don't believe in 1284 01:07:18,840 --> 01:07:20,680 Speaker 5: that because I really need to be attracted to you, 1285 01:07:20,800 --> 01:07:28,080 Speaker 5: because I like, you know, intimate things, and I just. 1286 01:07:28,280 --> 01:07:32,960 Speaker 3: Like you know, you can't get intimated ugly. I mean, 1287 01:07:33,280 --> 01:07:34,840 Speaker 3: you got a couple of boogers on you, on you, 1288 01:07:35,000 --> 01:07:35,640 Speaker 3: on your jacket. 1289 01:07:35,760 --> 01:07:37,760 Speaker 5: Have you been intimate? Well all, I feel like all 1290 01:07:37,800 --> 01:07:47,080 Speaker 5: guys get intimate with people. That that's facts, Like, that's 1291 01:07:47,080 --> 01:07:51,240 Speaker 5: facts about a couple. Yeah, exactly, like guys, can you 1292 01:07:51,320 --> 01:07:51,840 Speaker 5: guys can. 1293 01:07:51,800 --> 01:07:52,080 Speaker 1: Do that. 1294 01:07:54,840 --> 01:07:55,160 Speaker 3: A couple. 1295 01:07:55,360 --> 01:07:56,840 Speaker 4: Man, I ain't got no bogging I can. 1296 01:07:57,080 --> 01:07:59,160 Speaker 5: I can say that I've never, like, I don't think 1297 01:07:59,160 --> 01:08:01,320 Speaker 5: I've ever messed with somebody that I was not like, 1298 01:08:02,240 --> 01:08:03,200 Speaker 5: sexually attracted to. 1299 01:08:03,480 --> 01:08:05,840 Speaker 4: No lineage. 1300 01:08:05,960 --> 01:08:09,320 Speaker 3: I can't you know, buddy over there, Yeah, never he 1301 01:08:09,400 --> 01:08:13,760 Speaker 3: threw some ship off the backboard legs nervous urse three sixty. 1302 01:08:13,920 --> 01:08:18,400 Speaker 4: Any woman I've ever been intimate with he attracted to him. 1303 01:08:18,560 --> 01:08:21,200 Speaker 5: Okay, what about you. 1304 01:08:22,960 --> 01:08:28,720 Speaker 4: Tell me a little something? No cat play to win 1305 01:08:28,800 --> 01:08:30,320 Speaker 4: the game? Yeah, niggas kill me. 1306 01:08:30,479 --> 01:08:31,799 Speaker 3: Niggas don't hit all ts. 1307 01:08:32,120 --> 01:08:36,200 Speaker 1: Any niggas say you hitting up, You're Yeah, we don't 1308 01:08:36,240 --> 01:08:38,760 Speaker 1: know what T doing. But I told you you got 1309 01:08:38,840 --> 01:08:40,160 Speaker 1: to do is go to the first being. 1310 01:08:41,680 --> 01:08:43,840 Speaker 4: I'm joking. I'm joking. Don't do that. 1311 01:08:45,280 --> 01:08:47,280 Speaker 5: No, I'm very picky for sure. 1312 01:08:48,479 --> 01:08:51,680 Speaker 3: The most important thing that you look for into when 1313 01:08:51,720 --> 01:08:55,080 Speaker 3: you're dealing with somebody, though, what's number one like on that. 1314 01:08:56,840 --> 01:09:01,559 Speaker 5: You remember when twenty one Savage said, and that's crazy, 1315 01:09:01,640 --> 01:09:03,080 Speaker 5: I'm doing twenty one Savage quote. 1316 01:09:03,720 --> 01:09:06,400 Speaker 4: You remember his voice, right. 1317 01:09:06,640 --> 01:09:07,800 Speaker 5: Because he's britt to. 1318 01:09:09,320 --> 01:09:09,360 Speaker 1: You. 1319 01:09:09,360 --> 01:09:12,519 Speaker 5: Remember when he said he rather respect than love. Yeah, 1320 01:09:13,720 --> 01:09:18,000 Speaker 5: I realized that, Like I think, just like, what's attractive 1321 01:09:18,160 --> 01:09:22,680 Speaker 5: is someone who's like very that someone who respects you. 1322 01:09:22,800 --> 01:09:26,479 Speaker 5: I'm not talking about like respectful, because anybody can be 1323 01:09:26,560 --> 01:09:28,679 Speaker 5: respectful like when they want to be. But I'm talking 1324 01:09:28,720 --> 01:09:32,840 Speaker 5: about someone who actually respects you as a person. I 1325 01:09:32,920 --> 01:09:40,240 Speaker 5: think that's attractive. And I also think that, like I said, 1326 01:09:40,280 --> 01:09:43,960 Speaker 5: I think self awareness is attractive. And I think when 1327 01:09:43,960 --> 01:09:49,000 Speaker 5: you're self aware and you have your own money, I like. 1328 01:09:49,000 --> 01:09:53,360 Speaker 4: How you keep throwing that money out there like me broke. 1329 01:09:54,000 --> 01:09:58,800 Speaker 5: You know, I'm just saying yeah, like every voice yeah, 1330 01:09:58,880 --> 01:10:01,960 Speaker 5: because yeah, I mean you gotta have you know, you 1331 01:10:02,000 --> 01:10:02,800 Speaker 5: gotta have something going on. 1332 01:10:03,680 --> 01:10:05,120 Speaker 1: I got a question before we get out of here. 1333 01:10:05,920 --> 01:10:07,960 Speaker 1: Have you ever wrote any dis songs or any songs 1334 01:10:07,960 --> 01:10:10,240 Speaker 1: about somebody in the past that ended up being like 1335 01:10:10,360 --> 01:10:12,320 Speaker 1: a crazy song for you, with like a really. 1336 01:10:12,080 --> 01:10:12,760 Speaker 4: Big song for you. 1337 01:10:17,640 --> 01:10:21,920 Speaker 5: I'm trying to think. I think I always draw from 1338 01:10:21,960 --> 01:10:28,479 Speaker 5: my personal life when I write with people, So this 1339 01:10:28,720 --> 01:10:33,400 Speaker 5: songs that got really big. No, I don't think so. 1340 01:10:33,640 --> 01:10:35,840 Speaker 5: I think I just write for my personal experiences. I 1341 01:10:35,920 --> 01:10:39,360 Speaker 5: think my songs usually come from like, I don't know 1342 01:10:39,479 --> 01:10:41,280 Speaker 5: my song be sounding kind of toxic. A little bit 1343 01:10:41,920 --> 01:10:43,680 Speaker 5: I realized I figured it out. 1344 01:10:44,000 --> 01:10:48,840 Speaker 4: Yeah, right back, Yeah, yeah, I don't know. 1345 01:10:49,040 --> 01:10:51,200 Speaker 5: Seven and a half is that's how i'd say six. 1346 01:10:51,360 --> 01:10:55,040 Speaker 5: I would say six, uh, smooth six and a half, 1347 01:10:56,120 --> 01:10:56,840 Speaker 5: movable six. 1348 01:10:58,000 --> 01:10:58,679 Speaker 3: That's for the camera. 1349 01:10:59,680 --> 01:11:03,160 Speaker 5: But so sometimes it's sometimes I'm very a three, very 1350 01:11:03,200 --> 01:11:05,439 Speaker 5: much a three in I'm not dealing with this toxic 1351 01:11:05,600 --> 01:11:09,120 Speaker 5: you know women, women be like, I'm not dealing with 1352 01:11:09,200 --> 01:11:15,479 Speaker 5: this toxic ship, but they be toxic. Why they're saying it? Yeah, 1353 01:11:16,040 --> 01:11:18,560 Speaker 5: you know, you know the lacking accountability phase. I'd be 1354 01:11:18,680 --> 01:11:22,440 Speaker 5: guilty of that something on the lack of accountability. 1355 01:11:28,280 --> 01:11:31,360 Speaker 4: Listen, I will say any of those things. He said 1356 01:11:31,400 --> 01:11:32,040 Speaker 4: that that's the camera. 1357 01:11:32,520 --> 01:11:34,400 Speaker 5: Listen. Some people will call me a pig miesha for this, 1358 01:11:35,040 --> 01:11:39,240 Speaker 5: but I do think that there's like a reasoning for that, 1359 01:11:39,520 --> 01:11:42,880 Speaker 5: Like why why women sometimes may lack accountability because like 1360 01:11:43,479 --> 01:11:46,640 Speaker 5: the way society treats you as a woman versus a man, Like, 1361 01:11:46,800 --> 01:11:49,920 Speaker 5: you know, something happens to you when you're a little girl, 1362 01:11:50,040 --> 01:11:52,599 Speaker 5: you fall, and it's oh, who pushed you? Who did 1363 01:11:52,680 --> 01:11:53,639 Speaker 5: that to you? Who? 1364 01:11:54,000 --> 01:11:54,200 Speaker 3: You know? 1365 01:11:54,520 --> 01:11:56,720 Speaker 5: Like that kind of stuff is like training you to 1366 01:11:57,360 --> 01:12:02,599 Speaker 5: kind of take a like a victim mentality a little bit. 1367 01:12:02,760 --> 01:12:06,000 Speaker 5: And I think when it's female energy and male energy, 1368 01:12:06,120 --> 01:12:12,080 Speaker 5: the female energy tends to like, you know, when a 1369 01:12:12,160 --> 01:12:17,400 Speaker 5: female cries, it's like she automatically becomes the victim. I 1370 01:12:17,520 --> 01:12:23,519 Speaker 5: think I think listen, listen, guys, I'm not a pig Mesia. 1371 01:12:23,600 --> 01:12:26,360 Speaker 5: I'm not a pig misia, but I'm just honest. And 1372 01:12:26,479 --> 01:12:31,040 Speaker 5: I just feel like sometimes women, uh, they may lack 1373 01:12:31,160 --> 01:12:37,080 Speaker 5: lack accountability because they have this softer, more vulnerable side 1374 01:12:37,360 --> 01:12:40,479 Speaker 5: up against a man, and so it's easier to not 1375 01:12:41,200 --> 01:12:48,840 Speaker 5: take accountability for whatever part you contributed to the problem. 1376 01:12:50,080 --> 01:12:50,400 Speaker 4: Just made his. 1377 01:12:51,880 --> 01:12:57,320 Speaker 5: I'm not gonna fist bump you because because I don't 1378 01:12:57,320 --> 01:12:59,800 Speaker 5: want to seem like I'm on the side, like listen, 1379 01:13:00,280 --> 01:13:02,200 Speaker 5: but I know, I think men be full of shit too. 1380 01:13:02,320 --> 01:13:05,240 Speaker 4: I think man be full of ship with the podcast. 1381 01:13:06,320 --> 01:13:08,280 Speaker 5: Yeah, no, I didn't say there. I think men be 1382 01:13:08,360 --> 01:13:10,600 Speaker 5: full of I think that's like the disconnect between men 1383 01:13:10,640 --> 01:13:13,000 Speaker 5: and women. I just feel like, you know, women can't 1384 01:13:13,040 --> 01:13:15,920 Speaker 5: always take the victim rolling. Oh you did this, you 1385 01:13:16,040 --> 01:13:19,000 Speaker 5: did this to me, and like you're the like, you know, stronger, 1386 01:13:19,280 --> 01:13:24,519 Speaker 5: more dominant person, so therefore this you know sometimes yeah, 1387 01:13:26,160 --> 01:13:30,960 Speaker 5: yeah exactly. I think, yes, exactly, we acknowledge that bullshit exactly, 1388 01:13:31,040 --> 01:13:34,720 Speaker 5: But sometimes I think it's harder for women to you know, 1389 01:13:37,000 --> 01:13:38,240 Speaker 5: I'm accountable though. 1390 01:13:39,680 --> 01:13:41,240 Speaker 4: I respect I respect it. 1391 01:13:41,760 --> 01:13:42,840 Speaker 3: Toxic and accountable. 1392 01:13:44,120 --> 01:13:46,959 Speaker 4: Yeah, toxic and accountable. 1393 01:13:46,960 --> 01:13:49,040 Speaker 5: You got to write this song toxic but accountable. 1394 01:13:49,200 --> 01:13:50,479 Speaker 4: Yeah, that's the hit right there. 1395 01:13:50,720 --> 01:13:51,360 Speaker 5: Actually like that. 1396 01:13:52,880 --> 01:13:55,320 Speaker 3: You feature in Summer Walker, Oh. 1397 01:13:56,760 --> 01:14:02,120 Speaker 4: So vibe you got you got it and little Me 1398 01:14:02,240 --> 01:14:06,360 Speaker 4: showing his James coming out of that being said, and 1399 01:14:06,479 --> 01:14:07,960 Speaker 4: on that note, we're gonna get the fuck up out 1400 01:14:08,000 --> 01:14:10,479 Speaker 4: of here. T T appreciate your sliding on this. Check 1401 01:14:10,560 --> 01:14:13,200 Speaker 4: out music now right back. 1402 01:14:13,720 --> 01:14:15,920 Speaker 1: Shout out to club File twenty shouts of the volume. 1403 01:14:16,000 --> 01:14:17,519 Speaker 1: We'll be back next week for sure,