WEBVTT - The Podcast that Turns People Inside Out

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb, and I'm a senior writer

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<v Speaker 1>here at how stuff works dot com. And hello there,

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<v Speaker 1>I'm Julie Douglas, writer, editor and lead flip bottomist. This

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<v Speaker 1>is our second episode. Last time we talked about animals

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<v Speaker 1>going to sleep shutting off half their brain, and this

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<v Speaker 1>week we're gonna go in a slightly grosser direction. Tell me, Julie,

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<v Speaker 1>did you have any like strange childhood fears? Um? I

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<v Speaker 1>don't know that I've had really any terribly odd childhood fears. Um.

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<v Speaker 1>Fear of clowns, of course, Uh, fear of my neighbors, right, windows, latches,

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<v Speaker 1>things like that. What about you? Just okay, so you

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<v Speaker 1>just had like clowns other people and things that open.

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<v Speaker 1>But otherwise, yeah, stepping on vertical cracks on the left

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<v Speaker 1>hand side, okay when when going in the direction of

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<v Speaker 1>the north. Yeah, okay, Yeah, Well I don't see how

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<v Speaker 1>that could have gotten in the way at all. No, No,

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<v Speaker 1>honestly I didn't. I was a fairly uh normal child

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<v Speaker 1>when it came to that. Well, I had this fear

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<v Speaker 1>for a while um of turning inside out, which I

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<v Speaker 1>suspect that a lot of people had this on some level,

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<v Speaker 1>um for reasons I'm gonna get to in a moment,

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<v Speaker 1>but I it all goes back to when when I

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<v Speaker 1>was a kid, my family would go to the local

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<v Speaker 1>video store and we you know, you know, me and

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<v Speaker 1>my sisters, we were all kids, you know, in my family.

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<v Speaker 1>They weren't really into getting horror movies. But the horror

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<v Speaker 1>movie aisle was there, and they had all these just

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<v Speaker 1>crazy um covers in the vhs, uh, you know, cases

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<v Speaker 1>and um, and you just walked by them and you'd

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<v Speaker 1>see these things and you you know, you're my mind

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<v Speaker 1>would just sort of run wild with what they could

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<v Speaker 1>possibly contain. And there was this one box for this

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<v Speaker 1>film called Screamers, which was a nineteen nine film, and

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<v Speaker 1>you can look the cover art up online by doing

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<v Speaker 1>like the Google search, and because it's like really crazy,

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<v Speaker 1>because it's like this dude that's like turned inside out

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<v Speaker 1>and he, you know, he just looks horrific. And then

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<v Speaker 1>the like the tag at the bottom of the boxes

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<v Speaker 1>they turned men inside out and worse yet, they were

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<v Speaker 1>still alive, you know, And so it just it it

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<v Speaker 1>got into my head that turning inside out was something

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<v Speaker 1>that could happen to you, or happen your body would do,

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<v Speaker 1>or that's something that would be done to your body

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<v Speaker 1>and that you'd still be alive, and it'd be horrendous.

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<v Speaker 1>And then you know, I imagine you'd go to the

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<v Speaker 1>doctor and you know, your parents are taking is like

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<v Speaker 1>what can you do for him? He's turned inside out?

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<v Speaker 1>And they would be like, wait, I can't do anything

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<v Speaker 1>for him. I'm sorry, your son is just inside out.

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<v Speaker 1>From now on, you'v sitting in in what your third

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<v Speaker 1>grade class, just sitting there using your workings, just using

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<v Speaker 1>all over the place and like pulsating and stuff. That's

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<v Speaker 1>really horrible. I mean, were you sitting there in the

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<v Speaker 1>middle of the night saying to myself, you know, saying

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<v Speaker 1>to yourself, oh my god, this could happen at any

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<v Speaker 1>moment um. Well, it wasn't that paralyzing, but it was

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<v Speaker 1>just kind of it was just this feeling of like,

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<v Speaker 1>you know, I guess when youre a kid, you don't

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<v Speaker 1>think as much about mortality, but certainly it was kind

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<v Speaker 1>of a a lesson in Oh my goodness, it's like

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<v Speaker 1>we're really fragile. We could just we could turn inside

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<v Speaker 1>out and then we're you know, so it was like

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<v Speaker 1>the moment where you just lost your innocence. Yeah, yeah, yeah.

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<v Speaker 1>Pretty much every time we all went to the via

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<v Speaker 1>the video store would see something like that that would

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<v Speaker 1>you know, it would beat down your your your innocence

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<v Speaker 1>a little. But I suspect that that other people have

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<v Speaker 1>this problem as well, because I don't know if you've

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<v Speaker 1>ever seen, um, people turning inside out in cartoons, like

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<v Speaker 1>kids cartoons, but it happens like more than you think

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<v Speaker 1>it would, like you can dial up horror movies. Besides,

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<v Speaker 1>the other interesting thing about Screamers is that it actually

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<v Speaker 1>I found out years and years later, it doesn't have

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<v Speaker 1>anybody turning inside out in it. It's actually like an

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<v Speaker 1>Italian uh film about fishmen. It stars Joseph Cotton, of

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<v Speaker 1>all people. Yeah he was his seminal Italian film actor.

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<v Speaker 1>Yeah and um and so yeah, they just like decided

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<v Speaker 1>that they were going to distribute it in the US

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<v Speaker 1>with this crazy cover with the guy turned inside out,

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<v Speaker 1>and they think they shot something for a trailer that

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<v Speaker 1>I've never seen that has like a dude supposedly turning

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<v Speaker 1>inside out. So it was like a bait and switch

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<v Speaker 1>of turning inside out. But you know, as a kid,

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<v Speaker 1>I never really really thought about it or a question

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<v Speaker 1>why in the cover art the guy is inside out

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<v Speaker 1>but wearing jeans, like yeah, I think I think I'm

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<v Speaker 1>familiar with this, and he's got a belt and is

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<v Speaker 1>it is it possible that the top is that button

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<v Speaker 1>is undone as well, so it's like he's in partial

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<v Speaker 1>undressed or yeah, like I don't know if he's like,

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<v Speaker 1>oh my goodness, I've turned inside out, I'd better throw

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<v Speaker 1>in some jeans or if you like, ingested jeans and

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<v Speaker 1>then turned inside out and that's how con he happens

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<v Speaker 1>to be wearing the jeans correctly. But I didn't think

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<v Speaker 1>about those things right, right. But but no, like you

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<v Speaker 1>look at like children's cartoons like Invader Zim, Are you

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<v Speaker 1>familiar with that one? That was the Nickelodeon show kind

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<v Speaker 1>of Dark because there is a scene where a kid

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<v Speaker 1>gets sucked through a portal and he comes out like

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<v Speaker 1>inside out and then he kind of like you know,

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<v Speaker 1>shakes it off and he like flaps it back to normal.

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<v Speaker 1>And then there was another Nickelodeon show, Nickelodeon, There's Somebody

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<v Speaker 1>in Nickelodeon was really into turning inside out. Apparently there

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<v Speaker 1>was a show called inside Out Boy about a kid

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<v Speaker 1>who's on the swing. Yeah, have you seen this? I'm

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<v Speaker 1>familiar with it, Okay, I've heard descriptions of it before.

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<v Speaker 1>And he like went over he like swung so high

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<v Speaker 1>that he did a complete like three sixty. But it

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<v Speaker 1>turned him inside out. So he's just just like grotesque

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<v Speaker 1>little gut boy walking around, you know. And it's and

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<v Speaker 1>he just I don't know, he has powers or something,

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<v Speaker 1>and it's it's totally fine for for kids. Well yeah,

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<v Speaker 1>maybe because it's uh, it's it's sort of a lesson, right,

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<v Speaker 1>like don't go too high in your swing, yeah, or

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<v Speaker 1>inside out, and um, it's a neat way maybe to

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<v Speaker 1>work out our fears. But what I want to know is,

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<v Speaker 1>could you actually turn yourself inside out and live to

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<v Speaker 1>tell it? Um? I think I figured out pretty early,

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<v Speaker 1>and I think most of our listeners will't. We'll realize

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<v Speaker 1>that you can't really because the human body is just

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<v Speaker 1>a little too complicated and a little too rugged, you know,

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<v Speaker 1>like like basically like for it to happen, you have

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<v Speaker 1>to be like a sock puppet, you know, where you know,

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<v Speaker 1>you could just like when you pull a sock puppet

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<v Speaker 1>off or when you pull a sock off your foot

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<v Speaker 1>and it just goes completely inside out. Like we're just

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<v Speaker 1>you know, the human anatomy isn't geared to that to

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<v Speaker 1>living with our organs on the other side, right, and

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<v Speaker 1>any like any you know force that would it would

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<v Speaker 1>even like apply that kind of pressure on the human body.

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<v Speaker 1>I mean it would it would you know, you would

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<v Speaker 1>have like total body fragmentation before you had anything of

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<v Speaker 1>that nature happened. We're both too fragile and not rugged

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<v Speaker 1>enough to undergo that kind of transformation. Interesting paradox. Yeah, okay,

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<v Speaker 1>But just because the human body can't turn completely inside out,

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<v Speaker 1>as we all should know, that doesn't mean that this process,

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<v Speaker 1>which is called aversion, uh doesn't exist all over the

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<v Speaker 1>place in the natural world. UM. So you know that's

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<v Speaker 1>what we're gonna talk about today. Just run through some

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<v Speaker 1>of the examples of aversion in animals, um and and

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<v Speaker 1>to eliminated extent with humans and uh, and just how

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<v Speaker 1>amazing and gross it can be. And it's it's it's

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<v Speaker 1>some good grotesque stuff. What's the so what do you

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<v Speaker 1>what one stands out to you? Just right off the

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<v Speaker 1>bat in terms of a very simple process of aversion. Well,

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<v Speaker 1>in human anatomy, you can have, um, the examples of

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<v Speaker 1>like like, there's bladder aversion that can happen. And we're

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<v Speaker 1>not gonna got a whole lot of detail on this

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<v Speaker 1>because it's you know, it's kind of gross. It sounds convenient,

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<v Speaker 1>though I have to say, yeah, it's It's different from

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<v Speaker 1>bladder evacuation, um, which is rather generally a rather pleasant

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<v Speaker 1>experience as long as you know it's not in your

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<v Speaker 1>pants on a roller coaster or something. But but no,

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<v Speaker 1>this is a situation where the bladder, being an internal organ,

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<v Speaker 1>ends up on the outside through a you know, generally

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<v Speaker 1>a naturally occurring orifice. But you can you can also

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<v Speaker 1>have a version occur with injuries where something will get

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<v Speaker 1>kind of glooped out to the outside, right um and um.

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<v Speaker 1>And so yeah, it tends to be like an injury

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<v Speaker 1>or internal trauma type situation. Uh, you know, it becomes

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<v Speaker 1>prolapsed to where it's it's on the outside now and

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<v Speaker 1>it needs to be pushed back in or you know,

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<v Speaker 1>in some way repaired. But but you have a lot

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<v Speaker 1>of animals where a version is just part of like

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<v Speaker 1>their daily routine, just how they go about eating or

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<v Speaker 1>digesting things or defending themselves. So um of those like

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<v Speaker 1>the the c Star is a classic example of that.

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<v Speaker 1>And if anybody out there watched the Discovery UH and

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<v Speaker 1>Slash BBC documentary series Life this year, Uh, they had

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<v Speaker 1>a whole segment where it's c Stars feeding on this

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<v Speaker 1>corpse underwater. Their cadaver were not cadaver, just a dead

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<v Speaker 1>seal um. But they spit their stomachs out. They avert

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<v Speaker 1>their stomachs under the outside of their bodies to work

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<v Speaker 1>at the digesting. So it just kind of sucks up

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<v Speaker 1>everything and pulls it back in. Yeah, exactly, which again

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<v Speaker 1>that's convenient. You see yourself at a buffet doing that.

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<v Speaker 1>Maybe not you, but yeah, I would. You're not going

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<v Speaker 1>to go to a buffet and then this this same

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<v Speaker 1>it's just you don't you don't get your your money's

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<v Speaker 1>worth out of it, and like you just really pick

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<v Speaker 1>out You're completely right unless you just completely avert your

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<v Speaker 1>your your your stomach you know. Oh and the documentary

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<v Speaker 1>series Life also shows these nimmertine worms feeding and they

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<v Speaker 1>actually use they actually have what's called any versible probiscus

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<v Speaker 1>and this is just their they're feeding mechanism is completely averted,

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<v Speaker 1>and then they just kind of like pump it out

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<v Speaker 1>with these muscles and it's like a snout sort of

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<v Speaker 1>going Yeah, it's like a long snout, but it's basically

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<v Speaker 1>it's about the length of their body, but it's adverted,

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<v Speaker 1>so it's kind of like completely cool. Yeah, it's just

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<v Speaker 1>like completely pulled inside and then they just it's they're

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<v Speaker 1>kind of like a party favor, you know, where you

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<v Speaker 1>like blow on it, rhythm kind of like extends, it's

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<v Speaker 1>like that, and then it snaps back, yeah, and then

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<v Speaker 1>they pull it back in. And so that's I think

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<v Speaker 1>that's our good examples of getting your food from inversion.

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<v Speaker 1>I think uh sharks and raised they are sort of

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<v Speaker 1>doing the opposite, right, like dumping. Yeah, they have this

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<v Speaker 1>thing called gastric aversion, and it's kind of like if

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<v Speaker 1>you're you know you weren't like if you're wearing blue

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<v Speaker 1>jeans and you turn the pocket out to get rid

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<v Speaker 1>of lent and find some loose change. They do the

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<v Speaker 1>same thing with their stomachs out of their mouth, um,

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<v Speaker 1>and you can find videos of it online. It's like

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<v Speaker 1>a real it's like a really quick function, you know,

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<v Speaker 1>because you know your shark, you're you live in a

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<v Speaker 1>dangerous situation. You don't just want to, you know, be

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<v Speaker 1>swimming around owned all day with your stomach hanging out

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<v Speaker 1>your mouth. So they just go it's kind of like

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<v Speaker 1>this quick coolaw and then then it's you know, it's

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<v Speaker 1>out shakes, free some you know, debris, and then it's

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<v Speaker 1>right back in. So it's like ancient Rome for the

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<v Speaker 1>animal kingdom and that there, it's like the vomitorium, except

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<v Speaker 1>that there's no loot playing in the background to cover

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<v Speaker 1>up the noise. Yeah, but it's exactly like like I

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<v Speaker 1>think the way I was thinking of it's like with cats.

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<v Speaker 1>Like we both know that cats love to puke, you know,

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<v Speaker 1>it's where I don't know if they love it, but

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<v Speaker 1>they do it without it's no big deal. It's just

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<v Speaker 1>a part of their lives. Sometimes you got a puke

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<v Speaker 1>and they do it. So with sharks and rays, puking

0:11:32.960 --> 0:11:36.400
<v Speaker 1>isn't isn't the option, it's gastric aversion. So it's just

0:11:36.760 --> 0:11:38.920
<v Speaker 1>it's no big deal for them, right, and so that

0:11:39.000 --> 0:11:41.839
<v Speaker 1>way they can scoop up even more food rights that right, Okay,

0:11:42.840 --> 0:11:48.600
<v Speaker 1>And another really cool animal is the vampire squid. Oh yes, yeah,

0:11:48.840 --> 0:11:52.280
<v Speaker 1>tell us about that, because that little creature for large creature,

0:11:52.440 --> 0:11:55.720
<v Speaker 1>not quite sure how large it is, it's pretty fascinating. Yeah,

0:11:56.040 --> 0:11:58.280
<v Speaker 1>I'm I'm gonna attempt to make a shot at its

0:11:58.520 --> 0:12:04.160
<v Speaker 1>Latin name because it's pretty awesome. Um Vampora toothist infernales.

0:12:05.400 --> 0:12:09.480
<v Speaker 1>It's like the the infernal vampire or something uma the

0:12:09.600 --> 0:12:13.839
<v Speaker 1>dark seas. It lives about a half mile deep in

0:12:13.880 --> 0:12:17.680
<v Speaker 1>the ocean, and it has these um, this like webbed

0:12:17.760 --> 0:12:20.160
<v Speaker 1>array of eight inch arms, so you know, it has

0:12:20.240 --> 0:12:22.880
<v Speaker 1>like the the squid arms like your you know, cephalopod

0:12:23.000 --> 0:12:25.600
<v Speaker 1>arms like you typically see, except they're all webb together,

0:12:26.000 --> 0:12:28.840
<v Speaker 1>and it looks like a cape like a vampire's cloak.

0:12:29.280 --> 0:12:32.360
<v Speaker 1>Perhaps it's very like steam punky looking, I think, yeah,

0:12:32.440 --> 0:12:34.440
<v Speaker 1>you can. I can easily imagine like wearing a little

0:12:34.760 --> 0:12:39.559
<v Speaker 1>like top hat and having a you know. But but

0:12:39.679 --> 0:12:41.280
<v Speaker 1>he will do this thing where he goes into a

0:12:42.000 --> 0:12:47.160
<v Speaker 1>threat response stance that is sometimes called pumpkin or pineapple posture,

0:12:47.679 --> 0:12:49.199
<v Speaker 1>which kind of I mean that doesn't sound you know,

0:12:49.280 --> 0:12:52.719
<v Speaker 1>these cools vampire and in infernal you know. But but

0:12:52.800 --> 0:12:55.599
<v Speaker 1>he'll basically take this um, you know, his array of

0:12:55.800 --> 0:12:58.679
<v Speaker 1>arms these web this web array of arms and and

0:12:58.800 --> 0:13:00.760
<v Speaker 1>like pull it back over the rest of his body.

0:13:01.640 --> 0:13:02.960
<v Speaker 1>So it's kind of like if you were to take

0:13:03.000 --> 0:13:05.600
<v Speaker 1>your lower lip and your upper lip and you were

0:13:05.600 --> 0:13:08.800
<v Speaker 1>able to like stretch your lips back all the way

0:13:08.840 --> 0:13:10.920
<v Speaker 1>over your body until you were just like, you know,

0:13:11.480 --> 0:13:14.959
<v Speaker 1>pink glistening meat. That's kind of what they do. And

0:13:15.040 --> 0:13:18.240
<v Speaker 1>so that's so a predator might go, WHOA, that wasn't

0:13:18.520 --> 0:13:20.680
<v Speaker 1>what I thought it was, right, And also also they

0:13:20.720 --> 0:13:23.400
<v Speaker 1>have these little they're not really spikes, but they have

0:13:23.480 --> 0:13:26.280
<v Speaker 1>these lines of things on the inside. It looked like spikes.

0:13:26.520 --> 0:13:29.240
<v Speaker 1>So then when they go into pineapple stands, they look

0:13:29.360 --> 0:13:33.840
<v Speaker 1>a little spiky. So again, lad the impale are there? Yeah, yeah,

0:13:35.720 --> 0:13:38.800
<v Speaker 1>I think that that's fascinating that you can turn yourself,

0:13:38.880 --> 0:13:42.160
<v Speaker 1>you can essentially shape shift as an animal to say

0:13:42.240 --> 0:13:45.880
<v Speaker 1>to a predator, you know, hey, watch out, or I

0:13:45.960 --> 0:13:48.360
<v Speaker 1>am not what you thought I was. And and one

0:13:48.440 --> 0:13:51.280
<v Speaker 1>of the things that I'm thinking about is the c cucumber.

0:13:51.520 --> 0:13:54.480
<v Speaker 1>Oh this is a good one, yeah, which is much

0:13:54.520 --> 0:13:58.599
<v Speaker 1>exalted in Japanese culture, and the c cucumber to me,

0:13:59.640 --> 0:14:01.439
<v Speaker 1>cuc where I can see where they got the name,

0:14:01.559 --> 0:14:04.320
<v Speaker 1>but it really looks more like a sea sausage. Yeah,

0:14:04.360 --> 0:14:06.080
<v Speaker 1>it's it's like you look at it and you can't

0:14:06.280 --> 0:14:08.560
<v Speaker 1>really tell that it's a little I don't know, it's

0:14:08.600 --> 0:14:11.079
<v Speaker 1>it's not the most vibrant of living things, you know,

0:14:11.240 --> 0:14:14.560
<v Speaker 1>it's just kind of looks kind of gross and still. Yeah,

0:14:14.679 --> 0:14:17.360
<v Speaker 1>And and it comes into a ton of varieties like that.

0:14:17.559 --> 0:14:19.520
<v Speaker 1>Some of them look like they've been oxidized, and some

0:14:19.680 --> 0:14:24.000
<v Speaker 1>of them, um look like very psychedelic with warts on them,

0:14:24.120 --> 0:14:26.760
<v Speaker 1>not warts. And they're anywhere from like under one inch

0:14:26.880 --> 0:14:30.920
<v Speaker 1>to six and a half feet in length. So in

0:14:31.160 --> 0:14:34.640
<v Speaker 1>terms of um how they're represented out there, there's a

0:14:34.720 --> 0:14:37.400
<v Speaker 1>huge variety. And not all of them do what I'm

0:14:37.400 --> 0:14:40.720
<v Speaker 1>about to talk about, but some of them have a

0:14:40.840 --> 0:14:46.240
<v Speaker 1>really interesting defense mechanism. And if you don't mind me

0:14:46.320 --> 0:14:48.000
<v Speaker 1>being so bold, I'll just get right to the point.

0:14:49.360 --> 0:14:53.960
<v Speaker 1>They can take their internal organs and jettison them from

0:14:53.960 --> 0:14:58.520
<v Speaker 1>their anus. That's and this is of course a trick

0:14:58.680 --> 0:15:01.360
<v Speaker 1>best performed when you can read inter rate said organs right,

0:15:01.440 --> 0:15:03.680
<v Speaker 1>exactly right. You don't want to lose organs unless you

0:15:03.760 --> 0:15:06.160
<v Speaker 1>can get them back in about a week to four

0:15:06.240 --> 0:15:09.160
<v Speaker 1>weeks or something like that. But the reason why I

0:15:09.200 --> 0:15:12.520
<v Speaker 1>think that is so fascinating. Is that to me? Like,

0:15:12.680 --> 0:15:15.480
<v Speaker 1>that's the ultimate bow up movement that you might have

0:15:15.760 --> 0:15:18.280
<v Speaker 1>like in a bar fight. You know, if you if

0:15:18.320 --> 0:15:20.320
<v Speaker 1>you were able to expel your internal organs for your

0:15:20.320 --> 0:15:25.080
<v Speaker 1>anus and just splat them on your opponent. I mean

0:15:26.200 --> 0:15:28.520
<v Speaker 1>to me, that's pretty intimidating. Yeah, I would think. So.

0:15:29.720 --> 0:15:31.840
<v Speaker 1>I've run across other, you know, situations where an animal

0:15:31.920 --> 0:15:35.160
<v Speaker 1>have some for response like that, Like there's um they're

0:15:35.200 --> 0:15:37.080
<v Speaker 1>like there are different animals that like to go into

0:15:37.120 --> 0:15:40.360
<v Speaker 1>a defensive posture. They either like vomit blood or they

0:15:41.080 --> 0:15:44.120
<v Speaker 1>I think there's a frog that actually um like fractures

0:15:44.200 --> 0:15:47.200
<v Speaker 1>some of its bones and like it creates compound fractures.

0:15:47.440 --> 0:15:50.040
<v Speaker 1>Yeah you know, um yeah, but any of those techniques

0:15:50.040 --> 0:15:52.400
<v Speaker 1>if you were to pull that on Marta on the

0:15:53.000 --> 0:15:55.360
<v Speaker 1>local transit system, if you were threatened, I mean, I

0:15:55.400 --> 0:15:57.680
<v Speaker 1>don't think anybody would message oh no, yeah, everybody would

0:15:57.680 --> 0:15:59.840
<v Speaker 1>move out of the car for sure. Yeah. Yeah. Have

0:16:00.120 --> 0:16:02.320
<v Speaker 1>maybe like the one person that was still asleep, Yeah,

0:16:02.840 --> 0:16:05.640
<v Speaker 1>I'm fortunate for them. But this, this uh, what's also

0:16:05.720 --> 0:16:08.880
<v Speaker 1>called the sea slug the c cucumber, is just pretty

0:16:08.960 --> 0:16:11.080
<v Speaker 1>fascinating in the sense that really does embody all those

0:16:11.120 --> 0:16:15.800
<v Speaker 1>shape shifting elements to it. It also can collapse itself,

0:16:15.920 --> 0:16:19.080
<v Speaker 1>which is really cool, the collagen fibers of it and

0:16:19.400 --> 0:16:23.880
<v Speaker 1>pretty much the liquefy itself and go through cracks. And

0:16:24.320 --> 0:16:28.600
<v Speaker 1>I mean again, that's an incredible shape shifting talent. I

0:16:28.760 --> 0:16:31.200
<v Speaker 1>love to have that. Yeah. So it's not just a

0:16:31.880 --> 0:16:35.360
<v Speaker 1>sea sausage. They're just sitting on the ocean floor. Actin

0:16:35.520 --> 0:16:38.360
<v Speaker 1>like a bottom dweller has a rich life. Yeah. And

0:16:38.440 --> 0:16:40.920
<v Speaker 1>if you think it's gross before you start messing with it,

0:16:41.040 --> 0:16:43.040
<v Speaker 1>just wait until it has to like run away. It's

0:16:43.080 --> 0:16:46.720
<v Speaker 1>gonna possibly shoot out its organs and and then turn

0:16:46.800 --> 0:16:51.280
<v Speaker 1>into a liquid. That's yeah, that's right, de materialized. Yeah,

0:16:51.280 --> 0:16:54.200
<v Speaker 1>and I was actually not I wasn't aware of before today,

0:16:54.280 --> 0:16:56.440
<v Speaker 1>just how how much of a role it apparently plays

0:16:56.440 --> 0:16:59.360
<v Speaker 1>in Japanese culture, Like I didn't know. I guess I

0:16:59.440 --> 0:17:00.960
<v Speaker 1>knew on some level that you could eat it because

0:17:00.960 --> 0:17:03.560
<v Speaker 1>I think I've seen it on menus Like, have you

0:17:03.640 --> 0:17:06.440
<v Speaker 1>ever had it anywhere? I have not. I think I

0:17:06.560 --> 0:17:08.880
<v Speaker 1>have as well seen it on menus um and I'm

0:17:08.960 --> 0:17:11.200
<v Speaker 1>thinking of Sushia. It could be completely wrong, but that's

0:17:11.240 --> 0:17:13.680
<v Speaker 1>what I'm thinking about. And I guess it's a huge

0:17:13.760 --> 0:17:16.680
<v Speaker 1>delicacy in Japan. Yeah, I think, uh, I think, you know,

0:17:16.760 --> 0:17:18.480
<v Speaker 1>I I now, I do remember where I saw it.

0:17:18.720 --> 0:17:21.560
<v Speaker 1>There's like a they're these little hot pot restaurants. It's

0:17:21.560 --> 0:17:24.719
<v Speaker 1>like a Chinese thing where you have this. It's kind

0:17:24.760 --> 0:17:28.560
<v Speaker 1>of like fon do, except you have a little pot

0:17:28.680 --> 0:17:32.159
<v Speaker 1>to cook your pile of vegetables and and one of

0:17:32.200 --> 0:17:35.160
<v Speaker 1>the meats that is available, I believe is cea cucumber. Wow.

0:17:35.359 --> 0:17:36.639
<v Speaker 1>I did not have it. A friend of mine had it,

0:17:36.680 --> 0:17:39.560
<v Speaker 1>and he I don't think he said he liked it,

0:17:39.720 --> 0:17:42.080
<v Speaker 1>but he I think he said it was interesting. And

0:17:43.040 --> 0:17:45.800
<v Speaker 1>it's uh also again referred to as sea slug. So

0:17:45.960 --> 0:17:49.280
<v Speaker 1>you've you've got sea slug fon do. Yeah, it just

0:17:49.359 --> 0:17:52.000
<v Speaker 1>doesn't it doesn't, you know, roll off the tongue is

0:17:52.680 --> 0:17:55.560
<v Speaker 1>sounding quite delicious. But that and I think it's called

0:17:55.600 --> 0:17:59.520
<v Speaker 1>sea slug because cucumber is not really translatable. Um from

0:17:59.600 --> 0:18:04.440
<v Speaker 1>Japanese East English, which I think is in the book.

0:18:05.440 --> 0:18:08.240
<v Speaker 1>What is it it called? Again, it's very it's just

0:18:08.320 --> 0:18:15.719
<v Speaker 1>oh it's called namacomo. Yeah yeah. Yeah. Because we are

0:18:15.760 --> 0:18:18.520
<v Speaker 1>in researching this, we both ran across the same book. Um,

0:18:18.880 --> 0:18:22.040
<v Speaker 1>there's a it's called Risey Sea Slugs by Robin D.

0:18:22.359 --> 0:18:27.520
<v Speaker 1>Gil and h it is a book about sea slug haiku.

0:18:28.000 --> 0:18:32.360
<v Speaker 1>There are one thousand hi q about sea slugs. See

0:18:32.440 --> 0:18:34.040
<v Speaker 1>that's just I mean, I really had to look at

0:18:34.040 --> 0:18:35.600
<v Speaker 1>it against them, like this is a joke. This is

0:18:35.920 --> 0:18:38.639
<v Speaker 1>some joke entry on Amazon, like back in the day

0:18:38.640 --> 0:18:41.000
<v Speaker 1>when people would put fake movies on IMDb, Like this

0:18:41.119 --> 0:18:43.399
<v Speaker 1>is just somebody's making this up. But it's it's legit.

0:18:43.480 --> 0:18:46.119
<v Speaker 1>It's like they're that important in uh, you know, in

0:18:46.840 --> 0:18:50.000
<v Speaker 1>in understanding like Japanese culture. Yeah, they're that celebrated. And

0:18:50.160 --> 0:18:53.320
<v Speaker 1>what I like about is that the sections are defined

0:18:53.400 --> 0:18:56.760
<v Speaker 1>by its various traits I guess as as we humans

0:18:56.800 --> 0:19:00.560
<v Speaker 1>see it. And a couple of sections are um in

0:19:00.640 --> 0:19:05.920
<v Speaker 1>the order of scatological, uh, melancholy. Um. There are a

0:19:05.920 --> 0:19:09.760
<v Speaker 1>couple other ones in there, but you have to understand

0:19:09.840 --> 0:19:12.960
<v Speaker 1>that um. The book is not only just celebrating the

0:19:13.080 --> 0:19:16.439
<v Speaker 1>humble c cucumber, but it's also sort of talking about

0:19:17.520 --> 0:19:22.080
<v Speaker 1>of the culture itself and how it is expressing itself

0:19:22.200 --> 0:19:24.960
<v Speaker 1>through its love of the sea slug. Yeah, like there

0:19:25.080 --> 0:19:27.520
<v Speaker 1>was and this makes perfect sense now that I you know,

0:19:27.800 --> 0:19:29.639
<v Speaker 1>once I've I've read it. But there's a point in

0:19:29.640 --> 0:19:32.800
<v Speaker 1>the book where they're talking about comparisons between this act

0:19:32.920 --> 0:19:36.240
<v Speaker 1>of aversion that the c that the c cucumber performs

0:19:36.280 --> 0:19:40.719
<v Speaker 1>with its guts, comparing that to the like the traditional um,

0:19:40.880 --> 0:19:44.600
<v Speaker 1>you know, samurai act of sefuku um and maybe saying

0:19:44.640 --> 0:19:47.520
<v Speaker 1>that wrong and then the westernized version of that is

0:19:47.560 --> 0:19:50.960
<v Speaker 1>what Harry carry um and you know, so there are

0:19:50.960 --> 0:19:54.679
<v Speaker 1>obvious similarities between you know, this this creature expelling its

0:19:54.880 --> 0:19:59.040
<v Speaker 1>organs to escape of you know, danger, comparing that to say,

0:19:59.119 --> 0:20:03.560
<v Speaker 1>a shame you know samurai if somebody you know, basically

0:20:03.680 --> 0:20:09.560
<v Speaker 1>visrating themselves with a knife in order to save face. Yeah, yeah,

0:20:09.600 --> 0:20:12.119
<v Speaker 1>so yes, that's the honor thing is a very interesting

0:20:12.240 --> 0:20:14.840
<v Speaker 1>to bring up and to relate that back. Do you

0:20:14.880 --> 0:20:18.240
<v Speaker 1>have one of the hiku a translation of the hiku? Yes, idea,

0:20:18.320 --> 0:20:19.760
<v Speaker 1>I hope, Well you have to read that so people

0:20:19.760 --> 0:20:23.720
<v Speaker 1>will get Well, this one is from seventy one, and

0:20:23.800 --> 0:20:26.600
<v Speaker 1>I feel like it's still very relatable now. And it

0:20:26.800 --> 0:20:31.000
<v Speaker 1>is from a writer whose name was Joe and I'm

0:20:31.040 --> 0:20:35.040
<v Speaker 1>pronouncing that right. And it is a few drinks and

0:20:35.200 --> 0:20:40.640
<v Speaker 1>I am a cea slug out of water. Oh that's

0:20:40.680 --> 0:20:45.160
<v Speaker 1>that's that's actually really pretty yeah. And also I feel like, uh,

0:20:45.400 --> 0:20:49.639
<v Speaker 1>in terms of of our predilection for maybe over extending

0:20:49.680 --> 0:20:53.080
<v Speaker 1>ourselves with libations. It's it's still rings true today. There

0:20:53.119 --> 0:20:55.399
<v Speaker 1>are times when after a few drinks, I feel that

0:20:55.520 --> 0:20:57.920
<v Speaker 1>I am out of water as well. Well, some of

0:20:57.960 --> 0:21:01.320
<v Speaker 1>the ones I found we're a little more grotesque. Um

0:21:01.680 --> 0:21:05.680
<v Speaker 1>like this is one here, life's hard, no doubt. Sea

0:21:05.720 --> 0:21:10.000
<v Speaker 1>slugs end up inside out. I love it. Oh and

0:21:10.080 --> 0:21:12.680
<v Speaker 1>then there's this one sea slugs their guts are made

0:21:13.200 --> 0:21:19.159
<v Speaker 1>to swim one days. It's a reminder. Yeah, and of

0:21:19.200 --> 0:21:21.639
<v Speaker 1>course these are translations, so we can't really experience the

0:21:21.680 --> 0:21:27.000
<v Speaker 1>true beauty of of you know, C cucumber aversion poetry. No, no,

0:21:27.560 --> 0:21:29.160
<v Speaker 1>but I would say that. I mean, the holidays are

0:21:29.160 --> 0:21:31.800
<v Speaker 1>coming up, so got a herrine biologist in your family?

0:21:31.920 --> 0:21:34.119
<v Speaker 1>I think that you just found their present. Yeah, I

0:21:34.119 --> 0:21:36.679
<v Speaker 1>think Amazon has one copy left, so jumped to it. Yea,

0:21:36.800 --> 0:21:40.560
<v Speaker 1>get on it. Yeah. So, I mean the thing about

0:21:40.640 --> 0:21:44.960
<v Speaker 1>the c cucumbers is that we see this as a phenomenon.

0:21:45.320 --> 0:21:49.359
<v Speaker 1>This inside out is something in nature. What about in

0:21:50.920 --> 0:21:56.200
<v Speaker 1>terms of injuries, something self inflicted or even in pop culture? Um, well, yeah,

0:21:56.280 --> 0:21:58.080
<v Speaker 1>it's one of those things where like the first thing

0:21:58.160 --> 0:22:00.159
<v Speaker 1>that incident comes to mind for me when I think

0:22:00.200 --> 0:22:02.720
<v Speaker 1>of something that could actually turn you inside out. Oh, which,

0:22:02.760 --> 0:22:06.440
<v Speaker 1>by the way, another instance of a child's children's story

0:22:06.520 --> 0:22:09.440
<v Speaker 1>featuring inside out things. How to Train Your Dragon, there's

0:22:09.480 --> 0:22:12.119
<v Speaker 1>mention of a dragon that turns people inside out, so

0:22:12.520 --> 0:22:15.080
<v Speaker 1>which it's a great movie, but it's like these like

0:22:15.200 --> 0:22:16.800
<v Speaker 1>that was just the other day, like after I had

0:22:17.040 --> 0:22:19.080
<v Speaker 1>researched the podcast some and then I saw that movie

0:22:19.080 --> 0:22:20.520
<v Speaker 1>and I'm like, whoa, this is all over the place.

0:22:20.600 --> 0:22:23.439
<v Speaker 1>People can't get enough of inside out things for children.

0:22:23.760 --> 0:22:26.480
<v Speaker 1>It's embedded in our subconscious. There's also Slim Good Buddy,

0:22:26.560 --> 0:22:29.959
<v Speaker 1>who I'm kind of on the fence, whether that's inside

0:22:30.000 --> 0:22:32.000
<v Speaker 1>out this or just a dude in a suit we've

0:22:32.000 --> 0:22:34.399
<v Speaker 1>gouts on the front of it. You remember Slim Good No, no,

0:22:34.480 --> 0:22:36.719
<v Speaker 1>I can't tell me about something. Oh god, he's um.

0:22:37.560 --> 0:22:39.879
<v Speaker 1>I believe he's Canadian. Could be wrong on that, but

0:22:40.080 --> 0:22:42.800
<v Speaker 1>he's a Slim Good Bodies like a TV personality, and

0:22:42.880 --> 0:22:44.959
<v Speaker 1>he was like generally you think of like the classic

0:22:45.000 --> 0:22:46.879
<v Speaker 1>Slim Good body where he's got like kind of like

0:22:47.000 --> 0:22:48.960
<v Speaker 1>he's got kind of like curly hair, and he was

0:22:49.200 --> 0:22:52.200
<v Speaker 1>this like spandex body suit with all of the organs

0:22:52.320 --> 0:22:54.920
<v Speaker 1>painted on the outside and he like talks to kids

0:22:55.000 --> 0:22:57.800
<v Speaker 1>about like the importance of like eating healthy and you know,

0:22:57.800 --> 0:23:00.240
<v Speaker 1>like the guy still travels around the day. Yeah, yes,

0:23:00.320 --> 0:23:03.040
<v Speaker 1>I know, yes, yeah yeah, And so that's basically his

0:23:03.119 --> 0:23:06.440
<v Speaker 1>whole stick is, you know, educating children about you know

0:23:06.520 --> 0:23:08.919
<v Speaker 1>the importance of health and you know that taking care

0:23:08.920 --> 0:23:11.440
<v Speaker 1>of your insides. Wow, there's gonna be one kid that

0:23:11.560 --> 0:23:14.920
<v Speaker 1>just freaked out, you know, and he's saw him come

0:23:15.000 --> 0:23:19.120
<v Speaker 1>to a school. It was like your organs running outside. Yeah,

0:23:19.200 --> 0:23:21.480
<v Speaker 1>And I think I've I've seen parodies before where like

0:23:21.520 --> 0:23:23.560
<v Speaker 1>people have done costumes where it's like Slim Bad Body,

0:23:23.920 --> 0:23:26.320
<v Speaker 1>where they like show like you know, organs that have

0:23:26.440 --> 0:23:29.680
<v Speaker 1>been like like the lungs are all blackened from smoking

0:23:29.760 --> 0:23:33.840
<v Speaker 1>and things like like a huge momentum. Yeah, but outside

0:23:33.880 --> 0:23:35.840
<v Speaker 1>of Slo good like Slim Good Body, again, I don't

0:23:35.840 --> 0:23:37.800
<v Speaker 1>I don't necessarily think he was actually inside out. I

0:23:37.840 --> 0:23:39.240
<v Speaker 1>think you just had a suit with cuts on it.

0:23:39.720 --> 0:23:42.360
<v Speaker 1>But but the the thing and instantly comes to mind

0:23:42.480 --> 0:23:45.720
<v Speaker 1>is like, you know, like rapid depressurization like in a

0:23:45.920 --> 0:23:47.639
<v Speaker 1>like in an airplane or you know, it's like it's

0:23:47.680 --> 0:23:51.679
<v Speaker 1>always happening in space movies, but it's it's rarely. Um

0:23:52.000 --> 0:23:54.399
<v Speaker 1>all that accurate. So I mean, are you talking more

0:23:54.480 --> 0:23:57.400
<v Speaker 1>like suction or for something sally force and then also

0:23:57.520 --> 0:24:00.399
<v Speaker 1>just like you know pressures, you know, the outside pressure

0:24:00.520 --> 0:24:04.200
<v Speaker 1>changing and then destabilizing pressures inside the body. Um. Like

0:24:04.480 --> 0:24:06.960
<v Speaker 1>there's a film called Outland that came back out in

0:24:07.040 --> 0:24:09.880
<v Speaker 1>the seventies. I believe it's like a Sean Connery western

0:24:09.960 --> 0:24:12.320
<v Speaker 1>in space, and it was one of these where people

0:24:12.320 --> 0:24:15.080
<v Speaker 1>would like float out into you know, into the void

0:24:15.200 --> 0:24:17.720
<v Speaker 1>without their helmet on and their head would explode, you know,

0:24:17.840 --> 0:24:19.879
<v Speaker 1>like a balloon. Uh. And I think I think that

0:24:19.960 --> 0:24:21.800
<v Speaker 1>happened in total recall as well, but you know, it's

0:24:21.840 --> 0:24:26.000
<v Speaker 1>like it's things wouldn't really happen like that. I believe

0:24:26.040 --> 0:24:28.240
<v Speaker 1>the Air Force conducted some some tests, um and you

0:24:28.280 --> 0:24:30.800
<v Speaker 1>can find them results of it online where they took

0:24:30.880 --> 0:24:33.800
<v Speaker 1>some salmon and uh and expose them to you know,

0:24:33.960 --> 0:24:37.959
<v Speaker 1>rapid depressurreization, and they they did not turn inside out,

0:24:38.000 --> 0:24:40.600
<v Speaker 1>because that's just silly, but but they did there was

0:24:40.720 --> 0:24:45.200
<v Speaker 1>like some stomach aversion like through like holes. So so yeah,

0:24:45.240 --> 0:24:48.320
<v Speaker 1>it's it's the depression ization can cause some aversion, but

0:24:48.400 --> 0:24:50.720
<v Speaker 1>it's not the kind of thing would turn the inside out. Okay,

0:24:50.960 --> 0:24:53.120
<v Speaker 1>I'm also thinking to you about some of the horrible

0:24:54.000 --> 0:24:56.640
<v Speaker 1>urban myths that I've heard about before, and I'm thinking

0:24:56.720 --> 0:24:59.920
<v Speaker 1>about like, oh good, I'm not gonna say this. Yeah,

0:25:00.040 --> 0:25:03.600
<v Speaker 1>like airplane toilets section. I mean I think that you

0:25:03.680 --> 0:25:06.639
<v Speaker 1>can probably figure out yeah, that kind of stuff, um,

0:25:06.920 --> 0:25:09.879
<v Speaker 1>you know, without like going into an actual like you know,

0:25:10.040 --> 0:25:12.639
<v Speaker 1>case by case, you know, Snopes esque, and you know,

0:25:12.760 --> 0:25:16.000
<v Speaker 1>analysis of the stories. It's like even even that at

0:25:16.040 --> 0:25:19.920
<v Speaker 1>the most, you know, any kind of like um, you know,

0:25:20.040 --> 0:25:23.560
<v Speaker 1>pressure based injury, um is going to just I think

0:25:23.600 --> 0:25:27.320
<v Speaker 1>result in in like a pro lapse or a version

0:25:27.520 --> 0:25:29.959
<v Speaker 1>of organs. But right, if they're not gonna get sucked out,

0:25:30.000 --> 0:25:31.800
<v Speaker 1>I mean, if you're gonna sit on a toilet, see,

0:25:31.880 --> 0:25:33.639
<v Speaker 1>I mean, the odds are that the section that you

0:25:33.680 --> 0:25:38.400
<v Speaker 1>would create wouldn't be nearly strong enough to even lend

0:25:38.440 --> 0:25:42.560
<v Speaker 1>itself to creating yeah, in evacuation of your bells, right,

0:25:42.680 --> 0:25:45.800
<v Speaker 1>so to speak. Again, Yeah, this is and this is

0:25:45.880 --> 0:25:47.880
<v Speaker 1>also a topic where we could we could go into

0:25:47.960 --> 0:25:50.000
<v Speaker 1>more detail about all this. But well, if you're really

0:25:50.040 --> 0:25:52.399
<v Speaker 1>that interested, there's some you know, you can do some

0:25:52.480 --> 0:25:55.560
<v Speaker 1>more research on line. But we're good in trouble if

0:25:55.560 --> 0:25:57.520
<v Speaker 1>we get into it too. Yeah, I think I feel

0:25:57.560 --> 0:26:00.879
<v Speaker 1>like we're we've entered into the zone. Yeah, yeah, but

0:26:01.040 --> 0:26:03.399
<v Speaker 1>one more, it's like again, going all the way around

0:26:03.440 --> 0:26:05.920
<v Speaker 1>on the swing set will not turn you inside out, No,

0:26:06.200 --> 0:26:09.480
<v Speaker 1>it will not. It may make you vomit, but you

0:26:09.600 --> 0:26:14.080
<v Speaker 1>will not turn inside out. It will scare any adults viewing,

0:26:14.640 --> 0:26:18.159
<v Speaker 1>and children could be more of it. Yeah, we're not abdicating. Well,

0:26:18.200 --> 0:26:19.879
<v Speaker 1>I think you do. You do get a certain so,

0:26:20.000 --> 0:26:21.359
<v Speaker 1>I mean I never I was never the type of

0:26:21.440 --> 0:26:23.360
<v Speaker 1>child to even attempt that. But like the kids who

0:26:23.359 --> 0:26:25.080
<v Speaker 1>would go really high in the swing set, like, that's

0:26:25.160 --> 0:26:29.560
<v Speaker 1>instant cred right, I mean that's oh yeah, yeah again.

0:26:29.640 --> 0:26:31.800
<v Speaker 1>I mean I guess that is the kid equivalent of

0:26:32.480 --> 0:26:36.040
<v Speaker 1>just ejecting your your internal organs and spotting them on

0:26:36.119 --> 0:26:38.840
<v Speaker 1>someone else's. That the metaphorical like, don't mess with me

0:26:39.520 --> 0:26:44.440
<v Speaker 1>on this playground, kid. Well, well, on that note, we

0:26:44.560 --> 0:26:46.040
<v Speaker 1>did you I do? Yeah, we did you? I do.

0:26:46.520 --> 0:26:50.639
<v Speaker 1>If if you have any interesting tidbits about things turning

0:26:50.640 --> 0:26:53.480
<v Speaker 1>inside out, either in your life or in fiction or

0:26:53.520 --> 0:26:55.440
<v Speaker 1>in the realm of science, we may have missed something

0:26:55.560 --> 0:26:58.800
<v Speaker 1>really awesome example from the biological world, let us know.

0:26:59.240 --> 0:27:01.399
<v Speaker 1>Oh and if you have your own high qu to

0:27:01.520 --> 0:27:04.360
<v Speaker 1>share with us, please we want to hear it. Yes,

0:27:04.640 --> 0:27:07.480
<v Speaker 1>but only if it's about thanks turning inside out, and

0:27:07.720 --> 0:27:15.440
<v Speaker 1>that could be anything. Thanks for listening. For more on

0:27:15.560 --> 0:27:18.040
<v Speaker 1>this and thousands of other topics, is it how stuff

0:27:18.040 --> 0:27:21.119
<v Speaker 1>works dot com. The How stuff Works dot Com I

0:27:21.200 --> 0:27:24.040
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0:27:33.640 --> 0:27:34.760
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