1 00:00:00,560 --> 00:00:02,760 Speaker 1: Ridiculous Crime is a production of iHeartRadio. 2 00:00:03,920 --> 00:00:08,840 Speaker 2: Elizabeth Dunton Saron Brunette got a question for you, my friend, Yes, ma'am, 3 00:00:09,320 --> 00:00:10,600 Speaker 2: do you know what's ridiculous? 4 00:00:11,320 --> 00:00:11,520 Speaker 3: Yeah? 5 00:00:11,560 --> 00:00:11,760 Speaker 4: I do. 6 00:00:12,560 --> 00:00:15,240 Speaker 2: Okay, Well I'm sitting over here, just honestly. 7 00:00:15,280 --> 00:00:21,080 Speaker 3: I will let you know. Okay, So I like jokesters, tricksters. 8 00:00:21,680 --> 00:00:26,119 Speaker 3: The ultimate trickster is what one art historian called this artist, 9 00:00:26,480 --> 00:00:31,360 Speaker 3: Jen's Haunting. And he's from He lives in Copenhagen. All right, 10 00:00:31,640 --> 00:00:35,720 Speaker 3: he's a conceptual artist. He does like big sculptures. And 11 00:00:36,520 --> 00:00:39,000 Speaker 3: he had this one I head a thing about like 12 00:00:39,080 --> 00:00:42,640 Speaker 3: a sound piece where Turks told jokes in their native 13 00:00:42,720 --> 00:00:44,640 Speaker 3: language and then they played it in a public square 14 00:00:44,680 --> 00:00:48,279 Speaker 3: in Oslo. Okay, yeah, okay, you see where I'm going 15 00:00:48,320 --> 00:00:51,199 Speaker 3: with this anyway, this is not a mashup. 16 00:00:51,360 --> 00:00:57,120 Speaker 2: Ps God, yeah, Bert I can cry if I want to. 17 00:00:57,960 --> 00:00:59,880 Speaker 3: We we did actually get a lot of tips off 18 00:00:59,880 --> 00:01:03,520 Speaker 3: on this, but it's a good art kind of mini heist. 19 00:01:04,240 --> 00:01:08,240 Speaker 3: Where so this this haunting, he'd done a piece before 20 00:01:08,360 --> 00:01:14,840 Speaker 3: that had currency on it, money, and so a museum 21 00:01:15,240 --> 00:01:19,080 Speaker 3: gave him money to create two works with banknotes featured 22 00:01:19,080 --> 00:01:23,319 Speaker 3: all over these canvases. It was supposed to have four 23 00:01:23,400 --> 00:01:27,160 Speaker 3: hundred and ninety two five hundred and forty nine kroner, 24 00:01:27,840 --> 00:01:30,440 Speaker 3: which is equivalent to little, you know, sixty nine thousand 25 00:01:30,520 --> 00:01:34,720 Speaker 3: ballparking dollars, which is the average annual salary in Denmark. 26 00:01:34,760 --> 00:01:36,680 Speaker 3: And he was supposed to put it on this canvas 27 00:01:36,760 --> 00:01:39,000 Speaker 3: and oh my gosh, what a statement, and look at 28 00:01:39,000 --> 00:01:42,399 Speaker 3: this is what we make. So he goes. He goes though, 29 00:01:42,440 --> 00:01:44,200 Speaker 3: he's like, yeah, hold on, let me just work on this. 30 00:01:44,280 --> 00:01:44,640 Speaker 4: I love that. 31 00:01:44,720 --> 00:01:46,119 Speaker 2: Let me work with this, right, and he. 32 00:01:46,240 --> 00:01:49,240 Speaker 3: Drives up in his little scooter whatever, scoot scoot. He 33 00:01:49,320 --> 00:01:53,560 Speaker 3: toodles up and walks in with two blank canvases and 34 00:01:53,680 --> 00:01:55,720 Speaker 3: is like, here are my pieces. And he said, they 35 00:01:55,760 --> 00:01:57,720 Speaker 3: said what and he said yeah, they're called take the 36 00:01:57,720 --> 00:02:00,600 Speaker 3: money and run. Oh yes, I heard of the just 37 00:02:00,640 --> 00:02:01,559 Speaker 3: gave him blank ones. 38 00:02:01,640 --> 00:02:03,600 Speaker 2: I love this. He's like, I spent the money. Yeah, right, 39 00:02:03,640 --> 00:02:04,440 Speaker 2: there you go art. 40 00:02:04,520 --> 00:02:07,840 Speaker 3: So that the museum was like, not funny, seriously, where's 41 00:02:07,840 --> 00:02:09,560 Speaker 3: the art. He's like, not funny, this is art. 42 00:02:09,639 --> 00:02:12,600 Speaker 2: This is it. And so U say, Marcel, do this 43 00:02:12,639 --> 00:02:12,880 Speaker 2: is it? 44 00:02:12,960 --> 00:02:15,400 Speaker 3: They said, we're supposed to turn back, like we're supposed 45 00:02:15,400 --> 00:02:17,079 Speaker 3: to get this money back, like we're going to be 46 00:02:17,080 --> 00:02:18,840 Speaker 3: able to take it off the canvases when. 47 00:02:18,680 --> 00:02:20,160 Speaker 2: This I didn't see that in the paperwork. 48 00:02:20,320 --> 00:02:23,000 Speaker 3: Yeah, So they took him to court and the court 49 00:02:23,080 --> 00:02:26,200 Speaker 3: said that he could keep forty thousand of those kroner 50 00:02:26,280 --> 00:02:28,440 Speaker 3: because that was what they were supposed to pay him. 51 00:02:28,440 --> 00:02:30,880 Speaker 3: But he had to give everything back and he's now 52 00:02:30,919 --> 00:02:33,600 Speaker 3: appealing it because he's like it is but art. 53 00:02:34,400 --> 00:02:36,880 Speaker 2: Who's to say it was conceptual art? 54 00:02:37,120 --> 00:02:39,720 Speaker 3: Yeah? That was my concept is I took your money 55 00:02:39,760 --> 00:02:43,400 Speaker 3: and a ran and that, my friend, is ridiculous. 56 00:02:43,400 --> 00:02:45,880 Speaker 2: Oh my god, that's super ridiculous. That is thank you 57 00:02:45,960 --> 00:02:46,600 Speaker 2: laid one. 58 00:02:46,440 --> 00:02:46,880 Speaker 5: Up for me. 59 00:02:47,240 --> 00:02:49,520 Speaker 2: Well, if you got a second, I got one for you. Yes, 60 00:02:50,200 --> 00:02:52,720 Speaker 2: this story, it is wild. Are you ready to have 61 00:02:52,760 --> 00:02:55,200 Speaker 2: your mind the flippid all the time? Yeah, because this 62 00:02:55,280 --> 00:02:58,280 Speaker 2: is a story of how and why cocaine became the thing. 63 00:02:58,960 --> 00:03:02,480 Speaker 2: What Yeah, it's with this story, okay, elzb that comes 64 00:03:02,480 --> 00:03:06,480 Speaker 2: down to three iconic names, two brands, and a man. Okay, yeah. 65 00:03:06,560 --> 00:03:08,680 Speaker 2: Now what's when I was doing the research on this, 66 00:03:08,720 --> 00:03:11,440 Speaker 2: Well was truly wild is how these three and their 67 00:03:11,520 --> 00:03:16,040 Speaker 2: relationships to cocaine it changed not just recreational drug use forever, 68 00:03:16,360 --> 00:03:19,320 Speaker 2: but also how you and I and we mister and 69 00:03:19,320 --> 00:03:21,200 Speaker 2: Missus America and all the ships to see how we 70 00:03:21,240 --> 00:03:24,840 Speaker 2: think about ourselves and others? Oh yeah, did you know 71 00:03:24,880 --> 00:03:27,119 Speaker 2: that we can blame cocaine for the rise of Freudian 72 00:03:27,160 --> 00:03:28,920 Speaker 2: analysis and talk therapy? What? 73 00:03:29,919 --> 00:03:49,000 Speaker 6: Okay? 74 00:03:50,240 --> 00:03:54,680 Speaker 2: This is Ridiculous Crime, a podcast about absurd and outrageous capers, heists, 75 00:03:54,680 --> 00:03:57,520 Speaker 2: and cons. It's always ninety nine percent murder free and 76 00:03:58,360 --> 00:04:01,400 Speaker 2: one hundred percent ridiculous. 77 00:04:02,000 --> 00:04:04,600 Speaker 3: You are correct, Elizabeth Zaren, all. 78 00:04:04,600 --> 00:04:07,240 Speaker 2: Right, for reasons that make perfect sense. When we've discussed 79 00:04:07,600 --> 00:04:09,240 Speaker 2: cocaine comes up a lot in the show. 80 00:04:09,560 --> 00:04:10,320 Speaker 3: Yeah, I guess. 81 00:04:12,800 --> 00:04:15,600 Speaker 2: It's often of a ridiculous crime is because it inspires 82 00:04:15,680 --> 00:04:16,560 Speaker 2: ridiculous egos. 83 00:04:16,560 --> 00:04:20,960 Speaker 3: It's just fuels ridiculous crimes. It's a subject as a 84 00:04:21,000 --> 00:04:22,320 Speaker 3: target of crimes. 85 00:04:22,360 --> 00:04:25,240 Speaker 2: Yeah, it's both a motivator and the target. Yeah yeah, 86 00:04:25,360 --> 00:04:29,280 Speaker 2: So why did we start sniffing that demon white pattern. 87 00:04:30,000 --> 00:04:33,040 Speaker 2: I'm gonna tell you. They simply put the reason why 88 00:04:33,080 --> 00:04:35,760 Speaker 2: people do coke recreationally. It comes down to three names 89 00:04:35,800 --> 00:04:38,800 Speaker 2: that you know, you already know these folks, Sigmund Freud, 90 00:04:39,400 --> 00:04:44,039 Speaker 2: Coca Cola, and Sherlock Holms. Charlotte Okay said, like I said, 91 00:04:44,040 --> 00:04:44,960 Speaker 2: two brands and a man. 92 00:04:45,240 --> 00:04:48,760 Speaker 3: Okay, let's start with a brand, a man, and a 93 00:04:48,760 --> 00:04:49,559 Speaker 3: fictional man. 94 00:04:49,640 --> 00:04:51,719 Speaker 2: Sure, but Charlotte Colmes at this point is a brand. Okay, 95 00:04:51,839 --> 00:04:52,640 Speaker 2: I'm stretching it. 96 00:04:52,720 --> 00:04:55,120 Speaker 3: Well, then two brands and okay this, No, I. 97 00:04:55,120 --> 00:04:56,920 Speaker 2: Got it, a brand, a man and a fictional man. 98 00:04:57,040 --> 00:04:57,920 Speaker 3: Okay, I like it better. 99 00:04:57,960 --> 00:05:00,680 Speaker 2: Okay, I'll start with the first one. Up coke as 100 00:05:00,760 --> 00:05:03,279 Speaker 2: in Coca cola. Let's separate the fact from the fiction, 101 00:05:03,440 --> 00:05:06,880 Speaker 2: legend from the myth and uh also the coke from 102 00:05:06,920 --> 00:05:09,680 Speaker 2: the Kuba lever Now, Elizabeth, you ever heard of the 103 00:05:09,760 --> 00:05:11,719 Speaker 2: drink von Matriani? 104 00:05:12,600 --> 00:05:12,800 Speaker 3: No? 105 00:05:12,960 --> 00:05:15,400 Speaker 2: You ever heard of Queen Victoria? Not the cruise ship 106 00:05:15,440 --> 00:05:15,719 Speaker 2: the woman? 107 00:05:15,920 --> 00:05:17,479 Speaker 3: Yeah, okay, we go way back. 108 00:05:17,760 --> 00:05:18,839 Speaker 2: What about Thomas Edison? 109 00:05:19,040 --> 00:05:19,640 Speaker 3: I know of him? 110 00:05:19,720 --> 00:05:23,240 Speaker 2: Ulysses S. Grant, Yes, you like to read? Yes, you 111 00:05:23,320 --> 00:05:26,560 Speaker 2: like the playwright Heinri Gibson. Yes, what about Jules Verne? 112 00:05:26,880 --> 00:05:27,240 Speaker 3: Yes? 113 00:05:27,400 --> 00:05:30,120 Speaker 2: Okay, you're also a former Catholic. So you ever heard 114 00:05:30,160 --> 00:05:31,520 Speaker 2: of Pope Leo the thirteenth? 115 00:05:31,600 --> 00:05:31,920 Speaker 3: Yes? 116 00:05:32,160 --> 00:05:33,960 Speaker 2: Can you guess what all of these folks have. 117 00:05:35,720 --> 00:05:36,640 Speaker 3: Little sniffers? 118 00:05:36,880 --> 00:05:39,880 Speaker 2: No, they all publicly exclaimed the virtues of drinking red 119 00:05:39,920 --> 00:05:44,360 Speaker 2: wine laced with cocaine. Oh god, yeah, the Holy Roman Father, 120 00:05:44,400 --> 00:05:46,599 Speaker 2: Pope Leo the thirteenth. He was a particularly big fan. 121 00:05:46,839 --> 00:05:50,000 Speaker 2: He said that Juan Marianni, the brand name for Cocaine 122 00:05:50,080 --> 00:05:52,640 Speaker 2: red wine, was perfect for those times when quote, when 123 00:05:52,680 --> 00:05:53,760 Speaker 2: prayer was insufficient. 124 00:05:54,600 --> 00:05:58,120 Speaker 3: Wait, okay, stop, okay, So he just still sprinkle me, 125 00:05:58,200 --> 00:05:59,920 Speaker 3: sprinkle me into the red wine. 126 00:06:00,200 --> 00:06:01,960 Speaker 2: And he's like, Jesus makes better wine. 127 00:06:02,120 --> 00:06:04,840 Speaker 3: Is like this, this is I can do anything now. 128 00:06:04,920 --> 00:06:05,600 Speaker 2: Yeah exactly. 129 00:06:05,680 --> 00:06:07,679 Speaker 3: He's like, this is a nightmare. 130 00:06:08,200 --> 00:06:11,200 Speaker 2: So what about old Tommy Edison. He was also a 131 00:06:11,200 --> 00:06:13,320 Speaker 2: big fan of cocaine wine. He was like, look, the 132 00:06:13,360 --> 00:06:16,599 Speaker 2: electric lightbel ain't gonna invent itself. Daddy needs his cocaine wine. 133 00:06:16,600 --> 00:06:19,200 Speaker 3: Cocaine I'm not. I'm not familiar with cocaine wine. 134 00:06:19,279 --> 00:06:19,600 Speaker 7: I know. 135 00:06:19,880 --> 00:06:21,159 Speaker 3: Again, that's terrifying. 136 00:06:21,880 --> 00:06:25,600 Speaker 2: Also another big fan former Civil War General US President 137 00:06:25,680 --> 00:06:28,960 Speaker 2: Ulysses As Grant. He was a vall merryani man as well. 138 00:06:29,000 --> 00:06:31,680 Speaker 2: Grant known to be a drinker. He at the end 139 00:06:31,680 --> 00:06:34,120 Speaker 2: of his life when he's writing his memoirs, he tasted 140 00:06:34,160 --> 00:06:36,240 Speaker 2: some of this cocaine lace wine. He's like, we're gonna 141 00:06:36,279 --> 00:06:37,240 Speaker 2: get a barrel of this stuff. 142 00:06:37,360 --> 00:06:39,120 Speaker 3: And it was always red wine. Doesn't you think it 143 00:06:39,120 --> 00:06:41,000 Speaker 3: would make sense to put it in white wine. 144 00:06:41,720 --> 00:06:43,800 Speaker 2: Uh, if you were right, Yeah, if you're dumping like 145 00:06:43,839 --> 00:06:45,520 Speaker 2: just straight powdered. 146 00:06:45,920 --> 00:06:48,400 Speaker 3: And also just the vibe of a buttery shard. 147 00:06:48,320 --> 00:06:53,200 Speaker 2: Yeah, smooth buttery shard. So you have all these incredible endorsements, right, 148 00:06:53,240 --> 00:06:57,200 Speaker 2: You got luminaries, queens, popes, writers, actresses like Sarah Barnhardt, 149 00:06:57,240 --> 00:07:00,880 Speaker 2: the big actress of the nineteenth century. Ers, you know, 150 00:07:01,160 --> 00:07:04,599 Speaker 2: war heroes. Everybody is saying, you gotta dry this cocaine wine. 151 00:07:04,720 --> 00:07:04,880 Speaker 5: Right. 152 00:07:04,960 --> 00:07:08,120 Speaker 2: It becomes a publicity gold mine. And it also launched 153 00:07:08,200 --> 00:07:09,159 Speaker 2: a cocaine craze. 154 00:07:09,160 --> 00:07:11,480 Speaker 3: It was like the four Loco of the day exactly. 155 00:07:11,520 --> 00:07:14,000 Speaker 2: This was the first cocaine craze. It starts out based 156 00:07:14,000 --> 00:07:17,520 Speaker 2: on this one humble, little scientific journal paper. Right. So 157 00:07:17,840 --> 00:07:20,679 Speaker 2: back in eighteen fifty nine, there was this chemist, Friedrich Wohler, 158 00:07:20,840 --> 00:07:23,960 Speaker 2: and he isolated the active ingredient in the coca leaf. Now, 159 00:07:24,280 --> 00:07:28,160 Speaker 2: that same year, an Italian scientist Paolo Mantegayza, he wrote 160 00:07:28,160 --> 00:07:31,040 Speaker 2: a paper about this strange South American plant called cocaine. 161 00:07:31,040 --> 00:07:35,240 Speaker 2: It's isolate cocaine. He was astounded with the potential for medicines. 162 00:07:35,280 --> 00:07:36,760 Speaker 2: He's like, oh, you can do everything with this stuff. 163 00:07:36,760 --> 00:07:40,200 Speaker 2: It's amazing. Right, French chemist. He reads this Italian scientist 164 00:07:40,240 --> 00:07:42,400 Speaker 2: paper about the coca plant and all of his medicinal 165 00:07:42,400 --> 00:07:45,840 Speaker 2: properties gives him ideas. He thinks to himself, what if 166 00:07:46,120 --> 00:07:47,680 Speaker 2: what if I were to pour some of this coca 167 00:07:47,760 --> 00:07:50,520 Speaker 2: into my wine? Huh so, and that Elizabeth was the 168 00:07:50,560 --> 00:07:54,000 Speaker 2: invention of the French dish coca van No, no, it's 169 00:07:55,200 --> 00:07:58,320 Speaker 2: chicken heay? Whatever is is with his idea? What if 170 00:07:58,320 --> 00:08:00,600 Speaker 2: it dumps of this cocain too? My revant? He was 171 00:08:00,640 --> 00:08:04,360 Speaker 2: like that became the brainchild of the French chemist Angelo Marianni. 172 00:08:04,680 --> 00:08:08,360 Speaker 2: So for his new beverage, he selected a fine Bordeaux wine, 173 00:08:08,520 --> 00:08:11,640 Speaker 2: a smart red with an earthy nose, and he laced 174 00:08:11,640 --> 00:08:15,520 Speaker 2: it with six milligrams of coca leaf per ounce of wine. 175 00:08:16,160 --> 00:08:18,520 Speaker 2: Oh yes, per ounce? 176 00:08:19,120 --> 00:08:19,400 Speaker 6: What? 177 00:08:19,600 --> 00:08:21,600 Speaker 2: And thus von Marianni. 178 00:08:21,120 --> 00:08:25,200 Speaker 3: Was after himself. He's like, I can't feel my faith exactly, I. 179 00:08:25,160 --> 00:08:27,640 Speaker 2: Can't even is he is my tief? So it was 180 00:08:27,680 --> 00:08:31,280 Speaker 2: called technically, the official name was von Tolnique Marianni a 181 00:08:31,320 --> 00:08:34,640 Speaker 2: lacuca du perout okay right, So it was sold as 182 00:08:34,679 --> 00:08:37,000 Speaker 2: the DJ stif and appartif it was built as an 183 00:08:37,080 --> 00:08:40,839 Speaker 2: energy boosting tonic. It's just everything to anybody. Cocaine wines 184 00:08:40,840 --> 00:08:44,240 Speaker 2: were even sold as safe for French kids. Now do 185 00:08:44,240 --> 00:08:46,559 Speaker 2: you understand French kids were already drinking wine, So it's 186 00:08:46,640 --> 00:08:49,439 Speaker 2: just a cocaine that was new. So anyway, the year 187 00:08:49,559 --> 00:08:51,680 Speaker 2: at this point, we're in eighteen sixty three when he 188 00:08:51,720 --> 00:08:54,520 Speaker 2: invents his cocaine wine. So this new drink, which I said, 189 00:08:54,520 --> 00:08:57,640 Speaker 2: it's heavily marketed right around the world. Vall Marianni becomes 190 00:08:57,679 --> 00:09:00,400 Speaker 2: this huge hit. You've seen posters of von Marianni, big 191 00:09:00,720 --> 00:09:04,600 Speaker 2: now poke styled things. Yeah, most likely embtting you've seen 192 00:09:04,600 --> 00:09:07,240 Speaker 2: what Now the Queen of the British Empire, the head 193 00:09:07,240 --> 00:09:09,720 Speaker 2: of the Catholic Church, they're both saying coke wine is it? 194 00:09:09,880 --> 00:09:12,360 Speaker 2: So what do the people do? Everyone's like, oh, this 195 00:09:12,440 --> 00:09:15,720 Speaker 2: is amazing. Then medicine comes along. There's this wave of doctors. 196 00:09:15,720 --> 00:09:18,320 Speaker 2: They start singing the praise of cocaine wine. In the 197 00:09:18,400 --> 00:09:21,840 Speaker 2: journal Medical News. This was from eighteen ninety it reported 198 00:09:21,920 --> 00:09:25,680 Speaker 2: quote that no recognized medical preparation has received stronger endorsement 199 00:09:25,720 --> 00:09:29,360 Speaker 2: at the hands of the medical profession. So eventually America 200 00:09:29,360 --> 00:09:32,720 Speaker 2: gets his grubby little hands on medical cocaine and coke wine, 201 00:09:32,720 --> 00:09:34,640 Speaker 2: and you know, then we start doing we do best. 202 00:09:34,640 --> 00:09:37,719 Speaker 2: We turned it into big business. Yeah, so what it 203 00:09:37,800 --> 00:09:39,920 Speaker 2: first started out is snake oil, Like you know, the 204 00:09:39,920 --> 00:09:42,360 Speaker 2: base side. We talked about the ancient Chinese medicines in 205 00:09:42,400 --> 00:09:45,760 Speaker 2: the West. Eventually these turn into patent medicines, and these 206 00:09:45,800 --> 00:09:49,160 Speaker 2: patent medicine ingredients were later replaced with cocaine because they're like, 207 00:09:49,160 --> 00:09:50,400 Speaker 2: why do we got to put it in whiskey and 208 00:09:50,400 --> 00:09:52,000 Speaker 2: a bunch of sugar. We just put it into cocaine. 209 00:09:52,040 --> 00:09:53,600 Speaker 2: So then all of a sudden, boom, almost all the 210 00:09:53,600 --> 00:09:56,120 Speaker 2: patent medicines are cocaine and morphine are laudanum based. 211 00:09:56,200 --> 00:09:56,520 Speaker 4: Right. 212 00:09:56,600 --> 00:09:59,320 Speaker 2: Eventually this blossoms into a whole industry of health tonics 213 00:09:59,640 --> 00:10:02,640 Speaker 2: and vitality restoring elixirs and all that kind of stuff. Right, 214 00:10:03,000 --> 00:10:04,839 Speaker 2: many of these, as I said, if you drew huge 215 00:10:04,920 --> 00:10:08,880 Speaker 2: doses of cocaine, and so much so that when von 216 00:10:08,960 --> 00:10:12,679 Speaker 2: Marianni wanted to import his cocaine wine, he had to 217 00:10:12,800 --> 00:10:16,280 Speaker 2: up the amount of cocaine he put his wine. Yes, exactly. 218 00:10:16,840 --> 00:10:19,760 Speaker 2: So the thing about how Von Marianni was like how 219 00:10:19,920 --> 00:10:22,800 Speaker 2: why it was such a kick to the spirit, if 220 00:10:22,800 --> 00:10:27,640 Speaker 2: you will, was the cocaine would be metabolized by the wine. Okay, 221 00:10:27,920 --> 00:10:28,960 Speaker 2: you're ready for little chemistry. 222 00:10:28,960 --> 00:10:34,400 Speaker 3: Elizabeth always sciences and me, oh my god, love each other. 223 00:10:34,400 --> 00:10:35,840 Speaker 2: Two fingers in one glove. 224 00:10:35,960 --> 00:10:38,440 Speaker 3: I mean, I have not met a science class. I 225 00:10:38,440 --> 00:10:39,040 Speaker 3: couldn't fail. 226 00:10:40,440 --> 00:10:44,360 Speaker 2: So the active ingredient in red wine is ethanol. That's 227 00:10:44,360 --> 00:10:47,120 Speaker 2: a type of alcohol, right, So ethanol can also be 228 00:10:47,240 --> 00:10:50,319 Speaker 2: used as a solvent. So this solvent then can extract 229 00:10:50,320 --> 00:10:52,640 Speaker 2: what we think of as cocaine from the coca leaf, right, 230 00:10:52,679 --> 00:10:55,320 Speaker 2: and then it kind of will suspend the cocaine in 231 00:10:55,360 --> 00:10:57,880 Speaker 2: the red wine. So what that means is that when 232 00:10:57,880 --> 00:11:00,360 Speaker 2: you drink the von Marianni, the coca leaf and the 233 00:11:00,400 --> 00:11:03,200 Speaker 2: red wine, they create this new third chemical compound called 234 00:11:03,200 --> 00:11:06,640 Speaker 2: coca ethylene. This is informed in the liver as you 235 00:11:06,760 --> 00:11:10,120 Speaker 2: metabolize the coke wine. And this is what gave vall 236 00:11:10,240 --> 00:11:15,240 Speaker 2: Mariani it's powerful kick, this cocaine coc ethylene. It gives 237 00:11:15,240 --> 00:11:19,920 Speaker 2: also crazy euphoria inducing qualities. It's like cocaine and wine 238 00:11:19,920 --> 00:11:24,040 Speaker 2: formed a wonder twins like situation. Right. So unfortunately, and 239 00:11:24,240 --> 00:11:26,080 Speaker 2: I don't know sadly of who you say, if you 240 00:11:26,120 --> 00:11:28,960 Speaker 2: were a fan of vall Marianni, the inventor Angelo Marianni, 241 00:11:29,520 --> 00:11:31,840 Speaker 2: he made one big mistake. He forgot to pass on 242 00:11:31,880 --> 00:11:35,160 Speaker 2: his recipe to his descendants. So his coke wine fell 243 00:11:35,200 --> 00:11:38,000 Speaker 2: out of production as soon as he drops test his 244 00:11:38,040 --> 00:11:40,400 Speaker 2: secret of the cocaine wine went to his grave with him. 245 00:11:40,760 --> 00:11:42,319 Speaker 2: I do not know if he died of a heart attack. 246 00:11:42,400 --> 00:11:45,240 Speaker 2: Pro I have to I have to consort with my sources, 247 00:11:45,240 --> 00:11:47,880 Speaker 2: but I can't tell you right now. Interesting anyway, his 248 00:11:47,960 --> 00:11:51,000 Speaker 2: creation right it inspires the Americans. As I told you, 249 00:11:51,240 --> 00:11:53,400 Speaker 2: one American in particular, You're gonna turn this into a 250 00:11:53,440 --> 00:11:57,440 Speaker 2: great empire, a cocaine wine health tonic. This American, he 251 00:11:57,440 --> 00:12:00,200 Speaker 2: was a morphine junkie, a former Civil War veteran on 252 00:12:00,240 --> 00:12:04,280 Speaker 2: the losing side. His name John Pemberton. He creates Pemberton's 253 00:12:04,320 --> 00:12:07,000 Speaker 2: French Wine right now. The year at this point, we're 254 00:12:07,000 --> 00:12:09,920 Speaker 2: into eighteen eighty five. Now, Angela Marianne's I told you 255 00:12:09,960 --> 00:12:13,520 Speaker 2: the original formula for cocoa wine, he'd featured six milligrams 256 00:12:13,520 --> 00:12:16,240 Speaker 2: of cocaine per fluid ounce. But when you wanted to 257 00:12:16,240 --> 00:12:17,760 Speaker 2: costell to the Americans, he had to bump it up 258 00:12:17,800 --> 00:12:21,520 Speaker 2: to seven point two milligams per rounce. So Pemberton's just 259 00:12:21,559 --> 00:12:24,560 Speaker 2: like he's clocking right those same types of numbers. 260 00:12:24,880 --> 00:12:26,320 Speaker 3: I'll see you and raise you to nine. 261 00:12:26,360 --> 00:12:28,240 Speaker 2: He's like, that's not enough. I need a little some 262 00:12:28,440 --> 00:12:30,520 Speaker 2: extra to give a little more kick, a little more 263 00:12:30,559 --> 00:12:33,280 Speaker 2: pep in your steps. So he drops in colon nuts. 264 00:12:33,320 --> 00:12:38,640 Speaker 2: That's his big secret, So heavy cocaine and caffeine and 265 00:12:38,720 --> 00:12:43,080 Speaker 2: it's just euphoria. So he's now got a supercharged cocaine wine, 266 00:12:43,760 --> 00:12:47,080 Speaker 2: extra caffeine. He calls Pemberton's French Wine instant hit. Now. 267 00:12:47,360 --> 00:12:50,400 Speaker 2: A year later, the Atlanta town fathers a passed legislation 268 00:12:50,520 --> 00:12:53,600 Speaker 2: to make Atlanta Fulton County go dry the whole areas. 269 00:12:53,600 --> 00:12:55,920 Speaker 2: No liquor is being sold. So it's one of the 270 00:12:55,920 --> 00:12:58,000 Speaker 2: first prohibition laws. The South was way ahead of the 271 00:12:58,080 --> 00:13:00,440 Speaker 2: nation on this. No old Pemberton he has to immediately 272 00:13:00,480 --> 00:13:02,800 Speaker 2: eighty six the wine from his new drink. So what 273 00:13:02,800 --> 00:13:04,959 Speaker 2: does he do? He does it. He just says, I 274 00:13:04,960 --> 00:13:07,040 Speaker 2: got to hit on my hands. I I gotta like, 275 00:13:07,240 --> 00:13:09,200 Speaker 2: what am I gonna do? What I'm gonna do? He goes, ah, 276 00:13:09,240 --> 00:13:12,240 Speaker 2: I got it. I'll make a carbonated tonic. So he 277 00:13:12,320 --> 00:13:14,880 Speaker 2: makes this carbonated version of his cocaine wine and he 278 00:13:14,960 --> 00:13:16,080 Speaker 2: calls it coca cola. 279 00:13:16,440 --> 00:13:16,720 Speaker 4: Wow. 280 00:13:17,200 --> 00:13:19,600 Speaker 2: So that's the coca for the cocaine and the cola 281 00:13:19,679 --> 00:13:23,800 Speaker 2: for the cocaine wine part was now gone, and so 282 00:13:24,360 --> 00:13:27,160 Speaker 2: next comes new legislation, federal laws. Nineteen oh six, the 283 00:13:27,240 --> 00:13:29,679 Speaker 2: US Congress passes the Pure Food and Drug Act. Right, 284 00:13:29,720 --> 00:13:31,520 Speaker 2: This was because of all the patent medicines. People were 285 00:13:31,600 --> 00:13:34,319 Speaker 2: dropping dead from going blind, the limbs were falling off. 286 00:13:34,320 --> 00:13:36,000 Speaker 2: They're like, we gotta come up with a loss. That 287 00:13:36,000 --> 00:13:39,120 Speaker 2: they come up with basically the USDA's initial There's also 288 00:13:39,200 --> 00:13:42,319 Speaker 2: other factors. We'll talk about this later. Anyway, this was 289 00:13:42,600 --> 00:13:46,360 Speaker 2: basically a response to primarily muckraking journalists of the day. 290 00:13:47,160 --> 00:13:50,480 Speaker 2: They did all his work to expose the unsanitary conditions 291 00:13:50,520 --> 00:13:53,720 Speaker 2: and like the factory meat production places like the Chicago 292 00:13:53,760 --> 00:13:57,360 Speaker 2: meat factories think Upton singing players the jungle. Yeah, okay, 293 00:13:57,440 --> 00:14:00,600 Speaker 2: So that book was published in nineteen oh six. This 294 00:14:00,640 --> 00:14:03,679 Speaker 2: becomes huge trouble for Coca Cola when they now passed 295 00:14:03,760 --> 00:14:05,880 Speaker 2: laws in nineteen oh six for this Pure Food and 296 00:14:05,960 --> 00:14:08,320 Speaker 2: Drug Act. Because people are so horrified by this book, 297 00:14:08,320 --> 00:14:10,680 Speaker 2: they're like, we need new laws. Coca Cola's like, damn it, 298 00:14:10,720 --> 00:14:13,840 Speaker 2: our cocaine. Right, So then an even worse blow comes 299 00:14:13,840 --> 00:14:16,920 Speaker 2: in nineteen fourteen, cocaine has made fully illegal in the US. 300 00:14:16,960 --> 00:14:18,439 Speaker 2: So they're like, what are we going to do now? 301 00:14:18,480 --> 00:14:20,600 Speaker 2: Our whole product line is based on this. You can't 302 00:14:20,640 --> 00:14:22,920 Speaker 2: buy it without a doctor's prescription. We can't get all 303 00:14:22,960 --> 00:14:25,600 Speaker 2: of our customers doctor's prescriptions. Yeah, what are we going 304 00:14:25,680 --> 00:14:28,280 Speaker 2: to do? So they're like, well, we'll have to get 305 00:14:28,280 --> 00:14:31,120 Speaker 2: a doctor's note for the company. So this point, Coca 306 00:14:31,160 --> 00:14:34,240 Speaker 2: Cola had been enduring a decades long fight to secure 307 00:14:34,280 --> 00:14:36,480 Speaker 2: its supply of coca leaves. It was ready to fight 308 00:14:36,480 --> 00:14:39,120 Speaker 2: for its coca leaves. So they've been primarily importing them 309 00:14:39,160 --> 00:14:42,040 Speaker 2: from Peru, but they had been also experiencing all sorts 310 00:14:42,080 --> 00:14:43,880 Speaker 2: of crazy ideas. At one point, they decided they would 311 00:14:43,880 --> 00:14:45,600 Speaker 2: try to grow their own coca. So they went and 312 00:14:45,600 --> 00:14:47,920 Speaker 2: they bought up this land and they created these secret 313 00:14:47,960 --> 00:14:49,200 Speaker 2: coca farms in Hawaii. 314 00:14:49,960 --> 00:14:50,880 Speaker 3: Oh really Yeah, But. 315 00:14:50,800 --> 00:14:52,760 Speaker 2: They found that they were much better being a drinkmaker 316 00:14:52,760 --> 00:14:55,040 Speaker 2: than a coca farmer. So they're like, mix that right. 317 00:14:55,520 --> 00:14:57,720 Speaker 2: So then the cocaine prohibition said, say, and I tell 318 00:14:57,720 --> 00:15:00,560 Speaker 2: you cocaine, where's Coca Cola gonna get their So they 319 00:15:00,600 --> 00:15:03,720 Speaker 2: sound a new way to secure their coca supplier. They 320 00:15:03,760 --> 00:15:07,560 Speaker 2: sought out a new business partner, the US government at 321 00:15:07,600 --> 00:15:09,760 Speaker 2: the time. The President of Coca Cola was a man 322 00:15:09,840 --> 00:15:13,120 Speaker 2: named Asa Candler. He's also the first to change coke 323 00:15:13,200 --> 00:15:16,240 Speaker 2: secret formula. He took out the cocaine. He's the guy, right, 324 00:15:16,280 --> 00:15:19,680 Speaker 2: So in his place, he came up with decoconized coca leaves. 325 00:15:20,280 --> 00:15:23,360 Speaker 2: So yeah, the active part of the cocaine was taken out, 326 00:15:23,440 --> 00:15:26,560 Speaker 2: leaving only the flavor of the coca leaf. So he 327 00:15:26,640 --> 00:15:29,080 Speaker 2: works with legislators in Washington and aisen Kandler. He made 328 00:15:29,120 --> 00:15:32,320 Speaker 2: sure Coca Cola was exempted from any current prohibitions, any 329 00:15:32,400 --> 00:15:35,880 Speaker 2: future prohibitions, and Coca Cola's lobbying efforts payoff. New laws 330 00:15:35,880 --> 00:15:38,720 Speaker 2: are drafted, Coca Cola is exempted. There's a provise on 331 00:15:38,760 --> 00:15:41,360 Speaker 2: the law that allows the drink maker to use quote 332 00:15:41,440 --> 00:15:45,120 Speaker 2: decoconized coca leaves or preparations made therefrom or to any 333 00:15:45,120 --> 00:15:48,720 Speaker 2: other preparations of coca leaves that do not contain cocaine. So, 334 00:15:48,840 --> 00:15:51,280 Speaker 2: to this day, Coca Cola has the same supplier of 335 00:15:51,320 --> 00:15:56,240 Speaker 2: its decoconized coca leaves, Maywood Chemical Works in Maywood, New Jersey, 336 00:15:56,320 --> 00:15:59,360 Speaker 2: one of two companies that was grandfathered in under this law. 337 00:15:59,480 --> 00:16:03,160 Speaker 2: Still the taste of the coca coca, but just no cocaine, 338 00:16:03,160 --> 00:16:04,600 Speaker 2: No active ingredient to get you hot. 339 00:16:04,640 --> 00:16:07,080 Speaker 3: And so that's part of that like secret recipe. 340 00:16:06,720 --> 00:16:07,560 Speaker 2: Part of the secret recipe. 341 00:16:07,640 --> 00:16:07,800 Speaker 3: Yeah. 342 00:16:07,840 --> 00:16:10,200 Speaker 2: So this chump from the company may Would Chemicals. This 343 00:16:10,240 --> 00:16:12,360 Speaker 2: is they're located like ten miles from Manhattan. They're not 344 00:16:12,400 --> 00:16:13,840 Speaker 2: like I mean, they're in New Jersey. It's part of 345 00:16:13,840 --> 00:16:16,040 Speaker 2: like that New Jersey chemicy the corridor that I always 346 00:16:16,080 --> 00:16:18,720 Speaker 2: make fun of. But anyway, the company, it continues to 347 00:16:18,800 --> 00:16:22,240 Speaker 2: stay to legally import and process copious amounts of cocaine 348 00:16:22,240 --> 00:16:25,480 Speaker 2: and it's all sitting there in New Jersey in the Atlantic. 349 00:16:25,480 --> 00:16:27,640 Speaker 2: In two thousand and three, they reported on this Maywood 350 00:16:27,720 --> 00:16:30,000 Speaker 2: Chemical works. Uh huh at the time in two thousand 351 00:16:30,000 --> 00:16:32,640 Speaker 2: and three, they imported three hundred and eighty five thousand 352 00:16:32,760 --> 00:16:35,040 Speaker 2: pounds of coca leaf and. 353 00:16:35,000 --> 00:16:36,880 Speaker 3: The cocaine they take out. What do they do with that? 354 00:16:37,400 --> 00:16:39,400 Speaker 2: That would have been if they would have turned into cocaine, 355 00:16:39,440 --> 00:16:41,760 Speaker 2: that was about two hundred million dollars worth of cocaine. 356 00:16:41,400 --> 00:16:43,240 Speaker 3: That's what. So what do they do? Just flush it 357 00:16:43,240 --> 00:16:43,720 Speaker 3: down the twill? 358 00:16:43,800 --> 00:16:47,000 Speaker 2: They incinerate it. Apparently, that's that's the story. 359 00:16:47,200 --> 00:16:50,240 Speaker 3: So like the local Nerdwelt climbs. 360 00:16:51,200 --> 00:16:53,440 Speaker 2: I think they do it and like pressurize anyway. I 361 00:16:53,640 --> 00:16:55,240 Speaker 2: do not have an answer for how they get rid 362 00:16:55,280 --> 00:16:57,160 Speaker 2: of the cocaine that they isolate. 363 00:16:57,400 --> 00:16:58,000 Speaker 3: That's yeah. 364 00:16:58,040 --> 00:16:59,920 Speaker 2: But answer to your question of can you even taste 365 00:17:00,120 --> 00:17:03,760 Speaker 2: the cocaine Coca Cola, they say it's perceptible. They say 366 00:17:03,800 --> 00:17:06,240 Speaker 2: that it's very actually important flavor. And then when you 367 00:17:06,280 --> 00:17:07,960 Speaker 2: take it out, people are like this. 368 00:17:07,800 --> 00:17:10,240 Speaker 3: This is what is it tastes like? Isolated? 369 00:17:10,480 --> 00:17:13,600 Speaker 2: Yeah, I'm curious what wine cocaine tastes likes. That's your 370 00:17:13,680 --> 00:17:17,560 Speaker 2: cocaine wine. That's personally Yeah, that was the first cocaine crase. 371 00:17:17,640 --> 00:17:21,760 Speaker 2: Coca Cola popularized it, and so did Von Marianni. Now 372 00:17:22,160 --> 00:17:24,200 Speaker 2: let's peel back the curtain for the next big name 373 00:17:24,240 --> 00:17:27,720 Speaker 2: in cocaine segment, Freud. But first, well they can break Elizabeth. 374 00:17:27,760 --> 00:17:29,480 Speaker 2: I know you need to cool down and we'll be back. 375 00:17:29,359 --> 00:17:46,879 Speaker 3: Into class cocaine wine. 376 00:17:51,480 --> 00:17:53,760 Speaker 2: All right, Elizabeth, Saron, we're back. 377 00:17:54,040 --> 00:17:54,560 Speaker 3: We're back. 378 00:17:54,680 --> 00:17:56,600 Speaker 2: Now. You may be wondering, Saron, we're talking. 379 00:17:56,320 --> 00:17:58,000 Speaker 3: Cocaine, Saron, we're talking cocaine. 380 00:17:58,080 --> 00:18:00,920 Speaker 2: Where is the crime? Yeah, where's you somehow have cocaine 381 00:18:00,920 --> 00:18:01,600 Speaker 2: but no crime? 382 00:18:01,960 --> 00:18:02,920 Speaker 3: How is that possible? 383 00:18:03,080 --> 00:18:05,399 Speaker 2: I'm like, fair enough, Elizabeth, that is a fair point. 384 00:18:06,080 --> 00:18:08,520 Speaker 2: The Coca Cola was able to change the laws, so 385 00:18:08,560 --> 00:18:11,880 Speaker 2: what they did was not illegal. So we've just barely missed. Yeah, 386 00:18:12,240 --> 00:18:14,600 Speaker 2: just throw it around it right. Well, so far there, 387 00:18:14,600 --> 00:18:17,560 Speaker 2: we've only been kind of ridiculous. For more ridiculousness, let's 388 00:18:17,560 --> 00:18:21,760 Speaker 2: talk Siggy Freud, father of the the ego, the super egos, 389 00:18:21,800 --> 00:18:25,479 Speaker 2: talk therapy, dream therapy aka Freudian analysis, the whole bit. 390 00:18:25,600 --> 00:18:25,800 Speaker 5: Right. 391 00:18:25,880 --> 00:18:27,480 Speaker 2: Freud, as it turns out, was a big time and 392 00:18:27,520 --> 00:18:28,800 Speaker 2: I mean huge cocaine. 393 00:18:28,880 --> 00:18:31,199 Speaker 3: Really, yes, I feel like I kind of knew that 394 00:18:31,480 --> 00:18:32,280 Speaker 3: you might have heard about. 395 00:18:32,280 --> 00:18:34,120 Speaker 2: It's like something you hear in the college dorm room, 396 00:18:34,119 --> 00:18:35,919 Speaker 2: Like you know sigmand Freud, you like cocaine, You know 397 00:18:36,200 --> 00:18:38,080 Speaker 2: the professor mentioned in class and they tell you have 398 00:18:38,200 --> 00:18:38,600 Speaker 2: the story. 399 00:18:38,680 --> 00:18:41,480 Speaker 3: Oh my god. It's like when someone takes a philosophy 400 00:18:41,520 --> 00:18:43,920 Speaker 3: class then you have to hear about maybe we're brain 401 00:18:44,040 --> 00:18:47,040 Speaker 3: in a jar. Get over it, dude, anyway, go ahead. 402 00:18:47,359 --> 00:18:51,399 Speaker 2: So Freud to frame it in modern terms, Freud was 403 00:18:51,400 --> 00:18:53,320 Speaker 2: the kind of cocide whould make Stevie Nick say. 404 00:18:53,240 --> 00:18:54,560 Speaker 3: Damn son, oh really? 405 00:18:54,600 --> 00:18:54,760 Speaker 4: Oh? 406 00:18:54,800 --> 00:18:57,440 Speaker 2: Froyd was the kind of coked whould make John Belushi nervous? 407 00:18:57,960 --> 00:19:00,920 Speaker 3: Did he have someone blow it up? As dude. 408 00:19:01,080 --> 00:19:03,200 Speaker 2: Well, not quite. He didn't get to there, but it 409 00:19:03,680 --> 00:19:06,840 Speaker 2: gets pretty the white witch, yo, Yeah, that's how she 410 00:19:06,960 --> 00:19:08,880 Speaker 2: got it. When she blew out her nose. He blew 411 00:19:08,960 --> 00:19:10,679 Speaker 2: out his nose too, we did. That's how much he 412 00:19:10,680 --> 00:19:14,359 Speaker 2: loved cocaine, just like Stevie Nicks. To see Sigmund Freud, 413 00:19:14,359 --> 00:19:17,840 Speaker 2: He's essentially why we have recreational cocaine. Really one man, 414 00:19:18,240 --> 00:19:20,960 Speaker 2: almost single handedly, Freud made cocaine a thing. He's like, 415 00:19:21,000 --> 00:19:25,120 Speaker 2: cocaine's a thing now thanks to Freud. But how how 416 00:19:25,160 --> 00:19:27,159 Speaker 2: did Freud do it? Elizabeth? Great question? 417 00:19:27,440 --> 00:19:27,920 Speaker 3: Thank you. 418 00:19:27,960 --> 00:19:30,119 Speaker 2: Now remember how I told you about that academic paper 419 00:19:30,160 --> 00:19:33,399 Speaker 2: about cocaine, the French chemist Angelo Marianni. He reads it 420 00:19:33,440 --> 00:19:34,720 Speaker 2: and he's like, well, he wasn't the only one to 421 00:19:34,760 --> 00:19:37,800 Speaker 2: read it. Not just cocaine wine spurned from that. Freud 422 00:19:37,800 --> 00:19:40,080 Speaker 2: also he peeped academic papers. He read that. When he 423 00:19:40,119 --> 00:19:42,359 Speaker 2: read others and a bunch of the medical minds, they 424 00:19:42,400 --> 00:19:44,320 Speaker 2: all were coming to cocaine and seeing potential. 425 00:19:44,320 --> 00:19:44,480 Speaker 7: Is it? 426 00:19:44,560 --> 00:19:46,960 Speaker 2: He was part of this early wave of adopters. So 427 00:19:47,400 --> 00:19:51,000 Speaker 2: who were these early coke lovers of academia? Elizabeth desperate, 428 00:19:51,440 --> 00:19:54,479 Speaker 2: You're just hot with the questions. I am I'm just loving. Well, 429 00:19:54,520 --> 00:19:56,879 Speaker 2: let's start with my man, Carl Caller. That's with a 430 00:19:56,960 --> 00:20:00,280 Speaker 2: K and see Carl K. Caller, right, he was a 431 00:20:00,320 --> 00:20:00,920 Speaker 2: twenty seven. 432 00:20:00,760 --> 00:20:04,160 Speaker 3: Year old with a K collar with a K. Please 433 00:20:04,160 --> 00:20:05,520 Speaker 3: don't let his middle name be Kevin. 434 00:20:06,240 --> 00:20:09,159 Speaker 2: No, no, he's a German. So when he decided to 435 00:20:09,160 --> 00:20:12,679 Speaker 2: experiment with cocaine compounds, who did he decide to experiment on, Elizabeth? 436 00:20:12,880 --> 00:20:13,960 Speaker 3: Monkeys himself. 437 00:20:15,320 --> 00:20:17,480 Speaker 2: He's like, I don't have money for monkeys. I got 438 00:20:17,600 --> 00:20:21,840 Speaker 2: money for Carl and some cocaine. He wanted to see 439 00:20:21,840 --> 00:20:24,240 Speaker 2: how cocaine worked as an anesthetic. That was the big 440 00:20:24,280 --> 00:20:26,880 Speaker 2: deal originally, right, So you know what that's used for now? 441 00:20:27,119 --> 00:20:30,199 Speaker 2: That was its original purpose. Yes, it remains so. And 442 00:20:30,280 --> 00:20:32,639 Speaker 2: so it's he and a colleague. They made up a 443 00:20:32,680 --> 00:20:35,320 Speaker 2: cocaine solution and then Coler loaded up his eyeballs with 444 00:20:35,359 --> 00:20:37,480 Speaker 2: the solution like eye dropper. He did like an eye 445 00:20:37,520 --> 00:20:40,480 Speaker 2: dropper thing there. So he found that it numbed his eyeballs, 446 00:20:40,600 --> 00:20:42,679 Speaker 2: like he totally worked as an anesthetic, right, and so 447 00:20:42,720 --> 00:20:45,240 Speaker 2: the tested he had his colleagues shoved pins into his eyeballs. 448 00:20:47,200 --> 00:20:49,560 Speaker 2: But Elizabeth, good news is he couldn't feel the pins 449 00:20:49,560 --> 00:20:53,359 Speaker 2: shoved into his eye when I'm imagining cocaine work. 450 00:20:53,560 --> 00:20:56,320 Speaker 3: I have this problem that when I see like footage 451 00:20:56,320 --> 00:21:00,680 Speaker 3: of someone getting hurt, or like someone describes something some 452 00:21:00,720 --> 00:21:04,960 Speaker 3: sort of injury toil, I imagine it like I get 453 00:21:05,000 --> 00:21:06,320 Speaker 3: like sharp pains in my legs. 454 00:21:06,359 --> 00:21:08,679 Speaker 2: I'm sorry, you're such an EmPATH. I know I'm afraid 455 00:21:08,720 --> 00:21:09,080 Speaker 2: to get that. 456 00:21:09,880 --> 00:21:11,560 Speaker 3: So like when you talk about that, I'm trying not 457 00:21:11,640 --> 00:21:14,040 Speaker 3: to imagine it, and I say all sorts of horrific 458 00:21:14,040 --> 00:21:17,960 Speaker 3: things because I had when I describe violent things, it's 459 00:21:18,000 --> 00:21:18,960 Speaker 3: a cartoon. 460 00:21:18,720 --> 00:21:20,760 Speaker 2: Yes, I've noticed that about you. Cartoonized. 461 00:21:20,800 --> 00:21:22,560 Speaker 3: But like, especially like if I see one of those 462 00:21:22,640 --> 00:21:24,679 Speaker 3: videos where like someone jumps a bike off something and 463 00:21:24,680 --> 00:21:27,919 Speaker 3: then slams into a wall, I get like sharp pains 464 00:21:27,920 --> 00:21:28,480 Speaker 3: in my legs. 465 00:21:28,880 --> 00:21:33,240 Speaker 2: Is that I think you're very empathetic. You're basically feel 466 00:21:33,280 --> 00:21:35,560 Speaker 2: their pain in a sense, or at least your mirror 467 00:21:35,600 --> 00:21:38,600 Speaker 2: neurons imagine your mirror motor neurons go, oh, this is 468 00:21:38,640 --> 00:21:40,119 Speaker 2: what it would feel like, and then you experience. 469 00:21:40,160 --> 00:21:40,879 Speaker 3: I think I haven't so. 470 00:21:41,040 --> 00:21:43,280 Speaker 2: Kelly Slater learned to surf a bunch really well in 471 00:21:43,280 --> 00:21:45,520 Speaker 2: Florida's He watched all these videos and just thought about 472 00:21:45,520 --> 00:21:47,520 Speaker 2: what they would do. And just wastely worked his muscles 473 00:21:47,560 --> 00:21:48,480 Speaker 2: on other people's waves. 474 00:21:48,560 --> 00:21:50,760 Speaker 3: Huh, well, I just think I have like an excess 475 00:21:51,160 --> 00:21:53,520 Speaker 3: quantity of woosy in my body. 476 00:21:53,680 --> 00:21:54,880 Speaker 2: I don't want to teach you about it. 477 00:21:54,840 --> 00:21:56,639 Speaker 3: But you know, I'm embarrassed by No, you. 478 00:21:56,600 --> 00:21:58,719 Speaker 2: Shouldn't be embarrassed. It's a good quality. And that is, honestly, 479 00:21:58,760 --> 00:22:00,800 Speaker 2: how we became such a great spece is our ability 480 00:22:00,840 --> 00:22:02,040 Speaker 2: to feel and to learn from. 481 00:22:01,960 --> 00:22:03,800 Speaker 3: Other except for if you have cocaine in your eyes 482 00:22:03,840 --> 00:22:05,520 Speaker 3: and you can't feel exactly. 483 00:22:06,080 --> 00:22:09,359 Speaker 2: This was as a good transition to Elizabeth. Huge news 484 00:22:09,359 --> 00:22:12,720 Speaker 2: for surgeons. We can now knock out. This is basically 485 00:22:12,800 --> 00:22:14,240 Speaker 2: the first use of local antisset. 486 00:22:14,400 --> 00:22:17,040 Speaker 3: I've had eye surgery. By the way, I wish they 487 00:22:17,080 --> 00:22:21,040 Speaker 3: would have done this. I've don't want to It would 488 00:22:21,080 --> 00:22:22,879 Speaker 3: have been better than what I had going on. 489 00:22:23,040 --> 00:22:26,879 Speaker 2: Yeah, well, this is how an alley with a brick 490 00:22:27,760 --> 00:22:31,920 Speaker 2: anesthetic was a brick anyway, you can numb an area 491 00:22:31,920 --> 00:22:33,560 Speaker 2: of the body without putting a person all the way under. 492 00:22:33,600 --> 00:22:36,080 Speaker 2: That's the genius of local anesthetic because people still die 493 00:22:36,160 --> 00:22:38,439 Speaker 2: from going under, so there's a dangerous So if you 494 00:22:38,440 --> 00:22:40,680 Speaker 2: have cocaine, you're like, oh, this helps us. This is great. Right, 495 00:22:40,760 --> 00:22:44,280 Speaker 2: So before Coke met Kohler's eyeballs, doctors had to rely 496 00:22:44,359 --> 00:22:48,719 Speaker 2: on chloroform. Ether it's kind of like clumsier versions. So 497 00:22:48,720 --> 00:22:51,160 Speaker 2: soon enough medical profession they love it. They start saying 498 00:22:51,160 --> 00:22:53,680 Speaker 2: in the praises of cocaine, it's all over academia. But 499 00:22:53,840 --> 00:22:56,000 Speaker 2: the public doesn't know about this. They're not up on 500 00:22:56,040 --> 00:23:01,000 Speaker 2: the latest anesthetics. So Robert Bartholow you wrote in eighteen 501 00:23:01,080 --> 00:23:03,960 Speaker 2: ninety one about how it spread through medicine. Quote, no 502 00:23:04,000 --> 00:23:06,280 Speaker 2: remedy in modern times, probably in any age of the world, 503 00:23:06,280 --> 00:23:08,920 Speaker 2: has become so famous since so short a time as cocaine, 504 00:23:09,040 --> 00:23:11,199 Speaker 2: and no remedy has so soon been subjected to the 505 00:23:11,240 --> 00:23:16,600 Speaker 2: test of physiological experiment and clinical observation. Right, cocine is 506 00:23:16,680 --> 00:23:18,960 Speaker 2: it now? Let's not get it twisted though, right as 507 00:23:19,080 --> 00:23:22,840 Speaker 2: Europeans didn't discover cocaine, not anymore than they discovered the Americas. 508 00:23:23,080 --> 00:23:25,879 Speaker 2: Because in South American societies and cultures, cocaine was a 509 00:23:25,920 --> 00:23:28,400 Speaker 2: staple crop. It was revered as a gift from the gods. 510 00:23:28,720 --> 00:23:31,160 Speaker 2: It was praised for its medicinal properties. It was very 511 00:23:31,160 --> 00:23:33,520 Speaker 2: well known, but it was not used recreationally. 512 00:23:33,640 --> 00:23:34,800 Speaker 3: No, didn't they chew on it? 513 00:23:34,800 --> 00:23:37,480 Speaker 2: From on the lea. Yeah, when they wanted to stamina energy, 514 00:23:37,560 --> 00:23:40,200 Speaker 2: long hikes on hunts. You know, it was used as 515 00:23:40,240 --> 00:23:42,240 Speaker 2: a performance enhancing drug essentially. 516 00:23:42,320 --> 00:23:42,639 Speaker 3: Yeah. 517 00:23:42,760 --> 00:23:44,879 Speaker 2: No, it was the Europeans who turned cocin into a 518 00:23:44,960 --> 00:23:47,960 Speaker 2: recreational drug, just sitting around getting high on a couch. Right. 519 00:23:48,359 --> 00:23:50,880 Speaker 2: So in the nineteenth century European scientists they got really 520 00:23:50,880 --> 00:23:53,520 Speaker 2: good at isolating the active ingredients of plants. So in 521 00:23:53,560 --> 00:23:55,960 Speaker 2: eighteen oh three it started with morphine. They had isolated 522 00:23:55,960 --> 00:23:58,119 Speaker 2: it from opium or so from the poppy plant. And 523 00:23:58,119 --> 00:24:01,760 Speaker 2: then eighteen twenty along comes caffeine. In quinine, they're isolated, 524 00:24:01,880 --> 00:24:05,520 Speaker 2: very important, especially quinine from malaria. In eighteen twenty eight 525 00:24:07,960 --> 00:24:11,840 Speaker 2: virgina tonics. Eighteen twenty eight, nicotine is isolated. And so 526 00:24:11,880 --> 00:24:13,879 Speaker 2: then when you start making a lot of pesticides out 527 00:24:13,880 --> 00:24:16,480 Speaker 2: in nicotine, oh yeah, that's in eighteen fifty nine science 528 00:24:16,520 --> 00:24:19,400 Speaker 2: isolates the active ingredient from coca leaves. And so then 529 00:24:19,400 --> 00:24:21,879 Speaker 2: I told you that same year Paulo Manka is that 530 00:24:21,880 --> 00:24:24,960 Speaker 2: he writes his paper examining the properties of cocaine, launching 531 00:24:25,000 --> 00:24:28,560 Speaker 2: off all the cocaine wine. But he also, as I said, 532 00:24:28,600 --> 00:24:32,560 Speaker 2: inspired all these medical people. Right, So in his experiments. 533 00:24:32,600 --> 00:24:35,080 Speaker 2: He documented the experiments, and he wrote in his documentary 534 00:24:35,160 --> 00:24:37,879 Speaker 2: quote God is unjust because he made man incapable of 535 00:24:37,920 --> 00:24:41,080 Speaker 2: sustaining the effects of coca all life long. I would 536 00:24:41,200 --> 00:24:44,200 Speaker 2: rather live a life of ten with coca than one 537 00:24:44,200 --> 00:24:46,520 Speaker 2: of one hundred one thousand without it. 538 00:24:46,800 --> 00:24:47,280 Speaker 3: Wow. 539 00:24:47,320 --> 00:24:50,440 Speaker 2: These people are like they are looked, yes, exactly now, 540 00:24:51,560 --> 00:24:54,200 Speaker 2: like they're just about it right, Like Mary and Barry 541 00:24:54,200 --> 00:24:56,240 Speaker 2: would be like, man, you need to calm down, like 542 00:24:56,359 --> 00:24:58,480 Speaker 2: real though, So that first paper would not only spy, 543 00:24:58,480 --> 00:25:00,080 Speaker 2: as I said, the French chemist to make cocoine, but 544 00:25:00,119 --> 00:25:03,000 Speaker 2: also inspired the Viennes medical student looking for a path 545 00:25:03,040 --> 00:25:07,280 Speaker 2: to wealth and fame akas Ziggy Freud. Now, but at first, Elizabeth, 546 00:25:07,400 --> 00:25:10,240 Speaker 2: I one more doc for you. Enter William Halstead. You 547 00:25:10,280 --> 00:25:14,680 Speaker 2: know who William Halstead is. He's the fatherner of modern surgery. Okay, right, 548 00:25:14,720 --> 00:25:16,520 Speaker 2: so he's like it all basically traces back to him 549 00:25:16,520 --> 00:25:18,680 Speaker 2: and his like ideas about like what if we put 550 00:25:18,760 --> 00:25:20,440 Speaker 2: him under what if we like wash your hand? 551 00:25:20,480 --> 00:25:24,280 Speaker 3: And I'm sure you love him because you love surgery websites. 552 00:25:24,320 --> 00:25:24,560 Speaker 2: I do. 553 00:25:24,760 --> 00:25:26,280 Speaker 3: This is a lot of times when you come in 554 00:25:26,320 --> 00:25:29,840 Speaker 3: here to headquarters and you'll be giggling and you'll say 555 00:25:29,840 --> 00:25:31,479 Speaker 3: look at this, and you'll show me something, and then 556 00:25:31,520 --> 00:25:34,520 Speaker 3: my legs. 557 00:25:35,160 --> 00:25:39,240 Speaker 2: It goes back in the body of like he's been degloved. 558 00:25:39,240 --> 00:25:43,639 Speaker 2: But they get it all back on anyway, my man, 559 00:25:44,160 --> 00:25:47,240 Speaker 2: he was, as he said, father modern surgery. He also 560 00:25:47,320 --> 00:25:49,800 Speaker 2: goes all in on cocaine and the anesthetic properties of 561 00:25:49,800 --> 00:25:51,920 Speaker 2: cocaine because as a surgeon, this is huge for him, right. 562 00:25:52,000 --> 00:25:54,479 Speaker 2: So the problem though for him was cocaine messed him 563 00:25:54,520 --> 00:25:57,159 Speaker 2: up like he was an eighties pop star. Halstead he's 564 00:25:57,160 --> 00:25:58,679 Speaker 2: working in New York at the time as a surgeon. 565 00:25:58,720 --> 00:26:00,960 Speaker 2: But then he starts doing too much stuff experimentation like 566 00:26:01,000 --> 00:26:03,159 Speaker 2: all the others, and he starts not showing up at 567 00:26:03,200 --> 00:26:05,680 Speaker 2: work at the hospital. He starts to fail to show 568 00:26:05,720 --> 00:26:09,240 Speaker 2: up for teen exactly. He gets so bad that one 569 00:26:09,320 --> 00:26:11,159 Speaker 2: day he shows up for work as a surgeon in 570 00:26:11,200 --> 00:26:13,560 Speaker 2: a busy New York hospital, lots of people. Everyone's like, 571 00:26:13,600 --> 00:26:15,879 Speaker 2: oh frantic, there's blood on the floor. He's coked up 572 00:26:15,920 --> 00:26:18,200 Speaker 2: to the gills. He tries to operate, he can't trust 573 00:26:18,200 --> 00:26:21,119 Speaker 2: his surgeon's hands. He backs away from the patient right 574 00:26:21,200 --> 00:26:24,960 Speaker 2: and he says, I can't operate. He then son he 575 00:26:27,160 --> 00:26:29,440 Speaker 2: walks out of the operation theater. He goes home and 576 00:26:29,480 --> 00:26:30,960 Speaker 2: he's like, I need to do more cocaine about it. 577 00:26:31,000 --> 00:26:31,639 Speaker 2: This is terrible. 578 00:26:32,320 --> 00:26:33,199 Speaker 3: Get that'll fix it. 579 00:26:33,280 --> 00:26:35,800 Speaker 2: He then spends the next seven months in alone in 580 00:26:35,840 --> 00:26:38,520 Speaker 2: his apartment getting high on his miracle drug. 581 00:26:38,800 --> 00:26:39,280 Speaker 3: Oh my god. 582 00:26:39,359 --> 00:26:41,080 Speaker 2: Yeah. Finally, in eighteen eighty six, Ill said's like, I 583 00:26:41,119 --> 00:26:44,040 Speaker 2: think I have a problem. He checks into Butler Hospital. 584 00:26:44,080 --> 00:26:47,560 Speaker 2: It's good for him, producer Dave's hometown of Providence, Rhode Island. 585 00:26:48,359 --> 00:26:50,840 Speaker 2: So he got treated for cocaine addiction, you know, and 586 00:26:50,880 --> 00:26:53,840 Speaker 2: so he gets released. But unfortunately he was not able 587 00:26:53,880 --> 00:26:55,760 Speaker 2: to get that monkey off his back. He went on 588 00:26:55,840 --> 00:26:59,080 Speaker 2: to become a professor at Johns Hopkins University School of Medicine, 589 00:26:59,119 --> 00:27:02,040 Speaker 2: teaching all these new doctors what he's created, these new 590 00:27:02,119 --> 00:27:04,480 Speaker 2: ways of surgery. And while he's doing this, he's also 591 00:27:04,520 --> 00:27:05,240 Speaker 2: blowing rails of. 592 00:27:05,240 --> 00:27:09,280 Speaker 3: Coke, Like while he's teaching class. I like to imagine that. 593 00:27:09,280 --> 00:27:12,400 Speaker 2: This is Chuck. Don't worry about it, Chuck so Halsted. 594 00:27:12,440 --> 00:27:14,160 Speaker 2: He's never able to get free of the cocaine monkey 595 00:27:14,160 --> 00:27:16,119 Speaker 2: on his back. He was just one of the early 596 00:27:16,359 --> 00:27:19,320 Speaker 2: cautionary tales now of the hour. 597 00:27:19,520 --> 00:27:21,960 Speaker 3: He I mean, he got his life back together though. 598 00:27:22,359 --> 00:27:24,320 Speaker 2: Yeah, he was able to get his career back together. 599 00:27:24,640 --> 00:27:26,480 Speaker 2: That was about it. Everything else kind of Feld to this. 600 00:27:26,880 --> 00:27:28,879 Speaker 2: It was a rough one for old Uh yeah, Halsted, 601 00:27:29,320 --> 00:27:31,760 Speaker 2: Now are man of the hour. Zicky Freud the godfather 602 00:27:31,840 --> 00:27:34,639 Speaker 2: of recreational cocaine. Now I'm not being facetious when I 603 00:27:34,640 --> 00:27:37,639 Speaker 2: say this, Elizabeth, Yes, sorry to god. Dominick straight failed 604 00:27:37,880 --> 00:27:41,760 Speaker 2: the author of Cocaine, an unauthorized biography. He's the guy 605 00:27:41,800 --> 00:27:44,840 Speaker 2: who literally wrote the book on cocaine. Literally, so anyway, 606 00:27:44,880 --> 00:27:46,719 Speaker 2: he wrote this his book Cocaine quote that if there 607 00:27:46,760 --> 00:27:48,639 Speaker 2: is one person who could be held responsible for the 608 00:27:48,680 --> 00:27:51,879 Speaker 2: emergence of cocaine as a recreational pharmaceutical, it was Freud. 609 00:27:52,440 --> 00:27:55,080 Speaker 2: It's not just me. It's also straight film anyway. As 610 00:27:55,080 --> 00:27:57,800 Speaker 2: I know, earlier, all the time cocaine was still legal. 611 00:27:57,880 --> 00:27:59,719 Speaker 2: So this is we're in a legal phase right at 612 00:27:59,720 --> 00:28:01,800 Speaker 2: the time. I'm Freud and his coke had medical buddies. 613 00:28:01,880 --> 00:28:05,920 Speaker 2: They're doing legal, pharmaceutical grade cocaine, not street cut stuff. 614 00:28:05,960 --> 00:28:09,240 Speaker 2: They're just doing like straight from like the pharmacists right now, 615 00:28:09,280 --> 00:28:10,960 Speaker 2: if you can believe it, Freud first started doing coke 616 00:28:11,040 --> 00:28:14,320 Speaker 2: to treat nasal lesions. He had these sores in his 617 00:28:14,400 --> 00:28:16,280 Speaker 2: nose and he found the cocaine numb the pain. 618 00:28:16,400 --> 00:28:18,320 Speaker 3: Why did he have so he. 619 00:28:18,320 --> 00:28:20,320 Speaker 2: Didn't tell me, and then he noticed it. It made 620 00:28:20,400 --> 00:28:22,320 Speaker 2: him feel really good, like really good. 621 00:28:23,080 --> 00:28:24,680 Speaker 3: He's like, all these ideas. 622 00:28:26,119 --> 00:28:27,840 Speaker 2: To keep doing that, right, So I think Freud would 623 00:28:27,840 --> 00:28:30,800 Speaker 2: agree that cocaine is likely the favorite drug of the ego. Yeah, 624 00:28:30,880 --> 00:28:32,880 Speaker 2: So anyway, he orders up some of the more cocaine. 625 00:28:32,880 --> 00:28:35,239 Speaker 2: He starts to experiment on himself, because that's just what 626 00:28:35,280 --> 00:28:38,800 Speaker 2: you do. He receives his first delivery from quote Angels Pharmacy. 627 00:28:38,920 --> 00:28:41,080 Speaker 2: That's what's the spot. The year is eighteen eighty four, 628 00:28:41,160 --> 00:28:43,680 Speaker 2: one year of cocaine. Later, in eighteen eighty five, Freud 629 00:28:43,840 --> 00:28:45,920 Speaker 2: ready to go public with his new love. He's like, 630 00:28:45,960 --> 00:28:48,640 Speaker 2: let's make this Facebook official. So he wrote a medical 631 00:28:48,680 --> 00:28:52,120 Speaker 2: treatise called uber Coca. All right, just right to the 632 00:28:52,160 --> 00:28:57,240 Speaker 2: point you described everything quote was the most gorgeous excitement. 633 00:28:57,640 --> 00:29:00,440 Speaker 2: He also wrote the quote if fun works intensive while 634 00:29:00,520 --> 00:29:02,760 Speaker 2: under the influence of coca, after three to five hours, 635 00:29:02,760 --> 00:29:04,720 Speaker 2: there is a decline in the feeling of well being, 636 00:29:04,720 --> 00:29:06,920 Speaker 2: and the further dose of coca is necessary in order 637 00:29:06,960 --> 00:29:10,480 Speaker 2: to ward off fatigue. Okay, so right, so Fredi discovered 638 00:29:10,520 --> 00:29:13,640 Speaker 2: what the users called the moors, right which is basically, oh, 639 00:29:13,640 --> 00:29:15,720 Speaker 2: I just want more code, right, But he argues that 640 00:29:15,760 --> 00:29:17,800 Speaker 2: this is not the case. He writes, quote, it seems 641 00:29:17,800 --> 00:29:19,800 Speaker 2: to me notimory that I discovered this in myself and 642 00:29:19,800 --> 00:29:22,320 Speaker 2: and other observers who are capable of judging such things. 643 00:29:22,360 --> 00:29:25,000 Speaker 2: At the first dose or even repeated doses of coca 644 00:29:25,040 --> 00:29:28,560 Speaker 2: produced no compulsive desire to use the stimulants. Further, on 645 00:29:28,640 --> 00:29:31,440 Speaker 2: the contrary, once he was a certain unmotivated aversion to 646 00:29:31,520 --> 00:29:34,400 Speaker 2: the substance, which is a total lie. I might keep 647 00:29:34,400 --> 00:29:36,400 Speaker 2: telling yourself that, Elizab, but you have to keep in 648 00:29:36,400 --> 00:29:38,480 Speaker 2: mind the time Freud was a young man. He was 649 00:29:38,520 --> 00:29:41,120 Speaker 2: one with a medical degree, but also he was importantly 650 00:29:41,160 --> 00:29:44,720 Speaker 2: Freud had a politically radical father. He had a big 651 00:29:44,760 --> 00:29:47,560 Speaker 2: shadow cast over him, and his father was ruining his 652 00:29:47,720 --> 00:29:51,680 Speaker 2: potential in a very conservative Vienna. Oh yeah, his professional 653 00:29:51,680 --> 00:29:53,160 Speaker 2: life was a nightmare thanks to Pops. 654 00:29:53,240 --> 00:29:53,440 Speaker 5: Right. 655 00:29:53,520 --> 00:29:56,000 Speaker 2: So Freud, he found the cocaine made all his worries 656 00:29:56,000 --> 00:29:59,000 Speaker 2: and anxieties go away, and thus he concluded the cocaine 657 00:29:59,000 --> 00:30:01,560 Speaker 2: would also be a perfect to give to morphine addicts. 658 00:30:02,000 --> 00:30:04,640 Speaker 2: So Freud first had learned about cocaine from a medical 659 00:30:04,720 --> 00:30:07,320 Speaker 2: journal called Therapeutic Gazette, so that's what kind of framed 660 00:30:07,360 --> 00:30:10,560 Speaker 2: his thinking. But the journal wasn't unbased science. This was 661 00:30:10,600 --> 00:30:13,360 Speaker 2: owned by a pharmaceutical company, Park Davis, which is now 662 00:30:13,400 --> 00:30:15,880 Speaker 2: a subsidiary offizer. Yeah, and anyway, as he started to 663 00:30:15,880 --> 00:30:18,320 Speaker 2: write about the joys of cocaine, the pharma company paid 664 00:30:18,320 --> 00:30:21,000 Speaker 2: Freud twenty four dollars to spread the good word of cocaine. 665 00:30:21,080 --> 00:30:24,600 Speaker 2: So now he's cocaine's poster boy, and it's pitch man. Anyway, 666 00:30:24,640 --> 00:30:26,920 Speaker 2: he goes on. Meanwhile, Fred, he starts to recommend it 667 00:30:26,960 --> 00:30:29,360 Speaker 2: to his colleagues at the university. He's recommending coke to 668 00:30:29,400 --> 00:30:31,840 Speaker 2: his friends, his family, people on the street. He even 669 00:30:31,840 --> 00:30:34,680 Speaker 2: told his fiance people, Yeah, you gotta try this cocaine. 670 00:30:34,680 --> 00:30:36,840 Speaker 2: Now I got some right here. Toll takes this. It say, 671 00:30:36,840 --> 00:30:39,040 Speaker 2: a good hand in my pocket. So Marta Burnet is 672 00:30:39,040 --> 00:30:41,120 Speaker 2: that's his fiance. He's writing to her these all these 673 00:30:41,200 --> 00:30:42,960 Speaker 2: letters because you know the time, you gotta write letters. 674 00:30:42,960 --> 00:30:46,640 Speaker 2: And in his letters just always cocaxed thish oh Man. 675 00:30:46,960 --> 00:30:49,680 Speaker 2: He's telling her like Freud relied on basically cocaine for 676 00:30:49,760 --> 00:30:53,320 Speaker 2: confidence and crucial moments, and he'd meet people he admired, 677 00:30:53,360 --> 00:30:55,800 Speaker 2: he'd want to impress him and well, Elizabeth, right than 678 00:30:55,800 --> 00:30:57,040 Speaker 2: me tell you about this. I'd like you to close 679 00:30:57,080 --> 00:31:00,320 Speaker 2: your eyes and to picture it as a close eighteen 680 00:31:00,360 --> 00:31:02,840 Speaker 2: eighty six on the continent Europe, to be exact. And 681 00:31:02,880 --> 00:31:04,640 Speaker 2: you are on a carriage ride, and this is a 682 00:31:04,680 --> 00:31:07,360 Speaker 2: delightful day. A soft greaze pushes the air around in 683 00:31:07,360 --> 00:31:10,080 Speaker 2: a fun, flirtatious way. The sound of the carriage wheels 684 00:31:10,080 --> 00:31:12,400 Speaker 2: and the horse hoofs is like a white noise machine. 685 00:31:12,440 --> 00:31:13,800 Speaker 2: That is, if you knew what one of those were. 686 00:31:13,880 --> 00:31:16,800 Speaker 2: You don't. It's the nineteenth century. They'd get to be invented. Anyway. 687 00:31:16,920 --> 00:31:19,320 Speaker 2: You're on this carriage ride, Elizabeth, with you as a 688 00:31:19,360 --> 00:31:22,480 Speaker 2: young Sigmund Freud, and you, Elizabeth, are tight with Freud. 689 00:31:22,520 --> 00:31:25,160 Speaker 2: I mean so tight because you are the cocaine monkey 690 00:31:25,160 --> 00:31:28,400 Speaker 2: on his back, not a literal cocaine money. No, no, no, 691 00:31:28,480 --> 00:31:30,040 Speaker 2: you were Freud's voice of addiction. 692 00:31:30,200 --> 00:31:31,400 Speaker 3: But I thought I was cocaine. 693 00:31:31,520 --> 00:31:33,880 Speaker 2: Yeah. No, you are the voice of Freud's voice of addiction. 694 00:31:34,240 --> 00:31:35,840 Speaker 2: At the moment you and the young doctor are on 695 00:31:35,880 --> 00:31:37,560 Speaker 2: your way to see his mentor and teacher of the 696 00:31:37,560 --> 00:31:41,640 Speaker 2: French psychiatrist Jean Martin Carco. Of course, you've you've been 697 00:31:41,640 --> 00:31:43,720 Speaker 2: there with Freud days earlier, when he wrote a letter 698 00:31:43,760 --> 00:31:46,120 Speaker 2: to his fiance, reading it aloud to him. So you 699 00:31:46,200 --> 00:31:48,840 Speaker 2: recall how he explained his excitement to his fiance, saying, 700 00:31:49,000 --> 00:31:51,440 Speaker 2: Chako has invited me, along with Ratchetti, to visit him 701 00:31:51,440 --> 00:31:53,920 Speaker 2: at his home tomorrow Tuesday, after dinner. Many people will 702 00:31:53,960 --> 00:31:56,680 Speaker 2: be in attendance. You can easily recall the mix of 703 00:31:56,680 --> 00:31:59,640 Speaker 2: trepidation and elation in Freud's reading voices. He continued to 704 00:31:59,640 --> 00:32:02,000 Speaker 2: read it his own letter before sending it off. I'm 705 00:32:02,040 --> 00:32:05,040 Speaker 2: sure you can imagine my apprehension mixed with curiosity and pride. 706 00:32:05,160 --> 00:32:08,040 Speaker 2: White gloves, white tie and even a new shirt, a 707 00:32:08,160 --> 00:32:10,280 Speaker 2: visit to the barber for what little hair I have left, 708 00:32:10,680 --> 00:32:13,840 Speaker 2: and a little cocaine to loosen my tongue. That last 709 00:32:13,880 --> 00:32:16,040 Speaker 2: part was, of course your idea. You whispered that into 710 00:32:16,040 --> 00:32:18,400 Speaker 2: Freud's ear, feeling a little nervous, Siggie, you should do 711 00:32:18,480 --> 00:32:20,960 Speaker 2: some coke about it. And now the big day has come, 712 00:32:21,000 --> 00:32:23,480 Speaker 2: and Freud does as you suggested then and again now 713 00:32:23,640 --> 00:32:25,920 Speaker 2: you suggest he danced with that white devil you love 714 00:32:26,000 --> 00:32:28,280 Speaker 2: to whisper chaos into his ears. And the thing is, 715 00:32:28,360 --> 00:32:31,680 Speaker 2: Freud listens to you, out comes his little container of cocaine, 716 00:32:31,720 --> 00:32:36,840 Speaker 2: and with two snorts, Freud feels that familiar cool sensation 717 00:32:37,000 --> 00:32:39,720 Speaker 2: run down his spine. Oh, that sweet devil cocaine, you 718 00:32:39,760 --> 00:32:42,360 Speaker 2: whisper in his ear. Freud relaxes into the seat of 719 00:32:42,400 --> 00:32:45,080 Speaker 2: his carriage as the sounds of horses and carriage wheels 720 00:32:45,120 --> 00:32:48,360 Speaker 2: pull him even closer to his mentor's house. You whisper 721 00:32:48,400 --> 00:32:51,560 Speaker 2: in his ear again. Freud listens a little more cocaine. 722 00:32:52,040 --> 00:32:55,200 Speaker 2: What a good idea, he thinks, you know, to give him, 723 00:32:55,280 --> 00:32:59,200 Speaker 2: you know, what a little ease from his worries. Oh, 724 00:32:59,320 --> 00:33:02,080 Speaker 2: another mile or two to go. We're almost there. But 725 00:33:02,160 --> 00:33:03,920 Speaker 2: maybe there's just another time, a little bit of time 726 00:33:03,960 --> 00:33:07,959 Speaker 2: for maybe another Freud stays busy, getting high as giraffe 727 00:33:07,960 --> 00:33:10,320 Speaker 2: eyebrows in this carriage. He's like Vienna's Rick Ross at 728 00:33:10,360 --> 00:33:12,760 Speaker 2: this point, right, and you, Elizabeth, are so happy for him, 729 00:33:12,800 --> 00:33:17,400 Speaker 2: because chaos rains. Finally, the carriage arrives at the destination. 730 00:33:18,120 --> 00:33:20,040 Speaker 2: Just before the footmot hops down from the back and 731 00:33:20,080 --> 00:33:24,040 Speaker 2: comes around and opens the doors. Freud tops off. You've 732 00:33:24,080 --> 00:33:27,240 Speaker 2: now convinced Freud to get completely suited before walking into 733 00:33:27,240 --> 00:33:29,800 Speaker 2: the home of his mentor. At this point, you laughably 734 00:33:29,840 --> 00:33:32,200 Speaker 2: imagine Freud mashing his teeth side to side as he 735 00:33:32,280 --> 00:33:35,720 Speaker 2: dominates the conversation. Freud coming off like a yiked out hunter, 736 00:33:35,800 --> 00:33:39,240 Speaker 2: s Thompson. The carriage doors swing open, the footman offers 737 00:33:39,240 --> 00:33:41,720 Speaker 2: a hand to Freud, and you, giddy with excitement, ride 738 00:33:41,760 --> 00:33:44,360 Speaker 2: on Freud's back as he takes his first unsteady step 739 00:33:44,400 --> 00:33:47,320 Speaker 2: out of the carriage, off to see his mentor. How 740 00:33:47,400 --> 00:33:49,120 Speaker 2: much did Freud love cocaina live? 741 00:33:49,240 --> 00:33:49,880 Speaker 3: Oh my god? 742 00:33:49,960 --> 00:33:51,719 Speaker 2: How much did he rely on her? To Calmas social 743 00:33:51,720 --> 00:33:54,600 Speaker 2: anxiety one his own words. In another letter with his Boo, 744 00:33:54,600 --> 00:33:57,120 Speaker 2: Freud confided how he'd been doing so much below at 745 00:33:57,120 --> 00:33:59,840 Speaker 2: the time that he could hardly sleep. He said, I 746 00:33:59,880 --> 00:34:01,840 Speaker 2: was offering from migraines, the third attack this week, by 747 00:34:01,840 --> 00:34:03,880 Speaker 2: the way, although I'm otherwise in excellent health. I took 748 00:34:03,880 --> 00:34:06,800 Speaker 2: some cocaine, watched the migraines vanish at once, went on 749 00:34:06,920 --> 00:34:09,440 Speaker 2: writing my paper as well as it let to professional Mendo. 750 00:34:09,800 --> 00:34:11,080 Speaker 2: But I was so wound up that I had to 751 00:34:11,080 --> 00:34:12,919 Speaker 2: go on working and writing and couldn't get to sleep 752 00:34:12,960 --> 00:34:15,520 Speaker 2: before four in the morning. But I find it hilarious 753 00:34:15,520 --> 00:34:18,080 Speaker 2: about Freud's letters that the good doctor somehow misses the 754 00:34:18,080 --> 00:34:20,400 Speaker 2: fact that maybe, just maybe, his miracle drug is the 755 00:34:20,440 --> 00:34:22,640 Speaker 2: problem for him. He keeps saying, no, this is everything, 756 00:34:22,640 --> 00:34:24,440 Speaker 2: it's the best everything. It's the other things. I don't 757 00:34:24,440 --> 00:34:27,520 Speaker 2: know that hay fever and allergies. So he's like he's 758 00:34:27,520 --> 00:34:30,120 Speaker 2: got Pandora's box, right, big shiny box, and he's now 759 00:34:30,200 --> 00:34:34,160 Speaker 2: dumped it over like cocaine on Don Henley's glass top table. 760 00:34:34,280 --> 00:34:37,279 Speaker 2: He's just this is awesome. Anyway. Well, let's take a 761 00:34:37,320 --> 00:34:40,279 Speaker 2: little break, Elizabeth, and after this I'll be back to 762 00:34:40,320 --> 00:34:43,319 Speaker 2: tell you how Freud may cocaine further the thing, not 763 00:34:43,400 --> 00:34:44,840 Speaker 2: just for himself but for everybody. 764 00:34:44,920 --> 00:35:06,840 Speaker 5: Oh no, Elizabeth, Oh Zaren. 765 00:35:07,160 --> 00:35:08,800 Speaker 2: Do you know how Freud came up with his idea 766 00:35:08,800 --> 00:35:12,360 Speaker 2: for talk therapy cocaine? I mean, think about it. It 767 00:35:12,400 --> 00:35:15,920 Speaker 2: makes perfect sense. Oh yeah, yeah, what is like to do? 768 00:35:16,360 --> 00:35:21,080 Speaker 2: Talk about themselves, their preoccupations, their fears, their worries. Right, 769 00:35:21,200 --> 00:35:24,080 Speaker 2: of course a koke would invent talk therapy. Yeah, it's right. 770 00:35:24,200 --> 00:35:25,040 Speaker 2: Why do we miss this? 771 00:35:25,239 --> 00:35:25,719 Speaker 3: Anyway? 772 00:35:26,719 --> 00:35:28,840 Speaker 2: We have a Freud coked up like Kerry Fisher in 773 00:35:28,880 --> 00:35:31,279 Speaker 2: her prime, and he's got all these rich Viennese folks 774 00:35:31,320 --> 00:35:33,239 Speaker 2: swinging by his office and he's like, you need to 775 00:35:33,280 --> 00:35:35,319 Speaker 2: just open up and talk. Let it happen. You know what, 776 00:35:35,440 --> 00:35:38,160 Speaker 2: just like you say whatever you're thinking. And so this 777 00:35:38,239 --> 00:35:41,040 Speaker 2: is how cocaine's first spreads amongst the elite, right him 778 00:35:41,080 --> 00:35:43,040 Speaker 2: telling everybody how great it is, and they're like, oh, man, 779 00:35:43,160 --> 00:35:45,239 Speaker 2: I do feel better, and I don't even care about 780 00:35:45,280 --> 00:35:47,960 Speaker 2: my mother or whatever it is that their concern is. Meanwhile, 781 00:35:48,000 --> 00:35:49,960 Speaker 2: remember I said Freud thought coke would be the perfect 782 00:35:49,960 --> 00:35:52,480 Speaker 2: thing to give to a morphine addict to treat the addiction, 783 00:35:53,480 --> 00:35:54,759 Speaker 2: which is like the worst idea I could think of 784 00:35:54,840 --> 00:35:57,080 Speaker 2: to give a morphine joy other than morphine is the 785 00:35:57,120 --> 00:36:01,520 Speaker 2: cocaine habit. Anyway, Enter Freud's buddy or van Fleischel Maxau. 786 00:36:02,040 --> 00:36:04,440 Speaker 2: He was the aforementioned morphine junkie. He was also a 787 00:36:04,480 --> 00:36:08,719 Speaker 2: medical cata physiologist. He'd suffered a catastrophic thumb injury while 788 00:36:08,760 --> 00:36:12,520 Speaker 2: dissecting a corpse. The wound resulted in an infection followed 789 00:36:12,520 --> 00:36:15,200 Speaker 2: by an amputation that left him with nerve pain. So 790 00:36:15,280 --> 00:36:18,000 Speaker 2: he treated that with morphine quickly developed one hell of 791 00:36:18,040 --> 00:36:20,319 Speaker 2: a habit. Freud thought he had an answer to his 792 00:36:20,320 --> 00:36:21,960 Speaker 2: friend's trouble. He's like, you knowed you to maybe do 793 00:36:22,040 --> 00:36:24,960 Speaker 2: some cocaine about it? Right, So he treated him. How 794 00:36:24,960 --> 00:36:27,719 Speaker 2: I use that term loosely with copious amounts of cocaine. 795 00:36:28,200 --> 00:36:31,040 Speaker 2: So what happens to his buddy Elizabeth? Oh god, you 796 00:36:31,160 --> 00:36:34,840 Speaker 2: know what happens. He developed a cocaine habit like nobody's business. 797 00:36:34,880 --> 00:36:37,399 Speaker 3: Yeah, he already has addiction issues, and. 798 00:36:37,360 --> 00:36:39,319 Speaker 2: Now he's got a supplier who's pushing it on him, 799 00:36:39,360 --> 00:36:40,520 Speaker 2: literally pushing it. 800 00:36:40,440 --> 00:36:41,640 Speaker 3: On Yeah, exactly. 801 00:36:41,800 --> 00:36:43,960 Speaker 2: And he starts doing so much coke he reaches toxic 802 00:36:44,040 --> 00:36:46,640 Speaker 2: levels in his body. Right, So Freud's therapy pland is 803 00:36:46,680 --> 00:36:48,920 Speaker 2: not working. His friend would eventually battle addiction for the 804 00:36:48,960 --> 00:36:50,520 Speaker 2: next seven years of his life until he died of 805 00:36:50,560 --> 00:36:52,279 Speaker 2: a premature death at age forty five. 806 00:36:52,360 --> 00:36:54,440 Speaker 3: Wag Freud, Yeah, nice one. 807 00:36:54,239 --> 00:36:56,720 Speaker 2: We're still was in. Freud, high on cocaine, became convinced 808 00:36:56,719 --> 00:36:58,600 Speaker 2: that his buddy, another buddy of his, a doctor, should 809 00:36:58,600 --> 00:37:01,520 Speaker 2: attempt a radical operation on one of his patients. You see, 810 00:37:01,719 --> 00:37:03,880 Speaker 2: his own nose, as I told you, have been severely congested, 811 00:37:03,960 --> 00:37:06,080 Speaker 2: just like Stevie Nicks. Now possibly you know from the 812 00:37:06,120 --> 00:37:08,880 Speaker 2: coke habit. So Freud undergone an operation where a doctor 813 00:37:09,000 --> 00:37:11,200 Speaker 2: sliced open one of his nostrils, cleared out all his 814 00:37:11,239 --> 00:37:13,719 Speaker 2: coke blockage and damage or whatever. And Freud thought that 815 00:37:13,760 --> 00:37:15,520 Speaker 2: his buddy could do the same thing on his patients. 816 00:37:15,520 --> 00:37:17,600 Speaker 2: He's like, yeah, just slice open her nose will be perfect. 817 00:37:17,640 --> 00:37:20,600 Speaker 2: Right oation gets botched, the woman suffers for the rest 818 00:37:20,600 --> 00:37:23,279 Speaker 2: of her life. Writes about this in his book The 819 00:37:23,320 --> 00:37:26,200 Speaker 2: Interpretation of Dreams, He records his own guilty dreams about 820 00:37:26,200 --> 00:37:29,359 Speaker 2: his patient Irma. The tragedy drives him to do way 821 00:37:29,400 --> 00:37:32,239 Speaker 2: more cocaine. I need to do cokebat it right. At 822 00:37:32,239 --> 00:37:33,800 Speaker 2: this point, he was doing so much coke. He was 823 00:37:33,840 --> 00:37:37,319 Speaker 2: experiencing regular chest pains, depression. He was doing so much 824 00:37:37,360 --> 00:37:40,919 Speaker 2: coke he nearly imploded his career, his marriage. He still 825 00:37:40,920 --> 00:37:42,919 Speaker 2: hadn't figured out that cocaine was to blame. He kept 826 00:37:42,920 --> 00:37:44,880 Speaker 2: thinking it might be something out. He can't be this 827 00:37:44,920 --> 00:37:47,120 Speaker 2: stuff that makes me feel awesome by that. He wouldn't 828 00:37:47,120 --> 00:37:49,680 Speaker 2: stop doing blow until eighteen ninety six, when his politically 829 00:37:49,760 --> 00:37:52,640 Speaker 2: radical father dropped dead. And you may recall that was 830 00:37:52,640 --> 00:37:55,840 Speaker 2: when he has original reason to start experimenting with his father. 831 00:37:56,200 --> 00:37:59,200 Speaker 2: His father dies. He quit the day after his father 832 00:37:59,280 --> 00:38:01,000 Speaker 2: was put in the ground. One day after his funeral, 833 00:38:01,080 --> 00:38:02,960 Speaker 2: He's like, I don't think I need cocaine anymore, you. 834 00:38:02,920 --> 00:38:04,600 Speaker 3: Know, I wonder what Freud would say about it. 835 00:38:04,680 --> 00:38:07,520 Speaker 2: I'm like, hey, tell me about your faza anyway. So 836 00:38:07,560 --> 00:38:10,080 Speaker 2: Freud he quits cocin eighteen ninety six. Later on, Freud 837 00:38:10,200 --> 00:38:13,719 Speaker 2: largely tried to bury his earlier enthusiasm, for he tried 838 00:38:13,719 --> 00:38:16,560 Speaker 2: to act like he'd never been Johnny cokeseed, we have 839 00:38:16,640 --> 00:38:18,600 Speaker 2: the receipts, right, it's there, right, So Freud he told 840 00:38:18,600 --> 00:38:20,839 Speaker 2: the whole world cocazette. Then he was like, no, never mind, 841 00:38:21,080 --> 00:38:22,799 Speaker 2: but people didn't hear that. Right. By that point it 842 00:38:22,800 --> 00:38:25,839 Speaker 2: had spread, right, Yeah, and uh, you know, even though 843 00:38:25,920 --> 00:38:28,360 Speaker 2: as I said, he quits, Pandora's box has been cracked 844 00:38:28,400 --> 00:38:30,319 Speaker 2: cracked up down. So now we have Coca Cola, we 845 00:38:30,320 --> 00:38:31,920 Speaker 2: have Freud. I told you one other one, who did 846 00:38:31,920 --> 00:38:36,319 Speaker 2: I say, Charlock Holmes. Well, Elizabeth, remember also I told 847 00:38:36,360 --> 00:38:39,319 Speaker 2: you cocaine was legal to the beginning of the twentieth century. Yeah, 848 00:38:39,400 --> 00:38:41,200 Speaker 2: this is very important to remember. So I'll get into 849 00:38:41,239 --> 00:38:45,640 Speaker 2: another story of another superfan of cocaine, Sherlock Holmes. Authors 850 00:38:45,960 --> 00:38:49,880 Speaker 2: Lester Grinspoon and James B. Bacalar, they co wrote a 851 00:38:49,920 --> 00:38:52,799 Speaker 2: book The Details the History of Cocaine, and they documented 852 00:38:52,880 --> 00:38:56,120 Speaker 2: its social evolution. Of course they got to Sherlock Holmes. Yeah, 853 00:38:56,160 --> 00:39:00,120 Speaker 2: because he loved that Bolivian marching powdery. As they wrote, 854 00:39:00,200 --> 00:39:02,960 Speaker 2: doctor Watson Doyle's narrator first mentions cocaine in The Sign 855 00:39:03,000 --> 00:39:04,759 Speaker 2: of the Flour, published in eighteen ninety. At that time, 856 00:39:04,840 --> 00:39:08,080 Speaker 2: Holmes was injecting a seven percent solution intravenously three times 857 00:39:08,080 --> 00:39:11,320 Speaker 2: a day, apparently a rather large dose, since Watson reports 858 00:39:11,320 --> 00:39:13,600 Speaker 2: asking when he saw Holmes with the needle whether it 859 00:39:13,640 --> 00:39:15,680 Speaker 2: was morphine or cocaine. Holmes seems to have had more 860 00:39:15,719 --> 00:39:17,880 Speaker 2: than one drug habit, but we have no more of 861 00:39:17,960 --> 00:39:20,560 Speaker 2: morphine from Watson. In the spirit of mock scholarship with 862 00:39:20,600 --> 00:39:23,239 Speaker 2: which Sirlock Holmes studies are conducted, we might guess that 863 00:39:23,239 --> 00:39:25,040 Speaker 2: Holmes is one of those addicts wo use cocaine to 864 00:39:25,120 --> 00:39:28,080 Speaker 2: withdraw from morphine and simply replace one drug with another. 865 00:39:28,239 --> 00:39:30,440 Speaker 2: Holmes admitted that cocaine was bad for him physically, but 866 00:39:30,480 --> 00:39:33,839 Speaker 2: found it transcendentally stimulating and clarifying to the mind. Now, 867 00:39:33,840 --> 00:39:36,280 Speaker 2: as the authors noted, Sherlock Holmes, he doesn't use cocaine 868 00:39:36,280 --> 00:39:39,080 Speaker 2: as a performance enhancing drug. He uses it to relax. 869 00:39:39,360 --> 00:39:42,200 Speaker 2: So again back to Greensman and Bacalar, they write that 870 00:39:42,239 --> 00:39:44,880 Speaker 2: Sherlock Holmes quote did not use it when working on 871 00:39:44,920 --> 00:39:46,960 Speaker 2: a case, but only did dispel boredom when he had 872 00:39:46,960 --> 00:39:49,319 Speaker 2: nothing to do. Now, it may surprise some folks to 873 00:39:49,400 --> 00:39:51,200 Speaker 2: learn that one of the great detectives of literature was 874 00:39:51,239 --> 00:39:53,880 Speaker 2: an out and out cocatine. Yeah, right, Does it surprise you? 875 00:39:53,920 --> 00:39:54,080 Speaker 3: No? 876 00:39:54,120 --> 00:39:56,000 Speaker 2: I mean, I mean you knew, right, I'd kind of 877 00:39:56,000 --> 00:39:56,359 Speaker 2: told you. 878 00:39:56,480 --> 00:39:57,319 Speaker 3: Well, no, I've read it. 879 00:39:57,360 --> 00:39:58,040 Speaker 2: You read a story. 880 00:39:58,120 --> 00:40:02,120 Speaker 3: And their references in some of the adaptations like the film. 881 00:40:02,000 --> 00:40:03,759 Speaker 2: Okay, yeah, some of the belts cover it. Yeah, but 882 00:40:03,800 --> 00:40:07,080 Speaker 2: they often gets dropped out. Yeah, anyway, to make their case, 883 00:40:07,080 --> 00:40:09,480 Speaker 2: the co authors, they documented all the appearances in all 884 00:40:09,480 --> 00:40:11,920 Speaker 2: of his books. And there's cocaine right from the first book, 885 00:40:11,960 --> 00:40:14,279 Speaker 2: all right. In a study in Scarlet, doctor Watson is 886 00:40:14,280 --> 00:40:17,160 Speaker 2: worried about his friend's co cabit, doesn't quite mention it 887 00:40:17,200 --> 00:40:19,680 Speaker 2: by name. It gets mentioned by name three years later 888 00:40:19,719 --> 00:40:22,640 Speaker 2: in the next book, The Sign of the Four, Watson 889 00:40:22,680 --> 00:40:26,239 Speaker 2: actually watches Holmes shoot up right, and he says, and 890 00:40:26,280 --> 00:40:28,439 Speaker 2: I quote Charlotte, Holmes took his bottle from the corner 891 00:40:28,440 --> 00:40:30,839 Speaker 2: of the mantelpiece and his hypodermic syringe from its neat 892 00:40:30,840 --> 00:40:34,719 Speaker 2: Morocco case. With his long, white, nervous fingers. He adjusted 893 00:40:34,719 --> 00:40:37,720 Speaker 2: the delicate needle, and rolled back his left shirt cuff. 894 00:40:38,120 --> 00:40:41,080 Speaker 2: For some little time, his eyes rested thoughtfully upon the 895 00:40:41,160 --> 00:40:45,560 Speaker 2: sinewy forearm and wrist, all dotted and scarred with innumerable 896 00:40:45,600 --> 00:40:50,120 Speaker 2: puncture marks. Finally, he thrust the sharp point home, pressed 897 00:40:50,160 --> 00:40:54,040 Speaker 2: down the tiny piston, and sank back into the velvet 898 00:40:54,080 --> 00:40:58,480 Speaker 2: lined armchair with a long sigh of satisfaction. Now to me, 899 00:40:58,520 --> 00:41:00,000 Speaker 2: that sounds like morphineus a cocaine. 900 00:41:00,040 --> 00:41:02,759 Speaker 3: I was realized in reading it and then seeing I 901 00:41:02,800 --> 00:41:05,120 Speaker 3: always thought it was that Holmes was supposed to be 902 00:41:05,440 --> 00:41:06,360 Speaker 3: a morphine addict. 903 00:41:06,520 --> 00:41:10,399 Speaker 2: Yeah, he speaks. Holmes specifically speaks to cocaine. He tells 904 00:41:10,400 --> 00:41:12,560 Speaker 2: the Good Doctor at one point, I suppose that it's 905 00:41:12,600 --> 00:41:14,920 Speaker 2: influence is physically a bad one. I find it, however, 906 00:41:15,080 --> 00:41:17,960 Speaker 2: so trendscendentally stimulating and clarifying to the mind, that its 907 00:41:17,960 --> 00:41:20,960 Speaker 2: secondary action is a matter of small moment. So he 908 00:41:21,000 --> 00:41:22,759 Speaker 2: basically says, I don't care, it makes you feel good. Yeah, 909 00:41:22,760 --> 00:41:27,840 Speaker 2: don't give me any So that's how the Great Detective 910 00:41:27,840 --> 00:41:30,840 Speaker 2: helped glamorize cocaine. He give it a patina of elegance 911 00:41:30,880 --> 00:41:34,319 Speaker 2: and sophistication similar to Freud right, but admittedly he didn't 912 00:41:34,360 --> 00:41:36,560 Speaker 2: have to worry about fetanol like the modern users do. 913 00:41:37,040 --> 00:41:39,200 Speaker 2: But even Victorian cocaine was still a no joke. It 914 00:41:39,239 --> 00:41:43,360 Speaker 2: was pharmaceutical great. But anyway, Elizabeth, you still may be wondering, Jaren, 915 00:41:43,440 --> 00:41:46,560 Speaker 2: where is the crime? You've kind of dogged. Yeah, it's 916 00:41:46,560 --> 00:41:49,520 Speaker 2: a fantastic question, Elizabeth to answer that. Let's bring it 917 00:41:49,560 --> 00:41:52,760 Speaker 2: back home to the US. Cocaine arrived in American soil 918 00:41:52,800 --> 00:41:55,120 Speaker 2: in eighteen eighty four as a medical supply. As I've 919 00:41:55,160 --> 00:41:56,960 Speaker 2: told you, right, it is mostly just with the doctors. 920 00:41:56,960 --> 00:41:59,480 Speaker 2: By then, who's being mass produced by European chemical companies 921 00:41:59,520 --> 00:42:03,160 Speaker 2: like Murk, And they're throwing it over this over the Atlantic, right, 922 00:42:03,200 --> 00:42:05,560 Speaker 2: this new wonder drug. It gets outlawed in its first 923 00:42:05,600 --> 00:42:08,399 Speaker 2: state three years later, in eighteen eighty seven, the state 924 00:42:08,440 --> 00:42:11,080 Speaker 2: of Oregon. At that point, all the new stories about 925 00:42:11,120 --> 00:42:14,080 Speaker 2: cocaine abuse were about doctors abusing it. So Oregon very 926 00:42:14,080 --> 00:42:16,719 Speaker 2: small state. They can't have their few doctors abusing it, 927 00:42:16,760 --> 00:42:19,160 Speaker 2: so they outlawed, Right, they're dipping into it. Two years later, 928 00:42:19,200 --> 00:42:23,200 Speaker 2: Montana outlawed cocaine without a prescription, So, just like Oregon, 929 00:42:23,200 --> 00:42:24,719 Speaker 2: it was more of an updated ban on their pre 930 00:42:24,800 --> 00:42:28,640 Speaker 2: existing laws against opium and morphine, which was a racist 931 00:42:28,640 --> 00:42:32,560 Speaker 2: preoccupation in the West because of Chinese laborers. Yeah, so Colorado. 932 00:42:32,760 --> 00:42:36,719 Speaker 3: Sorry, it feels like cocaine though, was probably not prescribed 933 00:42:36,880 --> 00:42:40,040 Speaker 3: for people to take away from the office. I think 934 00:42:40,080 --> 00:42:42,480 Speaker 3: it was it because it seems like if the doctors 935 00:42:42,480 --> 00:42:44,479 Speaker 3: are getting busted for it, it's something that is. 936 00:42:44,480 --> 00:42:47,279 Speaker 2: It's not being administered in the doctor's office. They were 937 00:42:47,320 --> 00:42:50,799 Speaker 2: being given various ways. There was like lozenges, there's gums, 938 00:42:51,000 --> 00:42:53,880 Speaker 2: there's there are shots that they're administering, but there's also powders. 939 00:42:53,920 --> 00:42:55,960 Speaker 2: There's a lot of different they're coming up. They don't 940 00:42:56,000 --> 00:42:57,600 Speaker 2: know how to best give it to people today. 941 00:42:57,680 --> 00:43:00,080 Speaker 3: Isn't it mostly used in dentistry. 942 00:42:59,640 --> 00:43:02,719 Speaker 2: Yeah, it's it's primarily an anesthetic cruised and dentistry in 943 00:43:02,760 --> 00:43:04,399 Speaker 2: the in the office. Yeah, and the users a little 944 00:43:04,480 --> 00:43:07,640 Speaker 2: tiny noodles thing. So Colorado, Illinois they soon follow suit. 945 00:43:07,680 --> 00:43:10,480 Speaker 2: They update their narcotics laws. This is primarily in response, 946 00:43:10,520 --> 00:43:13,560 Speaker 2: once again to abuse by doctors and pharmacists. Eighteen ninety three, 947 00:43:13,600 --> 00:43:15,440 Speaker 2: the state of New York first big state to do it. 948 00:43:15,480 --> 00:43:17,719 Speaker 2: They ban the use of cocaine without a doctor's note, 949 00:43:17,760 --> 00:43:21,960 Speaker 2: again to limit recreational cocaine abuse. Same thing doctor's pharmacist. 950 00:43:22,200 --> 00:43:24,680 Speaker 2: One month after cocaine had first rived in US, a 951 00:43:24,719 --> 00:43:27,440 Speaker 2: Connecticut doctor he'd created a new product. I remember you 952 00:43:27,440 --> 00:43:29,080 Speaker 2: were talking about they didn't know how to get cocaine 953 00:43:29,120 --> 00:43:31,359 Speaker 2: into the body the best way. So he decides, oh, 954 00:43:31,360 --> 00:43:33,600 Speaker 2: I mean, once again for medical purposes, He's going to 955 00:43:33,640 --> 00:43:36,280 Speaker 2: create some way to fight the common cold with cocaine. 956 00:43:36,320 --> 00:43:39,640 Speaker 2: So he grinds up menthol and cocaine and some milk 957 00:43:39,680 --> 00:43:42,120 Speaker 2: sugar and he sells this as a medical snuff. 958 00:43:42,200 --> 00:43:42,359 Speaker 5: Right. 959 00:43:42,480 --> 00:43:43,920 Speaker 2: It's just you can do the white powder and you 960 00:43:43,920 --> 00:43:46,319 Speaker 2: can just snort it. So he thought it would open 961 00:43:46,400 --> 00:43:48,439 Speaker 2: up the nostrils. What it did was create a quick 962 00:43:48,440 --> 00:43:51,480 Speaker 2: and easy way to recreationally do cocaine. Young folks love it. 963 00:43:51,520 --> 00:43:53,080 Speaker 2: They start calling it sniff and cocaine. 964 00:43:53,080 --> 00:43:53,200 Speaker 5: There. 965 00:43:53,280 --> 00:43:55,600 Speaker 2: You got to get that sniff and cocaine. It becomes 966 00:43:55,600 --> 00:43:58,000 Speaker 2: the new drug ad choice. Soon enough, there's news headlines 967 00:43:58,760 --> 00:44:02,120 Speaker 2: documenting this new moral panic. This headline's like boy slave 968 00:44:02,160 --> 00:44:04,640 Speaker 2: to cocaine or that was from the Chicago Tribune eighteen 969 00:44:04,719 --> 00:44:05,200 Speaker 2: ninety six. 970 00:44:05,440 --> 00:44:07,960 Speaker 3: This general mood, all these stories milk powdery you said, 971 00:44:08,160 --> 00:44:10,280 Speaker 3: milk sugar, milk sugar. Yeah, still it's interesting. 972 00:44:10,360 --> 00:44:12,600 Speaker 2: Yeah, does that make it sweet, not too sweet? Who'd 973 00:44:12,640 --> 00:44:14,920 Speaker 2: be really crystal? And it's kind of a flaky, dry sugar. 974 00:44:14,920 --> 00:44:15,120 Speaker 3: Okay. 975 00:44:15,280 --> 00:44:19,040 Speaker 2: Anyway, they're basically the stories. The moral panic is that 976 00:44:19,200 --> 00:44:22,040 Speaker 2: cocaine is fueling the white slave trade. That's what they think. 977 00:44:22,440 --> 00:44:24,640 Speaker 2: The white slave trade is being run on cocaine. That's 978 00:44:24,760 --> 00:44:27,279 Speaker 2: what this is the new story, say Elizabeth, All these 979 00:44:27,320 --> 00:44:29,440 Speaker 2: like white girls and boys are going into the big. 980 00:44:29,320 --> 00:44:30,920 Speaker 3: City and Jimmy and. 981 00:44:30,880 --> 00:44:33,800 Speaker 2: Then yeah, they're being like suckered into warehouses by people 982 00:44:33,800 --> 00:44:36,000 Speaker 2: with like cocaine. I don't know. These are the stories. 983 00:44:36,080 --> 00:44:39,480 Speaker 2: It becomes this consistent theme, right for two decades. In 984 00:44:39,560 --> 00:44:42,400 Speaker 2: nineteen twelve, the New York Tribune ran the headline Cocaine 985 00:44:42,480 --> 00:44:44,600 Speaker 2: an ally of the white slavers. It just they just 986 00:44:44,680 --> 00:44:47,120 Speaker 2: keep doing the same stories over and over again. Right 987 00:44:47,239 --> 00:44:50,359 Speaker 2: despite all these screaming headlines about lost white youth. Yea, 988 00:44:50,440 --> 00:44:53,239 Speaker 2: the moral panic never takes hold of people's imaginations and 989 00:44:53,680 --> 00:44:56,439 Speaker 2: nothing's really happening. The story starts to shift. In eighteen 990 00:44:56,520 --> 00:44:58,360 Speaker 2: ninety eight, a Chicago paper wrote a story about a 991 00:44:58,400 --> 00:45:00,520 Speaker 2: cocaine club where black people gathered in secret and they 992 00:45:00,520 --> 00:45:02,400 Speaker 2: blew rails of this new hip drug. And the paper 993 00:45:02,719 --> 00:45:05,520 Speaker 2: wrote and I quote yesterday, the following invitations were sent 994 00:45:05,560 --> 00:45:08,280 Speaker 2: to a number of prospective members. You are cordially invited 995 00:45:08,320 --> 00:45:10,920 Speaker 2: to attend a coke party given by the Colored Cocaine 996 00:45:10,920 --> 00:45:13,720 Speaker 2: Club at its hall on December twenty third at three pm. 997 00:45:14,000 --> 00:45:17,560 Speaker 2: There was a large attendance. An Ramsey, a depraved negress 998 00:45:17,640 --> 00:45:20,120 Speaker 2: who was known as the Queen of the Cocaine Fiends, 999 00:45:20,239 --> 00:45:22,799 Speaker 2: sniffed the drug up her nostrils until her nose was 1000 00:45:22,840 --> 00:45:26,040 Speaker 2: swollen and split open. She is the ruling spirit of 1001 00:45:26,080 --> 00:45:30,160 Speaker 2: these gatherings. So in these news stories right, setting aside 1002 00:45:30,200 --> 00:45:33,080 Speaker 2: the casual racism, coke was shown as the ruiner of people. Right, 1003 00:45:33,160 --> 00:45:35,480 Speaker 2: fears of black people doing coke were largely non existent 1004 00:45:35,520 --> 00:45:37,720 Speaker 2: and mostly focused on the cocaine, not the black people. 1005 00:45:37,760 --> 00:45:41,200 Speaker 2: But then as the century turned Elizabeth, cocaine sniffing became 1006 00:45:41,239 --> 00:45:43,720 Speaker 2: the drug a choice for working men, in particular black 1007 00:45:43,719 --> 00:45:47,239 Speaker 2: waterfront dock workers and Steve Adoors. They helped spread the 1008 00:45:47,320 --> 00:45:50,120 Speaker 2: drug across the South, first up and down the Mississippi, 1009 00:45:50,160 --> 00:45:52,640 Speaker 2: and we see all these states start banning cocaine all 1010 00:45:52,680 --> 00:45:55,160 Speaker 2: along the Mississippi River. It makes its way into New 1011 00:45:55,239 --> 00:45:58,400 Speaker 2: Orleans and the Forum from there to the former plantation workers. 1012 00:45:58,440 --> 00:45:59,960 Speaker 2: Now it starts showing up in what would be the 1013 00:46:00,000 --> 00:46:02,040 Speaker 2: the predecessors of juke joints. People are doing it on 1014 00:46:02,040 --> 00:46:02,440 Speaker 2: the weekend. 1015 00:46:02,560 --> 00:46:02,799 Speaker 7: Yeah. 1016 00:46:02,840 --> 00:46:05,239 Speaker 2: The white planters are stoked about cocaine because the black 1017 00:46:05,239 --> 00:46:08,040 Speaker 2: field workers worked longer and they were more productive, so 1018 00:46:08,080 --> 00:46:10,960 Speaker 2: they were like, yeah, the white planters started growing cocaine 1019 00:46:11,000 --> 00:46:12,880 Speaker 2: giving it out to the field hands. It was like 1020 00:46:12,920 --> 00:46:15,160 Speaker 2: coffee in a breakway. We're oh, yeah, there's just handed 1021 00:46:15,160 --> 00:46:18,960 Speaker 2: cocaine out right. The popularity cocaine spreads across the South right, 1022 00:46:19,040 --> 00:46:21,400 Speaker 2: especially in New Orleans because it's a party city. This 1023 00:46:21,400 --> 00:46:23,800 Speaker 2: would soon lead to a new wave of racialized fears 1024 00:46:23,800 --> 00:46:26,960 Speaker 2: of negroes running them up high on cocaine. The typical 1025 00:46:27,000 --> 00:46:29,960 Speaker 2: Southern fears of black people getting their bloody vengeance on 1026 00:46:30,040 --> 00:46:32,839 Speaker 2: white folks start creeping north with these news stories. Right 1027 00:46:32,960 --> 00:46:36,080 Speaker 2: the Atlanta Journal Constitution, my hometown paper, they published a 1028 00:46:36,120 --> 00:46:38,680 Speaker 2: story a nineteen hundred two negro women engage in a 1029 00:46:38,719 --> 00:46:42,319 Speaker 2: bloody fight and cocaine dive. Another AJC headline from the 1030 00:46:42,320 --> 00:46:45,759 Speaker 2: same time, frightful spread of habit among the Negroes. My 1031 00:46:45,880 --> 00:46:48,840 Speaker 2: favorite is from November twenty eighth to nineteen hundred Senators 1032 00:46:48,920 --> 00:46:51,200 Speaker 2: visit cocaine sniffers. I don't know what the story is 1033 00:46:51,200 --> 00:46:54,799 Speaker 2: there now, there wasn't Atlanta copy. They quoted in the 1034 00:46:54,800 --> 00:46:57,839 Speaker 2: Ajac and the cocaine says, cocaine makes the Negroes quiet 1035 00:46:57,880 --> 00:47:00,480 Speaker 2: and inoffensive. And if we have less trouble, cocaine victims 1036 00:47:00,520 --> 00:47:02,799 Speaker 2: in with whiskey victims. So they're like all about it. 1037 00:47:03,000 --> 00:47:05,680 Speaker 2: The cops are saying, we're cool with it, doesn't matter. 1038 00:47:05,760 --> 00:47:07,880 Speaker 2: New York papers they start running similar stories as the 1039 00:47:07,880 --> 00:47:11,200 Speaker 2: southern headlines started getting syndicated all across the country. This 1040 00:47:11,280 --> 00:47:14,040 Speaker 2: wave builds over the decade. In nineteen oh five, the 1041 00:47:14,080 --> 00:47:17,239 Speaker 2: New York Times publishes a story, Negro Cocaine evil. That's 1042 00:47:17,239 --> 00:47:20,440 Speaker 2: all it is, just three words, Negro cocaine evil. No story, 1043 00:47:20,480 --> 00:47:23,440 Speaker 2: that's just said. It was about cocaine the Southern States. 1044 00:47:23,440 --> 00:47:26,040 Speaker 2: So all these Northerners are worried about what's happening down 1045 00:47:26,080 --> 00:47:27,799 Speaker 2: to our brothers in the South. I guess I don't 1046 00:47:27,800 --> 00:47:30,440 Speaker 2: know right. So later on nineteen twelve, the New York 1047 00:47:30,440 --> 00:47:33,000 Speaker 2: Times story there's another one. This one's about the local habits. 1048 00:47:33,000 --> 00:47:35,880 Speaker 2: It says Cuban Negroes introduced a cocaine vice in New 1049 00:47:35,960 --> 00:47:40,400 Speaker 2: York Merk introduced the cocaine price in New York anyway, 1050 00:47:40,719 --> 00:47:43,759 Speaker 2: This just general ambient racist trend eventually culminated in a 1051 00:47:43,880 --> 00:47:46,640 Speaker 2: corker of a New York Times magazine story published February 1052 00:47:46,719 --> 00:47:50,920 Speaker 2: nineteen fourteen, with the very unsubtle headline Negro cocaine fiends 1053 00:47:50,920 --> 00:47:54,640 Speaker 2: are a new Southern menace. That published story which was incorrect. 1054 00:47:54,640 --> 00:47:57,680 Speaker 2: Mind you detailed accounts of coke mad negroes, and the 1055 00:47:57,800 --> 00:47:59,960 Speaker 2: article is written by one doctor Edward Huntington will You, 1056 00:48:00,160 --> 00:48:02,799 Speaker 2: who was a local moral skold. He featured lines in 1057 00:48:02,840 --> 00:48:05,280 Speaker 2: his article like nine men killed in Mississippi by craz's 1058 00:48:05,320 --> 00:48:08,760 Speaker 2: cocaine takers, five in North Carolina, three in Tennessee. These 1059 00:48:08,760 --> 00:48:11,800 Speaker 2: are the facts that need no imaginative coloring. Why do 1060 00:48:11,880 --> 00:48:15,200 Speaker 2: they need no imaginative coloring, Elizabeth, because of racism. The 1061 00:48:15,239 --> 00:48:17,520 Speaker 2: reader's already been primed to imagine the black men committing 1062 00:48:17,560 --> 00:48:17,960 Speaker 2: the crimes. 1063 00:48:18,000 --> 00:48:19,080 Speaker 3: Did they really happen? 1064 00:48:19,320 --> 00:48:19,440 Speaker 7: No. 1065 00:48:19,560 --> 00:48:21,880 Speaker 2: The purported news story included a tale of a cocaine 1066 00:48:21,920 --> 00:48:25,360 Speaker 2: stiffing negro who was in vulnerable to the effects of guns. 1067 00:48:25,760 --> 00:48:29,320 Speaker 2: Bullets bounced off his coke addled body. A direct gunshot 1068 00:48:29,360 --> 00:48:31,799 Speaker 2: to the heart, Elizabeth, a direct gunshot to the heart. 1069 00:48:31,800 --> 00:48:34,239 Speaker 2: In the story is quote did not even stagger the man. 1070 00:48:34,640 --> 00:48:37,040 Speaker 2: The new story reported how this incident and one's like it, 1071 00:48:37,120 --> 00:48:40,040 Speaker 2: had spurred Southern cops to purchase quote guns of greater 1072 00:48:40,160 --> 00:48:43,160 Speaker 2: shocking power. So they wanted stoppers because he got these, 1073 00:48:43,200 --> 00:48:47,880 Speaker 2: you know, bulletproof negroes running own cocaine. The real story, 1074 00:48:47,920 --> 00:48:49,839 Speaker 2: by the way, Elizabeth, since you did ask, had been 1075 00:48:49,880 --> 00:48:53,040 Speaker 2: published by The New York Times one year earlier, in 1076 00:48:53,120 --> 00:48:56,600 Speaker 2: nineteen thirteen. In the original reporting, it was two brothers, 1077 00:48:56,600 --> 00:49:00,200 Speaker 2: not one bulletproof negro cocine. The brothers did act violently, 1078 00:49:00,239 --> 00:49:02,759 Speaker 2: and in response, three innocent black men were killed by 1079 00:49:02,760 --> 00:49:05,719 Speaker 2: a white mob as retribution. But what do facts matter 1080 00:49:05,760 --> 00:49:08,520 Speaker 2: when you got a good racialized scare campaign. 1081 00:49:08,080 --> 00:49:10,640 Speaker 3: To build dude who like trash his own house during 1082 00:49:10,680 --> 00:49:13,120 Speaker 3: all the George Floyd of rising and then wrote Black's 1083 00:49:13,160 --> 00:49:16,240 Speaker 3: rule in the driveway. 1084 00:49:18,080 --> 00:49:20,319 Speaker 2: So we have there's there's there's our crime. All right, 1085 00:49:20,360 --> 00:49:22,920 Speaker 2: we got I got a one percent. Somebody did get hurt, right, 1086 00:49:22,960 --> 00:49:24,719 Speaker 2: I felt that one percent was important to include. But 1087 00:49:25,200 --> 00:49:27,319 Speaker 2: so that same year, as that crazy racist New York 1088 00:49:27,320 --> 00:49:30,680 Speaker 2: Times story runs, it finally grips the America followed nineteen 1089 00:49:30,719 --> 00:49:33,479 Speaker 2: fourteen folks down to Washington. They act on this imagined threat. 1090 00:49:33,600 --> 00:49:38,319 Speaker 2: Lawmakers passed new legislation, federal legislation, the Harrison Act. After that, 1091 00:49:38,360 --> 00:49:41,640 Speaker 2: it makes cocaine illegal without a prescription across the United States. Yeah, 1092 00:49:41,760 --> 00:49:44,680 Speaker 2: that coke usage drops off, then the hip they move 1093 00:49:44,719 --> 00:49:46,120 Speaker 2: on to heroin. We got new drugs. 1094 00:49:46,160 --> 00:49:46,279 Speaker 4: Right. 1095 00:49:46,600 --> 00:49:49,120 Speaker 2: Cocaine becomes a crime when black people were doing the 1096 00:49:49,160 --> 00:49:51,759 Speaker 2: same arical drug as freud. So there's there's our ridiculous 1097 00:49:51,800 --> 00:49:55,000 Speaker 2: crime when folks with field sweat on their backs enjoyed 1098 00:49:55,000 --> 00:49:58,200 Speaker 2: the preferred pastime of popes and a queen and Sherlock Holmes. 1099 00:49:58,280 --> 00:50:00,560 Speaker 2: Once it did, the melanated folks started snow from cocaine 1100 00:50:00,600 --> 00:50:03,680 Speaker 2: and private clubs of colored cocaine enthusiasts. Yeah, that, Elizabeth 1101 00:50:03,719 --> 00:50:06,279 Speaker 2: is when cocaine became a drug menace. But you know what, 1102 00:50:06,400 --> 00:50:08,680 Speaker 2: good and honestly, in my opinion, cocaine is a menace. 1103 00:50:08,719 --> 00:50:11,080 Speaker 2: It should be a regulated substance. It's it's too much 1104 00:50:11,080 --> 00:50:13,240 Speaker 2: for the human animal. I mean, look at everybody's reaction 1105 00:50:13,320 --> 00:50:15,880 Speaker 2: to it, like this is amazing. It's not a powder 1106 00:50:16,000 --> 00:50:18,400 Speaker 2: meant for It's a powderman for gods, not mere mortals. 1107 00:50:18,400 --> 00:50:20,120 Speaker 2: That's my thought. I think the South Americans were right. 1108 00:50:20,160 --> 00:50:22,120 Speaker 2: We're like, this is some god stuff, right man. I 1109 00:50:22,200 --> 00:50:23,640 Speaker 2: know I'm kind of making it sound good. I don't 1110 00:50:23,640 --> 00:50:25,520 Speaker 2: mean to. It's not. Coca is terrible, and you know what, 1111 00:50:26,360 --> 00:50:28,640 Speaker 2: I want coke to be illegal. But anyway that is 1112 00:50:28,680 --> 00:50:32,360 Speaker 2: out coke and our history with it became illegal ridiculous 1113 00:50:32,360 --> 00:50:35,560 Speaker 2: and ridiculous. So that's a ridiculous takeaway, Elizabeth. 1114 00:50:35,160 --> 00:50:38,920 Speaker 3: Don't do drugs, don't do coke. Yes, that's my big takeaway. 1115 00:50:38,920 --> 00:50:43,080 Speaker 3: And also, like the people people all coked out don't 1116 00:50:43,120 --> 00:50:46,439 Speaker 3: know how obnoxious they are. In their minds. They're thinking 1117 00:50:46,440 --> 00:50:50,400 Speaker 3: they're just like the funniest, like quickest, cutest thing, and 1118 00:50:50,560 --> 00:50:52,000 Speaker 3: oh my goodness. 1119 00:50:51,680 --> 00:50:53,200 Speaker 2: Yes, I would love you be able to show them 1120 00:50:53,239 --> 00:50:53,800 Speaker 2: the difference. 1121 00:50:53,840 --> 00:50:57,520 Speaker 3: So yeah, all teeth grinding now for. 1122 00:50:57,600 --> 00:50:58,880 Speaker 2: Me once again, thank you for asking. 1123 00:50:58,760 --> 00:51:00,480 Speaker 3: A little Yeah, yeah, I want to know. 1124 00:51:00,560 --> 00:51:04,200 Speaker 2: My ridiculous takeaway is is well, I thought of like 1125 00:51:04,200 --> 00:51:06,200 Speaker 2: the Chinese folks in the West, they could have been like, 1126 00:51:06,239 --> 00:51:07,799 Speaker 2: we could have told you how this would play out, 1127 00:51:08,080 --> 00:51:11,040 Speaker 2: because one generation earlier they had dealt with this with 1128 00:51:11,080 --> 00:51:13,719 Speaker 2: the opium line. Yeah, and that was because of the 1129 00:51:13,719 --> 00:51:16,120 Speaker 2: people in the West wanted to lessen the power of 1130 00:51:16,200 --> 00:51:18,440 Speaker 2: fast growing Chinese wealth. So they're like, oh, it's come 1131 00:51:18,480 --> 00:51:20,120 Speaker 2: off with this. We'll legalize all of them. We'll make 1132 00:51:20,160 --> 00:51:23,440 Speaker 2: it a problem. We could be suspicious of anyone with money. Yeah, anyway, 1133 00:51:23,800 --> 00:51:26,160 Speaker 2: that was a generation earlier. So really there's truly nothing 1134 00:51:26,160 --> 00:51:28,560 Speaker 2: new under the sun. Not a lick anyway. That's all 1135 00:51:28,560 --> 00:51:30,880 Speaker 2: I got for you, but the history of cocaine and 1136 00:51:30,920 --> 00:51:34,680 Speaker 2: why we have talk therapy US. You can online a 1137 00:51:34,760 --> 00:51:37,160 Speaker 2: Ridiculous Crime on Twitter, Instagram. We have a website ridiculous 1138 00:51:37,160 --> 00:51:39,520 Speaker 2: Crime dot com, and we also like your talkbacks emails 1139 00:51:39,560 --> 00:51:42,360 Speaker 2: if you want at Ridiculous Crime at gmail dot com. 1140 00:51:42,400 --> 00:51:50,319 Speaker 2: Thanks for listening. We'll catch your next crime. Ridiculous Crime 1141 00:51:50,320 --> 00:51:52,960 Speaker 2: is supposed to by Elizabeth Dutton and Zaron Burnette, produced 1142 00:51:52,960 --> 00:51:56,160 Speaker 2: and edited by our resident cocaine hippo caretaker Dave Cousten. 1143 00:51:56,400 --> 00:51:58,680 Speaker 2: Research is by Mursa, I Don't Dance with that, Blow 1144 00:51:58,880 --> 00:52:03,000 Speaker 2: Brown and Andre Yeah. Anime is my cocaine song, Sharpened Tear. 1145 00:52:03,640 --> 00:52:06,520 Speaker 2: Our theme song is by Thomas Keep It Natural Lee 1146 00:52:06,800 --> 00:52:10,480 Speaker 2: and Travis I prefer Pepsi Dunton. The host wardrobe provided 1147 00:52:10,520 --> 00:52:13,600 Speaker 2: by Botany five hundred. Executive producers are Ben Did you 1148 00:52:13,640 --> 00:52:15,840 Speaker 2: know that Keith Richards once started a line of his 1149 00:52:15,880 --> 00:52:18,920 Speaker 2: own father's ashes bowling and Noel, Yeah, I did you 1150 00:52:18,960 --> 00:52:20,120 Speaker 2: told me that brown? 1151 00:52:25,840 --> 00:52:29,480 Speaker 4: Okay, So I just had to try the Snoop cereal. 1152 00:52:31,040 --> 00:52:33,319 Speaker 4: So I went to Walmart and I bought it. It 1153 00:52:33,360 --> 00:52:37,719 Speaker 4: was one ninety eight. I got the frosted drizzlers. 1154 00:52:38,719 --> 00:52:51,640 Speaker 7: And I'm going to try them. These are really good. 1155 00:52:52,200 --> 00:52:57,080 Speaker 4: These were really good, so continuing from the last one, 1156 00:52:59,400 --> 00:53:03,759 Speaker 4: they're really not really really sweet. I think they're just 1157 00:53:03,800 --> 00:53:10,680 Speaker 4: a little bit sweeter than the frosted miniwheeds. They're a 1158 00:53:10,680 --> 00:53:18,439 Speaker 4: lot cheaper too. I think they're really delicious. They're really good. 1159 00:53:18,440 --> 00:53:21,719 Speaker 4: I can't stop eating them. Definitely try them out. 1160 00:53:22,520 --> 00:53:28,240 Speaker 6: Ridicous Crime, Say it one more Timeous Crime. 1161 00:53:29,239 --> 00:53:32,640 Speaker 1: Ridiculous Crime is a production of iHeartRadio four more podcasts. 1162 00:53:32,719 --> 00:53:35,880 Speaker 1: My heart Radio, visit the iHeartRadio app, Apple Podcasts, or 1163 00:53:35,920 --> 00:53:37,680 Speaker 1: wherever you listen to your favorite shows.