WEBVTT - Dune: Prophecy Season 1

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<v Speaker 1>Warning, today's episode could date spoilers for the first season

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<v Speaker 1>of Dune Prophecy on HBO, and of course the wider

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<v Speaker 1>Dude Cannon be warned.

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<v Speaker 2>Hello, Jason Concepcio and I'm a busafar.

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<v Speaker 1>And welcome back to x ray Vision, the podcast where

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<v Speaker 1>we dive deep, deeper than a sad word. It's your

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<v Speaker 1>favorite shows, movies, comics of pop culture coming to you

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<v Speaker 1>from our podcast will Ward bring you three episodes a

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<v Speaker 1>week every Tuesday, Wednesday, and Thursday.

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<v Speaker 3>In today's episode, we are joined once again by Jason

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<v Speaker 3>and h from Escape Patch formerly known as Dune Pod

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<v Speaker 3>to talk about Dune Prophecy season one in its entirety.

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<v Speaker 3>Thank you guys for joining us. Lovely to have you back.

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<v Speaker 4>It's a delight, thank you for having us back to

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<v Speaker 4>talk about this very important piece of pop culture.

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<v Speaker 5>Dive right into it. Can we just take a minute

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<v Speaker 5>and give a shout out to the goat and say

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<v Speaker 5>rest in power our Dune King David Lynch.

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<v Speaker 1>Yeah, yeah, great, even with even with all the changes,

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<v Speaker 1>an absolutely unique vision that I think is stands on

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<v Speaker 1>its own as a just an incredible imagining of that

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<v Speaker 1>world and some of the things honestly like the navigators

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<v Speaker 1>feel like that's what they should look like.

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<v Speaker 6>Yeah, I think that's right.

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<v Speaker 4>I think I think he defined parts of the Dune

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<v Speaker 4>universe straight out of his imagining. That made it more

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<v Speaker 4>vivid than even what's in the book. Even though the

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<v Speaker 4>movie is beloved by bayouts, I'm getting choked up. No,

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<v Speaker 4>even though the movie is beloved, it was a failure.

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<v Speaker 4>But still his imprint on the Dune universe is eternal,

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<v Speaker 4>and these just a tremend this visionary director.

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<v Speaker 6>So we will miss him.

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<v Speaker 5>Yeah, I love you, David.

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<v Speaker 1>Well, let's so, guys, season one of Dune Prophecy in

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<v Speaker 1>the books. Yes, we expect to season two. I think

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<v Speaker 1>we should. You know, season two will be coming. Our

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<v Speaker 1>thoughts now that this has we have finished six episodes,

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<v Speaker 1>not a tremendous amount of runway to get a story

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<v Speaker 1>off the ground. Certainly a story is sprawling and interwoven,

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<v Speaker 1>as this one is spanning multiple time frames, the past,

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<v Speaker 1>the president in some of the future. Your thoughts on

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<v Speaker 1>season one, Well.

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<v Speaker 5>So we were you know, we were a little nervous

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<v Speaker 5>about the show. We were excited because we want more

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<v Speaker 5>stories and we want to get we want to get

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<v Speaker 5>into the world. But Obviously, we were nervous that it

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<v Speaker 5>was not based on some of Frank's works. Jason and

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<v Speaker 5>I have not read unlike Abou, you know, we're only

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<v Speaker 5>lightweight Dune fans. We have not read all the Brian

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<v Speaker 5>Herbert books. And then it had a very troubled production,

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<v Speaker 5>right with the original showrunner getting fired and then the

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<v Speaker 5>guy from Chernobyl coming in.

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<v Speaker 2>We're like, yes, this is gonna be incredible.

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<v Speaker 5>Then he leaves, and so it's we were sort of

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<v Speaker 5>a little skeptical. There were some real highlights the production

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<v Speaker 5>design and the costumes and the sets and seeing some

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<v Speaker 5>of the stuff was really amazing, and some of the

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<v Speaker 5>performances were really really incredible, especially with the younger cast members.

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<v Speaker 5>But then there were just also some misses, which I

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<v Speaker 5>am sure we are going to get into in this discussion.

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<v Speaker 5>Just some of the feeling unanchored, and I think it's

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<v Speaker 5>largely related to the way that they laid it out

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<v Speaker 5>time wise, starting in the present, jumping back to the

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<v Speaker 5>bast and so that for me was something that made

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<v Speaker 5>it a little harder to grab hold up to the series.

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<v Speaker 4>Yeah, I think to build on that, my take is

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<v Speaker 4>is maybe a little briefer which is just it's not

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<v Speaker 4>that good.

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<v Speaker 6>Like the show is just not that good.

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<v Speaker 4>Like it's got some huge head. We have a podcast

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<v Speaker 4>that was formly called Dune, And like my repeated feeling

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<v Speaker 4>when watching this is like if I am bored by

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<v Speaker 4>this show, who is this show for?

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<v Speaker 6>Whom is this show?

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<v Speaker 4>Because like, you know, it's just it wasn't there There

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<v Speaker 4>are bones there, there are great performances, great actors, great

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<v Speaker 4>production design, high production values.

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<v Speaker 6>The actual writing of.

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<v Speaker 4>The show is just very clunky and not that good.

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<v Speaker 4>There's they've kind of got Denny Villeneuve's Dune, like all

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<v Speaker 4>of the grandiosity of that property stuffed into kind of

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<v Speaker 4>a like you know, see Tier Star Trek the Next

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<v Speaker 4>Generation episode and like that's and that's just kind of

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<v Speaker 4>that's just kind of a bummer. So I hope in

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<v Speaker 4>season two they just kind of figure out how.

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<v Speaker 6>To write better. I guess.

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<v Speaker 4>I mean, I'm like, you know, how to make it

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<v Speaker 4>just a tighter show with less expository theater and like

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<v Speaker 4>more focused on one story and and just have it

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<v Speaker 4>be a bit tighter.

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<v Speaker 1>Aaboo your thoughts.

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<v Speaker 3>You know, I would echo that sentiment as well. I

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<v Speaker 3>also wasn't the biggest fan of the show. It didn't

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<v Speaker 3>land with me, and as a Dune super fan, I

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<v Speaker 3>found a number of things disappointing. I will say there

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<v Speaker 3>was a lot of Dune lore in the show, which

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<v Speaker 3>was nice, that was fun. But I think to Jason's point,

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<v Speaker 3>the storytelling, the writing is where it fell short for me,

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<v Speaker 3>and six episodes just wasn't enough time to tell the stories,

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<v Speaker 3>the multiple stories, multiple plot threads, multiple character arcs that

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<v Speaker 3>they were trying to cram into six hour long episodes.

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<v Speaker 3>Episode six I think was actually even ninety minutes and

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<v Speaker 3>still not enough time to get the characters and story

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<v Speaker 3>moving towards satisfying not just conclusions, but towards satisfying moments

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<v Speaker 3>as well. You know, parts felt rushed, A lot of

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<v Speaker 3>stuff was assumed to happen off screen, a lot of

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<v Speaker 3>character development happening off screen. It was disappointed, and for

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<v Speaker 3>what it's worth, I think, like living in the shadow

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<v Speaker 3>of a Danny villenef masterpiece is a very.

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<v Speaker 2>Difficult place to live in.

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<v Speaker 3>Yes, and so to be given the directive that here's

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<v Speaker 3>the master work upon which you are making the show,

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<v Speaker 3>make it just as good that is that is a

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<v Speaker 3>tall order. And so I do feel for the fine

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<v Speaker 3>folks at HBO who were given that order and did

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<v Speaker 3>their best to live up to it and in some

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<v Speaker 3>ways did in other ways I think fell quite tragically short.

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<v Speaker 1>My take very similar to all of yours. I think

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<v Speaker 1>it was I watched episode one and thought, okay, a

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<v Speaker 1>little bit of a mess, but there's good. I feel

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<v Speaker 1>like there's something in there, there's bones in there that

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<v Speaker 1>can emerge. And then really it didn't start turning back

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<v Speaker 1>towards that those glimmers of optimism until maybe episode five

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<v Speaker 1>and parts of episode six. It felt, you know, another

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<v Speaker 1>red flag is in episode two there's like a long

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<v Speaker 1>sex scene. I think I said this on a previous episode,

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<v Speaker 1>like listen, like I'm steeped in Game of Thrones. Love

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<v Speaker 1>a good sex position scene, but I feel like if

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<v Speaker 1>you're switching positions, it's too long. Any sex scene where

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<v Speaker 1>there's multiple where you're going through multiple rounds of different techniques,

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<v Speaker 1>but it's probably you know, we could cut this fat.

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<v Speaker 1>And I feel like that to me is if there's

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<v Speaker 1>a if there's a way forward for season two, it's less.

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<v Speaker 1>We don't less stuff. And so maybe now that they've

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<v Speaker 1>established what the show is, what the basic story is,

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<v Speaker 1>this kind of illicit dabbling in illegal technologies and the

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<v Speaker 1>effects they have on Imperial society and people being still

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<v Speaker 1>lured to this stuff for the for the feeling it

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<v Speaker 1>gives people, for you know, the boost it gives the economy.

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<v Speaker 1>That's all kind of fun. But we can jettison a

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<v Speaker 1>lot of hopefully the flashbacks. We're already ten thousand years

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<v Speaker 1>in the past. I felt like the guy flash why

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<v Speaker 1>back twelve years?

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<v Speaker 2>Like ten twelve really important year? You gotta this.

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<v Speaker 5>Was my This was my biggest problem with the show, right,

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<v Speaker 5>Like the whole structure of the show was based on

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<v Speaker 5>the fact that they wanted the Desmond reveal to.

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<v Speaker 6>Rock everyone to our core.

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<v Speaker 5>Yeah, and it's this classic thing of Hollywood over indexing

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<v Speaker 5>on surprise. If the show had started with young Valua

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<v Speaker 5>and young Tula and showed them coming up together, spend

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<v Speaker 5>three three episodes with them just like you know, Ryan

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<v Speaker 5>did it amazingly somehow on House of the Dragon. He

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<v Speaker 5>pulled it off. It's not easy, but doing the flashbacks

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<v Speaker 5>for episode three we a that an acolyte. It doesn't work.

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<v Speaker 5>You do not end up connected to the characters.

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<v Speaker 4>Yeah, and it's also especially because like young Volley is

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<v Speaker 4>a great like I love that actress. I thought she

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<v Speaker 4>was a really great actress. And the scenes, yeah, the

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<v Speaker 4>young the young counterparts were great, and the scenes in

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<v Speaker 4>which they're just murking people at like House of the

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<v Speaker 4>Benny Jesuit is it was was was really exciting, like

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<v Speaker 4>it was was really really fun, but like you know,

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<v Speaker 4>it just kind of comes too late. I think the

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<v Speaker 4>way I would have redone this, given that they were

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<v Speaker 4>only given six episodes, which is difficult to cram all

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<v Speaker 4>this in, I would have just trimmed off anything that

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<v Speaker 4>wasn't volume on Tula related. I think any of the

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<v Speaker 4>scenes with like the kids, all the stuff at the bar,

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<v Speaker 4>the rebel bar, the only bars, the only bars, like

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<v Speaker 4>all of that stuff would have just trimmed away and

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<v Speaker 4>just focus it on this hearkening story and it would

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<v Speaker 4>have been much more compelling.

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<v Speaker 5>By the way nobody thought to empty the bar of

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<v Speaker 5>like the ten.

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<v Speaker 2>Was there.

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<v Speaker 6>The rebellion is very sloppy.

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<v Speaker 3>Guys, Why is your spice just upstairs?

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<v Speaker 5>Open?

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<v Speaker 3>Sister MICHAELA, Why are your robes hidden in the same

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<v Speaker 3>place as Karen lock your locker?

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<v Speaker 4>Yes, this is like this is how like my wife

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<v Speaker 4>always knows when I've been in the kitchen because all

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<v Speaker 4>the kitchen cabinets are open and all the cover doors

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<v Speaker 4>are all the covered doors are ajar, And it's just like,

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<v Speaker 4>like Karen has this problem bad, Like he comes back

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<v Speaker 4>from his secret bombing mission is just leaving the.

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<v Speaker 6>Bombs, like out On doesn't put anything else. Someone will,

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<v Speaker 6>Someone will spruce that up.

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<v Speaker 2>Not a problem, Jason.

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<v Speaker 3>You said this, Uh, when I think we talked about

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<v Speaker 3>episode four, Jason Concepcion, You and I were doing that episode,

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<v Speaker 3>and you said something that just stuck in my mind

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<v Speaker 3>about this show and hasn't left.

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<v Speaker 2>It feels like so many of the.

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<v Speaker 3>Characters, perhaps outside of Volley and Tula, are passengers in

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<v Speaker 3>their own story. Things are happening because the play requires

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<v Speaker 3>them to happen so that the next plot point can

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<v Speaker 3>happen next, And the characters are just reacting to things

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<v Speaker 3>happening to them. And you said that, And I can't

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<v Speaker 3>stop thinking about it, and I can't stop seeing it

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<v Speaker 3>even in episode.

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<v Speaker 1>Poor Mark Strong playing Mark.

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<v Speaker 6>Mark.

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<v Speaker 4>Mark Strong needs to listen to that Zuck Rogan interview

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<v Speaker 4>and reclaim the masculine.

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<v Speaker 1>Think about we put.

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<v Speaker 6>A little bit of more land in this.

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<v Speaker 4>He needs to get a gold chain and go bow

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<v Speaker 4>hunting and cook his own meat that hunt.

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<v Speaker 1>I mean, you know what, that's a good it's a

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<v Speaker 1>good point, h because I think the emperor is interesting.

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<v Speaker 1>I liked initially as we talked about it, BOO. I

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<v Speaker 1>liked the idea of exploring this really interesting uh governmental

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<v Speaker 1>system that they have, which kind of requires a weak emperor,

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<v Speaker 1>right because he's really a mediator between these very powerful families.

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<v Speaker 1>He's not supposed to be like he's more of like

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<v Speaker 1>the commissioner of the NBA than he is like an emperor.

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<v Speaker 1>He works for these families. Yeah, and so I thought

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<v Speaker 1>that was I thought that that could be really interesting

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<v Speaker 1>and there were interesting moments to it. But the issue

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<v Speaker 1>is when you only set up like one point of

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<v Speaker 1>conflict between the ri Chesy family. He needs their ships,

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<v Speaker 1>you know, then it doesn't feel complex enough. It just

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<v Speaker 1>feels like this one guy like has something over him,

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<v Speaker 1>and it results in this feeling of this guy is

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<v Speaker 1>just a drip, like I thought he was the emperor.

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<v Speaker 1>He hasn't sure juice whatsoever, and it makes it feel

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<v Speaker 1>less lived in and it I just wish they would

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<v Speaker 1>have picked to me, it's like pick Awayane. If you're

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<v Speaker 1>gonna go with the the imperial politics angle, which I

0:13:18.400 --> 0:13:21.520
<v Speaker 1>think is wonderful and rich, just dive headfirst into that

0:13:21.600 --> 0:13:24.000
<v Speaker 1>and kind of ignore the rest of this stuff. If

0:13:24.000 --> 0:13:26.640
<v Speaker 1>you're going to dive into the effects of nanotechnology and

0:13:26.840 --> 0:13:30.359
<v Speaker 1>the and the development of the Benny Jesre It's control

0:13:30.559 --> 0:13:33.440
<v Speaker 1>over the imperial households in the Landslard, then just kind

0:13:33.440 --> 0:13:36.720
<v Speaker 1>of dive into that and ignore everything else. And I think, Jason,

0:13:38.200 --> 0:13:41.320
<v Speaker 1>Jason G You're right that what needs to happen is

0:13:41.840 --> 0:13:43.360
<v Speaker 1>just pick alaye.

0:13:43.720 --> 0:13:45.400
<v Speaker 4>You know, And this brings I think your point. I

0:13:45.440 --> 0:13:48.240
<v Speaker 4>think your point is exactly right, and it brings up

0:13:48.240 --> 0:13:50.400
<v Speaker 4>two things. Very First of all, I would really need

0:13:50.440 --> 0:13:53.440
<v Speaker 4>to see Adam Silver in a house Corrino uniform because.

0:13:55.240 --> 0:13:59.640
<v Speaker 6>Indistinguishable from what we got on screen. And thing two.

0:13:59.679 --> 0:14:03.440
<v Speaker 4>Like like he's such a weak emperor. It also undercuts

0:14:03.480 --> 0:14:05.560
<v Speaker 4>the whole rebellion storyline because it's like, what are you

0:14:05.600 --> 0:14:06.480
<v Speaker 4>rebelling against?

0:14:06.480 --> 0:14:09.800
<v Speaker 6>Like this horrible, this horrible tyrant who can't even run

0:14:09.840 --> 0:14:12.560
<v Speaker 6>his family? Like what is that? What is that? Like

0:14:12.600 --> 0:14:14.160
<v Speaker 6>what's actually good? What's actually gone?

0:14:14.280 --> 0:14:16.560
<v Speaker 4>You should just like, you know, all these people are

0:14:16.720 --> 0:14:20.200
<v Speaker 4>completely weak, Like it's obviously a weak environment, like you

0:14:20.320 --> 0:14:23.640
<v Speaker 4>don't need to like bomb the house, the House of

0:14:23.680 --> 0:14:26.120
<v Speaker 4>the Emperor. You could find other ways to achieve whatever

0:14:26.160 --> 0:14:28.840
<v Speaker 4>your goals are here. And so it's just it's just

0:14:28.880 --> 0:14:31.640
<v Speaker 4>deeply unsatisfying all that stuff. But the stuff that is,

0:14:32.080 --> 0:14:35.000
<v Speaker 4>the stuff that is the house Hearkening story, the Valley

0:14:35.000 --> 0:14:38.160
<v Speaker 4>of Toula story is very interesting. I think A general

0:14:38.200 --> 0:14:39.880
<v Speaker 4>problem I found too, is that the show is just

0:14:39.920 --> 0:14:42.440
<v Speaker 4>a little too literal, Like it just takes like a

0:14:42.600 --> 0:14:45.120
<v Speaker 4>very like and the best example of this for me

0:14:45.200 --> 0:14:48.520
<v Speaker 4>is the the Fears of the Mind Killer thing. One second,

0:14:50.040 --> 0:14:52.160
<v Speaker 4>everyone in my house is sick, so I'm trying not

0:14:52.240 --> 0:14:54.400
<v Speaker 4>to I'm trying to use my own litiny against fear

0:14:54.440 --> 0:14:57.360
<v Speaker 4>to keep myself well. But like you know, the liney

0:14:57.560 --> 0:15:01.360
<v Speaker 4>the linear against fear is one of the most remarkable

0:15:01.360 --> 0:15:03.840
<v Speaker 4>pieces of writing in all of science fiction. I really

0:15:03.920 --> 0:15:08.400
<v Speaker 4>believe it's it's an amazing prayer that Herbert creates, and

0:15:08.960 --> 0:15:11.760
<v Speaker 4>they take this very interesting thing and make it this

0:15:11.840 --> 0:15:14.880
<v Speaker 4>completely literal artifact where it's like, oh, this is a

0:15:14.960 --> 0:15:16.280
<v Speaker 4>virus that feeds on fear.

0:15:16.360 --> 0:15:18.240
<v Speaker 6>You have to just not be afraid of it. I'm like,

0:15:18.320 --> 0:15:21.440
<v Speaker 6>come like that. It's just so heavy. It's so heavy

0:15:21.520 --> 0:15:22.320
<v Speaker 6>handed and literal.

0:15:22.400 --> 0:15:25.400
<v Speaker 4>It's like, you know, it's the equivalent of when, if

0:15:25.400 --> 0:15:27.480
<v Speaker 4>you know, Luke was being talked to on the on

0:15:27.560 --> 0:15:30.600
<v Speaker 4>the on the Death Star run and Obi Wan says that,

0:15:30.640 --> 0:15:32.360
<v Speaker 4>you know, use the force, Luke, and Luke was like,

0:15:32.400 --> 0:15:35.800
<v Speaker 4>oh right, you know, force equals mass times acceleration. I

0:15:35.920 --> 0:15:38.680
<v Speaker 4>must excrease the speed of my x wing to you know,

0:15:38.880 --> 0:15:41.760
<v Speaker 4>to to drive more. Force just makes this very literal

0:15:41.880 --> 0:15:45.680
<v Speaker 4>argument out of this, you know, kind of transcendent science

0:15:45.720 --> 0:15:46.600
<v Speaker 4>fiction concept.

0:15:46.680 --> 0:15:48.440
<v Speaker 6>I found it just very tedious.

0:15:48.920 --> 0:15:51.240
<v Speaker 5>Luke, listen to your Midi Chlorians.

0:15:51.440 --> 0:15:54.120
<v Speaker 4>Yeah exactly, yeah, exactly.

0:15:55.200 --> 0:15:58.160
<v Speaker 1>So, I mean, I I'd love to get your opinion

0:15:58.160 --> 0:15:59.600
<v Speaker 1>on this because I think to me, one of the

0:15:59.600 --> 0:16:05.320
<v Speaker 1>most to me, a huge stumbling block for enjoyment of

0:16:05.360 --> 0:16:11.240
<v Speaker 1>the story was I kind of felt like they went

0:16:11.280 --> 0:16:17.600
<v Speaker 1>back ten thousand years, but they didn't make the organizations

0:16:17.680 --> 0:16:21.480
<v Speaker 1>that they are portraying seem as if they were at

0:16:21.560 --> 0:16:27.040
<v Speaker 1>different early evolution their infancy. They're not called the Benny jesureit,

0:16:27.160 --> 0:16:30.680
<v Speaker 1>but that's all like the everything else their role. They're

0:16:30.680 --> 0:16:34.160
<v Speaker 1>already they're already placing people with lands, read families. They're

0:16:34.200 --> 0:16:37.480
<v Speaker 1>already standing to the right side of the Emperor whispering

0:16:37.480 --> 0:16:40.760
<v Speaker 1>in his ear. I think it would have been much

0:16:40.760 --> 0:16:45.160
<v Speaker 1>more interesting to see them like pitching that, getting into

0:16:45.240 --> 0:16:51.320
<v Speaker 1>those you know, families, forging those relationships. How do they

0:16:51.600 --> 0:16:56.000
<v Speaker 1>Is that an issue for y'all? And what do they do?

0:16:56.080 --> 0:16:58.080
<v Speaker 1>Could they you know, this is television. You could just

0:16:58.160 --> 0:17:00.120
<v Speaker 1>ignore it. We could just ignore that that's what they

0:17:00.120 --> 0:17:02.320
<v Speaker 1>did in season one and just start again. But what

0:17:02.440 --> 0:17:04.480
<v Speaker 1>can they do? And is that a problem? Is that?

0:17:04.640 --> 0:17:06.320
<v Speaker 1>Is that similarly an issue for y'all?

0:17:06.880 --> 0:17:09.600
<v Speaker 5>I mean, in general, there's not enough subtlety in what's

0:17:09.640 --> 0:17:13.160
<v Speaker 5>happening right like's they're supposed to be maneuvering everything from

0:17:13.160 --> 0:17:15.200
<v Speaker 5>the shadows. And you do have that great moment in

0:17:15.560 --> 0:17:18.600
<v Speaker 5>episode six where they anerel the computer helps them pick,

0:17:18.960 --> 0:17:20.600
<v Speaker 5>and that's very cool where they're selecting.

0:17:20.960 --> 0:17:21.840
<v Speaker 1>That was really cool.

0:17:22.520 --> 0:17:25.520
<v Speaker 5>Yeah, But once they're like in there, they're just like

0:17:25.560 --> 0:17:28.960
<v Speaker 5>standing there making their motions and like like they're executing

0:17:28.960 --> 0:17:31.760
<v Speaker 5>their plans in full view of like the lancearrat and

0:17:31.760 --> 0:17:33.800
<v Speaker 5>stuff going on. It's it's like it's not very subtle.

0:17:34.840 --> 0:17:37.640
<v Speaker 5>And then you also have this challenge of this giant schism,

0:17:37.680 --> 0:17:40.000
<v Speaker 5>which I think is Jason. What they're trying to do here,

0:17:40.000 --> 0:17:42.040
<v Speaker 5>to show that there's this massive schism, and that's what's

0:17:42.080 --> 0:17:44.679
<v Speaker 5>going to really be the challenge for the Benajeesa. But

0:17:44.760 --> 0:17:47.200
<v Speaker 5>who are we rooting for? Like, are we looking for

0:17:47.280 --> 0:17:51.680
<v Speaker 5>these religious fundamentalists or are we rooting for this psychotic

0:17:51.960 --> 0:17:55.719
<v Speaker 5>murderer value Harken. It's hard for us to have a

0:17:55.800 --> 0:17:56.560
<v Speaker 5>dog in this fight.

0:17:57.000 --> 0:18:00.920
<v Speaker 4>Yeah, there's not really a protagonist in this show because

0:18:01.640 --> 0:18:04.879
<v Speaker 4>like there's like, you know, I there shows like Succession

0:18:04.920 --> 0:18:07.120
<v Speaker 4>where there's you know, you don't really like anyone, You're

0:18:07.160 --> 0:18:09.280
<v Speaker 4>not really supposed to like anyone, but like you have

0:18:09.359 --> 0:18:11.520
<v Speaker 4>sort of an affinity for certain characters because of their

0:18:11.560 --> 0:18:14.440
<v Speaker 4>quirks or whatever. But everyone's a bad person. This show

0:18:14.480 --> 0:18:16.960
<v Speaker 4>doesn't can't be it can't work on that level. Like

0:18:17.000 --> 0:18:19.359
<v Speaker 4>it can't work where you know, it's very difficult to

0:18:19.440 --> 0:18:22.000
<v Speaker 4>introduce a cousin Greg like in this in this show

0:18:22.040 --> 0:18:24.120
<v Speaker 4>where you just like which I guess is I guess

0:18:24.200 --> 0:18:30.440
<v Speaker 4>it's yes, Yeah, but it's so I guess I'm root

0:18:30.520 --> 0:18:31.560
<v Speaker 4>for him by default.

0:18:31.960 --> 0:18:34.800
<v Speaker 5>But yeah, I think it is a big problem for me.

0:18:35.280 --> 0:18:39.880
<v Speaker 4>That the show doesn't have any distinguishing culture from being

0:18:39.920 --> 0:18:43.439
<v Speaker 4>set ten thousand years ago. This is a criticism that

0:18:43.600 --> 0:18:47.080
<v Speaker 4>also is leveled against House of the Dragon. Sure, it's like, oh,

0:18:47.119 --> 0:18:49.040
<v Speaker 4>the show is like, you know, so long ago, but

0:18:49.119 --> 0:18:51.040
<v Speaker 4>it's not that different. It's not that long ago in

0:18:51.080 --> 0:18:53.520
<v Speaker 4>House of the Dragon. Thing one thing two, that's a

0:18:53.560 --> 0:18:56.119
<v Speaker 4>medieval show, and so like history like sort of like

0:18:56.200 --> 0:18:59.640
<v Speaker 4>stays static for longer, and think three. Actually they're doing

0:18:59.680 --> 0:19:02.000
<v Speaker 4>interesting things and House to the Dragon with language and

0:19:02.000 --> 0:19:03.960
<v Speaker 4>how it's written, and it does use a slightly more

0:19:04.080 --> 0:19:06.919
<v Speaker 4>archaic syntax at certain times, which gives this kind of

0:19:06.920 --> 0:19:10.359
<v Speaker 4>feeling of it being like differently old timey than Game

0:19:10.400 --> 0:19:11.280
<v Speaker 4>of Thrones Prime.

0:19:12.000 --> 0:19:14.160
<v Speaker 6>There's none of that in this. They're wearing literally the.

0:19:14.119 --> 0:19:16.840
<v Speaker 4>Same outfits that they're wearing in the Villain of movie,

0:19:17.160 --> 0:19:19.760
<v Speaker 4>just like ten thousand, just ten thousand years ago, like

0:19:19.920 --> 0:19:24.160
<v Speaker 4>nothing has moved, and I find that a little problematic.

0:19:24.200 --> 0:19:26.320
<v Speaker 6>There's there's there's reasons.

0:19:25.840 --> 0:19:30.399
<v Speaker 4>That real duneheads could point to about why like it

0:19:30.480 --> 0:19:33.720
<v Speaker 4>because society stays that static, and Herbert has a lot

0:19:33.760 --> 0:19:36.200
<v Speaker 4>to say about the staticness of society and what needs

0:19:36.240 --> 0:19:38.760
<v Speaker 4>to cause great change. I don't really think that's what

0:19:38.800 --> 0:19:42.080
<v Speaker 4>they're playing with here. I think they're just kind of saying,

0:19:42.240 --> 0:19:44.800
<v Speaker 4>we have production design already in the books, We're just

0:19:44.800 --> 0:19:46.520
<v Speaker 4>gonna run it, And I find that disappointing.

0:19:47.240 --> 0:19:50.800
<v Speaker 3>Yeah, and I think that speaks to the guys Villanov's

0:19:50.800 --> 0:19:53.400
<v Speaker 3>shotow go for it. Yeah, I mean to the lower question,

0:19:53.440 --> 0:19:57.200
<v Speaker 3>You're absolutely right, Jason, Like, yes, stagnation is a is

0:19:57.240 --> 0:20:00.680
<v Speaker 3>a key theme throughout the Dune books, and it's specifically

0:20:00.800 --> 0:20:05.320
<v Speaker 3>technical stagnation. Because of the jihad and the war against machines,

0:20:06.280 --> 0:20:08.320
<v Speaker 3>a lot of technology kind of grinds to a halt,

0:20:08.480 --> 0:20:13.680
<v Speaker 3>and thus you see the evolution of biology, sisters with capabilities,

0:20:14.080 --> 0:20:16.440
<v Speaker 3>mentats doing computations, etc.

0:20:16.640 --> 0:20:16.840
<v Speaker 6>Etc.

0:20:17.200 --> 0:20:21.160
<v Speaker 3>You know, navigators flying ships instead of computers, flying ships

0:20:21.200 --> 0:20:25.120
<v Speaker 3>through space, that sort of thing. So these these groups

0:20:25.200 --> 0:20:27.680
<v Speaker 3>and their abilities is a direct response to the loss

0:20:27.720 --> 0:20:30.560
<v Speaker 3>of tech because of this great war that almost wiped

0:20:30.560 --> 0:20:35.040
<v Speaker 3>out humanity against machines. But I also agree that, like

0:20:35.119 --> 0:20:37.399
<v Speaker 3>ten thousand years is also a long time, So for

0:20:37.520 --> 0:20:40.240
<v Speaker 3>the status quo to be so similar to what we

0:20:40.320 --> 0:20:42.000
<v Speaker 3>saw in the Ville Nutt films and in the Frank

0:20:42.080 --> 0:20:45.800
<v Speaker 3>books is a little bit disappointing for what it's worth,

0:20:45.880 --> 0:20:47.760
<v Speaker 3>Like the source material they're working off of the Brian

0:20:47.800 --> 0:20:50.840
<v Speaker 3>Herbert books commits the same sin And like this, I

0:20:50.920 --> 0:20:53.000
<v Speaker 3>think This is just like a bit of a prequelitis problem,

0:20:53.200 --> 0:20:55.879
<v Speaker 3>Like a lot of prequels commit the sin of not

0:20:56.000 --> 0:20:59.120
<v Speaker 3>being different enough. But I think this show, like again,

0:20:59.280 --> 0:21:01.879
<v Speaker 3>lived on the under the very tall shadow of the

0:21:02.000 --> 0:21:06.080
<v Speaker 3>ville Neuve films, and they had to make it look

0:21:06.240 --> 0:21:07.399
<v Speaker 3>like the ville Neve movies, you know.

0:21:07.680 --> 0:21:11.320
<v Speaker 5>But also almost everybody seems to have thinking machines, which

0:21:11.359 --> 0:21:14.560
<v Speaker 5>is a little weird, you know, like the jihad is over,

0:21:14.680 --> 0:21:17.440
<v Speaker 5>but everyone secretly has one that seems like a that

0:21:17.520 --> 0:21:18.359
<v Speaker 5>seems like a problem.

0:21:18.520 --> 0:21:20.520
<v Speaker 3>Yeah, And another issue that I kind of had with

0:21:20.640 --> 0:21:24.119
<v Speaker 3>this season was the the fact that again this is

0:21:24.160 --> 0:21:26.480
<v Speaker 3>maybe a six episode problem, but the fact that it's

0:21:26.560 --> 0:21:30.000
<v Speaker 3>asking us to wait for future seasons to get more,

0:21:30.560 --> 0:21:32.880
<v Speaker 3>you know, like a lot of these ideas, like what's

0:21:32.880 --> 0:21:35.679
<v Speaker 3>happening with the Sisterhood will we're introducing a schism over

0:21:35.760 --> 0:21:41.760
<v Speaker 3>six episodes tbd, Like what happens next is up to

0:21:41.880 --> 0:21:44.640
<v Speaker 3>future sea, Like a lot of this first season relies

0:21:44.720 --> 0:21:48.040
<v Speaker 3>on a second season that you know, up until recently,

0:21:48.119 --> 0:21:50.240
<v Speaker 3>we didn't know what's confirmed. Now we know it's confirmed,

0:21:50.320 --> 0:21:53.000
<v Speaker 3>so maybe we will get resolution to some you know,

0:21:53.160 --> 0:21:56.360
<v Speaker 3>the dozen or so plot threads we've just left dangling

0:21:56.440 --> 0:21:59.480
<v Speaker 3>at the end of episode six. But I think for me,

0:21:59.720 --> 0:22:02.480
<v Speaker 3>like that is an unsatisfying way to watch a season

0:22:02.520 --> 0:22:05.040
<v Speaker 3>of television. Like you compare that to something like Severance,

0:22:05.600 --> 0:22:08.600
<v Speaker 3>and you're like, Okay, I could just watch season one

0:22:09.160 --> 0:22:12.000
<v Speaker 3>and walk away and never watch season two and still

0:22:12.040 --> 0:22:15.280
<v Speaker 3>be like, Wow, what a great story I was told.

0:22:15.640 --> 0:22:17.040
<v Speaker 3>I don't think Prophecy achieved that.

0:22:32.640 --> 0:22:36.200
<v Speaker 5>Can we talk about Desmond and like our entire journey

0:22:36.800 --> 0:22:39.640
<v Speaker 5>for Desmond, which is the central mystery, the entire thing,

0:22:39.800 --> 0:22:42.560
<v Speaker 5>and we go from blue eyes at a distance to

0:22:42.760 --> 0:22:46.639
<v Speaker 5>blue eyes slightly closer and a shadowy figure off to

0:22:46.720 --> 0:22:48.440
<v Speaker 5>the side, so we've got a thinking machine and a

0:22:48.480 --> 0:22:51.159
<v Speaker 5>shot like that was no satisfaction.

0:22:52.200 --> 0:22:54.800
<v Speaker 4>Well, and like the the fact that it's just like

0:22:55.000 --> 0:22:58.159
<v Speaker 4>he's he's able to combust people because there's a nanovirus

0:22:58.240 --> 0:23:00.600
<v Speaker 4>in his eye is just like like all right, I

0:23:01.160 --> 0:23:03.840
<v Speaker 4>guess like if that's what you're going for, like you know,

0:23:03.920 --> 0:23:06.800
<v Speaker 4>I mean, it's just like it's a it's a very

0:23:07.080 --> 0:23:11.560
<v Speaker 4>wikipedia answer to a mystery, which is just like, you know,

0:23:11.680 --> 0:23:13.760
<v Speaker 4>it is cool, like I mean, because you know, he's

0:23:13.800 --> 0:23:16.919
<v Speaker 4>a great actor. It's a compelling performance. He's doing freaky

0:23:17.000 --> 0:23:19.840
<v Speaker 4>things with his face, like he leaves right back like

0:23:19.920 --> 0:23:22.280
<v Speaker 4>there's cool bits in there. And then for it's like, oh,

0:23:22.359 --> 0:23:25.359
<v Speaker 4>I've dissected the brain and there's fear and the robots

0:23:25.440 --> 0:23:27.720
<v Speaker 4>came and gave you know, it's like, oh God, like

0:23:27.880 --> 0:23:30.520
<v Speaker 4>you're just just say less, like don't tell me anything,

0:23:30.760 --> 0:23:33.600
<v Speaker 4>like just like keep it a mystery, like don't don't don't.

0:23:33.720 --> 0:23:37.000
<v Speaker 4>Just make it this very literal, very factual. There is

0:23:37.040 --> 0:23:39.640
<v Speaker 4>a nanovirus. It is triggered by his eye. The eye

0:23:39.760 --> 0:23:41.800
<v Speaker 4>was put there by a robot. And now a character

0:23:41.840 --> 0:23:44.880
<v Speaker 4>will say all this on screen. It's that's real tough.

0:23:45.119 --> 0:23:47.000
<v Speaker 4>That's that's really tough to watch.

0:23:47.720 --> 0:23:49.600
<v Speaker 1>I will say, I think that there is a road

0:23:49.880 --> 0:23:55.119
<v Speaker 1>to make all of this feel much more propulsive and

0:23:55.320 --> 0:23:59.440
<v Speaker 1>character driven, if you know, there's just something really interesting

0:23:59.480 --> 0:24:02.800
<v Speaker 1>about it. Or organization that has built itself on the

0:24:02.920 --> 0:24:06.720
<v Speaker 1>idea that they give the best advice in the galaxy.

0:24:06.840 --> 0:24:11.760
<v Speaker 1>They know when people are lying, but secretly it's all

0:24:11.920 --> 0:24:16.720
<v Speaker 1>chat GBT like that is that is giving, Like that's cool,

0:24:17.080 --> 0:24:20.240
<v Speaker 1>that's funny. The idea that that could be found out

0:24:20.359 --> 0:24:23.560
<v Speaker 1>by the Emperor or anybody else that they're trying to

0:24:23.680 --> 0:24:28.439
<v Speaker 1>get on their you know, as technicians of whatever. This uh,

0:24:29.160 --> 0:24:32.240
<v Speaker 1>this sentient AI is telling them to do that. They're

0:24:32.280 --> 0:24:35.040
<v Speaker 1>still getting up to speed with how to how to

0:24:35.160 --> 0:24:37.480
<v Speaker 1>give this advice in the way that they're being advised

0:24:37.480 --> 0:24:39.399
<v Speaker 1>to do. I think all of that is interesting, and

0:24:39.520 --> 0:24:42.240
<v Speaker 1>maybe there's a way that they can drill down on

0:24:42.400 --> 0:24:45.520
<v Speaker 1>that as a as a as a point of conflict,

0:24:45.720 --> 0:24:48.399
<v Speaker 1>you know, because you know, we've built up this illicit

0:24:48.520 --> 0:24:52.040
<v Speaker 1>trade in technology is as one of the main drivers

0:24:52.119 --> 0:24:55.600
<v Speaker 1>of story here. How about plugging that into the character

0:24:55.760 --> 0:24:58.720
<v Speaker 1>and make it something, make it a make it it's

0:24:59.000 --> 0:25:01.560
<v Speaker 1>it is ostensible a secret, but it's one that we

0:25:01.640 --> 0:25:04.159
<v Speaker 1>don't feel as like under any kind of threat. How

0:25:04.200 --> 0:25:07.240
<v Speaker 1>about we put that secret under threats absolutely.

0:25:08.960 --> 0:25:11.639
<v Speaker 5>With Aniro busted by Lilah, Like, is it backed up

0:25:11.720 --> 0:25:13.720
<v Speaker 5>to Azure? Yeah?

0:25:13.800 --> 0:25:17.119
<v Speaker 6>Yeah, they got they got, they gotta, they gotta. They

0:25:17.200 --> 0:25:18.520
<v Speaker 6>got a version on a hard.

0:25:18.359 --> 0:25:21.879
<v Speaker 4>Disk somewhere they could repoot from. Okay, I And I mean,

0:25:21.920 --> 0:25:23.760
<v Speaker 4>so they're gonna go to Aracus like a version of

0:25:23.840 --> 0:25:25.840
<v Speaker 4>this that would be kind of compelling and also work

0:25:25.880 --> 0:25:28.440
<v Speaker 4>for lower reasons. Is that you know, we know that

0:25:28.560 --> 0:25:31.000
<v Speaker 4>the Benny Jazerich go to Aracus at some point in

0:25:31.119 --> 0:25:34.040
<v Speaker 4>time and see the missionary of Productiva, this his you know,

0:25:34.160 --> 0:25:37.080
<v Speaker 4>this this this lisan Algay myth that a messiah will

0:25:37.119 --> 0:25:39.640
<v Speaker 4>come and liberate the freemen. We know the Freemen exist

0:25:39.720 --> 0:25:43.159
<v Speaker 4>at this time already on Oracus. It would be interesting if,

0:25:43.240 --> 0:25:46.399
<v Speaker 4>like Valia's machinations on Oracus in this time and she

0:25:46.480 --> 0:25:48.840
<v Speaker 4>tries to figure out what went on with Desmond actually

0:25:49.000 --> 0:25:52.399
<v Speaker 4>end up seeding that that religion as well, if like

0:25:52.720 --> 0:25:55.720
<v Speaker 4>the entire religion of the Freemen was chat ept in

0:25:55.840 --> 0:25:57.840
<v Speaker 4>some sense, right, They're like, oh, we got to manipulate

0:25:57.880 --> 0:26:00.440
<v Speaker 4>these people. It's like our anrel's like tell them about

0:26:00.520 --> 0:26:04.240
<v Speaker 4>the Messaiah, you know, and like gave them, you know,

0:26:04.440 --> 0:26:07.280
<v Speaker 4>gave them something, you know, gave them something like that.

0:26:07.520 --> 0:26:09.359
<v Speaker 4>That could be that could be fun. I like this

0:26:09.520 --> 0:26:14.359
<v Speaker 4>idea that like there's that this this society is driven

0:26:14.880 --> 0:26:18.240
<v Speaker 4>against technology, but in the background, the technology is actually

0:26:18.320 --> 0:26:19.680
<v Speaker 4>pulling the string still.

0:26:20.640 --> 0:26:22.840
<v Speaker 6>And like it could still be the case, like in

0:26:22.920 --> 0:26:24.960
<v Speaker 6>the universe that we know later that that was true.

0:26:25.640 --> 0:26:28.160
<v Speaker 5>That that actually shocked me, right, like that that idea

0:26:28.240 --> 0:26:30.320
<v Speaker 5>that they had a thinking machine like that. I had

0:26:30.400 --> 0:26:32.440
<v Speaker 5>never considered that for the Bena Jezerit, so I actually

0:26:32.440 --> 0:26:35.040
<v Speaker 5>thought that was one unique and cool idea.

0:26:35.760 --> 0:26:37.720
<v Speaker 1>Yeah, then that is lore correct, right boot.

0:26:38.040 --> 0:26:41.080
<v Speaker 3>That is more accurate even as far as Frank Kurbert's

0:26:41.080 --> 0:26:42.240
<v Speaker 3>books go, because when books, I.

0:26:42.200 --> 0:26:44.000
<v Speaker 5>Don't think I realized that where was that discussed?

0:26:44.000 --> 0:26:44.280
<v Speaker 6>In the end.

0:26:44.520 --> 0:26:47.080
<v Speaker 3>It is a single line in a very dense and

0:26:47.320 --> 0:26:49.720
<v Speaker 3>convoluted book called Heretics of Dune, which is the fifth

0:26:49.760 --> 0:26:53.560
<v Speaker 3>book series. There's a single reference to the Benny Jesuit

0:26:53.640 --> 0:26:55.760
<v Speaker 3>secretly have had computers this whole time, and I've been

0:26:55.800 --> 0:26:56.919
<v Speaker 3>breaking the rules this whole time.

0:26:57.080 --> 0:27:02.840
<v Speaker 1>Oh interesting, I honestly love it. Here's my refined elevator

0:27:02.920 --> 0:27:05.760
<v Speaker 1>pitch for HBO Max doing Prophecy season two.

0:27:05.920 --> 0:27:06.879
<v Speaker 3>Ready, let's hear it.

0:27:08.480 --> 0:27:11.399
<v Speaker 1>The war against the computers has been one, or has it?

0:27:12.520 --> 0:27:17.119
<v Speaker 1>There is a surviving AI, and this group, the Sisterhood,

0:27:17.200 --> 0:27:19.200
<v Speaker 1>believes that they have this genie in a bottle. They're

0:27:19.240 --> 0:27:21.440
<v Speaker 1>pulling on the string. They're completely in control. They're getting

0:27:21.440 --> 0:27:23.119
<v Speaker 1>the information they need so they can build up there

0:27:24.240 --> 0:27:27.639
<v Speaker 1>their organization and take control of the galaxy. But what

0:27:27.880 --> 0:27:32.600
<v Speaker 1>if this AI is, as a survivor of the old times,

0:27:32.960 --> 0:27:36.080
<v Speaker 1>is plotting to rebuild itself, and it's got its twins

0:27:36.119 --> 0:27:40.000
<v Speaker 1>somewhere on Iracus also plotting in conjunction with it. And

0:27:40.200 --> 0:27:44.440
<v Speaker 1>now you've got value having to make a choice one

0:27:44.680 --> 0:27:49.680
<v Speaker 1>building up an organization while two keeping this genie in

0:27:49.800 --> 0:27:50.879
<v Speaker 1>its fucking bottle.

0:27:51.240 --> 0:27:55.520
<v Speaker 6>Mm hmmm, it's good. Colossus the Value Project. I love it.

0:27:57.119 --> 0:28:01.200
<v Speaker 6>That's a banger. Let's go. I really like it. I

0:28:01.440 --> 0:28:02.119
<v Speaker 6>like this idea.

0:28:02.200 --> 0:28:04.800
<v Speaker 4>And again, I would just start with a page that

0:28:04.960 --> 0:28:07.879
<v Speaker 4>says Volia and Tula, what are they doing this season?

0:28:08.080 --> 0:28:10.600
<v Speaker 6>And that should be eighty to ninety percent of what

0:28:10.680 --> 0:28:11.080
<v Speaker 6>they're doing.

0:28:11.160 --> 0:28:13.840
<v Speaker 4>And if it's working against the AI, great, if it's

0:28:13.920 --> 0:28:16.080
<v Speaker 4>like trying to figure out the mystery and racis great.

0:28:16.119 --> 0:28:18.520
<v Speaker 4>But I would I would center just so much of

0:28:18.560 --> 0:28:20.720
<v Speaker 4>the story on that. I don't need to see any

0:28:20.800 --> 0:28:23.600
<v Speaker 4>more Carinos. I don't know what they're doing. I don't it,

0:28:23.760 --> 0:28:25.960
<v Speaker 4>just like none of it matters. None of it mattered,

0:28:26.040 --> 0:28:28.720
<v Speaker 4>like the princess escaping because of the face dancer. All

0:28:28.800 --> 0:28:31.840
<v Speaker 4>that nonsense was completely I can't believe that anyone wrote

0:28:31.880 --> 0:28:33.639
<v Speaker 4>that on a page and like someone agreed to go

0:28:33.760 --> 0:28:34.080
<v Speaker 4>shoot it.

0:28:34.119 --> 0:28:37.080
<v Speaker 6>It's like no one stopped as why does this matter

0:28:37.200 --> 0:28:38.440
<v Speaker 6>at all? It doesn't.

0:28:38.560 --> 0:28:41.360
<v Speaker 4>It didn't matter, and so they could just scrap all

0:28:41.440 --> 0:28:43.960
<v Speaker 4>of that and focus on this much more directed story

0:28:44.080 --> 0:28:47.160
<v Speaker 4>that is about Valia and Tula and the AI that

0:28:47.240 --> 0:28:49.160
<v Speaker 4>they've got to try to figure out is it they

0:28:49.320 --> 0:28:51.200
<v Speaker 4>are they controlling it and using it for their ads

0:28:51.280 --> 0:28:52.719
<v Speaker 4>or is it still actually in control.

0:28:52.960 --> 0:28:53.800
<v Speaker 6>I love that story.

0:28:54.040 --> 0:28:56.800
<v Speaker 5>They should make decisions that make sense, though, right, like

0:28:56.960 --> 0:29:00.400
<v Speaker 5>instead of being in service to the environs a plot,

0:29:00.560 --> 0:29:04.280
<v Speaker 5>Yeah right, saying I'm going to operate from the shadows,

0:29:04.560 --> 0:29:06.720
<v Speaker 5>so I'll go to the center of the universe, the

0:29:06.840 --> 0:29:09.720
<v Speaker 5>most important planet, and that's where I'm hide. It's like, well,

0:29:09.840 --> 0:29:11.680
<v Speaker 5>I don't know about that. That doesn't quite make sense.

0:29:12.400 --> 0:29:16.320
<v Speaker 1>As the as the low Master, m h. What would

0:29:16.360 --> 0:29:21.160
<v Speaker 1>you like to see and what would you say to

0:29:21.560 --> 0:29:23.840
<v Speaker 1>the producers of A of A season two of doing

0:29:23.920 --> 0:29:26.880
<v Speaker 1>Prophecy just as a as a north Star as a

0:29:26.920 --> 0:29:27.720
<v Speaker 1>load star for them?

0:29:28.320 --> 0:29:31.400
<v Speaker 3>Sure? Yeah, Well before I say that, I do want

0:29:31.440 --> 0:29:34.400
<v Speaker 3>to say, as much as I love your Elevator pitch, Jason,

0:29:35.680 --> 0:29:38.680
<v Speaker 3>the books don't treat it that way, and if they

0:29:38.760 --> 0:29:43.200
<v Speaker 3>continue to work off the Brian Herbert source material, unlikely

0:29:43.320 --> 0:29:45.840
<v Speaker 3>that we will get. I actually think andrewl is like

0:29:45.960 --> 0:29:48.360
<v Speaker 3>dead dead. There are no backups on any hard drives

0:29:48.440 --> 0:29:52.080
<v Speaker 3>or any A W S servers out there, and what

0:29:52.200 --> 0:29:54.520
<v Speaker 3>we're going to see now is a dorite of Volia's

0:29:54.520 --> 0:29:57.040
<v Speaker 3>schism within the Sisterhood, which is which is kind of

0:29:57.080 --> 0:30:00.640
<v Speaker 3>where the books go. Where what I want to see

0:30:00.720 --> 0:30:03.280
<v Speaker 3>season two go. I agree with what y'all have said,

0:30:03.400 --> 0:30:07.480
<v Speaker 3>like pick a lane. First of all, Tula and Balia

0:30:07.600 --> 0:30:10.960
<v Speaker 3>are very much your strongest characters. And for what it's worth,

0:30:11.080 --> 0:30:14.880
<v Speaker 3>the showrunner Alison Chapter has said, Tula and Bali are

0:30:14.920 --> 0:30:17.520
<v Speaker 3>the heart of this show. I didn't feel that this season.

0:30:17.720 --> 0:30:19.400
<v Speaker 3>I want to feel that next season. I want I

0:30:19.480 --> 0:30:21.480
<v Speaker 3>want them to be the actual heart of this show,

0:30:21.560 --> 0:30:24.360
<v Speaker 3>to spend the most time with them and their decision

0:30:24.400 --> 0:30:27.000
<v Speaker 3>making and the challenges that they're facing. I think what

0:30:27.040 --> 0:30:29.920
<v Speaker 3>I would like for this show to do in a

0:30:30.040 --> 0:30:35.080
<v Speaker 3>second season is to focus less on lore, which I

0:30:35.120 --> 0:30:37.640
<v Speaker 3>felt like this first season was really mired in. You know,

0:30:37.720 --> 0:30:40.640
<v Speaker 3>we got to explain to Jason to your point about

0:30:40.640 --> 0:30:42.760
<v Speaker 3>everything being literal. You know, we got to explain this,

0:30:42.920 --> 0:30:44.640
<v Speaker 3>We got to show you the origins of that. We

0:30:44.720 --> 0:30:47.480
<v Speaker 3>gotta blah blah blah. You know, let's throw in an

0:30:47.520 --> 0:30:49.680
<v Speaker 3>Easter egg about the Xian's and let's have a face

0:30:49.760 --> 0:30:52.000
<v Speaker 3>dancer in here, which well, you know, don't worry about it.

0:30:52.040 --> 0:30:55.200
<v Speaker 3>That will matter later in a future season, there's a

0:30:55.240 --> 0:30:58.640
<v Speaker 3>lot of sort of I hesitate to call it fan

0:30:58.720 --> 0:31:01.120
<v Speaker 3>service because I know we have this group has thoughts

0:31:01.120 --> 0:31:03.440
<v Speaker 3>on fan service that maybe we don't all agree on,

0:31:03.600 --> 0:31:05.920
<v Speaker 3>but like it felt like very heavy handed fan service

0:31:05.960 --> 0:31:08.000
<v Speaker 3>for people like me, and I didn't need that. What

0:31:08.080 --> 0:31:11.880
<v Speaker 3>I needed was for an excellent story, a well written story,

0:31:11.920 --> 0:31:14.360
<v Speaker 3>and a compelling story, which I didn't think I got

0:31:14.760 --> 0:31:16.400
<v Speaker 3>in season two. I would like for the story to

0:31:16.480 --> 0:31:19.280
<v Speaker 3>focus on themes and themes that matter to the Dune universe,

0:31:19.320 --> 0:31:22.480
<v Speaker 3>to your point, Chase, and like this idea of the

0:31:22.600 --> 0:31:25.360
<v Speaker 3>human relationship with technology. Frank Herbert had a lot to

0:31:25.400 --> 0:31:29.120
<v Speaker 3>say about that. Even Brian Herbert's novels explore that relationship

0:31:29.160 --> 0:31:31.880
<v Speaker 3>a lot. I would like the show to explore that

0:31:32.040 --> 0:31:35.080
<v Speaker 3>more fully and kind of like say it with your chest,

0:31:35.280 --> 0:31:39.000
<v Speaker 3>you know, like, yes, you tap danced around some themes

0:31:39.040 --> 0:31:42.160
<v Speaker 3>in this first season, but you never really commented or

0:31:42.240 --> 0:31:45.960
<v Speaker 3>had anything to say about any of them outside of

0:31:46.080 --> 0:31:48.080
<v Speaker 3>fear being sort of a motivator for a lot of

0:31:48.120 --> 0:31:51.280
<v Speaker 3>the characters. So I guess I would like the second

0:31:51.320 --> 0:31:54.240
<v Speaker 3>season to focus on pick a Lane, focus on Toul

0:31:54.320 --> 0:31:58.520
<v Speaker 3>and Volley as our main characters, and pick some pick

0:31:58.600 --> 0:32:01.320
<v Speaker 3>some thematic points to on luck that are pertinent to

0:32:01.400 --> 0:32:06.400
<v Speaker 3>this universe in the story, and don't worry, like, don't

0:32:06.440 --> 0:32:09.000
<v Speaker 3>explain Lord to me. As a Dune fan, I love Lor.

0:32:09.120 --> 0:32:11.160
<v Speaker 3>I don't need the Lord explained to me, and I

0:32:11.280 --> 0:32:13.920
<v Speaker 3>honestly don't think the general audience also wants Lord.

0:32:13.800 --> 0:32:16.920
<v Speaker 6>Throw or here's it, here's an alternative pitch.

0:32:16.960 --> 0:32:22.200
<v Speaker 4>I got one the the the Rebel Alliance bar got

0:32:22.280 --> 0:32:26.520
<v Speaker 4>blown up, right, and somehow Desmonds survived. What if season

0:32:26.640 --> 0:32:31.200
<v Speaker 4>two is they're opening a new brupub, like a new gastro,

0:32:32.280 --> 0:32:37.560
<v Speaker 4>the Acundas, and it's like Sandwich the Bear, the Bear

0:32:37.800 --> 0:32:41.800
<v Speaker 4>meets Doom Prophecy, and it's just like, you know what

0:32:41.960 --> 0:32:44.680
<v Speaker 4>it takes to open a restaurant in this world where

0:32:44.720 --> 0:32:46.800
<v Speaker 4>you've got to contend with all these different factions.

0:32:47.120 --> 0:32:49.680
<v Speaker 6>Yeah, and where to hide your spice and where to

0:32:49.760 --> 0:32:53.080
<v Speaker 6>hide your Yeah? Exactly, Yeah, Jason, Jason.

0:32:53.120 --> 0:32:55.360
<v Speaker 5>For me, it's almost simpler, Like I would love to

0:32:55.520 --> 0:32:58.600
<v Speaker 5>know by the end of season two, what prophecy, like,

0:32:58.720 --> 0:33:01.040
<v Speaker 5>what is it referring to? Like did that get answered

0:33:01.080 --> 0:33:03.000
<v Speaker 5>to you in any way? Is this Paul?

0:33:03.560 --> 0:33:06.160
<v Speaker 6>Is this the god Emperor? Is this Desmond?

0:33:06.280 --> 0:33:08.040
<v Speaker 5>Like? What are we doing here? Yeah?

0:33:08.160 --> 0:33:14.200
<v Speaker 1>I think that is a to dangle that question that

0:33:14.440 --> 0:33:18.000
<v Speaker 1>won't be answered for ten thousand fictional years at least.

0:33:18.560 --> 0:33:22.880
<v Speaker 1>I think was not necessary because you're setting up an

0:33:22.920 --> 0:33:28.480
<v Speaker 1>expectation of a thing that will surely absolutely not happen

0:33:28.720 --> 0:33:32.920
<v Speaker 1>in this story at all, right, right, And so I

0:33:33.040 --> 0:33:36.040
<v Speaker 1>thought that was, you know, kind of a mistake. Give

0:33:36.360 --> 0:33:37.960
<v Speaker 1>me a prophecy about things that are going to happen

0:33:38.000 --> 0:33:39.120
<v Speaker 1>in this story, you.

0:33:39.160 --> 0:33:43.080
<v Speaker 5>Know, yeah, even if Alia thinks they're happening to this story,

0:33:43.280 --> 0:33:45.360
<v Speaker 5>we're listening here going out. Nope, that's not it.

0:33:45.920 --> 0:33:48.160
<v Speaker 4>I think the move away from calling the show Dune's

0:33:48.160 --> 0:33:50.560
<v Speaker 4>Sisterhood was a mistake. Like, I think it should have

0:33:50.800 --> 0:33:53.320
<v Speaker 4>remained being called sisterhood. Should have been about the schism

0:33:53.400 --> 0:33:55.120
<v Speaker 4>in the sisterhood, should have been about like would have

0:33:55.160 --> 0:33:57.400
<v Speaker 4>focus in on the value tool of the story. Instead,

0:33:57.400 --> 0:33:59.440
<v Speaker 4>they set up this mystery box problem, which, like as

0:33:59.520 --> 0:34:02.920
<v Speaker 4>you say, is solvable to them. So I think I

0:34:03.200 --> 0:34:05.080
<v Speaker 4>would have done it. I would have just stuck with

0:34:05.880 --> 0:34:08.200
<v Speaker 4>what you know, because the sister is in lessly interesting.

0:34:08.280 --> 0:34:11.080
<v Speaker 4>The best part of the show was Volya just going

0:34:11.160 --> 0:34:17.719
<v Speaker 4>super scion like and just that's just like just take

0:34:17.760 --> 0:34:19.400
<v Speaker 4>out your sword, like, yes.

0:34:19.440 --> 0:34:21.440
<v Speaker 6>Tell me tell me more, mother, what are we doing?

0:34:21.840 --> 0:34:24.880
<v Speaker 3>Like it's great, like and became a standout like there

0:34:24.920 --> 0:34:27.239
<v Speaker 3>are the accolades have potential. A lot of the young

0:34:27.440 --> 0:34:30.800
<v Speaker 3>cast has so much potential in the show. Yeah, and

0:34:30.880 --> 0:34:33.319
<v Speaker 3>they are and they aren't given the space to cook

0:34:33.440 --> 0:34:33.880
<v Speaker 3>on screen.

0:34:34.400 --> 0:34:36.319
<v Speaker 5>Can I can I ask you about that, Abu, because

0:34:36.360 --> 0:34:38.120
<v Speaker 5>that's like a this is a big question to me.

0:34:38.600 --> 0:34:42.120
<v Speaker 5>In the Dune books, the voice is never used in

0:34:42.280 --> 0:34:44.359
<v Speaker 5>this way. And to me, this was like a big

0:34:44.440 --> 0:34:48.160
<v Speaker 5>mistake that he made in Dune Part one when Jessica

0:34:48.400 --> 0:34:51.680
<v Speaker 5>instead of kind of distracting the guards and then getting out,

0:34:52.000 --> 0:34:54.200
<v Speaker 5>you know, the order to kill yourself. And then now

0:34:54.280 --> 0:34:56.680
<v Speaker 5>they've taken this like to eleven.

0:34:56.560 --> 0:35:01.160
<v Speaker 4>That it's it's just pure like you have on everyone's

0:35:01.239 --> 0:35:03.240
<v Speaker 4>like you can just make them do anything.

0:35:03.440 --> 0:35:04.600
<v Speaker 6>Yeah, So that's kind of.

0:35:04.680 --> 0:35:07.400
<v Speaker 5>That kind of undoes the core philosophy of what Frank

0:35:07.560 --> 0:35:10.359
<v Speaker 5>was trying to communicate in the first place with the voice, right.

0:35:10.840 --> 0:35:13.800
<v Speaker 3>Yeah, absolutely, I mean Frank Herbert like famously said that

0:35:14.360 --> 0:35:16.719
<v Speaker 3>every mother uses the voice on their child, every parent

0:35:16.840 --> 0:35:17.919
<v Speaker 3>uses the voice on their child.

0:35:18.000 --> 0:35:19.279
<v Speaker 6>Right, that is what the is.

0:35:20.200 --> 0:35:22.680
<v Speaker 3>It is the tone of voice where you know, I'm

0:35:22.840 --> 0:35:25.120
<v Speaker 3>in fucking trouble and I need to do what mom

0:35:25.200 --> 0:35:29.200
<v Speaker 3>tells me right now, and that and the Benny Jesuit

0:35:29.760 --> 0:35:33.440
<v Speaker 3>in this fictional universe have honed and crafted that to

0:35:33.960 --> 0:35:37.200
<v Speaker 3>be able to do that on many people, to influence

0:35:37.239 --> 0:35:42.399
<v Speaker 3>their decisions. But yes, it is, you know, as cool

0:35:42.440 --> 0:35:44.120
<v Speaker 3>as it was to see Volliott just kind of like

0:35:44.640 --> 0:35:46.480
<v Speaker 3>walk through a bunch of guards and command them to

0:35:46.760 --> 0:35:51.800
<v Speaker 3>trip over themselves, that it breaks all sense of the

0:35:51.920 --> 0:35:55.239
<v Speaker 3>lore in many ways, which, to be fair, like the

0:35:55.280 --> 0:35:57.279
<v Speaker 3>Brian Herbert books do as well. You know, Laura kind

0:35:57.320 --> 0:35:59.160
<v Speaker 3>of gets thrown out and go when you get get

0:35:59.239 --> 0:36:04.359
<v Speaker 3>to those books, and so yeah, yeah, I mean it does.

0:36:04.680 --> 0:36:09.800
<v Speaker 3>But if they just I think if you can stick

0:36:09.880 --> 0:36:13.680
<v Speaker 3>to some thematic elements that make Frank Herbert's story so interesting,

0:36:14.600 --> 0:36:16.320
<v Speaker 3>then the rest of this falls into place. But I

0:36:16.360 --> 0:36:18.239
<v Speaker 3>think a lot of this show is driven by plot

0:36:18.680 --> 0:36:21.680
<v Speaker 3>rather than its themes or ideas, and so then a

0:36:21.760 --> 0:36:24.080
<v Speaker 3>lot of a lot of what happens has to just

0:36:24.200 --> 0:36:25.879
<v Speaker 3>happen for the plot, which is I need.

0:36:25.880 --> 0:36:26.719
<v Speaker 6>To work to watch.

0:36:27.239 --> 0:36:28.840
<v Speaker 4>I need to work on my dad voice because I

0:36:28.920 --> 0:36:30.960
<v Speaker 4>told my six year old to do something the other

0:36:31.080 --> 0:36:33.400
<v Speaker 4>day and he came he came back with a literal

0:36:33.520 --> 0:36:36.880
<v Speaker 4>and I quote you need to quit your yappin, which was.

0:36:41.160 --> 0:36:43.640
<v Speaker 6>It was so stunned by it took me.

0:36:43.920 --> 0:36:44.400
<v Speaker 5>It took me.

0:36:44.840 --> 0:36:46.360
<v Speaker 6>It was like the reverse voice.

0:36:48.960 --> 0:36:54.279
<v Speaker 1>With a Well, it's been a delight to have you here,

0:36:54.360 --> 0:36:58.840
<v Speaker 1>as as always, where can we find you Jason and.

0:36:59.040 --> 0:37:02.320
<v Speaker 5>H you'll us anywhere you listen to your podcast. Escape

0:37:02.360 --> 0:37:06.080
<v Speaker 5>Hatch is out next week as this episode is dropping.

0:37:06.239 --> 0:37:14.799
<v Speaker 5>We have Rosy Night on the podcast Constantine Jason Constant.

0:37:15.360 --> 0:37:16.319
<v Speaker 1>What a wonderful film.

0:37:16.920 --> 0:37:20.640
<v Speaker 5>Yes, Tilda and Keanu so and many great episodes we

0:37:20.760 --> 0:37:24.560
<v Speaker 5>got coming up. We've got Tinker Tailor, Soldier Spy, The Godfather,

0:37:25.440 --> 0:37:30.919
<v Speaker 5>Too Fast, Too Furious, Wow, Too Fast, to Furious, got

0:37:31.080 --> 0:37:34.680
<v Speaker 5>Father and Too Fast Furious really occupy the same cinematic.

0:37:35.840 --> 0:37:39.680
<v Speaker 6>The god Father the next week.

0:37:40.440 --> 0:37:41.720
<v Speaker 5>Next week, that's happening.

0:37:44.640 --> 0:37:46.759
<v Speaker 2>Okay, well we contained multitudes.

0:37:47.280 --> 0:37:52.560
<v Speaker 1>Yes, well, thanks ad for joining us. That's been it

0:37:52.800 --> 0:38:02.239
<v Speaker 1>for this episode. Bye everybody, Thank you. X ray Vision

0:38:02.320 --> 0:38:04.880
<v Speaker 1>is hosted by Jason Sepcion and Rosie Knight and is

0:38:04.880 --> 0:38:08.760
<v Speaker 1>a production of iHeart Podcasts. Our executive producers are Joel

0:38:08.800 --> 0:38:13.160
<v Speaker 1>Monique and Aaron Kaufman. Our supervising producer is Abu zafar Our.

0:38:13.280 --> 0:38:17.200
<v Speaker 1>Producers are Common, Laurent Dean Jonathan and Fay wag Our

0:38:17.280 --> 0:38:20.240
<v Speaker 1>theme song is by Brian Vasquez, with alternate theme songs

0:38:20.360 --> 0:38:23.560
<v Speaker 1>by Aaron Kaufman. Special thanks to Soul Rubin, Chris Lord,

0:38:23.840 --> 0:38:26.600
<v Speaker 1>Kenny Goodman and Heidi our discord moderator,