1 00:00:00,200 --> 00:00:11,159 Speaker 1: It's nine with Jenny Garth and Tory Spelling. Hey n 2 00:00:11,440 --> 00:00:16,119 Speaker 1: t O. M Jeers. We are back finally, Yes with 3 00:00:16,239 --> 00:00:20,160 Speaker 1: a recap. Who No, it feels so long. It's been 4 00:00:20,200 --> 00:00:23,320 Speaker 1: a second. We had some scheduling issues, very very sorry 5 00:00:23,360 --> 00:00:26,360 Speaker 1: for you know, but we did our best. So thanks 6 00:00:26,360 --> 00:00:30,920 Speaker 1: for a baron with us. This is a doozy. We 7 00:00:30,920 --> 00:00:34,000 Speaker 1: gotta jump right in. Uh this is season four, you guys, 8 00:00:34,120 --> 00:00:40,240 Speaker 1: Episode seventeen, Thicker Than Water aired January twelfth, nineteen ninety four. 9 00:00:40,720 --> 00:00:44,360 Speaker 1: That sounds dirty, okay? Synopsis. Donna stands up to David 10 00:00:44,400 --> 00:00:46,479 Speaker 1: and heads off to Big Bear, where a handsome stranger 11 00:00:46,520 --> 00:00:49,519 Speaker 1: wants to get cozy. David dives deeper into drugs and 12 00:00:49,560 --> 00:00:52,800 Speaker 1: causes panic in the family. Dylan confronts Suzanne after the 13 00:00:52,840 --> 00:00:56,120 Speaker 1: intel he received from Jim Walsh, and Andrea finds out 14 00:00:56,160 --> 00:00:59,640 Speaker 1: her life is about to change forever. Directed by Michael Laying, 15 00:00:59,680 --> 00:01:03,960 Speaker 1: written by Lana Freestat Melman. Was she married to one 16 00:01:04,000 --> 00:01:08,479 Speaker 1: of our directors directors Jeff Melman. Jeff Melman. I'm curious, 17 00:01:08,520 --> 00:01:14,400 Speaker 1: and I'm sure probably yes, because you know Melman. Yeah, well, 18 00:01:14,520 --> 00:01:16,520 Speaker 1: or it could be his sister. We don't know. Yeah, 19 00:01:16,640 --> 00:01:20,440 Speaker 1: mom aunt who knows. All right, let's just bust into 20 00:01:20,440 --> 00:01:24,639 Speaker 1: this because I want to talk about the biggest OMG moment, 21 00:01:25,160 --> 00:01:31,399 Speaker 1: which was at the end one Andrea is pregnant. You guys, 22 00:01:32,200 --> 00:01:37,640 Speaker 1: they've announced it, shocking now, but I still was like, 23 00:01:37,720 --> 00:01:40,280 Speaker 1: oh my god, I don't know why, but I knew 24 00:01:40,319 --> 00:01:43,759 Speaker 1: it was coming. She's been hiding it for weeks. She's 25 00:01:43,800 --> 00:01:48,080 Speaker 1: having a baby. It's not the flu people, Nope, nope. 26 00:01:49,080 --> 00:01:50,920 Speaker 1: What did you guys think of that storyline at the time? 27 00:01:51,000 --> 00:01:54,080 Speaker 1: Do you remember? Nope? Come on, I just remember thinking, 28 00:01:54,120 --> 00:01:57,960 Speaker 1: oh my gosh, well it just worked because we knew 29 00:01:57,960 --> 00:02:04,520 Speaker 1: she was really pregnant. Yeah, at this time, back in 30 00:02:04,560 --> 00:02:11,040 Speaker 1: the nineties, did you know Shannon was leaving the show? No? No, 31 00:02:11,200 --> 00:02:14,119 Speaker 1: I don't think so. Okay, so it wasn't quite there yet. 32 00:02:14,240 --> 00:02:17,240 Speaker 1: We're about halfway through the season and you didn't know, 33 00:02:17,360 --> 00:02:21,959 Speaker 1: obviously because Gabrielle doesn't leave for a while. But did it? 34 00:02:22,360 --> 00:02:25,400 Speaker 1: Did you worry? Like, is she gonna leave? Is who's 35 00:02:25,400 --> 00:02:31,360 Speaker 1: gonna leave Gabrielle? Why would we because she's because I 36 00:02:31,400 --> 00:02:33,560 Speaker 1: don't know, I didn't know any better at that age. 37 00:02:33,840 --> 00:02:36,400 Speaker 1: I don't remember at that time ever thinking like, oh 38 00:02:36,560 --> 00:02:40,239 Speaker 1: could this is what happens, like if actresses get pregnant, 39 00:02:40,680 --> 00:02:42,920 Speaker 1: do they write them out? Did they leave? Like, do 40 00:02:43,000 --> 00:02:47,320 Speaker 1: they knock them back? I was young, you're just babies. Yeah, yeah, 41 00:02:47,440 --> 00:02:50,000 Speaker 1: I think I was just like, oh cool, Well, Gab 42 00:02:50,040 --> 00:02:52,320 Speaker 1: getting pregnant on the show is the first time I 43 00:02:52,360 --> 00:02:57,040 Speaker 1: really realized, oh my gosh, we can get we can 44 00:02:57,080 --> 00:03:00,320 Speaker 1: have children, like our lives can be normal, and we 45 00:03:00,360 --> 00:03:03,639 Speaker 1: can still film this show. Because we watched her life, 46 00:03:03,720 --> 00:03:08,120 Speaker 1: you know, expand into family and motherhood and like still 47 00:03:08,160 --> 00:03:10,080 Speaker 1: be able to play Andrea. It was a really interesting 48 00:03:10,080 --> 00:03:12,000 Speaker 1: And do you remember if they thought about not writing 49 00:03:12,000 --> 00:03:13,919 Speaker 1: it in because obviously she's been pregnant for a bit 50 00:03:13,919 --> 00:03:16,280 Speaker 1: of time, right, so it's like you didn't have to 51 00:03:16,360 --> 00:03:18,440 Speaker 1: write you didn't have to at this point, she's carrying 52 00:03:18,639 --> 00:03:22,000 Speaker 1: flowers and big you know, she's pregnant for months. We've 53 00:03:22,040 --> 00:03:24,440 Speaker 1: seen it, so they didn't need to. I wonder if 54 00:03:24,480 --> 00:03:26,440 Speaker 1: they just thought, you know, we should ask Gab, we 55 00:03:26,440 --> 00:03:28,560 Speaker 1: should ask Gab because I'm gonna guess that that was 56 00:03:28,639 --> 00:03:32,639 Speaker 1: a Gab. She wanted it, yeah show. Yeah, yeah, I'm 57 00:03:32,680 --> 00:03:35,480 Speaker 1: guessing it was a conversation with my dad and she said, 58 00:03:36,000 --> 00:03:40,120 Speaker 1: let's write in. It's a good storyline. It is a 59 00:03:40,160 --> 00:03:46,240 Speaker 1: great storyline, but ultimately did ultimately separate her more because 60 00:03:46,280 --> 00:03:49,000 Speaker 1: she was married with a kid and we were all 61 00:03:49,560 --> 00:03:53,720 Speaker 1: college and going. So I wonder if she would have 62 00:03:53,760 --> 00:03:56,240 Speaker 1: stayed all ten years. She would have stayed, but it 63 00:03:56,280 --> 00:03:58,960 Speaker 1: was it would have been hard to keep the group together. 64 00:03:59,280 --> 00:04:02,560 Speaker 1: Storyline one w'd been cool. Yeah, but I thought it 65 00:04:02,600 --> 00:04:06,480 Speaker 1: was really responsible storytelling that she went to the doctor 66 00:04:07,000 --> 00:04:10,040 Speaker 1: and she was going to get her blood tested and 67 00:04:10,120 --> 00:04:16,240 Speaker 1: she requested to have an HIV test done, which at 68 00:04:16,240 --> 00:04:18,880 Speaker 1: the time you had to ask for that, you had 69 00:04:18,880 --> 00:04:21,479 Speaker 1: to go and seek that test. So I thought that 70 00:04:21,520 --> 00:04:25,080 Speaker 1: was a cool message to send everyone. It was very Yeah, 71 00:04:25,080 --> 00:04:29,240 Speaker 1: it was very of the time, but progressive. I don't 72 00:04:29,240 --> 00:04:32,680 Speaker 1: thought it was forward thinking kind of. Yeah, all right, 73 00:04:32,720 --> 00:04:35,520 Speaker 1: well that's that with that story. Let's talk about David. 74 00:04:35,600 --> 00:04:38,520 Speaker 1: Let's talk about David and Donna. Ah, he's such a 75 00:04:39,200 --> 00:04:45,800 Speaker 1: god opens It's like Doormatt Martin like, oh before that 76 00:04:45,880 --> 00:04:47,520 Speaker 1: when he's like, okay, wait, hold on, I have to 77 00:04:47,520 --> 00:04:51,080 Speaker 1: show you guys something. I'm watching this show. And during 78 00:04:51,080 --> 00:04:56,040 Speaker 1: that scene with David and the Howard his drug dealer 79 00:04:56,080 --> 00:04:59,120 Speaker 1: slash boss man the radio, wait, we need to get 80 00:04:59,200 --> 00:05:01,600 Speaker 1: him on the show. We are well you should. I'm 81 00:05:01,600 --> 00:05:04,880 Speaker 1: watching it and I'm wondering, why are they such close talking? 82 00:05:05,720 --> 00:05:09,760 Speaker 1: Why does David get There's so many things wrong. There's 83 00:05:09,839 --> 00:05:12,000 Speaker 1: so many things wrong. I literally thought they were going 84 00:05:12,040 --> 00:05:13,839 Speaker 1: to start making out, like they were this close to 85 00:05:13,839 --> 00:05:16,840 Speaker 1: each other talking, and I'm thinking, that's gotta be awkward. 86 00:05:17,760 --> 00:05:22,400 Speaker 1: Is that because of the camera really close to each other? 87 00:05:23,160 --> 00:05:26,840 Speaker 1: But that from a breath standpoint, that would freak me out. 88 00:05:26,880 --> 00:05:31,680 Speaker 1: I'd like, right, yeah, close, give me some snow my 89 00:05:31,760 --> 00:05:37,640 Speaker 1: acting space, please, I'm sick of this crap. Oh thank god. 90 00:05:37,760 --> 00:05:39,840 Speaker 1: He hits rock bottom in this episode and it's gonna 91 00:05:39,839 --> 00:05:42,479 Speaker 1: be over. It's gotta be over soon. God, he almost 92 00:05:42,520 --> 00:05:46,719 Speaker 1: lost his freaking sister alost he did, he did, And 93 00:05:46,800 --> 00:05:49,960 Speaker 1: it's like now he's gone from from meth to wanting 94 00:05:50,000 --> 00:05:52,039 Speaker 1: the pills and it's just like home. And then he 95 00:05:52,080 --> 00:05:54,120 Speaker 1: goes to the dad's office. He goes to the to 96 00:05:54,240 --> 00:05:58,640 Speaker 1: the the his dad's office deal pill. What he's like 97 00:05:58,680 --> 00:06:00,800 Speaker 1: looking for? I thought, is he trying to get novocane? 98 00:06:00,839 --> 00:06:03,360 Speaker 1: What's he looking for? It was cool angles though, like 99 00:06:03,440 --> 00:06:08,360 Speaker 1: it was like on it's so close, so god, um, 100 00:06:08,400 --> 00:06:11,240 Speaker 1: I thought he was really great in this episode though, Yes, 101 00:06:11,360 --> 00:06:14,760 Speaker 1: like yes, yes, I thought maybe he should have maybe 102 00:06:14,800 --> 00:06:17,719 Speaker 1: gotten a manicure before those extreme close ups on his 103 00:06:17,800 --> 00:06:22,680 Speaker 1: hands with the pills. But whatever, Wait, what did you see? Boy? 104 00:06:22,800 --> 00:06:25,719 Speaker 1: You would be looking at his nails a little I 105 00:06:25,800 --> 00:06:28,240 Speaker 1: was trying to find out. Then you were looking at 106 00:06:29,480 --> 00:06:33,680 Speaker 1: Brian's a nail biter, a notorious nail biter. You use 107 00:06:33,720 --> 00:06:35,680 Speaker 1: your own hands for those shots. They would never bring 108 00:06:35,760 --> 00:06:39,039 Speaker 1: in like a hand of a lot of times sometimes though, 109 00:06:39,040 --> 00:06:41,200 Speaker 1: when you when we were rushed to be somewhere else, 110 00:06:41,240 --> 00:06:46,440 Speaker 1: they would say, oh, let's let's have barbed the prop lady. 111 00:06:46,720 --> 00:06:50,080 Speaker 1: Um wait, I have a question. So in total, can 112 00:06:50,120 --> 00:06:52,560 Speaker 1: you just remind me how long has he had this drugs? 113 00:06:52,960 --> 00:06:57,200 Speaker 1: Drug addiction is three episodes, So for two weeks he 114 00:06:57,279 --> 00:07:01,560 Speaker 1: went from here never doing anything to here and now boom, 115 00:07:01,560 --> 00:07:04,719 Speaker 1: we hit rock bottom in two weeks. Math to pills 116 00:07:04,839 --> 00:07:07,640 Speaker 1: also very strange. It's called the nine O two N 117 00:07:07,720 --> 00:07:12,560 Speaker 1: O story arc pattern. It's very popular. People have copied 118 00:07:12,560 --> 00:07:14,920 Speaker 1: it was their report where he kind of punches a 119 00:07:14,920 --> 00:07:18,160 Speaker 1: wall too. I wrote down he punches a wall and 120 00:07:18,280 --> 00:07:23,560 Speaker 1: like TV people always do that much. It's such a 121 00:07:23,640 --> 00:07:27,640 Speaker 1: thing that who does that in real life? At punch 122 00:07:28,040 --> 00:07:30,440 Speaker 1: we know some people, Yeah, we do once in a 123 00:07:30,520 --> 00:07:34,000 Speaker 1: blue and I'll throw a pillow if I'm like, that's 124 00:07:34,040 --> 00:07:38,720 Speaker 1: your expression of anger. Yeah, well, I wonder when the 125 00:07:38,760 --> 00:07:41,240 Speaker 1: last time you had a good, like outburst of anger 126 00:07:41,280 --> 00:07:43,960 Speaker 1: where you did something like so punch a wall or 127 00:07:44,000 --> 00:07:50,240 Speaker 1: something so long. I think I maybe slammed a door once, like, oh, yeah, 128 00:07:50,280 --> 00:07:53,360 Speaker 1: the door slams. Yeah, slapped the door last night. That 129 00:07:53,440 --> 00:07:57,679 Speaker 1: happens a lot. I did. It was a long weekend. 130 00:07:57,800 --> 00:08:00,600 Speaker 1: I got in, I slammed a door and then went 131 00:08:00,640 --> 00:08:05,040 Speaker 1: in and bit started me I probably five years, maybe 132 00:08:05,160 --> 00:08:09,720 Speaker 1: four years. Oh, it's so childish, so stupid. And then 133 00:08:09,760 --> 00:08:11,520 Speaker 1: I'm after you slammed the door, and You're like, oh, 134 00:08:11,640 --> 00:08:14,160 Speaker 1: I hope the door's okay? Did I Did I mess 135 00:08:14,240 --> 00:08:18,520 Speaker 1: it up? Now that I own a home and never 136 00:08:18,560 --> 00:08:23,600 Speaker 1: slam a door, I threw my phone at my husband, 137 00:08:23,600 --> 00:08:27,880 Speaker 1: What did you? Yeah? He actually just reminded me of 138 00:08:27,880 --> 00:08:30,520 Speaker 1: it a few nights ago. We were watching DV and 139 00:08:30,520 --> 00:08:33,240 Speaker 1: he's like, I remember that time, and you threw your 140 00:08:33,240 --> 00:08:36,520 Speaker 1: phone at my head in the bathroom. I don't know. 141 00:08:36,559 --> 00:08:38,400 Speaker 1: I was just even. I was just throwing and his 142 00:08:38,480 --> 00:08:42,080 Speaker 1: head was in the way. It didn't hit him. I 143 00:08:42,120 --> 00:08:46,320 Speaker 1: don't have a lot of hang, I've worked through it 144 00:08:46,360 --> 00:08:50,400 Speaker 1: a lot in therapy. Thank you, good for you. Good. Also, 145 00:08:50,480 --> 00:08:52,320 Speaker 1: I think because I'm watching it on Paramount Plus, I 146 00:08:52,360 --> 00:08:58,080 Speaker 1: got extra terrible music a paramount. Okay, here's the thing. 147 00:08:58,080 --> 00:09:00,840 Speaker 1: I've got to change my paramount at that Paramount plus 148 00:09:00,920 --> 00:09:03,839 Speaker 1: account because I'm I don't have the fancy one. I 149 00:09:03,880 --> 00:09:05,840 Speaker 1: guess my like kids got it for me. I have 150 00:09:05,880 --> 00:09:10,360 Speaker 1: the basic one. So every few minutes it's like, I'm like, 151 00:09:10,400 --> 00:09:15,599 Speaker 1: oh no, that's not good. We could maybe convince I 152 00:09:15,760 --> 00:09:32,160 Speaker 1: heard to upgrade us. Okay, So Donna is the door 153 00:09:32,240 --> 00:09:36,320 Speaker 1: mattiest ever in the beginning of this in your ski boots? 154 00:09:37,960 --> 00:09:42,120 Speaker 1: What about David? Is that you know it's Saddam Hussein? 155 00:09:42,520 --> 00:09:47,160 Speaker 1: Like what, Oh my god, why do you say that? 156 00:09:47,160 --> 00:09:49,840 Speaker 1: That was I don't know, but like my heart dropped. 157 00:09:49,880 --> 00:09:52,320 Speaker 1: I was like, yeah it now in twenty twenty three, 158 00:09:52,360 --> 00:09:54,520 Speaker 1: I'm like, wait, can you see that? Yeah, And it's 159 00:09:54,559 --> 00:09:58,400 Speaker 1: just weird. I didn't even And then also didn't David 160 00:09:58,440 --> 00:10:01,360 Speaker 1: say something like have a good TI didn't think about me, 161 00:10:01,679 --> 00:10:05,440 Speaker 1: like what he's so mean? At least she gets a 162 00:10:05,440 --> 00:10:07,000 Speaker 1: little riled up and was like, I don't want to 163 00:10:07,000 --> 00:10:09,079 Speaker 1: even see your face. So I was like okay finally, 164 00:10:09,280 --> 00:10:15,600 Speaker 1: Oh god, get together? Isn't You're consumed? And I would 165 00:10:15,640 --> 00:10:18,240 Speaker 1: have jumped out of that room in those ski boots 166 00:10:18,280 --> 00:10:22,440 Speaker 1: like a pro. He said he wanted a girlfriend capable 167 00:10:22,480 --> 00:10:28,080 Speaker 1: of a mature relationship. I'm like, you're you're mature, Yeah, idiot, 168 00:10:28,200 --> 00:10:30,560 Speaker 1: I have a great idea when I am ready to 169 00:10:30,559 --> 00:10:33,440 Speaker 1: have sex, which is going to be with you in 170 00:10:33,520 --> 00:10:38,880 Speaker 1: about four seasons. A spoiler. Also, his headphones were epic. 171 00:10:38,880 --> 00:10:40,520 Speaker 1: They should have had that at the merch booth at 172 00:10:40,600 --> 00:10:43,679 Speaker 1: nineties Cone because his headphones were like amazing, they were 173 00:10:44,160 --> 00:10:48,199 Speaker 1: Did you sign that hair dryer? Yeah? I signed a hairdryer? 174 00:10:48,320 --> 00:10:52,839 Speaker 1: Was there a nineties hair dryer? Hair dryer? And apparently 175 00:10:52,960 --> 00:10:55,640 Speaker 1: they just got it a few weeks ago on eBay 176 00:10:55,800 --> 00:10:58,280 Speaker 1: and I'm like, whoa, we need to get some merch 177 00:10:58,720 --> 00:11:01,160 Speaker 1: and you go, a bobblehead. We should not be talking 178 00:11:01,160 --> 00:11:02,840 Speaker 1: about the con We've already talked about this, But did 179 00:11:02,840 --> 00:11:06,280 Speaker 1: you you can? We'll let it live. Oh my god. Okay, 180 00:11:06,360 --> 00:11:09,360 Speaker 1: So there's this thing like funk a pop. Yeah I don't. 181 00:11:10,040 --> 00:11:13,040 Speaker 1: The babble had funk popsy for everything. And the big 182 00:11:13,080 --> 00:11:15,160 Speaker 1: thing now is like nineties all the boy bands, all 183 00:11:15,160 --> 00:11:17,719 Speaker 1: the TV shows of the nineties except nine to two, 184 00:11:17,960 --> 00:11:20,480 Speaker 1: and I was like, that's weird. Why wouldn't we have one? 185 00:11:20,640 --> 00:11:22,960 Speaker 1: So when I saw her approaching, I was like, they 186 00:11:23,040 --> 00:11:25,080 Speaker 1: finally didn't She's like, no, I didn't wait for them. 187 00:11:25,120 --> 00:11:28,720 Speaker 1: I made my eat it. It was amazing to anyways, sorry, 188 00:11:29,040 --> 00:11:32,920 Speaker 1: um David when he when he falls asleep on the 189 00:11:33,080 --> 00:11:36,280 Speaker 1: bench and loses the kid. Then they go and they 190 00:11:36,800 --> 00:11:40,320 Speaker 1: find well, first, what about the old lady at the park? 191 00:11:41,880 --> 00:11:44,079 Speaker 1: Remember with Aaron? She was like, yeah, I want to 192 00:11:44,120 --> 00:11:46,040 Speaker 1: have a cookie. That was a little creepy she wanted 193 00:11:46,080 --> 00:11:49,120 Speaker 1: to give her Like, yeah, lady, can't you take a 194 00:11:49,120 --> 00:11:52,400 Speaker 1: cookie in that situation, Kelly, I would never have it. 195 00:11:52,480 --> 00:11:56,640 Speaker 1: I don't ever take stranger food. Stranger food, you don't know. 196 00:11:57,360 --> 00:11:59,680 Speaker 1: You don't write sweet cree Go back though for a 197 00:11:59,679 --> 00:12:03,719 Speaker 1: second it I did Mike tear up a little bit 198 00:12:04,280 --> 00:12:07,559 Speaker 1: when in the scene with Kelly. I thought Kelly was 199 00:12:07,640 --> 00:12:10,920 Speaker 1: so great to David. Oh no, this is after, isn't it. 200 00:12:10,920 --> 00:12:14,439 Speaker 1: That's okay, we'll jump around today. Is it after before? No? 201 00:12:14,600 --> 00:12:16,720 Speaker 1: It's no, I'm right, it's before. Because he says, let's 202 00:12:16,720 --> 00:12:20,120 Speaker 1: go take our favorite toddler out. She says, are you 203 00:12:20,120 --> 00:12:24,679 Speaker 1: on drugs? And the way the way she said it 204 00:12:24,720 --> 00:12:28,240 Speaker 1: was very like I felt the relationship that these people 205 00:12:28,400 --> 00:12:32,120 Speaker 1: are really close and writing goes beyond this. These are 206 00:12:32,320 --> 00:12:35,600 Speaker 1: two people who are friends and family and that I 207 00:12:35,720 --> 00:12:37,640 Speaker 1: felt that in the moment. I felt it in the 208 00:12:37,679 --> 00:12:39,720 Speaker 1: scene and then the hug between the two of you 209 00:12:39,760 --> 00:12:42,360 Speaker 1: made me cry. Oh yeah, that was a good I 210 00:12:42,840 --> 00:12:46,000 Speaker 1: like that Pete a lot. If you will indulge me 211 00:12:46,160 --> 00:12:48,400 Speaker 1: because I want to talk more about that and their 212 00:12:48,440 --> 00:12:52,360 Speaker 1: scenes together. But if we go and reverse Number one, 213 00:12:53,920 --> 00:12:57,600 Speaker 1: did you go to Big Bear? No? Did you film 214 00:12:57,640 --> 00:13:02,280 Speaker 1: this in Bigger disappointing? Okay? Number two? Did anyone notice 215 00:13:02,280 --> 00:13:07,600 Speaker 1: Brenda with a peanut butter who puts their finger in 216 00:13:07,640 --> 00:13:12,320 Speaker 1: the peanut butter jar? That was insane? Oh? Was this 217 00:13:12,360 --> 00:13:14,839 Speaker 1: in the kitchen? It was eating peanut butter with with 218 00:13:16,160 --> 00:13:19,839 Speaker 1: like double fingers into the jar. I know a woman 219 00:13:20,080 --> 00:13:22,560 Speaker 1: that one like, why would they their fingers and stuff? 220 00:13:23,040 --> 00:13:25,079 Speaker 1: Is that directed? Or is that how Shannon eate peanut 221 00:13:25,080 --> 00:13:29,240 Speaker 1: butter like and put that back? Nobody else can eat 222 00:13:29,240 --> 00:13:31,720 Speaker 1: out of that well? Very close to the Walshes. So 223 00:13:31,920 --> 00:13:34,079 Speaker 1: what did Cindy see this? Sorry I missed this part. 224 00:13:34,120 --> 00:13:36,640 Speaker 1: Everybody's doing it in front of mom and dad. Yeah, 225 00:13:36,640 --> 00:13:40,600 Speaker 1: why would Cindy say something? I don't know, but it 226 00:13:40,640 --> 00:13:47,840 Speaker 1: was so it was really distracting, it maybe uncomfortable. I 227 00:13:47,920 --> 00:13:52,320 Speaker 1: was like, even nobody does that. If one of my 228 00:13:52,400 --> 00:13:54,120 Speaker 1: kids did that, I'd be like, now we have to 229 00:13:54,120 --> 00:13:57,480 Speaker 1: throw it own peanut butter jar. But like, who has 230 00:13:57,480 --> 00:14:00,960 Speaker 1: their own peanut butter jar? Or wait, wait, wait, Maybe 231 00:14:01,000 --> 00:14:04,440 Speaker 1: there's a reason. Maybe Brandon's allergic to nuts so he 232 00:14:04,480 --> 00:14:07,520 Speaker 1: doesn't eat peanut butter. Maybe the Washes don't like peanut butter. 233 00:14:07,760 --> 00:14:10,720 Speaker 1: Maybe also they were both in their robes making the snacks. 234 00:14:11,280 --> 00:14:14,000 Speaker 1: Oh you guys, I don't have my notes, so I'm flying. 235 00:14:14,160 --> 00:14:16,959 Speaker 1: That's why. Now thank you so much because someone threw 236 00:14:17,080 --> 00:14:22,720 Speaker 1: my notes. But um, we must talk about Jim in 237 00:14:22,760 --> 00:14:26,960 Speaker 1: that robe because you want to know what was underneath. Oh, 238 00:14:27,080 --> 00:14:32,880 Speaker 1: I don't know. I was just like sexy. Oh, and 239 00:14:32,920 --> 00:14:35,800 Speaker 1: I think, doesn't Brandon make a joke about the robe? 240 00:14:35,840 --> 00:14:37,960 Speaker 1: I think? And then I goes like this and like 241 00:14:38,160 --> 00:14:44,520 Speaker 1: shows the hair. Oh had me at hello, Oh my god, 242 00:14:44,520 --> 00:14:48,440 Speaker 1: you're blushing, like she's blushing right now. I loved missus 243 00:14:48,040 --> 00:14:51,000 Speaker 1: Walls making the snacks and don't forget your grapes, like 244 00:14:51,320 --> 00:14:53,680 Speaker 1: a lot of she packed like an entire cooler for 245 00:14:53,720 --> 00:14:56,720 Speaker 1: these kids to go to. I thought it was sad 246 00:14:56,880 --> 00:14:59,320 Speaker 1: because she was like, first of all, she was like, 247 00:14:59,440 --> 00:15:01,960 Speaker 1: we should you know, get him, hit him, head up 248 00:15:01,960 --> 00:15:04,320 Speaker 1: a movie or go to a movie this afternoon. I 249 00:15:04,480 --> 00:15:07,720 Speaker 1: thought the comeback from him was gonna be like, yeah, 250 00:15:07,960 --> 00:15:10,240 Speaker 1: go out to a movie. Let's spend them to you know, 251 00:15:10,240 --> 00:15:13,680 Speaker 1: watch a movie in Weink, get out some Jim and 252 00:15:13,720 --> 00:15:17,200 Speaker 1: Cindy bound bound. But no, he's like, I have to 253 00:15:17,240 --> 00:15:19,320 Speaker 1: go talk to Dylan. I mean he's already in a row. 254 00:15:19,480 --> 00:15:24,880 Speaker 1: They're ready to go. We had five more minutes. Yeah. Also, 255 00:15:24,920 --> 00:15:27,760 Speaker 1: there was a joke about funny brownies or funky brownies, 256 00:15:27,800 --> 00:15:31,160 Speaker 1: which I think brownies. That's what he did. That's why 257 00:15:32,160 --> 00:15:37,400 Speaker 1: why would she why would missus Walsh have Wooden making 258 00:15:37,440 --> 00:15:40,160 Speaker 1: a joke about it. Then the other flag on the 259 00:15:40,200 --> 00:15:42,360 Speaker 1: play that I loved was they good. They're on the 260 00:15:42,400 --> 00:15:47,040 Speaker 1: phone saying to Donna, will be there in fifteen minutes. Yeah, 261 00:15:47,080 --> 00:15:50,680 Speaker 1: you can't get anywhere in fifteen minutes. Getting from Beverly Hills. 262 00:15:51,040 --> 00:15:56,640 Speaker 1: I thought, it's like, we'll see you in ninety minutes. Listen, 263 00:15:56,800 --> 00:15:58,440 Speaker 1: I want to tell you right now. I was born 264 00:15:58,480 --> 00:16:02,280 Speaker 1: and raised in la and around Beverly Hills, and that 265 00:16:02,480 --> 00:16:04,880 Speaker 1: is what we always said. No matter where you're going 266 00:16:04,920 --> 00:16:08,800 Speaker 1: in LA, you always hit fifteen growing up. And then 267 00:16:08,880 --> 00:16:12,520 Speaker 1: I guess the end of the game twenty me I 268 00:16:12,640 --> 00:16:15,760 Speaker 1: still in my brain is like I can get anywhere 269 00:16:15,760 --> 00:16:18,240 Speaker 1: in fifteen minutes, and I can't get from my house 270 00:16:18,240 --> 00:16:20,360 Speaker 1: to like the Century City mall in fifteen minutes. It's 271 00:16:20,400 --> 00:16:35,800 Speaker 1: like a town over m Okay. So the kids go 272 00:16:35,840 --> 00:16:39,640 Speaker 1: to Big Bear, which wasn't really Big Bear, sorry, Amy. 273 00:16:40,040 --> 00:16:43,160 Speaker 1: It looked like a lodge. It looked like it looks Yeah, dude, 274 00:16:43,200 --> 00:16:47,320 Speaker 1: did you film that? No clue, I think clue M 275 00:16:48,400 --> 00:16:51,680 Speaker 1: on set it looked great. And then you meet a 276 00:16:51,720 --> 00:16:56,520 Speaker 1: haughty little uh ski bunny. Yeah, like, um, he worked 277 00:16:56,560 --> 00:16:59,840 Speaker 1: at the ski shop. He was fixing the boots. Yeah, 278 00:17:00,200 --> 00:17:05,359 Speaker 1: some very tight jeans on. He was a cute smooth 279 00:17:05,440 --> 00:17:08,840 Speaker 1: Yeah he was smooth too. He was very smooth. You 280 00:17:08,880 --> 00:17:12,679 Speaker 1: guys made out, Yeah, I wrote, I was like a 281 00:17:13,000 --> 00:17:16,520 Speaker 1: major makeout. So basically on nine twenty up to date, Like, 282 00:17:16,800 --> 00:17:19,760 Speaker 1: correct me if I'm wrong, that's the second person I've 283 00:17:19,760 --> 00:17:24,360 Speaker 1: ever kissed on nine twenty four seasons, right, you're keeping track, Well, 284 00:17:24,359 --> 00:17:27,800 Speaker 1: I've she's only been with David that's easy. I want 285 00:17:27,800 --> 00:17:30,960 Speaker 1: to run a tally. That's a good idea. That's a 286 00:17:31,000 --> 00:17:33,560 Speaker 1: good idea with it ends up in ten seasons being 287 00:17:33,680 --> 00:17:37,800 Speaker 1: a lot so started. Now that's a good game. I 288 00:17:37,840 --> 00:17:39,840 Speaker 1: wonder how I felt at the time, if I was like, oh, 289 00:17:39,920 --> 00:17:42,719 Speaker 1: he's cute. Oh my god, I'm only had kisses with Brian, Like, 290 00:17:42,760 --> 00:17:45,879 Speaker 1: I wonder, like how I felt. I can't remember anything. Sorry. 291 00:17:46,200 --> 00:17:49,639 Speaker 1: I also loved your stirrupski pants. Your whole look was 292 00:17:50,240 --> 00:17:53,840 Speaker 1: very on fire, the stirrups. Also, the Martins are rich. 293 00:17:53,880 --> 00:17:56,040 Speaker 1: They've got a house in Big Bearon. It's the nicest 294 00:17:56,080 --> 00:18:01,840 Speaker 1: house in town. Remember, he says, yeah, I'm nice too. Whatever, 295 00:18:03,240 --> 00:18:07,200 Speaker 1: my god, and you're gonna soak your tidsties. Ali says, 296 00:18:07,200 --> 00:18:11,960 Speaker 1: I have cute feet, do you dooan? The whole thing 297 00:18:12,080 --> 00:18:15,640 Speaker 1: was sort of cute. It was cute, It wasn't mad 298 00:18:15,640 --> 00:18:18,280 Speaker 1: at it. And David's such a how do you think 299 00:18:18,320 --> 00:18:22,359 Speaker 1: he was like the character? He looked like early twenties. 300 00:18:22,400 --> 00:18:24,440 Speaker 1: You're right, yeah, a little bit older. Just how old 301 00:18:24,480 --> 00:18:27,760 Speaker 1: is Donna Martin at this time? Nineteen? She is nineteen, Okay, 302 00:18:27,760 --> 00:18:30,119 Speaker 1: so it's not like he was like some underage me. No, 303 00:18:30,200 --> 00:18:35,439 Speaker 1: he's not creeposaurus. No, not at all. Okay, So okay, 304 00:18:35,440 --> 00:18:38,040 Speaker 1: so let's yeah, let's let's play that through. So so 305 00:18:38,359 --> 00:18:43,520 Speaker 1: that all kind of happens, and uh, good for Donna. 306 00:18:43,720 --> 00:18:46,680 Speaker 1: Yeah yeah, get a little little pep and her step 307 00:18:46,720 --> 00:18:50,040 Speaker 1: when she goes back to deal with David. Yeah, she knew, 308 00:18:50,200 --> 00:18:53,080 Speaker 1: and she knew what she wanted because you were like, 309 00:18:53,280 --> 00:18:56,639 Speaker 1: Kelly was oh, not Kelly, pardon me. Brenda was like, 310 00:18:56,800 --> 00:19:00,359 Speaker 1: let's go back, and she's like, no, I'm good, I 311 00:19:00,400 --> 00:19:03,560 Speaker 1: don't want to. But then you come and you and 312 00:19:03,640 --> 00:19:08,200 Speaker 1: you tell him I'm in love with someone else. You're 313 00:19:08,200 --> 00:19:12,520 Speaker 1: not ready someone that's treating me terrible. M h. While 314 00:19:12,520 --> 00:19:15,240 Speaker 1: we're at it, what did we think of Steve's sunburst 315 00:19:15,600 --> 00:19:21,320 Speaker 1: ski jacket or what I loved? Was loved? That's good. 316 00:19:21,520 --> 00:19:23,800 Speaker 1: I'm really disappointed. I thought that that would have been 317 00:19:24,920 --> 00:19:28,480 Speaker 1: maybe on location, Like why why only Jason gets to 318 00:19:28,480 --> 00:19:30,440 Speaker 1: go to San Francisco? Why couln't you just take a 319 00:19:30,520 --> 00:19:34,680 Speaker 1: Vanda big Bear? But colle number one on the call sheet, Yeah, 320 00:19:34,800 --> 00:19:38,840 Speaker 1: Jason was skiing in jeans, wasn't he also? Brandon? Sorry, 321 00:19:38,840 --> 00:19:42,600 Speaker 1: Brandon was skiing in jeans. People do do it? Yeah, 322 00:19:42,600 --> 00:19:48,320 Speaker 1: and we're not right. Good Okay, I mean, okay, let's 323 00:19:48,320 --> 00:19:51,679 Speaker 1: talk about Dylan. We gotta talk about Dylan and his 324 00:19:51,920 --> 00:19:56,360 Speaker 1: sister taking his sister's surface starting her period, because that 325 00:19:56,640 --> 00:20:03,119 Speaker 1: was weird. It was not I've seen it all other shows. 326 00:20:03,880 --> 00:20:06,800 Speaker 1: It's a stair line that they throw in on shows. 327 00:20:07,440 --> 00:20:10,679 Speaker 1: It was literally just why did they do that to 328 00:20:10,800 --> 00:20:15,479 Speaker 1: just make them closer to and to bring Cyndian and 329 00:20:15,560 --> 00:20:18,520 Speaker 1: the whole thing. And I don't know, it's very like 330 00:20:18,720 --> 00:20:21,600 Speaker 1: the point of that, I'll get it done without it. Yeah, 331 00:20:22,480 --> 00:20:24,320 Speaker 1: I don't know. TV shows write that crap in a 332 00:20:24,359 --> 00:20:28,960 Speaker 1: lot the period. Yeah, but we do find out that 333 00:20:30,200 --> 00:20:35,600 Speaker 1: Erica may or may not be Jack's daughter, right, so 334 00:20:36,320 --> 00:20:38,600 Speaker 1: there's still something going on. Then we find out a 335 00:20:38,600 --> 00:20:42,640 Speaker 1: little bit more that she's a little sketchy. Sketchy yeah, 336 00:20:42,880 --> 00:20:47,080 Speaker 1: not Erica, no, the mom right, it's like m sketchy 337 00:20:47,240 --> 00:20:51,639 Speaker 1: MOA's cute that picture that she showed him of Jack 338 00:20:51,720 --> 00:20:59,720 Speaker 1: Taylor and her Jack Taylor, Jack Jack Jack Taylor. It's 339 00:21:00,200 --> 00:21:04,080 Speaker 1: Tailor Kelly. Still, you know, I just worry about Dylan here. 340 00:21:04,160 --> 00:21:06,520 Speaker 1: It's like Dylan's falling for all of this and falling 341 00:21:06,560 --> 00:21:10,080 Speaker 1: in love with the sister, and it's just all not 342 00:21:10,200 --> 00:21:14,480 Speaker 1: falling in love, but like it's just a lot real fast, 343 00:21:14,640 --> 00:21:18,280 Speaker 1: a lot of a lot family. He feels that loss 344 00:21:18,359 --> 00:21:21,520 Speaker 1: of such intense loss of family that anything that's coming 345 00:21:21,600 --> 00:21:24,040 Speaker 1: his way is like he finally has someone. Like I 346 00:21:24,040 --> 00:21:28,199 Speaker 1: feel sad for him that he's I love her, but 347 00:21:28,400 --> 00:21:33,320 Speaker 1: is this realm? Yeah? All right, this is redeeming for 348 00:21:33,400 --> 00:21:36,520 Speaker 1: Dylan though, to happen right now? Yeah, yeah, he needs it. 349 00:21:36,640 --> 00:21:38,399 Speaker 1: He needs it because we were having a little like 350 00:21:39,119 --> 00:21:44,160 Speaker 1: some moments. Should we talk about the missing Eron? First 351 00:21:44,160 --> 00:21:49,840 Speaker 1: of all, she's adorable, Little Eron is adorable. Yeah. I 352 00:21:49,880 --> 00:21:52,000 Speaker 1: was just like when they were in the police station, 353 00:21:53,320 --> 00:21:56,399 Speaker 1: why wasn't Mel upset? He just didn't seem like worried. 354 00:21:56,520 --> 00:21:58,440 Speaker 1: They were all a bit calm. But then good action. 355 00:21:58,520 --> 00:22:03,000 Speaker 1: Jackie brings it, brings it in. Yeah, I love that 356 00:22:03,000 --> 00:22:07,080 Speaker 1: that scene for her, Yes, she really, Yes, I made 357 00:22:07,080 --> 00:22:09,760 Speaker 1: a note like she really pulled that off and made 358 00:22:09,800 --> 00:22:15,760 Speaker 1: it more real. Yeah, definitely, she saved that scene. And 359 00:22:15,880 --> 00:22:20,639 Speaker 1: I thought you wouldn't that both Jenny and Brian were good. 360 00:22:20,760 --> 00:22:25,240 Speaker 1: It didn't feel as as it was sort of ridiculous 361 00:22:25,240 --> 00:22:27,240 Speaker 1: all of it, but at the same time it felt 362 00:22:27,280 --> 00:22:32,639 Speaker 1: really okay, this feels there. You did it well because 363 00:22:32,760 --> 00:22:36,920 Speaker 1: I believed it. Yeah, yeah, I just didn't believe that 364 00:22:36,960 --> 00:22:39,960 Speaker 1: they would find her in a house down the street 365 00:22:40,040 --> 00:22:43,800 Speaker 1: or whatever, like, I mean, yeah, it's nine or two, 366 00:22:43,800 --> 00:22:45,040 Speaker 1: and now it's sill less to be tied up with 367 00:22:45,040 --> 00:22:48,520 Speaker 1: a neat bow because we know, sadly that wouldn't have 368 00:22:48,560 --> 00:22:51,159 Speaker 1: probably been met. Yeah, I mean, or she could have 369 00:22:51,200 --> 00:22:53,000 Speaker 1: wandered off and been hit by a car. Like it 370 00:22:53,080 --> 00:22:55,239 Speaker 1: was so risk that. It was so risky even if 371 00:22:55,240 --> 00:22:58,200 Speaker 1: she's not being kidnapped. It was just like, oh my god, 372 00:22:59,600 --> 00:23:02,360 Speaker 1: And that is why we watch our kids closely. Yes, 373 00:23:03,520 --> 00:23:06,240 Speaker 1: never take your eye off them. And I thought Dave 374 00:23:07,000 --> 00:23:11,199 Speaker 1: David crying, it was all real, Please don't hate me, 375 00:23:11,359 --> 00:23:13,919 Speaker 1: help me. I was like, this is good acting. He 376 00:23:14,080 --> 00:23:21,000 Speaker 1: was great in that. Yeah, both of you. I'm in 377 00:23:21,160 --> 00:23:24,320 Speaker 1: on all this. Well, we'll see what happens next week. 378 00:23:24,440 --> 00:23:30,480 Speaker 1: Does he get help or is it just over right? 379 00:23:32,560 --> 00:23:37,040 Speaker 1: But then what happens to Howard? Yeah yeah, we never 380 00:23:37,040 --> 00:23:41,120 Speaker 1: see him again? Who knows? All right? So our our 381 00:23:41,400 --> 00:23:47,120 Speaker 1: our homework for next week's episode, everybody, which is season four, 382 00:23:47,119 --> 00:23:52,240 Speaker 1: episode eighteen, Heartbreaker. Oh oh no, So let's all watch 383 00:23:52,280 --> 00:23:56,480 Speaker 1: it and then talk about it. We got to score 384 00:23:56,520 --> 00:23:59,280 Speaker 1: the episode? Oh oh oh what do you give it? Oh, 385 00:23:59,400 --> 00:24:05,600 Speaker 1: geez m, it's tough for you. Okay, Oh, we're all 386 00:24:05,680 --> 00:24:09,720 Speaker 1: right together. Eight eight seven, Yeah I did. It was 387 00:24:09,760 --> 00:24:12,840 Speaker 1: a bit of bouncy around me. For me, it was 388 00:24:12,840 --> 00:24:15,040 Speaker 1: a bouncy around me, like we're going to Big Bear, 389 00:24:15,080 --> 00:24:16,639 Speaker 1: we're going to Malibi, we're going to this, we're going 390 00:24:16,680 --> 00:24:18,640 Speaker 1: to that. We're back in the great we're all separated 391 00:24:18,640 --> 00:24:20,240 Speaker 1: a little bit, which we never love. We love when 392 00:24:20,240 --> 00:24:23,440 Speaker 1: we're together. All yeah, but it was good, good fashion, 393 00:24:23,760 --> 00:24:28,600 Speaker 1: great ski, great ski fashion. Donna looked fab I give 394 00:24:28,640 --> 00:24:32,040 Speaker 1: good snow, bunny eyebrows. We're getting a little thin, little 395 00:24:32,040 --> 00:24:36,320 Speaker 1: thin on the eyebrows. But yeah, it's coming and I'm 396 00:24:36,359 --> 00:24:39,160 Speaker 1: at season four. You're bringing it. Let's see, let's see 397 00:24:39,200 --> 00:24:41,280 Speaker 1: where it goes. All Right, you guys, have a great week. 398 00:24:41,320 --> 00:24:41,880 Speaker 1: We love you.