WEBVTT - The Questlove Supreme Pilot: From The Vaults

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio.

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<v Speaker 2>All Right, ladies and gentlemen, every story has a beginning,

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<v Speaker 2>and you're about to hear that very very awkward. In

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<v Speaker 2>the beginning, we shot a pilot for Quest Love Supreme

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<v Speaker 2>with our very own Unpaid Bill when the time. Didn't

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<v Speaker 2>know that by the time this centerview was over, he

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<v Speaker 2>was going to join the show.

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<v Speaker 3>Yeah. I don't know the genesis of this show.

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<v Speaker 2>I think it started with my fandom of Fonte and

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<v Speaker 2>the Boss Bills Gordon Cartreil podcast, and then you know,

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<v Speaker 2>Sup Steve and I always talked about joining our own podcast,

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<v Speaker 2>and I remember the notes from our boss is saying

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<v Speaker 2>that it might help to have a voice of a

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<v Speaker 2>woman on the show.

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<v Speaker 1>So Laia will have joined us, I think.

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<v Speaker 3>By episode five.

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<v Speaker 2>So this is episode one, the pilot episode of Quest

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<v Speaker 2>Love Supreme never heard before with Unpaid Bill. If my

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<v Speaker 2>memory serves me correct, I believe that Fante really knocked

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<v Speaker 2>the ball out of the park and rare form like

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<v Speaker 2>Fante was so good. I think that's what made Unpaid

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<v Speaker 2>Bill want to join the show.

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<v Speaker 3>So enjoy.

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<v Speaker 1>This is the first time I'm hearing it with you, guys.

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<v Speaker 3>This is the very first episode of Quest Love Supreme.

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<v Speaker 2>Hope you enjoyed, ladies and gentlemen, this is the first

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<v Speaker 2>episode of Quest Love Supreme. To my left we have

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<v Speaker 2>the Grand Imperial, the awesomest, the best podcast Ranter.

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<v Speaker 3>I know, supremely talented. What's going on? What up? Fonta Up?

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<v Speaker 2>And also we should acknowledge our resident team of Bill

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<v Speaker 2>bring Child Johnson. He's mute right now to Michael Steve Mandel,

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<v Speaker 2>later episodes will also offer his two cents.

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<v Speaker 3>How you do?

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<v Speaker 2>I'll tell you and later I said, And to my

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<v Speaker 2>right we have our very first guest, honored mister Bill Shermon. Bill,

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<v Speaker 2>you have a long storied history. And when the show

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<v Speaker 2>gets more professional, then I will have your actual credits on.

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<v Speaker 2>But being as though we made this phone call extremely

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<v Speaker 2>last minute, Bill was my one of one of the

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<v Speaker 2>fortunate eight producers of a small off.

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<v Speaker 3>Broadway play called Hamilton. You might have heard of it.

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<v Speaker 3>You might have heard it. How you doing, Bill, I'm

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<v Speaker 3>good man. That's great. Well, we're glad to have it

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<v Speaker 3>has an off Broadway place. I say it was a joke. Guy.

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<v Speaker 1>I was playing in Harlem somewhere at Harlem Church.

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<v Speaker 3>All female Okay, you know. Actually I saw.

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<v Speaker 2>This play once in Harlem. They were redoing the Nativity

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<v Speaker 2>scene and they happened to have I think Felicia Rashad

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<v Speaker 2>was like the Angel and no Felicia Rashad was. I

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<v Speaker 2>think Mary and Stephanie Mills singer Stephanie Mills was the

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<v Speaker 2>one of the angels before the whiz. No, this is

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<v Speaker 2>way cost me show. This is like last year. This

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<v Speaker 2>was I'll tell you what this is when the Roots

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<v Speaker 2>were mixing ill Adolph half Life, so this this had

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<v Speaker 2>to have been nineteen ninety six.

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<v Speaker 4>I like the fact that you can chronologically know what

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<v Speaker 4>happened in your life by what Ruth record we were

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<v Speaker 4>working on or you were working on, which I think

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<v Speaker 4>is fantastic because I can probably see parts of my

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<v Speaker 4>life when Ruth records came out that were important to me.

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<v Speaker 2>Well, no dates, My memory bank is about what albums

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<v Speaker 2>came out, Like I don't. That's how I remember dates,

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<v Speaker 2>not like what's her name, Mary lou Henter from Taxi

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<v Speaker 2>that has this, Like you can tell her like April fourteenth,

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<v Speaker 2>nineteen sixty two, and she'll tell you.

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<v Speaker 3>Exactly what happened that.

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<v Speaker 2>Wow, Like I've tested it a few times when she's

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<v Speaker 2>been on the Tonight Show. But I only remember based

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<v Speaker 2>on Prince albums, Michael Jackson records, and what the roots

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<v Speaker 2>were doing that year, that's all.

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<v Speaker 5>So Yeah, I remember Iladelf. That was I skipped school

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<v Speaker 5>to buy Iladelf. But I remember I I.

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<v Speaker 3>Mean you a juvenile, that was Hladelf.

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<v Speaker 5>That was one of the two albums that I broke

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<v Speaker 5>the law, well, other than the records I stole still

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<v Speaker 5>in that you know whatever. But like one of the

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<v Speaker 5>first record I can remember breaking the law for was

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<v Speaker 5>Goodie Mob Soul Food.

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<v Speaker 3>I drove to the mall on a learner's permit to

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<v Speaker 3>buy that album from the mall.

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<v Speaker 5>Yeah, like yeah, you know what I mean, Like I mean,

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<v Speaker 5>I drove to the ball the several So then on

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<v Speaker 5>on Ill Depth Half Life, I remember the record came

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<v Speaker 5>out and I was a junior in high school. My

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<v Speaker 5>homies were seniors and at the time, you know, juniors

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<v Speaker 5>only upper classes would go off campus for lunch. And

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<v Speaker 5>so one of my boys, like Yo, were going to

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<v Speaker 5>the record Change you get their roots joint.

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<v Speaker 3>I said, I'm riding with y'all.

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<v Speaker 5>Fuck that, let's go, And so I went and I

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<v Speaker 5>didn't go back to school that next day.

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<v Speaker 3>I think I showed I went back for like football

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<v Speaker 3>practice or something. But that was it. I was. I

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<v Speaker 3>was a truant for wow, I'm it. Yeah, man, I

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<v Speaker 3>had to have it.

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<v Speaker 4>Have you You could skip school and then go back

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<v Speaker 4>to play football.

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<v Speaker 5>Yeah, you could because the coaches, like, you know it

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<v Speaker 5>was they needed to help.

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<v Speaker 3>Yeah, it's cool. Did you have you ever committed a

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<v Speaker 3>musical crime that nature to buy a record? No?

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<v Speaker 4>I skipped school a couple of times, for sure, as

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<v Speaker 4>we all did. I didn't skip school to buy a record. Really,

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<v Speaker 4>I'm trying to remember. No, I didn't. I mean, I've

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<v Speaker 4>committed many musical crimes in the name of music, for sure.

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<v Speaker 4>But that's like a whole different story altogether.

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<v Speaker 1>Oh man, I don't know if I should share this

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<v Speaker 1>story or not.

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<v Speaker 3>Yes, you should. I think that definitely. That's the whole

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<v Speaker 3>purpose of the ship. I definitely think you share it.

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<v Speaker 3>All right, So the worst whipping I ever got in

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<v Speaker 3>my life was over nineteen ninety nine.

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<v Speaker 1>Close the time the Times first record.

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<v Speaker 2>What I have just set it up for you because basically,

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<v Speaker 2>all right, so there's a song called after high School

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<v Speaker 2>that's on the Time's first album, and.

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<v Speaker 1>You know, it was one of those moments at performing arts.

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<v Speaker 2>Now, I went to the private performing arts from first

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<v Speaker 2>grade to seventh grade.

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<v Speaker 1>And so you know, it's in the early eighties. So yes,

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<v Speaker 1>it was very much close.

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<v Speaker 2>To what life was like on that on Fame, like

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<v Speaker 2>people would break breakout and song breakout and.

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<v Speaker 1>Dance full scale production.

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<v Speaker 2>Yeah seriously, So someone had it was one of those

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<v Speaker 2>cliched moments.

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<v Speaker 1>Someone had a big giant boombox and.

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<v Speaker 2>Put the Time cassette in and put it after high

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<v Speaker 2>School on and then we were all doing that Eddie Murphy,

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<v Speaker 2>this is how white people dance dance, you know, the

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<v Speaker 2>Carlton right like, and it was a happy moment.

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<v Speaker 1>And then I unfortunately danced a little too close.

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<v Speaker 2>To the boom box and caused it to fall on

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<v Speaker 2>the ground, Like I ruined that moment.

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<v Speaker 1>To think of that rerun Doobie Brothers.

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<v Speaker 2>Yeah, shadows, I know a lot of references, a lot

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<v Speaker 2>of you won't get, but just just.

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<v Speaker 3>Google it, kids.

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<v Speaker 5>Yeah, I feel like we should have like some kind

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<v Speaker 5>of like annotations like okay, so Al Dunbard the Doobie

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<v Speaker 5>Brothers episode of What's Happening?

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<v Speaker 3>Yeah, he was the bootlegger. So so we.

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<v Speaker 5>Have to add say, okay, so it was the time

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<v Speaker 5>Rerun went to re won't wanted tickets to a Dowie

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<v Speaker 5>Brothers concert at their high school.

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<v Speaker 3>And you know what I'm saying, And like he was

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<v Speaker 3>he was the fact.

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<v Speaker 5>He was, you know, the fat kid that had the

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<v Speaker 5>like the day he could hide the tape players.

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<v Speaker 3>So he was like the original napster of like nineteen

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<v Speaker 3>seventy five. So like, so he goes.

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<v Speaker 2>And tries to take the ship and this episode, no,

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<v Speaker 2>oh my god, man nineteen eighty.

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<v Speaker 3>I was born in seventy eight.

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<v Speaker 5>I was right right behind youself, but nah, I Roba

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<v Speaker 5>used to watch this every day. So your man that

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<v Speaker 5>played Al Dunball was also the black guy. Theodore Wilson

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<v Speaker 5>who also played He was also carried on Good Times.

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<v Speaker 5>I can't remember which one he was on Good Time.

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<v Speaker 5>He wasn't He wasn't Lynna. Yeah, the name is Lynna.

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<v Speaker 3>He wasn't him. He was like another guy.

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<v Speaker 1>He was like, I get him and what's his name?

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<v Speaker 1>Mixed up?

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<v Speaker 5>How from Hal Williams. Hall Williams was, Who's Lester Jenkins?

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<v Speaker 5>It's oh, what is we going down? The black rabbit hole.

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<v Speaker 3>It's not even minute.

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<v Speaker 5>Dunbar coerces rerun to take this this uh this this

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<v Speaker 5>this this deeper rob show with Michael McDonald there in

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<v Speaker 5>his full beard and uh he jump up and the

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<v Speaker 5>tape player falls out, and so he gets caught like

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<v Speaker 5>you know, the Dowbie brothers see him, like, dude, we

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<v Speaker 5>thought you was our friends.

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<v Speaker 3>How could you boot like I should.

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<v Speaker 2>He's paraphrasing it, but it was amazing, like, first of all,

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<v Speaker 2>brothers do this show with a gong, it's on fire

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<v Speaker 2>and everything they doing, taking into the streets and then

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<v Speaker 2>reruns dancing his ass off, and then all of a sudden,

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<v Speaker 2>the tape player just falls to the.

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<v Speaker 3>Floor and the show stopped.

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<v Speaker 5>Someone notices it, one of the brothers noticed, and then

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<v Speaker 5>the Doobie brothers just look at him like it's it's

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<v Speaker 5>one of those like silent to be continued.

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<v Speaker 3>It's like it was like a very special episode, you

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<v Speaker 3>know what I'm saying.

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<v Speaker 5>And so so yeah, so they find so they got

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<v Speaker 5>they hook up and they go to Shirley's place and

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<v Speaker 5>they arrest al Dunbar and that was how was Yeah, it.

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<v Speaker 3>Was brought to his resolution.

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<v Speaker 2>Mine wasn't that dramatic, but basically to avoid the school

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<v Speaker 2>bully from beat me up because I destroyed his his

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<v Speaker 2>radio shack tape player. I just thought, well, maybe I'll

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<v Speaker 2>just you know, swipe some money from.

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<v Speaker 3>Home and I'll replace.

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<v Speaker 2>Right, There's nothing like being caught in a black household

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<v Speaker 2>with a black father.

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<v Speaker 3>That's real.

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<v Speaker 1>It really got.

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<v Speaker 3>No, it's even shut off. No, it's real.

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<v Speaker 5>It's real because it's just like I don't know what

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<v Speaker 5>I think with black fathers.

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<v Speaker 3>Man, Like it's just like we was. We were just

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<v Speaker 3>before we started taping.

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<v Speaker 5>We was talking about your your nephews, right like Bill,

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<v Speaker 5>his nephews is going through some stuff, you know what

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<v Speaker 5>I mean.

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<v Speaker 3>And so he was like, my go to go straighten

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<v Speaker 3>them out?

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<v Speaker 5>And Bill Sherman was like, man, they could kind of

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<v Speaker 5>straighten you out because they Oh. And the things I

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<v Speaker 5>don't understand about black men, I think once you get

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<v Speaker 5>to a certain age, you're just not defeating us.

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<v Speaker 3>Because it's like when I'm twenty years old and I

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<v Speaker 3>would like fight.

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<v Speaker 5>I would just hit you with my fist, but like

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<v Speaker 5>at like thirty seven, forty fifty, I'm hitting you with

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<v Speaker 5>every disappointment I've ever had in life, Like I'm hitting

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<v Speaker 5>you with Vietnam.

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<v Speaker 3>I'm hitting you.

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<v Speaker 5>I'm hitting you with my failt first marriage, I'm hitting

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<v Speaker 5>you with every job application that got denied. So for

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<v Speaker 5>you to steal from a black dad when you came

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<v Speaker 5>up like back in the day, like oh, man.

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<v Speaker 2>Dude, all in the name of Briyan of repairing his

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<v Speaker 2>tape player and maybe possibly buying that time except for myself,

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<v Speaker 2>oh woking up at two in the morning. Oh, I

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<v Speaker 2>canna laugh at it now, but it was quite the opposite. Yeah,

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<v Speaker 2>So that that was the worst crime. Well, I mean

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<v Speaker 2>I went through a lot in the early eighties to

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<v Speaker 2>listen to music like I'll share more of that later.

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<v Speaker 3>But anyway, Bill, let's talk about your life from black

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<v Speaker 3>Fithers to me. Fucking you going through a divorce right now?

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<v Speaker 5>So you probably got a lot more in common with

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<v Speaker 5>black fathers than you realize.

0:12:31.240 --> 0:12:35.600
<v Speaker 3>Are you about to in a little bit true? True?

0:12:36.000 --> 0:12:36.120
<v Speaker 5>Uh?

0:12:36.559 --> 0:12:39.000
<v Speaker 3>Is that the reason for the hair changed? No?

0:12:39.000 --> 0:12:42.160
<v Speaker 4>No, the reason this comes up a mere And I

0:12:42.200 --> 0:12:44.679
<v Speaker 4>made the Hamild's record, and I had really long hair

0:12:44.720 --> 0:12:47.200
<v Speaker 4>and looked like a like a like cool, like a

0:12:47.240 --> 0:12:48.319
<v Speaker 4>hobo a cool.

0:12:48.320 --> 0:12:52.480
<v Speaker 2>Hope you look hipsterisk okay of the eight producers of Hamilton.

0:12:52.520 --> 0:12:54.040
<v Speaker 2>I thought, okay, I have a lot of in comn

0:12:54.120 --> 0:12:56.960
<v Speaker 2>with this guy, like everyone else is a suit that's true.

0:12:57.520 --> 0:13:00.760
<v Speaker 4>Uh yeah, So I cut it all off because it

0:13:00.840 --> 0:13:03.040
<v Speaker 4>was getting long and I didn't I want to look

0:13:03.040 --> 0:13:05.040
<v Speaker 4>like a hobo anymore. And then and then I saw

0:13:05.080 --> 0:13:06.960
<v Speaker 4>a mirror to think and I said, yoh man, what's up?

0:13:06.960 --> 0:13:09.160
<v Speaker 4>And he didn't recognize me all at all, hilariot.

0:13:09.160 --> 0:13:11.800
<v Speaker 2>We were taking a photo with the Hamilton gold record

0:13:11.840 --> 0:13:12.800
<v Speaker 2>and he was staying next to me.

0:13:12.800 --> 0:13:13.560
<v Speaker 3>Like, hey, how you doing.

0:13:13.640 --> 0:13:19.800
<v Speaker 2>I was like, oh, no autographs now, no selfish my head, like, dude, yeah, so.

0:13:19.760 --> 0:13:21.080
<v Speaker 1>I didn't recognize you, Bill, Sorry.

0:13:21.160 --> 0:13:21.840
<v Speaker 3>It was pretty great.

0:13:22.280 --> 0:13:26.480
<v Speaker 2>So actually this isn't your first Grammy, Like what is

0:13:27.080 --> 0:13:29.720
<v Speaker 2>in the Heights your first for rate into professional producing,

0:13:29.800 --> 0:13:32.920
<v Speaker 2>or like what's your history with with that stuff?

0:13:32.960 --> 0:13:34.440
<v Speaker 3>With music?

0:13:35.320 --> 0:13:36.120
<v Speaker 1>Start from the beginning.

0:13:36.160 --> 0:13:37.800
<v Speaker 4>I grew up playing the saxophone. I was really into

0:13:37.880 --> 0:13:42.040
<v Speaker 4>jazz as like a Dexter Gordon Coltrane, Hank Mobley fanatic.

0:13:42.080 --> 0:13:43.480
<v Speaker 3>Who was a kid. How old?

0:13:43.880 --> 0:13:47.520
<v Speaker 4>Uh thirteen through twenty two?

0:13:47.800 --> 0:13:49.520
<v Speaker 3>Okay, do you still play sax now?

0:13:50.440 --> 0:13:52.520
<v Speaker 4>Every once in a while, I played to the other

0:13:52.559 --> 0:13:54.640
<v Speaker 4>day for my kids. And I couldn't understand that that's

0:13:54.880 --> 0:13:56.240
<v Speaker 4>something I did. It was pretty funny.

0:13:56.679 --> 0:13:58.680
<v Speaker 2>I'm a little traumatizing myself. I'm like, why didn't you

0:13:58.679 --> 0:14:00.559
<v Speaker 2>tell me this? I don't know, it never came up.

0:14:01.040 --> 0:14:01.600
<v Speaker 2>Why would it.

0:14:01.679 --> 0:14:03.480
<v Speaker 3>Do you play instruments? I mean I can play the.

0:14:03.400 --> 0:14:06.080
<v Speaker 2>Piano, Okay, Well, I was making light of the fact

0:14:06.120 --> 0:14:07.320
<v Speaker 2>that you didn't share with.

0:14:07.440 --> 0:14:12.600
<v Speaker 4>And I and the kazoo, and yeah, so I played

0:14:12.600 --> 0:14:14.480
<v Speaker 4>the saxophone. I went to college. I went to Wesley

0:14:14.480 --> 0:14:17.960
<v Speaker 4>and University in Connecticut. I studied jazz for a while,

0:14:18.000 --> 0:14:19.680
<v Speaker 4>and then I got into world music. I was really

0:14:19.680 --> 0:14:22.160
<v Speaker 4>into West Africa and got drumming. That was my thing

0:14:22.200 --> 0:14:25.760
<v Speaker 4>for a while. I went to Ghana first semester I studied,

0:14:25.760 --> 0:14:27.280
<v Speaker 4>and I played. I played with a bunch of fale

0:14:27.280 --> 0:14:29.520
<v Speaker 4>As guys while I was there in Ghana who had

0:14:29.560 --> 0:14:32.880
<v Speaker 4>come from Nigeria. This is also a discussion we've never had.

0:14:34.520 --> 0:14:36.080
<v Speaker 3>Yeah, I'm like it did.

0:14:36.720 --> 0:14:40.560
<v Speaker 4>And in addition to all the other ship that you

0:14:40.600 --> 0:14:41.680
<v Speaker 4>know about me, this you might not.

0:14:41.720 --> 0:14:41.800
<v Speaker 3>So.

0:14:41.840 --> 0:14:44.600
<v Speaker 4>I met Lynn Manuel Miranda in my junior.

0:14:44.360 --> 0:14:46.280
<v Speaker 3>Year of college.

0:14:46.360 --> 0:14:48.320
<v Speaker 4>And the great story with that, which I tell all

0:14:48.320 --> 0:14:50.680
<v Speaker 4>the time, is his girlfriend at the time was producing

0:14:50.680 --> 0:14:52.440
<v Speaker 4>this musical that I was music directing, but I wasn't

0:14:52.440 --> 0:14:53.240
<v Speaker 4>really into musicals.

0:14:53.240 --> 0:14:54.320
<v Speaker 3>But that's not the point.

0:14:54.480 --> 0:14:57.000
<v Speaker 4>And Lynn said, uh, he came up to me afterwards

0:14:57.000 --> 0:14:58.400
<v Speaker 4>and he said, you don't know me and I don't

0:14:58.440 --> 0:15:00.320
<v Speaker 4>know you, but we're gonna work together for really long time.

0:15:01.800 --> 0:15:04.040
<v Speaker 2>Did you think it was just a random crazy person totally?

0:15:04.120 --> 0:15:06.160
<v Speaker 2>I was like, okay, whatever, smart guy.

0:15:06.400 --> 0:15:07.600
<v Speaker 3>So we we we did.

0:15:07.600 --> 0:15:09.560
<v Speaker 4>We worked on his senior thesis and some other ship

0:15:09.640 --> 0:15:11.480
<v Speaker 4>and whatever, and then we graduated and then we were

0:15:11.480 --> 0:15:13.000
<v Speaker 4>gonna put on in Heights. We put on In the Heights.

0:15:13.080 --> 0:15:15.320
<v Speaker 4>That was my first musical. I never had a big

0:15:15.360 --> 0:15:17.520
<v Speaker 4>background of musicals. I just like music a whole lot.

0:15:17.600 --> 0:15:22.400
<v Speaker 4>And then I arranged orchestrated with Alex Lackmore in Heights

0:15:22.480 --> 0:15:24.280
<v Speaker 4>and then we won a Tony and a Grammy and

0:15:24.320 --> 0:15:27.240
<v Speaker 4>all that stuff. And then from there, I also play

0:15:27.280 --> 0:15:29.080
<v Speaker 4>in this group called Freestyle of the pre which is

0:15:29.080 --> 0:15:33.880
<v Speaker 4>a hip hop improvay which has you know what I'm saying.

0:15:34.680 --> 0:15:36.280
<v Speaker 3>He's making up, he's making this.

0:15:36.240 --> 0:15:37.760
<v Speaker 4>Follow Yes, this is all made up. This is my

0:15:37.800 --> 0:15:39.320
<v Speaker 4>life story, but it's all fictitious.

0:15:41.960 --> 0:15:44.400
<v Speaker 3>Wait a minute, do you know what you guys don't

0:15:44.440 --> 0:15:49.200
<v Speaker 3>know at all? Steve, are you back checking you? Guys?

0:15:49.240 --> 0:15:52.920
<v Speaker 3>We speak a bullshit. It's probably what you would you would,

0:15:52.960 --> 0:15:53.440
<v Speaker 3>you guys, don't.

0:15:53.880 --> 0:15:57.840
<v Speaker 2>I've known Steven Mandel, our engineer, for near twenty years,

0:15:58.360 --> 0:16:00.800
<v Speaker 2>and anytime there's a pie of f moment for me,

0:16:01.560 --> 0:16:05.640
<v Speaker 2>he's there, his smirk, He's totally enjoying the fact that

0:16:05.680 --> 0:16:08.440
<v Speaker 2>I literally am believing everywhere you're saying right.

0:16:08.360 --> 0:16:12.520
<v Speaker 3>Now, huh, okay, you should it's true. Okay style style.

0:16:13.040 --> 0:16:15.600
<v Speaker 4>What you know about this because you were supposed to

0:16:15.600 --> 0:16:16.880
<v Speaker 4>come to one of our gigs a long time ago

0:16:16.880 --> 0:16:19.120
<v Speaker 4>when we first met. It's we get suggestions from the

0:16:19.120 --> 0:16:20.960
<v Speaker 4>audience and we make up hip hop tunes and Lynn's

0:16:21.000 --> 0:16:23.800
<v Speaker 4>in it, and Chris Jackson's in it, and I play keyboards,

0:16:23.800 --> 0:16:25.680
<v Speaker 4>and there's beat boxer and we do all this thing right,

0:16:26.160 --> 0:16:28.560
<v Speaker 4>you know, not real. It's not real, but you should

0:16:28.600 --> 0:16:29.440
<v Speaker 4>see it. It's pretty cool.

0:16:29.720 --> 0:16:29.960
<v Speaker 3>See.

0:16:29.960 --> 0:16:32.600
<v Speaker 2>But the thing is is that Da Vid was on

0:16:32.640 --> 0:16:35.840
<v Speaker 2>the Tonight Show. No, but David was on the Tonight

0:16:35.920 --> 0:16:40.080
<v Speaker 2>Show speaking of hip hop improvisational group that he was

0:16:40.120 --> 0:16:42.160
<v Speaker 2>a part of with the same people.

0:16:41.880 --> 0:16:42.640
<v Speaker 3>You just mentioned.

0:16:43.200 --> 0:16:53.960
<v Speaker 4>Yeah, that's.

0:16:50.600 --> 0:16:51.640
<v Speaker 3>That's the first real thing.

0:16:52.600 --> 0:16:54.960
<v Speaker 2>Everything up to now has been alive a little bit.

0:16:55.360 --> 0:16:56.880
<v Speaker 2>That's real. It's all real, all right.

0:16:56.880 --> 0:16:57.400
<v Speaker 3>So what was the.

0:16:57.360 --> 0:17:00.440
<v Speaker 1>Concept of the the hip hop Improvisational.

0:16:59.760 --> 0:17:02.200
<v Speaker 4>Week GETSU justificy on. So it's like they do a

0:17:02.240 --> 0:17:04.600
<v Speaker 4>thing called person placer sing. It's like get a person,

0:17:04.880 --> 0:17:06.680
<v Speaker 4>one guy gets person, one guy gets placed, one guy

0:17:06.720 --> 0:17:08.480
<v Speaker 4>gets a singer, and then we just make up hip

0:17:08.480 --> 0:17:09.520
<v Speaker 4>hop tunes about that.

0:17:10.040 --> 0:17:13.119
<v Speaker 1>Oh okay, so musical version of whose line is?

0:17:13.280 --> 0:17:15.439
<v Speaker 4>And it's a hip hop version who's lining it anyway? Essentially,

0:17:15.440 --> 0:17:16.960
<v Speaker 4>but all the music's made up to it's all What

0:17:17.119 --> 0:17:20.119
<v Speaker 4>was the period of this It's it's ongoing. But like

0:17:20.119 --> 0:17:22.080
<v Speaker 4>when we graduated from college in two thousand and two,

0:17:22.560 --> 0:17:24.359
<v Speaker 4>we toured a lot and went around to play a

0:17:24.400 --> 0:17:25.440
<v Speaker 4>lot of the comedy festivals.

0:17:25.480 --> 0:17:27.480
<v Speaker 3>This is Wesleyan. It's post Wesleyan.

0:17:27.560 --> 0:17:30.000
<v Speaker 4>Yeah, but a lot of the guys are from wesley.

0:17:29.880 --> 0:17:32.520
<v Speaker 5>So like, how I guess my question because I just

0:17:32.560 --> 0:17:35.720
<v Speaker 5>think musicals, I mean, they fascinate me, you know what

0:17:35.720 --> 0:17:37.760
<v Speaker 5>I mean, Like I'm not I'm never was a person

0:17:37.760 --> 0:17:41.040
<v Speaker 5>that was really big into them, but I my the

0:17:41.080 --> 0:17:43.200
<v Speaker 5>craft that goes into them and just you know, having

0:17:43.200 --> 0:17:46.000
<v Speaker 5>to tell a story through song, like that's that's just

0:17:46.000 --> 0:17:46.960
<v Speaker 5>a lot of fucking words.

0:17:47.080 --> 0:17:48.040
<v Speaker 3>As a writer, you know what I mean.

0:17:48.240 --> 0:17:50.480
<v Speaker 5>So, like, how do you go from just a saxophone

0:17:50.520 --> 0:17:53.920
<v Speaker 5>player to writing musicals? Like how was it something you

0:17:54.000 --> 0:17:56.399
<v Speaker 5>kind of fell into or was it like how did

0:17:56.440 --> 0:17:57.399
<v Speaker 5>you find your groove in that?

0:17:58.520 --> 0:18:01.360
<v Speaker 3>Not on purpose? Uh?

0:18:01.480 --> 0:18:03.600
<v Speaker 4>I lived on Long Island as a kid. My parents

0:18:03.640 --> 0:18:05.639
<v Speaker 4>would bring me to see musicals like every once in

0:18:05.680 --> 0:18:07.439
<v Speaker 4>a while. But it wasn't something I was drawn to,

0:18:07.560 --> 0:18:11.080
<v Speaker 4>Like I'm not the genre specifically is not wasn't a

0:18:11.119 --> 0:18:13.159
<v Speaker 4>thing that I was into. And I met Lynn and

0:18:13.200 --> 0:18:13.800
<v Speaker 4>he and we.

0:18:13.760 --> 0:18:14.400
<v Speaker 3>Just did this.

0:18:14.720 --> 0:18:17.000
<v Speaker 4>We did these shows of his because I just liked

0:18:17.040 --> 0:18:19.000
<v Speaker 4>the music and in the heights was all like Latin

0:18:19.080 --> 0:18:20.840
<v Speaker 4>music and hip hop and stuff like that and stuff

0:18:20.840 --> 0:18:23.760
<v Speaker 4>I know, and and then it just kind of like

0:18:23.760 --> 0:18:24.919
<v Speaker 4>if you asked me what I wanted to do when

0:18:24.920 --> 0:18:26.720
<v Speaker 4>I was eighteen, it wasn't I want to write musical.

0:18:26.800 --> 0:18:28.760
<v Speaker 4>That was probably not even anywhere on my brain. I mean,

0:18:28.800 --> 0:18:30.639
<v Speaker 4>I just like, I just like music, and this was

0:18:30.680 --> 0:18:32.600
<v Speaker 4>one of the things that I do. And then it

0:18:32.720 --> 0:18:34.879
<v Speaker 4>sort of spawned all these other things, which is you know,

0:18:35.000 --> 0:18:36.639
<v Speaker 4>similar to you. It's like you do this thing and

0:18:36.680 --> 0:18:38.840
<v Speaker 4>does all these other things. You write cookbooks, you know

0:18:38.920 --> 0:18:42.119
<v Speaker 4>that kind of shit. And then uh so is the

0:18:42.400 --> 0:18:44.080
<v Speaker 4>is the cook book out? Is it not a cook

0:18:44.119 --> 0:18:45.879
<v Speaker 4>It's not a cookbook. It's not a cookbook at all.

0:18:45.920 --> 0:18:49.120
<v Speaker 4>I've read it. It's cover to cover twice. That's bullshit, Steve,

0:18:49.160 --> 0:18:55.560
<v Speaker 4>don't it's an EXPOA Steve, you're the official judge of

0:18:57.640 --> 0:18:59.480
<v Speaker 4>You're right, yeah, a ref, Steve, A ref.

0:19:04.119 --> 0:19:04.479
<v Speaker 3>Okay.

0:19:04.600 --> 0:19:08.399
<v Speaker 2>So when the idea of Hamilton was presented to you,

0:19:09.200 --> 0:19:12.440
<v Speaker 2>at what point do you enter the foray as far

0:19:12.440 --> 0:19:15.280
<v Speaker 2>as the the genesis at least?

0:19:15.320 --> 0:19:17.600
<v Speaker 4>Like well, I probably entered Hamilton the same time you did,

0:19:17.640 --> 0:19:19.560
<v Speaker 4>because I didn't work on Hamilton the show. I worked

0:19:19.560 --> 0:19:21.399
<v Speaker 4>on Hamilton the record. We probably got the call at

0:19:21.400 --> 0:19:23.640
<v Speaker 4>the same time I worked on In the Heights the show.

0:19:23.760 --> 0:19:25.520
<v Speaker 4>I arranged orch Stray the music for that. But I

0:19:25.520 --> 0:19:27.560
<v Speaker 4>did not work on Hamilton the show. I just made

0:19:27.560 --> 0:19:29.600
<v Speaker 4>the record, So probably we got the call.

0:19:30.080 --> 0:19:33.360
<v Speaker 2>So when it was presented to you, did you instantly

0:19:33.359 --> 0:19:36.520
<v Speaker 2>feel like, oh, I'm instantly getting my second you know,

0:19:36.680 --> 0:19:38.240
<v Speaker 2>Tony and my second Grammy.

0:19:38.320 --> 0:19:38.560
<v Speaker 3>Yeah?

0:19:38.680 --> 0:19:47.080
<v Speaker 4>No, you know, it's funny. It should totally be a thing,

0:19:47.800 --> 0:19:50.880
<v Speaker 4>I you know, to be totally honest, I saw an

0:19:50.920 --> 0:19:54.240
<v Speaker 4>early reading of Hamilton, and I was like, I thought

0:19:54.240 --> 0:19:57.520
<v Speaker 4>to myself, there's no way that like my Jewish grandmother

0:19:57.640 --> 0:20:00.159
<v Speaker 4>or anyone's Jewish grandmother is gonna pick it up to

0:20:00.200 --> 0:20:02.760
<v Speaker 4>be able to take it all in. And I watched it,

0:20:02.840 --> 0:20:06.160
<v Speaker 4>and I was like, it's like lyrically, it's just profound,

0:20:06.160 --> 0:20:08.720
<v Speaker 4>and so you just sort of wow, and and then

0:20:08.760 --> 0:20:10.879
<v Speaker 4>then and then it from that moment on, it just

0:20:10.960 --> 0:20:12.600
<v Speaker 4>gained steam over and over and over, and I just

0:20:12.640 --> 0:20:14.359
<v Speaker 4>sort of watched it become this thing. I didn't.

0:20:14.560 --> 0:20:14.960
<v Speaker 3>I didn't.

0:20:15.200 --> 0:20:16.879
<v Speaker 4>I didn't think that it was going to have the

0:20:16.880 --> 0:20:18.359
<v Speaker 4>impact that has. Of course, you could say that about

0:20:18.359 --> 0:20:21.199
<v Speaker 4>anything that's really impactful in the world, but I was

0:20:21.480 --> 0:20:23.800
<v Speaker 4>I didn't think people would get it or could follow it.

0:20:23.840 --> 0:20:26.080
<v Speaker 2>But I was wrong, and you knew what it was

0:20:27.240 --> 0:20:28.920
<v Speaker 2>at the time when it was presented to you, because

0:20:28.920 --> 0:20:31.720
<v Speaker 2>the thing was, I don't know. I believe that if

0:20:31.760 --> 0:20:36.919
<v Speaker 2>it were properly or thoroughly explain to me what it was,

0:20:37.880 --> 0:20:40.560
<v Speaker 2>I would have probably made a few excuses to not

0:20:41.680 --> 0:20:43.280
<v Speaker 2>because it was just like, Okay, there's going to be

0:20:43.320 --> 0:20:47.800
<v Speaker 2>a hip hop play about the Founding Fathers and the Constitution.

0:20:47.960 --> 0:20:51.680
<v Speaker 3>Yeah, not on paper. That's not a very premise at all, especially.

0:20:51.880 --> 0:20:56.240
<v Speaker 2>In the light of the the sort of can't miss

0:20:56.280 --> 0:20:59.880
<v Speaker 2>Tupac on Broadway play.

0:21:00.080 --> 0:21:05.080
<v Speaker 4>Happened, like yes, Williams, Chris Jackson is right, yes.

0:21:05.000 --> 0:21:08.680
<v Speaker 2>Right, yes, yeah, it happened, and then it went away

0:21:08.080 --> 0:21:10.000
<v Speaker 2>in three weeks and so.

0:21:10.800 --> 0:21:12.600
<v Speaker 4>But that was like a jukebox musical in the same

0:21:12.600 --> 0:21:13.480
<v Speaker 4>way Jersey Boys is.

0:21:13.600 --> 0:21:14.240
<v Speaker 3>So that's the thing.

0:21:14.440 --> 0:21:20.040
<v Speaker 2>Like to me, nothing was going to top failure, and

0:21:20.119 --> 0:21:21.919
<v Speaker 2>I was just like, Okay, that's a lightning in a

0:21:22.000 --> 0:21:26.359
<v Speaker 2>bottle moment, which I mean was rather bittersweet working on it.

0:21:26.560 --> 0:21:30.360
<v Speaker 2>But it's just that it took two of the most

0:21:30.400 --> 0:21:34.360
<v Speaker 2>cynical people I knew to run to me and be like, yo,

0:21:35.280 --> 0:21:39.359
<v Speaker 2>you really need to see this now, Like Tarik Black

0:21:39.400 --> 0:21:42.200
<v Speaker 2>thought of the roots. Tarik and my manager Sean g

0:21:42.800 --> 0:21:48.639
<v Speaker 2>are excited about not much. I mean, even if something

0:21:48.800 --> 0:21:51.320
<v Speaker 2>is real dope, be like, yeah, that's cool, it's all right.

0:21:51.840 --> 0:21:55.240
<v Speaker 2>But they were like, you gotta see this. And even

0:21:55.240 --> 0:21:57.200
<v Speaker 2>then they didn't tell me it was a hip hop.

0:21:57.240 --> 0:21:59.000
<v Speaker 2>I didn't know what to expects. I just sat there

0:21:59.800 --> 0:22:02.679
<v Speaker 2>and notice that this was the longest song in history,

0:22:02.720 --> 0:22:05.480
<v Speaker 2>Like it's.

0:22:04.200 --> 0:22:06.320
<v Speaker 1>A play with no dialogue in it, all of what

0:22:06.520 --> 0:22:07.280
<v Speaker 1>like ten lines.

0:22:07.320 --> 0:22:11.840
<v Speaker 2>But I'm just saying like, how in the world did like,

0:22:11.960 --> 0:22:14.960
<v Speaker 2>did you even think that this would hit jack pot

0:22:15.040 --> 0:22:16.760
<v Speaker 2>or well.

0:22:16.720 --> 0:22:19.000
<v Speaker 4>Lin Lynn's been my very close friend for a very

0:22:19.040 --> 0:22:22.600
<v Speaker 4>long period of time. And he called me while he

0:22:22.640 --> 0:22:25.640
<v Speaker 4>was reading that book, the Hamilton Book, which I tried

0:22:25.680 --> 0:22:27.640
<v Speaker 4>to read but only got through about one hundred pages.

0:22:28.560 --> 0:22:30.960
<v Speaker 2>To be honest, for those for those that don't know,

0:22:31.359 --> 0:22:34.159
<v Speaker 2>the whole genesis of it all was once in the

0:22:34.200 --> 0:22:35.399
<v Speaker 2>Heights Mania ended.

0:22:36.280 --> 0:22:38.000
<v Speaker 3>Uh le Manuel went on.

0:22:38.040 --> 0:22:41.479
<v Speaker 2>Vacation with his wife and decided, I'm going to take

0:22:41.480 --> 0:22:44.520
<v Speaker 2>a book with me for summer reading, and takes the

0:22:45.160 --> 0:22:46.720
<v Speaker 2>nine hundred biggest book.

0:22:47.880 --> 0:22:51.000
<v Speaker 1>It's like the you know, the family Bible that's in

0:22:51.040 --> 0:22:52.680
<v Speaker 1>every ye those.

0:22:58.960 --> 0:23:02.560
<v Speaker 2>Yes, wait, I'm not the only one, hey man. Every

0:23:02.600 --> 0:23:04.399
<v Speaker 2>black family keeps the birth certificates and.

0:23:05.880 --> 0:23:07.840
<v Speaker 3>Keep it close. You gotta keep it close to Jesus.

0:23:13.760 --> 0:23:14.639
<v Speaker 3>We love Jesus.

0:23:15.720 --> 0:23:17.520
<v Speaker 5>And I'm in the South too, so I mean, you know,

0:23:17.600 --> 0:23:20.040
<v Speaker 5>we really love Jesus. So dog, I really thought that

0:23:20.160 --> 0:23:22.600
<v Speaker 5>was just a Thompson the household thing. Oh no, brother,

0:23:22.680 --> 0:23:25.159
<v Speaker 5>But I mean, but your people like you, Philly, but

0:23:25.280 --> 0:23:27.000
<v Speaker 5>I mean your people from.

0:23:26.840 --> 0:23:29.320
<v Speaker 1>The South, Okay, but that is my family's from North Carolina.

0:23:29.400 --> 0:23:31.080
<v Speaker 3>There is that is wow.

0:23:31.240 --> 0:23:36.560
<v Speaker 2>Okay, So yeah, Lin took this near Black Family Bible

0:23:38.119 --> 0:23:43.080
<v Speaker 2>on vacation with him and uh and somehow got the

0:23:43.119 --> 0:23:44.159
<v Speaker 2>inspira it was.

0:23:44.640 --> 0:23:46.280
<v Speaker 3>According to him, he couldn't put it down.

0:23:47.160 --> 0:23:54.240
<v Speaker 2>Well, there's the difference. I got past the index. Maybe

0:23:54.240 --> 0:23:57.040
<v Speaker 2>I got past the index. So I don't know, but uh,

0:23:57.600 --> 0:24:00.520
<v Speaker 2>like how though, I mean, I don't know.

0:24:00.560 --> 0:24:03.879
<v Speaker 4>I mean he he Lynn has always been like a

0:24:04.040 --> 0:24:06.880
<v Speaker 4>sponge for all kinds of things, like pop culture things.

0:24:06.880 --> 0:24:08.920
<v Speaker 4>He reads all of like the People magazine, the E

0:24:09.080 --> 0:24:11.800
<v Speaker 4>W magazines weekly, and he just and and he's always

0:24:11.840 --> 0:24:15.200
<v Speaker 4>reading and learning and watching and whatever. And I don't

0:24:15.200 --> 0:24:16.840
<v Speaker 4>know who who knows, you know, I mean like when

0:24:16.880 --> 0:24:20.000
<v Speaker 4>you when you know you're about to write a tune

0:24:20.000 --> 0:24:22.480
<v Speaker 4>and you know it's gonna be the ship versus, just

0:24:22.520 --> 0:24:24.560
<v Speaker 4>like some other song. He just knew he had something.

0:24:24.880 --> 0:24:27.320
<v Speaker 4>But you know, the interesting thing was he uh, he

0:24:27.359 --> 0:24:29.840
<v Speaker 4>googled it because he thought that someone already had this idea.

0:24:29.880 --> 0:24:32.520
<v Speaker 4>There's no way that this stor hasn't been told in something.

0:24:32.520 --> 0:24:34.080
<v Speaker 4>And he googled it and nothing came up. And so

0:24:34.160 --> 0:24:35.840
<v Speaker 4>I suppose he called his agent and there it was,

0:24:35.840 --> 0:24:36.359
<v Speaker 4>and here we are.

0:24:36.440 --> 0:24:41.080
<v Speaker 2>Wow, it's amazing how did you get started on Sesame Street? I?

0:24:41.280 --> 0:24:41.440
<v Speaker 3>Uh?

0:24:42.320 --> 0:24:44.159
<v Speaker 4>After in the Heights, I was the music director of

0:24:44.200 --> 0:24:47.360
<v Speaker 4>the Electric Company, the reboot of The Electric Company, I.

0:24:47.359 --> 0:24:49.960
<v Speaker 3>See, and uh did you?

0:24:50.080 --> 0:24:53.760
<v Speaker 2>Did you have immediate fantasies of rebooting it like the

0:24:54.280 --> 0:24:58.960
<v Speaker 2>original seventies show, which I feel is another stoner Yeah.

0:24:59.040 --> 0:25:01.639
<v Speaker 4>I also just had immediate fantasies of holy shit, I

0:25:01.680 --> 0:25:02.120
<v Speaker 4>have a job.

0:25:02.400 --> 0:25:05.680
<v Speaker 3>That was That was the immediate fancy fantasy.

0:25:06.119 --> 0:25:09.160
<v Speaker 1>The new Electric Company isn't necessarily.

0:25:08.480 --> 0:25:11.280
<v Speaker 3>Like no, It's totally not. It's totally not.

0:25:11.400 --> 0:25:13.600
<v Speaker 2>I'm so glad you verify that, because I feel like

0:25:13.640 --> 0:25:15.280
<v Speaker 2>Steve is like, are you really going to start?

0:25:15.680 --> 0:25:18.480
<v Speaker 3>No, I haven't seen it because.

0:25:18.240 --> 0:25:22.240
<v Speaker 4>You're The old Electric Company was just more I think

0:25:22.240 --> 0:25:25.000
<v Speaker 4>of the stoner TV you're talking about, but I think

0:25:25.000 --> 0:25:28.600
<v Speaker 4>the newer one was like super sleek, super Now someone's

0:25:28.640 --> 0:25:29.920
<v Speaker 4>like three to one contact.

0:25:30.040 --> 0:25:33.120
<v Speaker 3>Yeah, so let's go back to special. Yeah.

0:25:33.320 --> 0:25:36.560
<v Speaker 2>I gotta say that one of the best experiences of

0:25:36.600 --> 0:25:40.840
<v Speaker 2>my life was meaning that cast when they came here

0:25:40.960 --> 0:25:43.600
<v Speaker 2>for the first time at the to the Tonight Show

0:25:45.920 --> 0:25:49.679
<v Speaker 2>and how cool they were. Again, was this like a oh,

0:25:49.760 --> 0:25:53.640
<v Speaker 2>I just have a job thing or initially that wear

0:25:53.720 --> 0:25:56.159
<v Speaker 2>off after man, you know, so you weren't impressed to

0:25:56.200 --> 0:25:59.919
<v Speaker 2>the fact that here's Bob and Maria and I was.

0:26:00.080 --> 0:26:03.040
<v Speaker 4>I was more impressed with the puppets because they were

0:26:03.119 --> 0:26:05.280
<v Speaker 4>more part of my generation of growing up.

0:26:05.359 --> 0:26:08.160
<v Speaker 3>Can I tell you something? You can this is your show?

0:26:08.600 --> 0:26:13.920
<v Speaker 3>Are they right? What? Okay? Not right? That means.

0:26:15.680 --> 0:26:18.920
<v Speaker 2>If I were to askte are they right?

0:26:19.880 --> 0:26:22.080
<v Speaker 5>You would know what I'm I mean all the puppets right,

0:26:22.160 --> 0:26:24.120
<v Speaker 5>or all the people that the puppeteers right.

0:26:24.640 --> 0:26:28.720
<v Speaker 2>I've seen them many a times when the camera's not on,

0:26:29.920 --> 0:26:30.960
<v Speaker 2>still in character.

0:26:31.640 --> 0:26:32.119
<v Speaker 3>Oh wow?

0:26:32.560 --> 0:26:35.680
<v Speaker 2>Now is that just so that they can execute a

0:26:35.720 --> 0:26:39.000
<v Speaker 2>good job, because even when it's long, even when the

0:26:39.000 --> 0:26:42.199
<v Speaker 2>shoot is done, they're still talking to me.

0:26:42.440 --> 0:26:44.680
<v Speaker 3>It's like method acting to the hundred power.

0:26:45.040 --> 0:26:46.439
<v Speaker 4>But I think the thing about to me, the thing

0:26:46.480 --> 0:26:49.160
<v Speaker 4>about the puppeteers is like, there's like twenty five people

0:26:49.240 --> 0:26:51.439
<v Speaker 4>in the world that do what they do, and so

0:26:51.480 --> 0:26:53.960
<v Speaker 4>it's this small sect of people that just this is

0:26:54.000 --> 0:26:56.960
<v Speaker 4>their life and this is their thing, and and and

0:26:56.960 --> 0:26:58.879
<v Speaker 4>and in the same way it was for Jim Henson,

0:26:58.920 --> 0:27:00.800
<v Speaker 4>it was just like this is this is this is

0:27:00.800 --> 0:27:01.240
<v Speaker 4>what it is.

0:27:01.280 --> 0:27:04.720
<v Speaker 1>But you're telling me that Jim Henson twenty four to seven.

0:27:04.680 --> 0:27:06.720
<v Speaker 3>Was like, well, I don't know. I've never met Jim Henson,

0:27:07.280 --> 0:27:07.880
<v Speaker 3>I don't know that.

0:27:08.080 --> 0:27:11.080
<v Speaker 4>But but with these people it's just it's it's it's

0:27:11.080 --> 0:27:13.080
<v Speaker 4>who they are. It's like just such a in the

0:27:13.119 --> 0:27:14.920
<v Speaker 4>same way that the puppets sort of like an extension

0:27:14.920 --> 0:27:16.640
<v Speaker 4>of their hand, the voice is sort of an extension

0:27:16.640 --> 0:27:19.120
<v Speaker 4>of the way they talk, and so they just particularly

0:27:19.200 --> 0:27:21.560
<v Speaker 4>I mean, it happens more so with particular people who

0:27:21.560 --> 0:27:25.000
<v Speaker 4>are just more whatever. And who plays Zoe on the show,

0:27:25.080 --> 0:27:28.080
<v Speaker 4>Zoe Jen Barn you're talking about Abby?

0:27:28.200 --> 0:27:30.600
<v Speaker 3>Is that? Aha? Lebie Leslie?

0:27:30.760 --> 0:27:35.040
<v Speaker 2>Leslie, She's great, I'm sure right now she's talking and Abby's.

0:27:35.160 --> 0:27:37.119
<v Speaker 2>The other thing about it is her actual voice and

0:27:37.160 --> 0:27:40.359
<v Speaker 2>Abby's voice are very similar, so so that might have

0:27:40.400 --> 0:27:42.000
<v Speaker 2>something to do with it. But like the guy who

0:27:42.000 --> 0:27:44.800
<v Speaker 2>plays Elmo doesn't talk like Elmo most of the time.

0:27:44.880 --> 0:27:47.240
<v Speaker 2>He talks like you know, another person, a real person,

0:27:47.600 --> 0:27:48.119
<v Speaker 2>Red Flax.

0:27:48.760 --> 0:27:55.280
<v Speaker 3>Right, they're all nuts, I'm sure, I.

0:27:55.240 --> 0:27:57.040
<v Speaker 4>Mean, in the same way whoever would come in here

0:27:57.040 --> 0:27:59.000
<v Speaker 4>and fill this be Like, those guys are fucking nuts too.

0:27:59.080 --> 0:28:00.960
<v Speaker 3>It just depends. I'll show you. Yeah, I'm sure they would.

0:28:01.520 --> 0:28:03.919
<v Speaker 5>I read I read something you did an NPR interview

0:28:04.160 --> 0:28:08.359
<v Speaker 5>and Uh. I read you saying, uh sometimes the quote

0:28:08.400 --> 0:28:10.879
<v Speaker 5>was sometimes composers think that because the session stout have

0:28:10.960 --> 0:28:13.960
<v Speaker 5>to dumb it down. But these day children have unbelievably

0:28:14.000 --> 0:28:14.920
<v Speaker 5>sophisticated ears.

0:28:14.920 --> 0:28:17.920
<v Speaker 3>I think them and down is disrespectful to kids.

0:28:17.960 --> 0:28:20.400
<v Speaker 5>And uh, I don't know what what you thought about that,

0:28:20.440 --> 0:28:23.040
<v Speaker 5>Like do you think why do you think kids today

0:28:23.200 --> 0:28:26.720
<v Speaker 5>are more their ears are more sophisticated, or do you

0:28:26.720 --> 0:28:28.960
<v Speaker 5>think they are more or less sophisticated than the kids

0:28:29.000 --> 0:28:32.280
<v Speaker 5>back from the Joe ropostal Ara era where you had

0:28:32.400 --> 0:28:35.679
<v Speaker 5>like Porner sisters and you know, Stevie and all that

0:28:35.760 --> 0:28:36.560
<v Speaker 5>kind of stuff going on.

0:28:36.760 --> 0:28:38.240
<v Speaker 3>Asked me to quote my quote.

0:28:38.640 --> 0:28:43.080
<v Speaker 5>Yeah, yeah, quote on your quote.

0:28:43.120 --> 0:28:46.200
<v Speaker 3>Did a little research. I think google me, he told

0:28:46.200 --> 0:28:48.040
<v Speaker 3>me Google. I was reading up on you.

0:28:48.480 --> 0:28:50.400
<v Speaker 1>You'll here like what you've done the interviews before.

0:28:51.280 --> 0:28:53.640
<v Speaker 2>You know, man, just because you called yesterday and some

0:28:53.800 --> 0:28:57.480
<v Speaker 2>HU canceled and I don't even nobody I feel.

0:29:00.040 --> 0:29:01.760
<v Speaker 3>Yeah, I'm totally there. I want to be away. I

0:29:01.800 --> 0:29:05.760
<v Speaker 3>want to stay. I will well.

0:29:06.360 --> 0:29:07.920
<v Speaker 4>I mean, you've written for Sesame Street.

0:29:07.880 --> 0:29:10.120
<v Speaker 3>I I the way I look at.

0:29:10.080 --> 0:29:12.000
<v Speaker 4>It is like if my my daughters come downstairs and

0:29:12.000 --> 0:29:13.360
<v Speaker 4>they hear what I'm writing and they don't like it.

0:29:13.360 --> 0:29:14.880
<v Speaker 4>It means it's not good. My kids listen to like

0:29:14.920 --> 0:29:17.480
<v Speaker 4>Top forty radio. They're not into kids music, and they're

0:29:17.480 --> 0:29:21.320
<v Speaker 4>into into hooks and catchiness and things that make today's

0:29:21.320 --> 0:29:23.760
<v Speaker 4>pop music as good as it is. And that's just

0:29:23.800 --> 0:29:25.640
<v Speaker 4>what kid's ears are open to now. And so like

0:29:26.000 --> 0:29:28.320
<v Speaker 4>when I ask people to write for Sesame Street, which

0:29:28.360 --> 0:29:30.520
<v Speaker 4>is something you didn't did not do, is is they

0:29:30.560 --> 0:29:33.360
<v Speaker 4>often like will go to vaudeville like the first thing

0:29:33.400 --> 0:29:36.880
<v Speaker 4>because to people, to the general world, like Tesame Street

0:29:36.880 --> 0:29:41.240
<v Speaker 4>is liked or like some two beat shit and and

0:29:41.240 --> 0:29:43.920
<v Speaker 4>and these days it's not like kids get turned off

0:29:43.960 --> 0:29:45.640
<v Speaker 4>by that just as much as anybody else does. And

0:29:45.680 --> 0:29:48.520
<v Speaker 4>I think that if you can write music that appeals

0:29:48.600 --> 0:29:52.520
<v Speaker 4>to everybody, kid, parent, you, whomever, I think that that's

0:29:52.560 --> 0:29:54.120
<v Speaker 4>that's kind of the thing that I try to push for.

0:29:54.240 --> 0:29:57.560
<v Speaker 4>That being said, sometimes we you should talk about this

0:29:57.640 --> 0:30:00.080
<v Speaker 4>because because I feel like at least the tune that

0:30:00.080 --> 0:30:05.400
<v Speaker 4>that you wrote was this weird sort of conglomertion of

0:30:05.520 --> 0:30:08.600
<v Speaker 4>music that totally worked and was like would be considered

0:30:08.600 --> 0:30:11.720
<v Speaker 4>by the general ear to be Sesame Street and something

0:30:11.720 --> 0:30:13.240
<v Speaker 4>that for hell would put on his next record or

0:30:13.240 --> 0:30:15.720
<v Speaker 4>whatever it is. It's like this weird and that's what

0:30:15.720 --> 0:30:17.080
<v Speaker 4>that's kind of what I try to do every day.

0:30:17.840 --> 0:30:21.080
<v Speaker 2>It was adventurous enough to actually want to sing something

0:30:21.120 --> 0:30:24.760
<v Speaker 2>that weird, or it would be right up Sally. But

0:30:24.840 --> 0:30:28.880
<v Speaker 2>I'll tell you something, I don't know if singing dumb

0:30:28.920 --> 0:30:33.560
<v Speaker 2>it down is necessarily a valid thing.

0:30:33.640 --> 0:30:34.400
<v Speaker 1>I don't know why.

0:30:34.520 --> 0:30:38.280
<v Speaker 2>I'm going through a phase right now in which I

0:30:38.360 --> 0:30:43.280
<v Speaker 2>really respect pop music, simple music. And I don't know

0:30:43.280 --> 0:30:47.800
<v Speaker 2>if it's the light of and light of Prince's passing

0:30:47.960 --> 0:30:51.520
<v Speaker 2>or whatever it is, but I have the utmost respect

0:30:51.560 --> 0:30:55.840
<v Speaker 2>for anyone that can write the most simplest song ever

0:30:56.160 --> 0:30:57.040
<v Speaker 2>and it sticks.

0:30:57.760 --> 0:31:01.680
<v Speaker 3>And that's one thing I'm learning to do.

0:31:02.520 --> 0:31:05.719
<v Speaker 2>Like twenty years ago, you couldn't have told me what

0:31:05.760 --> 0:31:08.640
<v Speaker 2>a melody was, Like, Oh, the melody is what you

0:31:08.640 --> 0:31:10.600
<v Speaker 2>play with your right hand, you know.

0:31:10.760 --> 0:31:13.440
<v Speaker 3>I was. I was. I more or less came from

0:31:13.720 --> 0:31:14.520
<v Speaker 3>a vibe place.

0:31:15.240 --> 0:31:18.480
<v Speaker 2>My music felt vibe like it puts you in a

0:31:18.480 --> 0:31:20.960
<v Speaker 2>place where it's like a relaxed place, or I guess

0:31:21.000 --> 0:31:22.640
<v Speaker 2>people we'll call it like.

0:31:22.640 --> 0:31:24.520
<v Speaker 3>Sunday house cleaning music.

0:31:24.880 --> 0:31:30.240
<v Speaker 2>Yeah, But it really wasn't until five years ago that

0:31:30.360 --> 0:31:33.280
<v Speaker 2>I realized, like, I don't know how to write a

0:31:33.280 --> 0:31:38.080
<v Speaker 2>pop song, and now working at Fallon, where you're constantly

0:31:38.920 --> 0:31:44.400
<v Speaker 2>told to write these seven second jingles, Now I'm more aware, like, oh,

0:31:44.440 --> 0:31:48.000
<v Speaker 2>we got to write an impactful song in seven seconds.

0:31:48.240 --> 0:31:52.520
<v Speaker 2>So I kind of I respect that the art more so.

0:31:53.000 --> 0:31:54.080
<v Speaker 2>I don't think that.

0:31:53.960 --> 0:31:57.120
<v Speaker 5>Has influenced your recording anyway, like you work with Roots.

0:31:57.400 --> 0:32:04.320
<v Speaker 2>This next Roots album I believe will be our most

0:32:05.000 --> 0:32:09.160
<v Speaker 2>focused album as okay as a as a music fan,

0:32:09.320 --> 0:32:12.720
<v Speaker 2>I feel like the way that I feel about earth

0:32:12.720 --> 0:32:14.560
<v Speaker 2>Wood and Fire, and the way I feel about Stevie Wonder,

0:32:14.520 --> 0:32:17.240
<v Speaker 2>the way I felt about Prince as a music fan,

0:32:17.280 --> 0:32:19.720
<v Speaker 2>and I'm always like dog, all they have to do

0:32:20.240 --> 0:32:23.400
<v Speaker 2>is get the same microphones, the same sound mixing, boartant,

0:32:23.560 --> 0:32:27.320
<v Speaker 2>the same instruments. So you know, I know a lot

0:32:27.320 --> 0:32:28.880
<v Speaker 2>of people will say like, well, you're too close to

0:32:28.920 --> 0:32:32.440
<v Speaker 2>your creation, so you can't. I know that no artists

0:32:32.480 --> 0:32:36.120
<v Speaker 2>can ever go one linear all the time, that they

0:32:36.160 --> 0:32:39.040
<v Speaker 2>have to circle back and start all over again. So

0:32:40.080 --> 0:32:44.280
<v Speaker 2>I think the music fan of me knows that we

0:32:44.440 --> 0:32:46.800
<v Speaker 2>have to go back to step.

0:32:46.480 --> 0:32:47.760
<v Speaker 1>One again, gotcha.

0:32:47.840 --> 0:32:49.200
<v Speaker 3>I don't want to go back to ninety four.

0:32:49.200 --> 0:32:51.000
<v Speaker 2>I kind of want to go back to ninety This

0:32:51.040 --> 0:32:52.920
<v Speaker 2>album is going to be very close to ninety six

0:32:53.800 --> 0:32:57.480
<v Speaker 2>ninety nine. This will be the Hladelph Things Fall Apart

0:32:57.680 --> 0:32:59.960
<v Speaker 2>album that I think a lot of our early fan

0:33:00.120 --> 0:33:01.000
<v Speaker 2>BASI has been waiting for.

0:33:01.480 --> 0:33:02.520
<v Speaker 1>It's break beat heavy.

0:33:03.040 --> 0:33:08.320
<v Speaker 2>But having wrote for the show so much, I can't

0:33:08.360 --> 0:33:12.880
<v Speaker 2>ignore the education that I've gotten being a DJ and

0:33:12.960 --> 0:33:17.840
<v Speaker 2>being a songwriter on the show, which is I'm instantly thinking, Okay,

0:33:17.840 --> 0:33:21.040
<v Speaker 2>where's the melody, where's the where's the part that you know?

0:33:21.720 --> 0:33:24.000
<v Speaker 2>My assistant will be like, oh I remember that song,

0:33:24.280 --> 0:33:27.800
<v Speaker 2>Like it's it's going to be hard to ignore the

0:33:27.960 --> 0:33:31.640
<v Speaker 2>education I've gotten again, like like do you believe in

0:33:31.680 --> 0:33:32.880
<v Speaker 2>good songs are bad songs?

0:33:32.960 --> 0:33:35.160
<v Speaker 3>Or effective so versus non effective?

0:33:35.200 --> 0:33:37.560
<v Speaker 5>Yet well, I think I guess to me is more

0:33:37.560 --> 0:33:39.800
<v Speaker 5>of a thing where for me it's a little bit

0:33:39.840 --> 0:33:41.680
<v Speaker 5>of both. It's like I think that there can be

0:33:41.760 --> 0:33:45.880
<v Speaker 5>songs where like if the only place I can enjoy

0:33:45.920 --> 0:33:51.120
<v Speaker 5>it is if I'm halfway drunk, then probably is you know. No,

0:33:51.240 --> 0:33:53.800
<v Speaker 5>I'm just saying like like if that's the only place,

0:33:53.920 --> 0:33:58.640
<v Speaker 5>if that's the only time, ship like any other go

0:33:58.720 --> 0:34:01.960
<v Speaker 5>through any like play like right now on like you know,

0:34:02.280 --> 0:34:04.600
<v Speaker 5>wherever a hot nine, seven, one or five?

0:34:04.880 --> 0:34:05.200
<v Speaker 3>Wherever?

0:34:05.520 --> 0:34:07.640
<v Speaker 5>But I mean if But I'm saying, if I can

0:34:07.680 --> 0:34:10.600
<v Speaker 5>only enjoy those songs in that particular setting, it is

0:34:10.680 --> 0:34:13.560
<v Speaker 5>an effective song and I can get it. But once

0:34:13.640 --> 0:34:16.480
<v Speaker 5>I come out of that kind of haze, I can

0:34:16.520 --> 0:34:18.799
<v Speaker 5>be like, Okay, this is kind of a shitty song,

0:34:18.880 --> 0:34:20.720
<v Speaker 5>but it does work in its context.

0:34:20.719 --> 0:34:21.880
<v Speaker 3>But it's like McDonald's.

0:34:21.880 --> 0:34:24.279
<v Speaker 5>It's like, I like McDonald's, and when I want McDonald's,

0:34:24.320 --> 0:34:25.680
<v Speaker 5>I fucking want McDonald's.

0:34:25.800 --> 0:34:28.960
<v Speaker 3>But I'm not about to argue in someone the nutritional

0:34:29.040 --> 0:34:31.279
<v Speaker 3>value of McDonald's. It's like, nigga, I'm not about to

0:34:31.320 --> 0:34:32.480
<v Speaker 3>do that, you.

0:34:32.520 --> 0:34:34.279
<v Speaker 5>Know what I'm saying, Like it's just if you want

0:34:34.280 --> 0:34:36.000
<v Speaker 5>a quarter pound, to eat your quarter pound and be

0:34:36.080 --> 0:34:39.319
<v Speaker 5>happy and just that's what it is. But don't I'm

0:34:39.320 --> 0:34:41.520
<v Speaker 5>not about to them argue as to why you should

0:34:41.560 --> 0:34:43.719
<v Speaker 5>eat McDonald's every day, like getting me?

0:34:43.800 --> 0:34:45.600
<v Speaker 3>So, is there a committee on session?

0:34:45.640 --> 0:34:50.400
<v Speaker 2>Because I would imagine a show so well respected, with

0:34:50.600 --> 0:34:54.839
<v Speaker 2>all these songs that stick, I would imagine that there

0:34:55.040 --> 0:34:59.520
<v Speaker 2>is a jury of you know, of people that are

0:35:00.400 --> 0:35:04.640
<v Speaker 2>are constantly dissecting, uh, every creation that's on the show,

0:35:05.960 --> 0:35:06.360
<v Speaker 2>like what's that?

0:35:06.440 --> 0:35:07.800
<v Speaker 1>What's the songwriting process?

0:35:07.920 --> 0:35:11.560
<v Speaker 4>Like I spayed four week all of the lyrics are

0:35:12.120 --> 0:35:15.560
<v Speaker 4>given to given to me by the scriptwriters, and prior

0:35:15.600 --> 0:35:18.080
<v Speaker 4>to that, they're passed through the education department. So they've

0:35:18.120 --> 0:35:19.640
<v Speaker 4>gone through the lyrically, it's gone through a bunch of

0:35:19.640 --> 0:35:22.920
<v Speaker 4>different things because it needs to be grammatically correct and

0:35:22.960 --> 0:35:24.919
<v Speaker 4>it needs to get across the education thing we're trying

0:35:24.920 --> 0:35:26.920
<v Speaker 4>to get across. Once that's done, it comes to me

0:35:26.960 --> 0:35:29.839
<v Speaker 4>and then it's just sort of like so for every song, yeah,

0:35:29.840 --> 0:35:30.560
<v Speaker 4>pretty much.

0:35:30.400 --> 0:35:34.359
<v Speaker 3>Songs about emotions and even songs about the number two. Wow. Yeah,

0:35:34.400 --> 0:35:38.719
<v Speaker 3>every song goes through this stinking process. Yeah what red flag?

0:35:39.200 --> 0:35:42.000
<v Speaker 3>No nos are there in sesame street songwriting?

0:35:42.120 --> 0:35:45.080
<v Speaker 4>Like most of it's about the character. If it's not

0:35:45.160 --> 0:35:47.680
<v Speaker 4>written like the character would say it, like, for example,

0:35:47.760 --> 0:35:50.240
<v Speaker 4>like Elmo never says, I am.

0:35:50.719 --> 0:35:54.480
<v Speaker 3>How come Elman cookies talk grammatically and correct? It's a

0:35:54.480 --> 0:35:56.839
<v Speaker 3>good question. Don't know the answer to that. You could.

0:35:56.880 --> 0:35:58.279
<v Speaker 4>You should ask them the next time you see them.

0:35:58.400 --> 0:36:00.000
<v Speaker 4>I'm sure that believes I still have a job.

0:36:00.040 --> 0:36:03.640
<v Speaker 3>Okay, that really is weird. Yeah, yeah, he I don't know.

0:36:03.719 --> 0:36:04.960
<v Speaker 3>Yeah he says that, that's right.

0:36:05.120 --> 0:36:07.919
<v Speaker 4>I mean because he's because they're three or they're five,

0:36:07.960 --> 0:36:10.040
<v Speaker 4>and maybe that's what kids who are three or five too.

0:36:10.239 --> 0:36:11.120
<v Speaker 4>I should probably know that.

0:36:11.160 --> 0:36:15.040
<v Speaker 2>My kids are three or five anyway anyway, So the

0:36:15.080 --> 0:36:16.440
<v Speaker 2>process is so then so then it comes to me

0:36:16.480 --> 0:36:18.040
<v Speaker 2>and then it's like, if it's a song that exists

0:36:18.040 --> 0:36:19.319
<v Speaker 2>in a script, it's how does it throw.

0:36:19.440 --> 0:36:21.200
<v Speaker 4>You know, how does it work narratively? And what does

0:36:21.239 --> 0:36:23.160
<v Speaker 4>it want to feel like and sound like? And then

0:36:23.200 --> 0:36:26.120
<v Speaker 4>if it's a pull out song, it's like, if it's

0:36:26.120 --> 0:36:28.319
<v Speaker 4>for a celebrity, who are they and what do they

0:36:28.360 --> 0:36:29.920
<v Speaker 4>sound like? And can we make it sound like them?

0:36:29.960 --> 0:36:32.080
<v Speaker 4>And then it sort of goes from there, and then

0:36:32.120 --> 0:36:34.239
<v Speaker 4>I write it or somebody writes it, and then it

0:36:34.280 --> 0:36:36.640
<v Speaker 4>goes back to the producing staff I'm sure similar to

0:36:36.800 --> 0:36:39.120
<v Speaker 4>whatever goes on here, and and they approve it or

0:36:39.160 --> 0:36:40.560
<v Speaker 4>they don't really Da da dah, and then.

0:36:40.440 --> 0:36:42.280
<v Speaker 3>It's sort of that's it.

0:36:42.280 --> 0:36:45.040
<v Speaker 4>It's a lot of people, but at this point, forty

0:36:45.080 --> 0:36:48.040
<v Speaker 4>seven years later, are there hurt feelings?

0:36:48.080 --> 0:36:49.880
<v Speaker 3>Nothing's worse than getting the song rejected.

0:36:50.280 --> 0:36:53.080
<v Speaker 4>I gotta say this. I mean, I've written ten thousand

0:36:53.080 --> 0:36:55.000
<v Speaker 4>songs at this point. If one gets rejected, I just

0:36:55.000 --> 0:36:56.840
<v Speaker 4>go and write another one. Like I don't personally, I

0:36:56.880 --> 0:36:59.080
<v Speaker 4>don't really I'm not too precious with anything at this

0:36:59.120 --> 0:37:01.239
<v Speaker 4>point because I can't be because it just needs to

0:37:01.280 --> 0:37:02.040
<v Speaker 4>happen too quickly.

0:37:02.200 --> 0:37:04.520
<v Speaker 2>So oh so if you don't have it, then blah

0:37:04.520 --> 0:37:07.080
<v Speaker 2>blah blah will have it, yeah, or like if it

0:37:07.080 --> 0:37:08.880
<v Speaker 2>comes back and I was if I'm if I'm so

0:37:09.040 --> 0:37:11.920
<v Speaker 2>far away that they're like trashing right a new one,

0:37:11.920 --> 0:37:13.879
<v Speaker 2>then I'm like what at this point?

0:37:14.000 --> 0:37:15.919
<v Speaker 4>Like how can I be that fucking far away?

0:37:16.000 --> 0:37:16.320
<v Speaker 3>Right?

0:37:16.360 --> 0:37:18.320
<v Speaker 2>But it happens from time to time, but must sometimes

0:37:18.320 --> 0:37:19.600
<v Speaker 2>just like it's too fast, we want it to be

0:37:19.640 --> 0:37:20.000
<v Speaker 2>slower so.

0:37:20.040 --> 0:37:22.200
<v Speaker 4>Kids can understand it that I get a lot, or

0:37:22.960 --> 0:37:25.040
<v Speaker 4>it's not cooking enough, funny enough. You mentioned like if

0:37:25.120 --> 0:37:28.080
<v Speaker 4>if it's not a thing that a your kid could

0:37:28.080 --> 0:37:29.960
<v Speaker 4>sing back or be they want to stand up and

0:37:30.080 --> 0:37:32.000
<v Speaker 4>dance to, then then it's not good enough.

0:37:32.080 --> 0:37:34.520
<v Speaker 5>That's how often I wanted to ask, man, how often

0:37:34.560 --> 0:37:37.200
<v Speaker 5>for you is it that because I haven't done I've

0:37:37.239 --> 0:37:40.680
<v Speaker 5>done some TV work, some movie work, writing for stuff, whatever,

0:37:40.760 --> 0:37:42.120
<v Speaker 5>and I haven't done a lot of it, but I've

0:37:42.160 --> 0:37:42.440
<v Speaker 5>done some.

0:37:42.800 --> 0:37:45.640
<v Speaker 3>How often for you is it that you will do

0:37:45.680 --> 0:37:46.080
<v Speaker 3>a song?

0:37:46.239 --> 0:37:48.560
<v Speaker 5>They send it, they reject it, and they asked you

0:37:48.600 --> 0:37:51.080
<v Speaker 5>to make changes or whatever, and it actually is better,

0:37:51.640 --> 0:37:53.279
<v Speaker 5>like you like you sit back after it's done and

0:37:53.280 --> 0:37:56.200
<v Speaker 5>be like, well, damn, that was right, versus man.

0:37:56.200 --> 0:37:58.160
<v Speaker 3>Y'all fuck my song up? Like, how often does that

0:37:58.239 --> 0:38:01.319
<v Speaker 3>happen for you? A few times a week?

0:38:01.320 --> 0:38:04.560
<v Speaker 4>I mean, it depends, really, And so this week I

0:38:04.600 --> 0:38:06.960
<v Speaker 4>wrote this song for Titus Burgess for this show I'm

0:38:07.000 --> 0:38:09.799
<v Speaker 4>working on, and it was too fast and they wanted

0:38:09.800 --> 0:38:12.240
<v Speaker 4>it to be slower. And I'm always hesitant about slowing

0:38:12.280 --> 0:38:14.720
<v Speaker 4>things down because it just fucks it up all the time. However,

0:38:14.760 --> 0:38:17.839
<v Speaker 4>in this case it came to I brought it back

0:38:17.880 --> 0:38:19.520
<v Speaker 4>a little bit and worked totally fine. So there's that,

0:38:19.680 --> 0:38:22.160
<v Speaker 4>and then the same thing that happened, like I wrote

0:38:22.160 --> 0:38:24.160
<v Speaker 4>a song where I crunched the verse really quickly. Because

0:38:24.160 --> 0:38:26.239
<v Speaker 4>the other thing about children's songs, if you've listened to them, is,

0:38:26.719 --> 0:38:28.440
<v Speaker 4>especially with Sesame Street, you're trying to get so much

0:38:28.440 --> 0:38:30.680
<v Speaker 4>across that there's a lot of words, a lot of syllables.

0:38:30.680 --> 0:38:32.840
<v Speaker 4>It's not like you're holding notes, You're not like soaring

0:38:32.840 --> 0:38:35.480
<v Speaker 4>and stuff's not really it doesn't really happen. So so

0:38:36.200 --> 0:38:38.719
<v Speaker 4>in doing so, you know, you have to make sure

0:38:38.760 --> 0:38:41.360
<v Speaker 4>that every word, like you can't overlap like the end

0:38:41.400 --> 0:38:44.239
<v Speaker 4>of a verse into a chorus, because you can't then

0:38:44.320 --> 0:38:46.319
<v Speaker 4>hear the end of the verse mix wise or not,

0:38:46.400 --> 0:38:47.959
<v Speaker 4>like if it's on the screen and there's two people

0:38:47.960 --> 0:38:50.080
<v Speaker 4>at the same time. That's another thing about Sesame Street.

0:38:50.080 --> 0:38:52.480
<v Speaker 4>It's not a lot of duets or not a lot

0:38:52.480 --> 0:38:54.279
<v Speaker 4>of people singing at the same time, unless it's like

0:38:54.280 --> 0:38:57.000
<v Speaker 4>a chorus thing, Like you would never hear two puppets

0:38:57.040 --> 0:39:00.000
<v Speaker 4>like singing harmonizing or harmonizing for sure, but like singing

0:39:00.320 --> 0:39:02.880
<v Speaker 4>count over. They would never sing over the top of

0:39:02.920 --> 0:39:10.560
<v Speaker 4>each other. Hey man, Which, by the way, that was

0:39:10.560 --> 0:39:12.520
<v Speaker 4>a deep cut and I was really happy about that.

0:39:12.800 --> 0:39:15.640
<v Speaker 3>Yeah, but nobody knew any.

0:39:15.560 --> 0:39:18.120
<v Speaker 2>Sesame Street songs on the show Man, Like the old

0:39:18.200 --> 0:39:20.040
<v Speaker 2>producer Staffs is looking at me like.

0:39:20.920 --> 0:39:23.960
<v Speaker 4>Yeah, no one's going to get this, but you got it.

0:39:28.600 --> 0:39:31.680
<v Speaker 2>I always thought that frank Oz should have like a

0:39:31.800 --> 0:39:33.280
<v Speaker 2>Lozengers deal or something.

0:39:33.440 --> 0:39:34.120
<v Speaker 3>He's the best.

0:39:34.160 --> 0:39:39.840
<v Speaker 2>It's how was he able to utilize that voice?

0:39:40.800 --> 0:39:43.719
<v Speaker 1>And he was Cookie Monster for at least forty years.

0:39:43.760 --> 0:39:51.440
<v Speaker 2>Yeah, and Grover and Piggy and Bird oh wow, yeah, yeah,

0:39:51.480 --> 0:39:51.960
<v Speaker 2>I don't know.

0:39:53.360 --> 0:39:53.640
<v Speaker 3>Yeah.

0:39:55.120 --> 0:39:57.759
<v Speaker 4>So frank Oz left Sesame Street like I don't know,

0:39:57.800 --> 0:39:59.640
<v Speaker 4>ten years ago or something, and the guy who took

0:39:59.640 --> 0:40:03.520
<v Speaker 4>over his name is David Rudman. He and I believe he's

0:40:03.520 --> 0:40:05.560
<v Speaker 4>also the hands of the Swedish Chef, which I think

0:40:05.600 --> 0:40:08.239
<v Speaker 4>is a pretty cool thing. But yeah, but he does

0:40:08.280 --> 0:40:10.759
<v Speaker 4>Cookie Monster and and baby Bear and a bunch of

0:40:10.800 --> 0:40:14.319
<v Speaker 4>other stuff. But yeah, he he When we record with him,

0:40:14.320 --> 0:40:18.120
<v Speaker 4>we sometimes if it's too low. He can only last

0:40:18.120 --> 0:40:21.080
<v Speaker 4>a certain amount of time because that voice is so insane.

0:40:21.600 --> 0:40:25.120
<v Speaker 2>How many voice characters are still on the show that

0:40:25.239 --> 0:40:27.759
<v Speaker 2>were there? Is Carol Spinny. Carol Spinny is the last

0:40:27.840 --> 0:40:30.400
<v Speaker 2>still bill Big Bird. He's he does the voice of

0:40:30.400 --> 0:40:31.720
<v Speaker 2>Big Bird and the voice of Oscar.

0:40:32.040 --> 0:40:32.680
<v Speaker 3>Oh wow.

0:40:32.880 --> 0:40:35.759
<v Speaker 2>Yeah, and last year am I allowed to ask how

0:40:35.800 --> 0:40:36.759
<v Speaker 2>old Carol Spinny is.

0:40:37.560 --> 0:40:38.120
<v Speaker 3>He's a male?

0:40:38.239 --> 0:40:43.480
<v Speaker 4>Yeah, yeah, all right, I think he's eighty something. Seriously,

0:40:43.560 --> 0:40:45.480
<v Speaker 4>And yeah, the best line about Carol, of which there

0:40:45.520 --> 0:40:49.160
<v Speaker 4>are many, is like a few years ago or five

0:40:49.239 --> 0:40:51.520
<v Speaker 4>or six, he said I don't think I can do

0:40:51.640 --> 0:40:53.719
<v Speaker 4>Big Bird and roller skates anymore, which I thought was

0:40:53.719 --> 0:40:54.359
<v Speaker 4>a pretty good line.

0:40:54.520 --> 0:40:55.000
<v Speaker 3>That's true.

0:40:55.440 --> 0:40:57.799
<v Speaker 2>Wait, he was also the body of Big Bird, yes,

0:40:57.960 --> 0:41:00.759
<v Speaker 2>for the entire span of the show. Oh, and just

0:41:00.800 --> 0:41:03.680
<v Speaker 2>stopped doing it since I two years ago, a year ago.

0:41:03.920 --> 0:41:05.040
<v Speaker 3>So now someone.

0:41:04.960 --> 0:41:07.040
<v Speaker 4>Someone someone bodies it and he does the voice. Same

0:41:07.040 --> 0:41:10.960
<v Speaker 4>thing with Oscar the Grouch. Wow, yeah, pretty amazing. There's

0:41:10.960 --> 0:41:16.160
<v Speaker 4>some great eight or something. Yeah, like are there voices

0:41:16.239 --> 0:41:18.960
<v Speaker 4>insured or I don't know, it's a good question. Yeah,

0:41:19.239 --> 0:41:23.120
<v Speaker 4>I have no idea they should be saying. But Frank,

0:41:23.400 --> 0:41:25.360
<v Speaker 4>you have a backup bird just in case there is,

0:41:25.400 --> 0:41:26.239
<v Speaker 4>there's a backup bird.

0:41:26.440 --> 0:41:26.839
<v Speaker 3>Is he good?

0:41:26.880 --> 0:41:31.440
<v Speaker 4>He's great. He's also that guy is Matt Vogel. He's

0:41:31.440 --> 0:41:33.719
<v Speaker 4>in the Electric Mayhem band. Who's the guy who plays

0:41:33.719 --> 0:41:36.480
<v Speaker 4>the bass in the Electric Mayhem band. I'm blanking Shannon Tweed.

0:41:42.920 --> 0:41:47.799
<v Speaker 6>Actually I actually figured out why Cookie Monster doesn't speak

0:41:47.840 --> 0:41:48.960
<v Speaker 6>grammatically correctly?

0:41:49.200 --> 0:41:54.719
<v Speaker 4>Why grammatically correctly.

0:41:57.040 --> 0:41:58.120
<v Speaker 3>Correctly? He's a monster.

0:41:58.560 --> 0:42:01.839
<v Speaker 6>Oh he's not like a real you know person, He's

0:42:02.440 --> 0:42:03.480
<v Speaker 6>he's crazy or whatever.

0:42:03.640 --> 0:42:07.359
<v Speaker 4>We just have thoughts from Steven Steve Star.

0:42:08.120 --> 0:42:11.800
<v Speaker 2>He's going to be the start this podcast three months.

0:42:11.920 --> 0:42:14.279
<v Speaker 3>He's gonna get his own second. He's that makes it.

0:42:14.360 --> 0:42:19.000
<v Speaker 3>That makes I was I think it was diabetes because sugar,

0:42:21.080 --> 0:42:24.160
<v Speaker 3>the sugars. Yeah, sugar, Yeah, yeah, that is that. Yeah,

0:42:24.200 --> 0:42:26.080
<v Speaker 3>the sugars. That is another thing that goes into the

0:42:26.080 --> 0:42:26.720
<v Speaker 3>Black Bible.

0:42:29.520 --> 0:42:33.840
<v Speaker 2>All right, So Steve and I met, Uh. Steve was

0:42:34.520 --> 0:42:37.600
<v Speaker 2>an engineer at Electric Lady Studios. So during the whole

0:42:38.239 --> 0:42:44.120
<v Speaker 2>soul quarium, renaissance of of what uh voodoo and Erica's

0:42:44.120 --> 0:42:46.440
<v Speaker 2>Mama's Gun and all the all the common records.

0:42:47.040 --> 0:42:49.680
<v Speaker 1>That's how Steve and I worked with each other.

0:42:49.760 --> 0:42:52.000
<v Speaker 2>So when he left Electric Lady and I hired him

0:42:52.000 --> 0:42:54.640
<v Speaker 2>as my full time engineering Philly.

0:42:55.320 --> 0:42:57.480
<v Speaker 1>Uh what started in two thousand and six.

0:42:57.880 --> 0:43:00.800
<v Speaker 3>I'm still thinking about cooking. I'm sorry, shout.

0:43:00.880 --> 0:43:02.719
<v Speaker 6>We should do we should do an episode where the

0:43:02.800 --> 0:43:05.440
<v Speaker 6>cookie Monster learns how to speak correctly.

0:43:06.520 --> 0:43:08.480
<v Speaker 4>We did one where he didn't eat cookies.

0:43:10.239 --> 0:43:10.600
<v Speaker 3>Monster.

0:43:11.560 --> 0:43:13.400
<v Speaker 4>People were like up in arms, like, yeah, I didn't

0:43:13.440 --> 0:43:14.040
<v Speaker 4>like to take that.

0:43:14.239 --> 0:43:17.279
<v Speaker 3>I do not that I watched it. Know, that's that's

0:43:17.320 --> 0:43:18.360
<v Speaker 3>his legacy.

0:43:18.640 --> 0:43:21.120
<v Speaker 4>You're the only friend I have to watches just for

0:43:21.160 --> 0:43:21.600
<v Speaker 4>the record.

0:43:22.160 --> 0:43:28.120
<v Speaker 6>Well, anyway, he's in his mouth, he crumbles him up

0:43:28.120 --> 0:43:29.799
<v Speaker 6>and he throws them like he doesn't even eat any

0:43:29.800 --> 0:43:30.040
<v Speaker 6>of it.

0:43:30.120 --> 0:43:31.719
<v Speaker 4>I like that you're telling me this, like I don't know.

0:43:35.600 --> 0:43:36.399
<v Speaker 3>Thanks, Thanks Steve.

0:43:36.680 --> 0:43:40.319
<v Speaker 2>Anyway, So when Steve came to Philly to work full

0:43:40.360 --> 0:43:45.600
<v Speaker 2>time for the Roots, his tired diet became my diet.

0:43:46.320 --> 0:43:49.719
<v Speaker 3>So every day, Yeah, do I even need to finish it? Yes?

0:43:50.880 --> 0:43:52.040
<v Speaker 3>Steve is one of the first.

0:43:51.880 --> 0:43:53.920
<v Speaker 1>White people I know that had the sugars.

0:43:54.400 --> 0:43:59.160
<v Speaker 3>Oh damn what we got? Cookie Monster is fine.

0:43:59.200 --> 0:43:59.880
<v Speaker 1>I'm fed up.

0:44:01.000 --> 0:44:02.600
<v Speaker 3>You let quiess love seriously.

0:44:04.160 --> 0:44:07.000
<v Speaker 1>Well, there's a soul food church, like down the street from.

0:44:06.840 --> 0:44:09.160
<v Speaker 2>The there's a soul food church down the street from

0:44:09.160 --> 0:44:10.399
<v Speaker 2>the studio, so we ate there.

0:44:10.440 --> 0:44:13.839
<v Speaker 1>Everything like clockwork is man.

0:44:14.760 --> 0:44:17.600
<v Speaker 3>So it's kind of equivalent.

0:44:17.640 --> 0:44:21.719
<v Speaker 2>What was the McDonald's thing for thirty days of supersize? Yeah,

0:44:21.880 --> 0:44:25.000
<v Speaker 2>so I mean he ate soul food at least like

0:44:25.239 --> 0:44:28.360
<v Speaker 2>four months in the road and by the end he

0:44:28.440 --> 0:44:30.160
<v Speaker 2>was done.

0:44:30.239 --> 0:44:30.759
<v Speaker 3>Shots.

0:44:31.960 --> 0:44:37.600
<v Speaker 2>Wow, Wow, Steve had the sugar, Steve Sugar, How did

0:44:37.640 --> 0:44:38.080
<v Speaker 2>you recover?

0:44:38.880 --> 0:44:39.279
<v Speaker 3>Just left?

0:44:39.320 --> 0:44:42.959
<v Speaker 6>You don't recover from you just keep going with it.

0:44:44.640 --> 0:44:47.960
<v Speaker 3>Damn, Steve. Steve's in the Black Bible, man, Yo, you

0:44:48.040 --> 0:44:50.160
<v Speaker 3>were fishing in the Black Bible. Steve. You got daby

0:44:50.360 --> 0:44:53.239
<v Speaker 3>that's like the blackest disease up like that and.

0:44:53.320 --> 0:44:57.319
<v Speaker 5>The gout like no one, no one figures out what

0:44:57.360 --> 0:44:58.040
<v Speaker 5>the gout is.

0:44:58.080 --> 0:45:00.439
<v Speaker 3>But it's just you don't want that ship. I got

0:45:00.480 --> 0:45:09.760
<v Speaker 3>all that ship. Welcome you ride a dice d ride

0:45:09.760 --> 0:45:15.799
<v Speaker 3>to Dad. You know what, one day, one day we're

0:45:15.800 --> 0:45:17.759
<v Speaker 3>going to listen to this episode.

0:45:19.360 --> 0:45:21.880
<v Speaker 1>When we're like professional and.

0:45:21.280 --> 0:45:22.120
<v Speaker 3>I'll be dead.

0:45:29.160 --> 0:45:32.120
<v Speaker 6>It wasn't just fried chicken that came and died that

0:45:32.160 --> 0:45:34.520
<v Speaker 6>takes it takes longer than four months to get it too,

0:45:34.640 --> 0:45:34.920
<v Speaker 6>you know.

0:45:35.080 --> 0:45:41.120
<v Speaker 2>But you're also so you're gonna take now.

0:45:39.480 --> 0:45:41.920
<v Speaker 3>You Yeah, you still do it.

0:45:42.320 --> 0:45:44.520
<v Speaker 6>Whenever I eat, I have to take in something and

0:45:44.560 --> 0:45:47.600
<v Speaker 6>then I take in something like a one that different

0:45:47.680 --> 0:45:50.520
<v Speaker 6>kind of that helps you twenty four hours a day.

0:45:50.840 --> 0:45:52.719
<v Speaker 1>Try and keep it like there's no coming back from it.

0:45:53.400 --> 0:45:55.560
<v Speaker 3>Not yet. They're working on it. Don't worry. Wait, did

0:45:55.600 --> 0:45:58.839
<v Speaker 3>I really do this? Theme? Like I feel bad? It's

0:45:59.239 --> 0:46:01.280
<v Speaker 3>like for a moment right now, go ahead.

0:46:02.040 --> 0:46:07.080
<v Speaker 6>They're working on it. Like your family gonna be like, no,

0:46:07.600 --> 0:46:08.879
<v Speaker 6>I didn't tell them that you did this.

0:46:10.120 --> 0:46:16.279
<v Speaker 2>All right, so we can just take this past. Have

0:46:16.360 --> 0:46:17.759
<v Speaker 2>we talked about music at all?

0:46:17.920 --> 0:46:23.000
<v Speaker 3>Right? Black Bible? There was Steve's diabetes.

0:46:24.560 --> 0:46:29.120
<v Speaker 5>Great show man, we're talking about music. We supposed to

0:46:29.120 --> 0:46:34.200
<v Speaker 5>be talking about something when we when we dried out all.

0:46:34.080 --> 0:46:40.880
<v Speaker 3>Of our resources. What's Steve has diabetes? That was depressing?

0:46:40.960 --> 0:46:43.719
<v Speaker 3>Ship from man.

0:46:44.160 --> 0:46:47.360
<v Speaker 4>Don't pass out, Steve, keep it together, yo, because.

0:46:47.360 --> 0:46:49.880
<v Speaker 3>It's such a depressing disease. Like I got an uncle.

0:46:51.520 --> 0:46:55.200
<v Speaker 5>Nah, dude, like no, like dude, because it's because the

0:46:55.239 --> 0:46:59.520
<v Speaker 5>thing is is Okay, I'm gonna tell you the tragedy sympathy, no, no, no,

0:46:59.560 --> 0:47:01.680
<v Speaker 5>for real you and I'm gonna tell you the tragedy

0:47:01.719 --> 0:47:05.040
<v Speaker 5>in this. It's because, like Steve, like you're a skinny guy,

0:47:05.080 --> 0:47:06.719
<v Speaker 5>so you ain't even got the fatness to go with

0:47:06.800 --> 0:47:07.400
<v Speaker 5>the diabetes.

0:47:07.440 --> 0:47:09.800
<v Speaker 3>So it's not even like you earned it, you know

0:47:09.840 --> 0:47:11.680
<v Speaker 3>what I mean. It's like it's like you're not even

0:47:12.160 --> 0:47:12.839
<v Speaker 3>you know what I'm saying.

0:47:12.920 --> 0:47:15.279
<v Speaker 5>It's like it's like I know a chick that's like

0:47:15.280 --> 0:47:17.319
<v Speaker 5>a fat vegan and it's just like honey.

0:47:16.960 --> 0:47:21.960
<v Speaker 7>Wow wow, yeah, Like it's just you know, I mean,

0:47:22.000 --> 0:47:23.879
<v Speaker 7>like why like you you if you go if I'm

0:47:23.880 --> 0:47:25.520
<v Speaker 7>a fat, if I'm gonna be fat, I'm gonna have

0:47:25.680 --> 0:47:28.160
<v Speaker 7>everything that comes with it, and I'm gonna earn the fatness.

0:47:28.280 --> 0:47:30.600
<v Speaker 5>So to be a skinny guy with that's fucking miserable.

0:47:31.560 --> 0:47:33.879
<v Speaker 5>I really, you have myself and to think about every

0:47:33.920 --> 0:47:35.800
<v Speaker 5>time I sit down to eat a meal, I gotta

0:47:35.880 --> 0:47:38.399
<v Speaker 5>think about what I'm gonna eat. I got an uncle

0:47:38.440 --> 0:47:41.359
<v Speaker 5>with diabetes. Thanksgiving, he can't have sweet Tata pot and.

0:47:43.239 --> 0:47:45.600
<v Speaker 3>He can't do it. Like it'll be like what we

0:47:45.680 --> 0:47:49.479
<v Speaker 3>call the ems. All right, we're gonna blue smoke after all? Yeah,

0:47:49.680 --> 0:47:52.879
<v Speaker 3>right straight there? You know, Yeah, I gotta earn it.

0:47:56.520 --> 0:48:05.120
<v Speaker 2>Oh boy, Okay, weird music, So I have I.

0:48:05.320 --> 0:48:07.839
<v Speaker 4>I orchestraighted in the Heights in two thousand and eight

0:48:07.840 --> 0:48:10.120
<v Speaker 4>and I wanted Tony. It was a wild night and

0:48:10.160 --> 0:48:12.759
<v Speaker 4>the first time I ever won an award and that

0:48:12.880 --> 0:48:13.240
<v Speaker 4>was great.

0:48:13.680 --> 0:48:16.000
<v Speaker 1>Do cast albums get Tony's at all?

0:48:16.400 --> 0:48:18.000
<v Speaker 4>No, they get Grammys.

0:48:18.920 --> 0:48:23.080
<v Speaker 3>I'm not. I'm not gonna get it. Bye, you are

0:48:23.080 --> 0:48:23.399
<v Speaker 3>you playing?

0:48:23.719 --> 0:48:26.799
<v Speaker 2>I'm going and I'm bom wrestling that stage when how

0:48:26.840 --> 0:48:29.760
<v Speaker 2>many people are gonna get on that stage with one hundred?

0:48:30.880 --> 0:48:31.040
<v Speaker 3>Yo?

0:48:31.120 --> 0:48:35.480
<v Speaker 2>Wouldn't it be hilarious if the voting Academy just assumes

0:48:35.640 --> 0:48:38.320
<v Speaker 2>that Hamilton is going to get Best Playing.

0:48:38.400 --> 0:48:40.719
<v Speaker 3>So they decided, like, let me just give it to

0:48:40.760 --> 0:48:41.279
<v Speaker 3>something else.

0:48:41.520 --> 0:48:43.200
<v Speaker 4>I mean, I thought when we were so when they

0:48:43.320 --> 0:48:45.440
<v Speaker 4>we did the Grammys and they gave the award on

0:48:45.440 --> 0:48:47.400
<v Speaker 4>the stage at the Richard Rogers, and I was the

0:48:47.400 --> 0:48:49.799
<v Speaker 4>only person in LA for a moment, I was like,

0:48:49.840 --> 0:48:53.000
<v Speaker 4>what if Seth McFarland walked up there and is suddenly

0:48:53.000 --> 0:48:55.160
<v Speaker 4>presenting the best Cast album that no one gives a

0:48:55.200 --> 0:48:58.920
<v Speaker 4>fuck about? And he goes and it goes to not Hamilton,

0:48:59.040 --> 0:49:01.520
<v Speaker 4>I mean the patant and that it would have been unbelievable.

0:49:01.560 --> 0:49:03.600
<v Speaker 4>That would have been such a great moment, like and

0:49:03.680 --> 0:49:05.160
<v Speaker 4>I would have been the only person there in l

0:49:05.200 --> 0:49:07.839
<v Speaker 4>a be like wow, that would have been like.

0:49:07.760 --> 0:49:12.000
<v Speaker 5>A Steve Harvey at the pageant moment, right because the

0:49:12.000 --> 0:49:12.960
<v Speaker 5>winner is Hamilton.

0:49:13.640 --> 0:49:19.839
<v Speaker 3>I'm sorry, folks, I gotta be real. That was ship. Yeah.

0:49:20.280 --> 0:49:24.480
<v Speaker 2>I think the way that the Roots one, our first Grammy,

0:49:25.239 --> 0:49:28.120
<v Speaker 2>was that moment because it's like.

0:49:28.920 --> 0:49:29.560
<v Speaker 3>I've heard your.

0:49:31.080 --> 0:49:34.120
<v Speaker 5>Buty'all were up against like it was like Doctor Dre

0:49:34.160 --> 0:49:36.200
<v Speaker 5>and Snow was to go ahead.

0:49:39.400 --> 0:49:40.600
<v Speaker 3>It was just kidding.

0:49:40.640 --> 0:49:42.279
<v Speaker 2>Got to Doctor Pare the Roots of General told to

0:49:42.280 --> 0:49:43.360
<v Speaker 2>shut the fuck up, go ahead.

0:49:43.800 --> 0:49:50.920
<v Speaker 3>It was wait, I ain't gonna even on the red carpet.

0:49:51.520 --> 0:49:54.120
<v Speaker 2>Moby was like, yeah, I'm really excited to going to

0:49:54.160 --> 0:49:57.040
<v Speaker 2>present the you know the best Rapperward or whatever.

0:49:57.400 --> 0:49:59.160
<v Speaker 3>They were like, well, who are your favorites? I don't know.

0:49:59.160 --> 0:50:01.560
<v Speaker 3>It could be doctor Dre, it could be Eminem, could

0:50:01.560 --> 0:50:02.680
<v Speaker 3>be snoop ah Man.

0:50:02.840 --> 0:50:04.839
<v Speaker 2>I really hope it's Bust Rhymes Jane Jackson. I love

0:50:04.880 --> 0:50:07.439
<v Speaker 2>that song. I love those guys. Matter of fact, even

0:50:07.440 --> 0:50:09.359
<v Speaker 2>if they're not the winners. I'm gonna say that bust

0:50:09.440 --> 0:50:10.960
<v Speaker 2>Rhymes and Janet Jackson is the winner.

0:50:11.239 --> 0:50:12.320
<v Speaker 3>So that was the movie.

0:50:12.719 --> 0:50:17.480
<v Speaker 4>So that was the energy that he can vegan Skinny Vegan.

0:50:17.640 --> 0:50:19.440
<v Speaker 3>Probably that was.

0:50:23.360 --> 0:50:25.760
<v Speaker 1>The energy that he put on the red carpet.

0:50:25.960 --> 0:50:31.280
<v Speaker 2>So meanwhile, we already lost uh two Grammy's two eminem

0:50:31.400 --> 0:50:35.040
<v Speaker 2>earlier that night, and so sitting in the audience, I

0:50:35.080 --> 0:50:37.040
<v Speaker 2>was like, well, I know we're not gonna win, so

0:50:37.160 --> 0:50:42.080
<v Speaker 2>it's whatever. And suddenly I didn't Now I didn't hear

0:50:42.120 --> 0:50:46.279
<v Speaker 2>what movie said from the stage, but when they called

0:50:46.280 --> 0:50:49.359
<v Speaker 2>her name, I was like, holy crap, Like we won.

0:50:49.560 --> 0:50:50.240
<v Speaker 3>How this happened?

0:50:50.239 --> 0:50:54.000
<v Speaker 1>It's it's like that scene in Boogie Knights when Don Chetle.

0:50:53.760 --> 0:50:57.880
<v Speaker 2>Goes into the door and all white and everyone gets

0:50:57.880 --> 0:50:59.320
<v Speaker 2>shot and fills, except.

0:50:59.120 --> 0:51:01.440
<v Speaker 5>He walks off with the he makes it and starts

0:51:01.480 --> 0:51:03.440
<v Speaker 5>his his shot his seal shop.

0:51:03.920 --> 0:51:08.239
<v Speaker 2>Yeah, and doctor Dre and Snoop versus Doctor Dre and

0:51:08.320 --> 0:51:13.839
<v Speaker 2>Eminem versus R. Kelly and Puffy versus Janet Jackson and

0:51:13.920 --> 0:51:16.960
<v Speaker 2>Bustin Rhymes, and then the roots in Eric Aboudu and

0:51:17.080 --> 0:51:18.319
<v Speaker 2>somehow you.

0:51:18.280 --> 0:51:19.720
<v Speaker 3>Won, y'all were the last one standing.

0:51:20.600 --> 0:51:23.919
<v Speaker 2>I felt it was only that specific situation at which

0:51:23.960 --> 0:51:27.080
<v Speaker 2>we were allowed to win now. I went home to

0:51:27.200 --> 0:51:30.200
<v Speaker 2>night to watch the victory tape and then movie was like,

0:51:30.239 --> 0:51:31.040
<v Speaker 2>and the winner is.

0:51:32.960 --> 0:51:33.600
<v Speaker 3>In theory?

0:51:34.560 --> 0:51:36.520
<v Speaker 1>Oh wow, the Roots?

0:51:36.520 --> 0:51:39.120
<v Speaker 3>And did he say that? He said the winner is.

0:51:40.200 --> 0:51:44.759
<v Speaker 2>In theory the Roots, and Eric about du wow. I

0:51:44.800 --> 0:51:46.840
<v Speaker 2>didn't know what in theory meant, so I was like,

0:51:46.840 --> 0:51:47.799
<v Speaker 2>what does in theory mean?

0:51:48.360 --> 0:51:50.160
<v Speaker 3>That means you didn't deserve to win a mirror, but

0:51:50.200 --> 0:51:52.600
<v Speaker 3>you're technically the winner. Yah ah man.

0:51:52.880 --> 0:51:55.440
<v Speaker 4>And I was like, that's some shit. Can I ask

0:51:55.480 --> 0:51:57.479
<v Speaker 4>a question about that song? Because because we were talking

0:51:57.480 --> 0:51:59.760
<v Speaker 4>before about hooks and pop music and things.

0:51:59.600 --> 0:52:01.680
<v Speaker 3>Like that, which one you got you got?

0:52:01.920 --> 0:52:03.880
<v Speaker 4>Is there something to be said that The Roots is

0:52:03.920 --> 0:52:07.799
<v Speaker 4>biggest pop success. Is one of the only songs you

0:52:07.840 --> 0:52:09.759
<v Speaker 4>have that has like melody and stuff in it that

0:52:09.760 --> 0:52:11.600
<v Speaker 4>that that has the hook of hooks?

0:52:11.680 --> 0:52:15.240
<v Speaker 3>I mean, I think we got lucky.

0:52:15.320 --> 0:52:17.880
<v Speaker 1>I mean, plus, you can't discount Scott Stewart.

0:52:18.880 --> 0:52:21.440
<v Speaker 2>Like of all the keyboard players that have been in

0:52:21.480 --> 0:52:28.279
<v Speaker 2>the Roots, Scott's right hand is automatically programmed to think

0:52:28.360 --> 0:52:31.680
<v Speaker 2>of what the melody is. I mean, at the time,

0:52:32.200 --> 0:52:36.120
<v Speaker 2>what was the number one communication device two way pages?

0:52:35.800 --> 0:52:37.880
<v Speaker 5>Yeah, that was kind of a Yeah, that was.

0:52:37.960 --> 0:52:41.799
<v Speaker 2>Scott's whole theory was it's not a hit if you

0:52:41.800 --> 0:52:44.200
<v Speaker 2>can't put it in a two way page. And I

0:52:44.239 --> 0:52:46.920
<v Speaker 2>was like, I never thought of that. But then, I mean,

0:52:47.120 --> 0:52:50.279
<v Speaker 2>in the in the light of Neptune's beats with you know,

0:52:50.400 --> 0:52:54.080
<v Speaker 2>just simple one New Chords, it felt at the time

0:52:54.120 --> 0:52:56.640
<v Speaker 2>it felt like, oh, that's just lazy songwriting whatever. But

0:52:56.680 --> 0:53:00.240
<v Speaker 2>now I get and understand what melody is. But yeah,

0:53:00.239 --> 0:53:03.440
<v Speaker 2>it baffles me every day that we've never had a

0:53:04.080 --> 0:53:07.160
<v Speaker 2>dance jam or a dance hit or you know.

0:53:07.640 --> 0:53:10.080
<v Speaker 5>Now I will say this, I was always questioned, I

0:53:10.120 --> 0:53:12.799
<v Speaker 5>want to ask you this. I was always wondered, you know,

0:53:12.920 --> 0:53:14.880
<v Speaker 5>like Bill was saying, what you got me? Being the

0:53:14.920 --> 0:53:17.520
<v Speaker 5>one that I had Melody, one of my favorites, still

0:53:17.520 --> 0:53:19.680
<v Speaker 5>one of my favorite melodies by y'all to this day,

0:53:20.280 --> 0:53:24.240
<v Speaker 5>is complexity with jill Off phrenology.

0:53:23.880 --> 0:53:27.759
<v Speaker 3>Right, why why you got me? And not that one?

0:53:27.840 --> 0:53:30.920
<v Speaker 5>I mean, aside from one getting a push or you

0:53:30.960 --> 0:53:33.080
<v Speaker 5>know whatever, or one being pushed as a single, because

0:53:33.080 --> 0:53:35.359
<v Speaker 5>complexitly wasn't a single, It wasn't a.

0:53:35.320 --> 0:53:36.719
<v Speaker 3>Singing something that was hard to sing.

0:53:36.920 --> 0:53:40.319
<v Speaker 2>In my in my heart I felt and in my

0:53:40.440 --> 0:53:45.320
<v Speaker 2>heart I knew. I think I wanted to make cool filler.

0:53:46.280 --> 0:53:49.840
<v Speaker 2>I think I made great filler, and even the artist

0:53:49.920 --> 0:53:54.080
<v Speaker 2>that I like, Stevie Wonder printing the Beatles, and like

0:53:55.080 --> 0:53:57.480
<v Speaker 2>you can judge a really good artist based on the filler,

0:53:57.600 --> 0:53:59.719
<v Speaker 2>Like I like their filler more than I like the

0:53:59.760 --> 0:54:01.560
<v Speaker 2>sing Gotcha Bill?

0:54:01.600 --> 0:54:03.680
<v Speaker 5>Do you spend a lot of time working on lyrics?

0:54:03.719 --> 0:54:06.839
<v Speaker 5>Like is that something that you like? What comes first

0:54:06.880 --> 0:54:08.319
<v Speaker 5>to you? Is it music first? Lyrics first?

0:54:08.360 --> 0:54:09.839
<v Speaker 3>Like justing now right?

0:54:10.600 --> 0:54:12.120
<v Speaker 4>Yeah, I mean I always get sent a page of

0:54:12.239 --> 0:54:13.840
<v Speaker 4>lyrics for the most part when I'm working on like

0:54:14.040 --> 0:54:16.520
<v Speaker 4>TV shows and things like that. But then when I'm not,

0:54:17.239 --> 0:54:19.919
<v Speaker 4>I'm not I hire lyricist. I'm not a lyricist per se.

0:54:20.000 --> 0:54:22.920
<v Speaker 4>I think for me, the music always comes first, or

0:54:22.920 --> 0:54:25.839
<v Speaker 4>the or the or the the hook, Like I'll write

0:54:25.840 --> 0:54:27.560
<v Speaker 4>hooks first and then go back first.

0:54:27.719 --> 0:54:29.279
<v Speaker 5>That's the same way I am too. For me, it's

0:54:29.360 --> 0:54:32.000
<v Speaker 5>like I was an English major in college. So for me,

0:54:32.640 --> 0:54:35.160
<v Speaker 5>writing a song like the hook is like your thesis statement,

0:54:35.520 --> 0:54:39.760
<v Speaker 5>and then your verses are like the paragraphs to support

0:54:39.880 --> 0:54:42.600
<v Speaker 5>the thesis statement. So it was it was very much

0:54:43.200 --> 0:54:44.239
<v Speaker 5>My process is the same way.

0:54:44.239 --> 0:54:47.160
<v Speaker 2>See I'm asked backwards verses verse.

0:54:47.440 --> 0:54:49.680
<v Speaker 3>I'll even go deeper than that beat first.

0:54:50.400 --> 0:54:54.399
<v Speaker 2>First of all, I'm so non singles thinking I think

0:54:54.400 --> 0:54:57.480
<v Speaker 2>of the album, and when I'm thinking of the album,

0:54:57.719 --> 0:55:00.920
<v Speaker 2>the first thing I work on are the interludes. Okay

0:55:01.040 --> 0:55:04.520
<v Speaker 2>to me, I don't know you remember that feeling of

0:55:04.800 --> 0:55:07.040
<v Speaker 2>getting Pete Rock's records thelues.

0:55:07.120 --> 0:55:10.120
<v Speaker 5>Look, man, I remember buying. I didn't break the law

0:55:10.160 --> 0:55:10.920
<v Speaker 5>for main ingredient.

0:55:10.960 --> 0:55:15.120
<v Speaker 3>I didn't. That was like break This is a fun

0:55:15.640 --> 0:55:18.160
<v Speaker 3>breaks breaks the law episode.

0:55:18.320 --> 0:55:20.959
<v Speaker 5>Okay, the last that was last one, I can last record.

0:55:20.960 --> 0:55:22.000
<v Speaker 5>I remember breaking the law for it.

0:55:22.160 --> 0:55:23.120
<v Speaker 3>I broke the law for.

0:55:24.760 --> 0:55:27.120
<v Speaker 5>I had a home it that worked at a record store,

0:55:27.920 --> 0:55:30.440
<v Speaker 5>and I broke the law. Now it wasn't best By.

0:55:30.600 --> 0:55:33.400
<v Speaker 5>It wasn't best By. It was another record store. I'm

0:55:33.400 --> 0:55:35.200
<v Speaker 5>not gonna name because I don't know if the statuteation

0:55:35.280 --> 0:55:35.879
<v Speaker 5>is up on this ship.

0:55:36.560 --> 0:55:38.000
<v Speaker 3>So, but it was a record store.

0:55:38.960 --> 0:55:41.279
<v Speaker 5>So he would just let me came in and I

0:55:41.280 --> 0:55:42.880
<v Speaker 5>gave him like five dollars and he would just let

0:55:42.960 --> 0:55:44.040
<v Speaker 5>me like grab whatever funk.

0:55:44.080 --> 0:55:45.560
<v Speaker 3>I wanted one of those.

0:55:45.360 --> 0:55:50.319
<v Speaker 5>Records, mans records, right, let's talk about it. One of

0:55:50.320 --> 0:55:52.920
<v Speaker 5>those records was Okay Computer and that was my first

0:55:53.040 --> 0:55:56.239
<v Speaker 5>introduction radio hit and ever since then I was I

0:55:56.280 --> 0:55:59.560
<v Speaker 5>was converted. But but now I remember main Ingredient. I

0:55:59.560 --> 0:56:02.640
<v Speaker 5>bought main Ingredient, and honestly, main Agreed was a record

0:56:02.680 --> 0:56:05.600
<v Speaker 5>for me. I didn't like I Gotta Love. Like I

0:56:05.640 --> 0:56:08.160
<v Speaker 5>heard the singer. I was just like Kanye said, that's

0:56:08.160 --> 0:56:08.879
<v Speaker 5>his favorite song.

0:56:09.000 --> 0:56:12.440
<v Speaker 3>No, that's no. Yeah, I'm like, bro, that is Everyone's.

0:56:12.000 --> 0:56:16.040
<v Speaker 2>Frowning in this room even though people had never heard.

0:56:18.080 --> 0:56:21.720
<v Speaker 5>Everyone's like, yeah, I hate it, I gotta love. But

0:56:21.719 --> 0:56:23.080
<v Speaker 5>but I still bought the record. I was like, let

0:56:23.120 --> 0:56:26.120
<v Speaker 5>me see and oh my god, but yeah, the interludes,

0:56:26.120 --> 0:56:27.799
<v Speaker 5>You're right, the interludes for that record.

0:56:27.520 --> 0:56:31.600
<v Speaker 3>Were better than a lot of the same thing.

0:56:31.960 --> 0:56:34.879
<v Speaker 1>Yeah, And to me, like, I feel like I work

0:56:35.000 --> 0:56:35.840
<v Speaker 1>ass backwards.

0:56:36.000 --> 0:56:41.560
<v Speaker 2>I figured that interludes first, and then I match the

0:56:41.560 --> 0:56:46.840
<v Speaker 2>song to that interlude, and then you work on the groove,

0:56:46.880 --> 0:56:48.919
<v Speaker 2>and then you add the verses, and then the hook

0:56:49.040 --> 0:56:54.520
<v Speaker 2>is the afterthought. Like I work completely backwards from you know,

0:56:54.640 --> 0:56:56.680
<v Speaker 2>from how the average That's how I used to do.

0:56:57.080 --> 0:57:00.680
<v Speaker 2>Now I'm thinking of what's your hook, what's the thing

0:57:00.719 --> 0:57:03.920
<v Speaker 2>that's going to stick? Which I almost feel like like

0:57:03.960 --> 0:57:06.040
<v Speaker 2>a dirty businessman for doing that.

0:57:06.080 --> 0:57:09.759
<v Speaker 3>Like, hey, you gotta make a living, brother. I mean,

0:57:10.239 --> 0:57:11.480
<v Speaker 3>but I think I think too.

0:57:11.520 --> 0:57:13.120
<v Speaker 5>I mean, what you're doing to DJ, I imagine it

0:57:13.120 --> 0:57:16.880
<v Speaker 5>would be kind of hard to not be informed by that,

0:57:17.160 --> 0:57:18.600
<v Speaker 5>you know what, I because I remember one time I

0:57:18.640 --> 0:57:20.520
<v Speaker 5>went to one of your I think we did the

0:57:20.600 --> 0:57:21.800
<v Speaker 5>thing over it.

0:57:21.800 --> 0:57:23.480
<v Speaker 3>It was at the do Over in London.

0:57:23.520 --> 0:57:25.800
<v Speaker 5>We were in London for the Olympics, right, and some

0:57:25.840 --> 0:57:28.960
<v Speaker 5>of the stuff you played with records that I would

0:57:29.000 --> 0:57:31.520
<v Speaker 5>not listen to, like you in my car or in

0:57:31.560 --> 0:57:34.680
<v Speaker 5>my life, but they totally killed the party. And I

0:57:34.680 --> 0:57:37.360
<v Speaker 5>mean they were good records, but you know they worked

0:57:37.360 --> 0:57:37.960
<v Speaker 5>in that setting.

0:57:38.000 --> 0:57:41.919
<v Speaker 2>What I spend and what I listened to are just night,

0:57:42.120 --> 0:57:46.720
<v Speaker 2>night and day. What do you well, you don't DJ D?

0:57:47.320 --> 0:57:47.480
<v Speaker 3>No?

0:57:47.920 --> 0:57:51.440
<v Speaker 2>Okay, Like what is your go to? I have to

0:57:51.480 --> 0:57:53.880
<v Speaker 2>listen to to get me through the day.

0:57:54.120 --> 0:57:56.160
<v Speaker 4>I know people ask me, I don't listen to a

0:57:56.160 --> 0:57:58.400
<v Speaker 4>lot of music. I'm the opposite of you don't.

0:57:58.360 --> 0:57:59.840
<v Speaker 1>So you're too immersed in music.

0:58:00.120 --> 0:58:02.760
<v Speaker 4>I feel like I go downstairs to my office at

0:58:02.800 --> 0:58:04.560
<v Speaker 4>nine am and I come out at six am. My

0:58:04.600 --> 0:58:06.440
<v Speaker 4>ears are just shot, and I just when I'm in

0:58:06.480 --> 0:58:08.919
<v Speaker 4>the car listen to like the news or comedy most

0:58:09.320 --> 0:58:12.600
<v Speaker 4>or Top forty because I feel like so often that

0:58:12.680 --> 0:58:14.600
<v Speaker 4>not when people are asking me to write something. They're like, oh,

0:58:14.600 --> 0:58:16.800
<v Speaker 4>it sounds like the new but tune, so I have

0:58:16.840 --> 0:58:18.760
<v Speaker 4>to know what that reference is and I gotcha. And

0:58:18.800 --> 0:58:21.040
<v Speaker 4>to my kids because they know them and I should.

0:58:21.120 --> 0:58:23.360
<v Speaker 3>So are you listen because I do the same things.

0:58:23.360 --> 0:58:25.800
<v Speaker 5>I will listen to like talk radio or NPR or

0:58:25.840 --> 0:58:28.560
<v Speaker 5>something like just to kind of cleanse or just kind

0:58:28.560 --> 0:58:30.040
<v Speaker 5>of decompress, you know what I mean.

0:58:30.680 --> 0:58:31.200
<v Speaker 3>You say you go.

0:58:31.240 --> 0:58:33.280
<v Speaker 5>Downstairs in your office. Do you work from home? Is

0:58:33.320 --> 0:58:34.280
<v Speaker 5>that kind of your home base?

0:58:34.400 --> 0:58:34.560
<v Speaker 3>Yeah?

0:58:34.600 --> 0:58:35.800
<v Speaker 4>I kind of move around. It depends on what the

0:58:35.840 --> 0:58:39.560
<v Speaker 4>day it is. Like it's either Sesame Street in Queens

0:58:39.760 --> 0:58:42.160
<v Speaker 4>or our studios on Fifth Street or record music or

0:58:42.200 --> 0:58:43.600
<v Speaker 4>I'm at in my basement.

0:58:43.800 --> 0:58:45.760
<v Speaker 5>So do you have like a home studio just set

0:58:45.800 --> 0:58:47.560
<v Speaker 5>up just kind of do anything up?

0:58:48.400 --> 0:58:53.440
<v Speaker 4>It's easy.

0:58:53.560 --> 0:58:56.920
<v Speaker 5>How do you find your balance as a dad? And

0:58:57.280 --> 0:58:59.000
<v Speaker 5>or is there even a balance?

0:58:59.160 --> 0:58:59.560
<v Speaker 3>I don't know.

0:59:00.640 --> 0:59:02.720
<v Speaker 1>I mean, do your daughters control the radio yet?

0:59:03.120 --> 0:59:03.560
<v Speaker 3>Oh? Yeah?

0:59:03.680 --> 0:59:06.640
<v Speaker 4>They They will pick certain songs and ask to stay

0:59:06.640 --> 0:59:09.080
<v Speaker 4>on certain channels. And my one daughter will move the

0:59:09.120 --> 0:59:10.000
<v Speaker 4>dial and stuff like that.

0:59:10.040 --> 0:59:11.840
<v Speaker 3>She knows what she's So who controls the music in

0:59:11.880 --> 0:59:14.040
<v Speaker 3>the household? My kids?

0:59:14.520 --> 0:59:16.439
<v Speaker 4>They it's it's pop radio. All the time in my house.

0:59:16.440 --> 0:59:21.240
<v Speaker 2>What's the most adult intellectual thing they listen to on

0:59:21.320 --> 0:59:21.960
<v Speaker 2>pop radio?

0:59:22.480 --> 0:59:26.200
<v Speaker 3>No? Just I mean, yeah, you ain't gonna find much yet.

0:59:26.240 --> 0:59:26.920
<v Speaker 3>I was listening to.

0:59:26.880 --> 0:59:30.040
<v Speaker 2>Beatles at five, so yeah, my kids so. But it's

0:59:30.080 --> 0:59:32.800
<v Speaker 2>also the parents responsibility, I agree with. Do you let

0:59:32.800 --> 0:59:34.840
<v Speaker 2>them choose what they want to listen to?

0:59:34.960 --> 0:59:38.160
<v Speaker 4>Yeah, I don't put it on them. I haven't yet.

0:59:37.520 --> 0:59:41.000
<v Speaker 4>But it's interesting because I did not have parents, but

0:59:41.120 --> 0:59:43.040
<v Speaker 4>both my parents are doctors, so clearly we have a

0:59:43.040 --> 0:59:43.600
<v Speaker 4>lot in common.

0:59:43.880 --> 0:59:45.000
<v Speaker 3>And uh uh.

0:59:45.440 --> 0:59:47.600
<v Speaker 4>My parents listened to like smooth My dad listened to

0:59:47.600 --> 0:59:50.120
<v Speaker 4>like Dave Sanborne, like smooth jazz all day long, wow,

0:59:50.200 --> 0:59:53.000
<v Speaker 4>and like like for real and uh and I was

0:59:53.000 --> 0:59:57.480
<v Speaker 4>a saxophone player and I was like no, and uh

0:59:57.600 --> 1:00:01.680
<v Speaker 4>uh yeah, like super smoothy. But they they didn't know music.

1:00:01.680 --> 1:00:03.280
<v Speaker 4>They still don't know me. They have no idea. So

1:00:03.320 --> 1:00:05.320
<v Speaker 4>like when I was a kid, all the cool kids

1:00:05.320 --> 1:00:07.840
<v Speaker 4>listened to like the Beatles and led Zeppelin and Pink

1:00:07.880 --> 1:00:09.840
<v Speaker 4>Floyd and like that was the thing in the very

1:00:09.840 --> 1:00:12.240
<v Speaker 4>white suburban neighborhood. I grew up on Long Island. Calm

1:00:12.320 --> 1:00:14.840
<v Speaker 4>down a fucking second before you judge me, And so

1:00:15.000 --> 1:00:21.520
<v Speaker 4>then it did not until later. You're shaking your head

1:00:21.520 --> 1:00:23.440
<v Speaker 4>because you feel for me. Okay, okay, my bad, so

1:00:23.600 --> 1:00:24.439
<v Speaker 4>and so now.

1:00:24.320 --> 1:00:25.560
<v Speaker 1>I'll tell you why I was shaking my head, but

1:00:25.560 --> 1:00:25.920
<v Speaker 1>go ahead.

1:00:25.960 --> 1:00:29.680
<v Speaker 4>So not until later, was was right right at high

1:00:29.680 --> 1:00:31.400
<v Speaker 4>schools ending in college was starting where it was like,

1:00:31.920 --> 1:00:33.880
<v Speaker 4>this is what you have to open up your head

1:00:33.880 --> 1:00:36.200
<v Speaker 4>a little bit. It's not just about these particular things.

1:00:36.240 --> 1:00:38.400
<v Speaker 4>And so then it became more of a like a

1:00:38.480 --> 1:00:41.760
<v Speaker 4>quest as as as opposed to as opposed to like

1:00:41.760 --> 1:00:43.200
<v Speaker 4>something being given to you, you know you have to

1:00:43.200 --> 1:00:44.600
<v Speaker 4>go and get it. And I thought that that part

1:00:44.640 --> 1:00:46.360
<v Speaker 4>of it was cool because it became a thing of discovery.

1:00:46.360 --> 1:00:48.680
<v Speaker 4>Like I didn't get into the Beatles until way after

1:00:48.720 --> 1:00:51.200
<v Speaker 4>I should have, and so when I finally did, I

1:00:51.240 --> 1:00:53.200
<v Speaker 4>was at a different place musically that it meant more

1:00:53.200 --> 1:00:55.560
<v Speaker 4>to me, and I was interested in very different things.

1:00:55.720 --> 1:00:57.680
<v Speaker 3>I think you do have to kind of brainwash the key.

1:00:57.760 --> 1:00:58.600
<v Speaker 3>I mean, at least I do.

1:00:58.760 --> 1:01:01.320
<v Speaker 5>I mean you got a brainwashing, because I mean they

1:01:01.400 --> 1:01:04.280
<v Speaker 5>gonna get brainwashed from other people. So at least, like

1:01:04.320 --> 1:01:08.320
<v Speaker 5>when my music, I was not punished, the only time

1:01:08.360 --> 1:01:13.760
<v Speaker 5>I can remember being even like something like kind of

1:01:13.800 --> 1:01:17.600
<v Speaker 5>getting getting words at me my granddad. I had Bigger

1:01:17.600 --> 1:01:20.440
<v Speaker 5>and Death for LL the second album. I had Bigger

1:01:20.520 --> 1:01:24.280
<v Speaker 5>Deafer and I'm Bad comes on and I had it

1:01:24.360 --> 1:01:28.760
<v Speaker 5>playing and he was in the room and oh my,

1:01:29.200 --> 1:01:30.919
<v Speaker 5>I ain't met a motherfucker who could do that yet

1:01:30.960 --> 1:01:33.880
<v Speaker 5>that one l Lyric I had the same experience. Oh

1:01:33.960 --> 1:01:36.480
<v Speaker 5>my god, it was just the same thing. Yeah, that

1:01:36.600 --> 1:01:38.680
<v Speaker 5>one that you let it play. I let it play,

1:01:38.680 --> 1:01:40.360
<v Speaker 5>but it was it was too late, like I cut you.

1:01:41.360 --> 1:01:43.240
<v Speaker 5>I was on the other side of the earth and

1:01:43.280 --> 1:01:45.320
<v Speaker 5>I ran faster.

1:01:48.480 --> 1:01:54.600
<v Speaker 2>And Carl Lewis and I ran yeah.

1:01:53.520 --> 1:01:54.000
<v Speaker 3>Yeah, yeah.

1:01:54.040 --> 1:01:56.520
<v Speaker 5>It was man and my grandad from neighborhood where what

1:01:56.600 --> 1:01:59.440
<v Speaker 5>was that tape at you listen to talking about motherfuckers

1:02:00.080 --> 1:02:03.360
<v Speaker 5>and my grand yo And I'm thinking about this now,

1:02:03.880 --> 1:02:06.480
<v Speaker 5>my granddad, because I know there's a link here. My

1:02:06.560 --> 1:02:09.960
<v Speaker 5>grandfather was a huge fan of that King Cole. That's

1:02:09.960 --> 1:02:11.440
<v Speaker 5>really all he listened to.

1:02:11.640 --> 1:02:15.040
<v Speaker 3>So if it wasn't that King Cole, he wasn't trying

1:02:15.040 --> 1:02:15.919
<v Speaker 3>to fuck with none of that ship.

1:02:16.360 --> 1:02:21.040
<v Speaker 5>Were any rappers, any black men you're objected to listening

1:02:21.080 --> 1:02:21.400
<v Speaker 5>to it?

1:02:21.640 --> 1:02:24.200
<v Speaker 3>I was. He would my granddad every Christmas.

1:02:24.200 --> 1:02:27.480
<v Speaker 5>He would bring out the Christmas album and he would

1:02:27.480 --> 1:02:29.680
<v Speaker 5>just sit us in the den and you just had

1:02:29.720 --> 1:02:31.640
<v Speaker 5>to listen to that and that was it.

1:02:31.640 --> 1:02:34.040
<v Speaker 3>It wasn't no talking. This is not up for discussion.

1:02:34.080 --> 1:02:34.800
<v Speaker 3>It's not debate.

1:02:35.280 --> 1:02:41.320
<v Speaker 5>Utfo no nah, none of that no utfo. Oh my god, no.

1:02:42.120 --> 1:02:43.600
<v Speaker 3>None of that, none of that joint, none of the

1:02:43.680 --> 1:02:46.000
<v Speaker 3>Christmas records. It was all. It was all that, King cole.

1:02:46.600 --> 1:02:51.000
<v Speaker 2>My jazz education was kind of also asked backwards because

1:02:51.880 --> 1:02:55.920
<v Speaker 2>jazz was punishment in my household. Oh wow, like you

1:02:55.920 --> 1:02:59.760
<v Speaker 2>you were punished, Yeah, Like I feel like my parents

1:02:59.760 --> 1:03:04.680
<v Speaker 2>felt as though jazz music was a way to exercise

1:03:05.400 --> 1:03:11.200
<v Speaker 2>the prince demons out of me. So whenever, I mean,

1:03:11.600 --> 1:03:15.680
<v Speaker 2>my public telling of the amount of times I've gotten

1:03:15.720 --> 1:03:22.200
<v Speaker 2>punished for owning nineteen ninety nine is super legendary. But

1:03:22.560 --> 1:03:24.960
<v Speaker 2>they would break the record and then you know, it

1:03:24.960 --> 1:03:28.040
<v Speaker 2>would be like no stereo for two to three weeks,

1:03:28.080 --> 1:03:31.160
<v Speaker 2>which is like a lifetime to me. And the only

1:03:31.200 --> 1:03:33.360
<v Speaker 2>thing I was allowed to listen to was Christian radio

1:03:33.880 --> 1:03:34.880
<v Speaker 2>and jazz music.

1:03:35.840 --> 1:03:38.760
<v Speaker 3>And so usually it's like each your vegetables kind of thing.

1:03:39.360 --> 1:03:44.240
<v Speaker 2>Yeah, So all my knowledge and my associations of all

1:03:44.280 --> 1:03:48.560
<v Speaker 2>those culturing songs Alabama and Love Supreme and the entire

1:03:48.600 --> 1:03:51.600
<v Speaker 2>Coltrane plays the blues record is based on just the

1:03:51.640 --> 1:03:55.360
<v Speaker 2>fact that this is world music, not that Prince, you know.

1:03:55.440 --> 1:03:57.560
<v Speaker 3>I mean dad just thought like Prince was a dude

1:03:57.600 --> 1:04:00.960
<v Speaker 3>that wore a diaper. Oh wow.

1:04:01.040 --> 1:04:05.840
<v Speaker 2>I mean he saw the Yeah No Midnight Special when

1:04:05.840 --> 1:04:09.480
<v Speaker 2>he's doing I Want to Be Alone. You know, boy,

1:04:09.640 --> 1:04:11.440
<v Speaker 2>don't you ever wear no diaper?

1:04:11.920 --> 1:04:15.520
<v Speaker 5>Like and you know what, man, anything you say that

1:04:15.640 --> 1:04:17.200
<v Speaker 5>is like, I guess that's kind of where I'm at

1:04:17.200 --> 1:04:20.800
<v Speaker 5>now with my kids because my oldest son, he is

1:04:20.840 --> 1:04:21.440
<v Speaker 5>in the music.

1:04:21.720 --> 1:04:23.280
<v Speaker 3>But the thing I will say about him is that

1:04:23.400 --> 1:04:26.400
<v Speaker 3>he listens to everything. He listens to. He'll listen to

1:04:26.520 --> 1:04:30.840
<v Speaker 3>like Young Thug and Little Yachty.

1:04:30.600 --> 1:04:34.760
<v Speaker 5>Like all the all the XXL cover dudes, but then

1:04:35.800 --> 1:04:38.440
<v Speaker 5>the Freshman covered dudes, he'll listen to them. But then

1:04:38.760 --> 1:04:43.200
<v Speaker 5>he'll listen to the Beatles, like he'll listen to And

1:04:43.240 --> 1:04:45.080
<v Speaker 5>that was the thing, Like when we were talking earlier,

1:04:45.080 --> 1:04:48.080
<v Speaker 5>you said the kids are more sophisticated, because I think

1:04:48.080 --> 1:04:50.320
<v Speaker 5>what it is now, like kids now they ain't got

1:04:50.360 --> 1:04:52.880
<v Speaker 5>a paper ship, so they can listen to everything.

1:04:52.920 --> 1:04:55.240
<v Speaker 3>Like I remember buying music or stilling music back.

1:04:55.080 --> 1:04:58.440
<v Speaker 5>In my day, Like you had to make a choice,

1:04:58.440 --> 1:04:59.840
<v Speaker 5>you know, what I'm saying, even a choice of what

1:04:59.880 --> 1:05:00.320
<v Speaker 5>the steal.

1:05:00.360 --> 1:05:01.560
<v Speaker 3>You couldn't fit all the ship in the bag.

1:05:01.600 --> 1:05:02.920
<v Speaker 5>It's like I got to make a choice of them

1:05:03.000 --> 1:05:09.160
<v Speaker 5>steal today but back then. But now, like kids, wait,

1:05:09.320 --> 1:05:12.160
<v Speaker 5>let's have another front race long moment, tell us another

1:05:12.200 --> 1:05:12.800
<v Speaker 5>story front.

1:05:12.840 --> 1:05:15.760
<v Speaker 3>Well, no, I mean you couldn't get caught stealing the ship? Nah,

1:05:15.760 --> 1:05:16.920
<v Speaker 3>I never did. I never did.

1:05:17.120 --> 1:05:19.560
<v Speaker 5>But it was because because they switched it up. They

1:05:19.600 --> 1:05:22.440
<v Speaker 5>switched you got called ste Island. Bill has the story.

1:05:23.320 --> 1:05:25.440
<v Speaker 3>I got caught stealing when I was fourteen from Target.

1:05:25.480 --> 1:05:26.920
<v Speaker 3>I had Target.

1:05:28.320 --> 1:05:32.960
<v Speaker 8>Target just came out like last year, right, I'm thirty six,

1:05:33.520 --> 1:05:35.360
<v Speaker 8>All right, this was this was ninety four.

1:05:36.080 --> 1:05:37.320
<v Speaker 3>I used to every Friday.

1:05:37.320 --> 1:05:39.400
<v Speaker 8>I would go to the mall and I had like

1:05:39.400 --> 1:05:41.760
<v Speaker 8>this big Charlotte hornet starter jacket with the pocket in

1:05:41.800 --> 1:05:42.840
<v Speaker 8>the front flap.

1:05:42.880 --> 1:05:44.720
<v Speaker 3>You was mental or bad.

1:05:45.240 --> 1:05:47.040
<v Speaker 8>I had this small pa because you know, you know

1:05:47.080 --> 1:05:49.400
<v Speaker 8>how they had the little plastic thing passic around the

1:05:49.440 --> 1:05:51.360
<v Speaker 8>plastic around it. So I would take them to take

1:05:51.400 --> 1:05:54.280
<v Speaker 8>the CD to the handicap bathroom, cut the plastic thing

1:05:54.320 --> 1:05:56.240
<v Speaker 8>off of it, open the CDs, tossed everything in the

1:05:56.240 --> 1:05:57.040
<v Speaker 8>trash and just walking.

1:05:57.080 --> 1:06:00.680
<v Speaker 3>It was like a real thief. Yeah, handicap. You took

1:06:00.720 --> 1:06:03.720
<v Speaker 3>it too far. That should lasted for a good year.

1:06:04.040 --> 1:06:05.400
<v Speaker 3>Oh man, I didn't even do all that.

1:06:05.520 --> 1:06:07.919
<v Speaker 5>See, all I did was like I just I didn't

1:06:07.920 --> 1:06:10.000
<v Speaker 5>even have like I had like a little key, like

1:06:10.080 --> 1:06:13.760
<v Speaker 5>my key, my mailbox key in my that went to

1:06:13.800 --> 1:06:16.800
<v Speaker 5>my in college, like you get your mailboxy. My mailbox

1:06:16.840 --> 1:06:19.640
<v Speaker 5>key was mad sharp. So all I would do is

1:06:19.760 --> 1:06:22.320
<v Speaker 5>just you know, beforehand, we would just like take them

1:06:22.320 --> 1:06:24.960
<v Speaker 5>and you just go to college. Yeah, this was like

1:06:25.000 --> 1:06:29.200
<v Speaker 5>I think it, but it was I didn't have I

1:06:29.200 --> 1:06:33.400
<v Speaker 5>didn't get my first computer until two thousand and three four.

1:06:33.560 --> 1:06:37.200
<v Speaker 3>So like that was when I got the computer. Man, I.

1:06:39.520 --> 1:06:42.800
<v Speaker 5>I would have got one, but by last one, I remember,

1:06:42.960 --> 1:06:44.760
<v Speaker 5>like you just opened a little joint because then they

1:06:44.760 --> 1:06:47.560
<v Speaker 5>started changing it and they would put the sensors inside

1:06:47.640 --> 1:06:49.680
<v Speaker 5>the CD coup So then what you do, that's when

1:06:49.680 --> 1:06:52.000
<v Speaker 5>I had the key. You just take the key and

1:06:52.040 --> 1:06:54.640
<v Speaker 5>then you just get the CD out and then you

1:06:54.760 --> 1:06:56.680
<v Speaker 5>just leave the case and put the case back up

1:06:56.720 --> 1:06:58.720
<v Speaker 5>in So like if I was still in a stero,

1:06:58.840 --> 1:07:02.640
<v Speaker 5>it's like ever here fucking you know everything. But the

1:07:02.680 --> 1:07:08.800
<v Speaker 5>girl clear, no, no, no, I'm just saying that I'm

1:07:08.800 --> 1:07:09.919
<v Speaker 5>not getting rested with clear.

1:07:10.320 --> 1:07:12.640
<v Speaker 3>But it was like the E section. I mean, who

1:07:12.760 --> 1:07:18.400
<v Speaker 3>was who was popping at that time? Right? It was

1:07:18.440 --> 1:07:20.920
<v Speaker 3>all at see. Okay, so what did you get caught stealing? Well?

1:07:20.920 --> 1:07:21.720
<v Speaker 3>How did you get caught?

1:07:21.720 --> 1:07:24.320
<v Speaker 8>First off, Okay, I got caught because somebody came into

1:07:24.360 --> 1:07:26.480
<v Speaker 8>the bathroom like right after I did and saw all

1:07:26.520 --> 1:07:29.480
<v Speaker 8>the ship that I had thrown away in and they snitched.

1:07:29.680 --> 1:07:32.160
<v Speaker 1>Yeah, they snitched. So it was a Storm employee.

1:07:32.200 --> 1:07:33.640
<v Speaker 3>It was I don't think it was a stor employe.

1:07:33.680 --> 1:07:35.280
<v Speaker 8>It was probably like some woman and her child or

1:07:35.320 --> 1:07:38.640
<v Speaker 8>whatever walked in the titles and CDs. I stole LLL scratched

1:07:38.640 --> 1:07:40.160
<v Speaker 8>his first album.

1:07:39.840 --> 1:07:42.640
<v Speaker 5>Wow, which was an EP. It was like where my Homies?

1:07:42.680 --> 1:07:45.440
<v Speaker 5>Like eight times it was like, where are my homies?

1:07:46.840 --> 1:07:49.760
<v Speaker 3>Homies? Where my homies?

1:07:49.760 --> 1:07:54.760
<v Speaker 8>At L scratched Keith Murray's Most Beautifulest Thing in the World.

1:07:55.040 --> 1:07:58.320
<v Speaker 3>Okay, TLC is crazy, sexy, cool, all right? And the

1:07:58.320 --> 1:08:01.960
<v Speaker 3>one that is clown worthy Ray Carri's Christmas out.

1:08:02.000 --> 1:08:06.840
<v Speaker 2>Oh right after that kid Cold Right now?

1:08:06.920 --> 1:08:14.520
<v Speaker 6>The cover though of that.

1:08:14.040 --> 1:08:18.559
<v Speaker 2>You're in the VHS section, Steve, you know what, Actually,

1:08:18.920 --> 1:08:23.280
<v Speaker 2>I stole a steep. I stole I forgot. I used

1:08:23.320 --> 1:08:25.400
<v Speaker 2>to work One of my biggest shames in life was

1:08:25.400 --> 1:08:28.400
<v Speaker 2>that I got fired from Sam Goodies.

1:08:30.400 --> 1:08:32.880
<v Speaker 3>From Sam Goodie, you still, I know, like how what

1:08:33.360 --> 1:08:33.640
<v Speaker 3>I know?

1:08:33.680 --> 1:08:37.320
<v Speaker 2>It's like it's such a new brainer, right, I should

1:08:37.439 --> 1:08:46.080
<v Speaker 2>still be working at Sam Goodie right now. But yeah

1:08:46.240 --> 1:08:51.679
<v Speaker 2>it was. It was January of eighty nine and three

1:08:51.720 --> 1:08:54.200
<v Speaker 2>ft high and rising by day. Last Soul just came

1:08:54.240 --> 1:08:59.360
<v Speaker 2>out and I took the promo concept from the store

1:09:00.640 --> 1:09:01.559
<v Speaker 2>and I guess.

1:09:01.760 --> 1:09:06.160
<v Speaker 3>That's not well, it's not only one copy of it.

1:09:06.400 --> 1:09:09.280
<v Speaker 2>I guess the manager wanted it.

1:09:09.520 --> 1:09:10.559
<v Speaker 3>They called.

1:09:10.880 --> 1:09:13.160
<v Speaker 2>They didn't call me out on it, but you know,

1:09:13.200 --> 1:09:15.040
<v Speaker 2>it's just like, all right, we're letting you go.

1:09:15.000 --> 1:09:20.040
<v Speaker 3>A mire and I didn't say anything. I just walked away, defeated.

1:09:22.360 --> 1:09:31.320
<v Speaker 3>Then I started, I would get tier worth getting fired over. Yeah,

1:09:31.479 --> 1:09:33.639
<v Speaker 3>that's that's if you're gonna get fired. I wasn't better.

1:09:33.720 --> 1:09:36.960
<v Speaker 2>But when we did have an in store for our

1:09:37.200 --> 1:09:44.480
<v Speaker 2>second album, do You Want More? Uh, I denied the.

1:09:43.040 --> 1:09:45.880
<v Speaker 3>The store uh doing an in store there? Instead? I

1:09:45.880 --> 1:09:50.799
<v Speaker 3>did a Tower Records. That's how Records. That's how bitter

1:09:50.840 --> 1:09:51.280
<v Speaker 3>I was.

1:09:51.880 --> 1:09:54.160
<v Speaker 4>Yeah, I just wrote the music for a Tower Records documentary,

1:09:54.240 --> 1:09:57.840
<v Speaker 4>not just it was a long time ago that.

1:10:00.000 --> 1:10:01.720
<v Speaker 3>It's the one.

1:10:01.920 --> 1:10:05.240
<v Speaker 1>Music documentary that you're not in that. I did a

1:10:05.520 --> 1:10:07.920
<v Speaker 1>five hour interview for Colin Hanks.

1:10:08.040 --> 1:10:09.080
<v Speaker 3>You're still not in that.

1:10:09.160 --> 1:10:10.920
<v Speaker 1>I got put on the cutting room floor.

1:10:11.040 --> 1:10:12.600
<v Speaker 4>But you know that if you go to IMDb or

1:10:12.600 --> 1:10:15.120
<v Speaker 4>the first face I think that's there, it's the roll

1:10:15.160 --> 1:10:15.599
<v Speaker 4>and then you.

1:10:15.680 --> 1:10:22.679
<v Speaker 3>But you're not even in it. You got hanked. I'm

1:10:22.680 --> 1:10:25.840
<v Speaker 3>not bitter, though, not all. I didn't see the movie.

1:10:25.680 --> 1:10:28.599
<v Speaker 2>Like, is it that it's only Tower employees that were

1:10:29.479 --> 1:10:30.439
<v Speaker 2>in it or no?

1:10:30.600 --> 1:10:33.840
<v Speaker 4>I think I was like, yeah, no, buts in it

1:10:33.920 --> 1:10:38.280
<v Speaker 4>as well? Right, I think so yeah, yeah, I don't know.

1:10:38.840 --> 1:10:40.320
<v Speaker 4>He might have gotten other cuttingroom floor too.

1:10:40.680 --> 1:10:42.040
<v Speaker 3>How is it? Is it good? I haven't seen?

1:10:43.360 --> 1:10:47.759
<v Speaker 2>I mean, but I spoke for like five hours and

1:10:47.360 --> 1:10:48.840
<v Speaker 2>and ain't usually.

1:10:48.600 --> 1:10:53.280
<v Speaker 3>Nothing was usable. Dang, my feelings were hurt. It's okay, Well.

1:10:53.680 --> 1:10:56.160
<v Speaker 1>We've learned a lot here todayly and gentlemen.

1:10:57.680 --> 1:10:58.920
<v Speaker 3>This can go on forever.

1:10:59.280 --> 1:11:03.360
<v Speaker 5>But I got my work cut out for me today.

1:11:03.520 --> 1:11:05.519
<v Speaker 5>Yeah you good, and you have to give them a

1:11:05.520 --> 1:11:06.200
<v Speaker 5>cut tomorrow.

1:11:06.760 --> 1:11:07.640
<v Speaker 3>Oh okay.

1:11:08.720 --> 1:11:12.519
<v Speaker 2>Bill wants to prepare this years and events. No, Sean

1:11:12.520 --> 1:11:15.519
<v Speaker 2>wants to prepare everything. Yeah, so I'm cool with right.

1:11:15.640 --> 1:11:19.560
<v Speaker 2>I know you guys are prepared. See, I keep responsible

1:11:19.600 --> 1:11:22.160
<v Speaker 2>people in my life because I am a slacker at

1:11:22.200 --> 1:11:22.559
<v Speaker 2>the heart.

1:11:22.720 --> 1:11:26.960
<v Speaker 3>I feel you, bro, Yeah all right, well whole responsibility.

1:11:27.120 --> 1:11:29.040
<v Speaker 5>And you know what, And that's it's very profound that

1:11:29.080 --> 1:11:30.960
<v Speaker 5>you say that, because I've been trying to explain that

1:11:31.000 --> 1:11:34.360
<v Speaker 5>people like it's like because they see you working.

1:11:34.160 --> 1:11:35.600
<v Speaker 3>Hard and they're like, man, you're going to get it.

1:11:35.640 --> 1:11:36.360
<v Speaker 3>You work really hard.

1:11:36.360 --> 1:11:38.800
<v Speaker 5>And it's like the reason I'm working hard is because

1:11:38.840 --> 1:11:41.280
<v Speaker 5>I'm trying to get it. You know, I've officially got

1:11:41.320 --> 1:11:43.600
<v Speaker 5>it when you motherfuckers never see me again, you.

1:11:43.600 --> 1:11:44.000
<v Speaker 2>Know what I mean?

1:11:44.160 --> 1:11:47.840
<v Speaker 3>Like that, Like that's when you know I've made it.

1:11:47.920 --> 1:11:50.040
<v Speaker 5>Like when when you don't see me tweeting, we don't

1:11:50.040 --> 1:11:52.840
<v Speaker 5>see no Instagram with all that social media.

1:11:52.640 --> 1:11:55.320
<v Speaker 1>Is over, Oh Son, there's no such thing as disappearing.

1:11:55.960 --> 1:11:58.160
<v Speaker 3>You know, think, well you might get to do this

1:11:58.320 --> 1:12:02.120
<v Speaker 3>and you're like, oh, the two phone actually four? But yeah, Liam,

1:12:02.520 --> 1:12:05.200
<v Speaker 3>so why so why would you need full phone? Which

1:12:05.200 --> 1:12:06.920
<v Speaker 3>one of the which one is the whole phone?

1:12:11.479 --> 1:12:17.000
<v Speaker 9>And that's what's supreme, Lad, that's the fife on behalf

1:12:17.040 --> 1:12:24.720
<v Speaker 9>of our our new in Bill Sermon, Bill Johnson, Mandel.

1:12:25.840 --> 1:12:29.800
<v Speaker 3>Coleman and your Shoely quest Love. We thank you very much.

1:12:29.880 --> 1:12:33.880
<v Speaker 3>We pray that you come back next time. God Willie

1:12:34.120 --> 1:12:35.960
<v Speaker 3>next ones that good night you go. We come back

1:12:36.000 --> 1:12:38.880
<v Speaker 3>next Yes see you later.

1:12:48.000 --> 1:12:50.880
<v Speaker 1>West Love Supreme is a production of iHeart Radio.

1:12:53.880 --> 1:12:57.160
<v Speaker 2>For more podcasts from iHeart Radio, visit the iHeart Radio app,

1:12:57.400 --> 1:13:00.439
<v Speaker 2>Apple Podcasts, or wherever you listen to your favorite chose