WEBVTT - Looking for Jeff Hardy

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<v Speaker 1>What's going on everybody, as Freddie Prince Jr. Welcome back

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<v Speaker 1>to Wrestling with Freddie. Thanks for all the episodes you've

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<v Speaker 1>listened to so far, and thanks for tuning into this

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<v Speaker 1>week's episode, which is searching for a Hearty or looking

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<v Speaker 1>for Jeff. This was when I was given the Jeff

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<v Speaker 1>Hardy assignment by Michael Hayes, which was make Jeff a champion.

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<v Speaker 1>This is gonna be his one and only chance, or

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<v Speaker 1>so he thought at the time. So we're gonna get

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<v Speaker 1>deep into that. I'm sure there'll be a couple side

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<v Speaker 1>quests as well at some point, So let's start the show.

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<v Speaker 1>Welcome to Wrestling with Freddie. Now stuffing up to the mic.

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<v Speaker 1>The host of Wrestling with Freddie Freddie Prince June. Yeah,

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<v Speaker 1>if you look up on YouTube or any better wrestling

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<v Speaker 1>historian than me, there's a lot of them out there.

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<v Speaker 1>But this is the time when Jeff Hardy became the

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<v Speaker 1>world's heavyweight champion for the very first time, and I

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<v Speaker 1>was given the task of of of accomplishing this which

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<v Speaker 1>most people thought was impossible and crazy. That's the cool

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<v Speaker 1>part that I'll take credit for. But as far as

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<v Speaker 1>the storytelling and the creativity behind it. That was a

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<v Speaker 1>group of people that I would love to get credit to.

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<v Speaker 1>And uh, like I said, I'm sure there'll be some

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<v Speaker 1>side quests. I've been writing for a little while. I

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<v Speaker 1>had done an Undertaker promo that Undertaker said, uh, he

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<v Speaker 1>didn't change a single word too, and to my knowledge,

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<v Speaker 1>at least from what they said, I don't believe that

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<v Speaker 1>had happened in a very very long time. Um. And

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<v Speaker 1>so I started getting bigger guys. I started getting Kane

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<v Speaker 1>and some other top talent there, people that Vince is

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<v Speaker 1>very particular with as far as certain words they can say.

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<v Speaker 1>Kane wouldn't say destroy, he says obliterate things like things

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<v Speaker 1>of that nature. I get the hearty story, and I

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<v Speaker 1>know about a lot of what's going on, And just

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<v Speaker 1>so you guys know where we're at timeline wise, Jeff

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<v Speaker 1>was even with m v P and Jeff's like he

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<v Speaker 1>had this like an airstream trailer on the Hardy property

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<v Speaker 1>and it burned down and Jeff's dog passed away, and

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<v Speaker 1>they were all wondering if they could bring that up,

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<v Speaker 1>and Jeff was like, yeah, if you if you have to,

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<v Speaker 1>you know you can. An m VP really respected Jeff,

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<v Speaker 1>and Jeff knew that. So uh, m v P talks

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<v Speaker 1>about his reckless and wild behavior and it even, you know,

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<v Speaker 1>getting your your little dog killed, and Jeff like cracks

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<v Speaker 1>and they have this fight. And so this is just

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<v Speaker 1>after that. Jeff had a lot of positive energy behind

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<v Speaker 1>him and m v P had gotten a lot of

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<v Speaker 1>like mean nasty heat off of Jeff. And Michael calls

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<v Speaker 1>me into his office and he's he says in his

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<v Speaker 1>ps in his pure sexy voice, all right, here's what

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<v Speaker 1>we're gonna do. I need you to come up with

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<v Speaker 1>a way, and we're gonna get the belt on Jeff.

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<v Speaker 1>Don't call it a belt, We're gonna get it on him.

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<v Speaker 1>And so I'm sitting there like, yeah, okay, no problem.

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<v Speaker 1>I don't know about Jeff's history. I don't I didn't

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<v Speaker 1>know about a dirt sheet until a couple of years ago.

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<v Speaker 1>And I'm forty five. You know, my dad was in

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<v Speaker 1>this business and uh died violently, and he was in

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<v Speaker 1>the tabloids a lot. So maybe I avoid that on

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<v Speaker 1>like a pre programmed, subconscious level. And that's why I

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<v Speaker 1>always kind of looked the other direction because it felt

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<v Speaker 1>like gossip. Maybe I don't know. I've never self analyzed

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<v Speaker 1>that decision. I get into it with this guy Chris

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<v Speaker 1>to Joseph, we called him DJ, and he's he's laughing.

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<v Speaker 1>He's like, it's never gonna happen. Like what you mean,

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<v Speaker 1>It's never gonna happen, and he starts breaking down a

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<v Speaker 1>lot of Jeff's issues in the past of rejecting rehab,

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<v Speaker 1>having drug issues, things like that, and those were perceived

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<v Speaker 1>speed bumps or in in this case, a brick wall

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<v Speaker 1>to get through. But for me, I connected hard with it,

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<v Speaker 1>which I'll tell you about in a minute, and the

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<v Speaker 1>episode that we're trying to talk about serious stuff in

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<v Speaker 1>this episode. It won't be all jokes, but I connected

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<v Speaker 1>hard with it, and I saw opportunity. So my father

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<v Speaker 1>was a stand up comic in the seventies. For those

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<v Speaker 1>who may just be tuning in, I broke this down

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<v Speaker 1>for you in the very beginning, I think, and he

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<v Speaker 1>was a big He was a he was a big

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<v Speaker 1>time deal man. Richard Prior discovered him. My dad had

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<v Speaker 1>the number one show in the country in like nineteen

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<v Speaker 1>seventy five or seventy four or something like that. Drugs

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<v Speaker 1>were a big part of his life. In the seventies

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<v Speaker 1>and tore my entire family apart because of it. And

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<v Speaker 1>on January twenties seven, nineteen seventies six, he put a

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<v Speaker 1>gun to his head and he had about six coludes

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<v Speaker 1>in his system and UH pulled the trigger and he died.

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<v Speaker 1>And it just wrecked my family. And so I had

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<v Speaker 1>a lifetime of experience with drugs. Why people do him?

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<v Speaker 1>I had gone through the anger of that you have

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<v Speaker 1>as a young man, not having a father. I had

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<v Speaker 1>gone through the part of my life for it. If

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<v Speaker 1>you even did drugs, you weren't in my circle of

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<v Speaker 1>friends straight up, like you were just ostracized. And then

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<v Speaker 1>as I got older, I started to have more understanding

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<v Speaker 1>and and the more knowledge I got of what addicts

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<v Speaker 1>go through, it gave me a much clearer perspective. It's

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<v Speaker 1>it's a way of self medicating. It's your brain knows

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<v Speaker 1>it needs something, it just doesn't know what. And that's

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<v Speaker 1>the easiest and unfortunately worst thing you could turn to.

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<v Speaker 1>A lot of times they say, you know, the addict

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<v Speaker 1>isn't taking the drug. The drug is taking the drug.

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<v Speaker 1>This isn't just me telling you this, This is doctors.

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<v Speaker 1>A vault from from medical doctors to psychiatrists, everyone in between,

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<v Speaker 1>and I've just taken knowledge from all of them. So

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<v Speaker 1>I definitely had a sensitivity toward the addict towards drug users,

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<v Speaker 1>but still understood at a certain point you gotta stand

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<v Speaker 1>on your own two damn feet and and get your

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<v Speaker 1>life together, or you can end up like my pops

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<v Speaker 1>and rip a family apart. So this was the approach

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<v Speaker 1>that I took towards the promos and the storyline that

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<v Speaker 1>we were going to do while Edge was champion with

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<v Speaker 1>Vicky Guerrero and Jeff was going to have to climb

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<v Speaker 1>this ladder, and instead of shining away from it and

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<v Speaker 1>running away from it, I leaned heavy into it and

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<v Speaker 1>I almost made Jeff well. I made him a baby face,

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<v Speaker 1>using drugs as the means to do it without I

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<v Speaker 1>feel to this day, without making drugs look cool. We

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<v Speaker 1>portrayed a an artist who was tortured, who had self

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<v Speaker 1>hate in abundance, and who used art to get that

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<v Speaker 1>hatred out, whether it be in Jeff's real life art,

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<v Speaker 1>he was painting a lot at the time. I don't

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<v Speaker 1>know if he still does through his wrestling and now

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<v Speaker 1>through his promos, and the first one I wrote him.

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<v Speaker 1>He changed one word um and he he inserted the

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<v Speaker 1>word image I nation, which was something Jeff came up with,

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<v Speaker 1>and that word inspired every promo I wrote for him

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<v Speaker 1>all the way to the championship, and I wrote every

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<v Speaker 1>single one of those. And again they're all on YouTube.

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<v Speaker 1>You can check them out. You can let me know

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<v Speaker 1>if you love them or if you hate him, which

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<v Speaker 1>everyone you're allowed to feel. However you feel, get hit

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<v Speaker 1>me up on social media and and say, hey, did

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<v Speaker 1>you write this crap? Or hey did you write this gold?

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<v Speaker 1>I love it. But that was the That was sort

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<v Speaker 1>of the spark that kind of lit the fire, and

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<v Speaker 1>from that I just really tried to go into what

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<v Speaker 1>do addicts suffer from the world is not I repeat,

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<v Speaker 1>the world is not black and white. In fact, the

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<v Speaker 1>black and white parts of this world are the smallest

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<v Speaker 1>parts in comparison to the large area that gray encompasses globally.

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<v Speaker 1>Most of us, I would say, aren't good or bad

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<v Speaker 1>people were just people trying to get by right. And

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<v Speaker 1>then there's incredibly good people. And when I say good,

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<v Speaker 1>I don't mean the guy who lets you an entract good.

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<v Speaker 1>I mean like the people who are selfless and give

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<v Speaker 1>a lot of themselves away for the greater good. So

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<v Speaker 1>you might call that great, you might call that the rare,

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<v Speaker 1>the select few. I call them the good. Right. Then

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<v Speaker 1>there's the bad, the people that are only out for

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<v Speaker 1>themselves and will smash and step on anyone to get

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<v Speaker 1>what they want and they don't care what the collateral damages.

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<v Speaker 1>And then there's you and I is we're a bunch

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<v Speaker 1>of decent people who sometimes do wrong, we feel bad

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<v Speaker 1>about it, sometimes do right, we feel good about it,

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<v Speaker 1>and we're just trying to get by. And the gray

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<v Speaker 1>area is where the addict is no longer allowed to exist.

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<v Speaker 1>Once they're publicly known as an addict, then it's just

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<v Speaker 1>black and white for these people. It's oh, they're junkie,

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<v Speaker 1>they're drug addict. Now you can't trust them all. I

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<v Speaker 1>can't do this. By the way, all that criticism is

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<v Speaker 1>completely justified. And that's why we showed Jeff fail and

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<v Speaker 1>fail again. And if you look at the promos in

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<v Speaker 1>this light, which was what I tried to do, I

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<v Speaker 1>styled them after or his matches. Jeff is a crash

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<v Speaker 1>and burn wrestler. It's builds your hopes up, Build your

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<v Speaker 1>hopes up, Get up, to the highest most dangerous point possible,

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<v Speaker 1>the only place possible where if he jumps off, he

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<v Speaker 1>can end the match. And then he fails because the

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<v Speaker 1>guy gets out of the way, or he gets betrayed

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<v Speaker 1>or whatever the issue is, right, And so we tried

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<v Speaker 1>to write the promos in that same sense. And I

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<v Speaker 1>wrote these alone in New York, where I just was.

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<v Speaker 1>So it was very kind of I was making a

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<v Speaker 1>movie out there, and so it's very surreal to be

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<v Speaker 1>in the same city. And honestly, the last time I

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<v Speaker 1>was there was when I was writing these Jeff Hardy promos.

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<v Speaker 1>A lot of these images are are fresh in my mind,

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<v Speaker 1>or at least the philosophies behind them. You know, I

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<v Speaker 1>don't have the the promos memorized like I used to

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<v Speaker 1>have to do back then, so that I could kind

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<v Speaker 1>of demonstrate how I think it should be performed. And

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<v Speaker 1>so I would want to be off book for that

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<v Speaker 1>and then say, look, everything you see me do that

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<v Speaker 1>you like, steal that and make it your own, and

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<v Speaker 1>everything I do that looks like crap. Just throw it away.

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<v Speaker 1>They You're not gonna hurt my feelings the word for word,

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<v Speaker 1>That's what I said to a lot of wrestlers. So

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<v Speaker 1>that's what I was doing with Jeff and I would

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<v Speaker 1>sit in my apartment in New York all by myself,

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<v Speaker 1>and usually I would just have music going on the TV,

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<v Speaker 1>like your satellite TV as music channels. You don't use

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<v Speaker 1>these anymore because it's but I would put on one

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<v Speaker 1>of those channels and I would just sit there and

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<v Speaker 1>I would try to make my dad a sympathetic professional wrestler.

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<v Speaker 1>And that's what each and every one of these were.

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<v Speaker 1>And he would talk about the world just sees me

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<v Speaker 1>in black and white, but I am the gray, meaning

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<v Speaker 1>he could not never possibly be on either side of

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<v Speaker 1>that argument. He it's impossible for him. You guys won't

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<v Speaker 1>let him. So he's an outcast. And that's what his

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<v Speaker 1>fans were at the time. They were the outcast fans.

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<v Speaker 1>They were the ones that rooted for the guy that

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<v Speaker 1>was never going to be champ, and they knew it,

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<v Speaker 1>and they bought his merchandise anyway. And this was a

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<v Speaker 1>key component to the whole pitch that I made. When

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<v Speaker 1>I made it was I asked if I could see

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<v Speaker 1>the merchandise numbers for a bunch of the wrestlers, And

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<v Speaker 1>this was before I was assigned the Jeff Hardy pitch,

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<v Speaker 1>and I saw that Jeff's arm bands were like I

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<v Speaker 1>think at the time, either the I want to say,

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<v Speaker 1>I pitched him as the top seller. They may have

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<v Speaker 1>been the second top seller, or at least for a

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<v Speaker 1>week they were the top seller. So maybe I used

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<v Speaker 1>that as like my example. But he sold a lot

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<v Speaker 1>of freaking arm bands, okay, And they were like the

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<v Speaker 1>Spider Man webs that went up each arm and and

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<v Speaker 1>these things went and Jeff Hardy merchandise and his T

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<v Speaker 1>shirts they were they were selling like crazy. So I

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<v Speaker 1>put together this whole pitch, and I pre wrote every

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<v Speaker 1>promo that you guys saw. I presented to Vince on

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<v Speaker 1>the same day. Everything was written. Now, some thing's changed.

0:11:52.400 --> 0:11:55.240
<v Speaker 1>The Taker promo didn't when they went to London, the

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<v Speaker 1>Taker Jeff promo and then a couple like Jeff. Things

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<v Speaker 1>would change here in there. But the other people edged

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<v Speaker 1>stayed enjoyed staying locked into what I wrote. Vicky enjoyed

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<v Speaker 1>staying locked into what I wrote. It was a little

0:12:07.920 --> 0:12:09.920
<v Speaker 1>bit of Hunter. He wrote his own stuff. He kind

0:12:09.920 --> 0:12:12.800
<v Speaker 1>of did his own thing, and we'll get into that

0:12:12.880 --> 0:12:15.200
<v Speaker 1>at the end. This was when Hunter, I don't know

0:12:15.200 --> 0:12:17.079
<v Speaker 1>if he ever liked me, but he was always respectful,

0:12:17.120 --> 0:12:19.520
<v Speaker 1>but this was when he was kind of like done

0:12:19.520 --> 0:12:21.720
<v Speaker 1>with me. And I respect Hunter, but he was for

0:12:21.760 --> 0:12:23.760
<v Speaker 1>sure done with me, and I get it. We're doing

0:12:23.800 --> 0:12:27.480
<v Speaker 1>these promos and I'm talking about the Gray Area, and

0:12:27.520 --> 0:12:30.480
<v Speaker 1>I'm talking about what it's like to be judged every

0:12:30.520 --> 0:12:33.360
<v Speaker 1>single day of your life, and the promos are really

0:12:33.400 --> 0:12:37.080
<v Speaker 1>getting over with the audience. And the trick to these, well,

0:12:37.120 --> 0:12:41.760
<v Speaker 1>first the trick was finding Jeff in order to shoot

0:12:41.760 --> 0:12:44.199
<v Speaker 1>the promo. So we get there early, at like nine

0:12:44.240 --> 0:12:48.720
<v Speaker 1>ten am. Sometimes a little later earlier was better. Most

0:12:48.720 --> 0:12:51.200
<v Speaker 1>people hated it. But the earlier we got there, granted,

0:12:51.200 --> 0:12:54.280
<v Speaker 1>the production meeting was longer, but I had more time

0:12:54.320 --> 0:12:57.000
<v Speaker 1>to email people what I needed to email, which gave

0:12:57.080 --> 0:12:59.440
<v Speaker 1>them more time to learn their stuff or at least

0:12:59.480 --> 0:13:11.800
<v Speaker 1>understand the philosophy, and it benefited everyone. He got there

0:13:11.880 --> 0:13:14.199
<v Speaker 1>usually around ten AM for most of these, I feel

0:13:14.200 --> 0:13:16.120
<v Speaker 1>like I would get to sign my crew. A lot

0:13:16.160 --> 0:13:20.280
<v Speaker 1>of my stuff was pre approved, but his championship was

0:13:20.360 --> 0:13:24.000
<v Speaker 1>not approved. Just this storyline of the Gray Area was approved.

0:13:24.080 --> 0:13:28.120
<v Speaker 1>We're all getting our assignments, and the best way I

0:13:28.160 --> 0:13:31.320
<v Speaker 1>think to find Jeff is to find Matt right, and

0:13:31.360 --> 0:13:32.880
<v Speaker 1>I was cool with Matt. He had punched me in

0:13:32.880 --> 0:13:35.040
<v Speaker 1>the eye on accident one time, gave me a black

0:13:35.040 --> 0:13:37.680
<v Speaker 1>eye while he was warming up, so he was always like,

0:13:37.760 --> 0:13:41.839
<v Speaker 1>he's always been very sympathetic and kind for nearly fracturing

0:13:41.920 --> 0:13:44.480
<v Speaker 1>my head. And I finally go, hey, man, where's your brother?

0:13:44.520 --> 0:13:47.360
<v Speaker 1>And he goes, good luck with that, and so no,

0:13:47.480 --> 0:13:49.640
<v Speaker 1>there's no panic, but I gotta find him. It's a

0:13:49.640 --> 0:13:52.720
<v Speaker 1>big promo. It was very deep. I never I emailed

0:13:52.760 --> 0:13:54.880
<v Speaker 1>Jeff a lot of promos, but I never received an

0:13:54.920 --> 0:13:56.920
<v Speaker 1>email back, so I don't know if he ever saw

0:13:57.000 --> 0:13:59.760
<v Speaker 1>any of them until the day of until the day

0:13:59.840 --> 0:14:01.880
<v Speaker 1>we shot them. But I said him a lot. I

0:14:01.960 --> 0:14:05.040
<v Speaker 1>said him a lot of emails. So I'm looking all

0:14:05.080 --> 0:14:07.600
<v Speaker 1>around the arena, I do a full lap. I don't

0:14:07.640 --> 0:14:12.160
<v Speaker 1>see him. I find I think it was drough McIntire

0:14:12.600 --> 0:14:14.920
<v Speaker 1>and I say, hey, man, have you seen Jeff? He said, yeah,

0:14:15.080 --> 0:14:17.880
<v Speaker 1>he's back by Catering, which is on the complete opposite

0:14:17.880 --> 0:14:19.320
<v Speaker 1>side of ore. I man, So I go all the

0:14:19.320 --> 0:14:22.239
<v Speaker 1>way back to catering. He's not there. I'm like, Natalia,

0:14:22.400 --> 0:14:25.760
<v Speaker 1>this is Nattie Nidhart, say Natalia, have you seen Jeff?

0:14:25.920 --> 0:14:28.640
<v Speaker 1>Because I think he's back by the buses. I run

0:14:28.680 --> 0:14:31.880
<v Speaker 1>back to the buses. Nobody there, not even someone to

0:14:31.920 --> 0:14:34.160
<v Speaker 1>ask have you seen Jeff. I get back, I find

0:14:34.160 --> 0:14:36.200
<v Speaker 1>Matt again, or I don't find Matt. Matt finds me.

0:14:36.200 --> 0:14:38.720
<v Speaker 1>He goes, hey, man, I saw Jeff. He's back by

0:14:38.720 --> 0:14:41.440
<v Speaker 1>the locker rooms. I go to the locker rooms. He's

0:14:41.480 --> 0:14:44.360
<v Speaker 1>not in there. I go to into the stairwell next

0:14:44.360 --> 0:14:48.080
<v Speaker 1>to the locker rooms on pure Jedi instincts, and Jeff

0:14:48.160 --> 0:14:51.560
<v Speaker 1>sitting on the stairs and he's he's not his head's

0:14:51.600 --> 0:14:55.600
<v Speaker 1>not down, but he's just sitting there and I go, oh, hey, hey, man,

0:14:55.640 --> 0:14:58.920
<v Speaker 1>with What's what's going on? He goes, oh, hey, sorry, man, sorry.

0:14:58.920 --> 0:15:01.520
<v Speaker 1>He's got this like cool Carolina drawl when he when

0:15:01.520 --> 0:15:04.520
<v Speaker 1>he speaks, and I say, we got this promo to day.

0:15:04.760 --> 0:15:06.800
<v Speaker 1>It's all approved. I said, you know, I emailed it

0:15:06.840 --> 0:15:07.840
<v Speaker 1>to you. I don't know if you got it. Goes

0:15:07.880 --> 0:15:10.040
<v Speaker 1>oh yeah, right on, right on, But he doesn't say

0:15:10.040 --> 0:15:12.240
<v Speaker 1>whether he got the email or not. And he starts

0:15:12.280 --> 0:15:14.320
<v Speaker 1>looking at it and reading through it. I say, take

0:15:14.360 --> 0:15:16.600
<v Speaker 1>your time. I say, I'm gonna stay right outside the

0:15:16.640 --> 0:15:18.440
<v Speaker 1>door though, so that if you have any questions or

0:15:18.440 --> 0:15:20.520
<v Speaker 1>anything that you wanna, you know, work on we can

0:15:20.560 --> 0:15:23.960
<v Speaker 1>work on it together, and uh, he says, no, it's okay, man,

0:15:24.000 --> 0:15:25.880
<v Speaker 1>I just I wanna. I really want to learn these

0:15:25.920 --> 0:15:28.000
<v Speaker 1>I like, I like your promos. I want to memorize it.

0:15:28.080 --> 0:15:30.120
<v Speaker 1>And I see that, so I'm like, I'm gonna leave

0:15:30.160 --> 0:15:32.000
<v Speaker 1>him alone. I'm gonna leave m alone. So I leave

0:15:32.040 --> 0:15:34.520
<v Speaker 1>him alone on this first one. We get to a

0:15:34.560 --> 0:15:37.320
<v Speaker 1>backstage area where we're gonna shoot this because I didn't

0:15:37.360 --> 0:15:40.640
<v Speaker 1>want him to do it in ring yet. And we

0:15:40.680 --> 0:15:43.280
<v Speaker 1>start filming and he's not happy with the vibe of

0:15:43.320 --> 0:15:46.080
<v Speaker 1>it because he doesn't get enough time to memorize. That's

0:15:46.080 --> 0:15:48.520
<v Speaker 1>still the biggest issue with the w w E. If

0:15:48.560 --> 0:15:49.960
<v Speaker 1>you're not going to give him time to learn it,

0:15:50.080 --> 0:15:52.480
<v Speaker 1>let them write for themselves, or don't write for them period.

0:15:52.560 --> 0:15:55.920
<v Speaker 1>Just give him a starting place, a midpoint, and an

0:15:56.000 --> 0:15:58.080
<v Speaker 1>endpoint and let him flow. But we didn't have that.

0:15:58.160 --> 0:16:00.200
<v Speaker 1>We didn't have that option. He's not to and it.

0:16:00.360 --> 0:16:02.080
<v Speaker 1>I know it's not where it needs to be, but

0:16:02.160 --> 0:16:03.840
<v Speaker 1>I know it can be better, right, So I say,

0:16:03.920 --> 0:16:06.760
<v Speaker 1>all right, hold up, dude, and I literally write the

0:16:06.760 --> 0:16:09.080
<v Speaker 1>promo out on que cards, on a lot of them

0:16:09.080 --> 0:16:11.440
<v Speaker 1>because we didn't have paper. Big enough to do the

0:16:11.440 --> 0:16:14.560
<v Speaker 1>whole thing on one and so it doesn't look like

0:16:14.840 --> 0:16:17.120
<v Speaker 1>he's reading off a que card. I tell him, hey,

0:16:17.160 --> 0:16:19.720
<v Speaker 1>I'm just gonna move it around two different parts of

0:16:19.760 --> 0:16:22.160
<v Speaker 1>the camera. We won't move the camera. It'll just be

0:16:22.200 --> 0:16:24.560
<v Speaker 1>me moving with the que cards. And you can kind

0:16:24.600 --> 0:16:27.520
<v Speaker 1>of let your face move when you feel pain and

0:16:27.560 --> 0:16:30.080
<v Speaker 1>that will sort of motivate the move to where you

0:16:30.120 --> 0:16:32.160
<v Speaker 1>can see the card again. He's like, all right, all right,

0:16:32.520 --> 0:16:34.560
<v Speaker 1>And this was a quick hustle that we had to do.

0:16:34.600 --> 0:16:36.640
<v Speaker 1>You only get so much time to get these done

0:16:37.000 --> 0:16:39.960
<v Speaker 1>and then approved and then edited into the show. This

0:16:40.040 --> 0:16:42.520
<v Speaker 1>was SmackDown. This wasn't on Monday Night Row. We're doing

0:16:42.560 --> 0:16:44.880
<v Speaker 1>our thing and it's working, and it takes us like

0:16:44.880 --> 0:16:47.120
<v Speaker 1>two or three takes and then it's really flowing and

0:16:47.120 --> 0:16:49.120
<v Speaker 1>he nails it and he's almost hardly even looking at

0:16:49.120 --> 0:16:51.680
<v Speaker 1>the cards now. He said it so much, and we

0:16:51.760 --> 0:16:54.280
<v Speaker 1>get it done, I get it in. It gets on

0:16:54.360 --> 0:16:58.040
<v Speaker 1>TV and the crowd pops big for it, and for SmackDown.

0:16:58.080 --> 0:17:01.960
<v Speaker 1>Then that was rarer because it wasn't the more popular show.

0:17:02.240 --> 0:17:06.119
<v Speaker 1>And they would literally put canned applause in because the

0:17:06.200 --> 0:17:09.479
<v Speaker 1>reactions were never as as good. Maybe people knew it

0:17:09.520 --> 0:17:11.800
<v Speaker 1>wasn't live. I don't know. It was like canned laughter

0:17:11.880 --> 0:17:15.480
<v Speaker 1>on a sitcom, which you do not pull, or maybe

0:17:15.480 --> 0:17:17.399
<v Speaker 1>some actors do. Maybe maybe they don't like it. I

0:17:17.440 --> 0:17:19.840
<v Speaker 1>don't know. We're outside questioning yet. The pop is so

0:17:19.920 --> 0:17:22.320
<v Speaker 1>real that Vince literally says on the headphones. So that

0:17:22.400 --> 0:17:24.200
<v Speaker 1>was a real pop. And I'm like, oh, we're good,

0:17:24.280 --> 0:17:27.720
<v Speaker 1>We're good, We're good. The storyline starting to develop. He's

0:17:27.760 --> 0:17:31.240
<v Speaker 1>going after Edge, nobody trusts it, and we're a week

0:17:31.280 --> 0:17:34.639
<v Speaker 1>out from pitching him as champion. Edge still has the

0:17:34.680 --> 0:17:38.199
<v Speaker 1>belt and Hunters like right on the edge of the

0:17:38.560 --> 0:17:41.800
<v Speaker 1>of the championship picture. At that point, the promos are

0:17:41.800 --> 0:17:46.280
<v Speaker 1>all going well. I got Jeff his promo early that

0:17:46.440 --> 0:17:49.919
<v Speaker 1>morning because he was there with his brother, so like

0:17:50.240 --> 0:17:53.280
<v Speaker 1>nine or ten o'clock, and then, uh, they went to

0:17:53.280 --> 0:17:55.320
<v Speaker 1>the locker room to go to sleep, take a nap.

0:17:55.320 --> 0:17:58.159
<v Speaker 1>Our Truth was already in there taking a nap, but

0:17:58.200 --> 0:17:59.800
<v Speaker 1>we had to be there early for some reason. So

0:17:59.840 --> 0:18:03.679
<v Speaker 1>he and the wrestlers did we go that night. Jeff's

0:18:03.680 --> 0:18:07.959
<v Speaker 1>got his promo completely memorized. He doesn't do it for me,

0:18:08.040 --> 0:18:09.720
<v Speaker 1>but I know he does. You could just kind of

0:18:09.760 --> 0:18:12.720
<v Speaker 1>see it in his eyes, right so we're gonna shoot

0:18:12.760 --> 0:18:15.800
<v Speaker 1>this thing. We're getting ready to rock and roll, and

0:18:15.840 --> 0:18:19.440
<v Speaker 1>all the power goes out and we can't We can't

0:18:19.480 --> 0:18:24.360
<v Speaker 1>record anything. Now. Our camera can record, it's on battery, right,

0:18:24.960 --> 0:18:27.160
<v Speaker 1>our sound can. They don't have to be plugged in,

0:18:27.520 --> 0:18:29.960
<v Speaker 1>but we have no lights. Now it's time to start

0:18:30.000 --> 0:18:32.560
<v Speaker 1>giving credit to other people. This was well before we

0:18:32.600 --> 0:18:34.560
<v Speaker 1>get into that. Let's give credit where it's dude. The

0:18:34.640 --> 0:18:37.679
<v Speaker 1>London Show, which I skimmed over. I didn't go to.

0:18:37.760 --> 0:18:39.320
<v Speaker 1>I didn't want to fly all the way to London.

0:18:39.440 --> 0:18:41.040
<v Speaker 1>I was living in New York at the time and

0:18:41.119 --> 0:18:43.600
<v Speaker 1>taking the train to Stanford every week. And so they

0:18:43.680 --> 0:18:46.800
<v Speaker 1>went and Krista Joseph was the one who shot that

0:18:46.880 --> 0:18:50.000
<v Speaker 1>whole segment and fought for the segment when people in

0:18:50.000 --> 0:18:52.320
<v Speaker 1>the room wanted to change a lot of it. He

0:18:52.359 --> 0:18:54.480
<v Speaker 1>fought for it. Free Bird fought for it. I don't

0:18:54.520 --> 0:18:56.600
<v Speaker 1>know who else did. I'm sure someone else did. I

0:18:56.640 --> 0:18:58.359
<v Speaker 1>wasn't there, so I can't give you credit, but I

0:18:58.400 --> 0:19:00.760
<v Speaker 1>know for a fact they did, as my buddy who

0:19:00.800 --> 0:19:03.920
<v Speaker 1>did go told me so h So that promo goes

0:19:03.960 --> 0:19:06.320
<v Speaker 1>off without a hitch. They say it word for word

0:19:06.359 --> 0:19:09.119
<v Speaker 1>how I wrote it, and DJ shot it well, and

0:19:09.119 --> 0:19:10.879
<v Speaker 1>he had to. You have to understand he had to

0:19:10.920 --> 0:19:14.480
<v Speaker 1>cut back and forth from undertake her in ring to

0:19:14.720 --> 0:19:18.439
<v Speaker 1>Hardy backstage on a pre written thing that I wrote,

0:19:18.440 --> 0:19:20.960
<v Speaker 1>and the writer's not there. So this it's a challenge

0:19:21.000 --> 0:19:23.120
<v Speaker 1>to pull that off. So credit to the trucks as

0:19:23.119 --> 0:19:25.920
<v Speaker 1>well for for editing so quickly, because they have to.

0:19:26.160 --> 0:19:28.560
<v Speaker 1>So we're back. We're now getting ready to shoot the

0:19:28.560 --> 0:19:31.960
<v Speaker 1>promo and the power goes out and Stephanie McMahon comes

0:19:32.000 --> 0:19:34.119
<v Speaker 1>by and she's like, what the hell is going on?

0:19:34.160 --> 0:19:35.840
<v Speaker 1>I'm like, I don't know what the hell is going on?

0:19:36.240 --> 0:19:38.639
<v Speaker 1>We have no power. We can't shoot. She goes, the

0:19:38.640 --> 0:19:41.040
<v Speaker 1>cameras work, don't they go? They do? She goes, then

0:19:41.119 --> 0:19:43.280
<v Speaker 1>we can shoot. We're not going to be able to

0:19:43.280 --> 0:19:45.959
<v Speaker 1>see anything. She goes, hold up. She starts looking around.

0:19:45.960 --> 0:19:48.760
<v Speaker 1>We're literally in like a suite at a at a

0:19:48.800 --> 0:19:53.080
<v Speaker 1>basketball arena, and she's literally frantically looking around, opening cabinet stores.

0:19:53.160 --> 0:19:55.720
<v Speaker 1>I start looking through cabinets and drawers. She finds a

0:19:55.920 --> 0:19:59.560
<v Speaker 1>pen light, a green pen light. I grab a highball glass.

0:19:59.600 --> 0:20:01.760
<v Speaker 1>She show finding it at me. Right, I grab a

0:20:01.800 --> 0:20:04.480
<v Speaker 1>highball glass, like, shine it through this glass. She grabs

0:20:04.480 --> 0:20:06.600
<v Speaker 1>the glass and shines it through. One of the guys

0:20:06.600 --> 0:20:08.639
<v Speaker 1>had a flashlight on him and so he does the

0:20:08.680 --> 0:20:12.080
<v Speaker 1>same thing. One of the crew guys. Of course they would,

0:20:12.560 --> 0:20:18.000
<v Speaker 1>And we use this kind of just ghetto light slash glad.

0:20:18.160 --> 0:20:21.600
<v Speaker 1>We're like MythBusters, like creating new ways to to to

0:20:21.680 --> 0:20:25.679
<v Speaker 1>shoot things. And steph McMahon, the daughter of the owner

0:20:25.680 --> 0:20:28.679
<v Speaker 1>of the company, she's literally holding a glass and a

0:20:28.720 --> 0:20:32.600
<v Speaker 1>green light and lighting Jeff Hardy and so is one

0:20:32.640 --> 0:20:34.879
<v Speaker 1>of the other crew guys. And I'm holding que cards.

0:20:35.080 --> 0:20:37.359
<v Speaker 1>That's where the flashlight came from. He gave it to me,

0:20:37.720 --> 0:20:39.600
<v Speaker 1>and I'm holding it on the que cards so Jeff

0:20:39.640 --> 0:20:42.360
<v Speaker 1>can read the que cards even though he's he's locked in,

0:20:42.400 --> 0:20:45.520
<v Speaker 1>but we we need to be there. It helped him.

0:20:45.600 --> 0:20:49.280
<v Speaker 1>So we shoot this whole thing and Vince freaking loves it.

0:20:49.359 --> 0:20:51.800
<v Speaker 1>And I'm looking at Stephanie and and we didn't see

0:20:51.800 --> 0:20:53.480
<v Speaker 1>I I on a lot of stuff, but this is

0:20:53.520 --> 0:20:56.320
<v Speaker 1>where she really earned my respect because she was willing

0:20:56.359 --> 0:20:58.960
<v Speaker 1>to get her hands dirty and there was no way

0:20:59.000 --> 0:21:01.760
<v Speaker 1>we were going to fail. It just wasn't an option.

0:21:01.880 --> 0:21:03.840
<v Speaker 1>And I, uh, you know, I'm sitting there going like

0:21:03.920 --> 0:21:06.879
<v Speaker 1>we're screwed. What what can I do? I gotta I

0:21:06.880 --> 0:21:09.119
<v Speaker 1>gotta find a generator or wait for the power to

0:21:09.160 --> 0:21:11.840
<v Speaker 1>come on. She came in and there's no wait. No,

0:21:12.000 --> 0:21:14.359
<v Speaker 1>we're not waiting. We're gonna get this. We're not gonna

0:21:14.400 --> 0:21:17.080
<v Speaker 1>get screwed. If the power comes back on, we'll shoot

0:21:17.080 --> 0:21:19.560
<v Speaker 1>it again. But we're getting this, and we're getting it now.

0:21:19.680 --> 0:21:21.840
<v Speaker 1>Not only do we get it, it looked way cooler

0:21:22.000 --> 0:21:24.040
<v Speaker 1>than it would have looked if we had full power.

0:21:24.160 --> 0:21:26.760
<v Speaker 1>Maybe not to you, but in the moment and the

0:21:26.800 --> 0:21:30.160
<v Speaker 1>adrenaline that's going on these shows, it's a big it's

0:21:30.160 --> 0:21:32.359
<v Speaker 1>a big deal, and they put a lot on the line.

0:21:32.400 --> 0:21:35.480
<v Speaker 1>It's their families. It's not just their company, it's their

0:21:35.560 --> 0:21:38.240
<v Speaker 1>family's name that's on the line every week. I know

0:21:38.280 --> 0:21:41.239
<v Speaker 1>a lot of you know fans will say, well, they

0:21:41.240 --> 0:21:43.040
<v Speaker 1>don't seem to worry about that too much, the way

0:21:43.080 --> 0:21:45.919
<v Speaker 1>they booked things. I get that. I get that, And

0:21:45.960 --> 0:21:47.639
<v Speaker 1>there's a lot of stuff in the w W E

0:21:47.800 --> 0:21:50.959
<v Speaker 1>that I can't stand. All right. I love carrying Cross.

0:21:51.359 --> 0:21:53.320
<v Speaker 1>When they brought him up to the main roster, I

0:21:53.440 --> 0:21:56.840
<v Speaker 1>literally was like, he's done and that's it. And then

0:21:56.880 --> 0:21:59.719
<v Speaker 1>they released him. So I'm with you. I get it.

0:22:00.040 --> 0:22:03.640
<v Speaker 1>I love Bray Wyatt too, I'm with you. But they

0:22:03.680 --> 0:22:05.920
<v Speaker 1>do take pride in their name, and they do take

0:22:05.960 --> 0:22:08.440
<v Speaker 1>pride in their company. And this is just an example

0:22:08.720 --> 0:22:12.240
<v Speaker 1>that's not on a gossip column somewhere where I can

0:22:12.320 --> 0:22:16.680
<v Speaker 1>legit tell you. Home girl rolled up her sleeves, Doug

0:22:16.680 --> 0:22:21.720
<v Speaker 1>a foxhole, got a gun, figuratively took post and was

0:22:21.760 --> 0:22:24.879
<v Speaker 1>not letting anybody get over that line like it was.

0:22:25.720 --> 0:22:28.240
<v Speaker 1>I loved her for that. I literally loved her for that,

0:22:28.720 --> 0:22:31.520
<v Speaker 1>and it helped us accomplished the story that we were

0:22:31.560 --> 0:22:36.000
<v Speaker 1>trying to accomplish. So we're kicking, but with the promos.

0:22:36.440 --> 0:22:38.639
<v Speaker 1>I'm in here by the way, by the way, you guys.

0:22:38.760 --> 0:22:40.199
<v Speaker 1>I was in New York the first time I've been

0:22:40.240 --> 0:22:42.000
<v Speaker 1>in New York since I worked for w w E.

0:22:42.320 --> 0:22:44.639
<v Speaker 1>I was making this We're on a side quest making

0:22:44.640 --> 0:22:47.919
<v Speaker 1>this movie. This is how crazy Manhattan was. I literally

0:22:47.920 --> 0:22:51.920
<v Speaker 1>moved to Brooklyn halfway through. So the first like five

0:22:52.000 --> 0:22:54.879
<v Speaker 1>days I'm there, there's this homeless dude outside that either

0:22:55.600 --> 0:22:58.560
<v Speaker 1>was massively hooked on drugs or straight up had sponti

0:22:58.560 --> 0:23:00.600
<v Speaker 1>biffo like the way he was talking like, I was

0:23:00.640 --> 0:23:03.359
<v Speaker 1>worried about this guy. Every day. It would get real

0:23:03.440 --> 0:23:05.679
<v Speaker 1>cold at night, there were some nice days, but at

0:23:05.800 --> 0:23:08.560
<v Speaker 1>night it would get real cold. One night, he's standing

0:23:08.560 --> 0:23:11.720
<v Speaker 1>outside the apartment that they set me up in to

0:23:11.840 --> 0:23:13.800
<v Speaker 1>where like you can't get in the apartment unless you

0:23:13.800 --> 0:23:16.600
<v Speaker 1>step over, and I'm this is kind of a sad story,

0:23:16.640 --> 0:23:18.600
<v Speaker 1>but I'm looking at the guy. I'm like, man, this

0:23:19.680 --> 0:23:23.119
<v Speaker 1>man he looks dead, right, So I climb over. I

0:23:23.200 --> 0:23:25.880
<v Speaker 1>literally step over the dude. Tell the doorman. He's like, no, man,

0:23:25.920 --> 0:23:28.120
<v Speaker 1>he's out there every night. I come down the next

0:23:28.160 --> 0:23:31.880
<v Speaker 1>morning nine hours later. They called a forced call. When

0:23:31.920 --> 0:23:35.080
<v Speaker 1>you don't get twelve hours off, everyone's like, you get

0:23:35.080 --> 0:23:37.960
<v Speaker 1>twelve hours off, bro, screw you not all the time.

0:23:38.119 --> 0:23:40.840
<v Speaker 1>I come downstairs and my driver was this nice Puerto

0:23:40.920 --> 0:23:44.800
<v Speaker 1>Rican lady named Janetta, and she's crying and I'm like,

0:23:44.840 --> 0:23:47.720
<v Speaker 1>what's wrong and she goes. When I got here, they

0:23:47.760 --> 0:23:50.879
<v Speaker 1>took the poor man in the in the ambulance. He

0:23:51.000 --> 0:23:53.520
<v Speaker 1>was dead. It was like messing with my head. I

0:23:53.600 --> 0:23:55.480
<v Speaker 1>was talking to the hair and make up people and

0:23:55.520 --> 0:23:57.760
<v Speaker 1>a trailer that that morning at work, I'm like, yo,

0:23:57.840 --> 0:24:00.919
<v Speaker 1>it was like Manhattan, so different, and it's like messing

0:24:00.960 --> 0:24:03.119
<v Speaker 1>with me and the producer her and he's like, dude,

0:24:03.160 --> 0:24:05.280
<v Speaker 1>what a dead body? I was like, yeah, he goes,

0:24:05.320 --> 0:24:07.760
<v Speaker 1>You're going to Brooklyn. So I went to Brooklyn and

0:24:07.840 --> 0:24:11.879
<v Speaker 1>everyone had a smile on their face. Everyone had a beard.

0:24:11.960 --> 0:24:14.200
<v Speaker 1>Not the girls, y'all didn't have beards, but the guys

0:24:14.240 --> 0:24:16.880
<v Speaker 1>had great beards. Everyone had dogs. They let me pet

0:24:16.920 --> 0:24:19.720
<v Speaker 1>their dogs. I didn't steal any of their dogs, which

0:24:19.760 --> 0:24:23.560
<v Speaker 1>was hard. People walk around with like sushi and coffee

0:24:23.560 --> 0:24:26.800
<v Speaker 1>with real sugar because there's no artificial sweetener in Brooklyn.

0:24:26.840 --> 0:24:30.040
<v Speaker 1>They don't allow it. And thank you Brooklyn, because uh,

0:24:30.080 --> 0:24:32.880
<v Speaker 1>I was very It was very this l A boy

0:24:33.000 --> 0:24:36.080
<v Speaker 1>was very unequipped for Manhattan this time around. So anyway,

0:24:36.200 --> 0:24:39.119
<v Speaker 1>we get to the pay per view and this is

0:24:39.160 --> 0:24:42.480
<v Speaker 1>the match where we have pitched that Jeff Hardy is

0:24:42.520 --> 0:24:47.040
<v Speaker 1>gonna go over. Now all the top dogs know this

0:24:47.119 --> 0:24:49.800
<v Speaker 1>is where the story is going. Vince knows this, Kevin

0:24:49.880 --> 0:24:54.080
<v Speaker 1>Dunn knows this. Bruce Pritchard of course, Freebird, it's his idea.

0:24:54.280 --> 0:24:57.480
<v Speaker 1>I don't believe the agents know until the moment that

0:24:57.520 --> 0:24:59.960
<v Speaker 1>we're about to speak of, and Hunter for sure knows,

0:25:00.119 --> 0:25:02.280
<v Speaker 1>and Stephanie for sure knows. We get in there and

0:25:02.320 --> 0:25:04.520
<v Speaker 1>I believe it's Armageddon was the name of the pay

0:25:04.520 --> 0:25:07.560
<v Speaker 1>per view, and we sit down and we make our

0:25:07.720 --> 0:25:09.879
<v Speaker 1>or I don't do it, but Michael makes his pitch

0:25:09.960 --> 0:25:13.560
<v Speaker 1>for the match. The finish with Hardy going over for

0:25:13.600 --> 0:25:18.480
<v Speaker 1>the championship, nobody says anything. It's super quiet, and Vince goes,

0:25:19.200 --> 0:25:21.719
<v Speaker 1>anybody have any thoughts and a couple of the agents

0:25:21.760 --> 0:25:26.159
<v Speaker 1>speak up and they you know, they're pro, They're pro Jeff.

0:25:26.520 --> 0:25:29.919
<v Speaker 1>He's been working hard. We even did an angle. I

0:25:29.960 --> 0:25:32.439
<v Speaker 1>get mad at the way the media treats wrestling, but like,

0:25:32.560 --> 0:25:34.880
<v Speaker 1>I just always hated it. So we even pulled one

0:25:34.920 --> 0:25:38.280
<v Speaker 1>on them where we took that Jeff storyline of him,

0:25:38.320 --> 0:25:41.359
<v Speaker 1>you know, being this the screw up that the w

0:25:41.359 --> 0:25:43.560
<v Speaker 1>W we had him, and we leaked a story that

0:25:43.680 --> 0:25:48.480
<v Speaker 1>wasn't even true with Jeff's permission to uh like CNN

0:25:48.600 --> 0:25:51.760
<v Speaker 1>or somebody, and they bought it and so CNN, here's this,

0:25:52.240 --> 0:25:55.679
<v Speaker 1>I've got you suckers deal with that, and uh, it

0:25:55.720 --> 0:25:58.320
<v Speaker 1>wasn't even true, and it was gonna help us, hi Jeff,

0:25:58.400 --> 0:26:00.520
<v Speaker 1>so that he could be this like surprise his entrance

0:26:00.560 --> 0:26:02.440
<v Speaker 1>and make this match like a triple threat, I think

0:26:02.520 --> 0:26:04.840
<v Speaker 1>is how the story was going to go. But but yeah,

0:26:04.840 --> 0:26:07.720
<v Speaker 1>they ran with that story and we got to burn

0:26:07.800 --> 0:26:09.920
<v Speaker 1>them on it. Later and Vince like that we got

0:26:09.960 --> 0:26:11.840
<v Speaker 1>to give them the middle finger because the media has

0:26:11.880 --> 0:26:15.560
<v Speaker 1>never been good to the w w E or WWF.

0:26:24.840 --> 0:26:30.560
<v Speaker 1>I remember specifically, Kevin Dunn did not want Jeff to

0:26:30.600 --> 0:26:34.040
<v Speaker 1>be champion, and he kind of like shrugged his shoulders.

0:26:34.080 --> 0:26:36.320
<v Speaker 1>He goes, you gotta be kidding me with this, and

0:26:36.440 --> 0:26:40.480
<v Speaker 1>Vince doesn't say anything. He regards the opinion. He hears

0:26:40.480 --> 0:26:43.040
<v Speaker 1>some other agents like speak up and they say good thing.

0:26:43.080 --> 0:26:46.600
<v Speaker 1>I remember arn Anderson said good things. Pritchard hasn't said

0:26:46.640 --> 0:26:50.320
<v Speaker 1>anything yet. And then Hunter speaks up and goes, are

0:26:50.359 --> 0:26:52.200
<v Speaker 1>we seriously I'm going to do a triple agent pressure?

0:26:52.359 --> 0:26:55.880
<v Speaker 1>Are we seriously gonna fucking trist this guy? And that

0:26:56.160 --> 0:27:00.240
<v Speaker 1>was like a sniper bullet taking you out at the leg,

0:27:00.359 --> 0:27:03.640
<v Speaker 1>an honest bullet, but a bullet just the same. I

0:27:03.680 --> 0:27:06.680
<v Speaker 1>was nervous that someone might say it because they would

0:27:06.680 --> 0:27:10.919
<v Speaker 1>be right. But I believed the story we were telling,

0:27:11.440 --> 0:27:14.040
<v Speaker 1>or we're trying to tell, was was worth the risk.

0:27:14.119 --> 0:27:16.960
<v Speaker 1>I genuinely did. I thought we were telling an honest,

0:27:17.240 --> 0:27:20.640
<v Speaker 1>interesting wrestling story, and I don't think that's the easiest

0:27:20.640 --> 0:27:22.800
<v Speaker 1>thing in the world to do, and I don't think

0:27:22.880 --> 0:27:24.840
<v Speaker 1>you can just stick it on anyone. I think it

0:27:24.920 --> 0:27:27.760
<v Speaker 1>has to fit the talent, and this story fit. And

0:27:27.840 --> 0:27:32.119
<v Speaker 1>so I've been preparing the whole time, and Michael was

0:27:32.160 --> 0:27:36.760
<v Speaker 1>gonna let me take any more bullets, for sure, because

0:27:36.800 --> 0:27:40.360
<v Speaker 1>it's just he just wasn't He brought these guys in. Man,

0:27:40.480 --> 0:27:43.520
<v Speaker 1>he fought for the hearties more times than anyone in

0:27:43.520 --> 0:27:47.200
<v Speaker 1>the company, and he knew the foundation we were standing

0:27:47.240 --> 0:27:49.760
<v Speaker 1>on better than anyone. And I knew that's why he

0:27:49.800 --> 0:27:52.119
<v Speaker 1>put it on me because I was smelling good to

0:27:52.160 --> 0:27:54.919
<v Speaker 1>the boss at the time. I always smelled good to

0:27:54.960 --> 0:27:58.720
<v Speaker 1>the bus, thank you very much. And uh so I'm like,

0:27:58.800 --> 0:28:00.639
<v Speaker 1>all right, this is gonna be this is gonna be

0:28:00.680 --> 0:28:04.359
<v Speaker 1>my argument. And I know d Jail speak up. But Hunter,

0:28:05.040 --> 0:28:07.520
<v Speaker 1>if he wants to smash on dj he can smash

0:28:07.560 --> 0:28:10.439
<v Speaker 1>on him. And Vince can smash on anyone. But the

0:28:10.480 --> 0:28:13.280
<v Speaker 1>only one who could really smash on me was Vince,

0:28:13.320 --> 0:28:16.160
<v Speaker 1>because anybody else I could speak to on at least

0:28:16.160 --> 0:28:18.760
<v Speaker 1>an equal playing field, maybe not as far as like

0:28:18.800 --> 0:28:22.159
<v Speaker 1>wrestling knowledge, but as far as like confidence and what

0:28:22.240 --> 0:28:24.280
<v Speaker 1>I knew I brought to the table, and the fact

0:28:24.359 --> 0:28:27.960
<v Speaker 1>that I could walk away. So those are my only cards.

0:28:28.000 --> 0:28:30.160
<v Speaker 1>So I start pitching why this is a good idea,

0:28:31.040 --> 0:28:33.600
<v Speaker 1>and I'm telling this is an honest story. We've done

0:28:33.600 --> 0:28:35.840
<v Speaker 1>nothing but tell the truth. I said, if he has

0:28:35.880 --> 0:28:38.400
<v Speaker 1>a relapse, if he goes down again, you take the

0:28:38.440 --> 0:28:40.200
<v Speaker 1>title off him. I said, you've taken it off and

0:28:40.320 --> 0:28:43.200
<v Speaker 1>before for stuff like that on smaller belts. I said,

0:28:43.240 --> 0:28:45.960
<v Speaker 1>we've taken it off other people in a day. I said,

0:28:46.000 --> 0:28:48.200
<v Speaker 1>we can pull this off. I said, you gotta you know.

0:28:48.240 --> 0:28:51.160
<v Speaker 1>I'm giving him this passion plea. It's about five minutes long.

0:28:51.560 --> 0:28:54.640
<v Speaker 1>And then Hunter starts shooting it down again, and I

0:28:54.720 --> 0:28:57.520
<v Speaker 1>don't you know, I don't want it to be a fight.

0:28:57.600 --> 0:28:59.320
<v Speaker 1>I don't want it to be an argument. I don't

0:28:59.360 --> 0:29:01.520
<v Speaker 1>want to have any He's in the company, but I

0:29:01.520 --> 0:29:04.280
<v Speaker 1>don't want this whole story that we built up to

0:29:04.440 --> 0:29:08.360
<v Speaker 1>let the fans of Jeff Hardy down again. And it's

0:29:08.440 --> 0:29:10.960
<v Speaker 1>my idea. There's some pride and there's some ego there

0:29:11.120 --> 0:29:14.680
<v Speaker 1>that I believe is worthy of this brass ring, so

0:29:14.720 --> 0:29:18.240
<v Speaker 1>to speak. Right, So we're having our creative argument back

0:29:18.280 --> 0:29:21.400
<v Speaker 1>and forth. Hunter starts challenging the merits of the story,

0:29:21.680 --> 0:29:23.560
<v Speaker 1>but that's hard for him to do because I had

0:29:23.600 --> 0:29:25.760
<v Speaker 1>this thing plotted out. So I got an answer for

0:29:25.840 --> 0:29:28.120
<v Speaker 1>him at every stop, and then he brings up the

0:29:28.200 --> 0:29:31.400
<v Speaker 1>reliability again, and I say, I'm a kind of out

0:29:31.400 --> 0:29:34.040
<v Speaker 1>of options, so I just hit him. Would look as

0:29:34.120 --> 0:29:37.280
<v Speaker 1>unreliable as this dude has been. He's the number one

0:29:37.320 --> 0:29:41.120
<v Speaker 1>selling merch guy that we have in the company. And

0:29:41.280 --> 0:29:44.120
<v Speaker 1>I threw out his numbers from whatever week I saw it, right,

0:29:44.280 --> 0:29:46.719
<v Speaker 1>I go, that's off those armed bands and his T shirts.

0:29:46.880 --> 0:29:49.880
<v Speaker 1>I said, these fans believe in him more than any

0:29:49.920 --> 0:29:53.560
<v Speaker 1>other wrestler in the company, and that includes you, which

0:29:53.600 --> 0:29:56.240
<v Speaker 1>I shouldn't have said, but I did. I wanted Jeff

0:29:56.480 --> 0:29:58.920
<v Speaker 1>to go over in this freaking match. It gets kind

0:29:58.920 --> 0:30:01.720
<v Speaker 1>of quiet, and I'm looking at Vince and I go,

0:30:01.840 --> 0:30:04.120
<v Speaker 1>we came all this way. If we don't make him

0:30:04.160 --> 0:30:06.480
<v Speaker 1>champ now, we're never gonna do it. And if he

0:30:06.520 --> 0:30:10.160
<v Speaker 1>screws up, it's on me, and uh, Vince kind of

0:30:10.240 --> 0:30:14.400
<v Speaker 1>sits there for a moment, and then he says, all right, Uh,

0:30:14.440 --> 0:30:18.520
<v Speaker 1>everybody get out, and everybody means everybody except Bruce, Kevin

0:30:18.560 --> 0:30:20.680
<v Speaker 1>and Hunter, right, So that means I have to go.

0:30:21.320 --> 0:30:25.360
<v Speaker 1>So I'm gone, Freebird's gone, DJ is gone. We're all

0:30:25.360 --> 0:30:28.280
<v Speaker 1>waiting outside. We don't like go to our stations. We're

0:30:28.280 --> 0:30:30.480
<v Speaker 1>waiting outside. We want to know the answer. The production

0:30:30.520 --> 0:30:32.880
<v Speaker 1>meeting on this day was on the same floor as

0:30:32.920 --> 0:30:35.920
<v Speaker 1>like the V I P. Cafeteria, So there's this like

0:30:36.000 --> 0:30:39.720
<v Speaker 1>empty cafeteria behind us, a lot of free space. We're

0:30:39.760 --> 0:30:42.080
<v Speaker 1>sitting there and I'm looking at Freebird and I go,

0:30:42.320 --> 0:30:44.560
<v Speaker 1>what do you think? And he goes, I don't know.

0:30:44.680 --> 0:30:46.920
<v Speaker 1>You know, you did your best. He's like trying to

0:30:46.960 --> 0:30:50.240
<v Speaker 1>prep me for failure. So now I'm like, shoot, Ben,

0:30:50.360 --> 0:30:53.080
<v Speaker 1>it's just not gonna happen, Like, is it seriously gonna

0:30:53.120 --> 0:30:57.280
<v Speaker 1>get get killed right now? And listen again, Hunter was

0:30:57.320 --> 0:30:59.800
<v Speaker 1>proven right at the end of the day. I mean,

0:31:00.040 --> 0:31:02.800
<v Speaker 1>Jeff got in trouble. I think less than a year

0:31:02.840 --> 0:31:05.320
<v Speaker 1>after this happened. They gave him the other belt after that,

0:31:05.360 --> 0:31:07.960
<v Speaker 1>the other championship, and then he got in trouble and

0:31:08.000 --> 0:31:10.360
<v Speaker 1>then got a bigger trouble and had to leave the

0:31:10.360 --> 0:31:12.040
<v Speaker 1>company for a while. So at the end of the

0:31:12.120 --> 0:31:13.840
<v Speaker 1>day he was right. But all of a sudden, the

0:31:13.880 --> 0:31:17.360
<v Speaker 1>door swings open and only Hunter comes out, and he

0:31:17.480 --> 0:31:21.280
<v Speaker 1>doesn't even look at me right, and he walks by.

0:31:21.360 --> 0:31:25.040
<v Speaker 1>And so this now means two things. One, this dude

0:31:25.120 --> 0:31:28.080
<v Speaker 1>doesn't like me anymore, and it's probably gonna work against

0:31:28.120 --> 0:31:31.640
<v Speaker 1>me now, which is what happened, and to just gonna

0:31:31.680 --> 0:31:35.760
<v Speaker 1>be the world heavyweight champion, which is the whole point

0:31:35.800 --> 0:31:37.800
<v Speaker 1>of this in the first place. And so I'm willing

0:31:37.840 --> 0:31:40.959
<v Speaker 1>to take these bullets and I'm willing to get him

0:31:41.000 --> 0:31:43.400
<v Speaker 1>the champion or to you know, to get this story

0:31:43.440 --> 0:31:45.760
<v Speaker 1>through so he can be the champion. And I watched

0:31:45.800 --> 0:31:48.480
<v Speaker 1>the match from like the back, like a side, like

0:31:48.520 --> 0:31:52.560
<v Speaker 1>a side entrance, right, and Hunters not involved in the

0:31:52.600 --> 0:31:55.400
<v Speaker 1>finish because he did not believe in the idea and

0:31:55.440 --> 0:31:58.520
<v Speaker 1>I respect that. And Jeff comes in and he gets

0:31:58.560 --> 0:32:01.600
<v Speaker 1>it on on edge. I think Hunter was out of

0:32:01.600 --> 0:32:03.920
<v Speaker 1>the ring at the time. And then he climbs up

0:32:04.040 --> 0:32:08.520
<v Speaker 1>the scaffolding and which is psycho dangerous, but he did

0:32:08.560 --> 0:32:11.720
<v Speaker 1>it before the match, did at once, just to show

0:32:11.760 --> 0:32:14.080
<v Speaker 1>that he could. And he holds the belt up there

0:32:14.200 --> 0:32:17.440
<v Speaker 1>like the highest point in the arena, which speaks volumes

0:32:17.440 --> 0:32:21.520
<v Speaker 1>to who Jeff Hardy is, dude still wrestles today, who

0:32:21.560 --> 0:32:25.360
<v Speaker 1>he is as a professional wrestler, and who he's always

0:32:25.440 --> 0:32:29.560
<v Speaker 1>been as a professional wrestler. And we got that storyline through,

0:32:29.760 --> 0:32:34.160
<v Speaker 1>and it was definitely it wasn't the most proud of

0:32:34.160 --> 0:32:36.680
<v Speaker 1>a story because I had another story that we'll talk

0:32:36.720 --> 0:32:39.040
<v Speaker 1>about on another episode that I was more proud of,

0:32:39.120 --> 0:32:41.560
<v Speaker 1>but it just didn't get as much love because it

0:32:41.600 --> 0:32:44.600
<v Speaker 1>wasn't it wasn't Jeff, and and it was something that

0:32:44.640 --> 0:32:48.280
<v Speaker 1>me and the talent manufactured as opposed to bringing real

0:32:48.360 --> 0:32:51.960
<v Speaker 1>stuff out from my own life and the history that

0:32:52.000 --> 0:32:55.680
<v Speaker 1>I had with my father and Jeff's trials and tribulations

0:32:55.760 --> 0:32:59.040
<v Speaker 1>during that time as well. Um with consent and with

0:32:59.080 --> 0:33:01.840
<v Speaker 1>permission of course, but there are there's a smaller one

0:33:01.880 --> 0:33:04.560
<v Speaker 1>that that didn't. They didn't last, but I have more

0:33:04.600 --> 0:33:08.800
<v Speaker 1>pride than that. But it definitely, you know, it gave

0:33:08.840 --> 0:33:12.400
<v Speaker 1>me a lot of latitude which you don't normally have

0:33:12.560 --> 0:33:16.400
<v Speaker 1>as a writer there after after Jeff, to work with

0:33:16.640 --> 0:33:19.240
<v Speaker 1>younger talent and to kind of spread my wings a

0:33:19.280 --> 0:33:22.720
<v Speaker 1>little more. But it caused problems as well. They had

0:33:22.760 --> 0:33:25.840
<v Speaker 1>a wrestler that he looked like the rock Um, not

0:33:25.960 --> 0:33:31.680
<v Speaker 1>as big, and he could speak English, Arabic, Hebrew and

0:33:31.880 --> 0:33:35.520
<v Speaker 1>something else man and he and I had this cool

0:33:35.600 --> 0:33:38.000
<v Speaker 1>kind of idea that we had worked out. And I

0:33:38.000 --> 0:33:40.440
<v Speaker 1>remember this was maybe like a couple of weeks after

0:33:40.480 --> 0:33:42.720
<v Speaker 1>the Jeff thing, and Hunter came up to me and

0:33:42.760 --> 0:33:44.520
<v Speaker 1>he was like, hey, man, I'm working with in a

0:33:44.640 --> 0:33:46.040
<v Speaker 1>month something, so you don't need to work with it.

0:33:46.640 --> 0:33:49.719
<v Speaker 1>He didn't say stay away from him, but he's saying amen,

0:33:50.160 --> 0:33:52.080
<v Speaker 1>like I want you around the guys that I like.

0:33:53.040 --> 0:33:55.120
<v Speaker 1>And so that's when I was kind of like, ah,

0:33:55.200 --> 0:33:57.760
<v Speaker 1>that sucks, man, Like you know, I was just trying

0:33:57.800 --> 0:34:00.920
<v Speaker 1>to you don't do right by the company. And Jeff's

0:34:00.920 --> 0:34:03.800
<v Speaker 1>sales went through the roof even more after that, and

0:34:03.840 --> 0:34:07.080
<v Speaker 1>the storyline lasted pretty strong. We gave Jeff an entering

0:34:07.200 --> 0:34:10.960
<v Speaker 1>one with Edge that went a little sideways because it

0:34:11.000 --> 0:34:14.000
<v Speaker 1>was entering and not in a controlled environment, but he

0:34:14.080 --> 0:34:16.640
<v Speaker 1>still got over and the crowd started chanting with Jeff,

0:34:16.640 --> 0:34:19.640
<v Speaker 1>which was, you know, the goal anyway, just it went

0:34:19.640 --> 0:34:21.520
<v Speaker 1>a different way than I wanted. But I'm a dungeon

0:34:21.560 --> 0:34:24.600
<v Speaker 1>master in Dungeons and Dragons, so I'm prepared when things

0:34:24.640 --> 0:34:27.640
<v Speaker 1>go off the rails. But yeah, man, it was that

0:34:27.760 --> 0:34:29.920
<v Speaker 1>was a bittersweet moment in the company, and it was

0:34:29.960 --> 0:34:34.720
<v Speaker 1>the first time I really started considering, like is it

0:34:34.800 --> 0:34:38.040
<v Speaker 1>is it worth it? There's so many egos here. I'm

0:34:38.040 --> 0:34:41.480
<v Speaker 1>gonna hurt someone's feelings every time they lose a match.

0:34:41.800 --> 0:34:44.239
<v Speaker 1>It was true. I mean I had dudes come up

0:34:44.239 --> 0:34:47.160
<v Speaker 1>to me and say, hey, man, if I lose another match,

0:34:47.200 --> 0:34:49.120
<v Speaker 1>I feel like they're gonna let me go. I'm not

0:34:49.239 --> 0:34:52.879
<v Speaker 1>trained to do anything else that resonated with me. It's

0:34:52.920 --> 0:34:55.880
<v Speaker 1>a humbling it's a humbling moment for anyone to go to.

0:34:56.000 --> 0:34:59.520
<v Speaker 1>I'm not saying the dude's name. But he followed it

0:34:59.560 --> 0:35:02.799
<v Speaker 1>with like, I don't want to be packing groceries if

0:35:02.840 --> 0:35:04.960
<v Speaker 1>I get released, and I was like, man, I gotta

0:35:05.040 --> 0:35:07.520
<v Speaker 1>get something. His student wasn't even on my on my

0:35:07.680 --> 0:35:11.160
<v Speaker 1>list of people are supposed to be working for. And

0:35:11.200 --> 0:35:15.239
<v Speaker 1>I started writing for him and his valet, this you know,

0:35:15.320 --> 0:35:18.000
<v Speaker 1>twisted sick thing that might work on the w W

0:35:18.200 --> 0:35:20.239
<v Speaker 1>E S version of E c W, which they still

0:35:20.280 --> 0:35:22.359
<v Speaker 1>had at the time. I probably worked on it for

0:35:23.280 --> 0:35:27.960
<v Speaker 1>I think two weeks and they released him ten days in.

0:35:28.080 --> 0:35:30.480
<v Speaker 1>I didn't know, And I found out on the SmackDown

0:35:30.800 --> 0:35:32.279
<v Speaker 1>that they shot E c W on the same day

0:35:32.320 --> 0:35:35.279
<v Speaker 1>a SmackDown on Tuesday back then, that they let Homeboy go.

0:35:35.360 --> 0:35:37.640
<v Speaker 1>And I was just like, dang, he knew he saw

0:35:37.680 --> 0:35:41.600
<v Speaker 1>it come in. Show business in general is real cutthroat,

0:35:42.520 --> 0:35:46.200
<v Speaker 1>and a lot of people talk about luck and I'm

0:35:46.239 --> 0:35:49.520
<v Speaker 1>here to tell you there's no such thing there is

0:35:49.600 --> 0:35:55.320
<v Speaker 1>being prepared for opportunities, and there has been unprepared for opportunities.

0:35:55.840 --> 0:35:59.480
<v Speaker 1>The son of a gun in this group is the

0:35:59.520 --> 0:36:02.680
<v Speaker 1>opportunit unity because we never know when it's gonna come,

0:36:03.840 --> 0:36:07.680
<v Speaker 1>and far too many of us, far too often are

0:36:07.800 --> 0:36:12.640
<v Speaker 1>unprepared when those opportunities present themselves. So if you have

0:36:12.800 --> 0:36:16.600
<v Speaker 1>a passion, you have to be ready because you never

0:36:17.480 --> 0:36:20.680
<v Speaker 1>ever know when it's going to present itself. I'm telling you,

0:36:21.719 --> 0:36:25.359
<v Speaker 1>when I was an acting class, you hear actors talk about,

0:36:25.360 --> 0:36:28.160
<v Speaker 1>oh I got an audition tomorrow, Oh what time I'm

0:36:28.200 --> 0:36:30.840
<v Speaker 1>at ten? I gotta be there early at nine, And

0:36:30.840 --> 0:36:34.000
<v Speaker 1>then you hear that same actor say, you know, hey,

0:36:34.040 --> 0:36:37.440
<v Speaker 1>let's go drinking after class. Well, you know where my

0:36:37.520 --> 0:36:40.840
<v Speaker 1>head's going. I didn't party until I made it right,

0:36:40.960 --> 0:36:43.319
<v Speaker 1>So in my head, I'm like, this dude ain't making

0:36:43.360 --> 0:36:46.839
<v Speaker 1>his nine am meeting, But you know who is met,

0:36:47.600 --> 0:36:50.840
<v Speaker 1>and those are the opportunities I would bust my ass

0:36:50.880 --> 0:36:53.080
<v Speaker 1>on the scene. I wasn't even supposed to be in

0:36:53.160 --> 0:36:56.240
<v Speaker 1>on go with. I'll even tell you a name, because

0:36:56.239 --> 0:37:00.080
<v Speaker 1>Brian knows I did. It was Ryan Philippi and uh,

0:37:00.120 --> 0:37:02.680
<v Speaker 1>he wasn't gonna make that meeting. And I showed up

0:37:02.719 --> 0:37:05.120
<v Speaker 1>and they said Ryan, and I walked straight in. The

0:37:05.239 --> 0:37:09.000
<v Speaker 1>assistant knew I wasn't Ryan, and I gave the read

0:37:09.280 --> 0:37:11.839
<v Speaker 1>and the director goes, that's a that's a great job.

0:37:12.280 --> 0:37:15.120
<v Speaker 1>I said, oh thanks. He goes, who are you? And

0:37:15.200 --> 0:37:17.680
<v Speaker 1>I just like checked my shoes right away, right like

0:37:17.840 --> 0:37:21.400
<v Speaker 1>eyes to the floor and shame. And the casting director

0:37:21.480 --> 0:37:24.359
<v Speaker 1>knew the jig was up, and I look up. I go, yeah,

0:37:24.640 --> 0:37:28.680
<v Speaker 1>I'm Freddie, and before they could say anything, shout out

0:37:29.000 --> 0:37:32.400
<v Speaker 1>but she wouldn't see me otherwise, and the director starts laughing.

0:37:32.480 --> 0:37:35.040
<v Speaker 1>He goes, you did great, man, you did great. He goes,

0:37:35.080 --> 0:37:36.799
<v Speaker 1>give me your last name. I say, friends. He goes,

0:37:36.840 --> 0:37:40.200
<v Speaker 1>all right, I booked this job. The casting director never

0:37:40.239 --> 0:37:42.439
<v Speaker 1>sees me again. So I don't know what you want

0:37:42.440 --> 0:37:44.960
<v Speaker 1>to take from that. Either take advantage of the opportunity

0:37:45.000 --> 0:37:47.759
<v Speaker 1>and lose out on others, or lose out on all

0:37:47.760 --> 0:37:51.080
<v Speaker 1>the opportunities. But I knew if I studied my ass

0:37:51.120 --> 0:37:54.120
<v Speaker 1>off and gave the best audition, I would have the

0:37:54.160 --> 0:37:57.560
<v Speaker 1>best opportunity to book that job. And I've seen wrestlers

0:37:57.600 --> 0:38:00.560
<v Speaker 1>do it. I've seen them get their chance and and

0:38:00.640 --> 0:38:04.719
<v Speaker 1>have that match where maybe they weren't supposed to or May,

0:38:04.800 --> 0:38:06.320
<v Speaker 1>even though they were gonna lose, it was going to

0:38:06.400 --> 0:38:09.680
<v Speaker 1>be an eight and they're on the twenty side as

0:38:09.719 --> 0:38:11.520
<v Speaker 1>far as who's going to get over, and then the

0:38:11.600 --> 0:38:14.120
<v Speaker 1>other wrestler, the veteran, it's like, hey, we're gonna make

0:38:14.120 --> 0:38:17.480
<v Speaker 1>this sixt and they give this other wrestler a shot.

0:38:17.560 --> 0:38:20.879
<v Speaker 1>I watched Edge do it with Dolph Ziggler early on

0:38:21.400 --> 0:38:24.600
<v Speaker 1>and he came backstage. I'll never forget this. Vince goes,

0:38:24.640 --> 0:38:27.440
<v Speaker 1>how do you do? And Edge goes that dude can work,

0:38:27.880 --> 0:38:30.160
<v Speaker 1>and that was all it took, and all of a sudden,

0:38:30.360 --> 0:38:34.080
<v Speaker 1>Ziggler had had Vicky and Ziggler became a champion. And

0:38:34.120 --> 0:38:38.120
<v Speaker 1>it's he was prepared for the moment. And when you're

0:38:38.160 --> 0:38:41.520
<v Speaker 1>prepared for that moment, opportunity has no choice but to

0:38:41.640 --> 0:38:45.520
<v Speaker 1>roll out the red carpet. If you're unprepared, it's it's

0:38:45.600 --> 0:38:48.600
<v Speaker 1>a crappy road that hasn't been paved in forty years

0:38:49.200 --> 0:38:52.160
<v Speaker 1>and you're a Porsche. You're a Porsche driving on this

0:38:52.239 --> 0:38:55.880
<v Speaker 1>horrible street. Why are you doing that? So always, always,

0:38:55.920 --> 0:38:59.080
<v Speaker 1>always be prepared. This isn't really connected. This is just

0:38:59.120 --> 0:39:02.520
<v Speaker 1>another side question. But especially if you're an artist, work

0:39:02.640 --> 0:39:05.400
<v Speaker 1>that craft. Be ready to present it to people. If

0:39:05.440 --> 0:39:08.719
<v Speaker 1>you're a painter, have a have a portfolio ready to go.

0:39:09.120 --> 0:39:11.799
<v Speaker 1>If your sculptor, don't give them all the way, save

0:39:11.920 --> 0:39:14.120
<v Speaker 1>some so you have something to show people. If you're

0:39:14.160 --> 0:39:16.759
<v Speaker 1>a writer, you better be writing as soon as you

0:39:16.800 --> 0:39:20.120
<v Speaker 1>turn this podcast off. And if it's a wrestling movie

0:39:20.239 --> 0:39:22.919
<v Speaker 1>and that nobody thinks it's gonna get made, screw them.

0:39:23.280 --> 0:39:27.760
<v Speaker 1>Write it anyway, right, what you want, not what people

0:39:27.840 --> 0:39:29.759
<v Speaker 1>tell you to write. That's a good message for all

0:39:29.800 --> 0:39:33.080
<v Speaker 1>you streamers out there that stream video games or whatever.

0:39:33.160 --> 0:39:35.799
<v Speaker 1>I see you at. What should I play? No, no, no, no, no.

0:39:35.880 --> 0:39:39.320
<v Speaker 1>Play what you want to play. That's what's authentic. Anything else,

0:39:40.040 --> 0:39:42.160
<v Speaker 1>you're gonna burn out. Maybe that's why I didn't last

0:39:42.160 --> 0:39:44.520
<v Speaker 1>in the wrestling business. I tried to write for everybody,

0:39:44.520 --> 0:39:46.640
<v Speaker 1>and I burned out. All Right, you guys, thanks for

0:39:46.680 --> 0:39:49.759
<v Speaker 1>tuning in. I'll see everybody next week with a brand

0:39:49.760 --> 0:39:54.719
<v Speaker 1>new episode of Wrestling with Freddie. This has been a

0:39:54.719 --> 0:39:58.280
<v Speaker 1>production of I Hearts Michael podcast Network. For more podcasts

0:39:58.320 --> 0:40:00.640
<v Speaker 1>for my Heart Radio. Is it the I Heart Radio app,

0:40:00.680 --> 0:40:03.600
<v Speaker 1>Apple Podcasts or wherever you listen to your favorite shows?

0:40:04.520 --> 0:40:09.120
<v Speaker 1>H m hm mm hmmmmm.