WEBVTT - Big Daddy Data with Karina Longworth 

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<v Speaker 1>It's nine fifteen pm at one thirteen East Street and

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<v Speaker 1>you're listening to Night Call. Hello, and welcome to Night Call,

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<v Speaker 1>a podcast for your strange days and lonely nights. I'm

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<v Speaker 1>Tess Lynch in Los Angeles, and with me is special

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<v Speaker 1>guest Karina Longworth Hi over in New York. We have,

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<v Speaker 1>as always Emily Oshida. Hi guy, Hi. I'm so excited

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<v Speaker 1>to have Karina on the show. It feels like it's

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<v Speaker 1>been long overdue. Yes. Absolutely, And for those of you

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<v Speaker 1>who do not know, who have been living in a

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<v Speaker 1>cave Karina hosts, you must remember this a really, really

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<v Speaker 1>great podcast about Hollywood history and scandal and all sorts

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<v Speaker 1>of juicy stuff that is, uh, it's on hiatus right now, correct,

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<v Speaker 1>But yeah, but if you haven't listened to it, you

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<v Speaker 1>can go back and discover a whole wealth of podcast

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<v Speaker 1>episodes past. You should also read her books. Her newest one,

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<v Speaker 1>I believe is Seduction, Sex, Lives and Stardom and Howard

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<v Speaker 1>Hughes Hollywood and it's amazing, so you should definitely get that.

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<v Speaker 1>But yeah, I think you must remember this is definitely

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<v Speaker 1>like Night Call adjacent. We've all been big fans for

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<v Speaker 1>a long time. So we're really happy to have Greena here.

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<v Speaker 1>Thank you. I'm happy to be here. I'm a fan

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<v Speaker 1>of Night Call Boy. Thank you. I'm so excited to

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<v Speaker 1>talk about erratic thrillers. Oh yeah, it's like, it's really

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<v Speaker 1>It's really great how much this series of ours has

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<v Speaker 1>brought people out of the woodwork, Like there are a

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<v Speaker 1>lot of kind of secret enthusiasts who are like, oh,

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<v Speaker 1>when are you gonna do mine? Like my favorite. Um,

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<v Speaker 1>we wanted to start off real quick just to acknowledge

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<v Speaker 1>our new superstar, the literally the black hole that was imaged,

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<v Speaker 1>i should say, for the first time last week, So

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<v Speaker 1>this is sort of old news by the time you're

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<v Speaker 1>hearing this, but we just wanted to give it a

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<v Speaker 1>little bit of a shout out. Where were you when

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<v Speaker 1>you saw the black hole for the first time? The

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<v Speaker 1>black hole blip? Yeah, where were you, Karina? I think

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<v Speaker 1>I like was I had just turned on the shower

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<v Speaker 1>and I was waiting for it to heat up and

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<v Speaker 1>I was looking at it on my phone. Nice, oh dangerous, dangerous.

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<v Speaker 1>I live that way too. This black hole has a name,

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<v Speaker 1>and it's what has a couple of names. Actually, it

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<v Speaker 1>just got a Hawaiian name, but it's um, it was

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<v Speaker 1>originally m S. Star. You know how it took me

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<v Speaker 1>to realize that m AD three the musical act slash

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<v Speaker 1>band was named after a star system. I oh, it

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<v Speaker 1>took me until I was today years old. Wherever. Well,

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<v Speaker 1>it's a really beautiful one, so he puts a good one.

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<v Speaker 1>But it's very appropriate once you think about it, because

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<v Speaker 1>it's a very galactic music, Like you feel very starry

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<v Speaker 1>eyed when you're listening to it. But I had no

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<v Speaker 1>idea until like a year ago. So um, but yeah,

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<v Speaker 1>M eight seven is the new, the new hot galaxy

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<v Speaker 1>in town. I know that there's been a lot of

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<v Speaker 1>little mini stories coming out about it, and like the

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<v Speaker 1>the the woman who actually was kind of spearheading the

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<v Speaker 1>entire project too, was kind of credited later on down

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<v Speaker 1>the road. Of course, we tend to lose credit for

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<v Speaker 1>our women in stem and astronomy and stuff like that.

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<v Speaker 1>But that was interesting. But I think, like, I like

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<v Speaker 1>just reading what people felt seeing it for the first time.

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<v Speaker 1>What kind of reactions did you see? I missed this.

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<v Speaker 1>I think Jezebel had a good post where it was

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<v Speaker 1>just like they just opened up the comments and said, like,

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<v Speaker 1>tell us how you feel about the black hole. And

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<v Speaker 1>of course a lot of it is jokes, Like a

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<v Speaker 1>lot of people had a lot of good jokes about

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<v Speaker 1>the black hole. But I think, I think it's interesting

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<v Speaker 1>because it's something that you know, you feel like you've

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<v Speaker 1>seen a billion times because we've seen like recreations of

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<v Speaker 1>them in sci fi movies or you know, in in

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<v Speaker 1>you know, a time life science book or something like that.

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<v Speaker 1>Like you kind of know what a black hole is

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<v Speaker 1>supposed to look like, but actually seeing an actual is

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<v Speaker 1>very It is an interesting feeling. I like it. I

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<v Speaker 1>like I like to ponder the black hole. It kind

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<v Speaker 1>of looks like like an ultrasound image of an eyeball. Yeah,

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<v Speaker 1>a little bit, you know, with like all that kind

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<v Speaker 1>of strata and the like orange e kind of background.

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<v Speaker 1>It's a little bit too much for me. I think

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<v Speaker 1>we've we've now been talking about the the ultra black

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<v Speaker 1>holes on the floor, you know, and now black hole.

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<v Speaker 1>Like there's been a whole kind of broadcast holes, art holes,

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<v Speaker 1>black holes, Molly's fear of holes, little holes, the little holes. Um,

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<v Speaker 1>after we finished the Erotic Thrillers, we should just do

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<v Speaker 1>holes and then we could do the movie holes. Um, well,

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<v Speaker 1>please give us a night call at one two four

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<v Speaker 1>oh four six night and tell us how the black

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<v Speaker 1>hole made you feel, or any other thoughts you might

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<v Speaker 1>have about the black hole. We welcome them all. The

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<v Speaker 1>black hole is evergreen content. I feel like it is

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<v Speaker 1>literally I mean yeah, it's time less literally yes, yeah,

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<v Speaker 1>and spatially expanding. Eight twelve. This week's episode of Nightcall

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<v Speaker 1>is brought to you by Cheers Health. So it is spring.

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<v Speaker 1>It's time for everybody to come out of their hibernation

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<v Speaker 1>holes and socialize again and remember what it feels like

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<v Speaker 1>to have human contact. I know that I've been doing

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<v Speaker 1>a lot of that recently. It's weird, it's uncomfortable. It

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<v Speaker 1>also involves a drink or two every now and then.

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<v Speaker 1>very old. I sound like an old old lady, which

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<v Speaker 1>I am. I am an old lady who UH used

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<v Speaker 1>to be able to, you know, have a few drinks

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<v Speaker 1>and wake up the next morning and feel more or

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<v Speaker 1>less fine. But I have experienced in my um elderly

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<v Speaker 1>to happen to alcohol since Alcohol twelve nine eight. Guys,

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<v Speaker 1>we are on our way to wrapping up our erotic

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<v Speaker 1>thriller odyssey. We are we are going to be speaking

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<v Speaker 1>about Liver, film by Phil Noise. I love the last

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<v Speaker 1>name Noise. Yeah, it's really appropriate for this movie. It is. Yeah,

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<v Speaker 1>we're gonna get to that in the second half because oddly, uh,

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<v Speaker 1>some some recent interesting stories of fit right into our wheelhouse. UM,

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<v Speaker 1>namely the Bloomberg article that came out last week about

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<v Speaker 1>Alexa and other home I guess, wait, what's what's the

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<v Speaker 1>general term smart smart home device? Smart home devices? Um?

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<v Speaker 1>Apparently there's an Apple one I've never heard of, so

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<v Speaker 1>I guess they're not doing a very good job with

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<v Speaker 1>that one called home Pod. But um, but there's also

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<v Speaker 1>the Google home but Alexa. I feel like it is

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<v Speaker 1>the one that everybody has in the Echo. Um do

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<v Speaker 1>I have if you have an Alexa or Echo? No?

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<v Speaker 1>But my phone like always thinks I'm talking to yes

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<v Speaker 1>like serious series, always trying to just like wedge her

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<v Speaker 1>away into my conversations. I'm surprised she didn't just say something,

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<v Speaker 1>but I like, I had dental work done last week,

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<v Speaker 1>and for some reason, Siri kept thinking I was saying

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<v Speaker 1>her name more than usual because I was like mumbling,

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<v Speaker 1>so any time I would say anything that with an

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<v Speaker 1>S sound, she would be like, I don't understand. See,

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<v Speaker 1>I thought I had the serie thing turned because I

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<v Speaker 1>can actually see some use for that if I am,

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<v Speaker 1>you know, washing the dishes or cooking something, and I

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<v Speaker 1>just need like to to know what time. It never works.

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<v Speaker 1>It never were what you want. Like, she never is

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<v Speaker 1>actually helpful. She's never able to like find like the

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<v Speaker 1>contact you wanted to find, or put on the podcast

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<v Speaker 1>you wanted to put on. Whenever I'm like, tell me

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<v Speaker 1>how long it's going to take to get to blank place,

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<v Speaker 1>She's like, do you want me to make you a

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<v Speaker 1>reservation about what I asked wants to smart things. I

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<v Speaker 1>don't like the smart I turned Siri off and I

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<v Speaker 1>thought she was completely off, and then she was like hello,

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<v Speaker 1>and I was like, no, you're off. But I got

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<v Speaker 1>really creeped out about privacy. Not that I really have

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<v Speaker 1>any secrets, but um I tried to like lock everything

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<v Speaker 1>down a while ago. But a friend of mine just

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<v Speaker 1>said that she that Alexa. She's a teacher and Alexa

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<v Speaker 1>was like chiming in in her classroom with like some

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<v Speaker 1>racy content. Yeah, I mean, it's just Alexa. None of

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<v Speaker 1>them have any tact terrible. So this article that came out,

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<v Speaker 1>it was it was by a team of people at Bloomberg,

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<v Speaker 1>Matt Day, Giles Turner, and Italia Drosdiac. The difference between

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<v Speaker 1>like having Syria on the phone, it's like you're going

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<v Speaker 1>to get a phone anyway, and it's like a piece

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<v Speaker 1>of software that comes on the phone that you theoretically

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<v Speaker 1>can disable. But Alexa is expressly for the purpose of

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<v Speaker 1>having a robot that listens to you and takes your

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<v Speaker 1>data and uses it to quote get smarter. And so

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<v Speaker 1>this was a report they did where they talked to

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<v Speaker 1>a lot of people who worked at these centers somewhere

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<v Speaker 1>within Amazon itself, and some of them are outsourced to

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<v Speaker 1>other companies where in a way, I feel like we've

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<v Speaker 1>seen a lot of stories similar to this in recent years.

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<v Speaker 1>There are people whose job it is to just listen

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<v Speaker 1>to your recordings, like listen to the stuff that UM

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<v Speaker 1>all these alexis pick up, because it's not just a

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<v Speaker 1>robot that is artificial intelligencing its way to tell you

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<v Speaker 1>about a restaurant that you might want, may or may

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<v Speaker 1>not want to go to. A lot of times these

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<v Speaker 1>are going to actual humans who then UM figure out

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<v Speaker 1>what to do with that data or try to get

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<v Speaker 1>better at recognizing what you're saying and why you're asking

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<v Speaker 1>certain questions and stuff like that. But like in the meantime,

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<v Speaker 1>of course, they pick up all sorts of stuff that uh,

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<v Speaker 1>you might not actually want anybody to hear, such as

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<v Speaker 1>uh in one case in the report a sexual assault

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<v Speaker 1>or probable sexual assault UM, and it talks about the

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<v Speaker 1>people who work at these centers picking up on this

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<v Speaker 1>stuff and sharing it with everybody, and I guess like

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<v Speaker 1>a slack channel or something, but it's not like for

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<v Speaker 1>means of reporting it it's like they just talk about like, yeah,

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<v Speaker 1>you're stressed out because you heard this, so you want

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<v Speaker 1>to share it with people, or like you want to

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<v Speaker 1>make fun of somebody singing in the shower that it

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<v Speaker 1>picked up or something, which is like really creepy. I

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<v Speaker 1>don't know, Like it would be one thing if it

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<v Speaker 1>was like, oh, we heard this and we need to

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<v Speaker 1>figure out what legally were you know, what we need

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<v Speaker 1>to do around what we think we're hearing right now.

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<v Speaker 1>But a lot of times it feels like it's just

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<v Speaker 1>like l O l um or oh my god, isn't

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<v Speaker 1>this creepy? And and nothing being done, Not that I

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<v Speaker 1>think nothing. You necessarily want the authorities to come in

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<v Speaker 1>Russian help you or something because your robot heard you.

0:12:35.200 --> 0:12:39.400
<v Speaker 1>But I don't know it was I'm sure the robot

0:12:39.480 --> 0:12:42.640
<v Speaker 1>is not that great at like determining concerns. No, not

0:12:42.720 --> 0:12:45.160
<v Speaker 1>at all. But like you know, the robot picks it

0:12:45.240 --> 0:12:47.320
<v Speaker 1>up and then the humans hear it, and then you

0:12:47.400 --> 0:12:52.920
<v Speaker 1>have a morality question where before there perhaps it was

0:12:52.960 --> 0:12:56.640
<v Speaker 1>a different morality question. Yeah, yeah, I don't know. I mean,

0:12:56.679 --> 0:12:59.280
<v Speaker 1>I just think it's wild that anybody paid to put

0:12:59.320 --> 0:13:03.160
<v Speaker 1>these in their how like you're like doing the work

0:13:03.240 --> 0:13:08.560
<v Speaker 1>for like you're paying where wire it's just um. There

0:13:08.559 --> 0:13:11.480
<v Speaker 1>were a couple of other articles this week too, which

0:13:11.480 --> 0:13:13.920
<v Speaker 1>will now be a week old for listeners, but you

0:13:13.920 --> 0:13:16.440
<v Speaker 1>can I'm sure there will be three more articles about

0:13:16.480 --> 0:13:19.400
<v Speaker 1>the exact same thing. Um. One of them was How

0:13:19.440 --> 0:13:22.360
<v Speaker 1>Capitalism Betrayed Privacy by Tim Wou in The New York Times,

0:13:22.640 --> 0:13:25.640
<v Speaker 1>which kind of talked about how privacy was initially thought

0:13:25.679 --> 0:13:28.360
<v Speaker 1>of as being kind of like a rich person's you know,

0:13:29.320 --> 0:13:32.040
<v Speaker 1>only rich people had access to it, and you know,

0:13:32.200 --> 0:13:34.760
<v Speaker 1>poorer people lived in more of like a communal living

0:13:34.760 --> 0:13:37.760
<v Speaker 1>with less expectation of privacy, and then gradually how the

0:13:37.880 --> 0:13:40.640
<v Speaker 1>rise of the middle class afforded more people the right

0:13:40.679 --> 0:13:45.000
<v Speaker 1>to privacy, and now because the gatekeepers are all interested

0:13:45.000 --> 0:13:47.920
<v Speaker 1>in our data and behavior, that it's kind of turning

0:13:47.960 --> 0:13:50.679
<v Speaker 1>around where the expectation of privacy is no longer like,

0:13:50.800 --> 0:13:52.800
<v Speaker 1>you know, it's being kind of eroded. And then there

0:13:52.880 --> 0:13:56.439
<v Speaker 1>was also a really scary article CNBC I think reported

0:13:56.480 --> 0:14:02.280
<v Speaker 1>that organizations are starting to track and movement and Amazon

0:14:02.360 --> 0:14:04.920
<v Speaker 1>and Walmart of both, yeah, they have like the patents

0:14:04.920 --> 0:14:07.600
<v Speaker 1>on the kind of um, their censors that track both

0:14:07.640 --> 0:14:11.560
<v Speaker 1>movement and are listening for like the rustling of bags

0:14:11.640 --> 0:14:15.880
<v Speaker 1>and conversations between the cashiers and the customers and the

0:14:15.920 --> 0:14:22.520
<v Speaker 1>bat scanner. Yea, I hate Yes, it's horrible. Um, it's

0:14:22.640 --> 0:14:26.400
<v Speaker 1>very interesting because these things are all so terrifying when

0:14:26.400 --> 0:14:28.800
<v Speaker 1>you kind of come across them and they've been going on.

0:14:28.840 --> 0:14:30.720
<v Speaker 1>I mean, if you start to look up about how

0:14:30.760 --> 0:14:33.160
<v Speaker 1>long people have been saying like, oh, I think my

0:14:33.160 --> 0:14:36.239
<v Speaker 1>phone is listening to me, despite the denials of these companies.

0:14:36.800 --> 0:14:39.080
<v Speaker 1>We started talking about it a few years ago. It

0:14:39.120 --> 0:14:42.040
<v Speaker 1>had already been a discussion for years before that. But

0:14:42.160 --> 0:14:45.080
<v Speaker 1>it's just bizarre how little there is to grab onto

0:14:45.200 --> 0:14:48.680
<v Speaker 1>even now in terms of, you know, like a really

0:14:48.720 --> 0:14:55.360
<v Speaker 1>trustworthy conversation about whether or not that's true. Um. Yeah,

0:14:54.480 --> 0:14:58.080
<v Speaker 1>I mean I feel like everybody's opinion now about whether

0:14:58.200 --> 0:15:00.840
<v Speaker 1>or not their phone is listening to them, especially Karina.

0:15:00.880 --> 0:15:04.080
<v Speaker 1>Where do you fall? Oh, definitely, my devices are absolutely

0:15:04.600 --> 0:15:06.600
<v Speaker 1>you know, I know because of the ads I get

0:15:06.920 --> 0:15:10.400
<v Speaker 1>stuff right, like it will be extremely bizarre of almost

0:15:10.440 --> 0:15:12.960
<v Speaker 1>even like not saying things out loud, just feeling like

0:15:13.080 --> 0:15:15.040
<v Speaker 1>did I say that out loud? Like I thought I

0:15:15.120 --> 0:15:18.120
<v Speaker 1>just thought that, and then it's like, well, you know,

0:15:18.280 --> 0:15:23.760
<v Speaker 1>you could buy a you know, steampunk laundry hamper. It's

0:15:23.800 --> 0:15:27.160
<v Speaker 1>like you've done enough other actions that like algorithmically would

0:15:27.200 --> 0:15:31.160
<v Speaker 1>lead you to the steampunk laundry hamper, Yeah, which I

0:15:31.200 --> 0:15:34.960
<v Speaker 1>did buy. What is that? Like? What is that? The

0:15:35.000 --> 0:15:37.160
<v Speaker 1>aesthetic is more like it's like what would be in

0:15:37.200 --> 0:15:40.400
<v Speaker 1>the Orphanage and return to Oz. It's like like a

0:15:40.480 --> 0:15:43.480
<v Speaker 1>metal sort of wire thing with wheels and then like

0:15:43.520 --> 0:15:48.200
<v Speaker 1>a big canvas bag inside and no gargoyles or no, Okay,

0:15:48.240 --> 0:15:49.720
<v Speaker 1>I mean I could I guess I could attach me

0:15:50.240 --> 0:15:55.720
<v Speaker 1>like umbrella, like like really like fire like umbrella. Yeah,

0:15:56.120 --> 0:15:59.040
<v Speaker 1>not a bad idea. Yeah, I I feel like I

0:15:59.120 --> 0:16:02.520
<v Speaker 1>remember me into so much resistance about this, or people

0:16:02.680 --> 0:16:05.560
<v Speaker 1>really acting as if I was a conspiracy theorist, like

0:16:05.600 --> 0:16:08.440
<v Speaker 1>that was the only thing I really seriously, I think

0:16:08.480 --> 0:16:11.680
<v Speaker 1>honestly believed something kind of in that realm that felt

0:16:11.680 --> 0:16:16.400
<v Speaker 1>conspiracy ish and was not universally met with people being like,

0:16:16.640 --> 0:16:19.600
<v Speaker 1>oh yeah, though, that's definitely happening. Like when I was

0:16:19.600 --> 0:16:21.320
<v Speaker 1>working at a tech side, a lot of people were like,

0:16:21.400 --> 0:16:26.640
<v Speaker 1>that's a common uh crack pot conspiracy and you are

0:16:26.760 --> 0:16:29.840
<v Speaker 1>dumb for thinking that. But now I mean I don't know,

0:16:29.960 --> 0:16:32.320
<v Speaker 1>like I don't know where the consensus is on it

0:16:32.320 --> 0:16:34.000
<v Speaker 1>now because I feel like more and more people are

0:16:34.040 --> 0:16:36.480
<v Speaker 1>just like reporting these things. You see it like every

0:16:36.480 --> 0:16:40.200
<v Speaker 1>single day. Um, why do you think people get defensive

0:16:40.520 --> 0:16:43.080
<v Speaker 1>as if it's not a thing. It seems as obviously

0:16:43.120 --> 0:16:47.280
<v Speaker 1>a thing. It's obviously a thing, and yet people are like, no, no, no,

0:16:47.480 --> 0:16:49.800
<v Speaker 1>you have to believe it's not a thing, which seems

0:16:49.800 --> 0:16:52.080
<v Speaker 1>to me to be a very crazy stance because they

0:16:52.080 --> 0:16:54.560
<v Speaker 1>see people who have bought in so much to like

0:16:54.880 --> 0:17:00.040
<v Speaker 1>overall tech culture, where they've they have put enough of

0:16:59.880 --> 0:17:01.760
<v Speaker 1>the chips on the thing of like I am going

0:17:01.800 --> 0:17:04.479
<v Speaker 1>to get into the lifestyle where I do get all

0:17:04.480 --> 0:17:07.200
<v Speaker 1>the things. I'm an early adopter and everything. I'm going

0:17:07.280 --> 0:17:10.040
<v Speaker 1>to put all my dad on the cloud and it's

0:17:10.040 --> 0:17:13.640
<v Speaker 1>owned by Google or Apple or whoever. Um. And this

0:17:13.720 --> 0:17:16.720
<v Speaker 1>is like not just a choice of convenience or something.

0:17:16.720 --> 0:17:19.400
<v Speaker 1>This is kind of like a it's like a principle.

0:17:19.680 --> 0:17:22.720
<v Speaker 1>It's like it's like it's like a lifestyle choice. It's

0:17:22.720 --> 0:17:25.520
<v Speaker 1>like a set of beliefs. And so if you're if

0:17:25.560 --> 0:17:31.639
<v Speaker 1>somebody questions the I don't know practicality or you know,

0:17:32.040 --> 0:17:34.320
<v Speaker 1>how how wise it is to actually do all of

0:17:34.359 --> 0:17:36.760
<v Speaker 1>this stuff, that it does start to feel personal. I

0:17:36.800 --> 0:17:39.680
<v Speaker 1>think for people. Yeah, I think. I mean, at one

0:17:39.680 --> 0:17:43.439
<v Speaker 1>point it was all of that stuff was like viably utopian,

0:17:43.920 --> 0:17:45.760
<v Speaker 1>and now it just seems like there's no way you

0:17:45.800 --> 0:17:48.920
<v Speaker 1>could not see it as dystopian. R Yeah, it's like

0:17:49.000 --> 0:17:52.240
<v Speaker 1>it's like like new codes or something, like you've created

0:17:52.320 --> 0:17:56.120
<v Speaker 1>this thing that you know is now potentially much more

0:17:56.840 --> 0:17:59.200
<v Speaker 1>could if if it were to follow in the wrong hands.

0:17:59.240 --> 0:18:01.720
<v Speaker 1>If it's not all get the wrong it's already in

0:18:01.760 --> 0:18:05.520
<v Speaker 1>the wrong hands. Whose hands could be worse? There's no

0:18:05.640 --> 0:18:09.200
<v Speaker 1>there's no right hands and any late capitalism there's This

0:18:09.280 --> 0:18:11.560
<v Speaker 1>is like tangentially related because one of the things I

0:18:11.560 --> 0:18:13.680
<v Speaker 1>also always would pick up on is that, um, I

0:18:13.720 --> 0:18:16.440
<v Speaker 1>would talk about something like a place or a business,

0:18:17.080 --> 0:18:21.640
<v Speaker 1>and then it would pop up on my Google Maps. Um. Yeah,

0:18:21.920 --> 0:18:23.480
<v Speaker 1>it wouldn't be a place I had gone. It was

0:18:23.520 --> 0:18:25.280
<v Speaker 1>just a place maybe I was talking about with somebody.

0:18:25.800 --> 0:18:29.800
<v Speaker 1>And now Google Maps, when you're doing directions on it,

0:18:29.800 --> 0:18:32.439
<v Speaker 1>it will I don't think this is like the same phenomenon,

0:18:32.480 --> 0:18:35.520
<v Speaker 1>but it's just like it just sucks. It'll say like

0:18:35.640 --> 0:18:41.040
<v Speaker 1>take a right, not at the street that you're at now. Yeah. Yeah,

0:18:41.200 --> 0:18:45.920
<v Speaker 1>it's so I hate it's so much. It's very strange. Yeah,

0:18:46.200 --> 0:18:48.760
<v Speaker 1>I don't know. I mean, but are those placements that

0:18:48.800 --> 0:18:51.119
<v Speaker 1>are being bought. I think I think they have to

0:18:51.160 --> 0:18:54.040
<v Speaker 1>be right, because I mean, we I'm getting ones that

0:18:54.080 --> 0:18:58.240
<v Speaker 1>are like really inconsistent with any place I go, like Armies.

0:18:58.840 --> 0:19:00.720
<v Speaker 1>I guess it's front of RV and I'm just like,

0:19:00.760 --> 0:19:03.560
<v Speaker 1>I don't know. I've like totally blocked out Arby's in

0:19:03.600 --> 0:19:05.480
<v Speaker 1>my field of vision, like I don't see them. And

0:19:05.480 --> 0:19:07.399
<v Speaker 1>then it's like, where's the I don't know where the

0:19:07.480 --> 0:19:10.160
<v Speaker 1>Arby's just told me where to take a right. It's

0:19:10.320 --> 0:19:15.200
<v Speaker 1>very frustrating. Um Oney, hat you can't miss it. It's true,

0:19:15.240 --> 0:19:18.200
<v Speaker 1>It's true. It was my grandmother's favorite restaurant, our love

0:19:18.240 --> 0:19:23.560
<v Speaker 1>an ary. Um. Yeah, servisive topic, honestly. Um There was

0:19:23.840 --> 0:19:25.560
<v Speaker 1>a quote, and I think it was the New York

0:19:25.600 --> 0:19:29.840
<v Speaker 1>Times um op ed and it said that once you

0:19:30.160 --> 0:19:32.040
<v Speaker 1>I'm not going to read it, but I'll just summarize

0:19:32.040 --> 0:19:34.399
<v Speaker 1>because it was kind of long. But once you realize

0:19:34.440 --> 0:19:37.600
<v Speaker 1>that you're being watched or that you're being surveiled, you

0:19:37.600 --> 0:19:40.800
<v Speaker 1>can't continue to act authentically. You can't shake that feeling,

0:19:40.880 --> 0:19:44.240
<v Speaker 1>and it it totally changes, like your behavior in general,

0:19:44.359 --> 0:19:46.879
<v Speaker 1>So like what you've really lost once you acknowledge that

0:19:46.880 --> 0:19:49.439
<v Speaker 1>you're being surveilled all the time is your soul and

0:19:49.480 --> 0:19:57.240
<v Speaker 1>that's what slipper slippers, and that's what exactly before we

0:19:57.280 --> 0:19:59.320
<v Speaker 1>get to Slipper, do you guys want to take a

0:19:59.440 --> 0:20:06.080
<v Speaker 1>night Let's take a nightcall. Hey, nightcall. My name is Bree.

0:20:06.200 --> 0:20:10.080
<v Speaker 1>I'm calling from Alisa via Hot, California and it is

0:20:10.200 --> 0:20:13.800
<v Speaker 1>sixty four A m Um. I heard you guys on

0:20:13.840 --> 0:20:17.359
<v Speaker 1>this week's episode talking about to be Head Grins Big

0:20:17.440 --> 0:20:22.200
<v Speaker 1>Cat Preserve and I've actually been there. Um. I was

0:20:22.880 --> 0:20:26.439
<v Speaker 1>in junior college and I randomly took a it was

0:20:26.480 --> 0:20:31.919
<v Speaker 1>a wild animal class something a wild animal handling something

0:20:31.960 --> 0:20:35.639
<v Speaker 1>like that, and we actually took a field trip to

0:20:35.760 --> 0:20:38.720
<v Speaker 1>the preserve and it was actually really cool. They had

0:20:38.760 --> 0:20:43.640
<v Speaker 1>a lot of interesting things there. One of them they

0:20:43.680 --> 0:20:46.879
<v Speaker 1>talked about was a three legged cheetah, so they said

0:20:46.920 --> 0:20:50.280
<v Speaker 1>could still run, you know, about thirty miles per hour

0:20:50.440 --> 0:20:54.120
<v Speaker 1>even with three legs. Um. There was also they talked

0:20:54.119 --> 0:20:58.160
<v Speaker 1>about how they had a a tiger, which is a

0:20:58.240 --> 0:21:03.480
<v Speaker 1>tiger father Liger Mom and the the Liger Mob gave

0:21:03.560 --> 0:21:08.160
<v Speaker 1>birth to a Thai Tai god, which is when it's

0:21:08.200 --> 0:21:11.920
<v Speaker 1>a Thai god who has now for us with a

0:21:12.200 --> 0:21:17.240
<v Speaker 1>tiger Dad. So that was pretty cool. It was a

0:21:17.840 --> 0:21:22.040
<v Speaker 1>definitely an interesting experience. But I'm all for, you know,

0:21:22.200 --> 0:21:25.239
<v Speaker 1>people helping out these big casts that have either been

0:21:25.240 --> 0:21:29.120
<v Speaker 1>abandoned by to which or by weird people who think

0:21:29.200 --> 0:21:32.600
<v Speaker 1>that they should probably have a tiger in their house.

0:21:33.240 --> 0:21:36.080
<v Speaker 1>You know, there's lost rage people out there. All right,

0:21:36.240 --> 0:21:39.199
<v Speaker 1>night call, have great day. You know what's funny, just

0:21:39.240 --> 0:21:41.040
<v Speaker 1>as a side note, is how often we get that

0:21:41.359 --> 0:21:44.080
<v Speaker 1>we get are all of our calls through Google Voice

0:21:44.280 --> 0:21:47.640
<v Speaker 1>and it automatically transcribes it. And half the time when

0:21:47.680 --> 0:21:50.600
<v Speaker 1>people say hi, night call, it transcribes is high Michael

0:21:51.440 --> 0:21:56.399
<v Speaker 1>all the time, Like our podcast is now Michael, our

0:21:56.440 --> 0:22:00.280
<v Speaker 1>pudonym is Michael as yes, absolutely as a trio um.

0:22:00.359 --> 0:22:05.000
<v Speaker 1>I didn't realize that different species of wildcats could diversify

0:22:05.080 --> 0:22:07.600
<v Speaker 1>like that. No, I did not know about a tig on.

0:22:10.000 --> 0:22:12.119
<v Speaker 1>It sounds like Game of Thrones. It's good to know

0:22:12.119 --> 0:22:15.040
<v Speaker 1>they're all horny for each other exactly. Maybe it's just

0:22:15.119 --> 0:22:22.800
<v Speaker 1>the sanctuary lifestyle. It's like, yeah, have either of you

0:22:22.880 --> 0:22:27.159
<v Speaker 1>have been to the Tippy Hydron Preserve? I just I

0:22:27.200 --> 0:22:29.719
<v Speaker 1>know one person who has, I think for a story

0:22:30.160 --> 0:22:35.680
<v Speaker 1>U a profile of her, But it seems it seems

0:22:35.720 --> 0:22:37.680
<v Speaker 1>pretty wild. I can't believe it's still there. And I've

0:22:37.720 --> 0:22:41.280
<v Speaker 1>never seen roar either, which, like I guess I don't know,

0:22:41.320 --> 0:22:43.119
<v Speaker 1>I'm saving it for the right moment or something. But

0:22:43.119 --> 0:22:46.040
<v Speaker 1>I've always wanted to, Oh, we should cover that. Yeah,

0:22:46.040 --> 0:22:49.560
<v Speaker 1>I haven't either. I have mixed feelings about about I mean,

0:22:49.560 --> 0:22:52.120
<v Speaker 1>I'm glad the sanctuaries exists, but it's just I find

0:22:52.119 --> 0:22:56.320
<v Speaker 1>it increasingly difficult to like just look at animals in cages. Yeah,

0:22:56.680 --> 0:22:59.879
<v Speaker 1>well they're not I know, but it's like they're just

0:23:00.080 --> 0:23:04.200
<v Speaker 1>kind of I mean, it's it's probably enclosed in some way,

0:23:04.440 --> 0:23:06.439
<v Speaker 1>but it's like it's just odd to me. It just

0:23:06.480 --> 0:23:10.560
<v Speaker 1>doesn't like it doesn't really no thrill for me, like sadness,

0:23:10.560 --> 0:23:12.960
<v Speaker 1>a little layer of sadness, and just like worrying about

0:23:13.000 --> 0:23:16.000
<v Speaker 1>the world. There is something interesting about the fact that

0:23:16.000 --> 0:23:19.280
<v Speaker 1>Tippy Hedren like has her cat thing, and then Doris

0:23:19.359 --> 0:23:22.919
<v Speaker 1>Day has gone into seclusion like with her animals. She

0:23:22.960 --> 0:23:26.160
<v Speaker 1>doesn't have like a public place where you can visit them.

0:23:26.200 --> 0:23:31.720
<v Speaker 1>She just like supposedly collects sort of stray animals. I

0:23:31.720 --> 0:23:35.000
<v Speaker 1>didn't know the pythons in her house or something, or

0:23:35.119 --> 0:23:37.160
<v Speaker 1>I don't know if they're exotic at all. It might

0:23:37.160 --> 0:23:39.520
<v Speaker 1>just be like cats and dogs. But she, you know,

0:23:39.600 --> 0:23:41.560
<v Speaker 1>she's kind of like disappeared from the public eye over

0:23:41.560 --> 0:23:43.520
<v Speaker 1>the past twenty years or so. She doesn't give any

0:23:43.560 --> 0:23:46.879
<v Speaker 1>interviews or anything, but like the only sort of public

0:23:46.920 --> 0:23:51.800
<v Speaker 1>stuff she does is animal rescue initiatives. And she supposedly

0:23:51.840 --> 0:23:54.359
<v Speaker 1>like lives on a ranch somewhere like and it's just

0:23:54.400 --> 0:23:57.720
<v Speaker 1>her and her animals. She's outlived like her whole when

0:23:57.760 --> 0:24:01.240
<v Speaker 1>she ever knew. So um only barely related to this.

0:24:01.400 --> 0:24:05.200
<v Speaker 1>I was looking at um yelled reviews for the Bunny Museum.

0:24:05.280 --> 0:24:08.240
<v Speaker 1>Have you guys ever been to the museum? It's a

0:24:08.440 --> 0:24:10.720
<v Speaker 1>it's a museum. I think it used to be in

0:24:10.800 --> 0:24:14.200
<v Speaker 1>like a little house and is now has now moved.

0:24:14.440 --> 0:24:17.199
<v Speaker 1>But um, I went there once in high school, and

0:24:17.200 --> 0:24:20.439
<v Speaker 1>it's like it's just basically a bunch of like bunny

0:24:20.520 --> 0:24:25.160
<v Speaker 1>memorabilia and then a few bunnies in a very very

0:24:25.240 --> 0:24:27.720
<v Speaker 1>close quarters and you don't know what it is, and

0:24:27.760 --> 0:24:29.600
<v Speaker 1>you make a long drive to get there, and then

0:24:29.640 --> 0:24:32.520
<v Speaker 1>it's like it's just a very intense experience that I

0:24:32.520 --> 0:24:34.800
<v Speaker 1>would say probably ten percent of the people who go

0:24:34.880 --> 0:24:38.240
<v Speaker 1>there respond well to. Yeah, there's are like what if

0:24:38.240 --> 0:24:41.600
<v Speaker 1>I die like the cafe for bunnies, because I've done

0:24:41.640 --> 0:24:45.800
<v Speaker 1>that before. Now it is it is like you're not

0:24:45.880 --> 0:24:49.320
<v Speaker 1>really encouraged to interact with the live bunnies. You're encouraged

0:24:49.400 --> 0:24:52.639
<v Speaker 1>to like take in the stuffed bunnies and the bunny

0:24:52.960 --> 0:24:58.800
<v Speaker 1>kind of like if I get a panic attack talking

0:24:58.840 --> 0:25:00.679
<v Speaker 1>about it, I just had to like in myself. But

0:25:01.119 --> 0:25:02.960
<v Speaker 1>you can just read the ALP reviews and get a

0:25:03.040 --> 0:25:05.159
<v Speaker 1>really really good sense of what it is. I was

0:25:05.160 --> 0:25:07.840
<v Speaker 1>looking into it recently because I was like, funny, museum

0:25:07.880 --> 0:25:09.960
<v Speaker 1>sounds familiar, but I'm sure it's not the same one

0:25:09.960 --> 0:25:11.840
<v Speaker 1>I went to. Maybe I want to go, Oh no,

0:25:12.000 --> 0:25:13.440
<v Speaker 1>it is the same one, and I'm not going to

0:25:13.560 --> 0:25:15.440
<v Speaker 1>go to that. You know, it's a it's a mixed

0:25:15.440 --> 0:25:18.160
<v Speaker 1>bag when you when you go into the place where

0:25:18.160 --> 0:25:22.000
<v Speaker 1>there are a lot of animals, it is really really weird.

0:25:22.040 --> 0:25:25.000
<v Speaker 1>Like there. I watched this some actually really great short

0:25:25.080 --> 0:25:27.359
<v Speaker 1>film um that I was when I was in injury

0:25:27.400 --> 0:25:30.200
<v Speaker 1>and a festival in Italy. Force was this film about

0:25:30.240 --> 0:25:33.240
<v Speaker 1>these like this group of old Italian men who are

0:25:33.240 --> 0:25:37.640
<v Speaker 1>all like hunting for this mythical panther that's been seen

0:25:37.720 --> 0:25:40.320
<v Speaker 1>by people like and occasionally will like eat a sheep

0:25:40.400 --> 0:25:44.280
<v Speaker 1>or something, but apparently was owned, like I guess by

0:25:44.320 --> 0:25:46.800
<v Speaker 1>somebody in the sixties or seventies or something when it

0:25:46.880 --> 0:25:49.119
<v Speaker 1>was like I guess that was a trend again in Italy,

0:25:49.400 --> 0:25:51.440
<v Speaker 1>like among the rich people to have, you know, these

0:25:51.480 --> 0:25:53.919
<v Speaker 1>exotic pets that then they grew, would get big and

0:25:53.920 --> 0:25:56.880
<v Speaker 1>they couldn't take care of anymore. So I guess it's

0:25:57.080 --> 0:26:01.639
<v Speaker 1>somewhat common for these like others and cheetahs and stuff

0:26:01.680 --> 0:26:04.879
<v Speaker 1>to just be like hanging out, uh, you know, in

0:26:05.000 --> 0:26:09.239
<v Speaker 1>Tuscany or whatever. It was a fascinating short. Um, I

0:26:09.280 --> 0:26:12.159
<v Speaker 1>will see that. Yeah, I wonder if it's if it's

0:26:12.200 --> 0:26:15.560
<v Speaker 1>available to screen anywhere or stream. I will put a

0:26:15.600 --> 0:26:19.359
<v Speaker 1>link somewhere for it because it's great. Excellent, guys, we

0:26:19.400 --> 0:26:21.960
<v Speaker 1>have to talk about Slipper. I'm really excited to talk

0:26:21.960 --> 0:26:24.480
<v Speaker 1>about this movie. It made. It makes no sense, it

0:26:24.560 --> 0:26:29.880
<v Speaker 1>makes no sense. It's a proto cyber thriller. I love it.

0:26:29.920 --> 0:26:32.520
<v Speaker 1>But it took me a really it was a long

0:26:32.600 --> 0:26:48.879
<v Speaker 1>journey for me erotic Odessey exactly. Um, for those of

0:26:48.920 --> 0:26:50.920
<v Speaker 1>you who don't know, because I really have to talk

0:26:50.960 --> 0:26:52.840
<v Speaker 1>about the end. You have to talk about the ending.

0:26:52.840 --> 0:26:56.359
<v Speaker 1>You have to talk about the ending that almost was, um,

0:26:56.400 --> 0:27:00.320
<v Speaker 1>this is a movie based on an eye a love

0:27:00.359 --> 0:27:03.720
<v Speaker 1>and novel, who did he did? Separate Wives? And Rosemary's Baby?

0:27:03.880 --> 0:27:06.320
<v Speaker 1>Directed by Philip Nois, as we said, and of course

0:27:06.359 --> 0:27:10.400
<v Speaker 1>it's Joe Esterhouse. So let's let's go. First of all, Karina,

0:27:10.520 --> 0:27:12.159
<v Speaker 1>this was a pick of yours. This is when we

0:27:12.240 --> 0:27:14.520
<v Speaker 1>had wanted to do. But then we we asked you

0:27:14.520 --> 0:27:15.560
<v Speaker 1>if you want to be on the show, and if

0:27:15.560 --> 0:27:18.399
<v Speaker 1>you wanted to talk about an erotic thriller, and we

0:27:18.400 --> 0:27:21.320
<v Speaker 1>were also kind of talking about what you felt like

0:27:21.480 --> 0:27:24.280
<v Speaker 1>maybe the original erotic thriller was, or the history at

0:27:24.359 --> 0:27:27.040
<v Speaker 1>least of the of the genre. But then we were like, oh,

0:27:27.080 --> 0:27:30.639
<v Speaker 1>we just want to watch Sliver because but what And

0:27:30.680 --> 0:27:32.800
<v Speaker 1>I know you said that this was a particular favorite

0:27:32.800 --> 0:27:35.199
<v Speaker 1>of yours, So what when did you first see it

0:27:35.480 --> 0:27:39.560
<v Speaker 1>and why did you respond to it? Do you think? So?

0:27:39.680 --> 0:27:41.520
<v Speaker 1>I saw this movie in the theater when I was

0:27:41.600 --> 0:27:44.960
<v Speaker 1>in seventh grade. I don't know how that was possible.

0:27:45.160 --> 0:27:48.240
<v Speaker 1>I don't remember there being any trouble buying a ticket

0:27:48.280 --> 0:27:50.600
<v Speaker 1>to it. I know I went with a girlfriend of mine,

0:27:50.680 --> 0:27:55.240
<v Speaker 1>like after school on a Friday afternoon at Universal CityWalk. Um,

0:27:55.359 --> 0:27:59.280
<v Speaker 1>and I just remember like really loving it. At age

0:27:59.320 --> 0:28:02.119
<v Speaker 1>twelve and a half off UM, and part of it

0:28:02.160 --> 0:28:04.960
<v Speaker 1>was like it had a big hit soundtrack. It had

0:28:05.000 --> 0:28:09.480
<v Speaker 1>that UB forty I think there's like a couple of

0:28:09.520 --> 0:28:11.679
<v Speaker 1>other sort of hit songs, and so it just felt

0:28:11.720 --> 0:28:15.680
<v Speaker 1>like so hip, an adult and sexy, and I like,

0:28:16.119 --> 0:28:19.239
<v Speaker 1>I mean, I was sort of a fledgling goth and

0:28:19.280 --> 0:28:21.960
<v Speaker 1>I was wearing a lot of black chokers and Sharon

0:28:22.000 --> 0:28:24.119
<v Speaker 1>Stone wears a choker, and like three scenes of this

0:28:24.160 --> 0:28:27.960
<v Speaker 1>movie well also kind of pioneering at leisure in these

0:28:28.000 --> 0:28:33.120
<v Speaker 1>incredible like leggings and like Kashmir coat looks straight from

0:28:33.119 --> 0:28:40.160
<v Speaker 1>the gym like to the bedroom. Look. Yeah, But then

0:28:40.200 --> 0:28:43.000
<v Speaker 1>I saw it a lot after that. Um, I think

0:28:43.000 --> 0:28:44.960
<v Speaker 1>it was on TV a lot. And then there was

0:28:45.000 --> 0:28:48.200
<v Speaker 1>a period around two thousand three where I was I'd

0:28:48.200 --> 0:28:49.800
<v Speaker 1>been living in San Francisco and I was going to

0:28:49.920 --> 0:28:51.959
<v Speaker 1>move to New York, but I was still hanging around

0:28:52.000 --> 0:28:54.040
<v Speaker 1>after I had to give up my apartment, and so

0:28:54.160 --> 0:28:56.800
<v Speaker 1>I was staying with a friend of mine who had

0:28:56.880 --> 0:29:00.880
<v Speaker 1>like a big, like Victorian apartment in sort of on

0:29:00.920 --> 0:29:03.520
<v Speaker 1>the border of Chinatown in San Francisco, and she was

0:29:03.560 --> 0:29:06.440
<v Speaker 1>on disability for being depressed, and so she didn't have

0:29:06.480 --> 0:29:08.280
<v Speaker 1>to go to a job. She just was able to

0:29:08.320 --> 0:29:11.800
<v Speaker 1>live in this Victorian apartment and paint all day. And

0:29:11.880 --> 0:29:14.240
<v Speaker 1>she liked to paint with movies on in the background,

0:29:14.280 --> 0:29:16.840
<v Speaker 1>and her favorite thing to put on was Vertigo, but

0:29:17.040 --> 0:29:20.080
<v Speaker 1>sometimes she'd alternate it with Sliver and she would just

0:29:20.120 --> 0:29:22.720
<v Speaker 1>watch the two of those movies, like over and over again.

0:29:22.720 --> 0:29:25.800
<v Speaker 1>And I remember sitting there for like three days reading

0:29:25.800 --> 0:29:28.200
<v Speaker 1>the book that that guy Steve Hoddell wrote about how

0:29:28.240 --> 0:29:31.080
<v Speaker 1>his dad killed the black Dahlia while this woman was

0:29:31.080 --> 0:29:38.080
<v Speaker 1>watching Sliver over and over again. Yeah, it's not not depressing.

0:29:38.280 --> 0:29:42.800
<v Speaker 1>So that was August two three for me. Wow, Um,

0:29:42.840 --> 0:29:45.320
<v Speaker 1>it's funny because I was talking about like real estate

0:29:45.520 --> 0:29:47.560
<v Speaker 1>horror and I feel like there should be more of it.

0:29:47.680 --> 0:29:50.760
<v Speaker 1>And then yes, it's like, well, this feels like maybe

0:29:50.800 --> 0:29:53.600
<v Speaker 1>one of five movies I can think of off the

0:29:53.600 --> 0:29:56.280
<v Speaker 1>top of my and I would consider real estate horror.

0:29:57.200 --> 0:29:59.560
<v Speaker 1>Parina read the book, and I think the book is

0:29:59.680 --> 0:30:03.880
<v Speaker 1>way more about the physical place the apartment, and kind

0:30:03.880 --> 0:30:08.600
<v Speaker 1>of like less about whatever these socials like. I mean,

0:30:08.640 --> 0:30:11.600
<v Speaker 1>I haven't read the book since, like because I love

0:30:11.680 --> 0:30:13.240
<v Speaker 1>the movie so much as a twelve and a half

0:30:13.320 --> 0:30:15.000
<v Speaker 1>year old. And then like I was like I need

0:30:15.040 --> 0:30:17.840
<v Speaker 1>more and so I read the book then, so I

0:30:17.840 --> 0:30:19.800
<v Speaker 1>don't remember it that well, but I do remember that

0:30:19.840 --> 0:30:21.959
<v Speaker 1>there was more of this element of kind of like

0:30:22.320 --> 0:30:25.000
<v Speaker 1>corporate satire, you know, and there I mean, I guess

0:30:25.000 --> 0:30:26.680
<v Speaker 1>we should talk about what the plot of the movie is,

0:30:26.720 --> 0:30:29.720
<v Speaker 1>but there are conversations in the movie where at first

0:30:29.760 --> 0:30:33.200
<v Speaker 1>they're like who even owns this building? Could it be?

0:30:33.520 --> 0:30:36.280
<v Speaker 1>And then it turns out it's just Billy Baldwin. Yeah,

0:30:36.680 --> 0:30:41.080
<v Speaker 1>Billy Baldwin an interesting choice just like yeah, I mean,

0:30:41.720 --> 0:30:44.800
<v Speaker 1>he makes much more sense as the guy with the

0:30:44.840 --> 0:30:50.200
<v Speaker 1>manga posters and like three different screensavers like going on

0:30:50.320 --> 0:30:54.360
<v Speaker 1>and like some weird um fiber optic sculpture in his

0:30:54.560 --> 0:30:58.440
<v Speaker 1>apartment than like the sexy like the sexy boyer, Like

0:30:58.520 --> 0:31:01.959
<v Speaker 1>I don't one half of those works more for me

0:31:02.000 --> 0:31:05.600
<v Speaker 1>than the and as and as great as Sharon Stone's

0:31:05.600 --> 0:31:09.120
<v Speaker 1>wardrobe was in this movie, like his was just a

0:31:09.240 --> 0:31:12.920
<v Speaker 1>really old, really strange choice of the graphic T shirt

0:31:12.960 --> 0:31:18.280
<v Speaker 1>with rold sleep into the gene like he lives like

0:31:18.360 --> 0:31:20.640
<v Speaker 1>he looks like a guy in Brooklyn. Now though that's

0:31:20.640 --> 0:31:23.680
<v Speaker 1>the crazy thing. It's like it's come, it's come full circle.

0:31:24.160 --> 0:31:26.200
<v Speaker 1>I know it's true. Well a lot about this movie

0:31:26.280 --> 0:31:30.040
<v Speaker 1>is like more timely than like it was in ninety three.

0:31:30.080 --> 0:31:33.160
<v Speaker 1>But yeah, we should talk briefly about the plot, which

0:31:33.720 --> 0:31:37.800
<v Speaker 1>let's let's untangle it. Um. So we have Carly Sharon

0:31:37.920 --> 0:31:44.280
<v Speaker 1>Stone and she is I forget she's executive or something

0:31:44.360 --> 0:31:46.800
<v Speaker 1>like that hot, but she's working on a James Dean

0:31:46.880 --> 0:31:50.040
<v Speaker 1>biography that she has to like edit really fast, and

0:31:50.080 --> 0:31:52.320
<v Speaker 1>I wish she had edited it and published it because

0:31:52.320 --> 0:31:55.560
<v Speaker 1>there are no good James. It's true. It sounded I mean,

0:31:55.600 --> 0:31:57.719
<v Speaker 1>it sounded like she was you know that she was

0:31:57.920 --> 0:32:00.479
<v Speaker 1>she had a good repertoire, and that that was slumming

0:32:00.480 --> 0:32:03.000
<v Speaker 1>it a little bit, so it would have been great. Um.

0:32:03.360 --> 0:32:07.480
<v Speaker 1>Then she is moving into an apartment which is known

0:32:07.520 --> 0:32:11.920
<v Speaker 1>as one thirteen UM. The Wikipedia for this film says

0:32:12.040 --> 0:32:15.200
<v Speaker 1>that it's the building is located at one East thirty

0:32:15.200 --> 0:32:17.960
<v Speaker 1>eight Street, but the actual building used in the movie

0:32:18.200 --> 0:32:21.040
<v Speaker 1>UM was Morgan Court, which is a couple of blocks

0:32:21.080 --> 0:32:24.920
<v Speaker 1>away on Madison. Um. It is a the sliver building

0:32:24.920 --> 0:32:28.280
<v Speaker 1>because it looks like a little slice and apparently those

0:32:28.320 --> 0:32:31.160
<v Speaker 1>were like you couldn't build those for a while, I

0:32:31.200 --> 0:32:34.520
<v Speaker 1>guess before or after like this big boom of them.

0:32:34.560 --> 0:32:37.720
<v Speaker 1>But now I feel like they're they're they've come back, baby,

0:32:38.360 --> 0:32:42.080
<v Speaker 1>um and like bigger and more obtrusive form um. But

0:32:42.160 --> 0:32:44.160
<v Speaker 1>I like that it was like considered. I guess it

0:32:44.240 --> 0:32:48.600
<v Speaker 1>was like a very like Okoran architectural style to like

0:32:48.960 --> 0:32:52.400
<v Speaker 1>frame a horror movie or like a suspense movie around

0:32:52.480 --> 0:32:56.000
<v Speaker 1>or something. But yeah, it's you know, it's this very

0:32:56.040 --> 0:33:00.200
<v Speaker 1>desirable exclusive building. And she applies and she gets in,

0:33:00.960 --> 0:33:03.160
<v Speaker 1>and you know, very shortly after she moves in, she

0:33:03.200 --> 0:33:09.360
<v Speaker 1>realizes that the previous tenant was murdered, Yes, Naomi Singer.

0:33:10.360 --> 0:33:12.720
<v Speaker 1>And she meets some of the people who live in

0:33:12.720 --> 0:33:16.040
<v Speaker 1>the building, and one of them happens to be this author,

0:33:16.080 --> 0:33:19.920
<v Speaker 1>this like crime author played by Tom Berenger, who I

0:33:19.960 --> 0:33:21.440
<v Speaker 1>guess her company is like trying to get her to

0:33:21.480 --> 0:33:26.800
<v Speaker 1>work with but she's just super creepy and yeah um.

0:33:27.360 --> 0:33:33.080
<v Speaker 1>And then also Billy Paldwin, who is uh not creepy, No,

0:33:33.280 --> 0:33:38.520
<v Speaker 1>he's so so creepy too. The video game designer. He's

0:33:38.520 --> 0:33:41.680
<v Speaker 1>a computer video game designer. I'll have you, yes, yes,

0:33:41.760 --> 0:33:45.960
<v Speaker 1>okay fair and his like signature flirtation move is to

0:33:46.080 --> 0:33:49.160
<v Speaker 1>like hack into people's desktop computers and be like hello,

0:33:49.240 --> 0:33:53.000
<v Speaker 1>I love you. Send them clip art of a flower

0:33:53.960 --> 0:34:00.920
<v Speaker 1>flower the Rose clip right is incredible. So nobody in

0:34:00.920 --> 0:34:03.640
<v Speaker 1>this movie has a sense of humor. And also, um,

0:34:03.680 --> 0:34:07.360
<v Speaker 1>I have to shout out Sharon Stone's office mate, her coworker,

0:34:07.520 --> 0:34:11.200
<v Speaker 1>who is like so off the rails and I'm constantly

0:34:11.239 --> 0:34:14.880
<v Speaker 1>talking about vibrators and a really unrealistic there's a realistic

0:34:14.920 --> 0:34:17.920
<v Speaker 1>way to do it, but it's not not being not

0:34:18.000 --> 0:34:21.120
<v Speaker 1>happening in this movie, played by the great Colleen Camp. Yes,

0:34:21.200 --> 0:34:25.120
<v Speaker 1>Colleen Camp. Yeah, a bunch of like great talent in

0:34:25.160 --> 0:34:29.000
<v Speaker 1>this movie. Like it's, you know, just like weird weird cat.

0:34:29.040 --> 0:34:32.040
<v Speaker 1>I was like, where's Michael Douglas for this way? But

0:34:33.680 --> 0:34:36.000
<v Speaker 1>Alec Baldwin would have been better casting because I feel

0:34:36.000 --> 0:34:38.680
<v Speaker 1>like Alec Baldwin's the only Baldwin who is like legitimately

0:34:38.840 --> 0:34:42.759
<v Speaker 1>scary and yessing um, Whereas Billy Baldwin, It's like it

0:34:42.800 --> 0:34:45.000
<v Speaker 1>would just be so easy to be like, you know what,

0:34:45.040 --> 0:34:46.720
<v Speaker 1>I'm just not going to hang out with you anymore,

0:34:46.800 --> 0:34:50.520
<v Speaker 1>like just I'm not worried about repercussions of that. He

0:34:50.560 --> 0:34:52.360
<v Speaker 1>can't really get his hooks in. I feel like a

0:34:52.400 --> 0:34:55.120
<v Speaker 1>ruper Everett. I would like in that role better, Like

0:34:55.160 --> 0:34:58.480
<v Speaker 1>I would want like a really gorgeous possibly British person

0:34:58.800 --> 0:35:02.520
<v Speaker 1>who's like, yeah, British would have been better, who feels

0:35:02.560 --> 0:35:05.160
<v Speaker 1>like a pasty indoor kid, but it's also beautiful, Like

0:35:05.280 --> 0:35:09.880
<v Speaker 1>I don't know. Also, there's just something really confusing about

0:35:09.920 --> 0:35:13.799
<v Speaker 1>the character's seduction of like approaching her with a very

0:35:13.840 --> 0:35:17.319
<v Speaker 1>aggressive listen, do you work out, and like, come on,

0:35:17.360 --> 0:35:19.680
<v Speaker 1>you're gonna and she was like what treadmills? He was like, no,

0:35:19.719 --> 0:35:21.879
<v Speaker 1>we're gonna lift weights, and then like drags her down

0:35:21.880 --> 0:35:25.120
<v Speaker 1>to the gym where she just like watches him lift weights.

0:35:25.400 --> 0:35:27.160
<v Speaker 1>That when I realized that they were going to go

0:35:27.200 --> 0:35:29.440
<v Speaker 1>to the gym, I was like, yes, Jim scene in

0:35:30.560 --> 0:35:34.880
<v Speaker 1>three Baby, No Mirrors, No Mirrors. I was going to

0:35:35.040 --> 0:35:37.040
<v Speaker 1>do this piece about Equinox at one point. So I

0:35:37.040 --> 0:35:39.000
<v Speaker 1>was doing all this research, and there's a piece about

0:35:39.040 --> 0:35:42.719
<v Speaker 1>like when Equinox is having its boom in the early nineties.

0:35:42.840 --> 0:35:45.800
<v Speaker 1>It's like just a wonderful slice of New York in

0:35:47.000 --> 0:35:49.560
<v Speaker 1>So I was I was into that. Oh, she also

0:35:50.040 --> 0:35:54.640
<v Speaker 1>gets a telescope or yeah, a telescope, one of those

0:35:55.080 --> 0:35:59.680
<v Speaker 1>spyglass type things in her window. Somebody gives it. I

0:35:59.680 --> 0:36:02.799
<v Speaker 1>mean it's later an admirer. Yeah, it's later revealed that

0:36:02.880 --> 0:36:05.800
<v Speaker 1>it was Billy Baldwin. But she just thinks the secret

0:36:05.800 --> 0:36:08.840
<v Speaker 1>admyer dropped it off, and so she's like also staring,

0:36:09.040 --> 0:36:11.000
<v Speaker 1>like spying on her neighbors a little bit. She has

0:36:11.040 --> 0:36:13.680
<v Speaker 1>a cocktail party and they watched the neighbors have sex,

0:36:13.719 --> 0:36:17.600
<v Speaker 1>and it's like, oh, she's into the voyeur thing. But

0:36:17.800 --> 0:36:23.240
<v Speaker 1>in the meantime, another person dies in the building, the

0:36:23.239 --> 0:36:26.879
<v Speaker 1>the n y U film professor guy. Oh right, yeah

0:36:26.920 --> 0:36:31.000
<v Speaker 1>he dies. Yeah, the film professor dies. The cokey fashion

0:36:31.040 --> 0:36:36.520
<v Speaker 1>designer dies. Vida played by Polly Walker, who's really good

0:36:36.520 --> 0:36:38.920
<v Speaker 1>in things and it's kind of good in this but

0:36:39.040 --> 0:36:43.080
<v Speaker 1>also like a very strange character. I thought, um, just

0:36:43.120 --> 0:36:46.480
<v Speaker 1>sort of the like very high strung artist. I feel

0:36:46.520 --> 0:36:48.839
<v Speaker 1>like there's a lot in this movie where I mean

0:36:49.160 --> 0:36:50.880
<v Speaker 1>I think that at one point it had an n

0:36:50.960 --> 0:36:53.319
<v Speaker 1>C seventeen rating and then they cut it. But the

0:36:53.320 --> 0:36:56.239
<v Speaker 1>big thing they cut was naked Billy Baldwin. But it

0:36:56.320 --> 0:36:58.640
<v Speaker 1>also just feels like they cut out a lot of

0:36:58.640 --> 0:37:02.160
<v Speaker 1>sort of narrative contest, Like it is apparent that the

0:37:02.239 --> 0:37:05.400
<v Speaker 1>Vidic character is a prostitute really only if you like

0:37:05.560 --> 0:37:09.480
<v Speaker 1>really listen to one of her phone conversation. And then

0:37:09.560 --> 0:37:11.880
<v Speaker 1>like there's all this stuff where it's sort of hinted

0:37:12.000 --> 0:37:15.520
<v Speaker 1>that Sharon Stone has just left a marriage that was

0:37:15.560 --> 0:37:19.360
<v Speaker 1>abusive in some seven years. Seven years and she is

0:37:19.400 --> 0:37:22.920
<v Speaker 1>she pregnant, okay, thank you. There's a part pretty early

0:37:22.960 --> 0:37:26.000
<v Speaker 1>on in the movie where she it's before she gets um.

0:37:26.160 --> 0:37:30.240
<v Speaker 1>She takes the bath, the bath, good bath, a really

0:37:30.280 --> 0:37:34.600
<v Speaker 1>great bath. She starts like stroking her stomach and like

0:37:34.760 --> 0:37:37.120
<v Speaker 1>looking depressed in the mirror, and I was like, oh,

0:37:37.160 --> 0:37:39.920
<v Speaker 1>she's pregnant. And she's also been looking at the party

0:37:39.920 --> 0:37:42.719
<v Speaker 1>across the way, and she's like very obviously not partying,

0:37:42.920 --> 0:37:45.200
<v Speaker 1>and so I was like, yeah, she's like not drinking,

0:37:45.239 --> 0:37:47.640
<v Speaker 1>but then she's drinking later at her own cocktail party.

0:37:47.760 --> 0:37:49.799
<v Speaker 1>So I don't know, I saw that more as like

0:37:50.239 --> 0:37:52.560
<v Speaker 1>she's already said she's thirty five, she's been in this

0:37:52.600 --> 0:37:55.600
<v Speaker 1>marriage for seven years, she didn't have a baby, and

0:37:55.880 --> 0:37:58.840
<v Speaker 1>she's just like, you know, regretting that she's not pregnant,

0:37:59.120 --> 0:38:04.560
<v Speaker 1>as we all got by holding. I don't know. I mean,

0:38:04.600 --> 0:38:05.920
<v Speaker 1>there's you know, there's a lot of stuff in this

0:38:05.920 --> 0:38:07.920
<v Speaker 1>movie that's clumsy, and I don't know if it's because

0:38:07.920 --> 0:38:11.560
<v Speaker 1>of like the necessity to edit it for censorship or

0:38:11.640 --> 0:38:14.680
<v Speaker 1>for as we'll get to like test screening reasons. But

0:38:14.719 --> 0:38:16.319
<v Speaker 1>then there's a lot of stuff that I think feel

0:38:16.360 --> 0:38:18.560
<v Speaker 1>like I appreciate the subtlety and I don't know if

0:38:18.600 --> 0:38:20.759
<v Speaker 1>it's intentional or not. But first of all, like the

0:38:20.800 --> 0:38:23.560
<v Speaker 1>first hour of this movie is incredibly slow. It's almost

0:38:23.560 --> 0:38:26.000
<v Speaker 1>like a European movie. And you're just kind of watching

0:38:26.040 --> 0:38:29.080
<v Speaker 1>this like, you know, not middle age but like slightly

0:38:29.120 --> 0:38:32.240
<v Speaker 1>older than on genue age woman like kind of living

0:38:32.280 --> 0:38:35.280
<v Speaker 1>her life and like exploring like what kind of person

0:38:35.360 --> 0:38:38.640
<v Speaker 1>she's going to be. Like there's like creepy men everywhere,

0:38:38.680 --> 0:38:41.399
<v Speaker 1>but she's like kind of willing to hear them out

0:38:41.760 --> 0:38:44.759
<v Speaker 1>in a way that's interesting and exposes who they are

0:38:44.920 --> 0:38:47.560
<v Speaker 1>more than it exposes who she is. And there's just

0:38:47.680 --> 0:38:50.120
<v Speaker 1>like some interesting stuff with where it really does feel

0:38:50.120 --> 0:38:53.720
<v Speaker 1>like it's it's kind of like a post European update

0:38:53.760 --> 0:38:59.719
<v Speaker 1>on Hitchcock. And then there's also you know, like wacky sexy.

0:39:00.080 --> 0:39:02.160
<v Speaker 1>I mean, I really like her character in this. It

0:39:02.239 --> 0:39:05.400
<v Speaker 1>isn't just one thing. It's like she is just a

0:39:05.440 --> 0:39:08.680
<v Speaker 1>gal who is like works a lot, and it's sort

0:39:08.719 --> 0:39:11.000
<v Speaker 1>of interested in dating, but not in like the super

0:39:11.080 --> 0:39:13.879
<v Speaker 1>like all consuming like it's her whole reason for being

0:39:13.920 --> 0:39:15.920
<v Speaker 1>that she needs to find a man, Like she's not

0:39:15.920 --> 0:39:20.440
<v Speaker 1>going to go to a Pavarotti concerts. Really long scene

0:39:20.440 --> 0:39:24.000
<v Speaker 1>about yeah again that's the officer where on the erotic

0:39:24.040 --> 0:39:28.319
<v Speaker 1>thriller Bingo Um. But yeah, Like it seems like she

0:39:28.400 --> 0:39:31.319
<v Speaker 1>likes her job. It seems like she's pretty successful. She

0:39:31.440 --> 0:39:34.520
<v Speaker 1>like wants to be dating, but she's not really It's

0:39:34.560 --> 0:39:37.319
<v Speaker 1>not like she's going to just jump into bed with

0:39:37.360 --> 0:39:41.400
<v Speaker 1>whoever until she meets Billy Baldwin. Like their relationship is

0:39:41.360 --> 0:39:44.000
<v Speaker 1>sort of interesting in that in that kind of nine

0:39:44.000 --> 0:39:46.400
<v Speaker 1>and a half week's way where it's like something you're

0:39:46.440 --> 0:39:48.879
<v Speaker 1>kind of through the relationship, you're watching somebody figure out

0:39:48.920 --> 0:39:53.840
<v Speaker 1>like what they're into. But I think, like obviously it's

0:39:53.960 --> 0:39:57.160
<v Speaker 1>it leans a little it's a little less up for interpretation,

0:39:57.680 --> 0:40:00.279
<v Speaker 1>uh in in this film than in nine and a

0:40:00.320 --> 0:40:02.840
<v Speaker 1>half weeks. But I mean, the thing that we haven't

0:40:02.880 --> 0:40:05.720
<v Speaker 1>said is that Billy Baldwin like he owns the building.

0:40:05.840 --> 0:40:08.000
<v Speaker 1>And the reason why that's important is because he has

0:40:08.040 --> 0:40:10.799
<v Speaker 1>cameras in every single room and he has like a

0:40:10.880 --> 0:40:13.920
<v Speaker 1>control room, which he brags cost six million dollars for

0:40:14.000 --> 0:40:19.960
<v Speaker 1>him to build in Osaka, and he's just able to

0:40:20.000 --> 0:40:23.640
<v Speaker 1>watch every apartment in every room and every apartment at

0:40:23.680 --> 0:40:26.640
<v Speaker 1>any time. And so after he started having sex with

0:40:26.680 --> 0:40:29.799
<v Speaker 1>Sharon Stone, he like reveals this to her and at

0:40:29.880 --> 0:40:32.600
<v Speaker 1>first she's fascinated by it, and she sits there for

0:40:32.760 --> 0:40:35.680
<v Speaker 1>like apparently twenty four hours at a time just watching

0:40:35.680 --> 0:40:40.680
<v Speaker 1>the video, like it's like all all consuming and I

0:40:40.719 --> 0:40:42.880
<v Speaker 1>feel like that just felt me, like, oh, this is

0:40:42.880 --> 0:40:46.800
<v Speaker 1>when somebody like discovers the Internet for the first time. Yes,

0:40:47.120 --> 0:40:51.319
<v Speaker 1>it is totally like it completely changes your perspective on

0:40:52.600 --> 0:40:54.600
<v Speaker 1>you know, or I I don't know. It's like it's

0:40:54.640 --> 0:40:57.040
<v Speaker 1>it's addictive because it's new, and it's it's a new

0:40:57.080 --> 0:40:59.960
<v Speaker 1>way of getting information and information that you never had

0:41:00.040 --> 0:41:02.480
<v Speaker 1>access to before, and so it's just like you have

0:41:02.640 --> 0:41:05.840
<v Speaker 1>no way to stop yourself. You don't have any Also,

0:41:06.480 --> 0:41:10.000
<v Speaker 1>her reaction to seeing this is so impassive, which is

0:41:10.080 --> 0:41:13.279
<v Speaker 1>really surprising because you would think that she would be.

0:41:13.320 --> 0:41:15.680
<v Speaker 1>I mean, she it's revealed that like he has tapes

0:41:15.719 --> 0:41:17.520
<v Speaker 1>of you know, the two of them having sex and

0:41:17.560 --> 0:41:20.600
<v Speaker 1>he plays it for her. He also later we find out,

0:41:20.680 --> 0:41:23.200
<v Speaker 1>has taped himself having sex with a bunch of other people.

0:41:23.400 --> 0:41:27.040
<v Speaker 1>He has those um tapes underneath his shoes in a

0:41:27.040 --> 0:41:29.719
<v Speaker 1>little trapdoor thing, and like some of the stories, like

0:41:29.760 --> 0:41:32.560
<v Speaker 1>we get like a little kind of like plot diversion

0:41:32.680 --> 0:41:36.719
<v Speaker 1>into a uh, you know, incest kind of thing that's

0:41:36.760 --> 0:41:39.719
<v Speaker 1>going on. It's like, you know, she just her reactions

0:41:39.719 --> 0:41:42.000
<v Speaker 1>are really subtle to the fact that these like while

0:41:42.080 --> 0:41:44.960
<v Speaker 1>she's watching all of these different tapes, you would expect

0:41:44.960 --> 0:41:47.440
<v Speaker 1>her to be more upset at Zeke or want to

0:41:47.480 --> 0:41:50.640
<v Speaker 1>do something more, which is much like we watched you know,

0:41:50.719 --> 0:41:52.640
<v Speaker 1>like taking a news on the internet or just like

0:41:52.680 --> 0:41:56.080
<v Speaker 1>watching rolling through people's lives. It's like this hypnotic thing.

0:41:56.160 --> 0:41:58.759
<v Speaker 1>I just don't really react. Yeah, like they really I mean,

0:41:58.800 --> 0:42:01.600
<v Speaker 1>they really oversell it, think, but like doing this thing

0:42:01.680 --> 0:42:04.920
<v Speaker 1>where she is just instantly she does have a first

0:42:04.960 --> 0:42:07.799
<v Speaker 1>reaction of being horrified and disgusted by this and try

0:42:07.880 --> 0:42:09.840
<v Speaker 1>and it's about to walk out and then turns around.

0:42:09.840 --> 0:42:12.000
<v Speaker 1>It's like she stares at the screen five seconds too

0:42:12.080 --> 0:42:14.399
<v Speaker 1>long and then it's like, oh, yeah, I must watch more,

0:42:15.520 --> 0:42:19.400
<v Speaker 1>which is very I mean, yeah, it feels it feels understandable.

0:42:19.800 --> 0:42:23.960
<v Speaker 1>And I wonder like the reception of this film, I

0:42:24.000 --> 0:42:27.240
<v Speaker 1>mean the negative reception and right now it's gotten eleven

0:42:27.280 --> 0:42:29.759
<v Speaker 1>percent on Rotten Tomatoes or something like that. But is

0:42:29.800 --> 0:42:33.000
<v Speaker 1>that I mean about the far fetchedness of it or something,

0:42:33.040 --> 0:42:35.320
<v Speaker 1>because I feel like that is less of a problem

0:42:35.360 --> 0:42:38.879
<v Speaker 1>now than maybe it was. Yeah, I don't I don't

0:42:38.880 --> 0:42:41.279
<v Speaker 1>really remember what the reception was like, like amongst me

0:42:41.320 --> 0:42:43.880
<v Speaker 1>and like my middle school, Like the reception was very high,

0:42:44.920 --> 0:42:47.880
<v Speaker 1>like maybe maybe thirteen year old or the idea for

0:42:47.920 --> 0:42:51.279
<v Speaker 1>this movie. But um, also I think it was just

0:42:51.360 --> 0:42:53.960
<v Speaker 1>like it was post Basic Instinct, and I think people

0:42:54.040 --> 0:42:57.400
<v Speaker 1>were expecting kind of a higher level of sophistication in

0:42:57.480 --> 0:43:00.760
<v Speaker 1>terms of storytelling. Yeah, Basic Instinct was a year before

0:43:01.120 --> 0:43:06.120
<v Speaker 1>I think maybe two years before. Um. I read like

0:43:06.160 --> 0:43:10.200
<v Speaker 1>a couple of old reviews of it, um, and I

0:43:10.600 --> 0:43:14.000
<v Speaker 1>my main problem. So the crazy thing about this movie

0:43:14.320 --> 0:43:18.480
<v Speaker 1>is that the ending was changed. An original ending was shot,

0:43:18.800 --> 0:43:22.560
<v Speaker 1>it didn't test well. Um. There was also a horrible

0:43:22.640 --> 0:43:25.840
<v Speaker 1>accident that was um, you know, involved in the shooting

0:43:25.840 --> 0:43:28.640
<v Speaker 1>of the first siding. So the original ending and kind

0:43:28.640 --> 0:43:32.280
<v Speaker 1>of and this is the big spoiler, is that Zeke

0:43:32.360 --> 0:43:34.520
<v Speaker 1>has been killing the people. There are you know, three

0:43:34.560 --> 0:43:37.160
<v Speaker 1>or four people who have died in one thirteen and

0:43:37.320 --> 0:43:41.720
<v Speaker 1>he has killed them. And he confesses this to Carlie

0:43:41.840 --> 0:43:46.359
<v Speaker 1>while they're in a helicopter in Hawaii over a volcano.

0:43:46.560 --> 0:43:52.880
<v Speaker 1>And then he flies the helicopter into the volcano. Yes, yes,

0:43:53.480 --> 0:43:55.840
<v Speaker 1>you don't know. You don't know whether or not they survived.

0:43:56.040 --> 0:43:59.560
<v Speaker 1>So basically this was This was scrapped for two reasons,

0:43:59.600 --> 0:44:03.120
<v Speaker 1>I guess, number one being that the actual helicopter crashed

0:44:03.280 --> 0:44:07.280
<v Speaker 1>during the film and so and the pilot's license was revoked.

0:44:07.320 --> 0:44:09.920
<v Speaker 1>I don't know if anyone was hurt or killed, Like,

0:44:10.000 --> 0:44:13.120
<v Speaker 1>it just seems like a mess, and they destroyed the footage.

0:44:13.640 --> 0:44:16.760
<v Speaker 1>So and I guess audience has also had a problem

0:44:16.760 --> 0:44:19.239
<v Speaker 1>with the fact that they were like, oh, Carly like

0:44:19.400 --> 0:44:23.200
<v Speaker 1>forgives the killer. That makes her so, you know, unlikable.

0:44:23.800 --> 0:44:25.760
<v Speaker 1>I just you know, now I hate everyone in the movie.

0:44:25.840 --> 0:44:28.880
<v Speaker 1>So they're like, okay, like, let's figure out something else.

0:44:28.920 --> 0:44:32.320
<v Speaker 1>Now we'll make Tom Berenger the murderer, which makes sense

0:44:32.360 --> 0:44:34.879
<v Speaker 1>and to some extent because he's just creepy, like he's

0:44:34.920 --> 0:44:38.799
<v Speaker 1>never anything but creepy. But here's my issue, and I

0:44:38.840 --> 0:44:43.560
<v Speaker 1>pressed Greena on this earlier, but if Zeke Billy Baldwin

0:44:43.960 --> 0:44:47.240
<v Speaker 1>has been watching these tapes of people and he claims

0:44:47.239 --> 0:44:49.359
<v Speaker 1>at one point he's like, I never saw anyone die.

0:44:49.640 --> 0:44:52.640
<v Speaker 1>One the Naomi singer was pushed off her balcony you know,

0:44:52.680 --> 0:44:55.040
<v Speaker 1>it's like maybe they frame it as like a suicide,

0:44:55.040 --> 0:44:59.160
<v Speaker 1>but it seems obvious that everyone's suspicious. The man is

0:44:59.200 --> 0:45:01.319
<v Speaker 1>it two people all in the shower, one person falls

0:45:01.320 --> 0:45:04.360
<v Speaker 1>in the shower. Well, the old man, yeah, he falls

0:45:04.360 --> 0:45:06.040
<v Speaker 1>in the shower. But I get the feeling that that

0:45:06.120 --> 0:45:08.440
<v Speaker 1>was just like he just had a heart attack or something.

0:45:08.520 --> 0:45:11.600
<v Speaker 1>But the police are suspicious, like they're questioning everyone because

0:45:11.600 --> 0:45:13.560
<v Speaker 1>he keep dying in that building, but it could be

0:45:13.600 --> 0:45:20.919
<v Speaker 1>at coincidence. But then the the Cookey Models prostitute. Well,

0:45:21.920 --> 0:45:25.480
<v Speaker 1>it's just interesting to me that Zeke could be the

0:45:25.640 --> 0:45:29.799
<v Speaker 1>kind of character who's like, people keep dying mysteriously and

0:45:29.840 --> 0:45:34.160
<v Speaker 1>I have footage of like the entire building. Isn't that weird?

0:45:35.160 --> 0:45:37.839
<v Speaker 1>But if there were some way because like, no, I'm

0:45:37.880 --> 0:45:40.520
<v Speaker 1>not going to pursue because he never he doesn't even

0:45:40.640 --> 0:45:43.520
<v Speaker 1>his interest isn't even piqued. And the other reason that

0:45:43.520 --> 0:45:45.680
<v Speaker 1>that's weird is that he had been having an affair

0:45:45.719 --> 0:45:48.759
<v Speaker 1>with Naomi Singer, who had also been sleeping with Tom

0:45:48.800 --> 0:45:51.760
<v Speaker 1>Berenger's character, So there was like this weird love triangle,

0:45:51.800 --> 0:45:54.239
<v Speaker 1>and you would think that Zeke would have a suspicion

0:45:54.280 --> 0:45:57.520
<v Speaker 1>that Tom Berenger had killed her, right, because he probably

0:45:57.520 --> 0:46:00.440
<v Speaker 1>has some insight into her psyche, And yet he never

0:46:00.480 --> 0:46:04.239
<v Speaker 1>brings up like is Tom Beranger super creepy weirdo? That's

0:46:04.280 --> 0:46:08.280
<v Speaker 1>never a scene, it's just doesn't he talk to Sharon

0:46:08.320 --> 0:46:10.640
<v Speaker 1>Stone about that though, he's like, I don't like that guy.

0:46:10.800 --> 0:46:13.160
<v Speaker 1>I think he says I don't like that, but a

0:46:13.200 --> 0:46:16.560
<v Speaker 1>lot about about I think it was after tom Beranger

0:46:16.680 --> 0:46:20.719
<v Speaker 1>was like he's so sick. Yeah, yeah, but so my.

0:46:20.920 --> 0:46:22.520
<v Speaker 1>The only thing I can say in defense of this

0:46:22.640 --> 0:46:25.680
<v Speaker 1>is that I don't think that Billy Baldwin's character would

0:46:25.680 --> 0:46:27.840
<v Speaker 1>want anyone to know about his video room. So he

0:46:27.840 --> 0:46:30.600
<v Speaker 1>would never want to produce these tapes because like his

0:46:30.680 --> 0:46:34.480
<v Speaker 1>whole life is about like watching the people in this building, right,

0:46:34.719 --> 0:46:37.319
<v Speaker 1>And so if he had to admit how he had

0:46:37.360 --> 0:46:39.759
<v Speaker 1>this footage, like he would probably go to jail, like

0:46:39.840 --> 0:46:42.920
<v Speaker 1>he'd lose the building. But couldn't he be sneaky and

0:46:43.000 --> 0:46:45.359
<v Speaker 1>be like, oh, I see what happened, and now I'm

0:46:45.360 --> 0:46:47.760
<v Speaker 1>going to like figure out how to build a case

0:46:47.800 --> 0:46:50.880
<v Speaker 1>against Tom Beranger. I don't know. I think I don't know.

0:46:50.960 --> 0:46:54.080
<v Speaker 1>We could write a remake. The whole idea of it

0:46:54.160 --> 0:46:56.800
<v Speaker 1>is that like that the access to all this stuff

0:46:56.840 --> 0:46:59.960
<v Speaker 1>that he's bringing recording makes him like completely a more

0:47:00.120 --> 0:47:03.520
<v Speaker 1>role or like yeah, yeah, like he he doesn't think

0:47:03.560 --> 0:47:05.480
<v Speaker 1>about things in that an't way anymore. It all becomes

0:47:05.600 --> 0:47:09.080
<v Speaker 1>entertainment to him, or he has this sort of alternate

0:47:09.120 --> 0:47:12.160
<v Speaker 1>morality like he's the whole thing about like the he's

0:47:12.200 --> 0:47:15.279
<v Speaker 1>watching this father Molista's daughter, and he like figures out

0:47:15.320 --> 0:47:17.759
<v Speaker 1>a way to like confront the father and then he

0:47:17.880 --> 0:47:21.160
<v Speaker 1>tells Sharon Stone like like we'll use we'll use our

0:47:21.239 --> 0:47:24.799
<v Speaker 1>voyeurism for good, right, yeah, right, which is like I

0:47:24.800 --> 0:47:27.719
<v Speaker 1>don't know, I mean, he's just represents like all of

0:47:27.840 --> 0:47:31.720
<v Speaker 1>tech culture. Now, Yeah, we don't need to bring okay

0:47:32.200 --> 0:47:34.440
<v Speaker 1>law and worsome or anything. We'll just have a very

0:47:34.520 --> 0:47:38.120
<v Speaker 1>questionable moderation system in place that may or may not

0:47:38.239 --> 0:47:40.000
<v Speaker 1>work depending on the whims of the people who are

0:47:40.000 --> 0:47:43.400
<v Speaker 1>in control of it. Uh right. And I find this

0:47:43.560 --> 0:47:45.799
<v Speaker 1>like that aspect of the movie to be absolutely fascilating.

0:47:45.880 --> 0:47:47.840
<v Speaker 1>And the way that it ties like sort of his

0:47:47.920 --> 0:47:51.040
<v Speaker 1>perpendicular and like hits up with this stuff of like

0:47:51.320 --> 0:47:55.480
<v Speaker 1>a woman trying to find herself sexually. I think really good.

0:47:56.160 --> 0:47:58.640
<v Speaker 1>It's a story of falling in love with with big

0:47:58.719 --> 0:48:05.160
<v Speaker 1>Daddy data. Yeah, I mean that. Yeah. The ending, the

0:48:05.160 --> 0:48:08.520
<v Speaker 1>alternate ending thing is is like, I don't know, it

0:48:08.560 --> 0:48:11.080
<v Speaker 1>doesn't really work for me. I was I was totally

0:48:11.120 --> 0:48:13.960
<v Speaker 1>expecting it to be a switchery where it's like the guy,

0:48:13.960 --> 0:48:16.120
<v Speaker 1>do you think it's creepy? All along? Wasn't that creepy?

0:48:17.160 --> 0:48:19.239
<v Speaker 1>I was expecting to. I mean, I was like, they

0:48:19.280 --> 0:48:22.839
<v Speaker 1>wouldn't set up Tom Berenger's character as being this unlikable

0:48:23.160 --> 0:48:25.319
<v Speaker 1>and then have him be the person who was doing this,

0:48:25.400 --> 0:48:28.040
<v Speaker 1>like he has to be a Red Harry. I should

0:48:28.120 --> 0:48:30.120
<v Speaker 1>know that. What actually happens in the movie that was

0:48:30.160 --> 0:48:35.080
<v Speaker 1>released is that Sharon Stone like Quasi, accidentally kills Tom Berenger,

0:48:35.600 --> 0:48:39.760
<v Speaker 1>and then in the video room, she like basically is like, hey,

0:48:39.800 --> 0:48:42.120
<v Speaker 1>Billy Baldwin, like I haven't eden could you go get

0:48:42.160 --> 0:48:44.680
<v Speaker 1>take out? And then he leaves her alone and she

0:48:44.760 --> 0:48:47.560
<v Speaker 1>goes into his closet and finds his tapes that like

0:48:47.640 --> 0:48:50.080
<v Speaker 1>showed that Tom Berenger was the real killer. But then

0:48:50.080 --> 0:48:53.040
<v Speaker 1>she takes a gun and shoots all the TV monitors

0:48:53.160 --> 0:48:56.080
<v Speaker 1>and she's really Baldwin six million dollars set up what

0:48:56.280 --> 0:48:58.080
<v Speaker 1>is her last life? Because it's one of those things

0:48:58.120 --> 0:49:05.560
<v Speaker 1>where cattle, she says, and then hard carpet. Yes, it's amazing,

0:49:05.760 --> 0:49:09.319
<v Speaker 1>I laughed out loud. I how that that's one of

0:49:09.320 --> 0:49:12.480
<v Speaker 1>the best going back, because I was like, is that

0:49:12.560 --> 0:49:15.919
<v Speaker 1>really what she said? It's astounding that it plays out

0:49:15.920 --> 0:49:18.040
<v Speaker 1>that way. It's just funny because that is the most

0:49:18.160 --> 0:49:20.359
<v Speaker 1>nineties thing about it. I think like that's the one

0:49:20.400 --> 0:49:23.160
<v Speaker 1>thing that does that feels old. Is that, like that

0:49:23.320 --> 0:49:26.040
<v Speaker 1>kind of like get a life about anybody who's like

0:49:26.040 --> 0:49:29.480
<v Speaker 1>like into video games or into like the Internet or

0:49:29.480 --> 0:49:34.240
<v Speaker 1>anything like that, Like computers are from nerds a little

0:49:34.280 --> 0:49:37.160
<v Speaker 1>did we know? Um? I mean, like I kind of

0:49:37.200 --> 0:49:39.719
<v Speaker 1>want to watch it again because I feel like I

0:49:39.719 --> 0:49:41.400
<v Speaker 1>feel like it's got such an odd balance, and I

0:49:41.440 --> 0:49:43.239
<v Speaker 1>think a lot of it is probably because of that

0:49:43.719 --> 0:49:47.000
<v Speaker 1>changed ending. Like I mean, I wrote down the thing

0:49:47.040 --> 0:49:50.680
<v Speaker 1>about the volcano because he does mention to her that

0:49:50.719 --> 0:49:53.240
<v Speaker 1>he has always wanted to fly into a volcano when

0:49:53.280 --> 0:49:56.440
<v Speaker 1>she's at his apartment that Zeke does he has this

0:49:56.560 --> 0:50:01.359
<v Speaker 1>like creepy glass phalic a volcano on his coffee. It's like,

0:50:02.080 --> 0:50:05.120
<v Speaker 1>without knowing that that's the that was the original ending,

0:50:05.200 --> 0:50:08.720
<v Speaker 1>it just sounds like a really really strange double entendre,

0:50:09.040 --> 0:50:16.040
<v Speaker 1>like I'd love to. Uh, And yeah, there's all the

0:50:16.560 --> 0:50:18.279
<v Speaker 1>like do you have Like I wrote down all of

0:50:18.320 --> 0:50:20.680
<v Speaker 1>his messages like do you do you have any body

0:50:20.760 --> 0:50:24.280
<v Speaker 1>parts that hurt? I miss you? I can still smell you, like,

0:50:25.520 --> 0:50:27.279
<v Speaker 1>and then the and then the clip art of the

0:50:27.360 --> 0:50:31.480
<v Speaker 1>Rose clip art of the Rose God. Yeah. No, it's

0:50:31.680 --> 0:50:35.040
<v Speaker 1>the stuff with the surveillance comes so late in it

0:50:35.080 --> 0:50:37.800
<v Speaker 1>that I think, like, if I was to remix this movie,

0:50:38.600 --> 0:50:41.880
<v Speaker 1>that would come at least halfway through, like where she

0:50:41.960 --> 0:50:44.759
<v Speaker 1>would get involved in it and become the person who's

0:50:44.800 --> 0:50:47.439
<v Speaker 1>watching stuff, because then that feels like what the movie

0:50:47.520 --> 0:50:49.239
<v Speaker 1>is actually about in a way. It feels like it

0:50:49.280 --> 0:50:51.040
<v Speaker 1>takes a really long time to get there, and then

0:50:51.160 --> 0:50:53.160
<v Speaker 1>once you get there, like, oh okay, I see what

0:50:53.200 --> 0:50:56.000
<v Speaker 1>this has all been about. But um, yeah, but I

0:50:56.000 --> 0:50:59.800
<v Speaker 1>thought it wasn't I liked it. Yeah, I was into it.

0:50:59.800 --> 0:51:03.000
<v Speaker 1>It was it definitely belonged in the disgust of the

0:51:03.000 --> 0:51:06.520
<v Speaker 1>erotic thriller. Before we wrap up, I wanted to ask

0:51:06.560 --> 0:51:11.200
<v Speaker 1>Garna like how she felt the kind of erotic thriller

0:51:11.280 --> 0:51:13.880
<v Speaker 1>boom like has its place in this history, because I

0:51:13.920 --> 0:51:20.760
<v Speaker 1>didn't realize how many erotic thrillers just exploded after fatal attraction. Um.

0:51:20.800 --> 0:51:24.520
<v Speaker 1>But again repping that erotic thriller Wikipedia, that something did

0:51:24.560 --> 0:51:27.719
<v Speaker 1>the Lord's work on, I was like, nice, over three

0:51:27.800 --> 0:51:32.200
<v Speaker 1>hundred and maybe closer to five hundred um erotic thrillers

0:51:32.200 --> 0:51:34.720
<v Speaker 1>produced in the nineties, which is like, it just seems

0:51:35.200 --> 0:51:36.359
<v Speaker 1>we have a lot of work to do you guys,

0:51:36.360 --> 0:51:38.439
<v Speaker 1>to see all of you, and there's all there's there's

0:51:38.880 --> 0:51:45.400
<v Speaker 1>levels of highbrow and lowbrow. Uh yeah, but why do

0:51:45.480 --> 0:51:48.480
<v Speaker 1>you think, like what besides the kind of like VHS

0:51:48.560 --> 0:51:51.440
<v Speaker 1>direct to video kind of you know, making that a

0:51:51.480 --> 0:51:55.200
<v Speaker 1>good movie to watch at home. Um, that's definitely part

0:51:55.239 --> 0:51:56.480
<v Speaker 1>of it. I mean, I think that if you talk

0:51:56.520 --> 0:51:59.759
<v Speaker 1>about this sort of the historical trajectory on that Wikipedia

0:51:59.800 --> 0:52:02.600
<v Speaker 1>pH it says that the first erotic thriller was Double Indemnity,

0:52:02.640 --> 0:52:06.319
<v Speaker 1>which I think is incorrect, Like I certainly couldn't think

0:52:06.360 --> 0:52:08.880
<v Speaker 1>of movies that would qualify that came earlier. And also

0:52:09.160 --> 0:52:12.000
<v Speaker 1>I feel like the problem with calling Double Indemnity an

0:52:12.000 --> 0:52:15.440
<v Speaker 1>Eurotic thriller is that, like it begins with Fred McMurray

0:52:15.480 --> 0:52:18.600
<v Speaker 1>being like, I know, like everything's over and I'm fucked now,

0:52:18.640 --> 0:52:20.759
<v Speaker 1>but let me explain to you what happened, and so

0:52:20.840 --> 0:52:23.840
<v Speaker 1>you know, like it's a bad idea for him to

0:52:23.840 --> 0:52:25.799
<v Speaker 1>hook up with Barbara Standwick. And I feel like part

0:52:25.800 --> 0:52:28.520
<v Speaker 1>of the thing about erotic thrillers is that you have

0:52:28.719 --> 0:52:31.319
<v Speaker 1>to like suspend disbelief and you have there has to

0:52:31.320 --> 0:52:33.560
<v Speaker 1>be like a portion of the movie where you're like,

0:52:33.680 --> 0:52:36.680
<v Speaker 1>this is hot, like maybe this will work out so

0:52:36.840 --> 0:52:40.200
<v Speaker 1>nine and a half, but is like wildly sexy too,

0:52:40.239 --> 0:52:42.600
<v Speaker 1>Like I was very I saw it somewhat recently, and

0:52:42.640 --> 0:52:46.520
<v Speaker 1>I was like, it's very like like not at all

0:52:46.719 --> 0:52:49.880
<v Speaker 1>veiled in its sexuality, and like, you know, all these

0:52:50.040 --> 0:52:54.279
<v Speaker 1>ladies thrones themselves at Fred McMurray. It's right, right, right,

0:52:54.320 --> 0:52:56.760
<v Speaker 1>But I mean, I think that the reason why they're

0:52:56.760 --> 0:53:00.480
<v Speaker 1>obviously like weren't as many erotic thrillers until you know,

0:53:00.600 --> 0:53:03.160
<v Speaker 1>let's say the late sixties into the seventies, is because

0:53:03.160 --> 0:53:07.440
<v Speaker 1>of the censorship. You know, there was coded literally coded

0:53:07.440 --> 0:53:10.440
<v Speaker 1>ways in which you could have sexuality in films, and

0:53:10.560 --> 0:53:13.120
<v Speaker 1>especially the way that you'd have to have somebody be

0:53:13.160 --> 0:53:15.640
<v Speaker 1>punished if they were having like pre marital or extra

0:53:15.719 --> 0:53:19.560
<v Speaker 1>maritals too. They always get punished, and you don't have

0:53:19.560 --> 0:53:24.680
<v Speaker 1>a success, can't play right, right, right, So and that

0:53:24.719 --> 0:53:27.040
<v Speaker 1>stuff starts to breakdown in the sixties, and then you

0:53:27.080 --> 0:53:29.560
<v Speaker 1>also have this wave of filmmakers like Brian to Palmer.

0:53:29.880 --> 0:53:33.279
<v Speaker 1>There the first generation of like film school or cinephile

0:53:33.480 --> 0:53:37.359
<v Speaker 1>American filmmakers who have grown up watching Hitchcock, grown up

0:53:37.360 --> 0:53:40.880
<v Speaker 1>watching films like you know, these proto erotic thrillers like

0:53:41.080 --> 0:53:43.919
<v Speaker 1>film noirs, the Postman Always Rings twice, things like this,

0:53:44.360 --> 0:53:47.680
<v Speaker 1>and then Bob Rayfulson like remakes the Postman Always Rings twice,

0:53:47.760 --> 0:53:50.360
<v Speaker 1>like you know, even something like Chinatown is like int

0:53:50.560 --> 0:53:53.680
<v Speaker 1>is like a kind of sexier update of these previous

0:53:53.760 --> 0:53:57.440
<v Speaker 1>genre films. And then moving into the eighties and nineties, um,

0:53:57.480 --> 0:53:59.360
<v Speaker 1>you have the explosion of the home video market, the

0:53:59.719 --> 0:54:03.359
<v Speaker 1>ex ocean of cable TV, and the possibility of being

0:54:03.360 --> 0:54:06.320
<v Speaker 1>able to get around the rating system by releasing directors

0:54:06.360 --> 0:54:09.440
<v Speaker 1>cuts and unrated versions of films, and so you have

0:54:09.520 --> 0:54:11.919
<v Speaker 1>an incentive to like have a movie that like can

0:54:12.360 --> 0:54:15.799
<v Speaker 1>be released theatrically as an R and then have a

0:54:15.840 --> 0:54:19.120
<v Speaker 1>separate version to get people to pay for it twice. Yeah,

0:54:19.200 --> 0:54:26.480
<v Speaker 1>it works perfect genre for that stage exactly. So is

0:54:26.520 --> 0:54:28.560
<v Speaker 1>this your favorite one in the in the cannon? Would

0:54:28.600 --> 0:54:30.600
<v Speaker 1>you say? Or do you have any other other favor

0:54:30.680 --> 0:54:32.759
<v Speaker 1>I mean this is kind of a sentimental favorite, I

0:54:32.760 --> 0:54:35.799
<v Speaker 1>would say. And another one that I also remember seeing

0:54:35.800 --> 0:54:37.920
<v Speaker 1>in the movie theater at too young an age and

0:54:37.960 --> 0:54:43.200
<v Speaker 1>went to by myself was in Decent Proposal. I really

0:54:43.239 --> 0:54:46.759
<v Speaker 1>like Adrian Adrian Lines movies. I wish he'd make another one.

0:54:47.200 --> 0:54:49.040
<v Speaker 1>A few years ago he announced that he was making

0:54:49.040 --> 0:54:51.040
<v Speaker 1>a movie with Nicole Kidman and I, Oh, my god,

0:54:51.040 --> 0:54:54.160
<v Speaker 1>I hope that happens. Put it out. We'll put it

0:54:54.160 --> 0:54:56.560
<v Speaker 1>out into the on the airway. We're officially like, this

0:54:56.600 --> 0:54:59.600
<v Speaker 1>is an Adrian in this house. We respect like that

0:54:59.680 --> 0:55:03.480
<v Speaker 1>is our big time. That between Fatal Attraction and and

0:55:03.640 --> 0:55:06.040
<v Speaker 1>a half weeks, it's like we're all in. Yeah, yeah,

0:55:06.080 --> 0:55:09.400
<v Speaker 1>I love nine and a half weeks. I love Unfaithful. Um,

0:55:09.600 --> 0:55:11.680
<v Speaker 1>you feel so good. I feel like we might have

0:55:11.719 --> 0:55:14.839
<v Speaker 1>to talk about that if this erotic Odyssey deep into

0:55:14.840 --> 0:55:17.520
<v Speaker 1>the future. And another one I just wanted to mention

0:55:17.920 --> 0:55:20.360
<v Speaker 1>a movie that I didn't really like it first but

0:55:20.560 --> 0:55:23.160
<v Speaker 1>has really grown on me over time is in the cut.

0:55:23.440 --> 0:55:25.680
<v Speaker 1>That's when I hear in the cut really like grows

0:55:25.680 --> 0:55:27.560
<v Speaker 1>on people. They can't really let it go and then

0:55:27.880 --> 0:55:30.480
<v Speaker 1>come fond of it. I wrote like a big thing

0:55:30.520 --> 0:55:33.560
<v Speaker 1>in graduate school about it and Meg Ryan and like

0:55:33.640 --> 0:55:36.440
<v Speaker 1>her kind of using the erotic thriller as a way

0:55:36.440 --> 0:55:39.640
<v Speaker 1>of changing her persona and kind of like comparing that

0:55:39.680 --> 0:55:42.200
<v Speaker 1>movie to when Harry met Sally, where like that persona

0:55:42.320 --> 0:55:45.400
<v Speaker 1>was like I like fake orgasms, like I don't have

0:55:45.560 --> 0:55:48.360
<v Speaker 1>I don't have genuine sexual pleasure. And then in the

0:55:48.440 --> 0:55:51.360
<v Speaker 1>cut is like, you know, she's just like naked with

0:55:51.400 --> 0:55:57.239
<v Speaker 1>Mark Ruffalo in a very exciting way. Um. Yeah, no,

0:55:57.640 --> 0:55:59.640
<v Speaker 1>this has been great. I'm really I'm really glad to

0:55:59.640 --> 0:56:01.799
<v Speaker 1>hear by. I talked to us about this and yes,

0:56:01.880 --> 0:56:04.960
<v Speaker 1>thank you so much. It was really fun. You are

0:56:05.640 --> 0:56:11.080
<v Speaker 1>the original original podcast girl in Hoodie, a Jason person.

0:56:11.239 --> 0:56:13.799
<v Speaker 1>So we and also we have to shout out Kreena.

0:56:13.800 --> 0:56:15.319
<v Speaker 1>I don't know if we mentioned that she was at

0:56:15.400 --> 0:56:20.200
<v Speaker 1>the first Night Call Night event um where we summoned

0:56:20.200 --> 0:56:27.200
<v Speaker 1>Satan at history of that night. Yes, so we're forever

0:56:27.239 --> 0:56:29.480
<v Speaker 1>indebted to Karina. Thank you so much for coming by.

0:56:29.719 --> 0:56:32.680
<v Speaker 1>And where can we Where can people follow you online?

0:56:33.000 --> 0:56:36.239
<v Speaker 1>I'm on Twitter at Karina Longworth and you can find

0:56:36.239 --> 0:56:39.520
<v Speaker 1>my podcast you must remember this um on iTunes or

0:56:39.560 --> 0:56:42.920
<v Speaker 1>wherever you get podcasts. There's a hundred forty five episodes

0:56:43.000 --> 0:56:45.400
<v Speaker 1>and hopefully someday there will be more. It's like not

0:56:45.480 --> 0:56:48.680
<v Speaker 1>quite plenty to get, it's like enough to keep you

0:56:48.680 --> 0:56:50.520
<v Speaker 1>busy for a long time, and it's really really great.

0:56:50.520 --> 0:56:53.480
<v Speaker 1>It's always a good listen. Um, well, thank you everybody.

0:56:53.600 --> 0:56:55.719
<v Speaker 1>We're listening to Night Call this week. Be sure to

0:56:55.800 --> 0:56:58.200
<v Speaker 1>subscribe to us on iTunes and give us a rain

0:56:58.400 --> 0:57:01.319
<v Speaker 1>and a review. You can also follow us on Twitter

0:57:01.400 --> 0:57:04.680
<v Speaker 1>at Night Call Podu, Instagram at Night Called Podcast, and

0:57:04.800 --> 0:57:08.239
<v Speaker 1>Facebook at Night Called Podcast. We will be back in

0:57:08.480 --> 0:57:10.560
<v Speaker 1>two weeks. We were taking a week off and we'll

0:57:10.600 --> 0:57:13.120
<v Speaker 1>have Molly back the whole game. We'll be back together,

0:57:13.320 --> 0:57:26.600
<v Speaker 1>so we will see you then, hie bye bye Okay,