1 00:00:01,840 --> 00:00:05,480 Speaker 1: Welcome to This Is Important, a production of I Heart Radio, 2 00:00:05,720 --> 00:00:09,080 Speaker 1: the show where we only talk about what is most obviously, 3 00:00:09,240 --> 00:00:14,440 Speaker 1: very crucially important today on This Is Important. And I 4 00:00:14,520 --> 00:00:18,119 Speaker 1: was like, I'm gonna ship on the cop car. I 5 00:00:18,200 --> 00:00:22,400 Speaker 1: got my ten thousand hours and then come funny antal 6 00:00:22,520 --> 00:00:26,640 Speaker 1: cream pie. I'm starting to chunk. I'm sorry starting, I'm 7 00:00:26,680 --> 00:00:47,840 Speaker 1: starting to chunk. Guys. Uh, let's go. Yeah, cookies, actually, yes, 8 00:00:47,920 --> 00:00:53,120 Speaker 1: I do. Yes, I love cookies. I love cookies. So funny, 9 00:00:53,159 --> 00:00:55,320 Speaker 1: and let's talk. Should we talk about God? This episode? 10 00:00:55,360 --> 00:00:58,960 Speaker 1: The whole time, the Big Guy up to the Big Guy, 11 00:00:59,080 --> 00:01:01,840 Speaker 1: God talk? Did you find him? Did I find him? 12 00:01:01,880 --> 00:01:04,920 Speaker 1: We're probably gonna do God talk? Thank God? Throwing up 13 00:01:04,920 --> 00:01:08,040 Speaker 1: to the big guy. You know. Should we get a 14 00:01:08,080 --> 00:01:12,280 Speaker 1: shout out and a kudos at the end of the episodes, 15 00:01:13,560 --> 00:01:17,000 Speaker 1: a big shout out and a takeaway to God? What 16 00:01:17,120 --> 00:01:20,480 Speaker 1: a baller takeaway? Yeah? What are you? What are you 17 00:01:20,520 --> 00:01:26,280 Speaker 1: taking away? Takeaway and kudos? What show are you on? Sorry, 18 00:01:26,720 --> 00:01:30,520 Speaker 1: I'm talking about my other podcast called Isn't This Something? 19 00:01:30,600 --> 00:01:34,360 Speaker 1: Isn't that something? Isn't that something that's happening in that sound? 20 00:01:34,480 --> 00:01:36,480 Speaker 1: Were like the joke? Is it? Like the most of 21 00:01:36,480 --> 00:01:40,120 Speaker 1: stuff we talk about. Isn't something? It's like that something. 22 00:01:41,680 --> 00:01:45,800 Speaker 1: It is pretty funny, clever, little kudos for God to 23 00:01:45,920 --> 00:01:49,960 Speaker 1: the big guy. Kudos. What do you guys? Do you think? 24 00:01:50,120 --> 00:01:53,320 Speaker 1: What if God was one of us, a slob like 25 00:01:53,400 --> 00:01:57,680 Speaker 1: one of us, was ab like me, like a stranger 26 00:01:57,720 --> 00:01:59,480 Speaker 1: on the bus, trying to find his way home. By 27 00:01:59,560 --> 00:02:02,919 Speaker 1: damn man, I know how to play that on the guitar. 28 00:02:03,080 --> 00:02:06,760 Speaker 1: I can play that. So speaking of God. Last week 29 00:02:06,800 --> 00:02:11,960 Speaker 1: he took Gallagher from us. Leo Anthony Gallagher Junior, which 30 00:02:12,040 --> 00:02:15,120 Speaker 1: is his full name? Yes, what is it? Leo Anthony 31 00:02:15,240 --> 00:02:19,480 Speaker 1: Gallagher Jr. Was his full Leo. Yeah, he's saying Leo. 32 00:02:19,560 --> 00:02:23,760 Speaker 1: Leonardo is his short Leo Anthony Gallagher Jr. Was his 33 00:02:23,800 --> 00:02:28,400 Speaker 1: full name. It. I don't know, you guys, remember what 34 00:02:28,480 --> 00:02:31,200 Speaker 1: I said. This is why he probably got That's why 35 00:02:31,240 --> 00:02:34,400 Speaker 1: he brought Ninja Turtles to us because his name was 36 00:02:34,480 --> 00:02:38,720 Speaker 1: Leonardo Leo. Yeah, he felt it, you know what I mean? 37 00:02:38,760 --> 00:02:41,640 Speaker 1: He founded on himself. Why do you his name is Leo, 38 00:02:41,960 --> 00:02:45,520 Speaker 1: not Leonardo. But you can extract Leonardo out of that, 39 00:02:45,639 --> 00:02:50,200 Speaker 1: right Leo. Of course, Leo is not a name. It's 40 00:02:50,240 --> 00:02:55,040 Speaker 1: always short for Leonardo, not to sort for leon sword 41 00:02:55,080 --> 00:02:57,760 Speaker 1: for all sorts. You're you're saying they're just chopping off 42 00:02:57,880 --> 00:03:01,520 Speaker 1: one letter, they're chopping off in is that unheard of? 43 00:03:02,280 --> 00:03:04,320 Speaker 1: I'm trying to think of another name that does it. 44 00:03:04,400 --> 00:03:07,639 Speaker 1: But Kyle, why do you say he brought us ninja turtles? 45 00:03:07,639 --> 00:03:09,880 Speaker 1: What is making you say why keep saying that week 46 00:03:09,919 --> 00:03:13,000 Speaker 1: to week? Well, look, Teddy Spencer, a friend of the 47 00:03:13,040 --> 00:03:17,000 Speaker 1: Pod and I were we made a movie together and 48 00:03:17,080 --> 00:03:19,440 Speaker 1: during the time that we were just chilling, he was 49 00:03:19,520 --> 00:03:22,839 Speaker 1: doing a lot of research on Gallagher, as one does 50 00:03:24,200 --> 00:03:26,520 Speaker 1: just we were going down a Gallagher hole where it 51 00:03:26,560 --> 00:03:32,200 Speaker 1: was like Gallagher Gallagher to drama with his brother. And 52 00:03:32,240 --> 00:03:34,320 Speaker 1: then one of the stories that came out was that 53 00:03:35,120 --> 00:03:38,920 Speaker 1: he kicked it with fucking Eastman and Laird and was 54 00:03:39,160 --> 00:03:44,440 Speaker 1: one of the first champions of the Ninja Turtle film. Okay, okay, 55 00:03:44,520 --> 00:03:50,480 Speaker 1: what does that even mean? That's not fucking rocket science? Like, yeah, cartoon, 56 00:03:50,600 --> 00:03:54,520 Speaker 1: It was like, you should do cartoon, the fucking hit 57 00:03:54,640 --> 00:03:57,880 Speaker 1: comic book. He's like, what about a movie? Okay, So 58 00:03:57,960 --> 00:03:59,760 Speaker 1: hold up because I see I don't think I have it, 59 00:04:00,160 --> 00:04:02,960 Speaker 1: but I think we need to get answers on this. 60 00:04:03,040 --> 00:04:05,000 Speaker 1: And I apologize I don't have the answer because it 61 00:04:05,080 --> 00:04:07,440 Speaker 1: might have been the Okay, hey, that's all right, No, 62 00:04:07,600 --> 00:04:09,640 Speaker 1: you brought up have the answer? Well, it might have 63 00:04:09,680 --> 00:04:11,920 Speaker 1: been the cartoon. What came first? I don't know. I 64 00:04:11,960 --> 00:04:15,960 Speaker 1: don't know. I quoted on Kyle, you know, and I'm 65 00:04:16,000 --> 00:04:18,920 Speaker 1: sorry I did that. Kyle. Yeah, I should have known 66 00:04:18,960 --> 00:04:21,600 Speaker 1: you wouldn't have the answer. Okay, it's fine, it's fine, 67 00:04:21,600 --> 00:04:24,200 Speaker 1: go ahead, you can lay into me. The cartoon was first. 68 00:04:24,400 --> 00:04:26,480 Speaker 1: The cartoon was way first. What do you mean first 69 00:04:26,600 --> 00:04:30,880 Speaker 1: before the movie? Yeah? Absolutely. Let's see what Gallagher's involvement was. 70 00:04:31,000 --> 00:04:34,440 Speaker 1: Let's go to seecret dot com. Here check this out. 71 00:04:34,600 --> 00:04:38,640 Speaker 1: Let's see here, Let's go dot com. He's a secret 72 00:04:38,640 --> 00:04:44,280 Speaker 1: boy seeker. Here. Here's the question. It will Ron Gallagher 73 00:04:44,640 --> 00:04:48,800 Speaker 1: his twin brother who Gallagher sued. I believe he sued 74 00:04:48,880 --> 00:04:52,400 Speaker 1: his brother correct taking his act and going on the 75 00:04:52,480 --> 00:04:54,919 Speaker 1: road with it. This is great drawing. I think he 76 00:04:55,040 --> 00:04:58,880 Speaker 1: sold him his act and then like he kept doing 77 00:04:58,920 --> 00:05:01,880 Speaker 1: it past the there was a deal in place. I believe. 78 00:05:01,920 --> 00:05:04,400 Speaker 1: Go ahead. Okay, it's also weird. Yeah, I wish I 79 00:05:04,440 --> 00:05:08,120 Speaker 1: knew more about That's also weird because they looked so similar, right, 80 00:05:08,520 --> 00:05:11,159 Speaker 1: they both looked very much. So now is Ron going 81 00:05:11,200 --> 00:05:15,719 Speaker 1: to go back out on the road a heartbeat. Is 82 00:05:15,760 --> 00:05:18,880 Speaker 1: he alive? Yeah, I believe so. Now he's free of litigation, 83 00:05:18,920 --> 00:05:21,040 Speaker 1: so he could actually take the show out. I'll have 84 00:05:21,160 --> 00:05:25,400 Speaker 1: my long hair. Lawyers take a look at it. I 85 00:05:25,480 --> 00:05:28,280 Speaker 1: know your lawyer. He has short hair. Just for clear, 86 00:05:28,600 --> 00:05:33,760 Speaker 1: for clear of for clarity, clarification. Gallagher got your teenage 87 00:05:33,839 --> 00:05:37,880 Speaker 1: Mutant Ninja Turtles movie made, so it was the movie. 88 00:05:38,000 --> 00:05:40,360 Speaker 1: I don't know, but I'm at least zeroing in on that. 89 00:05:40,680 --> 00:05:43,080 Speaker 1: I'm sorry. That was the only clear thing about what 90 00:05:43,120 --> 00:05:45,920 Speaker 1: you were saying before. Yeah, what do you know, Blake said? 91 00:05:45,920 --> 00:05:48,120 Speaker 1: Blake said cartoon, And I said, I wasn't sure about 92 00:05:48,160 --> 00:05:50,039 Speaker 1: cartoon or not. I wasn't sure which one it was. 93 00:05:50,200 --> 00:05:53,440 Speaker 1: I wasn't saying Gallagher got the cartoon made. I said, 94 00:05:53,440 --> 00:05:56,080 Speaker 1: it wasn't rocket science to make a movie because there 95 00:05:56,120 --> 00:05:59,159 Speaker 1: was always already a humongous hit cartoon. Yeah, if he 96 00:05:59,240 --> 00:06:01,080 Speaker 1: was just a fan of it, and he just were 97 00:06:01,200 --> 00:06:04,080 Speaker 1: to say, that's not a dig to me, secking disaster, 98 00:06:04,279 --> 00:06:08,520 Speaker 1: My guys, are you trying to dig on me? Because 99 00:06:08,640 --> 00:06:10,640 Speaker 1: that's that's that's falling right off me, bro, that's going 100 00:06:10,800 --> 00:06:13,000 Speaker 1: straight to Gallagher in the grave. Man, you're saying, what 101 00:06:13,040 --> 00:06:16,119 Speaker 1: he did was nothing. No, man, I'm coming at you. Brother, 102 00:06:16,279 --> 00:06:19,719 Speaker 1: Gallagher's done. You're in my sights right now. Okay, but 103 00:06:19,760 --> 00:06:22,440 Speaker 1: that's not even directed at me. You're saying what Gallagher 104 00:06:22,520 --> 00:06:25,200 Speaker 1: did wasn't ship and why does that affect me? Are 105 00:06:25,240 --> 00:06:27,560 Speaker 1: you trying to just eat this off your plate here? 106 00:06:28,320 --> 00:06:29,960 Speaker 1: I just want to make sure that Blake knows what 107 00:06:30,000 --> 00:06:33,120 Speaker 1: he's doing is dissing dead Gallagher right now. I am 108 00:06:33,200 --> 00:06:36,520 Speaker 1: not doing that. That's what you're doing. Please don't do that, 109 00:06:36,640 --> 00:06:40,039 Speaker 1: disc dead Gallagher. Please don't. It's it's rough to hear, 110 00:06:40,120 --> 00:06:41,800 Speaker 1: and I want to make sure that we're clear on 111 00:06:41,839 --> 00:06:51,839 Speaker 1: what's happen. I would never do yea. Our producers just 112 00:06:51,839 --> 00:06:54,599 Speaker 1: sent us an article and the headline is g true 113 00:06:54,640 --> 00:06:59,640 Speaker 1: Hollywood story as in like Gallagher, but like I'm not 114 00:06:59,680 --> 00:07:02,080 Speaker 1: reading get based on the headline. There was a whole 115 00:07:02,120 --> 00:07:05,400 Speaker 1: network dedicated to Gallagher and we're just figuring it out 116 00:07:06,360 --> 00:07:11,360 Speaker 1: the entertainment channel, Oh my god. And people might not 117 00:07:11,400 --> 00:07:16,000 Speaker 1: even know Gallagher is Gallagher, man, They for sure don't write. 118 00:07:16,120 --> 00:07:19,760 Speaker 1: If you know what the word yeat means, you don't 119 00:07:19,880 --> 00:07:23,960 Speaker 1: know Gallagher. You might not know who Gallagher, might not 120 00:07:24,200 --> 00:07:28,520 Speaker 1: know who Gallagher. If you just had to burn sixteen 121 00:07:28,600 --> 00:07:34,360 Speaker 1: pairs of Yeasis. You don't know who Gallagher is. You 122 00:07:34,360 --> 00:07:36,080 Speaker 1: don't touch you want to touch that one. I love 123 00:07:36,120 --> 00:07:39,840 Speaker 1: that they stopped selling ye right, But now they're going 124 00:07:39,920 --> 00:07:42,640 Speaker 1: to just take the name off of the shoe and 125 00:07:42,720 --> 00:07:46,520 Speaker 1: still sell the exact same shoe. Ye correct, that's what 126 00:07:46,600 --> 00:07:51,000 Speaker 1: it sounds like. I don't think anyone's gonna it's double problematic. Well, 127 00:07:51,200 --> 00:07:55,600 Speaker 1: everyone knows that they were ugly bad shoes to begin with. 128 00:07:55,960 --> 00:07:59,160 Speaker 1: They were fucking disgusting. I hated him. Yeah, and they 129 00:07:59,160 --> 00:08:05,120 Speaker 1: were terrible. I hated first guys. Guys except for one 130 00:08:05,160 --> 00:08:09,720 Speaker 1: pair of the Wave Runners are sick. But they were 131 00:08:10,800 --> 00:08:14,520 Speaker 1: huge for a generation below us. There's no denying that. 132 00:08:14,800 --> 00:08:18,440 Speaker 1: But here's here's the rub for me. Yeah, the dumbest generation, 133 00:08:18,600 --> 00:08:22,040 Speaker 1: think a generation of us, as you claiming the generation 134 00:08:22,080 --> 00:08:25,080 Speaker 1: below us is the dumbest generation. Yeah, you know, I'm 135 00:08:25,080 --> 00:08:27,679 Speaker 1: saying that they like I'm saying that they're not dumb. 136 00:08:28,120 --> 00:08:33,120 Speaker 1: They liked on that. Yes, I say they have bad style. 137 00:08:33,920 --> 00:08:36,600 Speaker 1: The weird thing about hanging onto the designs and still 138 00:08:36,600 --> 00:08:39,440 Speaker 1: selling them is that the kids who still rock with 139 00:08:39,520 --> 00:08:41,439 Speaker 1: Kanye are like, well, now the name's not on them, 140 00:08:41,440 --> 00:08:43,679 Speaker 1: so they're not as cool, and then the people who 141 00:08:43,720 --> 00:08:46,040 Speaker 1: don't rock with them are like, but they were designed 142 00:08:46,080 --> 00:08:47,920 Speaker 1: under his name originally, so I'm not going to buy them. 143 00:08:48,559 --> 00:08:51,320 Speaker 1: No one's gonna buy them. What are they doing? So 144 00:08:51,440 --> 00:08:54,360 Speaker 1: why not just cease production and start on something else? 145 00:08:54,440 --> 00:08:58,040 Speaker 1: Because they like the money, they like the money, they 146 00:08:58,080 --> 00:09:00,840 Speaker 1: will they will. I don't think it's it's not a 147 00:09:00,840 --> 00:09:02,880 Speaker 1: strong move. No, yeah, I don't think they're gonna do it. 148 00:09:02,880 --> 00:09:04,520 Speaker 1: I don't think they're going to make the shoe anymore. 149 00:09:04,679 --> 00:09:07,280 Speaker 1: But the wave runners are I think Easy they're dead. Well, 150 00:09:07,280 --> 00:09:10,120 Speaker 1: they are currently making the shoe, that's what the big 151 00:09:10,160 --> 00:09:13,120 Speaker 1: announcement was that they're gonna keep selling them without the 152 00:09:13,200 --> 00:09:15,920 Speaker 1: Easy name, right, but they could do another an announcement 153 00:09:15,920 --> 00:09:18,040 Speaker 1: they love announcement. Well, I gotta see it to believe it. 154 00:09:18,160 --> 00:09:24,560 Speaker 1: Oh yeah, it's a conspiracy theory, I think so. Yeah. Listen, 155 00:09:25,160 --> 00:09:27,360 Speaker 1: Blake has falling down a rabbit hole. They're actually not 156 00:09:27,400 --> 00:09:30,000 Speaker 1: making up. No, I actually bought a pair after they're 157 00:09:30,080 --> 00:09:33,520 Speaker 1: no longer Easy now not real. Those aren't real Earth's Flat. 158 00:09:33,720 --> 00:09:36,280 Speaker 1: I do want to hear Blake. After watching all the 159 00:09:36,320 --> 00:09:38,480 Speaker 1: interviews back to back to back to back, how is 160 00:09:38,520 --> 00:09:44,640 Speaker 1: just what's your take then what's your take with Kanye No? No, no, okay, 161 00:09:45,040 --> 00:09:52,200 Speaker 1: take on what? I feel a little feeling a little 162 00:09:52,200 --> 00:09:54,199 Speaker 1: backed into a corner. I don't know what's going on. 163 00:09:54,240 --> 00:09:56,280 Speaker 1: You know, I'm about to sing that on the Macy's 164 00:09:56,360 --> 00:09:59,240 Speaker 1: Day Parade, Take on Me. You're gonna sing that. I 165 00:09:59,240 --> 00:10:02,120 Speaker 1: thought you were singing moved balloons. I'm singing take on 166 00:10:02,200 --> 00:10:07,440 Speaker 1: Me with a mash up of noinly no balloons. Right. 167 00:10:09,120 --> 00:10:11,960 Speaker 1: I love both bangers. That's that's exciting news and that 168 00:10:12,000 --> 00:10:14,280 Speaker 1: those at Bangers. Can you hit that high note? Though? 169 00:10:14,280 --> 00:10:16,280 Speaker 1: For take on, I was going to ask the same question. 170 00:10:16,800 --> 00:10:19,720 Speaker 1: Sarah Highland is taking that high note? Hello, Oh wow, 171 00:10:19,760 --> 00:10:21,240 Speaker 1: she's the same. I mean, I know she's on the show, 172 00:10:21,280 --> 00:10:24,680 Speaker 1: but she's also an accomplished singer. That's cool. Yeah, she's great. 173 00:10:24,800 --> 00:10:27,960 Speaker 1: She's like wildly talented at singing. I had no idea 174 00:10:28,040 --> 00:10:31,120 Speaker 1: because you know, like you just like you're like, yeah, yeah, 175 00:10:31,160 --> 00:10:34,720 Speaker 1: we have good chemistry. We've worked together before. She'll she'll 176 00:10:34,760 --> 00:10:37,160 Speaker 1: be a great addition to the show. On a little 177 00:10:37,200 --> 00:10:41,800 Speaker 1: show called Bumper in Berlin, the spinoff show Ideata about 178 00:10:42,200 --> 00:10:45,360 Speaker 1: my character from the pitch Perfect movies Fish Perfect and 179 00:10:45,720 --> 00:10:50,520 Speaker 1: it's pitch perfect and it's coming out November twenty three, 180 00:10:50,640 --> 00:10:55,440 Speaker 1: only on Peacock. I love, dude. Peacock is fucking killing it. 181 00:10:55,480 --> 00:10:58,240 Speaker 1: That's my favorite streamer right now. Okay, I love I 182 00:10:58,280 --> 00:11:02,920 Speaker 1: love that. You love Wow. They over to HBO. Uh 183 00:11:03,000 --> 00:11:05,840 Speaker 1: their neck and neck. Okay, but the Peacock just has 184 00:11:05,880 --> 00:11:09,679 Speaker 1: too many funny shows. What makes you love Peacock so much? 185 00:11:09,920 --> 00:11:14,520 Speaker 1: Gruber Girls five Ever, Bumper Berlin, The Jack Night Show. Sorry, 186 00:11:14,679 --> 00:11:16,720 Speaker 1: I can't remember the name of it, but that show 187 00:11:16,760 --> 00:11:20,959 Speaker 1: is super funny, bust down, bust bust down, super funny. 188 00:11:21,000 --> 00:11:25,280 Speaker 1: Sam Jay's on. They're taking big swings, dude. They're still 189 00:11:25,320 --> 00:11:28,240 Speaker 1: doing hard comedy where like I like that. Yeah, I 190 00:11:28,240 --> 00:11:32,640 Speaker 1: think that's that NBC is known for, like having funny sitcoms. 191 00:11:32,800 --> 00:11:34,920 Speaker 1: They want to get back to that, I think, and 192 00:11:35,000 --> 00:11:38,720 Speaker 1: they're taking actively trying to. Yeah, they're they're taking swings, 193 00:11:38,760 --> 00:11:42,240 Speaker 1: which is cool. Hold on the adam, you you're performing 194 00:11:42,760 --> 00:11:47,800 Speaker 1: performing at the Thanksgiving parade like Macy, Dude, it's grazy. 195 00:11:47,800 --> 00:11:49,880 Speaker 1: I had no idea. I never on a float. I'm 196 00:11:49,920 --> 00:11:52,679 Speaker 1: on a float. I'm on the Peacock floor. I'm on 197 00:11:52,720 --> 00:11:56,240 Speaker 1: the float. Shout out to there's like an eight foot 198 00:11:56,600 --> 00:12:03,160 Speaker 1: giant peacock floating above me. It's the stage is absolutely insane. 199 00:12:03,480 --> 00:12:06,960 Speaker 1: There's three point five million people along the parade route, 200 00:12:07,360 --> 00:12:14,200 Speaker 1: which is crazy number, and then fifty million plus people 201 00:12:14,280 --> 00:12:17,440 Speaker 1: watch it live. Yeah, dude, that is just on in 202 00:12:17,480 --> 00:12:20,240 Speaker 1: the back. I've watched that ship every year. It's just 203 00:12:20,360 --> 00:12:23,720 Speaker 1: you put that on. I literally have never seen it. 204 00:12:24,640 --> 00:12:26,839 Speaker 1: I've never seen it. Yeah, I mean, it's the thing. 205 00:12:27,120 --> 00:12:29,120 Speaker 1: My family doesn't do it, just keep it on in 206 00:12:29,160 --> 00:12:31,440 Speaker 1: the background. It's hilariously kind of weird. I mean, I 207 00:12:31,440 --> 00:12:32,920 Speaker 1: think it's super doupt that you're doing it, But when 208 00:12:32,960 --> 00:12:36,559 Speaker 1: you watch it and up next we've got this float 209 00:12:36,600 --> 00:12:38,520 Speaker 1: and they stop and perform, and then it's like a 210 00:12:38,600 --> 00:12:44,520 Speaker 1: super duper commercial brought to you by Cottonell Poop poop paper. Yeah, yeah, 211 00:12:45,559 --> 00:12:47,840 Speaker 1: the whole I have no idea. I did not know 212 00:12:47,960 --> 00:12:51,160 Speaker 1: it was such a big thing, but but yeah, we're 213 00:12:51,200 --> 00:12:55,800 Speaker 1: doing it. The Snoopy, the MetLife Snoopy. Are you gonna meet? Yes? 214 00:12:56,280 --> 00:12:59,720 Speaker 1: I probably will meet Snoopy. Yeah, the MetLife Snoopy. Dude, Kyle, 215 00:12:59,800 --> 00:13:01,840 Speaker 1: he might had he might shake his Handkyle. That'll be 216 00:13:01,920 --> 00:13:07,480 Speaker 1: his story about shaking hand. That'll be amazing. Snoopy rocks 217 00:13:08,400 --> 00:13:10,360 Speaker 1: and I'll be like, hey, this is a cool cartoon. 218 00:13:10,400 --> 00:13:12,559 Speaker 1: You guys should do like a movie. Have you ever 219 00:13:12,559 --> 00:13:17,160 Speaker 1: thought about doing live actions? Dist to Gallagher? It's another 220 00:13:17,240 --> 00:13:20,079 Speaker 1: dist to Gallagher. And then forty years from now when 221 00:13:20,120 --> 00:13:23,320 Speaker 1: I pass away, someone will be doing their version of 222 00:13:23,000 --> 00:13:28,720 Speaker 1: of a podcast. Yeah, isn't that something takes off after 223 00:13:28,760 --> 00:13:35,360 Speaker 1: the grades post deaf diss Okay, wait, that's what's gonna 224 00:13:35,360 --> 00:13:37,920 Speaker 1: happen your post deaf dis Yeah, but it's cool. We're 225 00:13:37,920 --> 00:13:40,880 Speaker 1: going to be in New York, uh doing that over 226 00:13:40,920 --> 00:13:45,440 Speaker 1: Thanksgiving and uh, my family's coming out. They're gonna come. 227 00:13:45,559 --> 00:13:50,640 Speaker 1: They Peacock gave me like a hilarious suite. Nice. Yeah, 228 00:13:50,640 --> 00:13:52,880 Speaker 1: that that is going to be so funny to see 229 00:13:52,920 --> 00:13:57,160 Speaker 1: my parents, who like hate anything. Uh nice nice. Yeah, 230 00:13:59,240 --> 00:14:02,160 Speaker 1: because they're just on the middle class of Midwestern people. 231 00:14:02,240 --> 00:14:04,560 Speaker 1: They're like, we don't need this. Fine. It's gonna be 232 00:14:04,679 --> 00:14:08,120 Speaker 1: so funny to like order room service and have my 233 00:14:08,200 --> 00:14:11,680 Speaker 1: parents look at that bill and be like, yeah, you're 234 00:14:11,679 --> 00:14:13,240 Speaker 1: not going to leave the room for sure. I'm not 235 00:14:13,280 --> 00:14:16,800 Speaker 1: signing that. No way, no bullshit. Well, we're going on 236 00:14:16,840 --> 00:14:19,640 Speaker 1: a walk to get some eggs. Yeah, I got spaghetta. 237 00:14:19,880 --> 00:14:21,800 Speaker 1: This is not the cost of spaghett They've been in 238 00:14:21,840 --> 00:14:23,800 Speaker 1: New York, right, they've been in New York. They have 239 00:14:23,880 --> 00:14:25,560 Speaker 1: been in New York. But this is they like it 240 00:14:26,080 --> 00:14:28,600 Speaker 1: and they think it's cool. Yeah, but I think it's 241 00:14:28,640 --> 00:14:31,000 Speaker 1: heat or no, I've put them up in a hotel, 242 00:14:31,040 --> 00:14:33,520 Speaker 1: but this is this hotel that they're putting us up 243 00:14:33,600 --> 00:14:38,120 Speaker 1: is in Midtown and it's like super like gaudy and bogie, 244 00:14:40,000 --> 00:14:42,880 Speaker 1: which I'm very excited to for them to, Uh, you 245 00:14:42,920 --> 00:14:44,680 Speaker 1: don't be a part of Tell me they're gonna be 246 00:14:44,680 --> 00:14:47,200 Speaker 1: at the Plaza. Tell me, no, we're at the Palace. 247 00:14:47,840 --> 00:14:51,520 Speaker 1: At the Palace, you're gonna love. You're gonna love the 248 00:14:51,560 --> 00:14:56,680 Speaker 1: way you look. I'm gonna come all gold everything because 249 00:14:56,720 --> 00:15:03,360 Speaker 1: the plaza, the Plaza is like from movies and stuff, right, like, yeah, 250 00:15:03,640 --> 00:15:07,720 Speaker 1: are we talking Dunston checks We're talking. We're talking Home 251 00:15:07,720 --> 00:15:10,800 Speaker 1: and loan to not Dust checks in. Well, let me 252 00:15:10,800 --> 00:15:14,560 Speaker 1: know when we're talking Dunston checks in. Okay, And you 253 00:15:14,640 --> 00:15:19,680 Speaker 1: know what I believe is the same hotel that they 254 00:15:19,720 --> 00:15:22,080 Speaker 1: that they put us up in in the intern. Isn't 255 00:15:22,080 --> 00:15:26,080 Speaker 1: that right there? Yes? Yes, And then there's like they're 256 00:15:26,120 --> 00:15:30,400 Speaker 1: putting us in a in a square foot two bedroom 257 00:15:30,680 --> 00:15:38,240 Speaker 1: penthouse at that hotel. So it's gonna dumb. That's crazy. Yeah, 258 00:15:38,240 --> 00:15:43,360 Speaker 1: it's it's cool. What hotel was? Dunston checks in, Hey, 259 00:15:43,440 --> 00:15:48,280 Speaker 1: Adam really cool. I I don't know, Blake. I feel 260 00:15:48,320 --> 00:15:50,240 Speaker 1: like this is something that you could get on secret 261 00:15:50,240 --> 00:15:54,600 Speaker 1: dot com and check out Secret d Don't you remember 262 00:15:54,600 --> 00:15:57,400 Speaker 1: we watched the bonus features of that. They said where 263 00:15:57,400 --> 00:16:00,880 Speaker 1: they shot it. It was somewhere dust Dunston checks on 264 00:16:00,880 --> 00:16:03,760 Speaker 1: the bonus feature. It's Dunston. You keep saying it wrong. 265 00:16:04,200 --> 00:16:06,800 Speaker 1: It's not Dustin. Actually you work with that monkey. You 266 00:16:06,800 --> 00:16:10,160 Speaker 1: don't remember what I'm talking about. A gay porno called 267 00:16:10,240 --> 00:16:15,040 Speaker 1: Dustin Chicks. They say. Dunston checks in, Oh that was 268 00:16:15,080 --> 00:16:17,360 Speaker 1: at the Plaza. That was shot at the Plaza. Oh 269 00:16:17,360 --> 00:16:21,480 Speaker 1: wait wait, so Blake on our group chat um just 270 00:16:21,560 --> 00:16:25,280 Speaker 1: found that they do a porno parody of Kyle's show 271 00:16:25,360 --> 00:16:28,240 Speaker 1: What We Do in the Shadows and what was the 272 00:16:28,320 --> 00:16:32,400 Speaker 1: name of it? It was how How We Fucking the Shadows? 273 00:16:32,400 --> 00:16:36,800 Speaker 1: Super pretty good? It was super dope, dude, that's pretty good. 274 00:16:37,120 --> 00:16:41,240 Speaker 1: Did you watch How We Fuck in the Shadows? No? 275 00:16:41,360 --> 00:16:43,760 Speaker 1: I didn't. I didn't watch it. I looked at I 276 00:16:43,880 --> 00:16:45,960 Speaker 1: was kind of hoping it was going to be more 277 00:16:46,240 --> 00:16:49,280 Speaker 1: character based and more show based, but they were just 278 00:16:49,680 --> 00:16:52,800 Speaker 1: they were kind of like just playing like vampires like 279 00:16:53,720 --> 00:16:56,320 Speaker 1: and stuff. So it wasn't really a direct rip from 280 00:16:56,360 --> 00:16:59,240 Speaker 1: the show except for the title, you know, and I'm like, 281 00:16:59,320 --> 00:17:03,240 Speaker 1: that's cool. That sucks. They phoned it in, Kyle. If 282 00:17:03,240 --> 00:17:06,399 Speaker 1: the money was right, would you direct the like the 283 00:17:06,440 --> 00:17:08,720 Speaker 1: Porno Awards whatever those are called, what they called the 284 00:17:09,160 --> 00:17:11,840 Speaker 1: ens or whatever? Aviens? Would you be the director of 285 00:17:11,880 --> 00:17:15,080 Speaker 1: the Aviens? I doubt it. I don't because I remember 286 00:17:15,080 --> 00:17:18,000 Speaker 1: like day Littel hosted him one year and I was like, WHOA, 287 00:17:18,040 --> 00:17:20,840 Speaker 1: all right, I mean, yeah, the check must have been right. 288 00:17:21,320 --> 00:17:24,320 Speaker 1: I don't know. Man, Live shows are stressful, dude, and 289 00:17:24,320 --> 00:17:28,840 Speaker 1: when you're yeah, yeah, it's just a lot of moving 290 00:17:28,920 --> 00:17:36,399 Speaker 1: parts literally part yes points. I don't know if I 291 00:17:36,440 --> 00:17:40,959 Speaker 1: could do it under that stress. Everybody's watching. It's like 292 00:17:41,040 --> 00:17:45,400 Speaker 1: all my my best heroes are there. It's right, all 293 00:17:45,440 --> 00:17:48,240 Speaker 1: these icons of the industry there and they're you know, 294 00:17:48,240 --> 00:17:51,000 Speaker 1: they're gonna be judging. I feel like we missed our 295 00:17:51,040 --> 00:17:54,600 Speaker 1: wave to go to to go to them. I feel 296 00:17:54,600 --> 00:17:57,120 Speaker 1: like we missed it and we could be right back 297 00:17:57,160 --> 00:17:59,200 Speaker 1: there if we wanted to. Yeah, I think I think 298 00:17:59,200 --> 00:18:02,560 Speaker 1: I can loop right back. Yeah, that's a that's an 299 00:18:02,600 --> 00:18:06,160 Speaker 1: easy we go. I just don't think it's like as 300 00:18:06,240 --> 00:18:08,399 Speaker 1: good a A. I think you're missing my point. I 301 00:18:08,440 --> 00:18:12,159 Speaker 1: think we the window of that hang on the window 302 00:18:12,200 --> 00:18:15,440 Speaker 1: of them wanting us to be there, we missed, But 303 00:18:15,600 --> 00:18:19,560 Speaker 1: the window of us ending up being there is very 304 00:18:19,640 --> 00:18:23,480 Speaker 1: much still in play wide open. Wait, did you see 305 00:18:23,560 --> 00:18:28,280 Speaker 1: fucking Blake Obviously seat filling. He's filling something. That's how 306 00:18:28,320 --> 00:18:31,640 Speaker 1: you got it. You have to do the Hollywood minute. 307 00:18:31,680 --> 00:18:33,760 Speaker 1: Let people know what a seat filler is. Now we're 308 00:18:33,800 --> 00:18:41,800 Speaker 1: Backwood minute, Mellywood minute with Blake Anderson. I feel like 309 00:18:41,800 --> 00:18:44,800 Speaker 1: people already know this one. But basically, yeah, that's because 310 00:18:44,800 --> 00:18:48,040 Speaker 1: you're so inside to go ahead. At awards shows, to 311 00:18:48,080 --> 00:18:51,439 Speaker 1: make the audience look full, they'll have seat fillers in 312 00:18:51,480 --> 00:18:53,600 Speaker 1: the wing, and it's basically people who are hired for 313 00:18:53,880 --> 00:18:57,040 Speaker 1: very little money to just sit in the seats up 314 00:18:57,920 --> 00:19:00,280 Speaker 1: the stars when they go off to use the bath room, 315 00:19:00,800 --> 00:19:05,119 Speaker 1: when they go when they're going ten one, when they 316 00:19:05,119 --> 00:19:07,240 Speaker 1: go to take a ten minute, why do we do 317 00:19:07,280 --> 00:19:09,399 Speaker 1: like a pop quiz? Like now, if you listen last 318 00:19:09,400 --> 00:19:11,080 Speaker 1: week and they go to the bathroom, what are we 319 00:19:11,080 --> 00:19:15,440 Speaker 1: gonna call that? Slide into my d m your yes, 320 00:19:15,680 --> 00:19:18,639 Speaker 1: but we gotta think these things through. We gotta start 321 00:19:18,680 --> 00:19:22,359 Speaker 1: thinking these things through. Man, It's called segments. This is 322 00:19:22,359 --> 00:19:25,240 Speaker 1: what people like. You know, dude, as soon as people 323 00:19:25,680 --> 00:19:28,760 Speaker 1: realize that we've thought about the podcast even a little bit, 324 00:19:28,840 --> 00:19:33,840 Speaker 1: they'll smell it. But this isn't natural, dude. They've planned 325 00:19:33,840 --> 00:19:38,480 Speaker 1: to things, they have preplanned cut to commercials. These guys 326 00:19:38,480 --> 00:19:49,880 Speaker 1: are whack. I'm looking up to a Van Award categories. 327 00:19:49,960 --> 00:19:52,840 Speaker 1: What do we think? There's so many now they'll give it. 328 00:19:52,960 --> 00:19:55,800 Speaker 1: They're getting you know what, everybody gets a trophy. Everyone 329 00:19:55,880 --> 00:19:59,000 Speaker 1: everybody gets a trophy. But you just said there's so 330 00:19:59,040 --> 00:20:04,680 Speaker 1: many now compared to win. I used to watch it's 331 00:20:04,720 --> 00:20:06,000 Speaker 1: I used to watch it. It was like a two 332 00:20:06,000 --> 00:20:09,120 Speaker 1: hour program. Now those were like six hours. They go 333 00:20:09,240 --> 00:20:11,960 Speaker 1: and you used to watch it. Yeah, I've watched I've 334 00:20:11,960 --> 00:20:14,320 Speaker 1: watched it before. I've never seen it. You never watched 335 00:20:14,320 --> 00:20:16,840 Speaker 1: the A B. N Awards. No, where do you even 336 00:20:16,840 --> 00:20:19,040 Speaker 1: watch it at? I think it's on HBO. It used 337 00:20:19,080 --> 00:20:21,119 Speaker 1: to be on like Showtime or something like that. Yeah, 338 00:20:21,119 --> 00:20:23,200 Speaker 1: it was like pretty it was like pretty fun time. 339 00:20:23,800 --> 00:20:27,320 Speaker 1: You know, there's one hundred categories. You got the categories, 340 00:20:27,840 --> 00:20:33,320 Speaker 1: I got them all I'm gonna start from the I'm 341 00:20:33,320 --> 00:20:35,600 Speaker 1: gonna start from the bottom because the first ones are 342 00:20:35,600 --> 00:20:39,400 Speaker 1: like actor actors supporting actor. But then at the bottom, 343 00:20:39,400 --> 00:20:45,880 Speaker 1: by the way, I don't know the winner. Yeah, it's 344 00:20:45,920 --> 00:20:50,639 Speaker 1: lost its. Yeah, it's you're falling out. I don't I 345 00:20:50,680 --> 00:20:53,760 Speaker 1: don't know them, Yeah, falling off. This is so embarrassing 346 00:20:53,800 --> 00:20:55,879 Speaker 1: for me that you don't know these people that I 347 00:20:55,920 --> 00:20:58,919 Speaker 1: don't know. Let's just these are the categories. You're so 348 00:20:59,080 --> 00:21:03,120 Speaker 1: busy on your Thanksgiving floats that you completely lost sight 349 00:21:03,200 --> 00:21:08,600 Speaker 1: of what makes you. It's actually this is where we started. Yeah, 350 00:21:08,800 --> 00:21:12,280 Speaker 1: what's actually important in your life? Oh? I'm sorry, this 351 00:21:12,520 --> 00:21:17,159 Speaker 1: giant corporation. Uh, important is putting you up at the palace, 352 00:21:17,240 --> 00:21:19,240 Speaker 1: you and your family up at the palace hotel. I 353 00:21:19,280 --> 00:21:22,720 Speaker 1: need to go back to my roots. Get on the laptop. Sorry, sorry, 354 00:21:22,720 --> 00:21:26,480 Speaker 1: if I'm real quiet, we've lost dirs. He's so dead. 355 00:21:27,720 --> 00:21:29,520 Speaker 1: Here's all right, let me just I'll say a couple 356 00:21:29,560 --> 00:21:31,520 Speaker 1: and then I have a legit question. Like, there's milk 357 00:21:31,560 --> 00:21:34,679 Speaker 1: Performer of the Year, right, you said milk or milk 358 00:21:35,040 --> 00:21:42,040 Speaker 1: milk milk folk. Okay, there's milking table, best sex comedy, 359 00:21:42,200 --> 00:21:49,920 Speaker 1: best sex com Okay, how the shadows. Now here's a question, 360 00:21:50,480 --> 00:21:52,720 Speaker 1: would it be. I know it's probably not a good look, 361 00:21:52,880 --> 00:21:55,960 Speaker 1: but it would be very fun for us to write 362 00:21:56,600 --> 00:21:59,840 Speaker 1: a hardcore porno and have it be the funniest porno 363 00:22:00,119 --> 00:22:02,760 Speaker 1: that has ever existed, and then we would win an 364 00:22:02,760 --> 00:22:05,919 Speaker 1: Avian Award. I don't think you realize what you're up against. 365 00:22:06,119 --> 00:22:09,760 Speaker 1: Have you seen ven Come? It's really funny, the Venom parody. 366 00:22:10,880 --> 00:22:13,440 Speaker 1: I actually don't think you can. I don't think you 367 00:22:13,560 --> 00:22:16,240 Speaker 1: can actually stack up against that. I don't think it 368 00:22:16,240 --> 00:22:19,920 Speaker 1: would work. You don't think we would have a shot. No, No, 369 00:22:20,720 --> 00:22:24,760 Speaker 1: we'd have a shot. I think Adam's right. I think, 370 00:22:24,800 --> 00:22:26,560 Speaker 1: of course we would have a shot. I think we 371 00:22:26,600 --> 00:22:29,920 Speaker 1: would have a shot. Here's an adjacent question to this. 372 00:22:30,680 --> 00:22:34,399 Speaker 1: There there is a best Gay Solo Video, which I 373 00:22:34,480 --> 00:22:37,199 Speaker 1: assume is just such a j ovid has to be right. 374 00:22:37,359 --> 00:22:39,639 Speaker 1: You think you could put something to get a plug. 375 00:22:41,000 --> 00:22:47,560 Speaker 1: It's a part of it. Really, this is this is 376 00:22:47,720 --> 00:22:51,920 Speaker 1: this is important? Hard on that. Yeah, No, Durs wants 377 00:22:51,960 --> 00:22:54,800 Speaker 1: to get serious for the first time. On do you 378 00:22:55,000 --> 00:22:58,480 Speaker 1: think you can make a competing solo video that would 379 00:22:58,520 --> 00:23:04,560 Speaker 1: actually contend for Best Gay Solo Video? Well? No, no, 380 00:23:04,880 --> 00:23:07,119 Speaker 1: these are the best in the world. Probably not, because 381 00:23:07,200 --> 00:23:09,280 Speaker 1: I bet you have to be able to dick your 382 00:23:09,760 --> 00:23:11,879 Speaker 1: bend your dick back and put it in your own asshole. 383 00:23:12,480 --> 00:23:14,360 Speaker 1: That was my first thought as well. But I think 384 00:23:14,400 --> 00:23:16,480 Speaker 1: you have to even get I bet you have to 385 00:23:16,600 --> 00:23:19,960 Speaker 1: do like weird things that we wouldn't even be able 386 00:23:20,000 --> 00:23:23,119 Speaker 1: to physically be able to do. Yeah, I'm like speak 387 00:23:23,200 --> 00:23:26,720 Speaker 1: for your smell. This is a performance piece. This, this 388 00:23:26,960 --> 00:23:29,360 Speaker 1: is a this is a performance piece. It's not necessarily 389 00:23:29,400 --> 00:23:31,359 Speaker 1: about what you can and can't do. This is a 390 00:23:31,440 --> 00:23:34,800 Speaker 1: performance piece. Well if it's a performance piece, then hell yeah, 391 00:23:34,840 --> 00:23:36,280 Speaker 1: then I would win. And by the way, why is 392 00:23:36,280 --> 00:23:39,000 Speaker 1: it best gay solo? If you're solo, how do you 393 00:23:39,240 --> 00:23:43,040 Speaker 1: what constitute? What's what's gay about? Because you have to 394 00:23:43,080 --> 00:23:45,400 Speaker 1: talk about sucking a day. If you talk about sucking 395 00:23:45,440 --> 00:23:47,280 Speaker 1: a dick, are you gay? Or do you actually have 396 00:23:47,359 --> 00:23:49,960 Speaker 1: to do it? No? Thank you? Okay, good good, thank you. 397 00:23:50,119 --> 00:23:52,440 Speaker 1: That's not that's not that's not good. I just needed 398 00:23:52,440 --> 00:23:54,760 Speaker 1: to thank you. There's probably some plugging going on. There's 399 00:23:54,800 --> 00:23:58,680 Speaker 1: probably something like you know, like SOMETI and then there's 400 00:23:58,680 --> 00:24:01,399 Speaker 1: probably some j O know, don't know if if I'm guessing, 401 00:24:01,480 --> 00:24:04,840 Speaker 1: but you don't know. Yeah, that all seems very specific 402 00:24:05,000 --> 00:24:14,280 Speaker 1: to have you seen Dustin checks it's really good, Betty 403 00:24:14,400 --> 00:24:17,800 Speaker 1: checks in, Betty checks, he checks out. Dustin never checks out. 404 00:24:18,280 --> 00:24:20,680 Speaker 1: To even think that we could get close to being 405 00:24:20,960 --> 00:24:23,840 Speaker 1: the winner in any of these categories that you mentioned 406 00:24:24,080 --> 00:24:27,720 Speaker 1: is insane. Obviously, comedy is the one we're going for. 407 00:24:27,960 --> 00:24:30,639 Speaker 1: These are the best in the world. Dude. This is 408 00:24:30,760 --> 00:24:33,280 Speaker 1: like when you guys said that there's literally no way 409 00:24:33,400 --> 00:24:36,240 Speaker 1: that we could go pro in any sport ever if 410 00:24:36,280 --> 00:24:39,359 Speaker 1: we dedicated it was something crazy like five years to it, 411 00:24:39,880 --> 00:24:42,120 Speaker 1: and and Dur's hard stands it and said that there's 412 00:24:42,160 --> 00:24:44,120 Speaker 1: literally no way that we could do it. And it's 413 00:24:44,560 --> 00:24:48,520 Speaker 1: offensive to people that for professional yo yoing that we 414 00:24:48,560 --> 00:24:51,040 Speaker 1: couldn't get that good. I actually now I didn't see 415 00:24:51,119 --> 00:24:53,520 Speaker 1: his point on that until now, and now I understand. 416 00:24:53,680 --> 00:24:56,159 Speaker 1: But this is where you're wrong, Kyle, because I've been 417 00:24:56,240 --> 00:25:03,400 Speaker 1: doing this for forty one year, ready, for thirty years. 418 00:25:03,440 --> 00:25:07,080 Speaker 1: I don't know. I got my ten hours. And then 419 00:25:07,200 --> 00:25:10,920 Speaker 1: that's true. You're practiced. You are practiced. I hear that. 420 00:25:12,000 --> 00:25:15,440 Speaker 1: Look at how everyone is like looking at something other, 421 00:25:15,760 --> 00:25:18,280 Speaker 1: like Adam and Dirk are looking that ship on their 422 00:25:18,359 --> 00:25:21,800 Speaker 1: laptops right, Well, yeah, I've never seen you guys so 423 00:25:22,040 --> 00:25:26,120 Speaker 1: focused on the podcast. It's just the font is very small. 424 00:25:26,240 --> 00:25:28,560 Speaker 1: It's it's absurd to me that you guys don't think 425 00:25:28,600 --> 00:25:31,800 Speaker 1: that we would have a shot winning Best Sex Comedy. 426 00:25:32,000 --> 00:25:34,400 Speaker 1: I think we would. I'm on your side. Yes, okay, 427 00:25:34,480 --> 00:25:40,600 Speaker 1: because the comedy, the comedy, we would do very well. 428 00:25:40,760 --> 00:25:43,600 Speaker 1: The sex. Admittedly, we we wouldn't need some help. But 429 00:25:43,720 --> 00:25:46,360 Speaker 1: we're all kind of sewers, I thought, she said, kind 430 00:25:46,440 --> 00:25:48,600 Speaker 1: of sewers. I don't think we need to be performers. 431 00:25:48,720 --> 00:25:51,399 Speaker 1: We could be producers and writers. Producers we're not. We're 432 00:25:51,440 --> 00:25:57,240 Speaker 1: not in its set. We're definitely set. We're on set. 433 00:25:57,600 --> 00:26:00,920 Speaker 1: How you are direct team, we're at the monitor for us. Hey, 434 00:26:01,000 --> 00:26:03,960 Speaker 1: and here, let's get back. This is a bonus Hollywood minute. 435 00:26:04,000 --> 00:26:07,320 Speaker 1: The monitors are the little TV that you watch that 436 00:26:07,400 --> 00:26:10,480 Speaker 1: the cameras are are actually filmed. You're watching it in 437 00:26:10,640 --> 00:26:13,840 Speaker 1: real time. Cameras are not filming the monitors. It's the 438 00:26:14,000 --> 00:26:17,440 Speaker 1: image that the cameras are recording. No, they're showing what 439 00:26:17,600 --> 00:26:20,520 Speaker 1: you're filming, so you can monitor what it's filming, and 440 00:26:20,600 --> 00:26:24,960 Speaker 1: so you can monitor what's being filmed. Okay, Hollywood minute. 441 00:26:25,160 --> 00:26:27,639 Speaker 1: That was the Hollywood minute. There's there's a bunch of 442 00:26:27,760 --> 00:26:31,520 Speaker 1: weird ones here, like best Unsung Starlet of the Year, 443 00:26:31,720 --> 00:26:33,960 Speaker 1: Like what does that even mean? I get that. That's like, 444 00:26:34,160 --> 00:26:36,080 Speaker 1: you know, the girl next door type thing where you're like, 445 00:26:36,280 --> 00:26:37,920 Speaker 1: you know, what, did you give her a shot? She 446 00:26:38,320 --> 00:26:41,960 Speaker 1: she's got destroyed on that one. No, No, No, I 447 00:26:42,040 --> 00:26:44,960 Speaker 1: think that's like she's not getting the attention she deserves. 448 00:26:45,080 --> 00:26:47,520 Speaker 1: She's like really putting in, yeah, which is like a 449 00:26:47,640 --> 00:26:50,359 Speaker 1: weird award to give, Like, well why not, Like I 450 00:26:50,400 --> 00:26:52,040 Speaker 1: feel like I just said that. No, you said girl 451 00:26:52,160 --> 00:26:55,119 Speaker 1: next door? Right, yeah, the girl next door. But but 452 00:26:55,320 --> 00:26:58,440 Speaker 1: like the full on, like pourned out like their sung 453 00:26:58,560 --> 00:27:00,479 Speaker 1: for No, I'm not saying it's a girl next door. 454 00:27:00,560 --> 00:27:03,000 Speaker 1: I'm saying this is a person who is really like 455 00:27:03,240 --> 00:27:06,120 Speaker 1: fucking a lot of people a lot all the time. 456 00:27:06,240 --> 00:27:08,600 Speaker 1: You're saying like the effort, like hey, you know, yeah, 457 00:27:08,720 --> 00:27:10,720 Speaker 1: like they're putting in a lot of hours and no 458 00:27:10,800 --> 00:27:15,720 Speaker 1: one's watching their videos. It's the unsung starlet of the 459 00:27:19,320 --> 00:27:20,840 Speaker 1: It doesn't need to be. It doesn't need to be 460 00:27:21,040 --> 00:27:23,160 Speaker 1: a girl next door. It could, you know, it could 461 00:27:23,320 --> 00:27:25,240 Speaker 1: she could be doing some dastardly things. No, but I 462 00:27:25,280 --> 00:27:28,000 Speaker 1: guess I'm just saying, like it's somebody who's kind of 463 00:27:28,200 --> 00:27:31,399 Speaker 1: um like under the radar, like Girl next Door. I 464 00:27:31,440 --> 00:27:32,919 Speaker 1: guess that is what I meant under the radar as 465 00:27:32,960 --> 00:27:35,560 Speaker 1: opposed to like fully out there porn star. Look at 466 00:27:35,560 --> 00:27:38,800 Speaker 1: Girl next door means something different to me. This is 467 00:27:38,880 --> 00:27:42,480 Speaker 1: like breakout, right, like unsung Starlett is a breakout? No, 468 00:27:42,840 --> 00:27:44,880 Speaker 1: I think it could even be someone who's been it's 469 00:27:44,920 --> 00:27:46,840 Speaker 1: been going on for a while. Why I had unsung 470 00:27:46,960 --> 00:27:49,879 Speaker 1: is what he's saying. Yeah, well, like why un I 471 00:27:49,880 --> 00:27:52,080 Speaker 1: don't know what is unsung? I don't know. Sorry, I 472 00:27:52,160 --> 00:27:54,840 Speaker 1: can't contribute. Why breakout? What does she need to break 473 00:27:54,880 --> 00:27:58,520 Speaker 1: out of? Acne? Oh? Yeah, they when you get close 474 00:27:58,640 --> 00:28:00,560 Speaker 1: some of the some of the acnees. There's a lot 475 00:28:00,640 --> 00:28:03,119 Speaker 1: of you know what, dude directing this, this would be 476 00:28:03,200 --> 00:28:05,480 Speaker 1: a long Blake's right, this would be long as fun 477 00:28:05,640 --> 00:28:08,560 Speaker 1: this is. These are a lot of categories it is. 478 00:28:08,680 --> 00:28:11,320 Speaker 1: It's a three hour show. The reward show has gone 479 00:28:11,480 --> 00:28:16,520 Speaker 1: so long, man, it's just speaking to so long, so long, 480 00:28:16,600 --> 00:28:19,840 Speaker 1: I go. I don't even know how you would conceptualize this. See, 481 00:28:19,880 --> 00:28:22,320 Speaker 1: I'm not the guy for this. No, this is too much. 482 00:28:22,840 --> 00:28:25,280 Speaker 1: I feel like you you know, your names on the 483 00:28:25,320 --> 00:28:27,600 Speaker 1: shortlist every year to be the guy you know, you 484 00:28:27,680 --> 00:28:32,080 Speaker 1: know that to be true speaking, that would definitely change 485 00:28:32,119 --> 00:28:34,280 Speaker 1: It would be an honor. Yeah, that would change my 486 00:28:34,440 --> 00:28:39,400 Speaker 1: whole thing. There's one thing I know. It just to 487 00:28:39,480 --> 00:28:41,640 Speaker 1: get the knob. You just want to nine you just 488 00:28:41,680 --> 00:28:46,480 Speaker 1: went then got the knob of the knobby. Yeah, it's 489 00:28:46,480 --> 00:28:48,520 Speaker 1: not a nod, it's the knob. And so in a 490 00:28:48,600 --> 00:28:51,400 Speaker 1: sex comedy, though, is the comedy coming from like the 491 00:28:51,560 --> 00:28:55,360 Speaker 1: actual sex or the things like between the sex both? Oh? 492 00:28:55,600 --> 00:28:57,720 Speaker 1: Is it just like all every year? It's just a 493 00:28:57,760 --> 00:29:02,400 Speaker 1: blooper reel that wins the blue? Are your reels are bad? No? No, no, no, 494 00:29:02,520 --> 00:29:04,920 Speaker 1: I think it's gotta be It's gotta be funny. It's 495 00:29:04,960 --> 00:29:08,280 Speaker 1: gotta be funny, right, it's funny. It's funny scripts. It's 496 00:29:08,320 --> 00:29:11,240 Speaker 1: like funny scriptwriting. Well, where are these pornos? I feel 497 00:29:11,280 --> 00:29:14,920 Speaker 1: like I would watch more, Adam, your algorithm just doesn't 498 00:29:14,920 --> 00:29:18,400 Speaker 1: go there. You would watch more? I watch more? How 499 00:29:18,720 --> 00:29:21,120 Speaker 1: well you can look up funny on pornhub the gigs 500 00:29:21,160 --> 00:29:23,680 Speaker 1: in the ha ha chucks the gig You can throw 501 00:29:23,800 --> 00:29:26,800 Speaker 1: funny in there when you're doing a SERTA. I don't, 502 00:29:26,840 --> 00:29:29,320 Speaker 1: I don't put it in funny off enough, he's looking 503 00:29:29,360 --> 00:29:32,280 Speaker 1: for a chuck in a jail, Come on, dramatic. Yeah, 504 00:29:33,040 --> 00:29:35,560 Speaker 1: I always look up drama, blow jobs. No, you should 505 00:29:35,600 --> 00:29:38,920 Speaker 1: definitely start integrating just whatever you whatever you look up like, 506 00:29:39,040 --> 00:29:41,760 Speaker 1: continue to look it up. But yeah, you know, I 507 00:29:41,880 --> 00:29:44,760 Speaker 1: normally don't need it. Funny. I usually put in funny, 508 00:29:44,840 --> 00:29:55,920 Speaker 1: facial compilation, funny gag. I've usually put in dramatic blow jobs, dramatic, dramatic, dramatic, dramatic, trumatic, funny, 509 00:29:56,000 --> 00:30:01,920 Speaker 1: animal cream pie, just bad funn it's gonna be. I 510 00:30:02,400 --> 00:30:09,640 Speaker 1: want to do well. Now give me you want ten four, 511 00:30:10,560 --> 00:30:14,240 Speaker 1: I gotta go tend to I got a ten four 512 00:30:16,040 --> 00:30:20,560 Speaker 1: roger that copy that, I just copy that. I got 513 00:30:20,680 --> 00:30:24,360 Speaker 1: a ten six and a half man. Never mind, I 514 00:30:24,440 --> 00:30:29,480 Speaker 1: forget it. Look at the award is two people embracing 515 00:30:30,760 --> 00:30:33,920 Speaker 1: standing up. Yeah, the award itself of the Avien. I 516 00:30:34,120 --> 00:30:37,160 Speaker 1: like that. I like that embrace of there saying the 517 00:30:37,280 --> 00:30:41,480 Speaker 1: actual trophy is two people. Trophy is like an abstract 518 00:30:41,560 --> 00:30:43,600 Speaker 1: piece of art then looks like it should be in 519 00:30:43,680 --> 00:30:47,960 Speaker 1: a museum. It's beautiful. It's got two people hugging, like 520 00:30:48,120 --> 00:30:51,959 Speaker 1: the shape of them made out of gold. They're hugging, hugging, 521 00:30:52,080 --> 00:30:57,480 Speaker 1: the kissing to their Okay, I'm pretty positive they're hugging 522 00:30:57,520 --> 00:31:03,640 Speaker 1: and they're kissing at the same time. Okay, I'm wait 523 00:31:03,840 --> 00:31:06,760 Speaker 1: hey real quick, this is the news for Adam because 524 00:31:06,840 --> 00:31:10,000 Speaker 1: you've told your Peter North story on the podcast. Right 525 00:31:10,920 --> 00:31:14,640 Speaker 1: Adam moved to l A recognized a guy. I thought 526 00:31:14,680 --> 00:31:17,400 Speaker 1: he was like an actor, and it was Peter North 527 00:31:17,680 --> 00:31:20,440 Speaker 1: of porno fame. He's like, yeah, I'm a I'm an actor. 528 00:31:20,960 --> 00:31:23,720 Speaker 1: You might recognize me from porno and Adams like, oh, yeah, no, no, 529 00:31:24,280 --> 00:31:27,280 Speaker 1: I heard the other day that he was like a 530 00:31:27,400 --> 00:31:30,520 Speaker 1: switch hitter, like he did gay porno and straight porno. 531 00:31:30,760 --> 00:31:34,320 Speaker 1: I didn't recognize him from the other stuff. You didn't 532 00:31:34,320 --> 00:31:37,400 Speaker 1: see dust and checks. It's funny. I just want to 533 00:31:37,480 --> 00:31:43,640 Speaker 1: know best. I didn't think at fascinating because you're like, oh, 534 00:31:43,720 --> 00:31:46,920 Speaker 1: I know, this guy is maybe my favorite penis so 535 00:31:47,680 --> 00:31:51,520 Speaker 1: definitely my favorite come shots, and he's got this whole 536 00:31:51,560 --> 00:31:55,800 Speaker 1: other lifestyle that I didn't even know about other life. Admittedly, 537 00:31:55,960 --> 00:31:58,840 Speaker 1: it's a much worse gig. I feel to be on 538 00:31:58,920 --> 00:32:01,160 Speaker 1: the mail side of it because you I feel like 539 00:32:01,200 --> 00:32:03,240 Speaker 1: a lot of those guys have to have to do both. 540 00:32:03,400 --> 00:32:05,600 Speaker 1: You can be way more famous, you get paid way more. Yeah, 541 00:32:05,800 --> 00:32:07,840 Speaker 1: do you Yeah? Yeah? I think they do. They get 542 00:32:07,840 --> 00:32:11,400 Speaker 1: paid way more. Yeah, because you're like, uh, you're more 543 00:32:11,480 --> 00:32:14,000 Speaker 1: sought after. Like I don't care who's fucking these people 544 00:32:15,040 --> 00:32:16,960 Speaker 1: like that? As far as like the girls, I'm like, oh, 545 00:32:17,120 --> 00:32:19,400 Speaker 1: sure she's she's dude, I remember her all right? Cool? 546 00:32:20,240 --> 00:32:21,760 Speaker 1: Just like on the gay side'd be like, I want 547 00:32:21,800 --> 00:32:23,560 Speaker 1: to see that guy. I don't care about the guy. 548 00:32:24,160 --> 00:32:28,640 Speaker 1: Huh that's for Blake Kiffers. Who's your guy? Then if 549 00:32:28,720 --> 00:32:32,360 Speaker 1: you don't. If you do or don't care, you still though, 550 00:32:34,840 --> 00:32:38,680 Speaker 1: by the way the laugh makes it, that's tripping me 551 00:32:38,720 --> 00:32:42,760 Speaker 1: out way weird er dude, what's the bald guy? Oh? 552 00:32:42,920 --> 00:32:45,960 Speaker 1: Sam's Yeah, I'm hit, but I don't even know what 553 00:32:46,040 --> 00:32:47,760 Speaker 1: you guys are talking about. At this point, I got 554 00:32:47,840 --> 00:32:50,040 Speaker 1: to plead the fifth I kind of got lost to 555 00:32:50,760 --> 00:32:52,920 Speaker 1: are you Are you still be you be Pumper guy? 556 00:32:53,000 --> 00:32:58,160 Speaker 1: You still be Pumper guy? Pumpers? How did it go 557 00:32:58,400 --> 00:33:01,600 Speaker 1: from me singing at the Macy's Day parade to this, 558 00:33:02,320 --> 00:33:05,440 Speaker 1: yeah you're not that guy? It got too wholesome. It's 559 00:33:05,520 --> 00:33:07,320 Speaker 1: like you have to have each side. If it goes 560 00:33:07,600 --> 00:33:10,280 Speaker 1: really wholesome on this side, we have to balance that 561 00:33:10,360 --> 00:33:13,080 Speaker 1: ship out. It's like I'm taking my family we're gonna 562 00:33:13,120 --> 00:33:15,920 Speaker 1: do this funny thing. It'll be It's gonna be so cute. 563 00:33:15,920 --> 00:33:20,600 Speaker 1: You know, it's funny both pornos exactly. Yeah, hardcore porno 564 00:33:20,680 --> 00:33:23,040 Speaker 1: is also so wholesome. I'm gonna hang out with my family. 565 00:33:23,280 --> 00:33:25,480 Speaker 1: Let me take this, although I'll circle backs to check 566 00:33:25,520 --> 00:33:28,920 Speaker 1: on me. If you go on YouTube and definitely you 567 00:33:29,040 --> 00:33:32,800 Speaker 1: secret to define this. Uh there's a take on me 568 00:33:33,040 --> 00:33:35,880 Speaker 1: acoustic from just a few years ago that like the 569 00:33:36,200 --> 00:33:38,880 Speaker 1: lead singer from the band does and I thought it 570 00:33:38,960 --> 00:33:42,960 Speaker 1: was gonna be like, not great. It's unfucking believable if 571 00:33:43,000 --> 00:33:45,720 Speaker 1: the dudes still can hit the notes, and I feel 572 00:33:45,720 --> 00:33:48,840 Speaker 1: like I might even talk about before. So who is 573 00:33:48,920 --> 00:33:52,640 Speaker 1: this guy? This isn't the basis of Weetest Matthew Milligan. No, no, no, 574 00:33:53,280 --> 00:33:55,920 Speaker 1: I said, Todd, why are you coming at me? Toddah? 575 00:33:55,920 --> 00:33:57,480 Speaker 1: Are you coming at me? Did you? I don't know 576 00:33:57,520 --> 00:34:00,800 Speaker 1: if you did. I don't think you did. The Norwegian 577 00:34:00,920 --> 00:34:02,400 Speaker 1: and I look like one of the dudes in it. 578 00:34:02,520 --> 00:34:05,760 Speaker 1: Do you. We'll post that picture right now. It's fucking crazy, 579 00:34:07,320 --> 00:34:11,680 Speaker 1: do you that's hodd Will you google images? Ah, and 580 00:34:11,760 --> 00:34:13,360 Speaker 1: then you'll see the guy I look like and the 581 00:34:13,480 --> 00:34:17,919 Speaker 1: dudes Moreton Harkett, not the main singer the other dude. 582 00:34:18,520 --> 00:34:24,600 Speaker 1: It's not Horton Market. It's not Morton Harkett. Uh. Also, 583 00:34:24,800 --> 00:34:28,200 Speaker 1: what a name, dude? You Norwegians in your names? Dude? 584 00:34:28,280 --> 00:34:31,800 Speaker 1: You guys have you guys got some gnarly Is that 585 00:34:31,840 --> 00:34:35,320 Speaker 1: supposed to? That's I've never even heard that before. That's incredible, steaks. 586 00:34:36,080 --> 00:34:38,920 Speaker 1: This guy looks like me. He looks more like me 587 00:34:39,040 --> 00:34:42,960 Speaker 1: than I do. Who is this? It's a guy from 588 00:34:42,960 --> 00:34:45,920 Speaker 1: the band ah do you think it's is it Magna? 589 00:34:47,960 --> 00:34:53,400 Speaker 1: It might Oh ship, dude, it might be my uncle related. 590 00:34:56,120 --> 00:34:59,960 Speaker 1: Oh boy, I left off the rails. Man, I'm starting 591 00:35:00,040 --> 00:35:05,440 Speaker 1: to chunk. I'm sorry, I'm starting to chunk. Guys. Damn, 592 00:35:05,600 --> 00:35:09,040 Speaker 1: I'm chunking over here. My internet is fucked up. Okay, 593 00:35:09,080 --> 00:35:12,400 Speaker 1: here we go. Oh yeah, dude, no, no different photo. 594 00:35:12,719 --> 00:35:15,480 Speaker 1: There's a better photo. You do look like this guy, 595 00:35:15,600 --> 00:35:20,479 Speaker 1: But this looks like I'm mixture of you and your brother. 596 00:35:20,680 --> 00:35:22,520 Speaker 1: This is a mixture of you and Olie I feel. 597 00:35:22,680 --> 00:35:24,480 Speaker 1: But yeah, you're in this is he's in the fan. 598 00:35:24,600 --> 00:35:27,000 Speaker 1: We'll post the picture for everybody listening. Let me look 599 00:35:27,040 --> 00:35:28,560 Speaker 1: at this, Let me see this. What are you guys 600 00:35:28,640 --> 00:35:30,920 Speaker 1: looking at this? Ship? It's in the chat. It's the 601 00:35:31,080 --> 00:35:33,640 Speaker 1: link right there in the chat. Blake. You know how 602 00:35:34,280 --> 00:35:36,359 Speaker 1: we've been doing this for fucking two and a half year. 603 00:35:36,360 --> 00:35:41,360 Speaker 1: This is good radio off man. Yeah, I guess he 604 00:35:41,440 --> 00:35:44,560 Speaker 1: kind of looks like It's not that it looks like you. 605 00:35:44,920 --> 00:35:46,799 Speaker 1: You look like him. You guys are the same. I'm 606 00:35:46,840 --> 00:35:49,840 Speaker 1: telling you. There's a fucking photo that's crazy. I have 607 00:35:49,960 --> 00:35:52,439 Speaker 1: it right here. I just don't how to share It'll 608 00:35:52,560 --> 00:35:57,439 Speaker 1: show me your camera, camera, Okay, come on, just show 609 00:35:57,520 --> 00:36:00,960 Speaker 1: it to the camera. I can't on the computer that 610 00:36:01,040 --> 00:36:05,360 Speaker 1: has the camera. Oh, but on your phone. I'll do 611 00:36:05,440 --> 00:36:14,759 Speaker 1: it on the phone. Okay, everybody, all right, everyone, what's 612 00:36:14,760 --> 00:36:21,399 Speaker 1: the name of the band that early apology over here? 613 00:36:22,280 --> 00:36:26,600 Speaker 1: Kyle Earlier, I'm chunking early apology. I'm chunking pretty bad. 614 00:36:26,840 --> 00:36:30,640 Speaker 1: I gotta gotta look at this chunky you're not chunking. 615 00:36:31,040 --> 00:36:35,080 Speaker 1: Can you see this? Yeah, I mean yeah, that kind 616 00:36:35,160 --> 00:36:37,840 Speaker 1: of looking. Look at the reflection, Look at all the 617 00:36:37,880 --> 00:36:42,279 Speaker 1: porto he has on his laptop. I mean yeah, he 618 00:36:42,680 --> 00:36:45,239 Speaker 1: does look very similar to you. Yes, let's say he 619 00:36:45,320 --> 00:36:48,520 Speaker 1: has a stronger job. His job is a little stronger 620 00:36:48,560 --> 00:36:51,560 Speaker 1: than you. If we see you and here, you just 621 00:36:51,680 --> 00:36:54,920 Speaker 1: find Kyle just left. Kyle just left the podcast. We 622 00:36:54,960 --> 00:36:59,120 Speaker 1: don't know what happens. That's on andrews Man. He's scared. Oh, 623 00:36:59,239 --> 00:37:03,320 Speaker 1: Kyle has to leave. So he is pretending to chunk. Okay, 624 00:37:03,520 --> 00:37:06,239 Speaker 1: that's what Anna producer just said. That has to leave. 625 00:37:06,320 --> 00:37:11,160 Speaker 1: So he's pretending to Okay, now we're wow. Okay, so 626 00:37:11,640 --> 00:37:14,879 Speaker 1: Than lost the dead weight. Speaking of Kay, so who's unger? 627 00:37:15,040 --> 00:37:17,520 Speaker 1: Finally the sports car can get up to full speed. 628 00:37:28,640 --> 00:37:31,000 Speaker 1: It's my birthday, or it was my birthday a few 629 00:37:31,040 --> 00:37:36,280 Speaker 1: weeks ago. Uh, we are celebrating it now at medieval 630 00:37:36,360 --> 00:37:38,320 Speaker 1: times tonight. You guys are coming down. We're gonna go 631 00:37:38,400 --> 00:37:42,919 Speaker 1: to medieval times. Yes, I'm excited. I think Zach, my friend, 632 00:37:43,000 --> 00:37:45,400 Speaker 1: I'm doing it as a co birthday with my friend Chelsea, 633 00:37:45,640 --> 00:37:49,799 Speaker 1: Zack's wife. And I think they're gonna like let us 634 00:37:49,800 --> 00:37:51,960 Speaker 1: sword fight or something. We're gonna get it, like go down, 635 00:37:52,160 --> 00:37:54,640 Speaker 1: put the funk up your cable guy. And I think so, 636 00:37:55,120 --> 00:37:58,560 Speaker 1: I think I think I might get to Joyce Jost, Jost, 637 00:37:58,719 --> 00:38:01,960 Speaker 1: Joust Joust. You're gonna Jost. You're gonna call Jos. I'm 638 00:38:01,960 --> 00:38:06,640 Speaker 1: gonna You're gonna Jost. Chelsea, You're gonna joust each other. Yeah, 639 00:38:06,680 --> 00:38:08,520 Speaker 1: I think so. So I gotta make sure I strap 640 00:38:08,600 --> 00:38:12,719 Speaker 1: on the back brace because this is going to get violent. Yeah, no, dude, 641 00:38:13,320 --> 00:38:16,919 Speaker 1: watch Down or Blue Night, Going down, Down, Down, down down, 642 00:38:17,040 --> 00:38:20,360 Speaker 1: going down. Yeah, we'll see. Have you ever seen like jousting? Like, 643 00:38:20,400 --> 00:38:22,200 Speaker 1: have you've been You haven't been to a rentfair and 644 00:38:22,239 --> 00:38:27,000 Speaker 1: watched it? Right, No I haven't. It's fucking it's intense, dude, 645 00:38:27,600 --> 00:38:29,879 Speaker 1: there's no doubt about it. Well, we'll see, we'll see. 646 00:38:29,920 --> 00:38:33,279 Speaker 1: What I mean, you're gonna break your back, dude. I 647 00:38:33,719 --> 00:38:37,400 Speaker 1: remember Andy dick On in cable guys like fucking be careful. 648 00:38:37,440 --> 00:38:41,000 Speaker 1: I don't think this guy's sucking around. Yeah, dude, God 649 00:38:41,120 --> 00:38:44,279 Speaker 1: that movie is so good. Andy. I'm I don't want 650 00:38:44,280 --> 00:38:48,560 Speaker 1: to give flowers, but flowers. Yeah, that's a really that's 651 00:38:48,560 --> 00:38:51,399 Speaker 1: a I don't want anything that's a dangerous flower. Those 652 00:38:51,400 --> 00:38:54,880 Speaker 1: are dangerous flowers to give. Yeah, that's a really dangerous flower. 653 00:38:54,920 --> 00:38:56,919 Speaker 1: We're scared to get flowers now because it does seem 654 00:38:56,960 --> 00:39:00,799 Speaker 1: like every time we give flowers someone Parish is every 655 00:39:00,840 --> 00:39:04,480 Speaker 1: time we mentioned someone on the podcast, they end up dying. Yeah, 656 00:39:04,640 --> 00:39:06,880 Speaker 1: it's basically an are You Afraid of the Dark episode? 657 00:39:10,920 --> 00:39:19,720 Speaker 1: This is important she lived in the base story. When's 658 00:39:19,719 --> 00:39:21,719 Speaker 1: the last time you guys been to medieval Times? It's 659 00:39:21,760 --> 00:39:24,720 Speaker 1: been like a long have you ever even been? I've 660 00:39:24,880 --> 00:39:28,840 Speaker 1: never been because of this somebody so like in seventh 661 00:39:28,880 --> 00:39:31,319 Speaker 1: grade you got to go, and it was like half 662 00:39:31,360 --> 00:39:34,120 Speaker 1: the grade when the first Tuesday and then the other 663 00:39:34,160 --> 00:39:37,359 Speaker 1: half went on the Thursday. But somebody took like a ship, 664 00:39:37,880 --> 00:39:41,200 Speaker 1: like you know, one of those things were like a 665 00:39:42,280 --> 00:39:44,279 Speaker 1: middle school rumor. I don't know what happened, but somebody 666 00:39:44,320 --> 00:39:46,920 Speaker 1: took like a dukie in the hallway and then like 667 00:39:47,080 --> 00:39:51,080 Speaker 1: we didn't get to go. We were like banned in 668 00:39:51,200 --> 00:39:54,719 Speaker 1: the hallway of medieval times or of your school, like 669 00:39:55,400 --> 00:39:57,279 Speaker 1: like not in the bathroom. We like took a ship 670 00:39:57,520 --> 00:40:00,280 Speaker 1: like out in the open or something. At me evil 671 00:40:00,360 --> 00:40:04,280 Speaker 1: times at medieval times. They got me evil with it. Dang, 672 00:40:04,640 --> 00:40:06,640 Speaker 1: that seems like that seems like far from the car. 673 00:40:06,760 --> 00:40:09,760 Speaker 1: It seems like that should be encouraged. Yeah, that should 674 00:40:09,840 --> 00:40:12,520 Speaker 1: be frowned against. Yeah. Also, we were supposed to go 675 00:40:12,600 --> 00:40:15,200 Speaker 1: to like Abe Lincoln's house, but some dude like kicked 676 00:40:15,239 --> 00:40:17,840 Speaker 1: the door a Lincoln's door off the hinges because like 677 00:40:17,880 --> 00:40:20,080 Speaker 1: a teacher said, some ship and then we couldn't go 678 00:40:20,120 --> 00:40:23,120 Speaker 1: to that either. Wait, what was the place a Lincoln 679 00:40:23,120 --> 00:40:27,560 Speaker 1: your school was wild dude? Um, ab Lincoln's house like 680 00:40:27,719 --> 00:40:32,160 Speaker 1: the Abraham Lincoln House. No ship. He's from Evanston, Illinois. 681 00:40:32,280 --> 00:40:33,960 Speaker 1: Know he's in Illinois and we would take like the 682 00:40:34,080 --> 00:40:39,120 Speaker 1: trip down to Springfield or some ship seld that sounds real. Yeah, 683 00:40:40,000 --> 00:40:41,919 Speaker 1: what's his house? Just like a little last log cabin 684 00:40:42,080 --> 00:40:43,719 Speaker 1: or something. I'm sure it's a log cabin, but I 685 00:40:43,760 --> 00:40:47,360 Speaker 1: wouldn't know because somebody kicked the door off the because 686 00:40:47,400 --> 00:40:51,279 Speaker 1: somebody kicks just wild. Well, that's cool, I mean, what 687 00:40:51,400 --> 00:40:54,000 Speaker 1: a cool field trip to go on as a kid 688 00:40:54,080 --> 00:40:57,279 Speaker 1: to medieval times. Like that's sick. Yeah, I mean it was. 689 00:40:57,360 --> 00:40:59,600 Speaker 1: You know you're in you're in sixth grade or whatever. Yeah, 690 00:40:59,640 --> 00:41:02,480 Speaker 1: that's some. And sometimes you gotta take a ship out 691 00:41:02,520 --> 00:41:05,920 Speaker 1: in the open. Yeah. Well, admittedly that guy is hilarious. 692 00:41:06,320 --> 00:41:09,600 Speaker 1: Whoever he is, he's somewhere, Uh, he's somewhere killing it 693 00:41:09,760 --> 00:41:12,600 Speaker 1: for sure. You know, he's the funniest guy at whatever 694 00:41:12,840 --> 00:41:16,480 Speaker 1: office job, porn, whatever porno he's filming. You know, it's funny, 695 00:41:16,760 --> 00:41:20,359 Speaker 1: he's winning, he's taking taking home gold for sure. What's 696 00:41:20,400 --> 00:41:22,520 Speaker 1: cool is he did it. But I was planning on 697 00:41:22,640 --> 00:41:24,719 Speaker 1: doing it, and I was like, oh man, beat me 698 00:41:24,840 --> 00:41:30,480 Speaker 1: to it. So, yeah, you guys, ever anywhere I did 699 00:41:30,560 --> 00:41:37,000 Speaker 1: one time somewhere where I'm not supposed to, okay, it 700 00:41:37,120 --> 00:41:40,080 Speaker 1: was It was I think we were like fifteen or something, 701 00:41:40,239 --> 00:41:43,160 Speaker 1: or sixteen. I think we must have been sixteen, and 702 00:41:43,880 --> 00:41:48,000 Speaker 1: my buddy was emancipated, so he was fully living by himself, 703 00:41:48,160 --> 00:41:51,440 Speaker 1: living by himself, like his mom wanted. And we were 704 00:41:51,480 --> 00:41:53,840 Speaker 1: in high school and she wanted to move away and 705 00:41:54,000 --> 00:41:56,239 Speaker 1: she was just she was like, okay, you could live 706 00:41:56,320 --> 00:42:00,160 Speaker 1: by yourself. And he has a shitty little apartment him. 707 00:42:00,320 --> 00:42:03,879 Speaker 1: His apartment window, it looked over the gas station parking lot, 708 00:42:04,360 --> 00:42:07,759 Speaker 1: and a cop pulled up, and it was New Year's 709 00:42:07,800 --> 00:42:09,719 Speaker 1: Eve and we're all partying at it, you know, at 710 00:42:09,840 --> 00:42:12,080 Speaker 1: his house. And I was like, I'm gonna ship on 711 00:42:12,200 --> 00:42:15,879 Speaker 1: the cop car. Yeah, that's somewhere you're not supposed to. Yeah, 712 00:42:16,320 --> 00:42:20,680 Speaker 1: like in a church, baseman, or like the Thanksgiving day Barrel. 713 00:42:20,920 --> 00:42:24,480 Speaker 1: I shipped in the parking lot and then took a 714 00:42:24,600 --> 00:42:27,920 Speaker 1: napkin and put it on his windshield. And then and 715 00:42:27,960 --> 00:42:30,640 Speaker 1: then we all came and we're hiding in the window 716 00:42:30,800 --> 00:42:34,879 Speaker 1: seal like looking and the look. I felt so bad 717 00:42:35,000 --> 00:42:37,200 Speaker 1: for this poor man, because you know you're at that age, 718 00:42:37,239 --> 00:42:39,680 Speaker 1: were like cops, they sucked, they bust parties and there 719 00:42:39,800 --> 00:42:41,720 Speaker 1: you know their dicks. And now you got a blue 720 00:42:41,760 --> 00:42:45,920 Speaker 1: line flag, right either you have diarrhea. And then he 721 00:42:46,040 --> 00:42:49,880 Speaker 1: came out and he just looked so so hurt by it. 722 00:42:50,080 --> 00:42:52,360 Speaker 1: It wasn't like he didn't get mad. He was just 723 00:42:52,480 --> 00:42:55,160 Speaker 1: like his head went down and he was like it 724 00:42:55,280 --> 00:42:57,200 Speaker 1: was like I stabbed him or something. It was like 725 00:42:57,680 --> 00:43:01,000 Speaker 1: he just takes his badge off and Adams, I like, 726 00:43:01,120 --> 00:43:03,279 Speaker 1: how Adams, Like there's gonna be an analogy like I 727 00:43:03,440 --> 00:43:06,400 Speaker 1: stabbed him or maybe like you put ship on his 728 00:43:06,560 --> 00:43:09,640 Speaker 1: car like it's bad. You don't need to analogize it. 729 00:43:10,080 --> 00:43:13,160 Speaker 1: It's bad. Yeah, I guess. So he had the look 730 00:43:13,200 --> 00:43:16,760 Speaker 1: on his face like he just discovered like child's ship 731 00:43:17,000 --> 00:43:21,239 Speaker 1: on his car, like he's hated by teenagers. Could you 732 00:43:21,400 --> 00:43:24,200 Speaker 1: ever shot somewhere you weren't supposed to? I did on 733 00:43:24,320 --> 00:43:29,880 Speaker 1: a cop car, yeah, honey, Uh yeah, I think I 734 00:43:30,000 --> 00:43:31,640 Speaker 1: did it, like on the side of the road one 735 00:43:31,760 --> 00:43:35,080 Speaker 1: time in my pants. Honey, You'll never believe what happened 736 00:43:35,080 --> 00:43:42,560 Speaker 1: again today teenagers ship on my car? Brother, You're misunderstood. Yeah, 737 00:43:42,680 --> 00:43:46,279 Speaker 1: I think I actually totally forgot about that memory. I'm 738 00:43:46,280 --> 00:43:49,120 Speaker 1: glad we I'm glad that came up. Yeah, that one. 739 00:43:49,280 --> 00:43:52,240 Speaker 1: But man, he really like bummed me out. I wanted 740 00:43:52,320 --> 00:43:55,560 Speaker 1: him to be like angry, you know, no, not anger. 741 00:43:55,600 --> 00:43:57,040 Speaker 1: I wanted him to be like, what the funk who 742 00:43:57,120 --> 00:44:00,279 Speaker 1: did that? But he was just started shooting him, holds 743 00:44:00,360 --> 00:44:02,520 Speaker 1: his gun, he's just just starting to just takes his 744 00:44:02,600 --> 00:44:05,080 Speaker 1: gun out and shoots his car up. Where are you, motherfucker? 745 00:44:05,160 --> 00:44:07,200 Speaker 1: I know your clothes it's warm. I wanted him to 746 00:44:07,280 --> 00:44:09,400 Speaker 1: like freak out, but he didn't. He just like looked 747 00:44:09,800 --> 00:44:12,640 Speaker 1: totally dejected. He was like, this is my life and 748 00:44:12,960 --> 00:44:15,560 Speaker 1: yeah he probably had a hard day. This did he 749 00:44:15,640 --> 00:44:17,319 Speaker 1: pull the gun out and put it to his head 750 00:44:17,360 --> 00:44:21,839 Speaker 1: and go not worth it? Not worth it? Not today? Yeah? 751 00:44:21,920 --> 00:44:24,239 Speaker 1: That always sucks when he like pranks somebody and they 752 00:44:24,280 --> 00:44:26,520 Speaker 1: don't get mad, They just get really sad and go 753 00:44:26,800 --> 00:44:29,880 Speaker 1: it goes dark. Damn. I just put them down a 754 00:44:30,120 --> 00:44:33,200 Speaker 1: bad path. Now they're just dejected that what is that? 755 00:44:33,719 --> 00:44:37,080 Speaker 1: What is that you had a bad day? No, But 756 00:44:37,160 --> 00:44:40,200 Speaker 1: here's my question. Are they good people? Because you expect 757 00:44:40,280 --> 00:44:43,280 Speaker 1: them to go ballistic because you're familiar with people going ballistic, 758 00:44:43,560 --> 00:44:45,560 Speaker 1: But they don't and you're like, oh, you're like a 759 00:44:45,680 --> 00:44:48,000 Speaker 1: good person. What also depends. I feel like I'm the 760 00:44:48,080 --> 00:44:50,759 Speaker 1: type of person that might go ballistic depending on the 761 00:44:51,480 --> 00:44:53,200 Speaker 1: mood that I'm in. I know that's what I'm saying. 762 00:44:53,239 --> 00:44:55,480 Speaker 1: That's why you expected it. But no, But when I 763 00:44:55,640 --> 00:44:58,719 Speaker 1: was pumped when they brought back Prince with Chance the 764 00:44:58,840 --> 00:45:04,920 Speaker 1: Rapper and they dropped a giant weight on on my 765 00:45:05,160 --> 00:45:07,839 Speaker 1: car and it like exploded and it wasn't my car. 766 00:45:07,880 --> 00:45:09,759 Speaker 1: They got a car that looked exactly like my car, 767 00:45:09,800 --> 00:45:12,680 Speaker 1: and blah blah blah. But I just they expected me 768 00:45:12,760 --> 00:45:15,839 Speaker 1: to like lose my mind. And I was just like, right, 769 00:45:15,880 --> 00:45:19,279 Speaker 1: you were super tired having had traveled or something. Yeah. No, 770 00:45:19,400 --> 00:45:22,000 Speaker 1: I was like I had to leave super early the 771 00:45:22,120 --> 00:45:25,399 Speaker 1: next day. And Chloe to get me to go out 772 00:45:25,880 --> 00:45:28,000 Speaker 1: a little later. It's like, please just meet my friends 773 00:45:28,040 --> 00:45:31,759 Speaker 1: at this bar to like set up the punked. I'd like, 774 00:45:31,880 --> 00:45:33,520 Speaker 1: go and hang with her friends, and I'm like, I 775 00:45:33,600 --> 00:45:35,279 Speaker 1: really gotta get up early. Let's get out of here, 776 00:45:35,320 --> 00:45:36,840 Speaker 1: like I'm trying to go to sleep. I have a 777 00:45:36,960 --> 00:45:39,440 Speaker 1: one day tomorrow. And she's like okay, and then we 778 00:45:39,560 --> 00:45:42,239 Speaker 1: go and I'm walking there and now my cars parked 779 00:45:42,239 --> 00:45:45,440 Speaker 1: into construction zone and they dropped this giant weight on 780 00:45:45,560 --> 00:45:49,160 Speaker 1: my car and my car just explodes, and I and 781 00:45:49,239 --> 00:45:52,640 Speaker 1: then I'm caught just saying like it's gonna be a 782 00:45:52,760 --> 00:45:58,080 Speaker 1: long night, Tomorrow is gonna suck, and I'm just totally dejected. 783 00:45:58,120 --> 00:46:00,480 Speaker 1: I'm like, oh, this is bad TV. After they caught me, 784 00:46:00,560 --> 00:46:02,320 Speaker 1: they caught you on the one day you would have 785 00:46:02,400 --> 00:46:04,040 Speaker 1: just gave me the heads up. I would have acted 786 00:46:04,120 --> 00:46:06,319 Speaker 1: like I was more mad. Yeah, I feel like they 787 00:46:06,360 --> 00:46:08,560 Speaker 1: would have caught you on any other day. You would 788 00:46:08,560 --> 00:46:14,120 Speaker 1: have fucking flew off the fucking what is it hinge handle, handle, hand, 789 00:46:14,480 --> 00:46:19,760 Speaker 1: the hinge on the handle, motherfucker, fly off the hinges. 790 00:46:19,800 --> 00:46:22,800 Speaker 1: And the term though, no, I feel like if we 791 00:46:22,960 --> 00:46:26,120 Speaker 1: both work, but fly off the handle is the term. Well, 792 00:46:26,160 --> 00:46:28,200 Speaker 1: I'll take it back. Fly off the handle, fly off 793 00:46:28,239 --> 00:46:31,359 Speaker 1: the handef the hand. No one says fly off the handle. 794 00:46:31,520 --> 00:46:33,919 Speaker 1: People say off the hinges. They could off the hinge, 795 00:46:34,000 --> 00:46:37,480 Speaker 1: they do the hinges, fly off the hook. But what 796 00:46:37,600 --> 00:46:40,400 Speaker 1: we're talking about is the saying fly off the handle 797 00:46:40,520 --> 00:46:44,000 Speaker 1: or fly off the parties off the hinges that you've 798 00:46:44,040 --> 00:46:46,160 Speaker 1: heard of. That term don't make me get websters out. 799 00:46:47,040 --> 00:46:50,800 Speaker 1: It's off the hook. I feel like I in that moment, 800 00:46:51,160 --> 00:46:55,279 Speaker 1: it wasn't I wasn't angry. I wasn't angry enough. I 801 00:46:55,360 --> 00:46:57,520 Speaker 1: feel like, in order for me to fly off the 802 00:46:57,640 --> 00:47:01,399 Speaker 1: hinge or the hood or the handle or the hinge 803 00:47:01,440 --> 00:47:04,480 Speaker 1: of the handle, it needs to be like a technology 804 00:47:04,560 --> 00:47:08,080 Speaker 1: based thing that it keeps fucking up and I can't 805 00:47:08,120 --> 00:47:11,560 Speaker 1: figure it out. That's when I'll freak out. But if 806 00:47:11,600 --> 00:47:15,120 Speaker 1: it's like an accident, that something happens and my car exploded, 807 00:47:15,600 --> 00:47:18,080 Speaker 1: I'm like, all right, I have insurance, we'll get another car. 808 00:47:18,239 --> 00:47:22,200 Speaker 1: It just sucks, right. You know, when you watch Jimmy Kimmel, 809 00:47:22,400 --> 00:47:24,759 Speaker 1: he does the like Halloween candy video every year with 810 00:47:24,880 --> 00:47:27,279 Speaker 1: the parents the next day ago, I hate all your candy. 811 00:47:27,320 --> 00:47:30,120 Speaker 1: When you're sleeping, your kids go fucking keep shit, I 812 00:47:30,360 --> 00:47:32,879 Speaker 1: fucking hate you. But then there's always the one kid 813 00:47:32,880 --> 00:47:34,880 Speaker 1: who's like, that's all right, did you like it like 814 00:47:35,040 --> 00:47:38,280 Speaker 1: you needed to? Like you liked it? And then everyone 815 00:47:38,280 --> 00:47:41,359 Speaker 1: goes you might be one of those kids, dude, Yeah, 816 00:47:41,400 --> 00:47:45,319 Speaker 1: but whereas I know Blake is not. Then at night 817 00:47:45,440 --> 00:47:48,799 Speaker 1: that kid fucking watches them sleep and plots their death. 818 00:47:49,120 --> 00:47:52,640 Speaker 1: That's what Blake, Blake thinks. That happens when you can't. 819 00:47:53,680 --> 00:47:56,680 Speaker 1: I bet I bet you that you really liked it. 820 00:47:56,880 --> 00:47:59,920 Speaker 1: Did you like the crackles? Yeah? Those are my favorite. 821 00:48:00,480 --> 00:48:03,479 Speaker 1: I love a good crackle. I'm gonna let that one land. 822 00:48:04,000 --> 00:48:07,880 Speaker 1: Do crackles exist outside of the little mini? I've never 823 00:48:07,960 --> 00:48:12,040 Speaker 1: seen a full size crackle. If you do, run, If 824 00:48:12,080 --> 00:48:14,520 Speaker 1: you see a full size crackle, it's not a real 825 00:48:14,560 --> 00:48:16,440 Speaker 1: place where you are. They've set it up. It's for 826 00:48:16,520 --> 00:48:20,000 Speaker 1: a punk get out. Yeah, you're being definitely pumped. Have 827 00:48:20,080 --> 00:48:21,840 Speaker 1: you ever seen a full size crackle? These are the 828 00:48:21,880 --> 00:48:23,960 Speaker 1: hard hitting questions. Never. I don't know if I have, 829 00:48:24,200 --> 00:48:27,280 Speaker 1: like a big red crackle. I think it's only fun size. 830 00:48:27,320 --> 00:48:30,680 Speaker 1: It's only fun size. Yeah, because crunch Bar. Crunch Bar 831 00:48:31,320 --> 00:48:33,720 Speaker 1: brought it right. And do you even see full size 832 00:48:33,760 --> 00:48:37,040 Speaker 1: crunch bars anymore? Not really. You used to a lot 833 00:48:37,239 --> 00:48:39,799 Speaker 1: when in the night. Oh my god, you couldn't miss him. 834 00:48:40,239 --> 00:48:42,880 Speaker 1: You could not miss that. In the nineties, it was 835 00:48:43,040 --> 00:48:46,080 Speaker 1: all crunch all day, dude. There were some sick ones. 836 00:48:46,120 --> 00:48:48,800 Speaker 1: Do you remember. Crunch Bars did like an NBA series 837 00:48:48,880 --> 00:48:51,960 Speaker 1: where like you could get all the different NBA Actually 838 00:48:52,120 --> 00:48:54,920 Speaker 1: it was so they used to remember that they had 839 00:48:54,960 --> 00:48:57,719 Speaker 1: like the basketball in the cover. They used to do 840 00:48:57,840 --> 00:48:59,719 Speaker 1: a lot of cool promo and there was like the 841 00:49:00,040 --> 00:49:02,480 Speaker 1: at and like the the guy dunking. Yes, it was 842 00:49:02,760 --> 00:49:06,120 Speaker 1: fire crunch bars. They did stuff for No, they did 843 00:49:06,160 --> 00:49:08,719 Speaker 1: it for the Olympics. Was the high top. So they 844 00:49:08,760 --> 00:49:11,240 Speaker 1: did the Olympics too, like they did all the different 845 00:49:11,320 --> 00:49:15,600 Speaker 1: sports on the the hardwood. If I'm not lying, do 846 00:49:15,800 --> 00:49:19,080 Speaker 1: crunch bars I kind of do. Remember what you're talking about, 847 00:49:19,120 --> 00:49:21,759 Speaker 1: I because I that was my favorite candy bar as 848 00:49:21,800 --> 00:49:24,920 Speaker 1: a kid too. I love really in basketball is my 849 00:49:25,040 --> 00:49:28,200 Speaker 1: favorite sport. But then what happened when Witche mccullus came 850 00:49:28,239 --> 00:49:31,120 Speaker 1: on the scene. That never I like, I like the commercial, 851 00:49:31,160 --> 00:49:33,719 Speaker 1: but I never tuk with twigs and mcculls are just 852 00:49:33,840 --> 00:49:36,680 Speaker 1: better crunch bars. I bet I would like them. That's 853 00:49:36,800 --> 00:49:39,600 Speaker 1: very different. It has it has caramel. I like caramel. 854 00:49:39,800 --> 00:49:43,279 Speaker 1: That's the one difference. So different. No, crunch bars were 855 00:49:43,440 --> 00:49:47,120 Speaker 1: straight to the points, just some crispies and some chocolate yep, 856 00:49:47,320 --> 00:49:49,440 Speaker 1: and you could just smash it and they tasted really 857 00:49:49,480 --> 00:49:57,879 Speaker 1: good when they milt cat Boy as well hard let flowers. Yeah, 858 00:49:58,280 --> 00:50:02,040 Speaker 1: any flowers takeaways, epics ams giveaways, I'll give you a takeaway. 859 00:50:02,080 --> 00:50:04,239 Speaker 1: I took away all the almond Joys from my boys 860 00:50:04,280 --> 00:50:06,440 Speaker 1: who went trick or tree and I side line them up. Boys, 861 00:50:06,480 --> 00:50:09,520 Speaker 1: those are mine. Kids don't really funk with coconut usually, 862 00:50:09,680 --> 00:50:12,879 Speaker 1: right that I always dug them. But yes, you are correct. Yeah, 863 00:50:13,000 --> 00:50:15,200 Speaker 1: I think most kids don't like coconut. I think that's 864 00:50:15,200 --> 00:50:19,080 Speaker 1: an adult flavor or it's like them. Texture of it 865 00:50:19,239 --> 00:50:24,600 Speaker 1: is kind of like the same as like onions, like slicy. Alright, 866 00:50:24,680 --> 00:50:29,279 Speaker 1: and I got it to go. Wait, just what, You're 867 00:50:29,320 --> 00:50:37,319 Speaker 1: a fucking disaster, my guy? A man like what okay, please, 868 00:50:37,320 --> 00:50:41,000 Speaker 1: sucking disaster my guy? Wait? You know, like there was 869 00:50:41,040 --> 00:50:46,440 Speaker 1: a reason you just said that are like onions? No, no, no, 870 00:50:46,600 --> 00:50:53,520 Speaker 1: he said, cocons like onions. Okay. One of the reasons 871 00:50:53,600 --> 00:50:56,280 Speaker 1: I didn't like onions as a kid wasn't just because 872 00:50:56,320 --> 00:50:58,160 Speaker 1: the taste. It was like the texture. It's like it 873 00:50:58,400 --> 00:51:02,839 Speaker 1: had a like feeling. I don't know how to describe that. Yeah, 874 00:51:02,880 --> 00:51:06,399 Speaker 1: you sure don't. That is apparent. Yeah you really don't. 875 00:51:06,520 --> 00:51:11,040 Speaker 1: Dudecker came with sound. It's like, you know how it 876 00:51:11,120 --> 00:51:17,040 Speaker 1: feels like a noise. This dude is mixing up his senses. 877 00:51:17,200 --> 00:51:19,920 Speaker 1: I see sounds. I see sounds. I'm like forrell bro. 878 00:51:20,160 --> 00:51:22,320 Speaker 1: So it is a texture thing. Yeah, you get that 879 00:51:24,320 --> 00:51:26,440 Speaker 1: that almond makes up for you, get that nice crush. 880 00:51:27,200 --> 00:51:30,520 Speaker 1: But then there's mounds. I don't like mounds. Yeah, mounds 881 00:51:30,520 --> 00:51:32,640 Speaker 1: are fucking trash. If you eat mounds, you're a child. 882 00:51:32,760 --> 00:51:36,439 Speaker 1: Which which ones are mountains? Almonds, almond, Joy's got nuts, 883 00:51:36,760 --> 00:51:39,400 Speaker 1: mounds don't? Was the whole ad campaign. Mounds are the 884 00:51:39,520 --> 00:51:43,239 Speaker 1: same thing. So it's just it's just coconut without the nut, 885 00:51:43,760 --> 00:51:49,440 Speaker 1: and dark chocolate instead of milk chocolate, fucking yung chocolate, 886 00:51:49,600 --> 00:51:51,960 Speaker 1: super super grown folks candy. I don't even think it 887 00:51:52,040 --> 00:51:54,800 Speaker 1: exists anymore, dude. I still I can't get on board 888 00:51:54,880 --> 00:51:57,520 Speaker 1: with some dark chocolate. I bought a dark chocolate weed bar, 889 00:51:58,120 --> 00:52:00,560 Speaker 1: and I'm like, do I just feed this to a 890 00:52:01,320 --> 00:52:07,799 Speaker 1: like a dog? Yeah? You faster, my guy, you could 891 00:52:07,920 --> 00:52:10,279 Speaker 1: do that. Do I just feed this to a dog 892 00:52:10,440 --> 00:52:14,680 Speaker 1: or something? Uh No, it's I'm like, I I blew it, man. 893 00:52:15,600 --> 00:52:18,080 Speaker 1: Dark chocolate is like, yeah, I think it's like grown 894 00:52:18,160 --> 00:52:20,080 Speaker 1: up grown folks. It's like when you start to get 895 00:52:20,120 --> 00:52:23,160 Speaker 1: into like coffee. Yeah. But dude, I'm thirty nine years old. 896 00:52:23,239 --> 00:52:26,879 Speaker 1: Now I should I should be on my grown folks ship. Well, 897 00:52:27,160 --> 00:52:29,800 Speaker 1: fucking get on it. In my mind, isn't dark chocolate, 898 00:52:29,880 --> 00:52:33,000 Speaker 1: like super close to what coffee tastes like. Yeah, it's 899 00:52:33,080 --> 00:52:36,320 Speaker 1: all no, it's all uh no, I love coffee. It doesn't. 900 00:52:36,360 --> 00:52:38,240 Speaker 1: I know you do what I'm saying, doesn't it tastes 901 00:52:38,280 --> 00:52:41,200 Speaker 1: like coffee. It tastes like coffee to me. To me, 902 00:52:41,320 --> 00:52:44,640 Speaker 1: it's bitter. Yes, it's bitter. Bitter. We're talking about bitter things. 903 00:52:44,800 --> 00:52:46,920 Speaker 1: And when you when you drink bitter stuff, it's very 904 00:52:47,000 --> 00:52:53,680 Speaker 1: much like you know, when you taste something that's bitter, 905 00:52:53,760 --> 00:53:02,720 Speaker 1: it's like whoa, when you drink a slurpee, really fasten 906 00:53:02,800 --> 00:53:09,080 Speaker 1: your You didn't need to make it. The bit is 907 00:53:09,120 --> 00:53:10,959 Speaker 1: that you say a thing that doesn't make a noise, 908 00:53:11,000 --> 00:53:13,520 Speaker 1: then you make a noise and I'm checking, I'm junking. 909 00:53:13,840 --> 00:53:19,200 Speaker 1: I'm junking, I'm junking. This has been another episode. Is 910 00:53:19,239 --> 00:53:33,080 Speaker 1: another episode. It's really They said check me out on Thanksgiving, y'all. 911 00:53:33,480 --> 00:53:41,080 Speaker 1: It's important. Watch the a b animards. This is important. 912 00:53:43,480 --> 00:53:44,200 Speaker 1: Oh boy,