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Speaker 1: Joel, you got a puppy. Let's see it. Okay, hold up, please,

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Speaker 1: I need wrinkles, I need pink belly. Do you have

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Speaker 1: a nice kitchen, Joel, Yeah, look at that cute little puppy.

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Speaker 1: Is that puppy got pit bull in it? Of course

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Speaker 1: it's a rescue. Yeah. Well mine's a staffy, which is

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Speaker 1: kind of like pit bull. Yep, she's so cute, Joel.

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Speaker 1: I'm so happy for you. It's crazy how pit bull

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Speaker 1: was so popular for so long and then became like

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Speaker 1: a It's such that that breed of dog is such

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Speaker 1: a It was bred with so many things for so

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Speaker 1: many other dogs, so much that every rescue, pretty much

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Speaker 1: almost every rescue you find has a pit uh mix

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Speaker 1: in it somewhere down the line. It's crazy like that.

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Speaker 1: We like, I don't know what it is, probably has

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Speaker 1: pitt in it, you know. Yeah, yeah, there are a

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Speaker 1: ton of them. Well, it's beautiful, Joel. What's what's his

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Speaker 1: or her name? Her name is lions Lion Lion, which

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Speaker 1: is the name the adoption company. Happens also the name

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Speaker 1: of my great great grandmother. It's her meat to name um.

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Speaker 1: So yeah, we kept our the rescue name for our

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Speaker 1: dog as well, because it was billy and she just

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Speaker 1: seemed like a billy. Yeah, she's cute, she is a billy.

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Speaker 1: That's really awesome. I thought you were saying lions like

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Speaker 1: rebel uh mark the time, first Star Wars reference. Everybody,

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Speaker 1: Welcome to the show. It's a very funny episode. I

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Speaker 1: laughed my ass off during this episode. I laughed a

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Speaker 1: lot too. I'm gonna be honest with the fans though.

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Speaker 1: I'm glad you liked what Daniel and I did, but

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Speaker 1: that can't be like all the time, it's all everyone's

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Speaker 1: talking about. Why can't you bring it the heat again?

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Speaker 1: Because come on, man, we gotta keep you know, you

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Speaker 1: give them a little taste, just to taste. Bro. My

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Speaker 1: whole Instagram feed is every comment is like Donald's rap

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Speaker 1: was fire, Daniels beat was amazing. What's wrong with you? Bro?

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Speaker 1: We gotta give the fans what they want. Is this

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Speaker 1: just because you didn't take the time and write a

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Speaker 1: good one? I wrote something, I wrote something, but if

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Speaker 1: it's whack, it's not gonna make the show. I know,

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Speaker 1: but fucking Daniels beat too. Daniel, you should release that

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Speaker 1: track so other people can wrap off of it. Do

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Speaker 1: you feel like Kathy Kennedy in a sense that people

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Speaker 1: have really, really loved something that you've made, and now

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Speaker 1: you have to follow it up and build on the hype.

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Speaker 1: That's a great analogy. I thought you'd be happy about

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Speaker 1: that analogy. Probably one of the best analogies ever. Now,

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Speaker 1: is that what your nerves are about? Now? Are you

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Speaker 1: having a pressure? Yeah? Well, now I put the pressure

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Speaker 1: on myself. I gotta give the fans what they want, right, Yes,

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Speaker 1: exactly what they want. Right. Listen, I'm let's get it going.

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Speaker 1: In we're waiting for William. Where is he? Okay, let

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Speaker 1: him in? Bill is here? Everybody, Daniel, let him in.

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Speaker 1: It's under applause, Bill, Lawrence? Who welcome? Who? Bill? You're

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Speaker 1: in a new environment, Bill, I see. I'm in my

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Speaker 1: daughter's Charlotte's home, and uh, she is rehearsing in the

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Speaker 1: background for some gig of hers. But I'm sure she'll

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Speaker 1: poke her headed and thank you too. She told me

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Speaker 1: you always play her songs and she's very great. Did

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Speaker 1: we just played, by the way. We can't stop playing

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Speaker 1: the last one in this house. It's on all the time.

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Speaker 1: We work out to it, we try and sing along

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Speaker 1: to it. It's so good the I'm gonna answer the

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Speaker 1: same way I answer when people say that your podcast

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Speaker 1: is so good, even though I have nothing to do

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Speaker 1: with it, I just go thank you. All right, Well, listen, Bill.

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Speaker 1: You might not have heard the last episode, but Donald

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Speaker 1: did a rap version of the of the summary of

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Speaker 1: the show that was so amazing that it's all everyone's

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Speaker 1: talking about. And Daniel made a really really cool beat

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Speaker 1: to it. Really it was fire. Yeah, it was really good,

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Speaker 1: really good. So um. Much like a showrunner who has

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Speaker 1: to make his second season really really good after everyone

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Speaker 1: loves the first, Donald now has to keep his second

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Speaker 1: dope rap as good as the first. Are you ready? Donald?

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Speaker 1: Oh man, that's high pressure. High pressure. He gave me

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Speaker 1: to Kathleen Kennedy jump off like I gotta, I said, picture,

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Speaker 1: you're Kathleen Kennedy trying to make make another one. All right,

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Speaker 1: here you go? Ready? All you got this hit it? Daniel? Hey, yo,

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Speaker 1: you know how the song goes. I can't do this

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Speaker 1: on my own. Well. JD passes the mike and Elliott

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Speaker 1: sets the tone, keeping it real. She's more together then

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Speaker 1: I thought, and TERK and JD. It's the cutest because

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Speaker 1: they bought two tape recorder, call them made tapes all

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Speaker 1: and ends all games like it was the fourth quarter.

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Speaker 1: Bridges get burnt, lessons get learned. For what it's worth,

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Speaker 1: Dady can't command it in terniffic. It's not for Papa Smurf.

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Speaker 1: Tell the bills on the show. Let's all dive then, Yo,

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Speaker 1: here we go. If you don't already, it's time to

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Speaker 1: act like you know. I hope, like Tony the tie guys,

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Speaker 1: the show will be great. Yo. Bill hit him with

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Speaker 1: that seven ain't here some stories about show we made

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Speaker 1: about a bunch of dots and nurses said, he's the stories.

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Speaker 1: Never should so gada around you? Here are yeadoo around

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Speaker 1: you here? M m. That was incredible. Donald, You've really

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Speaker 1: raised the bar, buddy. When I wrote that. When I

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Speaker 1: wrote that rap, I never thought you would execute that one.

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Speaker 1: I'm glad it made the show. I'm glad it made

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Speaker 1: the show. Bill Phil, Hey, Bill, Well, I'm glad you're

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Speaker 1: here for this one. It's really funny. I really laughed

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Speaker 1: a lot about this one. I laughed a lot too.

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Speaker 1: You know, Sarah does a great job. She does. Yeah,

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Speaker 1: I know. If I had known earlier, I would have

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Speaker 1: had a lot more leverage of her Zach back then.

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Speaker 1: I'm just going like, hey, this can be Sarah's voice over.

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Speaker 1: It's just like that, dude, you just scared them. Like

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Speaker 1: to me that all the time, you'd be like, you know,

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Speaker 1: you can always have a new intern come in that door.

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Speaker 1: It was such a dick to me. I never said, Donald,

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Speaker 1: I never said that to you, right, I never said

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Speaker 1: anything like that. You did. I don't know. That wasn't

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Speaker 1: that one time where you like Jalil White. No, that

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Speaker 1: is not true. That is not By the way, Sarah's

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Speaker 1: we should give her a shout out. Her show is

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Speaker 1: number one on Netflix. Fire Everybody check out fire That's

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Speaker 1: what it's called, right, Joel. Firefly Lane. Everybody check out

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Speaker 1: Sarah's show. It's really really popular. It's called if it's

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Speaker 1: Firefly and Bugs, Firefly and Bugs or something something called

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Speaker 1: buyer Fly Blaine to Blaine and we all know to

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Speaker 1: Blaine fire Fly Lane. The kids seemed to love it.

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Speaker 1: I'm so happy for her, Man, she's so big Man. Um, yeah,

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Speaker 1: me too. And anyway, you're right, Donald, she did such

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Speaker 1: a funny job with this voice over. And I don't know,

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Speaker 1: the episode just had me you know some, you know

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Speaker 1: some you laugh at more than others. By the way, Bill,

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Speaker 1: what's the common story? I know? Was he dating the

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Speaker 1: writer of this episode, Angela missile? Because why is common angel?

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Speaker 1: It wasn't famous yet, right, No, comment wasn't wow, no,

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Speaker 1: but he wasn't huge. Yes, he was very He was

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Speaker 1: very established though in you know, hip hop and rap community.

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Speaker 1: And yes, Angela his friends with him and had known

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Speaker 1: him and said, my friend Comin can do this, but

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Speaker 1: I forgot about it. And you know, me being me,

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Speaker 1: I didn't know who common was back then, and occasionally

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Speaker 1: when I go back and see the show, I'm like,

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Speaker 1: wait a second, it was very cool. Yeah. Caught me

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Speaker 1: off guard because I I like, we just had to

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Speaker 1: carry brothers one and I was like, oh, yeah, I

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Speaker 1: remember carried to the show. And then I like, is

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Speaker 1: that commonly? No doubt? No doubt. And then immediately following that,

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Speaker 1: they do Snoop and Dre's still dre Her and Molly

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Speaker 1: Elliott and Molly still dre which is uh and and

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Speaker 1: and Turk doesn't know? This pissed me off. I was

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Speaker 1: I was gonna say, it was it hard for you

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Speaker 1: to act like you didn't understand the rep for the joke.

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Speaker 1: It's really funny because in the African American community, mal

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Speaker 1: nourishment is that's hilarious and ho hoes that shit had

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Speaker 1: me rolling that ship was that was very funny. But

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Speaker 1: it hurt my heart to be like, how do I

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Speaker 1: not know still hitting them corners in them lolos? Girl?

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Speaker 1: You know what I mean, like the his I know

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Speaker 1: the history of the song, like that song comes from,

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Speaker 1: Like jay Z wrote the song, wrote everything for that

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Speaker 1: for Doctor Dre even wrote Snoop's line, still uh, still

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Speaker 1: representing all across the world, still hitting them corners in

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Speaker 1: the lolo's girl. Jay Z wrote all of it, put

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Speaker 1: it on tape, sent it to Dre and they did

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Speaker 1: the song. And when I saw when that came to

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Speaker 1: me and it was my turn to to spew my

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Speaker 1: hip hop knowledge on scrubs back then, it hurt my heart.

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Speaker 1: It was it was like when it was like when

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Speaker 1: jad went to Disneyland without Turk, they got a roller coast,

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Speaker 1: roller Coast and the duck. By the way, it's probably

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Speaker 1: the one time you have a gleam in your eye

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Speaker 1: as an actor that you're trying to tell the audience

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Speaker 1: that this is not You're literally like they're trying to

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Speaker 1: signal this is not me. I know what this means.

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Speaker 1: This is for the sake of the show. It's very funny. Donald.

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Speaker 1: That was probably your best acting moment in nine years

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Speaker 1: that you had to act like you didn't know the

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Speaker 1: interpretation of the song. I love that moment. And I'll

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Speaker 1: tell you, guys something else that I love. Even before

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Speaker 1: we get there, you guys knew that we used to

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Speaker 1: steal stuff from your lives and put it in the show.

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Speaker 1: Our good friend Matt Tarsa's native mistake of coming into

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Speaker 1: work and saying that his wife I think she was pregnant,

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Speaker 1: kept getting mad at him, say have hardwood floors, and

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Speaker 1: she would go to bed early because she was so tired.

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Speaker 1: When he'd come in, he would squeak on floors and waker.

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Speaker 1: So she started making him go to bed at the

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Speaker 1: same time as her. And I was like, you have

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Speaker 1: a bedtime. You're in your you're you're this old, you're

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Speaker 1: an adult male, and your wife gave you a bedtime,

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Speaker 1: And that that became this episode. So it makes me

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Speaker 1: so happy. I feel like that that sequences, Both of

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Speaker 1: those sequences are laugh out loud, funny. Donald, you were

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Speaker 1: so funny in both times. I feel like, by the way,

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Speaker 1: also you up now, you up now, firm is all time.

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Speaker 1: I feel like this is I feel like this is

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Speaker 1: my life though, Turk and Carla, this is how my

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Speaker 1: life is now. Listen, I'm gonna be honest with you, guys.

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Speaker 1: I don't sleep in the same room as my wife

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Speaker 1: anymore because I'm a I'm not a light sleeper. I mean,

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Speaker 1: I mean, I'm not a heavy sleeper. I'm a very

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Speaker 1: light sleeper, and so is she. But I toss in

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Speaker 1: turn like crazy in my like I twitch like I

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Speaker 1: for some reason, I twitch and so I and I

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Speaker 1: wake up, and when I wake up, I have a

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Speaker 1: hard time going back to sleep and stuff. My wife

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Speaker 1: can sleep if there's no movement or sound in the room.

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Speaker 1: So I am no longer allowed to sleep. She kicked

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Speaker 1: you out of the room. I'm done. Yes, I'm done.

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Speaker 1: You have your own bedroom. It's called sofa city. Baby.

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Speaker 1: Oh my god, it's like it's like those sitcom couples

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Speaker 1: back in the in the in the fifties that had

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Speaker 1: had separate beds right next to each other. I can't

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Speaker 1: live I can't be in the same room as how

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Speaker 1: You're not allowed. I'm not allowed, not even stuff's coming

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Speaker 1: your ways. Act I uh my wife a little, but no,

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Speaker 1: my wife got me. She felt that my snoring kept

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Speaker 1: her awake. And I'm not gonna talk about whether or

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Speaker 1: not she does anything in her sleep because I would

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Speaker 1: also be mass and for me. Um. And so the

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Speaker 1: way to fix it was I got this you know

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Speaker 1: mouth guard that you put in around your teeth that

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Speaker 1: kind of judged your bottom jaw out here. It's like

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Speaker 1: sleeping with somebody else's hand in your mouth. It's great because,

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Speaker 1: like like somebody else just clutching your bottom jaw with

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Speaker 1: her fingers. I sleep with that too. Does yours work

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Speaker 1: for you? Uh? You know what, Zach? Yeah, but then

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Speaker 1: olivery once in a while, you know, just go. I

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Speaker 1: don't know if I want to wake up with an

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Speaker 1: intense headache from jaw pain tomorrow, and I will occasionally

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Speaker 1: sleep downstairs because of it, and uh, and my wife

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Speaker 1: would be like, why didn't you come up here? I'm like,

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Speaker 1: I don't know. I didn't want to wear that cast

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Speaker 1: iron jaw trap, but I have to wear to sleep

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Speaker 1: in the same room as you. I love in your version,

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Speaker 1: like you're like I did. I wasn't even fitted for it.

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Speaker 1: I think Christy just somehow when I was asleep, I

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Speaker 1: woke up and it was there. She she just showed up.

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Speaker 1: Like sometimes i'll leave stuff in Like I'll accidentally leave

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Speaker 1: something in the bedroom and I'll come up and get it,

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Speaker 1: and if I make sound, she wakes up and she's like, mother, fuck,

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Speaker 1: are you know better than this? You know what you're Yeah.

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Speaker 1: So also we also have I'm a hot house flow.

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Speaker 1: I run very hot, you know. So I don't like

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Speaker 1: to call Christa constantly. Guys, every book says you should

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Speaker 1: sleep at sixty eight degrees, and I'm I like to

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Speaker 1: sleep with a temperature around eighty or eighty three degrees,

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Speaker 1: and so U like the other night it was such

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Speaker 1: a bad move. But she's like, I want you to

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Speaker 1: sleep up here tonight. I'm like, okay, And she was

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Speaker 1: already asleep, but it was fifty one degrees outside, and

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Speaker 1: she left all the windows open in the bedroom, and

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Speaker 1: so I knew I was supposed to sleep there. And

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Speaker 1: I'm trying to get that she's asleep, and I'm trying

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Speaker 1: to close the windows like a mill a millimeter every

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Speaker 1: five seconds, so it would just be like she woke

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Speaker 1: up with a last witch, what are you doing? I'm like,

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Speaker 1: it's so cold, it's so cold. I got scared of

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Speaker 1: Christa as you told that story. There's nothing like the

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Speaker 1: wrath of your wife if she doesn't get to sleep,

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Speaker 1: she wants man. No, man, it's not worth it if

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Speaker 1: they because if she didn't get sleep and you pay

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Speaker 1: for it for like two days, it's not it really is.

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Speaker 1: I'm sorry to be um so simple as to find

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Speaker 1: fart jokes so funny, but that when you come in

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Speaker 1: and you fart, and then Judy's like, come on, turk,

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Speaker 1: and he's like, are you up, and she's like, yeah, firm.

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Speaker 1: That was respectful. I found that one. And then all times,

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Speaker 1: all times, she's still bitching at you and she look

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Speaker 1: over and you're sleeping. All right. He was gonna hold it,

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Speaker 1: he would. He was willing to hold it if she

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Speaker 1: was like, well, no, actually I'm going back to sleep

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Speaker 1: right now. Yeah, I'm pretty, I'm pretty I'm almost asleep. Mad. Alright, alright, um,

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Speaker 1: let's go to the top of the show. I laughed

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Speaker 1: right when Donald slides in on the counter with his

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Speaker 1: with his tape recorder. Very funny. It was a very

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Speaker 1: funny slide in, sir, Thank you very much. I love

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Speaker 1: I love the fact that j D and Turk both

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Speaker 1: got tape recorders so that they could commune where did

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Speaker 1: that did come from? They could pre tape conversations. It's

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Speaker 1: very you know, we've gotten to a point that if

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Speaker 1: we could come up with anything it made you guys

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Speaker 1: seem even remotely more codependent. We did it. Well. If

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Speaker 1: it says anything about Donald and I'm like, oh, that

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Speaker 1: would have been so much fun. We should have really

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Speaker 1: got I tried to match dialogue. Well, dude, you're the

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Speaker 1: one that wants a freaking sample machine. Have you heard this, Bill? No,

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Speaker 1: it's been ordered about Fake Doctor's Real Friends is going

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Speaker 1: to have a new segment soon and it's uh Zach

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Speaker 1: and his freaking uh. I guess you could call it

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Speaker 1: a keyboard. It's a sample pad. Oh yeah, there you go. Sure, Bill,

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Speaker 1: I'm just gonna do what they what what a freend

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Speaker 1: does on the Howard Stern Show. I'm gonna have some

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Speaker 1: some key sound effects that I'm gonna be allowed to add.

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Speaker 1: And Donald says, as long as they don't abuse it,

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Speaker 1: he's willing to give it a try. Yeah, but you're

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Speaker 1: gonna abuse it a meetia to be bad. Know what

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Speaker 1: if I'm allowed like four sound effects a show, it's

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Speaker 1: not gonna work. You're gonna You're gonna use them all

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Speaker 1: in the first five minutes, and then you're gonna be

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Speaker 1: sulky the rest of the show, and the show's gonna stay. Well,

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Speaker 1: before you poop poo it, we're gonna try it. I'm

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Speaker 1: very excited by the way, you know, by the way,

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Speaker 1: you know, if you had it already, you would say

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Speaker 1: it before you poop poo it could already already be

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Speaker 1: dealing with that. I promise that I will not have

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Speaker 1: fart noise as one of my sound effects. I am

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Speaker 1: gonna have a big bong pole for when Donald says

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Speaker 1: something so random and stonery, you're gonna hear a big

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Speaker 1: bong pole. I'll record that one myself. That's gonna be Yeah,

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Speaker 1: Daniel's gonna record the sample perfect. I like that one.

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Speaker 1: We should do. We should do just like a bunch

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Speaker 1: of different sounds when it comes to marijuana. Then huh, yeah,

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Speaker 1: if you wouldn't mind recording all of the folly, yeah, no,

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Speaker 1: I have no problem helping out in that. Okay, um,

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Speaker 1: let's talk about how um I try having a parrot

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Speaker 1: and the parrot the parrot. The parrot in the fantasy

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Speaker 1: tells the patient he has liver disease. Parrot, right, and

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Speaker 1: I know, actually you have inoperable cancer. Don't listen to him.

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Speaker 1: And then I go, if only Chauncey the parrot has

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Speaker 1: been named the Chauncey you also, by the way, I

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Speaker 1: don't understand how the parrot misdiagnoses people all the time.

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Speaker 1: I mean, it just it peers that you only taught

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Speaker 1: it liver disease. Yeah, it only knows liver disease. We

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Speaker 1: had neighbors across the street m who had a lot

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Speaker 1: of animals and one of them was a parrot, And

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Speaker 1: because there were lots of kids, state were going Mom, Mom,

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Speaker 1: so I'm not lying to you, So don't get a

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Speaker 1: parrot unless you want to hear mom. Dude, you high

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Speaker 1: five snoop dog in turn it immediately would you walk

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Speaker 1: into the hospital. Yeah, I'm feeling myself. Yeah, you're feeling good. Yeah, yeah,

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Speaker 1: it got a little pepp in his step. What about

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Speaker 1: when they come back from seeing common Sarah, Sarah has

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Speaker 1: what are there that dread Sarah has or what is that? Twists?

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Speaker 1: Oh yeah, I don't know what you call it. It

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Speaker 1: was like it was definitely a white girl dread of

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Speaker 1: Like here's like a lot of hard gel in my hair.

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Speaker 1: I wouldn't call them actual jet there were twists. Is

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Speaker 1: this the first frick on a stick from Sarah? Well,

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Speaker 1: I just definitely frick on a stick with a brick. Yeah,

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Speaker 1: she says both frick on a stick and frick on

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Speaker 1: a stick with the brick. Yeah. I mean we started

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Speaker 1: adding words to it eventually, But did she do frick

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Speaker 1: in real life? You know, where did that come from?

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00:18:50,000 --> 00:18:51,920
Speaker 1: I think that was just your your your you guys

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00:18:51,920 --> 00:18:55,399
Speaker 1: were tiptoeing around fuck right. Yeah. Also, we thought it

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Speaker 1: was her character, but I can't remember if she said

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Speaker 1: that the goofy words for that stuff like peeper's or

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Speaker 1: bijingo or any of that stuff. In real life. It

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Speaker 1: feels like Sarah would be the type of person that

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Speaker 1: would say bijingo, bajingo over there, bajingo over here. She says,

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Speaker 1: Mike's got a curved peep in her feet. That's what Heather,

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Speaker 1: That's what Heather confided in in in elliott A Molly

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Speaker 1: confided in an Elliott that her boyfriend has a curved peep.

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Speaker 1: The Heather totally going to get off that topic. The

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Speaker 1: Heather totally acclimated and was like cool with the cast

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Speaker 1: from the start, right, you guys all got along with

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Speaker 1: her because I remember at one point she was even

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Speaker 1: at she was at Donald's place or something like that

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Speaker 1: for a poker game or something. I didn't you do

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Speaker 1: like Texas holding one night at your play. Yeah, dude,

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Speaker 1: Heather was so great, Like we had a we had

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Speaker 1: a really like it's still all love when we see

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Speaker 1: her now, you know, from my experience hanging out with her,

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Speaker 1: it was always all good. Like if I see her

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Speaker 1: out and about, you know, we can laugh and talk

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Speaker 1: shit a little bit and then keep it move. But yeah,

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00:20:01,240 --> 00:20:03,280
Speaker 1: she was great when we were She was really cool.

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Speaker 1: And you know what, Bill, watching these back, it's it's

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Speaker 1: really she's very funny. I mean, you wrote you wrote

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Speaker 1: such a fun character for her to play, and I

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Speaker 1: didn't remember, you know, just the dynamic between her and

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Speaker 1: Sarah is really funny. It was that why you designed

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Speaker 1: that character as a as a friend for Sarah. Yes,

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Speaker 1: a little bit, but you know, it's really interesting, man,

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Speaker 1: you want to go back to something else because it

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Speaker 1: is something that I've often thought about. So, you know,

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Speaker 1: I didn't know Heather as a human being that well,

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Speaker 1: you know, I just knew her from movies and stuff

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Speaker 1: like that. And then when she came in she was

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Speaker 1: going to do this, we actually talked to her a

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Speaker 1: bunch and got to know her, and then you know,

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Speaker 1: kind of wrote a character that, if you guys know

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Speaker 1: Heather in real life, felt like maybe an exaggerated version

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Speaker 1: of her real vibe, you know what I mean, super positive.

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Speaker 1: She said that Bill when she was on the podcast.

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Speaker 1: She's like, funnily enough, there's lots of me in this

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Speaker 1: character that you know. So it's interesting to hear your

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Speaker 1: take on that. Well, what's interesting is like so so

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Speaker 1: many asking you guys, like so many actors and actresses

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00:21:08,000 --> 00:21:10,520
Speaker 1: when you hear them talking about the craft love disappearing

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Speaker 1: into someone else. And as a TV writer, you know

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Speaker 1: where you want instant chemistry. You want to be able

385
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Speaker 1: to write someone's voice week to week really quickly, especially

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Speaker 1: someone that's just joined in the show as a guest character.

387
00:21:23,760 --> 00:21:27,879
Speaker 1: You want to get them to play an exaggerated version

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Speaker 1: of themselves, you know, and I could never sense if

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00:21:31,240 --> 00:21:33,960
Speaker 1: actors and actresses hate that, you know, and feel like

390
00:21:34,000 --> 00:21:35,879
Speaker 1: that's not what acting is, or if they dig on

391
00:21:35,920 --> 00:21:38,280
Speaker 1: it because it feels like they get ownership of the character,

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00:21:38,480 --> 00:21:41,640
Speaker 1: you know what I mean. It's like, look on our show.

393
00:21:41,680 --> 00:21:43,720
Speaker 1: Eventually you two are both doing jokes that you would

394
00:21:43,760 --> 00:21:45,800
Speaker 1: do in real life. I feel like you just don't

395
00:21:45,800 --> 00:21:48,160
Speaker 1: want actors love that doing it occasionally. You just don't

396
00:21:48,160 --> 00:21:50,280
Speaker 1: want to always be asked to play a version of yourself,

397
00:21:50,359 --> 00:21:53,880
Speaker 1: you know, but on occasion to yeah, I mean obviously

398
00:21:54,000 --> 00:21:58,680
Speaker 1: JD is just a is a very cartoonish example of

399
00:21:58,680 --> 00:22:00,800
Speaker 1: if I am and I'm sure is with Donald. I mean,

400
00:22:01,200 --> 00:22:03,040
Speaker 1: it's I always say to people, it's like turning my

401
00:22:03,080 --> 00:22:06,240
Speaker 1: personality and then just turning all the knobs up to eleven,

402
00:22:06,320 --> 00:22:09,560
Speaker 1: because it's just an extreme version of of who I am.

403
00:22:09,600 --> 00:22:12,160
Speaker 1: And and the fun part about playing that is that

404
00:22:12,160 --> 00:22:14,320
Speaker 1: that your improvs are always going to be in the

405
00:22:14,320 --> 00:22:16,480
Speaker 1: spirit of the character because they're coming out of who

406
00:22:16,480 --> 00:22:18,399
Speaker 1: you are, you know what I mean. I love it.

407
00:22:18,560 --> 00:22:22,399
Speaker 1: The only thing that's dangerous is what comes after and

408
00:22:22,640 --> 00:22:28,439
Speaker 1: what people like you have to create, Like then you

409
00:22:28,520 --> 00:22:31,280
Speaker 1: have to fight the battle of Okay, I'm not just

410
00:22:31,960 --> 00:22:35,800
Speaker 1: that character, and that becomes a challenge, and that's part

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Speaker 1: of the journey, you know what I mean. Like so

412
00:22:38,600 --> 00:22:43,320
Speaker 1: being Turk for nine seasons, I know it works when

413
00:22:43,600 --> 00:22:45,720
Speaker 1: if if if I need to tell a joke, I

414
00:22:45,760 --> 00:22:49,159
Speaker 1: could fall into the Turk thing real easy, and I know,

415
00:22:49,280 --> 00:22:51,520
Speaker 1: I know there's an audience for that thing, and it'll

416
00:22:51,720 --> 00:22:56,840
Speaker 1: it'll it'll work. Yeah. The challenge now is not doing

417
00:22:56,880 --> 00:22:59,720
Speaker 1: that because it became a habit. We did it for

418
00:22:59,760 --> 00:23:04,560
Speaker 1: so long, you know, and it's it's fun. It's also

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00:23:04,680 --> 00:23:08,600
Speaker 1: it also becomes you know, acting becomes a craft again,

420
00:23:08,600 --> 00:23:11,440
Speaker 1: and it becomes an art form again. And you also

421
00:23:11,560 --> 00:23:14,640
Speaker 1: hear no a lot now because of it. But it

422
00:23:14,720 --> 00:23:17,040
Speaker 1: was what you were hearing before anyway, before you got

423
00:23:17,119 --> 00:23:19,600
Speaker 1: your gig, so you're kind of used to it already.

424
00:23:20,640 --> 00:23:23,040
Speaker 1: But it's it's great when someone gives you a chance

425
00:23:23,280 --> 00:23:28,040
Speaker 1: to show that you can do something different. And I've

426
00:23:28,080 --> 00:23:32,320
Speaker 1: been very lucky since Scrubs to play other characters that

427
00:23:32,359 --> 00:23:35,040
Speaker 1: are you know, you're you're You're always going to find

428
00:23:35,040 --> 00:23:37,639
Speaker 1: a little bit of somebody in that in a character

429
00:23:37,720 --> 00:23:40,800
Speaker 1: like Matthew McConaughey, I don't care who you are, you

430
00:23:40,920 --> 00:23:43,320
Speaker 1: find him in all of the characters he plays. I'm

431
00:23:43,320 --> 00:23:45,440
Speaker 1: sure there's a piece of him, That's what I mean.

432
00:23:45,680 --> 00:23:48,639
Speaker 1: And I find that I find that to be a

433
00:23:48,680 --> 00:23:51,600
Speaker 1: positive Donald you know, so I do too, because I

434
00:23:51,680 --> 00:23:54,399
Speaker 1: see sometimes like he's a great example of somebody that

435
00:23:54,440 --> 00:23:57,320
Speaker 1: didn't run away from it. Sometimes I get bummed out

436
00:23:57,480 --> 00:24:01,399
Speaker 1: when an actor actress who I love of doing and

437
00:24:01,560 --> 00:24:06,520
Speaker 1: in different parts arguably you know, doing what works for them.

438
00:24:06,680 --> 00:24:09,280
Speaker 1: You know, something that's in their kind of wheelhouse, even

439
00:24:09,320 --> 00:24:11,679
Speaker 1: if it's different and more nuanced, you know, or the

440
00:24:11,800 --> 00:24:14,760
Speaker 1: characters doing something different. You guys both know that the

441
00:24:14,960 --> 00:24:18,040
Speaker 1: acting is littered with people that then go, I've done

442
00:24:18,119 --> 00:24:20,760
Speaker 1: that thing too much, and so I'm never going to

443
00:24:20,840 --> 00:24:23,080
Speaker 1: do that thing that I that people love to watch

444
00:24:23,119 --> 00:24:25,119
Speaker 1: me do ever again. You know, it drives me crazy

445
00:24:25,119 --> 00:24:27,280
Speaker 1: a little bit. You can't. You can't do that to

446
00:24:27,320 --> 00:24:30,560
Speaker 1: yourself unless you're a chameleon, unless you're freaking Daniel day Lewis,

447
00:24:30,560 --> 00:24:34,000
Speaker 1: and you can freaking like that's a one percent thing,

448
00:24:34,080 --> 00:24:36,440
Speaker 1: you know what I mean. Like Tom Cruise does Tom

449
00:24:36,480 --> 00:24:38,639
Speaker 1: Cruise movies, Will Smith does, Will Smith. A lot of

450
00:24:38,640 --> 00:24:40,280
Speaker 1: the biggest movie stars, even if you go back to

451
00:24:40,440 --> 00:24:44,440
Speaker 1: like the golden age of like you know, Bogarten and Bcall.

452
00:24:44,600 --> 00:24:48,240
Speaker 1: They were they were they were playing Bogarten Bocall. You

453
00:24:48,320 --> 00:24:51,720
Speaker 1: know it's it's It's boy. I mean that as a compliment.

454
00:24:51,720 --> 00:24:53,080
Speaker 1: I will love it, you know what I mean. I

455
00:24:53,119 --> 00:24:56,840
Speaker 1: I used to love John Cusack being John Cusack and

456
00:24:56,880 --> 00:24:59,520
Speaker 1: all those movies, you know, of the say anythings in

457
00:24:59,560 --> 00:25:03,400
Speaker 1: the Better Off deads and stuff they were under They're

458
00:25:03,440 --> 00:25:05,560
Speaker 1: all they were all different characters. But that kind of

459
00:25:05,600 --> 00:25:07,960
Speaker 1: quick talking, self deprecating thing I lived for. Man, it

460
00:25:08,000 --> 00:25:12,720
Speaker 1: was so funny. My two dollars. I can't believe we

461
00:25:12,720 --> 00:25:16,480
Speaker 1: have never discussed Better Off Dead. It's one of my favorites. Sorry, Kenny,

462
00:25:16,800 --> 00:25:21,120
Speaker 1: don't have a dime, didn't ask for a dime. The

463
00:25:21,200 --> 00:25:25,919
Speaker 1: tone of that movie was so specific and different. Remember

464
00:25:25,920 --> 00:25:28,720
Speaker 1: it really stood out. It was sorry, your mom's face

465
00:25:28,800 --> 00:25:34,040
Speaker 1: blew up. I believe. I believe Barney Rubble asked him

466
00:25:34,080 --> 00:25:36,199
Speaker 1: if he could ask his girlfriend out. Yeah, yeah, he

467
00:25:36,280 --> 00:25:41,040
Speaker 1: did at one point, and so did teacher. Did their teacher?

468
00:25:41,280 --> 00:25:43,800
Speaker 1: Did the teacher? So did the teacher? Um, all right,

469
00:25:43,800 --> 00:25:45,400
Speaker 1: we're gonna go a break and we'll be right back

470
00:25:45,480 --> 00:25:58,680
Speaker 1: with Edward. All right. I love how I tape recorded

471
00:25:58,680 --> 00:26:03,560
Speaker 1: my Yeah, but it was accidental. You were in the

472
00:26:03,560 --> 00:26:07,239
Speaker 1: middle of doing your your speech when you slipped on

473
00:26:07,280 --> 00:26:08,880
Speaker 1: the webb. I know, but I love how I'm playing

474
00:26:08,920 --> 00:26:13,520
Speaker 1: it back for for Cox and it's on there. I fell.

475
00:26:15,080 --> 00:26:17,560
Speaker 1: Have we ever gone back? Have we ever gone back

476
00:26:17,680 --> 00:26:21,280
Speaker 1: and Zach and really taken stock of how many non

477
00:26:21,400 --> 00:26:25,400
Speaker 1: Zach bratholes were in there? Do you know? There's occasional

478
00:26:25,440 --> 00:26:27,200
Speaker 1: times that we put them in post and just never

479
00:26:27,200 --> 00:26:30,159
Speaker 1: had you correct them. It was you. It was always

480
00:26:30,160 --> 00:26:35,199
Speaker 1: met Yeah, yeah, it was it was always There's at

481
00:26:35,280 --> 00:26:38,080
Speaker 1: least two. There was one episode where Bill, I don't

482
00:26:38,080 --> 00:26:41,000
Speaker 1: know if we've told this anecdote before, but Bill calls

483
00:26:41,000 --> 00:26:43,560
Speaker 1: me in the editorial and he goes, watched the sequence,

484
00:26:43,720 --> 00:26:46,560
Speaker 1: if you notice anything, and I watched it. I don't

485
00:26:46,600 --> 00:26:49,000
Speaker 1: know what. He goes, You don't notice anything. I don't know.

486
00:26:49,400 --> 00:26:51,399
Speaker 1: He goes, Yeah, I needed a shot of you walking

487
00:26:51,440 --> 00:26:53,320
Speaker 1: down the hall, and we never got it, so I

488
00:26:53,400 --> 00:26:56,400
Speaker 1: just pulled it from another episode. You're in completely different scrubs,

489
00:26:56,440 --> 00:26:59,639
Speaker 1: but I don't think anyone's gonna notice the different colors.

490
00:27:00,760 --> 00:27:03,560
Speaker 1: There was light light blue versus dark blue. Yeah. By

491
00:27:03,560 --> 00:27:07,800
Speaker 1: the way, the best thing was the editors on scrubs,

492
00:27:08,000 --> 00:27:10,720
Speaker 1: you know, because I made so many bad edits to

493
00:27:11,280 --> 00:27:13,439
Speaker 1: because you had the time constraint that you had to

494
00:27:13,520 --> 00:27:16,159
Speaker 1: hit and they used to keep a jar of I

495
00:27:16,160 --> 00:27:17,639
Speaker 1: had to put money in when I forced them to

496
00:27:17,640 --> 00:27:19,679
Speaker 1: do really bad edits. And then you know, we'd go

497
00:27:19,680 --> 00:27:21,240
Speaker 1: out and drink some beers at the end of the year,

498
00:27:21,680 --> 00:27:24,399
Speaker 1: and they thought that was the worst one ever. And

499
00:27:24,480 --> 00:27:26,639
Speaker 1: I said, why don't you guys bring all the editors

500
00:27:26,680 --> 00:27:29,120
Speaker 1: assistance in here and if any of them spots the mistake,

501
00:27:29,200 --> 00:27:32,000
Speaker 1: I'll put in like a hundred bucks into that stupid job.

502
00:27:32,080 --> 00:27:34,600
Speaker 1: Nobody noticed that. No, they all came in and there's

503
00:27:34,640 --> 00:27:37,920
Speaker 1: such nerds. They were like, oh, when JD leaves the room,

504
00:27:38,000 --> 00:27:39,840
Speaker 1: he's leading with his left foot, and then in the

505
00:27:39,880 --> 00:27:42,680
Speaker 1: hallway he lands on his right foot. The two editors

506
00:27:42,680 --> 00:27:45,680
Speaker 1: were getting madder, and Madden like the pen, the pen

507
00:27:45,800 --> 00:27:47,800
Speaker 1: in his hand is it? And I'm finally like, no,

508
00:27:47,920 --> 00:27:50,720
Speaker 1: he's wearing a different shirt, you idiot. It's a completely

509
00:27:50,760 --> 00:27:54,280
Speaker 1: different color. I know. And I remember I would get

510
00:27:54,320 --> 00:27:58,040
Speaker 1: into the to ADR. That's when we you know, I

511
00:27:58,040 --> 00:28:01,440
Speaker 1: would do the vos and we any dialogue that US replacement,

512
00:28:01,480 --> 00:28:04,439
Speaker 1: and there'd be like they'd be like a call for

513
00:28:05,359 --> 00:28:07,359
Speaker 1: and I'm like don't we guys have just a file

514
00:28:07,440 --> 00:28:14,560
Speaker 1: of why am I still recording? We should have had

515
00:28:14,560 --> 00:28:17,080
Speaker 1: different castmomers coming to it. Yeah, oh yeah, I would

516
00:28:17,119 --> 00:28:22,760
Speaker 1: be great too. I would love to come into donald

517
00:28:22,840 --> 00:28:26,160
Speaker 1: Much like Snowflakes, no two are the same, right, It's

518
00:28:26,200 --> 00:28:28,920
Speaker 1: never the same. Sometimes the pitch is different. You guys

519
00:28:28,920 --> 00:28:32,040
Speaker 1: see that they're putting m scrubs up on Disney Plus.

520
00:28:32,080 --> 00:28:33,879
Speaker 1: Now moving forward? Do you guys catch that and that

521
00:28:34,000 --> 00:28:37,120
Speaker 1: was different idea? Yeah, that was I saw that. That's

522
00:28:37,240 --> 00:28:40,560
Speaker 1: very exciting that. Here's here's a question that the fans

523
00:28:40,600 --> 00:28:43,960
Speaker 1: want to know though. Does that open up because it's

524
00:28:44,000 --> 00:28:47,120
Speaker 1: on Disney Plus? Now? Does that open up a limited

525
00:28:47,280 --> 00:28:51,920
Speaker 1: series on Disney Plus as well? There's a couple of

526
00:28:51,960 --> 00:28:54,000
Speaker 1: things out there, man. One is the first thing I'm

527
00:28:54,040 --> 00:28:56,440
Speaker 1: trying to have it open up is I want to um,

528
00:28:56,640 --> 00:28:59,600
Speaker 1: I want to restore the original music as much as

529
00:28:59,640 --> 00:29:02,080
Speaker 1: we can into the first four seasons, you know. So

530
00:29:02,120 --> 00:29:04,959
Speaker 1: I'm trying really hard, and the people at Disney seemed

531
00:29:05,160 --> 00:29:07,000
Speaker 1: to be being, you know, helpful of trying to figure

532
00:29:07,000 --> 00:29:09,440
Speaker 1: out how to get That's amazing, Bill, because Bill, that

533
00:29:09,440 --> 00:29:10,920
Speaker 1: would be so cool, because that's like one of the

534
00:29:10,920 --> 00:29:14,800
Speaker 1: most common things we always hear from fans is I'll

535
00:29:14,840 --> 00:29:16,960
Speaker 1: be like, you know, over the years, when Scrubs moved

536
00:29:16,960 --> 00:29:18,920
Speaker 1: around to different services, they'll be like, oh, now it's

537
00:29:18,920 --> 00:29:20,280
Speaker 1: on this one. Now it's on this one. People were

538
00:29:20,320 --> 00:29:23,479
Speaker 1: like with the original music, with the original music, it

539
00:29:23,560 --> 00:29:25,920
Speaker 1: is the original music. After season four, it's just the

540
00:29:26,000 --> 00:29:28,200
Speaker 1: licensing deals in the first four didn't you know they

541
00:29:28,240 --> 00:29:31,480
Speaker 1: want streaming and perpetuity and so I didn't know that seven,

542
00:29:31,600 --> 00:29:34,720
Speaker 1: eight and nine, Yeah, and the first four it just

543
00:29:35,120 --> 00:29:38,240
Speaker 1: it got muddled. Um. And then I also want to

544
00:29:38,240 --> 00:29:40,160
Speaker 1: try and figure out how to get remastered, you know

545
00:29:40,200 --> 00:29:43,800
Speaker 1: what I mean, because it doesn't you know, we were

546
00:29:43,800 --> 00:29:46,280
Speaker 1: shooting high deaf, but we weren't. We were shooting sixteen

547
00:29:46,320 --> 00:29:48,400
Speaker 1: millimeter film, but we didn't. We didn't scan it to

548
00:29:48,520 --> 00:29:52,080
Speaker 1: be HD sixteen by nine, right, that would be that

549
00:29:52,080 --> 00:29:54,640
Speaker 1: would be obesome. If someone did that, that's probably gonna

550
00:29:54,680 --> 00:29:56,720
Speaker 1: cost them some money, but they should spend it. I'm

551
00:29:56,720 --> 00:29:58,720
Speaker 1: gonna I'm gonna try and look at we only protected

552
00:29:58,760 --> 00:30:01,000
Speaker 1: for four like the four by three ratio, you know,

553
00:30:01,040 --> 00:30:02,880
Speaker 1: so there'll be some stuff in the shots that won't

554
00:30:02,880 --> 00:30:06,280
Speaker 1: make me happy, but uh, we'll have to see. Well,

555
00:30:06,320 --> 00:30:08,000
Speaker 1: I'm sure if you go back to the I mean

556
00:30:08,240 --> 00:30:11,000
Speaker 1: the negative is somewhere. I mean, you can go back

557
00:30:11,000 --> 00:30:13,720
Speaker 1: and I don't know that sounds like a good giant.

558
00:30:14,200 --> 00:30:16,600
Speaker 1: People always ask, too, I do. I do know that

559
00:30:16,680 --> 00:30:18,760
Speaker 1: a lot of there will be some frames in some

560
00:30:18,880 --> 00:30:21,680
Speaker 1: of these shots, though. I do know that that'll be

561
00:30:21,680 --> 00:30:24,959
Speaker 1: because I know Inwood John Nwood used to cut it

562
00:30:25,040 --> 00:30:27,480
Speaker 1: like almost to the lines. Yeah, man, we used to

563
00:30:27,520 --> 00:30:29,920
Speaker 1: have we used to have flags. We're trying to go

564
00:30:29,960 --> 00:30:31,680
Speaker 1: so fast, you'd have you know, I'd have to blow

565
00:30:31,720 --> 00:30:33,479
Speaker 1: it up in editing just to get the flag out

566
00:30:33,520 --> 00:30:36,360
Speaker 1: of the shot. You know, Well, that'd be cool to

567
00:30:36,560 --> 00:30:40,080
Speaker 1: um to have it um be truly sixteen by nine

568
00:30:40,280 --> 00:30:44,120
Speaker 1: and um and uh and uh and and look not

569
00:30:44,240 --> 00:30:47,719
Speaker 1: four by three. That would be awesome. And yeah, look Donald.

570
00:30:47,720 --> 00:30:49,840
Speaker 1: The thing about I think, well, you know, it would

571
00:30:49,840 --> 00:30:52,920
Speaker 1: be fun to revisit Scrubs someday on a limited thing

572
00:30:52,920 --> 00:30:58,800
Speaker 1: with everybody. But I think we're gone. That's too. Oh

573
00:30:58,840 --> 00:31:07,040
Speaker 1: my god. That's part when people ask me. There's two things.

574
00:31:07,080 --> 00:31:08,920
Speaker 1: One is I want to you know, I don't work

575
00:31:08,920 --> 00:31:11,560
Speaker 1: at Disney right now. I work at a Warner Brothers

576
00:31:11,600 --> 00:31:13,960
Speaker 1: Time Warners, So like, legally I wouldn't be allowed to

577
00:31:13,960 --> 00:31:15,840
Speaker 1: work on it, So that's always been a bummer for me.

578
00:31:16,640 --> 00:31:19,080
Speaker 1: But the other Yeah, the other one is um, but

579
00:31:19,200 --> 00:31:21,000
Speaker 1: I will be eventually, you know, And then the other

580
00:31:21,040 --> 00:31:23,640
Speaker 1: one is in a good way. We all still talk

581
00:31:23,680 --> 00:31:25,600
Speaker 1: and hang out, and to me, it's the thing that

582
00:31:25,640 --> 00:31:27,600
Speaker 1: you do when you know, when you don't get to

583
00:31:27,640 --> 00:31:29,720
Speaker 1: be around each other anymore, because that's really the only

584
00:31:29,760 --> 00:31:31,880
Speaker 1: reason to do that is to get to kind of

585
00:31:32,160 --> 00:31:34,080
Speaker 1: spend time with each other, you know, especially if we

586
00:31:34,240 --> 00:31:36,440
Speaker 1: if we find ourselves in a life where we've all

587
00:31:36,520 --> 00:31:38,400
Speaker 1: drifted apart a little, you know, well, I think it

588
00:31:38,440 --> 00:31:41,120
Speaker 1: would be fun. Um Bill. I know you have the

589
00:31:41,120 --> 00:31:45,480
Speaker 1: conundrum of being a Warner Brothers writer and this is

590
00:31:45,520 --> 00:31:47,680
Speaker 1: a Disney show, but if that were figure out aable,

591
00:31:47,680 --> 00:31:48,720
Speaker 1: it would be it would be a lot of fun.

592
00:31:48,720 --> 00:31:51,360
Speaker 1: We're obviously can't do it without you there. That it

593
00:31:51,400 --> 00:31:54,040
Speaker 1: doesn't make sense. It's a rap if you're not there. Well,

594
00:31:54,040 --> 00:31:55,880
Speaker 1: you know what the they we just figured it out

595
00:31:55,880 --> 00:31:58,400
Speaker 1: with another thing because Chris and Phil really wanted to

596
00:31:58,400 --> 00:32:00,640
Speaker 1: do quone High again and that's half and that was

597
00:32:00,680 --> 00:32:02,600
Speaker 1: really interesting to me that we were able to figure

598
00:32:02,640 --> 00:32:05,360
Speaker 1: it out so well. I hope that Gandhi's going to

599
00:32:05,400 --> 00:32:10,280
Speaker 1: be heavily featured Gandhi is uh you know that's that's uh,

600
00:32:10,320 --> 00:32:12,560
Speaker 1: that's I think Gandhi was for the reason that show

601
00:32:12,640 --> 00:32:15,120
Speaker 1: got Sorry I messed up. Who's who are you? Donald?

602
00:32:15,680 --> 00:32:19,480
Speaker 1: I'm too Jonah VARs blind John John J explained, and

603
00:32:20,120 --> 00:32:23,560
Speaker 1: I think you were more importantly, uh and Amantha more

604
00:32:23,600 --> 00:32:28,080
Speaker 1: fic peanut that George Washington Carver created. Yeah, George Washington Carvers, Yeah, yeah,

605
00:32:28,120 --> 00:32:31,720
Speaker 1: there's the peanut. That's right. There was a lot of

606
00:32:31,760 --> 00:32:33,360
Speaker 1: people on that show I did. I did a lot

607
00:32:33,360 --> 00:32:35,840
Speaker 1: of message on Clone High. That was a lot of

608
00:32:35,920 --> 00:32:38,840
Speaker 1: fun to work those guys. I want to be honest

609
00:32:38,840 --> 00:32:40,440
Speaker 1: with you. I'd love to work with those guys again.

610
00:32:40,560 --> 00:32:42,920
Speaker 1: When they were doing solo, I was like, come on, man,

611
00:32:43,360 --> 00:32:46,520
Speaker 1: look a brother, there's their solo. Would have been funny.

612
00:32:46,640 --> 00:32:49,160
Speaker 1: I'm telling you. I did not love to see it.

613
00:32:50,240 --> 00:32:52,200
Speaker 1: The stuff of it. It was a shot, man. I

614
00:32:52,200 --> 00:32:54,800
Speaker 1: think that you guys, there's a whole movie. There's a

615
00:32:54,800 --> 00:32:56,360
Speaker 1: whole movie. I know it for a fact. I know

616
00:32:56,440 --> 00:32:58,520
Speaker 1: for a fact there's a whole I know for a

617
00:32:58,520 --> 00:33:01,560
Speaker 1: fact there's a whole movie. We'll never see it. We'll

618
00:33:01,600 --> 00:33:05,960
Speaker 1: never see it. We'll never see that, we'll never see

619
00:33:06,000 --> 00:33:09,760
Speaker 1: Garren Edwards rogue one will never see these movies. We'll

620
00:33:09,800 --> 00:33:12,160
Speaker 1: never see these movies. It's not like the Snyder cut.

621
00:33:12,160 --> 00:33:15,120
Speaker 1: You can't do. I mean unless and less and sorry

622
00:33:15,120 --> 00:33:18,480
Speaker 1: to get all nerdy on you, unless this alternate universe

623
00:33:18,560 --> 00:33:23,800
Speaker 1: rumor that's circulating throughout Star Wars is true. Uh, then

624
00:33:23,920 --> 00:33:26,479
Speaker 1: maybe we could see all of these things. Like for

625
00:33:26,680 --> 00:33:29,440
Speaker 1: there's an alternate for the fans listening and for those

626
00:33:29,480 --> 00:33:32,040
Speaker 1: who don't give a crap, I'm sorry, but here's your

627
00:33:32,040 --> 00:33:36,880
Speaker 1: Star Wars rent. There's a rumor circulating that, uh, that

628
00:33:36,920 --> 00:33:40,600
Speaker 1: there there's a multiverse in the Star Wars universe and

629
00:33:40,760 --> 00:33:44,200
Speaker 1: that the last three movies that came out were on

630
00:33:44,240 --> 00:33:48,920
Speaker 1: a different timeline than the Mandalorian. That's the rumor that's circulating.

631
00:33:49,080 --> 00:33:51,320
Speaker 1: Do I know if it's true or not, I don't know,

632
00:33:51,640 --> 00:33:55,680
Speaker 1: but that's the rumor that's circulating, putting it out there. Okay,

633
00:33:56,600 --> 00:33:59,000
Speaker 1: Well that's exciting. And it all has to do I'm sorry,

634
00:33:59,040 --> 00:34:02,160
Speaker 1: one last thing, and it all has to do with Asokatano.

635
00:34:02,240 --> 00:34:06,160
Speaker 1: Asokatano is supposed and I'll tell you how it this is.

636
00:34:06,240 --> 00:34:11,680
Speaker 1: This is where everybody is certain why it's all Asokatano

637
00:34:11,800 --> 00:34:14,239
Speaker 1: talks to Ray at the end of the let Me

638
00:34:14,320 --> 00:34:17,200
Speaker 1: Finish It, talks to spoiler alert talks to Ray at

639
00:34:17,239 --> 00:34:20,319
Speaker 1: the end of Rise of Skywalker. Right with all of

640
00:34:20,360 --> 00:34:24,439
Speaker 1: these dead ghosts. Now, if this is positive, if she's

641
00:34:24,480 --> 00:34:29,440
Speaker 1: doing this, that means Asoka herself is dead. And the

642
00:34:29,520 --> 00:34:36,120
Speaker 1: rebels show there was this bridge that the star of

643
00:34:36,160 --> 00:34:40,319
Speaker 1: the show goes to where he literally can affect time

644
00:34:40,400 --> 00:34:44,399
Speaker 1: and he saves Asoka. So they're saying now that there

645
00:34:44,400 --> 00:34:48,239
Speaker 1: are two timelines, one where Asoka dies the Rise of

646
00:34:48,239 --> 00:34:53,960
Speaker 1: Skywalker and then one where she lives the Mandalorian. Just

647
00:34:54,000 --> 00:34:56,200
Speaker 1: putting it out there, Bill, this is what I drew

648
00:34:56,280 --> 00:35:02,640
Speaker 1: during that three You got a window and a tree.

649
00:35:03,480 --> 00:35:05,840
Speaker 1: I have a question because are you very excited about now?

650
00:35:05,880 --> 00:35:07,640
Speaker 1: I don't know anything about the Star Wars world, as

651
00:35:07,640 --> 00:35:11,080
Speaker 1: you know, Donald, but the I watched Mandalorian because my

652
00:35:11,080 --> 00:35:14,279
Speaker 1: my Henry loves the Star Wars world and he was

653
00:35:14,320 --> 00:35:18,000
Speaker 1: showing me that the guy that does uh dear white

654
00:35:18,040 --> 00:35:20,960
Speaker 1: people justin like Justin Simeon. Is that his name is

655
00:35:21,680 --> 00:35:23,880
Speaker 1: in his credits coming up is listed as the creator

656
00:35:23,920 --> 00:35:27,440
Speaker 1: of Lando. Is that is that so awesome? I I

657
00:35:27,560 --> 00:35:29,839
Speaker 1: that would be really cool, by the way, So it's

658
00:35:29,840 --> 00:35:32,960
Speaker 1: on IMDb. It says like the next show that he's behind.

659
00:35:33,000 --> 00:35:36,760
Speaker 1: It just says creator executive producer Lando. Oh, that'd be dope.

660
00:35:36,760 --> 00:35:40,000
Speaker 1: Man good for good for him, man good. That's good gossip.

661
00:35:40,120 --> 00:35:42,400
Speaker 1: I'm gonna be honest. I'm gonna be I'm that's great gossip.

662
00:35:42,520 --> 00:35:45,840
Speaker 1: If that's true. Like all of all of anything revolved

663
00:35:46,080 --> 00:35:49,440
Speaker 1: revolving around Star Wars or Marvel nowadays seems to be

664
00:35:49,480 --> 00:35:53,560
Speaker 1: just really good, juicy gossip too. I heard ken to

665
00:35:53,560 --> 00:35:55,520
Speaker 1: to sleep the rumors that were gonna be a Marvel

666
00:35:55,640 --> 00:35:59,400
Speaker 1: Star Wars crossover. Well, he just did a bit. He

667
00:35:59,440 --> 00:36:03,120
Speaker 1: just did a huge Marvel crossing over of Tune universes

668
00:36:03,680 --> 00:36:06,000
Speaker 1: in the fifth episode of wand Division in a way

669
00:36:06,040 --> 00:36:09,560
Speaker 1: that no spoilers, no spoilers because my girlfriend's out of

670
00:36:09,560 --> 00:36:12,960
Speaker 1: town and I'm not allowed to fucking watch it. Dude, dude,

671
00:36:13,400 --> 00:36:17,760
Speaker 1: you are missing out. I saw it really that that

672
00:36:17,760 --> 00:36:21,120
Speaker 1: that also opens up a lot of questions on how

673
00:36:21,160 --> 00:36:24,759
Speaker 1: this universe is gonna be man Like, Okay, so are

674
00:36:24,800 --> 00:36:28,160
Speaker 1: like I know that the Doctor Strange thing is the

675
00:36:28,280 --> 00:36:32,200
Speaker 1: multiverse and the multiverse of Madness and everything like that,

676
00:36:32,440 --> 00:36:34,880
Speaker 1: are we really diving into this and if we're really

677
00:36:34,920 --> 00:36:38,000
Speaker 1: diving into this. How is the connection between these two

678
00:36:38,040 --> 00:36:41,760
Speaker 1: so powerful? Then if it's not her real like, it's crazy, dude,

679
00:36:41,960 --> 00:36:45,759
Speaker 1: they're going nuts with These shows really are more importantly

680
00:36:45,880 --> 00:36:48,880
Speaker 1: if you guys do your research, all right, So the

681
00:36:49,239 --> 00:36:54,200
Speaker 1: h of the Scrubs multi universe. So all right, So

682
00:36:54,360 --> 00:36:57,279
Speaker 1: all the Spin City actors were on Scrubs, but they

683
00:36:57,320 --> 00:37:04,759
Speaker 1: weren't playing themselves. A bunch of Scrubbs actors went on Cougartown, Zach,

684
00:37:04,840 --> 00:37:07,400
Speaker 1: you went on playing yourself. Sam was there playing himself.

685
00:37:07,520 --> 00:37:11,920
Speaker 1: Ken Jenkins was not playing himself, he was playing Courtney

686
00:37:11,960 --> 00:37:18,520
Speaker 1: Cox's dad. And also the janitor was named officially on

687
00:37:18,600 --> 00:37:21,040
Speaker 1: Clone High because on Clone High we wanted to be

688
00:37:21,160 --> 00:37:23,840
Speaker 1: Easter Egg. He played a janitor that was named Glenn,

689
00:37:23,960 --> 00:37:26,239
Speaker 1: and that was his real name at the end, Glenn Matthews.

690
00:37:26,600 --> 00:37:32,200
Speaker 1: But you guys were also on Clone High as voices

691
00:37:32,280 --> 00:37:34,719
Speaker 1: and not as yourselves. So we've never really figured out

692
00:37:34,760 --> 00:37:38,240
Speaker 1: what the Scrubs universe means other than everybody's been in everything.

693
00:37:38,280 --> 00:37:40,960
Speaker 1: That's all we got so far. But the weirdest one

694
00:37:41,040 --> 00:37:43,879
Speaker 1: still being the end credits of Cougartown, which you guys

695
00:37:43,880 --> 00:37:47,160
Speaker 1: should at some point screen that one tag because Zach.

696
00:37:47,200 --> 00:37:49,840
Speaker 1: If you remember, it's when you walk. You made the

697
00:37:49,880 --> 00:37:53,200
Speaker 1: mistake of coming by the Cougartown set when Sarah Chalk

698
00:37:53,360 --> 00:37:56,520
Speaker 1: was there doing a guest spot. Ken Jenkins was there

699
00:37:56,560 --> 00:38:02,240
Speaker 1: playing Christa's I mean Courtney's dad Ad, and Sam Lloyd

700
00:38:02,360 --> 00:38:06,360
Speaker 1: was there playing Ted and Bob Clendenon was a regular

701
00:38:06,360 --> 00:38:07,839
Speaker 1: on the show as the neighbor even though he's doctor

702
00:38:07,880 --> 00:38:11,520
Speaker 1: Zeltzer on Scrubs. And you walked in delivering a pizza

703
00:38:11,600 --> 00:38:13,680
Speaker 1: and made Sam's head explook. It was one of the

704
00:38:13,680 --> 00:38:16,120
Speaker 1: greatest tags of all time. Man, you guys gotta check

705
00:38:16,200 --> 00:38:18,239
Speaker 1: that out. All I remember is all I remember is

706
00:38:18,280 --> 00:38:19,960
Speaker 1: that you were like, hey, come on by. Let's I

707
00:38:20,040 --> 00:38:21,360
Speaker 1: want to catch up with you. Come on by the

708
00:38:21,440 --> 00:38:23,560
Speaker 1: lot and it'd be great to you know, just have

709
00:38:23,640 --> 00:38:25,680
Speaker 1: a coffee and shoot the shit. I'm like, oh, okay, cool.

710
00:38:25,719 --> 00:38:27,719
Speaker 1: So I think I'm going by just to see Bill

711
00:38:27,800 --> 00:38:30,840
Speaker 1: and catch up. And we get there, He's like, hey, um,

712
00:38:31,440 --> 00:38:37,120
Speaker 1: since you're here, would you like to walk onto the

713
00:38:37,160 --> 00:38:41,719
Speaker 1: set and do this bit with Sam. I'm like, okay.

714
00:38:41,760 --> 00:38:43,319
Speaker 1: I didn't even do like hair and makeup or anything.

715
00:38:43,360 --> 00:38:45,000
Speaker 1: I just walked on and like he like, someone handed

716
00:38:45,000 --> 00:38:46,279
Speaker 1: me a pizza. And I came in and I was

717
00:38:46,320 --> 00:38:49,400
Speaker 1: the pizza guy. I remember Sam Lloyd was having a nightmare.

718
00:38:49,560 --> 00:38:50,800
Speaker 1: And by the way, this is the funniest part of that.

719
00:38:50,840 --> 00:38:52,640
Speaker 1: Sam Woyd was having a nightmare because you guys, you

720
00:38:52,680 --> 00:38:54,759
Speaker 1: all look like people from my old job. And he

721
00:38:54,840 --> 00:38:57,879
Speaker 1: pointed at Bob Clendennon and then Bob Kelso and then

722
00:38:57,880 --> 00:39:00,879
Speaker 1: Sarah Chalk and then Christa and then you come in

723
00:39:01,440 --> 00:39:04,480
Speaker 1: delivering a pizza. And he runs to the window and

724
00:39:04,600 --> 00:39:07,320
Speaker 1: hits his head and then he looks out and watering

725
00:39:07,360 --> 00:39:10,280
Speaker 1: the garden out back is Rob Mashio. And I remember,

726
00:39:10,400 --> 00:39:13,200
Speaker 1: Zach because when you said that you were coming over

727
00:39:13,239 --> 00:39:14,640
Speaker 1: for coffee, I knew I was going to do this

728
00:39:14,680 --> 00:39:16,480
Speaker 1: to you. So I called up Rob Mashia. I'm like, hey,

729
00:39:16,480 --> 00:39:18,680
Speaker 1: can you get to the Culver City Studios in like

730
00:39:18,719 --> 00:39:23,920
Speaker 1: ten minutes. He's like, I'm already there. He was outside.

731
00:39:25,000 --> 00:39:28,480
Speaker 1: Speaking of Rob Mashio, how about when Heather Graham dressed

732
00:39:28,480 --> 00:39:33,360
Speaker 1: as wonder Woman. Um she lassles him in her Lasso

733
00:39:33,400 --> 00:39:35,920
Speaker 1: of Truth and he says, I once had a threesome,

734
00:39:36,200 --> 00:39:41,399
Speaker 1: and not the cool kind. So wait, what's the bad kind?

735
00:39:41,440 --> 00:39:44,120
Speaker 1: What's the what's the uncool kind? Too? I think I

736
00:39:44,160 --> 00:39:48,240
Speaker 1: think he's I think he's saying that in his version,

737
00:39:48,320 --> 00:39:52,319
Speaker 1: the non cool kind was with with two dudes. But yeah,

738
00:39:53,200 --> 00:39:55,279
Speaker 1: it could be, but he likes it could be two yeah,

739
00:39:55,320 --> 00:39:57,400
Speaker 1: but it could be two dudes and one girl. It

740
00:39:57,400 --> 00:40:02,680
Speaker 1: could be. But also, don't forget Donald, he likes anything,

741
00:40:02,760 --> 00:40:06,320
Speaker 1: but he's still prisoner of what those kind of frat

742
00:40:06,360 --> 00:40:10,560
Speaker 1: boy jock surgeons were like. So his even though he yeah,

743
00:40:10,600 --> 00:40:14,400
Speaker 1: he still hasn't accepted his true toddness yet at this point. Right, No,

744
00:40:14,520 --> 00:40:17,000
Speaker 1: we just watched an episode where his heart cup pulled out,

745
00:40:17,040 --> 00:40:31,879
Speaker 1: and I'm gay, right right. I had one thing to say.

746
00:40:32,160 --> 00:40:34,640
Speaker 1: I think there are I think Scrubs already has a

747
00:40:34,719 --> 00:40:37,400
Speaker 1: multiverse going, and I think it happened with that butterfly

748
00:40:37,440 --> 00:40:40,719
Speaker 1: effect one. I'm just putting it out there. It can go.

749
00:40:40,880 --> 00:40:43,160
Speaker 1: There's different ways it can go. I'm just saying we

750
00:40:43,600 --> 00:40:45,520
Speaker 1: did it. The closest we ever got to be in

751
00:40:45,560 --> 00:40:47,680
Speaker 1: weird with it because someone got mad at me about

752
00:40:47,719 --> 00:40:51,319
Speaker 1: it on social media. A few months back was when

753
00:40:51,360 --> 00:40:55,359
Speaker 1: we wanted to imply that we couldn't figure out how

754
00:40:55,360 --> 00:40:57,680
Speaker 1: to bring Elizabeth Banks onto the show, and we wanted

755
00:40:57,719 --> 00:40:59,680
Speaker 1: to imply that she was a doctor, in which case

756
00:40:59,760 --> 00:41:01,680
Speaker 1: j would know her and she's been there all along.

757
00:41:02,120 --> 00:41:04,799
Speaker 1: So then we just did this thing that JD could

758
00:41:04,800 --> 00:41:07,399
Speaker 1: not see women that have wedding rings on because he's

759
00:41:07,480 --> 00:41:10,080
Speaker 1: that shallow a man that if they're wearing a wedding ring,

760
00:41:10,120 --> 00:41:12,520
Speaker 1: they don't exist to him. And if you remember, we

761
00:41:12,560 --> 00:41:15,960
Speaker 1: went back and put her in the person got mad

762
00:41:16,000 --> 00:41:19,920
Speaker 1: because we comped her into Ben's funeral, into that show,

763
00:41:20,520 --> 00:41:25,960
Speaker 1: she was sitting she was sitting two rows behind j D. Yeah,

764
00:41:25,960 --> 00:41:27,719
Speaker 1: and we put her two rows behind j D and

765
00:41:27,760 --> 00:41:29,800
Speaker 1: Ben's funeral, and then we put her in the elevator

766
00:41:29,800 --> 00:41:32,120
Speaker 1: when he's doing kung fu fighting and she was just

767
00:41:32,239 --> 00:41:34,719
Speaker 1: all over in the show. You guys will eventually get

768
00:41:34,719 --> 00:41:38,040
Speaker 1: to that when she So that was the closest thing

769
00:41:38,040 --> 00:41:40,040
Speaker 1: we ever did was an alternate reality that there are

770
00:41:40,040 --> 00:41:43,360
Speaker 1: other characters in the show that just JD couldn't see

771
00:41:43,840 --> 00:41:47,440
Speaker 1: because funny this one because she has a wedding ring on. Yes,

772
00:41:48,520 --> 00:41:51,560
Speaker 1: it's why we established the gift shop girl disappeared when

773
00:41:51,600 --> 00:41:55,200
Speaker 1: you guys get there, because she's actually still in the

774
00:41:55,239 --> 00:41:57,319
Speaker 1: lobby down there where you guys are, and I think

775
00:41:57,360 --> 00:41:59,879
Speaker 1: Donald says, take your ring off. She takes her ring

776
00:41:59,880 --> 00:42:05,480
Speaker 1: off off and just appears it's just been there the

777
00:42:05,520 --> 00:42:11,799
Speaker 1: whole time. Um, So Sarah's boyfriend at the time, you

778
00:42:11,840 --> 00:42:15,320
Speaker 1: had Jamie, you had come in and play the patient

779
00:42:15,400 --> 00:42:17,440
Speaker 1: because she had to make out with the guy and

780
00:42:17,480 --> 00:42:21,719
Speaker 1: instead of being a random guy. Is that what happened? Yep? Um,

781
00:42:21,800 --> 00:42:23,880
Speaker 1: And just because I knew him and liked him, and

782
00:42:23,920 --> 00:42:26,560
Speaker 1: it was a fun, weird excuse for someone that would

783
00:42:26,600 --> 00:42:28,799
Speaker 1: eventually be an entertainment attorney to come in and be

784
00:42:28,840 --> 00:42:32,400
Speaker 1: on camera kissing his girl. Yeah, that was funny. It

785
00:42:32,560 --> 00:42:34,400
Speaker 1: was like it was like convenient, like all right, Sarah,

786
00:42:34,400 --> 00:42:36,879
Speaker 1: you don't have to go make out with some random guy.

787
00:42:36,920 --> 00:42:39,120
Speaker 1: You can, We'll just have your boyfriend be the random guy.

788
00:42:39,239 --> 00:42:43,040
Speaker 1: But I remember that that happened the opposite when with

789
00:42:43,160 --> 00:42:46,680
Speaker 1: the parachute scene. Remember she had to there was some

790
00:42:46,760 --> 00:42:48,960
Speaker 1: guy when when there was a stuntman that had to

791
00:42:49,160 --> 00:42:51,000
Speaker 1: parachute and make out there and the only stunt man

792
00:42:51,040 --> 00:42:53,920
Speaker 1: they could get I think is generously probably in his

793
00:42:54,000 --> 00:43:00,319
Speaker 1: early seventies, And so yeah, she had to wait. I

794
00:43:00,400 --> 00:43:02,560
Speaker 1: forgot if that was before this the raft, but I

795
00:43:02,560 --> 00:43:06,400
Speaker 1: remember this. Have we passed that moment yet, don't? I

796
00:43:06,400 --> 00:43:11,840
Speaker 1: don't think so. I don't think so. Yeah, So yeah,

797
00:43:10,160 --> 00:43:14,800
Speaker 1: it was some big stunt with the parachuting, and I

798
00:43:14,800 --> 00:43:17,200
Speaker 1: remember Sard being like, he's like a hundred years old.

799
00:43:21,080 --> 00:43:28,800
Speaker 1: Oh god, how about doctor vog going It was horrible.

800
00:43:28,880 --> 00:43:31,600
Speaker 1: It was horrible. What I forgot what he was saying.

801
00:43:31,600 --> 00:43:33,879
Speaker 1: It was horrible, dude. It was so That guy's funny too,

802
00:43:34,040 --> 00:43:39,720
Speaker 1: because uh, Molly's boyfriend gets handy when he's oh yeah, yeah,

803
00:43:39,840 --> 00:43:42,840
Speaker 1: he's all It was horrible. That guy was funny. He

804
00:43:42,880 --> 00:43:46,239
Speaker 1: was in a couple episodes. He always makes me laughed

805
00:43:47,000 --> 00:43:52,200
Speaker 1: in a couple of them. Yeah, yeah, very funny. Um.

806
00:43:52,280 --> 00:43:55,680
Speaker 1: And and and a working actor also, uh works a

807
00:43:55,719 --> 00:43:59,480
Speaker 1: lot still to this day. Um, I love that. You

808
00:44:00,440 --> 00:44:03,719
Speaker 1: the thing about me hating Lonnie Bill, You've you've given me,

809
00:44:03,760 --> 00:44:06,200
Speaker 1: You've given JD a real foil, and you've given him

810
00:44:06,200 --> 00:44:10,720
Speaker 1: a newman. Lonnie. Yeah. You, by the way, we always enjoyed.

811
00:44:10,840 --> 00:44:14,680
Speaker 1: It's a testament to you, Zach. You hating people for

812
00:44:14,719 --> 00:44:20,759
Speaker 1: no reason always worked. He's a bit of a dick.

813
00:44:20,880 --> 00:44:25,120
Speaker 1: I mean he's he's not he's by no means intimidated

814
00:44:25,120 --> 00:44:28,920
Speaker 1: by me, and he has no respect for me at all. No, Lonnie,

815
00:44:29,000 --> 00:44:33,000
Speaker 1: Lonnie um deserves it. I don't think Keith ever deserved it.

816
00:44:33,040 --> 00:44:38,319
Speaker 1: You hated Keith? Yeah, was Keeth the one with perfect ariolas? Yeah,

817
00:44:38,400 --> 00:44:42,960
Speaker 1: Ke's the one. Yeah, he's the one. He dated Sarah,

818
00:44:43,000 --> 00:44:46,879
Speaker 1: So you hated him, and you gave every intern nicknames

819
00:44:47,160 --> 00:44:49,880
Speaker 1: and except him, And he said, why won't you give

820
00:44:49,920 --> 00:44:52,799
Speaker 1: me a nickname? And you said, some people's names just

821
00:44:52,840 --> 00:44:55,600
Speaker 1: don't lend themselves to nicknames. And he said, my last

822
00:44:55,680 --> 00:45:05,080
Speaker 1: name is dude, meister, Like, what am I supposed to

823
00:45:05,080 --> 00:45:07,000
Speaker 1: do with that? What do look auld anyone do with that?

824
00:45:07,760 --> 00:45:10,040
Speaker 1: Was it was it Keith or Scott Fully that I

825
00:45:10,080 --> 00:45:11,799
Speaker 1: was like, you think you're better than me with your

826
00:45:11,920 --> 00:45:14,800
Speaker 1: with your rock hard abs and your dynamite are Oldess,

827
00:45:15,280 --> 00:45:22,080
Speaker 1: that's Keith, that's Keith. You hated Scott Fully next season? Yeah,

828
00:45:22,120 --> 00:45:26,640
Speaker 1: he's next season. And he was around two two, two,

829
00:45:26,760 --> 00:45:29,680
Speaker 1: three years. He was around a lot man. Scott. By

830
00:45:29,680 --> 00:45:31,400
Speaker 1: the way, he's another dude that just fit in with

831
00:45:31,440 --> 00:45:33,840
Speaker 1: you all so well. It reminds me of Heather that way.

832
00:45:33,880 --> 00:45:36,239
Speaker 1: That it was just easy to bring him back because

833
00:45:36,239 --> 00:45:38,160
Speaker 1: it was fun. You know, the same thing with rich Kind.

834
00:45:38,280 --> 00:45:41,680
Speaker 1: You know, yeah, Oh, Richard Kind's coming on Jewel right, Richard.

835
00:45:41,960 --> 00:45:46,359
Speaker 1: We scored Kind. Oh I'll do an interrupting Bill and

836
00:45:46,440 --> 00:45:48,799
Speaker 1: ask you some good Richard Kind questions and that that'll

837
00:45:48,840 --> 00:45:52,239
Speaker 1: be fun. Oh thank you? Wait, please do He's a

838
00:45:52,360 --> 00:45:54,600
Speaker 1: He's a great article in the New Yorker. People should

839
00:45:54,600 --> 00:45:56,359
Speaker 1: go back and look at it is probably from about

840
00:45:56,360 --> 00:45:59,600
Speaker 1: two weeks ago that said, uh, it has a list

841
00:45:59,640 --> 00:46:01,480
Speaker 1: of moves that they feel would have been better if

842
00:46:01,560 --> 00:46:03,680
Speaker 1: Richard Kind was in them. And it's an article about

843
00:46:03,680 --> 00:46:06,480
Speaker 1: what a great character actor he is. And I agreed

844
00:46:06,520 --> 00:46:09,200
Speaker 1: with all of them. I love articles like that, but

845
00:46:09,280 --> 00:46:12,080
Speaker 1: I also hate articles like that when they're like about you,

846
00:46:12,280 --> 00:46:15,880
Speaker 1: like Richard Conde's like, thanks for nothing. I know, I

847
00:46:15,960 --> 00:46:17,920
Speaker 1: know if I own, like if I what do I

848
00:46:17,960 --> 00:46:23,600
Speaker 1: get from that? Now let's go to break. Let's gonna break.

849
00:46:23,600 --> 00:46:25,680
Speaker 1: But hey, when we're back, guys, I'm gonna be gone,

850
00:46:25,680 --> 00:46:27,080
Speaker 1: I want to say, because I gotta go to a

851
00:46:27,120 --> 00:46:30,600
Speaker 1: big meeting. Stuff. So thank you for watching Slash listening

852
00:46:30,600 --> 00:46:34,640
Speaker 1: to my podcast. Donald, thank you for that amazing rapping. Zach.

853
00:46:34,719 --> 00:46:36,480
Speaker 1: Thanks for being here as a guest this week. Donald,

854
00:46:36,520 --> 00:46:45,640
Speaker 1: I really appreciate it. Don't appreciate you, Zach. And we're

855
00:46:45,719 --> 00:46:53,000
Speaker 1: by where that we're getting back. Um the guest is here.

856
00:46:53,200 --> 00:46:57,960
Speaker 1: Go ahead, Okay, up, that lazy far you saying your

857
00:46:58,040 --> 00:47:05,920
Speaker 1: last names falls that falls Yeah, fallless, not like oh

858
00:47:06,200 --> 00:47:13,200
Speaker 1: like face. I didn't even get the Fallas thing, Lacy.

859
00:47:13,360 --> 00:47:16,600
Speaker 1: You led me there. Yeah, I get it kind of often,

860
00:47:16,680 --> 00:47:19,359
Speaker 1: but I'm married into it, so it's not my fault. Well.

861
00:47:19,400 --> 00:47:21,600
Speaker 1: And also the good thing about being a child with

862
00:47:21,719 --> 00:47:24,080
Speaker 1: the last name Fallas is that kids wouldn't know what

863
00:47:24,120 --> 00:47:25,920
Speaker 1: a Fallas is, so you're not You're going to avoid

864
00:47:26,000 --> 00:47:33,920
Speaker 1: all the underage teasing. True, they're good for now. Welcome

865
00:47:33,920 --> 00:47:36,799
Speaker 1: to the program, Lacy. Where you calling from? I live

866
00:47:36,880 --> 00:47:46,480
Speaker 1: in Saskatchewan, Canada, Scatchewin, Canada in the mother And are

867
00:47:46,560 --> 00:47:52,120
Speaker 1: you a piano player? Yes, I am. I'm sorry it

868
00:47:52,200 --> 00:47:54,759
Speaker 1: looks like I'm pulling attention to that. It's just where

869
00:47:54,800 --> 00:47:57,120
Speaker 1: the computer is and we just moved here, so I

870
00:47:57,160 --> 00:48:00,839
Speaker 1: didn't want to mess with anything. It's fine, sure, sure,

871
00:48:01,200 --> 00:48:03,560
Speaker 1: but you're gonna play something that right, Yeah, You're gonna

872
00:48:03,560 --> 00:48:07,959
Speaker 1: play a song. You know. I feel pretty um inadequate

873
00:48:08,120 --> 00:48:11,680
Speaker 1: in present company. I mean, I I look up to

874
00:48:12,440 --> 00:48:17,040
Speaker 1: Nick so much, and I um, Joshua's song Only You

875
00:48:17,280 --> 00:48:20,440
Speaker 1: is in our wedding, like oh wow, oh yeah that

876
00:48:21,800 --> 00:48:24,960
Speaker 1: Listen if you don't want to play Lacy wants to

877
00:48:25,000 --> 00:48:27,359
Speaker 1: play Donald. I don't want to ask questions and get

878
00:48:27,400 --> 00:48:32,239
Speaker 1: her life fixed. She's not here to entertain you. Um

879
00:48:32,719 --> 00:48:38,719
Speaker 1: lay letting me entertain you, Gypsy, letting me make is?

880
00:48:39,280 --> 00:48:41,680
Speaker 1: How do you do that? That was quick? Are you? No?

881
00:48:42,000 --> 00:48:45,480
Speaker 1: I am? You know what Trevor Ricky does for scrubs,

882
00:48:45,600 --> 00:48:47,839
Speaker 1: I can do that for musicals. I didn't even get

883
00:48:47,880 --> 00:48:51,840
Speaker 1: it Outpsy. I was on the stage crew for Gypsy,

884
00:48:52,200 --> 00:48:56,560
Speaker 1: and I remember feeling so cool that I was in

885
00:48:56,680 --> 00:48:59,160
Speaker 1: charge of opening the curtain at the right time. Oh

886
00:49:00,080 --> 00:49:02,799
Speaker 1: I ever messed up? No, I was just First of all,

887
00:49:02,800 --> 00:49:04,960
Speaker 1: the funny thing is in the opening of Gypsy, there's

888
00:49:04,960 --> 00:49:06,319
Speaker 1: a scene where all the kids are at a talent

889
00:49:06,360 --> 00:49:08,279
Speaker 1: show and I was a little kid, but I was

890
00:49:08,360 --> 00:49:11,600
Speaker 1: like stage crew mascot, and so they said, yeah, but

891
00:49:11,680 --> 00:49:13,080
Speaker 1: you can be on the stage crew, dude, but you've

892
00:49:13,080 --> 00:49:14,560
Speaker 1: got to be in the little kid, saying we need

893
00:49:14,640 --> 00:49:16,839
Speaker 1: more little kids. I was like, okay. So I would

894
00:49:16,880 --> 00:49:18,840
Speaker 1: get there before the show and they put full clown

895
00:49:18,920 --> 00:49:22,080
Speaker 1: makeup on me and I would be in the opening sketch.

896
00:49:22,160 --> 00:49:23,520
Speaker 1: I had nothing to do but just stand there as

897
00:49:23,520 --> 00:49:25,320
Speaker 1: a kid, and then they'd be like that scene was

898
00:49:25,400 --> 00:49:28,759
Speaker 1: over and I just think I'm the coolest stage crew guy.

899
00:49:28,800 --> 00:49:31,080
Speaker 1: But I'm doing the whole show in full clown makeup,

900
00:49:32,760 --> 00:49:35,120
Speaker 1: and they're like, go curtain and I'm like, yo, curtain

901
00:49:35,360 --> 00:49:37,200
Speaker 1: and I'm pulling it, and i just think I'm so

902
00:49:37,400 --> 00:49:40,080
Speaker 1: cool and I'm not looking at the fact that everyone

903
00:49:40,120 --> 00:49:41,839
Speaker 1: else looking at me is like sees a little kid

904
00:49:41,920 --> 00:49:44,799
Speaker 1: in full clown makeup. It's like that. It's like that meme.

905
00:49:45,160 --> 00:49:48,319
Speaker 1: It's like that meme of the Joker, and they use

906
00:49:48,400 --> 00:49:53,719
Speaker 1: the Joker like they use the like how you feel

907
00:49:53,840 --> 00:49:56,200
Speaker 1: like it's the Joker in that track suit? It's like,

908
00:49:56,280 --> 00:49:59,040
Speaker 1: how here what she leaves you on red for an hour?

909
00:49:59,719 --> 00:50:01,720
Speaker 1: And to picture up the joke of looking at himself

910
00:50:01,760 --> 00:50:04,920
Speaker 1: in the mirror with a cigarette in his mouth. That's

911
00:50:05,000 --> 00:50:06,920
Speaker 1: kind of you, man. You were like you were like

912
00:50:07,200 --> 00:50:10,560
Speaker 1: they looked at you like a clown. You were a clown. Yeah,

913
00:50:10,760 --> 00:50:12,640
Speaker 1: And I don't think there's anyone else who's been on

914
00:50:12,680 --> 00:50:15,279
Speaker 1: a stage crew. First of all, when you're on stage

915
00:50:15,280 --> 00:50:16,800
Speaker 1: with the whole point is you wear blacks and you

916
00:50:16,840 --> 00:50:19,520
Speaker 1: sort of disappear into the into the shadows. I was

917
00:50:19,560 --> 00:50:24,799
Speaker 1: in full I was in full clown makeup. You all right, enough,

918
00:50:24,800 --> 00:50:26,759
Speaker 1: about me and my love of musicals. Lacey, do you

919
00:50:26,800 --> 00:50:30,120
Speaker 1: have a question for us? I have so many questions.

920
00:50:30,320 --> 00:50:34,000
Speaker 1: Joel sent me back some that would be okay, okay,

921
00:50:34,440 --> 00:50:38,600
Speaker 1: shop the questions. Good good work, jo Well, yeah, um,

922
00:50:39,520 --> 00:50:42,359
Speaker 1: I wrote in, and I feel bad because I wrote

923
00:50:42,400 --> 00:50:45,720
Speaker 1: in to kind of prove Donald and the wrong about

924
00:50:45,960 --> 00:50:48,799
Speaker 1: the will they won't they split them up getting back

925
00:50:48,800 --> 00:50:52,840
Speaker 1: together thing, and we were yeah, I know. And I

926
00:50:53,000 --> 00:50:55,560
Speaker 1: heard your podcast today and you pretty much rip that

927
00:50:55,640 --> 00:50:59,640
Speaker 1: guy apart. The story wasn't good enough. Go ahead, Lacey.

928
00:51:00,360 --> 00:51:05,040
Speaker 1: I don't think ours is very unique. But we were

929
00:51:05,160 --> 00:51:07,560
Speaker 1: high school, like we'd met in high school. I think

930
00:51:07,560 --> 00:51:12,239
Speaker 1: we were fifteen, and when it times it was time

931
00:51:12,320 --> 00:51:14,880
Speaker 1: to go to university, and yeah, there were only a

932
00:51:14,960 --> 00:51:17,400
Speaker 1: couple hours apart, and we probably could have done it,

933
00:51:17,520 --> 00:51:21,319
Speaker 1: but we just kind of wanted to go and meet

934
00:51:21,400 --> 00:51:25,359
Speaker 1: other people and go, like, just go fuck somebody else

935
00:51:25,440 --> 00:51:29,239
Speaker 1: for a change. We'd never done that, right, Let's go

936
00:51:29,480 --> 00:51:33,000
Speaker 1: do that and experience things and do a cake stand

937
00:51:33,040 --> 00:51:35,200
Speaker 1: on a Tuesday and not be judged about it, you know.

938
00:51:35,360 --> 00:51:39,520
Speaker 1: And then when we were done university, I came back

939
00:51:39,640 --> 00:51:43,640
Speaker 1: to my hometown and he did as well, and I

940
00:51:43,719 --> 00:51:46,400
Speaker 1: asked him to move in with me as roommates, and

941
00:51:46,680 --> 00:51:51,120
Speaker 1: I was working nights at the hospital and he said no, no, no,

942
00:51:51,640 --> 00:51:55,280
Speaker 1: he wouldn't do it. Finally he did because, like he said, Donald,

943
00:51:55,400 --> 00:52:00,480
Speaker 1: we went, he moved in and won more. All he

944
00:52:00,600 --> 00:52:02,920
Speaker 1: did was kiss me. He said, I said, are we

945
00:52:03,040 --> 00:52:07,239
Speaker 1: doing this? And he said yep. And we tried to

946
00:52:07,360 --> 00:52:10,440
Speaker 1: keep it under wraps from there. But we actually had

947
00:52:10,480 --> 00:52:15,480
Speaker 1: a miscarriage. So that's filled the beans and since then

948
00:52:16,680 --> 00:52:21,239
Speaker 1: we got married, we have two kids. There's been hurdles,

949
00:52:21,360 --> 00:52:28,720
Speaker 1: for sure, but I can't imagine going through Our sons

950
00:52:28,719 --> 00:52:33,120
Speaker 1: were both premature, they both had pediatric cancer. They're both

951
00:52:33,160 --> 00:52:36,600
Speaker 1: in remission now and doing well. But I can't imagine

952
00:52:36,719 --> 00:52:40,080
Speaker 1: going through a time of my life like that without

953
00:52:40,200 --> 00:52:43,960
Speaker 1: someone who's known me over half my life, if that

954
00:52:44,160 --> 00:52:48,520
Speaker 1: makes sense. Yeah, yeah, no, I had that. Wow, it's incredible,

955
00:52:48,560 --> 00:52:51,239
Speaker 1: what the journey you've had, And it sounds like through

956
00:52:51,360 --> 00:52:55,080
Speaker 1: all those incredibly hard times that you were super clear

957
00:52:55,239 --> 00:52:58,800
Speaker 1: that you'd found the right partner. Yeah. He is a

958
00:52:58,920 --> 00:53:01,960
Speaker 1: man of few words, so I knew when he when

959
00:53:02,000 --> 00:53:04,120
Speaker 1: he did that, and he said, yea, that he meant it.

960
00:53:04,400 --> 00:53:07,319
Speaker 1: So it was kind of like, stop screwing around, let's

961
00:53:07,480 --> 00:53:11,319
Speaker 1: let's do this. We don't have to. I don't know. Well,

962
00:53:11,640 --> 00:53:14,279
Speaker 1: I mean, you guys moved in. You you moved back

963
00:53:14,360 --> 00:53:15,800
Speaker 1: to the same town, and then we're like, you know,

964
00:53:16,000 --> 00:53:19,080
Speaker 1: let's just move in together. Yeah. Yeah. See, did you

965
00:53:19,160 --> 00:53:21,960
Speaker 1: feel that you've done enough sewing of your oats by

966
00:53:22,000 --> 00:53:25,239
Speaker 1: the time you you moved back home? Yes? And then

967
00:53:25,840 --> 00:53:29,480
Speaker 1: Donald was wondering if it's like those little things that

968
00:53:29,640 --> 00:53:33,719
Speaker 1: drive you crazy still drive you crazy. Yep, they do. Um,

969
00:53:34,080 --> 00:53:37,000
Speaker 1: but you see that the kind of like the kind

970
00:53:37,040 --> 00:53:40,840
Speaker 1: of man he has become far weighs that. And also

971
00:53:41,000 --> 00:53:43,759
Speaker 1: like the oats that I sewed showed me that the

972
00:53:43,880 --> 00:53:48,600
Speaker 1: oat I had was my husband is six six and

973
00:53:49,280 --> 00:53:53,880
Speaker 1: the adage is true, he wears big shoot. So I

974
00:53:54,160 --> 00:53:59,040
Speaker 1: was good. Oh, I understand the subtext there. Donald, I'm

975
00:53:59,080 --> 00:54:02,520
Speaker 1: not gonna spell it out for the audience, but um,

976
00:54:02,760 --> 00:54:04,640
Speaker 1: now what about him? Did he feel like he had

977
00:54:04,680 --> 00:54:06,759
Speaker 1: sowed his oats? And he was good, like, Okay, I

978
00:54:06,840 --> 00:54:09,320
Speaker 1: got crazy, I had sex with lots of people and

979
00:54:09,400 --> 00:54:12,120
Speaker 1: now I'm ready to sell them. Yeah he did that,

980
00:54:12,400 --> 00:54:14,520
Speaker 1: and then he got cheated on and had his heart

981
00:54:14,719 --> 00:54:22,080
Speaker 1: just murdered. So he thought that side of it that sucks. Well,

982
00:54:22,200 --> 00:54:24,120
Speaker 1: that sounds like it all worked out. It's it's it's

983
00:54:25,200 --> 00:54:27,279
Speaker 1: they're happy now and you and you just moved into

984
00:54:27,280 --> 00:54:30,880
Speaker 1: a new house. Yeah, we just bought a farm. We're insane.

985
00:54:31,160 --> 00:54:38,399
Speaker 1: We decided that that's so cool. It's like we bought

986
00:54:38,400 --> 00:54:40,600
Speaker 1: a farm. Do you okay, let me ask you a

987
00:54:40,719 --> 00:54:43,480
Speaker 1: question farm. Did you buy a farm with animals or

988
00:54:43,560 --> 00:54:45,920
Speaker 1: did you buy a farm? You bought a farm with animals,

989
00:54:45,920 --> 00:54:49,800
Speaker 1: so you got chickens cows. We have these two highland

990
00:54:49,920 --> 00:54:55,800
Speaker 1: cows that need names and answers obvious on that, Donald

991
00:54:55,880 --> 00:54:59,000
Speaker 1: and Zach Zack, go ahead. I would love to have

992
00:54:59,080 --> 00:55:05,200
Speaker 1: a farm. Donald, Well, you know what, zech what your

993
00:55:05,280 --> 00:55:07,799
Speaker 1: one job away from making that dream come true? Well,

994
00:55:07,800 --> 00:55:09,479
Speaker 1: I don't know how it would fit into my life.

995
00:55:09,800 --> 00:55:12,279
Speaker 1: I can't really have it where where I live. But

996
00:55:12,400 --> 00:55:15,360
Speaker 1: the idea of like retreating to a farm in upstate

997
00:55:15,400 --> 00:55:17,200
Speaker 1: New York, that would be, Like you said, you are

998
00:55:17,320 --> 00:55:20,000
Speaker 1: one job away from making that happen, buddy, so you

999
00:55:20,160 --> 00:55:23,200
Speaker 1: just keep running carry I'm gonna put it on my whiteboard. Farm.

1000
00:55:24,880 --> 00:55:27,440
Speaker 1: I also need a farmer, because I don't intend to

1001
00:55:27,600 --> 00:55:30,480
Speaker 1: be getting the cow poop out of the hay. Well,

1002
00:55:30,480 --> 00:55:31,880
Speaker 1: it depends on what type of farm you have. I

1003
00:55:31,960 --> 00:55:34,880
Speaker 1: thought you were gonna have a farm like a marijuana farm. No,

1004
00:55:35,000 --> 00:55:37,239
Speaker 1: I want what's called a gentleman's farm. And that's where

1005
00:55:37,400 --> 00:55:39,439
Speaker 1: you get to live on the beautiful farm. But there's

1006
00:55:39,480 --> 00:55:45,520
Speaker 1: a professional farmer leading the crew to make it look nice. Lacy,

1007
00:55:46,160 --> 00:55:53,240
Speaker 1: it's time for Saskatchewan's favorite segment. It's time too fix

1008
00:55:54,080 --> 00:56:01,879
Speaker 1: your lie. Oh my god, this so cool? Ready for you, Lacy?

1009
00:56:01,960 --> 00:56:04,680
Speaker 1: How can we help? We're here to help free therapy go.

1010
00:56:06,360 --> 00:56:08,840
Speaker 1: Valentine's Day is coming up, and we don't care about that.

1011
00:56:08,960 --> 00:56:12,360
Speaker 1: That's not a question I have. Our tenth anniversary is

1012
00:56:12,400 --> 00:56:14,520
Speaker 1: coming up this year, and we had always said that

1013
00:56:14,560 --> 00:56:16,520
Speaker 1: we were going to go to Greece. That was our thing.

1014
00:56:16,640 --> 00:56:18,640
Speaker 1: We saved their money to go to Greece and then

1015
00:56:18,719 --> 00:56:22,719
Speaker 1: we used it for our children's treatments. So now and

1016
00:56:22,840 --> 00:56:25,760
Speaker 1: we can't fly anyway, So do you have any ideas

1017
00:56:26,000 --> 00:56:30,080
Speaker 1: how we can make this year somewhat special? Well, you

1018
00:56:30,200 --> 00:56:32,560
Speaker 1: just moved into this farm, so I think it should

1019
00:56:32,719 --> 00:56:34,919
Speaker 1: be about I know it's freezing outside, so you can't

1020
00:56:34,960 --> 00:56:38,880
Speaker 1: really do anything too too long outside, But to me,

1021
00:56:39,040 --> 00:56:41,960
Speaker 1: my first instinct is it should be something to celebrate.

1022
00:56:42,280 --> 00:56:46,040
Speaker 1: Holy shit, we have a farm what about if you

1023
00:56:46,200 --> 00:56:50,239
Speaker 1: got him an animal that that you don't yet have

1024
00:56:50,640 --> 00:56:54,240
Speaker 1: on the farm. They have these really adorable pigmy goats

1025
00:56:54,239 --> 00:56:56,880
Speaker 1: and they stay small and they're so cute, And if

1026
00:56:56,920 --> 00:56:58,640
Speaker 1: I had a farm, it would be my first thing

1027
00:56:58,719 --> 00:57:03,279
Speaker 1: to get. If there's a way to safely provide a

1028
00:57:03,360 --> 00:57:07,000
Speaker 1: habitat for a pigmy goat. I think that I don't

1029
00:57:07,000 --> 00:57:08,719
Speaker 1: know your husband at all, but I think if he

1030
00:57:09,320 --> 00:57:12,160
Speaker 1: if that pigmy goat showed up, and maybe a sweater

1031
00:57:12,360 --> 00:57:15,239
Speaker 1: that had hearts all over it. Oh my gosh. Yeah,

1032
00:57:15,520 --> 00:57:17,240
Speaker 1: you can go online, I'm sure and buy like a

1033
00:57:17,360 --> 00:57:19,959
Speaker 1: buy like a dog sweater. I just okay, I'm gonna

1034
00:57:19,960 --> 00:57:22,000
Speaker 1: say this. I don't think a goat is the right

1035
00:57:22,120 --> 00:57:25,520
Speaker 1: thing to buy in a freezing cold farm. For Okay,

1036
00:57:25,800 --> 00:57:28,080
Speaker 1: do you have any ideas for what Lacy could do

1037
00:57:28,360 --> 00:57:33,800
Speaker 1: special for her husband on their new farm for Valentine's say, Well, yeah,

1038
00:57:33,960 --> 00:57:37,560
Speaker 1: he's gonna listen to this too, so give him some pointers. Okay,

1039
00:57:37,680 --> 00:57:40,440
Speaker 1: that's good. You said you play the piano, and you

1040
00:57:40,560 --> 00:57:44,200
Speaker 1: have a piano in the background, right, why not write

1041
00:57:44,200 --> 00:57:47,200
Speaker 1: a song for him? Oh that's a great idea. Do

1042
00:57:47,280 --> 00:57:50,600
Speaker 1: you ever write, Lacy? I do I write and I score.

1043
00:57:51,560 --> 00:57:53,720
Speaker 1: Oh my god. Well, Donald's answer is better than mine.

1044
00:57:53,720 --> 00:57:55,400
Speaker 1: I mean, you can do both. You can play a

1045
00:57:55,560 --> 00:58:01,720
Speaker 1: song that the baby pigmy goat can enter too. But okay,

1046
00:58:01,800 --> 00:58:03,480
Speaker 1: so here we go. I want you to write a

1047
00:58:03,600 --> 00:58:05,560
Speaker 1: song about how much you love your husband and how

1048
00:58:05,640 --> 00:58:08,400
Speaker 1: much you appreciate him, and then and then if some

1049
00:58:08,520 --> 00:58:12,320
Speaker 1: of the lyrics could be related to the entrance of

1050
00:58:12,360 --> 00:58:14,600
Speaker 1: a pigmy goat, and then your kids will bring in

1051
00:58:14,720 --> 00:58:18,200
Speaker 1: the pigmy goat on a little leash, bam Valentine's Day.

1052
00:58:19,760 --> 00:58:22,360
Speaker 1: Deal sounds good and we're gonna need video of that

1053
00:58:22,680 --> 00:58:25,959
Speaker 1: please to be sent to us. Now, Donald, what should

1054
00:58:26,000 --> 00:58:28,560
Speaker 1: we tell her husband to get for her since he's

1055
00:58:28,560 --> 00:58:30,800
Speaker 1: going to be listening act excited when you see the

1056
00:58:30,840 --> 00:58:35,040
Speaker 1: pigmy goat. Yes, he's gonna be excited. Story in my life,

1057
00:58:35,160 --> 00:58:42,040
Speaker 1: Donald Lacy, You're welcome. You're welcome. You're so welcome. Lay.

1058
00:58:42,560 --> 00:58:46,040
Speaker 1: I look forward to hearing um the song. I'm not kidding.

1059
00:58:46,040 --> 00:58:48,000
Speaker 1: I hope when you write it, you're gonna send it

1060
00:58:48,040 --> 00:58:50,680
Speaker 1: to Joel so we can play it on the show. Well,

1061
00:58:50,720 --> 00:58:54,320
Speaker 1: I Loki, you want to be Joel's best friend? If that? Yeah,

1062
00:58:54,360 --> 00:59:00,200
Speaker 1: everybody everybody does. Everyone who listens to the podcast wants

1063
00:59:00,240 --> 00:59:03,760
Speaker 1: to be Joel's BF. Oh, I would love to hear

1064
00:59:03,840 --> 00:59:06,000
Speaker 1: this song that you write. If you if you said

1065
00:59:06,040 --> 00:59:07,960
Speaker 1: you score music and stuff like that, I would love

1066
00:59:08,040 --> 00:59:11,120
Speaker 1: to hear some of your music at some point. So

1067
00:59:11,400 --> 00:59:14,000
Speaker 1: when you do, if you do do it for Valentine's Day,

1068
00:59:14,080 --> 00:59:15,960
Speaker 1: or if you do it for some other time, please, yes,

1069
00:59:16,080 --> 00:59:17,760
Speaker 1: do send it into the show, and we would love

1070
00:59:17,840 --> 00:59:20,440
Speaker 1: to hear your music, Lacy. We'd love to hear it,

1071
00:59:20,560 --> 00:59:22,680
Speaker 1: and also that we would we will play it on

1072
00:59:22,720 --> 00:59:24,600
Speaker 1: the show if you actually write a song, and if

1073
00:59:24,680 --> 00:59:26,800
Speaker 1: and if you allow it, and if you allow it,

1074
00:59:27,480 --> 00:59:30,560
Speaker 1: maybe DJ Daniel could sample some of it and we'll

1075
00:59:30,600 --> 00:59:33,040
Speaker 1: put it in. We'll put it into recap or something

1076
00:59:33,080 --> 00:59:37,440
Speaker 1: like that. Yeah, remix. Oh my god. You know, Lacy,

1077
00:59:37,520 --> 00:59:40,720
Speaker 1: you officially have a homework assignment. But it's a good

1078
00:59:40,880 --> 00:59:43,080
Speaker 1: homework assignment because we're gonna play your song, or at

1079
00:59:43,160 --> 00:59:44,240
Speaker 1: least part of it. I don't know if it's going

1080
00:59:44,280 --> 00:59:45,760
Speaker 1: to be like a long ass song, we're gonna play

1081
00:59:45,760 --> 00:59:47,280
Speaker 1: a part of it on the show. I mean, yeah,

1082
00:59:47,280 --> 00:59:49,440
Speaker 1: don't send in like the five minute version, send in

1083
00:59:49,600 --> 00:59:52,640
Speaker 1: like the two and a half minute version. The radio edit.

1084
00:59:53,120 --> 00:59:56,120
Speaker 1: Lacy thank you so much for coming on. We appreciate you.

1085
00:59:56,440 --> 01:00:00,479
Speaker 1: And good luck with your farm. That's so exciting. Thank

1086
01:00:00,560 --> 01:00:04,600
Speaker 1: you so much. You bought a farm. By you prought

1087
01:00:04,680 --> 01:00:07,520
Speaker 1: a farm, you bought a farm. I think that's really

1088
01:00:07,600 --> 01:00:10,360
Speaker 1: cool and an exciting adventure for you. And uh and

1089
01:00:10,560 --> 01:00:13,520
Speaker 1: we wish you the best. Thank you so much. All right,

1090
01:00:13,560 --> 01:00:21,280
Speaker 1: bye bye, guys, who bye. I'm a surprise visitor everybody,

1091
01:00:21,440 --> 01:00:28,080
Speaker 1: Charlotte Lawrence. I'm good where you got your own place now,

1092
01:00:28,720 --> 01:00:32,280
Speaker 1: I got my own place. I'm a full adult now. Charlotte,

1093
01:00:32,320 --> 01:00:36,600
Speaker 1: we we played your song because we have been. I've

1094
01:00:36,600 --> 01:00:39,280
Speaker 1: been listening to it in my house NonStop flows on,

1095
01:00:39,400 --> 01:00:43,240
Speaker 1: basically NonStop repeat. It's so cute. I know she texts

1096
01:00:43,240 --> 01:00:44,760
Speaker 1: me videos that were dancing to it. It makes me

1097
01:00:44,840 --> 01:00:46,760
Speaker 1: so happy. I love that you guys love it. You

1098
01:00:46,840 --> 01:00:50,920
Speaker 1: guys are my number one promoters. Charlotte was like, um,

1099
01:00:51,440 --> 01:00:53,120
Speaker 1: Charlotte was like, hey, I might make a video where

1100
01:00:53,120 --> 01:00:54,960
Speaker 1: I have my friends dancing to the song. We used

1101
01:00:54,960 --> 01:00:57,040
Speaker 1: to send a video. I'm like, hell no, but I

1102
01:00:57,160 --> 01:01:00,880
Speaker 1: know someone who. But I know someone who will. I

1103
01:01:01,080 --> 01:01:03,720
Speaker 1: was like, I'm I'm doing a fan visual. I'm gonna

1104
01:01:03,720 --> 01:01:05,400
Speaker 1: have a bunch of my friends. Just dance to it

1105
01:01:05,560 --> 01:01:08,040
Speaker 1: really cute if you're down to join. Zach was like

1106
01:01:08,160 --> 01:01:13,479
Speaker 1: no immediately, no, didn't even have you ever seen him dance? Donald?

1107
01:01:13,520 --> 01:01:15,360
Speaker 1: You're you gonna learn to dance a little bit Donald

1108
01:01:15,680 --> 01:01:17,640
Speaker 1: for my new film, And I was thinking maybe you

1109
01:01:17,680 --> 01:01:19,840
Speaker 1: could teach me a few moves. You just need a

1110
01:01:19,880 --> 01:01:26,720
Speaker 1: two step, bro. I've been really into your rapping. Me rapping.

1111
01:01:27,760 --> 01:01:31,520
Speaker 1: I've been really into your rapping. I'm a garbage rapper.

1112
01:01:31,600 --> 01:01:35,920
Speaker 1: It's I'm trash rapper. I think you're good. I think

1113
01:01:36,040 --> 01:01:41,600
Speaker 1: you're free about Charlotte's Donald, come on, Bee, I just

1114
01:01:41,680 --> 01:01:43,520
Speaker 1: thought you could do it on cutting you on the spot.

1115
01:01:44,720 --> 01:01:49,200
Speaker 1: Here we go, all right, chart Lawrence, Charlotte Lawrence. I noon,

1116
01:01:49,280 --> 01:01:52,880
Speaker 1: you said you was a baby girl. Now you are grown.

1117
01:01:53,440 --> 01:01:59,760
Speaker 1: Yeah yeah, now you are grown? Yeah yeah, Charlotte Lawrence,

1118
01:02:00,480 --> 01:02:04,360
Speaker 1: Sean Lawrence, I know you said you was the baby girl.

1119
01:02:04,920 --> 01:02:10,600
Speaker 1: Now you're all grown. Now you're all grown. Fantastic. I

1120
01:02:10,720 --> 01:02:13,439
Speaker 1: like that where you rhyme's grown with grown great great

1121
01:02:13,520 --> 01:02:15,520
Speaker 1: lyric choice. I think you should feature. I think you

1122
01:02:15,560 --> 01:02:18,040
Speaker 1: should feature on a song of mine. Donald, I could feature,

1123
01:02:19,840 --> 01:02:26,160
Speaker 1: I could feature no chartte on that's on the Bachelorette yes,

1124
01:02:26,280 --> 01:02:31,400
Speaker 1: the Bachelor, The Bachelor. Who I saw? Her name is

1125
01:02:31,600 --> 01:02:34,200
Speaker 1: Kit right, hit Keenan, one of my best friends since

1126
01:02:34,200 --> 01:02:39,480
Speaker 1: i've been l Yes. Yeah, she's the beautiful blonde one. Yeah. Yeah.

1127
01:02:39,520 --> 01:02:41,800
Speaker 1: Do you watch the show them? Of course? I watch

1128
01:02:41,880 --> 01:02:43,880
Speaker 1: it with Kit. I watch it with Kit. No, I'm

1129
01:02:43,920 --> 01:02:47,800
Speaker 1: asking if Donald's watch If Donald does, yeah, absolutely, now listen.

1130
01:02:47,920 --> 01:02:50,280
Speaker 1: I used to watch these shows because I who saw

1131
01:02:50,280 --> 01:02:52,000
Speaker 1: it was funny, but I'm over it. And I saw

1132
01:02:52,000 --> 01:02:54,080
Speaker 1: a kid because I've met her through Charlotte and she's

1133
01:02:54,160 --> 01:02:56,840
Speaker 1: very close with Charlotte. And I saw a preview and

1134
01:02:56,920 --> 01:02:59,800
Speaker 1: I was like, fucking kid is on the Bachelor, So

1135
01:03:00,240 --> 01:03:02,600
Speaker 1: I want I try. I texted Charlotte last night, I'm

1136
01:03:02,600 --> 01:03:04,960
Speaker 1: all right, I'm gonna try because kids on and I

1137
01:03:05,080 --> 01:03:06,880
Speaker 1: was like, how do you liking it? Five minutes later

1138
01:03:06,960 --> 01:03:08,640
Speaker 1: she's like, how is it? Like? I can't watch the show?

1139
01:03:08,920 --> 01:03:13,520
Speaker 1: I just can't. I know. It's it's a phenomenon, it

1140
01:03:13,680 --> 01:03:15,640
Speaker 1: really is. It's like once you get in it, you

1141
01:03:15,680 --> 01:03:17,640
Speaker 1: can't get out of it. So you're watching it with

1142
01:03:17,840 --> 01:03:22,960
Speaker 1: your friend who's on it, is she giving you no? No, no?

1143
01:03:23,240 --> 01:03:25,240
Speaker 1: So what happens is I'll be sitting next to her

1144
01:03:25,280 --> 01:03:27,439
Speaker 1: watching it and then she'll be like, oh, that girl,

1145
01:03:27,840 --> 01:03:29,960
Speaker 1: that is so fake, she did not actually say that

1146
01:03:30,040 --> 01:03:32,040
Speaker 1: in person, or like, oh no, that girl's actually really nice,

1147
01:03:32,080 --> 01:03:34,080
Speaker 1: Like I get all the inside scoop, like I know

1148
01:03:34,360 --> 01:03:35,640
Speaker 1: you know what I mean, I know that I know

1149
01:03:35,720 --> 01:03:38,120
Speaker 1: the t So it's really it makes it a whole

1150
01:03:38,200 --> 01:03:41,160
Speaker 1: experience because we're watching you know her on TV, and

1151
01:03:41,200 --> 01:03:43,240
Speaker 1: then she's also telling us what's going on behind the scenes.

1152
01:03:43,280 --> 01:03:46,000
Speaker 1: It's hilarious. It's just such a weird I also never

1153
01:03:46,120 --> 01:03:48,840
Speaker 1: watched The Bachelor. I was never into it like that,

1154
01:03:49,040 --> 01:03:52,240
Speaker 1: and I'm obsessive with it. I'm obsessed with it. I

1155
01:03:52,320 --> 01:03:54,160
Speaker 1: watch I mean I watch it with kid next to

1156
01:03:54,200 --> 01:03:56,680
Speaker 1: me every single Monday night, and I'm like, I can't

1157
01:03:56,720 --> 01:03:59,200
Speaker 1: get enough of it. I love it so much. I

1158
01:03:59,320 --> 01:04:02,760
Speaker 1: love it so much. Man. It's just and it's it's

1159
01:04:03,320 --> 01:04:07,480
Speaker 1: you're right, it's an accident. You you accidentally watch and

1160
01:04:07,600 --> 01:04:11,040
Speaker 1: then you're stuck and you can't get out. You can't

1161
01:04:11,520 --> 01:04:13,200
Speaker 1: you can't get out of it. No, no, no, it's

1162
01:04:13,200 --> 01:04:16,600
Speaker 1: an addiction. You're like you feel like you're a part

1163
01:04:16,640 --> 01:04:18,520
Speaker 1: of it and know the girls Like I talk to

1164
01:04:18,600 --> 01:04:21,560
Speaker 1: the screen, I'm like, Piper go, you like, hell yeah,

1165
01:04:21,640 --> 01:04:24,040
Speaker 1: Piper good job. Like I'm like yelling at the screen.

1166
01:04:24,240 --> 01:04:27,160
Speaker 1: It's like spots to watch it because I've never known

1167
01:04:27,160 --> 01:04:28,840
Speaker 1: anyone that was on the show, so I wanted to

1168
01:04:28,920 --> 01:04:30,880
Speaker 1: watch and I was like, that's what makes it more

1169
01:04:30,960 --> 01:04:34,200
Speaker 1: fun because she's also I don't know, it's just it's

1170
01:04:34,240 --> 01:04:36,680
Speaker 1: like what you see on the screen, like isn't what

1171
01:04:36,800 --> 01:04:38,760
Speaker 1: actually is happening in real life? You know. Of course,

1172
01:04:38,840 --> 01:04:41,640
Speaker 1: they like pick characters for each person and they and

1173
01:04:41,800 --> 01:04:44,800
Speaker 1: they make some people look bad, make some people look great, Like,

1174
01:04:45,000 --> 01:04:47,800
Speaker 1: you know, it's not everything is not what it seems.

1175
01:04:48,280 --> 01:04:51,040
Speaker 1: That's my girlfriend. Sherry Applebee was on a show that

1176
01:04:51,160 --> 01:04:54,520
Speaker 1: was about behind the scenes of a reality show I forgot.

1177
01:04:54,520 --> 01:04:56,480
Speaker 1: I think it was called on Scripted. Oh yeah, yeah,

1178
01:04:56,720 --> 01:04:58,880
Speaker 1: I saw that that it was. It was supposed to

1179
01:04:58,920 --> 01:05:02,680
Speaker 1: be like what actually happened in The Bachelor and murdered. Well,

1180
01:05:02,720 --> 01:05:05,400
Speaker 1: I mean they took it to extremely but they showed

1181
01:05:05,440 --> 01:05:08,880
Speaker 1: you how like they shape the stories. You know, Yeah, okay,

1182
01:05:09,120 --> 01:05:11,439
Speaker 1: now go in and go in and say this, you know, yeah,

1183
01:05:11,600 --> 01:05:14,120
Speaker 1: I mean what I know. Um, it's a lot of

1184
01:05:14,240 --> 01:05:17,240
Speaker 1: like what you think is surprises on the show, or

1185
01:05:17,280 --> 01:05:19,520
Speaker 1: that someone doesn't know something or this is crazy that

1186
01:05:19,600 --> 01:05:21,920
Speaker 1: just happened. It's like everything is planned. The producers like

1187
01:05:22,160 --> 01:05:23,800
Speaker 1: try to stir shit, you know what I mean, and

1188
01:05:24,120 --> 01:05:26,640
Speaker 1: cause fights and cause craziness. So it's like the one

1189
01:05:26,680 --> 01:05:30,240
Speaker 1: little segment I saw yesterday, this girl from another season

1190
01:05:30,320 --> 01:05:32,720
Speaker 1: shows up and she's trying to get on the show

1191
01:05:33,280 --> 01:05:35,360
Speaker 1: and they call Chris Harrison and he's supposed to act

1192
01:05:35,440 --> 01:05:38,640
Speaker 1: like he's surprised. He's like, what this is. This is

1193
01:05:38,720 --> 01:05:44,760
Speaker 1: so unprecedented. I can't believe you're here on buddy, Oh,

1194
01:05:44,800 --> 01:05:47,400
Speaker 1: come on, tell me anything about that. But I was like,

1195
01:05:47,800 --> 01:05:50,440
Speaker 1: come on, Chris Harrison, you you you called her at

1196
01:05:50,480 --> 01:05:52,240
Speaker 1: three in the morning, like, yo, we need to stir

1197
01:05:52,360 --> 01:05:54,440
Speaker 1: up some drama. It's been a little bit. It's been

1198
01:05:54,480 --> 01:05:56,520
Speaker 1: a little bit too nice for a few episodes. Here's

1199
01:05:56,560 --> 01:05:59,320
Speaker 1: the crazy thing. My wife start on a reality show

1200
01:05:59,400 --> 01:06:02,600
Speaker 1: for like a season, right, very famous reality show back

1201
01:06:02,640 --> 01:06:08,600
Speaker 1: in a day. Um, and uh, she's stuck on these

1202
01:06:08,720 --> 01:06:11,680
Speaker 1: things and she knows how it works. Yes, that's what's

1203
01:06:11,800 --> 01:06:15,000
Speaker 1: that's what's amazing to me. She knows all the behind

1204
01:06:15,080 --> 01:06:18,040
Speaker 1: the scenes, she knows exactly what they're doing, how they

1205
01:06:18,160 --> 01:06:21,200
Speaker 1: pit people against each other. And yet she's still yelling

1206
01:06:21,240 --> 01:06:25,440
Speaker 1: at the screen. You know, what I mean. Well, I

1207
01:06:25,520 --> 01:06:28,680
Speaker 1: think another part of it too is that is that

1208
01:06:28,920 --> 01:06:31,320
Speaker 1: if you really think about it, they're filming twenty four

1209
01:06:31,400 --> 01:06:34,520
Speaker 1: seven for months, every single day, every single night, all

1210
01:06:34,600 --> 01:06:37,160
Speaker 1: the time, and they only use little parts of it.

1211
01:06:37,280 --> 01:06:39,000
Speaker 1: So the little parts that they're going to use of

1212
01:06:39,120 --> 01:06:42,360
Speaker 1: you speaking or of what's happening is like only the meanest,

1213
01:06:42,440 --> 01:06:47,280
Speaker 1: craziest out of the blue, sha I had. I've worked

1214
01:06:47,320 --> 01:06:50,640
Speaker 1: with somebody. So when I interned it stupid interned Stupid

1215
01:06:50,680 --> 01:06:53,880
Speaker 1: Buddy Studios in the animation department and the sorry in

1216
01:06:53,920 --> 01:06:56,880
Speaker 1: the puppet department, and one of the people because that

1217
01:06:57,160 --> 01:06:59,840
Speaker 1: she was an intern two and it didn't pay the bills.

1218
01:07:00,480 --> 01:07:03,440
Speaker 1: She was one of the people that would go through

1219
01:07:03,640 --> 01:07:08,000
Speaker 1: all of the videos for Big Brother. Yeah, so you

1220
01:07:08,080 --> 01:07:10,120
Speaker 1: know how Big Brother is, right, so you know how

1221
01:07:10,200 --> 01:07:12,280
Speaker 1: Big Brother is like only an hour long or two

1222
01:07:12,360 --> 01:07:14,960
Speaker 1: hours long. Yeah, you have to go through all of

1223
01:07:15,080 --> 01:07:18,640
Speaker 1: these yeahs, because they film seven twenty four to seven,

1224
01:07:18,680 --> 01:07:20,320
Speaker 1: And she was like, and she was like, and so

1225
01:07:20,480 --> 01:07:22,440
Speaker 1: she would have to do that for that and for

1226
01:07:22,600 --> 01:07:27,120
Speaker 1: Big Brother after Dark. Also because there's so many things,

1227
01:07:27,480 --> 01:07:31,680
Speaker 1: so much goes on that you will never see, like listen,

1228
01:07:31,840 --> 01:07:35,280
Speaker 1: it's gross. It's discuss I decide a realization. I decide

1229
01:07:35,320 --> 01:07:39,880
Speaker 1: a realization. It's pro wrestling. Share the realization it's pro

1230
01:07:39,960 --> 01:07:43,800
Speaker 1: wrestling for women. No, I think pro wrestling. I think

1231
01:07:43,800 --> 01:07:47,800
Speaker 1: pro wrestlings for women. Also, well, okay, it's pro wrestling

1232
01:07:48,600 --> 01:07:52,560
Speaker 1: aimed at a female demo. Don't because it's like it's

1233
01:07:52,600 --> 01:07:55,560
Speaker 1: like not really real, but people buy into the characters

1234
01:07:56,040 --> 01:08:01,000
Speaker 1: and no, but it's real. Last thing I'll say is

1235
01:08:01,120 --> 01:08:03,200
Speaker 1: the crazy part about The Bachelor that you have to

1236
01:08:03,280 --> 01:08:05,760
Speaker 1: think about is it is so real in the sense

1237
01:08:05,840 --> 01:08:08,960
Speaker 1: that these girls are literally trapped in a house with

1238
01:08:09,200 --> 01:08:11,120
Speaker 1: one guy and that's the guy they're supposed to love,

1239
01:08:11,320 --> 01:08:14,280
Speaker 1: with no technology, no access to the outside world, no

1240
01:08:14,400 --> 01:08:16,800
Speaker 1: cell phone. So it's like their only basic commission is

1241
01:08:16,840 --> 01:08:19,200
Speaker 1: to get this guy an alcohol. So it's like, you,

1242
01:08:19,520 --> 01:08:21,360
Speaker 1: I feel like it's a part of like the only

1243
01:08:21,439 --> 01:08:23,320
Speaker 1: thing you got you're going to fall in love with him.

1244
01:08:23,439 --> 01:08:25,800
Speaker 1: And a huge competition, Like I know that if I

1245
01:08:25,920 --> 01:08:27,960
Speaker 1: was on The Bachelor, I'm so competitive. I would like

1246
01:08:28,520 --> 01:08:32,080
Speaker 1: I would percent win solely based on my manipulative skills

1247
01:08:32,160 --> 01:08:34,840
Speaker 1: to like beat out the other girls, just not because

1248
01:08:34,840 --> 01:08:37,120
Speaker 1: I like the dude, but literally just because I would

1249
01:08:37,120 --> 01:08:41,040
Speaker 1: be like I need to beat these women to be ashamed.

1250
01:08:41,240 --> 01:08:44,120
Speaker 1: I totally get that. So you're saying that a lot

1251
01:08:44,200 --> 01:08:46,519
Speaker 1: of these young ladies that are on the show aren't

1252
01:08:46,560 --> 01:08:49,759
Speaker 1: necessarily on there to marry this guy, but it totally

1253
01:08:49,840 --> 01:08:53,639
Speaker 1: on there just to win, and I feel I feel like, yeah,

1254
01:08:53,680 --> 01:08:56,240
Speaker 1: I mean, I mean, I feel like nowadays, Okay, my

1255
01:08:56,320 --> 01:09:00,200
Speaker 1: dad's kicking me out. I love you, guys, and thank

1256
01:09:00,240 --> 01:09:02,599
Speaker 1: you for promoting my song so much and like being

1257
01:09:02,680 --> 01:09:06,719
Speaker 1: so supportive. I love you guys. Thank you, Daniel and Joel,

1258
01:09:06,840 --> 01:09:14,160
Speaker 1: Thank you guys. She's so sweet. Um, all right, So

1259
01:09:14,400 --> 01:09:16,800
Speaker 1: I am totally obsessed with that show though, I'm just

1260
01:09:16,800 --> 01:09:18,600
Speaker 1: gonna I didn't know you you watched I knew Casey did.

1261
01:09:18,640 --> 01:09:20,439
Speaker 1: I didn't know that you still watched it. I don't

1262
01:09:20,479 --> 01:09:23,160
Speaker 1: watch it all the time, but I watched it enough

1263
01:09:23,320 --> 01:09:26,000
Speaker 1: to where I'm like to where I can laugh at

1264
01:09:26,280 --> 01:09:28,479
Speaker 1: Like there's he had a catchphrase last night was like

1265
01:09:28,600 --> 01:09:30,680
Speaker 1: that was like I want you out the house, And

1266
01:09:30,800 --> 01:09:33,400
Speaker 1: that shit made me laugh so hard. Like it was

1267
01:09:33,439 --> 01:09:36,479
Speaker 1: like when ray j had his show and when instead

1268
01:09:36,520 --> 01:09:38,760
Speaker 1: of giving the rose to the girl, he would be like,

1269
01:09:38,880 --> 01:09:41,800
Speaker 1: are you ready for the love of ray Jus to

1270
01:09:42,120 --> 01:09:46,920
Speaker 1: make me laugh so hard? It's just such cringe worthy stuff.

1271
01:09:46,960 --> 01:09:50,360
Speaker 1: When you watched The Bachelor Bachelor Paradise, well, now you

1272
01:09:50,439 --> 01:09:53,559
Speaker 1: got a root for Kit because, um, I don't think

1273
01:09:53,640 --> 01:09:57,120
Speaker 1: she's gonna win. I know some fucking insider information. Actually,

1274
01:09:58,680 --> 01:10:00,600
Speaker 1: I'm not gonna spoiler the batch learn, but I know

1275
01:10:00,680 --> 01:10:08,240
Speaker 1: a little inside scoop that's been revealed to me from Charlotte.

1276
01:10:11,760 --> 01:10:13,800
Speaker 1: You think offline, I wasn't, like, tell me what the

1277
01:10:13,840 --> 01:10:18,400
Speaker 1: fuck happens? All right, that's the show. We love you all.

1278
01:10:18,800 --> 01:10:21,760
Speaker 1: What should we tell them, guys? We should tell them

1279
01:10:21,800 --> 01:10:25,880
Speaker 1: the truth. You can't handle the truth? I think they can.

1280
01:10:26,360 --> 01:10:30,599
Speaker 1: They can. Um. I recommend a show on Apple I'm

1281
01:10:30,640 --> 01:10:39,880
Speaker 1: watching called Losing Alice, really really good, interesting sexy drama drama.

1282
01:10:39,920 --> 01:10:42,439
Speaker 1: Do you have any guys, have any referrals recommendations this

1283
01:10:42,560 --> 01:10:48,200
Speaker 1: week for the audience, Joel Daniel, I suggest you watched

1284
01:10:48,240 --> 01:10:51,160
Speaker 1: one division I can. I know, I know, I know.

1285
01:10:51,320 --> 01:10:56,080
Speaker 1: I'm give me in trouble. I'm just joking, Joel. If

1286
01:10:56,120 --> 01:10:59,880
Speaker 1: you're into the Apple TV, try Dickinson, which I'm super enjoying.

1287
01:11:00,240 --> 01:11:03,800
Speaker 1: It's about the life of Emily Dickinson. It's wacky and

1288
01:11:04,080 --> 01:11:07,680
Speaker 1: and plays modern music and sometimes rappers show up. It's

1289
01:11:07,720 --> 01:11:09,720
Speaker 1: so off the wall, and we that is that is

1290
01:11:10,000 --> 01:11:13,719
Speaker 1: very random Hailey Steinfeld, isn't it? And she she's executive

1291
01:11:13,880 --> 01:11:15,920
Speaker 1: us and starring and it's it's a lot of fun

1292
01:11:16,000 --> 01:11:19,320
Speaker 1: to watch. That girl's very talented. All Right, we love you, guys,

1293
01:11:19,479 --> 01:11:23,240
Speaker 1: and uh, thanks for tuning in. We appreciate you, and uh,

1294
01:11:23,280 --> 01:11:25,840
Speaker 1: we'll see you next time. Donald, you want to you

1295
01:11:25,880 --> 01:11:31,240
Speaker 1: want to counter send no, you baby stories about show

1296
01:11:31,520 --> 01:11:38,080
Speaker 1: we made about a bunch of doctor nurses and said,

1297
01:11:38,160 --> 01:11:51,680
Speaker 1: he's stories. So yead around here, yeat around here. M

1298
01:11:51,920 --> 01:11:52,040
Speaker 1: hm