WEBVTT - Dress Codes

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<v Speaker 1>Wait, I'm not even sure if this is on. Hello,

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<v Speaker 1>hello blank If you can hear me, ah, excellent, Well

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<v Speaker 1>all right, then let's begin. This is deeply human. I'm

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<v Speaker 1>your host, Dessa, and today I have donned the complete

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<v Speaker 1>podcasters dress uniform, the petticoat, the bandelier, the two and

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<v Speaker 1>a half cornered hat, the broadsword, the garter belt, the

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<v Speaker 1>whole nine yards, well ten if you count the train.

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<v Speaker 1>The inquiry at hand, why do we care so much

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<v Speaker 1>about what other people wear? Now you might be thinking

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<v Speaker 1>I don't care what other people were, But imagine for

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<v Speaker 1>a moment that your sister shows up in a long

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<v Speaker 1>white dress to somebody else's wedding, or are your wedding,

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<v Speaker 1>Or that your first night with your new roommate reveals

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<v Speaker 1>that he sleeps in a softball uniform. Or let's say

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<v Speaker 1>I start telling the story of a friend who showed

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<v Speaker 1>up to divorce court in fishnets, a basketball jersey, and

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<v Speaker 1>a glowstick necklace. Wouldn't you lean in just a little

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<v Speaker 1>to find out what is going on with these people?

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<v Speaker 1>If I talked to a lot of my colleagues, let's say, well,

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<v Speaker 1>I know nothing about fashion, you know, to one of

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<v Speaker 1>the first things that they'll say to establish that they're

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<v Speaker 1>not wasting their time on stuff that's trivial or insignificant.

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<v Speaker 1>I don't agree with that at all. That is Professor

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<v Speaker 1>Richard Thompson, Ford, and he's an intellectual who cares quite

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<v Speaker 1>a bit about fashion, thank you very much. He professes

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<v Speaker 1>at Stanford Law School. But he was driven by his

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<v Speaker 1>sartorial interest to write a book called Dress Codes. How

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<v Speaker 1>the Laws of Fashion made history. When tailoring really began

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<v Speaker 1>to develop as a skill in Western Europe, what you

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<v Speaker 1>see is the re sculpting of the body in order

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<v Speaker 1>to present like a different type of body. The cinched waste,

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<v Speaker 1>the dramatic skirts, the big shoulders. All of the powerful

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<v Speaker 1>institutions in these societies are doing this, whether it's the

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<v Speaker 1>church or the state. And all of these things are

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<v Speaker 1>communicating in societies where most of the populations illiterate, so

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<v Speaker 1>the communication is done visually. It's as though early fashion

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<v Speaker 1>aimed to create the impression that rich and powerful people

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<v Speaker 1>were fundamentally different sorts of creatures. Like think of those

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<v Speaker 1>insane standing white collars that monarchs wore in their portraits.

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<v Speaker 1>Queen Elizabeth the first late that kind of thing imagine

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<v Speaker 1>putting one of those on for the first time. Uh,

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<v Speaker 1>I look like a freaking cobra and this is awesome. Okay,

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<v Speaker 1>no rule, only I am allowed to our cobra stuff. Well,

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<v Speaker 1>me and some of my friends. You had laws that

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<v Speaker 1>specified no one below the rank of a night of

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<v Speaker 1>the Garter may wear a certain type of silk or

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<v Speaker 1>a certain type of ermine, fur or tram and you

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<v Speaker 1>talk about, like how emotional the response to this stuff was.

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<v Speaker 1>In the very opening of your book, you talk about

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<v Speaker 1>like a fashion faux paw that has children screaming in

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<v Speaker 1>the streets, Women are feigning, dogs are freaking out. A

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<v Speaker 1>dude's arm is broken because another guy whore is still

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<v Speaker 1>cat right, Like we have feels on this One proclamation

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<v Speaker 1>declared that they would be guards posted at the gates

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<v Speaker 1>of the cities with a list of people according to

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<v Speaker 1>their social rank, to make sure that no one dressed

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<v Speaker 1>above their social condition. It's worth noting that we still

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<v Speaker 1>have fashion guards posted at some gates, like brawny bouncers

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<v Speaker 1>at swanky nightclubs serving side eye to your graphic t

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<v Speaker 1>and denying entry to anybody in athletic shoes. And dress

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<v Speaker 1>codes still function to distinguish social classes. Okay, we're pivoting

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<v Speaker 1>the microphone here to a woman named Liz Wise. She

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<v Speaker 1>works for de Brett's as an etiquet advisor. If, like me,

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<v Speaker 1>you are a lowly commoner, you may not be familiar

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<v Speaker 1>with the name to Brets. However, if you are a

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<v Speaker 1>member of British aristocracy, presumably listening to this podcast while

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<v Speaker 1>polishing your monocle, you will know it as an institution

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<v Speaker 1>that's been concerned with hereditary titles and minding manners since

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<v Speaker 1>seventeen sixty nine. Nowadays people can go to de Breads

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<v Speaker 1>for advice. Someone has been invited to a fancy function, say,

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<v Speaker 1>and they're not sure what would be appropriate to wear.

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<v Speaker 1>Liz and her colleagues swooped to the rescue. Like batman,

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<v Speaker 1>bat meant bat people for formal wear. I asked Liz

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<v Speaker 1>to run down the dress codes that her clients might encounter.

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<v Speaker 1>Absolutely most formal is white tie. Then there's black tie,

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<v Speaker 1>which is much more common. There's also morning dress, which

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<v Speaker 1>in the UK is the dress code for weddings primarily,

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<v Speaker 1>but also for events like Royal ast Scott naturally, and

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<v Speaker 1>then going down on the hard rocky there's lounge suits.

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<v Speaker 1>And then there's the most difficult one of all, I think,

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<v Speaker 1>which is smart casual. I'll note that Liz deals primarily

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<v Speaker 1>with UK dress codes. When I asked about business casual,

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<v Speaker 1>Liz suggested perhaps a lounge suit would be appropriate, and

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<v Speaker 1>I broke it her gently that in the US crocks

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<v Speaker 1>and board shorts might be closer to the mark. Formal

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<v Speaker 1>posh parties, however, have more exacting standards, and those standards

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<v Speaker 1>hit different depending on your gender. All the dress codes

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<v Speaker 1>for ben are very very prescriptive, all the formal ones.

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<v Speaker 1>They comprise a very sort of detailed breakdown of tailored

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<v Speaker 1>garments and what the shirt should be like, what the

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<v Speaker 1>tie should be like, what the buttons should be like,

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<v Speaker 1>what the cufflinks should be like. It's absolutely codified to

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<v Speaker 1>the nth degree. Scrolling through to bread social media accounts,

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<v Speaker 1>the level of detail on dudes suits is pretty nuts.

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<v Speaker 1>So tux shirts should be made of special Marcelic cotton

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<v Speaker 1>because it's super stiff and can hold a mess of starch.

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<v Speaker 1>Bow Ties should always be tied a little bit imperfectly

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<v Speaker 1>to prove their hand done, just like how very important

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<v Speaker 1>people smudge their signatures to prove its bend in real ink.

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<v Speaker 1>To state the obvious, these dress codes have a very

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<v Speaker 1>old fashioned idea of gender, and all sorts of people

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<v Speaker 1>can cut a sharp figure in a suit. Shout out

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<v Speaker 1>Genomone and oh n Lister from Gentleman Jack Total Fox.

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<v Speaker 1>But a lot of this stuff sounds like a needlessly

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<v Speaker 1>complicated Victorian costume party, relics of a long gone era

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<v Speaker 1>and an aristocratic worldview that has fallen away out of favor,

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<v Speaker 1>like our formal dress codes really doing much for us

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<v Speaker 1>these days. Historically there was an absolute assumption that everybody

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<v Speaker 1>had these clothes and they knew precisely went to wear them.

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<v Speaker 1>But of course, I think for a lot of people,

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<v Speaker 1>when they're presented with a very stiff formal invitation with

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<v Speaker 1>a dress code specified in this dad age, it can

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<v Speaker 1>be quite an oppressive thing, can't it, Because for an

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<v Speaker 1>awful lot of us we don't have a morning coach

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<v Speaker 1>or a tuxedo or whatever in our wardrobe. But I

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<v Speaker 1>do think you just have to interpret them as a

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<v Speaker 1>rather nice, kind of very intermittent aspirational thing. Sometimes it

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<v Speaker 1>is nice to just discard your everyday clothes and put

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<v Speaker 1>on something you would never normally wear. You're not pretending

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<v Speaker 1>to be somebody or not. It's just it is dressing

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<v Speaker 1>up and that's nice and now valued listener. A quick

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<v Speaker 1>personal aside. For most of my professional life, I've worked

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<v Speaker 1>as a gigging musician, something to fall back on if

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<v Speaker 1>the whole nerdy podcast doesn't pin up. As it happens,

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<v Speaker 1>I recently received an invitation to perform at a masquerade

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<v Speaker 1>gala fundraiser thing that specified black tie. My bandmate Abbe

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<v Speaker 1>and I weren't quite sure what that should entail, and so, now,

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<v Speaker 1>drunk on power, I'm going to rest the controls of

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<v Speaker 1>this podcast away from our dutiful producer, sorry Beth doors Locked,

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<v Speaker 1>and exploit this interview for my own shallow it. I

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<v Speaker 1>need some advice, so I'm showing Liz a potential outfit

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<v Speaker 1>to get an expert opinion. This is one of my

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<v Speaker 1>classic l b ds, my little black dresses. That would

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<v Speaker 1>be absolutely fine. Yeah, but is it in any universe

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<v Speaker 1>acceptable that I wear that with motorcycle boots. I'm gonna

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<v Speaker 1>show you the boots. Wait, let's just open your heart,

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<v Speaker 1>open your mind. The general recommendation would be that you'd

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<v Speaker 1>wear it with heels, maybe something a little less clunky.

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<v Speaker 1>I mean, in a way, the way a woman interprets

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<v Speaker 1>black tie is to do with their character and personality,

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<v Speaker 1>and if they can carry it off, maybe you can

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<v Speaker 1>wear the motorcycle boots because you're wearing a very very

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<v Speaker 1>nice little black dress. But you know it's not by

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<v Speaker 1>the book. Put it that way. So like, as long

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<v Speaker 1>as I ride a motorcycle into the event, secondhand dress

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<v Speaker 1>and rented to CARDI, We've got a plan. If you

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<v Speaker 1>have one golden rule, what would it be. You'll never

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<v Speaker 1>ever enjoy a social event if you're physically uncomfortable. So

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<v Speaker 1>you know, whatever you choose to wear, just just make

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<v Speaker 1>sure that it fits, that you can move around in it,

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<v Speaker 1>that you can sit down with it. I mean, that's

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<v Speaker 1>the absolute goal, really, that you can make your entrance,

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<v Speaker 1>you can look great, and then you can just forget

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<v Speaker 1>about it. I'm wearing the motorcycle book. Not all of

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<v Speaker 1>our choices about what to wear amount of simple decisions

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<v Speaker 1>of personal taste or comfort. Some fashion is policed by

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<v Speaker 1>like actual police. Back to Richard Our, Stanford law professor,

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<v Speaker 1>For instance, there are a lot of cities in the

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<v Speaker 1>United States where you know, sagging pants are outlawed. And

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<v Speaker 1>people are arrested and fined for wearing sagging pants. In

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<v Speaker 1>Fort Worth, Texas, the Public Transportation Authority banned writers who

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<v Speaker 1>wore low slung trousers with signs that said pull them

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<v Speaker 1>up or find another ride. Most of us, however, are

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<v Speaker 1>more likely to run into a dress code as part

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<v Speaker 1>of our job. In two thousand four, a U. S

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<v Speaker 1>Court upheld the firing of a bartender from a Reno

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<v Speaker 1>casino because she violated their rule that end i quote

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<v Speaker 1>lip color must be worn at all times, and other

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<v Speaker 1>employees have objected to mandatory high heels or a prohibition

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<v Speaker 1>on men wearing long hair sidebar. Yes, we know Reno

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<v Speaker 1>Casino sounds like a scene from a Danny DeVito feature.

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<v Speaker 1>So we still have rules like that, but they're being

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<v Speaker 1>enforced by the private sector more than the government. As

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<v Speaker 1>part of the research for his book, Richards sat down

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<v Speaker 1>to talk and listen to high school students, because kids

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<v Speaker 1>are actually often subject to some of the more intense

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<v Speaker 1>modern dress codes. Lots of credit card rules about you know,

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<v Speaker 1>the skirts gotta be no more than a credit cards

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<v Speaker 1>length away from the knee, their dress codes banning yoga pants.

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<v Speaker 1>And the thing is that in each of these instances,

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<v Speaker 1>whether or not the dress code is forced can depend

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<v Speaker 1>on the girl's body. Two girls could show up to

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<v Speaker 1>homeroom wearing the exact same outfit, but only one of

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<v Speaker 1>them gets hit with a dress code violation. The teachers

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<v Speaker 1>would even say, well, honey, she can get away with that.

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<v Speaker 1>But you've got a different pot, right. So it's all

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<v Speaker 1>about that and just and not distracting the boys. It's

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<v Speaker 1>up to you not to wear something that's going to

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<v Speaker 1>be distracting to man. I first ran into that particular

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<v Speaker 1>edict at about eight years old when I wore a

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<v Speaker 1>skirt to Sunday school. And if you're not a child

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<v Speaker 1>of the eighties or a tennis pro, a skirt is

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<v Speaker 1>a hybrid garment half skirt, half shorts into the sport

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<v Speaker 1>and contemporary to the crimping iron. So as soon as

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<v Speaker 1>I arrived to class and my sea green skirt, which

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<v Speaker 1>fell just above my knees, the religious instructor ejected me

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<v Speaker 1>from the room, sent me out to the playground and

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<v Speaker 1>called my dad. And when Dad showed up, I was

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<v Speaker 1>on a swing, not swinging. I got kicked out. I

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<v Speaker 1>told him. He took my hand, come on, kittle. We

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<v Speaker 1>went back into the building together. I hadn't ever heard

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<v Speaker 1>my dad angry on my behalf, and it was drilling.

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<v Speaker 1>The instructor explained that the dress code had been clearly communicated,

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<v Speaker 1>we don't allow young girls to wear skirts because if

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<v Speaker 1>young girls wear skirts, the older girls are tempted to

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<v Speaker 1>wear skirts, and if the older girls wear skirts, the

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<v Speaker 1>older boys will be tempted to sin against them. My

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<v Speaker 1>dad thought this argument was hot garbage, and his response

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<v Speaker 1>included the phrase sexual hangups. We left then my head

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<v Speaker 1>held I in escorted victory march to the car. As

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<v Speaker 1>girls get older, however, Richard describes a sort of catch

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<v Speaker 1>twenty two. You either risk being branded as a temptress

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<v Speaker 1>or you're not done up enough to be presentable. The

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<v Speaker 1>dress code for women doesn't always leave a safe place

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<v Speaker 1>to land in the middle. Richard says that was actually

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<v Speaker 1>the thing that surprised him most during the course of

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<v Speaker 1>his research. I'd say, yeah, it's function is to keep

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<v Speaker 1>women off bound. Its function isn't to make women modest,

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<v Speaker 1>or to make them sexy or pleasing. It's to make

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<v Speaker 1>it so that they could never get it right. A

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<v Speaker 1>dress codes aren't just about what's being worn, but who's

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<v Speaker 1>wearing it, gender, race, class Some of our most complicated

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<v Speaker 1>social dynamics are sewn right in. One thing that you know,

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<v Speaker 1>I found is that there's a lot more strict enforcement

0:13:56.000 --> 0:13:59.600
<v Speaker 1>in a lot of instances in poorer schools, in schools

0:13:59.640 --> 0:14:03.200
<v Speaker 1>that have heavily you know, black or Latino populations. On

0:14:03.280 --> 0:14:05.880
<v Speaker 1>the one hand, that's unfair because those kids are getting

0:14:05.880 --> 0:14:08.040
<v Speaker 1>sent home from school more often than you know, rich

0:14:08.080 --> 0:14:11.400
<v Speaker 1>white kids. On the other hand, you can see that

0:14:11.600 --> 0:14:14.600
<v Speaker 1>some of the school administrators are trying to make sure

0:14:14.679 --> 0:14:18.640
<v Speaker 1>that those kids know how to dress professionally and appropriately

0:14:18.880 --> 0:14:21.400
<v Speaker 1>so that they can get good jobs later. And so

0:14:21.440 --> 0:14:23.840
<v Speaker 1>it's not all malevolent. Some of it's kind of trying

0:14:23.880 --> 0:14:26.480
<v Speaker 1>to deal with the world as it is rather than

0:14:26.480 --> 0:14:30.040
<v Speaker 1>the world as it should be. But the idea that

0:14:30.160 --> 0:14:33.480
<v Speaker 1>kids from marginalized backgrounds can dress up to get ahead

0:14:33.920 --> 0:14:36.960
<v Speaker 1>is way too simple. Richard's book delves deep into the

0:14:37.080 --> 0:14:41.400
<v Speaker 1>long and complicated intersections of clothing and race relations. Richard

0:14:41.480 --> 0:14:44.680
<v Speaker 1>himself is black, and his dad actually trained as a tailor.

0:14:44.760 --> 0:14:47.920
<v Speaker 1>Alongside his college degree. People of color often learned a

0:14:47.960 --> 0:14:52.040
<v Speaker 1>backup trade in case racism thwarted their professional plans. Not

0:14:52.120 --> 0:14:54.520
<v Speaker 1>all that long ago, Black people in the US could

0:14:54.520 --> 0:14:58.320
<v Speaker 1>be penalized for dressing too well. After World War Two,

0:14:59.160 --> 0:15:02.920
<v Speaker 1>racist mo moobs would attack black servicemen wearing their service

0:15:03.040 --> 0:15:08.320
<v Speaker 1>dressed uniforms for being uppity. People were threatened by black

0:15:08.360 --> 0:15:11.520
<v Speaker 1>people wearing refined, in elegant clothing. They saw it as

0:15:11.560 --> 0:15:14.360
<v Speaker 1>an attack on white supremacy. They were angry that you

0:15:14.400 --> 0:15:16.920
<v Speaker 1>had black people who were dressed better than white people,

0:15:17.280 --> 0:15:22.200
<v Speaker 1>because that clothing communicated to everyone that the wearer deserved

0:15:22.280 --> 0:15:26.560
<v Speaker 1>respect and dignity. In the nineteen fifties and sixties, civil

0:15:26.640 --> 0:15:30.320
<v Speaker 1>rights protesters often wore their Sunday best two marches or

0:15:30.360 --> 0:15:33.400
<v Speaker 1>to lunch counter sit ins, where they could reasonably expect

0:15:33.480 --> 0:15:37.000
<v Speaker 1>to be met with every variety of indignity, if not violence,

0:15:37.280 --> 0:15:42.400
<v Speaker 1>police dogs, batons, and fire hoses. More recently, writers and

0:15:42.440 --> 0:15:45.840
<v Speaker 1>activists have critiqued that sort of protest dress code with

0:15:45.960 --> 0:15:50.640
<v Speaker 1>the term respectability politics. They argue that no one should

0:15:50.640 --> 0:15:52.920
<v Speaker 1>have to dress up to prove that they weren't humane

0:15:52.960 --> 0:15:56.560
<v Speaker 1>treatment and equal rights, and doing so amounts to a

0:15:56.600 --> 0:16:00.800
<v Speaker 1>concession to the mainstream oppressive culture. But Rich doesn't see

0:16:00.840 --> 0:16:03.880
<v Speaker 1>it that way at all. People are bringing their Sunday best.

0:16:04.360 --> 0:16:07.400
<v Speaker 1>That's not trying to ingratiate yourself with the power structure.

0:16:07.800 --> 0:16:10.960
<v Speaker 1>That's a statement of defiance. That's a statement of opposition.

0:16:11.000 --> 0:16:23.200
<v Speaker 1>It's a demand for dignity. I published a picture of

0:16:23.280 --> 0:16:27.880
<v Speaker 1>myself running in a beautiful street in London, filling the

0:16:27.920 --> 0:16:32.240
<v Speaker 1>wind in my hair. That is Massy Elena Jade. She's

0:16:33.040 --> 0:16:35.440
<v Speaker 1>actually she's the last person to need someone else to

0:16:35.440 --> 0:16:40.840
<v Speaker 1>introduce her. Okay, get hi, this is Massy. I'm from Iran.

0:16:41.080 --> 0:16:45.800
<v Speaker 1>I'm a journalist, I'm a campaigner, but mostly I'm a

0:16:45.840 --> 0:16:50.680
<v Speaker 1>troublemaker for my government. I'm a badass. Massey is also

0:16:50.760 --> 0:16:54.120
<v Speaker 1>something of an online phenom. She's got millions of followers,

0:16:54.560 --> 0:16:56.880
<v Speaker 1>and that photo she mentioned of her running in London

0:16:57.200 --> 0:17:00.560
<v Speaker 1>started a massive movement. And that shot, taken in two

0:17:00.600 --> 0:17:04.960
<v Speaker 1>thousand fourteen, Massey's wearing an orange jacket, jeans, a toothy smile,

0:17:05.400 --> 0:17:08.400
<v Speaker 1>and her long dark hairs like flipped up behind her,

0:17:08.560 --> 0:17:12.320
<v Speaker 1>still airborne as she descends from a bouncing step. When

0:17:12.320 --> 0:17:16.600
<v Speaker 1>she posted this photo, women back in Iran left heartsick comments.

0:17:16.800 --> 0:17:20.600
<v Speaker 1>They were envious of the freedom the Iranian government requires

0:17:20.600 --> 0:17:23.560
<v Speaker 1>women by law to wear. His job and just a

0:17:23.640 --> 0:17:27.320
<v Speaker 1>refresher here on terms. When I say he job, it

0:17:27.400 --> 0:17:31.640
<v Speaker 1>means that you have to cover your hair in all

0:17:31.760 --> 0:17:35.639
<v Speaker 1>your body. According to shah Yah Law and Chajury is

0:17:35.720 --> 0:17:40.080
<v Speaker 1>more strict version of his job, it means that sometimes

0:17:40.119 --> 0:17:45.479
<v Speaker 1>you have to cover your face as well. Touched by

0:17:45.480 --> 0:17:49.000
<v Speaker 1>the feedback she received, Massey posted an even more daring photo.

0:17:49.560 --> 0:17:52.199
<v Speaker 1>This one had been taken in Iran, where she had

0:17:52.240 --> 0:17:55.120
<v Speaker 1>removed her her job in direct defiance of the dress code.

0:17:55.760 --> 0:18:00.320
<v Speaker 1>This snapshot sparked a firestorm. Other women took similar potos

0:18:00.359 --> 0:18:02.760
<v Speaker 1>and sent them to Massey to share, and soon she

0:18:02.920 --> 0:18:06.160
<v Speaker 1>was buried in photographs. She uses these images to call

0:18:06.200 --> 0:18:08.760
<v Speaker 1>attention to the plight of women living under the Islamic

0:18:08.800 --> 0:18:12.720
<v Speaker 1>Republic of Iran. You've talked about the dress code as

0:18:12.760 --> 0:18:17.280
<v Speaker 1>the most visible symbol of oppression. Can you explain why

0:18:17.359 --> 0:18:21.280
<v Speaker 1>you think that it's so important to this government. Look,

0:18:21.800 --> 0:18:24.400
<v Speaker 1>I'm gonna just ask a simple question. When you go

0:18:24.560 --> 0:18:28.000
<v Speaker 1>to my beautiful country, Iran, how are you gonna understand

0:18:28.440 --> 0:18:33.080
<v Speaker 1>that this is Islamic country through us, through women? Because

0:18:33.080 --> 0:18:37.000
<v Speaker 1>we are the one that we carry the most visible

0:18:37.600 --> 0:18:43.200
<v Speaker 1>symbol of Islamic republic. So basically, when Islamics take over

0:18:43.560 --> 0:18:46.920
<v Speaker 1>the regime, the first thing that they do they write

0:18:47.240 --> 0:18:52.679
<v Speaker 1>their ideology on our bodies. Massey, We've been talking about

0:18:52.800 --> 0:18:55.920
<v Speaker 1>the compulsory hid job policies, but obviously there are women

0:18:56.000 --> 0:19:00.320
<v Speaker 1>who choose to wear the garment of their own volition. Right, Look,

0:19:00.400 --> 0:19:03.720
<v Speaker 1>I'm gonna actually make it clear that my dream is

0:19:03.760 --> 0:19:08.399
<v Speaker 1>to walk shoulder to shoulder with my mother, who wears

0:19:08.520 --> 0:19:15.479
<v Speaker 1>hitch ab in Iran, in in the West, without being

0:19:15.640 --> 0:19:18.879
<v Speaker 1>forced both of us to take it off or to

0:19:18.960 --> 0:19:22.680
<v Speaker 1>put it on. That's it. I mean, both of us

0:19:22.880 --> 0:19:25.159
<v Speaker 1>want to be our true soul. We don't want anyone

0:19:25.160 --> 0:19:29.520
<v Speaker 1>else to make decision over our own bodies. In Western countries,

0:19:29.600 --> 0:19:33.080
<v Speaker 1>women are sometimes harassed for wearing clothing that isn't secular enough,

0:19:33.560 --> 0:19:36.720
<v Speaker 1>and a lot of European nations have formally restricted women's

0:19:36.720 --> 0:19:40.480
<v Speaker 1>head coverings. A woman's agency is hemmed in on both

0:19:40.520 --> 0:19:45.000
<v Speaker 1>sides of this debate, given that so many fundamental freedoms

0:19:45.040 --> 0:19:48.560
<v Speaker 1>are restricted in Iran, like female vocalists can't sing a

0:19:48.600 --> 0:19:51.760
<v Speaker 1>solo for a mixed audience, married women can't obtain a

0:19:51.800 --> 0:19:56.680
<v Speaker 1>passport without their husband's permission. People sometimes ask Massey why

0:19:56.760 --> 0:19:59.040
<v Speaker 1>focus so much on the dress code part of it.

0:19:59.320 --> 0:20:02.480
<v Speaker 1>If you don't wear a job from the age of seven,

0:20:02.800 --> 0:20:05.240
<v Speaker 1>you won't be able to go to school. You won't

0:20:05.240 --> 0:20:07.719
<v Speaker 1>be able to go to university, you won't be able

0:20:08.040 --> 0:20:12.200
<v Speaker 1>to get any kind of like driving license, not at all.

0:20:13.000 --> 0:20:16.720
<v Speaker 1>If you say no to compose your job, you won't exist.

0:20:17.240 --> 0:20:21.480
<v Speaker 1>And that is why for US women, it's not about

0:20:21.640 --> 0:20:25.800
<v Speaker 1>small piece of cloud. It's like the Berlin Wall. You know,

0:20:26.080 --> 0:20:28.080
<v Speaker 1>when we are fighting against it, it means that we

0:20:28.160 --> 0:20:31.440
<v Speaker 1>want to turn this world down, then the rest will

0:20:31.480 --> 0:20:35.440
<v Speaker 1>get easier. For Massey, freedom of dress is very much

0:20:35.480 --> 0:20:38.320
<v Speaker 1>related to freedom of thought. When I live in a

0:20:38.359 --> 0:20:42.840
<v Speaker 1>country that the regime do not allow me to choose

0:20:42.880 --> 0:20:46.439
<v Speaker 1>what I put on my head, the same regime won't

0:20:46.600 --> 0:20:51.040
<v Speaker 1>allow me to control what's going on inside my head.

0:20:51.720 --> 0:20:55.040
<v Speaker 1>Massey now lives in the US. In interviews, she often

0:20:55.040 --> 0:20:57.720
<v Speaker 1>wears a white and yellow flower pinned above her left ear,

0:20:58.240 --> 0:21:01.880
<v Speaker 1>and she comes off as comfortable, self assured, but her

0:21:01.920 --> 0:21:08.480
<v Speaker 1>personal choices have had serious ramifications, even within her own family. Yes,

0:21:08.880 --> 0:21:12.240
<v Speaker 1>my mom wears his job, but my mom is a

0:21:12.280 --> 0:21:15.360
<v Speaker 1>woman who is not forcing other women to wear hedge job.

0:21:15.840 --> 0:21:20.240
<v Speaker 1>My sister is my sister like was forcing me and

0:21:20.760 --> 0:21:23.760
<v Speaker 1>other women to wear a hedge job because she was

0:21:24.280 --> 0:21:28.280
<v Speaker 1>educated by the system that you have to take other

0:21:28.280 --> 0:21:31.320
<v Speaker 1>women to have and by force, and she sees it.

0:21:31.560 --> 0:21:34.840
<v Speaker 1>Massey had to fight to reclaim her personal freedom, first

0:21:34.880 --> 0:21:38.199
<v Speaker 1>from her family, then from society and eventually from the

0:21:38.240 --> 0:21:42.159
<v Speaker 1>government and others have paid for it to the regime

0:21:42.160 --> 0:21:46.919
<v Speaker 1>actually went after my family arrested, my brother, intrigated, my

0:21:47.000 --> 0:21:50.160
<v Speaker 1>mother brought my sister on TV to disowned me publicly.

0:21:50.760 --> 0:21:54.560
<v Speaker 1>You know that shows that how they're scared of our revolution.

0:21:55.560 --> 0:21:58.399
<v Speaker 1>These women who send videos to me are going in

0:21:58.520 --> 0:22:01.919
<v Speaker 1>public protesting against the post to your job. They know

0:22:02.000 --> 0:22:05.159
<v Speaker 1>about the risk, they know that this is going to

0:22:05.240 --> 0:22:08.720
<v Speaker 1>be punishable by the regime. One of the women is

0:22:08.920 --> 0:22:13.119
<v Speaker 1>only twenty years old, Saba. She received twenty four years

0:22:13.160 --> 0:22:17.600
<v Speaker 1>prison sentence, more than her age. Another woman, Yos a man,

0:22:18.280 --> 0:22:21.119
<v Speaker 1>she's only twenty two years old and she received sixteen

0:22:21.200 --> 0:22:23.840
<v Speaker 1>years prison sentence. And I remember the day when I

0:22:23.920 --> 0:22:28.200
<v Speaker 1>heard that, I felt guilty. I was like, what I'm

0:22:28.200 --> 0:22:31.760
<v Speaker 1>gonna do, I'm gonna shut down this campaign. But what

0:22:31.920 --> 0:22:37.280
<v Speaker 1>happened immediately their mothers joined the campaign. Their mother has

0:22:37.280 --> 0:22:39.760
<v Speaker 1>actually made a video on saying that now we are

0:22:39.840 --> 0:22:44.040
<v Speaker 1>the voice of our daughters. And to me, these women

0:22:44.080 --> 0:22:47.520
<v Speaker 1>are like Rosa parks Off Iran what Rosa Parks did

0:22:48.280 --> 0:22:51.440
<v Speaker 1>is an example for us because now we are suffering

0:22:51.480 --> 0:22:55.840
<v Speaker 1>from gender apartheid. When Afghanistan fell to Taliban forces in

0:22:57.160 --> 0:23:00.800
<v Speaker 1>Massey started receiving images and videos from again women too,

0:23:01.320 --> 0:23:04.680
<v Speaker 1>bearing their hair or wearing white to protest mandatory dress

0:23:04.680 --> 0:23:07.800
<v Speaker 1>codes of the new regime. Women of Iran and Afghanistan

0:23:08.040 --> 0:23:11.080
<v Speaker 1>are the same. They don't want to be victims. They

0:23:11.119 --> 0:23:14.800
<v Speaker 1>became warriors. They are not waiting for someone to go

0:23:14.840 --> 0:23:18.719
<v Speaker 1>and save them. They want to save themselves. When you

0:23:18.760 --> 0:23:20.879
<v Speaker 1>wake up in the morning and you look in the

0:23:20.920 --> 0:23:24.639
<v Speaker 1>mirror and you get dressed, are you doing so with

0:23:24.680 --> 0:23:28.760
<v Speaker 1>an awareness or a solemnity or a gratitude because of

0:23:28.800 --> 0:23:31.679
<v Speaker 1>the life that you've lived before where you didn't have

0:23:31.760 --> 0:23:35.320
<v Speaker 1>the freedom to adorn your own body. That's such an

0:23:35.359 --> 0:23:39.719
<v Speaker 1>amazing question, and I'm going to be very honest with you. Um. Actually,

0:23:39.800 --> 0:23:43.159
<v Speaker 1>my husband is listening now. Every morning when I wake up,

0:23:43.200 --> 0:23:45.160
<v Speaker 1>when I see myself in the mirror, I say, oh,

0:23:45.200 --> 0:23:48.840
<v Speaker 1>my God, you have such a beautiful wife. Look at me.

0:23:48.880 --> 0:23:58.639
<v Speaker 1>I'm so beautiful. I grew up in the States relatively

0:23:58.640 --> 0:24:01.040
<v Speaker 1>free to dress as I liked and pursue a career

0:24:01.080 --> 0:24:03.639
<v Speaker 1>in music, But in my early days as a rapper.

0:24:04.080 --> 0:24:07.080
<v Speaker 1>I was so afraid of being accused of leveraging sex

0:24:07.080 --> 0:24:10.639
<v Speaker 1>appeal to get the job that I wore oversized men's

0:24:10.680 --> 0:24:14.480
<v Speaker 1>athletic wear on stage, like baggy hoodies, beat up sneakers,

0:24:14.880 --> 0:24:17.800
<v Speaker 1>and I didn't care much about fashion. A certain aloofness

0:24:17.800 --> 0:24:20.199
<v Speaker 1>about clothing was almost a way to signal I was

0:24:20.240 --> 0:24:23.680
<v Speaker 1>too busy being a serious artist. It's uh, it's sort

0:24:23.680 --> 0:24:26.680
<v Speaker 1>of like the humble brag of announcing, oh, I don't

0:24:26.720 --> 0:24:30.600
<v Speaker 1>have a TV. But fashion isn't something that you can

0:24:30.640 --> 0:24:32.679
<v Speaker 1>opt out of the way that you can dancing with

0:24:32.720 --> 0:24:35.920
<v Speaker 1>the stars. Even going naked would amount to a fashion statement.

0:24:36.400 --> 0:24:40.879
<v Speaker 1>Dress codes reinforce group membership, you know, like we're amish,

0:24:40.920 --> 0:24:44.840
<v Speaker 1>we're nurses, were straight edge, punks, were golfers. Clothing signals

0:24:45.280 --> 0:24:50.760
<v Speaker 1>or challenges our social identities and our status. It's powerful stuff. Man.

0:24:51.600 --> 0:24:54.720
<v Speaker 1>Fashion is important enough to society for governments around the

0:24:54.760 --> 0:24:57.600
<v Speaker 1>world to get involved. A few hundred years after Queen

0:24:57.640 --> 0:25:00.800
<v Speaker 1>Elizabeth the First proclaimed that per silk was for the

0:25:00.840 --> 0:25:04.560
<v Speaker 1>nobility alone, President Barack Obama asked young black men in

0:25:04.600 --> 0:25:08.200
<v Speaker 1>America to pull up their pants. We care about what

0:25:08.240 --> 0:25:11.480
<v Speaker 1>we wear and what others were because it's shorthand to

0:25:11.560 --> 0:25:14.240
<v Speaker 1>understand how we relate to one another. And if there's

0:25:14.320 --> 0:25:19.560
<v Speaker 1>one thing that remains endlessly, desperately fascinating to humans, it

0:25:19.680 --> 0:25:24.080
<v Speaker 1>is other humans. All right, Well, I change out of

0:25:24.080 --> 0:25:29.320
<v Speaker 1>my podcast finery Man Bandaliers is itchy. Richard was kind

0:25:29.440 --> 0:25:31.800
<v Speaker 1>enough to indulge me in a little lightning round on

0:25:31.880 --> 0:25:39.480
<v Speaker 1>his own personal style. Do you own crocs? Crocs? No? No?

0:25:39.640 --> 0:25:42.840
<v Speaker 1>What do you think about adults in onesies? No? No, nope,

0:25:43.640 --> 0:25:48.240
<v Speaker 1>unless it's Sean Connery and gold figure suits with tennis shoes. Yes,

0:25:48.760 --> 0:25:51.919
<v Speaker 1>but I don't think you mean that at all. Camouflage

0:25:52.119 --> 0:25:57.320
<v Speaker 1>in urban environments not for me and secretly not for

0:25:57.400 --> 0:26:11.240
<v Speaker 1>anyone else. Deeply Human is a BBC World Service in

0:26:11.280 --> 0:26:14.639
<v Speaker 1>American public media co production with I Heart Media, and

0:26:14.720 --> 0:26:18.800
<v Speaker 1>it's hosted by Mesa. Find me online at Dessa on

0:26:18.880 --> 0:26:22.760
<v Speaker 1>Instagram and Dessa Darling on Twitter. See you next cast.

0:26:34.840 --> 0:26:38.439
<v Speaker 1>A crowd of people can feel electric. Everybody plugged into

0:26:38.480 --> 0:26:43.359
<v Speaker 1>some shared circuit. Feelings are amplified, Voices rise together, body

0:26:43.440 --> 0:26:47.080
<v Speaker 1>movement sync up Next time on deeply Human. Why do

0:26:47.240 --> 0:26:48.159
<v Speaker 1>crowds move you