WEBVTT - Mini Crush #156

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, welcome to Mini Crush. On Monday, Nolan and

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<v Speaker 1>I were just talking about movies even before we recorded.

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<v Speaker 1>I'm like, what the funk are we doing? Chucky? Can

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<v Speaker 1>you hear me? It is I Noel Brown. I've never

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<v Speaker 1>seen the movie Tommy, so I'm probably doing this all wrong.

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<v Speaker 1>You're doing it just right, thanks, Bud. We're talking about

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<v Speaker 1>the Who's Tommy? Right? And it was corrected by a

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<v Speaker 1>weirdo director, Ken russell Kin. I need to I'm digging

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<v Speaker 1>into his uvra right now. And Altered States is the

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<v Speaker 1>one that always pops out as like a very psychedelic

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<v Speaker 1>take a shot movie. Yeah. I think Women in Love

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<v Speaker 1>is also one of his kind of uh more well known,

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<v Speaker 1>kind of signature films as well, if I'm not mistaken, Yeah,

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<v Speaker 1>because he's still around. No, he died nine years ago.

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<v Speaker 1>The world alright, p we hardly even knew that you

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<v Speaker 1>were dead. Yeah, Tommy's cool, very uh weird seventies. You

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<v Speaker 1>know the way those movies look back then was just

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<v Speaker 1>so cool, that kind of rich yet faded color. I

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<v Speaker 1>love it. M m mmm. And you were saying off

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<v Speaker 1>My in a red hot take that you prefer. Elton

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<v Speaker 1>John's version of Pinball Wizards featured in the movie to

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<v Speaker 1>Theos's Pretty Killer Man, because I think, I don't know,

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<v Speaker 1>I love it. I love the that riff on the

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<v Speaker 1>piano a lot better. And then he does a vocal

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<v Speaker 1>Uh he does a little bit different vocal take on

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<v Speaker 1>shore plays. I mean pinball. That that line that I

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<v Speaker 1>like a lot? Now? Am I am? I correct in? Uh?

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<v Speaker 1>Saying that he Elton John is playing the titular pinball

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<v Speaker 1>wizard in the movie. Isn't that right? Uh? No, Tommy

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<v Speaker 1>is the pinball Wizard. What Who's Elton John? He's like

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<v Speaker 1>his he's his nemesis. Maybe yeah, is a pinball wizard

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<v Speaker 1>actual role. It's been a while, but it's good and

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<v Speaker 1>I thoroughly enjoy it. He adds more soul to that song,

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<v Speaker 1>I think with the voice of his than Mr Adultery.

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<v Speaker 1>I don't know, Chuck, I hate to tell you, but

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<v Speaker 1>his role is the pinball wiz? Is he? That's what

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<v Speaker 1>it says here on Wikipedia? So well, I thought Tommy

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<v Speaker 1>was the pinball Wizard because he's the Johnny's the young

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<v Speaker 1>upstart that's given the the the dark horse that's giving

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<v Speaker 1>the pinball Wizard a run for his money. But in

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<v Speaker 1>the song that deaf, dumb and blind kid sure plays

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<v Speaker 1>a mean pinball. He's a pinball wizard. It's a good point. Man.

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<v Speaker 1>I'm all confused now. I'm just just looks stupid. Thanks

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<v Speaker 1>for bringing this up. No no, no, look, I'm literally

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<v Speaker 1>just googled Elton John and Tommy and it says Tommy

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<v Speaker 1>Elton John character big text the pinball Wizard. So I

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<v Speaker 1>I you have to take this one up with the internet, chuck,

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<v Speaker 1>because I don't have the information in my brain to

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<v Speaker 1>back it up. Stop the steel noll. Uh, let's spit

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<v Speaker 1>my coffee all over my mic So I have a

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<v Speaker 1>couple of catchup points here. I want to let everyone

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<v Speaker 1>know that I up to my popcorn game. I was

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<v Speaker 1>very shamefully just doing microwave popcorn. And that's just that's

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<v Speaker 1>the garbage way to do it. If you don't want

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<v Speaker 1>good popcorn, get microwave popcorn. And uh, I got a

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<v Speaker 1>whorli pop on the advice of John Hodgman and the

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<v Speaker 1>worldly pop is basically I think you can just get

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<v Speaker 1>the lid, but I got the lid and the pot.

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<v Speaker 1>Uh and it's uh. It's got a hand with a

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<v Speaker 1>little crank and that's attached to a little rotary spinner

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<v Speaker 1>and you put in your your stuff and you turn

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<v Speaker 1>the little handle so it's interactive, like Ruby's gonna love

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<v Speaker 1>this thing, and it spins the popcorn. Well, you cook

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<v Speaker 1>it on the stove. Nice. I love a good crank, chuck, No, no, no.

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<v Speaker 1>The things are a manual for you know what is

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<v Speaker 1>wrong with you? What is wrong with you? I just

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<v Speaker 1>said I like a good crank. I like a good

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<v Speaker 1>physical thing that you put your hand on and turn. Okay,

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<v Speaker 1>I'm trying to be sincere here checking it's all coming

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<v Speaker 1>out wrong because of your filthy gutter mind. But the

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<v Speaker 1>Worldly pop have also kicked it up with the the

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<v Speaker 1>orange coconut oil for the movie theater style. Oh yeah,

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<v Speaker 1>of course, of course, the drippy drips, Yeah, the drippy drips,

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<v Speaker 1>and then a little I do. I don't go like

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<v Speaker 1>crazy with the different toppings. I know that people have

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<v Speaker 1>their loves and their suggestions, including what is it yeast

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<v Speaker 1>or something nutritionally? Nutritionally I just like the hippies. Hippies

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<v Speaker 1>call it nootch, which sounds even worse. The hippies. I

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<v Speaker 1>just used the movie sort of orange e popcorn salt

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<v Speaker 1>can give it a good shake, and that's my game. Well,

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<v Speaker 1>you know, it would also be good chucking. This is

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<v Speaker 1>not this is not over the top. Just get a

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<v Speaker 1>nice seasoning salt, you know, get a nice like array

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<v Speaker 1>of seasoned salts and you can have a different flavor

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<v Speaker 1>melunge every time. I'll try that. I like them lunch,

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<v Speaker 1>you know, I love a good lunch. I like this

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<v Speaker 1>ide the idea of this, uh this analog you know

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<v Speaker 1>of a stove popcorn crank situation. I'm gonna look into that.

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<v Speaker 1>Jerry's texting me. You know, does everyone want to hear

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<v Speaker 1>a text from Jerry? Yeahs is? Are you in trouble everything? Okay? Hey,

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<v Speaker 1>I'm hearing weird that weird electrical noise in your track again?

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<v Speaker 1>Uh that I used to hear in the recordings, but

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<v Speaker 1>figured it was a one off as they seem pretty

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<v Speaker 1>clean as anything changed in your space. It's not terrible.

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<v Speaker 1>I can work around it, but it's definitely worse than

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<v Speaker 1>it was before the last two to three home sessions.

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<v Speaker 1>I had electrical interference and all what the hell he got?

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<v Speaker 1>He got? You got gremlin's bro in your electricals. Uh.

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<v Speaker 1>You know what I would do, Chuck, I would just

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<v Speaker 1>unplug the cord and just just plug it back in.

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<v Speaker 1>Make sure it's got a nice solid connect for the audition,

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<v Speaker 1>just for the mic. You know, this is getting introduced somewhere,

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<v Speaker 1>you know, in a chord. Uh. So it could be

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<v Speaker 1>that maybe it's just gotten a little loose or something.

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<v Speaker 1>Sometimes they work their way a little loose. But I

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<v Speaker 1>don't hear it. Well, your mike is also feeding the zoom,

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<v Speaker 1>so I would hear it, but I don't know. Um,

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<v Speaker 1>maybe send me this track after we finished, and we

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<v Speaker 1>can trouble shoot that business. This has been tech Talk

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<v Speaker 1>podcast tech Talk Uh and Noll also want to thank

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<v Speaker 1>the h and I know you know this because I

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<v Speaker 1>texted you last night, but I want to thank the

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<v Speaker 1>great people that Mog. We did a theremin podcast on

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<v Speaker 1>stuff you should know. I finished the episode talking a

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<v Speaker 1>little bit about the theorem any which is MoG's sort

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<v Speaker 1>of electric version, uh, synthesized version of the theoreman and

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<v Speaker 1>how knee it looked, and they sent me one just

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<v Speaker 1>sent me Mog is amazing. I I actually went to

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<v Speaker 1>a Mogue fest a handful of years ago that it

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<v Speaker 1>was was great. But they actually, they're such a lovely company.

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<v Speaker 1>They upgraded my press pass to what's called an engineer

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<v Speaker 1>pass where you actually get to build in a classroom

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<v Speaker 1>with the the developer, the designer their new like product

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<v Speaker 1>that hasn't even come out yet. So I got to

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<v Speaker 1>like solder a hundred and something twenty patch points on

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<v Speaker 1>this like printed circuit board and I and then I

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<v Speaker 1>got to keep it. It's this device called the drummer

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<v Speaker 1>from another mother. It's a synthesizer drum machine thing and

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<v Speaker 1>it's fantastic. That's so cool. I can't wait to go.

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<v Speaker 1>Uh it's in Nashville, right to go, it's in well,

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<v Speaker 1>actually it used to be. When I went, it was

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<v Speaker 1>in Winston Salem and the whole Research Triangle area at

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<v Speaker 1>multiple venues, and it was Fantatistic Animal Collective. I saw

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<v Speaker 1>who that was the big one. There were a few

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<v Speaker 1>really awesome some smaller artists that played, but the Animal

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<v Speaker 1>Collected was the headliner. It was lovely. I think the

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<v Speaker 1>factory though, is in Nashville, right, that's right. The factory

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<v Speaker 1>is in Asheville, and yeah, you can. I think they

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<v Speaker 1>needed tours totally. Man, I'm all over. It's a big

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<v Speaker 1>thanks to mog I'm gonna I'm gonna thank them on stuff.

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<v Speaker 1>You should know too that there are many afflicted in

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<v Speaker 1>this morning finally, and it's pretty fun. Hard to master,

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<v Speaker 1>but I'm gonna mess around with it and then I'm

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<v Speaker 1>going to let you borrow it. It's pretty neat. So No,

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<v Speaker 1>there's been talk loosely here and there about a crusher Fest,

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<v Speaker 1>and I was thinking today how much fun that would be,

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<v Speaker 1>and uh, I think it could take a lot of shapes.

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<v Speaker 1>But what I thought would be fun is if let's

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<v Speaker 1>say we rented out the place at theater here in

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<v Speaker 1>Atlanta and had like an all day thing, basically like

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<v Speaker 1>we gotta make it worth it if people are coming,

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<v Speaker 1>and um, I have three movie screening throughout the course

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<v Speaker 1>of the day, all decided on by the crushers, and

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<v Speaker 1>then we in between have socials there in the theater

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<v Speaker 1>and we could play games, we can do we can

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<v Speaker 1>do whatever. We can have people chime in and talk

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<v Speaker 1>about what might be fun to do, ice break your socials,

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<v Speaker 1>get to know you stuff, and then maybe have it catered. Uh,

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<v Speaker 1>have lunch and dinner catered and drinks and stuff. I

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<v Speaker 1>think that would be a lot of fun when things

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<v Speaker 1>returned to normal. Uh maybe late next year. I would

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<v Speaker 1>absolutely love that. And the closest thing I could compare

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<v Speaker 1>that to, um, I think I told you this. I

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<v Speaker 1>went to an event at the i f C Center

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<v Speaker 1>in in New York for John Cameron Mitchell's epic uh

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<v Speaker 1>multipart podcast series Anthem Homunculous, And it was a sit

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<v Speaker 1>down listening session for the whole thing. So it was

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<v Speaker 1>literally a theater, you know, the size of the plaza,

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<v Speaker 1>full of people, and there would be breaks where they

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<v Speaker 1>would have like they had like a lunch break and

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<v Speaker 1>then a dinner break and catering. People just came through. Um,

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<v Speaker 1>this would be a great example. We could do like

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<v Speaker 1>a six part screening fests, an all day kind of

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<v Speaker 1>movie fest situation. That would be so much fun. And

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<v Speaker 1>I think I could probably get a a block of

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<v Speaker 1>hotel rooms that maybe the What's Highland in? Yeah, at

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<v Speaker 1>the Highland in or the what's the one down the

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<v Speaker 1>street next to Pont City Market with the Claremont Hotel

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<v Speaker 1>the Claremont, and we could podcast in between the movies.

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<v Speaker 1>We could watch the movie and then do like a

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<v Speaker 1>like a podcast sash about the movie. We totally could

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<v Speaker 1>take take you questions from the audience and have like

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<v Speaker 1>a mic. This has got to happen, Chuck. I mean,

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<v Speaker 1>if we could get a hundred people here, it would

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<v Speaker 1>be worth it. And maybe, I don't know, we'll look

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<v Speaker 1>into it. I don't like the expenses a thing that

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<v Speaker 1>can keep people from going, So maybe I can just

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<v Speaker 1>like try and fit the bill for everything but travel. Yeah,

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<v Speaker 1>that sounds pretty awesome, man. It could be a lovely

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<v Speaker 1>celebratory thing for a return to normalcy and to like

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<v Speaker 1>people could drive if they're close enough, and if you

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<v Speaker 1>could afford a plane ticket. Um, then maybe maybe we

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<v Speaker 1>could just throw some of the main movie. Crush doesn't

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<v Speaker 1>make much money, but I'm I'm happy to funnel that

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<v Speaker 1>money into a big thing like this. That would be

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<v Speaker 1>kind of cool. Count me and oh no you're you're

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<v Speaker 1>not invited, No, damn it. It'd be funny. We could

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<v Speaker 1>have Casey and Paul and Annie and Holly and like

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<v Speaker 1>and you dummy and all the all the in house

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<v Speaker 1>people like that would be so much fun. Yeah, yeah,

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<v Speaker 1>I'm into it. All right, Crush your fest. We gotta

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<v Speaker 1>make that happen everyone. All right, now we're gonna get

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<v Speaker 1>going here with uh. We got a couple of little segments.

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<v Speaker 1>One we're gonna take from the crushers, the great Austin Devski,

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<v Speaker 1>one of the great crushers. He always has such great

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<v Speaker 1>ideas he is talking about. He says, Okay, animation to

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<v Speaker 1>lie back and usually doesn't work. He said, didn't work,

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<v Speaker 1>but maybe sometimes it does. I mean, what are other

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<v Speaker 1>examples of that? Okay, never mind that, I understand your

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<v Speaker 1>mind question. But I guess the big ones these days

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<v Speaker 1>are all the Disney live action kind of reboot things

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<v Speaker 1>which I would before not great, right, correct, don't particularly work.

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<v Speaker 1>He says, what live action to animation do you think

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<v Speaker 1>could work? Like? What what movie would you want to

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<v Speaker 1>see animated? Or something from that world animated. I think

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<v Speaker 1>that's pretty cool question. It's such a cool question that

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<v Speaker 1>my brain is just like whirling. I'm trying to lock

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<v Speaker 1>onto something that would make sense. Well, something science fiction.

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<v Speaker 1>He maybe like Dune. Dune would be a cool animated

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<v Speaker 1>or like a blade Runner animated like in the style

0:12:46.800 --> 0:12:49.320
<v Speaker 1>of anime, or something like a Kira kind of you know,

0:12:49.400 --> 0:12:51.120
<v Speaker 1>the blade Runner. That would be cool. And I think

0:12:51.160 --> 0:12:54.280
<v Speaker 1>the animation style, you can go with a lot of

0:12:54.280 --> 0:12:56.880
<v Speaker 1>different directions with some of this stuff. So let's see

0:12:56.880 --> 0:13:00.000
<v Speaker 1>what the crushers have to say. All right, Grant Woody says,

0:13:00.000 --> 0:13:03.119
<v Speaker 1>I think they could be fairly successful with an animated

0:13:03.160 --> 0:13:07.880
<v Speaker 1>Mad Max series, maybe in the same style as Adult Swims. Primal,

0:13:07.960 --> 0:13:10.680
<v Speaker 1>which I have not seen. Oh dude, you gotta see.

0:13:10.720 --> 0:13:15.800
<v Speaker 1>Prime was J Gindi Tarkakowski, who who did like Dexter's

0:13:15.880 --> 0:13:18.200
<v Speaker 1>Laboratory and The Powerpuff Girls and a lot of those

0:13:18.200 --> 0:13:22.360
<v Speaker 1>early Cartoon Network originals. But um, it's called Primal and

0:13:22.400 --> 0:13:26.760
<v Speaker 1>it's there's no dialogue, it's just a caveman look, and

0:13:26.800 --> 0:13:30.320
<v Speaker 1>it's fucking brutal. It looks so sad and so violent

0:13:30.440 --> 0:13:34.880
<v Speaker 1>and gorgeous. I'm with listener here. Um, Grant Woody's name,

0:13:35.280 --> 0:13:39.360
<v Speaker 1>Grant Woody h big time Like seriously, all right, Lea

0:13:39.440 --> 0:13:43.160
<v Speaker 1>Mitchell wants to see a Harry Potter animated series. I

0:13:44.280 --> 0:13:47.680
<v Speaker 1>obviously we know where I lie there, but that is

0:13:47.880 --> 0:13:50.000
<v Speaker 1>uh And I agree with John Kell. He commented that

0:13:50.040 --> 0:13:52.560
<v Speaker 1>I'm surprised it doesn't already exist. That seems like a

0:13:52.600 --> 0:13:56.720
<v Speaker 1>no brainer. You know, kids would eat that up and

0:13:56.760 --> 0:13:58.680
<v Speaker 1>you could just be in that world and not even

0:13:58.760 --> 0:14:01.559
<v Speaker 1>have it be the movies and the like the Further

0:14:01.600 --> 0:14:06.720
<v Speaker 1>Adventures of the Boy Wizard totally. You see, they're doing

0:14:06.720 --> 0:14:09.520
<v Speaker 1>a they're doing a series. Uh, they're developing a series

0:14:09.559 --> 0:14:13.079
<v Speaker 1>for HBO Max. See that. Yeah, I made it, made

0:14:13.080 --> 0:14:15.560
<v Speaker 1>a lot of news on all the nerd sites. Um,

0:14:15.960 --> 0:14:18.360
<v Speaker 1>I mean whatever, you know, Like I like, I said, like,

0:14:18.480 --> 0:14:21.440
<v Speaker 1>I'm not okay, guys, I'm gonna come clean. Not a

0:14:21.520 --> 0:14:26.480
<v Speaker 1>huge Harry Potter fan coming clean first time ever on record.

0:14:26.760 --> 0:14:28.480
<v Speaker 1>Not that I don't like it. I just like some

0:14:28.520 --> 0:14:30.600
<v Speaker 1>of the movies are cool. Some of them are kind

0:14:30.600 --> 0:14:32.960
<v Speaker 1>of too kitty and a little you know, just kind

0:14:32.960 --> 0:14:36.040
<v Speaker 1>of a snooze. But I feel that way about a

0:14:36.040 --> 0:14:38.560
<v Speaker 1>lot of the Star Wars movies, And yet I loved

0:14:38.600 --> 0:14:41.640
<v Speaker 1>The Mandalorian. So I would I would be interested to

0:14:41.640 --> 0:14:45.080
<v Speaker 1>see if for HBO Max they could do a grittier

0:14:45.280 --> 0:14:48.720
<v Speaker 1>Harry Potter situation that could be like something that even

0:14:48.760 --> 0:14:51.160
<v Speaker 1>if you're not intimately like all up in the movies

0:14:51.160 --> 0:14:54.560
<v Speaker 1>and the books, that you could enjoy as standalone where

0:14:54.560 --> 0:14:57.680
<v Speaker 1>he's like sucking people up totally shred and faces. Does

0:14:57.680 --> 0:14:59.960
<v Speaker 1>he not do that in the movies? He does? He shred,

0:15:00.080 --> 0:15:03.240
<v Speaker 1>not a face scenario, faces shredded. I don't think he

0:15:03.480 --> 0:15:06.360
<v Speaker 1>you know, he definitely wizards out on some some mofos.

0:15:06.440 --> 0:15:09.720
<v Speaker 1>But yeah, I would love to see. You know, I

0:15:09.720 --> 0:15:12.200
<v Speaker 1>can't imagine it would be all the same, you know kids,

0:15:12.240 --> 0:15:15.120
<v Speaker 1>It would be like a different class, probably different stories. Right.

0:15:16.080 --> 0:15:19.640
<v Speaker 1>Our old friend Zack Pointer says fight Club, and Austin

0:15:19.680 --> 0:15:22.000
<v Speaker 1>Debski himself said fight Club would work pretty well as

0:15:22.000 --> 0:15:25.800
<v Speaker 1>an anime. Yeah, that'd be cool. Huh. There is a

0:15:25.840 --> 0:15:30.360
<v Speaker 1>comic book sequel to Fight Clubs, only as a graphic novel. Yeah,

0:15:30.680 --> 0:15:35.040
<v Speaker 1>that's interesting. And Zach Pointer else says Rambo. I could

0:15:35.040 --> 0:15:39.520
<v Speaker 1>see that. It's well interesting. Someone posted him. Maybe it's

0:15:39.560 --> 0:15:43.160
<v Speaker 1>just a a little quick thing. But there is an

0:15:43.200 --> 0:15:46.400
<v Speaker 1>animated Rambo. But it might have just been or maybe

0:15:46.400 --> 0:15:48.640
<v Speaker 1>it was a full eighties cartoon. I don't know. Yeah,

0:15:48.680 --> 0:15:50.280
<v Speaker 1>if there was gonna be a time for that, it

0:15:50.280 --> 0:15:52.120
<v Speaker 1>would have been the eighties when they were doing like

0:15:52.560 --> 0:15:55.080
<v Speaker 1>you know, executives were just all, you know, geeked out

0:15:55.200 --> 0:15:59.080
<v Speaker 1>in their boardrooms, green lighting every cartoon, you know, of

0:15:59.400 --> 0:16:01.680
<v Speaker 1>every act and property, Like I mean, the g I.

0:16:01.760 --> 0:16:07.880
<v Speaker 1>Joe cartoon existed exclusively to sell children's underpants. Uh. David

0:16:07.880 --> 0:16:10.280
<v Speaker 1>Gooch commented on that. The Gooch said, the eighties, I

0:16:10.320 --> 0:16:13.000
<v Speaker 1>don't remember these, he said, there was a RoboCop, a

0:16:13.040 --> 0:16:17.920
<v Speaker 1>police academy, and a Toxic Avenger cartoon. Yeah, a Toxic

0:16:18.000 --> 0:16:20.720
<v Speaker 1>Avenger card. I remember the action figures for the Toxic

0:16:20.760 --> 0:16:24.920
<v Speaker 1>Avenger cartoon. They were kind of like Ninja Turtles, but grosser. Okay,

0:16:25.920 --> 0:16:28.800
<v Speaker 1>the Mr. T cartoon, of course, I remember that. That

0:16:28.880 --> 0:16:34.240
<v Speaker 1>was pretty fun. Lord of the Rings, Carrie Undil says,

0:16:34.560 --> 0:16:39.760
<v Speaker 1>Lord of the Rings. I think technically there was or

0:16:39.880 --> 0:16:43.800
<v Speaker 1>was that just the Hobbit, No, there's there's act. She

0:16:44.360 --> 0:16:46.480
<v Speaker 1>did the first one. He didn't. Only the Fellowship of

0:16:46.480 --> 0:16:48.880
<v Speaker 1>the Ring. That was wrong. That's right, that's right. But yeah,

0:16:48.920 --> 0:16:51.240
<v Speaker 1>you gotta update that ship, and that stuff looks pretty

0:16:51.320 --> 0:16:53.000
<v Speaker 1>dated now. I think it looks real bad. I mean,

0:16:53.160 --> 0:16:55.960
<v Speaker 1>I would argue that the Hobbit looks better and the

0:16:56.000 --> 0:16:58.480
<v Speaker 1>Lord than the Fellowship of the Ring one. The Dragon

0:16:58.520 --> 0:17:02.320
<v Speaker 1>looks really cool in the Hobbit, agreed. The fifth Element

0:17:02.360 --> 0:17:05.120
<v Speaker 1>that's from Ryan Townsen. That'd be pretty cool. I need

0:17:05.119 --> 0:17:06.879
<v Speaker 1>to rewatch that because I didn't love it back in

0:17:06.920 --> 0:17:09.639
<v Speaker 1>the day. I just thought it was okay, But I

0:17:09.680 --> 0:17:13.080
<v Speaker 1>know it's so revered. I think maybe it deserves to rewatch.

0:17:14.000 --> 0:17:15.840
<v Speaker 1>I think it's one of those ones that's a little

0:17:15.880 --> 0:17:19.440
<v Speaker 1>bit style over substance. Is so stylish and like cool

0:17:19.480 --> 0:17:22.600
<v Speaker 1>looking that you sort of give the fact that the

0:17:22.640 --> 0:17:26.080
<v Speaker 1>plot is a little flimsy a pass um. But I

0:17:26.680 --> 0:17:29.520
<v Speaker 1>would love to do the same. That same director who

0:17:29.560 --> 0:17:33.639
<v Speaker 1>I believe did the professional if I'm not mistaken, the

0:17:33.880 --> 0:17:39.120
<v Speaker 1>one about with with young young Lolita esque Natalie Portman Um.

0:17:39.160 --> 0:17:42.399
<v Speaker 1>He did those the Fifth Element, but he also did

0:17:42.400 --> 0:17:45.639
<v Speaker 1>a one that came out pretty recently called Valerium The

0:17:45.720 --> 0:17:47.840
<v Speaker 1>City of a Thousand some Things, and it was very

0:17:47.880 --> 0:17:51.840
<v Speaker 1>much in the same you know, visual wheelhouse as Fifth Element,

0:17:51.960 --> 0:17:54.320
<v Speaker 1>but also kind of a flimsy story, but really cool

0:17:54.359 --> 0:17:56.320
<v Speaker 1>to look at to the point where I would say

0:17:56.320 --> 0:17:58.959
<v Speaker 1>that I kind of liked it all right, Luca Lucan,

0:17:59.440 --> 0:18:05.240
<v Speaker 1>Luca Bessa, Yes, if I'm not mistaken, Joseph BELLSS Predator, Yeah,

0:18:05.280 --> 0:18:09.359
<v Speaker 1>that'd be a pretty boss cartoon. I always see cartoon

0:18:09.440 --> 0:18:12.000
<v Speaker 1>animated film. I'm fine with cartoon. I don't think anything

0:18:12.000 --> 0:18:15.280
<v Speaker 1>wrong with that. I don't think it's somehow dismissive or diminutive.

0:18:16.320 --> 0:18:23.560
<v Speaker 1>Rebecca Robe Killer admin, wonderful person, great human, says Alien

0:18:23.600 --> 0:18:27.639
<v Speaker 1>franchise and Face Off, and Debsky said Alien franchise and

0:18:27.640 --> 0:18:30.600
<v Speaker 1>stop motion would be kind of weird and scary. Yeah,

0:18:30.800 --> 0:18:36.280
<v Speaker 1>I agree. A lot of work. Yeah, that stop motion

0:18:36.680 --> 0:18:39.840
<v Speaker 1>I made, dude. I went to make a stop motion

0:18:39.960 --> 0:18:43.480
<v Speaker 1>movie when I first got my high eight video camera

0:18:43.520 --> 0:18:45.760
<v Speaker 1>and it could go frame by frame, and I got

0:18:45.760 --> 0:18:51.760
<v Speaker 1>my Star Wars figures out and I did about sixteen

0:18:51.840 --> 0:18:57.000
<v Speaker 1>seconds of movie and it took a day and a half.

0:18:57.680 --> 0:19:01.080
<v Speaker 1>And it looked good because I was really going super

0:19:01.080 --> 0:19:04.000
<v Speaker 1>slow frame by frame. It looked awesome. But I was

0:19:04.040 --> 0:19:06.600
<v Speaker 1>just like, I'm gonna be I'm gonna die and not

0:19:06.720 --> 0:19:11.920
<v Speaker 1>finish this. It takes so long. It's painstaking lye long. Well,

0:19:11.920 --> 0:19:15.080
<v Speaker 1>you've seen that amazing little moment in Parks and wrec

0:19:15.280 --> 0:19:20.119
<v Speaker 1>right where uh Adam Scott's character is depressed and unemployed

0:19:20.440 --> 0:19:23.520
<v Speaker 1>and he like making the stop motion animation film. I

0:19:23.560 --> 0:19:27.480
<v Speaker 1>don't remember that. Oh it's fabulous. He he's talking about

0:19:27.520 --> 0:19:31.520
<v Speaker 1>it whatever his name, Roblow's character who's visiting him, and

0:19:31.520 --> 0:19:33.720
<v Speaker 1>he's he's saying, oh my god, I'm working on my

0:19:33.720 --> 0:19:35.720
<v Speaker 1>stop motion film. You show it to you and he

0:19:35.800 --> 0:19:38.840
<v Speaker 1>shows it's like two seconds. It's a requiem for a

0:19:38.960 --> 0:19:41.360
<v Speaker 1>Sunday or so a Monday or that, and it's it's

0:19:41.359 --> 0:19:43.440
<v Speaker 1>the it's the R. E. M. Sung Stand and it's

0:19:43.480 --> 0:19:45.520
<v Speaker 1>the intro and it's like a dude getting out of

0:19:45.560 --> 0:19:47.800
<v Speaker 1>bed and it's just like the intro chords and then

0:19:47.800 --> 0:19:52.040
<v Speaker 1>he goes stand and it's it. That's it, and he

0:19:52.080 --> 0:19:55.160
<v Speaker 1>goes that was it. I worked on this for like

0:19:55.400 --> 0:19:58.760
<v Speaker 1>a month and a half. It is really painstaking. And

0:19:58.800 --> 0:20:02.320
<v Speaker 1>that's why you know, when you do fantastic, Mr Fox

0:20:02.440 --> 0:20:05.440
<v Speaker 1>or Isle of Dogs are one of these modern um

0:20:05.480 --> 0:20:08.800
<v Speaker 1>you know, Nick Park style stop motion, they have teams

0:20:08.800 --> 0:20:11.199
<v Speaker 1>of people, you know, and it's much more I mean

0:20:11.160 --> 0:20:14.000
<v Speaker 1>it still it's still painstaking, but they have a process

0:20:14.000 --> 0:20:16.600
<v Speaker 1>in place. Obviously it's not. Yeah. Well also, like I

0:20:16.600 --> 0:20:19.919
<v Speaker 1>mean I know that what's his name, Wes Anderson. He

0:20:20.040 --> 0:20:22.520
<v Speaker 1>monitors a lot of the production, just like like like

0:20:22.600 --> 0:20:25.720
<v Speaker 1>the Voice of God like on TV. Monitors from his apartment,

0:20:26.000 --> 0:20:28.480
<v Speaker 1>you know, just like on a screen where you know,

0:20:28.520 --> 0:20:30.399
<v Speaker 1>you can switch back and forth between the different sets

0:20:30.400 --> 0:20:33.359
<v Speaker 1>and kind of you know, supervise a little bit. But yeah,

0:20:33.480 --> 0:20:35.400
<v Speaker 1>you mean, like it's not like you gotta be there

0:20:35.440 --> 0:20:37.560
<v Speaker 1>every second. You give them the vision and then they

0:20:37.600 --> 0:20:40.359
<v Speaker 1>work on it for like three weeks or whatever to

0:20:40.440 --> 0:20:44.000
<v Speaker 1>get the one sequence. You know, amazing, God bless him.

0:20:44.119 --> 0:20:47.120
<v Speaker 1>Uh Menal Data, one of our favorites, says Dr Who.

0:20:47.560 --> 0:20:50.919
<v Speaker 1>I've still never seen Doctor Who, but obviously I know

0:20:51.080 --> 0:20:53.119
<v Speaker 1>enough about it to know it would probably be pretty

0:20:53.160 --> 0:21:00.600
<v Speaker 1>cool animated. Mm hmmm. Midsomar. That's from Jonathan Cooley. I

0:21:00.640 --> 0:21:03.119
<v Speaker 1>posted a really good meme where it was like midsummer

0:21:03.200 --> 0:21:07.879
<v Speaker 1>Boat featuring the animaniacs. Um, you know, because it's like

0:21:08.200 --> 0:21:12.200
<v Speaker 1>smashing heads with like mallets, you know, like cartoon style

0:21:12.320 --> 0:21:15.800
<v Speaker 1>kind of it was. It was good. James G. Woodbeck

0:21:16.000 --> 0:21:20.439
<v Speaker 1>says Army of Darkness. That would be cool, just the

0:21:20.480 --> 0:21:23.800
<v Speaker 1>Evil Dead franchise animated. I mean, they've like milk that

0:21:23.840 --> 0:21:26.480
<v Speaker 1>thing so much they might as well. Oh dude, that

0:21:26.480 --> 0:21:28.119
<v Speaker 1>would be great. And and and and by the way, a

0:21:28.200 --> 0:21:31.359
<v Speaker 1>quickly another example of eighties stuff like that. The Real

0:21:31.480 --> 0:21:35.639
<v Speaker 1>Ghostbusters was a really cool Ghostbusters cartoon that I was

0:21:35.720 --> 0:21:37.840
<v Speaker 1>hugely into. When I didn't see that, I think I

0:21:37.880 --> 0:21:43.159
<v Speaker 1>remember knowing about it though. Kunz the Danger of And

0:21:43.240 --> 0:21:46.120
<v Speaker 1>says the thing, Yeah, that would be cool. It would

0:21:46.160 --> 0:21:49.320
<v Speaker 1>be cool. It's an animated movie. Folk show. Charles Martin

0:21:49.359 --> 0:21:52.400
<v Speaker 1>Aakers agrees with you about Blade Runner anime. He said

0:21:52.400 --> 0:21:55.040
<v Speaker 1>basically a Kira and he also says that Holy Ship

0:21:55.160 --> 0:21:56.920
<v Speaker 1>we said the same thing. Yeah. He also says an

0:21:56.920 --> 0:22:03.480
<v Speaker 1>interstellar series in cells shading style. Uh huh, what's cell shading?

0:22:04.000 --> 0:22:08.840
<v Speaker 1>It's like, um, well, have you ever played the game

0:22:08.840 --> 0:22:13.760
<v Speaker 1>Borderlands are seen stills from the game Borderlands. Nope. It's

0:22:14.160 --> 0:22:18.800
<v Speaker 1>essentially where everything looks kind of flat, almost almost like

0:22:19.359 --> 0:22:26.600
<v Speaker 1>uh those movies like Waking Life and um uh, it's

0:22:26.600 --> 0:22:28.560
<v Speaker 1>sort of like rotoscope, but it's like where it kind

0:22:28.560 --> 0:22:31.040
<v Speaker 1>of looks two D, but there's like it's like the

0:22:31.080 --> 0:22:33.480
<v Speaker 1>cells are painted on. It's like they're real people, but

0:22:33.480 --> 0:22:35.359
<v Speaker 1>the cells are kind of painted on and they have

0:22:35.520 --> 0:22:38.240
<v Speaker 1>like sort of like feathered edges a little bit. I'm

0:22:38.240 --> 0:22:40.680
<v Speaker 1>looking at the stills from borderlandes. It looks really cool.

0:22:41.040 --> 0:22:43.359
<v Speaker 1>It's a great game. It's a great series, really fun games.

0:22:43.480 --> 0:22:46.200
<v Speaker 1>I'm still burning through that Spider Man game. Fun fun.

0:22:46.960 --> 0:22:50.760
<v Speaker 1>I am well into Last of Us two and I

0:22:50.840 --> 0:22:52.720
<v Speaker 1>can we play that game. I can only play that

0:22:52.760 --> 0:22:56.240
<v Speaker 1>game for about thirty minutes of the time because it's

0:22:56.359 --> 0:22:58.680
<v Speaker 1>very only because it's just it's kind of upsetting. I mean,

0:22:59.080 --> 0:23:02.760
<v Speaker 1>like when you're your character gets killed, it's like visceral

0:23:03.040 --> 0:23:05.239
<v Speaker 1>and like you feel it, and I can only go

0:23:05.320 --> 0:23:07.280
<v Speaker 1>through that so many times afore I'm like, Okay, I'm

0:23:07.280 --> 0:23:09.400
<v Speaker 1>gonna move on. I'm with you. I'm at this part

0:23:09.440 --> 0:23:12.159
<v Speaker 1>where they are all these like trip wires, and I

0:23:12.240 --> 0:23:15.720
<v Speaker 1>just kept getting blown up like brutally, and it's very

0:23:15.840 --> 0:23:17.760
<v Speaker 1>jarring when it happens because you don't see them because

0:23:17.760 --> 0:23:21.000
<v Speaker 1>they're in like tall grass or something. You know, boy,

0:23:21.000 --> 0:23:24.760
<v Speaker 1>I'm gonna try and pronounce his name nol. I don't

0:23:24.760 --> 0:23:28.080
<v Speaker 1>even know what some of these little uh marks over

0:23:28.080 --> 0:23:31.119
<v Speaker 1>the letters me and these are not new amouts. Oops.

0:23:31.240 --> 0:23:39.159
<v Speaker 1>Sorry about that, John act Lee gon jian Son. All right,

0:23:39.200 --> 0:23:41.240
<v Speaker 1>I'm gonna go with that. Sorry, John, I know butchered that.

0:23:41.560 --> 0:23:43.240
<v Speaker 1>But the reason I butchered is because you have a

0:23:43.280 --> 0:23:48.280
<v Speaker 1>great idea, uh big trouble in Little China that would

0:23:48.280 --> 0:23:52.760
<v Speaker 1>be killer as an animated film. Another one that I

0:23:52.800 --> 0:23:57.200
<v Speaker 1>had that has just missed me, missed my radar gone

0:23:57.240 --> 0:23:58.840
<v Speaker 1>under it? What im not now that I'm not aware

0:23:58.880 --> 0:24:02.000
<v Speaker 1>of it? I just have never seen it. Um I

0:24:02.119 --> 0:24:04.480
<v Speaker 1>know I would it does. It does look like a

0:24:04.640 --> 0:24:08.280
<v Speaker 1>like a cartoonish kind of romp, almost like a you know,

0:24:08.520 --> 0:24:11.720
<v Speaker 1>schlocky pulp kind of situation. Is that about right? It's

0:24:11.760 --> 0:24:14.680
<v Speaker 1>it's great, a lot of fun, very funny as well.

0:24:23.080 --> 0:24:24.919
<v Speaker 1>All right, now, well we're gonna move on. Thanks Austin

0:24:25.000 --> 0:24:26.280
<v Speaker 1>for that. That's a lot of fun. You can go

0:24:26.359 --> 0:24:28.000
<v Speaker 1>check it out on the movie Crusher's page if you

0:24:28.000 --> 0:24:31.880
<v Speaker 1>want to submit your own animated movie idea. Uh, we're

0:24:31.920 --> 0:24:33.840
<v Speaker 1>gonna move on, Nol to something we haven't done in

0:24:33.920 --> 0:24:43.160
<v Speaker 1>a while, a little game called knows. All right, it's

0:24:43.200 --> 0:24:46.680
<v Speaker 1>been a minute, It has been a minute. Uh. I've

0:24:46.720 --> 0:24:49.120
<v Speaker 1>been watching a lot of movies lately, though. I've been

0:24:49.240 --> 0:24:51.159
<v Speaker 1>seeing this girl and hanging out a lot, and we

0:24:51.200 --> 0:24:55.000
<v Speaker 1>watch a lot of movies together. Uh. And I've made

0:24:55.000 --> 0:24:57.920
<v Speaker 1>a list. A lot of it is some of my favorites,

0:24:58.240 --> 0:25:00.520
<v Speaker 1>but a lot of them are making the away from

0:25:00.560 --> 0:25:03.680
<v Speaker 1>the Knowles whole segments onto this list, you know, because

0:25:03.680 --> 0:25:05.760
<v Speaker 1>it's fun to watch things with somebody who hasn't seen

0:25:05.800 --> 0:25:07.960
<v Speaker 1>it that you're intimately familiar with. It's also nice to

0:25:08.000 --> 0:25:10.119
<v Speaker 1>watch something that neither of you have seen, agree and

0:25:10.160 --> 0:25:14.080
<v Speaker 1>be completely surprised. I agreed. Uh, well, Nol. I got

0:25:14.080 --> 0:25:19.280
<v Speaker 1>out my ven diagram, my abacus, I got out my

0:25:21.640 --> 0:25:26.000
<v Speaker 1>any what else, my adding machine. I have a computer.

0:25:28.240 --> 0:25:32.000
<v Speaker 1>I have a professional baseball Major League Baseball scoreboard. Chuck,

0:25:32.080 --> 0:25:34.840
<v Speaker 1>Let's be real, your computer basically is all of those things.

0:25:35.359 --> 0:25:37.000
<v Speaker 1>You know. We're living in a brave new world, my

0:25:37.040 --> 0:25:38.840
<v Speaker 1>friend and my yes and my no column in my

0:25:38.880 --> 0:25:41.439
<v Speaker 1>pin and handal. You've been watching a lot of movies.

0:25:41.480 --> 0:25:44.199
<v Speaker 1>But have you been watching a lot of black and

0:25:44.280 --> 0:25:47.960
<v Speaker 1>white movies? A few? Yeah? Few? All right, Well that's

0:25:47.960 --> 0:25:52.400
<v Speaker 1>the category today, NOL black and white modern movies. Oh,

0:25:52.440 --> 0:25:54.480
<v Speaker 1>I might do well. It took it easy on you

0:25:54.720 --> 0:25:56.480
<v Speaker 1>because I know you don't refuse to see any movie

0:25:56.480 --> 0:25:59.520
<v Speaker 1>pre that is not true. Check and you know that.

0:26:00.960 --> 0:26:03.639
<v Speaker 1>But these are all and by modern, I mean you know,

0:26:03.880 --> 0:26:07.480
<v Speaker 1>from the sort of eighties forward. Yeah, like black and

0:26:07.520 --> 0:26:12.840
<v Speaker 1>white on purpose as a stylistic choice, exactly. Alright. No,

0:26:13.000 --> 0:26:16.200
<v Speaker 1>we're gonna start it off with a little movie from

0:26:16.200 --> 0:26:22.600
<v Speaker 1>Alexander Paine called Nebraska. I haven't seen it. No, we're

0:26:22.600 --> 0:26:24.960
<v Speaker 1>gonna move on to number two here. This director will

0:26:24.960 --> 0:26:27.240
<v Speaker 1>pop up a couple of times because he loves to

0:26:27.240 --> 0:26:33.639
<v Speaker 1>shoot him black and white. A little noir modern revisionist

0:26:33.720 --> 0:26:37.760
<v Speaker 1>western called dead Man. I have seen dead Man, Yes,

0:26:38.680 --> 0:26:43.600
<v Speaker 1>one of my favorites, with the soundtrack by the Rizza.

0:26:44.400 --> 0:26:47.680
<v Speaker 1>It's great. Neil Young Man, Oh wait, no, not the Rizza.

0:26:47.720 --> 0:26:54.359
<v Speaker 1>Then wait is it a little No? Probably ghost Dog. Sorry,

0:26:54.600 --> 0:26:57.040
<v Speaker 1>Nil Young you're right now, dead Man was. Neil young

0:26:57.119 --> 0:26:59.919
<v Speaker 1>scored it, and it's one of my favorite movie scores.

0:27:00.040 --> 0:27:01.720
<v Speaker 1>In fact, I was just listening to that the other

0:27:01.800 --> 0:27:05.520
<v Speaker 1>day when it was raining in dark. A lot of

0:27:05.520 --> 0:27:09.000
<v Speaker 1>just kind of solo guitar like loping, kind of like

0:27:09.200 --> 0:27:14.280
<v Speaker 1>Reverby guitar, very Reverbi soundscape stuff. Uh, and he kind

0:27:14.280 --> 0:27:15.919
<v Speaker 1>of plays a lot of the score is sort of

0:27:15.920 --> 0:27:19.600
<v Speaker 1>based around this one main riff that is very simple

0:27:19.640 --> 0:27:22.719
<v Speaker 1>but just so effective. Proof positive that you don't have

0:27:22.760 --> 0:27:26.159
<v Speaker 1>to be super fancy with your with your music's I

0:27:26.200 --> 0:27:27.800
<v Speaker 1>completely agree. And it's been a lot of times as

0:27:27.840 --> 0:27:29.120
<v Speaker 1>I've seen I need to watch it again. I really

0:27:29.160 --> 0:27:30.879
<v Speaker 1>don't remember a whole hell of a lot of what happens,

0:27:30.880 --> 0:27:32.560
<v Speaker 1>but I've definitely seen it all the way through. Yeah,

0:27:32.560 --> 0:27:35.760
<v Speaker 1>it's great and weird. It's a very strange movie. I

0:27:35.800 --> 0:27:40.520
<v Speaker 1>love it all right. Nol number three. Uh. Previous to

0:27:40.880 --> 0:27:43.360
<v Speaker 1>him being a creep in this movie, looking even creepier,

0:27:44.640 --> 0:27:47.239
<v Speaker 1>the movie Manhattan from Woody Allen was regarded as an

0:27:47.240 --> 0:27:51.600
<v Speaker 1>all time great Have you seen Manhattan? No, We've talked

0:27:51.600 --> 0:27:55.639
<v Speaker 1>about this. My Woody Allen. Uh, my Woody Allen repertory

0:27:56.119 --> 0:27:59.600
<v Speaker 1>is pretty limited. Yeah, I've really only seen I've seen

0:27:59.680 --> 0:28:02.640
<v Speaker 1>sleep Burn, which is a weird one, and I've seen

0:28:03.200 --> 0:28:07.680
<v Speaker 1>A Midnight in Paris, and I've seen uh like one

0:28:07.720 --> 0:28:10.520
<v Speaker 1>other one, um, but not not at the time. And

0:28:10.520 --> 0:28:12.880
<v Speaker 1>it's it's not because I've like canceled Woody Allen. It's

0:28:12.880 --> 0:28:15.280
<v Speaker 1>just something I's never gotten around to. He's one of

0:28:15.280 --> 0:28:17.160
<v Speaker 1>those one of those filmmakers too, where he's got a lot,

0:28:17.280 --> 0:28:19.320
<v Speaker 1>So it's hard to know where to start unless you're

0:28:19.320 --> 0:28:21.320
<v Speaker 1>already kind of in in it, you know, or you're

0:28:21.640 --> 0:28:23.800
<v Speaker 1>with someone who can give you some rex. So yeah,

0:28:23.840 --> 0:28:26.240
<v Speaker 1>definitely not averse to it, but I have not seen it. Yeah,

0:28:26.480 --> 0:28:30.119
<v Speaker 1>Manhattan is is tough, especially now because of the subject

0:28:30.200 --> 0:28:32.240
<v Speaker 1>matter of the film. He is a middle aged man

0:28:32.320 --> 0:28:34.560
<v Speaker 1>dating a high school girl. And I know it was

0:28:34.600 --> 0:28:39.280
<v Speaker 1>a different time and everything, but it's still like, uh,

0:28:39.440 --> 0:28:41.560
<v Speaker 1>every every time I think about Manhattan, I'm just like,

0:28:42.320 --> 0:28:44.800
<v Speaker 1>just you should have made her in college. It's still

0:28:44.800 --> 0:28:48.760
<v Speaker 1>a made December? Is it made December? Yeah? Made December

0:28:48.880 --> 0:28:53.320
<v Speaker 1>romance if that's what you're after. But it's like all

0:28:53.360 --> 0:28:56.560
<v Speaker 1>he had to do. Is mak her nineteen instead of sixteen?

0:28:56.640 --> 0:28:59.719
<v Speaker 1>You know, but he didn't. He made her sixteen, and

0:28:59.760 --> 0:29:05.040
<v Speaker 1>that's really creepy given other you know, his real life. Alright, No,

0:29:05.240 --> 0:29:07.320
<v Speaker 1>we're moving on. You have no comment on that, so

0:29:07.400 --> 0:29:11.160
<v Speaker 1>that's I don't. I don't. I'm not armed with enough

0:29:11.160 --> 0:29:14.240
<v Speaker 1>information to comment on. All right. Number four and ols

0:29:14.240 --> 0:29:18.680
<v Speaker 1>a movie we've covered on this show from Uh jeez,

0:29:18.760 --> 0:29:24.360
<v Speaker 1>was it Francis war Couppla the great movie rumble Fish.

0:29:24.440 --> 0:29:28.240
<v Speaker 1>I don't think so. No, I've seen The Outsiders. Does

0:29:28.240 --> 0:29:31.760
<v Speaker 1>that count? No? I could have put that on the

0:29:31.760 --> 0:29:36.680
<v Speaker 1>list as going with rub Outsiders. Yes, you're right, it

0:29:36.760 --> 0:29:40.200
<v Speaker 1>is not black and white, is it? No rumble Fish?

0:29:40.280 --> 0:29:42.320
<v Speaker 1>I remember the book that was by the same writer

0:29:42.440 --> 0:29:45.800
<v Speaker 1>as The Outsiders, se Hinton, that's right, Yeah, she was.

0:29:47.000 --> 0:29:49.240
<v Speaker 1>I think she was from Tulsa, Oklahoma, if I'm not mistaken,

0:29:49.560 --> 0:29:53.200
<v Speaker 1>and she greasers greasers in those movies, greasers and socialists,

0:29:53.800 --> 0:29:57.680
<v Speaker 1>the socialists. Yes, rubble Fish is great, you'd like it? Good? Uh?

0:29:57.840 --> 0:30:03.720
<v Speaker 1>Good score there too, Stewart Copeland did the score? Oh cool? Yeah? Alright, No,

0:30:04.560 --> 0:30:09.840
<v Speaker 1>moving on to a great, great movie from the two thousand's.

0:30:09.880 --> 0:30:12.280
<v Speaker 1>I think I don't think it was nineties. Good Night

0:30:12.440 --> 0:30:14.760
<v Speaker 1>and good luck. Yeah, I love it. I have I've

0:30:14.800 --> 0:30:17.440
<v Speaker 1>had that on had that on DVD. Actually, we'll look

0:30:17.440 --> 0:30:19.000
<v Speaker 1>at you. Don't get bonus points for that. You know

0:30:19.080 --> 0:30:23.640
<v Speaker 1>what's The guy's named David Strea, one of my favorites. Strath.

0:30:25.120 --> 0:30:28.400
<v Speaker 1>He is briefly in The Sopranos in a later season

0:30:28.400 --> 0:30:31.840
<v Speaker 1>where he plays like the guidance counselor at the at

0:30:31.880 --> 0:30:35.920
<v Speaker 1>AJS High School, and he briefly gets embroiled in an

0:30:36.080 --> 0:30:41.920
<v Speaker 1>affair with Carmela and then kind of really tactlessly breaks

0:30:42.000 --> 0:30:43.840
<v Speaker 1>up with her after accusing her of kind of using

0:30:43.920 --> 0:30:45.680
<v Speaker 1>him to get her son into a good college, which

0:30:45.680 --> 0:30:48.239
<v Speaker 1>admittedly she kind of is. But he doesn't play it

0:30:48.360 --> 0:30:51.560
<v Speaker 1>very well. Let's say that, and then he's done on

0:30:51.600 --> 0:30:53.760
<v Speaker 1>the show. But she doesn't have him whacked, so she

0:30:53.800 --> 0:30:57.040
<v Speaker 1>does not. He does not. She thinks better of it,

0:30:57.080 --> 0:30:58.920
<v Speaker 1>She gives she's very angry for a minute, but then

0:30:58.960 --> 0:31:01.640
<v Speaker 1>she uh, she thinks better of it. All right, Now

0:31:01.640 --> 0:31:05.200
<v Speaker 1>we're gonna move on to a Cohen Brothers film called

0:31:05.320 --> 0:31:07.800
<v Speaker 1>The Man Who Wasn't There? I love that one. It

0:31:07.800 --> 0:31:10.320
<v Speaker 1>seemed like that one was It was such a under

0:31:10.320 --> 0:31:12.440
<v Speaker 1>the radar kind of one like it didn't. I don't

0:31:12.440 --> 0:31:16.240
<v Speaker 1>remember it getting a big theatrical release. I came across

0:31:16.280 --> 0:31:19.760
<v Speaker 1>it on DVD as kind of like, what's this, Oh,

0:31:19.800 --> 0:31:23.040
<v Speaker 1>a Cohen Brothers movie that I'm not familiar with it all. Yeah. Yeah,

0:31:23.080 --> 0:31:24.960
<v Speaker 1>I mean, if you do a black and white movie,

0:31:24.960 --> 0:31:26.840
<v Speaker 1>it's not going to perform as well. It's just that's

0:31:26.840 --> 0:31:29.160
<v Speaker 1>why studios are like, no, I know you have an

0:31:29.240 --> 0:31:32.080
<v Speaker 1>artistic vision, but they just don't perform as well the

0:31:32.120 --> 0:31:35.160
<v Speaker 1>box office period. It is what it is. I love it.

0:31:35.200 --> 0:31:37.920
<v Speaker 1>I love that people are still using that medium despite

0:31:38.720 --> 0:31:41.960
<v Speaker 1>or in spite of those numbers. But that's why the

0:31:41.960 --> 0:31:44.560
<v Speaker 1>Man who Wasn't There wasn't that big one. We've talked

0:31:44.760 --> 0:31:46.840
<v Speaker 1>we we've talked about Yeah, it's a really weird one.

0:31:46.840 --> 0:31:49.280
<v Speaker 1>It's a noir with twists and turns, and it goes

0:31:49.280 --> 0:31:53.120
<v Speaker 1>places you're not expecting. And obviously Billy Bob Thornton's fabulous

0:31:53.160 --> 0:31:55.720
<v Speaker 1>and perfect for that kind of tat what's the word,

0:31:55.760 --> 0:31:58.200
<v Speaker 1>like laconic kind of I don't think he's a private

0:31:58.200 --> 0:32:00.480
<v Speaker 1>detective because I don't remember exactly what he but it's

0:32:00.720 --> 0:32:03.360
<v Speaker 1>it's a cool movie. Um. We talked about the fact

0:32:03.360 --> 0:32:06.160
<v Speaker 1>that there is a black and white cut of Mad

0:32:06.200 --> 0:32:08.760
<v Speaker 1>Max Fury Road, and that was what he really wanted

0:32:08.800 --> 0:32:12.040
<v Speaker 1>to do. But but again studio was like the solid clips.

0:32:12.080 --> 0:32:15.760
<v Speaker 1>It looks pretty awesome, but it's also so great in

0:32:15.840 --> 0:32:20.160
<v Speaker 1>color totally, the color of the dust, the silver and

0:32:20.200 --> 0:32:22.320
<v Speaker 1>all the well, the silver actually reads pretty well in

0:32:22.400 --> 0:32:25.120
<v Speaker 1>black and white. But no, I I think it was

0:32:25.160 --> 0:32:27.640
<v Speaker 1>the right stylistic choice to not go that route, and

0:32:27.640 --> 0:32:29.520
<v Speaker 1>then we can have it in case you want it. Yeah,

0:32:29.560 --> 0:32:32.920
<v Speaker 1>I agreed. Alright, No, we're gonna move on your your

0:32:33.160 --> 0:32:36.520
<v Speaker 1>three to three right now, Okay, okay, okay. Number seven

0:32:36.600 --> 0:32:41.360
<v Speaker 1>a movie, a biopic musician biopic which you know you

0:32:41.400 --> 0:32:44.040
<v Speaker 1>don't love about Ian Curtis of Joy Division. A movie

0:32:44.080 --> 0:32:48.800
<v Speaker 1>called Control. We talked about this, chuck. Um. I haven't

0:32:48.840 --> 0:32:53.520
<v Speaker 1>seen it because it seems really depressing and sad. I know.

0:32:53.600 --> 0:32:56.800
<v Speaker 1>It's directed by the great Anton Corbin, who I love

0:32:56.920 --> 0:33:00.560
<v Speaker 1>his music video work. I haven't really seen anybody direct features.

0:33:01.000 --> 0:33:05.920
<v Speaker 1>I believe so very nice. It's a good movie, especially

0:33:06.040 --> 0:33:09.880
<v Speaker 1>obviously if you love Joy Division. Um, it is Anton Corbin,

0:33:10.000 --> 0:33:14.280
<v Speaker 1>very nice, Sam Riley, he did a great job, all right.

0:33:14.680 --> 0:33:18.040
<v Speaker 1>Moving on to number eight. I know you've seen it,

0:33:18.120 --> 0:33:19.720
<v Speaker 1>but I'm throwing you a bone. I had to be fair.

0:33:20.360 --> 0:33:25.000
<v Speaker 1>A movie called The Lighthouse. M hmm. Not only is

0:33:25.040 --> 0:33:27.400
<v Speaker 1>that black and white, it's also in like a weird

0:33:27.520 --> 0:33:31.160
<v Speaker 1>square aspect ratio. Yeah. I love that square Yeah. And and

0:33:30.920 --> 0:33:33.160
<v Speaker 1>and it makes sense because it really does kind of

0:33:33.240 --> 0:33:36.440
<v Speaker 1>hem you into this like uh oh, what's the word,

0:33:36.520 --> 0:33:40.360
<v Speaker 1>like kind of claustrophobic, uh feeling, you know, along with

0:33:40.400 --> 0:33:43.320
<v Speaker 1>the characters. Yeah, and that verticality, you know, the Lighthouse.

0:33:43.360 --> 0:33:48.040
<v Speaker 1>It just makes sense, alright. Number nine A wonderful, wonderful

0:33:48.600 --> 0:33:52.920
<v Speaker 1>film called Frances Ha. It's another one that I wanted

0:33:52.920 --> 0:33:55.880
<v Speaker 1>to see. Um, I really like that's no a bound

0:33:55.920 --> 0:34:01.000
<v Speaker 1>back right, Yep, No, I haven't seen I've seen the now,

0:34:01.040 --> 0:34:04.640
<v Speaker 1>I guess iconic sequence of her like ballet dancing through

0:34:04.640 --> 0:34:07.240
<v Speaker 1>the streets and like a really amazing tracking shot in

0:34:07.320 --> 0:34:10.560
<v Speaker 1>New York, But now I haven't seen it. Wonderful movie,

0:34:10.960 --> 0:34:14.520
<v Speaker 1>co alright, No, old Number ten, I can't remember. You've

0:34:14.560 --> 0:34:17.560
<v Speaker 1>either seen it or you haven't, but everything we talked

0:34:17.600 --> 0:34:23.200
<v Speaker 1>about it. A little movie called Roma. It's another one

0:34:23.200 --> 0:34:27.799
<v Speaker 1>I missed. Depressing. It seemed really depressing. Alright, No, yeah,

0:34:28.120 --> 0:34:30.239
<v Speaker 1>would you would you would you say it's depressing? Or

0:34:30.320 --> 0:34:32.359
<v Speaker 1>is it does it have uplifting qualities? I heard it's

0:34:32.400 --> 0:34:36.160
<v Speaker 1>just really heavy. I mean it's not light, but it's

0:34:36.239 --> 0:34:41.640
<v Speaker 1>not it's great, Okay, all right? I mean they can't

0:34:41.640 --> 0:34:44.239
<v Speaker 1>all be Disney movies. No. On my list literally, I

0:34:44.320 --> 0:34:47.440
<v Speaker 1>have a list literally adding it to it right now.

0:34:47.520 --> 0:34:48.680
<v Speaker 1>And it looks I mean, it's one of the most

0:34:48.719 --> 0:34:52.040
<v Speaker 1>amazing looking movies. That Black and White is magnificent. Have

0:34:52.160 --> 0:34:54.319
<v Speaker 1>you done? Have you crushed that one with a guest? Now?

0:34:55.040 --> 0:34:58.000
<v Speaker 1>I don't think so. Casey and I did it. I

0:34:58.000 --> 0:35:01.120
<v Speaker 1>don't think we did. Alright, No, old Moving on number eleven,

0:35:01.120 --> 0:35:04.680
<v Speaker 1>we're halfway home. Another Jim Jarmish movie. It's a great

0:35:04.960 --> 0:35:08.880
<v Speaker 1>it's called Stranger than Paradise. I haven't seen that one.

0:35:08.920 --> 0:35:12.160
<v Speaker 1>I haven't seen Down by Law. There's also Black and White, right,

0:35:12.280 --> 0:35:14.759
<v Speaker 1>isn't Down by Law Black? Right? Now? I haven't seen those.

0:35:16.920 --> 0:35:19.359
<v Speaker 1>I don't know way you hate Jim Jarmish, I don't

0:35:19.480 --> 0:35:22.440
<v Speaker 1>you know. I guess I've seen Broken Flowers, which I enjoyed.

0:35:22.520 --> 0:35:27.640
<v Speaker 1>I've seen The Ghost Dog, I've seen Dead Man. Uh.

0:35:27.800 --> 0:35:30.960
<v Speaker 1>He's very like I mean, his movies are kind of

0:35:31.400 --> 0:35:34.000
<v Speaker 1>a thing. They're specific, like kind of slow burn kind

0:35:34.040 --> 0:35:36.560
<v Speaker 1>of thing, you know. I think Coffee and Cigarettes is

0:35:36.560 --> 0:35:39.040
<v Speaker 1>black and white too. I saw Coffee and Cigarettes. He

0:35:39.080 --> 0:35:42.520
<v Speaker 1>likes the medium. Alright. No, great, great first film from

0:35:42.520 --> 0:35:45.160
<v Speaker 1>a great, great director Mr. Spike Lee called She's Got

0:35:45.280 --> 0:35:49.439
<v Speaker 1>a Habit. No, I haven't seen it. I haven't seen

0:35:49.520 --> 0:35:53.200
<v Speaker 1>do the Right Thing either, Dude. I am woefully behind

0:35:53.280 --> 0:35:56.200
<v Speaker 1>on my Spike Lee. You're under spiked. I'm under spiked,

0:35:56.360 --> 0:35:59.520
<v Speaker 1>all right, you're falling behind here. No, I think you've

0:35:59.520 --> 0:36:03.680
<v Speaker 1>seen this next one, uh, wonderful foreign film German film

0:36:03.719 --> 0:36:09.280
<v Speaker 1>called Wings of Desire Vings of Tessiah byas the greates

0:36:09.560 --> 0:36:14.480
<v Speaker 1>Vim Vendors. Is that a yes? That's so, that's an

0:36:14.480 --> 0:36:17.439
<v Speaker 1>ah yah all right, I thought, so that's a yah.

0:36:18.120 --> 0:36:22.400
<v Speaker 1>Uh huh not a nine A resounding yeah. No. I

0:36:22.480 --> 0:36:25.239
<v Speaker 1>don't think you've seen this, but you never know with you.

0:36:25.800 --> 0:36:32.040
<v Speaker 1>It is a mockumentary from the nineties, I believe foreign

0:36:32.160 --> 0:36:36.200
<v Speaker 1>film called Man Bites Dog. Absolutely, I've seen that, and

0:36:36.239 --> 0:36:41.520
<v Speaker 1>I uh it's very disturbing, very funny, uh and really

0:36:41.520 --> 0:36:44.920
<v Speaker 1>really great. Um it's about like a is. It does

0:36:44.920 --> 0:36:47.040
<v Speaker 1>a really good job of kind of Um. I mentioned

0:36:47.040 --> 0:36:48.480
<v Speaker 1>it recently. I think on stuff that stuff that I

0:36:48.520 --> 0:36:50.200
<v Speaker 1>want you to know because we were talking about the

0:36:50.239 --> 0:36:54.000
<v Speaker 1>idea of you know, fake news and cult of personality

0:36:54.040 --> 0:36:56.600
<v Speaker 1>and all of that, and it basically, you know, follows

0:36:56.640 --> 0:37:02.920
<v Speaker 1>around this total psychopath who serial killer, serial killer psychopath

0:37:02.960 --> 0:37:06.520
<v Speaker 1>who actively you know is is murdering people on camera,

0:37:06.880 --> 0:37:11.080
<v Speaker 1>and then the news crew or documentary crew ultimately inevitably

0:37:11.120 --> 0:37:14.200
<v Speaker 1>becomes complicit in his acts, like to the point where

0:37:14.200 --> 0:37:17.799
<v Speaker 1>they're helping him like hide bodies and ship And it's

0:37:17.800 --> 0:37:20.399
<v Speaker 1>a really good metaphor for like what's going on with

0:37:20.440 --> 0:37:24.520
<v Speaker 1>the media covering certain types, uh and giving them, you know,

0:37:24.520 --> 0:37:28.840
<v Speaker 1>giving oxygen to their bullshit. It does, it does ultimately

0:37:28.920 --> 0:37:32.480
<v Speaker 1>make them complicit in some ways. I agree. Good movie.

0:37:32.640 --> 0:37:34.959
<v Speaker 1>Al Right, Well, this movie I actually have not seen

0:37:35.160 --> 0:37:38.239
<v Speaker 1>it was She's did it win Best Picture? I think

0:37:38.239 --> 0:37:42.200
<v Speaker 1>it might have, uh the artist, Yeah, it did. It

0:37:42.440 --> 0:37:44.480
<v Speaker 1>did win Best Picture. And I think that's one of

0:37:44.480 --> 0:37:46.920
<v Speaker 1>those Best Picture ones that people like immediately kind of

0:37:46.960 --> 0:37:49.640
<v Speaker 1>forgot even though it's really great. But it's one of

0:37:49.680 --> 0:37:53.399
<v Speaker 1>those like old Hollywood circle jerks, kind of like the

0:37:53.400 --> 0:37:57.799
<v Speaker 1>the Academy just adores you know, um, and that's what

0:37:57.840 --> 0:37:59.839
<v Speaker 1>it is. And it's but it's I mean, it's good,

0:38:00.040 --> 0:38:02.240
<v Speaker 1>it's really good, but it's like I could see how

0:38:02.840 --> 0:38:05.600
<v Speaker 1>in general audiences might not have been as into that

0:38:05.680 --> 0:38:09.560
<v Speaker 1>as like Academy members were. Yeah, I hear you, circle jerk,

0:38:09.800 --> 0:38:14.560
<v Speaker 1>very nice. No, uh, class it up, alright. The next one, No,

0:38:14.840 --> 0:38:18.040
<v Speaker 1>I know you've seen a little black and white film

0:38:18.080 --> 0:38:20.759
<v Speaker 1>called Schindler's List. Yeah, black and white except for that

0:38:20.920 --> 0:38:26.439
<v Speaker 1>heartbreaker with the red dress. Red dress, that's it. Yeah, alright, boy,

0:38:26.440 --> 0:38:29.640
<v Speaker 1>I'm curious because he's last four. You're tied at eight

0:38:29.640 --> 0:38:31.960
<v Speaker 1>to eight and going into the final four. I love

0:38:31.960 --> 0:38:34.919
<v Speaker 1>how close they always are with you. You never know, Nol.

0:38:34.960 --> 0:38:39.840
<v Speaker 1>You're a conundrum wrapped in an enigma. That's me, all right.

0:38:39.920 --> 0:38:47.560
<v Speaker 1>Number seventeen Christopher Nolan's first film, a little bity called Following. Yeah. Yeah, yeah, yeah.

0:38:47.560 --> 0:38:50.000
<v Speaker 1>It's been a long time, but um, that's a great

0:38:50.040 --> 0:38:52.719
<v Speaker 1>example of, like, I don't know, like Christopher Nolan love.

0:38:52.760 --> 0:38:55.560
<v Speaker 1>I obviously I like his work a lot, But he's

0:38:55.560 --> 0:38:58.959
<v Speaker 1>one of those directors that's gotten so far away from

0:38:59.000 --> 0:39:03.000
<v Speaker 1>his scrappy early days that it's almost sad because his

0:39:03.080 --> 0:39:06.360
<v Speaker 1>movies are so bombastic and huge now, whereas movies like

0:39:06.440 --> 0:39:09.640
<v Speaker 1>Following a Memento are just more like, oh my god,

0:39:09.680 --> 0:39:11.400
<v Speaker 1>he took what he had and ran with it and

0:39:11.440 --> 0:39:15.320
<v Speaker 1>made these really intense, beautiful movies that are really genuinely

0:39:15.400 --> 0:39:18.799
<v Speaker 1>spooky and uh and intriguing. And now it's like all

0:39:19.040 --> 0:39:21.520
<v Speaker 1>bluster and and and a lot less of that nuance

0:39:21.560 --> 0:39:23.560
<v Speaker 1>in my opinion. I mean, he's still kind of uses

0:39:23.600 --> 0:39:26.080
<v Speaker 1>the same as I was just reading somebody commenting on

0:39:26.120 --> 0:39:28.319
<v Speaker 1>a message boards the other day saying that all of

0:39:28.320 --> 0:39:30.680
<v Speaker 1>his movies kind of have a gimmick, which is sort

0:39:30.680 --> 0:39:33.800
<v Speaker 1>of true, Like, you know, I forget what it isn't following,

0:39:33.800 --> 0:39:36.120
<v Speaker 1>but there is a gimmick where it's like something that

0:39:36.160 --> 0:39:39.480
<v Speaker 1>you think is happening isn't really happening. Um. Obviously with Memento,

0:39:39.560 --> 0:39:43.279
<v Speaker 1>the movie goes in reverse. Obviously with dun Kirk, it's

0:39:43.320 --> 0:39:46.040
<v Speaker 1>all one shot. He has little kind of gimmicks, but

0:39:46.360 --> 0:39:49.279
<v Speaker 1>he uses them pretty well for storytelling. But I just

0:39:49.360 --> 0:39:51.719
<v Speaker 1>love it when he's when a filmmakers like starting out

0:39:51.719 --> 0:39:53.319
<v Speaker 1>and has to kind of like make do with what

0:39:53.400 --> 0:39:56.280
<v Speaker 1>they have, and following is a great example of them. Agreed.

0:39:56.920 --> 0:39:58.880
<v Speaker 1>By the way, don Kirk was not one shot. That

0:39:58.920 --> 0:40:03.440
<v Speaker 1>was seventeen But Dunkirk had the time thing. It had

0:40:03.480 --> 0:40:06.799
<v Speaker 1>time distortion as well, right, Excuse me? That was really

0:40:06.840 --> 0:40:09.759
<v Speaker 1>that was a flub on my part. Rarely do we

0:40:09.840 --> 0:40:12.399
<v Speaker 1>do in show corrections. No, but we would hear from

0:40:12.440 --> 0:40:14.400
<v Speaker 1>somebody on that. I know we would all right, no,

0:40:14.680 --> 0:40:17.680
<v Speaker 1>you're you're looking good. Now it's nine to eight. The

0:40:17.719 --> 0:40:24.359
<v Speaker 1>first film from Darren Aronofski a movie called Pie. Oh yeah, yeah.

0:40:24.520 --> 0:40:26.680
<v Speaker 1>And he saw that one on the shelves at Blockbuster

0:40:26.840 --> 0:40:29.400
<v Speaker 1>Video or Hollywood Video or one of those video stores

0:40:29.440 --> 0:40:30.960
<v Speaker 1>back in the day and was intrigued. I think it

0:40:31.040 --> 0:40:35.359
<v Speaker 1>was in like a cult section because it was, Yeah,

0:40:35.719 --> 0:40:38.480
<v Speaker 1>it's a it's so cool and weird, and it's all

0:40:38.480 --> 0:40:41.920
<v Speaker 1>about the Kabbalah and numerology, and like it's one of

0:40:41.920 --> 0:40:44.160
<v Speaker 1>those movies where you don't quite know what's going on,

0:40:44.680 --> 0:40:47.440
<v Speaker 1>if there really is some sinister force at play, or

0:40:47.440 --> 0:40:50.319
<v Speaker 1>if it's just this guy kind of losing his mind. Um,

0:40:50.360 --> 0:40:52.720
<v Speaker 1>whatever happened to that actor. He never was in anything

0:40:52.719 --> 0:40:55.359
<v Speaker 1>else really, and he was great, you know, a lead

0:40:55.640 --> 0:40:59.160
<v Speaker 1>in Pie. Now that you're saying that, uh, I think

0:40:59.160 --> 0:41:00.799
<v Speaker 1>you're right. I don't know that I've ever really seen

0:41:00.840 --> 0:41:05.040
<v Speaker 1>that guy much. Who's his name? Very much experimental kind

0:41:05.080 --> 0:41:11.960
<v Speaker 1>of student. First film, that ending boy who spoilers, Yeah, yeah, yeah,

0:41:11.960 --> 0:41:16.200
<v Speaker 1>he does a thing he does with the thing to

0:41:16.360 --> 0:41:24.600
<v Speaker 1>his thing. His name is Sean Galette, right, and the

0:41:24.840 --> 0:41:28.240
<v Speaker 1>guy that plays his mentor is in a lot of stuff,

0:41:28.280 --> 0:41:32.360
<v Speaker 1>the old man who plays go with the the the

0:41:32.400 --> 0:41:36.560
<v Speaker 1>ancient you know, chess like game. Um, he plays like

0:41:37.400 --> 0:41:39.920
<v Speaker 1>the big bad uh in or one of the big

0:41:39.920 --> 0:41:42.600
<v Speaker 1>bads in Breaking Bad. But let's see Sean Galette, what

0:41:42.640 --> 0:41:44.640
<v Speaker 1>has he been in? Has he been in any other Aeronowski?

0:41:45.040 --> 0:41:47.000
<v Speaker 1>He's got a great look. I'm sure he's been in

0:41:47.080 --> 0:41:49.879
<v Speaker 1>some Uh, he's probably been in a lot of stuff

0:41:49.920 --> 0:41:51.920
<v Speaker 1>that we just haven't really seen. Apparently he was in

0:41:51.960 --> 0:41:55.600
<v Speaker 1>Requiem for a Dream as a small part um. It

0:41:55.640 --> 0:42:00.320
<v Speaker 1>looks like he hasn't been in anything since two thousand fourteen. Interesting,

0:42:00.719 --> 0:42:03.440
<v Speaker 1>it looks like he's writing and directing some though. Oh

0:42:03.480 --> 0:42:06.960
<v Speaker 1>there you go. That's cool. Yeah, good for him. Alright, No,

0:42:07.200 --> 0:42:09.160
<v Speaker 1>it's really coming down to the wire. It is ten

0:42:09.280 --> 0:42:13.360
<v Speaker 1>to eight with two more, so you can do no

0:42:13.440 --> 0:42:17.520
<v Speaker 1>worse than fifty fifty, my friend, that's great, alright. Number

0:42:17.640 --> 0:42:21.680
<v Speaker 1>nineteen a movie about vampires from Abel Farrar called The

0:42:21.719 --> 0:42:25.600
<v Speaker 1>Addiction with Lily Taylor. Ah man, I thought you were

0:42:25.600 --> 0:42:28.880
<v Speaker 1>gonna say a woman walks home alone at night. That

0:42:29.040 --> 0:42:31.200
<v Speaker 1>was almost put that on there. Did you see that one?

0:42:31.360 --> 0:42:33.840
<v Speaker 1>I did see that one, but now I haven't seen Addiction.

0:42:34.480 --> 0:42:40.680
<v Speaker 1>All right, Well I'm sorry. Christopher Walkin, Annabela Siora, Eadie Falco,

0:42:40.760 --> 0:42:43.719
<v Speaker 1>Lily Taylor, really good movie I could see. I I

0:42:43.719 --> 0:42:46.359
<v Speaker 1>think vampire movies lend themselves nicely to black and white

0:42:46.360 --> 0:42:49.919
<v Speaker 1>because the blood is just black. It's so creeping. Looks good.

0:42:50.320 --> 0:42:53.279
<v Speaker 1>All right, So that was a no So Tim Den

0:42:53.360 --> 0:42:57.200
<v Speaker 1>I Noel, you will uh you will either get fifty

0:42:57.239 --> 0:43:02.080
<v Speaker 1>fifty where you will win the game by one. It's

0:43:02.120 --> 0:43:04.640
<v Speaker 1>a little movie. I don't think you've seen this, feel

0:43:04.640 --> 0:43:10.280
<v Speaker 1>bad about. Very Famously, John Lennon went on a vacation

0:43:10.360 --> 0:43:14.799
<v Speaker 1>with with his manager who was gay, Brian Epstein, and

0:43:14.840 --> 0:43:19.040
<v Speaker 1>there's there was always many rumors swirling about what happened

0:43:19.040 --> 0:43:22.200
<v Speaker 1>on this vacation, I believe in Spain and whether or

0:43:22.239 --> 0:43:25.439
<v Speaker 1>not John Lennon, whether or not they had a brief

0:43:25.480 --> 0:43:28.640
<v Speaker 1>fling on that Spanish vacation or not. And there is

0:43:28.680 --> 0:43:32.840
<v Speaker 1>a movie about that, speculative film about that called The

0:43:32.880 --> 0:43:38.160
<v Speaker 1>Hours and the Times. That's chuck, you're you just that's

0:43:38.200 --> 0:43:41.399
<v Speaker 1>like a steak in my in my heart. I never

0:43:41.440 --> 0:43:44.560
<v Speaker 1>even heard of the thing, all right, well, I apologize

0:43:44.600 --> 0:43:49.120
<v Speaker 1>for that really good movie. If you're into it, I

0:43:49.160 --> 0:43:55.600
<v Speaker 1>know you're not big on Yeah, it's good ninety one,

0:43:57.239 --> 0:43:58.920
<v Speaker 1>So that is a no. And all that is a

0:43:59.000 --> 0:44:02.759
<v Speaker 1>fifty fifty. I'd say that's pretty good work, my friend. Hey,

0:44:02.840 --> 0:44:04.920
<v Speaker 1>thanks man, that was a good list. And I'm I'm

0:44:04.960 --> 0:44:08.399
<v Speaker 1>telling you, Chuck, I've got my running note pad of

0:44:08.400 --> 0:44:10.520
<v Speaker 1>of movies to watch. I love it and I added

0:44:10.520 --> 0:44:12.840
<v Speaker 1>a few of those two and I added Roma do

0:44:12.920 --> 0:44:15.640
<v Speaker 1>the right thing and she's got to have it great.

0:44:16.120 --> 0:44:18.719
<v Speaker 1>All right, I'll take that. Uh, And I think we

0:44:18.760 --> 0:44:21.080
<v Speaker 1>should just wrap it up. Dude, we'll do uh, We'll

0:44:21.080 --> 0:44:23.399
<v Speaker 1>do a stream this on the next one. Sounds good.

0:44:23.520 --> 0:44:25.879
<v Speaker 1>So thanks for listening everyone, and thanks for playing along.

0:44:25.920 --> 0:44:31.200
<v Speaker 1>All got to be by Movie Crash is produced and

0:44:31.200 --> 0:44:34.440
<v Speaker 1>written by Charles Bryant and Meel Brown, edited and engineered

0:44:34.480 --> 0:44:37.719
<v Speaker 1>by Seth Nicholas Johnson, and scored by Noel Brown here

0:44:37.719 --> 0:44:40.799
<v Speaker 1>in our home studio at Pontsty Market, Atlanta, Georgia. For

0:44:40.880 --> 0:44:43.760
<v Speaker 1>I Heart Radio. For more podcasts for my Heart Radio,

0:44:43.840 --> 0:44:46.719
<v Speaker 1>visit the iHeart Radio app, Apple podcast, or wherever you

0:44:46.800 --> 0:44:47.960
<v Speaker 1>listen to your favorite shows.