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Speaker 1: From UFOs to psychic powers and government conspiracies. History is

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Speaker 1: riddled with unexplained events. You can turn back now or

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Speaker 1: learn the stuff they don't want you to know. M Hello,

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Speaker 1: welcome back to the show. My name is Matt, my

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Speaker 1: name is Noel. They call me Ben. We are joined

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Speaker 1: with our super producer Paul decond to give it up

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Speaker 1: for him and as always, the most important part of

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Speaker 1: the show is here. You are you, and that makes

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Speaker 1: this stuff they don't want you to know. It's our

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Speaker 1: very last episode of the year, and we can't thank

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Speaker 1: you enough, but I guess we're gonna We're gonna try,

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Speaker 1: because this is not the normal episode. Finally made it

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Speaker 1: through Y two K y'all seventeen times. I guess why

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Speaker 1: two K or why not two k K or not

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Speaker 1: too K? That is the too quick to case. So

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Speaker 1: we you know that we hang out and when we're

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Speaker 1: not in the studio, we're actually friends. We do things,

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Speaker 1: we work on projects and secret in the dark. This

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Speaker 1: is not just a gig for us, no, not at all, um.

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Speaker 1: And this particular thing that you're about to listen to

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Speaker 1: is a piece that was written by our very own

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Speaker 1: Mr Ben Bolan, and he presented it to us, and

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Speaker 1: we essentially got every single human being that works in

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Speaker 1: our office and would give us the time of day

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Speaker 1: to come into the studio and record apart. And it

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Speaker 1: was super fun because we did like a table read

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Speaker 1: where we all like, literally we have a table at work.

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Speaker 1: We sat around said table and did the lines, ran lines.

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Speaker 1: It was a lot of fun and we did it

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Speaker 1: after hours. There was a little whiskey and pizza involved

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Speaker 1: and uh, and we generated this thing what we are

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Speaker 1: about to present to you. We did it for a

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Speaker 1: local audio radio play festival. I guess you could call it.

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Speaker 1: It's part of a It was our entry into something

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Speaker 1: called the Fringe Festival. And the Fringe Festival is a

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Speaker 1: theater festival that takes place around the world. Was begun

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Speaker 1: in Edinburgh, but it has has a sister festival in Atlanta.

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Speaker 1: And we wanted to make a radio play because we're

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Speaker 1: fans of surprise, surprise, creepy stuff. And we did this

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Speaker 1: outside of work completely as something called we called our

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Speaker 1: outfits sorrow Bread and I can't remember why we thought

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Speaker 1: that was a good idea. I think it's because it's

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Speaker 1: the bread you used to sop up your tears and

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Speaker 1: then yes, we were in a dark place. It had

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Speaker 1: to do with a lyric from the It's from a

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Speaker 1: song that plays a role in the episode or in

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Speaker 1: this story from an urban legend of summer now, which

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Speaker 1: some of you may recognize. And we also had a

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Speaker 1: lot of help from our recurring stuff. They don't want

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Speaker 1: you to know family member Lauren Vogel Ball, So you'll

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Speaker 1: hear each of us and a lot of your your

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Speaker 1: podcasters from other shows you enjoy hopefully enjoy popping in

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Speaker 1: here and there. We do hope you enjoy this foray

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Speaker 1: into fiction or is it? And we do have to

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Speaker 1: note that as this was made outside of work, there

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Speaker 1: are a lot of beeps that you're going to hear,

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Speaker 1: a Jeff and in this there are a lot of beeps.

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Speaker 1: Um and we we we want to thank personally super

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Speaker 1: producer Paul for it's very raw. Yeah. Uh So we

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Speaker 1: wanted to figure out some way beyond the typical thank

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Speaker 1: you that we wanted that we usually try to do

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Speaker 1: some way to thank you, specifically you for checking out

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Speaker 1: our show and sticking with us through this absolutely insane year.

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Speaker 1: And we also realized that you know, we we we

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Speaker 1: we could have made a whole fresh thing. But we

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Speaker 1: worked hard on this and we never shared it with

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Speaker 1: you guys, so we figured why not, you know, and

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Speaker 1: we keeps us from staying up till five in the

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Speaker 1: morning making another one of these, and it gives you

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Speaker 1: something that in your feet that you haven't heard before,

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Speaker 1: So it's a win win, and let us know if

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Speaker 1: you like it. We sure hope you do because we

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Speaker 1: have other stuff similar to it already in the works.

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Speaker 1: So what follows is a present to you and we'll

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Speaker 1: see you next time. Those same fifty witnesses probably saw

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Speaker 1: you drive away to what Neil, Where are you? Hello? Neil?

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Speaker 1: Neil isn't here, Joe, But hey, move me soon. Many

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Speaker 1: people beer soup, a secret, No, no, remember, no, let

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Speaker 1: me go, let me go, not again. M hm. Hi,

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Speaker 1: this is Joe. I'm away from the phone right now.

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Speaker 1: If you could leave your name and number, I'll get

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Speaker 1: back to you as soon as possible. Hey, Joe, it's Kate.

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Speaker 1: Started to call so early. Just wanted to make sure

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Speaker 1: you're still on to fill in for Paul today. We're

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Speaker 1: recording at the usual time and thanks again, man, you're

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Speaker 1: a life saver. Hello, this is Joe. Hello, Hello, DoD Okay, well,

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Speaker 1: at least I can still grab a few more minutes

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Speaker 1: of sleep. And it looks like you gotta go, baby, Yeah,

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Speaker 1: I love you. I'll call you later. And that's the

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Speaker 1: way it was until it wasn't. Good night from the

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Speaker 1: witless news. And that's a wrap on the live feed.

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Speaker 1: We are good to go to the pre recorded stuff.

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Speaker 1: Good guys, Hey, Kate, have you heard from Joe yet?

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Speaker 1: He's supposed to be here though I called him. Well,

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Speaker 1: let's give him a sec if that's okay with you,

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Speaker 1: Oh sher, He's probably just running light or something, traffic, right,

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Speaker 1: what are you guys covering today? Anyway, We're going to

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Speaker 1: do music in the mind, you know, like how it

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Speaker 1: affects your mood. Minor Keys. Music is torture. Torture, right,

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Speaker 1: It's pretty common, even a kind of psychological warfare like

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Speaker 1: picture the CIA holding a prisoner in some unmarked black site,

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Speaker 1: playing the same song over and over again for hours

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Speaker 1: or days, occasionally stopping to ask a question, usually the

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Speaker 1: same question, over and over. Paul was pretty into it

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Speaker 1: before he went on vacation or whatever. It's all he

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Speaker 1: talked about right before he left. You know how he

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Speaker 1: gets right. When's he supposed to be back anyway? I'm

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Speaker 1: not sure next week. He was a little bit vague surprised. Yeah,

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Speaker 1: weird guy, But so what kind of music are you

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Speaker 1: guys talking about anyway? Like opera or mariachi or pop?

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Speaker 1: I could see pop songs, something with like auto tune.

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Speaker 1: Wouldn't be surprised if they gave every genre shot. The

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Speaker 1: most common one, apparently, is the Barney theme song like

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Speaker 1: the Purple Dinosaur. I hate that guy. There's something just

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Speaker 1: sort of unsettling, kind of creepy about that whole show. Hey, guys, sorry,

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Speaker 1: I'm late, dude, Choe, are you okay? I just sit down,

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Speaker 1: take a breath. I was in traffic, you know that

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Speaker 1: intersection by North and the Highland, the one that always

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Speaker 1: gets clogged up when people are trying to make a left.

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Speaker 1: So I'm sitting there and start waiting on the light

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Speaker 1: and it was busted. It was just blinking head and

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Speaker 1: people are honking their horns like crazy, but it's bumper

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Speaker 1: to bumper. Nothing's moving right. And then this guy in

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Speaker 1: the car in front of me, he gets out and

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Speaker 1: just he walks out and he leaves the door open,

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Speaker 1: and then the car it's still running. And he goes

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Speaker 1: over to this car in front of him, and he's

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Speaker 1: he's moving slow, you know, like a zombie or something.

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Speaker 1: And he pulls out a gun with the I know, dude,

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Speaker 1: he pulls out a gun and he shoots into the

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Speaker 1: other car like point blake. And he turned and looked

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Speaker 1: at me, like directly at me, and he holds the

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Speaker 1: gun up to the side of his head and blaw him.

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Speaker 1: And he blew his brains out right there on the street.

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Speaker 1: And saw it. I saw it, Jesus, What did he do?

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Speaker 1: I ran and drove off. I mean he didn't stay

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Speaker 1: for the cops. I don't know, Neil, I couldn't. It

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Speaker 1: wasn't I was afraid to stay there. Dude. I don't

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Speaker 1: mean to be a or anything, but you know you

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Speaker 1: have to call the cops. I mean, you know this, right.

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Speaker 1: I can't Okay, yeah, I can't explain why. But this guy,

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Speaker 1: when he looked at me, he said something like something

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Speaker 1: about dreaming or not I was only dreaming or verr

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Speaker 1: gay vilts something. And does this make any sense to you? Guys?

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Speaker 1: I had this dream last night, and I keep having

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Speaker 1: these dreams over and over. Look why don't we just

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Speaker 1: record this next segment tomorrow. You should go home, call

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Speaker 1: the police and let them know that you're a witness. Look, Kate,

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Speaker 1: I appreciate it. I do, but right now, the only

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Speaker 1: thing that I want to do is record. There has

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Speaker 1: to be at least fifty other witnesses, fifty other people

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Speaker 1: around you know, they don't need me. Those same fifty

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Speaker 1: witnesses probably saw you drive away too. What you're right,

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Speaker 1: someone had to have seen you. No, it's just what

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Speaker 1: you said just now, you know, Like, can we just

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Speaker 1: record the show? Guys? I will call the police, I promise.

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Speaker 1: Are you sure? Yeah? Yeah, let's let's do it. Please,

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Speaker 1: all right, man, whatever you got it? Okay, levels are good,

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Speaker 1: Give me just one sack. There's our blinking little light

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Speaker 1: and we are rolling. Welcome back to Science on the Mind.

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Speaker 1: I'm Kate, and today we've got a special guest for you,

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Speaker 1: Joe Campbell, who will be filling in for Paul. Hey, everybody,

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Speaker 1: thanks for having me on the show. Kate, Thanks for coming. Listeners.

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Speaker 1: You've probably heard Joe on a few of our other shows,

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Speaker 1: but here's something you might not know about him. In

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Speaker 1: addition to being great in front of and behind the mic.

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Speaker 1: Joe's also a musician, and that, sir, makes you a

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Speaker 1: perfect toast for today's episode. Today, we're talking about music,

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Speaker 1: but not just any kind of music. We're talking about

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Speaker 1: music as a weapon. Oh good, Oh sorry, guys, I

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Speaker 1: have no idea what just happened? They're I never heard

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Speaker 1: anything like that before. Can you talk into the mic?

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Speaker 1: Real quick? Uh? Yeah? Testing? Testing? Testing? Okay, Kate, now

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Speaker 1: you sure sound check? Sound check? Jeez, I have no idea.

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Speaker 1: This seems everything seems okay. Just hold on one second,

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Speaker 1: jesus A. Welcome to the show, everybody. I'm Kate and

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Speaker 1: this is Science on the Mind. Today we're joined by

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Speaker 1: a very special guest, Joe Campbell, who's filling in for Paul. Hi. Everybody,

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Speaker 1: thanks for coming. Oh listeners, you've probably heard Joe on

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Speaker 1: a few of our other shows, but here's something you

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Speaker 1: might not know about him. Joe's also a musician, and that, sir,

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Speaker 1: makes you a perfect host for today's episode. Today, we're

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Speaker 1: talking about music. But this isn't some Pitchfork review, right right, No,

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Speaker 1: We're talking about a different kind of music, a a

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Speaker 1: use of music. You could say, we're talking about music

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Speaker 1: as science. Applied science music as a tool, as a

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Speaker 1: weapon even exactly. Let's start with a story, Joe, you

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Speaker 1: recently sat down with Professor Hans Weissbaum, a music historian,

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Speaker 1: to look at the role music plays not just in history,

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Speaker 1: but in the human mind. So, Dr Weisbaum, let's start

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Speaker 1: at the beginning. What do you wish more people knew

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Speaker 1: about music? Good question? On sank you how to starts? Well,

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Speaker 1: human beings have as vino, multiple vase of encounter our

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Speaker 1: reality because these mediums senses five, Right, we have five centers.

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Speaker 1: That's a common misconception. Research proofs that we at any

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Speaker 1: rate have more than five. There are five basic historical

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Speaker 1: senses site, of course, the most important for current civilization

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Speaker 1: on smell, on taste, so to being extraordinarily intertwined, on touch,

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Speaker 1: which can be passed into multitudinous sub sences. And most

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Speaker 1: importantly we have sound hearing. Yes, but didn't you say

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Speaker 1: that vision was the most important sense to our current society. Yes,

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Speaker 1: but remember civilization is not a constant thing. It is

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Speaker 1: a fragile light on Sometimes it goes out only for

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Speaker 1: a new society to arise in its place. Today, sight

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Speaker 1: is the most important sense, but for the majority of

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Speaker 1: human history, sound was our primary experience. It informed us

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Speaker 1: in vital ways. We cannot touch a thing and know

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Speaker 1: its history or future. We cannot taste a thing and

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Speaker 1: immediately know if it will ah, nourish or negate us. Yes, yes,

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Speaker 1: but sound, yes, sound. Early human predators hunted at night,

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Speaker 1: and even now the average unaided human eye cannot see

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Speaker 1: in darkness. So we listened, we heard, and as we heard,

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Speaker 1: we survived. The first communication man made the si world

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Speaker 1: around him for through sound. Music is a result of that.

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Speaker 1: Music precedes art, music precedes language, and music at its

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Speaker 1: base is only an arrangement of sound in some curated order.

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Speaker 1: The oldest reserves of human knowledge were likely songs. So

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Speaker 1: in a vay, you could say, is the study music

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Speaker 1: is the oldest of human pursuits. Again, h long la,

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Speaker 1: It's I'm sorry, you guys know what's going on today? Look,

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Speaker 1: it's it's already past five, and this isn't going live

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Speaker 1: until next week. And we can always roll live if

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Speaker 1: we have to. Why don't we just knock off early? Joe?

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Speaker 1: Uh yeah, sure, I guess. I mean I'm not going

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Speaker 1: to say no to leaving early. When I meet up

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Speaker 1: at the spot. Sergeant Clark denies any connection between the

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Speaker 1: recent spate of murder suicides. At this time, we have

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Speaker 1: no indication that the events you mentioned are related. We do, however,

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Speaker 1: warnant everyone to be vigilant and alert your local authorities

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Speaker 1: that you see an act of violence. We will follow

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Speaker 1: up on these separate investigations and issue updates as they

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Speaker 1: are available. Thank you for your time, No further questions

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Speaker 1: spoken like a true want to be mayor. Sounds like

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Speaker 1: you weren't the only one to see something strange. So wait,

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Speaker 1: where is Paul exactly? He's on vacation, thank for two weeks.

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Speaker 1: I mean, what does he just save up all year?

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Speaker 1: Does he never take any normal people vacation time? Nope?

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Speaker 1: Sometimes Paul just disappears super professional. I'm sure there's a reason,

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Speaker 1: and I mean we we do sort of pay him

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Speaker 1: to be the weird guy, you know, Uh huh? What

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Speaker 1: was it last time? Are competitive eating contest and underground

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Speaker 1: gun show that turned him into an n are not

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Speaker 1: all over again? I forget? Maybe he has family stuff.

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Speaker 1: I mean, he is a pretty private person, at least

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Speaker 1: from what I hear around the office. He's an act,

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Speaker 1: is what he is, and our bosses let him get

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Speaker 1: away with it. Who else could just off without telling

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Speaker 1: anyone for weeks at a time. Okay, Okay, he does

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Speaker 1: this like maybe once a year. Janni said. He told

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Speaker 1: her through a text message the Sunday before right all

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Speaker 1: class that one. Wait, so he just ghosted you guys

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Speaker 1: didn't record a head or anything like that. We have

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Speaker 1: a few episodes in the can, but I mean, come on,

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Speaker 1: we have to make a weekly show. We can't just

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Speaker 1: go into reruns. He knows that, then where is he

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Speaker 1: and why are you always on his side? Look, it's

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Speaker 1: just convenient that he doesn't have a problem pulling a

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Speaker 1: Houdini whenever he wants, and he'll stroll right back in,

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Speaker 1: expecting to get all the credit for shows he didn't

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Speaker 1: even make. And you guys are gonna let him. Oh,

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Speaker 1: come on, Kate happens you know that. Okay. Look, I'm

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Speaker 1: not as close with him as you guys are, but

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Speaker 1: I remember him seeing something about the music episode. He

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Speaker 1: seemed to think he'd be back in time to record it.

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Speaker 1: I mean, that's why I was so surprised when you

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Speaker 1: asked me aboard. I do appreciate it, though, No, of course,

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Speaker 1: we appreciate it. I'm sorry, man, it's just frustrating. I mean,

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Speaker 1: I'd like to take a vacation once in a while too,

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Speaker 1: and I'm sure Neil feels the same way. But here

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Speaker 1: we are with half a host and apparently there's a

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Speaker 1: suicide epidemic or whatever. Wait, yeah about that. Maybe you

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Speaker 1: think they're bad at this point? Suicide Here you go, guys,

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Speaker 1: anything to eat? I'm good? But hey, Carlo, what was

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Speaker 1: that on the news? Probably the suicide epidemic, that's what

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Speaker 1: they're calling it. It's all over the radio, don't you

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Speaker 1: guys listen to the news. We heard something. But yeah,

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Speaker 1: it's like across the city people are killing each other

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Speaker 1: and themselves. You seriously haven't heard about this. It's like

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Speaker 1: close to eleven people or something. I gotta go. Hey,

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Speaker 1: hang on, man, wait a second, Hey, harn it's me.

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Speaker 1: I'm on the way back. I hope you're doing okay.

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Speaker 1: Today was just look, I'll see you in a bit,

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Speaker 1: ring me if you want me to pick anything up

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Speaker 1: on the way home. Green light. Gotta go, love you, bye.

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Speaker 1: So why had the police saying anything? Why isn't the news,

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Speaker 1: the lamestream news that is covering this there's a blood

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Speaker 1: bath out there, people, and don't act for a second

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Speaker 1: like Uncle Sam doesn't know what's going on. But we've

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Speaker 1: seen the light, while some of us have, but we've

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Speaker 1: been expecting this, those of us with our eyes open,

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Speaker 1: that is, for a long long time. Now, let's go

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Speaker 1: to the phones. Ah, don't good, chuckles all a, Hey,

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Speaker 1: where is everybody? It's like a ghost town. Nobody's in

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Speaker 1: the office and traffic was pretty late too. Yeah. Did

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Speaker 1: you did you catch the news this morning? You know,

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Speaker 1: I hate listening to the news right before show. I

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Speaker 1: haven't even turned on my computer. Why what's up? Hang on? Hello? Hello, Hey, Hey,

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Speaker 1: what's up? Man? Dude? Hello? Ground control to major tom

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Speaker 1: Ah Oh okay, yeah, yes, but well, have you seen Joe? No? No, sure, urgent? Okay, okay, okay,

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Speaker 1: we'll see you. That was Paul looks like he's back

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Speaker 1: in town. Sounded wasted and is Captain Mystery planning on

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Speaker 1: joining us at work today. He said he needs to

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Speaker 1: meet us outside of the office. Well, you guys have fun.

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Speaker 1: As for both of us, he said it was urgent.

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Speaker 1: Showing up for your job sounds pretty urgent to me.

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Speaker 1: He sounded pretty shaken up. He's our friend, he's your friend. Fine, fine, Fine,

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Speaker 1: Then he's a guy who needs help. I get it. Okay,

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Speaker 1: I get it. Maybe he got fired or something. But

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Speaker 1: what would you want us to do if you needed help?

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Speaker 1: We're still waiting on Joe, even if apparently everyone else

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Speaker 1: took the day off. He he said, Joe is not coming.

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Speaker 1: How the hell would he know? Just come with me, please? Fine?

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Speaker 1: Where well. We cannot respond to any inquiries regarding an

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Speaker 1: ongoing investigation. We will provide updates as soon as possible.

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Speaker 1: At this point, we have issued a citywide warning and

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Speaker 1: allocated additional resources to local schools, government offices, and financial centers.

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Speaker 1: What about state level warners? How do you respond to

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Speaker 1: the news the governor's disappearance? Again, we are in the

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Speaker 1: process of several unrelated investigations, and we will provide updates

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Speaker 1: as they appear. At this time, we are asking citizens

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Speaker 1: to use extreme caution when out late or alone in

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Speaker 1: unfamiliar areas. If you see anything suspicious, please contact your

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Speaker 1: local police department immediately. The most crowditive, every seamless place

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Speaker 1: there he is, the prodigal podcaster returns. Get to see you, man,

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Speaker 1: It's all a little worried. We what's up? It look

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Speaker 1: like six pounds of a four pound bay Neil Kate.

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Speaker 1: Thanks for coming. I owe you both on apology. That's

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Speaker 1: all right? Sure do hey? You guys want anything now?

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Speaker 1: Jamison on the rocks three? Jamison's please? Where's Carla? She

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Speaker 1: hasn't been in today, sick or something. I guess I'll

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Speaker 1: be right back with those drinks, guys. So what is

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Speaker 1: it now, Paul? Planning to grace us with your presence

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Speaker 1: at the office one of these days? Apology not accepted

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00:24:34,080 --> 00:24:37,760
Speaker 1: by the way. You guys, remember when we first tried

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Speaker 1: to start this show. It seems like a bad idea.

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Speaker 1: There's so much noise out there. Who the fucker we

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Speaker 1: add to? But now here we are, millions of people

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00:24:49,040 --> 00:24:52,440
Speaker 1: tune in each week. And then it seemed like such

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00:24:52,440 --> 00:24:56,000
Speaker 1: a good idea. We used to toast to how lucky

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Speaker 1: we were, how smart we were. But we were wrong.

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Speaker 1: Everyone was wrong. All right, are you okay? Man? I mean,

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Speaker 1: where have you been Hungary? Who the hell goes to Hungary?

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Speaker 1: No one anymore? It'll be just like that here. Soon

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Speaker 1: we have to get out of here, out of the city.

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Speaker 1: It's not going to be safe here. Much longer. We

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Speaker 1: have to get out of here. God, you're so melodramatic,

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Speaker 1: do you know that? Okay, No, it's ridiculous. You disappeared

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Speaker 1: Paul in April and everyone just pretended, Oh, he's on vacation.

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Speaker 1: Now you show up drunk and you expect us to

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Speaker 1: just leave the city. What does that even mean? Are

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00:25:43,080 --> 00:25:48,359
Speaker 1: you crazy? Are you Insaney? You're right, You're right, I

352
00:25:48,400 --> 00:25:52,159
Speaker 1: am drunk. I had to go, Okay, I had to

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Speaker 1: see to see it for myself. Just humor me, okay,

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00:25:55,560 --> 00:26:03,480
Speaker 1: please kneel, okay, okay. It was the music. When we

355
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Speaker 1: first started prepping for this piece on music in the mind,

356
00:26:06,760 --> 00:26:11,119
Speaker 1: I dug through everything I could find, interviews, archival recordings

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Speaker 1: from the Congressional Library, declassified documents from interrogations at black sites,

358
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Speaker 1: you know, the usual stuff. So one thing stayed with me,

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Speaker 1: this legend, I guess you'd call it. Back in the thirties,

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Speaker 1: there was this guy, a composer named Rezo Series. He's

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Speaker 1: kind of a two bit, you know, just one of

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Speaker 1: a hundred thousand other would be songwriters dreaming of being

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Speaker 1: a European Stephen Foster or something. He moved to Paris

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Speaker 1: and his life spiraled down with his parents died, he

365
00:26:41,280 --> 00:26:46,399
Speaker 1: went bankrupt, but she said you went to Hungary. Yes, listen,

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Speaker 1: that's where he ended up. Then his girlfriend fiance, maybe

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00:26:51,359 --> 00:26:55,479
Speaker 1: she left. He tried to kill himself, but instead he

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00:26:55,520 --> 00:26:58,520
Speaker 1: wrote a song and it was a success. You've probably

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Speaker 1: heard of it. Gloomy Sunday. Uh. Yeah, that that Billie

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00:27:02,920 --> 00:27:05,840
Speaker 1: Holiday song? Right? Yeah, but that wasn't her. That was

371
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Speaker 1: a cover song, bingo, Yes, but the one we hear,

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00:27:09,840 --> 00:27:14,080
Speaker 1: the ones we've always heard, those are all covers. But

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00:27:14,160 --> 00:27:19,280
Speaker 1: the original recording, the the original pressing the suicide started

374
00:27:19,400 --> 00:27:22,960
Speaker 1: right after its release. A man jumps from a fifth

375
00:27:22,960 --> 00:27:27,120
Speaker 1: story window in downtown Antwerp. A woman slits her child's

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00:27:27,160 --> 00:27:30,199
Speaker 1: wrists in a Berlin bathtub. Then she slips into the

377
00:27:30,200 --> 00:27:35,520
Speaker 1: water and slices her own throat. More and more deaths,

378
00:27:35,600 --> 00:27:40,800
Speaker 1: no motive, no explanation, no commonality except for this one thing,

379
00:27:41,520 --> 00:27:47,760
Speaker 1: this song song that makes people kill them. Sellers, yes,

380
00:27:48,400 --> 00:27:51,440
Speaker 1: but the record sells so fast that it just goes

381
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Speaker 1: into repressing almost immediately. The song is sad, sure, blame

382
00:27:55,760 --> 00:27:58,920
Speaker 1: the C minor key, I guess. But most people, most

383
00:27:58,920 --> 00:28:04,800
Speaker 1: people are fine, most are especially resso he's making money

384
00:28:04,880 --> 00:28:08,080
Speaker 1: hand over fist, more than he's ever made in his life,

385
00:28:08,359 --> 00:28:11,399
Speaker 1: until the cops asked him to visit the morgue. His

386
00:28:11,560 --> 00:28:16,280
Speaker 1: ex had joined the trend. She drank acid. Her suicide

387
00:28:16,320 --> 00:28:25,080
Speaker 1: note two words, gloomy Sunday. All of a story, But

388
00:28:25,200 --> 00:28:27,960
Speaker 1: it's true. I went to Hungry, all the way to

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Speaker 1: that dip little town where Rezzo ran. When his ex died,

390
00:28:31,600 --> 00:28:34,280
Speaker 1: he withered away in a piano bar. And he didn't

391
00:28:34,320 --> 00:28:38,840
Speaker 1: listen to that original pressing for years. But you did

392
00:28:39,000 --> 00:28:44,520
Speaker 1: listen to him. Yes, In nineteen sixty he jumped from

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Speaker 1: a window, but he survived. Doesn't Hungry already have a

394
00:28:49,360 --> 00:28:53,800
Speaker 1: high suicide rate In the hospital He strangled himself with

395
00:28:53,840 --> 00:28:58,600
Speaker 1: a wire same night. It's true. I found it. I

396
00:28:58,720 --> 00:29:02,360
Speaker 1: found one of the original pressings. Why are you still alive?

397
00:29:02,720 --> 00:29:05,880
Speaker 1: Because I haven't listened to it. There's a thumb drive

398
00:29:05,920 --> 00:29:10,160
Speaker 1: copy in my apartment, but the original record, it's someone

399
00:29:10,200 --> 00:29:15,280
Speaker 1: took it. So you traveled halfway across the planet to

400
00:29:15,320 --> 00:29:19,760
Speaker 1: find some first record and lost it on the way back.

401
00:29:20,320 --> 00:29:23,800
Speaker 1: I didn't say I lost it. I said someone took it.

402
00:29:24,280 --> 00:29:27,440
Speaker 1: That's what's going on. Someone else found the record and

403
00:29:27,440 --> 00:29:29,680
Speaker 1: they're putting it back on the air. People don't just

404
00:29:29,800 --> 00:29:32,360
Speaker 1: wake up one day and decide to kill their family.

405
00:29:32,640 --> 00:29:37,120
Speaker 1: Joe Campbell didn't just didn't. What what are you even saying?

406
00:29:38,480 --> 00:29:42,800
Speaker 1: Joe's dead? Oh? Come on, you don't listen to the radio,

407
00:29:42,920 --> 00:29:45,680
Speaker 1: you either, Kate. We are making shows all day. Who

408
00:29:45,760 --> 00:29:48,920
Speaker 1: wants to listen to more of that? No one except

409
00:29:48,920 --> 00:29:55,000
Speaker 1: for Joe. When's the last time you saw him here? Actually? Yesterday?

410
00:29:55,080 --> 00:29:59,200
Speaker 1: And since then? Um? I mean we texted him. Maybe

411
00:29:59,240 --> 00:30:03,200
Speaker 1: he didn't get it. But listen to yourself, Paul, this

412
00:30:03,400 --> 00:30:07,400
Speaker 1: is ridiculous. I know you've got a lot on your plate,

413
00:30:07,600 --> 00:30:11,480
Speaker 1: but you probably should have taken a real vacation instead

414
00:30:11,480 --> 00:30:29,280
Speaker 1: of of which take is that? Carla? We have to

415
00:30:29,280 --> 00:30:33,280
Speaker 1: get out of here now, how are you talking about? Now?

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00:30:33,480 --> 00:30:37,560
Speaker 1: Come on, here are the closest sound proof place we

417
00:30:37,640 --> 00:30:40,800
Speaker 1: can find. Get to the office. Do not turn on

418
00:30:40,840 --> 00:31:02,760
Speaker 1: the radio. Those people and Carla, what was she saying?

419
00:31:02,960 --> 00:31:05,960
Speaker 1: Was it the song? Yeah? Yes, I think so. They

420
00:31:05,960 --> 00:31:08,960
Speaker 1: were chanting like it was a cult or something. Yeah,

421
00:31:09,080 --> 00:31:11,680
Speaker 1: they must have it on the satellite radio. Now who

422
00:31:11,680 --> 00:31:14,240
Speaker 1: the hell are they? I don't know. Did you see

423
00:31:14,280 --> 00:31:17,920
Speaker 1: Neil got to his car? I think? But my phone

424
00:31:17,960 --> 00:31:25,000
Speaker 1: isn't working mine either. Oh, they're outside here. Take this gun.

425
00:31:25,320 --> 00:31:27,320
Speaker 1: I'm going out there to block the main door and

426
00:31:27,360 --> 00:31:31,520
Speaker 1: look for Neil. Kate. Don't let anyone in unless you're

427
00:31:31,640 --> 00:31:41,720
Speaker 1: certain it's one of us. Kate, run rue, Joe, what

428
00:31:41,840 --> 00:31:52,560
Speaker 1: happened to your head? Joe? Joe? What are you? Piece

429
00:31:52,640 --> 00:31:58,960
Speaker 1: of your remains here? I don't want to I don't

430
00:31:59,000 --> 00:32:02,840
Speaker 1: want to hurt you up stop, I will shoot. Oh god,

431
00:32:07,120 --> 00:32:12,760
Speaker 1: it should be dead. There we are. You know he

432
00:32:13,000 --> 00:32:17,200
Speaker 1: was right almost your friend out there in the way.

433
00:32:17,680 --> 00:32:20,960
Speaker 1: There really was a lesson. But he didn't lose the

434
00:32:21,080 --> 00:32:26,400
Speaker 1: song so much as to inscribe it. It's all so

435
00:32:26,760 --> 00:32:31,160
Speaker 1: long since we used human tongues at each time, the

436
00:32:31,320 --> 00:32:36,800
Speaker 1: like figures another thousand languages taking its place. He wasn't

437
00:32:36,800 --> 00:32:41,000
Speaker 1: talented less a, no, none of you are. But he

438
00:32:41,160 --> 00:32:47,160
Speaker 1: did have unmackable language. And do you know what he did?

439
00:32:47,840 --> 00:32:51,440
Speaker 1: You do you know what he did? He found us,

440
00:32:52,120 --> 00:32:56,480
Speaker 1: your lessen, found the old works, the sigils. He called

441
00:32:56,680 --> 00:32:59,760
Speaker 1: to us out there in the dark, And when one

442
00:32:59,760 --> 00:33:03,360
Speaker 1: of who hails us, a light gleams across the chasms

443
00:33:03,480 --> 00:33:09,440
Speaker 1: of the abyss a gateway, and all he wanted, all

444
00:33:09,720 --> 00:33:14,960
Speaker 1: he wanted was fain. Can you imagine can you. He

445
00:33:15,240 --> 00:33:19,360
Speaker 1: thought his death would end it. But the dark is

446
00:33:19,480 --> 00:33:26,680
Speaker 1: long and deep and endless, and we are patient. What

447
00:33:26,840 --> 00:33:30,800
Speaker 1: are you? We are our legion were the emptiness behind

448
00:33:30,960 --> 00:33:35,440
Speaker 1: the stars. We are the dark and we hunger nil

449
00:33:36,120 --> 00:33:42,240
Speaker 1: nil Nil is gone. You killed him, kill kill. You

450
00:33:42,560 --> 00:33:46,920
Speaker 1: do not know death. You will never know death now,

451
00:33:48,040 --> 00:33:53,280
Speaker 1: But you are industrious. Now. A single spell can touch

452
00:33:53,640 --> 00:33:59,160
Speaker 1: millions of you. And the time for bardaining has passed.

453
00:34:00,040 --> 00:34:04,400
Speaker 1: Now you and your kind shall serve a different purpose.

454
00:34:05,640 --> 00:34:13,799
Speaker 1: We shall make new beverli. We shirt the light every glimmer.

455
00:34:14,920 --> 00:34:23,480
Speaker 1: We shall feast until the last start the silence. Who

456
00:34:23,719 --> 00:34:29,680
Speaker 1: will carry the hand into star a child? We bear

457
00:34:29,800 --> 00:34:35,880
Speaker 1: the new race through the darkness. And there were giants

458
00:34:36,080 --> 00:35:03,920
Speaker 1: in those days. Let me tell you the seeds based

459
00:35:03,960 --> 00:35:06,799
Speaker 1: on the murder suicide epidemic. With no further news from

460
00:35:06,880 --> 00:35:10,000
Speaker 1: Boston or New York, now, let's cut live to Sergeant

461
00:35:10,080 --> 00:35:13,600
Speaker 1: Clark from the Atlanta Police Department or um as in

462
00:35:13,840 --> 00:35:26,880
Speaker 1: barrack yarlock is he basnak vega vilagnacs. Hello, everyone, if

463
00:35:26,960 --> 00:35:29,200
Speaker 1: you can hear me, I'm filling in for our usual

464
00:35:29,360 --> 00:35:34,400
Speaker 1: hosts who couldn't make it today. I'm filling in for everyone.

465
00:35:34,520 --> 00:35:39,200
Speaker 1: In fact, maybe you two. It's July one and I

466
00:35:39,320 --> 00:35:45,000
Speaker 1: haven't seen another person for the last two weeks. Everyone's gone,

467
00:35:46,160 --> 00:35:49,880
Speaker 1: all the real people anyway, without so much as a

468
00:35:50,040 --> 00:35:55,359
Speaker 1: sea You next time there's something taking over. If you're

469
00:35:55,440 --> 00:36:02,960
Speaker 1: hearing this and you're outside, please just listen closely. You

470
00:36:03,400 --> 00:36:09,440
Speaker 1: are in danger. Go indoors, whatever you can get, whatever

471
00:36:09,680 --> 00:36:15,520
Speaker 1: place you can find. If you're hearing this, then stay

472
00:36:15,640 --> 00:36:18,880
Speaker 1: on this channel. The others aren't safe. I don't know

473
00:36:18,960 --> 00:36:21,560
Speaker 1: how much time I've got here, but as long as

474
00:36:21,640 --> 00:36:26,560
Speaker 1: that little red light keeps flickering, we're going to repeat

475
00:36:26,680 --> 00:36:34,800
Speaker 1: this message. Get indoors, don't turn on the radio, and

476
00:36:34,920 --> 00:36:41,280
Speaker 1: if you can hear me, listen. Something is happening to people.

477
00:36:41,760 --> 00:36:47,000
Speaker 1: They're not themselves. We may be the last ones left.

478
00:36:48,840 --> 00:36:54,480
Speaker 1: Stay on this dial and I'll keep you as updated

479
00:36:54,680 --> 00:37:00,560
Speaker 1: as I can until that little red light was out.

480
00:37:01,680 --> 00:37:11,080
Speaker 1: Let me tell you a secret. You're bar So more

481
00:37:11,160 --> 00:37:37,799
Speaker 1: Wood better yet. Bobby Les Gobo yah ar Romo fo

482
00:37:41,360 --> 00:37:53,080
Speaker 1: Flo whomos Who a sorrow Bread production featuring Noel Brown's

483
00:37:53,160 --> 00:37:59,440
Speaker 1: Neil Lauren Voge, Obama's Kate Matt Frederick as Paul Jed Drummonds,

484
00:37:59,480 --> 00:38:04,839
Speaker 1: hands by Spa Kristen Congress Sergeant Clark Joe McCormick as

485
00:38:04,880 --> 00:38:09,880
Speaker 1: the news anchor, Lawrence Sprouse is Carla Christian Sager is

486
00:38:09,920 --> 00:38:15,719
Speaker 1: the morning host, Jonathan Strickland as the server. Story by

487
00:38:15,920 --> 00:38:21,920
Speaker 1: Zo Seras, Concept by Sorrow Bread, Sound designed by Noel Brown,

488
00:38:23,120 --> 00:38:27,520
Speaker 1: Voice direction by Noel Brown and Jed Drummond. Produced by

489
00:38:27,560 --> 00:38:31,280
Speaker 1: Sorrow Bread, a division of Illumination Global and Limited,