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Speaker 1: Hey everyone, we're unpaywalling another episode from our Patreon. This

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Speaker 1: is from the show Carl Calls His Cousin. If you're

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Speaker 1: not familiar with it, twice a week, Carl Tart Calls

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Speaker 1: his cousin, Assan Williams aka Assan the DJ.

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Speaker 2: Yeah.

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Speaker 1: It's a great chat show. They discuss pop culture news,

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Speaker 1: what happened in their week, comedy stories from their childhood,

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Speaker 1: and much much more. This one we're releasing today is

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Speaker 1: one of our favorite episodes that we've recorded period. It

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Speaker 1: is amazing. Also, if you'd like to watch the video

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Speaker 1: of this recording, the link for that is in the description.

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Speaker 1: So check out all the shows we're doing over on

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Speaker 1: the Patreon at patreon dot com, slash the flagrant ones

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Speaker 1: and enjoy the show.

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Speaker 2: Hey is that the tattoo shop you go to.

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Speaker 3: Tattoo?

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Speaker 2: Yeah, it is on the show.

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Speaker 3: Hey everybody, welcome back to Carl Costs's cousin. If you're

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Speaker 3: looking to get a tattoo, any kind of new tattoo

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Speaker 3: work done, any kind of ink, you need to head

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Speaker 3: on over to Foothill Tattoo in the sunny city of Rialto, California,

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Speaker 3: Exit baseline off of the two ten freeway headed east bound.

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Speaker 3: We'll see you there. Go see Brad, Go see Trey,

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Speaker 3: go say go see Steven. I think, go see. There's

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Speaker 3: one other person, but I can't remember the name. Go

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Speaker 3: check out. Get all your tattoo work done at Foothill

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Speaker 3: Tattoo rialto California Foothill Tattoo on Instagram.

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Speaker 2: Okay, that was a great take.

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Speaker 4: Kevin deleted all that because they're not paying us, But

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Speaker 4: that was a great take. We're gonna do it one

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Speaker 4: more time. This time I need a little bit more energy.

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Speaker 4: Put a little mustard on it. Okay, Imagine it's a

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Speaker 4: hot dog.

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Speaker 2: And wait what Imagine it's a hot dog. Try it. Okay,

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Speaker 2: put a little mustard on it this time.

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Speaker 3: Wait, so in that, but what is the hot dog

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Speaker 3: in that illustration?

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Speaker 2: The ad?

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Speaker 4: The hot dog is the ad? Of course, imagine it's

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Speaker 4: a hot dog. Put a little mustard on it. Okay,

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Speaker 4: I'm gonna throw to you in three two.

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Speaker 3: What's going on? Jive turkeys and jive turk ats.

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Speaker 4: Okay, I'm gonna stop you right there saying as today

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Speaker 4: is Thanksgiving, that's offensive to turkeys that are already getting

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Speaker 4: slaughtered today.

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Speaker 3: I got a show idea a new adult swim show

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Speaker 3: called Jive Turkeys, and it's about a family of anthroperformer

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Speaker 3: Morphis turkeys who are black.

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Speaker 2: All right, yeah, pitch it to them.

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Speaker 4: Pitches the show, that would be funny, I said, pitches

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Speaker 4: the show.

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Speaker 3: Oh I think you said, pitch them the show. But them,

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Speaker 3: I'll pitch the show, all right. The show is. It's

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Speaker 3: a family sitcom starring a family of turkeys and voiced

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Speaker 3: by you know, black voice actors. And that's it. And

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Speaker 3: they are lead and I guess their goal is, Ah,

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Speaker 3: they live on like a it's like a chicken run

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Speaker 3: type situation where they live on like a turkey farm

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Speaker 3: and they realize that like, oh, once turkeys reach a

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Speaker 3: certain age, they get slaughtered. And so they're like maybe

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Speaker 3: they're leading a revolt against the slaughterhouse or something, or

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Speaker 3: like trying to get the turkeys to escape or something

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Speaker 3: like that.

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Speaker 2: Okay, now let me ask you something.

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Speaker 4: Yeah, so the premise of this show, Yeah, the baseline

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Speaker 4: premise of this show is that these turkeys are black.

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Speaker 4: What makes them jive? And remind you, I'm a white executive,

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Speaker 4: why you can't here a black executive because the black

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Speaker 4: executives walked out of the room. Now as a white executive,

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Speaker 4: I love the idea, but I don't know if it's

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Speaker 4: our story to tell.

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Speaker 2: These turkeys.

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Speaker 4: I love the idea of some black turkeys, just goblin

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Speaker 4: and strutting goblin. Go y'all, oh my god, you would

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Speaker 4: sell your people down the river like that.

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Speaker 3: You get you get Tracy Morgan to play the father turkey.

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Speaker 3: You get Tiffany Hattish to play the mom turkey. You

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Speaker 3: get Lil Rell to play like the the the uncle

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Speaker 3: that the brother of, like the father of the Tracy

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Speaker 3: Morgan character, who like he's around because like he he

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Speaker 3: has like a good relationship with the kids, but he

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Speaker 3: can't stand he can't stand his brother and they always

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Speaker 3: they always bump heads and stuff like that. Get tired

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Speaker 3: of your ship, Uh, Tracy Morgan, geitired, you know, Turkey Morgan,

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Speaker 3: Turkey Morgan, little real, little real poultry.

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Speaker 2: This is so offensive offensive.

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Speaker 3: I don't have no loaks in the here, dang.

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Speaker 5: Uh.

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Speaker 3: Just jive turkeys.

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Speaker 4: And it probably would be funny written well, but it's

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Speaker 4: it's like it has to have a better story than

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Speaker 4: just all right, this show is called jive Turkeys.

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Speaker 2: And then the anthropomorphic turkeys.

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Speaker 4: And they're black. All right, y'all, I wanna pack up

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Speaker 4: my briefcase. That's the pitch back of my briefcase. Put

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Speaker 4: my yellow legal path back in my briefcase.

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Speaker 2: I'll tell you who's nutting right now.

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Speaker 4: The troll that I that it comes on my Instagram

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Speaker 4: that says that my comedy is low IQ.

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Speaker 3: He's like, yes, that is what you do. I can't

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Speaker 3: wait to isolate this clip.

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Speaker 2: Oh jack off to this?

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Speaker 3: Yeah, jive turkeys.

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Speaker 4: Uh so Billboard came out with their number one list.

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Speaker 3: Oh shooky shooking? Now did you shut me? Yeah? Sulky

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Speaker 3: sky now whichever did you see that meme with somebody

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Speaker 3: who was like black people? What sulky sooking?

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Speaker 2: Now?

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Speaker 3: What is this sucking? Sucking? Now?

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Speaker 2: What is suky sucking? Now?

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Speaker 3: Kevin, Kevin, have you Carl called a son calls this

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Speaker 3: Kevin on behalf of Carl? Uh? Kevin, have you ever

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Speaker 3: heard all Suki ski now before?

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Speaker 1: I can't say I have.

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Speaker 3: So, Kevin, let me paint the picture for you. So

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Speaker 3: you nine years old, right, and you're going to a

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Speaker 3: family wedding. This the first time you done met your

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Speaker 3: cousins from from Tallahassee. Right cool and everybody's feeling good.

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Speaker 3: You know, it's the nineties. You and your little suit,

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Speaker 3: you know, you dress like one of the grooms men

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Speaker 3: with your big cufflinks. And you come down. You come

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Speaker 3: down the stairs after your auntie help you put your

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Speaker 3: bow your clip on, bow tie on. You come down

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Speaker 3: the stairs of the house, and all your aunties, uh

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Speaker 3: like the aunties you know, and then twenty other people

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Speaker 3: you've never met more in your whole life. Go ah, sucking, sucking, Now, bro,

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Speaker 3: it's the greatest feeling in the world. You're like, I'm flying.

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Speaker 4: Yeah, when you got that that used to embarrass the

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Speaker 4: shit out of me on Easter. Okay, now, if I

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Speaker 4: was thirty years younger my auntie, exactly, dy do give

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Speaker 4: you a thirty years younger auntie? You gotta fuck me?

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Speaker 2: The music cuts off.

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Speaker 3: This is That's that's what happens in the in the

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Speaker 3: In the FX autobiographical show about Carl's life, Carl's Dave episode.

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Speaker 6: I got called boy a lot when I was like

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Speaker 6: a toddler, Like when I would go to I was

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Speaker 6: a ring bearer at my aunt's wedding, and I like

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Speaker 6: came down the stairs had my hair slicks and everything,

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Speaker 6: and everyone was like, Okay, love her boy, lover her boy.

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Speaker 4: I just saw meme the other day that was like

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Speaker 4: it was the picture of Will Smith in the last

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Speaker 4: episode of Fresh Prince then in the living room by himself, no.

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Speaker 2: Freshion of it.

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Speaker 4: And it was like me and all the women I

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Speaker 4: was told I was gonna have to fight off when

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Speaker 4: I was grown because I was handsome.

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Speaker 2: You're gonna have to fight them off you when you

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Speaker 2: get grown. Okay, heartbreaker, Yeah.

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Speaker 4: All suky suki now his nineteen seventies collquial expressions now

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Speaker 4: has his source in the nineteenth century terms suki jump

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Speaker 4: suki jumps. There's a long obsolete nineteenth century and early

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Speaker 4: twentieth century African American name was referent for the country

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Speaker 4: dance gatherings for black folks in the fast placed dance

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Speaker 4: music that was performed at those gathering. Those dance gatherings

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Speaker 4: were named suki jumps as a reference to black women

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Speaker 4: sukies who would be enthusiastically dancing jumping all around. The

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Speaker 4: phrase all suki suki could have evolved over a period

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Speaker 4: of time for men's appreciation of the attractive females The sukies.

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Speaker 4: They saw, uh, look at suk Yeah, all sucky suki

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Speaker 4: oh suky sik. The phrase now comes from the phrase

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Speaker 4: suka suka, which derives from the French word for sugar sukray.

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Speaker 4: A bunch of creole suki suki means sweet sweet. Man

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Speaker 4: seeing sexy attracted female might exclaim sweet sweet suki suki. Oh, okay,

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Speaker 4: that makes sense. I believe that one.

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Speaker 3: Yeah, that sounds believable.

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Speaker 2: Yeah, either way, it's some you know, fellas sexualizing some women.

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Speaker 2: You know.

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Speaker 4: Yeah, objectification, objectification, every every term derives from that.

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Speaker 3: What are you talking about?

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Speaker 2: It's French for sugar.

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Speaker 4: The billboard list? All right, let's get coming in at

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Speaker 4: number one? The Bethos, I mean, are they not number one?

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Speaker 3: No more? Drake told us that, Yeah.

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Speaker 2: The Betos, the Betos number two? What Donna? Now, My Donna?

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Speaker 2: This is of all time, right, of all time?

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Speaker 4: The top ten greatest artists of all time number one,

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Speaker 4: and Madonna is it is two, Elton John three, Elvis

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Speaker 4: Presley four, Mariah Carry five, Steifey Wonder six, Janet Jickson seven.

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Speaker 2: This is after.

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Speaker 1: This is after Asan's commercial for the tattoo Shop.

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Speaker 4: Michael Jackson, I Wow, Whitney Hastened nine, ten, Rihanna, mj

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Speaker 4: is eight, No behind Janet, no Kanye, no Kanye, no Dracke.

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Speaker 3: That's a wild list.

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Speaker 2: Yeah.

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Speaker 5: I know Madonna was like huge at the time and

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Speaker 5: still is, you know, kind of popular, But I don't

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Speaker 5: think she has the staying power as everyone else.

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Speaker 3: Bro, Mariah Carey is fu over Michael Jackson what.

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Speaker 2: I'm blinded by the light. Wait, this can't be right,

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Speaker 2: because the should be on there. Blinded by the light.

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Speaker 2: Is it's like the song all time? Yeah?

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Speaker 3: Yeah, yeah, Drake should be on there, Kanye should be

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Speaker 3: on there, The Weekend should be on there.

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Speaker 4: So this and now this one on the actual Billboard

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Speaker 4: website says number one, the votels, number two, the rounding stands,

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Speaker 4: number three, Elton Joan, number four, Mariah carry she moved up,

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Speaker 4: number five, My Donna number six, number six, bib A

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Speaker 4: streisand Hm nine, Stify one Day ten, Chicago nine, Stafy

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Speaker 4: won day, Evan Whitney, Houston, Well Cotney thirty, Elvis Frizzley twelve,

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Speaker 4: Oh McCartney, Thurting, Elvis Frizzley fourteen, Jennet Jickson fifteen, Rod Steward.

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Speaker 1: This should be the show, just every episode week.

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Speaker 2: This list, this is who charted number five, number five,

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Speaker 2: number five. I like that.

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Speaker 4: That makes me laugh every time he does that. Hell,

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Speaker 4: wre'd be like number five? How it goes the number five?

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Speaker 4: That's it makes me laugh every time I have a

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Speaker 4: I'm up number by five. Hey, Carl, you want to

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Speaker 4: see my cell phone collection?

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Speaker 3: Cell phone collection?

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Speaker 4: He has a bunch of old cell phones. Yeah, Howard Cramer,

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Speaker 4: Howard's the best.

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Speaker 2: Yeah, he's funny. Uh. This list is crazy.

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Speaker 3: Yeah, all of that is nuts. Beyonce is not on

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Speaker 3: any either of them. Yeah, she's not.

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Speaker 4: Beyonce is not even not even the top thirty. Beyonce

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Speaker 4: is at thirty thirty seven.

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Speaker 3: That's crazy.

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Speaker 4: Behind Guess who's at thirty six. If Beyonce is at

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Speaker 4: thirty seven, guess who's at thirty six? And this list

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Speaker 4: is crazy, You're not gonna be able to guess. But

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Speaker 4: is Kelly Kelly Roling? Let's tell your.

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Speaker 3: Lucky ky Michelle thirty six? Uh? Share Adele Adele's at

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Speaker 3: thirty six, Yeah, it's Adele, then Beyonce.

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Speaker 4: Yeah, and then Eric Clapton. Gosh, this list is insane.

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Speaker 4: Jay Z's fifty.

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Speaker 3: Eric clapping would be a good porn name.

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Speaker 4: Eric clapping, Yeah, Eric clapping because he claps cheeks.

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Speaker 3: Carl gets it.

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Speaker 2: Number sixty three The Jackson's.

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Speaker 3: The way the Jackson's are sixty three.

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Speaker 2: Yeah, number sixty four, nd and fire.

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Speaker 3: How did does it ever say, like how they rank

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Speaker 3: this or like what is it based on?

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Speaker 2: I don't know.

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Speaker 4: It has to be based on album sales, but I

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Speaker 4: thought thriller, what's higher?

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Speaker 2: Yeah? Let me click the info isn't explain themselves?

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Speaker 1: Isn't like that K pop band BTS like the biggest

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Speaker 1: band in the world too.

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Speaker 2: I wonder there on there at all?

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Speaker 4: I mean that would technically will say as much as

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Speaker 4: I hate like uh, as much as I hate like

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Speaker 4: old head shit, it is smooth, like it's different. It's

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Speaker 4: different with screaming yep, it's different with streaming so like

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Speaker 4: it's hard to like music stretches. Share is one on nine. Wow,

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Speaker 4: I don't get how this list is. One number is Drake, Drake, Drake,

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Speaker 4: He's number Nimba.

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Speaker 2: Nimba d D. You should be higher. Drake is number

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Speaker 2: sixteen sixteen.

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Speaker 4: Yeah, guess who's after him?

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Speaker 3: The weekend?

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Speaker 4: No Prince, oh wow, sorry Prince Number eighteen is Rihanna.

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Speaker 4: I don't know how this list works. I don't understand

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Speaker 4: what's going on. Let me try to google news.

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Speaker 3: So Rihanna is lower than the News. So Drake is

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Speaker 3: higher than Prince, but Rihanna is lower than Drake.

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Speaker 4: Mm hmm, I guess take it, man, Uh, I don't

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Speaker 4: know any of these. Oh wow, the high one hundred

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Speaker 4: right now is weak to me.

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Speaker 3: Yeah, there's not a lot of good music out right now.

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Speaker 2: All Too Well is number one.

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Speaker 4: Taylor Swift Easy on Me is number two, which I

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Speaker 4: do like that song Stay by the kid LAROI.

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Speaker 2: I don't know.

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Speaker 4: It's industry baby, that's cool, I guess, and Smoking out

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Speaker 4: the Window, which I don't care for.

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Speaker 3: I man, I don't want to if I never hear

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Speaker 3: them again.

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Speaker 2: You don't like you don't like?

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Speaker 3: No, No, I don't. I didn't like when Bruno Mars

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Speaker 3: was doing New Jack Swing, and I definitely don't like

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Speaker 3: them doing the seventies.

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Speaker 4: Nah, bro, I gotta be honest. I wore the New

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Speaker 4: Jacks Wing album out.

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Speaker 2: Uh huh, I wore that shit out. I loved it.

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Speaker 4: I loved it, but it was so like Also, they

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Speaker 4: could have been sued by so many groups unless they

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Speaker 4: got those samples cleared, because there were songs in it

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Speaker 4: that would straight up ripoffs.

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Speaker 3: Yeah, Like it just seems like to me, it's like,

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Speaker 3: of course you can do a perfect New Jacks Wing album,

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Speaker 3: Like you have forty years of retrospect and like you know, uh,

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Speaker 3: you know, two generations, three generations worth of like talent

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Speaker 3: and stuff, you know what I'm saying, Like it improved

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Speaker 3: upon an evolution of music, and you know, of course

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Speaker 3: you can make a perfect New Jack swing album. You're

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Speaker 3: not doing anything innovative, you know what I'm saying.

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Speaker 4: Like, there's something very interesting about Bruno Mars to me,

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Speaker 4: m hm, because he's such a star mm hm. But

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Speaker 4: I also every time I think about him, I think,

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Speaker 4: how how.

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Speaker 2: Is he such a thought? You know what I mean? Like,

293
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Speaker 2: because he's super talented, I get it.

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Speaker 4: Yeah, but there's something about him that just don't Like.

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Speaker 4: When I was listening to that album, I just wish

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Speaker 4: that so many other artists were doing those songs. Yeah,

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Speaker 4: so many other people that I think are cool. See,

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Speaker 4: I think Anderson.

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Speaker 2: Pack is cool.

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Speaker 4: Yeah, yeah, yeah, I would have loved to have seen

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Speaker 4: Miguel saying dripping infinits.

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Speaker 3: Yes, here's here's here's what I'm gonna say. Bruno Mars

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Speaker 3: is like the greatest wedding band singer in history.

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Speaker 4: Yes, that's what he feels like to me. Yeah, that's

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00:19:38,440 --> 00:19:41,760
Speaker 4: what he feels like to me. I don't quite, he

306
00:19:41,920 --> 00:19:45,560
Speaker 4: just don't quite. But I do like a lot of

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Speaker 4: the song. Like I said, I heard that album out.

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Speaker 3: It's like if you told me every Bruno if you

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Speaker 3: told me every Bruno Mars song is a cover, I

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Speaker 3: would believe you. Like yeah, it's just like who is

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Speaker 3: Bruno Mars. And that's the thing that like kind of

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Speaker 3: rubs me the wrong way about like how he went

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Speaker 3: from like Bruno Mars singing I'll catch a grenade for

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Speaker 3: you and even back to like I want to be

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Speaker 3: a billionaire when he was in his like like you know,

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Speaker 3: ukulele bag. Like the fact that he's able to like

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Speaker 3: reinvent himself into like this r Now I'm gonna be

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Speaker 3: this new Jack swing guy who was a live band

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Speaker 3: in the horn section, and then oh now, all of

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00:20:22,359 --> 00:20:25,280
Speaker 3: a sudden, I'm gonna become this seventies guy. Like when

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Speaker 3: you when you do too drastic of changes like that,

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Speaker 3: It's like well, who is Bruno Mars the artist?

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Speaker 2: Like yeah, what do you do? What? Because right now

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Speaker 2: you're just stealing from people?

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Speaker 4: Yeah, like you know, yeah, it's like Buzz Killington, he's

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Speaker 4: got Yeah.

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Speaker 3: I mean I guess you could at the guitar too.

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Speaker 2: All right.

329
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Speaker 4: Twere years ago we had the option to go to

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Speaker 4: his concert for New Year's uh huh, and we were like,

331
00:20:49,680 --> 00:20:52,000
Speaker 4: you know, gonna get dressed up, put on our twenty

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Speaker 4: four Carr Magic outfits.

333
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Speaker 3: And stuff and your red suit. Yeah.

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00:20:56,600 --> 00:21:00,639
Speaker 2: But then I was like, hey, guys, is this gonna

335
00:21:00,680 --> 00:21:03,560
Speaker 2: be fun? Like who's gonna be at this thing?

336
00:21:04,080 --> 00:21:06,119
Speaker 4: Like? What is gonna be What is the demographic of

337
00:21:06,119 --> 00:21:07,120
Speaker 4: people that are gonna be there?

338
00:21:07,280 --> 00:21:09,240
Speaker 3: Who goes to Bruno Mars shows?

339
00:21:09,440 --> 00:21:10,840
Speaker 2: Yeah? Who goes to the show?

340
00:21:11,440 --> 00:21:12,280
Speaker 3: Dude? You like him?

341
00:21:12,320 --> 00:21:14,520
Speaker 2: Because I'm never here about talking about Bruno Mars.

342
00:21:14,680 --> 00:21:18,399
Speaker 3: To me, Bruno Mars is like his I feel like

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00:21:18,440 --> 00:21:23,000
Speaker 3: his core demographic is like girls like sixteen and under

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00:21:23,440 --> 00:21:28,159
Speaker 3: and like women forty five and up. Like you know

345
00:21:28,200 --> 00:21:31,959
Speaker 3: what I'm saying, Like.

346
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Speaker 2: Like who are trying to get their young daughter hooked

347
00:21:32,520 --> 00:21:32,960
Speaker 2: up with him?

348
00:21:33,119 --> 00:21:33,600
Speaker 3: Exactly?

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Speaker 4: I want you to meet my daughter, right, Yeah, Michelle,

350
00:21:39,000 --> 00:21:40,800
Speaker 4: come here, he's like, Mom, I'm married.

351
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Speaker 2: It's Bruno Mars. But I did like that album.

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Speaker 4: But it's like also like even when I hear like

353
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Speaker 4: twenty four Carre Magic or Uptown Funk, it's like the

354
00:21:52,760 --> 00:21:57,399
Speaker 4: lyrics you're like putting together. Where he's like, I'm ruin

355
00:21:57,520 --> 00:22:02,120
Speaker 4: Lynx design them Minx Anglewoods his shoes. I'm like nobody

356
00:22:02,560 --> 00:22:05,760
Speaker 4: who goes to Like, since when is Inglewood a place

357
00:22:05,760 --> 00:22:08,520
Speaker 4: where you go to get Jack? I said, I got

358
00:22:08,560 --> 00:22:12,080
Speaker 4: my suppers a black city. What is a black city?

359
00:22:12,640 --> 00:22:16,679
Speaker 4: That's the wood biglewood jack Woods shoes.

360
00:22:16,800 --> 00:22:18,959
Speaker 3: Listening to Jack I got, I didn't got my suit pressed,

361
00:22:18,960 --> 00:22:21,080
Speaker 3: I done got my hair cut. Now you know I

362
00:22:21,160 --> 00:22:23,399
Speaker 3: had to go right on the shoes. Where'd you go

363
00:22:23,480 --> 00:22:23,880
Speaker 3: get him?

364
00:22:24,119 --> 00:22:25,720
Speaker 2: Inglewood Wood Jack?

365
00:22:26,200 --> 00:22:30,679
Speaker 4: I went on the braid Manchester Baby and found the

366
00:22:30,800 --> 00:22:35,359
Speaker 4: finest full leather hard bottom.

367
00:22:35,840 --> 00:22:40,760
Speaker 2: Yeah. What I want to get some Stacy Adams in Inglewood?

368
00:22:40,800 --> 00:22:41,879
Speaker 4: You know you got to go to ingle to get

369
00:22:41,920 --> 00:22:44,159
Speaker 4: to stacyatle say you go anywhere to get Sta Sattle.

370
00:22:45,119 --> 00:22:47,520
Speaker 4: You go to off Broadway on Sunset to get Stacy Adam.

371
00:22:47,720 --> 00:22:51,240
Speaker 4: You drove really far away to get these Stacey Adams.

372
00:22:52,680 --> 00:22:55,000
Speaker 3: Inglewood's finger Woods shoes.

373
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Speaker 2: We used to joke about that.

374
00:22:58,720 --> 00:23:03,920
Speaker 4: He's just like randomly saying like phrasers that like cool jack.

375
00:23:06,640 --> 00:23:09,280
Speaker 3: Yeah, Like he's making new Jack swing for people who

376
00:23:09,280 --> 00:23:11,200
Speaker 3: have never heard nu Jack swing before.

377
00:23:11,160 --> 00:23:16,040
Speaker 4: Drinking a milkshake, calling an earthquake, sitting in the collar,

378
00:23:16,160 --> 00:23:16,640
Speaker 4: see him.

379
00:23:18,240 --> 00:23:22,840
Speaker 2: Driving down Vermont. Then I turned on King the Laundry Matt.

380
00:23:23,080 --> 00:23:24,160
Speaker 2: He's like, what are you talking?

381
00:23:24,160 --> 00:23:26,640
Speaker 3: We let Bruno mars get off a lot of ridiculous

382
00:23:26,640 --> 00:23:31,440
Speaker 3: stuff because his band was good, he said, He said,

383
00:23:31,440 --> 00:23:35,760
Speaker 3: what was that other song? Gotta put SuperM on that attitude?

384
00:23:35,920 --> 00:23:36,720
Speaker 3: You need to relax.

385
00:23:37,440 --> 00:23:38,040
Speaker 7: I'm like, what.

386
00:23:41,359 --> 00:23:49,919
Speaker 3: Or chunkie looking for me? The bos He said? Hoops?

387
00:23:50,000 --> 00:23:53,040
Speaker 2: Yeah, I dropped it down in Days of Dugs.

388
00:23:53,080 --> 00:23:56,560
Speaker 3: I like that song a lot, though, but it's like, hey, man,

389
00:23:56,600 --> 00:23:58,720
Speaker 3: you know what I like a girl with some big

390
00:23:58,720 --> 00:23:59,520
Speaker 3: old hoop earring.

391
00:23:59,640 --> 00:24:03,119
Speaker 4: Yeah, James Fauntleroy wrote on that album, Yeah, let's do

392
00:24:03,160 --> 00:24:06,320
Speaker 4: some Kevin when you pull up some Bruno Marsin, pull

393
00:24:06,400 --> 00:24:12,320
Speaker 4: up the lyrics to uptown funk Dough.

394
00:24:11,080 --> 00:24:15,520
Speaker 2: Dough Dough Dough Dough do. Though some Homer Simpson singing

395
00:24:15,600 --> 00:24:16,400
Speaker 2: is opening.

396
00:24:20,440 --> 00:24:24,200
Speaker 4: This hit that ice Cold Michelle fight for that White

397
00:24:24,320 --> 00:24:31,840
Speaker 4: Goal got Chuck song with Saint Laurron call a poll.

398
00:24:31,960 --> 00:24:33,520
Speaker 4: That's a wild fire man?

399
00:24:35,400 --> 00:24:36,680
Speaker 2: All right, go down?

400
00:24:36,960 --> 00:24:37,440
Speaker 3: Is there another?

401
00:24:37,600 --> 00:24:39,879
Speaker 2: There's no? Okay, here we go? Oh yeah, so this

402
00:24:39,920 --> 00:24:40,520
Speaker 2: is the other one.

403
00:24:41,000 --> 00:24:44,960
Speaker 4: Rode to hallm Hollywood, Jackson, Mississippi.

404
00:24:45,480 --> 00:24:47,080
Speaker 2: Why would you do that?

405
00:24:47,080 --> 00:24:48,159
Speaker 3: That's a wild trip.

406
00:24:49,680 --> 00:24:52,879
Speaker 4: That's making a triangle. All right, So we're going to

407
00:24:52,880 --> 00:24:54,080
Speaker 4: New York right then we go?

408
00:24:54,240 --> 00:24:57,000
Speaker 3: Hear Hollywood and on the way back, we're gonna hit Jackson, Mississippi.

409
00:24:57,359 --> 00:25:00,840
Speaker 2: Why why are you going there? Hey? You want to

410
00:25:00,840 --> 00:25:03,920
Speaker 2: see the state capitol? What are you going to do?

411
00:25:04,040 --> 00:25:06,440
Speaker 3: You want to see the state capitol?

412
00:25:07,680 --> 00:25:09,200
Speaker 2: Make a dragon want to retire?

413
00:25:10,880 --> 00:25:11,760
Speaker 3: What does that mean?

414
00:25:11,960 --> 00:25:12,120
Speaker 2: Oh?

415
00:25:12,200 --> 00:25:12,600
Speaker 3: So hot?

416
00:25:12,640 --> 00:25:14,280
Speaker 4: He's because he's so hot that he makes it all

417
00:25:14,359 --> 00:25:16,359
Speaker 4: you guys. I can't I can't compete with these young

418
00:25:16,359 --> 00:25:22,359
Speaker 4: guys affected today. I will be retiring from the dragons.

419
00:25:23,320 --> 00:25:25,160
Speaker 3: Is the first thing people think about when they think

420
00:25:25,200 --> 00:25:26,720
Speaker 3: of dragons as breathing fire.

421
00:25:27,160 --> 00:25:27,480
Speaker 2: I do.

422
00:25:27,760 --> 00:25:30,080
Speaker 3: Yeah, Oh okay, I won't hold him on that.

423
00:25:30,119 --> 00:25:35,880
Speaker 4: Then, can you look at public domain funk song? We're

424
00:25:35,920 --> 00:25:37,760
Speaker 4: looking for a Bruno Mars type bat.

425
00:25:39,960 --> 00:25:49,080
Speaker 2: Next week.

426
00:25:49,520 --> 00:25:55,040
Speaker 4: That's getting closer now too fast. That sounds like a

427
00:25:55,080 --> 00:26:03,280
Speaker 4: song that's on MLB the show. God, these bezs are terrible.

428
00:26:08,600 --> 00:26:15,920
Speaker 4: We could do it to this, all right, that's the one.

429
00:26:18,080 --> 00:26:19,399
Speaker 4: I think this is the one. Is what you think of?

430
00:26:19,480 --> 00:26:19,680
Speaker 2: Sign?

431
00:26:20,000 --> 00:26:21,320
Speaker 3: Yeah, I think we can go with this one.

432
00:26:21,920 --> 00:26:26,560
Speaker 4: Yeah, okay, turn it down.

433
00:26:29,960 --> 00:26:30,520
Speaker 2: Now, I think.

434
00:26:36,119 --> 00:26:39,640
Speaker 4: Yeah, it's blues. It's just doing it one, four and five.

435
00:26:41,280 --> 00:26:45,320
Speaker 4: Stop at the stop sign. That's the first lyric. We'll

436
00:26:45,359 --> 00:26:49,240
Speaker 4: go lyric for lyric, Kevin, you type these out so

437
00:26:49,280 --> 00:26:51,199
Speaker 4: we can record, so we can take the whole thing

438
00:26:51,240 --> 00:26:55,640
Speaker 4: at the end. Yeah, all right, that's the first lyric.

439
00:26:55,760 --> 00:26:58,719
Speaker 2: Now you go. You said stop red light, stop at

440
00:26:58,720 --> 00:26:59,320
Speaker 2: the stop sign.

441
00:26:59,560 --> 00:27:01,880
Speaker 3: Stop it stop tiying, stop.

442
00:27:02,080 --> 00:27:08,240
Speaker 4: At the stop sign, sing sing rap stop stop sign.

443
00:27:10,119 --> 00:27:10,280
Speaker 2: Girl.

444
00:27:10,320 --> 00:27:12,040
Speaker 3: You gotta stop playing with my heart.

445
00:27:15,200 --> 00:27:17,720
Speaker 4: I had to stop at the stop sign because with

446
00:27:17,840 --> 00:27:19,240
Speaker 4: seventy two, SHVD won't start.

447
00:27:22,000 --> 00:27:23,240
Speaker 1: Stop at the stop signing.

448
00:27:24,400 --> 00:27:25,440
Speaker 2: What was the second one?

449
00:27:27,560 --> 00:27:30,320
Speaker 3: Oh, stop playing with my heart. Yeah, you gotta stop

450
00:27:30,359 --> 00:27:31,160
Speaker 3: playing with my heart.

451
00:27:33,440 --> 00:27:36,280
Speaker 4: I was forced to stop at the top sign because

452
00:27:36,440 --> 00:27:37,960
Speaker 4: seventy two Chevy won't start.

453
00:27:40,200 --> 00:27:42,720
Speaker 2: And now I think it's time to describe what he's wearing.

454
00:27:42,760 --> 00:27:48,359
Speaker 3: Yeah, exactly, but that won't start. Oh god, yeah, Chevy

455
00:27:48,359 --> 00:27:57,000
Speaker 3: two Stephen won't start Uh, satin pants, satin pants, masades

456
00:27:57,040 --> 00:27:57,560
Speaker 3: you's shirt.

457
00:27:58,920 --> 00:28:03,520
Speaker 2: Uh. And then you pick up blacks a small black city.

458
00:28:04,000 --> 00:28:07,840
Speaker 4: Uh mobile Alabama shoes.

459
00:28:10,119 --> 00:28:13,720
Speaker 3: Satin pants beside the shirt mobile, Alabama.

460
00:28:13,200 --> 00:28:22,920
Speaker 4: Shoes mobile, Alabama sand dunes, No Pensacola, Florida.

461
00:28:22,680 --> 00:28:27,920
Speaker 3: Socks, Dayton, Ohio slides.

462
00:28:31,720 --> 00:28:36,080
Speaker 4: Uh Yeah, let's say, Date, Ohio slides. That's the final

463
00:28:37,560 --> 00:28:39,000
Speaker 4: So what we got some more?

464
00:28:40,240 --> 00:28:42,480
Speaker 1: Stop at the stop sign here, all.

465
00:28:43,160 --> 00:28:45,800
Speaker 4: Yeah, sing it for us, Kevin? What we got the music?

466
00:28:46,520 --> 00:28:49,120
Speaker 4: Can you play that back Ford? Kevin, Kevica, you sing it?

467
00:28:49,840 --> 00:28:50,800
Speaker 4: You and the stew Kevin.

468
00:28:58,440 --> 00:29:01,600
Speaker 7: Stop at the stop sign. I gotta stop playing with

469
00:29:01,680 --> 00:29:04,680
Speaker 7: my heart. I was forced to stop and stop signing.

470
00:29:04,760 --> 00:29:07,880
Speaker 7: It was seventy two Chevy ones heart. I got satin pants,

471
00:29:08,120 --> 00:29:10,840
Speaker 7: Frasachi shirt, Dating Ohio slides.

472
00:29:15,760 --> 00:29:24,240
Speaker 3: The house fine, okay, Girl on my left, girl on

473
00:29:24,360 --> 00:29:33,120
Speaker 3: my right, and we all watching Father of the Bride.

474
00:29:33,920 --> 00:29:37,200
Speaker 3: All shucks, all shucks.

475
00:29:39,840 --> 00:29:43,560
Speaker 2: So you said, girl on my left and girl around left, girl.

476
00:29:43,320 --> 00:29:45,600
Speaker 6: On my right, were all watching Father other bride.

477
00:29:45,280 --> 00:29:48,360
Speaker 4: And we're all watching Father the other Bride. All shuts,

478
00:29:50,600 --> 00:29:57,920
Speaker 4: you know, we say, oh, sick and sicking. Now, Yeah,

479
00:29:58,080 --> 00:30:00,200
Speaker 4: I got a parking ticket because my car won'ts up.

480
00:30:00,320 --> 00:30:04,520
Speaker 4: All damn, I gotta park What did you say, I gotta,

481
00:30:04,560 --> 00:30:05,520
Speaker 4: I gotta park ticket?

482
00:30:05,560 --> 00:30:09,320
Speaker 3: Now, now you gotta Now, you gotta pick a Latin

483
00:30:09,320 --> 00:30:11,920
Speaker 3: American man's name, that's your homie, and you only say

484
00:30:11,960 --> 00:30:14,240
Speaker 3: his first name, like Julio, get the stretch. You gotta

485
00:30:14,280 --> 00:30:17,480
Speaker 3: you gotta do one of those. What you say my

486
00:30:17,600 --> 00:30:20,160
Speaker 3: parking ticket? What I gotta, I.

487
00:30:20,080 --> 00:30:23,360
Speaker 4: Gotta parking ticket because my car won't start all damn.

488
00:30:25,400 --> 00:30:25,680
Speaker 2: Juli.

489
00:30:26,680 --> 00:30:27,920
Speaker 3: Yeah, you guys are hector.

490
00:30:28,440 --> 00:30:36,239
Speaker 4: Yeah, please yo, get the truck, pick us up?

491
00:30:36,800 --> 00:30:38,600
Speaker 3: What we got so far? Kevin?

492
00:30:38,640 --> 00:30:39,560
Speaker 2: Can you sing that back to his?

493
00:30:39,640 --> 00:30:43,040
Speaker 3: Please? Yeah? Can you? Can you sing that back? This

494
00:30:43,120 --> 00:30:45,080
Speaker 3: is how so people who are not familiar with the

495
00:30:45,120 --> 00:30:47,720
Speaker 3: music industry, this is how it works. The artist goes

496
00:30:47,760 --> 00:30:50,760
Speaker 3: into the booth and listens to the beat, and then

497
00:30:50,800 --> 00:30:54,240
Speaker 3: they write the song. And then they asked the recording engineer, Hey,

498
00:30:54,280 --> 00:30:56,440
Speaker 3: can you sing that to me? So I hear how

499
00:30:56,440 --> 00:31:01,640
Speaker 3: it sounds. So if you try to be an inspiring

500
00:31:01,840 --> 00:31:14,840
Speaker 3: audio engineer in the music industry, you should go take vocalists.

501
00:31:15,720 --> 00:31:18,880
Speaker 7: Stop at the stop side. You gotta stop playing with

502
00:31:18,920 --> 00:31:21,480
Speaker 7: my heart. I was forced to stop at the stop

503
00:31:21,560 --> 00:31:24,440
Speaker 7: side because my seventy two. Chevy won't start. I got

504
00:31:24,520 --> 00:31:29,720
Speaker 7: satin pants, Pisachi shirt, dating Ohio slides girl on my left,

505
00:31:29,920 --> 00:31:32,080
Speaker 7: girl on my right, and we're all watching Father of

506
00:31:32,120 --> 00:31:33,960
Speaker 7: the Bride suck.

507
00:31:35,080 --> 00:31:37,360
Speaker 3: I got a parking ticket because my car won't start.

508
00:31:37,440 --> 00:31:39,120
Speaker 3: I'm damn Pernicio.

509
00:31:39,280 --> 00:31:43,840
Speaker 2: Get the truck. Pick us up? All right?

510
00:31:43,880 --> 00:31:48,280
Speaker 3: Now what you get the truck?

511
00:31:56,000 --> 00:31:59,240
Speaker 2: Get the truck pick us up? As the group part,

512
00:31:59,320 --> 00:32:01,280
Speaker 2: so we'll see you pick it up.

513
00:32:02,520 --> 00:32:08,040
Speaker 3: Stop getting I got the hook, all right, speak it up.

514
00:32:08,280 --> 00:32:11,840
Speaker 3: I need that green light. Yeah, when you're trying to

515
00:32:11,840 --> 00:32:17,240
Speaker 3: give me red, I need that green light when you're

516
00:32:17,240 --> 00:32:18,920
Speaker 3: giving me but you're giving me the red.

517
00:32:19,760 --> 00:32:22,840
Speaker 2: I pulled out the meat, but you wouldn't give me no.

518
00:32:23,040 --> 00:32:28,360
Speaker 4: Oh yeah, you gotta edit it out. Yeah, it can't

519
00:32:28,360 --> 00:32:34,200
Speaker 4: be too risky. Yeah, oh this is got it. We

520
00:32:34,240 --> 00:32:37,560
Speaker 4: got to hit what time is it?

521
00:32:40,200 --> 00:32:40,680
Speaker 2: Okay?

522
00:32:41,160 --> 00:32:43,360
Speaker 4: It is some stuff to cut out like that's not

523
00:32:43,440 --> 00:32:45,040
Speaker 4: right and I just shot in my trash cut that out?

524
00:32:45,120 --> 00:32:46,280
Speaker 2: Can all right?

525
00:32:46,920 --> 00:32:49,960
Speaker 4: Well, well, well we'll come back with this song in

526
00:32:50,040 --> 00:32:55,280
Speaker 4: part two. Good Night Night