WEBVTT - The Voice of Justin Guarini

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<v Speaker 1>Hey Christy, Hi Will, how are you? I'm fine? Thanks?

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<v Speaker 1>How are you doing? I'm doing just fine. Can't complain?

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<v Speaker 1>I can Oh, gosh, I'm not going to. I just okay.

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<v Speaker 1>I was like, was there something in particular or just no.

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<v Speaker 1>I just love when people are like, I can't complain.

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<v Speaker 1>I mean, if you want me to be open and

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<v Speaker 1>my back kind of hurts, you know a few times

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<v Speaker 1>last night? Yeah, this chair I'm sitting and doesn't have

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<v Speaker 1>a pillow, We I to complaint? Okay, we got to

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<v Speaker 1>go down that road to ask my husband. I'm a

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<v Speaker 1>big complaining If you just do you complain to brendon

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<v Speaker 1>a lot? Are you kidding me? I'm just curious. I mean, also,

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<v Speaker 1>my husband is a former marine, Like he's like a

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<v Speaker 1>complaining marine is a happy marine. That's like what they say.

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<v Speaker 1>But and so yeah, I mean in general, that's like

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<v Speaker 1>our love language is complaining. But overall, date night is

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<v Speaker 1>just sitting across from each other at a candle at

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<v Speaker 1>dinner and just complaining about everything. I don't know about you,

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<v Speaker 1>but I'm particularly we say this every week. We might

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<v Speaker 1>as well just put this on a loop. But I

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<v Speaker 1>am particularly excited for today's episode. I am always astounded

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<v Speaker 1>at the diversity and the level of mastery, the variation

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<v Speaker 1>of mastery that we have, because all of our guests

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<v Speaker 1>are so different, um, you know, coming from different aspects

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<v Speaker 1>of the industry, which you know, of course, there's one

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<v Speaker 1>way to get a big break right, like you get

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<v Speaker 1>it right, and that including our contest, which if you haven't,

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<v Speaker 1>please go ahead and and submit your two minutes or

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<v Speaker 1>less submission to I hear voices at I Heart radio

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<v Speaker 1>dot com. Um. But honestly, like this guy was, also,

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<v Speaker 1>this wonderful guest of ours is no stranger to competition

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<v Speaker 1>or contests of this sort. I will say, yeah, it's

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<v Speaker 1>actually if there's the perfect person to talk about exactly

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<v Speaker 1>what our contest is and how you know, how your

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<v Speaker 1>life can change from something like this. It's our guest

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<v Speaker 1>who is with us today, Christie. Oh my gosh, it's

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<v Speaker 1>Justin Guerini. Hello, Hi, how are you? I'm doing fine?

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<v Speaker 1>How are you? I'm doing well? Thank you? I got

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<v Speaker 1>by far the nicest background of the three, right, goodness,

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<v Speaker 1>what I loved you. I was just about to comment

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<v Speaker 1>on your background. It's very very much voiceover Boothy. Oh,

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<v Speaker 1>thank you, thank you very much. Christie looks like she's

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<v Speaker 1>being held hostage to joke, held hostage in a tropical

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<v Speaker 1>location though it's very sun Thank you, thank you sunniness.

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<v Speaker 1>How are you doing well? Thank you well, thank you

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<v Speaker 1>for joining us? Hey, well, thank you very much for

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<v Speaker 1>having me a kid. I mean, this is great. We

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<v Speaker 1>know you're super busy going on, so it's really good

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<v Speaker 1>we're able to join us for a while. Well, no,

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<v Speaker 1>and I appreciate you having me on, and and just

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<v Speaker 1>the fact that I get to promote this show is

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<v Speaker 1>pretty awesome because it's fun and I've been like waiting

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<v Speaker 1>waiting for it to come out. So is this your first?

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<v Speaker 1>Is this your first big video gig? No? I mean

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<v Speaker 1>well I think yes, well my first like big it's

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<v Speaker 1>sort of like being on like multiple shows and actually

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<v Speaker 1>being a cast member. Yeah. I'm trying to think, can

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<v Speaker 1>I do anything else in the voiceover? I've done to

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<v Speaker 1>other cartoon voiceovers, but like never this one. We'll talk

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<v Speaker 1>about it in the actual interview. Unless this is the interview.

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<v Speaker 1>This is the actual interview. Yeah, yeah, exactly, Who's who's

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<v Speaker 1>the one being held hostage? I wanted? Yeah, no, I

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<v Speaker 1>this is the first sort of like big deal certainly

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<v Speaker 1>to me UM and cast member one, because I grew

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<v Speaker 1>up loving Disney cartoons so much, like it's like pretty

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<v Speaker 1>much everybody unless they've been hiding under a rock. And

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<v Speaker 1>yet I went in one day a long time, like

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<v Speaker 1>I'm talking like maybe fifteen years ago, and I was

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<v Speaker 1>meeting with some executives at Disney UM in their sort

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<v Speaker 1>of voice over department, because I wanted to do it,

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<v Speaker 1>and they were telling me about how at the time,

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<v Speaker 1>the gentleman who was I think only the third or

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<v Speaker 1>four maybe fourth voice of Mickey Mouse was starting to

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<v Speaker 1>get older wanting to retire, and um they were looking

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<v Speaker 1>for a new voice. And I just went, oh boy,

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<v Speaker 1>and I was and and I just like broke it

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<v Speaker 1>out and I was like, I've always, you know, thought

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<v Speaker 1>that Mickey was a fun voice. And the guys were like, uh,

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<v Speaker 1>do you want to come in an audition for it.

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<v Speaker 1>I was like, Yeah, I want to come in audition

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<v Speaker 1>from making I would love to. And so at the

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<v Speaker 1>time I was working for TV Guide Network and doing

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<v Speaker 1>a lot of live red carpets in studio hosting like

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<v Speaker 1>talk talk Talk Talk Talk talk, talk talk talk all

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<v Speaker 1>day long and was Awards season, and so I was

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<v Speaker 1>on the carpet and doing all sort of stuff that

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<v Speaker 1>I had to go in for this interview. I got

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<v Speaker 1>to go into this interview and like my voice was

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<v Speaker 1>feeling a little rough and like yeah, and so it's

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<v Speaker 1>one of those like very typical actor e l A

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<v Speaker 1>things to have happened, right, and and you know, fortunately

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<v Speaker 1>I was working, but I went in and um, you know,

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<v Speaker 1>I did something to the effect of say you want

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<v Speaker 1>to come to my club house, Well, right, let's go,

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<v Speaker 1>and like just doing it and having fun with it.

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<v Speaker 1>But it was kind of like ragging the guy. When

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<v Speaker 1>I came out of the booth, you was like, that

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<v Speaker 1>was really really awesome, And he didn't say to me

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<v Speaker 1>in so many words. I think later I found out

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<v Speaker 1>the note was like it was really close, great job,

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<v Speaker 1>We'd love to see you in the future. And uh.

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<v Speaker 1>They ended up casting from inside the actual company, which lovely,

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<v Speaker 1>which they love to do, right and uh. And so

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<v Speaker 1>then many many years later this came along and I

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<v Speaker 1>was like, yes, let me give it a shot. But

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<v Speaker 1>it was something where it was just that I got

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<v Speaker 1>to create all my own and and there were some

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<v Speaker 1>references in there. Um, and I just really took like

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<v Speaker 1>the idea of like the earth a cat or the

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<v Speaker 1>kit rather cat woman, but yeah, and just ran with it.

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<v Speaker 1>And so that's that's how cat Perker. You said you

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<v Speaker 1>grew up loving Disney cartoons, which ones? Like what were you?

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<v Speaker 1>What were your favorite cartoons growing up? My favorite of

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<v Speaker 1>all time? I mean like you've got Bambi, And I

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<v Speaker 1>remember a friend of mine who was a family friend.

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<v Speaker 1>She was like, she took me to that when I

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<v Speaker 1>was little, and she said, you just started bawling at

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<v Speaker 1>the very beginning because of the story. There were over

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<v Speaker 1>hard like from the start, right from the start, Uh,

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<v Speaker 1>Fox and the Hound, which funny story, not really funny,

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<v Speaker 1>but it's interesting to see how how the world has changed.

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<v Speaker 1>Like if you go back and you watch the original

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<v Speaker 1>Fox in the Hound, it's dark, it is. It is

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<v Speaker 1>more like the grim fairy tales, where like the world

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<v Speaker 1>is not a perfect place and you're gonna ago. Whereas

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<v Speaker 1>now you look at the newer version of it and

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<v Speaker 1>the opening sequence is this big slapstick like literally farmer

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<v Speaker 1>steps on the rake sort of thing, and they're like

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<v Speaker 1>running around having a great time. So it's just interesting

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<v Speaker 1>to see how uh tastes have changed. All we say

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<v Speaker 1>over the over the years. UM, but my favorite, to

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<v Speaker 1>answer your question directly, of all time is The Sword

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<v Speaker 1>and the Stone. Not the most commercially successful Disney cartoon,

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<v Speaker 1>but one that just got me so much because I

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<v Speaker 1>think Arthur got the chance to go with Merlin, and

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<v Speaker 1>you know, I love the magic of it all, and

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<v Speaker 1>I just love that he got to have the different

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<v Speaker 1>perspectives of the different animals and was what he ultimately

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<v Speaker 1>needed to have in order to become the leader that

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<v Speaker 1>he would become. O. That's so beautiful. What about shows?

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<v Speaker 1>Were there any shows that you watch growing up? Were you?

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<v Speaker 1>I mean like SHOs, Formers? No, any shows any any

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<v Speaker 1>animated sit where you like a Transformers fan or former

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<v Speaker 1>Definitely g I Joe and going back to look at

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<v Speaker 1>those p s A s are hilarious. Um, and then

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<v Speaker 1>like Gummy Bears, um, duct Tails, Yeah, dubs one for me. Yeah,

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<v Speaker 1>I loved all that. Um. Let's see what are the

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<v Speaker 1>other ones that stick out in my mind? I also

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<v Speaker 1>loved and still love Adults Swim Adults from like when

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<v Speaker 1>it first came out, with like Cow and Chicken and

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<v Speaker 1>Dexter's Lab and like all those things. Like so I've

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<v Speaker 1>been like a cartoon junkie for that. It's like your

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<v Speaker 1>comfort zone. It's your comfort it is it is and

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<v Speaker 1>I was like one and it gets It's Disney like,

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<v Speaker 1>am I gonna sell? It's exciting. Well, let's talk a

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<v Speaker 1>bit about that because you we've been talking about your

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<v Speaker 1>show without actually really mentioning your show. So what show

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<v Speaker 1>do you have coming out? And who do you play? Sure? So, um,

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<v Speaker 1>it is called Super Kiddies and it is a very

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<v Speaker 1>exciting uh show that is geared towards two to seven

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<v Speaker 1>year old. It'll be on Disney Junior and Disney Plus.

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<v Speaker 1>And it is all about these cats, these kiddies that

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<v Speaker 1>live in Kitty Dale, of course, and who want to

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<v Speaker 1>make it and a possum possum but from possum place

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<v Speaker 1>to live and so uh, these kitties are very special

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<v Speaker 1>kitties and whenever they hear the call from their friends

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<v Speaker 1>help something's wrong, Um, they transform into the Super Kitties.

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<v Speaker 1>And they each have individual powers and unique powers. And

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<v Speaker 1>so who I play is the reason why they get

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<v Speaker 1>the call a lot of times, and that is Cat Burglar.

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<v Speaker 1>He is a sneaky, slinky Nina bad guy. I get

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<v Speaker 1>to play the bad guy it's great, yeah, I mean,

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<v Speaker 1>but bad, really bad. He's not so bad. I think

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<v Speaker 1>he does uh, he does something like the wrong things

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<v Speaker 1>for the right reasons, right, and so you know, yeah,

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<v Speaker 1>he will go and as his name would suggest, he

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<v Speaker 1>will cat burgle things from people, uh and pets around

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<v Speaker 1>Kitty Dale. Um. But it's always because he needs something

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<v Speaker 1>or because he thinks that's going to help him get

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<v Speaker 1>something else. And what I love about him is that,

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<v Speaker 1>always and forever, every single time he is eventually caught

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<v Speaker 1>by the super kitties, he gives the stuff back. He apologizes.

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<v Speaker 1>He always admits that. Yeah, he always admits that he's

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<v Speaker 1>done something wrong, and he learns a very valuable lesson.

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<v Speaker 1>And I think that's so important now, especially for kids,

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<v Speaker 1>because I have a nine year old, a twelve year old,

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<v Speaker 1>and then my stepdaughter just turned eighteen yesterday. Yeah wild right.

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<v Speaker 1>And so I mean, kids now, when it comes to

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<v Speaker 1>making mistakes, I mean, that's like the worst thing you

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<v Speaker 1>could possibly do to them, right. They don't want to

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<v Speaker 1>raise their hand necessarily in class. My my boys really

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<v Speaker 1>complain about that, and yet I encourage them. I like,

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<v Speaker 1>you know, what mistakes are like the best way that

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<v Speaker 1>you can learn getting it is. You know, strong and

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<v Speaker 1>wrong is what my my acchoired director used to say. Right,

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<v Speaker 1>It's like we're gonna just sing out, so we'll no

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<v Speaker 1>be strong and wrong, right, strong and wrong, so we

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<v Speaker 1>know where the mistakes are right. And so that being said,

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<v Speaker 1>I think that one of the things that I love

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<v Speaker 1>about this show, and especially about cat Burglar's role in

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<v Speaker 1>this show, is that his job. He comes in and

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<v Speaker 1>he makes plenty of mistakes, yet he always takes responsibility

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<v Speaker 1>for it, He always apologizes for it, he always learns

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<v Speaker 1>his lesson, he always gives the stuff back that he takes.

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<v Speaker 1>So I think that's it's important for kids to know

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<v Speaker 1>that you can make a mistake and still grow and

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<v Speaker 1>still be Okay, Okay, so we'll hold on, hold on.

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<v Speaker 1>Do you think I have a six year old and

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<v Speaker 1>I have a three turning four year old? Okay, and

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<v Speaker 1>my six year old is when I say obsessed with cats, like,

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<v Speaker 1>I don't know if you understand, she has been obsessed

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<v Speaker 1>with cats and kittens. With have a Bengal cat in

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<v Speaker 1>her house and she just loves it to death and

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<v Speaker 1>it and and she I mean, I cannot tell you

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<v Speaker 1>how obsessed this girl as a cat. She is going

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<v Speaker 1>to I am going to you watching you all the time.

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<v Speaker 1>Every day, I'm going to tell her I know cat.

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<v Speaker 1>She's gonna freak out. Yeah. I don't know what it

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<v Speaker 1>is about cats, but like when we were growing up,

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<v Speaker 1>I think we all love teddy bears and like puppies

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<v Speaker 1>and cabbage kids. But I think, like if there was

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<v Speaker 1>I don't know what it is, and I don't know

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<v Speaker 1>if this is a generational thing. But cats are big

0:12:22.480 --> 0:12:28.480
<v Speaker 1>right now. Okay, cats are so big. Cats are in

0:12:30.160 --> 0:12:32.640
<v Speaker 1>and I'm happy to that I get to play one

0:12:32.679 --> 0:12:36.000
<v Speaker 1>of them. And another thing, just does your daughter like music?

0:12:36.720 --> 0:12:39.920
<v Speaker 1>She loves music and cats singing music? Are are you

0:12:39.960 --> 0:12:42.880
<v Speaker 1>singing as well? I might be singing a little bit

0:12:42.880 --> 0:12:46.440
<v Speaker 1>of Well, look, I'll tell you this much if you

0:12:46.559 --> 0:12:49.960
<v Speaker 1>if you love cats, great, if you love music extra great.

0:12:50.040 --> 0:12:53.560
<v Speaker 1>Because each one of the twenty two minute episodes has

0:12:53.600 --> 0:12:56.240
<v Speaker 1>an original song in it. So I mean it is

0:12:56.679 --> 0:13:00.319
<v Speaker 1>it is music, it is cats, It is uhen ship

0:13:01.880 --> 0:13:04.440
<v Speaker 1>and favorite. But it will be your daughter because she's

0:13:04.480 --> 0:13:09.760
<v Speaker 1>like twenty something, right, But listen to I really do

0:13:09.840 --> 0:13:12.080
<v Speaker 1>appreciate it. And it's the face the face of your

0:13:12.120 --> 0:13:16.400
<v Speaker 1>demographic Okay, Like really, I love it because, um, like

0:13:16.440 --> 0:13:20.280
<v Speaker 1>you're saying, they're taking cat Burglars taking accountability. And you know,

0:13:20.360 --> 0:13:23.880
<v Speaker 1>usually when we see villains they're very villainy. Um. But

0:13:23.960 --> 0:13:27.240
<v Speaker 1>I have noticed in the program programming that Disney Junior

0:13:27.280 --> 0:13:29.720
<v Speaker 1>has been doing lately is that they're making it, you know,

0:13:29.760 --> 0:13:33.120
<v Speaker 1>nothing's too scary and nothing's too bad where the villains

0:13:33.160 --> 0:13:36.079
<v Speaker 1>can't come back from it. And I think that's wonderful.

0:13:36.200 --> 0:13:38.880
<v Speaker 1>How do you how do you approach a villain character

0:13:39.040 --> 0:13:42.959
<v Speaker 1>that's not too hate herbal right? And I think, well,

0:13:43.000 --> 0:13:45.080
<v Speaker 1>it comes down to the great writing that's on the show,

0:13:45.160 --> 0:13:48.800
<v Speaker 1>first of all, and and then it comes down also

0:13:48.960 --> 0:13:53.640
<v Speaker 1>to the way that the actual super Kitties handle things,

0:13:54.160 --> 0:13:58.600
<v Speaker 1>you know, meaning cat Burglar can get away, cat Burglar

0:13:58.720 --> 0:14:01.840
<v Speaker 1>can tease, right, cat Burglar plays cat and mouse with

0:14:01.880 --> 0:14:04.360
<v Speaker 1>them all the time. And yet at the end of

0:14:04.440 --> 0:14:07.280
<v Speaker 1>the day, when cat Burglar does eventually get caught, because

0:14:07.280 --> 0:14:10.760
<v Speaker 1>he gets caught every single time, um, the super Kitties

0:14:10.920 --> 0:14:14.000
<v Speaker 1>always treat him with respect. They're like, hey, look, this

0:14:14.080 --> 0:14:18.720
<v Speaker 1>wasn't right, but we hear you because because cat Burglar

0:14:18.800 --> 0:14:21.800
<v Speaker 1>always explains why he does something with anything, he's really

0:14:21.840 --> 0:14:24.840
<v Speaker 1>important right to know that it's not just because he's

0:14:24.920 --> 0:14:28.280
<v Speaker 1>mean or because he's just somebody who likes to steal things,

0:14:28.360 --> 0:14:31.840
<v Speaker 1>right now, he always has a reason, and he's always

0:14:31.880 --> 0:14:34.720
<v Speaker 1>trying to just like kids, just get their needs met,

0:14:34.720 --> 0:14:36.680
<v Speaker 1>just like anybody trying to get their needs met. But

0:14:36.720 --> 0:14:39.960
<v Speaker 1>he goes about it in a way that can sometimes

0:14:40.000 --> 0:14:43.840
<v Speaker 1>make other people feel sad, can sometimes make other people, um,

0:14:44.560 --> 0:14:48.240
<v Speaker 1>hurt other people's feelings, and so you know, in order

0:14:48.320 --> 0:14:51.160
<v Speaker 1>to then take all of that and make sure that

0:14:51.280 --> 0:14:54.360
<v Speaker 1>I honor the fact that these great writing and the

0:14:54.440 --> 0:14:58.840
<v Speaker 1>super Kitties themselves really treat him with respect, it's in

0:14:58.920 --> 0:15:02.080
<v Speaker 1>the voicing side of it. Really, it's just making sure

0:15:02.120 --> 0:15:06.600
<v Speaker 1>that he never gets to mean right. Like he can

0:15:06.680 --> 0:15:09.800
<v Speaker 1>like tease and it's like really fun to be teasy,

0:15:09.840 --> 0:15:14.280
<v Speaker 1>but to never like make it a little too uh

0:15:14.640 --> 0:15:17.080
<v Speaker 1>nan nanny boo boo, if you know what I'm saying. Saying,

0:15:17.440 --> 0:15:21.320
<v Speaker 1>but like and at the same time also just keep

0:15:21.400 --> 0:15:25.360
<v Speaker 1>him light, keep him fun. And and so again I

0:15:26.280 --> 0:15:29.160
<v Speaker 1>rest heavily on the great writing in the show, but

0:15:29.840 --> 0:15:32.640
<v Speaker 1>really it's just about making sure that it always has

0:15:32.680 --> 0:15:36.360
<v Speaker 1>this undercurrent of fun, always has an undercurrent. I mean,

0:15:36.360 --> 0:15:40.920
<v Speaker 1>obviously it's a high pitched voice, um, and so Um,

0:15:41.000 --> 0:15:45.080
<v Speaker 1>that helps, right, But to just always keep in mind

0:15:45.160 --> 0:15:47.920
<v Speaker 1>and remember that he is and he doesn't want anybody

0:15:47.960 --> 0:15:51.760
<v Speaker 1>to know it, but that he's really a good kittie

0:15:51.760 --> 0:15:53.760
<v Speaker 1>at heart. Are we allowed to hear the voice? Are

0:15:53.800 --> 0:15:55.640
<v Speaker 1>we allowed to hear it yet? Or oh sure, it's

0:15:55.640 --> 0:15:57.680
<v Speaker 1>no problem. I mean it's up here. And sometimes he

0:15:57.720 --> 0:16:01.160
<v Speaker 1>gets a little like, hey, come on, guys, can't catch

0:16:01.240 --> 0:16:06.080
<v Speaker 1>me that, you know. So it's like never to it's

0:16:06.120 --> 0:16:09.800
<v Speaker 1>never like Growley or anything like that. But um, but

0:16:09.920 --> 0:16:13.280
<v Speaker 1>it's it's just so fun to hear him like work

0:16:13.360 --> 0:16:16.880
<v Speaker 1>out a problem and you know, even I think the

0:16:17.320 --> 0:16:19.840
<v Speaker 1>worst thing and it's not really bad at all. It's

0:16:19.840 --> 0:16:26.560
<v Speaker 1>like sometimes he turns around, he goes super kid, right,

0:16:26.640 --> 0:16:30.160
<v Speaker 1>you know. You see he doesn't necessarily like the fact

0:16:30.200 --> 0:16:35.000
<v Speaker 1>that the super kitties come and try and uh yeah,

0:16:35.640 --> 0:16:39.360
<v Speaker 1>he's always having fun. That's so interesting. So the range

0:16:39.360 --> 0:16:42.880
<v Speaker 1>of your voice is fascinating to me. So obviously we

0:16:43.000 --> 0:16:44.920
<v Speaker 1>there's a lot of folks right well that we that

0:16:45.000 --> 0:16:48.720
<v Speaker 1>we know. Maggia is one of them where they are

0:16:48.760 --> 0:16:52.040
<v Speaker 1>able to do they have these beautiful, rich, deeper voices,

0:16:52.240 --> 0:16:54.160
<v Speaker 1>you know, because I don't know in terms of are

0:16:54.200 --> 0:16:56.800
<v Speaker 1>you what are you are? You are you a baritone?

0:16:56.880 --> 0:16:59.520
<v Speaker 1>Like no, no, no, I would be a high tenor

0:16:59.600 --> 0:17:02.880
<v Speaker 1>when it I'm just singing. Yeah, but it's really interesting

0:17:02.920 --> 0:17:05.800
<v Speaker 1>because I you know, and then you know, as you

0:17:06.320 --> 0:17:08.520
<v Speaker 1>both no doubt, no, you know you talked throughout the

0:17:08.600 --> 0:17:10.800
<v Speaker 1>day and you you have everything kind of drops a

0:17:10.800 --> 0:17:13.199
<v Speaker 1>little bit lower. But um, and when you have the

0:17:13.240 --> 0:17:16.280
<v Speaker 1>old you know, the old SMB seven and then do

0:17:16.280 --> 0:17:18.280
<v Speaker 1>you have a when you have annoyment over there? What

0:17:18.400 --> 0:17:20.800
<v Speaker 1>are you rocking annoyment? There will something serious? I don't

0:17:20.800 --> 0:17:23.840
<v Speaker 1>know's I've got my my my, I have the m

0:17:23.960 --> 0:17:26.680
<v Speaker 1>x L, I have the old nine thousand whatever. It's rocking.

0:17:26.760 --> 0:17:29.520
<v Speaker 1>It sounds great. And so yeah, the the whole point,

0:17:29.640 --> 0:17:31.320
<v Speaker 1>like you know what I mean. So like it's the

0:17:31.400 --> 0:17:35.160
<v Speaker 1>microphones definitely come into play. But for me, I've always

0:17:35.920 --> 0:17:39.320
<v Speaker 1>had a bit of a higher register, and um, as

0:17:39.359 --> 0:17:42.440
<v Speaker 1>I get older, it definitely drops and I'm like more

0:17:42.480 --> 0:17:46.200
<v Speaker 1>in the speaking baritone zone. But like almost every single

0:17:46.320 --> 0:17:48.800
<v Speaker 1>day I will warm up my voice and I'll warm it,

0:17:48.920 --> 0:17:51.920
<v Speaker 1>whip up and and to make sure that I keep

0:17:51.960 --> 0:17:55.280
<v Speaker 1>that range. And literally it's just keeping the your chords

0:17:55.280 --> 0:17:58.800
<v Speaker 1>flexible and the muscles around them flexible. That helps, you know,

0:17:58.960 --> 0:18:01.240
<v Speaker 1>and someday I'll get to play, you know, maybe a

0:18:01.320 --> 0:18:03.600
<v Speaker 1>character that has a little bit more of this, you know,

0:18:03.680 --> 0:18:05.680
<v Speaker 1>and I love like doing. At the end of the day,

0:18:05.800 --> 0:18:09.720
<v Speaker 1>you know, there's like like like the was that the

0:18:09.720 --> 0:18:14.440
<v Speaker 1>guy from h Inspector gadgets another one? Right? Yeah? Right,

0:18:14.560 --> 0:18:18.119
<v Speaker 1>yeah exactly so yeah, so I just I'd like to

0:18:18.200 --> 0:18:20.600
<v Speaker 1>it's the spirit of play at the end of the day.

0:18:20.720 --> 0:18:22.560
<v Speaker 1>One of the reasons why I love Super Katies so

0:18:22.640 --> 0:18:26.000
<v Speaker 1>much is because there is this undercurrent. Even when the

0:18:26.040 --> 0:18:29.840
<v Speaker 1>Super Katies are chasing Cat Burglar, it's play and um

0:18:29.880 --> 0:18:31.560
<v Speaker 1>for two to seven year olds. I don't know about

0:18:31.560 --> 0:18:33.320
<v Speaker 1>your two to seven year olds. With my two seven

0:18:33.400 --> 0:18:35.200
<v Speaker 1>year olds when they were two to seven, um, that's

0:18:35.200 --> 0:18:38.240
<v Speaker 1>all they want to do. And even when Cat Burgers

0:18:38.280 --> 0:18:41.800
<v Speaker 1>being chased by the Super Katies, even when he gets

0:18:41.880 --> 0:18:45.080
<v Speaker 1>caught all the things, it's always play. And so for

0:18:45.200 --> 0:18:50.000
<v Speaker 1>me developing vocal characters, UM comes down to just being

0:18:50.040 --> 0:18:52.600
<v Speaker 1>willing to play, being willing to fail, being willing to

0:18:52.600 --> 0:18:56.040
<v Speaker 1>get it so unbelievably wrong. UM, because at the very

0:18:56.119 --> 0:18:59.400
<v Speaker 1>least you'd learn what doesn't work, and at the very

0:18:59.520 --> 0:19:03.320
<v Speaker 1>uh most, you find these new things that you wouldn't

0:19:03.320 --> 0:19:06.280
<v Speaker 1>have otherwise found if you tried to play it safe, dude.

0:19:06.280 --> 0:19:08.520
<v Speaker 1>We talk about that all the time on here, and

0:19:08.520 --> 0:19:11.080
<v Speaker 1>and we inspire people, like we have a really big

0:19:11.080 --> 0:19:15.080
<v Speaker 1>contest where we try to inspire people. I'm sure contest

0:19:15.160 --> 0:19:17.880
<v Speaker 1>going right now. That's very exciting because we're giving someone

0:19:17.920 --> 0:19:21.720
<v Speaker 1>their big break and giving them there a year contract

0:19:21.760 --> 0:19:25.560
<v Speaker 1>with C E. SD and right see his face, it's like, yeah,

0:19:25.600 --> 0:19:28.240
<v Speaker 1>that's one of the things you want. You can have

0:19:28.359 --> 0:19:32.520
<v Speaker 1>the website. So we wanted to talk you about, you know,

0:19:32.560 --> 0:19:35.920
<v Speaker 1>American Idol a little bit of course, because that's essentially

0:19:35.920 --> 0:19:38.119
<v Speaker 1>what we've You don't mind, yeah, I mean, if you

0:19:38.119 --> 0:19:41.240
<v Speaker 1>don't mind, it is our super awesome contest to become

0:19:41.280 --> 0:19:44.159
<v Speaker 1>the next big voice actor and you get flown up.

0:19:44.160 --> 0:19:48.480
<v Speaker 1>That's the entire title title. You're flown out to Los Angeles,

0:19:48.480 --> 0:19:50.200
<v Speaker 1>you have lunch with us, you meet your agent, you

0:19:50.240 --> 0:19:51.840
<v Speaker 1>get to sign for a year with C E. S D.

0:19:52.200 --> 0:19:54.720
<v Speaker 1>Thousand dollars, you in a thousand dollars you do promost

0:19:54.760 --> 0:19:59.480
<v Speaker 1>for for our show hard Radio. The website. It's awesome.

0:19:59.680 --> 0:20:04.439
<v Speaker 1>If two minute entry no more, no longer to I

0:20:04.560 --> 0:20:06.840
<v Speaker 1>hear voices at I heart radio dot com. There you go,

0:20:17.119 --> 0:20:19.879
<v Speaker 1>American idol. Obviously they say, oh, that's your break, but

0:20:19.920 --> 0:20:24.040
<v Speaker 1>the fact remains, you started training and singing well before

0:20:24.240 --> 0:20:28.040
<v Speaker 1>any of the Atlanta Choir. I mean that's at the

0:20:28.040 --> 0:20:31.159
<v Speaker 1>boy Atlanta Boys Choir, which is obviously known throughout the world.

0:20:31.240 --> 0:20:34.479
<v Speaker 1>So I mean, can you can you walk us through

0:20:34.480 --> 0:20:36.240
<v Speaker 1>a little bit of how you got started with everything,

0:20:36.240 --> 0:20:38.360
<v Speaker 1>not just idol, but before how you just found your

0:20:38.440 --> 0:20:41.280
<v Speaker 1>love of what you're doing now, found your voice. Yeah,

0:20:41.320 --> 0:20:45.359
<v Speaker 1>that's it. I found beautiful, beautiful intro um. Yes. So

0:20:45.960 --> 0:20:49.760
<v Speaker 1>really it just came down to, like everyone else, I

0:20:49.880 --> 0:20:53.400
<v Speaker 1>just sang with my parents in the car, and one

0:20:53.440 --> 0:20:56.560
<v Speaker 1>day somebody at a school, it was out of doors

0:20:56.560 --> 0:20:59.480
<v Speaker 1>schools what it was called in Georgia, was like said

0:20:59.520 --> 0:21:03.879
<v Speaker 1>to my uh dad in very uh typical Southern fashion,

0:21:04.160 --> 0:21:06.600
<v Speaker 1>they said, but your son can carry a tune in

0:21:06.600 --> 0:21:11.840
<v Speaker 1>a bucket. And so from there, uh, they just saw

0:21:11.920 --> 0:21:14.760
<v Speaker 1>that I kind of just was able to to sing.

0:21:14.800 --> 0:21:17.119
<v Speaker 1>And we had this big piano in the hallway and

0:21:17.160 --> 0:21:19.399
<v Speaker 1>I would I would hear things and I would plunk

0:21:19.440 --> 0:21:21.199
<v Speaker 1>it out. You know. It was about four and I

0:21:21.240 --> 0:21:23.399
<v Speaker 1>wasn't like Mozart being in the stretch imagination, but like

0:21:23.440 --> 0:21:25.760
<v Speaker 1>I would plunk out melodies and I just showed an

0:21:25.760 --> 0:21:29.879
<v Speaker 1>interest and so at four years old they had me

0:21:29.920 --> 0:21:32.800
<v Speaker 1>auditioned for the Atlanta Boys Choir and I ended up

0:21:32.800 --> 0:21:36.240
<v Speaker 1>getting in four years four. Yeah, so I was a

0:21:36.240 --> 0:21:41.119
<v Speaker 1>little boy soprano and that was this intro. My my

0:21:41.240 --> 0:21:44.040
<v Speaker 1>conductor was named Wolskang, so you know, it was for

0:21:44.119 --> 0:21:47.479
<v Speaker 1>real and and so that was my entry into the

0:21:47.520 --> 0:21:50.679
<v Speaker 1>world of choir, into the world of both sacred and

0:21:50.680 --> 0:21:53.679
<v Speaker 1>secular music. And you know, it didn't hurt to have

0:21:53.760 --> 0:21:56.280
<v Speaker 1>the parents that I have. My mom was one of

0:21:56.280 --> 0:21:59.359
<v Speaker 1>the first anchor women on CNN when it started up

0:21:59.359 --> 0:22:01.639
<v Speaker 1>in the early d My dad was chief of police

0:22:01.640 --> 0:22:05.120
<v Speaker 1>in Atlanta, on the force for thirty plus years. So

0:22:05.160 --> 0:22:09.119
<v Speaker 1>I grew so I grew up around the lights, the politics,

0:22:09.160 --> 0:22:15.040
<v Speaker 1>the cameras, the everything, and so that certainly was a

0:22:15.160 --> 0:22:17.840
<v Speaker 1>huge catalyst for everything that I do. And then just

0:22:17.920 --> 0:22:21.520
<v Speaker 1>would go on from there to to continue to sing

0:22:21.520 --> 0:22:25.879
<v Speaker 1>in school and audition for for you know, local theaters

0:22:26.000 --> 0:22:29.720
<v Speaker 1>and whatnot, and then um, I would go away. I

0:22:29.760 --> 0:22:32.920
<v Speaker 1>went to college for vocal performance at University of the Arts,

0:22:33.040 --> 0:22:36.000
<v Speaker 1>studied theater there as well, and dance there as well.

0:22:36.040 --> 0:22:40.000
<v Speaker 1>So it was always just always always geared towards performance,

0:22:40.040 --> 0:22:43.919
<v Speaker 1>and as happens. You know, the people say lucky break right,

0:22:43.960 --> 0:22:47.199
<v Speaker 1>But what is luck luck is preparation meeting opportunity, as

0:22:47.240 --> 0:22:50.439
<v Speaker 1>we know. And so I was just prepared from a

0:22:50.520 --> 0:22:53.719
<v Speaker 1>very young age, went to school for it, um and

0:22:53.720 --> 0:22:55.280
<v Speaker 1>and studied it. And then all of a sudden, this

0:22:55.359 --> 0:22:59.440
<v Speaker 1>opportunity show nobody had ever heard of came along. And

0:22:59.560 --> 0:23:02.840
<v Speaker 1>it was at my first sort of like entry into

0:23:04.000 --> 0:23:07.360
<v Speaker 1>the scene because I've been auditioning for another Disney project

0:23:07.359 --> 0:23:10.120
<v Speaker 1>called The Lion King shame didn't do well. Uh yeah,

0:23:10.240 --> 0:23:14.040
<v Speaker 1>and in and out of theaters, out of theaters, and

0:23:14.080 --> 0:23:17.280
<v Speaker 1>so I was auditioning for the Broadway show. Uh and

0:23:17.560 --> 0:23:20.000
<v Speaker 1>about four years I had been auditioning for it, had

0:23:20.040 --> 0:23:23.120
<v Speaker 1>done everything that you could possibly do other than set

0:23:23.119 --> 0:23:24.920
<v Speaker 1>foot on the stage with a contract in my hand,

0:23:25.359 --> 0:23:31.240
<v Speaker 1>and um, as things happen, I get this yellow piece

0:23:31.280 --> 0:23:33.159
<v Speaker 1>of paper from the show nobody had ever heard of,

0:23:33.200 --> 0:23:35.159
<v Speaker 1>called a golden ticket to go to Los Angeles, a

0:23:35.200 --> 0:23:37.399
<v Speaker 1>place I've never been at the time, in two thousand two.

0:23:37.880 --> 0:23:41.879
<v Speaker 1>And that very same week I get a call from

0:23:41.920 --> 0:23:44.359
<v Speaker 1>the casting office of course Lion King, and they're like

0:23:47.280 --> 0:23:50.920
<v Speaker 1>and so I'm like, oh, really, well, there's this show

0:23:50.960 --> 0:23:52.520
<v Speaker 1>in l A. Can I call you back in a week?

0:23:52.560 --> 0:23:54.119
<v Speaker 1>I might get cut. Let me call you back in

0:23:54.119 --> 0:23:56.359
<v Speaker 1>a week. And so I got out to l A

0:23:56.400 --> 0:23:59.640
<v Speaker 1>long story slightly less long. I am at the point

0:23:59.640 --> 0:24:02.720
<v Speaker 1>where I have to say yeah or nay to the

0:24:02.760 --> 0:24:05.680
<v Speaker 1>Lion King, or yea or nay to this show called

0:24:05.720 --> 0:24:08.000
<v Speaker 1>American I don't nobody had heard of. And Hollywood Week

0:24:08.280 --> 0:24:13.120
<v Speaker 1>is designed to just wear you out, designed to yeah,

0:24:13.240 --> 0:24:15.200
<v Speaker 1>designed to test you to see if you can handle

0:24:15.280 --> 0:24:17.760
<v Speaker 1>being on the big show, which is like go go, go, Go,

0:24:17.760 --> 0:24:20.600
<v Speaker 1>Go go go. And so I was walking down the

0:24:20.680 --> 0:24:24.760
<v Speaker 1>aisle at the Pasadena Civic Center in Pasadena, shockingly enough,

0:24:25.080 --> 0:24:28.240
<v Speaker 1>and uh, I looked up at the stage with the

0:24:28.280 --> 0:24:31.439
<v Speaker 1>American Idle logo and the smoke and the lights and

0:24:31.440 --> 0:24:34.800
<v Speaker 1>the production and the camera on the jib arm. And

0:24:34.840 --> 0:24:37.080
<v Speaker 1>then I looked over into the orchestra section where all

0:24:37.119 --> 0:24:41.280
<v Speaker 1>of my you know, friends and competitors were chatting and

0:24:41.320 --> 0:24:44.480
<v Speaker 1>they were exhausted. I was exhausted, and I remember just

0:24:44.760 --> 0:24:48.080
<v Speaker 1>breaking out, just just bawling and crying. And it was

0:24:48.119 --> 0:24:50.439
<v Speaker 1>not something that I did at twenty two. Now that

0:24:50.480 --> 0:24:52.560
<v Speaker 1>I'm married and have three children and two dogs, like

0:24:52.600 --> 0:24:56.479
<v Speaker 1>crying comes a lot easier when I feel sorry for myself, right,

0:24:56.720 --> 0:25:01.320
<v Speaker 1>but like, uhh yeah, I'm tired, yeah really that emotional trained.

0:25:01.480 --> 0:25:05.040
<v Speaker 1>And yet I remember looking up at the stage and

0:25:05.200 --> 0:25:09.280
<v Speaker 1>thinking to myself, Oh my goodness, that stage that I'm

0:25:09.320 --> 0:25:13.480
<v Speaker 1>performing on, that I'm doing these things that I've really

0:25:13.480 --> 0:25:15.520
<v Speaker 1>never done before in this kind of way on the show.

0:25:15.560 --> 0:25:19.080
<v Speaker 1>That's the same stage that Michael Jackson at the fiftieth

0:25:19.119 --> 0:25:22.840
<v Speaker 1>anniversary of Motown did the moon walk for the first time.

0:25:23.720 --> 0:25:26.159
<v Speaker 1>So many of the people that I love and have

0:25:26.280 --> 0:25:29.879
<v Speaker 1>inspired me to have a music career have performed on

0:25:29.880 --> 0:25:32.359
<v Speaker 1>this stage. And I don't know what it was. I

0:25:32.359 --> 0:25:35.159
<v Speaker 1>would like to say God, but that's just what my

0:25:35.200 --> 0:25:39.120
<v Speaker 1>belief system that like this voice said do this. And so,

0:25:39.720 --> 0:25:46.560
<v Speaker 1>like a just strange person, I called up the Lion

0:25:46.680 --> 0:25:50.280
<v Speaker 1>King Disney and I said, thank you so very much,

0:25:51.160 --> 0:25:54.120
<v Speaker 1>please to consider me in the future, but I'm gonna try.

0:25:54.119 --> 0:25:55.800
<v Speaker 1>I'm I just gotta go for this other show. I

0:25:55.840 --> 0:25:57.600
<v Speaker 1>wasn't in the top thirty, which was like the big

0:25:57.600 --> 0:25:59.040
<v Speaker 1>sort of cut off I had. I could have been

0:25:59.040 --> 0:26:00.800
<v Speaker 1>cut the very next day, but there was something that

0:26:00.840 --> 0:26:03.000
<v Speaker 1>said do it, and so I called him up. I

0:26:03.000 --> 0:26:05.200
<v Speaker 1>said thank you so very much, but please keep me

0:26:05.200 --> 0:26:08.720
<v Speaker 1>in mind the future. And the really awesome bow of

0:26:08.800 --> 0:26:12.160
<v Speaker 1>this whole story is that about ten eleven years later,

0:26:12.320 --> 0:26:16.040
<v Speaker 1>I would make my debut on Broadway in a show

0:26:16.080 --> 0:26:20.679
<v Speaker 1>called Women on the Verge of a Nervous Breakdown. Yeah,

0:26:20.760 --> 0:26:23.399
<v Speaker 1>and so depend on film, right, Oh you did there

0:26:23.720 --> 0:26:26.720
<v Speaker 1>you go? Yeah? Yeah, Well it didn't last very long,

0:26:26.800 --> 0:26:29.440
<v Speaker 1>but I would make my I would make my debut

0:26:29.800 --> 0:26:33.880
<v Speaker 1>being like Patti Lapone and Brian Stokes Mitchell's son in

0:26:33.880 --> 0:26:37.200
<v Speaker 1>this in this uh great Broadway show that didn't get

0:26:37.240 --> 0:26:39.440
<v Speaker 1>as much as us do as it deserves, but we

0:26:39.480 --> 0:26:43.880
<v Speaker 1>would have our opening night party in the same hotel,

0:26:44.119 --> 0:26:46.919
<v Speaker 1>in the same conference room that I first sat and

0:26:46.960 --> 0:26:51.080
<v Speaker 1>waited an audition for American Idol. Wow, it all comes back.

0:26:51.400 --> 0:26:53.639
<v Speaker 1>It just came right back around for me. So I

0:26:53.720 --> 0:26:55.520
<v Speaker 1>think I made the right choice. And now here I

0:26:55.560 --> 0:26:58.879
<v Speaker 1>am almost seven seven Broadway shows later. Yes, I was

0:26:58.880 --> 0:27:03.679
<v Speaker 1>gonna say, and shows and I mean best author author.

0:27:05.280 --> 0:27:08.160
<v Speaker 1>They always say with the with the you know you've

0:27:08.160 --> 0:27:10.760
<v Speaker 1>been waiting to do, uh Lion King and then Idol

0:27:10.800 --> 0:27:13.000
<v Speaker 1>comes up. They always say, as an actor, if there's

0:27:13.080 --> 0:27:17.000
<v Speaker 1>one audition you really want, book nonrefundable plane tickets on

0:27:17.040 --> 0:27:19.720
<v Speaker 1>the day of the audition. So that's then you know

0:27:19.840 --> 0:27:21.600
<v Speaker 1>for a fact you're gonna get it. That's like you

0:27:21.680 --> 0:27:25.240
<v Speaker 1>gotta do something there. So but let me is that

0:27:25.320 --> 0:27:29.840
<v Speaker 1>another audition secret? Will uh? Let me let me ask

0:27:29.840 --> 0:27:32.200
<v Speaker 1>you a question then, because to bring it back selfishly

0:27:32.280 --> 0:27:38.119
<v Speaker 1>to I, hear voices, Um, how important was Idle to you?

0:27:38.119 --> 0:27:40.600
<v Speaker 1>You know, in somebody giving you that break? I mean

0:27:40.760 --> 0:27:42.920
<v Speaker 1>it is is it? I mean it's do you look

0:27:42.960 --> 0:27:44.680
<v Speaker 1>back at that and say, Man, what my life would

0:27:44.680 --> 0:27:47.120
<v Speaker 1>have been had I not taken that opportunity? You know,

0:27:48.119 --> 0:27:50.800
<v Speaker 1>I wonder sometimes, but I just would have been in

0:27:50.840 --> 0:27:54.720
<v Speaker 1>the lion king, um, not the second place to go? Right,

0:27:54.720 --> 0:27:57.680
<v Speaker 1>not a bad not a bad fallback right? Yeah? Yeah,

0:27:57.880 --> 0:28:03.080
<v Speaker 1>And and so I do think, like I wonder what

0:28:03.160 --> 0:28:05.280
<v Speaker 1>it would have been like. But I know, just for

0:28:05.320 --> 0:28:08.880
<v Speaker 1>a fact, because I've been able to do so many

0:28:09.000 --> 0:28:13.000
<v Speaker 1>interesting and cool things that I've forgotten about, people will

0:28:13.040 --> 0:28:15.520
<v Speaker 1>come and remind me of things, or there is uh

0:28:16.040 --> 0:28:20.359
<v Speaker 1>someone her name is Judy, and she from the very

0:28:20.440 --> 0:28:23.840
<v Speaker 1>beginning has kept track of everything and anything that I've

0:28:23.840 --> 0:28:27.360
<v Speaker 1>done publicly and just like notated it on a website. Yeah,

0:28:27.400 --> 0:28:29.639
<v Speaker 1>it's a huge shout out to Judy and and you know,

0:28:29.680 --> 0:28:31.400
<v Speaker 1>and and this is not someone who's just sitting around.

0:28:31.480 --> 0:28:33.600
<v Speaker 1>She's like a lawyer, she has like her own boots,

0:28:33.920 --> 0:28:36.679
<v Speaker 1>and yet she just wanted to do this. And it

0:28:36.880 --> 0:28:39.560
<v Speaker 1>is such a blessing because I'm like, oh my god,

0:28:39.600 --> 0:28:41.600
<v Speaker 1>I totally forgot that I did all that. Oh my god,

0:28:41.600 --> 0:28:44.320
<v Speaker 1>I totally forgot that I met that person. And the

0:28:44.440 --> 0:28:47.000
<v Speaker 1>long and the short of it is that American Idol

0:28:47.080 --> 0:28:50.440
<v Speaker 1>gave me like not just a foot, but like propelled

0:28:50.480 --> 0:28:53.760
<v Speaker 1>the body through the doorway that most people are trying

0:28:53.760 --> 0:28:56.520
<v Speaker 1>to get through, so much so that now here, you know,

0:28:56.560 --> 0:28:59.840
<v Speaker 1>twenty years later. It was pre social media. It was

0:29:00.080 --> 0:29:02.600
<v Speaker 1>pre you know, so many of the things that we

0:29:02.800 --> 0:29:07.560
<v Speaker 1>know to use to leverage a brand, and yet you

0:29:07.680 --> 0:29:12.720
<v Speaker 1>can't get thirty million people to watch anything anything live

0:29:12.760 --> 0:29:18.280
<v Speaker 1>on TV phenomenon. I am not a musical guy. I

0:29:18.280 --> 0:29:21.000
<v Speaker 1>I don't sing, I don't dance. I watched every week.

0:29:21.120 --> 0:29:23.200
<v Speaker 1>I watched every week at the beginning, So it was

0:29:23.320 --> 0:29:25.080
<v Speaker 1>it was one of those things where it brought everybody

0:29:25.080 --> 0:29:29.280
<v Speaker 1>together and everybody watched every week. Something like that just

0:29:29.320 --> 0:29:31.800
<v Speaker 1>doesn't exist anymore. But that then brings me to something

0:29:31.800 --> 0:29:33.120
<v Speaker 1>I want to talk to you a bit about because

0:29:33.240 --> 0:29:36.200
<v Speaker 1>it's I know it's hugely important to you, um, and

0:29:36.280 --> 0:29:38.560
<v Speaker 1>something that we like to try to take a bigger role.

0:29:38.600 --> 0:29:41.320
<v Speaker 1>And then we're trying with this contest. But you're a mentor,

0:29:41.760 --> 0:29:44.200
<v Speaker 1>You're a mentor to other people that are up and coming.

0:29:44.240 --> 0:29:46.200
<v Speaker 1>Can you talk a little bit about what that's like. Yeah.

0:29:47.080 --> 0:29:52.120
<v Speaker 1>I had a very very very off putting audition experience

0:29:52.480 --> 0:29:56.120
<v Speaker 1>UM a few years back, and so much so. It

0:29:56.200 --> 0:29:59.120
<v Speaker 1>was for a major, major musical that you know, we

0:29:59.160 --> 0:30:04.120
<v Speaker 1>all know and love of. And yet the experience itself, uh,

0:30:04.200 --> 0:30:10.680
<v Speaker 1>in short, was three months of my time, wasted energy, money, everything. Uh.

0:30:10.680 --> 0:30:12.760
<v Speaker 1>And what happened was is that I was asked to

0:30:13.320 --> 0:30:17.720
<v Speaker 1>jump through all kinds of hoops, flaming hoops. Uh. You

0:30:17.760 --> 0:30:21.120
<v Speaker 1>know Acilene who all the hoops? And at the end

0:30:21.160 --> 0:30:23.520
<v Speaker 1>of it, after three months of my time learning a

0:30:23.640 --> 0:30:27.800
<v Speaker 1>significant amount of material, going in, staying in hotels, like

0:30:27.880 --> 0:30:29.600
<v Speaker 1>doing all the things that we do in order to

0:30:29.640 --> 0:30:33.080
<v Speaker 1>really make sure that we deliver in the room. UM,

0:30:33.200 --> 0:30:36.640
<v Speaker 1>they just were like, no, and we here know all

0:30:36.640 --> 0:30:39.920
<v Speaker 1>the time in this business all the time, but but

0:30:40.000 --> 0:30:43.640
<v Speaker 1>there's something to be said for no. And maybe here's

0:30:43.640 --> 0:30:47.400
<v Speaker 1>why are no? And hey keep keep coming back or no,

0:30:48.000 --> 0:30:52.719
<v Speaker 1>some takeaway something. Yeah, it can be very hard. I mean,

0:30:52.800 --> 0:30:54.680
<v Speaker 1>and don't even gonna starting the voiceover world. It's just

0:30:54.720 --> 0:30:57.160
<v Speaker 1>like you're screaming into the void sometimes or most of

0:30:57.160 --> 0:31:00.000
<v Speaker 1>the time. Right. And yet I realized, wait a minute,

0:31:00.040 --> 0:31:02.720
<v Speaker 1>it once I got over myself and I was like,

0:31:02.760 --> 0:31:04.800
<v Speaker 1>should I am be in this? Like I can't, Like

0:31:05.080 --> 0:31:06.760
<v Speaker 1>I'm not at the top of the charts, but I'm

0:31:06.760 --> 0:31:09.640
<v Speaker 1>also not starting out either, And if they can do

0:31:09.720 --> 0:31:12.320
<v Speaker 1>this to me, then imagine what they're doing to people

0:31:12.480 --> 0:31:15.080
<v Speaker 1>who don't have the experience, who don't have the agents,

0:31:15.080 --> 0:31:17.400
<v Speaker 1>who don't have the team and everything that I have.

0:31:17.840 --> 0:31:20.480
<v Speaker 1>And so that's when I thought, oh, my goodness. You know,

0:31:20.520 --> 0:31:23.160
<v Speaker 1>the audition is the way that we get gigs. It

0:31:23.280 --> 0:31:26.080
<v Speaker 1>is the it's it's our it's the way that we

0:31:26.400 --> 0:31:28.400
<v Speaker 1>you know, everything is kind of like an audition. Whether

0:31:28.440 --> 0:31:30.880
<v Speaker 1>we want an agent or a manager or whatever, we're

0:31:30.880 --> 0:31:35.000
<v Speaker 1>having to audition, having to prove our value. And yet

0:31:35.520 --> 0:31:38.360
<v Speaker 1>I realized, like, oh, I've been through a lot of auditions,

0:31:38.400 --> 0:31:40.400
<v Speaker 1>and I've seen a lot of stuff. I've not only

0:31:40.440 --> 0:31:43.840
<v Speaker 1>been on the side of the audition or table or

0:31:43.840 --> 0:31:46.320
<v Speaker 1>the audition ee rather, but the person that is being

0:31:46.360 --> 0:31:49.520
<v Speaker 1>auditioned for as well, and I see so many of

0:31:49.560 --> 0:31:52.880
<v Speaker 1>the same mistakes, and so just like you being a

0:31:53.000 --> 0:31:55.160
<v Speaker 1>mentor for me, The way I like to kind of

0:31:55.480 --> 0:31:58.400
<v Speaker 1>think of it is that I love taking people by

0:31:58.480 --> 0:32:02.200
<v Speaker 1>the hand and walking them down the road of whatever

0:32:02.240 --> 0:32:04.160
<v Speaker 1>it is that they're trying to do in auditions, helping

0:32:04.200 --> 0:32:07.360
<v Speaker 1>them avoid the potholes, helping them, you know, know where

0:32:07.400 --> 0:32:10.720
<v Speaker 1>the hairpin turns without any guardrails are, in order to

0:32:10.760 --> 0:32:12.920
<v Speaker 1>get them to their goal, get them to where they

0:32:13.000 --> 0:32:15.360
<v Speaker 1>want to go. Yeah, they're gonna make mistakes their own,

0:32:15.360 --> 0:32:17.040
<v Speaker 1>but they don't have to make my mistakes. They don't

0:32:17.080 --> 0:32:19.320
<v Speaker 1>have to make the mistakes that everyone else makes, and

0:32:19.360 --> 0:32:22.320
<v Speaker 1>it's just going further faster. That's why you hire a

0:32:22.320 --> 0:32:23.880
<v Speaker 1>good mentor, right, That's why people want to be a

0:32:23.880 --> 0:32:26.320
<v Speaker 1>part of your contest, because you get to go further

0:32:26.840 --> 0:32:30.800
<v Speaker 1>faster and in this ever changing, high paced world, that's

0:32:30.840 --> 0:32:35.640
<v Speaker 1>that's vital. That's great. Thank you. We were It's funny

0:32:35.640 --> 0:32:37.680
<v Speaker 1>because Christy and I often talk about because we both

0:32:37.680 --> 0:32:40.400
<v Speaker 1>started so young, you know, we were both child actors,

0:32:40.920 --> 0:32:44.520
<v Speaker 1>and so it's one of those things where you it

0:32:44.960 --> 0:32:47.200
<v Speaker 1>can be it can be a dangerous road. There's no

0:32:47.240 --> 0:32:49.280
<v Speaker 1>other way to say it. It's not what you know.

0:32:49.320 --> 0:32:51.680
<v Speaker 1>It can be depressing or upsetting. No, it can be dangerous.

0:32:52.040 --> 0:32:55.680
<v Speaker 1>So knowing that there are people out there that are

0:32:55.720 --> 0:32:58.240
<v Speaker 1>actually looking out for the next generation that is up

0:32:58.280 --> 0:33:00.640
<v Speaker 1>and coming is hugely important and something that a lot

0:33:00.680 --> 0:33:04.720
<v Speaker 1>of people needed or need still nowadays because you're right Yecially,

0:33:05.000 --> 0:33:06.840
<v Speaker 1>you're supposed to make your own mistakes. That's a point

0:33:06.840 --> 0:33:09.240
<v Speaker 1>of growing up. Uh, and you're growing up in the

0:33:09.280 --> 0:33:11.720
<v Speaker 1>business and becoming better at what you're doing. Of course,

0:33:11.760 --> 0:33:14.640
<v Speaker 1>you know they say, what is it. No, Um, no

0:33:14.680 --> 0:33:17.960
<v Speaker 1>great sailor ever learned anything in calm Sea's So it's

0:33:18.040 --> 0:33:20.880
<v Speaker 1>just I mean, that's just the way it is. So uh.

0:33:21.200 --> 0:33:23.320
<v Speaker 1>But knowing that there's a great captain out there who's

0:33:23.320 --> 0:33:26.720
<v Speaker 1>going to teach you the ropes not mixed metaphors, um,

0:33:26.720 --> 0:33:29.160
<v Speaker 1>but it's but it's pretty wonderful. So uh, yeah, it's

0:33:29.160 --> 0:33:30.880
<v Speaker 1>great that you're doing that, and please keep that up

0:33:30.880 --> 0:33:34.600
<v Speaker 1>because it's sure. But I think it's now more than ever,

0:33:34.960 --> 0:33:38.560
<v Speaker 1>especially with the kids coming up and I mean kids

0:33:38.640 --> 0:33:42.360
<v Speaker 1>like anyone, from kids like you are when you first started,

0:33:42.640 --> 0:33:45.720
<v Speaker 1>to people who are in their twenties coming out of college.

0:33:45.920 --> 0:33:49.640
<v Speaker 1>I mean, we are so at least in this country.

0:33:49.640 --> 0:33:54.600
<v Speaker 1>We are so fame obsessed, we are so um obsessed

0:33:54.600 --> 0:33:57.400
<v Speaker 1>with you. Yeah well, yeah, well, and but there's something

0:33:57.440 --> 0:34:00.520
<v Speaker 1>to be said for being selfish, but then there's something

0:34:00.520 --> 0:34:03.720
<v Speaker 1>to be said for being self centered, right, And so

0:34:03.920 --> 0:34:07.280
<v Speaker 1>when we selfish and we don't realize that it's selfish,

0:34:07.280 --> 0:34:09.959
<v Speaker 1>when we get caught up in in what I've heard

0:34:10.000 --> 0:34:15.239
<v Speaker 1>called vanity metrics, the likes, the subscribers, the number of

0:34:15.320 --> 0:34:18.359
<v Speaker 1>auditions that we've gone on, right, or the number of

0:34:18.400 --> 0:34:21.120
<v Speaker 1>this that those are just vanity metrics that make our

0:34:21.200 --> 0:34:24.279
<v Speaker 1>ego feel better, right, Because go to your supermarket and

0:34:24.320 --> 0:34:26.920
<v Speaker 1>try and pay for your food with subscribers or likes

0:34:27.360 --> 0:34:31.160
<v Speaker 1>right there, they'll kick you out. So really, then focusing

0:34:31.280 --> 0:34:35.000
<v Speaker 1>on what matters, and you say, it's a dangerous road.

0:34:35.040 --> 0:34:38.760
<v Speaker 1>Oh yes, because we get caught up in allowing our

0:34:38.840 --> 0:34:42.919
<v Speaker 1>value to be determined by the number of people clapping, right,

0:34:43.080 --> 0:34:45.279
<v Speaker 1>or the number of people liking, or the number of

0:34:46.080 --> 0:34:49.160
<v Speaker 1>how much money we're making, And that's not it. And

0:34:49.200 --> 0:34:51.399
<v Speaker 1>so I'm so glad that you're doing things like this.

0:34:51.480 --> 0:34:53.920
<v Speaker 1>I'm glad that I get to do stuff like I

0:34:54.000 --> 0:34:57.319
<v Speaker 1>do because I'm shifting and I know you are as well.

0:34:57.680 --> 0:35:02.799
<v Speaker 1>Shifting the perspective away from all that vanity stuff and

0:35:02.840 --> 0:35:05.799
<v Speaker 1>more towards like, hey, here the nuts and bolts. You're

0:35:05.800 --> 0:35:09.360
<v Speaker 1>gonna make huge mistakes. But if you're willing to fail,

0:35:09.520 --> 0:35:11.560
<v Speaker 1>like you like to talk about here, if you're willing

0:35:11.600 --> 0:35:13.839
<v Speaker 1>to just go for it, you're going to discover so

0:35:13.920 --> 0:35:17.800
<v Speaker 1>much about yourself. And I will guarantee you every single

0:35:17.840 --> 0:35:19.799
<v Speaker 1>thing that I've ever done that has had any sort

0:35:19.800 --> 0:35:23.239
<v Speaker 1>of success in it, whether that's the Little Sweet commercials

0:35:23.600 --> 0:35:28.960
<v Speaker 1>or this Disney project or American Idol or Broadway, I

0:35:29.080 --> 0:35:33.200
<v Speaker 1>have failed miserably, but I've been willing to fail because

0:35:33.239 --> 0:35:36.640
<v Speaker 1>in those moments of failure, I'm like, oh, that doesn't work,

0:35:36.800 --> 0:35:39.239
<v Speaker 1>or in those moments of I don't know what's gonna

0:35:39.280 --> 0:35:42.560
<v Speaker 1>come out next, let's see what happens. Like that thing,

0:35:43.120 --> 0:35:46.560
<v Speaker 1>that reason why we got into this business, that unique

0:35:46.800 --> 0:35:49.160
<v Speaker 1>X factor, if you will, not to talk about another show,

0:35:49.320 --> 0:35:52.640
<v Speaker 1>but that that X factor that is unique to us

0:35:52.680 --> 0:35:56.480
<v Speaker 1>and us alone, is allowed to shine through. Man. That's

0:35:56.480 --> 0:35:59.000
<v Speaker 1>great that you are a wonderful guest and we're so

0:35:59.080 --> 0:36:01.440
<v Speaker 1>lucky to have you on. And obviously I told you

0:36:01.480 --> 0:36:03.960
<v Speaker 1>I'm I'm already a fan of the show and I

0:36:03.960 --> 0:36:08.799
<v Speaker 1>will be watching it yeah, alright, So I have a

0:36:08.880 --> 0:36:12.160
<v Speaker 1>question that I have a question for you. You're you

0:36:12.200 --> 0:36:17.040
<v Speaker 1>get to pick your ultimate voice over role. Who do

0:36:17.080 --> 0:36:21.080
<v Speaker 1>you play any character? No matter what you are the

0:36:21.160 --> 0:36:25.800
<v Speaker 1>voice of, who's it gonna be? Wow? Is it Mickey?

0:36:26.520 --> 0:36:29.919
<v Speaker 1>You know what? I love Mickey, as we all do.

0:36:30.080 --> 0:36:33.560
<v Speaker 1>The one thing about well you know what, Yeah, Mickey

0:36:33.719 --> 0:36:36.879
<v Speaker 1>would be super fun. I mean I take it from

0:36:36.920 --> 0:36:39.560
<v Speaker 1>like also, I think like a life perspective because it's like,

0:36:39.600 --> 0:36:41.759
<v Speaker 1>you do Mickey, and that's probably all you're gonna do.

0:36:42.719 --> 0:36:46.920
<v Speaker 1>That's your job. That's your job until you've just written

0:36:46.960 --> 0:36:51.200
<v Speaker 1>the first line of your obituary. Right, Yeah. Yeah, that's

0:36:51.239 --> 0:36:53.839
<v Speaker 1>interesting with these shows. It's interesting with these like really

0:36:53.840 --> 0:36:56.360
<v Speaker 1>popular shows, right like um Wicked, for example, I was

0:36:56.400 --> 0:36:58.080
<v Speaker 1>in that on Broadway. There are people who been in

0:36:58.120 --> 0:37:00.360
<v Speaker 1>that from the very beginning. Lion King. I could have

0:37:00.400 --> 0:37:01.759
<v Speaker 1>been in that maybe a couple of years into it,

0:37:01.880 --> 0:37:04.359
<v Speaker 1>and we called the Golden Handcuffs, right, It's like, oh,

0:37:04.680 --> 0:37:12.319
<v Speaker 1>it's like, oh, you're like the gilded Cage. Yeah it is.

0:37:12.440 --> 0:37:14.640
<v Speaker 1>It is gold handcuffs, gilded cage and all that stuff.

0:37:14.800 --> 0:37:18.600
<v Speaker 1>So I would say Nicky would be really fun, But um,

0:37:18.760 --> 0:37:24.080
<v Speaker 1>I would love to play um like a really comedic, fun,

0:37:24.480 --> 0:37:29.080
<v Speaker 1>goofy character. Um, you know, like something along the lines

0:37:29.360 --> 0:37:32.400
<v Speaker 1>of and and you know, who could ever possibly do

0:37:32.480 --> 0:37:35.240
<v Speaker 1>this better than then he could? But like the Genie

0:37:35.440 --> 0:37:38.120
<v Speaker 1>with Robin Williams where you can just go off, you

0:37:38.200 --> 0:37:40.759
<v Speaker 1>know like that with that kind of character. So, you know,

0:37:41.239 --> 0:37:45.279
<v Speaker 1>would I have a character that I've always loved? Um,

0:37:45.680 --> 0:37:49.279
<v Speaker 1>I can't like picking which breath I like exactly, But yeah,

0:37:49.560 --> 0:37:51.959
<v Speaker 1>I seem to be more the Disney side than say

0:37:52.000 --> 0:37:53.759
<v Speaker 1>superhero side. So it's not like, oh, I want to

0:37:53.760 --> 0:37:55.440
<v Speaker 1>play Superman or I want to play Batman, or I

0:37:55.440 --> 0:37:59.560
<v Speaker 1>want to play interesting. But like I think it would

0:37:59.560 --> 0:38:01.680
<v Speaker 1>be on It would be interesting, But I think I

0:38:01.760 --> 0:38:04.640
<v Speaker 1>like more of the fun characters. I mean, you know,

0:38:04.760 --> 0:38:07.959
<v Speaker 1>nothing would be just having my voice and just using

0:38:07.960 --> 0:38:10.440
<v Speaker 1>it like that, right, But there's something to be said for,

0:38:10.560 --> 0:38:12.960
<v Speaker 1>you know, some of the more you know, fun guys.

0:38:13.080 --> 0:38:15.080
<v Speaker 1>You know, I don't know. It just seems fun to me.

0:38:15.200 --> 0:38:21.239
<v Speaker 1>Make bold choices bold that so interesting? Interesting? How about

0:38:21.239 --> 0:38:24.719
<v Speaker 1>a villain if you ever want? I mean, we've got

0:38:24.480 --> 0:38:27.040
<v Speaker 1>kies with super kitties, We've got you know, it's kind

0:38:27.040 --> 0:38:30.400
<v Speaker 1>of the fun young more other than being a villain.

0:38:30.480 --> 0:38:33.120
<v Speaker 1>It's more just kind of finding your way and maybe

0:38:33.120 --> 0:38:35.840
<v Speaker 1>not always taking the right path. What about a super

0:38:35.960 --> 0:38:39.800
<v Speaker 1>villain something along those lines could be pretty I'd always

0:38:39.840 --> 0:38:44.799
<v Speaker 1>love to play the Joker. Yeah, that would be like

0:38:44.880 --> 0:38:47.000
<v Speaker 1>that would again, it's just like more of like the

0:38:47.600 --> 0:38:49.680
<v Speaker 1>sort of real crazy guy. And I actually got to

0:38:49.719 --> 0:38:52.839
<v Speaker 1>meet Mark hamill uh during one Tony's and I was like,

0:38:52.920 --> 0:38:55.200
<v Speaker 1>I don't know if I love you more for Luke

0:38:55.760 --> 0:38:58.520
<v Speaker 1>or for the Joker. Yeah. We were when we were

0:38:58.600 --> 0:39:00.759
<v Speaker 1>doing Return of the Joke and I was just sitting

0:39:00.760 --> 0:39:02.799
<v Speaker 1>in between him and Kevin Conroy for a week. It

0:39:02.920 --> 0:39:05.560
<v Speaker 1>was the most insane thing in the world watching the

0:39:05.560 --> 0:39:07.080
<v Speaker 1>two of them go back and forth. It's like, I

0:39:07.160 --> 0:39:09.960
<v Speaker 1>don't even belong in this room. Yeah I know, it's

0:39:09.960 --> 0:39:14.200
<v Speaker 1>the greatest. Yeah, so that character. And you know they've

0:39:14.280 --> 0:39:16.400
<v Speaker 1>I've I've actually auditioned for it and they didn't want

0:39:16.440 --> 0:39:18.879
<v Speaker 1>you to do the Mark version of it. But they've

0:39:18.920 --> 0:39:21.080
<v Speaker 1>had a bunch of different kind of you know, some

0:39:21.120 --> 0:39:23.400
<v Speaker 1>people are just like this is the joke, like we

0:39:23.600 --> 0:39:27.440
<v Speaker 1>like interesting like choices on the Joker. So but but yeah,

0:39:27.480 --> 0:39:30.560
<v Speaker 1>I would. I would. I would steal greatly from Mark

0:39:30.560 --> 0:39:34.320
<v Speaker 1>Cambll's version. Everyone would. That's just the way it is.

0:39:34.320 --> 0:39:36.160
<v Speaker 1>When you got the best, you kind of go okay,

0:39:36.200 --> 0:39:39.440
<v Speaker 1>yeah exactly. It's like yeah, exactly right, yeah, I'll be

0:39:39.480 --> 0:39:42.279
<v Speaker 1>the cheaper version, right exactly. That's what they say. It's

0:39:42.280 --> 0:39:47.600
<v Speaker 1>like I'm diet I'm I'm diet joker exactly. So other

0:39:47.640 --> 0:39:50.480
<v Speaker 1>than super kitties, where else can everybody find you? Oh

0:39:50.520 --> 0:39:51.799
<v Speaker 1>my goodness? Well, all you have to do is just

0:39:51.840 --> 0:39:54.439
<v Speaker 1>search on social media at Justin Guarini. If you can't

0:39:54.440 --> 0:39:56.959
<v Speaker 1>spell that, don't worry. Just took look up the guy

0:39:57.160 --> 0:40:00.680
<v Speaker 1>with from American idol with the hair that help, right.

0:40:00.760 --> 0:40:02.160
<v Speaker 1>A couple of other people will come up, but I'm

0:40:02.160 --> 0:40:04.000
<v Speaker 1>the one. I'm the Justin little I was gonna say

0:40:04.000 --> 0:40:05.719
<v Speaker 1>when I thought the guy with the with the huge

0:40:05.719 --> 0:40:08.279
<v Speaker 1>mohawk would have yeah, yeah, yeah, he'll come up. He'll

0:40:08.320 --> 0:40:09.839
<v Speaker 1>come up to he's a lovely guy by the way.

0:40:10.080 --> 0:40:12.520
<v Speaker 1>Um but uh yeah and that and just you know,

0:40:12.600 --> 0:40:16.840
<v Speaker 1>you can find everything from my book to wacky videos

0:40:17.040 --> 0:40:20.640
<v Speaker 1>of my children driving me crazy all there on social

0:40:20.640 --> 0:40:24.120
<v Speaker 1>media at Justin Guarini. And don't forget to catch super

0:40:24.200 --> 0:40:27.200
<v Speaker 1>Kiddies on Disney Channel, Disney Junior, and Disney Plus. It's

0:40:27.239 --> 0:40:29.520
<v Speaker 1>out now, please go watch it. It sounds like a

0:40:29.560 --> 0:40:32.360
<v Speaker 1>ton of fun. Yeah. I don't know if anybody's going

0:40:32.400 --> 0:40:33.680
<v Speaker 1>to be more excited than you about it, though, I

0:40:35.360 --> 0:40:40.000
<v Speaker 1>think a little six year old that's yes. Well, you know,

0:40:40.040 --> 0:40:43.080
<v Speaker 1>it takes so long. It takes so long for all

0:40:43.280 --> 0:40:45.960
<v Speaker 1>for all the voicing and the the animation and stuff

0:40:46.000 --> 0:40:48.319
<v Speaker 1>like that. So you know, it's just been I feel

0:40:48.320 --> 0:40:50.160
<v Speaker 1>like I've just been like sitting on my hands for

0:40:50.239 --> 0:40:53.240
<v Speaker 1>like the better part of a year wait more actually

0:40:53.280 --> 0:40:55.200
<v Speaker 1>waiting for this to happen. So now that it's finally here,

0:40:55.200 --> 0:40:59.600
<v Speaker 1>I couldn't be more excited. Sounded on the rooftop, so gratulations.

0:40:59.640 --> 0:41:01.279
<v Speaker 1>This is the coolest thing in the world. And thank

0:41:01.320 --> 0:41:03.680
<v Speaker 1>you again for mentoring everybody else coming out check out

0:41:03.760 --> 0:41:06.840
<v Speaker 1>his book and you know all the social media stuff

0:41:06.880 --> 0:41:09.359
<v Speaker 1>and of course Super Kitties which is coming. And thank

0:41:09.400 --> 0:41:11.919
<v Speaker 1>you so much for joining us. Really it's very cool,

0:41:11.960 --> 0:41:14.000
<v Speaker 1>and we want to have you back on when we

0:41:14.520 --> 0:41:16.480
<v Speaker 1>are in the midst of our contest, we'll we'll fring

0:41:16.480 --> 0:41:19.200
<v Speaker 1>you out an absolutely on. Maybe you can help come

0:41:19.200 --> 0:41:21.279
<v Speaker 1>and mentor one of the one of the younger voice

0:41:21.280 --> 0:41:24.279
<v Speaker 1>over actors as they would love to bread and Butter.

0:41:24.480 --> 0:41:26.600
<v Speaker 1>I love it awesome. Thank you so much. For joining us.

0:41:26.600 --> 0:41:28.520
<v Speaker 1>Go check out everything he's doing. Because I don't know

0:41:28.520 --> 0:41:30.560
<v Speaker 1>about you, but I'm pretty inspired right now. I mean,

0:41:31.800 --> 0:41:34.960
<v Speaker 1>and I think, thank you, thank you so much. Justice,

0:41:35.040 --> 0:41:38.680
<v Speaker 1>Yeah my pleasure. Yeah. Thanks. That was amazing. I mean,

0:41:39.080 --> 0:41:41.520
<v Speaker 1>it's so inspiring to to talk to him, and I

0:41:41.520 --> 0:41:44.080
<v Speaker 1>feel like I could run like two or three miles

0:41:44.080 --> 0:41:47.480
<v Speaker 1>after right, right, It's just it's somebody who's so positive

0:41:47.640 --> 0:41:51.400
<v Speaker 1>and who who um, I mean, just it was. I know.

0:41:51.440 --> 0:41:53.279
<v Speaker 1>We've talked about our contest a whole bunch of times. Again,

0:41:53.280 --> 0:41:56.960
<v Speaker 1>it's a super awesome Christy, it's the super awesome contest

0:41:57.000 --> 0:42:00.279
<v Speaker 1>to become. It's the super awesome contest. I can't look

0:42:00.280 --> 0:42:04.759
<v Speaker 1>at it to become. The next it is and your

0:42:04.800 --> 0:42:08.400
<v Speaker 1>big break, people, it's your break break. January ninth to

0:42:08.520 --> 0:42:12.000
<v Speaker 1>February nine, Enter again and up to a two minute video.

0:42:12.160 --> 0:42:15.880
<v Speaker 1>We've talked about this. Do whatever you want voice over wise, uh,

0:42:15.880 --> 0:42:18.879
<v Speaker 1>please enter because we're gonna find you and don't ever

0:42:19.000 --> 0:42:20.799
<v Speaker 1>forget if you think you have what it takes to

0:42:20.800 --> 0:42:23.359
<v Speaker 1>step up to the microphone, put your voices where your

0:42:23.360 --> 0:42:26.200
<v Speaker 1>mouth is. Thanks everybody, by guys I Hear Voices is

0:42:26.239 --> 0:42:29.080
<v Speaker 1>hosted by Wilfred l and Christy Carlson Romano Executive produced

0:42:29.080 --> 0:42:32.040
<v Speaker 1>by Wilford L. Brendan Rooney, Amy Sugarman and Vicky Ernst Chang.

0:42:32.239 --> 0:42:34.719
<v Speaker 1>Our executive in charge of production is Danielle Romo, Our

0:42:34.760 --> 0:42:37.520
<v Speaker 1>producer is Lorraine Vera Wez and our editor slash engineer

0:42:37.600 --> 0:42:41.399
<v Speaker 1>is Brian Burton. And that was my announcer voice. Some

0:42:41.400 --> 0:42:43.480
<v Speaker 1>side effects of listening to I Hear Voices are sore

0:42:43.520 --> 0:42:46.239
<v Speaker 1>abs from hilarity falling down the Coco melon rabbit hole,

0:42:46.360 --> 0:42:49.200
<v Speaker 1>sneezing due to mass nostalgia, and hugs. Follow I Hear

0:42:49.280 --> 0:42:51.200
<v Speaker 1>Voices wherever you listen to podcasts so you don't miss

0:42:51.239 --> 0:42:53.480
<v Speaker 1>any of the amazing voices. Be sure to follow us

0:42:53.480 --> 0:42:56.200
<v Speaker 1>on Instagram and TikTok at I Hear Voices podcast. You

0:42:56.200 --> 0:42:58.640
<v Speaker 1>can also check us out on my space omeigal Vine,

0:42:58.719 --> 0:43:01.279
<v Speaker 1>Lime Wire. Hey I'm an uster. Okay, well, let's teach

0:43:01.280 --> 0:43:02.359
<v Speaker 1>you about the Internet. The who