1 00:00:00,320 --> 00:00:09,520 Speaker 1: Forever. Look man, oh I see you. Why look over there? 2 00:00:09,560 --> 00:00:16,680 Speaker 1: How is that culture? Yes, goodness, let's ding dong or 3 00:00:16,720 --> 00:00:22,000 Speaker 1: shall we say bonjourdong, which is of course the French 4 00:00:22,040 --> 00:00:24,040 Speaker 1: way to say, well, yeah, I guess I was gonna 5 00:00:24,079 --> 00:00:27,560 Speaker 1: say it's tuk tuk, but that's knock knock, which is 6 00:00:27,560 --> 00:00:30,120 Speaker 1: different than ding dong. Well, it's often, you know, and 7 00:00:30,160 --> 00:00:32,760 Speaker 1: when songs get translated from other languages, you don't get 8 00:00:32,800 --> 00:00:36,279 Speaker 1: the exact word. So I'm sure that if we were 9 00:00:36,320 --> 00:00:39,520 Speaker 1: to go up to France or up to Montreal again, 10 00:00:39,680 --> 00:00:45,400 Speaker 1: we might even think to begin the podcast. Yeah, yeah, yeah, yeah, 11 00:00:46,040 --> 00:00:48,400 Speaker 1: the way we do it absolutely. So it's just Matt 12 00:00:48,400 --> 00:00:50,240 Speaker 1: and I in the studio for now, but we're about 13 00:00:50,280 --> 00:00:52,320 Speaker 1: to go into our live episode that we recorded at 14 00:00:52,400 --> 00:00:55,880 Speaker 1: Just for Laughs, just this past weekend, which is the 15 00:00:55,960 --> 00:00:59,279 Speaker 1: reason for all the friendship, for all the friendship of course, yes, 16 00:00:59,360 --> 00:01:02,880 Speaker 1: that's the reason. Um, So we just we had a 17 00:01:02,880 --> 00:01:05,039 Speaker 1: great time there. We performed a diva's version of I 18 00:01:05,040 --> 00:01:07,920 Speaker 1: don't Think so, honey. It was truly phenomenal. We opened 19 00:01:07,959 --> 00:01:09,840 Speaker 1: with that's the way it is by Celine Dion. We 20 00:01:09,920 --> 00:01:11,720 Speaker 1: closed with it's all coming back to me now by 21 00:01:11,760 --> 00:01:14,520 Speaker 1: That's by Celine Dion. Yes. Yes, lots of really really 22 00:01:14,560 --> 00:01:17,400 Speaker 1: fun stuff in that show, truly. And so we had 23 00:01:17,400 --> 00:01:20,480 Speaker 1: booked Duel Say to do our podcast episode just to 24 00:01:20,480 --> 00:01:22,839 Speaker 1: have a normal interview podcast, right, one of the regular 25 00:01:22,880 --> 00:01:28,640 Speaker 1: interviews podcast episodes. But this thing went down at the festival, Matt, 26 00:01:28,680 --> 00:01:30,800 Speaker 1: you want to just preface it a little bite, yes, okay, 27 00:01:30,840 --> 00:01:34,720 Speaker 1: So dul Say, along with Jabuki Young White, Jil Kim Booster, 28 00:01:34,840 --> 00:01:40,360 Speaker 1: Amanda Seals, so many amazing Torres, Taylor, Tomlinson, lots and 29 00:01:40,400 --> 00:01:43,000 Speaker 1: lots of amazing people were all named as a variety 30 00:01:43,480 --> 00:01:45,920 Speaker 1: comics to watch. They picked ten people that are going 31 00:01:45,959 --> 00:01:48,440 Speaker 1: to be rising comics to watch, and a little bit 32 00:01:48,600 --> 00:01:52,880 Speaker 1: of drama went down when they all got together in 33 00:01:52,920 --> 00:01:58,040 Speaker 1: the panel that was preceding the performance. I guess they 34 00:01:58,320 --> 00:02:00,920 Speaker 1: chose this one guy who you may have heard about now. 35 00:02:00,960 --> 00:02:04,120 Speaker 1: His name is um Darren Knight. He goes by a 36 00:02:04,720 --> 00:02:08,040 Speaker 1: uh largely he performs as a character called Southern Mama, 37 00:02:08,240 --> 00:02:11,880 Speaker 1: which is like pseudonym character Southern Moment, and he's very 38 00:02:11,919 --> 00:02:15,399 Speaker 1: popular on YouTube. We hear and he has a very 39 00:02:15,800 --> 00:02:20,280 Speaker 1: uh let's say just read state fan base, Yeah, I 40 00:02:20,320 --> 00:02:23,720 Speaker 1: would say, And you know, speculation as to why he 41 00:02:23,760 --> 00:02:26,360 Speaker 1: was even chosen for this. Apparently they always try to, 42 00:02:26,960 --> 00:02:32,639 Speaker 1: you know, and also like involve social media quote unquote 43 00:02:32,639 --> 00:02:36,280 Speaker 1: comedians because in today's age, you know, you can't just 44 00:02:36,360 --> 00:02:38,799 Speaker 1: ignore the fact that they have tons of fans, and 45 00:02:39,160 --> 00:02:41,640 Speaker 1: you know, you do have to acknowledge the fact that 46 00:02:41,680 --> 00:02:43,800 Speaker 1: a lot of content is being consumed online and that 47 00:02:43,840 --> 00:02:46,400 Speaker 1: means it's solely being created online. So I guess that 48 00:02:46,480 --> 00:02:50,000 Speaker 1: was the point of view on involving someone like this 49 00:02:50,120 --> 00:02:54,000 Speaker 1: in the festival. However, it turned out that he not 50 00:02:54,080 --> 00:02:58,720 Speaker 1: only cannot perform live, but he has also has some 51 00:02:59,040 --> 00:03:02,040 Speaker 1: ideals and leiefs that really don't belong on the stage 52 00:03:02,080 --> 00:03:04,840 Speaker 1: at all and don't deserve a platform now. So basically 53 00:03:04,880 --> 00:03:07,080 Speaker 1: what happened at the panel just for context, just because 54 00:03:07,120 --> 00:03:10,639 Speaker 1: this will just inform everything that eventually gets talked about 55 00:03:10,680 --> 00:03:15,600 Speaker 1: in the podcast. Um he his manager enters the backstage 56 00:03:15,600 --> 00:03:19,200 Speaker 1: area of the panel, starts sort of accosting and interrogating 57 00:03:19,639 --> 00:03:22,680 Speaker 1: some of the the other people, like duels, say about 58 00:03:22,720 --> 00:03:26,040 Speaker 1: their social media followings, like, uh, that doesn't really matter 59 00:03:26,080 --> 00:03:28,959 Speaker 1: to me, I'm on TV, I'm fine. Manager walks out. 60 00:03:29,160 --> 00:03:33,000 Speaker 1: Darren Southern Mama comes back in says what the funk was? 61 00:03:33,040 --> 00:03:36,960 Speaker 1: That this is also this is loose quote you guys. 62 00:03:36,960 --> 00:03:39,080 Speaker 1: I mean we weren't there. We heard from second tources. 63 00:03:39,120 --> 00:03:42,680 Speaker 1: But there was an altercation before the panel that was 64 00:03:42,760 --> 00:03:45,360 Speaker 1: just like totally unnecessary that just carried over into the 65 00:03:45,360 --> 00:03:48,880 Speaker 1: actual panel when Southern Mama said something to the effect 66 00:03:48,880 --> 00:03:51,720 Speaker 1: of race has no place in comedy. There should know 67 00:03:51,920 --> 00:03:55,160 Speaker 1: there should be no commentary of that sort in comedic performance. 68 00:03:55,640 --> 00:03:59,560 Speaker 1: Panel with almost all POC comedians and queer comedians including 69 00:03:59,600 --> 00:04:02,120 Speaker 1: Julio and Chebooky and Joel, so they sort of all 70 00:04:02,480 --> 00:04:07,200 Speaker 1: openly said rebuked that. Uh. And then that night was 71 00:04:07,240 --> 00:04:09,560 Speaker 1: the actual showcase where they all did stand up sets 72 00:04:09,600 --> 00:04:14,440 Speaker 1: and Matt and I got to go um and everyone crushed, crushed, 73 00:04:14,560 --> 00:04:17,159 Speaker 1: killed it. I mean they all they had such amazing sets. 74 00:04:17,160 --> 00:04:20,919 Speaker 1: It was such an exciting night up until up until 75 00:04:21,080 --> 00:04:23,360 Speaker 1: I was so exciting to watch this guy fucking each ship. 76 00:04:23,480 --> 00:04:26,080 Speaker 1: Well yeah, and so he basically with all the drama 77 00:04:26,080 --> 00:04:29,720 Speaker 1: that surrounded the panel, Uh, Southern Mamma was sort of 78 00:04:29,760 --> 00:04:32,240 Speaker 1: se question in his own green room to not have 79 00:04:32,279 --> 00:04:37,000 Speaker 1: any sort of interfacing interactions with the rest of the comics. Uh. 80 00:04:37,040 --> 00:04:39,799 Speaker 1: And then he had the he was given the option 81 00:04:39,839 --> 00:04:43,839 Speaker 1: to not perform, according to our sources, Joel um he 82 00:04:43,880 --> 00:04:45,919 Speaker 1: was given the option. The YouTubers have the option to 83 00:04:45,960 --> 00:04:48,479 Speaker 1: not perform at the showcase live, and yet Darren Knight 84 00:04:48,560 --> 00:04:53,440 Speaker 1: still opted into performing. So everyone crushes. Joel finishes his set, 85 00:04:53,480 --> 00:04:56,479 Speaker 1: does amazing, and then Darren Knight comes on. Chris Red's 86 00:04:56,480 --> 00:04:58,440 Speaker 1: hosting this whole thing. Chris Red brings Darren Knight on. 87 00:04:59,760 --> 00:05:05,919 Speaker 1: Dar Or Night just spends the first five minutes just apologizing, saying, 88 00:05:05,960 --> 00:05:08,880 Speaker 1: I'm so nervous, does not remember the name of the festival. 89 00:05:08,880 --> 00:05:10,560 Speaker 1: He says, thank you, thanks you all so much, to 90 00:05:10,800 --> 00:05:13,039 Speaker 1: thanks so much to laugh it was it laughs, and 91 00:05:13,080 --> 00:05:15,720 Speaker 1: people are like, and then I'm thinking to myself, I 92 00:05:15,720 --> 00:05:17,200 Speaker 1: don't know what you thought, but maybe this is some 93 00:05:17,240 --> 00:05:21,440 Speaker 1: sort of antide comedy or whatever bullshit, like, you know, 94 00:05:21,600 --> 00:05:24,920 Speaker 1: like some sort of like roundabout way of getting to 95 00:05:25,080 --> 00:05:29,640 Speaker 1: age comedy element in the But then it kind of 96 00:05:29,680 --> 00:05:32,479 Speaker 1: just became clear, like we're sitting in the room, in 97 00:05:32,480 --> 00:05:35,960 Speaker 1: this room with one of the masters, Brett Davis, the 98 00:05:36,000 --> 00:05:38,359 Speaker 1: coffin Asque masters of this kind of but this was 99 00:05:38,400 --> 00:05:40,159 Speaker 1: this was not what was happening. It was not that 100 00:05:40,279 --> 00:05:43,400 Speaker 1: um so basically, uh, he eventually does like I guess 101 00:05:43,440 --> 00:05:45,640 Speaker 1: five or so minutes of does anyone ever have to 102 00:05:45,720 --> 00:05:48,400 Speaker 1: ship humor? And it was I guess, you know, maybe 103 00:05:48,400 --> 00:05:50,000 Speaker 1: funny for some people in the middle of the country. 104 00:05:50,000 --> 00:05:52,400 Speaker 1: I'm not going to sit here and attack the comedic 105 00:05:52,480 --> 00:05:56,839 Speaker 1: taste of people who like bad ship, right, but you 106 00:05:56,839 --> 00:05:59,040 Speaker 1: know what it was, it was awful and it was 107 00:05:59,080 --> 00:06:01,000 Speaker 1: like people, there was no it was just a stream 108 00:06:01,040 --> 00:06:07,640 Speaker 1: of consciousness, just nonsense. And then so then he bombs 109 00:06:07,680 --> 00:06:09,599 Speaker 1: the whole time, and then he ends his step by saying, 110 00:06:10,040 --> 00:06:11,400 Speaker 1: I just want to thank you all so much for 111 00:06:11,480 --> 00:06:13,360 Speaker 1: having me. By the way, I want to say that 112 00:06:13,480 --> 00:06:16,920 Speaker 1: race and sexuality have no place in comedy. People aren't 113 00:06:16,920 --> 00:06:19,880 Speaker 1: paying to see that ship, at which point everyone in 114 00:06:19,920 --> 00:06:25,160 Speaker 1: the audience, just especially in our area, started booing him. 115 00:06:25,200 --> 00:06:26,960 Speaker 1: And I have never brewed someone off. Never, I've never 116 00:06:27,000 --> 00:06:30,880 Speaker 1: felt the instinct to have to encourage someone off the 117 00:06:30,920 --> 00:06:34,800 Speaker 1: STI it was just like it was so egregious, like 118 00:06:34,880 --> 00:06:37,760 Speaker 1: it was such a display blatantly of racism. And what 119 00:06:37,800 --> 00:06:41,680 Speaker 1: I've been saying too is like god fucking damn it, 120 00:06:41,760 --> 00:06:45,560 Speaker 1: like this year, like all all years, like of course, 121 00:06:45,720 --> 00:06:48,200 Speaker 1: like we'd send up our best, you know what I mean, 122 00:06:48,279 --> 00:06:51,280 Speaker 1: quote unquote, and then that's going to be it just 123 00:06:51,320 --> 00:06:54,560 Speaker 1: takes the conversation away from all the amazing comics who 124 00:06:54,600 --> 00:06:59,120 Speaker 1: crushed and who then received him when he came off stage. 125 00:06:59,600 --> 00:07:02,159 Speaker 1: And then I guess we'll kind of let dul Say 126 00:07:02,400 --> 00:07:04,960 Speaker 1: get into that. But she does discuss it in her 127 00:07:05,000 --> 00:07:06,719 Speaker 1: I don't think so honey later and it was truly 128 00:07:06,760 --> 00:07:08,320 Speaker 1: and I don't think so honey moment. It was an 129 00:07:08,360 --> 00:07:11,440 Speaker 1: unprecedent and think so honey clocking in at four minutes 130 00:07:11,480 --> 00:07:14,280 Speaker 1: and twenty seconds just by coincidence. But we let her 131 00:07:14,320 --> 00:07:17,280 Speaker 1: go because, you know, we didn't want to push for 132 00:07:17,880 --> 00:07:20,240 Speaker 1: the t about this because she probably had been asked 133 00:07:20,560 --> 00:07:24,120 Speaker 1: so many this was this was the we we got 134 00:07:24,120 --> 00:07:26,400 Speaker 1: her interview. She came on the day of this, all 135 00:07:26,400 --> 00:07:28,680 Speaker 1: blowing up like the morning after, so she had just 136 00:07:28,720 --> 00:07:31,200 Speaker 1: been hounded by everybody. Um a man who steals posted 137 00:07:31,200 --> 00:07:33,400 Speaker 1: it to her Instagram story. Her following sort of jumped 138 00:07:33,400 --> 00:07:36,320 Speaker 1: all over it, so she was a little you know, 139 00:07:36,320 --> 00:07:38,720 Speaker 1: we weren't sure whether or not to like, we weren't 140 00:07:38,720 --> 00:07:41,239 Speaker 1: sure how to gage that, so we just didn't really 141 00:07:41,520 --> 00:07:43,280 Speaker 1: bring that up until she did at the very end 142 00:07:43,280 --> 00:07:44,480 Speaker 1: and her I don't think so many, But we have 143 00:07:44,520 --> 00:07:46,960 Speaker 1: a great conversation. We have an awesome conversation with her. 144 00:07:47,160 --> 00:07:52,360 Speaker 1: Ums very true nerd queen. Oh she's sci fi. Sci 145 00:07:52,400 --> 00:07:56,080 Speaker 1: fi was her dress? Source arrest, come address, there you go, 146 00:07:56,320 --> 00:07:58,920 Speaker 1: And I am very excited to share this episode. She's 147 00:07:58,960 --> 00:08:01,760 Speaker 1: delightful we get into drag. She's a big super fan. Yes, 148 00:08:01,800 --> 00:08:03,360 Speaker 1: but we wanted to make sure that you guys knew 149 00:08:03,360 --> 00:08:06,200 Speaker 1: the t on this whole Southern Ama situation because we 150 00:08:06,200 --> 00:08:08,680 Speaker 1: were there and um, you know, it gets addressed later 151 00:08:08,720 --> 00:08:10,680 Speaker 1: on in the episode kind of like familiarly because I 152 00:08:10,680 --> 00:08:13,480 Speaker 1: think everyone in the audience was very aware of the situation. Yes, 153 00:08:13,680 --> 00:08:15,560 Speaker 1: but it kind of blew up on social media, so 154 00:08:15,600 --> 00:08:17,520 Speaker 1: you may be aware of it, you may not, but 155 00:08:17,640 --> 00:08:19,800 Speaker 1: that's what happened. That's why Wynn jail. But we are 156 00:08:19,880 --> 00:08:21,680 Speaker 1: so so so happy with this episode. We hope you 157 00:08:21,760 --> 00:08:24,440 Speaker 1: enjoyed as much as we uh did uh And if 158 00:08:24,480 --> 00:08:27,040 Speaker 1: you came out to see it while you were in Montreal, 159 00:08:27,160 --> 00:08:29,000 Speaker 1: are all our friends up there in Montreal, Thank you 160 00:08:29,040 --> 00:08:35,680 Speaker 1: for coming, Thank you for enjoying. Alright, bye, last culture 161 00:08:35,760 --> 00:08:39,680 Speaker 1: Races because we have to do it because it's being 162 00:08:39,720 --> 00:08:43,880 Speaker 1: recorded for for the pod so for posterity. So um, 163 00:08:43,880 --> 00:08:46,320 Speaker 1: this is fun, Like you know, many people will listen 164 00:08:46,360 --> 00:08:50,040 Speaker 1: to this, but many in this moment, we're all dressed exactly, 165 00:08:50,200 --> 00:08:52,560 Speaker 1: And how are we all doing tonight? All right, we're good, 166 00:08:53,080 --> 00:08:56,040 Speaker 1: this afternoon great. I want to give some insights on 167 00:08:56,120 --> 00:08:58,520 Speaker 1: behind the scenes to Usually what happens is Bowen. We'll 168 00:08:58,559 --> 00:09:00,240 Speaker 1: sit down and looked me dead in the eyes and 169 00:09:00,280 --> 00:09:03,640 Speaker 1: he'll say three to one. So it's usually not that chaotic. 170 00:09:04,240 --> 00:09:09,000 Speaker 1: Usually it's very clean. Um, okay, can I see these shirts? 171 00:09:09,400 --> 00:09:13,199 Speaker 1: I'm very happy, wonderful. This is a good Um. This 172 00:09:13,240 --> 00:09:17,600 Speaker 1: is a gay shirt. It's in the same neighborhood. Yeah, yeah, 173 00:09:17,640 --> 00:09:21,920 Speaker 1: this is Um, this is like a like god pan 174 00:09:22,040 --> 00:09:26,200 Speaker 1: sexual architect. I love that. That's you in a way 175 00:09:26,600 --> 00:09:28,240 Speaker 1: a little bit. What would you how would you break 176 00:09:28,240 --> 00:09:29,959 Speaker 1: this down besides just get does I want to be 177 00:09:30,040 --> 00:09:33,160 Speaker 1: more dynamic than that even if I'm not? Yeah yeah yeah, Um, 178 00:09:33,200 --> 00:09:36,400 Speaker 1: like gay guy on an acid trip closing his eyes 179 00:09:36,440 --> 00:09:38,000 Speaker 1: and that's what he sees. And then he was like, 180 00:09:38,040 --> 00:09:41,400 Speaker 1: I'll print that on a shirt and and there it is. 181 00:09:41,559 --> 00:09:44,000 Speaker 1: I love it. Okay. Um. Anyway, we're so happy to 182 00:09:44,040 --> 00:09:50,280 Speaker 1: be here in Montreal. How is everybody asked? Great? We 183 00:09:50,360 --> 00:09:52,400 Speaker 1: have Um, It's it's weird for me because I grew 184 00:09:52,480 --> 00:09:55,760 Speaker 1: up here it's weird. It's true. I grew up in Plassa, 185 00:09:56,640 --> 00:09:58,960 Speaker 1: Yeah I did. And then I grew up in Plassa. 186 00:09:59,080 --> 00:10:02,800 Speaker 1: I spent one year own gay and then I took 187 00:10:02,880 --> 00:10:07,160 Speaker 1: the We would always take the poor chap uh into 188 00:10:08,720 --> 00:10:14,680 Speaker 1: and I had taken all of the last season and 189 00:10:15,920 --> 00:10:18,679 Speaker 1: it was so beautiful. It was so nice. We had 190 00:10:18,679 --> 00:10:23,560 Speaker 1: a lot of that on Long Island too. The I 191 00:10:23,600 --> 00:10:26,360 Speaker 1: can't do the French actent I think you can't, Okay, 192 00:10:26,400 --> 00:10:28,400 Speaker 1: So I've been like dropping little bits of French here 193 00:10:28,400 --> 00:10:30,800 Speaker 1: and there while we've been here. And then Matt, Matt 194 00:10:30,800 --> 00:10:33,719 Speaker 1: will just in a in an effort of one upsmanship. 195 00:10:33,760 --> 00:10:36,679 Speaker 1: I know it's not it's it's want to be participants, okay. 196 00:10:36,679 --> 00:10:39,840 Speaker 1: So then so then Matt will say, manca, what am 197 00:10:39,880 --> 00:10:42,160 Speaker 1: I saying? Okay? So did you say a French word? 198 00:10:42,200 --> 00:10:46,920 Speaker 1: And I'll repeat, let be seen, be seen. But that 199 00:10:47,000 --> 00:10:49,120 Speaker 1: was good, that was good. But then Matt will what 200 00:10:49,160 --> 00:10:51,080 Speaker 1: I was trying to get you to do is um is. 201 00:10:51,120 --> 00:10:54,199 Speaker 1: Matt's been trying this out, this new catchphrase, his French catchphrase. 202 00:10:54,200 --> 00:10:59,600 Speaker 1: He says, just okay, just fee, which is means um, 203 00:10:59,640 --> 00:11:02,760 Speaker 1: I am the little girl. I guess all right, does 204 00:11:02,800 --> 00:11:07,439 Speaker 1: anyone remember the commercial, Yes, thank you, it's the commercial 205 00:11:07,480 --> 00:11:09,040 Speaker 1: with the little girl. It was like a hooked on 206 00:11:09,080 --> 00:11:13,600 Speaker 1: phonics type situation, Muffy. It was a series of tapes 207 00:11:13,800 --> 00:11:16,920 Speaker 1: or audio tapes with I think kids that had difficulties 208 00:11:16,920 --> 00:11:20,480 Speaker 1: in the classroom, because not everyone just soars through, like 209 00:11:20,520 --> 00:11:24,160 Speaker 1: this audience looks like a very smart, armamentary, gifted and 210 00:11:24,200 --> 00:11:26,560 Speaker 1: talented audience, but some kids they need a little bit 211 00:11:26,559 --> 00:11:30,600 Speaker 1: more help. And um this was for language learning. And 212 00:11:30,679 --> 00:11:33,199 Speaker 1: this young girl stepped forward and said just feels and 213 00:11:33,320 --> 00:11:35,840 Speaker 1: feet and then the icon who was that woman who 214 00:11:35,880 --> 00:11:37,840 Speaker 1: we only two of the two of us know, but 215 00:11:37,920 --> 00:11:43,960 Speaker 1: she said, yes, that's friends, she's speaking. This commercial played 216 00:11:43,960 --> 00:11:48,679 Speaker 1: for fifteen years all the time. I'm like Nickelodeon, right 217 00:11:51,440 --> 00:11:54,320 Speaker 1: this American and they would never play this here, so 218 00:11:54,320 --> 00:11:57,280 Speaker 1: I missed that growing up here right right, Yeah, no, 219 00:11:57,360 --> 00:11:59,400 Speaker 1: it's fine. I'm just I love it here though I 220 00:11:59,440 --> 00:12:02,920 Speaker 1: love her to I hated. Yes, we're not going to stay, 221 00:12:03,040 --> 00:12:04,839 Speaker 1: but like we do, like would you like it? I 222 00:12:04,920 --> 00:12:08,040 Speaker 1: like growing up was tough with French Canadian people, but 223 00:12:08,040 --> 00:12:10,760 Speaker 1: they were ultimately very nice, and I think French Canadians 224 00:12:10,760 --> 00:12:14,720 Speaker 1: are like white trash chic, like that's like the vibe 225 00:12:15,000 --> 00:12:18,280 Speaker 1: it's it's so nice. They're a little cold. I will say. 226 00:12:18,320 --> 00:12:21,240 Speaker 1: We just went up there. They're pretty like they're gorgeous 227 00:12:21,240 --> 00:12:24,760 Speaker 1: and gorgeous people, gorgeous and cold, gorgeous clue people. And 228 00:12:24,800 --> 00:12:27,440 Speaker 1: we just were outside because we're gonna do a show later. 229 00:12:27,600 --> 00:12:30,400 Speaker 1: We're gonna do a variant on our I Don't Think 230 00:12:30,400 --> 00:12:33,920 Speaker 1: so Honey Live shows, which is yes, it's gonna be 231 00:12:33,920 --> 00:12:36,440 Speaker 1: called I Don't Think So Honey Diva's Edition. And so 232 00:12:36,480 --> 00:12:38,679 Speaker 1: we're opening the show with the Selindian. So how we're 233 00:12:38,679 --> 00:12:44,360 Speaker 1: gonna sing. That's the way um, and that will be 234 00:12:44,400 --> 00:12:46,320 Speaker 1: the way it is, except probably like a step lower 235 00:12:46,400 --> 00:12:48,400 Speaker 1: because I always start things a little too high. We 236 00:12:48,520 --> 00:12:51,480 Speaker 1: rehearsed to to thirty and it became this impromptu concert 237 00:12:51,559 --> 00:12:54,199 Speaker 1: and a lot of people stayed and like really watched, 238 00:12:54,240 --> 00:12:56,200 Speaker 1: and then we sang in Stoff coming back to me. Now, yeah, 239 00:12:56,240 --> 00:12:58,080 Speaker 1: but we kept I have I kept telling them, telling 240 00:12:58,120 --> 00:12:59,880 Speaker 1: them like, this is just a rehearsal. This is not 241 00:13:00,200 --> 00:13:03,319 Speaker 1: supposed to be inherently funny like those the comedy is. 242 00:13:03,400 --> 00:13:06,120 Speaker 1: It's flanking the actual comedy, which is fine because they 243 00:13:06,160 --> 00:13:09,240 Speaker 1: did not think it was funny anyway. They stood there 244 00:13:09,280 --> 00:13:12,040 Speaker 1: and really just kind of and we were we said 245 00:13:12,120 --> 00:13:13,840 Speaker 1: do you think they almost like do you think they 246 00:13:13,920 --> 00:13:15,000 Speaker 1: enjoyed it? And I was like, I think they were 247 00:13:15,000 --> 00:13:18,760 Speaker 1: a French Canadian. I think they were just like, um, 248 00:13:18,840 --> 00:13:21,400 Speaker 1: just hanging out, just hanging out. The festival has been fun. Um, 249 00:13:21,440 --> 00:13:23,440 Speaker 1: just for a little glimpse into like what it's like 250 00:13:23,480 --> 00:13:27,199 Speaker 1: as performers. Um, you just have the same conversation with 251 00:13:28,120 --> 00:13:31,280 Speaker 1: a million different people. Yeah, industry people. It's it's it's 252 00:13:31,280 --> 00:13:33,720 Speaker 1: a lot of the same cud off fumes together. It's like, um, 253 00:13:35,520 --> 00:13:40,720 Speaker 1: a true TV A P A W. But you know, 254 00:13:41,280 --> 00:13:47,000 Speaker 1: when when did you get in? It's tomorrow, Amanda? You 255 00:13:47,720 --> 00:13:58,960 Speaker 1: mean Amanda, you know I'm going I'm going down there here. 256 00:13:59,559 --> 00:14:02,440 Speaker 1: How is your flight? What is I don't know, okay, 257 00:14:02,440 --> 00:14:04,559 Speaker 1: what is? How is your flight? Like? What are they? 258 00:14:04,559 --> 00:14:07,880 Speaker 1: What is the made it? What's the core of that question? 259 00:14:08,120 --> 00:14:09,959 Speaker 1: I think they want to know. I think when people 260 00:14:10,000 --> 00:14:12,360 Speaker 1: ask how was your flight, they want to know if 261 00:14:12,400 --> 00:14:15,760 Speaker 1: you experience turbulence on the flight, That's what I think 262 00:14:15,800 --> 00:14:18,800 Speaker 1: they're asking. However, my problems with the flight are never turbulence, 263 00:14:18,840 --> 00:14:22,640 Speaker 1: Like I always think you dealized what is that? Well? Actually, wait, 264 00:14:22,800 --> 00:14:24,400 Speaker 1: maybe I mean it's maybe it's gonna be my I 265 00:14:24,440 --> 00:14:28,360 Speaker 1: don't think so funny in just forty minutes. Um, but 266 00:14:28,480 --> 00:14:30,520 Speaker 1: oh wait, you have this funny flight story of this 267 00:14:30,600 --> 00:14:33,640 Speaker 1: woman who oh okay, Yes, there was a woman on 268 00:14:33,680 --> 00:14:35,680 Speaker 1: a flight that I was on and she barked throughout 269 00:14:35,720 --> 00:14:38,600 Speaker 1: the flight like a dog how they bark. This is 270 00:14:38,600 --> 00:14:41,720 Speaker 1: how the woman barked, like rough and I thought that 271 00:14:41,760 --> 00:14:43,600 Speaker 1: was funny. And it's almost like, you know, she probably 272 00:14:43,760 --> 00:14:46,080 Speaker 1: had something wrong with her, and I was like, yeah, 273 00:14:46,080 --> 00:14:47,720 Speaker 1: but it's still funny that a woman was barking on 274 00:14:47,760 --> 00:14:50,400 Speaker 1: a plane. Like I'm sorry, I'm always gonna laugh at 275 00:14:50,400 --> 00:14:52,480 Speaker 1: a woman barking on a flight like it could be 276 00:14:52,480 --> 00:14:54,720 Speaker 1: a disease. I do think it's funny. It makes me 277 00:14:54,720 --> 00:14:57,280 Speaker 1: a problematic in this age, and that's just gonna be 278 00:14:57,440 --> 00:15:01,520 Speaker 1: the hill I die on. Women barking on Seattle bound 279 00:15:01,520 --> 00:15:04,840 Speaker 1: flies from New York throughout the flight is funny to 280 00:15:04,920 --> 00:15:10,760 Speaker 1: me because she was she was doing like little at 281 00:15:10,800 --> 00:15:13,360 Speaker 1: the point where everyone was turned around like no, bitch, 282 00:15:13,360 --> 00:15:17,880 Speaker 1: shut up, stop barking, and she was just like and 283 00:15:18,120 --> 00:15:20,479 Speaker 1: I think she said she said it was a sneeze. 284 00:15:20,800 --> 00:15:23,680 Speaker 1: I was like, what do you know? I think she 285 00:15:23,760 --> 00:15:26,640 Speaker 1: wanted to be barking. She was that bitch who was 286 00:15:26,680 --> 00:15:30,280 Speaker 1: barking on the flight? Yeah, there's always that bitch. I mean, like, 287 00:15:30,320 --> 00:15:32,240 Speaker 1: that's what I wish. I had a story like that 288 00:15:32,320 --> 00:15:34,440 Speaker 1: of a flight that I could just tell people when 289 00:15:34,440 --> 00:15:36,200 Speaker 1: they asked me, how is your flight, And I'll say 290 00:15:36,760 --> 00:15:39,600 Speaker 1: there was a woman who was barking. It was like 291 00:15:39,760 --> 00:15:41,520 Speaker 1: this the narrative of the flight, and it was a 292 00:15:41,560 --> 00:15:44,960 Speaker 1: shared experience for everyone. Love that, Yeah, I love that. Anyway, 293 00:15:45,360 --> 00:15:48,440 Speaker 1: I think it's time that we get this show going. 294 00:15:48,520 --> 00:15:50,520 Speaker 1: We're gonna get this show going. And for that, we're 295 00:15:50,520 --> 00:15:53,600 Speaker 1: gonna sit. Oh wow, can you believe we stood the 296 00:15:53,600 --> 00:15:55,720 Speaker 1: whole time. We're gonna stand back up to welcome our guests, 297 00:15:56,480 --> 00:15:59,720 Speaker 1: and just seconds we'll stand up again. Okay, I'm very excited, 298 00:15:59,840 --> 00:16:03,560 Speaker 1: very excited. She here. She has so many, so many 299 00:16:03,600 --> 00:16:05,440 Speaker 1: great credits. As we see on the show, the credits 300 00:16:05,480 --> 00:16:07,800 Speaker 1: come rolling down, They come rolling down. Gum. You've seen 301 00:16:07,840 --> 00:16:11,520 Speaker 1: her on comedy Knockout, you've seen her on at Midnight, 302 00:16:11,760 --> 00:16:14,400 Speaker 1: you've she's a correspondent on the Daily Show with Trevor 303 00:16:14,400 --> 00:16:18,200 Speaker 1: Noah currently here as one of Variety's comics to watch, 304 00:16:18,360 --> 00:16:21,040 Speaker 1: and we are watching, and we are enjoying, and we 305 00:16:21,080 --> 00:16:24,640 Speaker 1: will continue to watch and please welcome to this stage. 306 00:16:24,800 --> 00:16:34,720 Speaker 1: Don't say slow bringing the tea, Bring the tea and bringing. Yes, yes, 307 00:16:34,880 --> 00:16:40,800 Speaker 1: yes we're spilling, we're spelling. Is ringing tea coming on? 308 00:16:40,880 --> 00:16:44,080 Speaker 1: Hair lifted, let's go here, hair lifted. Okay, but talk 309 00:16:44,120 --> 00:16:46,600 Speaker 1: about the tea because we helped you assemble this backstage. Yes, 310 00:16:46,840 --> 00:16:51,120 Speaker 1: I am due to the devil trying to defeat me. 311 00:16:51,640 --> 00:16:56,920 Speaker 1: I arrived in this beautiful country and my voice left. 312 00:16:57,520 --> 00:17:00,240 Speaker 1: So this is better than past years at LEAs second, 313 00:17:00,280 --> 00:17:03,160 Speaker 1: so I actually speak um and commiser rate and you know, 314 00:17:03,400 --> 00:17:07,960 Speaker 1: communicate with the humans. But when with Vack saying, I 315 00:17:08,000 --> 00:17:09,480 Speaker 1: was like, otherwime, like let's make some tea for you, 316 00:17:09,520 --> 00:17:11,720 Speaker 1: and I was like, oh girl, just a little hot water, 317 00:17:11,720 --> 00:17:13,760 Speaker 1: a little honey. And just to see a white woman 318 00:17:13,800 --> 00:17:21,120 Speaker 1: moved so fast, thank you. I was like, oh, you're 319 00:17:21,160 --> 00:17:25,199 Speaker 1: talent um for someone who's never met um in my 320 00:17:25,240 --> 00:17:28,919 Speaker 1: time of need, was truly beautiful. It's truly beautiful in 321 00:17:28,920 --> 00:17:33,359 Speaker 1: today's times. Um. So you were telling us that you 322 00:17:33,359 --> 00:17:36,080 Speaker 1: were at a restaurant the other night and like, instead 323 00:17:36,080 --> 00:17:39,280 Speaker 1: of honey, they had a glucose spread. Okay, so I 324 00:17:39,400 --> 00:17:41,960 Speaker 1: have been fighting this for the bast couple was like, 325 00:17:42,560 --> 00:17:46,119 Speaker 1: don't if you ever like get horse, you're losing your voice, 326 00:17:46,119 --> 00:17:48,880 Speaker 1: not because of sickness, but because of fatigue. Never use 327 00:17:49,000 --> 00:17:52,240 Speaker 1: lemon because it drag your vocal cords out. That makes 328 00:17:52,280 --> 00:17:55,320 Speaker 1: it worse. Oh ship, you need the honey because the 329 00:17:55,359 --> 00:18:00,240 Speaker 1: honey um keeps the moisture on your vocal cords. It. Yeah, 330 00:18:00,240 --> 00:18:01,840 Speaker 1: if you're using limen, you're like, what's going on? Like 331 00:18:01,880 --> 00:18:04,000 Speaker 1: you're just sucking yourself up? Where did you learn this? 332 00:18:04,440 --> 00:18:06,600 Speaker 1: I learned this last year when I had to sing 333 00:18:07,119 --> 00:18:10,560 Speaker 1: um on the comedy Jam and my voice was sucked up, 334 00:18:10,560 --> 00:18:14,719 Speaker 1: and my manager called um a vocal teacher and she 335 00:18:14,920 --> 00:18:18,880 Speaker 1: was the voice of Belle and Beauty and the Beast's 336 00:18:18,880 --> 00:18:23,320 Speaker 1: her name is that I don't I don't know, I 337 00:18:23,320 --> 00:18:27,720 Speaker 1: don't ever know anybody's days, but no use So, I mean, 338 00:18:27,720 --> 00:18:30,200 Speaker 1: that's a deep come on, gay, could your life together? 339 00:18:30,200 --> 00:18:34,320 Speaker 1: You look very cute, so cute, so cute. Um. But 340 00:18:34,400 --> 00:18:36,080 Speaker 1: I was like, Okay, I'm definitely gonna listen to what 341 00:18:36,119 --> 00:18:41,040 Speaker 1: she says because she said never what you just said something? 342 00:18:41,040 --> 00:18:43,119 Speaker 1: And I think and she said, i'd be prof in too, 343 00:18:43,680 --> 00:18:47,280 Speaker 1: any anti inflammatory because what your body is doing is 344 00:18:47,280 --> 00:18:49,840 Speaker 1: it's inflaming. Like all the muscles around here inflaming, so 345 00:18:49,840 --> 00:18:52,879 Speaker 1: you don't funk your vocal cords completely. So your body's like, 346 00:18:52,920 --> 00:18:54,680 Speaker 1: all right, let me just get fat for a little bit. 347 00:18:56,200 --> 00:18:59,120 Speaker 1: Your voice gets nice and fat. I do want to 348 00:18:59,200 --> 00:19:02,120 Speaker 1: go back and just I want you to say again, lemons, 349 00:19:02,400 --> 00:19:05,480 Speaker 1: take a lemon. You you're sucking yourself over. Yes, great, okay, 350 00:19:05,560 --> 00:19:11,240 Speaker 1: rule number of culture and you're yourself over. Mariah Carrey 351 00:19:11,320 --> 00:19:15,359 Speaker 1: says you're supposed to have hot tea with honey and lemon, 352 00:19:15,400 --> 00:19:17,239 Speaker 1: and I guess she's wrong, and I guess that's the 353 00:19:17,240 --> 00:19:22,880 Speaker 1: reason why. But now we know Mariah, but it might 354 00:19:22,960 --> 00:19:26,959 Speaker 1: be if it's not. It depends on what she what's 355 00:19:27,000 --> 00:19:31,159 Speaker 1: something she's working with? Crazy crazy, I've been crazy. I'm 356 00:19:31,200 --> 00:19:34,000 Speaker 1: not Mariah carry crazy because I've never been that. Rich 357 00:19:34,560 --> 00:19:38,679 Speaker 1: is bad the comments. But yeah, So we're in the 358 00:19:38,680 --> 00:19:41,120 Speaker 1: restaurant yesterday and I was like, oh, they kept giving 359 00:19:41,200 --> 00:19:44,399 Speaker 1: us I ordered, we ordered hot ordered tea and it 360 00:19:44,520 --> 00:19:46,639 Speaker 1: was like Anna had some honey. They brought us honey. 361 00:19:46,880 --> 00:19:49,760 Speaker 1: And we ordered onion rings and they also brought us honey. 362 00:19:50,200 --> 00:19:56,560 Speaker 1: I was like, what, yeah, honey on your rings. He's 363 00:19:56,560 --> 00:19:58,439 Speaker 1: like this is always saves, and I was like, all right, 364 00:19:58,520 --> 00:20:01,000 Speaker 1: let's see what happened. We ate it and I was like, 365 00:20:01,760 --> 00:20:08,720 Speaker 1: you right, you absolutely accurate in this. But I was like, oh, 366 00:20:08,800 --> 00:20:10,560 Speaker 1: let's see what's in this honey. I'm like wait a minute, 367 00:20:10,560 --> 00:20:14,680 Speaker 1: and it said honey and glucose spread. Oh what is 368 00:20:14,720 --> 00:20:21,160 Speaker 1: the glucose spread? That? Okay? Glucose sugar. Anything that ends 369 00:20:21,200 --> 00:20:25,879 Speaker 1: and coast is a sugar, sucros, sucro los glucoast. It's 370 00:20:25,880 --> 00:20:28,560 Speaker 1: all the sugar. That's rule of science number three. Anything 371 00:20:28,600 --> 00:20:32,159 Speaker 1: that it is a sugar. I'll be reading and ship 372 00:20:34,640 --> 00:20:37,360 Speaker 1: food labels. I'll be reading food labels, and I'll watch 373 00:20:37,400 --> 00:20:40,240 Speaker 1: a lot of PBS. Okay, So you would say, you, 374 00:20:40,560 --> 00:20:42,600 Speaker 1: what is it to be right brained? Is that like 375 00:20:42,680 --> 00:20:45,600 Speaker 1: when when you know a lot of science ship that's 376 00:20:45,720 --> 00:20:48,680 Speaker 1: left brain. I believe left brain culture is just back 377 00:20:48,720 --> 00:20:52,240 Speaker 1: me up. I hear, I see some ning, But that's right. 378 00:20:54,520 --> 00:20:58,480 Speaker 1: But I'm like real creative and stuff like maybe I'm 379 00:20:58,520 --> 00:21:09,080 Speaker 1: like middle brain, middle little brain. Nice. I, um, you're scientists. No, 380 00:21:09,200 --> 00:21:12,280 Speaker 1: But here's the thing. I didn't care for the brain 381 00:21:12,320 --> 00:21:15,359 Speaker 1: in the past, but I tripped on acid a couple 382 00:21:15,359 --> 00:21:17,560 Speaker 1: of weeks ago, and now this is all I can 383 00:21:17,600 --> 00:21:20,520 Speaker 1: think about. Well, like my my brain because apparently you're 384 00:21:20,520 --> 00:21:22,159 Speaker 1: you can only think about your brain. No, well, no, 385 00:21:22,280 --> 00:21:25,000 Speaker 1: it's not what I'm saying. I'm saying like with acid, 386 00:21:25,280 --> 00:21:28,240 Speaker 1: you're both your all your lobes are talking to each other, 387 00:21:29,119 --> 00:21:31,639 Speaker 1: like new connections are forming because in ways that I 388 00:21:31,720 --> 00:21:36,760 Speaker 1: haven't formed before. This is real. This is science and 389 00:21:38,600 --> 00:21:42,119 Speaker 1: it's not like white people's science. Um. Although, yeah, I 390 00:21:42,240 --> 00:21:45,560 Speaker 1: was with a bunch of white gays on the beach, 391 00:21:45,880 --> 00:21:47,520 Speaker 1: there was. It was a bunch of it was like 392 00:21:47,600 --> 00:21:52,680 Speaker 1: three white gays, one Asian gay, one Jewish gay. Still white, 393 00:21:52,920 --> 00:21:56,480 Speaker 1: still white, and fine, it was all white gays, but 394 00:21:56,480 --> 00:21:58,200 Speaker 1: it was. There was one other Asian gay. It was 395 00:21:58,240 --> 00:22:01,800 Speaker 1: Joel Kim Booster. He's right there. MAT's by racial Oh yeah, 396 00:22:01,960 --> 00:22:04,120 Speaker 1: not this math, not this man. There was another Math 397 00:22:04,160 --> 00:22:09,360 Speaker 1: there who was by racial but half black, half Jewish. Yeah, 398 00:22:10,920 --> 00:22:13,159 Speaker 1: it's a lot of sorrow. That's a lot of sorrow. 399 00:22:13,160 --> 00:22:15,600 Speaker 1: There's a lot of lot of sorrow. Yeah, it's a 400 00:22:15,680 --> 00:22:18,200 Speaker 1: lot of Have you ever have you ever dabbled in 401 00:22:18,320 --> 00:22:22,320 Speaker 1: acid or you know, hallucinogenic that. No, I'm a Christian too, 402 00:22:25,280 --> 00:22:28,600 Speaker 1: I am black. So they don't let us do any 403 00:22:28,600 --> 00:22:33,080 Speaker 1: of that. Know that we are not allowed to do 404 00:22:33,119 --> 00:22:37,639 Speaker 1: any of those things. It's like we because we make sense. Oh, 405 00:22:37,720 --> 00:22:43,119 Speaker 1: it's a plant. I smoked that um crack because it 406 00:22:43,200 --> 00:22:46,080 Speaker 1: came from a plant. You mix it with baking soda. 407 00:22:46,920 --> 00:22:51,600 Speaker 1: We know what that is. You can smoke that um. 408 00:22:51,760 --> 00:22:54,439 Speaker 1: The acid, we all know where that comes. Well, the 409 00:22:54,520 --> 00:22:59,520 Speaker 1: acid was in oreos. Does that make sense? You don't 410 00:22:59,560 --> 00:23:03,440 Speaker 1: get the acid from I know, but they dropped it 411 00:23:03,480 --> 00:23:05,480 Speaker 1: into an oreo cookie and we just put it in 412 00:23:05,520 --> 00:23:08,920 Speaker 1: our mouths. And I know somebody who um sells my 413 00:23:09,080 --> 00:23:13,879 Speaker 1: youth man's in his forties sells uh Tutsi rolls that 414 00:23:13,960 --> 00:23:18,480 Speaker 1: have been like dipped in shrooms. No, so like it's 415 00:23:18,520 --> 00:23:21,359 Speaker 1: infused with the shroom. And then when you eat the 416 00:23:21,359 --> 00:23:27,440 Speaker 1: Tutsi roll, you're like, oh tutsie rollo. But I don't 417 00:23:27,440 --> 00:23:32,480 Speaker 1: know about trooms. Is there a difference in trooms and assets? Yes? Yes, yes, yes, okay, yes, 418 00:23:32,720 --> 00:23:36,560 Speaker 1: um okay. Acid is acid is I have one drug 419 00:23:36,640 --> 00:23:41,199 Speaker 1: is marijuana? Each day? Each day, each day. I don't smoke. 420 00:23:41,320 --> 00:23:43,480 Speaker 1: We you don't smoke. We had I don't like how 421 00:23:43,520 --> 00:23:46,840 Speaker 1: I feel well. You have vocal issues facts, but I 422 00:23:46,880 --> 00:23:51,680 Speaker 1: smoked cigarettes, which is probably the reason. Listen, I'm also overweight. 423 00:23:51,760 --> 00:23:55,040 Speaker 1: What do you want from me. Listen, I'm just cigarette. 424 00:23:56,000 --> 00:23:57,960 Speaker 1: I didn't sell you smoke less than I used to, 425 00:23:58,119 --> 00:24:00,560 Speaker 1: and I'm like trying to quit because it cost too 426 00:24:00,640 --> 00:24:03,680 Speaker 1: much in New York. Um, okay, what's the cycle. I 427 00:24:03,760 --> 00:24:06,679 Speaker 1: was talking to someone last night where it's like, I'm 428 00:24:06,720 --> 00:24:09,560 Speaker 1: gonna quit, so I might as well buy my last pack. 429 00:24:09,840 --> 00:24:13,200 Speaker 1: It's that, it's so it makes no sense. I don't 430 00:24:13,240 --> 00:24:16,119 Speaker 1: give myself the lie of the last pack. It's I 431 00:24:16,119 --> 00:24:18,280 Speaker 1: don't feel like smoking a day. Like sometimes I don't 432 00:24:18,320 --> 00:24:20,800 Speaker 1: smoke all day because I just don't want a cigarette, 433 00:24:21,160 --> 00:24:25,520 Speaker 1: and then other days I'm like, uh, and then a chimney. 434 00:24:25,720 --> 00:24:28,679 Speaker 1: So it just depends on because usually I go all 435 00:24:28,720 --> 00:24:31,280 Speaker 1: day without smoking and then I'll eat something I'm like, 436 00:24:31,680 --> 00:24:34,160 Speaker 1: I'm gonna need a cigarette. But sometimes it's so busy 437 00:24:34,200 --> 00:24:36,640 Speaker 1: at work they don't have time to go outside and smoke, 438 00:24:36,680 --> 00:24:40,359 Speaker 1: so I smoke less. But I've just been so busy, 439 00:24:40,440 --> 00:24:42,800 Speaker 1: just because right before I like the night before I 440 00:24:42,800 --> 00:24:45,520 Speaker 1: came here only like three hours of sleep, and then 441 00:24:45,520 --> 00:24:49,240 Speaker 1: I've been like just real busy at work, so my 442 00:24:49,359 --> 00:24:53,560 Speaker 1: voice was already tired. And then I flew and then 443 00:24:53,560 --> 00:24:56,239 Speaker 1: get me sleep, and then we stressed out about all 444 00:24:56,240 --> 00:24:58,439 Speaker 1: the shows that I had to do and just like 445 00:24:58,600 --> 00:25:00,760 Speaker 1: I gotta pack this, I gotta make sure got the paperwork, 446 00:25:01,000 --> 00:25:04,240 Speaker 1: make sure they'll let me in fucking Canada. They didn't 447 00:25:04,240 --> 00:25:07,800 Speaker 1: look at the paperwork for me. They didn't even paperwork. 448 00:25:07,840 --> 00:25:09,399 Speaker 1: And he went to the trouble of going to the 449 00:25:09,440 --> 00:25:11,840 Speaker 1: FedEx and printing out the papers. Oh no, yeah, they 450 00:25:11,840 --> 00:25:13,959 Speaker 1: didn't look at it anyway. Not in mind you. They 451 00:25:13,960 --> 00:25:16,840 Speaker 1: don't stam up your passport anymore unless you asked them. 452 00:25:16,920 --> 00:25:20,479 Speaker 1: Very nice. They didn't stampar as either. I didn't get 453 00:25:20,480 --> 00:25:22,919 Speaker 1: any of experience. I like, I gave the man in 454 00:25:22,960 --> 00:25:25,040 Speaker 1: the paperwork and I was like, you don't stay on 455 00:25:25,040 --> 00:25:27,080 Speaker 1: my passport. He's like, oh no, if you want to 456 00:25:27,119 --> 00:25:31,399 Speaker 1: passport stop people to him. And I went to the 457 00:25:31,400 --> 00:25:33,080 Speaker 1: other man. I was like, can I have a passport 458 00:25:33,119 --> 00:25:35,639 Speaker 1: stamp please? He's like, oh, you want on this page? 459 00:25:35,640 --> 00:25:38,160 Speaker 1: Which when you page you one you to tell you. 460 00:25:38,400 --> 00:25:39,960 Speaker 1: And I was like all right, there's nice. And next 461 00:25:39,960 --> 00:25:41,840 Speaker 1: to the other I was like, okay, Like they don't 462 00:25:41,960 --> 00:25:48,719 Speaker 1: give ship. Winnipeg, Canada never go funk their place up, 463 00:25:48,840 --> 00:25:53,360 Speaker 1: burns down. Fuck what's the bay Winnipeg burn it down? 464 00:25:53,440 --> 00:25:55,960 Speaker 1: Talking about down? That whole asked mother funk are that 465 00:25:56,040 --> 00:26:01,040 Speaker 1: worked in that airport? You bitch made man? Listen, I 466 00:26:01,160 --> 00:26:03,280 Speaker 1: get there at my ear button, I'm gonna confidence call. 467 00:26:03,280 --> 00:26:04,920 Speaker 1: I'm trying to get off this call. I'm like, here, 468 00:26:05,040 --> 00:26:09,120 Speaker 1: take this paperwork. This pitch motherfucker decides brights the thing. 469 00:26:09,200 --> 00:26:10,800 Speaker 1: And I'm like, I don't know what these codes meet 470 00:26:10,840 --> 00:26:12,359 Speaker 1: on these damn piece of paper. I don't work for 471 00:26:12,359 --> 00:26:16,399 Speaker 1: the government, Okay. So I get through and the ladies 472 00:26:16,440 --> 00:26:18,760 Speaker 1: like I'm usually supposed to walk in and hand the 473 00:26:18,760 --> 00:26:20,760 Speaker 1: people to paper and you go through the door. He 474 00:26:20,880 --> 00:26:23,440 Speaker 1: was like, oh, no, you go that way so well 475 00:26:23,440 --> 00:26:26,959 Speaker 1: away immigration. Why am I going to immigration? I'm an 476 00:26:26,960 --> 00:26:29,520 Speaker 1: American and the fun you're talking about. So the dude 477 00:26:29,520 --> 00:26:31,760 Speaker 1: made me sit in there. Then I wasn't getting helped 478 00:26:31,840 --> 00:26:35,600 Speaker 1: because they were terrorizing his dirty family and his black lady. 479 00:26:35,640 --> 00:26:40,399 Speaker 1: And when I say dirty family, I mean father, mother, 480 00:26:41,280 --> 00:26:52,760 Speaker 1: two children, just dirty, and it's like bohemian dirty on purpose. 481 00:26:52,920 --> 00:26:56,720 Speaker 1: So like all their clothes were too loose and too colorful, 482 00:26:57,720 --> 00:26:59,720 Speaker 1: and they're like and they're saying like, oh, we'll found males. 483 00:26:59,760 --> 00:27:04,360 Speaker 1: I'm like, nah, y'all is in a cult. So they 484 00:27:04,400 --> 00:27:06,360 Speaker 1: look like the Coult people. You know what, I mean, 485 00:27:07,520 --> 00:27:09,880 Speaker 1: we're not gonna send our kids to school or all 486 00:27:09,880 --> 00:27:11,680 Speaker 1: this other ship. You're like, send them kids in school, 487 00:27:11,680 --> 00:27:13,400 Speaker 1: They're gonna be really fucking weird. They' gonna get married 488 00:27:13,440 --> 00:27:16,119 Speaker 1: to each other. Calm down, So what happened? What happened 489 00:27:16,119 --> 00:27:19,320 Speaker 1: with this person? So this motherfucker's are as the flex 490 00:27:19,359 --> 00:27:22,919 Speaker 1: even harder when I haven't gotten helped yet. So I 491 00:27:22,920 --> 00:27:24,399 Speaker 1: send on my paperwork and I got he's like, oh, 492 00:27:24,440 --> 00:27:26,280 Speaker 1: you have any felonies. I said, I'm a Christian because 493 00:27:26,320 --> 00:27:29,840 Speaker 1: that's always not as fun. And he's fucking with me 494 00:27:29,840 --> 00:27:31,639 Speaker 1: looking at my paperwork, funk with me, funk with me, 495 00:27:32,119 --> 00:27:34,960 Speaker 1: and so he's like, oh, everything came back fine. I'm like, 496 00:27:35,080 --> 00:27:39,560 Speaker 1: I know that because I told you I'm not a criminal. 497 00:27:40,520 --> 00:27:43,960 Speaker 1: And then he was like, okay, that's fine. And he 498 00:27:44,040 --> 00:27:46,520 Speaker 1: was like, oh and like maybe like next time when 499 00:27:46,520 --> 00:27:48,640 Speaker 1: you come to the window, you know, you probably shouldn't 500 00:27:48,640 --> 00:27:51,560 Speaker 1: be on the phone. I said, oh, that's the problem 501 00:27:52,640 --> 00:27:55,720 Speaker 1: that I was on the phone. Oh you felt disrespected. 502 00:27:55,960 --> 00:27:57,840 Speaker 1: Stay at my passport so I can get up out here. 503 00:28:00,160 --> 00:28:01,800 Speaker 1: He was taking a case and I saw him go 504 00:28:02,920 --> 00:28:05,919 Speaker 1: like he almost dropped it. And he's like, oh, that 505 00:28:06,000 --> 00:28:08,040 Speaker 1: wasn't a problem. I say, yes, it was, so I 506 00:28:08,119 --> 00:28:09,920 Speaker 1: remembered his name and I had to show that night 507 00:28:11,200 --> 00:28:12,919 Speaker 1: and Alm I was like, I can't remember his name 508 00:28:12,960 --> 00:28:16,359 Speaker 1: was block out traumatic things. And I was on the 509 00:28:16,400 --> 00:28:20,639 Speaker 1: show talking about this awful as customs agent and a 510 00:28:20,760 --> 00:28:23,080 Speaker 1: dude in the audience came up to me and was like, oh, yeah, 511 00:28:23,080 --> 00:28:27,000 Speaker 1: I work with him. He is an asshole. He does 512 00:28:27,000 --> 00:28:29,440 Speaker 1: that to people all the time as a power trap. 513 00:28:30,359 --> 00:28:32,640 Speaker 1: And I was like, look at God, look at God. 514 00:28:33,320 --> 00:28:35,280 Speaker 1: So we can't burn down Winnipeg because there was that 515 00:28:35,320 --> 00:28:41,640 Speaker 1: one good soul there. I guess it's the Midwest of 516 00:28:41,920 --> 00:28:44,320 Speaker 1: like when you turned to Montreal, you feel like you're 517 00:28:44,400 --> 00:28:48,920 Speaker 1: in another country. You go to Winnipeg, you feel like 518 00:28:48,960 --> 00:28:54,200 Speaker 1: you're in St. Louis. Everyone should go to Everyone should 519 00:28:54,200 --> 00:28:58,040 Speaker 1: do a fun little Prince Edward Island. Never like very 520 00:28:58,040 --> 00:29:00,120 Speaker 1: and of green Gables and of green Gables to go 521 00:29:00,160 --> 00:29:04,440 Speaker 1: to the end of green Gables house, but it's cute. 522 00:29:04,480 --> 00:29:07,360 Speaker 1: I never staying on PBS fucking wonder Works and that 523 00:29:07,520 --> 00:29:10,719 Speaker 1: damn girl you know what I'm talking about, because all 524 00:29:10,720 --> 00:29:13,240 Speaker 1: they showed was Anna green Gables and fucking Line which 525 00:29:13,280 --> 00:29:16,360 Speaker 1: and a wardrobe. Y'all got two shows. I've been on 526 00:29:16,480 --> 00:29:21,040 Speaker 1: this nineteen eighty four? Is you talking about Old Snitch 527 00:29:21,080 --> 00:29:22,960 Speaker 1: and ask up boy with his Turkish to light funk 528 00:29:23,040 --> 00:29:25,719 Speaker 1: that movie to the Turkish So I kill this been 529 00:29:25,800 --> 00:29:27,800 Speaker 1: getting him a Turkish You know, when I tried Turkish 530 00:29:27,800 --> 00:29:29,760 Speaker 1: der lights like years later, I was like, oh, this 531 00:29:29,960 --> 00:29:32,640 Speaker 1: is gonna be good. It was a very popular treat 532 00:29:32,680 --> 00:29:35,240 Speaker 1: amongst those kids. And then when I tried it and 533 00:29:35,280 --> 00:29:39,160 Speaker 1: it was fucking bad. Dude, Turkish your lights suck. My 534 00:29:39,200 --> 00:29:41,440 Speaker 1: mama bought something. She was like, girl, we got this 535 00:29:41,480 --> 00:29:42,920 Speaker 1: turkis to light you on a little boy from the 536 00:29:42,920 --> 00:29:44,640 Speaker 1: movie like a little boy from the movie. We got 537 00:29:44,680 --> 00:29:47,480 Speaker 1: a litt Turkish light, a little bore from he could resist, Like, yes, Mama, 538 00:29:47,640 --> 00:29:51,040 Speaker 1: Turkish light. So she got a bunch of like she 539 00:29:51,080 --> 00:29:55,160 Speaker 1: got like, um, like an assorted flavor box right as 540 00:29:55,200 --> 00:29:57,960 Speaker 1: are We're looking at the wrapper and we're like, lavender, 541 00:29:58,640 --> 00:30:08,800 Speaker 1: what rose? Lemon? Okay, we know lemmon, we know citrus, right, pistachio? 542 00:30:09,480 --> 00:30:13,880 Speaker 1: This is gelatin? How did you do this? So it's 543 00:30:13,920 --> 00:30:19,760 Speaker 1: like rose and lavender flavored gelatine cover like coated in 544 00:30:20,160 --> 00:30:23,760 Speaker 1: nasty powdered sugar. And I don't know how you funk 545 00:30:23,800 --> 00:30:29,320 Speaker 1: up powdered sugar because it's sugar. But and we were like, 546 00:30:29,400 --> 00:30:30,880 Speaker 1: they were like, girl, he's trying to just try this. 547 00:30:31,240 --> 00:30:36,120 Speaker 1: We're both take a bite and we're like why and so, 548 00:30:37,520 --> 00:30:40,360 Speaker 1: and I was like, okay, we're Americans. We don't eat florals, right, 549 00:30:42,200 --> 00:30:44,040 Speaker 1: Like any times somebody cars give me lavend or anything, 550 00:30:44,040 --> 00:30:46,760 Speaker 1: I'm like, I'm not eating a glade plug in. I'm 551 00:30:46,760 --> 00:30:49,840 Speaker 1: not doing this with him. So we're like, well, let's 552 00:30:49,880 --> 00:30:52,000 Speaker 1: try to lemon. And she's like it's still wrong too. 553 00:30:52,480 --> 00:30:55,040 Speaker 1: How you messed lemon up? It's the most basic flavor. 554 00:30:55,640 --> 00:30:58,640 Speaker 1: Everybody knows what a lemon taste like. I can't tell 555 00:30:58,680 --> 00:31:01,680 Speaker 1: you what roses tastes like. I'm not a bird. No, 556 00:31:01,720 --> 00:31:04,120 Speaker 1: I'm not a bird. Lemon is up there with cherry 557 00:31:04,200 --> 00:31:06,520 Speaker 1: and grape as as far as popular flavors go. Can 558 00:31:06,560 --> 00:31:09,080 Speaker 1: we all know grape don't tastes like grapes. It tastes 559 00:31:09,120 --> 00:31:12,760 Speaker 1: like purple, doesn't we all know that its like purple? 560 00:31:13,200 --> 00:31:16,760 Speaker 1: So we were very upset. I mean, in the world 561 00:31:16,840 --> 00:31:20,360 Speaker 1: robe and they made him the prince, that one who 562 00:31:20,360 --> 00:31:24,000 Speaker 1: liked little Snitch and as boy, Yeah, I think was 563 00:31:24,040 --> 00:31:27,200 Speaker 1: he the one in the silver chair or something like? 564 00:31:27,360 --> 00:31:29,080 Speaker 1: I didn't even know there was more books than the 565 00:31:29,120 --> 00:31:30,480 Speaker 1: one line in the Witch in the Wardrobe, but there's 566 00:31:30,480 --> 00:31:33,760 Speaker 1: a whole bunch of books. Then my mama literally said, 567 00:31:34,160 --> 00:31:36,360 Speaker 1: I got the candy that the snitchen ass boy was 568 00:31:36,400 --> 00:31:40,360 Speaker 1: eating from the Lina wishing the ward from Did you 569 00:31:40,400 --> 00:31:43,360 Speaker 1: see the line a movie? I did. I guess she 570 00:31:43,360 --> 00:31:46,680 Speaker 1: wanted to go and I was like, okay, and I 571 00:31:46,680 --> 00:31:49,640 Speaker 1: remember watching it and her going that line is too big? 572 00:31:51,520 --> 00:31:54,360 Speaker 1: Was too big? I was like, Mommy, and she's like, no, no, no, no, no, no, 573 00:31:54,640 --> 00:31:59,680 Speaker 1: I know how big a lion. This lion is dinosaur, 574 00:32:01,160 --> 00:32:04,520 Speaker 1: but he's supposed to remember my phone because you always 575 00:32:04,520 --> 00:32:06,040 Speaker 1: say it sanking if I feel with the Holy Ghost. 576 00:32:06,360 --> 00:32:08,440 Speaker 1: So we were like, we gotta go see this movie 577 00:32:08,480 --> 00:32:10,240 Speaker 1: and see this. Won't got to see this movie. And 578 00:32:10,280 --> 00:32:13,920 Speaker 1: then she was like she liked the movie. But at 579 00:32:13,920 --> 00:32:17,120 Speaker 1: the same time, when they little boy flipped on his siblings, 580 00:32:17,880 --> 00:32:19,920 Speaker 1: me and my mom both went, oh, bit you ask 581 00:32:19,960 --> 00:32:22,920 Speaker 1: a little boy and you knew it was coming, No, 582 00:32:23,040 --> 00:32:24,640 Speaker 1: it was coming. And I was like, because they're like, oh, 583 00:32:24,680 --> 00:32:26,280 Speaker 1: they're trying to confront here, me and my MoMA only 584 00:32:26,320 --> 00:32:28,000 Speaker 1: one in the movie there to go on whoop his 585 00:32:28,040 --> 00:32:33,280 Speaker 1: as they took him back. It was ridiculous. He should 586 00:32:33,280 --> 00:32:36,520 Speaker 1: be glad they want black siblings because okay, it sounds 587 00:32:36,520 --> 00:32:38,880 Speaker 1: like we're talking about culture that you grew up with. 588 00:32:39,080 --> 00:32:40,520 Speaker 1: Don't see, We're gonna ask you if we asked all 589 00:32:40,520 --> 00:32:42,800 Speaker 1: of our guests every episode, what was the culture that 590 00:32:42,840 --> 00:32:48,160 Speaker 1: made you say? Culture is for me? Um? I love 591 00:32:48,200 --> 00:32:51,520 Speaker 1: everything to watch growing up. Okay. One of my two 592 00:32:51,560 --> 00:32:54,440 Speaker 1: favorite shows growing up was one. It was this British 593 00:32:55,440 --> 00:33:00,880 Speaker 1: the British sci fi show called Red Dwarf and I'm 594 00:33:00,920 --> 00:33:02,760 Speaker 1: so glad I'm in Canada because the want the United States. 595 00:33:03,000 --> 00:33:08,040 Speaker 1: What the funk I'm talking it is absolutely it's so 596 00:33:08,280 --> 00:33:10,400 Speaker 1: it's very hard to describe to people because people think 597 00:33:10,400 --> 00:33:14,960 Speaker 1: you're crazy. So basically, okay, so and y'all have to 598 00:33:15,000 --> 00:33:17,120 Speaker 1: help me if I suck this up. But it was 599 00:33:17,120 --> 00:33:19,960 Speaker 1: my favorite because it came on from like nineteen seven 600 00:33:21,320 --> 00:33:23,560 Speaker 1: until like they just did at eleven. They're doing a 601 00:33:23,600 --> 00:33:28,320 Speaker 1: twelfth season I think like right now, so twelve. Yeah, 602 00:33:28,640 --> 00:33:31,000 Speaker 1: it's a British show, so there's seasons only have like 603 00:33:31,080 --> 00:33:36,960 Speaker 1: maybe four or six, maybe eight episodes. So the show 604 00:33:37,080 --> 00:33:41,240 Speaker 1: is set. So there's this bummy ass dude, Um David Lister. 605 00:33:41,960 --> 00:33:45,920 Speaker 1: He gets put in stasis because he won't get rid 606 00:33:45,960 --> 00:33:50,120 Speaker 1: of his cat, and you're crazy. You're crazy. I already 607 00:33:50,120 --> 00:33:52,320 Speaker 1: think you're crazy. He's a bummy ass dude. All the 608 00:33:52,360 --> 00:33:54,840 Speaker 1: eats his curries and drinks here all days only that 609 00:33:55,080 --> 00:33:57,920 Speaker 1: he's and he's a he's a mixed rates dude. So 610 00:33:58,280 --> 00:34:00,000 Speaker 1: the main character of the show is a mixed ways guy. 611 00:34:00,360 --> 00:34:02,320 Speaker 1: And so he won't get rid of his cat. Instead 612 00:34:02,320 --> 00:34:04,680 Speaker 1: of like, listen, you got this cat. It's not healthy, 613 00:34:04,800 --> 00:34:07,240 Speaker 1: not quarantined, you can't keep it. You found out the 614 00:34:07,240 --> 00:34:12,040 Speaker 1: cats pregnant. He hides the cat in the wall. And 615 00:34:12,160 --> 00:34:15,440 Speaker 1: there's this guy he works with called David Remer. I mean, um, 616 00:34:15,440 --> 00:34:20,760 Speaker 1: not David renor Arnold Render. So listening Arnold Remer remembers 617 00:34:20,760 --> 00:34:23,279 Speaker 1: are complete. You know, the dude like a job who 618 00:34:23,320 --> 00:34:26,000 Speaker 1: wants to be better than what he is but doesn't 619 00:34:26,000 --> 00:34:28,360 Speaker 1: have the skill of the ability to do it. So 620 00:34:28,400 --> 00:34:30,719 Speaker 1: it's this asshole dude. And they are the lowest rank 621 00:34:30,760 --> 00:34:33,719 Speaker 1: on this They're on a spaceship. It's a mining ship. 622 00:34:34,120 --> 00:34:39,359 Speaker 1: I told you as a sci fi show spaceship, right, 623 00:34:39,440 --> 00:34:42,439 Speaker 1: so they're in they're not they're not a mining ship 624 00:34:42,600 --> 00:34:47,359 Speaker 1: called Red Dwarf and they so he works together make 625 00:34:47,440 --> 00:34:51,600 Speaker 1: their repairment on the ship. So remember get Listener gets 626 00:34:51,600 --> 00:34:53,200 Speaker 1: in trouble because he won't get rid of his cat, 627 00:34:53,520 --> 00:34:55,560 Speaker 1: and they're like, he's like, give me. Because he gets 628 00:34:55,560 --> 00:34:57,600 Speaker 1: called into the captain's office, he's like, give me the cat. 629 00:34:57,920 --> 00:34:59,680 Speaker 1: He's like, what are you gonna do with him? He's like, 630 00:35:00,000 --> 00:35:04,560 Speaker 1: gonna cut him up an experiment on it and the 631 00:35:04,640 --> 00:35:07,839 Speaker 1: sea the diseases. He's like, okay, but can you put 632 00:35:07,920 --> 00:35:10,480 Speaker 1: it back together and give it to me? And he's 633 00:35:10,480 --> 00:35:16,640 Speaker 1: like no, the cat'll be dead, right, And he's like, 634 00:35:17,480 --> 00:35:19,600 Speaker 1: then I'm not giving you my cat. This is a 635 00:35:19,600 --> 00:35:22,239 Speaker 1: good conversation. You can't have my cat, right, And so 636 00:35:22,440 --> 00:35:26,000 Speaker 1: this is like a pilot episode and citing all the 637 00:35:26,080 --> 00:35:28,719 Speaker 1: drama for the whole series, right, And so he's like, 638 00:35:28,800 --> 00:35:31,760 Speaker 1: funk that. And so they're like, okay, if you don't 639 00:35:32,160 --> 00:35:34,880 Speaker 1: for the punishment, basically the jail that they have as 640 00:35:34,920 --> 00:35:40,000 Speaker 1: they put you into stasis so they freeze time for you, 641 00:35:40,000 --> 00:35:42,720 Speaker 1: so you don't get paid for anything because you're frozen 642 00:35:42,760 --> 00:35:46,319 Speaker 1: and sore, like you're gonna fourth, You're gonna four fit 643 00:35:46,440 --> 00:35:50,440 Speaker 1: eighteen months wages if you don't. Because he violated the quarantine, 644 00:35:51,160 --> 00:35:53,160 Speaker 1: He's like, this cat could bring any cat of disease 645 00:35:53,200 --> 00:35:55,919 Speaker 1: on here and won't be stick as fun. He's like, yeah, cool, 646 00:35:55,960 --> 00:35:58,840 Speaker 1: but you know no, And the cat's name is Frankenstein. 647 00:35:59,400 --> 00:36:01,840 Speaker 1: So to give him like a given, like a reason 648 00:36:01,880 --> 00:36:04,919 Speaker 1: to really love the cat, like is it a smart cat? 649 00:36:05,680 --> 00:36:07,799 Speaker 1: Just it's just a pregnant cat and it's his it's 650 00:36:07,840 --> 00:36:10,840 Speaker 1: his pet. He's like, he doesn't have anything, like pregnancy 651 00:36:10,920 --> 00:36:13,799 Speaker 1: is a character traite. So he's like, this is this 652 00:36:13,880 --> 00:36:16,520 Speaker 1: is my pet. He's a smuggle this pet on here, like, 653 00:36:16,560 --> 00:36:19,120 Speaker 1: this is this is my this is my cat. And 654 00:36:19,200 --> 00:36:22,960 Speaker 1: so they he hides the cat like basically like in 655 00:36:23,000 --> 00:36:24,840 Speaker 1: the wall in his room, and they put him in 656 00:36:24,880 --> 00:36:27,359 Speaker 1: the stasis because like he can't because at one point 657 00:36:27,400 --> 00:36:30,320 Speaker 1: he can't find it, and the cat hides in the wall. 658 00:36:30,840 --> 00:36:34,359 Speaker 1: She gives birth while he's in stasis. The problem is 659 00:36:34,560 --> 00:36:38,319 Speaker 1: the dude that he's working with, Rimmer, is completely incompetent. Now, 660 00:36:38,480 --> 00:36:41,320 Speaker 1: listeners that I'm talking about Rimmers, the dude whos incompetent. 661 00:36:41,360 --> 00:36:45,640 Speaker 1: I know that much so Rimmers of dudes who incompetent. 662 00:36:46,120 --> 00:36:48,600 Speaker 1: And he's supposed to be seeking something called the drive plate, 663 00:36:49,040 --> 00:36:51,600 Speaker 1: which stops radiation from leaking onto the ship. There's so 664 00:36:51,680 --> 00:36:58,439 Speaker 1: much world building, and that som fixes the drive plate 665 00:36:58,520 --> 00:37:08,680 Speaker 1: wrong radiation sweeps the ship, killing everyone instantly while wild 666 00:37:08,760 --> 00:37:14,680 Speaker 1: Lister is in stasis. Oh so Lister lives. But and 667 00:37:14,719 --> 00:37:17,520 Speaker 1: there's also on the ship there's a hologram that runs 668 00:37:17,719 --> 00:37:20,200 Speaker 1: there is a not a hologram? Is it? I'm what 669 00:37:20,600 --> 00:37:24,160 Speaker 1: is it called? It's called Holly, but it's it's a 670 00:37:24,360 --> 00:37:28,080 Speaker 1: um it's the ship's computer. But it talks to you, 671 00:37:28,560 --> 00:37:30,640 Speaker 1: and it's a very cockney old and it's a cockney man, 672 00:37:30,640 --> 00:37:33,759 Speaker 1: which is very funny to me. But so he was 673 00:37:33,760 --> 00:37:36,480 Speaker 1: supposed to be in stasis for eighteen months, but they 674 00:37:36,480 --> 00:37:38,279 Speaker 1: had to wait for all the radiation to hit a 675 00:37:38,320 --> 00:37:40,440 Speaker 1: safe level on the ship. So he ends up being 676 00:37:40,480 --> 00:37:43,520 Speaker 1: in stasis for three million years. What oh my god? 677 00:37:45,280 --> 00:37:51,839 Speaker 1: So never see his cat watch what happens. So so 678 00:37:51,960 --> 00:37:54,880 Speaker 1: he gets out and there are these white piles of 679 00:37:55,000 --> 00:38:00,400 Speaker 1: dust over the ship. The people like, I said, he's 680 00:38:00,400 --> 00:38:03,879 Speaker 1: a bumps. He's just walking around going what's this? Oh 681 00:38:03,920 --> 00:38:08,360 Speaker 1: my god? Right, and so but you don't know what 682 00:38:08,440 --> 00:38:13,520 Speaker 1: it is either. So Holly goes He's like, he's like, um, 683 00:38:13,600 --> 00:38:14,880 Speaker 1: I gotta say, he's only he's like, how long have 684 00:38:14,920 --> 00:38:18,360 Speaker 1: I been? He's like, where's everybody at. He's like, okay, listen, um, 685 00:38:18,600 --> 00:38:20,040 Speaker 1: you know how he was supposed to be in Stacey's 686 00:38:20,040 --> 00:38:21,799 Speaker 1: for eighteen months. He's like yeah. He's like, you've been 687 00:38:21,800 --> 00:38:24,120 Speaker 1: in state for three million years. He's like, what he 688 00:38:24,160 --> 00:38:27,440 Speaker 1: said is everybody Dad? He's like, I don't know. Um. 689 00:38:27,440 --> 00:38:29,560 Speaker 1: He's like, you're all knowing computer. He's like yeah, but 690 00:38:29,560 --> 00:38:33,120 Speaker 1: we're also in the middle of nowhere, so I don't know. Um. 691 00:38:33,200 --> 00:38:35,959 Speaker 1: And so he's like, well, what's going on? And he's like, well, 692 00:38:37,040 --> 00:38:38,759 Speaker 1: he just looks over this one pile and he wipes 693 00:38:38,800 --> 00:38:40,600 Speaker 1: it off and he's like, hey man, you might not 694 00:38:40,640 --> 00:38:42,920 Speaker 1: want to do that. That's instant Jenkins. He's like, what 695 00:38:42,960 --> 00:38:45,560 Speaker 1: the fuck I've been eating everybody on this ship for 696 00:38:45,600 --> 00:38:49,120 Speaker 1: the past How you didn't even tell me? So then 697 00:38:49,160 --> 00:38:52,920 Speaker 1: his homeboy rolls in because because the person, you know, 698 00:38:52,960 --> 00:38:55,440 Speaker 1: because if you're if someone dies while they're on this mission, 699 00:38:55,719 --> 00:39:00,600 Speaker 1: they can bring them back as a hologram because you 700 00:39:00,640 --> 00:39:06,280 Speaker 1: can't have it. But they bring him back as a holograd. 701 00:39:06,719 --> 00:39:10,040 Speaker 1: And then he blames list for him being dead because 702 00:39:10,080 --> 00:39:12,200 Speaker 1: of like, if you were not in statsis, you could 703 00:39:12,239 --> 00:39:14,839 Speaker 1: have helped me. And he was like, no, you're incompetent 704 00:39:16,040 --> 00:39:19,120 Speaker 1: funked it up anyway. So they're talking to each other 705 00:39:19,239 --> 00:39:22,640 Speaker 1: and then a character called the Cat who comes called 706 00:39:22,640 --> 00:39:25,440 Speaker 1: the Cat. It's a black dude who's basically dressed like 707 00:39:25,480 --> 00:39:30,719 Speaker 1: little Richard. He has these gorgeous suits on and he 708 00:39:30,760 --> 00:39:34,480 Speaker 1: has his big quafft hair, and he looks up and 709 00:39:34,480 --> 00:39:37,000 Speaker 1: he's like, so he comes in because he's just been 710 00:39:37,040 --> 00:39:41,280 Speaker 1: strolling around the ship and remor and listen, don't expecting 711 00:39:41,400 --> 00:39:43,560 Speaker 1: the life form on the ship. And he goes, oh, 712 00:39:43,640 --> 00:39:46,360 Speaker 1: but it make myself look big. So then you realize 713 00:39:46,520 --> 00:39:50,120 Speaker 1: this is the fucking cat. So he tells the history 714 00:39:50,120 --> 00:39:53,880 Speaker 1: of what happened. So the cat Frankenstein gave Kirk. This 715 00:39:53,960 --> 00:39:59,600 Speaker 1: is all the pilot, the pilot. So Frankenstein gives birth 716 00:40:00,040 --> 00:40:02,799 Speaker 1: hat in the hold of the ship and he's like, well, 717 00:40:02,840 --> 00:40:05,760 Speaker 1: you know how humans are supposed to be descended from apes, 718 00:40:06,280 --> 00:40:10,800 Speaker 1: these people are descended from cats. Oh God, okay, cool, 719 00:40:11,160 --> 00:40:15,560 Speaker 1: but he does but the natural selection on the ship. 720 00:40:16,200 --> 00:40:19,440 Speaker 1: Imagine if a cat became a person would be the 721 00:40:19,560 --> 00:40:22,759 Speaker 1: faintest thing you've ever seen. So he always has these 722 00:40:22,800 --> 00:40:27,640 Speaker 1: designer fucking suits. Hair is always done, and then another 723 00:40:28,560 --> 00:40:31,040 Speaker 1: and like the next episode you see him he's got 724 00:40:31,080 --> 00:40:33,920 Speaker 1: this little like aerator looks like perfume, and he's walking 725 00:40:33,920 --> 00:40:36,279 Speaker 1: through the ship going this is mine, this is mine. 726 00:40:36,360 --> 00:40:40,960 Speaker 1: So he's marking his territory. Wow, but it's in this 727 00:40:41,040 --> 00:40:43,719 Speaker 1: little thing and it's like so he learns like and 728 00:40:43,719 --> 00:40:46,000 Speaker 1: then Listen finds out the later history of it. But 729 00:40:46,160 --> 00:40:48,080 Speaker 1: in the pilot up and so the cat shows up 730 00:40:48,480 --> 00:40:51,080 Speaker 1: and then he tells them like, oh, I'm just sending 731 00:40:51,120 --> 00:40:52,920 Speaker 1: for Frankistein. They're like what in the that's the end 732 00:40:52,920 --> 00:40:56,400 Speaker 1: of the first episode. That's it's crazy. And then like 733 00:40:56,400 --> 00:41:00,600 Speaker 1: they find android later. That was a masterful an obsess 734 00:41:00,719 --> 00:41:02,920 Speaker 1: of the first episode. We're gonna buy it. We want 735 00:41:03,000 --> 00:41:06,160 Speaker 1: we want to. It's so funny but just like the cats, 736 00:41:06,360 --> 00:41:09,000 Speaker 1: like it's great because like the lines that the cat has, 737 00:41:09,120 --> 00:41:11,759 Speaker 1: like Ramor stole list of cigarettes as a way to 738 00:41:11,800 --> 00:41:13,239 Speaker 1: can like make him do what he wants him to do. 739 00:41:13,800 --> 00:41:16,640 Speaker 1: And the cat finds him and so he's pushing his 740 00:41:16,719 --> 00:41:20,240 Speaker 1: cart like dancing down the hallway. He's like, I gotta 741 00:41:20,320 --> 00:41:22,440 Speaker 1: shiny thing. He's like what are you doing? He's like 742 00:41:23,000 --> 00:41:26,480 Speaker 1: these are these are mine? Like, no, put those back? 743 00:41:26,560 --> 00:41:29,520 Speaker 1: He's like no, he said this. He goes you see 744 00:41:29,520 --> 00:41:32,239 Speaker 1: this hand. It is mine. You see these things? They 745 00:41:32,239 --> 00:41:34,920 Speaker 1: are mine, like I'm not. Then he finds a yo 746 00:41:35,040 --> 00:41:38,040 Speaker 1: yo one day, and that's funny as ship because it's 747 00:41:38,040 --> 00:41:42,799 Speaker 1: how would an adult who's descended from cats interact with 748 00:41:42,880 --> 00:41:45,960 Speaker 1: yo yo? And then it's him just how awe going? 749 00:41:47,200 --> 00:41:50,319 Speaker 1: And he's playing with this fucking yoyo. He's like, you 750 00:41:50,360 --> 00:41:52,960 Speaker 1: know what it does? He's like, yeah, I do. He said, 751 00:41:52,960 --> 00:41:54,480 Speaker 1: you got the string up here on the shiny thing 752 00:41:54,480 --> 00:41:57,120 Speaker 1: on the bottom. Then here's the clever bit. You put 753 00:41:57,120 --> 00:41:59,359 Speaker 1: the string on the bottom and the shiny things on top. 754 00:41:59,440 --> 00:42:00,959 Speaker 1: He's like, all right, you know what lives your life? 755 00:42:02,440 --> 00:42:05,759 Speaker 1: So you sound like decidedly like a sci fi queen. Yes, 756 00:42:05,920 --> 00:42:08,160 Speaker 1: I like a lot of sci fi and stuff. I've 757 00:42:08,160 --> 00:42:10,239 Speaker 1: never been down, but I'm a Star Trek person out 758 00:42:10,239 --> 00:42:12,759 Speaker 1: of Star Wars wow, because the dream of my life 759 00:42:13,000 --> 00:42:14,760 Speaker 1: is to be a cleon in a Star Trek movie. 760 00:42:15,160 --> 00:42:22,920 Speaker 1: But not these new fucking weird as dinosaur head cleon. No, 761 00:42:23,040 --> 00:42:26,320 Speaker 1: I'm talking about tn like very warfarey do ros sisters, 762 00:42:26,800 --> 00:42:30,480 Speaker 1: very hair long titties out like past clean. I'm trying 763 00:42:30,480 --> 00:42:32,080 Speaker 1: to be. I don't know these weird ones like, and 764 00:42:32,120 --> 00:42:33,799 Speaker 1: I don't like these new ones day was been at 765 00:42:33,719 --> 00:42:35,759 Speaker 1: a cumber Batch's characters supposed to be a clan on 766 00:42:35,880 --> 00:42:38,279 Speaker 1: the supposed to be con when he was con it 767 00:42:38,440 --> 00:42:42,319 Speaker 1: supposed to the Ricardo Montbon con. It's a twist, he says, 768 00:42:42,440 --> 00:42:46,000 Speaker 1: I'm con or something, right. I think he does. I 769 00:42:46,040 --> 00:42:48,040 Speaker 1: don't know. I didn't watch the movie. I didn't watch 770 00:42:48,040 --> 00:42:49,880 Speaker 1: the movie either. I like the first movie because I 771 00:42:49,920 --> 00:42:52,080 Speaker 1: saw the trailer and there was that shot of Crispine 772 00:42:52,080 --> 00:42:53,480 Speaker 1: with his butt in the air, and I was like, 773 00:42:53,520 --> 00:42:57,200 Speaker 1: I'll see that. But then they didn't market it sexually, 774 00:42:57,280 --> 00:43:02,200 Speaker 1: so I didn't see that. And then they um, Sulu 775 00:43:02,840 --> 00:43:09,240 Speaker 1: gay yeah, which piste off George Kai even though he gay. 776 00:43:09,960 --> 00:43:12,600 Speaker 1: Why was George pressed about that? Because he was like, 777 00:43:12,680 --> 00:43:14,920 Speaker 1: what is the point it is? He was like, this 778 00:43:14,960 --> 00:43:18,640 Speaker 1: isn't how Gene ron Berry wrote it. But you're like, oh, 779 00:43:18,680 --> 00:43:20,480 Speaker 1: we're trying to be inclusive. He's like, yeah, that's cute, 780 00:43:20,880 --> 00:43:24,440 Speaker 1: but that's not the fucking point. Um, that's okay. So 781 00:43:24,600 --> 00:43:28,360 Speaker 1: so you're tracking and a red Dwarf. Yes, what is 782 00:43:28,360 --> 00:43:32,000 Speaker 1: it against Star Wars? I don't think I get it. 783 00:43:32,239 --> 00:43:39,160 Speaker 1: You don't get it feel like space? What's that star Trek? Well? 784 00:43:39,600 --> 00:43:42,400 Speaker 1: I think here's the I don't have anything against Star Trek, 785 00:43:43,040 --> 00:43:46,760 Speaker 1: but I think it's it's confusing. But there's so many 786 00:43:46,800 --> 00:43:50,360 Speaker 1: worlds and so many like everything consistent that there's always 787 00:43:50,400 --> 00:43:54,879 Speaker 1: the same timeline they started like Star Trek always went 788 00:43:55,000 --> 00:44:00,400 Speaker 1: forward until very recently when they when they did Yager, 789 00:44:00,920 --> 00:44:05,600 Speaker 1: Voyager was before and then was a Voyager before, which 790 00:44:05,600 --> 00:44:10,440 Speaker 1: one was before Enterprise. That's the one Voyager. No. I 791 00:44:10,480 --> 00:44:12,360 Speaker 1: wanted to watch Voyager, but that Jane Waite chick. I 792 00:44:12,360 --> 00:44:16,160 Speaker 1: couldn't listen to her voice. I listened. I was very supportive, 793 00:44:16,200 --> 00:44:18,600 Speaker 1: but she sounds like somebody was always slightly shaking her. 794 00:44:22,160 --> 00:44:29,800 Speaker 1: What's the actress's name, No, because I think, oh ship 795 00:44:30,040 --> 00:44:32,200 Speaker 1: is she is somebody shaking her on that show too. 796 00:44:32,560 --> 00:44:35,799 Speaker 1: She actually gets shook a couple of times. Okay, but 797 00:44:35,840 --> 00:44:39,200 Speaker 1: does she sound like that she's sitting on like, No, 798 00:44:39,400 --> 00:44:43,000 Speaker 1: she she went rushing for that one, not shaky cute, Okay, 799 00:44:43,200 --> 00:44:45,200 Speaker 1: because if you're supposed to be a captain of a 800 00:44:45,239 --> 00:44:48,560 Speaker 1: fucking ship, I need you to not sound like you're frightened. 801 00:44:49,600 --> 00:44:53,359 Speaker 1: She showed me crazy. And then Enterprise is I guess 802 00:44:53,360 --> 00:44:59,279 Speaker 1: considered is it before the next generation, So it's before 803 00:44:59,320 --> 00:45:02,759 Speaker 1: the first series, so it's four Original and then Inner 804 00:45:02,920 --> 00:45:08,239 Speaker 1: and then Discovery is before Discoveries before everything is just 805 00:45:08,440 --> 00:45:13,160 Speaker 1: as chronologically funked up as Star Wars. Your point holds no, no, no, no, no, no, 806 00:45:14,680 --> 00:45:17,799 Speaker 1: just because it's only because I didn't watch it. Well, 807 00:45:17,840 --> 00:45:20,000 Speaker 1: here's the Voyager. I knew because the thing is like 808 00:45:20,200 --> 00:45:23,400 Speaker 1: next Generation and Deep Space nine occurred at the basically 809 00:45:23,440 --> 00:45:28,000 Speaker 1: the same time because O'Brien, because the engineer from from 810 00:45:28,440 --> 00:45:31,360 Speaker 1: the Enterprise came to Deep Space nine, and then Wharf 811 00:45:31,480 --> 00:45:35,360 Speaker 1: came to Deep Space nine. Uh fucking Court came to 812 00:45:35,400 --> 00:45:37,880 Speaker 1: Deep Space nine, So that was at the same timeline 813 00:45:38,080 --> 00:45:39,879 Speaker 1: and the Voyager was at the same like they were 814 00:45:39,920 --> 00:45:42,960 Speaker 1: all around the same time, and then I don't know 815 00:45:43,000 --> 00:45:45,239 Speaker 1: what the funk happened, but that the point is that 816 00:45:45,280 --> 00:45:49,279 Speaker 1: you want to cover about something. I actually it's one 817 00:45:49,280 --> 00:45:51,239 Speaker 1: of those things to say, I'm a Star Wars fan 818 00:45:51,400 --> 00:45:54,319 Speaker 1: who hate Star Trek. That's ridiculous, okay, because it's just 819 00:45:54,360 --> 00:45:55,960 Speaker 1: one of those things where it's like, if you like 820 00:45:56,040 --> 00:45:58,479 Speaker 1: Star Wars, you feel like you have to dislike Star Trek, 821 00:45:58,719 --> 00:46:00,319 Speaker 1: And do you feel that way about Star Wars like 822 00:46:00,320 --> 00:46:02,759 Speaker 1: being a starter, you don't have any hatred towards Star Wars. 823 00:46:02,760 --> 00:46:06,120 Speaker 1: You just don't. Personally, you don't care when you got 824 00:46:06,200 --> 00:46:10,480 Speaker 1: Like the first time I saw in Job of the Hut, 825 00:46:10,719 --> 00:46:16,480 Speaker 1: that big thing had that girl chained up, and I 826 00:46:16,560 --> 00:46:23,040 Speaker 1: was like, oh no, some weird man do road this 827 00:46:26,520 --> 00:46:31,560 Speaker 1: him in a feminist display. That's cute, But I really like, 828 00:46:31,640 --> 00:46:34,520 Speaker 1: originally she wasn't gonna kill him. I feel like, originally 829 00:46:34,520 --> 00:46:38,359 Speaker 1: strong o the fucking somebody. And at the whole point 830 00:46:38,360 --> 00:46:41,080 Speaker 1: she's shained to No, well he's I guess keep well, 831 00:46:41,160 --> 00:46:43,000 Speaker 1: you know what you have to ask that question? Why 832 00:46:43,120 --> 00:46:46,840 Speaker 1: why is she wearing that outfit? That outfit trying to 833 00:46:46,840 --> 00:46:51,360 Speaker 1: sell her? Right? What was happening? I think she was 834 00:46:51,400 --> 00:46:54,600 Speaker 1: there as a display because she wasn't. Day made her 835 00:46:54,640 --> 00:46:58,839 Speaker 1: put that outfit on and chained her. Alaska the ship 836 00:46:59,000 --> 00:47:02,160 Speaker 1: wasn't Kosha from the it go. She's supposed to be 837 00:47:02,200 --> 00:47:04,640 Speaker 1: a princess and ship in fact did she didn't even 838 00:47:04,640 --> 00:47:08,399 Speaker 1: have the security written into the damn movie around her 839 00:47:08,680 --> 00:47:11,560 Speaker 1: to stop her ass from getting captured in the first place. 840 00:47:12,120 --> 00:47:15,840 Speaker 1: To have problem, I'm going because when she was her security, 841 00:47:16,280 --> 00:47:18,600 Speaker 1: she left her security because she bravely went to go 842 00:47:18,680 --> 00:47:22,440 Speaker 1: rescue Han Solo who she's stupid. No, she's not stupid. 843 00:47:22,640 --> 00:47:25,200 Speaker 1: She followed her heart. That means your security, you ain't 844 00:47:25,200 --> 00:47:28,360 Speaker 1: got good security, because if you got good security, they 845 00:47:28,360 --> 00:47:32,080 Speaker 1: ain't gonna ride with you regardless. So if I say, hey, 846 00:47:32,120 --> 00:47:34,480 Speaker 1: we're gonna get my man, they go, okay, let me 847 00:47:34,520 --> 00:47:37,280 Speaker 1: get the ship. That means that her security wasn't loyal 848 00:47:37,320 --> 00:47:40,080 Speaker 1: to her. What happened to her security didn't I'll tell 849 00:47:40,040 --> 00:47:42,440 Speaker 1: you what up in a security that all her security 850 00:47:42,480 --> 00:47:46,680 Speaker 1: got blown up ony so her she didn't have any security. 851 00:47:47,120 --> 00:47:52,040 Speaker 1: She she was outliving her security. She was surpassing her security. 852 00:47:52,480 --> 00:47:55,600 Speaker 1: Security got cilled. I guess you're gonna say it wasn't 853 00:47:55,640 --> 00:48:00,799 Speaker 1: good security, of course, but I would say I would 854 00:48:00,840 --> 00:48:02,960 Speaker 1: say this. I would say some I would say, like 855 00:48:03,000 --> 00:48:04,719 Speaker 1: there are people out there with good security. I'd say 856 00:48:04,719 --> 00:48:08,960 Speaker 1: Beyonce and jay Z have good security, but sometimes listen, 857 00:48:09,520 --> 00:48:11,279 Speaker 1: but ain't nobody trying to blow up ship? Would be 858 00:48:11,600 --> 00:48:13,600 Speaker 1: and jay Z on it. I don't know about that. 859 00:48:13,840 --> 00:48:17,160 Speaker 1: I don't know. We got better things to do. There's 860 00:48:17,160 --> 00:48:19,839 Speaker 1: a better people to kill. There definitely are. But I'm 861 00:48:19,840 --> 00:48:22,759 Speaker 1: saying like if we're not just if look, I think 862 00:48:22,840 --> 00:48:25,520 Speaker 1: that if some parts of Earth got blown up, it'd 863 00:48:25,520 --> 00:48:30,239 Speaker 1: be like fush but like like like but if the 864 00:48:30,280 --> 00:48:32,920 Speaker 1: whole thing got blown up, like we would be disappointed. 865 00:48:33,000 --> 00:48:35,279 Speaker 1: Hold on, Hold on, hold, how security was on a 866 00:48:35,320 --> 00:48:38,759 Speaker 1: planet in the whole planet got blown up? Oh sustained 867 00:48:38,800 --> 00:48:46,440 Speaker 1: they find there was was up. I gotta I'm like 868 00:48:46,560 --> 00:48:49,319 Speaker 1: the ocean is gone, Like I can't be upset. Yeah, 869 00:48:49,400 --> 00:48:51,960 Speaker 1: you don't really have a dug in this fight. So well, 870 00:48:51,960 --> 00:48:53,600 Speaker 1: So this is why I want to I want to 871 00:48:53,640 --> 00:48:57,600 Speaker 1: just move on to another. Speaking of outfit, speaking of franchises, 872 00:48:57,760 --> 00:49:00,040 Speaker 1: I think we we've never had a conversation with to 873 00:49:00,080 --> 00:49:03,040 Speaker 1: see about drag Race and Dulcy is a drag Drag 874 00:49:03,200 --> 00:49:07,640 Speaker 1: super fan, and you got to shift the conversation when 875 00:49:07,680 --> 00:49:09,360 Speaker 1: I did not. When I first moved to l A 876 00:49:09,360 --> 00:49:14,000 Speaker 1: and I was staying with like rather regular person, I 877 00:49:14,040 --> 00:49:16,839 Speaker 1: made sure that I still saw drag Race. And thank 878 00:49:16,920 --> 00:49:19,680 Speaker 1: god to those people. Thank you for the people on YouTube, 879 00:49:20,239 --> 00:49:23,840 Speaker 1: hirate and this ship, thank you. Now, before I was 880 00:49:23,840 --> 00:49:27,680 Speaker 1: still on logo, it was on logo, it was easier 881 00:49:27,680 --> 00:49:30,600 Speaker 1: to pirate. Right when that ship got on v H one. 882 00:49:31,680 --> 00:49:36,160 Speaker 1: Oh man, lockdown, lockdown, lockdown, that we can't find it. 883 00:49:36,239 --> 00:49:38,920 Speaker 1: It's a real campaign, real campaign. I had to get. 884 00:49:39,000 --> 00:49:40,080 Speaker 1: I had to go, like you know what, let me 885 00:49:40,120 --> 00:49:46,600 Speaker 1: pay Amazon for the season because umh one plays no games. 886 00:49:46,719 --> 00:49:49,040 Speaker 1: They're out here. I think it's just one person's job. 887 00:49:49,560 --> 00:49:51,480 Speaker 1: But you're you're in the Viacom family. I feel like 888 00:49:51,520 --> 00:49:53,799 Speaker 1: you should just like have the link, the screener link 889 00:49:53,800 --> 00:50:00,160 Speaker 1: at the ready got people in the back and can 890 00:50:00,160 --> 00:50:05,279 Speaker 1: get even thought about that. We'll get We'll get her 891 00:50:05,280 --> 00:50:07,279 Speaker 1: a bin link. Sometimes I'm like, oh, I always I 892 00:50:07,320 --> 00:50:12,320 Speaker 1: can see the show today. We we recap it for Vulture, 893 00:50:12,400 --> 00:50:14,640 Speaker 1: so we get to get the episode like two days before, 894 00:50:15,080 --> 00:50:17,960 Speaker 1: and then we have a mole that tells us who 895 00:50:18,680 --> 00:50:23,239 Speaker 1: Viacom mole, but we cannot but we always know, but 896 00:50:23,280 --> 00:50:25,640 Speaker 1: you always knows about to get liminated anyway, because it's 897 00:50:25,640 --> 00:50:27,800 Speaker 1: always kind of made it less fun though this season 898 00:50:27,880 --> 00:50:30,000 Speaker 1: right and joeld recapped it last season for season nine 899 00:50:30,040 --> 00:50:34,080 Speaker 1: and like that we can talk about Cameron. We can 900 00:50:34,320 --> 00:50:42,400 Speaker 1: talk about Cameron. I have never in the history of 901 00:50:42,480 --> 00:50:46,160 Speaker 1: drag Race where has this been so upset? Yeah, that's wow. 902 00:50:46,320 --> 00:50:50,520 Speaker 1: Really didn't want What do you mean didn't win? Are 903 00:50:50,560 --> 00:51:01,040 Speaker 1: you Proclamer or anti car Auntie? And god, I'm talking 904 00:51:01,040 --> 00:51:03,880 Speaker 1: about that whole head notes. I'm not here for her? 905 00:51:04,120 --> 00:51:06,840 Speaker 1: Who are we? Who did you like listen. Now, I 906 00:51:06,960 --> 00:51:08,560 Speaker 1: always have to be here for a plus guys. Queen 907 00:51:10,080 --> 00:51:12,520 Speaker 1: so adds, I'm just like, I just have Eureka and 908 00:51:12,640 --> 00:51:18,279 Speaker 1: my heart and then asio Hera because I listen. I 909 00:51:18,280 --> 00:51:21,720 Speaker 1: think it was very obvious there RuPaul had a sauce 910 00:51:21,719 --> 00:51:27,399 Speaker 1: spot for Asia hair. Yes, and when them butterflies? Oh yeah, 911 00:51:31,480 --> 00:51:35,239 Speaker 1: so you don't know as much about this. You're an 912 00:51:35,280 --> 00:51:37,719 Speaker 1: expert on Red Dark but not RuPaul's dragons. Okay, it's 913 00:51:37,760 --> 00:51:44,720 Speaker 1: it's okay, everyone's here to learn. But at the Montreal Fringe, 914 00:51:44,920 --> 00:51:51,480 Speaker 1: come on, let's go. This man's full of surprises. Surprises. No, 915 00:51:51,719 --> 00:51:59,120 Speaker 1: I was listen to the butterflies, the butterflies when that 916 00:51:59,200 --> 00:52:02,319 Speaker 1: little braiselet in the open. First of all, First of all, 917 00:52:02,360 --> 00:52:07,359 Speaker 1: wouldn't it worked for nasty or first? Second? Um, there 918 00:52:07,440 --> 00:52:10,839 Speaker 1: was too much mechanics, Yes, yeah, it was just there 919 00:52:10,880 --> 00:52:13,759 Speaker 1: was too many technical, too many technical. At one point, 920 00:52:13,760 --> 00:52:18,680 Speaker 1: Cameron stands and looking over like, what is happening with 921 00:52:18,840 --> 00:52:22,239 Speaker 1: Sasha was just pedals in the glove boom and like 922 00:52:22,280 --> 00:52:24,319 Speaker 1: the pedals in aneath the wig. So that's why all 923 00:52:24,320 --> 00:52:26,919 Speaker 1: stars are so great. When Baby took her wig off, 924 00:52:27,400 --> 00:52:33,160 Speaker 1: it was bitch, ain't wig? I'm talking about he just 925 00:52:33,200 --> 00:52:35,480 Speaker 1: pulled that little fucking put the gat wig off and 926 00:52:35,560 --> 00:52:41,239 Speaker 1: was nothing underneath it. Yea so late, but that lip 927 00:52:41,239 --> 00:52:43,360 Speaker 1: sync was a travesty because that was the one that 928 00:52:43,400 --> 00:52:46,160 Speaker 1: Bendela Crame won. And then she was like, I'm blowing home. 929 00:52:46,880 --> 00:52:51,800 Speaker 1: That was fixed. So I just said, Bendella cram Um, 930 00:52:52,120 --> 00:52:54,840 Speaker 1: mother of drag queens, like would have just savior of 931 00:52:54,960 --> 00:53:02,000 Speaker 1: us all like that ship bend Like right when Bendelow 932 00:53:02,040 --> 00:53:07,360 Speaker 1: went home, I was just like you what, Yeah, I 933 00:53:07,440 --> 00:53:12,480 Speaker 1: was literally at my house going half, how dare you? 934 00:53:12,600 --> 00:53:15,879 Speaker 1: Because what you did, because what you did is you 935 00:53:15,960 --> 00:53:19,719 Speaker 1: slapped everybody else in the face straight up. You disrespected 936 00:53:19,719 --> 00:53:23,439 Speaker 1: the competition. You disrespected rude Paul because we all knew 937 00:53:23,440 --> 00:53:26,399 Speaker 1: she was gonna win. And for somebody who sits up 938 00:53:26,600 --> 00:53:30,680 Speaker 1: winding on a damn time about how she wants to 939 00:53:30,719 --> 00:53:33,799 Speaker 1: be seen as a specific type of performer and wants 940 00:53:33,800 --> 00:53:36,960 Speaker 1: her drag to be seen, your drag was winning. The 941 00:53:37,040 --> 00:53:38,800 Speaker 1: dragon was winning. And then she put an asterisk on 942 00:53:38,840 --> 00:53:41,399 Speaker 1: the person who did win, right like on the name 943 00:53:41,440 --> 00:53:43,200 Speaker 1: of the person who It makes it weird for the tricks, 944 00:53:43,360 --> 00:53:48,040 Speaker 1: well its weird, but like it's kind of feels weird 945 00:53:48,040 --> 00:53:50,759 Speaker 1: because it's like, yes, you did win, but Bendela Krem 946 00:53:50,840 --> 00:53:54,920 Speaker 1: also didn't come. Also, it's you lit Morgen mit Michael 947 00:53:55,000 --> 00:54:01,000 Speaker 1: spook you and we all knew that she was not 948 00:54:01,080 --> 00:54:04,160 Speaker 1: gonna say no, no no. That's why she got kicked 949 00:54:04,160 --> 00:54:05,920 Speaker 1: out the first round in the first place. Well that, 950 00:54:05,960 --> 00:54:08,240 Speaker 1: I mean, Joe was saying this like Benda, like Bendalla 951 00:54:08,280 --> 00:54:10,759 Speaker 1: crim like she's not this altruistic person by throwing a 952 00:54:10,800 --> 00:54:14,560 Speaker 1: fucking green aid back into the competition with I have 953 00:54:14,640 --> 00:54:17,959 Speaker 1: tea about who's on the All Stars for cost people 954 00:54:18,000 --> 00:54:23,320 Speaker 1: want to know, come on on my Comedy Central. Friends 955 00:54:23,320 --> 00:54:27,279 Speaker 1: in the back are like, oh, bitch, just of course 956 00:54:27,360 --> 00:54:29,680 Speaker 1: unsubstantiated room. I mean, you don't work with v H one, 957 00:54:29,840 --> 00:54:34,840 Speaker 1: so they don't know who I'm talking to as I 958 00:54:34,840 --> 00:54:38,399 Speaker 1: say all your names. Okay, wait, I'm just gonna try 959 00:54:38,400 --> 00:54:41,160 Speaker 1: to remember it off the top of my head. We have, um, 960 00:54:41,560 --> 00:54:43,719 Speaker 1: we've got I also don't know who these people are. 961 00:54:44,000 --> 00:54:46,520 Speaker 1: But how many seasons have you watched? Are you saying 962 00:54:46,520 --> 00:54:50,880 Speaker 1: All Stars at Trinity Tailor is on it? Are we 963 00:54:50,920 --> 00:54:53,440 Speaker 1: a Trinity fan? Oh, the one with the plants? Yes, 964 00:54:54,520 --> 00:55:00,719 Speaker 1: her Valentina Valentina, Valentina, Valentina Valentina. Then I'd like to 965 00:55:00,800 --> 00:55:04,440 Speaker 1: keep it on things. Yes, Jocelyn, Jocelyn Fox is not 966 00:55:05,440 --> 00:55:07,560 Speaker 1: she I told you she was. She was not. She 967 00:55:07,640 --> 00:55:12,040 Speaker 1: did not make the cut good dec gun oh the 968 00:55:12,080 --> 00:55:14,239 Speaker 1: boom boom gun. You know, the giant person she has 969 00:55:14,320 --> 00:55:18,080 Speaker 1: when she walks out. So I was at Fresh Slapia. 970 00:55:18,520 --> 00:55:20,879 Speaker 1: I was at I think it was the first Root 971 00:55:20,920 --> 00:55:23,640 Speaker 1: Pause Dragon in l A when it was still on logo. 972 00:55:24,320 --> 00:55:25,799 Speaker 1: She had a booth where she was the guy who 973 00:55:25,880 --> 00:55:28,520 Speaker 1: makes those purses with selling them at the booth. So 974 00:55:28,680 --> 00:55:31,719 Speaker 1: it's not as scale now it's a little bit. It's 975 00:55:31,760 --> 00:55:38,160 Speaker 1: more manageable, but it's still hula hoop. What a person. 976 00:55:38,719 --> 00:55:41,080 Speaker 1: And so I get to the booth and I'm just like, 977 00:55:41,640 --> 00:55:44,000 Speaker 1: let me get this bag in black and this girl 978 00:55:44,080 --> 00:55:46,040 Speaker 1: has see her over there. She's on her phone with 979 00:55:46,200 --> 00:55:49,440 Speaker 1: her card in her hand, and she's like, well, you know, 980 00:55:49,560 --> 00:55:50,960 Speaker 1: she's trying to get the bag. And I said, what 981 00:55:51,080 --> 00:55:54,839 Speaker 1: what's going on? Because if I see you standing there 982 00:55:54,880 --> 00:55:57,279 Speaker 1: at a booth with your card and your phone in 983 00:55:57,360 --> 00:56:00,960 Speaker 1: your hand, your card didn't working. So I'm like, what's 984 00:56:01,000 --> 00:56:04,560 Speaker 1: going on. She's like, oh, girl, her card adn't working. 985 00:56:04,680 --> 00:56:07,360 Speaker 1: We're just gonna see what happens. And I said, my 986 00:56:07,480 --> 00:56:12,200 Speaker 1: card ain't gonna get declined, and she just went, sorry, girl, 987 00:56:14,080 --> 00:56:15,840 Speaker 1: sook my card to swipe that bitch. I got that 988 00:56:15,920 --> 00:56:17,720 Speaker 1: bag right in front of that damn girl. My god. 989 00:56:18,400 --> 00:56:22,239 Speaker 1: Also can't get it on a plane. So no, you 990 00:56:22,320 --> 00:56:23,840 Speaker 1: know so many of the things that they bring on. 991 00:56:24,520 --> 00:56:26,600 Speaker 1: Did you put that on that plane? Yeah? I mean 992 00:56:26,680 --> 00:56:28,520 Speaker 1: you can't check that bag. It's too precious to me. 993 00:56:28,719 --> 00:56:30,480 Speaker 1: Here's the list. I'm just gonna go through it. Manila 994 00:56:30,520 --> 00:56:33,359 Speaker 1: lose On and Latrice Royal both back from all starts 995 00:56:33,440 --> 00:56:37,239 Speaker 1: one one okay, okay, I met Manila. She's so great. Yeah, 996 00:56:37,360 --> 00:56:41,320 Speaker 1: Manila is is cool. Gia Gunn I said, Naomi Small's 997 00:56:42,640 --> 00:56:53,200 Speaker 1: Valentina and Trinity Taylor, Yes, Pheromone, Sarah Monique, card Exchange 998 00:56:54,480 --> 00:57:02,879 Speaker 1: and the gag Jasmine Masters she's on they brought shot 999 00:57:02,960 --> 00:57:08,239 Speaker 1: on the show. And honestly, yeah, I'm guessing you were 1000 00:57:08,400 --> 00:57:10,960 Speaker 1: a Chngela fan as we all were. I mean, hallelu 1001 00:57:11,320 --> 00:57:15,759 Speaker 1: hallelu Like Angela, first of all, do you ever see 1002 00:57:16,560 --> 00:57:20,280 Speaker 1: her and Jennifer Lewis are very friends and friends? Yeah, 1003 00:57:20,680 --> 00:57:27,080 Speaker 1: and their videos together are hilarious. Ch Angela, I actually 1004 00:57:27,360 --> 00:57:31,120 Speaker 1: legitimately laugh every time she says hallelu I think. I 1005 00:57:31,200 --> 00:57:33,080 Speaker 1: think it's so funny. I met her in a knack 1006 00:57:33,080 --> 00:57:35,560 Speaker 1: because she's very sweet. She was on Fire Island the 1007 00:57:35,600 --> 00:57:37,360 Speaker 1: same time we were, and she was just like chilling. 1008 00:57:37,480 --> 00:57:39,880 Speaker 1: She was just like, tell me about this Fire Island. 1009 00:57:40,040 --> 00:57:41,720 Speaker 1: I don't feel like I've never seen. I don't even 1010 00:57:41,720 --> 00:57:44,640 Speaker 1: I don't even think it comes up in straight people's maps. 1011 00:57:45,160 --> 00:57:48,680 Speaker 1: It this is a common misconception. I'm from Long Island, 1012 00:57:48,720 --> 00:57:52,920 Speaker 1: so I can tell you it is mostly a straight nightmare. Okay, 1013 00:57:53,600 --> 00:57:57,240 Speaker 1: it's on Long Islands. I guess it's off. It's a 1014 00:57:57,320 --> 00:57:59,720 Speaker 1: strip of land off Long Island. You take a fairy 1015 00:57:59,720 --> 00:58:05,200 Speaker 1: it's by five minutes, so it's a it's an island. 1016 00:58:05,200 --> 00:58:09,760 Speaker 1: It's an adjacent island to the Island of Long Okay. Yeah, 1017 00:58:11,120 --> 00:58:14,480 Speaker 1: it's just it's cute. Gay things happened there in certain parts, 1018 00:58:14,600 --> 00:58:16,760 Speaker 1: and a lot of straight nightmare happens on the whole 1019 00:58:16,760 --> 00:58:19,520 Speaker 1: of butart like remember the shild Jersey Shore, Like that's 1020 00:58:19,560 --> 00:58:23,800 Speaker 1: the whole rest of Long Island. Like it's very like that. 1021 00:58:24,400 --> 00:58:26,160 Speaker 1: And then there's so much that would hit on me 1022 00:58:26,240 --> 00:58:28,200 Speaker 1: and act like they don't want to sleep with me. There. 1023 00:58:28,320 --> 00:58:33,200 Speaker 1: I mean the same, same, same, same, same, um, same campaign, 1024 00:58:33,240 --> 00:58:35,800 Speaker 1: but it's fun. And then like this Acid trips like 1025 00:58:35,880 --> 00:58:37,480 Speaker 1: opened it it up for me. I was like, oh, 1026 00:58:37,680 --> 00:58:40,560 Speaker 1: this is not it's not about like hooking up with people. 1027 00:58:40,600 --> 00:58:41,840 Speaker 1: It was just I don't know, it's great. It's not 1028 00:58:41,840 --> 00:58:45,080 Speaker 1: about six time. It's about the universe. It's about the universe, 1029 00:58:45,880 --> 00:58:49,440 Speaker 1: and it was about seeing everything and like three refracted overlays. 1030 00:58:49,560 --> 00:58:53,960 Speaker 1: It was amazing. Really that happens, It's beautiful. The floors 1031 00:58:54,080 --> 00:58:56,600 Speaker 1: the floor started moving. It was who here has done acid? 1032 00:58:56,840 --> 00:59:01,360 Speaker 1: Who's done acid? Anyone? Just is this conversation making you 1033 00:59:01,480 --> 00:59:05,919 Speaker 1: want to do acid? It is? You guys are super fun. 1034 00:59:06,440 --> 00:59:07,840 Speaker 1: We've got a couple of people who are just like no, 1035 00:59:10,000 --> 00:59:12,360 Speaker 1: the floor became lava. No, no, no no. The floor 1036 00:59:12,480 --> 00:59:14,600 Speaker 1: was just like it was the light was percolating out 1037 00:59:14,600 --> 00:59:16,720 Speaker 1: of the floor. It was just like red blues, greens, yellow. 1038 00:59:16,720 --> 00:59:19,440 Speaker 1: It's just like flashing. It was I feel like the 1039 00:59:19,480 --> 00:59:23,320 Speaker 1: literally floor it sounds like a nightmare. It was gorgeous. Anyway, 1040 00:59:23,400 --> 00:59:25,520 Speaker 1: It's like an interior designer is trying to kill you. 1041 00:59:25,840 --> 00:59:30,720 Speaker 1: Yeah yeah, yeah, yeah, yeah, totally totally like these three 1042 00:59:31,240 --> 00:59:37,880 Speaker 1: identical vauses. Yeah it's something, Yes, that's what it was. 1043 00:59:38,440 --> 00:59:39,920 Speaker 1: I'm going to get into a lot of trouble for 1044 00:59:39,960 --> 00:59:42,960 Speaker 1: announcing that All Stars forecast. Am I going to get murdered? 1045 00:59:43,240 --> 00:59:48,760 Speaker 1: Comedy Central saying no, that is legal. RuPaul is scary. 1046 00:59:49,520 --> 00:59:53,360 Speaker 1: I met RuPaul the show. RuPaul came on the show, 1047 00:59:55,360 --> 00:59:59,080 Speaker 1: and we were trying to like do like stuff online 1048 00:59:59,080 --> 01:00:01,360 Speaker 1: with RuPaul and whatever, and we're like, we can't get 1049 01:00:01,360 --> 01:00:03,880 Speaker 1: any confirmation back, and Paul was like, no, I'm not 1050 01:00:03,960 --> 01:00:06,959 Speaker 1: gonna do anything because I think, like I just wanted 1051 01:00:07,000 --> 01:00:10,120 Speaker 1: to come in, do her thing and then leave. And 1052 01:00:11,000 --> 01:00:13,720 Speaker 1: when she comes in, she's not talking to anybody, and 1053 01:00:14,440 --> 01:00:17,080 Speaker 1: which is crazy that RuPaul was on the show, and 1054 01:00:17,120 --> 01:00:20,480 Speaker 1: then the Parkling Kids we're on the show at the 1055 01:00:20,600 --> 01:00:27,439 Speaker 1: same time, and I was like, who booked It's very odd. 1056 01:00:29,200 --> 01:00:31,960 Speaker 1: It was I don't know. They didn't get dinner act. 1057 01:00:32,960 --> 01:00:36,720 Speaker 1: And then RuPaul did the interview and came back out 1058 01:00:37,040 --> 01:00:39,760 Speaker 1: and was walking out. So when RuPaul had her talk show, 1059 01:00:40,520 --> 01:00:45,280 Speaker 1: it was in the same studio and she's in now 1060 01:00:45,680 --> 01:00:47,520 Speaker 1: and she walks out. She's like, oh, we used to 1061 01:00:47,520 --> 01:00:49,520 Speaker 1: shoot in the studio. Basically, this is the thing I 1062 01:00:49,560 --> 01:00:51,960 Speaker 1: want to say to you. So we don't engage. So 1063 01:00:52,760 --> 01:00:56,040 Speaker 1: she goes out, but she was very in and very out, 1064 01:00:56,240 --> 01:00:59,919 Speaker 1: very quick. So it's like if you're busy, the gat 1065 01:01:00,000 --> 01:01:02,360 Speaker 1: always don't have time to talk to us. So I 1066 01:01:02,480 --> 01:01:05,040 Speaker 1: was like, oh, she's probably busy or whatever. So it's 1067 01:01:05,040 --> 01:01:07,880 Speaker 1: just popping and pop out. But like me and all 1068 01:01:07,920 --> 01:01:10,840 Speaker 1: the gameboys at work, like just sliding down the wall 1069 01:01:12,600 --> 01:01:15,200 Speaker 1: because we couldn't meet and you didn't get the chance 1070 01:01:15,280 --> 01:01:19,040 Speaker 1: to couldn't do talk to her, couldn't take pictures. It'll happen. 1071 01:01:19,080 --> 01:01:21,800 Speaker 1: You'll be just you should be against. We're trying to 1072 01:01:21,840 --> 01:01:23,280 Speaker 1: figure out. I'm trying to see if they can be 1073 01:01:23,320 --> 01:01:27,040 Speaker 1: a guest judge. Yes, oh, or maybe I can meet 1074 01:01:27,080 --> 01:01:29,880 Speaker 1: her at the Emmy's so oh yes, when you go 1075 01:01:29,960 --> 01:01:32,240 Speaker 1: to the Emmy, you and Ronnie should be a little 1076 01:01:32,240 --> 01:01:34,680 Speaker 1: guest judges. Like Ronnie would be great. Oh yeah, Ronnie 1077 01:01:34,680 --> 01:01:36,880 Speaker 1: would be great. I don't understand what's happening here. What's 1078 01:01:36,920 --> 01:01:46,560 Speaker 1: happening here? Oh my god, he looked great. Everything's great. 1079 01:01:46,640 --> 01:01:50,680 Speaker 1: I love capitalism. He would do not ask Ronnie Chang 1080 01:01:51,360 --> 01:01:54,240 Speaker 1: about capitalism? Oh my god, I don't know what I 1081 01:01:54,320 --> 01:02:00,400 Speaker 1: ever loves. He loves like, he loves like, he'll get 1082 01:02:00,520 --> 01:02:03,120 Speaker 1: like freestuff all the time. He just goes, Yeah, man, 1083 01:02:03,200 --> 01:02:06,440 Speaker 1: I just love capitalism, and I'm like, good morning money. 1084 01:02:07,240 --> 01:02:09,080 Speaker 1: Oh my god, that's just him trying to like cover 1085 01:02:09,240 --> 01:02:11,880 Speaker 1: up for the fact that his parents escaped communism or 1086 01:02:11,960 --> 01:02:14,240 Speaker 1: something like the rest of us, like the rest of it. 1087 01:02:14,640 --> 01:02:20,200 Speaker 1: But if my parents escaped communism, I probably would like capitalism. Yeah, 1088 01:02:20,200 --> 01:02:23,840 Speaker 1: well they're whatever. Fine, We're not getting killed and oppressed anymore. 1089 01:02:24,520 --> 01:02:27,120 Speaker 1: Let me buy this McDonald's like I can't, and then 1090 01:02:27,160 --> 01:02:30,840 Speaker 1: we're gonna get killed and impressed by capitalism itself. Anyway, 1091 01:02:30,960 --> 01:02:35,560 Speaker 1: we don't ask Megan McCain about socialism. Megan McCain, you 1092 01:02:35,600 --> 01:02:38,200 Speaker 1: ever watched the View she got They got into it 1093 01:02:38,240 --> 01:02:40,360 Speaker 1: on the View this week. Mgan McCain starts was just 1094 01:02:40,560 --> 01:02:43,280 Speaker 1: freaking out the edge at the idea that socialists were 1095 01:02:43,320 --> 01:02:48,000 Speaker 1: going to come after her inherited wealth and anyway, it 1096 01:02:48,080 --> 01:02:50,000 Speaker 1: was the whole thing, Joy Behart, The View is the 1097 01:02:50,040 --> 01:02:52,720 Speaker 1: biggest drag show until it is it is. Megan McCain 1098 01:02:52,880 --> 01:02:55,600 Speaker 1: was like, name one country where socialism has worked, and 1099 01:02:55,640 --> 01:03:00,880 Speaker 1: then Joy Bayard is just like Finland, Denmark, nor Sweet 1100 01:03:00,920 --> 01:03:03,720 Speaker 1: and like and then you know, and then Australia. Yeah, yeah, 1101 01:03:04,520 --> 01:03:06,760 Speaker 1: Like everyone's a lot of this social stuff that we 1102 01:03:06,880 --> 01:03:12,600 Speaker 1: have here here, like social security public school. Um so yeah, 1103 01:03:12,800 --> 01:03:16,120 Speaker 1: like she's like transportation. I think she's a robot who 1104 01:03:16,160 --> 01:03:20,640 Speaker 1: can only say my father, my father, my father, my father, 1105 01:03:21,120 --> 01:03:25,040 Speaker 1: my father. That's that's that's I think. Megan McCain is like, 1106 01:03:26,040 --> 01:03:30,200 Speaker 1: when they get married, just becomes my husband, my husband, 1107 01:03:30,520 --> 01:03:35,400 Speaker 1: which is the dream. Oh man, I can't wait to 1108 01:03:35,440 --> 01:03:37,640 Speaker 1: me when those women's starts every sentence with my husband 1109 01:03:37,680 --> 01:03:43,280 Speaker 1: and everything I owned, his monogramed. Uh can't want to 1110 01:03:43,280 --> 01:03:46,760 Speaker 1: say my husband and my plastic surgeon. There. I have 1111 01:03:46,880 --> 01:03:52,640 Speaker 1: been talked out of getting my lipstone recently. No, no, 1112 01:03:53,000 --> 01:03:55,760 Speaker 1: why do you need that? No, there might be some 1113 01:03:56,360 --> 01:03:59,880 Speaker 1: manager and costomy. Oh my god. He's a very sweet 1114 01:04:00,040 --> 01:04:03,720 Speaker 1: and he's not here because his wife is about to 1115 01:04:03,800 --> 01:04:06,360 Speaker 1: have their first baby. I've never met a man who 1116 01:04:06,360 --> 01:04:09,919 Speaker 1: wanted to get married so bad and be a dad 1117 01:04:10,080 --> 01:04:12,240 Speaker 1: so bad. Like he would just see, like we would 1118 01:04:12,280 --> 01:04:14,760 Speaker 1: be out somewhere and he would see like somebody just 1119 01:04:14,840 --> 01:04:17,080 Speaker 1: with their kid, and he's like, oh, like you know, 1120 01:04:17,200 --> 01:04:19,480 Speaker 1: asking me. He'd asked me about the baby carriacter they 1121 01:04:19,520 --> 01:04:22,000 Speaker 1: were in or the stroller and he's like, oh, yeah, 1122 01:04:22,000 --> 01:04:23,280 Speaker 1: I can get that from my kid. And I was like, 1123 01:04:23,440 --> 01:04:29,320 Speaker 1: you are adorable. And the man customed me. Um, so 1124 01:04:29,400 --> 01:04:34,560 Speaker 1: it's very sweet sweet man um strongly about it. And 1125 01:04:34,640 --> 01:04:36,080 Speaker 1: I was like, because we were in the car but 1126 01:04:36,160 --> 01:04:37,520 Speaker 1: going to the meeting, and I was like, I gotta 1127 01:04:37,560 --> 01:04:41,200 Speaker 1: tell you something. He's like, He's like, I think I'm 1128 01:04:41,200 --> 01:04:43,200 Speaker 1: gonna get in my lips and he goes fucking no, no, 1129 01:04:44,520 --> 01:04:47,280 Speaker 1: hell no, you're not doing it. Your face up. I 1130 01:04:47,360 --> 01:04:52,840 Speaker 1: was like, I need you to relax. He was very 1131 01:04:52,960 --> 01:04:55,440 Speaker 1: not happy. Now he's a parent and he feels he's 1132 01:04:55,440 --> 01:04:57,439 Speaker 1: like his parental instincts have kicked in. So he talked 1133 01:04:57,440 --> 01:05:00,479 Speaker 1: to you like a daughter. You're not getting your lips? Yeah, 1134 01:05:01,000 --> 01:05:05,360 Speaker 1: no daughter, amand cords. Okay, I think it's time. We're 1135 01:05:05,560 --> 01:05:08,320 Speaker 1: about to wrap up. We can't end this show, this 1136 01:05:08,680 --> 01:05:12,880 Speaker 1: live podcast recording without around up. I don't think so, honey. 1137 01:05:13,960 --> 01:05:15,480 Speaker 1: And again we are going to do it again this 1138 01:05:15,600 --> 01:05:19,280 Speaker 1: evening at a thirty on the Loto Quebec stage outside 1139 01:05:19,360 --> 01:05:23,440 Speaker 1: it's is it okay Quebec. That's fine, Yeah, okay, it's 1140 01:05:23,440 --> 01:05:25,880 Speaker 1: not like a robot um. But come because if you 1141 01:05:25,960 --> 01:05:27,320 Speaker 1: don't don't come, it's gonna be a lot of like 1142 01:05:27,480 --> 01:05:30,680 Speaker 1: kids who are going to have to listen to this, 1143 01:05:31,040 --> 01:05:33,440 Speaker 1: who are gonna have to listen to anal stuck sex 1144 01:05:33,520 --> 01:05:37,840 Speaker 1: jokes from Cojok and Booster. Don't don't feel bad about 1145 01:05:37,880 --> 01:05:41,120 Speaker 1: your French because French sounds like a baby talking backwards. 1146 01:05:41,600 --> 01:05:50,000 Speaker 1: Oh you think about it, It's like I like that 1147 01:05:50,560 --> 01:05:52,880 Speaker 1: talk backwards. I love it. Do you want to go first? 1148 01:05:53,000 --> 01:05:54,880 Speaker 1: Should I? Um? I think you have something solid. I 1149 01:05:54,960 --> 01:06:00,400 Speaker 1: think you have something to look forward. Here we go, Rodgers. 1150 01:06:00,480 --> 01:06:02,480 Speaker 1: I don't think you will stand for this, and his 1151 01:06:02,640 --> 01:06:05,160 Speaker 1: time starts now. I don't think so, honey. When you 1152 01:06:05,280 --> 01:06:10,280 Speaker 1: have shitty plane seat reclining etiquette. When I'm sitting there 1153 01:06:10,360 --> 01:06:13,160 Speaker 1: and I find that you were in my lap, fuck you. 1154 01:06:13,800 --> 01:06:16,160 Speaker 1: That is disrespectful. And then you got to put me 1155 01:06:16,280 --> 01:06:19,000 Speaker 1: in the position of saying, excuse me, I have no 1156 01:06:19,600 --> 01:06:23,440 Speaker 1: personal space. If you are not my baby, you should 1157 01:06:23,480 --> 01:06:25,760 Speaker 1: not be in my fucking lap. And I can't afford 1158 01:06:25,800 --> 01:06:28,920 Speaker 1: a baby because I paid thirty dollars for in flight WiFi, 1159 01:06:29,600 --> 01:06:31,640 Speaker 1: and now I can't use my inflight WiFi because my 1160 01:06:31,680 --> 01:06:35,560 Speaker 1: computer is fucking crushed because of you, Chuck, which is 1161 01:06:35,680 --> 01:06:39,520 Speaker 1: almost guaranteed your name because you are always an older 1162 01:06:39,760 --> 01:06:45,800 Speaker 1: white gentleman. It could be here's the problem, and you 1163 01:06:45,920 --> 01:06:48,760 Speaker 1: cannot just lay in my lap willy nilly, unless you 1164 01:06:48,840 --> 01:06:54,280 Speaker 1: are one of the Chris's name Hemsworth, Pratt, seconds Pine, etcetera. Also, 1165 01:06:54,320 --> 01:06:55,919 Speaker 1: I don't think, so honey that I have to pay 1166 01:06:56,040 --> 01:06:58,640 Speaker 1: for WiFi on the plane. My body stand on the plane. 1167 01:06:58,800 --> 01:07:01,360 Speaker 1: Wif I should be like her, it should be for everyone, 1168 01:07:02,880 --> 01:07:07,640 Speaker 1: for everyone. I don't think, so honey, he's play wow. 1169 01:07:09,600 --> 01:07:13,080 Speaker 1: I it's so ridiculous to be like when they they 1170 01:07:13,200 --> 01:07:15,960 Speaker 1: the second the guy says you can now recline and 1171 01:07:16,040 --> 01:07:20,360 Speaker 1: it's push, and you're like, come on, push, Yeah, some 1172 01:07:20,520 --> 01:07:23,360 Speaker 1: of them are too close. And then like I don't 1173 01:07:23,400 --> 01:07:26,200 Speaker 1: know what it was about the screen on the fly 1174 01:07:26,440 --> 01:07:30,480 Speaker 1: on the plane, but I was like leaned back, you 1175 01:07:30,520 --> 01:07:33,840 Speaker 1: know the inch that they give you. And the dude 1176 01:07:33,960 --> 01:07:37,160 Speaker 1: behind me, I thought he was kicking the seat because 1177 01:07:37,200 --> 01:07:41,800 Speaker 1: he was pushing the hard and eventually his way, sir, 1178 01:07:44,360 --> 01:07:46,120 Speaker 1: and it's like you realize, you know what, you have 1179 01:07:46,240 --> 01:07:49,880 Speaker 1: no idea what I'm yelling at for. Okay, okay, I 1180 01:07:49,920 --> 01:07:52,400 Speaker 1: think I think this is Bowen Yang's I don't think, 1181 01:07:52,440 --> 01:07:55,320 Speaker 1: so honey, his time will begin now. I don't think 1182 01:07:55,360 --> 01:08:00,480 Speaker 1: so honey. Kibbi quabes. The bees here are out of control. 1183 01:08:00,920 --> 01:08:03,720 Speaker 1: We were eating at St. Hubert yesterday, I was enjoying 1184 01:08:03,720 --> 01:08:08,480 Speaker 1: a peri peri rotisserie chicken and Joel came by, and 1185 01:08:08,520 --> 01:08:10,120 Speaker 1: then Joel ordered, like I said, in greed, and I 1186 01:08:10,160 --> 01:08:15,640 Speaker 1: guess the sucros attracted the bees and they started swarming 1187 01:08:15,680 --> 01:08:17,479 Speaker 1: all around us. I tried to be a hero, and 1188 01:08:17,600 --> 01:08:19,200 Speaker 1: I tried to be a good guy with a gun 1189 01:08:19,320 --> 01:08:22,599 Speaker 1: and kill the bee. I tried to swat it away. 1190 01:08:22,760 --> 01:08:27,440 Speaker 1: The bee did not perish, kept harassing, brought its brethren 1191 01:08:27,880 --> 01:08:30,760 Speaker 1: to come and harass us. And I said, I had 1192 01:08:30,800 --> 01:08:34,120 Speaker 1: to call over the nice ki quause waitress and say, 1193 01:08:34,560 --> 01:08:36,639 Speaker 1: we need to move inside. This is out of control. 1194 01:08:36,800 --> 01:08:40,600 Speaker 1: You need to take care of this. Fifteen seconds you 1195 01:08:40,680 --> 01:08:45,280 Speaker 1: needed to hear of this. And I mean, I'm glad 1196 01:08:45,320 --> 01:08:52,639 Speaker 1: they're going extinct because we can make honey from a govey. 1197 01:08:54,400 --> 01:08:58,080 Speaker 1: And that's one minute. I just wanted to describe. I 1198 01:08:58,160 --> 01:09:01,080 Speaker 1: want to describe Bow and Yank's technke of killing this bee. 1199 01:09:01,479 --> 01:09:03,200 Speaker 1: It was to take like I don't know what did 1200 01:09:03,240 --> 01:09:05,040 Speaker 1: you have. I took it like like a cocktail menu, 1201 01:09:05,280 --> 01:09:09,160 Speaker 1: a cocktail menu and swipe sideways across the table, which, 1202 01:09:09,280 --> 01:09:12,720 Speaker 1: like many tables restaurants, has shipped on it. So he's 1203 01:09:12,800 --> 01:09:14,760 Speaker 1: just like the bees here, and he's like push and 1204 01:09:14,880 --> 01:09:16,720 Speaker 1: like a lot of the glasses get hit, like they 1205 01:09:16,760 --> 01:09:19,240 Speaker 1: didn't fully break. But I was like, that was ridict. 1206 01:09:20,280 --> 01:09:23,719 Speaker 1: You were driven mad by the female. But Joe was scared, 1207 01:09:23,760 --> 01:09:25,840 Speaker 1: and Joe was genuinely had that. You were really scared 1208 01:09:26,080 --> 01:09:27,840 Speaker 1: God in his eyes, and I had to I had 1209 01:09:27,840 --> 01:09:35,519 Speaker 1: to kill all. Are you allergic? We can't have the 1210 01:09:35,600 --> 01:09:38,360 Speaker 1: bees biting Joe. It can't be a min girl situation. Okay, 1211 01:09:38,439 --> 01:09:43,120 Speaker 1: this is this is Joel say Sloans. I don't think so, honey. 1212 01:09:43,280 --> 01:09:45,599 Speaker 1: I mean bees are gang member. Jones has the original 1213 01:09:45,640 --> 01:09:48,800 Speaker 1: Anna class key. Oh fun fact. Every bee I've ever 1214 01:09:48,840 --> 01:09:54,479 Speaker 1: seen a female, because then I have mentalities like bees, ants, termites. 1215 01:09:55,520 --> 01:09:58,040 Speaker 1: It has to be females. So they worked together, and 1216 01:09:58,439 --> 01:10:00,599 Speaker 1: males to the queen. The male tend to the un 1217 01:10:00,840 --> 01:10:02,640 Speaker 1: there's only males around the queen and just get are 1218 01:10:02,680 --> 01:10:05,120 Speaker 1: knocked up and make more bees there and then when 1219 01:10:05,160 --> 01:10:09,680 Speaker 1: they don't need them anymore, they kill them. Matriarchal societies, 1220 01:10:09,960 --> 01:10:15,519 Speaker 1: thank you. Okay, great, this is Jose Sans. I don't 1221 01:10:15,520 --> 01:10:18,639 Speaker 1: think so, honey. Her time starts now. I don't think so, honey. 1222 01:10:18,720 --> 01:10:24,960 Speaker 1: White men trying to destroy me? What the fuck I 1223 01:10:25,040 --> 01:10:27,320 Speaker 1: do is exist as a fat black woman in this world? 1224 01:10:27,600 --> 01:10:29,400 Speaker 1: Why do you need me to be fired from every 1225 01:10:29,479 --> 01:10:32,320 Speaker 1: job I've ever had? Why am I being harassed by 1226 01:10:32,439 --> 01:10:35,320 Speaker 1: rednecks on a variety list? What the fuck is going 1227 01:10:40,280 --> 01:10:43,599 Speaker 1: some ridiculous southern redneck? No, And this thing is I'm 1228 01:10:43,640 --> 01:10:45,519 Speaker 1: not gonna call him a redneck because rednecks have a 1229 01:10:45,560 --> 01:10:47,080 Speaker 1: little bit of class and they're a little bit like 1230 01:10:47,240 --> 01:10:51,679 Speaker 1: Nick love, fat chicks, love big cars, the love rap music. Rednecks. 1231 01:10:51,720 --> 01:10:57,120 Speaker 1: I don't. This was this bit strit to come from me. 1232 01:10:57,120 --> 01:10:58,760 Speaker 1: And I'm telling you I don't know that he don't. 1233 01:10:58,920 --> 01:11:00,760 Speaker 1: We don't put it the same God, cause he wasn't ready. 1234 01:11:01,000 --> 01:11:04,040 Speaker 1: He wasn't ready, Because I know the God that I 1235 01:11:04,120 --> 01:11:06,200 Speaker 1: starved out very much, pray just today for the arrows 1236 01:11:06,200 --> 01:11:07,880 Speaker 1: of the enemy to be sent back to the scendor. 1237 01:11:08,120 --> 01:11:10,799 Speaker 1: And every evil thing that motherfucker did to me yesterday 1238 01:11:11,840 --> 01:11:14,880 Speaker 1: came back on his ass, and he imploded his career. 1239 01:11:15,160 --> 01:11:19,040 Speaker 1: And when I tell you the ball keep going, the 1240 01:11:19,240 --> 01:11:22,759 Speaker 1: ball that bitch had, When I tell you, Nagasaki here Eshima, 1241 01:11:22,840 --> 01:11:29,679 Speaker 1: Pearl Harbor had nothing on the ball that this dirty 1242 01:11:29,760 --> 01:11:33,479 Speaker 1: haired bitch had, yes third ass. And also I did 1243 01:11:33,520 --> 01:11:35,599 Speaker 1: not know that people hate the boot cout jeans so much. 1244 01:11:37,360 --> 01:11:42,280 Speaker 1: That's Twitter's main problem with this man is he sucking 1245 01:11:42,320 --> 01:11:44,320 Speaker 1: boot cut jeans and a man this heels um. I 1246 01:11:44,520 --> 01:11:48,280 Speaker 1: g stories, yes, that man. Oh and after his bomb, 1247 01:11:48,640 --> 01:11:52,000 Speaker 1: after he said something racist and homophobic, he came past 1248 01:11:52,080 --> 01:11:55,280 Speaker 1: me called me precious. Let me tell you no, no, no, no, 1249 01:11:55,439 --> 01:11:58,400 Speaker 1: no no no no. Now, like I said, if it 1250 01:11:58,560 --> 01:12:02,479 Speaker 1: was not for the beautiful Hebrew hair like wool, Jesus, 1251 01:12:04,960 --> 01:12:10,519 Speaker 1: I would have dragged this bitch out of existence because 1252 01:12:10,560 --> 01:12:13,479 Speaker 1: I did not realize what was happening to me when 1253 01:12:13,560 --> 01:12:16,000 Speaker 1: this hateful man walked past me and said, I did 1254 01:12:16,040 --> 01:12:21,320 Speaker 1: a good job, precious. Now your southern so so your southern. 1255 01:12:21,640 --> 01:12:24,160 Speaker 1: So I've heard that word before. And we were staying outside. 1256 01:12:24,200 --> 01:12:26,720 Speaker 1: I was smoking a Newport and I was like, wait 1257 01:12:26,720 --> 01:12:31,439 Speaker 1: a minute, this bitch called me. I was staying next 1258 01:12:31,479 --> 01:12:34,400 Speaker 1: to a man of seals. Oh my god, say hey girl, 1259 01:12:34,439 --> 01:12:38,479 Speaker 1: oh my bag, right quick, it's already after Chris read 1260 01:12:38,520 --> 01:12:41,720 Speaker 1: a customer because he was sitting inside at the bar 1261 01:12:42,600 --> 01:12:46,439 Speaker 1: waiting for everybody to leave because he got booed by 1262 01:12:46,560 --> 01:12:51,479 Speaker 1: industry yesterday. We were there, we were and all of us, 1263 01:12:51,680 --> 01:12:53,599 Speaker 1: they were like, what's going on. We like this fucking 1264 01:12:53,600 --> 01:12:56,160 Speaker 1: guy at the panel of Cold Now, mind you, we 1265 01:12:56,280 --> 01:12:59,960 Speaker 1: all did an amazing job. We're gonna be talking about 1266 01:13:00,080 --> 01:13:05,519 Speaker 1: up what this whole motherfucker did yesterday. And when I 1267 01:13:05,680 --> 01:13:08,920 Speaker 1: mean ho, I don't mean it's not a It's not 1268 01:13:09,120 --> 01:13:13,320 Speaker 1: a shaming of anybody who likes to get it in. 1269 01:13:15,080 --> 01:13:18,599 Speaker 1: When I say oh, I mean a motherfucker that has 1270 01:13:18,680 --> 01:13:23,920 Speaker 1: sold himself to the lowest common denominator. That's what I 1271 01:13:23,960 --> 01:13:27,400 Speaker 1: mean when I say ho, when I say weak, you 1272 01:13:27,600 --> 01:13:30,000 Speaker 1: are selling a campaign that a lot of this othern 1273 01:13:30,040 --> 01:13:33,559 Speaker 1: white folks have worked very hard to let the rest 1274 01:13:33,600 --> 01:13:35,679 Speaker 1: of the country. No, this is not how we think. 1275 01:13:36,200 --> 01:13:39,960 Speaker 1: And you were upset because you thought that you were 1276 01:13:40,000 --> 01:13:44,400 Speaker 1: not going to be accepted because of your identity. But 1277 01:13:44,520 --> 01:13:49,160 Speaker 1: all you did with ship on my identity, Joe's identity, 1278 01:13:49,600 --> 01:13:52,439 Speaker 1: everybody else's identity on that show, when all you had 1279 01:13:52,479 --> 01:13:55,040 Speaker 1: to do was shut the funk up and take that bomb. 1280 01:13:56,240 --> 01:13:58,759 Speaker 1: So you're gonna turn around and go, oh, well because 1281 01:13:58,800 --> 01:14:01,439 Speaker 1: of the other people on the show. Bit you had 1282 01:14:01,479 --> 01:14:05,200 Speaker 1: attitude today before, Yes, when you were at the awards ceremony, 1283 01:14:05,240 --> 01:14:10,160 Speaker 1: didn't want to take pictures what not us? Yep, Joel, 1284 01:14:10,160 --> 01:14:13,040 Speaker 1: am I wrong? He didn't want to stand on the stage, 1285 01:14:15,840 --> 01:14:18,720 Speaker 1: so you went around being Southern Mama, and you ended 1286 01:14:18,800 --> 01:14:23,599 Speaker 1: up being a fucking Alabama, racist, homophobic person that people 1287 01:14:23,680 --> 01:14:26,200 Speaker 1: have had to say, we are not like this. This 1288 01:14:26,400 --> 01:14:29,920 Speaker 1: is not everybody down here, and you don't hopped up 1289 01:14:29,920 --> 01:14:32,800 Speaker 1: and brought your ass out the country to lose your 1290 01:14:32,920 --> 01:14:38,160 Speaker 1: entire career. Praise God. And that's for a minute, that 1291 01:14:38,439 --> 01:14:42,840 Speaker 1: twenty seconds, Joel sank slowing everybody, Thank you all so 1292 01:14:43,040 --> 01:14:47,320 Speaker 1: much for coming. Give it up for Joel saying I'm 1293 01:14:47,360 --> 01:14:50,160 Speaker 1: Matt Rodgers. Thank you so much. Come out tonight on 1294 01:14:50,240 --> 01:14:57,120 Speaker 1: the outdoor. Stay Yeah. This has been a Forever Dog 1295 01:14:57,200 --> 01:15:02,280 Speaker 1: production executive produced by Brett Boham, Joe Silio, and Alex Ramsey. 1296 01:15:02,920 --> 01:15:07,160 Speaker 1: For more original podcasts, please visit Forever Dog Podcasts dot 1297 01:15:07,240 --> 01:15:11,480 Speaker 1: com and subscribe to our shows on Apple Podcasts, Spotify, 1298 01:15:11,960 --> 01:15:14,360 Speaker 1: or wherever you get your podcasts. Keep up with the 1299 01:15:14,439 --> 01:15:17,640 Speaker 1: latest Forever Dog news by following us on Twitter and 1300 01:15:17,800 --> 01:15:22,960 Speaker 1: Instagram at Forever Dog Team, and liking our page on Facebook.