WEBVTT - Episode 241 w/ Pharrell

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<v Speaker 1>Welcome to Drink Champs, the production of the Black Effect

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<v Speaker 1>and I heart Radio and his Drink chas motherfucking podcast.

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<v Speaker 1>He's a legendary queen's rapper. He's see it's your boy

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<v Speaker 1>in O R He's a Miami hip hop and mioneer

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<v Speaker 1>is d j e f N. Together they drink it

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<v Speaker 1>up with some of the biggest players in the most professional,

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<v Speaker 1>unprofessional podcast and yet number one source for drunk fast

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<v Speaker 1>drinks motherfuckings New Year's e. That's time for Drink Champs.

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<v Speaker 1>Trick up, motherfuck mother would a good being, hopefully super

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<v Speaker 1>This is your boy in O R E. What up

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<v Speaker 1>is dj e FN And this is Miller Tammy Crazy Bold.

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<v Speaker 1>I don't know why I keep saying that Happy Hour

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<v Speaker 1>drinks as motherfucker happy hour makes some Now, when we

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<v Speaker 1>started this show, we said we wanted to do legends only.

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<v Speaker 1>So this brother that's standing in front of me, for me,

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<v Speaker 1>is the best producer of all times, all times. I'm

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<v Speaker 1>talking about. This is our Quincy Jones. I see him

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<v Speaker 1>see music. I've seen him come into a session and

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<v Speaker 1>just say yo and just change it and just this

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<v Speaker 1>session become turquoise or purple and it just changed. The

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<v Speaker 1>man has. He's a producer. There's people that make beats

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<v Speaker 1>and there's people that produce. This is the producers producer.

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<v Speaker 1>Then he's verged on into being an artist and he

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<v Speaker 1>conquered dad and he he can work from anybody to

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<v Speaker 1>an r A to Madonna and make it make The

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<v Speaker 1>man is like Jesus. He walks on water and I

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<v Speaker 1>don't see the pillow cases gone. In case you don't

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<v Speaker 1>know who I'm talking about, I'm talking about the incredible,

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<v Speaker 1>the impeccable for brown. Motherfucking Now, I purposely didn't look

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<v Speaker 1>at you when I was saying that, because I know

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<v Speaker 1>how humble you are. You know, I know if for

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<v Speaker 1>twenty years. I know how humble you are. But you

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<v Speaker 1>are to certain people, fucking to certain people you are

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<v Speaker 1>to me, I want the best producer of all time.

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<v Speaker 1>Like I mean, I've worked with everyone. This is me,

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<v Speaker 1>me and my career. Um, you're you're the best producer

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<v Speaker 1>I've ever worked with. Well, first of all, let me

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<v Speaker 1>just say that I am. I'm you guys can hear me? Okay,

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<v Speaker 1>I'm I'm wearing my mask because I got nineteen kids

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<v Speaker 1>and my parents are approaching seventies. So you know, we

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<v Speaker 1>all tested it, but I'm just my wife testing everybody say,

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<v Speaker 1>maybe it's like, let's do it. That's how I poured

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<v Speaker 1>you off. For us, we still got to do it.

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<v Speaker 1>Back to pouring you off. But being that you're not

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<v Speaker 1>going to drink a spade are you're not gonna drink it?

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<v Speaker 1>Because you know jay Z personally acts, would you get

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<v Speaker 1>you high and some space? So if you're not keep

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<v Speaker 1>picking with your bottle, actually drink why not the penguin?

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<v Speaker 1>I already know what got damn I already knew what

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<v Speaker 1>good damn it. But okay, so I wanted to say

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<v Speaker 1>first and foremost, um uh, congratulations on you know, the

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<v Speaker 1>continuation of your career. Um. And when I say continuation,

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<v Speaker 1>I mean we're all pluralist. And somehow, when you're in

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<v Speaker 1>the music industry, they convince you to only focus on

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<v Speaker 1>one thing because they feel like, you know, they only

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<v Speaker 1>want you to pay attention to their interest. And eventually,

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<v Speaker 1>you know, the the the the the people in senior

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<v Speaker 1>leadership positions of these companies recognize that these other potential

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<v Speaker 1>revenue streams for these artists could also be you know,

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<v Speaker 1>contributors to the marketing to their partnership. Um, but you

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<v Speaker 1>saw this early, you were on this early. I remember

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<v Speaker 1>when you were talking to me about it, like, yeah,

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<v Speaker 1>you know what I'm thinking about going into this thing,

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<v Speaker 1>Like I got this idea, I got this concept always

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<v Speaker 1>have a camera. I didn't know why you always have

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<v Speaker 1>a camera. My point is you were one of the

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<v Speaker 1>first to do that, and and and you stayed focused

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<v Speaker 1>until you realize exactly how you could, like you know,

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<v Speaker 1>grow the audience and monetize it. And I think that's

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<v Speaker 1>a that's beautiful. And I want to also say that

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<v Speaker 1>I am grateful that you would even you know that

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<v Speaker 1>I'm you even want to have me on more because

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<v Speaker 1>I think you guys, you guys talk about things that

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<v Speaker 1>because I feel like, you know, you bring interesting guests

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<v Speaker 1>on here, who really really say things that sometimes shock people,

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<v Speaker 1>sometimes enlightened people. And I feel like, you know, you know,

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<v Speaker 1>I've always been like that about myself, Like I don't

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<v Speaker 1>really find myself interesting. I'm always interested in the people

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<v Speaker 1>I can collaborate with. So I've always felt like I

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<v Speaker 1>would always be like a boring interview. I'm just saying

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<v Speaker 1>thank you beginning than in the beginning, that's when I

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<v Speaker 1>googled you, which you know your person. I shouldn't have

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<v Speaker 1>to google, but I wanted to do my research thoroughly.

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<v Speaker 1>So it said early nineties. Now, when they say early nineties,

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<v Speaker 1>what do they mean? Like? What was what? Were you

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<v Speaker 1>and Chad hooked up in school? Correct? Yeah? Yeah, we

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<v Speaker 1>were in high school. Um, started making music then. Um

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<v Speaker 1>we met when we were like twelve, started making music

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<v Speaker 1>when we're like fifteen sixteen. Um, we got discovered when

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<v Speaker 1>we were in high school. And so once we got

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<v Speaker 1>out of high school, Um, you know, we went straight

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<v Speaker 1>in with Teddy and uh people. Yeah, Teddy Riley, you

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<v Speaker 1>know he did you know the Dangerous album. He did

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<v Speaker 1>a lot of songs on a Dangerous album with Michael.

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<v Speaker 1>I mean, he's Teddy is a legend. Um it takes two.

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<v Speaker 1>I mean the show, Yeah, the show with Dougie Fresh

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<v Speaker 1>rig like he's yeah, yeah, yeah, guy Black Street, He's

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<v Speaker 1>I could just keep going on with this guy. The

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<v Speaker 1>guy did Johnny Kimps just got paid. Or you want

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<v Speaker 1>whatever you want, it's whatever you we live in your world. Brother,

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<v Speaker 1>you want some Swan Swan tequila? You know what I'm

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<v Speaker 1>gonna I'm gonna, I'm gonna go with the sense sah,

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<v Speaker 1>we don't know how to open that, but we'll figure

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<v Speaker 1>it out. Okay, So I'm gonna go with the say

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<v Speaker 1>so when they say early nineties, Our first thing that

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<v Speaker 1>we ever did was Tonights Tonight for Black Street. Whoa

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<v Speaker 1>and then um and that was That was written by

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<v Speaker 1>Tammy Lucas, who was on that. Yes, yes, yes, yes,

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<v Speaker 1>She's the reason why Teddy paid attention to us. By

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<v Speaker 1>the way she she went to Teddy was like, Yo,

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<v Speaker 1>you gotta pay attention to these guys. Wow. Yeah. The

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<v Speaker 1>rumor is that you guys ghost produced. That's the rumor.

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<v Speaker 1>The truth is, my first time meeting Teddy, it was

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<v Speaker 1>like eleven o'clock at night, which this is when I

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<v Speaker 1>first realized that, like people in the music industry are vampires,

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<v Speaker 1>right people talking to me about being a vampire, these

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<v Speaker 1>guys are vampires. They literally wake up in the evening

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<v Speaker 1>and the session doesn't start until eleven, sometimes two o'clock

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<v Speaker 1>in the morning, and then they go until you know,

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<v Speaker 1>it's like eight o'clock in the morning. You leave in

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<v Speaker 1>the studio, you're listening to what you just did. You

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<v Speaker 1>know what I'm saying that was that was a new

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<v Speaker 1>world to me. That's that's when Teddy showed me like

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<v Speaker 1>there was a nocturnal world of creativity. I never knew that, right.

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<v Speaker 1>We we worked like we went to work. We work

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<v Speaker 1>in the daytime and ship and that's on purpose that

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<v Speaker 1>they would work that way. Yeah, yeah, but it's it's

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<v Speaker 1>a very real thing. Thank you your brother. Um and

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<v Speaker 1>then um, so I put the record. I don't know

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<v Speaker 1>if you answered that or not. Yeah, get into tonight tonight.

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<v Speaker 1>No no, no, I no know know tonight tonight. And

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<v Speaker 1>I'm saying but but before tonight tonight, my first time

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<v Speaker 1>meeting Teddy, he was working on rum Shaker. It was

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<v Speaker 1>like eleven o'clock at night. So I want to do

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<v Speaker 1>with zoom zoom zoom. They had everything. I Kill had

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<v Speaker 1>put his first down, markl had his verse down, and

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<v Speaker 1>Teddy was like, yo, you know, can you know? Can

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<v Speaker 1>you can you you? I heard you wrap? It was

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<v Speaker 1>like yeah, He's like, can you write my verse for me?

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<v Speaker 1>I was like, all right, cool, rapp your verse? All

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<v Speaker 1>right right? Right? Yeah? He said can you write my

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<v Speaker 1>verse to me? So I went in and like, I

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<v Speaker 1>don't know, you know, this is breaking news for us

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<v Speaker 1>because I was confirmed or not the story. So the

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<v Speaker 1>room was you made the beat, so that's where the

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<v Speaker 1>people people mistake that, But no, I could never I

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<v Speaker 1>could have never made that beat. That beat with like

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<v Speaker 1>that beat transcended genres to me. You know, we don't

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<v Speaker 1>know if you knew. Our show was about saluting our brothers.

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<v Speaker 1>So we want to salute you. Salute you, my brother,

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<v Speaker 1>because you know all motherfucking vampire boy did all this.

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<v Speaker 1>We love you. So you wrote Teddy's verse. Let's take

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<v Speaker 1>it from there boom. Then what happened on a Classic

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<v Speaker 1>Records that's still to this day bumps. And then now

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<v Speaker 1>this is your your because would you produce all artists? First?

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<v Speaker 1>That was my next where we were we were just

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<v Speaker 1>like we were self we can just we considered ourselves

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<v Speaker 1>self contained artists. You know what I'm saying, you can

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<v Speaker 1>do it all. Listen. You know what I love this

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<v Speaker 1>is like so like this is like so thug, super thug,

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<v Speaker 1>barbershop ship, people got all masks, people smoking weeds, you

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<v Speaker 1>can we're smoking to drinking that you were contained. We're

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<v Speaker 1>definitely here. By the way, why the only weirdos ever

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<v Speaker 1>want to mask in them? So far? Okay, don't Okay?

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<v Speaker 1>When you're your family listening drink. So was that your

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<v Speaker 1>first time, like, because I'm know I'm bouncing all over

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<v Speaker 1>the place, but you know, I've had sessions with you

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<v Speaker 1>with you for twenty years, and I've walked into sessions

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<v Speaker 1>sometimes where you working with an artist and you would

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<v Speaker 1>have a complete record for them, and I just never

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<v Speaker 1>knew that. I didn't knew. I don't know that sounds

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<v Speaker 1>a little ghetto new, but I didn't know that people

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<v Speaker 1>would present records like that. I think I think that

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<v Speaker 1>was the first experience I ever saw like where he

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<v Speaker 1>was like you, like you was like us, your justin

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<v Speaker 1>tim and it would be you do the whole. I

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<v Speaker 1>didn't know that that's what you did at the time,

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<v Speaker 1>like it blew me away. I think it was in

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<v Speaker 1>South Beast studios, the Marling studios once and I was

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<v Speaker 1>just you just playing me records and I was sitting

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<v Speaker 1>back like, holy ship, I didn't know that's what you did. Well,

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<v Speaker 1>you know, it's interesting that you say that, because when

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<v Speaker 1>you say South Beat, you take me back to when

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<v Speaker 1>we made nothing that's right, and you were you were

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<v Speaker 1>kind enough because I knew that beat, the original beat

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<v Speaker 1>was not good enough and and they were kind of

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<v Speaker 1>like I think even Christmas, like what you're talking about?

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<v Speaker 1>Like what do you mean? Like it's it's cool? And

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<v Speaker 1>I was like no, now, and now come on, let's

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<v Speaker 1>just let me. I'm gonna tell you my side. Do

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<v Speaker 1>you tell me yours? This is gonna be a little

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<v Speaker 1>long story, but just just sticking. I had just look

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<v Speaker 1>next stoor to me at the time, was driving me back.

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<v Speaker 1>He's driving all this crep. I'm I'm I'm good, but

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<v Speaker 1>I'm not y'all real good. So I go do a

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<v Speaker 1>record like Opposo and Leo cons comes to the studio.

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<v Speaker 1>I don't know if you knew this part. I don't

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<v Speaker 1>know if you know the part. But Leo Cohens comes

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<v Speaker 1>to the studio and he has the Jar Rule video

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<v Speaker 1>and he plays it and it's me with my boys

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<v Speaker 1>running around with Lamborghinis and you know, just just all

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<v Speaker 1>this fancy rich shit. And he goes to me, how

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<v Speaker 1>do you like it? And I go, I love it?

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<v Speaker 1>And my boys like you love it? And then Leo

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<v Speaker 1>says it's popcorn. And I never looked at popcorner is

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<v Speaker 1>a bad thing in my life. He said it's popcorn,

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<v Speaker 1>and I was like what, but he meant pop he said.

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<v Speaker 1>He said, he said, I want to tell you a story, Nori.

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<v Speaker 1>So he said, if I cut you, what would you bleed?

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<v Speaker 1>So I said, I would bleed blood, he said, And

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<v Speaker 1>I asked me the same question. So I said, if

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<v Speaker 1>I cut you, what would you bleed? New york On

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<v Speaker 1>said run dmc sucker mc. So I looked at him.

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<v Speaker 1>I was like, damn, that's fucking great answer. I didn't

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<v Speaker 1>say that. So he says to me, I'm gonna ask

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<v Speaker 1>you this one more time as your solo career. If

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<v Speaker 1>I cut you, what would you bleed? I said, super

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<v Speaker 1>thug And he said exactly. For I was in Virginia

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<v Speaker 1>waiting for you go out there, and he had already

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<v Speaker 1>set up a session with you. So I've rented Virginia.

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<v Speaker 1>Remember the original was, are you dudes really ready to ride?

0:13:01.520 --> 0:13:04.839
<v Speaker 1>All you do? Want to come inside? You want to

0:13:05.000 --> 0:13:09.559
<v Speaker 1>ride and ready to ride? So what you want to do?

0:13:11.080 --> 0:13:13.520
<v Speaker 1>It was a whole different beat. Yeah, it was a

0:13:13.520 --> 0:13:15.760
<v Speaker 1>whole different beat, and there's a whole different intro to that.

0:13:16.320 --> 0:13:19.320
<v Speaker 1>And you told me to study the Jungle Brothers. You

0:13:19.360 --> 0:13:23.280
<v Speaker 1>remember that. So he was like, um, it was uncle saying,

0:13:23.320 --> 0:13:25.719
<v Speaker 1>Mike g say what the joint the slam with his

0:13:25.800 --> 0:13:29.000
<v Speaker 1>bandage of Chris that joint this slammed five thousand boom

0:13:29.040 --> 0:13:32.160
<v Speaker 1>and watch sound System stated at all now listen to

0:13:32.200 --> 0:13:35.559
<v Speaker 1>nothing and all pop beat say what that man with

0:13:35.720 --> 0:13:38.840
<v Speaker 1>his manager christ and then labeled the jest flaws. So

0:13:38.880 --> 0:13:40.760
<v Speaker 1>on your watch you ain't you dudes her ground you

0:13:40.800 --> 0:13:45.720
<v Speaker 1>maybe still you know what I'm saying. This can't tell

0:13:45.760 --> 0:13:53.200
<v Speaker 1>he's a friendly with the Jungle Brothers. Don't. But you

0:13:53.200 --> 0:13:55.120
<v Speaker 1>know what the first one you gave me before that

0:13:55.600 --> 0:13:58.320
<v Speaker 1>it was he was like, Yo, listen to Vanilla Ice

0:13:58.400 --> 0:14:01.280
<v Speaker 1>Ice Ice Baby, you remember that? You know what that was?

0:14:01.320 --> 0:14:03.760
<v Speaker 1>I back, younger, who I can't do it? You gave

0:14:03.800 --> 0:14:05.640
<v Speaker 1>me that first. I said, I can't. I can't for

0:14:05.720 --> 0:14:11.240
<v Speaker 1>that ice. So if you listen to the fast holliba younger, whoa, whoa,

0:14:11.600 --> 0:14:22.400
<v Speaker 1>it's Ice Ice Baby. All right, So let's let's let's

0:14:22.400 --> 0:14:24.920
<v Speaker 1>bring it back. Yeah, we fast forward it a little bit,

0:14:24.920 --> 0:14:30.000
<v Speaker 1>but there. So let's get back to you writing all

0:14:30.040 --> 0:14:33.360
<v Speaker 1>these music because at first, like I just thought you

0:14:33.440 --> 0:14:35.920
<v Speaker 1>was a hip hop producer. I didn't realize how how

0:14:35.960 --> 0:14:38.360
<v Speaker 1>super talented you was. Like when you deliver these records

0:14:38.360 --> 0:14:40.400
<v Speaker 1>of the people, these people you're giving them a piece

0:14:40.400 --> 0:14:45.640
<v Speaker 1>of your soul. Like how did you develop that? Is

0:14:45.680 --> 0:14:49.080
<v Speaker 1>that producing producing? Or is that we were just finding

0:14:49.080 --> 0:14:51.040
<v Speaker 1>our way? You know what I'm saying. I think I

0:14:51.080 --> 0:14:53.400
<v Speaker 1>think for us more than anything else, it was more

0:14:53.520 --> 0:14:59.240
<v Speaker 1>like you know, um, we we were like, man, we're

0:14:59.240 --> 0:15:01.800
<v Speaker 1>from Virginia. We don't know how long this is gonna last.

0:15:01.880 --> 0:15:06.720
<v Speaker 1>Like yo, take that opportunity and like really really excavate

0:15:06.760 --> 0:15:09.400
<v Speaker 1>as much as you can out of it, you know,

0:15:09.440 --> 0:15:12.040
<v Speaker 1>all the excavate all the opportunity out of it that

0:15:12.120 --> 0:15:14.360
<v Speaker 1>you can. It's like, yeah, I'm working with guys out

0:15:14.360 --> 0:15:16.920
<v Speaker 1>of New York. I'm in Virginia. Like you know, there's

0:15:16.920 --> 0:15:20.400
<v Speaker 1>no deaf jam in in in Norfolk. There's no like

0:15:21.160 --> 0:15:24.840
<v Speaker 1>r c A in Virginia Beach. Like who wasn't like

0:15:24.920 --> 0:15:27.040
<v Speaker 1>Mad Skills was one of the few that had come out.

0:15:27.680 --> 0:15:30.000
<v Speaker 1>Yeah but he was, but he was up the road

0:15:30.080 --> 0:15:33.480
<v Speaker 1>so he wasn't really around him like that because Virginia Beach, right, yeah,

0:15:33.520 --> 0:15:36.040
<v Speaker 1>we Virginia Beach. We love him. That's our brother. But

0:15:36.320 --> 0:15:38.480
<v Speaker 1>like you know, that was like up the road. You

0:15:38.480 --> 0:15:41.840
<v Speaker 1>know that that Richmond mas was. It wasn't Maryland or

0:15:41.920 --> 0:15:43.600
<v Speaker 1>d C. But it might as well have been in

0:15:43.720 --> 0:15:46.720
<v Speaker 1>terms of distance, like drop the hand that he dropped

0:15:46.720 --> 0:15:50.320
<v Speaker 1>a Newport new the Richmond was like that was Viina,

0:15:50.400 --> 0:15:53.800
<v Speaker 1>like the beginning of the South. No, because botom Ale

0:15:53.960 --> 0:15:55.800
<v Speaker 1>is not the South. Maryland is not the South. Then

0:15:55.920 --> 0:15:59.280
<v Speaker 1>it's it's the South starts in Virginia. So Maryland is

0:15:59.320 --> 0:16:02.760
<v Speaker 1>the South. Baltimore is the South. It's Virginia. Botimore was

0:16:02.800 --> 0:16:08.280
<v Speaker 1>not the South. Technically it is. Yeah. Yeah, forty three

0:16:08.320 --> 0:16:11.080
<v Speaker 1>years on this earth means nothing. I've never thought of

0:16:11.200 --> 0:16:13.120
<v Speaker 1>the bottoms to be in the South. I don't know

0:16:13.160 --> 0:16:16.000
<v Speaker 1>if people in Baltimore consider themselves the South. Yeah, but

0:16:16.040 --> 0:16:19.560
<v Speaker 1>that's the South. Even in football or south it's eastern

0:16:19.600 --> 0:16:23.960
<v Speaker 1>football right sunny look up Okay, eastern. But but it's

0:16:24.040 --> 0:16:27.560
<v Speaker 1>like it's not New York. It's like d m V.

0:16:27.760 --> 0:16:30.000
<v Speaker 1>We're like the south west. You know, we all listen

0:16:30.040 --> 0:16:32.840
<v Speaker 1>to go go. DC is considered the south too. I

0:16:32.880 --> 0:16:36.040
<v Speaker 1>mean that's like child is all funked up right now.

0:16:36.080 --> 0:16:38.640
<v Speaker 1>You can say, you can say it's up north from US,

0:16:39.440 --> 0:16:42.360
<v Speaker 1>but it's south of New York. New York feels like

0:16:42.520 --> 0:16:46.800
<v Speaker 1>north to us. Up north is the state area. I'm

0:16:46.840 --> 0:16:53.200
<v Speaker 1>saying d C still is East Coast Okay, I think

0:16:53.240 --> 0:16:55.560
<v Speaker 1>what you're thinking the Tri State area is what is

0:16:55.640 --> 0:16:59.600
<v Speaker 1>the real Northeast. That's it. That's all we got. We

0:16:59.720 --> 0:17:07.040
<v Speaker 1>got New York and that's pretty much your east to us.

0:17:07.080 --> 0:17:10.520
<v Speaker 1>I thought Bortomore was us Nah Bottomore or No, that's

0:17:10.560 --> 0:17:13.560
<v Speaker 1>like look how it look. Look that's a whole other

0:17:13.640 --> 0:17:16.320
<v Speaker 1>world where they dressed the way talk. Everything that's not

0:17:16.720 --> 0:17:19.120
<v Speaker 1>Philly is another world. But it's still a part of us.

0:17:19.400 --> 0:17:23.000
<v Speaker 1>Philly is. But by the way, that's why they're part

0:17:23.040 --> 0:17:28.439
<v Speaker 1>of the Tri State. You feel me like, once you

0:17:28.440 --> 0:17:31.359
<v Speaker 1>get outside of the Try State, like you know, you

0:17:31.400 --> 0:17:33.480
<v Speaker 1>get to that, you know, you start to get into

0:17:33.480 --> 0:17:36.560
<v Speaker 1>them different kind of drawls, sudden draws, and you know

0:17:36.560 --> 0:17:38.760
<v Speaker 1>what I'm saying, the way they dressed different and the

0:17:39.200 --> 0:17:41.400
<v Speaker 1>fact that first of all, I think Philly is probably

0:17:41.880 --> 0:17:45.399
<v Speaker 1>Philly is where mcs are born. They just grow into

0:17:45.440 --> 0:17:49.640
<v Speaker 1>the goodness, you know what I'm saying. And the music there,

0:17:49.640 --> 0:17:54.280
<v Speaker 1>the musicality there is unbelievable, you know what I'm saying. Um,

0:17:54.320 --> 0:17:56.000
<v Speaker 1>But when as soon as you get outside of that,

0:17:56.119 --> 0:17:59.480
<v Speaker 1>you hit that d C you know, go, go, I

0:17:59.520 --> 0:18:03.040
<v Speaker 1>see people fishing in the club. Yeah, crazy, that's that

0:18:03.080 --> 0:18:08.600
<v Speaker 1>Bake song. So you can see yourself a self producer. Yes, yes,

0:18:08.800 --> 0:18:10.639
<v Speaker 1>But you know, if I'm gonna say like where it

0:18:10.680 --> 0:18:13.720
<v Speaker 1>came from first, right off the cuff, And I don't

0:18:13.720 --> 0:18:15.439
<v Speaker 1>want abody to get mad at me, because my Maryland

0:18:15.480 --> 0:18:17.160
<v Speaker 1>folks was mad at me when I said something about

0:18:17.440 --> 0:18:18.920
<v Speaker 1>Go Go, and I didn't really mean in that way

0:18:18.920 --> 0:18:20.879
<v Speaker 1>this because I was only really thinking about Baltimore at

0:18:20.880 --> 0:18:24.199
<v Speaker 1>the time. But you know, when I think about like

0:18:24.600 --> 0:18:27.960
<v Speaker 1>music coming out of the South, I'm gonna say Atlanta

0:18:28.119 --> 0:18:32.560
<v Speaker 1>and and and Miami to me, at Miami made a

0:18:32.560 --> 0:18:36.760
<v Speaker 1>lot of noise influence to you what from these areas influence?

0:18:36.800 --> 0:18:38.919
<v Speaker 1>First of all, I mean in the eighties, like the

0:18:39.040 --> 0:18:42.160
<v Speaker 1>Miami base was like everything you know what I'm saying,

0:18:42.359 --> 0:18:45.480
<v Speaker 1>like the Gucci Cruise and stuff like that, and it

0:18:45.560 --> 0:18:56.760
<v Speaker 1>looks like so powerful, ready to claim Yeah wow, okay,

0:18:56.800 --> 0:19:03.800
<v Speaker 1>all right, so bouncing around right the nerves, yes, sir,

0:19:04.560 --> 0:19:07.040
<v Speaker 1>all right? What is the difference from the Nerves and

0:19:07.080 --> 0:19:10.480
<v Speaker 1>the Neptunes? So any r D was created because for

0:19:10.520 --> 0:19:13.800
<v Speaker 1>a very long time we were trying as artists as

0:19:13.800 --> 0:19:17.479
<v Speaker 1>the Neptunes to get a deal, but that never happened

0:19:17.480 --> 0:19:19.360
<v Speaker 1>because I was just way too out there and too

0:19:19.400 --> 0:19:22.159
<v Speaker 1>crazy and and time wasn't ready for me, and I

0:19:22.200 --> 0:19:27.520
<v Speaker 1>wasn't ready for time um um, and so the context

0:19:27.560 --> 0:19:29.679
<v Speaker 1>just never made sense. But then you know, it just

0:19:29.680 --> 0:19:32.399
<v Speaker 1>started like my influence being out there more like with

0:19:32.440 --> 0:19:36.000
<v Speaker 1>the way I dress and you know, just like you know,

0:19:36.359 --> 0:19:39.280
<v Speaker 1>like swagging and like saucing on other people's records and ship.

0:19:39.640 --> 0:19:43.120
<v Speaker 1>The market started to warm up and pretty much the gatekeepers,

0:19:43.200 --> 0:19:45.040
<v Speaker 1>the A and R s had to it had to

0:19:45.040 --> 0:19:47.320
<v Speaker 1>be their idea first. When I was presenting, and it

0:19:47.440 --> 0:19:50.399
<v Speaker 1>was like, remember, like I'd never forget your manager, rest

0:19:50.400 --> 0:19:55.040
<v Speaker 1>in peace, love baby, Chris Man, I'll never forget. Like

0:19:55.119 --> 0:19:57.719
<v Speaker 1>one day I was just like rapping so long, just

0:19:57.800 --> 0:19:59.240
<v Speaker 1>kind of you know because at the time I could

0:19:59.240 --> 0:20:02.520
<v Speaker 1>also like free St Island Ship and I was freestyling,

0:20:02.560 --> 0:20:04.719
<v Speaker 1>and then they like picked up the phone call like

0:20:04.760 --> 0:20:09.760
<v Speaker 1>while I was still rapping, and uh, I was just

0:20:09.840 --> 0:20:11.880
<v Speaker 1>so full of myself at that time. I didn't give

0:20:11.880 --> 0:20:14.520
<v Speaker 1>a ship. I just kept rapping or whatever. Like Rob

0:20:14.560 --> 0:20:16.440
<v Speaker 1>Walker tell you that was a very funny story because

0:20:16.520 --> 0:20:18.000
<v Speaker 1>Chris is like, yeah, you're hold on the second, I'm

0:20:18.000 --> 0:20:19.639
<v Speaker 1>still rapping and ship. He walked out and take a

0:20:19.680 --> 0:20:23.000
<v Speaker 1>call and come back, like you know, Chris was real

0:20:23.080 --> 0:20:26.639
<v Speaker 1>like that, and uh, but it was it was one

0:20:26.640 --> 0:20:31.119
<v Speaker 1>of those things where like it just wasn't that time.

0:20:31.240 --> 0:20:35.320
<v Speaker 1>So by the time we met Calise and then we

0:20:35.359 --> 0:20:41.640
<v Speaker 1>put her album out over at Virgin you know, Keith Uh,

0:20:41.880 --> 0:20:45.960
<v Speaker 1>Keith Woods at the time. Yeah, Janet Jackson, Lenneykravis and

0:20:46.000 --> 0:20:47.840
<v Speaker 1>a lot of great rock acts were there. And that's

0:20:48.119 --> 0:20:51.600
<v Speaker 1>so it's like after we did the Callise album, um,

0:20:51.920 --> 0:20:54.399
<v Speaker 1>and she came out and she was a she was

0:20:54.440 --> 0:20:59.840
<v Speaker 1>a success. Um. We felt like they felt like, you know,

0:21:00.040 --> 0:21:01.840
<v Speaker 1>what about you guys, Why don't you guys make a record?

0:21:01.840 --> 0:21:02.960
<v Speaker 1>I was like, well, I don't want to make a

0:21:02.960 --> 0:21:05.400
<v Speaker 1>record calling neptunes. At this point we're known as production,

0:21:05.480 --> 0:21:07.000
<v Speaker 1>like we need to be something else. And that's when

0:21:07.040 --> 0:21:09.480
<v Speaker 1>No One Ever Really Dies was born, which was n

0:21:09.640 --> 0:21:12.159
<v Speaker 1>r D. But you thought, to a certain sting, you

0:21:12.160 --> 0:21:14.560
<v Speaker 1>thought that was captain like calling yourself nerves because you're

0:21:14.760 --> 0:21:18.720
<v Speaker 1>really not a nerd. No, but we're not. If you

0:21:18.760 --> 0:21:20.600
<v Speaker 1>think about it right, it's an acronym, which is no

0:21:20.640 --> 0:21:22.359
<v Speaker 1>one ever really dies? Do you have? You know, the

0:21:22.400 --> 0:21:26.040
<v Speaker 1>revision of the Nerds. Those guys were horn dogs. They

0:21:26.040 --> 0:21:29.800
<v Speaker 1>were bad, they were horny dudes a thing, you know.

0:21:30.480 --> 0:21:35.000
<v Speaker 1>But I don't think looks. But here's the thing. We

0:21:35.040 --> 0:21:36.840
<v Speaker 1>grew up in the nineties, right, We grew up in

0:21:36.840 --> 0:21:39.479
<v Speaker 1>the eighties and the nineties where the nerds ended up

0:21:39.920 --> 0:21:42.160
<v Speaker 1>They were nerds in school, but they ended up like

0:21:42.720 --> 0:21:46.679
<v Speaker 1>driving the BMW's and the Mercedes, you know, and getting

0:21:46.680 --> 0:21:51.159
<v Speaker 1>the all the nerds from. So we thought that was

0:21:51.200 --> 0:21:53.240
<v Speaker 1>super cool. Every time that comes on, I think it's

0:21:53.240 --> 0:21:57.560
<v Speaker 1>a beat about the drop because there's a note go

0:21:57.720 --> 0:22:09.280
<v Speaker 1>it goes bones. Look at you to Um, I want

0:22:09.280 --> 0:22:12.280
<v Speaker 1>to get back to you for a bit because I

0:22:12.320 --> 0:22:15.560
<v Speaker 1>know you're humble and I respect that, but you need

0:22:15.600 --> 0:22:22.840
<v Speaker 1>to be giving your flowers. Um, you're actually, if if not,

0:22:22.960 --> 0:22:26.640
<v Speaker 1>the best whild I say you are. But the wait

0:22:26.720 --> 0:22:32.400
<v Speaker 1>Quincy Jones put melodies together and put projects together, your

0:22:32.920 --> 0:22:36.960
<v Speaker 1>Quincy Jones of Wrapped. Can you accept that? I cannot?

0:22:37.160 --> 0:22:41.760
<v Speaker 1>Oh my god, we're gonna you also you also you also.

0:22:42.320 --> 0:22:45.040
<v Speaker 1>Let's take a shot of your swan ship. Let's go.

0:22:45.280 --> 0:22:46.840
<v Speaker 1>Let's take a shot of that. What is it called?

0:22:46.920 --> 0:22:49.280
<v Speaker 1>It doesn't matter, it's it's a shot. It's called it's

0:22:49.280 --> 0:22:54.040
<v Speaker 1>called purple rain. Purple Oh got shot? Classes, Okay, give

0:22:54.080 --> 0:22:56.560
<v Speaker 1>me some of that. It's not a shot it's more

0:22:56.600 --> 0:22:59.680
<v Speaker 1>of a set. But okay, but we're gonna take the shot.

0:23:00.440 --> 0:23:05.280
<v Speaker 1>Goddamn you gotta gotta he already ready, goddamnit. Don't give

0:23:05.320 --> 0:23:08.000
<v Speaker 1>me a shot of that too. Okay, please gonna don't

0:23:08.000 --> 0:23:13.720
<v Speaker 1>we shot? Don't shots special ohip big boy from the Outcast.

0:23:13.800 --> 0:23:16.840
<v Speaker 1>Just text me. That's crazy. We got goody map on Monday.

0:23:17.240 --> 0:23:19.160
<v Speaker 1>I'm so glad you're I'm gonna take it. I'm gonna

0:23:19.160 --> 0:23:26.240
<v Speaker 1>take a shot. I don't don't leaven forgetting my subject. Okay,

0:23:26.520 --> 0:23:30.080
<v Speaker 1>you look so so. Let me let me take my

0:23:30.119 --> 0:23:31.800
<v Speaker 1>mass off of this law for give me. I'm I'm

0:23:31.840 --> 0:23:34.920
<v Speaker 1>not supposed to be doing this crazy No, of course,

0:23:35.359 --> 0:23:37.600
<v Speaker 1>take my shot off just to say this slut you know,

0:23:39.160 --> 0:23:51.200
<v Speaker 1>cheers immediately text me since I took that so so so.

0:23:51.880 --> 0:23:54.560
<v Speaker 1>When you first introduced me, you said super kind things,

0:23:55.600 --> 0:23:58.480
<v Speaker 1>but you also included Jesus, and I just want to

0:23:58.480 --> 0:24:00.960
<v Speaker 1>be clear, like for anybody that us believe, or people

0:24:01.000 --> 0:24:04.560
<v Speaker 1>who are atheists or whatever, God is the absolute greatest.

0:24:04.560 --> 0:24:07.840
<v Speaker 1>I could never ever be compared. And I knew it was.

0:24:08.040 --> 0:24:10.000
<v Speaker 1>I knew you were being colorful, I knew you were

0:24:10.040 --> 0:24:12.480
<v Speaker 1>being poetic. I was trying to do a parable of course,

0:24:13.200 --> 0:24:16.359
<v Speaker 1>of course, but I just have to humble myself in

0:24:16.359 --> 0:24:20.360
<v Speaker 1>that moment to just be like, Yo, God is the greatest.

0:24:21.040 --> 0:24:24.120
<v Speaker 1>You gotta show about God on Netflix? Right, my uncle

0:24:24.160 --> 0:24:26.920
<v Speaker 1>does call voices of fire? Okay, is this about? Let's

0:24:26.920 --> 0:24:29.399
<v Speaker 1>break that down. So that is my uncle, um, And

0:24:29.400 --> 0:24:30.760
<v Speaker 1>then I want to get back to giving it up

0:24:30.800 --> 0:24:35.240
<v Speaker 1>to the guy. So you know, my uncle, um it

0:24:35.359 --> 0:24:38.679
<v Speaker 1>was a child prodigy and uh at playing piano, and

0:24:38.720 --> 0:24:42.280
<v Speaker 1>he was as a renowned um on the gospel world,

0:24:42.400 --> 0:24:45.760
<v Speaker 1>was a renowned organist and pianist. They played for a

0:24:45.760 --> 0:24:49.720
<v Speaker 1>lot of churches and at some point, you know, it

0:24:49.800 --> 0:24:54.240
<v Speaker 1>was his calling to also become a pastor, and he

0:24:54.280 --> 0:24:57.600
<v Speaker 1>became a bishop. And I just thought, man, if he

0:24:57.680 --> 0:25:02.320
<v Speaker 1>has all of that talent and was known previously as

0:25:02.320 --> 0:25:06.400
<v Speaker 1>being this great, you know musician, that his choir needed

0:25:06.400 --> 0:25:09.919
<v Speaker 1>to be amazing. And Hampton Rhodes has so much talent

0:25:10.640 --> 0:25:12.720
<v Speaker 1>that we wanted to make sure that we gave them

0:25:12.720 --> 0:25:15.919
<v Speaker 1>a platform to build the you know, a great choir

0:25:16.600 --> 0:25:20.520
<v Speaker 1>that pulled from all of you know, Newport News, Hampton,

0:25:21.000 --> 0:25:28.160
<v Speaker 1>Newport News, Hampton, Norfolk, Virginia Beach, Poor Smith, um Chesapeake,

0:25:28.560 --> 0:25:31.840
<v Speaker 1>Suffolk to pull them all in to get the best

0:25:31.880 --> 0:25:35.399
<v Speaker 1>people who could arguably all sing lead if they wanted to,

0:25:35.800 --> 0:25:38.639
<v Speaker 1>but have to work within the confines of being a

0:25:38.760 --> 0:25:40.760
<v Speaker 1>choir and not being the one to sing the lead.

0:25:40.960 --> 0:25:43.919
<v Speaker 1>So being so good that you're able to be humble

0:25:44.240 --> 0:25:46.720
<v Speaker 1>and can be part of something bigger than yourself. So

0:25:46.840 --> 0:25:54.360
<v Speaker 1>that was Voices of Fire. That's beautiful. So I want

0:25:54.359 --> 0:25:57.440
<v Speaker 1>to go back to this thing. God is the greatest

0:25:57.480 --> 0:26:04.960
<v Speaker 1>man God, And I'm not I'm not perfect, I'm not sinless,

0:26:06.000 --> 0:26:09.359
<v Speaker 1>but I know when I look over, like I used

0:26:09.400 --> 0:26:11.320
<v Speaker 1>to say it on all my like like a lot

0:26:11.359 --> 0:26:13.119
<v Speaker 1>of a lot of my career, like, man, why me?

0:26:13.240 --> 0:26:15.040
<v Speaker 1>Like how did I get here? I know you've questioned,

0:26:15.040 --> 0:26:17.240
<v Speaker 1>and I'm sure you have as well. But the key

0:26:17.400 --> 0:26:23.160
<v Speaker 1>is is because I think I think the universe puts

0:26:23.200 --> 0:26:27.040
<v Speaker 1>us in this position because they because it knows that

0:26:27.080 --> 0:26:30.080
<v Speaker 1>we're going to give back. It knows that we are

0:26:30.080 --> 0:26:33.840
<v Speaker 1>gonna take our experiences and share the codes where the

0:26:33.920 --> 0:26:37.080
<v Speaker 1>other brothers and sisters. And that's the reason why, you know,

0:26:37.160 --> 0:26:40.159
<v Speaker 1>maybe somebody else might not have wanted to share the codes.

0:26:40.320 --> 0:26:42.119
<v Speaker 1>And you know that in the music industry where you

0:26:42.160 --> 0:26:44.520
<v Speaker 1>see some people doing well, other people not. And it's

0:26:44.520 --> 0:26:46.879
<v Speaker 1>only until you start feeling lucky that someone pulls you

0:26:46.920 --> 0:26:48.639
<v Speaker 1>to the side and gives you the code, Like, why

0:26:48.680 --> 0:26:52.000
<v Speaker 1>should we feel Lucky's branch Avenci positive energy? Positive Avencie

0:26:52.040 --> 0:26:57.680
<v Speaker 1>sometimes positive energy. Why why why should we feel lucky

0:26:57.720 --> 0:27:00.760
<v Speaker 1>that our brother or our sisters sharing the cod That's

0:27:00.800 --> 0:27:03.080
<v Speaker 1>something wrong with the culture, you know what I'm saying.

0:27:03.480 --> 0:27:05.800
<v Speaker 1>So for me, I know it's my duty. I know

0:27:05.840 --> 0:27:10.360
<v Speaker 1>I'm not just having these experiences because my own glorification,

0:27:10.400 --> 0:27:13.800
<v Speaker 1>on my own enjoyment. It's because I'm meant to share

0:27:13.800 --> 0:27:16.719
<v Speaker 1>the codes, and we're getting the shot of purple rain,

0:27:16.840 --> 0:27:18.159
<v Speaker 1>and we just got to continue to do that. We

0:27:18.240 --> 0:27:20.320
<v Speaker 1>got to share the cod. MA don't got to have

0:27:20.359 --> 0:27:24.560
<v Speaker 1>colds got so I want to know the shot of

0:27:24.560 --> 0:27:26.080
<v Speaker 1>purple rain. Got THEAMN. I don't know what it is.

0:27:26.119 --> 0:27:28.000
<v Speaker 1>I'm not even ask what it is. No, it's just

0:27:28.240 --> 0:27:30.480
<v Speaker 1>it's it's it has tequila in there. But that there's

0:27:30.520 --> 0:27:33.520
<v Speaker 1>a there's a natural flower that turns the purple. M hmm.

0:27:36.560 --> 0:27:39.040
<v Speaker 1>I'm bouncing around a little bit right now. We got

0:27:39.480 --> 0:27:42.320
<v Speaker 1>the human race, yes, sir, okay, you got they got

0:27:42.320 --> 0:27:45.040
<v Speaker 1>skin cream too. Yeah, that is that cold human race

0:27:45.040 --> 0:27:49.640
<v Speaker 1>as well. Yeah, so this sneakers apparel human race, right,

0:27:49.680 --> 0:27:52.360
<v Speaker 1>and then skincare. By the way, we got a box, fring.

0:27:52.400 --> 0:27:54.720
<v Speaker 1>You got a boxing damn it? Can we can? We

0:27:54.760 --> 0:28:00.000
<v Speaker 1>bring it out? Hut me and my wife remember my

0:28:00.080 --> 0:28:02.880
<v Speaker 1>right right there, we're gonna do some STI kid gotta

0:28:02.920 --> 0:28:13.800
<v Speaker 1>damn it. You're gonna do it. A looks beautiful your filming, filming, Okay, okay,

0:28:13.920 --> 0:28:17.800
<v Speaker 1>can you open it so? I want you? Okay, alright, cool,

0:28:18.720 --> 0:28:22.480
<v Speaker 1>I'm not a good opening. Yeah yeah, I'm not a

0:28:22.480 --> 0:28:25.080
<v Speaker 1>good Give him his gift. We got some gifts too.

0:28:25.240 --> 0:28:26.800
<v Speaker 1>We're sunny d We got to gift from you too.

0:28:26.840 --> 0:28:30.960
<v Speaker 1>Goddamn holy ship. All I can take the tape off right,

0:28:31.200 --> 0:28:39.480
<v Speaker 1>all right, cool, all right, boom, all right, now when

0:28:39.480 --> 0:28:43.920
<v Speaker 1>you got the campus, zoom in on it. Thank you,

0:28:45.080 --> 0:28:48.840
<v Speaker 1>thank you, thank you. This this is too fly. You

0:28:48.840 --> 0:28:50.400
<v Speaker 1>know what I'm saying. This is double box. You know

0:28:50.440 --> 0:28:59.240
<v Speaker 1>what I'm saying. Come on, okay, we'll help me out

0:28:59.680 --> 0:29:02.040
<v Speaker 1>this way at leave your dominican. Dominican is not to

0:29:02.120 --> 0:29:10.040
<v Speaker 1>open every give it to him. You've been rags, bring

0:29:10.120 --> 0:29:18.520
<v Speaker 1>some much whatever it is. It looks beautiful. Good yeah,

0:29:18.520 --> 0:29:20.440
<v Speaker 1>and it's stuff right here too as well. And look

0:29:20.520 --> 0:29:26.120
<v Speaker 1>it's another box. It's like the Russian dead. Look at

0:29:26.120 --> 0:29:30.760
<v Speaker 1>that you focus it on that? Yo? Yeah, holy shit.

0:29:31.400 --> 0:29:34.160
<v Speaker 1>So this is so elegant. It's just like I feel

0:29:34.200 --> 0:29:38.840
<v Speaker 1>like I'm opening the g Q box you and thank

0:29:38.880 --> 0:29:45.600
<v Speaker 1>you and then give given. So here's the thing. Okay,

0:29:45.920 --> 0:29:51.320
<v Speaker 1>So that's right here. Oh, this out, This is made

0:29:51.360 --> 0:30:03.479
<v Speaker 1>in Japan. This is ye, this right here, and then

0:30:03.560 --> 0:30:05.400
<v Speaker 1>this right here shows you like where to put it.

0:30:06.640 --> 0:30:08.800
<v Speaker 1>This goes in your room. So that's your rice pot

0:30:08.880 --> 0:30:12.680
<v Speaker 1>of cleanser. Wow, this is your exfoliator that has an

0:30:12.720 --> 0:30:17.280
<v Speaker 1>ah callic acid in it, and it also has the

0:30:17.480 --> 0:30:21.480
<v Speaker 1>lotus enzyme in there and that helps like exfoliate. And

0:30:21.560 --> 0:30:24.160
<v Speaker 1>then it's the humidifying thing which also has a snow

0:30:24.240 --> 0:30:26.680
<v Speaker 1>must room in it, which locks in. Noister, this is

0:30:26.720 --> 0:30:30.600
<v Speaker 1>what's gonna go in y'all bathroom, says goddamn god me two.

0:30:30.680 --> 0:30:39.240
<v Speaker 1>Much like eating the massage, but no reason. Come on, yeah,

0:30:39.280 --> 0:30:41.040
<v Speaker 1>come on because the lead put it back together. Need

0:30:41.120 --> 0:30:43.160
<v Speaker 1>to please. I want to put it in my cock.

0:30:44.120 --> 0:30:45.960
<v Speaker 1>Come on, this is this. Let me take my shot.

0:30:46.040 --> 0:30:49.520
<v Speaker 1>Let me take my shot. You did you hit your

0:30:49.560 --> 0:30:52.240
<v Speaker 1>burger brain? Oh yeah? And the super doc o g short,

0:30:53.560 --> 0:30:55.520
<v Speaker 1>you know, we gotta gotta go. That's I'm sorry, man,

0:30:55.720 --> 0:30:58.360
<v Speaker 1>we love you for over here. Sorry, sorry, we love

0:30:58.400 --> 0:31:08.600
<v Speaker 1>you now. I know I'm bouncing around a little bit. Yeah,

0:31:12.000 --> 0:31:15.760
<v Speaker 1>but you got a chance to work with Snoop Dogg

0:31:16.920 --> 0:31:20.040
<v Speaker 1>is after Snoop had went through his termorial with death

0:31:20.160 --> 0:31:23.560
<v Speaker 1>Row and then uh he went to No Limit and

0:31:23.600 --> 0:31:26.920
<v Speaker 1>then after that, you got a chance to work with Snoop.

0:31:27.040 --> 0:31:30.760
<v Speaker 1>How how was that for you? So? I think I'm

0:31:30.800 --> 0:31:33.160
<v Speaker 1>trying to remember, and I'm really sorry if my memory

0:31:33.240 --> 0:31:35.920
<v Speaker 1>is not serving me correctly. But I think when we

0:31:36.000 --> 0:31:38.400
<v Speaker 1>did church to the Palace and Beautiful, I think that was.

0:31:38.880 --> 0:31:42.560
<v Speaker 1>I think that was on No Limit. Yeah, Okay, I'm

0:31:42.600 --> 0:31:48.600
<v Speaker 1>not I'm not sure. I think that was. Yeah, I

0:31:48.680 --> 0:31:52.480
<v Speaker 1>think that was. Yeah, come on, how's you just sitting around?

0:31:52.520 --> 0:31:58.880
<v Speaker 1>Come on, I'm sitting around thinking like you limits? Still

0:31:59.440 --> 0:32:03.480
<v Speaker 1>that was? Yeah. I didn't feel like it might not

0:32:03.600 --> 0:32:06.680
<v Speaker 1>have been it was right after that because there was

0:32:06.760 --> 0:32:13.960
<v Speaker 1>the one with Snoops Beautiful. I felt like that was

0:32:14.040 --> 0:32:17.040
<v Speaker 1>right after he left No Limit. Okay, maybe it was, Hey,

0:32:17.320 --> 0:32:21.240
<v Speaker 1>but we got Google. We got we can't Google will

0:32:21.240 --> 0:32:24.080
<v Speaker 1>tell us we can't guess. Yeah, let it shine, let

0:32:24.120 --> 0:32:26.520
<v Speaker 1>it shine. Make sure you got that on camera? Oh man, Nah,

0:32:26.760 --> 0:32:29.280
<v Speaker 1>thank you? Come on, I didn't even intend that. I

0:32:29.320 --> 0:32:31.480
<v Speaker 1>just wanted to present it to you. Let us Shoine

0:32:31.520 --> 0:32:46.120
<v Speaker 1>baby come on, just be here. Mm hmm. Wasn't that

0:32:46.240 --> 0:32:54.080
<v Speaker 1>the one that was on the limit? That album Polly Graham, Well,

0:32:54.120 --> 0:32:56.160
<v Speaker 1>that's what he made. He became like an executive problem

0:32:56.560 --> 0:32:59.160
<v Speaker 1>and he re released all those albums. But I guess

0:32:59.240 --> 0:33:01.240
<v Speaker 1>my question is to be a little sorry about that?

0:33:01.520 --> 0:33:04.040
<v Speaker 1>Is um, you know this is this is a legend, right,

0:33:04.480 --> 0:33:06.479
<v Speaker 1>He's worked with Dr Dre, He's working with all these

0:33:06.480 --> 0:33:09.440
<v Speaker 1>other people. Is that pressures for you to produce, do

0:33:09.680 --> 0:33:11.880
<v Speaker 1>something more? Or like what do you do like me

0:33:12.280 --> 0:33:14.480
<v Speaker 1>in a situation like that? You know? I think pressure

0:33:14.560 --> 0:33:19.400
<v Speaker 1>comes from um, from uh the idea of of of

0:33:21.120 --> 0:33:23.040
<v Speaker 1>having to face the idea or the notion that you

0:33:23.120 --> 0:33:26.040
<v Speaker 1>could fail. Right, And there's a lot of time that

0:33:26.280 --> 0:33:27.480
<v Speaker 1>there's a lot of people that spend a lot of

0:33:27.560 --> 0:33:30.520
<v Speaker 1>time doing that. And as I said to you before

0:33:30.600 --> 0:33:33.360
<v Speaker 1>we're from Virginia, I never lost that feeling like, man,

0:33:35.200 --> 0:33:36.760
<v Speaker 1>what I get a chance to work with Snoop? The

0:33:36.800 --> 0:33:39.040
<v Speaker 1>only thing I'm focused on and on is how crazy

0:33:39.120 --> 0:33:41.440
<v Speaker 1>it could be. And my only job is to try

0:33:41.480 --> 0:33:46.320
<v Speaker 1>to match what I'm doing with that feeling of man.

0:33:46.360 --> 0:33:48.120
<v Speaker 1>You're not crazy, this could be. That's when I knew,

0:33:48.920 --> 0:33:51.200
<v Speaker 1>just for a second, that's when I knew, like nothing

0:33:51.360 --> 0:33:53.920
<v Speaker 1>was not where they needed to be until we got

0:33:54.000 --> 0:33:56.920
<v Speaker 1>to that place and I was like, no, do you understand, Like, Yo,

0:33:57.040 --> 0:34:00.400
<v Speaker 1>we did super Thunder, we gotta and we did no

0:34:01.720 --> 0:34:04.880
<v Speaker 1>exactly were fun right, and then even some of our

0:34:04.960 --> 0:34:11.360
<v Speaker 1>like other records that weren't even singles are good, like

0:34:11.520 --> 0:34:14.920
<v Speaker 1>we just we had joints like one of our underrated ones.

0:34:14.960 --> 0:34:17.319
<v Speaker 1>And then we'll go back to to to to big

0:34:17.400 --> 0:34:23.680
<v Speaker 1>bro snoop is um no, I'm a I'm a g Yeah,

0:34:24.400 --> 0:34:29.279
<v Speaker 1>I'm you know, it's pure. I was overweighted that time.

0:34:30.000 --> 0:34:32.239
<v Speaker 1>I didn't translate in the video when the people see

0:34:32.280 --> 0:34:34.160
<v Speaker 1>me in the video, I didn't look believable. I was

0:34:34.239 --> 0:34:36.479
<v Speaker 1>just overweight. I was stressed out. So it's my fault

0:34:36.520 --> 0:34:39.000
<v Speaker 1>that record didn't work. I'mna be honest, I'm taking that one.

0:34:39.280 --> 0:34:41.320
<v Speaker 1>I'm gonna saying that one because like I mean, it

0:34:41.400 --> 0:34:43.560
<v Speaker 1>was it was translated because you know who picked that record.

0:34:43.719 --> 0:34:46.279
<v Speaker 1>L A read el A. We hand picked that record.

0:34:46.320 --> 0:34:48.200
<v Speaker 1>He was like, I'm going to bat for this record,

0:34:48.400 --> 0:34:50.560
<v Speaker 1>but it was was. I was just so I was

0:34:50.640 --> 0:34:53.200
<v Speaker 1>dealing with so much at the time, I couldn't focus

0:34:53.280 --> 0:34:55.920
<v Speaker 1>on me. So the record was great. But like I

0:34:56.040 --> 0:34:57.719
<v Speaker 1>told that to Buster, I was like, Yo, this time,

0:34:58.120 --> 0:35:00.120
<v Speaker 1>you know what what I'm Busters? I'm sorry my all

0:35:00.120 --> 0:35:02.160
<v Speaker 1>over the place. But Buster's album he has the look

0:35:02.680 --> 0:35:05.800
<v Speaker 1>and the records. Sometimes you have the look and you

0:35:05.880 --> 0:35:07.600
<v Speaker 1>won't have the record. Sometimes you have the records, and

0:35:09.040 --> 0:35:12.279
<v Speaker 1>that's what do you enjoy Busters this album? Man, I'm

0:35:12.400 --> 0:35:21.399
<v Speaker 1>so happy for him. See directing these videos for Buss. Yeah,

0:35:21.520 --> 0:35:23.759
<v Speaker 1>that's what's so happy for him, bro, because he's doing

0:35:23.840 --> 0:35:25.520
<v Speaker 1>what he want to do now he want to do it,

0:35:25.600 --> 0:35:27.279
<v Speaker 1>and he's saying all the ship he want to say,

0:35:27.800 --> 0:35:30.919
<v Speaker 1>and by the way, he continues to reinvent himself every time.

0:35:32.120 --> 0:35:35.520
<v Speaker 1>You're definitely happy for Big Bro. Man. I enjoyed it,

0:35:35.840 --> 0:35:39.680
<v Speaker 1>so let's get back too. So with Snoop, it was like, Man,

0:35:39.800 --> 0:35:44.120
<v Speaker 1>he came in on his tour bus and uh, you know,

0:35:44.239 --> 0:35:46.520
<v Speaker 1>he was like, Yo, just give me that ship and

0:35:46.560 --> 0:35:51.000
<v Speaker 1>I was like okay, and uh you know, uh he

0:35:51.280 --> 0:35:53.680
<v Speaker 1>would we're working in there, and then like once I

0:35:53.800 --> 0:35:55.480
<v Speaker 1>was ready, he would come down off his tour bus.

0:35:55.719 --> 0:35:58.319
<v Speaker 1>Because we were still working in um Master Sound at

0:35:58.320 --> 0:36:01.000
<v Speaker 1>the time was Hovercraft were with chat and I brought

0:36:01.040 --> 0:36:06.319
<v Speaker 1>the studio and he when he came in, we did

0:36:06.440 --> 0:36:09.480
<v Speaker 1>Church the Palace. He loved that, and he really loved Beautiful.

0:36:09.520 --> 0:36:13.560
<v Speaker 1>I didn't. I didn't get beautiful. I didn't get Beautiful

0:36:13.600 --> 0:36:17.719
<v Speaker 1>mainly because I was on there singing flat as fuck

0:36:18.560 --> 0:36:23.200
<v Speaker 1>and um just just didn't hear it. I thought it

0:36:23.280 --> 0:36:26.839
<v Speaker 1>was a fun record for Charlie Wilson, and I was like, man,

0:36:26.960 --> 0:36:29.200
<v Speaker 1>Charlie sounding amazing, and this feels good to me, but

0:36:29.320 --> 0:36:31.440
<v Speaker 1>no one's ever gonna go for this. So yeah, so

0:36:31.600 --> 0:36:35.840
<v Speaker 1>I thought Church the Palace because it was harder. And

0:36:35.920 --> 0:36:38.520
<v Speaker 1>then when that record popped, I was like, wow, you

0:36:38.600 --> 0:36:41.000
<v Speaker 1>know and and and and Snooze always been that guy

0:36:41.120 --> 0:36:44.000
<v Speaker 1>that's like, yo, take me there, I trust you. Then

0:36:44.040 --> 0:36:46.840
<v Speaker 1>you could tell that he worked with a season you know,

0:36:46.920 --> 0:36:51.040
<v Speaker 1>a really seasoned genius producer who was really the really

0:36:51.120 --> 0:36:54.600
<v Speaker 1>our generation's greatest producer of all time is Dr track two.

0:36:54.840 --> 0:36:57.560
<v Speaker 1>You know, he's he's sorry, man, I got you number one, Bro,

0:36:57.800 --> 0:37:02.319
<v Speaker 1>just let go, letting you go, letting go. But Dr

0:37:02.440 --> 0:37:06.640
<v Speaker 1>Dre is like man, Dr Dre Bro, but we respect him,

0:37:06.680 --> 0:37:09.480
<v Speaker 1>of course, we love him. But um but um um

0:37:10.840 --> 0:37:15.000
<v Speaker 1>Snoop was just like snoop. You know what, my our

0:37:15.160 --> 0:37:18.760
<v Speaker 1>greatest rap records are always when I'm in the studio

0:37:18.840 --> 0:37:24.040
<v Speaker 1>with someone who's a personality, and you guys were always

0:37:24.120 --> 0:37:26.920
<v Speaker 1>like personalities. I didn't get a chance to work with

0:37:26.960 --> 0:37:29.400
<v Speaker 1>Capone when I first met you, Capone and just he

0:37:29.480 --> 0:37:32.000
<v Speaker 1>had gotten locked up already. See that's just something like that.

0:37:32.560 --> 0:37:36.520
<v Speaker 1>It's a beat, the beat for you to make the

0:37:36.600 --> 0:37:38.799
<v Speaker 1>introduce you. You got some perfect ring because I'm taking

0:37:38.800 --> 0:37:40.600
<v Speaker 1>another shot. I got you want a little bit more

0:37:40.640 --> 0:37:44.400
<v Speaker 1>purple on purplein. I ain't gonna lie, I'm doing the

0:37:44.400 --> 0:37:48.200
<v Speaker 1>Swan and ordering purple rain. This is this is look,

0:37:48.239 --> 0:37:51.920
<v Speaker 1>I'm taking a shot. He taking a whole glass. I

0:37:51.920 --> 0:37:59.520
<v Speaker 1>ain't allow. I'm turning this into a shot, solid, solidtle finish. Um.

0:38:03.360 --> 0:38:05.759
<v Speaker 1>That's it good. That's why I wish you didn't tell

0:38:05.760 --> 0:38:09.200
<v Speaker 1>me it was the killer in there, because it's so good.

0:38:09.320 --> 0:38:11.200
<v Speaker 1>I might so now I'm gonna be careful because I

0:38:11.239 --> 0:38:16.239
<v Speaker 1>hate to kill. You only get to tequila when you

0:38:16.360 --> 0:38:18.600
<v Speaker 1>just want your energy to be turned up. But I

0:38:18.680 --> 0:38:21.839
<v Speaker 1>hate to taste. I can't taste it. This is why

0:38:22.000 --> 0:38:31.719
<v Speaker 1>this is that swan. That's swine um. And you know

0:38:32.080 --> 0:38:38.400
<v Speaker 1>for me, like I just feel like characters are always

0:38:38.480 --> 0:38:41.400
<v Speaker 1>the ones that, like I'm able to give context to

0:38:42.040 --> 0:38:45.040
<v Speaker 1>you know, Mona Lisa was a character, but Da Vinci

0:38:45.239 --> 0:38:48.799
<v Speaker 1>was able to put the track behind her that made

0:38:48.920 --> 0:38:53.200
<v Speaker 1>her face. Makes sense with that because if you take that,

0:38:53.360 --> 0:38:54.800
<v Speaker 1>if you get her out of the photo and just

0:38:54.840 --> 0:38:56.960
<v Speaker 1>look at the backdrop, it's like some rolling hills, a

0:38:57.040 --> 0:39:01.440
<v Speaker 1>little bit of water. Big deal. But it was perfect

0:39:01.600 --> 0:39:05.360
<v Speaker 1>for her, right And That's what I've always enjoyed as

0:39:05.400 --> 0:39:09.279
<v Speaker 1>a musician. Chat and I is too. You know, we

0:39:09.360 --> 0:39:11.080
<v Speaker 1>did what it is right now. For Buster, I would

0:39:11.120 --> 0:39:12.680
<v Speaker 1>have never been able to make that beat if it

0:39:12.719 --> 0:39:15.320
<v Speaker 1>weren't for him, If Buster wouldn't have walked in the

0:39:15.400 --> 0:39:17.719
<v Speaker 1>end the studio with that energy, and I had made

0:39:17.719 --> 0:39:25.800
<v Speaker 1>it for him. But that's just like yep, and you

0:39:25.880 --> 0:39:32.319
<v Speaker 1>know you super thug. It's like Malik was was really

0:39:32.400 --> 0:39:35.600
<v Speaker 1>good friends with Rob Walker and he was like, yeah,

0:39:35.800 --> 0:39:39.000
<v Speaker 1>this guy gnor to check them out, And I knew

0:39:39.280 --> 0:39:43.680
<v Speaker 1>who you were because of blood Money. When I heard

0:39:43.719 --> 0:39:48.840
<v Speaker 1>blood Money, I did not understand, like, because there's not

0:39:48.960 --> 0:39:55.520
<v Speaker 1>too many like the thuggish characters who are really dedicated

0:39:55.560 --> 0:39:57.680
<v Speaker 1>to being a character as much as they're dedicated to

0:39:57.800 --> 0:40:03.040
<v Speaker 1>being a thug. There's you, there's Cameron. You know, there's

0:40:03.080 --> 0:40:05.560
<v Speaker 1>just different guys. You know, there are new guys that

0:40:05.600 --> 0:40:07.840
<v Speaker 1>I like today that I felt like they're going to

0:40:08.000 --> 0:40:10.279
<v Speaker 1>character and like I just really love what they do

0:40:11.280 --> 0:40:14.480
<v Speaker 1>and their verbs are great, but it's the the idea

0:40:14.520 --> 0:40:16.719
<v Speaker 1>that they're willing to go there. The baby has that,

0:40:17.280 --> 0:40:19.719
<v Speaker 1>you know, black youngster has that, you know what I'm saying,

0:40:20.560 --> 0:40:23.680
<v Speaker 1>Like they're going to they stayed the character the whole time.

0:40:23.760 --> 0:40:27.240
<v Speaker 1>A Black youngster TikTok is this is as funny, entertaining

0:40:27.360 --> 0:40:33.320
<v Speaker 1>and as hard as his song. No but I see it,

0:40:34.800 --> 0:40:37.400
<v Speaker 1>you know what I'm saying. And people don't know the

0:40:37.440 --> 0:40:41.520
<v Speaker 1>baby been around for a while. Yes, man, I remember

0:40:41.560 --> 0:40:45.480
<v Speaker 1>b t was years ago. Like he's like really, he's

0:40:45.520 --> 0:40:47.840
<v Speaker 1>like really a character. He's dedicated to that. You know

0:40:47.880 --> 0:40:50.399
<v Speaker 1>what I'm saying, Nellie, it's another one like more people

0:40:50.400 --> 0:40:53.760
<v Speaker 1>don't know. More Real was very real and he stayed

0:40:53.760 --> 0:40:56.640
<v Speaker 1>in that character the whole time. Band Aid under the eye.

0:40:57.120 --> 0:40:59.040
<v Speaker 1>You know what I'm saying, God to doing the dance,

0:40:59.080 --> 0:41:01.800
<v Speaker 1>doing this. You know what I'm saying. Yeah, Like, but

0:41:01.960 --> 0:41:05.120
<v Speaker 1>those kind of guys, Snoop is one of them. I

0:41:05.239 --> 0:41:06.960
<v Speaker 1>know I digressed a bit, but I wanted to make

0:41:07.000 --> 0:41:09.600
<v Speaker 1>the sense, make the picture like, there's a reason you

0:41:09.760 --> 0:41:16.320
<v Speaker 1>mentioned him because there's him you uh, but we supposed

0:41:16.320 --> 0:41:18.120
<v Speaker 1>to focus on him. I'm sorry to cut you off.

0:41:18.120 --> 0:41:19.920
<v Speaker 1>There's my kind of focus on him is because he

0:41:20.160 --> 0:41:24.200
<v Speaker 1>had his whole aluxious career prior to you. So that's

0:41:24.239 --> 0:41:26.560
<v Speaker 1>what I'm thinking, is like, Yo, are you thinking like

0:41:26.760 --> 0:41:28.600
<v Speaker 1>you you're gonna mess this up? I'm gonna I'm not

0:41:28.680 --> 0:41:31.160
<v Speaker 1>gonna break a less record than you. Know what? I mean?

0:41:31.480 --> 0:41:33.279
<v Speaker 1>What he what he's done with Dr Dre is that.

0:41:33.440 --> 0:41:36.160
<v Speaker 1>That's what I'm saying, is no way. I'm like, man,

0:41:36.200 --> 0:41:37.960
<v Speaker 1>I want to do whatever it takes to add to that.

0:41:38.320 --> 0:41:40.920
<v Speaker 1>And I know what, Mike, I know what my ultimate

0:41:41.640 --> 0:41:44.520
<v Speaker 1>competition was. I knew I had to make something that

0:41:44.640 --> 0:41:47.879
<v Speaker 1>felt as good, not better, but as good as one

0:41:48.320 --> 0:41:53.040
<v Speaker 1>seven on that the cover come as I glided through

0:41:53.120 --> 0:41:59.160
<v Speaker 1>the called me Snoop Eastwood. You're like that, what this is?

0:41:59.239 --> 0:42:01.040
<v Speaker 1>What a lot of people don't know how much of

0:42:01.080 --> 0:42:03.320
<v Speaker 1>a hip hop person you like? You really are? Like,

0:42:03.320 --> 0:42:05.560
<v Speaker 1>oh my god, And I would think that's the most

0:42:05.760 --> 0:42:08.760
<v Speaker 1>is it? Would you say it's important to maintain that fandom,

0:42:09.560 --> 0:42:13.399
<v Speaker 1>to be creative with these people, Yes, man, listen, Hey.

0:42:14.080 --> 0:42:17.080
<v Speaker 1>When I first heard this is won't too long ago.

0:42:17.160 --> 0:42:18.640
<v Speaker 1>But I'm just trying to tell you these moments that

0:42:18.719 --> 0:42:20.440
<v Speaker 1>when I feel it and I just fall over and

0:42:20.480 --> 0:42:22.759
<v Speaker 1>I can't do anything with myself but just roll over

0:42:22.840 --> 0:42:25.759
<v Speaker 1>and just die over and over again. When I heard

0:42:25.840 --> 0:42:30.399
<v Speaker 1>Gucci mains peeping out the blinds? Have you heard that song?

0:42:32.360 --> 0:42:35.839
<v Speaker 1>Find at these niggas, Find at these niggas, find out

0:42:35.880 --> 0:42:39.279
<v Speaker 1>these niggas outside, I feel like Malcolm maxic people and

0:42:39.320 --> 0:42:42.799
<v Speaker 1>all the blinds, It's gonna be fine hunting niggas. Sorry,

0:42:42.960 --> 0:42:46.120
<v Speaker 1>when I'm feeling not finding these niggas firing and the

0:42:46.280 --> 0:42:50.280
<v Speaker 1>siren and finding these niggas outshine, I feel like Malcolm

0:42:50.320 --> 0:42:53.600
<v Speaker 1>makes some people and the blinds he's gonna be has

0:42:53.640 --> 0:43:00.120
<v Speaker 1>done its own shot. Who your man now? Click cleck what?

0:43:00.200 --> 0:43:06.880
<v Speaker 1>Oh my god? No, no man down? Click clack? Who

0:43:07.000 --> 0:43:09.120
<v Speaker 1>your man now? I know you're heard about gut your man.

0:43:09.600 --> 0:43:15.040
<v Speaker 1>Oh my god. You guys have to hear that. You know,

0:43:15.120 --> 0:43:20.120
<v Speaker 1>when I get to that place, You're not it's nothing,

0:43:20.200 --> 0:43:22.200
<v Speaker 1>It's it's over. It's like the first time I heard

0:43:22.280 --> 0:43:27.359
<v Speaker 1>juveniles ha, oh my god. You know the first time

0:43:27.400 --> 0:43:30.560
<v Speaker 1>I heard juven I was in New Orleans. I was.

0:43:31.000 --> 0:43:34.400
<v Speaker 1>I was in there doing the Puerto Rican show at

0:43:34.440 --> 0:43:37.960
<v Speaker 1>that in New Orleans. It's the weirdest ship ever, Like

0:43:38.040 --> 0:43:42.560
<v Speaker 1>you got Puerto Ricans. Yeah, yeah, So what was your

0:43:42.880 --> 0:43:45.319
<v Speaker 1>what is that first experience? Like when you hear other

0:43:45.560 --> 0:43:47.879
<v Speaker 1>when you hear other people records and it is dope,

0:43:48.160 --> 0:43:49.759
<v Speaker 1>do you say I wish I could have made that

0:43:50.200 --> 0:43:54.080
<v Speaker 1>or do you say, what did you I get the

0:43:54.160 --> 0:43:55.680
<v Speaker 1>first of the record that you ever heard? You said,

0:43:55.680 --> 0:43:58.200
<v Speaker 1>I wish I would have made that better question? Oh

0:43:58.239 --> 0:44:07.080
<v Speaker 1>my god, there's so many one off top trial called

0:44:07.160 --> 0:44:09.279
<v Speaker 1>quest Lyrics to Go. Damn. I knew he was gonna

0:44:09.280 --> 0:44:14.160
<v Speaker 1>go to drive. I just Lyrics to Go. I was

0:44:14.320 --> 0:44:19.279
<v Speaker 1>at Tammy Lucas's house. Me g new Cam we bought

0:44:19.320 --> 0:44:21.000
<v Speaker 1>that ship for the first time. We was over there

0:44:21.040 --> 0:44:24.879
<v Speaker 1>listening to that ship and Shay was over there. We died.

0:44:28.000 --> 0:44:30.120
<v Speaker 1>We died, We died. We all of us died. We

0:44:30.239 --> 0:44:36.560
<v Speaker 1>died for like, it's dope. We died, okay, So and

0:44:41.239 --> 0:44:45.880
<v Speaker 1>Bro gotta drunk. You died, come back and something's amazing.

0:44:45.960 --> 0:44:48.080
<v Speaker 1>It's like, yo, you died. And then like and then

0:44:48.160 --> 0:44:52.319
<v Speaker 1>bro when he said ship like fan when he says like, um,

0:44:53.080 --> 0:44:55.120
<v Speaker 1>you know when people are boxing and you know, somebody

0:44:55.200 --> 0:44:56.960
<v Speaker 1>is drunk and they're boby get knocked out. Be l

0:44:57.120 --> 0:44:59.279
<v Speaker 1>Now he did, he did, he did. He was saying, oh,

0:44:59.360 --> 0:45:02.480
<v Speaker 1>he's in the cough okay. And or when someone's been

0:45:02.560 --> 0:45:05.120
<v Speaker 1>drinking too much and you know they just finished for

0:45:05.160 --> 0:45:09.560
<v Speaker 1>the night, like he's dead. He did a couple of times.

0:45:13.080 --> 0:45:15.320
<v Speaker 1>And then when it's real bag, you're like, yo, he

0:45:15.440 --> 0:45:17.400
<v Speaker 1>in the coffin, No bro, come get him here in

0:45:17.440 --> 0:45:22.920
<v Speaker 1>the coffin. When it's real bag, to be like, yo, maggots.

0:45:22.960 --> 0:45:25.719
<v Speaker 1>He's maggots right now, he's maggot, Come get them. But

0:45:25.800 --> 0:45:28.920
<v Speaker 1>that's not we but we but we find that comical

0:45:29.120 --> 0:45:31.160
<v Speaker 1>because you see a person that and they in the

0:45:31.320 --> 0:45:33.080
<v Speaker 1>mix and it's like you already know they're about to

0:45:33.120 --> 0:45:36.440
<v Speaker 1>have another rough twenty four hours of waking up crazy

0:45:36.520 --> 0:45:40.319
<v Speaker 1>hangover just finished. So we just you know, So there's

0:45:40.320 --> 0:45:42.759
<v Speaker 1>two kind of contexts of using the word dying and dead.

0:45:43.920 --> 0:45:49.000
<v Speaker 1>We try to stay away from the third one. Yeah yeah, Amene, Yeah,

0:45:49.600 --> 0:45:53.120
<v Speaker 1>you've always been a guy. It's always been like woman

0:45:53.360 --> 0:45:59.120
<v Speaker 1>is around all the time. Yeah, how do you develop that? Man?

0:45:59.200 --> 0:46:03.799
<v Speaker 1>I think women are the greatest gift to us. Um,

0:46:04.080 --> 0:46:07.720
<v Speaker 1>they actually give us life. You know, I don't understand

0:46:07.800 --> 0:46:11.160
<v Speaker 1>hating women in any way, shape or form, because that's

0:46:11.200 --> 0:46:14.640
<v Speaker 1>forgetting where you actually come from. Every last human being

0:46:14.680 --> 0:46:17.839
<v Speaker 1>walking around here came from a woman, unless you came

0:46:17.880 --> 0:46:19.680
<v Speaker 1>out of a test tube. And you know, God bless you.

0:46:19.800 --> 0:46:23.840
<v Speaker 1>But other than that, like other than that, like I

0:46:23.880 --> 0:46:27.680
<v Speaker 1>don't know where to go. But right, I mean right,

0:46:28.320 --> 0:46:30.840
<v Speaker 1>all of us come from that amazing silver lining of

0:46:30.880 --> 0:46:33.520
<v Speaker 1>an elevator through the conduit of a woman's body. So

0:46:33.600 --> 0:46:35.560
<v Speaker 1>how could you not how could you hate on what

0:46:35.760 --> 0:46:38.279
<v Speaker 1>gave you life? You know what I'm saying. And the

0:46:38.360 --> 0:46:43.279
<v Speaker 1>other thing is like I say this all the time,

0:46:43.719 --> 0:46:47.239
<v Speaker 1>you know, you know, man, we'll never know what it's

0:46:47.320 --> 0:46:50.000
<v Speaker 1>like to be a woman because once a month they

0:46:50.080 --> 0:46:52.960
<v Speaker 1>go through some ship that will never be able to understand.

0:46:53.040 --> 0:46:54.600
<v Speaker 1>And they got to keep a smile in their face,

0:46:54.680 --> 0:46:56.520
<v Speaker 1>and they got to continue to deliver. They got to

0:46:56.560 --> 0:46:58.560
<v Speaker 1>continue to work. They kind come to work and talk

0:46:58.600 --> 0:47:01.080
<v Speaker 1>to you about what they what what what what? In

0:47:01.120 --> 0:47:04.120
<v Speaker 1>the Native American culture they call the moon. They can't

0:47:04.120 --> 0:47:06.160
<v Speaker 1>talk about when they go through their moon or through

0:47:06.200 --> 0:47:08.440
<v Speaker 1>their cycle or whatever. They got to just do what

0:47:08.560 --> 0:47:11.120
<v Speaker 1>they do. I will never know. Can you imagine feeling

0:47:11.160 --> 0:47:13.879
<v Speaker 1>like shit for three or four or five six days,

0:47:13.920 --> 0:47:16.040
<v Speaker 1>and you still got to perform all thirty days of

0:47:16.080 --> 0:47:18.839
<v Speaker 1>the month and thirty one days of the month, um.

0:47:19.440 --> 0:47:21.719
<v Speaker 1>And then and then and then. The other thing that

0:47:21.800 --> 0:47:25.399
<v Speaker 1>we'll never know the burden of being a woman is well,

0:47:25.480 --> 0:47:28.560
<v Speaker 1>there's lots of them, right, like societal burdens that they

0:47:28.640 --> 0:47:30.600
<v Speaker 1>get put through. They don't even get paid the same

0:47:30.680 --> 0:47:32.600
<v Speaker 1>of us. Like it's like you, we couldn't even imagine

0:47:33.719 --> 0:47:36.719
<v Speaker 1>that's a real Still it's like seventy cents on the

0:47:36.800 --> 0:47:41.000
<v Speaker 1>man's dollar. Yeah. So like but then and that's a

0:47:41.080 --> 0:47:43.400
<v Speaker 1>lot of them, right. I'm not talking about you know,

0:47:43.520 --> 0:47:48.880
<v Speaker 1>women like Caryl Sandberg who they supersede, but even she

0:47:48.960 --> 0:47:51.080
<v Speaker 1>could just tell you, like she goes through things, through

0:47:51.120 --> 0:47:53.319
<v Speaker 1>things as well, or like you know our new vice

0:47:53.400 --> 0:47:58.960
<v Speaker 1>president elect, um, you know Harris, you know Kamala Harris,

0:47:59.120 --> 0:48:02.400
<v Speaker 1>Like she could tell you things that she's going through, um,

0:48:03.000 --> 0:48:06.160
<v Speaker 1>even in the highest position like one of the leaders

0:48:06.160 --> 0:48:09.400
<v Speaker 1>of the free world. But the other thing that women

0:48:09.440 --> 0:48:11.359
<v Speaker 1>do too, man, is they bring life into this world.

0:48:11.400 --> 0:48:14.160
<v Speaker 1>They literally hold onto life. Like we don't as men,

0:48:14.239 --> 0:48:16.000
<v Speaker 1>we don't know what that's like. We gotta do ship

0:48:16.920 --> 0:48:19.960
<v Speaker 1>they keep doing stuff while they're carrying life in their bodies.

0:48:20.080 --> 0:48:24.359
<v Speaker 1>Like my wife literally had four heartbeats and her body

0:48:24.400 --> 0:48:29.759
<v Speaker 1>at one time because she had triplets, for god, right,

0:48:29.800 --> 0:48:32.200
<v Speaker 1>so she grew through sets three sets of organs and

0:48:32.280 --> 0:48:35.040
<v Speaker 1>her body while she had her own set of organs.

0:48:35.080 --> 0:48:37.799
<v Speaker 1>So literally, my wife had four heartbeats going on at once.

0:48:38.360 --> 0:48:44.920
<v Speaker 1>It's amazing, you know. So it's like it's it's just

0:48:46.120 --> 0:48:50.480
<v Speaker 1>my my my feeling for women. I love them from

0:48:50.520 --> 0:48:52.400
<v Speaker 1>a from a lovely place, I loved them from a

0:48:52.480 --> 0:48:55.719
<v Speaker 1>lustful place. I love them all the way around, and

0:48:55.880 --> 0:48:59.839
<v Speaker 1>I just you know, they've always been a huge more

0:49:00.080 --> 0:49:03.400
<v Speaker 1>vational force for my music. You know, there's always that.

0:49:03.520 --> 0:49:07.080
<v Speaker 1>There's always like women were always the concern like, Okay,

0:49:07.160 --> 0:49:09.480
<v Speaker 1>what are the girl's gonna think, you know when they

0:49:09.560 --> 0:49:11.719
<v Speaker 1>hit its beata, how they're gonna feel when they hear

0:49:11.760 --> 0:49:14.359
<v Speaker 1>this this this melody or you know what I'm saying.

0:49:14.360 --> 0:49:16.880
<v Speaker 1>So that's really the reason why I've always just happened

0:49:17.160 --> 0:49:20.440
<v Speaker 1>in the beginning, like you know, from from Super Dog on,

0:49:21.840 --> 0:49:24.000
<v Speaker 1>when we would play records or you will play records back,

0:49:24.600 --> 0:49:26.520
<v Speaker 1>you wouldn't play a record unless a woman was in

0:49:26.600 --> 0:49:28.600
<v Speaker 1>the second. You would be like your hold on nor

0:49:28.880 --> 0:49:31.400
<v Speaker 1>like like like no, no, no, let's just just make

0:49:31.480 --> 0:49:34.719
<v Speaker 1>sure like you always wanted a woman's opinion. And that's

0:49:34.719 --> 0:49:36.560
<v Speaker 1>the reason why I knew Super Doug would work with

0:49:36.640 --> 0:49:42.280
<v Speaker 1>the woman. I don't know if you remember, but Super,

0:49:43.239 --> 0:49:46.080
<v Speaker 1>my album was done. I'm gonna get to the first

0:49:46.120 --> 0:49:49.120
<v Speaker 1>thing I met. My album was done. And you said

0:49:49.160 --> 0:49:51.400
<v Speaker 1>to me, you can't your album is not done, like

0:49:51.520 --> 0:49:56.720
<v Speaker 1>you're cocky in the beginning, like like in the beginning,

0:49:56.800 --> 0:49:58.440
<v Speaker 1>like this is what I'm trying to tell you, Like

0:49:59.440 --> 0:50:01.399
<v Speaker 1>you look at me like it was like, no, you're

0:50:01.440 --> 0:50:04.400
<v Speaker 1>not closing your album. Your album is not closed. And

0:50:04.480 --> 0:50:07.160
<v Speaker 1>I was like I didn't know how to you know,

0:50:07.280 --> 0:50:09.799
<v Speaker 1>what's it called re forecast? Like I learned that later,

0:50:09.960 --> 0:50:12.920
<v Speaker 1>and you was like, this is this is the greatest story, right,

0:50:13.239 --> 0:50:16.560
<v Speaker 1>not this part. This part of it's a part of

0:50:16.600 --> 0:50:19.680
<v Speaker 1>the embarrassing. You know where it was that sound on

0:50:19.800 --> 0:50:22.800
<v Speaker 1>sound studios? Oh my god. And I remember because Biggie

0:50:22.840 --> 0:50:25.320
<v Speaker 1>used to go upstairs. A lot of people thought Biggie

0:50:25.360 --> 0:50:30.480
<v Speaker 1>recorded and um bad boy, but around the corner from

0:50:30.520 --> 0:50:32.800
<v Speaker 1>bad Way one block over. Remember it was on forty

0:50:32.840 --> 0:50:38.160
<v Speaker 1>four uh Daddy's house, excuse me, and was sound on

0:50:38.239 --> 0:50:40.360
<v Speaker 1>sound It's the first day I met you, I walked in.

0:50:41.680 --> 0:50:44.080
<v Speaker 1>You quoted me quote the Bloody Money, brough the room,

0:50:44.600 --> 0:50:46.319
<v Speaker 1>quote the Bloody Money to me, and I was like wow.

0:50:46.680 --> 0:50:47.920
<v Speaker 1>And then as soon as you finish, you said, but

0:50:47.960 --> 0:50:49.719
<v Speaker 1>I don't have one thug bone in my body. I said,

0:50:49.719 --> 0:50:53.920
<v Speaker 1>I like this guy. He's rare, and then you said yeah.

0:50:53.920 --> 0:50:56.560
<v Speaker 1>I was not closed though, and I said, so if

0:50:56.600 --> 0:50:59.040
<v Speaker 1>you remember at the end of Super Dug, I'm actually

0:50:59.080 --> 0:51:01.719
<v Speaker 1>saying in a R E Nori the remix, because this

0:51:01.840 --> 0:51:04.520
<v Speaker 1>is actually going to use it as the remix to

0:51:05.000 --> 0:51:07.840
<v Speaker 1>know r E. Because I was trying to do a

0:51:07.880 --> 0:51:09.880
<v Speaker 1>big deal, but one more chance and one more like

0:51:11.840 --> 0:51:15.960
<v Speaker 1>And what happened was we played the record too too

0:51:16.680 --> 0:51:21.759
<v Speaker 1>to these NYC DJs. Oh, let me just I think

0:51:21.800 --> 0:51:24.520
<v Speaker 1>it was all DJs, and you know what everyone said

0:51:25.239 --> 0:51:27.520
<v Speaker 1>because they didn't understand that that tune sound at the time.

0:51:29.400 --> 0:51:31.239
<v Speaker 1>All looked at us in our face and said, this

0:51:31.400 --> 0:51:37.960
<v Speaker 1>is too dark of a record. Next, let me get

0:51:38.000 --> 0:51:44.480
<v Speaker 1>to it. So listen they I'm sitting there because the

0:51:44.560 --> 0:51:46.520
<v Speaker 1>record that we want to go with band from TV

0:51:46.719 --> 0:51:49.440
<v Speaker 1>and I'm like, we gotta go with Super Thug. And

0:51:50.360 --> 0:51:52.719
<v Speaker 1>we played it for all these people. They said, wait, wait, wait, wait, wait,

0:51:53.520 --> 0:51:58.760
<v Speaker 1>do y'all understand what band from TV was? Does everybody

0:51:58.840 --> 0:52:04.400
<v Speaker 1>know who was on that? Do people really understand? Yo?

0:52:04.600 --> 0:52:06.480
<v Speaker 1>Do people really? I know? I I don't want to.

0:52:06.480 --> 0:52:09.000
<v Speaker 1>I just want to just take a hold on a second.

0:52:10.640 --> 0:52:14.080
<v Speaker 1>Do y'all understand how crazy band from TV is? First

0:52:14.080 --> 0:52:17.719
<v Speaker 1>of all, the title alone and people don't know like

0:52:17.760 --> 0:52:21.120
<v Speaker 1>the actual band from TV like at that time? Let

0:52:21.160 --> 0:52:25.239
<v Speaker 1>me tell you so, did DJ say the record is

0:52:25.320 --> 0:52:28.920
<v Speaker 1>too dark? Meaning like it's gonna work at a tunnel

0:52:29.000 --> 0:52:31.200
<v Speaker 1>And that'sh it. So that's the reason why if you

0:52:31.440 --> 0:52:34.439
<v Speaker 1>if you look at Super Dug video, there's not one

0:52:34.560 --> 0:52:37.560
<v Speaker 1>night time shot in the video. We shot the whole

0:52:37.680 --> 0:52:41.560
<v Speaker 1>ship in the daytime. We did. We shot the whole

0:52:42.400 --> 0:52:44.880
<v Speaker 1>it was too dark. They swear to god, I should

0:52:44.880 --> 0:52:50.160
<v Speaker 1>have clapped that goddamn But it was the whole And

0:52:50.400 --> 0:52:53.000
<v Speaker 1>it was crazy because because that record spoke to us

0:52:53.000 --> 0:52:56.040
<v Speaker 1>in the South immediately. Yeah, I had no idea, like

0:52:56.880 --> 0:52:58.560
<v Speaker 1>like I was decided because to me, that was a

0:52:58.600 --> 0:53:01.520
<v Speaker 1>South record. I'm like, oh, yeah, you always told me that.

0:53:02.239 --> 0:53:04.880
<v Speaker 1>He always told me he made the South record, And

0:53:04.960 --> 0:53:09.480
<v Speaker 1>I was like, really, I never understood that. Virginia's like,

0:53:10.120 --> 0:53:12.640
<v Speaker 1>I'm clear to David sound well. Just to be clear

0:53:13.200 --> 0:53:16.280
<v Speaker 1>and not to get political, but Richmond is the capital

0:53:16.440 --> 0:53:24.279
<v Speaker 1>of Virginia, but Richmond was also the capital of the control. Right.

0:53:25.280 --> 0:53:27.320
<v Speaker 1>So I get to this point and I'll break it

0:53:27.320 --> 0:53:29.920
<v Speaker 1>down because you gave me two like I got ten

0:53:30.080 --> 0:53:36.840
<v Speaker 1>top phone calls of my life and you're tool. I

0:53:36.880 --> 0:53:39.400
<v Speaker 1>don't know who called you and told you that they

0:53:39.440 --> 0:53:43.279
<v Speaker 1>were throwing cheers. Yes, but then you called me and

0:53:43.400 --> 0:53:47.880
<v Speaker 1>said strict this phenomena and I was like, what are

0:53:47.920 --> 0:53:51.239
<v Speaker 1>you talking about. He's like, they can't play in the club,

0:53:51.400 --> 0:53:57.279
<v Speaker 1>they don't cares. The greatest calls I ever when you

0:53:57.440 --> 0:53:59.560
<v Speaker 1>called me and he was like, this is it's really

0:53:59.760 --> 0:54:03.799
<v Speaker 1>like you just I was like wow, because you gotta

0:54:03.840 --> 0:54:07.000
<v Speaker 1>remember I listen. I was supposed to go into a

0:54:07.040 --> 0:54:08.759
<v Speaker 1>deeper story with my father, but I didn't want to

0:54:08.800 --> 0:54:11.200
<v Speaker 1>do that. But so you remember that called when you

0:54:11.280 --> 0:54:14.320
<v Speaker 1>called me, was like they're throwing cheers, bro. I remember that.

0:54:14.400 --> 0:54:17.640
<v Speaker 1>I don't remember that call specifically, but I remember that time,

0:54:17.680 --> 0:54:20.200
<v Speaker 1>and I remember that feeling. I remember Rob Walker calling me,

0:54:20.280 --> 0:54:23.560
<v Speaker 1>going yo yo. They played the record in such and

0:54:23.640 --> 0:54:26.320
<v Speaker 1>such and such. It was first time, first time. I

0:54:26.400 --> 0:54:28.000
<v Speaker 1>guess that's where I don't know if it was there,

0:54:28.120 --> 0:54:29.799
<v Speaker 1>but he was like, they played it in such and such.

0:54:30.960 --> 0:54:33.360
<v Speaker 1>He was like, yo, and they had to turn the

0:54:33.400 --> 0:54:35.239
<v Speaker 1>record off. They kept playing it back to back and

0:54:35.320 --> 0:54:37.360
<v Speaker 1>after a while, like they got like everybody was just

0:54:37.440 --> 0:54:40.480
<v Speaker 1>getting unruly and he was and he was like, yo,

0:54:40.640 --> 0:54:44.239
<v Speaker 1>niggas was throwing chairs and niggas are throwing chairs and

0:54:44.320 --> 0:54:47.879
<v Speaker 1>I'm like what. And that was like at the time,

0:54:48.000 --> 0:54:49.800
<v Speaker 1>like that's not a big deal to whoever. You know,

0:54:49.880 --> 0:54:51.600
<v Speaker 1>the kids that are listening now, they don't, they don't

0:54:51.640 --> 0:54:54.640
<v Speaker 1>understand you. But we were, we were changing the tide

0:54:54.719 --> 0:54:59.600
<v Speaker 1>of what what happened because honest, onest had a big

0:54:59.719 --> 0:55:01.680
<v Speaker 1>moment where they were mash pitting and things like that

0:55:01.800 --> 0:55:05.200
<v Speaker 1>as well. The only ones that we're doing right. But

0:55:05.280 --> 0:55:08.640
<v Speaker 1>then here comes this guy that comes from you know,

0:55:08.960 --> 0:55:11.680
<v Speaker 1>t O and Y and New York get the blood

0:55:11.760 --> 0:55:19.000
<v Speaker 1>money would that guy? That guy, that guy had violator blood.

0:55:20.120 --> 0:55:23.600
<v Speaker 1>He wasn't just like with with all due love and respect.

0:55:23.680 --> 0:55:27.080
<v Speaker 1>He wasn't like just like a hood like Queen's Bridge Rapper.

0:55:27.719 --> 0:55:30.920
<v Speaker 1>He was actually met the people who owned Left Rack.

0:55:31.040 --> 0:55:35.279
<v Speaker 1>It was like really wild at the un Yeah, that yo,

0:55:35.360 --> 0:55:42.319
<v Speaker 1>that the product. I just blew my mind. I met

0:55:42.360 --> 0:55:43.920
<v Speaker 1>them at the u N and they were like, yeah,

0:55:44.040 --> 0:55:48.279
<v Speaker 1>such a left rack. I was like, met the like

0:55:54.520 --> 0:55:58.080
<v Speaker 1>but but but but but I'm just saying, you know,

0:56:00.200 --> 0:56:02.879
<v Speaker 1>I knew that you were a character when I heard

0:56:02.920 --> 0:56:06.560
<v Speaker 1>blood Money. So here we go with this song and

0:56:06.800 --> 0:56:09.359
<v Speaker 1>and and I felt like we had chatted. And also

0:56:09.440 --> 0:56:12.840
<v Speaker 1>said to me, you said just listen to me like that.

0:56:13.239 --> 0:56:14.719
<v Speaker 1>That's swear to God. And I was like, I am,

0:56:15.040 --> 0:56:17.440
<v Speaker 1>I don't know why. I just was like, and it's crazy.

0:56:17.520 --> 0:56:20.239
<v Speaker 1>He was the exact opposite because I had a four

0:56:20.560 --> 0:56:22.600
<v Speaker 1>x on at the time. You remember, this was baggy

0:56:22.680 --> 0:56:25.640
<v Speaker 1>baggage and you came in with tight clothes from him. Again,

0:56:30.680 --> 0:56:34.560
<v Speaker 1>I was like, and for some reason, I just believe you.

0:56:34.640 --> 0:56:36.000
<v Speaker 1>So I'm gonna get to the story and then we're

0:56:36.000 --> 0:56:38.200
<v Speaker 1>gonna bounce back. You gave me, made me two beats,

0:56:39.680 --> 0:56:41.440
<v Speaker 1>and I was on my way to Miami. This is

0:56:41.480 --> 0:56:46.160
<v Speaker 1>why the Marland Hotel is always significant. So you said

0:56:46.520 --> 0:56:49.560
<v Speaker 1>this third beat, don't listen to it to you land

0:56:49.640 --> 0:56:53.880
<v Speaker 1>in Miami. And we landed in Miami the Kent Hotel.

0:56:54.800 --> 0:56:59.320
<v Speaker 1>Whatever promoter is, he was a foul person. Can come on,

0:56:59.400 --> 0:57:04.720
<v Speaker 1>I'll put you in the I'm not I'm not groundless.

0:57:04.760 --> 0:57:08.200
<v Speaker 1>Never let this up. But anyway, so I go upstairs,

0:57:08.320 --> 0:57:13.520
<v Speaker 1>and I remember they pooled us across the street from

0:57:13.560 --> 0:57:17.960
<v Speaker 1>across the street, so I go there and I remember,

0:57:18.040 --> 0:57:20.880
<v Speaker 1>I remember I played, so you played me the first

0:57:20.880 --> 0:57:22.960
<v Speaker 1>two ones and sound on sound if you said the

0:57:23.000 --> 0:57:25.400
<v Speaker 1>third one, don't listen to until you get to Miami.

0:57:25.520 --> 0:57:28.960
<v Speaker 1>So I got to the King Hotel, whatever, get upstairs.

0:57:30.120 --> 0:57:32.520
<v Speaker 1>I played at you and then you already had it. Man,

0:57:32.600 --> 0:57:38.600
<v Speaker 1>well Noriega. It was the first time a producer took

0:57:38.720 --> 0:57:45.959
<v Speaker 1>their time to make a beat for me. I don't

0:57:46.000 --> 0:57:48.640
<v Speaker 1>think you guys understand what the hell I'm trying to say.

0:57:49.080 --> 0:57:52.280
<v Speaker 1>Like this time, people just give you a beat and

0:57:52.320 --> 0:57:54.240
<v Speaker 1>if you like it, they'll just sell it to Cougie

0:57:54.280 --> 0:57:57.640
<v Speaker 1>Rap or sell it to you know whoever. Like when

0:57:57.680 --> 0:58:00.480
<v Speaker 1>I heard that ship, it blew my mind. You know,

0:58:00.560 --> 0:58:03.040
<v Speaker 1>I wrote that whole ship in like twenty minutes. I

0:58:03.200 --> 0:58:05.080
<v Speaker 1>was like, and I called you immediately. The only thing

0:58:05.120 --> 0:58:08.400
<v Speaker 1>I said I said because Tammy Lucas was saying yeah, yeah,

0:58:08.920 --> 0:58:10.400
<v Speaker 1>and I was like, cause she's changed it to what

0:58:10.960 --> 0:58:13.439
<v Speaker 1>what he was like, tomorrow we'll do the right track.

0:58:13.960 --> 0:58:15.960
<v Speaker 1>So I was like, I'm flying back tomorrow. And I

0:58:16.080 --> 0:58:20.080
<v Speaker 1>flew back and that was that was probably like what

0:58:20.280 --> 0:58:22.680
<v Speaker 1>made you do that? Like what made you put that?

0:58:22.760 --> 0:58:24.640
<v Speaker 1>Because I swear to God I was. I was buying

0:58:24.680 --> 0:58:27.320
<v Speaker 1>the beat just because she said my name before we

0:58:27.480 --> 0:58:29.480
<v Speaker 1>was in the studio together. I was like, how did

0:58:29.560 --> 0:58:33.320
<v Speaker 1>you what's the whole story behind? Because I always told

0:58:33.360 --> 0:58:36.280
<v Speaker 1>my part, right, I definitely don't know your part when

0:58:36.280 --> 0:58:38.880
<v Speaker 1>you're presenting me that beat. And MC light told me

0:58:39.000 --> 0:58:41.800
<v Speaker 1>she had to beat once society told me he had

0:58:41.840 --> 0:58:45.240
<v Speaker 1>to be an artist that was on what's Lucas Nabor

0:58:45.280 --> 0:58:47.600
<v Speaker 1>Sipping Side Sipping Side records? He said he heard that beat.

0:58:48.400 --> 0:58:51.880
<v Speaker 1>I don't know about that. I'm just saying I think

0:58:51.920 --> 0:58:58.600
<v Speaker 1>I made something for Light and we were definitely trying

0:58:58.640 --> 0:59:02.680
<v Speaker 1>to get because like looking at me was for B

0:59:02.840 --> 0:59:09.240
<v Speaker 1>B D. If you think, but they're looking at me,

0:59:11.200 --> 0:59:15.160
<v Speaker 1>that's for belvote. Yeah, I could hear that they passed

0:59:15.200 --> 0:59:17.880
<v Speaker 1>on it. I don't think that. I don't think that

0:59:17.960 --> 0:59:24.160
<v Speaker 1>it makes the time. Yes, but well look that's how

0:59:24.240 --> 0:59:28.720
<v Speaker 1>God worked though. Man. I may look um are the

0:59:28.840 --> 0:59:33.680
<v Speaker 1>queen Janet Jackson are siss? We made um slave for you?

0:59:33.880 --> 0:59:36.360
<v Speaker 1>And she actually recorded it, but she just didn't use it.

0:59:36.920 --> 0:59:38.520
<v Speaker 1>And when she didn't use it, we gave it to

0:59:38.560 --> 0:59:42.720
<v Speaker 1>Britney Spears. Wow. So I've been blessed with a lot

0:59:42.800 --> 0:59:45.080
<v Speaker 1>of that, where like artists did not feel like something

0:59:45.200 --> 0:59:47.680
<v Speaker 1>was for them, but it made sense for someone else.

0:59:48.080 --> 0:59:52.000
<v Speaker 1>Gave me Outlaw for Nas. Remember that crazy outlaw I've

0:59:52.040 --> 0:59:55.480
<v Speaker 1>brung it to Nas, y'all And I was like, I

0:59:55.560 --> 1:00:02.240
<v Speaker 1>don't get it. Yeah, remember, yes, actually made that for

1:00:02.400 --> 1:00:06.000
<v Speaker 1>not Yeah. Yeah, I'm telling you, bro, I don't know

1:00:06.160 --> 1:00:12.720
<v Speaker 1>what happen my whole remember it because it was just crazy,

1:00:12.800 --> 1:00:16.520
<v Speaker 1>because the crazy. It's crazy because I am such a

1:00:16.680 --> 1:00:20.600
<v Speaker 1>I leaned forward so much that my chronology of things,

1:00:20.720 --> 1:00:22.840
<v Speaker 1>like I told you, I thought maybe, like you know,

1:00:22.960 --> 1:00:24.880
<v Speaker 1>Church to the Palace and Beautiful might have been on

1:00:25.360 --> 1:00:28.600
<v Speaker 1>Um might have went on no limit and it was

1:00:28.640 --> 1:00:31.520
<v Speaker 1>actually a priority. Sometimes I'll be I'll be mixing those

1:00:31.600 --> 1:00:35.040
<v Speaker 1>things up. It wasn't the limit priority as well distributed

1:00:35.040 --> 1:00:38.680
<v Speaker 1>it it was, it was, But I think they got smart.

1:00:38.800 --> 1:00:41.160
<v Speaker 1>So that was one of my first my favorite. So

1:00:41.360 --> 1:00:43.120
<v Speaker 1>did we finished the supertrug? I still want to know

1:00:43.200 --> 1:00:46.440
<v Speaker 1>how that came to be? Did not? Thank you? So

1:00:46.600 --> 1:00:48.960
<v Speaker 1>that time, at that time, we were still like we

1:00:49.040 --> 1:00:51.920
<v Speaker 1>were making money, We were still making making music, you know,

1:00:52.360 --> 1:00:57.440
<v Speaker 1>and Chad's moms and Chad's parents house. We still like,

1:00:57.600 --> 1:00:59.000
<v Speaker 1>we just felt like I had a vibe in there,

1:00:59.040 --> 1:01:00.360
<v Speaker 1>so we're going there and make new music. But they

1:01:00.360 --> 1:01:02.360
<v Speaker 1>started getting too loud for his mom, and his mom

1:01:02.520 --> 1:01:05.160
<v Speaker 1>was eventually starting to get six, so we had to

1:01:05.240 --> 1:01:08.400
<v Speaker 1>like move up, you know, start just working purely in

1:01:08.440 --> 1:01:10.680
<v Speaker 1>the studio. But there were times when we would go

1:01:10.760 --> 1:01:14.680
<v Speaker 1>back in his mom's house and make music too, because

1:01:14.720 --> 1:01:16.520
<v Speaker 1>we just felt like a big bottle of Man, do

1:01:16.840 --> 1:01:18.560
<v Speaker 1>you mind you know this is that big because you

1:01:18.640 --> 1:01:22.520
<v Speaker 1>were popping this big bottle? Yeah, listen, listen. Love the

1:01:22.520 --> 1:01:24.720
<v Speaker 1>Big Bro. Loved the Big Bro, you know, you know

1:01:24.840 --> 1:01:26.920
<v Speaker 1>the whole you know, he sent this personally, you know

1:01:26.960 --> 1:01:28.200
<v Speaker 1>what I mean. He wanted you to get you know

1:01:28.240 --> 1:01:32.280
<v Speaker 1>what I mean. Goddamn it, I'm continuing stories. Wonderful um,

1:01:33.800 --> 1:01:36.200
<v Speaker 1>But yeah, that was Tammy was around. We was like

1:01:36.360 --> 1:01:38.640
<v Speaker 1>making beats and stuff, and she would be there and

1:01:38.760 --> 1:01:40.560
<v Speaker 1>sometimes she would hear things and she would sing on

1:01:40.640 --> 1:01:43.880
<v Speaker 1>it and she heard that that what did you say

1:01:43.880 --> 1:01:47.880
<v Speaker 1>it was at first? Yeah? Yeah, yeah, yeah, yeah, yeah,

1:01:48.080 --> 1:01:52.600
<v Speaker 1>yeah yeah. Yes. Is the life y'all of a superstar?

1:01:53.240 --> 1:01:57.080
<v Speaker 1>Yeah yeah, yeah, man, Well, no, Riega and the Philippines,

1:01:57.280 --> 1:01:59.400
<v Speaker 1>and I was like, dude, this is nigga, my dj

1:01:59.520 --> 1:02:05.320
<v Speaker 1>it's fun to Philippines is ill. I was like whatever

1:02:05.400 --> 1:02:08.840
<v Speaker 1>Google that was like he googled the nigger like it

1:02:08.920 --> 1:02:12.040
<v Speaker 1>wasn't Google. I was like yo, he said yo. I

1:02:12.360 --> 1:02:15.000
<v Speaker 1>felt obligated, so I wrote the whole rhyme. I came

1:02:15.000 --> 1:02:17.560
<v Speaker 1>back the right track and I laid the whole ship.

1:02:17.640 --> 1:02:20.280
<v Speaker 1>You know, the what what's is how I counted bars

1:02:20.600 --> 1:02:22.640
<v Speaker 1>that was never meant to be the told me. I

1:02:22.760 --> 1:02:24.400
<v Speaker 1>was like, what what what what? You know? You know,

1:02:24.440 --> 1:02:26.360
<v Speaker 1>I didn't know that until like maybe ten years ago.

1:02:27.000 --> 1:02:30.840
<v Speaker 1>You was like, listen, I remember laying because I didn't

1:02:30.840 --> 1:02:34.320
<v Speaker 1>know how to punch in. You fucking young motherfucker's you

1:02:34.680 --> 1:02:36.840
<v Speaker 1>your young motherfucker's with your punching. I didn't know how

1:02:36.880 --> 1:02:39.480
<v Speaker 1>to punch in, bro, So I laid the whole ship,

1:02:40.160 --> 1:02:43.000
<v Speaker 1>like straight, bro, I'm older than you though. By the way,

1:02:43.800 --> 1:02:49.680
<v Speaker 1>seven damn godmn, you look at twenty seven. I'm gonna

1:02:49.680 --> 1:02:58.800
<v Speaker 1>do this, goddam. By the way, this is the greatest,

1:02:58.880 --> 1:03:00.920
<v Speaker 1>greatest session of my life. So that's the reason why

1:03:00.920 --> 1:03:04.000
<v Speaker 1>I remember it. I don't remember sheh, but so I remember,

1:03:04.080 --> 1:03:05.960
<v Speaker 1>and I just later I remember right track had the

1:03:06.040 --> 1:03:09.080
<v Speaker 1>upstairs downstairs, so I think I ordered some food or

1:03:09.160 --> 1:03:12.120
<v Speaker 1>something and you were just down there and I kept saying,

1:03:12.160 --> 1:03:13.360
<v Speaker 1>you got I got the hook and he was like,

1:03:13.440 --> 1:03:15.440
<v Speaker 1>I got the hook already. You would like just brushing

1:03:15.440 --> 1:03:17.360
<v Speaker 1>me off. And I was like, alright, cool, I had

1:03:17.440 --> 1:03:19.840
<v Speaker 1>no idea what you did with it. And I was

1:03:19.960 --> 1:03:22.480
<v Speaker 1>just you just I just listened to you. It was

1:03:22.560 --> 1:03:24.919
<v Speaker 1>just like fuck it. And I said, Yo, they're gonna

1:03:25.000 --> 1:03:27.080
<v Speaker 1>laugh at me. And he said, this is your words.

1:03:27.160 --> 1:03:28.760
<v Speaker 1>He said, and you're gonna laugh all the way to

1:03:28.840 --> 1:03:37.920
<v Speaker 1>the bank. And I said, and you were right. And

1:03:38.120 --> 1:03:40.720
<v Speaker 1>I had the number one record milbeb. He had much

1:03:40.760 --> 1:03:43.040
<v Speaker 1>for Lil Bean the other day and he was like yo,

1:03:43.200 --> 1:03:45.680
<v Speaker 1>bro like and he was telling me how he should

1:03:45.720 --> 1:03:48.600
<v Speaker 1>have listened to me because I said yo. He was

1:03:48.640 --> 1:03:51.080
<v Speaker 1>like he was saying, like he's like, yo, that sound

1:03:51.200 --> 1:03:54.000
<v Speaker 1>at the time, like that's how they described the net

1:03:54.040 --> 1:03:58.560
<v Speaker 1>tune sound at first, because I guess it was affiliated

1:03:58.600 --> 1:04:03.000
<v Speaker 1>with me. They thinking you guys, because it's tough. They

1:04:03.040 --> 1:04:10.840
<v Speaker 1>were saying, that's a dark sound, bro softest butter, I've

1:04:10.920 --> 1:04:14.240
<v Speaker 1>never been a tough guy. But no, but you're right.

1:04:14.400 --> 1:04:16.880
<v Speaker 1>There were times when people like yo, what's it'tn bro

1:04:18.320 --> 1:04:20.920
<v Speaker 1>Little Wayne. Little Wayne took me around. We went to

1:04:21.000 --> 1:04:22.760
<v Speaker 1>visit we were doing the show down there, and like

1:04:23.440 --> 1:04:26.680
<v Speaker 1>he was a fan and he took us to UM

1:04:27.360 --> 1:04:31.040
<v Speaker 1>this club down there and and it was the equivalent

1:04:31.120 --> 1:04:33.240
<v Speaker 1>of being in d C. Like sometimes d C have

1:04:34.120 --> 1:04:36.520
<v Speaker 1>you know what's what's what's what's what's bro name that?

1:04:37.800 --> 1:04:42.480
<v Speaker 1>What's his name? Kevinn? What's his name? That do all

1:04:42.520 --> 1:04:46.240
<v Speaker 1>the like d C clubs there he did dreams Mark

1:04:47.400 --> 1:04:50.200
<v Speaker 1>Mark Barnes and why the said Kevin? So like they

1:04:50.280 --> 1:04:53.080
<v Speaker 1>have like Mark, listen, love and respect to Mark Barnes.

1:04:53.080 --> 1:04:57.120
<v Speaker 1>He has some of the craziest amazing clubs and venues

1:04:57.240 --> 1:05:00.680
<v Speaker 1>that like life Life part took and with created at

1:05:01.800 --> 1:05:07.200
<v Speaker 1>babies were made there um or at least initiated UM

1:05:09.000 --> 1:05:13.240
<v Speaker 1>and and and and in in New Orleans, in Louisiana,

1:05:13.320 --> 1:05:17.080
<v Speaker 1>there was like these clubs that were just as big,

1:05:17.240 --> 1:05:19.200
<v Speaker 1>Like you go to a club that had three thousand

1:05:19.280 --> 1:05:21.040
<v Speaker 1>people and Little Wayne took me the one and this

1:05:21.200 --> 1:05:25.520
<v Speaker 1>was the most gangster shit. I mean, there's a couple

1:05:25.600 --> 1:05:28.360
<v Speaker 1>of times where I was like in an environment, I

1:05:28.480 --> 1:05:31.880
<v Speaker 1>lost my fucking mind, like and lead immediately like left

1:05:31.920 --> 1:05:34.720
<v Speaker 1>the studio, like I mean left the club going, let's

1:05:34.720 --> 1:05:36.840
<v Speaker 1>go make some music. Little Wayne took me to a

1:05:36.920 --> 1:05:41.320
<v Speaker 1>place in New Orleans, Man and it was white teeth,

1:05:41.440 --> 1:05:48.560
<v Speaker 1>white teeth, Central gold Tief, gold teeth everywhere, and you

1:05:48.640 --> 1:05:51.440
<v Speaker 1>could just the guns were in the club. Bro, everybody

1:05:51.520 --> 1:05:54.040
<v Speaker 1>had a gun. Bro. Like it could really it could

1:05:54.040 --> 1:05:56.520
<v Speaker 1>have like it would have gone down. A lot of

1:05:56.600 --> 1:06:01.840
<v Speaker 1>people would have got like like hit up and for me, like,

1:06:02.960 --> 1:06:07.880
<v Speaker 1>I'm not a tough guy, Bro, I I'm really I

1:06:08.080 --> 1:06:11.080
<v Speaker 1>really believe in paying taxes because when you pay taxes,

1:06:12.440 --> 1:06:14.880
<v Speaker 1>when you pay taxes, it's like you shouldn't feel no

1:06:15.000 --> 1:06:18.720
<v Speaker 1>kind of way. Doling nine one one. You know what

1:06:18.760 --> 1:06:22.760
<v Speaker 1>I'm saying. Like I'm saying that I'm like not tell

1:06:22.760 --> 1:06:26.960
<v Speaker 1>the guy. Yo, listen, you think Steven Spielberg has many

1:06:27.320 --> 1:06:29.640
<v Speaker 1>great movies he's ever made, or Standy Koprick. You think

1:06:29.680 --> 1:06:33.520
<v Speaker 1>these guys are good fucking shots, the terrible shots, it's

1:06:33.520 --> 1:06:36.120
<v Speaker 1>probably never been in the gun range. They can make

1:06:36.200 --> 1:06:40.920
<v Speaker 1>the movie, right. I make the music because I'm inspired

1:06:41.000 --> 1:06:43.640
<v Speaker 1>by it. Literally, we were were we the other night,

1:06:43.680 --> 1:06:46.680
<v Speaker 1>we was we was at the Hit Factory. It was

1:06:46.760 --> 1:06:50.160
<v Speaker 1>god yesterday they were shooting like four or five shots

1:06:50.200 --> 1:06:56.600
<v Speaker 1>and ship well because that's in the so you know. So,

1:06:56.800 --> 1:06:58.600
<v Speaker 1>so Kelly comes in, She's like, can I talk to

1:06:58.640 --> 1:07:00.200
<v Speaker 1>you for a second winter session? He says, can I

1:07:00.200 --> 1:07:03.000
<v Speaker 1>talk to you? Say like yeah, She's like yeah. So

1:07:03.080 --> 1:07:05.360
<v Speaker 1>they're shooting in the parking lot. I'm leaving. I'm like,

1:07:05.880 --> 1:07:07.640
<v Speaker 1>where then are you going on the shooting outside? You

1:07:07.680 --> 1:07:12.920
<v Speaker 1>act like the sucking the uber or the lift is

1:07:12.920 --> 1:07:15.680
<v Speaker 1>gonna pull up in the middle of the ship. But literally,

1:07:16.000 --> 1:07:18.320
<v Speaker 1>I'm not a tough guy. I knew I'm staying my

1:07:18.400 --> 1:07:22.040
<v Speaker 1>ass inside and the fucking FBI is on speed dial.

1:07:24.040 --> 1:07:27.720
<v Speaker 1>Not a fucking tough guy. People say things about snitching.

1:07:27.760 --> 1:07:33.760
<v Speaker 1>I'm fucking snitching. You know. Everybody plays their part. This

1:07:33.920 --> 1:07:36.600
<v Speaker 1>is a movie, but you, guys, everybody plays the part

1:07:37.360 --> 1:07:42.560
<v Speaker 1>guys snitching. This's doing nothing around me. I'm not doing

1:07:42.600 --> 1:07:50.760
<v Speaker 1>for the nitching. Hey getting that out. Hey, I have

1:07:50.920 --> 1:07:52.880
<v Speaker 1>a purpose. I have to be me. I have to

1:07:52.960 --> 1:07:54.800
<v Speaker 1>do my job and I have to play my part

1:07:54.840 --> 1:07:57.840
<v Speaker 1>in this movie. And my partner is I told you

1:07:57.960 --> 1:08:02.240
<v Speaker 1>not to do that ship. I told you I wasn't

1:08:02.240 --> 1:08:06.560
<v Speaker 1>built for this. I'm really sorry, but this is your deal,

1:08:07.640 --> 1:08:13.160
<v Speaker 1>your honor. Jury are you guys are saying I asked

1:08:13.240 --> 1:08:15.640
<v Speaker 1>him not to do this, and if he was gonna

1:08:15.720 --> 1:08:17.639
<v Speaker 1>do it or she was gonna do it, don't fucking

1:08:17.720 --> 1:08:20.680
<v Speaker 1>tell me, Well, you're civilian. You can get away with

1:08:20.760 --> 1:08:27.760
<v Speaker 1>that one minute. The world everybody's everybody's not sucking nay

1:08:27.840 --> 1:08:30.200
<v Speaker 1>five years in a condition you know you are not

1:08:30.479 --> 1:08:33.760
<v Speaker 1>built for because you want to look tough. I am

1:08:33.880 --> 1:08:35.599
<v Speaker 1>not fucking tough. You know, you know, I don't want

1:08:35.640 --> 1:08:39.400
<v Speaker 1>to look like fucking free and having living my life.

1:08:40.160 --> 1:08:42.240
<v Speaker 1>You get away with that totally. No street person in

1:08:42.280 --> 1:08:44.519
<v Speaker 1>the world will be offended by saying that, because you're

1:08:44.520 --> 1:08:46.800
<v Speaker 1>never claimed with tough. That's the problem. The problem is

1:08:46.840 --> 1:08:49.280
<v Speaker 1>it's not people um that think like you. The problem

1:08:49.400 --> 1:08:53.280
<v Speaker 1>is the people that that portrayed a certain image. You

1:08:53.360 --> 1:08:55.200
<v Speaker 1>have never betrayed that image. So no one can ever

1:08:55.280 --> 1:08:57.439
<v Speaker 1>be offended by that statement that you and how many

1:08:57.479 --> 1:08:59.920
<v Speaker 1>people do you really know? Really right, and don't tell

1:09:00.360 --> 1:09:02.640
<v Speaker 1>how many times y'all talk about y'all your friends is

1:09:02.720 --> 1:09:06.000
<v Speaker 1>the hardest guy in the world. Motherfucker's like, it's a

1:09:06.080 --> 1:09:08.800
<v Speaker 1>middle ground. There's a middle ground, but it's just how

1:09:08.840 --> 1:09:11.360
<v Speaker 1>many just there's not just super gainst in telling there's

1:09:11.360 --> 1:09:13.920
<v Speaker 1>a middle ground in there and you're here right now

1:09:14.520 --> 1:09:16.719
<v Speaker 1>you're here right now. We're not we're not living against

1:09:16.760 --> 1:09:19.439
<v Speaker 1>the life for not the perfect that. This is where

1:09:19.439 --> 1:09:21.880
<v Speaker 1>we're at right here. This is guys who survived the street.

1:09:21.960 --> 1:09:25.479
<v Speaker 1>Like what we're not telling you? But I mean, we're

1:09:26.040 --> 1:09:29.320
<v Speaker 1>we're not involving ship. We're not involving that. We're not involving.

1:09:29.560 --> 1:09:35.880
<v Speaker 1>We're not involving ship. Were not with nothing. We're good.

1:09:36.040 --> 1:09:39.120
<v Speaker 1>We're good, good, hey man, when we play our taxes,

1:09:42.000 --> 1:09:47.160
<v Speaker 1>I am a bicycle, not a four wheeler. Okay, I

1:09:47.320 --> 1:09:49.760
<v Speaker 1>meant the ride, but there's only so much weight I

1:09:49.800 --> 1:09:52.000
<v Speaker 1>can take, and there's only so much terrain I can take,

1:09:52.200 --> 1:09:54.320
<v Speaker 1>and I can only go but so fast. I'm very

1:09:54.360 --> 1:09:56.080
<v Speaker 1>clear on that. So let me switch the subject a

1:09:56.120 --> 1:09:58.960
<v Speaker 1>little bit. You mentioned little Wayne, Little Wayne and put

1:09:59.040 --> 1:10:03.280
<v Speaker 1>your teeth. Yeah, they had this discrepancy. Yeah, what was

1:10:03.360 --> 1:10:05.720
<v Speaker 1>your stance on that? My stances. I didn't want to

1:10:05.760 --> 1:10:08.560
<v Speaker 1>see that go that way? You know there was you know,

1:10:09.120 --> 1:10:13.000
<v Speaker 1>um that didn't make me happy. I hate to see

1:10:13.040 --> 1:10:14.720
<v Speaker 1>what him and Drake are going through, or what they

1:10:14.800 --> 1:10:17.000
<v Speaker 1>went through. I hated to see all of it, every

1:10:17.040 --> 1:10:20.760
<v Speaker 1>bit of it. It was never it wasn't it wasn't good.

1:10:21.960 --> 1:10:25.639
<v Speaker 1>Drake's amazing and Drake is all powerful and he's so talented.

1:10:26.040 --> 1:10:28.320
<v Speaker 1>Too far. You didn't push it with too far, you know,

1:10:28.840 --> 1:10:33.320
<v Speaker 1>like I push it in and tell me because he

1:10:33.439 --> 1:10:35.880
<v Speaker 1>knows I would have, you know, stood in front of

1:10:35.920 --> 1:10:38.320
<v Speaker 1>him as much as I could. But he's a different

1:10:38.360 --> 1:10:40.920
<v Speaker 1>kind of person. He's a tourist, you know what I'm saying,

1:10:41.000 --> 1:10:42.840
<v Speaker 1>And tourist people. I don't know if there's anybody out

1:10:42.880 --> 1:10:48.559
<v Speaker 1>there right now, but tourists April April. My daughter's a tourist,

1:10:48.720 --> 1:10:50.280
<v Speaker 1>right So when you and when you feel like a

1:10:50.400 --> 1:10:52.519
<v Speaker 1>line is crossed and you take off the gloves, that's

1:10:52.560 --> 1:10:54.679
<v Speaker 1>just where your brain is at, you know what I'm saying.

1:10:54.800 --> 1:10:58.840
<v Speaker 1>Where's Drake is a scorpio? And they never forget. And

1:10:59.360 --> 1:11:03.600
<v Speaker 1>that's in the December, Yeah, like it was. It's just

1:11:03.760 --> 1:11:07.040
<v Speaker 1>the worst combination of two people who are very pure

1:11:07.160 --> 1:11:10.400
<v Speaker 1>and very loyal to the people that they love. And

1:11:10.479 --> 1:11:12.320
<v Speaker 1>it's crazy because you you could do what happened to

1:11:12.400 --> 1:11:16.200
<v Speaker 1>that boy? What push the t bird man? And when yeah,

1:11:16.560 --> 1:11:18.160
<v Speaker 1>you know, I didn't want that man. I didn't I

1:11:18.640 --> 1:11:20.760
<v Speaker 1>It's still it still breaks my heart to this day

1:11:20.800 --> 1:11:22.920
<v Speaker 1>because I would have loved to have heard those guys

1:11:23.840 --> 1:11:26.559
<v Speaker 1>on a song together. Or heard a joint project together.

1:11:26.760 --> 1:11:29.599
<v Speaker 1>You know, push it in Wayne or push your Drake,

1:11:29.800 --> 1:11:31.720
<v Speaker 1>push it right. I would have loved to have seen

1:11:31.840 --> 1:11:34.759
<v Speaker 1>that have been singing and push your hitting the balls whatever.

1:11:34.960 --> 1:11:38.559
<v Speaker 1>And Drake, Drake got bars, bro, Drake got by the way,

1:11:38.640 --> 1:11:43.320
<v Speaker 1>push your says, Drake got bars. Yeah. When Drake makes

1:11:43.360 --> 1:11:45.240
<v Speaker 1>something that's amazing. We talked about it all the time.

1:11:45.280 --> 1:11:48.640
<v Speaker 1>When something's a it's amazing, it ain't that. It ain't that,

1:11:48.760 --> 1:11:53.640
<v Speaker 1>it's just that pushes up really tonicship relationship with Drake, like, um,

1:11:54.360 --> 1:11:57.160
<v Speaker 1>has it affected it in any way? I mean we've

1:11:57.200 --> 1:11:59.360
<v Speaker 1>talked several times. I love Drake, I mean even in

1:11:59.400 --> 1:12:01.040
<v Speaker 1>the middle of all that stuff, like he would like

1:12:02.080 --> 1:12:06.280
<v Speaker 1>he like he's said super nice and kind things to

1:12:06.360 --> 1:12:09.160
<v Speaker 1>me on the d M and and and in public.

1:12:09.439 --> 1:12:13.680
<v Speaker 1>Like I don't think Drake doesn't. Neither one of them

1:12:14.960 --> 1:12:20.600
<v Speaker 1>are into problems. They don't like it, like it's unnecessary.

1:12:21.800 --> 1:12:24.439
<v Speaker 1>But they're both people who, like, you know, when when

1:12:24.600 --> 1:12:26.320
<v Speaker 1>when they feel like they're being pushed to a limit,

1:12:26.360 --> 1:12:28.280
<v Speaker 1>they gotta do what they gotta do. I don't know,

1:12:28.360 --> 1:12:31.680
<v Speaker 1>it's all good. I um, that didn't you know that

1:12:31.760 --> 1:12:36.200
<v Speaker 1>didn't I wasn't happy about that, you know what I'm saying,

1:12:36.840 --> 1:12:41.280
<v Speaker 1>Um and I and and man, I talked to Push

1:12:41.360 --> 1:12:43.679
<v Speaker 1>all all the time, like he's he's really a good guy.

1:12:43.960 --> 1:12:49.519
<v Speaker 1>It's just in his mind. He just felt like when

1:12:49.560 --> 1:12:52.200
<v Speaker 1>the gloves come off, gloves came off because he mentioned

1:12:52.240 --> 1:12:55.160
<v Speaker 1>this girl, right that, Yeah, that was like that was

1:12:55.200 --> 1:12:56.960
<v Speaker 1>a different kind of line. And by the way, and

1:12:57.200 --> 1:12:58.920
<v Speaker 1>I'm sure it would have you know, if Drake had

1:12:58.960 --> 1:13:01.439
<v Speaker 1>a girl and they were as serious, I'm sure Drake

1:13:01.560 --> 1:13:05.080
<v Speaker 1>would have felt the same way. But again, it's like

1:13:05.800 --> 1:13:09.040
<v Speaker 1>that's the thing with rap, like you know, there's there

1:13:09.080 --> 1:13:11.200
<v Speaker 1>should be rules, but there's kind of no rules, and

1:13:11.320 --> 1:13:13.960
<v Speaker 1>people will do and say anything. Man, the stuff that

1:13:14.040 --> 1:13:17.799
<v Speaker 1>Big and Pop went through, and he had a Dida's

1:13:17.840 --> 1:13:19.960
<v Speaker 1>deal because like I know, like you Big and Adidas

1:13:20.000 --> 1:13:22.120
<v Speaker 1>as well, Right, Drake had Adida's deal and Push the

1:13:22.200 --> 1:13:25.120
<v Speaker 1>Teak got him up out of there. He did, he

1:13:25.240 --> 1:13:27.360
<v Speaker 1>did had he did have a deal there. But again,

1:13:27.439 --> 1:13:30.160
<v Speaker 1>all of this was unbeknownst to me, Like Drake told

1:13:30.200 --> 1:13:33.200
<v Speaker 1>me that he had a situation there, but I didn't

1:13:33.240 --> 1:13:36.439
<v Speaker 1>know that any of this would ever come up, you know,

1:13:36.640 --> 1:13:41.560
<v Speaker 1>and I like I would never I didn't want to

1:13:41.600 --> 1:13:45.320
<v Speaker 1>see this, man. I didn't want to see this. I

1:13:45.439 --> 1:13:51.120
<v Speaker 1>just think that they're super too, super talented guys that man.

1:13:52.479 --> 1:13:57.639
<v Speaker 1>You know, black people and especially black men, we haven't

1:13:57.680 --> 1:14:01.080
<v Speaker 1>had it so easy in this country and even in Canada,

1:14:01.200 --> 1:14:03.320
<v Speaker 1>like it's not been so easy for black men there,

1:14:04.200 --> 1:14:06.280
<v Speaker 1>and when you think about where this country is going,

1:14:06.400 --> 1:14:10.360
<v Speaker 1>like seventy one million people did not like the turnout

1:14:10.400 --> 1:14:14.000
<v Speaker 1>of this election, and they were all complicit and cool

1:14:14.200 --> 1:14:16.360
<v Speaker 1>with a lot of the things that happened because they

1:14:16.479 --> 1:14:20.720
<v Speaker 1>voted for it again. And um, I gotta give my

1:14:20.840 --> 1:14:25.720
<v Speaker 1>respect just as a citizen, I'm supposed to respect, you know,

1:14:26.120 --> 1:14:28.800
<v Speaker 1>the the current administration because they are the leaders of

1:14:28.880 --> 1:14:31.040
<v Speaker 1>the free world. I don't agree with a lot of

1:14:31.160 --> 1:14:32.800
<v Speaker 1>things that they say. I don't agree with a lot

1:14:32.840 --> 1:14:35.360
<v Speaker 1>of the policies, and a lot of that has come

1:14:35.439 --> 1:14:41.680
<v Speaker 1>down on, you know, on black males. And yes, you

1:14:41.760 --> 1:14:46.400
<v Speaker 1>know they have been you know, um, they have been

1:14:47.560 --> 1:14:54.840
<v Speaker 1>you know, reversing uh sentences and pardoning and doing all

1:14:54.880 --> 1:14:56.360
<v Speaker 1>these things. I know, Kim was a very it was

1:14:56.400 --> 1:14:59.120
<v Speaker 1>a very played the very intricral part of that. But

1:14:59.200 --> 1:15:01.400
<v Speaker 1>I don't give a fun man. We are an endangered

1:15:01.439 --> 1:15:04.760
<v Speaker 1>species black men. Bro. So it's like when you see

1:15:04.800 --> 1:15:07.280
<v Speaker 1>two people who are so fucking powerful. And you see

1:15:08.040 --> 1:15:12.280
<v Speaker 1>men that look like Drake die or be paralyzed with

1:15:12.640 --> 1:15:15.240
<v Speaker 1>with police bullets in their back, you know what I'm saying.

1:15:15.920 --> 1:15:20.160
<v Speaker 1>Or you see black men that look like Pusha who

1:15:21.560 --> 1:15:26.840
<v Speaker 1>die with police bullets or dying just in general, just

1:15:26.960 --> 1:15:29.439
<v Speaker 1>from like the the very dark forces of racism in

1:15:29.479 --> 1:15:32.120
<v Speaker 1>this country. My only thing is to say, you guys,

1:15:33.280 --> 1:15:35.599
<v Speaker 1>you guys are both live in great lives. And sure

1:15:35.800 --> 1:15:40.479
<v Speaker 1>there's been some overstepping on both parts. I'll say, man, like,

1:15:41.400 --> 1:15:43.400
<v Speaker 1>we better than this, and we gotta we gotta we

1:15:43.680 --> 1:15:45.600
<v Speaker 1>we too. Zoom in right now, bro, we need to

1:15:45.680 --> 1:15:47.720
<v Speaker 1>zoom out. We need to zoom out and see the

1:15:47.760 --> 1:15:52.120
<v Speaker 1>bigger picture we we need We're stronger together. And and

1:15:52.320 --> 1:15:54.519
<v Speaker 1>and I and I've wanted to do that, but it's

1:15:54.560 --> 1:15:59.439
<v Speaker 1>not something that I can do. I mean, record you

1:15:59.600 --> 1:16:03.040
<v Speaker 1>produce it. What do you mean? I'd be so honored.

1:16:03.280 --> 1:16:05.840
<v Speaker 1>I do I do whatever for that, I do whatever

1:16:06.920 --> 1:16:09.519
<v Speaker 1>I want that to be. I wish that that did

1:16:09.600 --> 1:16:12.160
<v Speaker 1>not exist. You know what I'm saying, this didn't exist.

1:16:13.000 --> 1:16:15.479
<v Speaker 1>I wish all of it just it was never It

1:16:15.520 --> 1:16:19.360
<v Speaker 1>didn't it wasn't good for anyone. It was literally both

1:16:19.439 --> 1:16:22.120
<v Speaker 1>of them, like feeling like, no, I'm not backing down,

1:16:23.080 --> 1:16:24.760
<v Speaker 1>you know what I'm saying, Like, why should I back down?

1:16:25.320 --> 1:16:28.360
<v Speaker 1>But it's like, no, you guys are you. Guys are

1:16:28.400 --> 1:16:31.960
<v Speaker 1>bigger than you. Guys are bigger than this issue. You

1:16:32.000 --> 1:16:35.120
<v Speaker 1>know what I'm saying. I mean, Drake is arguably one

1:16:35.120 --> 1:16:38.120
<v Speaker 1>of the biggest. No, he is the biggest artist right now,

1:16:38.240 --> 1:16:40.839
<v Speaker 1>He's the biggest you know what I'm saying. And Pusher

1:16:40.960 --> 1:16:44.120
<v Speaker 1>is like one of those guys that like he continues

1:16:44.200 --> 1:16:47.400
<v Speaker 1>to up his ship like lyrically, people know he's the

1:16:47.439 --> 1:16:50.280
<v Speaker 1>most he's one of the most respected lyrically, and like

1:16:50.360 --> 1:16:52.000
<v Speaker 1>by the way he's consistent with what it is that

1:16:52.080 --> 1:16:55.800
<v Speaker 1>he does. He just continues, like it seems like he's

1:16:55.800 --> 1:17:01.200
<v Speaker 1>getting better and better and better. I just that would

1:17:01.240 --> 1:17:03.200
<v Speaker 1>be the greatest thing for me. I mean I didn't

1:17:03.200 --> 1:17:05.360
<v Speaker 1>come on here to talk about that necessarily, but man,

1:17:05.960 --> 1:17:10.880
<v Speaker 1>this is hip hop. We just were just so much

1:17:10.920 --> 1:17:13.360
<v Speaker 1>bigger and better than that. Man, And we need your

1:17:13.400 --> 1:17:16.120
<v Speaker 1>opinion too, because people don't get your opinion. Yeah, well,

1:17:16.439 --> 1:17:18.479
<v Speaker 1>you know, I stay quiet on all of us. I

1:17:18.600 --> 1:17:20.320
<v Speaker 1>tried to stay out of ship. Are we taking onto

1:17:20.320 --> 1:17:22.320
<v Speaker 1>the show of Purple Rain? Let's taken on the shot

1:17:22.360 --> 1:17:33.280
<v Speaker 1>of purple rain purples? Yes, please, we have legendary print

1:17:33.320 --> 1:17:37.519
<v Speaker 1>stories here. Drink? Did he float the purple? Purple smoke

1:17:37.680 --> 1:17:45.280
<v Speaker 1>every time? Prince, We're so cool. I've tried for years

1:17:45.320 --> 1:17:48.240
<v Speaker 1>to make records for him. My first attempt at making

1:17:48.280 --> 1:17:57.040
<v Speaker 1>a record with him for him, Uh, UM's fronting frighten

1:17:57.200 --> 1:18:03.200
<v Speaker 1>was Prince, that's crazy. I'm finally figured this out. How

1:18:03.320 --> 1:18:07.080
<v Speaker 1>far did that go? He didn't. He didn't want it,

1:18:07.880 --> 1:18:09.280
<v Speaker 1>so he didn't even take it all right, tom On,

1:18:09.720 --> 1:18:16.360
<v Speaker 1>did he hear the whole front? He heard? Um? I

1:18:16.479 --> 1:18:22.800
<v Speaker 1>think he heard the melodies and again it's been so long,

1:18:23.040 --> 1:18:25.080
<v Speaker 1>he might have heard the hook and maybe the melodies

1:18:25.120 --> 1:18:27.120
<v Speaker 1>for the verse or whatever it was. When I finished

1:18:27.120 --> 1:18:29.439
<v Speaker 1>the verses, No, I think I wrote a different version

1:18:29.520 --> 1:18:32.840
<v Speaker 1>of it a little bit for him, and uh he

1:18:33.240 --> 1:18:35.439
<v Speaker 1>you know, he wasn't into it. It's one of my

1:18:35.520 --> 1:18:38.320
<v Speaker 1>favorite real records of man. That was me pretending to

1:18:38.400 --> 1:18:43.160
<v Speaker 1>be him. Really, Yeah, you got me my all of

1:18:43.200 --> 1:18:49.120
<v Speaker 1>my I'm telling all of my you go see you

1:18:49.479 --> 1:18:51.599
<v Speaker 1>all right? So you was trying to that's your Prince

1:18:51.680 --> 1:18:53.599
<v Speaker 1>in person that I was trying to, just the one

1:18:54.600 --> 1:18:55.960
<v Speaker 1>good I thought would have been good for him at

1:18:55.960 --> 1:18:58.160
<v Speaker 1>that time, you know what I'm saying. And he was like, nah,

1:18:58.320 --> 1:19:01.120
<v Speaker 1>but we did do either for it or after that. Again,

1:19:01.160 --> 1:19:04.360
<v Speaker 1>I'm sorry the chronology drunk facts. We got drunk facts here. Uh,

1:19:04.560 --> 1:19:09.920
<v Speaker 1>don't fire me, Richard mill Um, but my time is off. Um.

1:19:10.120 --> 1:19:12.040
<v Speaker 1>So you've got that at one point five Richard mill

1:19:12.120 --> 1:19:14.320
<v Speaker 1>On too. We'll get to that later. Were watching me,

1:19:14.400 --> 1:19:17.559
<v Speaker 1>watching only but only dude, I know that you wouldn't hope.

1:19:17.560 --> 1:19:18.960
<v Speaker 1>I think it's the only dude, I know what they

1:19:19.040 --> 1:19:24.400
<v Speaker 1>only your mill But we'll give me that later. So

1:19:24.880 --> 1:19:30.200
<v Speaker 1>so that one, I just felt like we did all

1:19:30.240 --> 1:19:33.160
<v Speaker 1>this other one the remix called the greatest story that's

1:19:33.200 --> 1:19:35.360
<v Speaker 1>ever been told. I think that might have been before.

1:19:35.479 --> 1:19:37.120
<v Speaker 1>And then I tried to set then I tried to

1:19:37.200 --> 1:19:39.560
<v Speaker 1>like make frightened for him, and he just was like,

1:19:41.439 --> 1:19:43.160
<v Speaker 1>I don't even know we heard back. The answer was

1:19:43.240 --> 1:19:45.960
<v Speaker 1>just no, I could hear him now that I think about,

1:19:46.000 --> 1:19:48.160
<v Speaker 1>I could hear him on that, and that would have

1:19:48.240 --> 1:20:14.080
<v Speaker 1>been incredible, dude, d yeah, that would have been I

1:20:14.280 --> 1:20:18.759
<v Speaker 1>was like trying, that's why they're brown. Thank thank bang,

1:20:22.280 --> 1:20:26.559
<v Speaker 1>thank thank thank thank But he wasn't into it. Michael

1:20:26.640 --> 1:20:30.680
<v Speaker 1>Michael Michael turned us down because that's my next day,

1:20:31.000 --> 1:20:33.720
<v Speaker 1>back to back Prince Michael. But they both turned us down.

1:20:33.760 --> 1:20:37.640
<v Speaker 1>They were like, that's the second Remember I told you

1:20:37.840 --> 1:20:41.599
<v Speaker 1>top ten phone calls in my whole life A second

1:20:41.680 --> 1:20:45.479
<v Speaker 1>top ten is this is after you tell me they're

1:20:45.479 --> 1:20:50.040
<v Speaker 1>doing cheers whatever. Alright, cool, it's really really blown now,

1:20:50.120 --> 1:20:55.080
<v Speaker 1>oh no drops, And now I'm like elegant to a

1:20:55.160 --> 1:21:01.080
<v Speaker 1>certain extent. People like Hype Williams video video. Right. That

1:21:01.240 --> 1:21:03.320
<v Speaker 1>was where that was where whenever anything it was hot,

1:21:03.400 --> 1:21:08.120
<v Speaker 1>we'd be like, remember that time. That was a different era.

1:21:08.600 --> 1:21:12.920
<v Speaker 1>So you hit me and said, yo, I just said

1:21:13.000 --> 1:21:17.840
<v Speaker 1>Michael Jackson some beats. I'm like, I'm like, like, I

1:21:17.920 --> 1:21:20.800
<v Speaker 1>didn't understand this talk because I'm like, damn, I'm not

1:21:21.040 --> 1:21:25.360
<v Speaker 1>no Michael Jackson ever at all. So I'm like, where

1:21:26.720 --> 1:21:30.519
<v Speaker 1>you said to me? He told we, Nope, I don't

1:21:30.560 --> 1:21:35.160
<v Speaker 1>think nor we will rhyme on that. I was like,

1:21:35.880 --> 1:21:45.839
<v Speaker 1>my life is done. Yo. John mcclaim was his manager

1:21:45.880 --> 1:21:48.519
<v Speaker 1>at the time. We sat him pretty much all the

1:21:48.560 --> 1:21:50.920
<v Speaker 1>stuff you guys are hearing on the first Justified album.

1:21:51.040 --> 1:21:55.719
<v Speaker 1>That's all the Michael stuff to justin Justin Timberla, Oh, yes, okay,

1:21:55.760 --> 1:21:59.120
<v Speaker 1>go ahead, all but one song. They were all written

1:21:59.200 --> 1:22:03.400
<v Speaker 1>for uh Michael. Whatever of Michael's is. Remember the time

1:22:03.439 --> 1:22:05.880
<v Speaker 1>era this is right at the super colg right, you

1:22:06.400 --> 1:22:14.360
<v Speaker 1>robbed My World right before that and m and John

1:22:14.439 --> 1:22:20.920
<v Speaker 1>McClain was like, man, Michael, don't want that ship. They

1:22:21.040 --> 1:22:29.320
<v Speaker 1>want the ship that you're giving Nora. I'm like, immediately

1:22:29.400 --> 1:22:31.400
<v Speaker 1>thought of Michael with the crypts in the blood picture.

1:22:36.280 --> 1:22:38.200
<v Speaker 1>I don't know, no bosh it. He was like, yo,

1:22:38.320 --> 1:22:40.880
<v Speaker 1>he wanted that super thug. You know it wasn't other

1:22:40.960 --> 1:22:47.000
<v Speaker 1>one y'all just did I would have been a crazy Michael.

1:22:48.080 --> 1:22:50.920
<v Speaker 1>Remember where I called me? I was like, because I

1:22:51.040 --> 1:22:54.320
<v Speaker 1>haven't really like I'm still a kid. I'm twenty maybe one.

1:22:55.600 --> 1:22:57.559
<v Speaker 1>When he said that to me, It's like, yo, Michael

1:22:57.640 --> 1:23:01.720
<v Speaker 1>told me I've been you said maybe the manager. He said,

1:23:02.000 --> 1:23:03.800
<v Speaker 1>they want this ship that would no where we wrong

1:23:03.920 --> 1:23:06.200
<v Speaker 1>on And I was sitting back like, I was like,

1:23:06.320 --> 1:23:07.920
<v Speaker 1>I hung up the phone because in my mind it

1:23:08.000 --> 1:23:11.519
<v Speaker 1>was a flip star Tech. So I hung up and

1:23:11.600 --> 1:23:15.120
<v Speaker 1>I was like, what the fund did? I just here

1:23:15.640 --> 1:23:18.519
<v Speaker 1>like I didn't know how to assess that. And Farrell

1:23:18.680 --> 1:23:23.679
<v Speaker 1>was telling me, no, I couldn't make wreck music for Michael.

1:23:23.840 --> 1:23:26.400
<v Speaker 1>I wanted to keep you in mind, like something he

1:23:26.439 --> 1:23:29.240
<v Speaker 1>would rhyme too, and I was just I was blown away.

1:23:29.280 --> 1:23:33.800
<v Speaker 1>That's that's my top like Biggie called me before he

1:23:33.840 --> 1:23:36.799
<v Speaker 1>passed away. So this is my top ten. Did Biggie

1:23:37.120 --> 1:23:41.880
<v Speaker 1>say he wanted to r and yo? Yeah? Oh my god?

1:23:42.160 --> 1:23:45.040
<v Speaker 1>It was crazy and what happened? What happened? Why? Why

1:23:45.120 --> 1:23:47.000
<v Speaker 1>did it not happen? He was in l A when

1:23:47.040 --> 1:23:48.720
<v Speaker 1>he called me, so you know, you know how God

1:23:48.760 --> 1:23:51.760
<v Speaker 1>blessed that rest of the biggest smalls. But on that

1:23:52.000 --> 1:23:54.680
<v Speaker 1>l A trip he had called me toking. Um. So

1:23:54.800 --> 1:23:56.360
<v Speaker 1>this is my top ten calls on my whole life.

1:23:56.360 --> 1:23:58.479
<v Speaker 1>I'm gonna write him down. I don't write him down.

1:23:58.479 --> 1:24:02.240
<v Speaker 1>IM gonna make a book my top but first of all,

1:24:02.439 --> 1:24:05.240
<v Speaker 1>you have to do a book and you and it

1:24:05.320 --> 1:24:09.200
<v Speaker 1>has to be my top ten calls, top ten calls.

1:24:10.000 --> 1:24:11.479
<v Speaker 1>I think. I think I'm gonna make down a book.

1:24:11.640 --> 1:24:15.560
<v Speaker 1>This is listen listen, and you have to be so

1:24:15.800 --> 1:24:19.320
<v Speaker 1>vivid about these stories. Just your brother, you know, this

1:24:19.439 --> 1:24:22.160
<v Speaker 1>is what I do okay with with the Michael Jackson story,

1:24:22.240 --> 1:24:25.160
<v Speaker 1>I know, but hold on a second, let him produce.

1:24:25.200 --> 1:24:30.920
<v Speaker 1>You brother, I've always my whole life got there, you know,

1:24:31.120 --> 1:24:35.080
<v Speaker 1>like like it has to be ten calls. By the way,

1:24:35.200 --> 1:24:37.320
<v Speaker 1>any any of the publishers that are listening to this,

1:24:37.479 --> 1:24:39.439
<v Speaker 1>and let's the good ones come on, come out of

1:24:39.479 --> 1:24:42.880
<v Speaker 1>the water works. This is amazing. It's super colorful because

1:24:42.920 --> 1:24:47.920
<v Speaker 1>those calls are fucking crazy. Yo, fucking yo, notorious b

1:24:48.080 --> 1:24:52.600
<v Speaker 1>I G wanted to get on and you know, my

1:24:52.760 --> 1:24:56.160
<v Speaker 1>dumb ass bl I'm sitting there thinking my shirt is bootleg,

1:24:56.479 --> 1:24:58.200
<v Speaker 1>so I'm like because it wasn't out, so I'm like, yo,

1:24:58.680 --> 1:25:02.080
<v Speaker 1>but I forgot nat Iris, who produced it, was worth

1:25:02.160 --> 1:25:05.080
<v Speaker 1>a bad boy, so he played it for Biggie exclusively.

1:25:05.760 --> 1:25:12.439
<v Speaker 1>Does anyone know how incredible nice Sheen Marix was it is?

1:25:13.760 --> 1:25:19.320
<v Speaker 1>Does anyone know that Nashi Marix? Do you all understand

1:25:19.400 --> 1:25:22.519
<v Speaker 1>what he did with Queen Bitch? Do you all understand

1:25:22.720 --> 1:25:27.040
<v Speaker 1>Nashin Marix, brother, I think I've met you one time.

1:25:27.920 --> 1:25:34.200
<v Speaker 1>If you're listening to this, you are absolutely a periodic inspiration.

1:25:34.920 --> 1:25:38.960
<v Speaker 1>What you do and what you've done with so many

1:25:39.160 --> 1:25:48.320
<v Speaker 1>songs has moved me. Chad pusha fam like you don't

1:25:48.360 --> 1:25:52.400
<v Speaker 1>even understand. You know how many people got shot to

1:25:52.560 --> 1:26:06.479
<v Speaker 1>Queen Beich, to Queen Bitch because no bullshit. Listen, listen, listen, listen.

1:26:07.840 --> 1:26:10.439
<v Speaker 1>I don't want nobody to get shot. But I'm just

1:26:10.560 --> 1:26:14.240
<v Speaker 1>telling you as a fan from a Stanley Kubrick Steven

1:26:14.320 --> 1:26:20.639
<v Speaker 1>Spielberg perspective on the movie A bro Possess, how many

1:26:20.760 --> 1:26:26.559
<v Speaker 1>times somebody got shot? To Queen Bread, to queen bitch?

1:26:29.200 --> 1:26:35.800
<v Speaker 1>Are you here? Bla bla blackap You don't understand what

1:26:35.880 --> 1:26:38.799
<v Speaker 1>they did two D the Norfolk Enforcement. You don't understand

1:26:38.840 --> 1:26:41.240
<v Speaker 1>some of the most you listen. I know New York

1:26:41.320 --> 1:26:45.120
<v Speaker 1>got guns, but you don't understand. We're listening in Virginia.

1:26:45.200 --> 1:26:49.439
<v Speaker 1>They senselessly kill. It's a very different thing, you know.

1:26:49.680 --> 1:26:53.840
<v Speaker 1>They just jealousy and envy. Envy from a distance was

1:26:54.000 --> 1:26:56.720
<v Speaker 1>enough for you to get shot at. And that's not

1:26:57.160 --> 1:27:03.719
<v Speaker 1>something that I was into because I was done. However,

1:27:05.080 --> 1:27:08.360
<v Speaker 1>and the closest to the closest to the exit with

1:27:08.520 --> 1:27:10.320
<v Speaker 1>my old g is going, are you good? They're not.

1:27:10.479 --> 1:27:12.200
<v Speaker 1>They know not to do that dumb ship over here,

1:27:12.960 --> 1:27:15.880
<v Speaker 1>shout all the like, all of my own g's, all

1:27:15.880 --> 1:27:18.400
<v Speaker 1>of all the back one like them. They're like those

1:27:18.439 --> 1:27:21.599
<v Speaker 1>guys were like deities walking around like Apollo and fucking

1:27:22.240 --> 1:27:27.400
<v Speaker 1>they were different. However, shout that purple rain, Yeah, that

1:27:29.960 --> 1:27:37.840
<v Speaker 1>shook one's blood. Money when number records came on in Virginia. Listen,

1:27:37.880 --> 1:27:41.720
<v Speaker 1>I don't understand. I don't understand how to really communicate

1:27:41.800 --> 1:27:46.320
<v Speaker 1>that to y'all. And nashe Marix was one of those guys,

1:27:47.040 --> 1:27:49.360
<v Speaker 1>those beats that he would make. I don't know what

1:27:49.479 --> 1:27:53.040
<v Speaker 1>the funk would possess this guy to put some of

1:27:53.080 --> 1:27:59.320
<v Speaker 1>those baselines down to some of those samples. But man, listen,

1:27:59.439 --> 1:28:02.479
<v Speaker 1>I take my hat off to you, brother. You are

1:28:03.280 --> 1:28:08.800
<v Speaker 1>fucking different, and I encourage all young producers. It's not

1:28:09.000 --> 1:28:13.640
<v Speaker 1>trapped music, it's not rap music up today. It's from

1:28:13.680 --> 1:28:19.080
<v Speaker 1>a different era. And I'm telling you right now it

1:28:20.439 --> 1:28:26.280
<v Speaker 1>incited riots. We're done. Go ahead, biggie. You wanted to

1:28:26.320 --> 1:28:28.720
<v Speaker 1>be a biggie, wanted to be in be on T

1:28:28.880 --> 1:28:32.560
<v Speaker 1>O n Y. That is like, oh my god. So

1:28:32.720 --> 1:28:35.920
<v Speaker 1>this is from Charlemagne direct right, he said. I always

1:28:36.000 --> 1:28:39.200
<v Speaker 1>wonder if in his mind did he ever compete with

1:28:39.360 --> 1:28:42.880
<v Speaker 1>Timberland since they vote from Virginia, Like, was it ever

1:28:43.160 --> 1:28:44.960
<v Speaker 1>like a competition? At one point I did think y'all

1:28:45.040 --> 1:28:47.640
<v Speaker 1>was in competition. Timberland has always been better than me,

1:28:48.040 --> 1:28:50.559
<v Speaker 1>and I feel sound wise it was a whole different lane.

1:28:51.400 --> 1:28:57.400
<v Speaker 1>Timberland has always been better than me. Period. Timberland did

1:28:57.680 --> 1:29:02.320
<v Speaker 1>like he four feet that's the respect that you have.

1:29:03.280 --> 1:29:08.040
<v Speaker 1>Come on, Timberland. Timberland didn't he to be the guys,

1:29:08.320 --> 1:29:13.919
<v Speaker 1>you guys, let's stop. Timberland did four page letter. Timberland

1:29:13.960 --> 1:29:18.880
<v Speaker 1>did what are we talking about? It's just it's it,

1:29:19.240 --> 1:29:23.840
<v Speaker 1>it's over. What is jigger man? Trigger man? Hit your

1:29:23.960 --> 1:29:30.439
<v Speaker 1>van up. I'm gonna stop right then, come on, I'm

1:29:30.479 --> 1:29:34.519
<v Speaker 1>beat anything on you on versus again? No man again

1:29:34.600 --> 1:29:45.000
<v Speaker 1>city for anybody? Would you ever think about doing the verse? Never?

1:29:45.400 --> 1:29:48.680
<v Speaker 1>Never know, because that's just it's not my thing. I

1:29:48.760 --> 1:29:52.599
<v Speaker 1>love watching them, but I just like I would get

1:29:52.600 --> 1:29:54.840
<v Speaker 1>in my own way. I stopped playing ship. I see

1:29:54.920 --> 1:29:57.439
<v Speaker 1>like I play your records. You just you just it

1:29:57.560 --> 1:29:59.040
<v Speaker 1>just wouldn't be the right look for it. But I've

1:29:59.040 --> 1:30:01.040
<v Speaker 1>seen your comedies at you with like it's like like

1:30:01.400 --> 1:30:04.240
<v Speaker 1>it's like back right, they say back, and he got

1:30:04.320 --> 1:30:07.240
<v Speaker 1>baract the nigga speaker, right. So then the guy he

1:30:07.360 --> 1:30:14.920
<v Speaker 1>says with Barrack says, and then it's the guy that says, well,

1:30:15.000 --> 1:30:16.719
<v Speaker 1>I would I would like to be your nigga speaker

1:30:16.760 --> 1:30:22.120
<v Speaker 1>at that night you say something cool cool, humble ship,

1:30:22.120 --> 1:30:26.920
<v Speaker 1>and I'm like, what do he means this? I get

1:30:27.080 --> 1:30:36.680
<v Speaker 1>fun with this right, I'm telling me, I don't be

1:30:36.800 --> 1:30:41.479
<v Speaker 1>like they listen to me. Bro, Holy moly, nobody can't

1:30:41.760 --> 1:30:49.000
<v Speaker 1>your broom. I don't fry Timper. I mean speaking because

1:30:49.000 --> 1:30:50.280
<v Speaker 1>I don't want to say nigga no more. I don't

1:30:50.280 --> 1:30:53.639
<v Speaker 1>want to say that. Timber the king, Bro, Timber the King,

1:30:54.400 --> 1:30:58.679
<v Speaker 1>Timber the King. All right, so would you pop out Kan? Yeah?

1:30:58.720 --> 1:31:00.720
<v Speaker 1>You on Kan yea in Verson. That's your little man.

1:31:03.960 --> 1:31:09.240
<v Speaker 1>Kanye is amazing. Bro. You wouldn't have that. I don't listen.

1:31:09.400 --> 1:31:12.200
<v Speaker 1>I know my job, Bro. I'm not a boxer. I'm

1:31:12.240 --> 1:31:14.920
<v Speaker 1>a trainer and and and at the end of the day,

1:31:15.040 --> 1:31:17.479
<v Speaker 1>like you know, because I was I'm lucky to be

1:31:17.520 --> 1:31:19.040
<v Speaker 1>able to throw a couple of shots and get a

1:31:19.080 --> 1:31:22.360
<v Speaker 1>couple of a couple of belts. I'm very grateful. But

1:31:22.520 --> 1:31:26.240
<v Speaker 1>this is not my fight, Like, it's just not my thing.

1:31:26.360 --> 1:31:27.960
<v Speaker 1>How you can say that, I can't say that. They

1:31:27.960 --> 1:31:31.479
<v Speaker 1>won't let me. They're trying to make me battle everybody. Well,

1:31:31.520 --> 1:31:32.880
<v Speaker 1>how can you can say that? And you're like, I

1:31:32.960 --> 1:31:35.240
<v Speaker 1>don't know, I just I just I know my place,

1:31:35.600 --> 1:31:44.040
<v Speaker 1>you know, Michael Jackson with that, No, No, I know

1:31:44.160 --> 1:31:46.160
<v Speaker 1>my place. I will say this. I will say that

1:31:46.439 --> 1:31:48.240
<v Speaker 1>you know I wasn't. I wasn't sure of what to

1:31:48.320 --> 1:31:50.920
<v Speaker 1>expect here. I know I have a loving respect for

1:31:51.000 --> 1:31:53.680
<v Speaker 1>your show, and I had such a I'm having such

1:31:53.720 --> 1:32:01.639
<v Speaker 1>a great time. Man. Another shot of purple rate brand. Man.

1:32:02.360 --> 1:32:04.000
<v Speaker 1>I just want you to know, man, our show is

1:32:04.000 --> 1:32:07.320
<v Speaker 1>about saluting O. I see it. Legends, I see it.

1:32:07.560 --> 1:32:09.200
<v Speaker 1>You know when they people got ten years and more,

1:32:09.280 --> 1:32:11.439
<v Speaker 1>they say this over right now, you know there's this

1:32:11.560 --> 1:32:15.760
<v Speaker 1>new young producers. Salute this new young producers. You don't

1:32:15.760 --> 1:32:20.840
<v Speaker 1>feel like that. So I also think that you should

1:32:20.920 --> 1:32:24.599
<v Speaker 1>have a partnership with a florist. So all the florist,

1:32:25.680 --> 1:32:29.519
<v Speaker 1>what we need flowers, All the florists that are out there.

1:32:29.920 --> 1:32:32.400
<v Speaker 1>There's a lot of different brands, a lot of different versions,

1:32:32.439 --> 1:32:34.479
<v Speaker 1>and a lot of different places coming from different places.

1:32:34.600 --> 1:32:38.760
<v Speaker 1>Like there should be a Drink Champs like addition of flowers,

1:32:38.800 --> 1:32:40.760
<v Speaker 1>because that's all these guys are doing and giving people

1:32:40.800 --> 1:32:46.560
<v Speaker 1>their flowers that so you know, you need that. You

1:32:47.080 --> 1:32:49.720
<v Speaker 1>you need to you need to call, write, email, do

1:32:49.800 --> 1:32:51.920
<v Speaker 1>whatever you need to do to connect with these guys.

1:32:52.560 --> 1:32:55.160
<v Speaker 1>And there should be a Drink Champs florist. And I'm

1:32:55.240 --> 1:32:58.200
<v Speaker 1>just saying people will order, people will order from here,

1:32:58.280 --> 1:33:00.519
<v Speaker 1>just because they want to be supportive of of of

1:33:00.640 --> 1:33:05.240
<v Speaker 1>black and Latin X entrepreneurs like and they'd be very

1:33:05.320 --> 1:33:07.560
<v Speaker 1>supportive of what you do because you do this on

1:33:07.680 --> 1:33:09.960
<v Speaker 1>your podcast, like you said, you said, Yo, we like

1:33:10.280 --> 1:33:12.160
<v Speaker 1>this is a show about giving people their flowers and

1:33:12.200 --> 1:33:16.280
<v Speaker 1>ship right, so you should have that merchandise. They have flowers.

1:33:16.400 --> 1:33:18.360
<v Speaker 1>You should actually have flowers. Were gonna have a girl

1:33:18.439 --> 1:33:20.360
<v Speaker 1>give it to you because I feel uncomfortable giving you

1:33:20.400 --> 1:33:24.439
<v Speaker 1>flowers right now. I'm telling you see the kind of

1:33:24.479 --> 1:33:33.120
<v Speaker 1>money that you can make a right brother, I don't

1:33:33.120 --> 1:33:36.640
<v Speaker 1>tell you something. Not only that, you also had the

1:33:36.720 --> 1:33:40.400
<v Speaker 1>most disrespectful jury in the game. At one point. You

1:33:40.439 --> 1:33:43.720
<v Speaker 1>would like to Eric be a rock Kim off the

1:33:43.920 --> 1:33:48.120
<v Speaker 1>new producers like like you like, you know serious, Let's

1:33:48.160 --> 1:33:51.080
<v Speaker 1>keep it real, Let's keep it real, Let's keep it

1:33:52.280 --> 1:33:54.479
<v Speaker 1>brute diamonds. I didn't even know what that meant. I

1:33:54.520 --> 1:33:59.120
<v Speaker 1>didn't even know. We just love it. Was like, let's

1:33:59.120 --> 1:34:01.720
<v Speaker 1>talk about your jewelry game for one, Why are you

1:34:01.800 --> 1:34:05.320
<v Speaker 1>really getting into it right now? Why not so jewelry wise?

1:34:06.400 --> 1:34:13.760
<v Speaker 1>I um, I was what the fund is that? So

1:34:13.880 --> 1:34:16.679
<v Speaker 1>what it's a mix of what and what? It's imagine

1:34:16.680 --> 1:34:23.160
<v Speaker 1>a bloody Mary beer drink. Got it? That's my line. Okay,

1:34:24.320 --> 1:34:34.679
<v Speaker 1>say again, everybody ever you listen. We know almost every

1:34:34.720 --> 1:34:36.920
<v Speaker 1>company here. This is what this is. We all the

1:34:36.960 --> 1:34:47.080
<v Speaker 1>fooboo of the media. Everything is yes, yes, And the book,

1:34:47.200 --> 1:34:49.760
<v Speaker 1>the book, and the book is important. The book is

1:34:49.800 --> 1:34:53.400
<v Speaker 1>important to the legacy. The book is important to the legacy.

1:34:53.960 --> 1:34:56.360
<v Speaker 1>And the florest isn't it is important to the future.

1:34:56.479 --> 1:34:59.439
<v Speaker 1>Like that, like the fact that you guys literally give

1:34:59.479 --> 1:35:02.160
<v Speaker 1>people that we have to do. Man, that's what we

1:35:02.240 --> 1:35:04.560
<v Speaker 1>have to do. Come on there, there's some flock and

1:35:04.600 --> 1:35:07.120
<v Speaker 1>feel it right now, there's some some florist that's gonna

1:35:07.160 --> 1:35:09.960
<v Speaker 1>contact you. Guys would be happy to be y'all's partners.

1:35:10.479 --> 1:35:13.200
<v Speaker 1>And you pick them all out. God damn, you're not

1:35:13.200 --> 1:35:15.080
<v Speaker 1>gonna lie. I must see you the pictures. You tell

1:35:15.120 --> 1:35:16.840
<v Speaker 1>me which was to go with? When you start thinking

1:35:16.840 --> 1:35:19.720
<v Speaker 1>about that, when you realize a kind of money for

1:35:19.880 --> 1:35:22.200
<v Speaker 1>the make right now, you're gonna be very clear on

1:35:22.280 --> 1:35:32.559
<v Speaker 1>what colors you want to pick. Good. So, wait, where

1:35:32.640 --> 1:35:35.000
<v Speaker 1>where are we right now? Because because the purple rain

1:35:35.120 --> 1:35:38.080
<v Speaker 1>is kicking out, we might need to figure it out.

1:35:38.479 --> 1:35:44.720
<v Speaker 1>Purple rain, Okay, jewelry wise, jewelry rain, serious, bro so

1:35:45.040 --> 1:35:49.600
<v Speaker 1>so jewelry wise, Um, I've you know, I would have

1:35:49.800 --> 1:35:53.120
<v Speaker 1>my like I would have like my inspiration like some sounds,

1:35:53.120 --> 1:35:55.920
<v Speaker 1>I'm like, oh, you know what, you know, something as

1:35:55.960 --> 1:36:00.240
<v Speaker 1>simple as a monopoly Um, thank you. Something that's simple

1:36:00.280 --> 1:36:02.240
<v Speaker 1>as like a monopoly piece. I'm like, yo, I want

1:36:02.280 --> 1:36:03.599
<v Speaker 1>to do this, So I want to do that, right

1:36:03.640 --> 1:36:05.800
<v Speaker 1>I did never did that, but at the time I

1:36:05.880 --> 1:36:08.599
<v Speaker 1>was thinking that way, or like when I was going

1:36:08.680 --> 1:36:11.360
<v Speaker 1>through like my jury motions, I was also dealing with cars,

1:36:12.280 --> 1:36:15.400
<v Speaker 1>so I would say, Yo, I want to do SpongeBob.

1:36:15.880 --> 1:36:18.840
<v Speaker 1>That's what made him start doing SpongeBob. I want to

1:36:18.920 --> 1:36:21.640
<v Speaker 1>do Smurfs. That's what had him doing Smurfs. Now he

1:36:21.880 --> 1:36:24.479
<v Speaker 1>was an incredible artist on his own. He did something

1:36:24.520 --> 1:36:29.200
<v Speaker 1>called the Kimpson's And it was at that same time

1:36:29.280 --> 1:36:31.680
<v Speaker 1>that a sense of self discovery, that you realize that

1:36:31.760 --> 1:36:34.040
<v Speaker 1>you could just have your own ideas and go in

1:36:34.080 --> 1:36:36.080
<v Speaker 1>there and not just have to settle for whatever Tito

1:36:36.240 --> 1:36:37.519
<v Speaker 1>was giving you, because I used to go to We

1:36:37.640 --> 1:36:41.240
<v Speaker 1>used to go to Tito shout to listen to miss

1:36:41.320 --> 1:36:46.599
<v Speaker 1>you love you brother every time he saw faces Man,

1:36:47.360 --> 1:36:52.519
<v Speaker 1>and then and then there was and then I went

1:36:52.560 --> 1:36:55.840
<v Speaker 1>to Then I went to Jacob and then like everything changed,

1:36:55.880 --> 1:36:57.560
<v Speaker 1>and then I met Lorraine, So I you know, I

1:36:57.640 --> 1:37:03.040
<v Speaker 1>stayed very very very loyal to Jacob and Lorraine. And Okay,

1:37:03.040 --> 1:37:08.960
<v Speaker 1>who's Loine. That's another Lorraine Schwartz. Yeah, she's she's she's great,

1:37:09.040 --> 1:37:10.960
<v Speaker 1>she's great. I have be happy to introduce you to her.

1:37:11.520 --> 1:37:15.519
<v Speaker 1>So Lorraine is like Lizabeth Taylor, like you know what,

1:37:15.600 --> 1:37:18.439
<v Speaker 1>I'm kind of like that, kind of like those kind

1:37:18.479 --> 1:37:24.000
<v Speaker 1>of levels. Um, she did Kim's ring, she did these rings,

1:37:24.080 --> 1:37:27.320
<v Speaker 1>she did my wife's ring. You know, we was early

1:37:27.439 --> 1:37:31.200
<v Speaker 1>on the rain, like we you know, I'm very loyal

1:37:31.280 --> 1:37:33.879
<v Speaker 1>to the people I partner with, whether it's a Dida's Lorraine,

1:37:33.920 --> 1:37:36.120
<v Speaker 1>whoever it is, I'm turning the lights on, I'm turning

1:37:36.160 --> 1:37:41.479
<v Speaker 1>everybody onto them. Um. And so jewelry wise, I just

1:37:41.600 --> 1:37:45.280
<v Speaker 1>wanted to express myself, like you know what, I'm from

1:37:45.320 --> 1:37:50.679
<v Speaker 1>any r D And you guys can keep getting fucking crosses.

1:37:51.479 --> 1:37:54.840
<v Speaker 1>I've done that, but we're gonna do something else. And

1:37:54.960 --> 1:38:00.280
<v Speaker 1>so there was this one moment colorful. There was one

1:38:00.360 --> 1:38:03.760
<v Speaker 1>moment we went to the BT Awards. I don't know

1:38:03.920 --> 1:38:09.280
<v Speaker 1>what year it was, but for a surprise, Stephen Hill

1:38:10.600 --> 1:38:17.519
<v Speaker 1>brought on Slick Rick was Dougie Fresh on there with

1:38:17.640 --> 1:38:20.400
<v Speaker 1>him too. At the first was Douggie Fresh on there

1:38:20.439 --> 1:38:24.680
<v Speaker 1>with him as well? At first, I'm not sure. I

1:38:24.760 --> 1:38:27.839
<v Speaker 1>think he might have been. And if he's not, my apologies,

1:38:27.840 --> 1:38:30.200
<v Speaker 1>because Dougie is every fucking thing and they got gotta dance.

1:38:30.880 --> 1:38:36.479
<v Speaker 1>Years later, he's everything. Slick Rick was on there with

1:38:36.680 --> 1:38:42.680
<v Speaker 1>a short suit, meaning a suit with shorts right, burgundy

1:38:44.200 --> 1:38:51.400
<v Speaker 1>with Burgundy Clark's on m and his jewelry and I

1:38:51.520 --> 1:38:54.800
<v Speaker 1>am seen on the b T. Yeah. I don't know

1:38:54.840 --> 1:38:56.600
<v Speaker 1>if it was a BT Awards it or if it

1:38:56.800 --> 1:38:59.680
<v Speaker 1>was the BT Hip Hop Awards. I'm not sure. I

1:38:59.760 --> 1:39:03.560
<v Speaker 1>can't remember. And he had on all that jewelry. And

1:39:03.640 --> 1:39:07.719
<v Speaker 1>I called Jacob that night. I said, listen to me, Okay,

1:39:08.439 --> 1:39:12.840
<v Speaker 1>this is in full transparency. There was no big Cuban

1:39:12.880 --> 1:39:17.320
<v Speaker 1>links before this. He had on a cuban and I

1:39:17.400 --> 1:39:19.080
<v Speaker 1>thought about some of the stuff that he didn't have

1:39:19.200 --> 1:39:21.960
<v Speaker 1>one that night that I've always loved. And I called Jacob.

1:39:22.000 --> 1:39:24.479
<v Speaker 1>I said, listen, we're doing three chains. We're gonna do

1:39:24.920 --> 1:39:27.559
<v Speaker 1>a bigger Cuban than you've ever seen, and the Gucci

1:39:27.680 --> 1:39:30.679
<v Speaker 1>link and then we're gonna do a much bigger Cuban

1:39:32.720 --> 1:39:35.400
<v Speaker 1>and then we're gonna do a Gucci link. But the

1:39:35.479 --> 1:39:40.519
<v Speaker 1>difference is I'm doing them in white gold and they're

1:39:40.520 --> 1:39:47.160
<v Speaker 1>all gonna be pavede. There was no pavade cubanstinum, no platinum.

1:39:47.160 --> 1:39:49.720
<v Speaker 1>I wouldn't have been able to lift my don know.

1:39:50.080 --> 1:39:53.200
<v Speaker 1>That is like lots of diamonds, like you know when

1:39:53.240 --> 1:39:58.360
<v Speaker 1>you see teeth, they're pavede, like paved, but paved. And

1:39:58.439 --> 1:40:01.560
<v Speaker 1>I was like, listen, we're do wing. It's gonna be

1:40:01.680 --> 1:40:07.599
<v Speaker 1>all sugar coated, basically paved. So pave Cuban link, paved

1:40:07.720 --> 1:40:13.679
<v Speaker 1>smaller Cuban link, pavede uh Gucci link. And the first

1:40:13.760 --> 1:40:16.920
<v Speaker 1>one is going to be of the one that I

1:40:16.960 --> 1:40:20.320
<v Speaker 1>dout forget the Saints name that's on the crutch. That

1:40:20.479 --> 1:40:23.400
<v Speaker 1>was okay, that was me imitating slick Rick full on,

1:40:23.600 --> 1:40:24.920
<v Speaker 1>and I only wore it for a little bit and

1:40:24.960 --> 1:40:27.000
<v Speaker 1>after a while I realized, okay, this is too slick Rick,

1:40:27.200 --> 1:40:29.960
<v Speaker 1>and I gave it to Nigo that I replaced that

1:40:30.560 --> 1:40:35.400
<v Speaker 1>with something that with with the BBC helmet, all all

1:40:35.680 --> 1:40:39.720
<v Speaker 1>pavede out three D and then I did the one

1:40:39.800 --> 1:40:44.120
<v Speaker 1>of ny R D but in the bait characters all

1:40:44.240 --> 1:40:47.519
<v Speaker 1>in the color coded stones and then there was like

1:40:47.720 --> 1:40:50.439
<v Speaker 1>one more and I can't remember what it was, but

1:40:50.520 --> 1:40:54.479
<v Speaker 1>either way, then I got the bracelet that was an

1:40:54.520 --> 1:40:59.439
<v Speaker 1>homage to slick Rick bro that was like, slick Rick,

1:40:59.479 --> 1:41:03.160
<v Speaker 1>You're the King, You're the King, and you know I

1:41:03.320 --> 1:41:06.200
<v Speaker 1>love slick Ricks so much. When he came home day

1:41:06.280 --> 1:41:07.320
<v Speaker 1>was like, yo, I want you to go in with

1:41:07.320 --> 1:41:09.040
<v Speaker 1>a stick and I was like, what are you crazy?

1:41:09.080 --> 1:41:10.840
<v Speaker 1>I'm doing for fucking free. What do you mean, it's

1:41:10.880 --> 1:41:14.000
<v Speaker 1>fucking slick Rick. My brothers and I. All we did

1:41:14.120 --> 1:41:16.800
<v Speaker 1>was right around and listen to that, you know, the

1:41:16.880 --> 1:41:20.439
<v Speaker 1>adventures of slick Rick's story, like what that whole ship

1:41:20.600 --> 1:41:24.640
<v Speaker 1>mona Lisa hang on record in the world. Just so

1:41:24.720 --> 1:41:29.360
<v Speaker 1>you guys understand. I got my first role when I

1:41:29.479 --> 1:41:31.960
<v Speaker 1>first got my first rolls, boys, I wrote a down

1:41:32.000 --> 1:41:34.360
<v Speaker 1>in Virginia with some white models from New York. I

1:41:34.439 --> 1:41:36.000
<v Speaker 1>was like, yeah, you guys caught a coming to Virginia

1:41:36.040 --> 1:41:38.720
<v Speaker 1>with me, and let's just drop a fucking round and

1:41:38.880 --> 1:41:41.160
<v Speaker 1>slow motion with the hazard lights on. And I made

1:41:41.200 --> 1:41:42.720
<v Speaker 1>them listen to that. They had never heard of it

1:41:42.760 --> 1:41:45.320
<v Speaker 1>than their life, but you guys have to understand what

1:41:45.560 --> 1:41:47.559
<v Speaker 1>this is. By the end of the night, they were

1:41:47.600 --> 1:41:49.600
<v Speaker 1>all singing in the world that the songs together, it

1:41:49.680 --> 1:41:53.920
<v Speaker 1>was great. Still Poppy is got them and keep talking

1:41:53.960 --> 1:41:58.400
<v Speaker 1>that ship. So so when I when I made that jewelry,

1:41:58.560 --> 1:42:01.280
<v Speaker 1>was like, that was everything. I'll never forget. The first

1:42:01.280 --> 1:42:03.360
<v Speaker 1>time I unveil it, we did drop it like we

1:42:03.439 --> 1:42:05.360
<v Speaker 1>played drop it like it's hot for the first time

1:42:05.400 --> 1:42:10.120
<v Speaker 1>in the Staples Center and it was so many gangs

1:42:10.200 --> 1:42:13.160
<v Speaker 1>in there that I was like, yo, are we really

1:42:13.240 --> 1:42:14.920
<v Speaker 1>going out there? And Snoop was like, nah, pe, they

1:42:15.000 --> 1:42:16.880
<v Speaker 1>love us, and like Bloods was in there and he

1:42:16.960 --> 1:42:19.000
<v Speaker 1>saw first of all. That's when I realized it was

1:42:19.080 --> 1:42:21.560
<v Speaker 1>more than one crip. And I thought it was just

1:42:21.640 --> 1:42:23.720
<v Speaker 1>like Bloods and the crips, it's more than one of

1:42:23.800 --> 1:42:26.799
<v Speaker 1>all of that. There was like the Grape Street Crips.

1:42:27.240 --> 1:42:29.800
<v Speaker 1>They were in purple. I was like what. Then they

1:42:29.840 --> 1:42:32.560
<v Speaker 1>were in purple. Then there was another group there was

1:42:32.600 --> 1:42:34.800
<v Speaker 1>We're in green. I mean like there were so many

1:42:34.880 --> 1:42:36.519
<v Speaker 1>of them. They were throwing signs and ship and we

1:42:36.560 --> 1:42:38.200
<v Speaker 1>played dropping like inside and he was like go ahead,

1:42:38.280 --> 1:42:41.720
<v Speaker 1>p and I unzipped the ship and you know, had

1:42:41.800 --> 1:42:45.519
<v Speaker 1>my moment, what did you have on a bunch of

1:42:45.560 --> 1:42:47.320
<v Speaker 1>babe stuff? I was it was baked at the time

1:42:47.400 --> 1:42:50.600
<v Speaker 1>Nego still owned Babe, he hadn't sold it yet, and

1:42:50.960 --> 1:42:54.639
<v Speaker 1>M yeah so bait yeah a long time ago. Yeah,

1:42:56.760 --> 1:43:00.160
<v Speaker 1>uh not my brother and not the general. So I

1:43:00.200 --> 1:43:02.080
<v Speaker 1>don't wear it. I ain't. I ain't want babe and

1:43:02.360 --> 1:43:06.560
<v Speaker 1>ship since I wait, I didn't know that. Yeah, no,

1:43:06.640 --> 1:43:08.519
<v Speaker 1>you know, no disrespect to them or whatever, but it

1:43:08.560 --> 1:43:12.760
<v Speaker 1>ain't Nego me and Nego is human made. Remember the

1:43:12.840 --> 1:43:16.479
<v Speaker 1>first you gave me a pair of babes, they were

1:43:16.520 --> 1:43:24.040
<v Speaker 1>like like brown Swede collectors items. Right now, I ain't

1:43:24.080 --> 1:43:25.840
<v Speaker 1>got it, but let me just tell you how much

1:43:26.000 --> 1:43:29.120
<v Speaker 1>I wore them ships in my hood. They joked on

1:43:29.360 --> 1:43:32.479
<v Speaker 1>me the first pair like this is before no one had.

1:43:32.600 --> 1:43:34.760
<v Speaker 1>You gave me a pair and I wore him in

1:43:34.840 --> 1:43:37.439
<v Speaker 1>my hood And I was like yo, and I kept

1:43:37.479 --> 1:43:41.840
<v Speaker 1>saying they hunting people like those is fake up doll,

1:43:43.880 --> 1:43:47.320
<v Speaker 1>like this is bait man, And they're like, yo, those

1:43:47.439 --> 1:43:49.599
<v Speaker 1>this weak, Yo, what the fun are you doing? Like Yo,

1:43:49.840 --> 1:43:53.680
<v Speaker 1>this is for felling them sneaker. This is gonna blow yo.

1:43:53.800 --> 1:43:57.920
<v Speaker 1>They baked on me I'm talking about I was just

1:43:58.160 --> 1:44:00.280
<v Speaker 1>they were just laughing at me, and I just said

1:44:00.320 --> 1:44:03.640
<v Speaker 1>fuck it. I rolled with it. And now all the

1:44:03.800 --> 1:44:13.160
<v Speaker 1>dudes like you're my bad. Yeah, that's that's Nigo Bro.

1:44:13.320 --> 1:44:15.800
<v Speaker 1>Nigo Nigo is you know, and and you know we

1:44:15.920 --> 1:44:19.519
<v Speaker 1>talk about like us and rap music and like, you know,

1:44:19.680 --> 1:44:22.800
<v Speaker 1>that culture. You know, part of that time. What made

1:44:22.840 --> 1:44:24.880
<v Speaker 1>you even wanted to get into that type of world

1:44:24.960 --> 1:44:28.920
<v Speaker 1>because you already dominated. So you asked me about the jewelry.

1:44:29.479 --> 1:44:31.040
<v Speaker 1>J By the way, I had a whole of the

1:44:31.120 --> 1:44:34.080
<v Speaker 1>lifetime after the big jewelry. That's when we just started

1:44:34.080 --> 1:44:37.439
<v Speaker 1>getting them more sophisticated, like just thinking about things a

1:44:37.479 --> 1:44:40.080
<v Speaker 1>little bit differently. Yeah, I see your your whole risks

1:44:40.200 --> 1:44:45.360
<v Speaker 1>just difference. Is that a Cardier blast it made for

1:44:45.560 --> 1:44:48.040
<v Speaker 1>you for Cardia? This is Nigga. Nigga made this. This

1:44:48.200 --> 1:44:50.599
<v Speaker 1>is a human maid. This is a human maid bracelet

1:44:50.880 --> 1:44:55.280
<v Speaker 1>like Cardier, Yes, sir, Yeah, elsewhere. And that's Cactus plan

1:44:56.920 --> 1:45:01.479
<v Speaker 1>She's Cactus Yeah, yeah, Captain Planning. She got she's over

1:45:01.560 --> 1:45:04.720
<v Speaker 1>with Nike as well. She's something else. So he's a

1:45:04.760 --> 1:45:06.880
<v Speaker 1>crazy thing. So Jacob, you asked me about the jury.

1:45:06.960 --> 1:45:09.519
<v Speaker 1>So Jacob called me. He said, you know, I got

1:45:09.640 --> 1:45:12.439
<v Speaker 1>this guy. You know, he likes your stuff, you know,

1:45:13.240 --> 1:45:17.519
<v Speaker 1>you know, you know, good good, good, good, good client.

1:45:17.640 --> 1:45:19.960
<v Speaker 1>He's a good client. You know, he's from Japan. You

1:45:20.000 --> 1:45:21.840
<v Speaker 1>don't know, you don't know this guy, and mego, he's

1:45:21.880 --> 1:45:24.160
<v Speaker 1>fucking reach. He's you know, he's got this company used

1:45:24.160 --> 1:45:27.000
<v Speaker 1>to check it out. Jacob was the one that introduced

1:45:27.040 --> 1:45:30.320
<v Speaker 1>me to Nigo and Bait because Nego kept coming to

1:45:30.439 --> 1:45:34.120
<v Speaker 1>New York. Go and listen, you're making jury for this guy.

1:45:34.320 --> 1:45:37.280
<v Speaker 1>You made him this Cuban link. You made this for

1:45:37.400 --> 1:45:39.760
<v Speaker 1>him in yellow. I wanted in yellow, and then I

1:45:39.880 --> 1:45:42.280
<v Speaker 1>wanted in rows, and then I wanted in white, and

1:45:42.439 --> 1:45:45.840
<v Speaker 1>everything that I got for a couple of years before

1:45:45.960 --> 1:45:48.240
<v Speaker 1>Nigo met me, he would get everything that I got

1:45:48.960 --> 1:45:51.920
<v Speaker 1>in in different versions, one in rows, one in yellow,

1:45:52.000 --> 1:45:55.200
<v Speaker 1>and one in white. And Jacob was like, look, look,

1:45:55.240 --> 1:45:57.280
<v Speaker 1>you don't believe me. He pulled at his desk, he

1:45:57.400 --> 1:45:59.920
<v Speaker 1>opened the drawers and they showed me the photos of

1:46:00.160 --> 1:46:02.519
<v Speaker 1>me and the jury, that jury, the jury that Jacob

1:46:02.560 --> 1:46:05.280
<v Speaker 1>had made for me. And Nego was a fan. She said,

1:46:05.439 --> 1:46:07.400
<v Speaker 1>I have this because he asked for the same thing.

1:46:07.520 --> 1:46:09.840
<v Speaker 1>It's fucking crazy. You gotta meet this guy, trust me,

1:46:10.000 --> 1:46:13.240
<v Speaker 1>just do me a favor. So Lloyd knew him as

1:46:13.320 --> 1:46:16.680
<v Speaker 1>well because when Lloyd went out there with Calise when

1:46:16.760 --> 1:46:19.479
<v Speaker 1>he was like road managing her, they went over to

1:46:19.600 --> 1:46:22.160
<v Speaker 1>Nego and they met Neigo to send the other So

1:46:22.320 --> 1:46:24.040
<v Speaker 1>I needed a studio to do something. When I was

1:46:24.080 --> 1:46:25.920
<v Speaker 1>out there, and Jacob kept going, Yo, you need to

1:46:25.960 --> 1:46:28.280
<v Speaker 1>go sit with this guy. He's a fan of yours.

1:46:28.640 --> 1:46:32.560
<v Speaker 1>So when I went to Neigo's office where his studio was,

1:46:32.680 --> 1:46:36.160
<v Speaker 1>he he had an office that had a showroom, production

1:46:36.280 --> 1:46:40.200
<v Speaker 1>room for clothes and sneakers, and then like in Italia,

1:46:40.760 --> 1:46:43.600
<v Speaker 1>and then he also had a showroom and below that

1:46:43.720 --> 1:46:45.840
<v Speaker 1>was the studio. He was like, Yo, you need a studio,

1:46:46.040 --> 1:46:48.120
<v Speaker 1>Come use my studio. So I used the studio. I

1:46:48.200 --> 1:46:50.599
<v Speaker 1>got done doing I needed to do at one upstairs,

1:46:50.920 --> 1:46:52.760
<v Speaker 1>and I saw all these bib stairs that kind of

1:46:52.800 --> 1:46:54.800
<v Speaker 1>looked like ups down up towns in a in a

1:46:55.000 --> 1:46:57.560
<v Speaker 1>a in a way. But the color ways was so

1:46:57.760 --> 1:47:02.920
<v Speaker 1>fucking crazy and literally, like, let's say, so those first babes,

1:47:03.120 --> 1:47:05.439
<v Speaker 1>they was already made as you as you saw. I

1:47:05.600 --> 1:47:08.479
<v Speaker 1>walked in the showroom and then I'm a I'm a

1:47:08.560 --> 1:47:10.800
<v Speaker 1>sample size. I'm a nine nine, nine and a half.

1:47:12.000 --> 1:47:15.080
<v Speaker 1>So let's say there's three colors here and there's not,

1:47:15.920 --> 1:47:20.960
<v Speaker 1>but let's say there is green, white, and beige. He

1:47:21.000 --> 1:47:23.280
<v Speaker 1>would have a babe that was green white, and beige.

1:47:23.840 --> 1:47:26.080
<v Speaker 1>But then he would have it where the colors were reversed,

1:47:28.479 --> 1:47:32.800
<v Speaker 1>so literally each colorway he would do twice and just

1:47:33.000 --> 1:47:36.400
<v Speaker 1>reverse where they were. And I walked down there and

1:47:36.479 --> 1:47:40.840
<v Speaker 1>I was like, this motherfucker's a genius. I've never seen

1:47:40.880 --> 1:47:42.840
<v Speaker 1>nobody do that, because really, right now, if you think

1:47:42.880 --> 1:47:45.639
<v Speaker 1>about a sneaker drop right, you see a color away,

1:47:46.160 --> 1:47:49.880
<v Speaker 1>it's one pair. What if the toe box and the

1:47:50.000 --> 1:47:54.439
<v Speaker 1>heel switched the colors, but it's the same three colors

1:47:54.600 --> 1:47:58.639
<v Speaker 1>but just rearranged. When I saw he did that, I say, hey,

1:47:59.760 --> 1:48:05.920
<v Speaker 1>hey man, who are you who? I just want to

1:48:06.000 --> 1:48:08.720
<v Speaker 1>learn from you and he was like no, like I

1:48:08.880 --> 1:48:11.360
<v Speaker 1>help you. And then that's when we did BBC together,

1:48:11.400 --> 1:48:13.719
<v Speaker 1>and that's when we did ice cream together, and everything changed.

1:48:14.439 --> 1:48:17.439
<v Speaker 1>And that changed my life because at that point I

1:48:17.560 --> 1:48:20.600
<v Speaker 1>was only thinking about the beat. The beat was my

1:48:20.760 --> 1:48:23.280
<v Speaker 1>only concern. Then are the beat in the in the

1:48:23.360 --> 1:48:25.600
<v Speaker 1>songs were my only concern? Then I realized that like

1:48:26.040 --> 1:48:29.559
<v Speaker 1>there's beats, there's music, and then there's merch, and then

1:48:29.600 --> 1:48:33.680
<v Speaker 1>there's like clothes. And he really opened me up. He

1:48:33.880 --> 1:48:36.679
<v Speaker 1>really really really really made me look at things very differently,

1:48:36.760 --> 1:48:39.679
<v Speaker 1>and I saw that this guy's imagination had no bounds.

1:48:40.520 --> 1:48:43.680
<v Speaker 1>And that's when I realized that like, not only I

1:48:43.760 --> 1:48:48.360
<v Speaker 1>could do this, but like the kids that we see today,

1:48:48.400 --> 1:48:51.000
<v Speaker 1>they're doing it. But that's when I realized that that

1:48:51.120 --> 1:48:52.920
<v Speaker 1>was gonna happen. I was like, because if I see this,

1:48:53.040 --> 1:48:56.360
<v Speaker 1>they're gonna see it, you know what I'm saying. So

1:48:56.520 --> 1:48:58.599
<v Speaker 1>that that, like that like changed everything. And I mean

1:48:58.680 --> 1:49:00.800
<v Speaker 1>he was different, this guy. Like some people put their

1:49:00.800 --> 1:49:02.479
<v Speaker 1>ship in the safe. This guy when I went to

1:49:03.240 --> 1:49:06.680
<v Speaker 1>his house and like his apartment, he had like a

1:49:06.800 --> 1:49:10.479
<v Speaker 1>big Mac toolbox that that they use when they're like

1:49:10.640 --> 1:49:13.599
<v Speaker 1>service in in the pit stop of like a formula one.

1:49:14.360 --> 1:49:16.840
<v Speaker 1>You know those big toolboxes with the wheels on it,

1:49:16.920 --> 1:49:19.560
<v Speaker 1>and ship, you know the big blue toolbox that was

1:49:19.640 --> 1:49:22.280
<v Speaker 1>like you had trades and ship. Motherfucker had his jewelry

1:49:22.320 --> 1:49:26.840
<v Speaker 1>in there with lights like he was. He blew my mind.

1:49:27.400 --> 1:49:30.599
<v Speaker 1>And that's when I was like, oh, I'm never I'm

1:49:30.680 --> 1:49:33.840
<v Speaker 1>never going the other way like I am. We we

1:49:34.080 --> 1:49:36.519
<v Speaker 1>have the ability to do whatever the funk we want.

1:49:36.600 --> 1:49:39.120
<v Speaker 1>That's like, you're gonna do this book like you guys

1:49:39.160 --> 1:49:43.160
<v Speaker 1>will mark this day we are? We is this December? Right?

1:49:43.240 --> 1:49:47.760
<v Speaker 1>This is December? Someone up. There's so many publishers have

1:49:47.960 --> 1:49:50.240
<v Speaker 1>heard of this, and some of the young scouts have

1:49:50.360 --> 1:49:53.400
<v Speaker 1>heard this. You're gonna do this book, and there's a

1:49:53.439 --> 1:49:56.800
<v Speaker 1>florist or botanist has heard this interview and they're gonna

1:49:56.840 --> 1:49:59.800
<v Speaker 1>do this with you. Right, you're gonna text me a

1:50:00.000 --> 1:50:03.240
<v Speaker 1>all me. By the way, You're not only gonna text

1:50:03.320 --> 1:50:05.519
<v Speaker 1>me or call me. But do you guys, do you

1:50:05.600 --> 1:50:08.240
<v Speaker 1>guys get the positive asks for affirmations that I get

1:50:08.320 --> 1:50:13.320
<v Speaker 1>from this man, Yo, this ube. Let me tell you

1:50:13.439 --> 1:50:18.400
<v Speaker 1>something I would be Listen. I'll be caught up in

1:50:18.520 --> 1:50:20.880
<v Speaker 1>so many things that I'm doing and I don't give

1:50:20.880 --> 1:50:23.200
<v Speaker 1>a funk where I am in the world. Or if

1:50:23.240 --> 1:50:28.400
<v Speaker 1>you look at this last you know, twelve to twelve

1:50:28.520 --> 1:50:31.080
<v Speaker 1>to let's call it twelve to fourteen, fifteen months of

1:50:31.200 --> 1:50:34.080
<v Speaker 1>like what we've been going through with COVID because some

1:50:34.200 --> 1:50:41.760
<v Speaker 1>of us knew earlier than others. Um this man relentlessly.

1:50:42.880 --> 1:50:46.800
<v Speaker 1>If not every week, every two weeks, if not every

1:50:46.840 --> 1:50:49.200
<v Speaker 1>two weeks, every three weeks, but then after that third week,

1:50:49.280 --> 1:50:53.360
<v Speaker 1>it might be three three consecutive weeks. This man will

1:50:53.520 --> 1:50:58.519
<v Speaker 1>hit me. Just say hey, positive vibes, and let me

1:50:58.560 --> 1:51:04.000
<v Speaker 1>tell you something. God is a is a reciprocal god.

1:51:05.240 --> 1:51:08.960
<v Speaker 1>This universe. This universe is a reciprocal universe, and you

1:51:09.040 --> 1:51:11.960
<v Speaker 1>have no idea. When you send me those positive affirmations

1:51:13.200 --> 1:51:15.880
<v Speaker 1>and those positive words, you need to know it's coming

1:51:15.920 --> 1:51:22.280
<v Speaker 1>back to So it don't mean none of us. You

1:51:22.320 --> 1:51:26.840
<v Speaker 1>sip to it, and I'll just tell you that, man,

1:51:26.920 --> 1:51:29.240
<v Speaker 1>I was coming back to you, broa because I loved

1:51:29.320 --> 1:51:34.040
<v Speaker 1>I love it, because we live such a beautiful life.

1:51:34.439 --> 1:51:39.080
<v Speaker 1>I don't give a fuck. You know, what we've been through,

1:51:39.760 --> 1:51:43.320
<v Speaker 1>like the fact that we're surviving and we're alive during

1:51:43.400 --> 1:51:47.920
<v Speaker 1>this crazy times that we're going through. Is that's the

1:51:48.240 --> 1:51:51.880
<v Speaker 1>what we should be spreading. And it's like, yo, positive energy. Man.

1:51:52.240 --> 1:51:53.800
<v Speaker 1>Wherever you add in the world, I don't care if

1:51:53.840 --> 1:51:55.599
<v Speaker 1>it's a rule, but I don't care if it's fucking

1:51:55.680 --> 1:51:58.760
<v Speaker 1>left Rack, I don't care if it's Newport News. I

1:51:58.800 --> 1:52:01.160
<v Speaker 1>don't care if it's fucking you know, wherever it is,

1:52:01.400 --> 1:52:04.439
<v Speaker 1>Like we we should, we should. We gotta respect each

1:52:04.439 --> 1:52:07.720
<v Speaker 1>other and just be happy to be with so many

1:52:07.760 --> 1:52:12.800
<v Speaker 1>people that we lost just this year, these messages for

1:52:13.280 --> 1:52:17.920
<v Speaker 1>years for nothing. That's why I've been like that. And

1:52:18.000 --> 1:52:21.040
<v Speaker 1>I'm really like love bro thank you man, same to

1:52:21.120 --> 1:52:23.920
<v Speaker 1>you and your family. And when I say that I

1:52:24.000 --> 1:52:27.920
<v Speaker 1>hope he you know, hope you are able to Yeah,

1:52:28.560 --> 1:52:34.560
<v Speaker 1>yeah he is, you know, you know. But let me

1:52:34.640 --> 1:52:38.280
<v Speaker 1>just tell you from a super outsider like and y'all's

1:52:38.680 --> 1:52:42.840
<v Speaker 1>and y'all solar system, I'm Pluto. That guy is all

1:52:42.880 --> 1:52:50.599
<v Speaker 1>about you and and and he go on and for years,

1:52:50.840 --> 1:52:53.120
<v Speaker 1>for years, it's always been when I talked to him,

1:52:53.200 --> 1:52:54.640
<v Speaker 1>it's like here, it's such a y I'm gonna come

1:52:54.640 --> 1:52:57.559
<v Speaker 1>down with my wife. It was like, I know when

1:52:57.600 --> 1:52:59.479
<v Speaker 1>you entered his life. It was a very big difference

1:52:59.479 --> 1:53:02.960
<v Speaker 1>because it was always whenever I talked to him, you

1:53:03.040 --> 1:53:05.200
<v Speaker 1>were always in the equation. And that's a beautiful thing.

1:53:05.280 --> 1:53:13.360
<v Speaker 1>And I'm so happy for you guys. Actually on some

1:53:13.520 --> 1:53:18.120
<v Speaker 1>family ship every for the past couple of weeks. Thank

1:53:18.200 --> 1:53:20.120
<v Speaker 1>you for doing the Grinch movie because I got two

1:53:20.200 --> 1:53:24.040
<v Speaker 1>young kids, and every morning that's what we're watching and

1:53:24.120 --> 1:53:26.439
<v Speaker 1>I can stand it because the music is amazing, the

1:53:26.560 --> 1:53:29.760
<v Speaker 1>narration is amazing, So thank you for that contribution as well.

1:53:29.880 --> 1:53:33.679
<v Speaker 1>With the parents and children, thank you, thank you, flossing

1:53:33.760 --> 1:53:37.559
<v Speaker 1>you because this is a direct question from home. He said,

1:53:37.560 --> 1:53:39.720
<v Speaker 1>I want all forty stories for him, get him high,

1:53:42.520 --> 1:53:45.720
<v Speaker 1>which I'm not gonna do. I talked to him over

1:53:45.760 --> 1:53:53.120
<v Speaker 1>producing Despicable Me. Wow, just funny ship that happened to him. Wow,

1:53:53.560 --> 1:53:55.040
<v Speaker 1>I'm not gonna get you. I'm not gonna do that.

1:53:55.560 --> 1:53:59.800
<v Speaker 1>But this is you know what, Sean Carter, I don't

1:53:59.840 --> 1:54:03.280
<v Speaker 1>know dea I've involved you were, but now I get it.

1:54:05.680 --> 1:54:10.599
<v Speaker 1>Get show Hester say, I get it because he's getting

1:54:10.600 --> 1:54:12.600
<v Speaker 1>involved with everybody. When but when I like, I'm like,

1:54:12.920 --> 1:54:15.680
<v Speaker 1>you know, he's been He's been there. He's a great guy.

1:54:15.840 --> 1:54:17.800
<v Speaker 1>He's always been there. I remember, I remember when you

1:54:17.880 --> 1:54:20.400
<v Speaker 1>guys were in the very beginning, when you guys first

1:54:20.400 --> 1:54:23.439
<v Speaker 1>started clicking up whatever, and you had tasted Armadale for

1:54:23.520 --> 1:54:26.479
<v Speaker 1>the first time. I hated it, and you were so

1:54:26.760 --> 1:54:32.960
<v Speaker 1>vocal and I was always about I was so my

1:54:33.080 --> 1:54:39.240
<v Speaker 1>haircut and put Armadale on me and I'm terrible. I

1:54:39.320 --> 1:54:42.920
<v Speaker 1>loved them. I love no Helou was saying, by the way,

1:54:43.040 --> 1:54:45.400
<v Speaker 1>by the way, he knows, I'm bringing it up because

1:54:45.520 --> 1:54:47.920
<v Speaker 1>that was hated as much he's loved as much as

1:54:47.960 --> 1:54:51.200
<v Speaker 1>he loved them. That always blew my mind, like damn, Like, yo,

1:54:51.280 --> 1:54:53.440
<v Speaker 1>you're so honest about that ship. Well you didn't want

1:54:53.520 --> 1:54:55.760
<v Speaker 1>to rock either. I'm always bringing that up. Hey man,

1:54:55.960 --> 1:55:01.960
<v Speaker 1>you gotta relax. I was put I was affected from

1:55:02.080 --> 1:55:05.800
<v Speaker 1>Armadale that never tasted a ski. I was bringing like

1:55:07.080 --> 1:55:10.640
<v Speaker 1>it was I I was. I was like, you were

1:55:10.680 --> 1:55:12.960
<v Speaker 1>the only one. Maybe you had a pink You had

1:55:13.000 --> 1:55:16.000
<v Speaker 1>a pinky drink you remember with milk in it? Oh

1:55:16.120 --> 1:55:20.720
<v Speaker 1>my god, I never shipped it. Crazy that much alcohol

1:55:20.760 --> 1:55:24.920
<v Speaker 1>wheel you had to figure out. You don't remember cream? Yeah? Cream,

1:55:24.960 --> 1:55:29.000
<v Speaker 1>it was cream based. Yeah, it was c Yeah, it was.

1:55:29.640 --> 1:55:32.640
<v Speaker 1>It was like hell no, it was like, um, it

1:55:32.840 --> 1:55:38.320
<v Speaker 1>was like imagine like a kulua, like a strawberry version

1:55:38.360 --> 1:55:42.960
<v Speaker 1>of a kula even scared, but to do something to you, Yeah,

1:55:43.200 --> 1:55:46.040
<v Speaker 1>I didn't understand. Then I went home. I was like,

1:55:46.080 --> 1:55:49.680
<v Speaker 1>wait a minute. It was even I don't know what's

1:55:49.680 --> 1:55:52.520
<v Speaker 1>going on right now. But it was a beautiful thing

1:55:53.000 --> 1:55:59.480
<v Speaker 1>at the time when you realized how much of never

1:55:59.560 --> 1:56:03.880
<v Speaker 1>you are. Know, you're you're, You're super yo. In my book,

1:56:04.200 --> 1:56:08.320
<v Speaker 1>you're my number one producer of all time. Listen, if

1:56:08.360 --> 1:56:10.560
<v Speaker 1>I have one last album, which I would like for

1:56:10.680 --> 1:56:14.720
<v Speaker 1>you to do. Listen if I had one last album

1:56:15.080 --> 1:56:17.440
<v Speaker 1>to do, right the fuck it? I keep it real

1:56:17.760 --> 1:56:22.480
<v Speaker 1>with the Lives album, I had one last song to do. Wow,

1:56:22.920 --> 1:56:25.920
<v Speaker 1>that's a lot. He just went from last twelve or

1:56:25.960 --> 1:56:31.080
<v Speaker 1>eleven down to one the whole album, bro, that is,

1:56:31.560 --> 1:56:35.520
<v Speaker 1>I'm gonna get me out of this somehow five songs

1:56:35.560 --> 1:56:42.440
<v Speaker 1>or something. But you're gonna, as you know, in my

1:56:42.520 --> 1:56:44.920
<v Speaker 1>schedule might be crazy because God is the greatest. God

1:56:45.000 --> 1:56:48.920
<v Speaker 1>is the greatest. That was oxymaronic. But we're gonna let

1:56:48.960 --> 1:56:54.400
<v Speaker 1>that go. Um, you're you know your your your credit

1:56:54.520 --> 1:56:57.720
<v Speaker 1>is always good with me. Yes, yes, it's always good

1:56:57.760 --> 1:57:05.320
<v Speaker 1>with me. And no, there's no I don't you don't

1:57:05.400 --> 1:57:08.120
<v Speaker 1>talk to talk, there's no we're I'm talking about budgets

1:57:08.160 --> 1:57:12.000
<v Speaker 1>and ship like that, like you know what you gave me.

1:57:15.000 --> 1:57:19.600
<v Speaker 1>I realized what you feel like I gave you. But

1:57:19.720 --> 1:57:25.120
<v Speaker 1>I okay, let me take this off. I realized what

1:57:25.240 --> 1:57:28.600
<v Speaker 1>you feel like, you like like I gave you, and

1:57:28.760 --> 1:57:33.680
<v Speaker 1>Chad has given you. Shut the chat chat Chad. He

1:57:33.880 --> 1:57:41.280
<v Speaker 1>was a fucking savant genius of the highest order. Is

1:57:41.560 --> 1:57:44.800
<v Speaker 1>I said, it is of the highest order. I will

1:57:44.960 --> 1:57:48.320
<v Speaker 1>never behalf of the fucking musician that he is. A

1:57:48.440 --> 1:57:50.920
<v Speaker 1>man can pick up an instrument leaving for two hours,

1:57:51.320 --> 1:57:54.200
<v Speaker 1>and the motherfucker's playing on it like a like an

1:57:54.360 --> 1:58:00.440
<v Speaker 1>ingenious improvisational you know, person who spent eight years on

1:58:00.480 --> 1:58:07.000
<v Speaker 1>the instrument. That is Chad. Chad is a genius. But

1:58:08.600 --> 1:58:10.760
<v Speaker 1>I realized what you feel like we have given you,

1:58:11.000 --> 1:58:15.480
<v Speaker 1>but you need to understand what you gave us. And

1:58:15.600 --> 1:58:20.640
<v Speaker 1>that is at the time we had done I had wrote,

1:58:20.800 --> 1:58:24.720
<v Speaker 1>I had written Teddy's verse rum Shaker. Then I had

1:58:24.800 --> 1:58:29.080
<v Speaker 1>like a little small, really really ill fitted verse for

1:58:29.160 --> 1:58:31.720
<v Speaker 1>an f w V remix that didn't get used, but

1:58:31.800 --> 1:58:33.680
<v Speaker 1>they chopped up part of my verse to use that

1:58:33.840 --> 1:58:37.200
<v Speaker 1>that's that's double double double V that went into right

1:58:37.280 --> 1:58:41.440
<v Speaker 1>here to Teddy Riley remix. Then we did Tonights Tonight.

1:58:45.440 --> 1:58:49.440
<v Speaker 1>Then we did looking at Me, Looking at You're looking

1:58:49.480 --> 1:58:54.480
<v Speaker 1>at me right, and then we did Super Thug. Super

1:58:54.600 --> 1:59:00.960
<v Speaker 1>Thug made every hard rapper at the time look at

1:59:01.040 --> 1:59:04.000
<v Speaker 1>us very differently. At the time, we had did Tonights

1:59:04.000 --> 1:59:05.640
<v Speaker 1>Tonight for s w V, and that was like the

1:59:05.680 --> 1:59:09.240
<v Speaker 1>biggest thing we had done, with the exception of uh

1:59:09.440 --> 1:59:12.640
<v Speaker 1>and I'm somewhat as produces. With the exception of Tonight Tonight.

1:59:13.800 --> 1:59:18.280
<v Speaker 1>It made people who had heard about us look at

1:59:18.360 --> 1:59:22.440
<v Speaker 1>us very differently. Why because we worked with a hard rapper. No,

1:59:24.360 --> 1:59:29.160
<v Speaker 1>because we worked with a hard character. You need to

1:59:29.280 --> 1:59:32.560
<v Speaker 1>understand the difference. There's a hard rapper and then there's

1:59:32.560 --> 1:59:36.760
<v Speaker 1>a hard character, a hard rapper cool until the way

1:59:36.840 --> 1:59:39.520
<v Speaker 1>you rap goes out of style. But because you were

1:59:39.600 --> 1:59:42.880
<v Speaker 1>a hard character, you were more than just a rapper.

1:59:43.320 --> 1:59:45.360
<v Speaker 1>You were able to do super thug. We then did

1:59:45.440 --> 1:59:48.640
<v Speaker 1>oh no, like you went on to do great things.

1:59:49.000 --> 1:59:53.720
<v Speaker 1>And we are sitting here where everybody in this room

1:59:53.760 --> 1:59:57.640
<v Speaker 1>to feel me, we're sitting here in you show me.

1:59:58.520 --> 2:00:01.880
<v Speaker 1>You show me your contemporary. You showed me your peers

2:00:02.320 --> 2:00:04.480
<v Speaker 1>that came out when you came out. You show me

2:00:04.600 --> 2:00:06.560
<v Speaker 1>what they're doing now. And we love them and we

2:00:06.720 --> 2:00:09.520
<v Speaker 1>respect them, and we hold them to the highest esteem.

2:00:09.800 --> 2:00:11.400
<v Speaker 1>And there's so many of them that I could get

2:00:11.440 --> 2:00:15.160
<v Speaker 1>into the greatest knockdown dragouts about who had the best

2:00:15.200 --> 2:00:18.360
<v Speaker 1>fucking clue mix tapes from that era. But you show me,

2:00:20.520 --> 2:00:23.440
<v Speaker 1>You show me who has jay Z sending them fucking questions?

2:00:31.040 --> 2:00:38.080
<v Speaker 1>You got me? Well, you show me, right, that's all

2:00:38.200 --> 2:00:41.320
<v Speaker 1>that's our big brother. He's a billionaire, like he's really

2:00:41.560 --> 2:00:44.880
<v Speaker 1>really yeah, but yeah, to help him get to that

2:00:45.000 --> 2:00:51.440
<v Speaker 1>billy right, right, you show me, you show me. I

2:00:51.480 --> 2:00:57.520
<v Speaker 1>don't think you can. You know, podcast charting not like

2:00:57.800 --> 2:01:02.320
<v Speaker 1>podcast podcast, I'm sorry, charting podcast very different. We invented

2:01:02.400 --> 2:01:04.920
<v Speaker 1>like rappers doing podcasts and making it cool. But you

2:01:05.040 --> 2:01:09.200
<v Speaker 1>got your own podcast, let's past network. What is it called?

2:01:09.280 --> 2:01:13.000
<v Speaker 1>The other? Ours? Yours because you had ours, this other tone,

2:01:13.160 --> 2:01:14.840
<v Speaker 1>the other tone because you had you had an Apple

2:01:14.960 --> 2:01:18.160
<v Speaker 1>show at first. Yeah. Well, what's his name? Broke Scott

2:01:18.200 --> 2:01:21.760
<v Speaker 1>Scott Viner, Yeah right, and that's the guy he had

2:01:21.920 --> 2:01:24.960
<v Speaker 1>something to do with entourage, right, yeah, yeah, And I

2:01:25.720 --> 2:01:27.360
<v Speaker 1>wanted to do it because I knew that he was

2:01:27.720 --> 2:01:34.320
<v Speaker 1>much more equipped with like discerning what is the right

2:01:34.360 --> 2:01:36.520
<v Speaker 1>ship that should be on there? You know what I'm

2:01:36.520 --> 2:01:38.440
<v Speaker 1>saying that I wanted him to have a platform because

2:01:38.440 --> 2:01:41.000
<v Speaker 1>I've always thought that he was a genius um and

2:01:41.080 --> 2:01:44.760
<v Speaker 1>I really do believe that. And then you know the

2:01:44.840 --> 2:01:48.480
<v Speaker 1>cool thing is this is him and this next turnaround,

2:01:48.560 --> 2:01:55.200
<v Speaker 1>it's it's him, myself, our brother family, right, family too,

2:01:55.280 --> 2:02:00.520
<v Speaker 1>I'm talking about I'm talking about and he just warming up.

2:02:00.600 --> 2:02:02.240
<v Speaker 1>He just warming up to get ready for his own

2:02:02.280 --> 2:02:13.360
<v Speaker 1>ship um as well. But again, like it's been great man,

2:02:14.000 --> 2:02:17.000
<v Speaker 1>and and and when you think back to the fact

2:02:17.040 --> 2:02:20.440
<v Speaker 1>that you were early on it. First, my wife canna

2:02:20.520 --> 2:02:22.360
<v Speaker 1>kill me with all this footage with my mask off,

2:02:24.120 --> 2:02:26.840
<v Speaker 1>but you know what, I just needed you to see

2:02:26.880 --> 2:02:29.280
<v Speaker 1>my face I wanted you to really see my face

2:02:29.360 --> 2:02:33.040
<v Speaker 1>and hear me. Yo, you're a different guy, bro, You're different.

2:02:33.080 --> 2:02:37.320
<v Speaker 1>And we've had our ups, we've had our downs, we've

2:02:37.400 --> 2:02:42.680
<v Speaker 1>had our rounds. And what you did for Chad and

2:02:42.800 --> 2:02:47.280
<v Speaker 1>I and essentially everybody that I worked with, you lifted

2:02:47.360 --> 2:02:50.400
<v Speaker 1>us to a different kind of place. You should know

2:02:50.520 --> 2:02:54.960
<v Speaker 1>that like you lifted us to a a different, different,

2:02:55.200 --> 2:02:59.720
<v Speaker 1>different place. And the crazy thing is the entire time

2:03:01.080 --> 2:03:05.840
<v Speaker 1>beyond it all. I would say the number one characteristic

2:03:06.920 --> 2:03:10.160
<v Speaker 1>of our bond and our report is that you would

2:03:10.200 --> 2:03:13.880
<v Speaker 1>trust me when I say, yo, listen to me. I

2:03:13.880 --> 2:03:16.040
<v Speaker 1>would shut the funk up every time I would say, yo,

2:03:16.200 --> 2:03:19.160
<v Speaker 1>just trust me, listen to me. And you moment I

2:03:19.280 --> 2:03:21.680
<v Speaker 1>met you, that was the first word you said to me.

2:03:21.840 --> 2:03:24.560
<v Speaker 1>You said, trust me, You're gonna go number one. And

2:03:24.640 --> 2:03:27.160
<v Speaker 1>I don't know why, I just I just I just

2:03:27.400 --> 2:03:30.240
<v Speaker 1>always remember that moment was a sound on sound. I

2:03:30.320 --> 2:03:32.360
<v Speaker 1>could listen if we go to sound, so I could

2:03:32.400 --> 2:03:35.960
<v Speaker 1>tell you the exact space we was at. I could

2:03:35.960 --> 2:03:37.320
<v Speaker 1>be like you, look, you were right here. I was

2:03:37.400 --> 2:03:40.200
<v Speaker 1>right here, and you know what I was never wrong?

2:03:40.960 --> 2:03:47.360
<v Speaker 1>You will you guess what you were never wrong? So

2:03:48.000 --> 2:03:52.080
<v Speaker 1>you know, do sometimes compare us to Snoop in like, oh,

2:03:52.960 --> 2:03:58.480
<v Speaker 1>bro bro, super Thug, Man, Yo, do you understand super Thug?

2:03:58.760 --> 2:04:02.000
<v Speaker 1>Do you understand my brother Iverson went to jail right

2:04:02.040 --> 2:04:05.960
<v Speaker 1>around that time because of the chair throwing in the

2:04:06.120 --> 2:04:13.000
<v Speaker 1>chair back. If I'm not wrong, the night that our

2:04:13.080 --> 2:04:16.600
<v Speaker 1>brother Iverson went to jail, wasn't that the night that

2:04:16.680 --> 2:04:18.800
<v Speaker 1>you guys were in the club at the bowling Alley?

2:04:20.000 --> 2:04:21.960
<v Speaker 1>Was this in Hampton or Norfolk? This is all for

2:04:22.080 --> 2:04:29.800
<v Speaker 1>Princess and Road. Look, okay, I remember my brother who

2:04:29.920 --> 2:04:33.920
<v Speaker 1>was managing him at the time. Somebody hit him over

2:04:34.040 --> 2:04:39.600
<v Speaker 1>the back with a chair and they hit him so

2:04:39.760 --> 2:04:45.480
<v Speaker 1>hard that he said he started speaking to two different people.

2:04:45.520 --> 2:04:52.600
<v Speaker 1>He said, I'm making this up like Billy, because that's

2:04:52.600 --> 2:04:54.240
<v Speaker 1>the story he told me when he got hit with

2:04:54.320 --> 2:04:57.400
<v Speaker 1>that chair. It was a different night, but that's what

2:04:57.560 --> 2:05:00.960
<v Speaker 1>super Thug was doing the people. As my point, Fam

2:05:01.080 --> 2:05:03.240
<v Speaker 1>is correct. That was a different night, but that's what

2:05:03.880 --> 2:05:06.640
<v Speaker 1>that's what Super Thug was doing to people. And Rob

2:05:06.880 --> 2:05:10.160
<v Speaker 1>Walker was calling me from New York like, Yo, Yo,

2:05:10.280 --> 2:05:13.320
<v Speaker 1>do you understand what this song? One of y'all gonna

2:05:13.320 --> 2:05:18.560
<v Speaker 1>record this for me and give me that sound. Somebody

2:05:19.040 --> 2:05:26.920
<v Speaker 1>is gonna give me that sound, and it just was

2:05:27.000 --> 2:05:30.920
<v Speaker 1>a different time, bro, Like that record changed the mentality

2:05:30.960 --> 2:05:34.880
<v Speaker 1>of how people were thinking. And another forget Chris was like, man,

2:05:35.040 --> 2:05:37.880
<v Speaker 1>you know, I remember when you're coming wrapping in my

2:05:38.040 --> 2:05:41.680
<v Speaker 1>office and like we went and signed, y'all. He was

2:05:41.800 --> 2:05:46.120
<v Speaker 1>like he felt differently about it then, and he was

2:05:46.760 --> 2:05:51.360
<v Speaker 1>chrisly was a genius. Love to Chris Lighty and his

2:05:51.520 --> 2:05:55.720
<v Speaker 1>children and his spirit wherever it is right now in

2:05:55.840 --> 2:05:59.800
<v Speaker 1>the universe, because if it ever existed, it still exists.

2:06:00.080 --> 2:06:02.600
<v Speaker 1>Where just because you can't hear it don't mean it

2:06:02.640 --> 2:06:06.160
<v Speaker 1>don't exist. It's here and it might talk to some people.

2:06:06.880 --> 2:06:09.320
<v Speaker 1>You know what I'm saying. Chris Lidy is here. And

2:06:09.440 --> 2:06:15.480
<v Speaker 1>Chris Man, you had the most amazing vision, the idea

2:06:15.560 --> 2:06:18.840
<v Speaker 1>that you were able to see into Cameron and see

2:06:18.960 --> 2:06:22.360
<v Speaker 1>into Noriega, and see into Missy and see into Buster

2:06:22.480 --> 2:06:25.680
<v Speaker 1>and see into q Tip. Y'all understand that this man

2:06:25.840 --> 2:06:30.760
<v Speaker 1>was just going, Oh, you're like us. You're your violator,

2:06:31.160 --> 2:06:36.200
<v Speaker 1>your violator, your violator, and your violator and your violator.

2:06:37.920 --> 2:06:44.320
<v Speaker 1>Chris Lity had the fucking vision, Broa Like, I'm sorry,

2:06:44.400 --> 2:06:46.240
<v Speaker 1>I just had to just take a moment just for him.

2:06:46.760 --> 2:06:51.600
<v Speaker 1>And the Purple Rain is kicked in and it's and

2:06:51.640 --> 2:06:59.640
<v Speaker 1>it's this is how happens. And by the way, no disrespect,

2:06:59.680 --> 2:07:02.480
<v Speaker 1>but it's Swan, right, it's not like that. We're not

2:07:02.600 --> 2:07:04.760
<v Speaker 1>I'm not from New York, so that's not me like

2:07:04.840 --> 2:07:08.839
<v Speaker 1>with the New York Act saying saying swine swan. It's swan.

2:07:09.440 --> 2:07:12.760
<v Speaker 1>It's here in Miami. It's me and Dave Groutman and

2:07:12.880 --> 2:07:14.920
<v Speaker 1>purple rain is one of our drinks. Right away, did

2:07:14.960 --> 2:07:17.120
<v Speaker 1>you realize Tony Tony Tony was this in New York

2:07:17.240 --> 2:07:21.240
<v Speaker 1>from back in the days to New York from back

2:07:21.240 --> 2:07:27.160
<v Speaker 1>in the day and never fains and south thank Calforn. Yeah,

2:07:27.560 --> 2:07:30.920
<v Speaker 1>he said it may be cold on the East Coast

2:07:31.760 --> 2:07:39.600
<v Speaker 1>on the other side of town. You never noticed that

2:07:40.680 --> 2:07:45.840
<v Speaker 1>Tony Tony is a foul people. Raphael City doesn't strike

2:07:45.920 --> 2:07:49.840
<v Speaker 1>me that. I'm gonna tell you why, Okay, because I

2:07:49.920 --> 2:07:54.000
<v Speaker 1>was gonna say, because he's like our weather conditions. But

2:07:54.120 --> 2:07:55.880
<v Speaker 1>you never saying he said East coast. He just say

2:07:55.920 --> 2:07:58.080
<v Speaker 1>in New York. He could have been Boston. Yeah, but

2:07:58.200 --> 2:08:01.480
<v Speaker 1>you just just you just to turn the tri state

2:08:01.520 --> 2:08:05.280
<v Speaker 1>areas just the East coast. Just determined that earlier about

2:08:05.360 --> 2:08:10.440
<v Speaker 1>thirteen minutes he was circumstantial minutes. Look, I don't know

2:08:10.600 --> 2:08:13.040
<v Speaker 1>that rafaels the deep mean that just because Rafael is

2:08:13.080 --> 2:08:15.160
<v Speaker 1>such a loving guy and him and Q Tip are

2:08:15.240 --> 2:08:19.280
<v Speaker 1>so fucking close. In D'Angelo, who was also from Virginia, Richmond, Virginia,

2:08:20.280 --> 2:08:25.160
<v Speaker 1>he loved he loves those guys so much. I can't imagine.

2:08:25.560 --> 2:08:27.560
<v Speaker 1>All right, God that let's make some Luis. I'll keep

2:08:27.560 --> 2:08:35.480
<v Speaker 1>it in Fox. So this is really nice, man Madonna, Yes, sir,

2:08:37.000 --> 2:08:42.600
<v Speaker 1>where are you at? Madonna calls you. He says, I

2:08:42.680 --> 2:08:45.760
<v Speaker 1>want you to be Tiger King. Did you say I

2:08:45.840 --> 2:08:47.320
<v Speaker 1>want you to be Tiger King? I don't know. I

2:08:47.360 --> 2:08:51.920
<v Speaker 1>don't know why, you know, I don't know why I

2:08:52.000 --> 2:08:58.440
<v Speaker 1>thought that. Let it wants you to be the king

2:08:58.520 --> 2:09:09.400
<v Speaker 1>from Flix. No mcdonna call. No, he was too wild

2:09:16.000 --> 2:09:22.240
<v Speaker 1>because you had the Michael Jackson call first. Right, So

2:09:22.320 --> 2:09:25.840
<v Speaker 1>when did you get the mcdonna call? The Madonna call

2:09:26.120 --> 2:09:31.560
<v Speaker 1>was definitely in the two thousands. Um, I want to say,

2:09:31.600 --> 2:09:35.120
<v Speaker 1>I was still working at the Marlin at time. Does

2:09:35.160 --> 2:09:47.080
<v Speaker 1>he already have black children? I'm asking? No, this is real, yeah, serious, Yeah,

2:09:47.200 --> 2:09:54.280
<v Speaker 1>she had children already? She had black children? UM? Bad?

2:09:54.800 --> 2:09:58.880
<v Speaker 1>Those weird, But I gotta ask because I just want

2:09:58.920 --> 2:10:02.120
<v Speaker 1>you to know so super clear. How you do this ship?

2:10:05.440 --> 2:10:11.040
<v Speaker 1>Super clear? The real questions coming on in the fourth quarter,

2:10:13.680 --> 2:10:25.480
<v Speaker 1>ye jay z No, some Madonna calls you. Oh yeah,

2:10:25.520 --> 2:10:36.200
<v Speaker 1>this is real. Madonna calls and she's like, yo, let's

2:10:36.640 --> 2:10:40.000
<v Speaker 1>get together. And I'm like, okay, she's aggressive. I feel

2:10:40.000 --> 2:10:44.160
<v Speaker 1>like mcdonna's aggressive. She's aggressive, she's aggressive, she's outpul female.

2:10:44.200 --> 2:10:49.840
<v Speaker 1>I just feel like that she's aggressive. Um he's like,

2:10:49.960 --> 2:10:52.520
<v Speaker 1>I wanna let's make some music. I love what you

2:10:52.600 --> 2:10:57.160
<v Speaker 1>guys do. And it's cool. So we we you know,

2:10:57.240 --> 2:11:01.240
<v Speaker 1>I'm going back between Florida, my in me and um

2:11:05.640 --> 2:11:11.480
<v Speaker 1>London and we work on Hard Candy h And that

2:11:11.680 --> 2:11:14.880
<v Speaker 1>was cool and it was It's interesting because she worked

2:11:14.960 --> 2:11:18.960
<v Speaker 1>with me and then also she had a conversation with

2:11:19.080 --> 2:11:22.120
<v Speaker 1>Tim too, and Tim knew her too because he knew

2:11:22.160 --> 2:11:24.480
<v Speaker 1>her from before when he was with with DeVante and

2:11:24.520 --> 2:11:27.280
<v Speaker 1>DeVante had worked on her album, so they knew each other.

2:11:28.320 --> 2:11:31.280
<v Speaker 1>So excuse me. So when we went in and like

2:11:32.000 --> 2:11:34.680
<v Speaker 1>we just did a bunch of records, it's interesting because

2:11:37.360 --> 2:11:39.880
<v Speaker 1>one record that we did call on and On, we

2:11:39.960 --> 2:11:43.879
<v Speaker 1>put Kanye on this early in his career with Madonna

2:11:44.760 --> 2:11:47.680
<v Speaker 1>looking listening On and On, He's on that record, his

2:11:47.840 --> 2:11:51.760
<v Speaker 1>mama came to the studio and literally, like I want

2:11:51.800 --> 2:11:53.879
<v Speaker 1>to say, a little while after that when she passed.

2:11:54.560 --> 2:11:56.600
<v Speaker 1>It's crazy. That was last time I saw her. She

2:11:56.680 --> 2:12:04.560
<v Speaker 1>came to the session with Madonnald's bless Yeah. Absolutely, sorry

2:12:04.800 --> 2:12:12.440
<v Speaker 1>to take my trains out. Um, that was a crazy time. Donna. Yeah,

2:12:13.920 --> 2:12:17.400
<v Speaker 1>what did you do with Madonna? So? Look, you have Madonna, Prince,

2:12:17.840 --> 2:12:20.640
<v Speaker 1>Michael Jackson, who else from the eighties? Did you the

2:12:21.040 --> 2:12:25.120
<v Speaker 1>biggest artist in the world. Yeah? I ain't gonna lie.

2:12:25.120 --> 2:12:27.920
<v Speaker 1>I'm gonna be honest. If you actually retire right now,

2:12:28.240 --> 2:12:29.840
<v Speaker 1>no one will be mad at you because I feel

2:12:29.840 --> 2:12:32.160
<v Speaker 1>like you worked with everybody. Is this somebody you didn't

2:12:32.200 --> 2:12:36.200
<v Speaker 1>work with that you wanted to work with? I don't know, man.

2:12:36.280 --> 2:12:38.040
<v Speaker 1>People asked me that, They've been asked me that for

2:12:38.080 --> 2:12:41.640
<v Speaker 1>about ten years. I love working you. So have you

2:12:41.720 --> 2:12:44.640
<v Speaker 1>worked with everyone on your wish list? Is your wish

2:12:44.680 --> 2:12:50.040
<v Speaker 1>list complete? Nah? Who? Who? Who? Don't tell me Gucci bad?

2:12:51.200 --> 2:12:57.080
<v Speaker 1>We work with Gucci, I work with Goodier. Do somebody

2:12:57.160 --> 2:12:59.920
<v Speaker 1>you want to work with you haven't worked with? That's

2:13:00.120 --> 2:13:08.480
<v Speaker 1>live pretty much everybody I've wanted to work with. We

2:13:08.600 --> 2:13:12.640
<v Speaker 1>always end up finding our way working together, not one soul.

2:13:16.320 --> 2:13:22.080
<v Speaker 1>Older people, those are the ones that say no, they shady.

2:13:22.160 --> 2:13:25.320
<v Speaker 1>We were able to do a remix for Prince. We

2:13:25.360 --> 2:13:29.080
<v Speaker 1>did a remix for he was gone already. No, we

2:13:29.200 --> 2:13:33.040
<v Speaker 1>did the greatest romance ever been told, the greatest, greatest

2:13:33.080 --> 2:13:35.800
<v Speaker 1>story that's ever been told, greatest romance. I'm sorry forgive

2:13:35.880 --> 2:13:44.760
<v Speaker 1>me one of the two. Yeah, Prince Michael. I never

2:13:44.840 --> 2:13:50.440
<v Speaker 1>worked with Michael. Michael was amazing. Though. Michael called a

2:13:50.480 --> 2:13:53.480
<v Speaker 1>couple of times. Yeah. One time you and Justin was

2:13:53.560 --> 2:13:56.240
<v Speaker 1>in the studio again, Yeah, and he called when you

2:13:56.360 --> 2:13:58.960
<v Speaker 1>was justin st Yeah, and he's eating popcorners. He was

2:13:59.000 --> 2:14:01.400
<v Speaker 1>eating popcorn in my She was crazy. I was like,

2:14:01.880 --> 2:14:03.800
<v Speaker 1>That's when I knew it was him. I was like,

2:14:04.640 --> 2:14:07.760
<v Speaker 1>this is because that's his normal to eat popcorn. You

2:14:07.920 --> 2:14:09.680
<v Speaker 1>call you over and over and over again and then

2:14:09.760 --> 2:14:14.000
<v Speaker 1>start eating popcorn. I was like, I'm thinking of Thriller

2:14:14.040 --> 2:14:17.720
<v Speaker 1>when he's watching the movie he's I'm like, Yo, this

2:14:17.880 --> 2:14:25.680
<v Speaker 1>is definitely definitely him. And what was he And he

2:14:25.800 --> 2:14:30.160
<v Speaker 1>was in the studio with Justice. Yeah, in the studio

2:14:30.240 --> 2:14:32.760
<v Speaker 1>with Justin. And this is another story that I read

2:14:32.880 --> 2:14:37.520
<v Speaker 1>that was very At some point, Clips was on job,

2:14:40.080 --> 2:14:47.480
<v Speaker 1>Justin was on Jove Clips called beef with Job and

2:14:47.640 --> 2:14:50.520
<v Speaker 1>you chose not to work with Justice because he was

2:14:50.600 --> 2:14:54.680
<v Speaker 1>on job? What was because you know, I imagine you

2:14:54.760 --> 2:14:58.840
<v Speaker 1>guys are friends. What's that conversation like? What is that like?

2:14:59.040 --> 2:15:02.560
<v Speaker 1>Like you know, I don't know, it's getting a little deep,

2:15:02.600 --> 2:15:06.720
<v Speaker 1>but you know, I chose what you chose not to

2:15:06.800 --> 2:15:12.320
<v Speaker 1>work with Justin because because honestly, it was the advice

2:15:12.400 --> 2:15:15.880
<v Speaker 1>that I was given, and Justin took that super personal

2:15:16.440 --> 2:15:25.000
<v Speaker 1>legal advice. I plead the fifth Okay, so whatever, But

2:15:25.080 --> 2:15:28.440
<v Speaker 1>now that's when I don't snitch. But I will say

2:15:28.480 --> 2:15:37.120
<v Speaker 1>that my my the advice seal out there. Bro, Yeah,

2:15:37.280 --> 2:15:40.240
<v Speaker 1>my team and advised not to do that, not to

2:15:40.320 --> 2:15:43.640
<v Speaker 1>continue to work with Justice. Just no, no, just to say, Job,

2:15:43.800 --> 2:15:47.400
<v Speaker 1>I can't work on anything that y'all have because I

2:15:47.480 --> 2:15:49.800
<v Speaker 1>need you all to do right by the clips. But

2:15:49.960 --> 2:15:51.920
<v Speaker 1>that's not how they told it to Justin and and

2:15:52.120 --> 2:15:54.760
<v Speaker 1>and he was very disappointed by that because he would

2:15:54.800 --> 2:15:57.200
<v Speaker 1>have understood that had it been explained a certain ways. Yeah,

2:15:57.280 --> 2:15:59.560
<v Speaker 1>but then you know, I just give the advice was

2:15:59.640 --> 2:16:02.000
<v Speaker 1>bad and the execution was bad. And I had to

2:16:02.120 --> 2:16:04.680
<v Speaker 1>bribe with that because I didn't think that all the

2:16:04.760 --> 2:16:06.640
<v Speaker 1>way through to be like, no, you're all wrong about this.

2:16:06.960 --> 2:16:10.120
<v Speaker 1>We this is not excuse me, this is not Wow,

2:16:10.520 --> 2:16:13.440
<v Speaker 1>I'm twisted. This is not how we should do this.

2:16:13.640 --> 2:16:15.840
<v Speaker 1>We should explain this to him so he can be

2:16:15.960 --> 2:16:19.960
<v Speaker 1>in choreography with us, you know. And I regret that

2:16:20.080 --> 2:16:24.200
<v Speaker 1>because still to this day it's like, I mean, we

2:16:24.280 --> 2:16:26.920
<v Speaker 1>talked about it, but still to this day, it's one

2:16:26.960 --> 2:16:28.480
<v Speaker 1>of those things that I look at and go, Damn.

2:16:29.080 --> 2:16:31.760
<v Speaker 1>If I were the person that I am now, I

2:16:31.800 --> 2:16:35.240
<v Speaker 1>would have totally told my younger self, Yo, don't do that.

2:16:35.400 --> 2:16:38.280
<v Speaker 1>That's just that's not right, Like that's your that's that's

2:16:38.440 --> 2:16:42.560
<v Speaker 1>that's your team thinking shortsighted. They thinking zoomed, and they're

2:16:42.560 --> 2:16:45.840
<v Speaker 1>not thinking zoomed out. Because at the end of the day,

2:16:45.959 --> 2:16:48.600
<v Speaker 1>as a producer, you could have said, yo, let me

2:16:48.640 --> 2:16:51.640
<v Speaker 1>still get this money on the side. So what what

2:16:51.800 --> 2:16:53.480
<v Speaker 1>made you take that stance and say, you know what,

2:16:53.560 --> 2:16:57.680
<v Speaker 1>I'm gonna stay. I mean, I know you kind of

2:16:57.720 --> 2:16:59.240
<v Speaker 1>explained that, but I just want to get it the

2:17:00.080 --> 2:17:02.000
<v Speaker 1>artist friends, because you know, you could have been like

2:17:02.120 --> 2:17:05.000
<v Speaker 1>yr Clips, Yo, listen, I get it, that's y'all beef

2:17:05.040 --> 2:17:08.320
<v Speaker 1>with job. But you know I got this whole justin

2:17:08.680 --> 2:17:13.360
<v Speaker 1>these were my brothers, you know, and Justin as my

2:17:13.440 --> 2:17:16.520
<v Speaker 1>brother and as far as I was concerned, and the

2:17:16.600 --> 2:17:18.600
<v Speaker 1>way it was explained to me, which made sense at

2:17:18.640 --> 2:17:21.560
<v Speaker 1>the time, like he would get it, he'd be okay

2:17:21.600 --> 2:17:23.360
<v Speaker 1>if we just needed to delay a couple of months

2:17:23.400 --> 2:17:25.440
<v Speaker 1>for the record label to do the right thing. When

2:17:25.480 --> 2:17:27.720
<v Speaker 1>you said he would he would get you too much, Justin. Yeah,

2:17:28.160 --> 2:17:31.120
<v Speaker 1>but he didn't get it because we never gave together.

2:17:31.280 --> 2:17:34.600
<v Speaker 1>We could have strategized better and would have been he

2:17:34.640 --> 2:17:37.760
<v Speaker 1>would have been, but that's not what happened, you know.

2:17:37.879 --> 2:17:39.920
<v Speaker 1>And they told him, Yo, this guy doesn't care about you,

2:17:41.040 --> 2:17:42.440
<v Speaker 1>you know, and they turned him against me. And it

2:17:42.480 --> 2:17:46.320
<v Speaker 1>took a minute how long you're talking about two year period?

2:17:46.959 --> 2:17:49.840
<v Speaker 1>It was different. We had a very um, you know,

2:17:49.959 --> 2:17:55.320
<v Speaker 1>we had a very uh. It was very strenuous, and

2:17:55.400 --> 2:17:57.760
<v Speaker 1>he was being made to convince that like I felt

2:17:57.840 --> 2:18:01.360
<v Speaker 1>like I was more than what I was to him.

2:18:02.240 --> 2:18:06.000
<v Speaker 1>And really all justin Justin was a friend to me,

2:18:06.520 --> 2:18:09.000
<v Speaker 1>and I was a friend to him, and you know,

2:18:09.080 --> 2:18:10.880
<v Speaker 1>when he was going through tough times, I was there

2:18:10.959 --> 2:18:12.880
<v Speaker 1>for him, and when I was going through tough times,

2:18:13.080 --> 2:18:16.680
<v Speaker 1>he was there for me. But they but they they

2:18:16.840 --> 2:18:21.199
<v Speaker 1>vilified me to him. And when you're young, and even

2:18:21.720 --> 2:18:26.240
<v Speaker 1>you know, everything essentially goes right for you, and something

2:18:26.320 --> 2:18:28.560
<v Speaker 1>goes left, and there's a person that you've known for

2:18:28.640 --> 2:18:31.360
<v Speaker 1>a minute and they go and it seems like they're

2:18:31.360 --> 2:18:33.120
<v Speaker 1>going left on you. You're gonna feel a certain kind

2:18:33.120 --> 2:18:35.720
<v Speaker 1>of way. I understood that they painted a picture a

2:18:35.760 --> 2:18:38.520
<v Speaker 1>certain kind of way. He didn't really understand that I

2:18:38.680 --> 2:18:40.880
<v Speaker 1>was just trying to stand in solidarity with my brothers,

2:18:40.920 --> 2:18:42.480
<v Speaker 1>and I should have brought him along with me on

2:18:42.560 --> 2:18:45.280
<v Speaker 1>that journey. He actually could have helped us change that narrative.

2:18:46.080 --> 2:18:49.040
<v Speaker 1>But the advice that I was given, I trusted to

2:18:49.120 --> 2:18:52.240
<v Speaker 1>stay away from job period and not cut him off.

2:18:52.600 --> 2:18:54.760
<v Speaker 1>Not cut him off, but just like, no, I can't

2:18:54.800 --> 2:18:57.000
<v Speaker 1>work on nothing for you all right now? But what

2:18:57.080 --> 2:18:58.880
<v Speaker 1>about justin? He's not your brother. And then they went

2:18:58.959 --> 2:19:04.480
<v Speaker 1>back and took my words and it's like no, they

2:19:04.560 --> 2:19:06.520
<v Speaker 1>went back and just took my words to the you know,

2:19:06.640 --> 2:19:09.440
<v Speaker 1>it just totally blew it out to him, and he

2:19:09.520 --> 2:19:12.280
<v Speaker 1>and I talked eventually, and that's when I explained to him, like, no, listen,

2:19:12.320 --> 2:19:14.040
<v Speaker 1>this is what I was trying to do, but I

2:19:14.120 --> 2:19:16.440
<v Speaker 1>should have involved you. That was my mistake because I

2:19:16.480 --> 2:19:22.000
<v Speaker 1>didn't think holistically. My greatest fault in this lifetime is

2:19:22.040 --> 2:19:28.680
<v Speaker 1>it sometimes I'm too zoomed in. M meaning like, sometimes

2:19:28.760 --> 2:19:34.440
<v Speaker 1>I'm just sometimes I'm just too zoomed in, and sometimes

2:19:34.480 --> 2:19:37.160
<v Speaker 1>I need to zoom out. Sometimes we all need a

2:19:37.200 --> 2:19:39.240
<v Speaker 1>zoom out. Sometimes we're just thinking about what we're going

2:19:39.280 --> 2:19:41.720
<v Speaker 1>through and what what we need, And even if it's

2:19:41.800 --> 2:19:44.520
<v Speaker 1>for somebody else, it's still too zoomed in. You got

2:19:45.800 --> 2:19:49.879
<v Speaker 1>you gotta m out, you gotta zoom out. You gotta

2:19:49.920 --> 2:19:52.560
<v Speaker 1>have a bigger picture of things. Make sure you guys

2:19:52.600 --> 2:20:01.920
<v Speaker 1>can hear me when I say that. Man, this is great.

2:20:03.440 --> 2:20:05.880
<v Speaker 1>I'm gonna puol me some more US space anybody wants.

2:20:07.240 --> 2:20:14.840
<v Speaker 1>You're giving it out the first yet better drinking space

2:20:14.959 --> 2:20:22.080
<v Speaker 1>right now, because you know why, Man, this is the

2:20:22.160 --> 2:20:29.840
<v Speaker 1>best producer of all fucking times in my in my life. Um,

2:20:30.240 --> 2:20:36.200
<v Speaker 1>you know I was. I don't want to say a

2:20:36.280 --> 2:20:38.560
<v Speaker 1>local wrapper because I want to say the War Report

2:20:38.720 --> 2:20:41.200
<v Speaker 1>is a classic? What do you mean you want to say?

2:20:41.600 --> 2:20:43.440
<v Speaker 1>Are you saying? Are you taking it? I want a

2:20:43.480 --> 2:20:46.680
<v Speaker 1>ship of that. Yeah, you know it's zoomed out. It's

2:20:46.680 --> 2:20:49.440
<v Speaker 1>a classic. Now we all understand that. But maybe when

2:20:49.480 --> 2:20:53.120
<v Speaker 1>you was in that moment, you didn't know, and like

2:20:53.240 --> 2:20:55.560
<v Speaker 1>I said, when I met this man that was right

2:20:55.640 --> 2:20:57.640
<v Speaker 1>here to my left of me, and he said, man

2:20:58.959 --> 2:21:05.920
<v Speaker 1>listened to me, and I listened to you, and my

2:21:06.040 --> 2:21:09.200
<v Speaker 1>life has never been the same since. And you know,

2:21:09.360 --> 2:21:12.120
<v Speaker 1>I know, I'm glad what you're saying to me, but

2:21:12.200 --> 2:21:14.160
<v Speaker 1>I want to give you your flowers while you're here

2:21:14.320 --> 2:21:20.080
<v Speaker 1>because it changed my life because it was a different sound,

2:21:20.200 --> 2:21:22.840
<v Speaker 1>just like Band from TV was a different sound. Like

2:21:22.920 --> 2:21:26.360
<v Speaker 1>when Band from TV dropped, people were sitting around like

2:21:26.720 --> 2:21:29.560
<v Speaker 1>that's what ship is not I give it even better.

2:21:29.640 --> 2:21:33.520
<v Speaker 1>I'll give you even better example forever. And this is

2:21:33.600 --> 2:21:40.440
<v Speaker 1>my friend, Um, Big Tiger, thank you, bro, take it

2:21:40.480 --> 2:21:42.600
<v Speaker 1>from the basement. Yeah, you know what he said to

2:21:42.680 --> 2:21:44.840
<v Speaker 1>me after old old drop And I swear to God,

2:21:45.240 --> 2:21:48.879
<v Speaker 1>this is on my father's life. Big Ticket says, stopped

2:21:48.879 --> 2:21:51.960
<v Speaker 1>working with the Neptunes. All that ships sound the same.

2:21:56.560 --> 2:22:01.000
<v Speaker 1>I will never say this. Um, Then you do you

2:22:01.160 --> 2:22:05.440
<v Speaker 1>understand who Big Tigger was at this moment. And he

2:22:05.640 --> 2:22:09.160
<v Speaker 1>sat there and I had I had super dog that

2:22:09.280 --> 2:22:14.160
<v Speaker 1>I had. Oh no, he was in control of the

2:22:14.400 --> 2:22:18.200
<v Speaker 1>biggest fucking hip hop station at the time. He pulled

2:22:18.240 --> 2:22:22.360
<v Speaker 1>me to the side, stopped working with the Neptunes. I

2:22:22.480 --> 2:22:25.320
<v Speaker 1>looked at him I wanted to do. I don't this

2:22:25.480 --> 2:22:32.840
<v Speaker 1>is the old nor what I said to myself. I'm

2:22:32.879 --> 2:22:36.600
<v Speaker 1>all right, I know where this is gonna go. And

2:22:36.840 --> 2:22:39.920
<v Speaker 1>I'm sorry. I've never revealed this story ever in my life,

2:22:42.200 --> 2:22:46.320
<v Speaker 1>so as a woman. But said there was there was there.

2:22:46.720 --> 2:22:50.640
<v Speaker 1>I want to just say this. I mean, you didn't

2:22:50.640 --> 2:22:53.000
<v Speaker 1>asked me. It wasn't the thing that was that warranted

2:22:53.040 --> 2:22:57.600
<v Speaker 1>a response. It was just like interesting information. But I

2:22:57.720 --> 2:23:02.800
<v Speaker 1>want to say to him, listen, love, brother, you know

2:23:02.920 --> 2:23:05.960
<v Speaker 1>that's what you felt at the time. That's what you felt.

2:23:06.959 --> 2:23:10.440
<v Speaker 1>And you know what, at that time I might have sounded,

2:23:10.520 --> 2:23:13.800
<v Speaker 1>we might have sounded like everything that we did was repetitious.

2:23:14.480 --> 2:23:17.160
<v Speaker 1>And I knew I needed to grow beyond that. And

2:23:17.320 --> 2:23:21.240
<v Speaker 1>you know what, I'm grateful. I'm grateful that he felt

2:23:21.280 --> 2:23:24.480
<v Speaker 1>the same thing we might have felt of our excuse me,

2:23:24.840 --> 2:23:26.960
<v Speaker 1>that we might have felt at the time. And I

2:23:27.000 --> 2:23:32.840
<v Speaker 1>appreciate your loyalty and I appreciate his loyalty to the game. Uh,

2:23:33.560 --> 2:23:35.640
<v Speaker 1>none of us are mad. He is somewhere doing what

2:23:35.800 --> 2:23:39.600
<v Speaker 1>he's doing and being the very greatest everybody's doing. You're

2:23:39.840 --> 2:23:42.640
<v Speaker 1>you're at the greatest height of what you're doing. And

2:23:42.840 --> 2:23:46.400
<v Speaker 1>I am still just saying thank you God, but really

2:23:46.440 --> 2:23:49.360
<v Speaker 1>quick to piggyback of all this as a DJ, though

2:23:49.640 --> 2:23:54.320
<v Speaker 1>originally I could hear the same sounds, but I started

2:23:54.320 --> 2:23:58.000
<v Speaker 1>to say, this is genius because you could these records

2:23:58.040 --> 2:24:01.160
<v Speaker 1>seamlessly going to each other and then be the whole

2:24:01.240 --> 2:24:04.240
<v Speaker 1>sound right right, but then even going even further coming

2:24:04.320 --> 2:24:07.400
<v Speaker 1>you know, out of Miami and the Caribbean being very

2:24:07.480 --> 2:24:10.360
<v Speaker 1>influential too, what we do. I'm looking at dance all

2:24:10.440 --> 2:24:14.240
<v Speaker 1>and how the rhythms all it's the same rhythmic yeah, yeah,

2:24:14.480 --> 2:24:16.280
<v Speaker 1>So was there any thought like that to what you

2:24:16.320 --> 2:24:18.400
<v Speaker 1>guys were doing? So I fell in love with the

2:24:18.440 --> 2:24:24.760
<v Speaker 1>clap of chord because it could be as radical as

2:24:25.360 --> 2:24:31.160
<v Speaker 1>a guitar riff from like led Zeppelin or Metallica, and

2:24:31.480 --> 2:24:39.920
<v Speaker 1>it could also be as rhythmic as um, you know,

2:24:40.120 --> 2:24:46.040
<v Speaker 1>more technical music, and so we were very loyal to

2:24:46.160 --> 2:24:52.680
<v Speaker 1>that for a while. Um and I think, and I

2:24:52.720 --> 2:24:55.320
<v Speaker 1>could be wrong, but I did. The very first time

2:24:55.360 --> 2:24:57.360
<v Speaker 1>we ever used a clap chord was on Super though,

2:24:58.680 --> 2:25:01.480
<v Speaker 1>so when you're do dot dot dot dot dot dot dot.

2:25:01.720 --> 2:25:04.960
<v Speaker 1>And then after that we were given the remix to

2:25:05.120 --> 2:25:08.880
<v Speaker 1>the Backstreet Boys record, and then we were giving the remix,

2:25:09.920 --> 2:25:16.879
<v Speaker 1>Oh yeah, superb Man, and then we were given um,

2:25:17.200 --> 2:25:20.400
<v Speaker 1>then we were given the remix to a Locks record

2:25:21.120 --> 2:25:24.120
<v Speaker 1>h and then it just it's just that's when the

2:25:24.200 --> 2:25:28.160
<v Speaker 1>Neptune sound. But it started with super Thub because if

2:25:28.240 --> 2:25:31.920
<v Speaker 1>you listen to uh when This Feeling by STBUV or

2:25:31.959 --> 2:25:42.520
<v Speaker 1>you listen to um uh um use your Heart by STV,

2:25:42.640 --> 2:25:44.680
<v Speaker 1>which was the bigger song because that was a single,

2:25:45.560 --> 2:25:47.960
<v Speaker 1>it didn't have that particular sound. If you listen to

2:25:48.000 --> 2:25:50.840
<v Speaker 1>it tonight tonight, it didn't have that particular sound either.

2:25:51.760 --> 2:25:56.760
<v Speaker 1>We developed our sound after we've made super Thub, but

2:25:56.920 --> 2:25:59.840
<v Speaker 1>you guys consciously say, well, this is our signature sound. Now,

2:26:00.240 --> 2:26:02.440
<v Speaker 1>we never said it. We just kept going back to

2:26:02.520 --> 2:26:05.720
<v Speaker 1>what felt good. And that's like a thing for me,

2:26:06.680 --> 2:26:09.000
<v Speaker 1>like I might not like some people are so good

2:26:09.120 --> 2:26:12.119
<v Speaker 1>at what they do that they make a declaration. I've

2:26:12.160 --> 2:26:13.720
<v Speaker 1>never been good at that, and every time I make

2:26:13.760 --> 2:26:16.520
<v Speaker 1>a declaration, I'm wrong. So I've learned to not make

2:26:16.560 --> 2:26:22.920
<v Speaker 1>a declaration and just continue to declare my action. And

2:26:23.000 --> 2:26:26.600
<v Speaker 1>that clavichord that's what gave us that which is not

2:26:26.800 --> 2:26:29.280
<v Speaker 1>new because like for example, like Premiere, you knew what

2:26:29.400 --> 2:26:31.880
<v Speaker 1>a Premiere beat sounding. It was the sounds of it

2:26:33.000 --> 2:26:40.000
<v Speaker 1>premier but celebrated enough. But let me just say I

2:26:40.120 --> 2:26:46.160
<v Speaker 1>gotta say this, that Neptune Run is nothing like Listen,

2:26:46.240 --> 2:26:48.160
<v Speaker 1>I'm because I got to be honest. What would you

2:26:48.200 --> 2:26:52.720
<v Speaker 1>say that the Neptune Run when after after oh no,

2:26:53.040 --> 2:26:56.680
<v Speaker 1>after that, No, there was entire mixed shows of just

2:26:57.520 --> 2:27:01.000
<v Speaker 1>Neptune record. People still send me faking up tune beats.

2:27:01.040 --> 2:27:05.600
<v Speaker 1>I love it. Let me, Oh my god, I can't.

2:27:06.840 --> 2:27:12.680
<v Speaker 1>I know the guy, but what do you understand? Like,

2:27:13.560 --> 2:27:16.439
<v Speaker 1>I'm gonna be honest, it's It's one of the proudest

2:27:16.720 --> 2:27:23.440
<v Speaker 1>moments of my career, is because I had a chance

2:27:23.560 --> 2:27:28.560
<v Speaker 1>to believe in you guys. And like I said, you

2:27:28.760 --> 2:27:32.680
<v Speaker 1>you gave me the every baby you want me and

2:27:32.800 --> 2:27:35.120
<v Speaker 1>I've brung it to Nas. Nas didn't get it. I

2:27:35.280 --> 2:27:38.840
<v Speaker 1>forget what what for Jay? But we can leave that alone.

2:27:39.760 --> 2:27:44.520
<v Speaker 1>But to see where you at, it's a beautiful thing

2:27:44.959 --> 2:27:53.480
<v Speaker 1>for me. You understand nobody clear, Listen, listen, I'm gonna

2:27:53.520 --> 2:27:59.680
<v Speaker 1>say this again. Please, good, bad and different up down

2:28:00.920 --> 2:28:16.800
<v Speaker 1>around what we were you like were you y'all know

2:28:16.840 --> 2:28:21.000
<v Speaker 1>what you're doing here too with this motherfucking we love

2:28:21.040 --> 2:28:24.840
<v Speaker 1>and we're being family in here, like two minutes what

2:28:24.959 --> 2:28:26.840
<v Speaker 1>y'all doing here. Y'all know what, y'all know what the

2:28:26.879 --> 2:28:29.640
<v Speaker 1>funk you're doing. You have fun. This is definitely a

2:28:29.720 --> 2:28:33.640
<v Speaker 1>formulator works. We have fun. And our big brother isn't

2:28:33.680 --> 2:28:38.480
<v Speaker 1>just leaning in and sending them bottle for nothing. But

2:28:39.520 --> 2:28:45.480
<v Speaker 1>oh shoot, I gotta finish my purple rain purple fill

2:28:45.520 --> 2:28:48.160
<v Speaker 1>them up. I was filling them up. Holy Moly, guaka mole.

2:28:49.320 --> 2:28:52.240
<v Speaker 1>You tell me what to stop Pete m h ship.

2:28:52.640 --> 2:28:55.480
<v Speaker 1>Do you know what holy Moley is? Definitely don't so.

2:28:55.640 --> 2:29:00.040
<v Speaker 1>Moley is this herb that was given to someone and

2:29:01.520 --> 2:29:10.160
<v Speaker 1>back to stop him from being under a spell. Yeah,

2:29:10.360 --> 2:29:12.440
<v Speaker 1>they were trying to like put him under a spell

2:29:13.240 --> 2:29:16.440
<v Speaker 1>and they yeah, and they gave him this what was

2:29:16.480 --> 2:29:20.360
<v Speaker 1>called moley m O M m O l y And

2:29:20.440 --> 2:29:23.160
<v Speaker 1>that's why we say holy Moly to this day. But

2:29:23.400 --> 2:29:25.960
<v Speaker 1>moley was was something that was given to him to

2:29:26.080 --> 2:29:30.640
<v Speaker 1>keep him from not falling under the spell of over sorceress.

2:29:30.920 --> 2:29:34.240
<v Speaker 1>Actually not meduced. It was a sorceress who turned all

2:29:34.480 --> 2:29:39.000
<v Speaker 1>of uh, Okay, maybe I'm mixing this up. This was

2:29:39.080 --> 2:29:45.320
<v Speaker 1>given to run you know, Odyssey, Odysseus am I saying

2:29:45.360 --> 2:29:49.119
<v Speaker 1>it right? Okay, Well, so it was given to him

2:29:49.160 --> 2:29:53.000
<v Speaker 1>to stop him from turning into a pig, like they

2:29:53.120 --> 2:29:55.960
<v Speaker 1>turned the rest of his squad into um and he

2:29:56.120 --> 2:29:59.640
<v Speaker 1>was able to like, you know, convince her to like

2:30:00.200 --> 2:30:03.280
<v Speaker 1>take the spell off of his of his guys and

2:30:03.560 --> 2:30:06.720
<v Speaker 1>turn them back into human beings from the swine that

2:30:06.800 --> 2:30:09.400
<v Speaker 1>she turned them into. And then he liked had like

2:30:09.520 --> 2:30:11.360
<v Speaker 1>to make love to her for like a like a

2:30:11.440 --> 2:30:15.320
<v Speaker 1>four year straight. But Moley is what is a herb

2:30:15.440 --> 2:30:17.800
<v Speaker 1>that she gave him? That that that that that made

2:30:17.879 --> 2:30:20.600
<v Speaker 1>him immune to the to the spell that she was

2:30:20.600 --> 2:30:27.960
<v Speaker 1>putting him under. And we had to walk Yeah, it's

2:30:28.000 --> 2:30:33.320
<v Speaker 1>not Hercules's odyss Odysseus. Oh the person you mean? Yeah,

2:30:35.280 --> 2:30:43.040
<v Speaker 1>I'm gonna cut that shows like purple man. Is that Swan?

2:30:43.680 --> 2:30:45.080
<v Speaker 1>You guys got to go to Swan. It's in the

2:30:45.160 --> 2:30:48.480
<v Speaker 1>design district. So is this a perfect cold that we

2:30:48.560 --> 2:30:52.960
<v Speaker 1>have to say you gotta have. It's gonna be a secret.

2:30:53.160 --> 2:30:57.760
<v Speaker 1>It's not Swine's Swan. So here's the thing. I knew

2:30:57.800 --> 2:31:00.320
<v Speaker 1>that was a thing. You went to the bathroom and

2:31:00.400 --> 2:31:04.040
<v Speaker 1>I said, you guys, I'm not from New York. I'm

2:31:04.080 --> 2:31:06.280
<v Speaker 1>not from New York either, right, And so if you

2:31:06.360 --> 2:31:11.040
<v Speaker 1>say you said Swan, Swan people from New York. I

2:31:11.080 --> 2:31:15.280
<v Speaker 1>think you're saying swine, right, Yeah, that's just swine, but

2:31:15.400 --> 2:31:18.720
<v Speaker 1>we really means swan. It's really the thing that floats

2:31:18.760 --> 2:31:20.600
<v Speaker 1>on top, but it's really doing a lot of work

2:31:20.680 --> 2:31:26.920
<v Speaker 1>on the bottom. Swan the bird. Yes, Dave Grupman, myself,

2:31:27.120 --> 2:31:32.400
<v Speaker 1>Alex Perez and also interior designer Can Folk well only

2:31:32.440 --> 2:31:34.240
<v Speaker 1>say that there's a restaurant called Swine down the street.

2:31:34.280 --> 2:31:38.640
<v Speaker 1>That's why. Yeah, we're not swine. Swine's actually been in there. No, no, no,

2:31:38.760 --> 2:31:41.160
<v Speaker 1>it's actually really yeah, but we're swan. We're want to

2:31:41.240 --> 2:31:44.000
<v Speaker 1>design just strict right across from time four. Okay, yes,

2:31:44.120 --> 2:31:53.920
<v Speaker 1>I've been there a couple of times. Liquors yeah, hit that. Ready,

2:31:54.000 --> 2:31:56.600
<v Speaker 1>this is called quick time with Slin. This is just

2:31:56.680 --> 2:32:02.560
<v Speaker 1>one of the other ready. Yeah, I feel like I

2:32:02.600 --> 2:32:07.320
<v Speaker 1>need your whole intention. Okay, sorry, I'm going away for you. Okay,

2:32:07.360 --> 2:32:10.360
<v Speaker 1>I'm here. Are you ready? I'm good? J Or Snoop

2:32:12.080 --> 2:32:19.280
<v Speaker 1>both Terry Rowdy or Quincy both this noise or that noise?

2:32:26.760 --> 2:32:31.120
<v Speaker 1>I love? I love Timper car Yeah both just a

2:32:31.200 --> 2:32:41.080
<v Speaker 1>timper leg or Robin Dick? Who's that? Who's your both?

2:32:42.840 --> 2:32:48.280
<v Speaker 1>Nicky or Cardi b both? You have some random people?

2:32:50.760 --> 2:32:55.760
<v Speaker 1>All right, I'm just gonna police both. And I gotta

2:32:55.800 --> 2:33:01.480
<v Speaker 1>tell you, let's please you know. I love them both,

2:33:03.280 --> 2:33:07.720
<v Speaker 1>and and and and and and given given all of

2:33:07.840 --> 2:33:12.800
<v Speaker 1>everything that I'm going through, like it's man, I love

2:33:12.920 --> 2:33:17.760
<v Speaker 1>them both despite all everything. I love Calise, man. I

2:33:17.879 --> 2:33:23.920
<v Speaker 1>want the best for her, despite everything. Girl from right, No,

2:33:24.440 --> 2:33:27.400
<v Speaker 1>that wasn't my girlfriend, no no, no, no, yeah he

2:33:27.480 --> 2:33:32.520
<v Speaker 1>went he went side. But you know what, she's definitely

2:33:32.600 --> 2:33:37.920
<v Speaker 1>somebody who taught me about fashion um and um. I

2:33:38.000 --> 2:33:40.000
<v Speaker 1>felt like we both taught each other about music and

2:33:40.240 --> 2:33:45.880
<v Speaker 1>art um and we made fantastic music together. I love

2:33:45.959 --> 2:33:48.119
<v Speaker 1>her and I want nothing but the best for her.

2:33:49.879 --> 2:33:53.320
<v Speaker 1>I'm nothing, but I'm only like Calise is like a

2:33:53.400 --> 2:33:55.400
<v Speaker 1>sister to me. I'm only going to have positive things

2:33:55.480 --> 2:33:58.240
<v Speaker 1>to say, period. That's it. And when it comes to

2:33:58.360 --> 2:34:03.840
<v Speaker 1>Missy like we were born in the same state, like man,

2:34:04.000 --> 2:34:06.440
<v Speaker 1>we may on and all together. That's amazing. But man,

2:34:06.720 --> 2:34:10.480
<v Speaker 1>Missy Elliott, I need Missy here on Dreams. Elliott is

2:34:10.560 --> 2:34:16.240
<v Speaker 1>like she's a fucking dream like like period, like she

2:34:16.400 --> 2:34:19.560
<v Speaker 1>was at Adidas before I got There's an uber legend, man. Yeah,

2:34:19.959 --> 2:34:24.280
<v Speaker 1>so listen for the both of them, absolutely nothing but

2:34:24.400 --> 2:34:29.520
<v Speaker 1>love and respect. I'm not gonna actually no more. It

2:34:29.640 --> 2:34:33.320
<v Speaker 1>was clear that you was like the very everybody. It's

2:34:33.360 --> 2:34:35.240
<v Speaker 1>love for everybody. I love that about you for us,

2:34:35.640 --> 2:34:43.200
<v Speaker 1>he makes a noise for yourself. No, here's what I

2:34:43.240 --> 2:34:45.840
<v Speaker 1>want to make noise for. I want to make noise

2:34:45.920 --> 2:34:49.360
<v Speaker 1>for God. Man, bro, I'm gonna take my masks off

2:34:49.400 --> 2:34:53.920
<v Speaker 1>of this one. For God. Listen. I'm talking about mistakes. Listen.

2:34:54.000 --> 2:34:55.760
<v Speaker 1>Let me tell you something. But she could be what

2:34:55.840 --> 2:34:58.400
<v Speaker 1>I'm about to say could be Swiss cheese, the funk

2:34:58.480 --> 2:35:12.279
<v Speaker 1>up mistakes, bad choices and all. God is the greatest.

2:35:13.360 --> 2:35:16.520
<v Speaker 1>Because what I was told today, you know, by my

2:35:16.640 --> 2:35:19.320
<v Speaker 1>uncle who's a bishop. He said, you know what like

2:35:20.040 --> 2:35:22.959
<v Speaker 1>it doesn't like you're bad mistakes or you're bad decisions

2:35:23.040 --> 2:35:26.400
<v Speaker 1>or whatever it is that makes you human. God ain't

2:35:26.400 --> 2:35:28.920
<v Speaker 1>gonna give up on his purpose for you. Whatever God

2:35:29.000 --> 2:35:32.720
<v Speaker 1>has for you, He's gonna see to it that that

2:35:32.879 --> 2:35:37.440
<v Speaker 1>happens because that's for him. And whatever lessons that you

2:35:37.560 --> 2:35:40.480
<v Speaker 1>have to incurage because you've made bad decisions, that's on you.

2:35:40.800 --> 2:35:47.880
<v Speaker 1>But whatever He has for you, no man, no situation,

2:35:50.000 --> 2:35:58.360
<v Speaker 1>and not even the ill informed or ill instinct decisions

2:35:58.400 --> 2:36:00.080
<v Speaker 1>that you make kid get in the way of that,

2:36:01.280 --> 2:36:03.840
<v Speaker 1>because whatever fate has for you, Fate has for you.

2:36:03.920 --> 2:36:05.880
<v Speaker 1>Whatever God God for you, no man can get in

2:36:05.920 --> 2:36:09.480
<v Speaker 1>the way of And so for me, when you say,

2:36:09.600 --> 2:36:11.280
<v Speaker 1>can I give it up for myself? No, no, no,

2:36:11.400 --> 2:36:14.080
<v Speaker 1>no no no. I just want to take this time.

2:36:14.120 --> 2:36:16.920
<v Speaker 1>I don't know how often y'all have done this. But man,

2:36:17.360 --> 2:36:19.280
<v Speaker 1>I know there's alcohol in the room. I know there's

2:36:19.280 --> 2:36:20.720
<v Speaker 1>weird in the room, and there are people who are

2:36:20.760 --> 2:36:24.440
<v Speaker 1>gonna have judgments by me saying this. But if you

2:36:24.560 --> 2:36:28.280
<v Speaker 1>think God is only in the in the church and

2:36:28.440 --> 2:36:32.360
<v Speaker 1>in the synagogue and in the mosque, then you don't

2:36:32.440 --> 2:36:35.080
<v Speaker 1>understand what this world is. You don't understand what this

2:36:35.280 --> 2:36:39.520
<v Speaker 1>universe is. The universe is God. Bro, We are inside God.

2:36:41.560 --> 2:36:43.920
<v Speaker 1>And so I'm just telling you right now, I'm not

2:36:44.080 --> 2:36:46.000
<v Speaker 1>giving shut up for myself what I want to in

2:36:46.040 --> 2:36:48.360
<v Speaker 1>the super kind of you. And I know I need

2:36:48.400 --> 2:36:50.760
<v Speaker 1>to excuse myself because the purple rain has kicked in,

2:36:56.080 --> 2:36:59.920
<v Speaker 1>But I'm gonna excuse myself bym just saying you guys,

2:37:00.959 --> 2:37:04.240
<v Speaker 1>don't get it sucked up. God is the greatest the

2:37:04.320 --> 2:37:07.640
<v Speaker 1>blunts in your mouth, the alcohol is in front of you,

2:37:09.480 --> 2:37:13.440
<v Speaker 1>the entire room, and envision and feeling is in front

2:37:13.480 --> 2:37:18.920
<v Speaker 1>of you. But make no mistake, bro, God is the greatest. God.

2:37:19.000 --> 2:37:25.520
<v Speaker 1>Damn it, God is the greatest. I feel like I

2:37:25.600 --> 2:37:30.320
<v Speaker 1>got one more, Lenna, wrap it up. So for years

2:37:30.800 --> 2:37:33.840
<v Speaker 1>I know you for twenty years. What is it since nineties?

2:37:34.360 --> 2:37:36.720
<v Speaker 1>I want to say since nineties seven, because the record

2:37:36.800 --> 2:37:40.040
<v Speaker 1>dropped at ninety eight and at that DA we needed

2:37:40.120 --> 2:37:42.560
<v Speaker 1>like a year in advance to drop it. So I

2:37:42.600 --> 2:37:47.680
<v Speaker 1>want to say ninety seven. But I've never realized how

2:37:48.000 --> 2:37:56.800
<v Speaker 1>crazy you watch games spoke about the jury, okay, because

2:37:56.879 --> 2:38:01.720
<v Speaker 1>you only do that. I know that's that mill one

2:38:01.840 --> 2:38:06.400
<v Speaker 1>point five million people. Please, it's okay. We're gonna make

2:38:06.440 --> 2:38:09.760
<v Speaker 1>sure no one does nothing because we kill anybody. Yeah.

2:38:10.400 --> 2:38:12.480
<v Speaker 1>So this was in commemoration to the fact that, like

2:38:12.640 --> 2:38:15.720
<v Speaker 1>we went to Mars in nineteen seventy six, you know,

2:38:16.240 --> 2:38:22.000
<v Speaker 1>like and you know, as as as as human beings,

2:38:22.040 --> 2:38:24.959
<v Speaker 1>we sent our our first probe in nineteen seventy six,

2:38:25.000 --> 2:38:26.840
<v Speaker 1>and actually a woman that worked on it. Her name

2:38:26.920 --> 2:38:30.080
<v Speaker 1>was Katherine Johnson. She was called a colored computer because

2:38:30.120 --> 2:38:33.000
<v Speaker 1>when she came into NASA, black people were still still

2:38:33.120 --> 2:38:36.160
<v Speaker 1>deemed as colored because you produced that movie too about them,

2:38:36.240 --> 2:38:39.800
<v Speaker 1>Yes sir, yes, yes, call Hidden Figures. So she worked

2:38:39.840 --> 2:38:42.160
<v Speaker 1>on that. She helped get that probe there. She was

2:38:42.400 --> 2:38:45.960
<v Speaker 1>one of the mathematicians to help get that probe there

2:38:46.040 --> 2:38:52.000
<v Speaker 1>from NASA to the surface of Mars okay Um. But

2:38:52.240 --> 2:38:54.840
<v Speaker 1>the idea that Mars is so important to us, and

2:38:54.959 --> 2:38:58.440
<v Speaker 1>that you know, the ones right after us are the millennials,

2:38:58.480 --> 2:39:00.120
<v Speaker 1>are the ones after that are gen zers, and the

2:39:00.200 --> 2:39:03.920
<v Speaker 1>ones after that our children. They have the Mars generation

2:39:04.000 --> 2:39:06.279
<v Speaker 1>because they'll go back and forth to Mars like a snowball.

2:39:07.600 --> 2:39:12.760
<v Speaker 1>They're talking about now too, Yes, sir, absolutely, So I

2:39:12.879 --> 2:39:14.720
<v Speaker 1>say all that to say that, like, you know, you know,

2:39:14.879 --> 2:39:17.840
<v Speaker 1>Mars is back on our horizon. It's back and popular,

2:39:18.800 --> 2:39:22.240
<v Speaker 1>and so you know, we wanted to make a Richard

2:39:22.320 --> 2:39:23.920
<v Speaker 1>and I wanted to make a watch that sort of

2:39:23.959 --> 2:39:29.320
<v Speaker 1>commemorated that we really wanted. We really wanted. No one

2:39:29.520 --> 2:39:36.480
<v Speaker 1>knows Richard, yeah, Richard, Yeah. We have another one that's

2:39:36.480 --> 2:39:39.000
<v Speaker 1>coming out pretty soon. It's already sold out, it's gone,

2:39:39.440 --> 2:39:41.600
<v Speaker 1>but it's actually going to hit the market pretty soon.

2:39:41.680 --> 2:39:43.959
<v Speaker 1>And that is the Sapphire version, which is super clear.

2:39:44.520 --> 2:39:47.600
<v Speaker 1>So a lot of watches pride themselves on being double skeletal,

2:39:47.720 --> 2:39:50.400
<v Speaker 1>but this entire thing is X ray, meaning you can

2:39:50.440 --> 2:39:52.360
<v Speaker 1>see through the side. You can see the front. You

2:39:52.400 --> 2:39:55.320
<v Speaker 1>can see through everything, not just the top and the bottom.

2:39:55.480 --> 2:39:59.320
<v Speaker 1>Like skeletal is just the bones. But this is X

2:39:59.440 --> 2:40:02.680
<v Speaker 1>ray we see at all leaving. Yeah, that was not

2:40:02.800 --> 2:40:05.800
<v Speaker 1>a Dominican way to pop the bottle? What was the

2:40:05.840 --> 2:40:11.000
<v Speaker 1>Dominican way him dancing? I'm sorry, I'm sorry, continued, you

2:40:11.080 --> 2:40:14.600
<v Speaker 1>know it's okay, Um, so listen. By the way, you

2:40:14.680 --> 2:40:16.680
<v Speaker 1>know what, I don't spend enough time talking about Richard.

2:40:17.000 --> 2:40:20.480
<v Speaker 1>Richard Mill has been not only so good to me,

2:40:20.640 --> 2:40:24.720
<v Speaker 1>but he like cares about you know, if he cares

2:40:24.720 --> 2:40:28.800
<v Speaker 1>about children. Uh, you know what he does the various

2:40:28.879 --> 2:40:31.240
<v Speaker 1>programs that he has and he's a watch company. But

2:40:31.360 --> 2:40:36.600
<v Speaker 1>he sponsored so many olympiads and people who like, you know,

2:40:36.720 --> 2:40:40.039
<v Speaker 1>running the Olympics and training the Olympics and actually performing

2:40:40.160 --> 2:40:44.400
<v Speaker 1>dancing and Olympics sorry interrupting, Yeah, yeah, breakdancing and skateboarding

2:40:44.440 --> 2:40:50.400
<v Speaker 1>and Olympics skateboard. We get your skateboard. Yeah, you guys

2:40:50.440 --> 2:40:52.120
<v Speaker 1>gave me the component oria and when that was that

2:40:52.200 --> 2:40:55.360
<v Speaker 1>was hard. I'm gonna mount that bitch up and skatering

2:40:55.560 --> 2:40:59.040
<v Speaker 1>for sure. Um. But Richard has just been so good man,

2:40:59.160 --> 2:41:01.640
<v Speaker 1>because at the end of the day, like you think,

2:41:01.720 --> 2:41:04.879
<v Speaker 1>he's just you know with Bubba Watson and the doll

2:41:05.080 --> 2:41:08.920
<v Speaker 1>or whatever whatever. But Richard actually really cares about like

2:41:09.040 --> 2:41:11.840
<v Speaker 1>the youth and his like programs. He's a lot of

2:41:11.920 --> 2:41:14.200
<v Speaker 1>programs and and and a lot of them are very

2:41:14.920 --> 2:41:20.400
<v Speaker 1>you know, child child and sports oriented. And I've just

2:41:20.520 --> 2:41:23.400
<v Speaker 1>been so grateful because I've loved to watch them since

2:41:23.480 --> 2:41:24.880
<v Speaker 1>what I was talking about it and can I have

2:41:25.000 --> 2:41:27.720
<v Speaker 1>that like that? Like I don't know what is the

2:41:27.840 --> 2:41:31.880
<v Speaker 1>two thousand six or seven and and um, and he

2:41:32.120 --> 2:41:35.840
<v Speaker 1>just you know, to meet the guy and see what

2:41:36.000 --> 2:41:39.480
<v Speaker 1>he really cares about. How does this happen? Because I

2:41:39.560 --> 2:41:40.920
<v Speaker 1>put it in can I have it like that? And

2:41:41.040 --> 2:41:44.560
<v Speaker 1>he heard about it and he sort of sought me out.

2:41:44.760 --> 2:41:46.480
<v Speaker 1>So he kind of came to me. It was weird,

2:41:48.000 --> 2:41:50.160
<v Speaker 1>you know, and then so we just started working together.

2:41:50.320 --> 2:41:54.480
<v Speaker 1>And you know, the funniest thing is that because because

2:41:54.600 --> 2:42:00.600
<v Speaker 1>it's because he's weird, because like I would have never

2:42:00.680 --> 2:42:02.760
<v Speaker 1>thought to go to him at the time. That's my brother.

2:42:02.840 --> 2:42:05.240
<v Speaker 1>Kanye Kanyu is a smart guy. Kanye, when he has

2:42:05.280 --> 2:42:07.920
<v Speaker 1>an idea, he goes after it. For me, I would

2:42:07.920 --> 2:42:10.320
<v Speaker 1>have these ideas and if I was lucky enough, the

2:42:10.440 --> 2:42:14.000
<v Speaker 1>idea come to me. What happened? What Kanye came to

2:42:14.080 --> 2:42:18.000
<v Speaker 1>you with no no example. Kanye is different because when

2:42:18.040 --> 2:42:20.199
<v Speaker 1>he thinks things, he goes after it. And I wasn't

2:42:20.280 --> 2:42:23.000
<v Speaker 1>like that. I was more like I would think these

2:42:23.080 --> 2:42:25.320
<v Speaker 1>things and if I uttered them in a song, sometimes

2:42:25.400 --> 2:42:28.720
<v Speaker 1>those things would come to be like you know. Only

2:42:28.879 --> 2:42:31.560
<v Speaker 1>after a while I realized, oh, I gotta go after

2:42:31.640 --> 2:42:34.000
<v Speaker 1>these things that I say, you know, I have to

2:42:34.120 --> 2:42:38.199
<v Speaker 1>really turn to help turn them into fruition. And Richard

2:42:38.240 --> 2:42:39.720
<v Speaker 1>Mill was one of those things where I didn't go

2:42:39.800 --> 2:42:41.480
<v Speaker 1>after it. I said it in a song me and

2:42:41.560 --> 2:42:45.320
<v Speaker 1>Gwen and that song can happen about that? Yeah, make

2:42:45.480 --> 2:42:47.800
<v Speaker 1>because you just use the first name, you're killing us here. Sorry,

2:42:48.720 --> 2:42:56.360
<v Speaker 1>listen to Purple Rains kicked that Yeah, purples fun so

2:42:56.560 --> 2:43:01.080
<v Speaker 1>like so like so like um you know. Richard reached

2:43:01.160 --> 2:43:02.840
<v Speaker 1>out and he was like, look, I'm so honored that

2:43:02.920 --> 2:43:04.920
<v Speaker 1>you talked about it to saw us do something together

2:43:04.920 --> 2:43:07.920
<v Speaker 1>and at the time Happy it came out and he

2:43:08.080 --> 2:43:10.040
<v Speaker 1>was like, okay, I saw you do kid, I have

2:43:10.160 --> 2:43:11.600
<v Speaker 1>it like that, but then you have the song happy

2:43:11.720 --> 2:43:14.640
<v Speaker 1>like let's do something. And I was like, man, I

2:43:14.760 --> 2:43:19.160
<v Speaker 1>really love like I love the idea of like man

2:43:19.480 --> 2:43:27.680
<v Speaker 1>being um man seeing himself going out there into the

2:43:27.959 --> 2:43:33.200
<v Speaker 1>into the into the universe and making his mark. And

2:43:33.280 --> 2:43:36.440
<v Speaker 1>as a black man, I want that for my culture.

2:43:36.480 --> 2:43:38.360
<v Speaker 1>I want my culture to continue to look at things

2:43:38.440 --> 2:43:40.800
<v Speaker 1>like that, like like, yo, we can do anything. I know,

2:43:40.920 --> 2:43:42.920
<v Speaker 1>we lost a brother out there and you know in

2:43:43.040 --> 2:43:46.440
<v Speaker 1>the first Space Shuttle explosion, Well we can, we can.

2:43:46.720 --> 2:43:48.640
<v Speaker 1>We could go there, we could go to any one

2:43:48.680 --> 2:43:51.840
<v Speaker 1>of these planets or any one of their moons and

2:43:51.959 --> 2:43:54.680
<v Speaker 1>bake it. And he was like, okay, cool. So then

2:43:54.720 --> 2:43:58.960
<v Speaker 1>we did the Watch together and I just remember him

2:43:59.080 --> 2:44:01.040
<v Speaker 1>just telling me about all these programs where he was

2:44:01.080 --> 2:44:04.960
<v Speaker 1>sponsoring all these Olympic like watch on right, yeah, he

2:44:05.120 --> 2:44:08.840
<v Speaker 1>was sponsoring all these Olympics. Yeah, but he was sponsoring

2:44:08.920 --> 2:44:14.200
<v Speaker 1>all these runners. And I was like, yo, you're like

2:44:14.760 --> 2:44:17.000
<v Speaker 1>you're like killing it in the Watch game right now.

2:44:17.320 --> 2:44:20.640
<v Speaker 1>You're surpassing everything. The resale on everything that you do

2:44:20.920 --> 2:44:25.440
<v Speaker 1>is doing really well, Like you don't have to care

2:44:25.520 --> 2:44:29.800
<v Speaker 1>about all these black people. Watches exist, though, but hear me,

2:44:30.800 --> 2:44:36.600
<v Speaker 1>he's sponsoring all these black people. Yes, right now, actively

2:44:36.720 --> 2:44:42.320
<v Speaker 1>as we speak, he's sponsoring all these like black like Olympiads.

2:44:43.320 --> 2:44:46.280
<v Speaker 1>It's crazy. No one knows this, and so for me,

2:44:46.480 --> 2:44:48.760
<v Speaker 1>it was like, oh yeah, hell, yeah, I'm gonna work

2:44:48.800 --> 2:44:51.360
<v Speaker 1>with you. Not only did I want to work and

2:44:51.480 --> 2:44:54.280
<v Speaker 1>he was already doing it. Yeah, he had been doing it.

2:44:54.760 --> 2:44:56.400
<v Speaker 1>And so like if you talk to him right now,

2:44:56.920 --> 2:44:59.560
<v Speaker 1>there's like there's like Olympic running of people who are

2:45:00.000 --> 2:45:02.560
<v Speaker 1>actively competing, who have watches, and you didn't know that

2:45:02.680 --> 2:45:05.520
<v Speaker 1>they were like based on like Olympic runners, and these

2:45:05.560 --> 2:45:10.200
<v Speaker 1>guys are actually all benefiting from it. It's unbelievable. And

2:45:10.280 --> 2:45:14.320
<v Speaker 1>he's he'll sponsor a village, He's I mean things you

2:45:14.400 --> 2:45:23.440
<v Speaker 1>don't even know what. Listen, what I'm saying to you

2:45:23.560 --> 2:45:26.720
<v Speaker 1>is he's a good man. He's got every opportunity to

2:45:26.879 --> 2:45:30.680
<v Speaker 1>just be like a European man who's literally just making

2:45:30.800 --> 2:45:34.240
<v Speaker 1>his money, but literally he's not. He's thinking outside of

2:45:35.080 --> 2:45:38.280
<v Speaker 1>his continent and going to the places where we are

2:45:38.760 --> 2:45:42.039
<v Speaker 1>and where we're most afflicted, whether it is thinking about

2:45:42.080 --> 2:45:45.240
<v Speaker 1>the safety of children on the road or or or

2:45:45.560 --> 2:45:50.640
<v Speaker 1>or thinking about what we're going to need when we

2:45:50.760 --> 2:45:54.560
<v Speaker 1>are really talented, but we don't. We come from very

2:45:54.680 --> 2:45:57.119
<v Speaker 1>modest means, and we come from a community that can't

2:45:57.120 --> 2:46:01.200
<v Speaker 1>provide for us. I would encourage you to do the

2:46:01.280 --> 2:46:04.959
<v Speaker 1>homework and see the programs that Richard Mill has. It's

2:46:05.080 --> 2:46:10.400
<v Speaker 1>not just like superior Swiss movement and like very expensive,

2:46:11.200 --> 2:46:16.760
<v Speaker 1>like you know, record breaking um um um um um

2:46:17.200 --> 2:46:23.680
<v Speaker 1>price tax. It's a culture and culture and good from

2:46:23.680 --> 2:46:25.760
<v Speaker 1>what you're saying. Yeah, it's changed the way that I think.

2:46:25.879 --> 2:46:27.600
<v Speaker 1>I used to just think it was just like a

2:46:27.680 --> 2:46:29.640
<v Speaker 1>cool design of a watch. Now I know that it's

2:46:29.720 --> 2:46:32.200
<v Speaker 1>really the personality of a man. I'm surprised you don't

2:46:32.200 --> 2:46:37.040
<v Speaker 1>work with Elen it anyway. Yeah, I think Ellen is amazing.

2:46:37.120 --> 2:46:41.680
<v Speaker 1>I'm just using first names because that's all he's doing. Elon.

2:46:41.840 --> 2:46:47.440
<v Speaker 1>Elon Musk is amazing. Um. We talked a couple of times.

2:46:49.200 --> 2:46:52.440
<v Speaker 1>We're not I would say that we're friendly, but we're not.

2:46:53.720 --> 2:46:55.000
<v Speaker 1>You know, I don't. I don't talk to him all

2:46:55.000 --> 2:46:56.520
<v Speaker 1>the time, talk to him here and there. You know,

2:46:57.120 --> 2:46:58.760
<v Speaker 1>like what would be the initiative with him if you

2:46:58.800 --> 2:47:02.080
<v Speaker 1>were to work with him, what would yeah, what would

2:47:02.080 --> 2:47:20.280
<v Speaker 1>you envision a collaboration between y'all two? You know, Let

2:47:20.360 --> 2:47:22.320
<v Speaker 1>me say this first before I answer a question. Elon

2:47:22.440 --> 2:47:24.240
<v Speaker 1>Musk is a man who thinks about things from a

2:47:24.400 --> 2:47:28.360
<v Speaker 1>very different perspective. He thinks in the future. When he

2:47:28.440 --> 2:47:31.520
<v Speaker 1>answered when you asked him a question, he's going to

2:47:31.600 --> 2:47:35.520
<v Speaker 1>give your answer this, So you want to be very

2:47:35.640 --> 2:47:40.039
<v Speaker 1>careful and cognizant of what you're asking him. You want

2:47:40.080 --> 2:47:41.840
<v Speaker 1>to make sure you're asking the right thing at the

2:47:41.959 --> 2:47:49.080
<v Speaker 1>right time. And I would ask him to think about

2:47:52.920 --> 2:47:55.920
<v Speaker 1>how to I would want to go to him. I

2:47:55.920 --> 2:47:58.760
<v Speaker 1>would look at him as a problem solver, because that's

2:47:58.800 --> 2:48:01.520
<v Speaker 1>what he is. But he's been a problem solving for

2:48:01.600 --> 2:48:06.879
<v Speaker 1>the things that he deems most important. I don't from

2:48:07.000 --> 2:48:09.600
<v Speaker 1>his POV and I don't disagree with the things that

2:48:09.720 --> 2:48:13.400
<v Speaker 1>he has thought about. But I if I were him,

2:48:13.840 --> 2:48:17.880
<v Speaker 1>I would think, how do we get Elon Musk to

2:48:18.000 --> 2:48:24.680
<v Speaker 1>put his brain cells to consider how to make our

2:48:29.080 --> 2:48:35.000
<v Speaker 1>supremacist brothers and sisters understand the plight of the people

2:48:35.080 --> 2:48:38.960
<v Speaker 1>that they hate. M. If we could get Elon Musk

2:48:39.040 --> 2:48:44.720
<v Speaker 1>to think about racism, If we could get Elon Musk

2:48:45.600 --> 2:48:54.640
<v Speaker 1>to think about federal subsidies, if we could get Elon

2:48:54.760 --> 2:49:02.440
<v Speaker 1>Musk to think about women M and we could get

2:49:02.520 --> 2:49:04.760
<v Speaker 1>a lion must to think about the plight of women.

2:49:06.400 --> 2:49:09.119
<v Speaker 1>I think that he's such a genius that if when

2:49:09.160 --> 2:49:12.080
<v Speaker 1>he applies himself to a situation, he figures his way

2:49:12.120 --> 2:49:14.959
<v Speaker 1>out his the way that he's looked at sonap Solar

2:49:15.040 --> 2:49:21.520
<v Speaker 1>panel solar panels, and that business has been ingenious. If

2:49:21.560 --> 2:49:23.520
<v Speaker 1>we could get him to think about the plight of

2:49:23.640 --> 2:49:27.879
<v Speaker 1>black Americans and how to translate that to are less

2:49:27.959 --> 2:49:33.800
<v Speaker 1>empathetic and even sometimes apathetic white brothers and sisters. Yeah,

2:49:35.240 --> 2:49:40.240
<v Speaker 1>if we could get him to think about so many things.

2:49:40.560 --> 2:49:42.800
<v Speaker 1>It's the same thing I would say for Nikolai Tesla.

2:49:43.400 --> 2:49:46.600
<v Speaker 1>He named his company right, he named his company after Tesla.

2:49:46.840 --> 2:49:49.440
<v Speaker 1>Same thing I would say to Einstein. It's like man theory,

2:49:49.720 --> 2:49:55.000
<v Speaker 1>theory of relatively we needed that, But brother, we needed

2:49:55.040 --> 2:50:00.360
<v Speaker 1>you to for so much more. If you could, Mr Eerstein,

2:50:00.400 --> 2:50:04.320
<v Speaker 1>if you could have sat down with Malcolm, imagine coming

2:50:04.400 --> 2:50:07.640
<v Speaker 1>up also during World War Two. He's Jewish during Nazi.

2:50:08.600 --> 2:50:10.720
<v Speaker 1>But that's my point. If we could have gotten you

2:50:10.959 --> 2:50:15.560
<v Speaker 1>to beat Mr Malcolm, Mr Einstein, if we could have

2:50:15.640 --> 2:50:22.520
<v Speaker 1>got you to meet you know, Mr Martin Ellen, if

2:50:22.560 --> 2:50:26.000
<v Speaker 1>we could have gotten you to sit down and have

2:50:26.160 --> 2:50:37.160
<v Speaker 1>a conversation with who which. By the way, by the way,

2:50:37.520 --> 2:50:39.840
<v Speaker 1>I'm not saying that in a white savior type of way.

2:50:40.000 --> 2:50:43.800
<v Speaker 1>What I'm saying is if we could have gotten because

2:50:43.879 --> 2:50:46.440
<v Speaker 1>I started. But there's gonna be people. They're gonna be

2:50:46.720 --> 2:50:50.680
<v Speaker 1>people who cut up everything that I'm saying all things

2:50:50.760 --> 2:50:52.840
<v Speaker 1>that like a white savior could save everything, and they

2:50:52.879 --> 2:50:55.840
<v Speaker 1>didn't hear the context. I started this conversation by saying,

2:50:56.560 --> 2:50:59.560
<v Speaker 1>you said to me about Ellen thinking about things right.

2:51:00.320 --> 2:51:02.680
<v Speaker 1>But what I'm what I'm saying is when you talk

2:51:02.720 --> 2:51:05.440
<v Speaker 1>to Ellen Musk, you asked him a question. And the

2:51:05.560 --> 2:51:07.520
<v Speaker 1>times that I've talked to him is in nineteen I

2:51:07.560 --> 2:51:09.960
<v Speaker 1>think I talked to him in twenty twenty about like

2:51:10.640 --> 2:51:13.160
<v Speaker 1>cars and ship that I needed because we have four children.

2:51:16.240 --> 2:51:18.840
<v Speaker 1>But when you ask Ellen a question in he gives

2:51:18.879 --> 2:51:24.000
<v Speaker 1>you an answer forty or forty or right. So if

2:51:24.080 --> 2:51:31.960
<v Speaker 1>we could have had him, mama, so we could add

2:51:32.040 --> 2:51:36.720
<v Speaker 1>Ellen ask a question, don't count you or or or

2:51:36.959 --> 2:51:42.080
<v Speaker 1>or or or give a contributor a contributive, give a

2:51:42.160 --> 2:51:45.959
<v Speaker 1>contribution to the thought of some of these considerations. I'm

2:51:46.000 --> 2:51:48.320
<v Speaker 1>selling you what I would have wanted him to weigh

2:51:48.320 --> 2:52:00.760
<v Speaker 1>in on that SI should be illegal. Teach you get

2:52:00.800 --> 2:52:06.000
<v Speaker 1>the shots. That's beautiful looking thing. Yo. I'm so glad

2:52:06.080 --> 2:52:08.920
<v Speaker 1>you're yeah, bro, I'm glad I'm here. I thought I

2:52:08.959 --> 2:52:18.080
<v Speaker 1>thought you will never come that family. Wait, let me

2:52:18.120 --> 2:52:20.000
<v Speaker 1>get a shot. Hold on with the test me like that.

2:52:21.360 --> 2:52:23.120
<v Speaker 1>Cheer up man, Let's thre me with a good time,

2:52:23.959 --> 2:52:34.240
<v Speaker 1>thank you for joining us. Now I was, I was

2:52:34.320 --> 2:52:38.160
<v Speaker 1>just doing bakado song in my mind. Oh yeah, we're

2:52:38.240 --> 2:52:44.320
<v Speaker 1>right now. How long you know for real lap tunes,

2:52:44.720 --> 2:52:49.080
<v Speaker 1>the whole family, break it down, family tuning for us

2:52:49.920 --> 2:52:52.840
<v Speaker 1>right at least? Well I knew, I knew for real

2:52:52.920 --> 2:52:59.040
<v Speaker 1>before the nap tunes. Yeah. Um, long story shot. He

2:52:59.240 --> 2:53:02.519
<v Speaker 1>used to come out neighborhood. WI grew up at Huntsville.

2:53:03.360 --> 2:53:04.920
<v Speaker 1>He was coming out there back then, and that's how

2:53:05.000 --> 2:53:09.120
<v Speaker 1>we initially met and then linked back up a couple

2:53:09.120 --> 2:53:11.720
<v Speaker 1>of years later when he was doing music. But when

2:53:11.760 --> 2:53:15.040
<v Speaker 1>you got met, were you doing music already in the beginning? Now?

2:53:15.160 --> 2:53:17.240
<v Speaker 1>But I got a wild story that like when I um,

2:53:18.240 --> 2:53:19.879
<v Speaker 1>when I first linked back up with him, I heard

2:53:19.879 --> 2:53:21.320
<v Speaker 1>he was doing music and I've seen him in the

2:53:21.320 --> 2:53:23.920
<v Speaker 1>club one night on my birthday and I was like, yo,

2:53:24.000 --> 2:53:25.920
<v Speaker 1>I heard you doing music and he no, a matter

2:53:25.920 --> 2:53:28.160
<v Speaker 1>of fact, you said he here that rapped. So he

2:53:28.240 --> 2:53:29.600
<v Speaker 1>was like, you'll do something for me right now, and

2:53:29.640 --> 2:53:31.520
<v Speaker 1>I was like super drunk. It was like my birthday

2:53:31.560 --> 2:53:33.800
<v Speaker 1>and Ship. So I was like, Ship didn't even put

2:53:33.840 --> 2:53:36.360
<v Speaker 1>me on the spot, but I brought for him. And

2:53:36.400 --> 2:53:38.680
<v Speaker 1>then just like you'll come through see how the music

2:53:38.760 --> 2:53:43.119
<v Speaker 1>world work, and then been rolling every since. It's been

2:53:43.160 --> 2:53:46.560
<v Speaker 1>my mind. So how did you How do you feel

2:53:46.600 --> 2:53:50.360
<v Speaker 1>when you've seen the clips the first take off? Oh no,

2:53:50.440 --> 2:53:53.680
<v Speaker 1>I was happy for my brothers. Yeah, I was there

2:53:53.760 --> 2:53:56.200
<v Speaker 1>for what wasn't all that I was there. I've seen that.

2:53:56.280 --> 2:54:00.879
<v Speaker 1>I remember all that Protectlar because I want to say,

2:54:00.959 --> 2:54:05.680
<v Speaker 1>like you know yea, oh no, it was like it's grinding.

2:54:05.760 --> 2:54:08.920
<v Speaker 1>I remembering he was so excited about grinding. He told

2:54:08.959 --> 2:54:12.200
<v Speaker 1>me coming to the gym and I flew, Oh, I

2:54:12.320 --> 2:54:15.880
<v Speaker 1>drove to Yeah, he was in. Yeah, that were you

2:54:15.959 --> 2:54:17.280
<v Speaker 1>when you was in the video of that crib that

2:54:17.360 --> 2:54:19.320
<v Speaker 1>you they shot you and that's like, my people are

2:54:19.360 --> 2:54:21.120
<v Speaker 1>doing right up the se from that. That was definitely

2:54:21.120 --> 2:54:29.520
<v Speaker 1>still cooking. Crack out there, let's make some Yeah, I

2:54:29.520 --> 2:54:33.600
<v Speaker 1>think it's just out there still cooking. Was crazy. But

2:54:33.680 --> 2:54:36.440
<v Speaker 1>now to see the clips do the thing. I don't

2:54:36.440 --> 2:54:38.600
<v Speaker 1>know if you understood when you was writing, I was like,

2:54:38.640 --> 2:54:42.880
<v Speaker 1>I don't, I'm alright, man. I stayed. I stayed the

2:54:42.920 --> 2:54:50.000
<v Speaker 1>whole time. I stayed the whole time, understand as you would. Yeah. Yeah,

2:54:50.040 --> 2:54:51.520
<v Speaker 1>but to see the clips do it, man, was it

2:54:51.600 --> 2:54:53.920
<v Speaker 1>went for all of us like you know, like you said,

2:54:53.959 --> 2:54:55.840
<v Speaker 1>were from Virginie. You don't really get to see that.

2:54:56.560 --> 2:54:59.320
<v Speaker 1>And just seeing you know, my family take off, it

2:54:59.440 --> 2:55:02.120
<v Speaker 1>was like, let's go. And this is a question for

2:55:02.240 --> 2:55:04.840
<v Speaker 1>both of y'all. How weird is it to see malice

2:55:05.480 --> 2:55:19.520
<v Speaker 1>go one way and then push you? So this case,

2:55:19.600 --> 2:55:22.879
<v Speaker 1>you wants some aces SPA because you know I'm gonna

2:55:23.160 --> 2:55:29.080
<v Speaker 1>I'm on that Prince Rogers, Nelson, Alight, we better know

2:55:29.480 --> 2:55:34.200
<v Speaker 1>Nelson Rodgers want this guy one. You don't know this guy.

2:55:34.480 --> 2:55:37.880
<v Speaker 1>So look so look when you mentioned guy, that's when

2:55:37.920 --> 2:55:39.400
<v Speaker 1>I got to sit up in my seat. I gotta

2:55:39.440 --> 2:55:43.640
<v Speaker 1>get it right, h What was your question again? The

2:55:43.879 --> 2:55:46.600
<v Speaker 1>malice and pushing the difference? I just want to make

2:55:46.640 --> 2:55:52.800
<v Speaker 1>sure because the purple brain is kicked in every time

2:55:53.600 --> 2:56:02.880
<v Speaker 1>everybody one to three. I'm sorry. So that's a Swan

2:56:03.000 --> 2:56:12.519
<v Speaker 1>Ladies and gentlemen in the design district, Craig Robbins, I'm drop.

2:56:13.560 --> 2:56:19.000
<v Speaker 1>Can we get this on film? Somebody? I always want to.

2:56:19.160 --> 2:56:22.000
<v Speaker 1>I just want everybody to know, like like like, okay,

2:56:22.480 --> 2:56:29.440
<v Speaker 1>so at Swan you can get just being clear on

2:56:29.560 --> 2:56:32.160
<v Speaker 1>drain chants like I guess what they would be anything,

2:56:32.160 --> 2:56:34.880
<v Speaker 1>any kind of any kind of officiating or you know,

2:56:35.000 --> 2:56:37.240
<v Speaker 1>any kind of officiating in any level. It's like it's

2:56:37.280 --> 2:56:40.640
<v Speaker 1>going to be on drain chance. Thank you to appreciating

2:56:44.600 --> 2:56:47.320
<v Speaker 1>continue that flash it. He was talking about your question.

2:56:49.400 --> 2:56:52.000
<v Speaker 1>So your question is about Malice and push you. So

2:56:53.000 --> 2:56:58.440
<v Speaker 1>Malice had a conviction. Something came over him, and I

2:56:58.600 --> 2:57:01.960
<v Speaker 1>never really got into it because I was afraid of it.

2:57:02.040 --> 2:57:03.720
<v Speaker 1>I was afraid to hear what it was because I

2:57:03.840 --> 2:57:06.600
<v Speaker 1>was afraid to hear that, Like if I heard it,

2:57:07.240 --> 2:57:09.400
<v Speaker 1>it would transform me. It's funny, and I'm looking at

2:57:09.440 --> 2:57:13.280
<v Speaker 1>a T shirt that says beats in the hood, right,

2:57:13.840 --> 2:57:15.640
<v Speaker 1>But let me tell you something right now, with the

2:57:15.800 --> 2:57:20.960
<v Speaker 1>simple rearrangement of the st it could go from beats

2:57:21.520 --> 2:57:24.280
<v Speaker 1>to beasts. And that's kind of like what I was

2:57:24.360 --> 2:57:27.400
<v Speaker 1>feeling at the time when I saw Malice being hit.

2:57:27.879 --> 2:57:31.880
<v Speaker 1>I was afraid of asking what happened to him because

2:57:31.920 --> 2:57:35.000
<v Speaker 1>I didn't. I wasn't I wasn't ready for it. I

2:57:35.160 --> 2:57:39.320
<v Speaker 1>wasn't ready for it. He told me was gonna transform me,

2:57:40.280 --> 2:57:43.960
<v Speaker 1>and what hit him so long ago hit me later

2:57:44.040 --> 2:57:49.000
<v Speaker 1>on in my life. And when we saw him go

2:57:49.120 --> 2:57:52.039
<v Speaker 1>through that transformation, all of us we had the utmost respect.

2:57:53.040 --> 2:57:56.960
<v Speaker 1>But you need to know I don't think just because

2:57:57.000 --> 2:57:59.760
<v Speaker 1>a person a person has accepted God in their lives

2:58:00.560 --> 2:58:03.800
<v Speaker 1>or in their life, that they don't think the same

2:58:03.879 --> 2:58:07.120
<v Speaker 1>things or have the same instincts. Their instincts may change.

2:58:10.000 --> 2:58:14.360
<v Speaker 1>But who you are is who you are. And when

2:58:14.520 --> 2:58:18.120
<v Speaker 1>God enters your when God and the universe enters your life,

2:58:18.640 --> 2:58:22.240
<v Speaker 1>what you are doesn't change what to you, what you are,

2:58:22.320 --> 2:58:25.320
<v Speaker 1>it remains the same. But what you do it for,

2:58:27.640 --> 2:58:32.160
<v Speaker 1>that's what changes. And I wasn't ready for that. I

2:58:32.320 --> 2:58:36.440
<v Speaker 1>was afraid of that. But then, like you know, when

2:58:36.520 --> 2:58:44.440
<v Speaker 1>I did, like get lucky, blurred lines and happy at

2:58:44.480 --> 2:58:47.400
<v Speaker 1>the same year, and all that ship came out. The

2:58:47.520 --> 2:58:53.440
<v Speaker 1>ship wigged me the funk out right. I never touched

2:58:53.520 --> 2:59:00.560
<v Speaker 1>cocaine one of those. And by the way, by the way, already,

2:59:00.760 --> 2:59:02.959
<v Speaker 1>let me be real clear about that. There's a lot

2:59:03.040 --> 2:59:05.080
<v Speaker 1>of people that do. And I ain't got nothing against him. Bro.

2:59:05.200 --> 2:59:07.280
<v Speaker 1>You see a lot of cocaine sessions. Part about it,

2:59:07.320 --> 2:59:10.200
<v Speaker 1>all of it, Man, A lot of people fun with coke. Bro.

2:59:10.320 --> 2:59:12.560
<v Speaker 1>I don't, I don't, I don't. I don't judge, man,

2:59:12.959 --> 2:59:42.080
<v Speaker 1>we judge, we see. Oh so here's the thing, bro,

2:59:43.400 --> 2:59:47.880
<v Speaker 1>they're fucking judging you. Man, not judging nobody people do

2:59:48.040 --> 2:59:51.400
<v Speaker 1>ship like that, and it's okay, people do other ship.

2:59:52.000 --> 2:59:53.960
<v Speaker 1>You know what you could be do you be doing worse?

2:59:55.040 --> 2:59:57.880
<v Speaker 1>You could be a fucking like you could be a

3:00:02.720 --> 3:00:07.760
<v Speaker 1>sex trafficker. Wait a minute, you could be a fucking pedophile.

3:00:08.080 --> 3:00:12.760
<v Speaker 1>Wait a minute, you could be a fucking kidnapper. There's

3:00:12.800 --> 3:00:16.000
<v Speaker 1>so many things you could fucking be if that's what

3:00:16.160 --> 3:00:19.560
<v Speaker 1>you've chosen, because that ship makes you feel better than ever.

3:00:20.200 --> 3:00:23.240
<v Speaker 1>I don't condone it, and I'm not gonna celebrate you,

3:00:24.040 --> 3:00:26.240
<v Speaker 1>but I'm not gonna judge you. And that's the most

3:00:26.280 --> 3:00:33.760
<v Speaker 1>important part. I'm gonna judge you. Judging that that, yo, bro,

3:00:33.959 --> 3:00:36.480
<v Speaker 1>there would be no Miami like that ship built Miami.

3:00:36.600 --> 3:00:42.200
<v Speaker 1>Let's be clear, game boys, right and ship both. I'm

3:00:42.240 --> 3:00:44.440
<v Speaker 1>not celebrating it and I'm not condoning it. But what

3:00:44.560 --> 3:00:48.160
<v Speaker 1>I am not doing, I'm gonna what I'm also not doing.

3:00:48.520 --> 3:00:52.800
<v Speaker 1>I'm just not just tosting you. I'm just tolting. Yeah.

3:00:56.480 --> 3:01:01.400
<v Speaker 1>But I've told you though, feel up because it's that

3:01:01.480 --> 3:01:06.600
<v Speaker 1>big boy. Look what I'm saying. What I'm saying to

3:01:06.720 --> 3:01:11.840
<v Speaker 1>you is white white society living. Come on, family. What

3:01:11.879 --> 3:01:15.080
<v Speaker 1>I'm saying to you is what we gotta stop doing,

3:01:16.360 --> 3:01:20.640
<v Speaker 1>even when it's the ship that we hate. What we

3:01:20.720 --> 3:01:23.880
<v Speaker 1>gotta do is we gotta stop judging, bro, because the

3:01:24.000 --> 3:01:28.400
<v Speaker 1>judging is what what keeps people doing dark ship and

3:01:28.560 --> 3:01:34.600
<v Speaker 1>dark circles and hiding it versus like saying, you know what,

3:01:35.200 --> 3:01:37.879
<v Speaker 1>I'm not mad at you, brother, and I'm not judging you, brother.

3:01:38.200 --> 3:01:40.880
<v Speaker 1>I'm angry at what you're doing, but I'm not mad

3:01:40.920 --> 3:01:43.120
<v Speaker 1>at you because I realized something that's happened to you

3:01:43.800 --> 3:01:49.400
<v Speaker 1>and that you need help. And unfortunately, what happens with cocaine,

3:01:49.800 --> 3:01:52.560
<v Speaker 1>it's like people get caught up in that place where

3:01:52.560 --> 3:01:55.240
<v Speaker 1>they feel like they can't really say it. They're either

3:01:55.360 --> 3:01:58.080
<v Speaker 1>celebrating it or they're hiding it. And what we need

3:01:58.160 --> 3:01:59.600
<v Speaker 1>to do is we got to get to a place

3:02:00.200 --> 3:02:02.240
<v Speaker 1>as black people in the Latin X where we say,

3:02:02.280 --> 3:02:04.280
<v Speaker 1>you know what, I'm not gonna judge you. I just

3:02:04.360 --> 3:02:06.040
<v Speaker 1>feel like you might need a little bit of help

3:02:07.600 --> 3:02:14.640
<v Speaker 1>and there are functional users. By the way of all kinds.

3:02:15.480 --> 3:02:18.440
<v Speaker 1>I'll just be honest with you. We love cocaine stories. Here.

3:02:18.840 --> 3:02:22.080
<v Speaker 1>You have a cocaine story. I do not. I do

3:02:22.200 --> 3:02:24.360
<v Speaker 1>not not at all, not at all. I know I

3:02:24.440 --> 3:02:28.520
<v Speaker 1>know I have cocaine stories that I'm not gonna gonna

3:02:28.640 --> 3:02:32.120
<v Speaker 1>gonna share for my friends who were who were absolutely

3:02:33.840 --> 3:02:38.080
<v Speaker 1>in the motherfucking game. I would never And that's because,

3:02:38.640 --> 3:02:40.959
<v Speaker 1>and let me tell you why, I would never respect

3:02:41.000 --> 3:02:49.039
<v Speaker 1>that watch this purple rain sip. I would never share

3:02:50.320 --> 3:02:52.760
<v Speaker 1>because I always made it very clear to my friends

3:02:53.000 --> 3:02:56.480
<v Speaker 1>who were involved in that business. Brother don't involve me,

3:02:56.520 --> 3:03:04.600
<v Speaker 1>because I'm telling so. I would never share because there's

3:03:04.680 --> 3:03:07.760
<v Speaker 1>nothing for me to share except that one part. Don't

3:03:07.800 --> 3:03:09.080
<v Speaker 1>do no ship in front of me, because I ain't

3:03:09.080 --> 3:03:12.920
<v Speaker 1>built like that. You're tough, you live that life. You

3:03:13.000 --> 3:03:15.640
<v Speaker 1>do what you do. Don't share that ship with me

3:03:16.200 --> 3:03:19.360
<v Speaker 1>because I ain't built for it. No one one is

3:03:19.400 --> 3:03:32.920
<v Speaker 1>my friend, you know. So I say this, So I

3:03:33.000 --> 3:03:37.080
<v Speaker 1>say this, like, look, we gotta get to a place

3:03:37.160 --> 3:03:39.560
<v Speaker 1>as a culture where we start to like embrace our

3:03:39.600 --> 3:03:42.680
<v Speaker 1>brothers and sisters all their flaws. They're gonna all do

3:03:42.800 --> 3:03:45.200
<v Speaker 1>some ship that you don't like. But you know what,

3:03:45.440 --> 3:03:47.480
<v Speaker 1>we live in this world, and you know what, it

3:03:47.560 --> 3:03:51.640
<v Speaker 1>don't matter who won this White House. What matters is

3:03:52.480 --> 3:03:55.920
<v Speaker 1>the general population. And seventy one, seventy one million of

3:03:56.040 --> 3:03:59.480
<v Speaker 1>them agree with some things that don't really agree with

3:03:59.600 --> 3:04:03.000
<v Speaker 1>latin X. You see, we have a we have a

3:04:03.160 --> 3:04:06.480
<v Speaker 1>we have a a system here in America. When you

3:04:06.640 --> 3:04:11.360
<v Speaker 1>make it to the American beaches, you can request for it,

3:04:11.480 --> 3:04:16.760
<v Speaker 1>like you know asylum, right, yeah, what food for Cubans.

3:04:18.200 --> 3:04:20.520
<v Speaker 1>But then we have them that that that that think

3:04:20.600 --> 3:04:27.400
<v Speaker 1>to themselves law, they should be arrested. You see. We

3:04:27.520 --> 3:04:34.560
<v Speaker 1>need to spend more more time empathizing. So I'm not

3:04:34.720 --> 3:04:39.120
<v Speaker 1>judging my black brothers and my brown brothers. I'm not

3:04:39.240 --> 3:04:41.360
<v Speaker 1>judging anyone really at the end of the day. What

3:04:41.480 --> 3:04:43.920
<v Speaker 1>we gotta do is we gotta learn empathy. Man. And

3:04:44.000 --> 3:04:45.760
<v Speaker 1>there's some ship that you're gonna look at. You gonna

3:04:45.760 --> 3:04:47.240
<v Speaker 1>be like, now, funk with that at all. But you

3:04:47.320 --> 3:04:52.360
<v Speaker 1>gotta understand that's a sickness, bro. Education as well. We

3:04:52.440 --> 3:04:56.440
<v Speaker 1>got to educate people more things, educate ourselves, and educate

3:04:56.520 --> 3:04:59.760
<v Speaker 1>each other because there are sitnesses in history. Motherucker's don't

3:04:59.800 --> 3:05:02.879
<v Speaker 1>know street anymore, so they don't have no historical context.

3:05:02.920 --> 3:05:06.400
<v Speaker 1>You don't know shit. We gotta get to that place.

3:05:07.160 --> 3:05:09.480
<v Speaker 1>And all I'm saying is I'm not I'm not there

3:05:09.600 --> 3:05:12.400
<v Speaker 1>right now. Where where I'm at is. Look, I'm not perfect,

3:05:13.480 --> 3:05:15.760
<v Speaker 1>I'm not special. What I am is I'm lucky to

3:05:15.840 --> 3:05:19.480
<v Speaker 1>be alive and to exist and be able to to

3:05:19.720 --> 3:05:22.880
<v Speaker 1>to contribute, to be a conduit, two things to to

3:05:23.200 --> 3:05:27.240
<v Speaker 1>the greater purpose, and that is for us unifying and

3:05:27.360 --> 3:05:30.640
<v Speaker 1>accepting each other and educating each other where we can,

3:05:31.280 --> 3:05:34.360
<v Speaker 1>and not judging. That's the problem. The judging is that's

3:05:34.360 --> 3:05:37.600
<v Speaker 1>what fox us, you know, because they do what the

3:05:37.680 --> 3:05:40.360
<v Speaker 1>fun they do all the fucking time, and then when

3:05:40.400 --> 3:05:43.080
<v Speaker 1>that person does it, go, oh, he's a fucked up individual. No,

3:05:43.400 --> 3:05:45.440
<v Speaker 1>all of you motherfucker's do that. It's just that that

3:05:45.520 --> 3:05:49.520
<v Speaker 1>one got caught. But for us, we and when I

3:05:49.560 --> 3:05:52.680
<v Speaker 1>say us, I mean people who know that they're not perfect.

3:05:52.720 --> 3:05:57.360
<v Speaker 1>Not just color lines, not just sexual lines, are genitalia lines.

3:05:57.680 --> 3:06:00.400
<v Speaker 1>Because some people don't have identify as gener dir what

3:06:00.480 --> 3:06:03.680
<v Speaker 1>I'm talking about his spirit. If you identify as generally

3:06:03.760 --> 3:06:06.200
<v Speaker 1>a good spirit but you've got some issues, guess what

3:06:06.320 --> 3:06:13.920
<v Speaker 1>you are. You're fucking human. Right. We gotta get to

3:06:14.000 --> 3:06:17.080
<v Speaker 1>a place where the good spirits get together and say, look,

3:06:17.200 --> 3:06:20.120
<v Speaker 1>none of us are perfect, but let's hold each other

3:06:20.200 --> 3:06:22.520
<v Speaker 1>accountable and let's get each other to help that. We

3:06:22.680 --> 3:06:25.960
<v Speaker 1>need to get to that great place because at the

3:06:26.040 --> 3:06:30.680
<v Speaker 1>end of the day, this land was Native American. It

3:06:30.879 --> 3:06:35.400
<v Speaker 1>was built by black skin and black sweat. And the

3:06:35.480 --> 3:06:39.440
<v Speaker 1>first commodity traded ever in this country was on Wall Street?

3:06:39.560 --> 3:06:43.000
<v Speaker 1>What do you think it was? People? Okay? And that's

3:06:43.040 --> 3:06:46.080
<v Speaker 1>because we had to stand against the what what do

3:06:46.240 --> 3:06:50.240
<v Speaker 1>we have to stand against the wall? Why do you

3:06:50.360 --> 3:06:55.039
<v Speaker 1>think they call it wall Street? That's us. So here's

3:06:55.080 --> 3:06:57.480
<v Speaker 1>the thing. I don't give a funk what color you are,

3:06:58.560 --> 3:07:01.120
<v Speaker 1>if you have some sort of good spirit in you,

3:07:01.680 --> 3:07:04.520
<v Speaker 1>we need to unify, bro. We got to educate each

3:07:04.560 --> 3:07:10.920
<v Speaker 1>other and stop judging. And you know what, we also

3:07:11.000 --> 3:07:14.160
<v Speaker 1>need to stand behind our minorities man like, you know,

3:07:14.440 --> 3:07:17.920
<v Speaker 1>not just black, not just Latin X, but also l

3:07:18.000 --> 3:07:20.200
<v Speaker 1>g B, t q I, because they're human beings. They

3:07:20.280 --> 3:07:26.840
<v Speaker 1>gotta brain, they gotta mind, they have ambitions to be acknowledged. Yea. Like, listen,

3:07:26.959 --> 3:07:28.720
<v Speaker 1>just because you don't agree and you don't get it,

3:07:29.120 --> 3:07:31.400
<v Speaker 1>it ain't for you to agree. You know what it's

3:07:31.440 --> 3:07:33.520
<v Speaker 1>for you to do stand there and be there for

3:07:33.600 --> 3:07:37.520
<v Speaker 1>your brother and your sister and whatever God God deems judgeable.

3:07:38.160 --> 3:07:41.000
<v Speaker 1>Let God and that person deal with that. You ain't

3:07:41.040 --> 3:07:43.680
<v Speaker 1>the fucking judge of the jury. We need to be

3:07:43.840 --> 3:07:47.480
<v Speaker 1>there for each other. That's what we need. That's what

3:07:47.600 --> 3:07:51.520
<v Speaker 1>I want for my brother, That's what what I want.

3:07:52.080 --> 3:07:55.000
<v Speaker 1>That's what I want for for for for Draking Pusha,

3:07:56.160 --> 3:08:01.360
<v Speaker 1>That's what I want for you name it. All the

3:08:01.440 --> 3:08:03.280
<v Speaker 1>people that got good in their heart. Man, you saw

3:08:03.840 --> 3:08:06.880
<v Speaker 1>God's plan. You know who Drake is. You know what

3:08:06.879 --> 3:08:09.520
<v Speaker 1>I'm saying. And if you look at them, and if

3:08:09.560 --> 3:08:11.119
<v Speaker 1>you and if you look at and if you look

3:08:11.200 --> 3:08:15.200
<v Speaker 1>at what Pusha has done for like Virginia, like you

3:08:15.280 --> 3:08:18.920
<v Speaker 1>know what the funk he is like, we gotta we

3:08:19.120 --> 3:08:23.360
<v Speaker 1>have to unify all the good willingness that we have

3:08:23.440 --> 3:08:25.960
<v Speaker 1>in our hearts. That's what we need to unify. And

3:08:26.040 --> 3:08:28.320
<v Speaker 1>I know people of partly listening to be like funk that,

3:08:28.600 --> 3:08:32.320
<v Speaker 1>but listen, after everything I've been through and all the

3:08:32.400 --> 3:08:34.640
<v Speaker 1>sessions I've been in, and the people that I've encountered,

3:08:34.680 --> 3:08:36.560
<v Speaker 1>and the people who have enlightened me and taken me

3:08:36.680 --> 3:08:39.880
<v Speaker 1>to a two different places and different heights, this is

3:08:40.120 --> 3:08:42.800
<v Speaker 1>this is my result. This is my son. If you

3:08:42.879 --> 3:08:44.800
<v Speaker 1>ask me, if I add up everything I've ever done

3:08:44.840 --> 3:08:49.040
<v Speaker 1>in my life, from listening to my parents to get

3:08:49.720 --> 3:08:55.680
<v Speaker 1>my wife, my kids, my family, listen is God is

3:08:55.760 --> 3:08:57.600
<v Speaker 1>the greatest and we got to be loyal to that. Bro.

3:08:58.440 --> 3:09:03.960
<v Speaker 1>Also got to ask you the same question cut you

3:09:06.560 --> 3:09:12.480
<v Speaker 1>Lee super thuck. If you cut me, and this is

3:09:12.520 --> 3:09:16.640
<v Speaker 1>where I know I need to sign off Christmas. If

3:09:16.680 --> 3:09:21.200
<v Speaker 1>you cut me right now, what will come? Who'sin't out

3:09:21.240 --> 3:09:29.879
<v Speaker 1>of my my body? My God is different? Got them?

3:09:36.040 --> 3:09:45.040
<v Speaker 1>My God? God got need some gutting family, you know,

3:09:45.240 --> 3:09:50.640
<v Speaker 1>being down down the left tunes from the beginning, How

3:09:50.720 --> 3:09:53.119
<v Speaker 1>does it feel like, you know to see this guy

3:09:53.320 --> 3:09:57.040
<v Speaker 1>and this a Luxuria's a beautiful position that he is

3:09:58.640 --> 3:10:02.160
<v Speaker 1>and use an artist, I won't be Yeah, yeah, to

3:10:02.320 --> 3:10:06.920
<v Speaker 1>be honest, this is my brother, man, Like what's good

3:10:06.959 --> 3:10:10.320
<v Speaker 1>form is good for me? Just dead like as he grow,

3:10:10.640 --> 3:10:14.240
<v Speaker 1>I learned what makes some Graham made me happy. This's

3:10:14.280 --> 3:10:17.440
<v Speaker 1>my brother. So it's like, I'm happy man. I love

3:10:17.520 --> 3:10:19.760
<v Speaker 1>to see what he is. And I sat from the

3:10:19.840 --> 3:10:21.560
<v Speaker 1>music and all the stuff you're doing. That's really like

3:10:21.680 --> 3:10:32.880
<v Speaker 1>my brother. So I'm happy. God, this was great. I'm gonna.

3:10:32.959 --> 3:10:47.560
<v Speaker 1>I'm gonna respectfully cow tow no. Thanks for joining us

3:10:47.600 --> 3:10:50.200
<v Speaker 1>for another episode of Drink Champs hosted by Yours Truly,

3:10:50.360 --> 3:10:52.920
<v Speaker 1>d J E, F F and n R E. Please

3:10:52.959 --> 3:10:55.160
<v Speaker 1>make sure to follow us on all our socials. Let's

3:10:55.160 --> 3:10:58.760
<v Speaker 1>add Drink Champs across all platforms. At the Real Noriagan

3:10:58.879 --> 3:11:02.760
<v Speaker 1>i g. Noriega on Twitter, Mine is at Who's Crazy

3:11:02.920 --> 3:11:05.800
<v Speaker 1>on I g at d j e f n on Twitter,

3:11:06.200 --> 3:11:08.760
<v Speaker 1>and most importantly, stay up to date with the latest releases,

3:11:09.160 --> 3:11:12.320
<v Speaker 1>news and merch by going to drink Champs dot com.

3:11:16.120 --> 3:11:19.160
<v Speaker 1>For more podcasts from My Heart Radio, visit the iHeart

3:11:19.240 --> 3:11:22.760
<v Speaker 1>Radio app, Apple podcast, or wherever you listen to your

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