WEBVTT - Hitting the Slopes

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<v Speaker 1>It's nine with Jenny Garth and Tory Spelling. Hey n

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<v Speaker 1>t O. M Jeers. We are back finally, Yes with

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<v Speaker 1>a recap. Who No, it feels so long. It's been

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<v Speaker 1>a second. We had some scheduling issues, very very sorry

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<v Speaker 1>for you know, but we did our best. So thanks

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<v Speaker 1>for a baron with us. This is a doozy. We

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<v Speaker 1>gotta jump right in. Uh this is season four, you guys,

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<v Speaker 1>Episode seventeen, Thicker Than Water aired January twelfth, nineteen ninety four.

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<v Speaker 1>That sounds dirty, okay? Synopsis. Donna stands up to David

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<v Speaker 1>and heads off to Big Bear, where a handsome stranger

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<v Speaker 1>wants to get cozy. David dives deeper into drugs and

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<v Speaker 1>causes panic in the family. Dylan confronts Suzanne after the

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<v Speaker 1>intel he received from Jim Walsh, and Andrea finds out

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<v Speaker 1>her life is about to change forever. Directed by Michael Laying,

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<v Speaker 1>written by Lana Freestat Melman. Was she married to one

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<v Speaker 1>of our directors directors Jeff Melman. Jeff Melman. I'm curious,

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<v Speaker 1>and I'm sure probably yes, because you know Melman. Yeah, well,

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<v Speaker 1>or it could be his sister. We don't know. Yeah,

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<v Speaker 1>mom aunt who knows. All right, let's just bust into

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<v Speaker 1>this because I want to talk about the biggest OMG moment,

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<v Speaker 1>which was at the end one Andrea is pregnant. You guys,

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<v Speaker 1>they've announced it, shocking now, but I still was like,

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<v Speaker 1>oh my god, I don't know why, but I knew

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<v Speaker 1>it was coming. She's been hiding it for weeks. She's

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<v Speaker 1>having a baby. It's not the flu people, Nope, nope.

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<v Speaker 1>What did you guys think of that storyline at the time?

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<v Speaker 1>Do you remember? Nope? Come on, I just remember thinking,

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<v Speaker 1>oh my gosh, well it just worked because we knew

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<v Speaker 1>she was really pregnant. Yeah, at this time, back in

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<v Speaker 1>the nineties, did you know Shannon was leaving the show? No? No,

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<v Speaker 1>I don't think so. Okay, so it wasn't quite there yet.

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<v Speaker 1>We're about halfway through the season and you didn't know,

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<v Speaker 1>obviously because Gabrielle doesn't leave for a while. But did it?

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<v Speaker 1>Did you worry? Like, is she gonna leave? Is who's

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<v Speaker 1>gonna leave Gabrielle? Why would we because she's because I

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<v Speaker 1>don't know, I didn't know any better at that age.

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<v Speaker 1>I don't remember at that time ever thinking like, oh

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<v Speaker 1>could this is what happens, like if actresses get pregnant,

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<v Speaker 1>do they write them out? Did they leave? Like, do

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<v Speaker 1>they knock them back? I was young, you're just babies. Yeah, yeah,

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<v Speaker 1>I think I was just like, oh cool, Well, Gab

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<v Speaker 1>getting pregnant on the show is the first time I

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<v Speaker 1>really realized, oh my gosh, we can get we can

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<v Speaker 1>have children, like our lives can be normal, and we

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<v Speaker 1>can still film this show. Because we watched her life,

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<v Speaker 1>you know, expand into family and motherhood and like still

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<v Speaker 1>be able to play Andrea. It was a really interesting

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<v Speaker 1>And do you remember if they thought about not writing

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<v Speaker 1>it in because obviously she's been pregnant for a bit

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<v Speaker 1>of time, right, so it's like you didn't have to

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<v Speaker 1>write you didn't have to at this point, she's carrying

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<v Speaker 1>flowers and big you know, she's pregnant for months. We've

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<v Speaker 1>seen it, so they didn't need to. I wonder if

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<v Speaker 1>they just thought, you know, we should ask Gab, we

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<v Speaker 1>should ask Gab because I'm gonna guess that that was

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<v Speaker 1>a Gab. She wanted it, yeah show. Yeah, yeah, I'm

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<v Speaker 1>guessing it was a conversation with my dad and she said,

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<v Speaker 1>let's write in. It's a good storyline. It is a

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<v Speaker 1>great storyline, but ultimately did ultimately separate her more because

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<v Speaker 1>she was married with a kid and we were all

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<v Speaker 1>college and going. So I wonder if she would have

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<v Speaker 1>stayed all ten years. She would have stayed, but it

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<v Speaker 1>was it would have been hard to keep the group together.

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<v Speaker 1>Storyline one w'd been cool. Yeah, but I thought it

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<v Speaker 1>was really responsible storytelling that she went to the doctor

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<v Speaker 1>and she was going to get her blood tested and

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<v Speaker 1>she requested to have an HIV test done, which at

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<v Speaker 1>the time you had to ask for that, you had

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<v Speaker 1>to go and seek that test. So I thought that

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<v Speaker 1>was a cool message to send everyone. It was very Yeah,

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<v Speaker 1>it was very of the time, but progressive. I don't

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<v Speaker 1>thought it was forward thinking kind of. Yeah, all right,

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<v Speaker 1>well that's that with that story. Let's talk about David.

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<v Speaker 1>Let's talk about David and Donna. Ah, he's such a

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<v Speaker 1>god opens It's like Doormatt Martin like, oh before that

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<v Speaker 1>when he's like, okay, wait, hold on, I have to

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<v Speaker 1>show you guys something. I'm watching this show. And during

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<v Speaker 1>that scene with David and the Howard his drug dealer

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<v Speaker 1>slash boss man the radio, wait, we need to get

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<v Speaker 1>him on the show. We are well you should. I'm

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<v Speaker 1>watching it and I'm wondering, why are they such close talking?

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<v Speaker 1>Why does David get There's so many things wrong. There's

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<v Speaker 1>so many things wrong. I literally thought they were going

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<v Speaker 1>to start making out, like they were this close to

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<v Speaker 1>each other talking, and I'm thinking, that's gotta be awkward.

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<v Speaker 1>Is that because of the camera really close to each other?

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<v Speaker 1>But that from a breath standpoint, that would freak me out.

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<v Speaker 1>I'd like, right, yeah, close, give me some snow my

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<v Speaker 1>acting space, please, I'm sick of this crap. Oh thank god.

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<v Speaker 1>He hits rock bottom in this episode and it's gonna

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<v Speaker 1>be over. It's gotta be over soon. God, he almost

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<v Speaker 1>lost his freaking sister alost he did, he did, And

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<v Speaker 1>it's like now he's gone from from meth to wanting

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<v Speaker 1>the pills and it's just like home. And then he

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<v Speaker 1>goes to the dad's office. He goes to the to

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<v Speaker 1>the the his dad's office deal pill. What he's like

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<v Speaker 1>looking for? I thought, is he trying to get novocane?

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<v Speaker 1>What's he looking for? It was cool angles though, like

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<v Speaker 1>it was like on it's so close, so god, um,

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<v Speaker 1>I thought he was really great in this episode though, Yes,

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<v Speaker 1>like yes, yes, I thought maybe he should have maybe

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<v Speaker 1>gotten a manicure before those extreme close ups on his

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<v Speaker 1>hands with the pills. But whatever, Wait, what did you see? Boy?

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<v Speaker 1>You would be looking at his nails a little I

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<v Speaker 1>was trying to find out. Then you were looking at

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<v Speaker 1>Brian's a nail biter, a notorious nail biter. You use

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<v Speaker 1>your own hands for those shots. They would never bring

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<v Speaker 1>in like a hand of a lot of times sometimes though,

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<v Speaker 1>when you when we were rushed to be somewhere else,

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<v Speaker 1>they would say, oh, let's let's have barbed the prop lady.

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<v Speaker 1>Um wait, I have a question. So in total, can

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<v Speaker 1>you just remind me how long has he had this drugs?

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<v Speaker 1>Drug addiction is three episodes, So for two weeks he

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<v Speaker 1>went from here never doing anything to here and now boom,

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<v Speaker 1>we hit rock bottom in two weeks. Math to pills

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<v Speaker 1>also very strange. It's called the nine O two N

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<v Speaker 1>O story arc pattern. It's very popular. People have copied

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<v Speaker 1>it was their report where he kind of punches a

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<v Speaker 1>wall too. I wrote down he punches a wall and

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<v Speaker 1>like TV people always do that much. It's such a

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<v Speaker 1>thing that who does that in real life? At punch

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<v Speaker 1>we know some people, Yeah, we do once in a

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<v Speaker 1>blue and I'll throw a pillow if I'm like, that's

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<v Speaker 1>your expression of anger. Yeah, well, I wonder when the

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<v Speaker 1>last time you had a good, like outburst of anger

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<v Speaker 1>where you did something like so punch a wall or

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<v Speaker 1>something so long. I think I maybe slammed a door once, like, oh, yeah,

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<v Speaker 1>the door slams. Yeah, slapped the door last night. That

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<v Speaker 1>happens a lot. I did. It was a long weekend.

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<v Speaker 1>I got in, I slammed a door and then went

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<v Speaker 1>in and bit started me I probably five years, maybe

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<v Speaker 1>four years. Oh, it's so childish, so stupid. And then

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<v Speaker 1>I'm after you slammed the door, and You're like, oh,

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<v Speaker 1>I hope the door's okay? Did I Did I mess

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<v Speaker 1>it up? Now that I own a home and never

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<v Speaker 1>slam a door, I threw my phone at my husband,

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<v Speaker 1>What did you? Yeah? He actually just reminded me of

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<v Speaker 1>it a few nights ago. We were watching DV and

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<v Speaker 1>he's like, I remember that time, and you threw your

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<v Speaker 1>phone at my head in the bathroom. I don't know.

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<v Speaker 1>I was just even. I was just throwing and his

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<v Speaker 1>head was in the way. It didn't hit him. I

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<v Speaker 1>don't have a lot of hang, I've worked through it

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<v Speaker 1>a lot in therapy. Thank you, good for you. Good. Also,

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<v Speaker 1>I think because I'm watching it on Paramount Plus, I

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<v Speaker 1>got extra terrible music a paramount. Okay, here's the thing.

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<v Speaker 1>I've got to change my paramount at that Paramount plus

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<v Speaker 1>account because I'm I don't have the fancy one. I

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<v Speaker 1>guess my like kids got it for me. I have

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<v Speaker 1>the basic one. So every few minutes it's like, I'm like,

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<v Speaker 1>oh no, that's not good. We could maybe convince I

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<v Speaker 1>heard to upgrade us. Okay, So Donna is the door

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<v Speaker 1>mattiest ever in the beginning of this in your ski boots?

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<v Speaker 1>What about David? Is that you know it's Saddam Hussein?

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<v Speaker 1>Like what, Oh my god, why do you say that?

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<v Speaker 1>That was I don't know, but like my heart dropped.

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<v Speaker 1>I was like, yeah it now in twenty twenty three,

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<v Speaker 1>I'm like, wait, can you see that? Yeah, And it's

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<v Speaker 1>just weird. I didn't even And then also didn't David

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<v Speaker 1>say something like have a good TI didn't think about me,

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<v Speaker 1>like what he's so mean? At least she gets a

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<v Speaker 1>little riled up and was like, I don't want to

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<v Speaker 1>even see your face. So I was like okay finally,

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<v Speaker 1>Oh god, get together? Isn't You're consumed? And I would

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<v Speaker 1>have jumped out of that room in those ski boots

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<v Speaker 1>like a pro. He said he wanted a girlfriend capable

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<v Speaker 1>of a mature relationship. I'm like, you're you're mature, Yeah, idiot,

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<v Speaker 1>I have a great idea when I am ready to

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<v Speaker 1>have sex, which is going to be with you in

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<v Speaker 1>about four seasons. A spoiler. Also, his headphones were epic.

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<v Speaker 1>They should have had that at the merch booth at

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<v Speaker 1>nineties Cone because his headphones were like amazing, they were

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<v Speaker 1>Did you sign that hair dryer? Yeah? I signed a hairdryer?

0:10:48.320 --> 0:10:52.839
<v Speaker 1>Was there a nineties hair dryer? Hair dryer? And apparently

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<v Speaker 1>they just got it a few weeks ago on eBay

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<v Speaker 1>and I'm like, whoa, we need to get some merch

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<v Speaker 1>and you go, a bobblehead. We should not be talking

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<v Speaker 1>about the con We've already talked about this, But did

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<v Speaker 1>you you can? We'll let it live. Oh my god. Okay,

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<v Speaker 1>So there's this thing like funk a pop. Yeah I don't.

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<v Speaker 1>The babble had funk popsy for everything. And the big

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<v Speaker 1>thing now is like nineties all the boy bands, all

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<v Speaker 1>the TV shows of the nineties except nine to two,

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<v Speaker 1>and I was like, that's weird. Why wouldn't we have one?

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<v Speaker 1>So when I saw her approaching, I was like, they

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<v Speaker 1>finally didn't She's like, no, I didn't wait for them.

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<v Speaker 1>I made my eat it. It was amazing to anyways, sorry,

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<v Speaker 1>um David when he when he falls asleep on the

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<v Speaker 1>bench and loses the kid. Then they go and they

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<v Speaker 1>find well, first, what about the old lady at the park?

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<v Speaker 1>Remember with Aaron? She was like, yeah, I want to

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<v Speaker 1>have a cookie. That was a little creepy she wanted

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<v Speaker 1>to give her Like, yeah, lady, can't you take a

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<v Speaker 1>cookie in that situation, Kelly, I would never have it.

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<v Speaker 1>I don't ever take stranger food. Stranger food, you don't know.

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<v Speaker 1>You don't write sweet cree Go back though for a

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<v Speaker 1>second it I did Mike tear up a little bit

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<v Speaker 1>when in the scene with Kelly. I thought Kelly was

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<v Speaker 1>so great to David. Oh no, this is after, isn't it.

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<v Speaker 1>That's okay, we'll jump around today. Is it after before? No?

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<v Speaker 1>It's no, I'm right, it's before. Because he says, let's

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<v Speaker 1>go take our favorite toddler out. She says, are you

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<v Speaker 1>on drugs? And the way the way she said it

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<v Speaker 1>was very like I felt the relationship that these people

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<v Speaker 1>are really close and writing goes beyond this. These are

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<v Speaker 1>two people who are friends and family and that I

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<v Speaker 1>felt that in the moment. I felt it in the

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<v Speaker 1>scene and then the hug between the two of you

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<v Speaker 1>made me cry. Oh yeah, that was a good I

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<v Speaker 1>like that Pete a lot. If you will indulge me

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<v Speaker 1>because I want to talk more about that and their

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<v Speaker 1>scenes together. But if we go and reverse Number one,

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<v Speaker 1>did you go to Big Bear? No? Did you film

0:12:57.640 --> 0:13:02.280
<v Speaker 1>this in Bigger disappointing? Okay? Number two? Did anyone notice

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<v Speaker 1>Brenda with a peanut butter who puts their finger in

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<v Speaker 1>the peanut butter jar? That was insane? Oh? Was this

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<v Speaker 1>in the kitchen? It was eating peanut butter with with

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<v Speaker 1>like double fingers into the jar. I know a woman

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<v Speaker 1>that one like, why would they their fingers and stuff?

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<v Speaker 1>Is that directed? Or is that how Shannon eate peanut

0:13:25.080 --> 0:13:29.240
<v Speaker 1>butter like and put that back? Nobody else can eat

0:13:29.240 --> 0:13:31.720
<v Speaker 1>out of that well? Very close to the Walshes. So

0:13:31.920 --> 0:13:34.079
<v Speaker 1>what did Cindy see this? Sorry I missed this part.

0:13:34.120 --> 0:13:36.640
<v Speaker 1>Everybody's doing it in front of mom and dad. Yeah,

0:13:36.640 --> 0:13:40.600
<v Speaker 1>why would Cindy say something? I don't know, but it

0:13:40.640 --> 0:13:47.840
<v Speaker 1>was so it was really distracting, it maybe uncomfortable. I

0:13:47.920 --> 0:13:52.320
<v Speaker 1>was like, even nobody does that. If one of my

0:13:52.400 --> 0:13:54.120
<v Speaker 1>kids did that, I'd be like, now we have to

0:13:54.120 --> 0:13:57.480
<v Speaker 1>throw it own peanut butter jar. But like, who has

0:13:57.480 --> 0:14:00.960
<v Speaker 1>their own peanut butter jar? Or wait, wait, wait, Maybe

0:14:01.000 --> 0:14:04.440
<v Speaker 1>there's a reason. Maybe Brandon's allergic to nuts so he

0:14:04.480 --> 0:14:07.520
<v Speaker 1>doesn't eat peanut butter. Maybe the Washes don't like peanut butter.

0:14:07.760 --> 0:14:10.720
<v Speaker 1>Maybe also they were both in their robes making the snacks.

0:14:11.280 --> 0:14:14.000
<v Speaker 1>Oh you guys, I don't have my notes, so I'm flying.

0:14:14.160 --> 0:14:16.959
<v Speaker 1>That's why. Now thank you so much because someone threw

0:14:17.080 --> 0:14:22.720
<v Speaker 1>my notes. But um, we must talk about Jim in

0:14:22.760 --> 0:14:26.960
<v Speaker 1>that robe because you want to know what was underneath. Oh,

0:14:27.080 --> 0:14:32.880
<v Speaker 1>I don't know. I was just like sexy. Oh, and

0:14:32.920 --> 0:14:35.800
<v Speaker 1>I think, doesn't Brandon make a joke about the robe?

0:14:35.840 --> 0:14:37.960
<v Speaker 1>I think? And then I goes like this and like

0:14:38.160 --> 0:14:44.520
<v Speaker 1>shows the hair. Oh had me at hello, Oh my god,

0:14:44.520 --> 0:14:48.440
<v Speaker 1>you're blushing, like she's blushing right now. I loved missus

0:14:48.040 --> 0:14:51.000
<v Speaker 1>Walls making the snacks and don't forget your grapes, like

0:14:51.320 --> 0:14:53.680
<v Speaker 1>a lot of she packed like an entire cooler for

0:14:53.720 --> 0:14:56.720
<v Speaker 1>these kids to go to. I thought it was sad

0:14:56.880 --> 0:14:59.320
<v Speaker 1>because she was like, first of all, she was like,

0:14:59.440 --> 0:15:01.960
<v Speaker 1>we should you know, get him, hit him, head up

0:15:01.960 --> 0:15:04.320
<v Speaker 1>a movie or go to a movie this afternoon. I

0:15:04.480 --> 0:15:07.720
<v Speaker 1>thought the comeback from him was gonna be like, yeah,

0:15:07.960 --> 0:15:10.240
<v Speaker 1>go out to a movie. Let's spend them to you know,

0:15:10.240 --> 0:15:13.680
<v Speaker 1>watch a movie in Weink, get out some Jim and

0:15:13.720 --> 0:15:17.200
<v Speaker 1>Cindy bound bound. But no, he's like, I have to

0:15:17.240 --> 0:15:19.320
<v Speaker 1>go talk to Dylan. I mean he's already in a row.

0:15:19.480 --> 0:15:24.880
<v Speaker 1>They're ready to go. We had five more minutes. Yeah. Also,

0:15:24.920 --> 0:15:27.760
<v Speaker 1>there was a joke about funny brownies or funky brownies,

0:15:27.800 --> 0:15:31.160
<v Speaker 1>which I think brownies. That's what he did. That's why

0:15:32.160 --> 0:15:37.400
<v Speaker 1>why would she why would missus Walsh have Wooden making

0:15:37.440 --> 0:15:40.160
<v Speaker 1>a joke about it. Then the other flag on the

0:15:40.200 --> 0:15:42.360
<v Speaker 1>play that I loved was they good. They're on the

0:15:42.400 --> 0:15:47.040
<v Speaker 1>phone saying to Donna, will be there in fifteen minutes. Yeah,

0:15:47.080 --> 0:15:50.680
<v Speaker 1>you can't get anywhere in fifteen minutes. Getting from Beverly Hills.

0:15:51.040 --> 0:15:56.640
<v Speaker 1>I thought, it's like, we'll see you in ninety minutes. Listen,

0:15:56.800 --> 0:15:58.440
<v Speaker 1>I want to tell you right now. I was born

0:15:58.480 --> 0:16:02.280
<v Speaker 1>and raised in la and around Beverly Hills, and that

0:16:02.480 --> 0:16:04.880
<v Speaker 1>is what we always said. No matter where you're going

0:16:04.920 --> 0:16:08.800
<v Speaker 1>in LA, you always hit fifteen growing up. And then

0:16:08.880 --> 0:16:12.520
<v Speaker 1>I guess the end of the game twenty me I

0:16:12.640 --> 0:16:15.760
<v Speaker 1>still in my brain is like I can get anywhere

0:16:15.760 --> 0:16:18.240
<v Speaker 1>in fifteen minutes, and I can't get from my house

0:16:18.240 --> 0:16:20.360
<v Speaker 1>to like the Century City mall in fifteen minutes. It's

0:16:20.400 --> 0:16:35.800
<v Speaker 1>like a town over m Okay. So the kids go

0:16:35.840 --> 0:16:39.640
<v Speaker 1>to Big Bear, which wasn't really Big Bear, sorry, Amy.

0:16:40.040 --> 0:16:43.160
<v Speaker 1>It looked like a lodge. It looked like it looks Yeah, dude,

0:16:43.200 --> 0:16:47.320
<v Speaker 1>did you film that? No clue, I think clue M

0:16:48.400 --> 0:16:51.680
<v Speaker 1>on set it looked great. And then you meet a

0:16:51.720 --> 0:16:56.520
<v Speaker 1>haughty little uh ski bunny. Yeah, like, um, he worked

0:16:56.560 --> 0:16:59.840
<v Speaker 1>at the ski shop. He was fixing the boots. Yeah,

0:17:00.200 --> 0:17:05.359
<v Speaker 1>some very tight jeans on. He was a cute smooth

0:17:05.440 --> 0:17:08.840
<v Speaker 1>Yeah he was smooth too. He was very smooth. You

0:17:08.880 --> 0:17:12.679
<v Speaker 1>guys made out, Yeah, I wrote, I was like a

0:17:13.000 --> 0:17:16.520
<v Speaker 1>major makeout. So basically on nine twenty up to date, Like,

0:17:16.800 --> 0:17:19.760
<v Speaker 1>correct me if I'm wrong, that's the second person I've

0:17:19.760 --> 0:17:24.360
<v Speaker 1>ever kissed on nine twenty four seasons, right, you're keeping track, Well,

0:17:24.359 --> 0:17:27.800
<v Speaker 1>I've she's only been with David that's easy. I want

0:17:27.800 --> 0:17:30.960
<v Speaker 1>to run a tally. That's a good idea. That's a

0:17:31.000 --> 0:17:33.560
<v Speaker 1>good idea with it ends up in ten seasons being

0:17:33.680 --> 0:17:37.800
<v Speaker 1>a lot so started. Now that's a good game. I

0:17:37.840 --> 0:17:39.840
<v Speaker 1>wonder how I felt at the time, if I was like, oh,

0:17:39.920 --> 0:17:42.719
<v Speaker 1>he's cute. Oh my god, I'm only had kisses with Brian, Like,

0:17:42.760 --> 0:17:45.879
<v Speaker 1>I wonder, like how I felt. I can't remember anything. Sorry.

0:17:46.200 --> 0:17:49.639
<v Speaker 1>I also loved your stirrupski pants. Your whole look was

0:17:50.240 --> 0:17:53.840
<v Speaker 1>very on fire, the stirrups. Also, the Martins are rich.

0:17:53.880 --> 0:17:56.040
<v Speaker 1>They've got a house in Big Bearon. It's the nicest

0:17:56.080 --> 0:18:01.840
<v Speaker 1>house in town. Remember, he says, yeah, I'm nice too. Whatever,

0:18:03.240 --> 0:18:07.200
<v Speaker 1>my god, and you're gonna soak your tidsties. Ali says,

0:18:07.200 --> 0:18:11.960
<v Speaker 1>I have cute feet, do you dooan? The whole thing

0:18:12.080 --> 0:18:15.640
<v Speaker 1>was sort of cute. It was cute, It wasn't mad

0:18:15.640 --> 0:18:18.280
<v Speaker 1>at it. And David's such a how do you think

0:18:18.320 --> 0:18:22.359
<v Speaker 1>he was like the character? He looked like early twenties.

0:18:22.400 --> 0:18:24.440
<v Speaker 1>You're right, yeah, a little bit older. Just how old

0:18:24.480 --> 0:18:27.760
<v Speaker 1>is Donna Martin at this time? Nineteen? She is nineteen, Okay,

0:18:27.760 --> 0:18:30.119
<v Speaker 1>so it's not like he was like some underage me. No,

0:18:30.200 --> 0:18:35.439
<v Speaker 1>he's not creeposaurus. No, not at all. Okay, So okay,

0:18:35.440 --> 0:18:38.040
<v Speaker 1>so let's yeah, let's let's play that through. So so

0:18:38.359 --> 0:18:43.520
<v Speaker 1>that all kind of happens, and uh, good for Donna.

0:18:43.720 --> 0:18:46.680
<v Speaker 1>Yeah yeah, get a little little pep and her step

0:18:46.720 --> 0:18:50.040
<v Speaker 1>when she goes back to deal with David. Yeah, she knew,

0:18:50.200 --> 0:18:53.080
<v Speaker 1>and she knew what she wanted because you were like,

0:18:53.280 --> 0:18:56.639
<v Speaker 1>Kelly was oh, not Kelly, pardon me. Brenda was like,

0:18:56.800 --> 0:19:00.359
<v Speaker 1>let's go back, and she's like, no, I'm good, I

0:19:00.400 --> 0:19:03.560
<v Speaker 1>don't want to. But then you come and you and

0:19:03.640 --> 0:19:08.200
<v Speaker 1>you tell him I'm in love with someone else. You're

0:19:08.200 --> 0:19:12.520
<v Speaker 1>not ready someone that's treating me terrible. M h. While

0:19:12.520 --> 0:19:15.240
<v Speaker 1>we're at it, what did we think of Steve's sunburst

0:19:15.600 --> 0:19:21.320
<v Speaker 1>ski jacket or what I loved? Was loved? That's good.

0:19:21.520 --> 0:19:23.800
<v Speaker 1>I'm really disappointed. I thought that that would have been

0:19:24.920 --> 0:19:28.480
<v Speaker 1>maybe on location, Like why why only Jason gets to

0:19:28.480 --> 0:19:30.440
<v Speaker 1>go to San Francisco? Why couln't you just take a

0:19:30.520 --> 0:19:34.680
<v Speaker 1>Vanda big Bear? But colle number one on the call sheet, Yeah,

0:19:34.800 --> 0:19:38.840
<v Speaker 1>Jason was skiing in jeans, wasn't he also? Brandon? Sorry,

0:19:38.840 --> 0:19:42.600
<v Speaker 1>Brandon was skiing in jeans. People do do it? Yeah,

0:19:42.600 --> 0:19:48.320
<v Speaker 1>and we're not right. Good Okay, I mean, okay, let's

0:19:48.320 --> 0:19:51.679
<v Speaker 1>talk about Dylan. We gotta talk about Dylan and his

0:19:51.920 --> 0:19:56.360
<v Speaker 1>sister taking his sister's surface starting her period, because that

0:19:56.640 --> 0:20:03.119
<v Speaker 1>was weird. It was not I've seen it all other shows.

0:20:03.880 --> 0:20:06.800
<v Speaker 1>It's a stair line that they throw in on shows.

0:20:07.440 --> 0:20:10.679
<v Speaker 1>It was literally just why did they do that to

0:20:10.800 --> 0:20:15.479
<v Speaker 1>just make them closer to and to bring Cyndian and

0:20:15.560 --> 0:20:18.520
<v Speaker 1>the whole thing. And I don't know, it's very like

0:20:18.720 --> 0:20:21.600
<v Speaker 1>the point of that, I'll get it done without it. Yeah,

0:20:22.480 --> 0:20:24.320
<v Speaker 1>I don't know. TV shows write that crap in a

0:20:24.359 --> 0:20:28.960
<v Speaker 1>lot the period. Yeah, but we do find out that

0:20:30.200 --> 0:20:35.600
<v Speaker 1>Erica may or may not be Jack's daughter, right, so

0:20:36.320 --> 0:20:38.600
<v Speaker 1>there's still something going on. Then we find out a

0:20:38.600 --> 0:20:42.640
<v Speaker 1>little bit more that she's a little sketchy. Sketchy yeah,

0:20:42.880 --> 0:20:47.080
<v Speaker 1>not Erica, no, the mom right, it's like m sketchy

0:20:47.240 --> 0:20:51.639
<v Speaker 1>MOA's cute that picture that she showed him of Jack

0:20:51.720 --> 0:20:59.720
<v Speaker 1>Taylor and her Jack Taylor, Jack Jack Jack Taylor. It's

0:21:00.200 --> 0:21:04.080
<v Speaker 1>Tailor Kelly. Still, you know, I just worry about Dylan here.

0:21:04.160 --> 0:21:06.520
<v Speaker 1>It's like Dylan's falling for all of this and falling

0:21:06.560 --> 0:21:10.080
<v Speaker 1>in love with the sister, and it's just all not

0:21:10.200 --> 0:21:14.480
<v Speaker 1>falling in love, but like it's just a lot real fast,

0:21:14.640 --> 0:21:18.280
<v Speaker 1>a lot of a lot family. He feels that loss

0:21:18.359 --> 0:21:21.520
<v Speaker 1>of such intense loss of family that anything that's coming

0:21:21.600 --> 0:21:24.040
<v Speaker 1>his way is like he finally has someone. Like I

0:21:24.040 --> 0:21:28.199
<v Speaker 1>feel sad for him that he's I love her, but

0:21:28.400 --> 0:21:33.320
<v Speaker 1>is this realm? Yeah? All right, this is redeeming for

0:21:33.400 --> 0:21:36.520
<v Speaker 1>Dylan though, to happen right now? Yeah, yeah, he needs it.

0:21:36.640 --> 0:21:38.399
<v Speaker 1>He needs it because we were having a little like

0:21:39.119 --> 0:21:44.160
<v Speaker 1>some moments. Should we talk about the missing Eron? First

0:21:44.160 --> 0:21:49.840
<v Speaker 1>of all, she's adorable, Little Eron is adorable. Yeah. I

0:21:49.880 --> 0:21:52.000
<v Speaker 1>was just like when they were in the police station,

0:21:53.320 --> 0:21:56.399
<v Speaker 1>why wasn't Mel upset? He just didn't seem like worried.

0:21:56.520 --> 0:21:58.440
<v Speaker 1>They were all a bit calm. But then good action.

0:21:58.520 --> 0:22:03.000
<v Speaker 1>Jackie brings it, brings it in. Yeah, I love that

0:22:03.000 --> 0:22:07.080
<v Speaker 1>that scene for her, Yes, she really, Yes, I made

0:22:07.080 --> 0:22:09.760
<v Speaker 1>a note like she really pulled that off and made

0:22:09.800 --> 0:22:15.760
<v Speaker 1>it more real. Yeah, definitely, she saved that scene. And

0:22:15.880 --> 0:22:20.639
<v Speaker 1>I thought you wouldn't that both Jenny and Brian were good.

0:22:20.760 --> 0:22:25.240
<v Speaker 1>It didn't feel as as it was sort of ridiculous

0:22:25.240 --> 0:22:27.240
<v Speaker 1>all of it, but at the same time it felt

0:22:27.280 --> 0:22:32.639
<v Speaker 1>really okay, this feels there. You did it well because

0:22:32.760 --> 0:22:36.920
<v Speaker 1>I believed it. Yeah, yeah, I just didn't believe that

0:22:36.960 --> 0:22:39.960
<v Speaker 1>they would find her in a house down the street

0:22:40.040 --> 0:22:43.800
<v Speaker 1>or whatever, like, I mean, yeah, it's nine or two,

0:22:43.800 --> 0:22:45.040
<v Speaker 1>and now it's sill less to be tied up with

0:22:45.040 --> 0:22:48.520
<v Speaker 1>a neat bow because we know, sadly that wouldn't have

0:22:48.560 --> 0:22:51.159
<v Speaker 1>probably been met. Yeah, I mean, or she could have

0:22:51.200 --> 0:22:53.000
<v Speaker 1>wandered off and been hit by a car. Like it

0:22:53.080 --> 0:22:55.239
<v Speaker 1>was so risk that. It was so risky even if

0:22:55.240 --> 0:22:58.200
<v Speaker 1>she's not being kidnapped. It was just like, oh my god,

0:22:59.600 --> 0:23:02.360
<v Speaker 1>And that is why we watch our kids closely. Yes,

0:23:03.520 --> 0:23:06.240
<v Speaker 1>never take your eye off them. And I thought Dave

0:23:07.000 --> 0:23:11.199
<v Speaker 1>David crying, it was all real, Please don't hate me,

0:23:11.359 --> 0:23:13.919
<v Speaker 1>help me. I was like, this is good acting. He

0:23:14.080 --> 0:23:21.000
<v Speaker 1>was great in that. Yeah, both of you. I'm in

0:23:21.160 --> 0:23:24.320
<v Speaker 1>on all this. Well, we'll see what happens next week.

0:23:24.440 --> 0:23:30.480
<v Speaker 1>Does he get help or is it just over right?

0:23:32.560 --> 0:23:37.040
<v Speaker 1>But then what happens to Howard? Yeah yeah, we never

0:23:37.040 --> 0:23:41.120
<v Speaker 1>see him again? Who knows? All right? So our our

0:23:41.400 --> 0:23:47.120
<v Speaker 1>our homework for next week's episode, everybody, which is season four,

0:23:47.119 --> 0:23:52.240
<v Speaker 1>episode eighteen, Heartbreaker. Oh oh no, So let's all watch

0:23:52.280 --> 0:23:56.480
<v Speaker 1>it and then talk about it. We got to score

0:23:56.520 --> 0:23:59.280
<v Speaker 1>the episode? Oh oh oh what do you give it? Oh,

0:23:59.400 --> 0:24:05.600
<v Speaker 1>geez m, it's tough for you. Okay, Oh, we're all

0:24:05.680 --> 0:24:09.720
<v Speaker 1>right together. Eight eight seven, Yeah I did. It was

0:24:09.760 --> 0:24:12.840
<v Speaker 1>a bit of bouncy around me. For me, it was

0:24:12.840 --> 0:24:15.040
<v Speaker 1>a bouncy around me, like we're going to Big Bear,

0:24:15.080 --> 0:24:16.639
<v Speaker 1>we're going to Malibi, we're going to this, we're going

0:24:16.680 --> 0:24:18.640
<v Speaker 1>to that. We're back in the great we're all separated

0:24:18.640 --> 0:24:20.240
<v Speaker 1>a little bit, which we never love. We love when

0:24:20.240 --> 0:24:23.440
<v Speaker 1>we're together. All yeah, but it was good, good fashion,

0:24:23.760 --> 0:24:28.600
<v Speaker 1>great ski, great ski fashion. Donna looked fab I give

0:24:28.640 --> 0:24:32.040
<v Speaker 1>good snow, bunny eyebrows. We're getting a little thin, little

0:24:32.040 --> 0:24:36.320
<v Speaker 1>thin on the eyebrows. But yeah, it's coming and I'm

0:24:36.359 --> 0:24:39.160
<v Speaker 1>at season four. You're bringing it. Let's see, let's see

0:24:39.200 --> 0:24:41.280
<v Speaker 1>where it goes. All Right, you guys, have a great week.

0:24:41.320 --> 0:24:41.880
<v Speaker 1>We love you.