1 00:00:01,160 --> 00:00:03,760 Speaker 1: Bridgewater is a production of I Heart Radio three D 2 00:00:03,840 --> 00:00:06,840 Speaker 1: audio and Grim and Mild from Aaron Mackey. For a 3 00:00:06,880 --> 00:00:17,840 Speaker 1: full exposure, listen with headphones. Listener discretion advised. Ethan, Honey, 4 00:00:19,239 --> 00:00:26,400 Speaker 1: we watch you athen Ethan, Ethan, baby, wake up? Call 5 00:00:26,480 --> 00:00:31,160 Speaker 1: for help? Okay the fun fuck fuck Jeremy, there's no 6 00:00:31,240 --> 00:00:35,960 Speaker 1: fucking service. Oh come on, Ethan, it's me, it's me, 7 00:00:36,040 --> 00:00:40,640 Speaker 1: it's nano. Okay, baby, wake up? Did you find him? 8 00:00:40,760 --> 00:00:44,160 Speaker 1: He won't wake up here? Let me don't don't don't 9 00:00:44,159 --> 00:00:46,879 Speaker 1: touch him, okay, Just to make yourself useful and just 10 00:00:46,920 --> 00:00:50,760 Speaker 1: go for help. Yes, Hello, this is Jeremy Bradshaw. I'm 11 00:00:50,800 --> 00:00:53,519 Speaker 1: at Assan at Ledge in Freetown. Can you hear me? 12 00:00:54,360 --> 00:00:57,160 Speaker 1: Freetown State Forest. There's a young boy here who seems 13 00:00:57,160 --> 00:01:05,960 Speaker 1: to be injured. We watch you, you want you, you're coming, Ethan, Ethan, baby, 14 00:01:06,000 --> 00:01:12,240 Speaker 1: can you hear me? Come here? At it here, let 15 00:01:12,240 --> 00:01:23,800 Speaker 1: me stop it? What do you do wash? Knock this animals, 16 00:01:24,319 --> 00:01:34,640 Speaker 1: nuke altivented knock dose animals, admitary so list knock this animals, 17 00:01:35,080 --> 00:01:43,360 Speaker 1: knock outovented knock those animals a dmitary th spot no 18 00:01:43,560 --> 00:01:52,040 Speaker 1: spoilst knock this animals nuke outun not those animals. Dementary 19 00:01:52,600 --> 00:02:06,040 Speaker 1: admitary admitary ethne No, no, yeah, yeah, baby, yeah, baby, 20 00:02:06,120 --> 00:02:12,639 Speaker 1: it's it's me. No, no, yeah, he's he's gonna be okay, 21 00:02:15,440 --> 00:02:22,120 Speaker 1: you'll be okay. Yeah. Yeah. It wasn't the fire out, Yes, 22 00:02:22,160 --> 00:02:56,720 Speaker 1: it was. What did you do to him? He was possessed? 23 00:02:57,120 --> 00:03:01,160 Speaker 1: I exercised the spirit from his body. Oh so now 24 00:03:01,200 --> 00:03:05,520 Speaker 1: you're a priest. I told you. I'm attuned to the spirits. 25 00:03:06,600 --> 00:03:09,200 Speaker 1: I've spent my whole life learning the specters and shadows 26 00:03:09,200 --> 00:03:13,160 Speaker 1: of this place. Your grandson is not the first wandering 27 00:03:13,280 --> 00:03:19,919 Speaker 1: soul in the forest. I've said, right you, thank you, 28 00:03:21,200 --> 00:03:32,040 Speaker 1: I'm sorry, thank you, You're welcome here. Yeah, the Hoskins. 29 00:03:32,040 --> 00:03:34,399 Speaker 1: How is he? When can we see him? He's all right, 30 00:03:34,720 --> 00:03:36,840 Speaker 1: you can see him in just a moment. He's not 31 00:03:37,000 --> 00:03:39,360 Speaker 1: all right. He was speaking in tongues and covered in 32 00:03:39,440 --> 00:03:44,680 Speaker 1: symbols Olivia. Physically he's fine, a little dehydrated, has some 33 00:03:44,800 --> 00:03:47,480 Speaker 1: minor cuts and bruises. But you can take him home tonight. 34 00:03:48,200 --> 00:03:54,280 Speaker 1: Thank god, Thank you. Dr Did he say anything to you, 35 00:03:55,120 --> 00:03:59,640 Speaker 1: um no. He seems to still be in shock. The 36 00:03:59,720 --> 00:04:02,400 Speaker 1: only thing he said was that it was happening again, 37 00:04:03,200 --> 00:04:09,600 Speaker 1: does that mean anything to you? I don't know. Doctor. 38 00:04:10,520 --> 00:04:13,640 Speaker 1: You can go ahead and see him now. I'll get 39 00:04:13,680 --> 00:04:26,320 Speaker 1: started on the discharge papers and m hmm. Don't you 40 00:04:26,360 --> 00:04:31,080 Speaker 1: want to go talk to him? Ah? I don't know. Yes, 41 00:04:31,120 --> 00:04:33,880 Speaker 1: of course I do, but just I'm just going to 42 00:04:34,000 --> 00:04:43,800 Speaker 1: give family some time. And you are family. I'm blood, 43 00:04:43,839 --> 00:04:52,360 Speaker 1: it's not not the same. I'm glad the child is safe. Yeah, 44 00:04:52,520 --> 00:04:57,479 Speaker 1: thank you anytime, man, Truly, I am here to help. 45 00:04:59,160 --> 00:05:01,039 Speaker 1: That's really all you we're doing in the woods tonight. 46 00:05:02,279 --> 00:05:06,560 Speaker 1: You were helping. Of course, where a small community, we 47 00:05:06,600 --> 00:05:09,599 Speaker 1: have to look after one another. And I'm better equipped 48 00:05:09,640 --> 00:05:13,159 Speaker 1: than most to deal with this particular danger, the danger 49 00:05:13,200 --> 00:05:19,320 Speaker 1: of missing children, those who get lost in the untamed places, right, 50 00:05:19,400 --> 00:05:25,080 Speaker 1: because you're so attuned. Yes, Mr Bradshaw, I am, And 51 00:05:25,200 --> 00:05:27,760 Speaker 1: you can gaze upon that fact with as much derision 52 00:05:27,800 --> 00:05:30,800 Speaker 1: as you like, but it is just that a fact. 53 00:05:31,800 --> 00:05:35,080 Speaker 1: And I don't need your approval, nor anyone else's. I 54 00:05:35,160 --> 00:05:38,520 Speaker 1: know myself and what I'm capable of, and that is 55 00:05:38,560 --> 00:05:44,000 Speaker 1: all that matters. And what are you capable of? Celeste? 56 00:05:44,000 --> 00:05:48,400 Speaker 1: And was right? Any time something happens here? You and 57 00:05:48,480 --> 00:05:51,400 Speaker 1: your cabal of friends seem to be right at the 58 00:05:51,400 --> 00:05:55,680 Speaker 1: center of it. Why was there a bonfire there tonight? 59 00:05:56,760 --> 00:06:00,560 Speaker 1: What were you all doing that wasn't one of ours? No, 60 00:06:01,520 --> 00:06:04,560 Speaker 1: you seem pretty practiced at stoking it, almost like you 61 00:06:04,760 --> 00:06:08,919 Speaker 1: built it yourself. I didn't stoke those flames, Mr Bradshaw. 62 00:06:09,000 --> 00:06:10,680 Speaker 1: You know just as well as I that I was 63 00:06:10,760 --> 00:06:15,080 Speaker 1: feed away, tending to ethan. The fire started anew on 64 00:06:15,200 --> 00:06:19,799 Speaker 1: its own. That's not possible, of course. It is. Perhaps 65 00:06:19,880 --> 00:06:22,360 Speaker 1: the wind picked up an ember, pushed it into some 66 00:06:22,480 --> 00:06:25,080 Speaker 1: dry kindling at the center, or someone had left an 67 00:06:25,120 --> 00:06:29,680 Speaker 1: incendiary amongst the logs to cause confusion and fear. That's 68 00:06:29,680 --> 00:06:33,360 Speaker 1: what you'd say. Isn't it a perfectly rational explanation for 69 00:06:33,440 --> 00:06:36,560 Speaker 1: every single event, even if you have to stretch it 70 00:06:36,600 --> 00:06:39,680 Speaker 1: over your memory of what actually happened, like trying to 71 00:06:39,720 --> 00:06:48,800 Speaker 1: fit a rubber band around the world. Where's Katie? I'm 72 00:06:48,800 --> 00:06:53,080 Speaker 1: sorry she was with you earlier. If you were really 73 00:06:53,080 --> 00:06:55,760 Speaker 1: part of the search effort, you'd know you were supposed 74 00:06:55,800 --> 00:06:59,679 Speaker 1: to be in pairs, and so we were. But where 75 00:06:59,760 --> 00:07:06,200 Speaker 1: is now? She she got frightened? What did she get 76 00:07:06,240 --> 00:07:10,480 Speaker 1: frightened of? So? Last you of the forest, Mr Bradshaw, 77 00:07:11,080 --> 00:07:15,920 Speaker 1: Katie is she isn't ready for the entire truth of Bridgewater. 78 00:07:16,600 --> 00:07:21,080 Speaker 1: What does that mean? She's grieving morning a loved one 79 00:07:21,120 --> 00:07:24,480 Speaker 1: is what brought her and so many others to the gathering. 80 00:07:25,560 --> 00:07:29,240 Speaker 1: You are not a support group. We are many things. 81 00:07:30,240 --> 00:07:32,880 Speaker 1: Katie wanted to contact her mother, That's why she joined 82 00:07:32,880 --> 00:07:37,040 Speaker 1: the gathering. Contact as in to talk to her ghost, 83 00:07:37,640 --> 00:07:40,600 Speaker 1: talk with her ghost, commune with her spirit, whatever you 84 00:07:40,600 --> 00:07:44,240 Speaker 1: want to call it. I think being confronted with all 85 00:07:44,240 --> 00:07:47,160 Speaker 1: those spirits scared her, especially after what happened with her friend. 86 00:07:47,880 --> 00:07:51,160 Speaker 1: She's afraid of angering the souls that dwell within the forest. 87 00:07:51,920 --> 00:07:57,960 Speaker 1: She's just not ready because she's okay, isn't she? She'll 88 00:07:57,960 --> 00:08:02,120 Speaker 1: be absolutely fine. Your grandson, on the other hand, I 89 00:08:02,840 --> 00:08:06,480 Speaker 1: what what what is wrong with him? Hey? An, he's fine. 90 00:08:06,520 --> 00:08:08,960 Speaker 1: Why don't you go check on him? Don't you tell 91 00:08:09,000 --> 00:08:12,560 Speaker 1: me what to do? Fradshaw And I think he's right An. 92 00:08:13,360 --> 00:08:22,520 Speaker 1: You should go be with your family. Okay, you shouldn't 93 00:08:22,560 --> 00:08:26,880 Speaker 1: do that. Do what scare her like that? She's already 94 00:08:26,880 --> 00:08:28,880 Speaker 1: gone through enough and even as fine you just heard 95 00:08:28,920 --> 00:08:32,199 Speaker 1: the doctor. That doctor doesn't know what she is dealing with. 96 00:08:32,920 --> 00:08:35,800 Speaker 1: They won't be able to take Ethan home tonight. Just 97 00:08:36,040 --> 00:08:41,520 Speaker 1: you watch. I am watching you. Then as ever, you 98 00:08:41,559 --> 00:08:50,920 Speaker 1: are looking in the wrong place. What do you mean 99 00:08:50,960 --> 00:08:54,160 Speaker 1: you're keeping him overnight at request of the police. We've 100 00:08:54,200 --> 00:08:58,400 Speaker 1: been asked. I can explain this. We're dealing with a 101 00:08:58,440 --> 00:09:02,760 Speaker 1: potential kidnapping case. Services Hoskins. It's safest to have Ethan 102 00:09:02,800 --> 00:09:06,880 Speaker 1: here overnight for observation and station a uniformed officer outside 103 00:09:06,920 --> 00:09:10,560 Speaker 1: his room. Do you think he's still in danger. We're 104 00:09:10,600 --> 00:09:13,240 Speaker 1: just trying to figure out what's going on. We'd like 105 00:09:13,320 --> 00:09:16,440 Speaker 1: to interview him soon. If that's all right, Absolutely not. 106 00:09:17,360 --> 00:09:19,160 Speaker 1: I will talk to him and you can be in 107 00:09:19,200 --> 00:09:23,680 Speaker 1: the room silently. Ah, Brad Shawn Becker the worst crime 108 00:09:23,720 --> 00:09:26,959 Speaker 1: solving dueos since Bonnie and Clyde. Bonnie and Clyde didn't 109 00:09:26,960 --> 00:09:31,200 Speaker 1: solve crimes, they committed them exactly. Well, excuse me for 110 00:09:31,280 --> 00:09:34,400 Speaker 1: being protective of my grandson, who, if I recall correctly, 111 00:09:34,840 --> 00:09:38,640 Speaker 1: I found before the police did. Yes, well done. Ms Becker. 112 00:09:39,200 --> 00:09:41,760 Speaker 1: Roll very glad that Ethan is safe. But this is 113 00:09:41,800 --> 00:09:46,240 Speaker 1: an active investigation, and you are a civilian. You either 114 00:09:46,360 --> 00:09:48,720 Speaker 1: let me talk to him or you don't talk to 115 00:09:48,800 --> 00:09:56,400 Speaker 1: him at all. Fine, Mom, it's all right, Shelly. We're 116 00:09:56,400 --> 00:09:58,400 Speaker 1: not going to scare him. We just need to know 117 00:09:58,440 --> 00:10:07,800 Speaker 1: what happened? Okay, Okay, not you, Bradshaw Man. I was 118 00:10:07,920 --> 00:10:10,320 Speaker 1: right there with you. You said this one out. But 119 00:10:32,720 --> 00:10:37,439 Speaker 1: it's all right, Ethan. You're safe now, I know. I'm 120 00:10:37,760 --> 00:10:41,160 Speaker 1: I'm not scared. Then talk to me, baby, I'm not 121 00:10:41,320 --> 00:10:45,160 Speaker 1: a baby. Okay, Okay, you're right. I'm sorry. You're tough 122 00:10:45,200 --> 00:10:46,920 Speaker 1: as hell, and I know that you've been through a lot, 123 00:10:46,920 --> 00:10:49,400 Speaker 1: but we really need you to tell us what happened. 124 00:10:50,360 --> 00:10:54,160 Speaker 1: All right. I don't know what happened, Okay, just just 125 00:10:54,320 --> 00:10:56,680 Speaker 1: talk me through the weekend. Okay. You were camping with 126 00:10:56,720 --> 00:11:01,600 Speaker 1: your boy Scout Troop. Yeah, we've been camping in Freetown 127 00:11:01,640 --> 00:11:04,120 Speaker 1: a lot. It's not like I didn't know what I 128 00:11:04,160 --> 00:11:07,880 Speaker 1: was doing. I know you're a really good camper and 129 00:11:07,960 --> 00:11:10,720 Speaker 1: we go camping and hiking all the time. You know 130 00:11:10,840 --> 00:11:15,880 Speaker 1: that forest, yes, exactly. And I'm like used to the 131 00:11:15,920 --> 00:11:20,840 Speaker 1: noises and stuff that the noises well, you know, the 132 00:11:20,960 --> 00:11:25,160 Speaker 1: birds and animals and the trees and stuff. Forest quiet, 133 00:11:25,320 --> 00:11:29,960 Speaker 1: not house quiet, right, right, right, I'm used to the 134 00:11:29,960 --> 00:11:33,320 Speaker 1: forest quiet. But some of the others get scared. Like 135 00:11:33,440 --> 00:11:36,760 Speaker 1: the first night there was all this cracking and like 136 00:11:36,960 --> 00:11:43,040 Speaker 1: something skittering, and like Mason, he's only ten so he 137 00:11:43,080 --> 00:11:46,120 Speaker 1: gets scared. You know, he was really worried it was 138 00:11:46,160 --> 00:11:50,040 Speaker 1: some kind of monster because I guess his older brother 139 00:11:50,160 --> 00:11:54,920 Speaker 1: told him there was monsters in Freetown. But you know better, Yeah, 140 00:11:55,360 --> 00:12:04,280 Speaker 1: I do, except except yeah, can you get him some water? 141 00:12:05,200 --> 00:12:13,800 Speaker 1: Go on eveing? Right? So last night, yeah, yeah, I 142 00:12:13,840 --> 00:12:20,640 Speaker 1: think it was last night, Nana. What day is it, honey? 143 00:12:20,640 --> 00:12:30,160 Speaker 1: It Sunday night, Sunday? Okay, so yeah, last night, our 144 00:12:30,200 --> 00:12:45,080 Speaker 1: second night it mm hmm, Nana. I know there aren't monsters, 145 00:12:45,800 --> 00:12:51,400 Speaker 1: and know that just bad people. That's what you always say. 146 00:12:53,080 --> 00:12:56,440 Speaker 1: The only real monsters are the bad people. That's right. 147 00:12:58,000 --> 00:13:01,680 Speaker 1: But I don't even remember walking up to the ledge. 148 00:13:02,679 --> 00:13:07,520 Speaker 1: I just don't remember the ledge. Yeah, above the lake. 149 00:13:08,360 --> 00:13:13,080 Speaker 1: People are on top of the ledge. Yeah, Ethan, No, no, no, 150 00:13:13,200 --> 00:13:17,720 Speaker 1: we found you right next to the lake. No, no, 151 00:13:17,880 --> 00:13:22,360 Speaker 1: you couldn't. I was. I was up there. I woke 152 00:13:22,480 --> 00:13:25,160 Speaker 1: up there. Okay, all right, let's just just to go 153 00:13:25,200 --> 00:13:27,080 Speaker 1: back for a second. Okay, let's let's talk about what 154 00:13:27,080 --> 00:13:35,400 Speaker 1: happens Saturday night. There were voices, but they didn't they 155 00:13:35,440 --> 00:13:40,840 Speaker 1: didn't sound like people. No, they weren't people. Did you 156 00:13:40,880 --> 00:13:45,880 Speaker 1: see something even? And it was like what Grandpa used 157 00:13:45,920 --> 00:13:55,640 Speaker 1: to talk about Grandpa. Yeah, Dad's dad, right, Grandpapa Hoskins? Yeah? 158 00:13:56,320 --> 00:13:59,560 Speaker 1: Who else would I be talking about? No one, Just 159 00:13:59,760 --> 00:14:03,840 Speaker 1: keep going. Grant used to talk about the puck watches. 160 00:14:04,120 --> 00:14:08,920 Speaker 1: You know. Wait, you're not walking up, so you wouldn't know. 161 00:14:10,559 --> 00:14:16,679 Speaker 1: They're like fairies, except really mean. They've got quills and 162 00:14:16,720 --> 00:14:20,640 Speaker 1: spears and fire, and they even tricked people into getting hurt. 163 00:14:22,440 --> 00:14:31,400 Speaker 1: And Nana, I think I saw one you saw puck watching. 164 00:14:32,080 --> 00:14:34,720 Speaker 1: It was talking to me, trying to get me to 165 00:14:34,720 --> 00:14:39,520 Speaker 1: go with it. Ah, I don't know why I did. 166 00:14:41,000 --> 00:14:45,080 Speaker 1: There was these lights. I could barely see past them. 167 00:14:45,160 --> 00:14:50,200 Speaker 1: They were big and so bright, and then like a triangle, 168 00:14:51,040 --> 00:14:56,200 Speaker 1: and there was a person but they looked wrong, and 169 00:14:56,760 --> 00:14:58,960 Speaker 1: at first I thought it was one of the other boys. 170 00:15:00,800 --> 00:15:05,360 Speaker 1: They were short, whoever it was, but do you think 171 00:15:05,360 --> 00:15:09,720 Speaker 1: it was a puck watching? It was something something, and 172 00:15:10,520 --> 00:15:17,080 Speaker 1: it was saying, we want you come here, So I went. 173 00:15:17,960 --> 00:15:21,920 Speaker 1: I wanted to. I don't know why, but I wanted 174 00:15:22,320 --> 00:15:28,000 Speaker 1: to follow the lights. I'm sorry, I know I shouldn't have. Oh, honey, No, 175 00:15:28,160 --> 00:15:32,000 Speaker 1: it's okay, it's okay. You didn't do anything wrong. What's 176 00:15:32,000 --> 00:15:36,160 Speaker 1: the next thing you remember, Captain? Please, it's okay. Ethan, 177 00:15:36,200 --> 00:15:43,040 Speaker 1: please go ahead. I don't I don't know. I'm sorry now, 178 00:15:43,840 --> 00:15:47,200 Speaker 1: I don't know. I don't remember anything. It's okay, that's 179 00:15:47,200 --> 00:15:52,040 Speaker 1: all right. Really, you were there in that woman, that's 180 00:15:52,120 --> 00:15:57,600 Speaker 1: all I know. You mean at the lake by the fire. Yeah, 181 00:15:58,200 --> 00:16:00,960 Speaker 1: we sell the lights lights? What what do you mean 182 00:16:01,120 --> 00:16:05,560 Speaker 1: that the bonfire? No, the lights? You saw them, right, Nana? 183 00:16:06,080 --> 00:16:09,080 Speaker 1: What what lights? Baby? All around you? You and that woman, 184 00:16:09,760 --> 00:16:13,720 Speaker 1: they were floating lights. No, Ethan, that there weren't any lights. 185 00:16:13,880 --> 00:16:21,680 Speaker 1: I know what I saw, Okay, okay, I do believe you, Ethan. 186 00:16:21,760 --> 00:16:25,200 Speaker 1: Do you remember anyone else being around tonight besides me 187 00:16:25,280 --> 00:16:31,880 Speaker 1: and Celeste, that the woman? Anyone? Um, all right, I 188 00:16:31,920 --> 00:16:38,440 Speaker 1: don't know, Okay, that's okay, it's just honey. Do you 189 00:16:38,520 --> 00:16:42,880 Speaker 1: know how you got those symbols on your arm? Symbols? 190 00:16:43,520 --> 00:16:46,600 Speaker 1: Mm hmm yeah you um, they washed them off when 191 00:16:46,600 --> 00:16:49,840 Speaker 1: they admitage you. But you had these symbols all over 192 00:16:49,920 --> 00:16:54,160 Speaker 1: your arms. I did why what do you mean we 193 00:16:54,200 --> 00:16:56,320 Speaker 1: don't We don't know. I mean, we didn't recognize them. 194 00:16:56,320 --> 00:16:58,680 Speaker 1: Maybe maybe one of the boys did it, you know, 195 00:16:58,720 --> 00:17:04,520 Speaker 1: as a prank for fun. They were written in blood. No, honey, 196 00:17:04,560 --> 00:17:08,800 Speaker 1: it's okay. What does he mean blood. Who's blood? No, 197 00:17:09,000 --> 00:17:12,159 Speaker 1: it's we're just not sure, you know. The police. The 198 00:17:12,160 --> 00:17:16,199 Speaker 1: police is testing it now. And what happens to me, Nana? 199 00:17:16,920 --> 00:17:21,320 Speaker 1: What happened? You got lost, that's all, baby, You just 200 00:17:21,440 --> 00:17:26,359 Speaker 1: got lost. Is it true the stories you always told? 201 00:17:26,800 --> 00:17:34,400 Speaker 1: Are they true? Are there monsters in the woods? They no, Son, 202 00:17:34,920 --> 00:17:39,040 Speaker 1: there aren't any monsters in the woods. We believe that 203 00:17:39,080 --> 00:17:42,680 Speaker 1: you were kidnapped by a cult. Does the gathering sound 204 00:17:42,720 --> 00:17:49,399 Speaker 1: familiar to you? The what? Nana? What is he talking about? Nothing? 205 00:17:49,480 --> 00:17:52,480 Speaker 1: He did, honey, don't even listen to him, Ethan. The 206 00:17:52,560 --> 00:17:55,600 Speaker 1: woman who was with your grandmother, Celeste Corey, did you 207 00:17:55,640 --> 00:18:01,880 Speaker 1: recognize her, Captain, I don't think so. She didn't come 208 00:18:01,880 --> 00:18:06,720 Speaker 1: to your camp and lure you away. No, No, there 209 00:18:06,840 --> 00:18:13,520 Speaker 1: was no one there. But you heard a voice, right, yeah? 210 00:18:13,400 --> 00:18:18,400 Speaker 1: What was it? A man's voice? Stopes witness. I don't 211 00:18:18,440 --> 00:18:25,200 Speaker 1: know it was it was whispering, and the voice led 212 00:18:25,280 --> 00:18:30,199 Speaker 1: you to the ledge. And yes, I don't know. I 213 00:18:30,280 --> 00:18:33,800 Speaker 1: woke up and there was a voice, and then I 214 00:18:33,840 --> 00:18:37,080 Speaker 1: woke up again and was on the ledge. M hmm. 215 00:18:37,520 --> 00:18:41,399 Speaker 1: I thought I thought I was dreaming, but there were lights. 216 00:18:42,760 --> 00:18:46,639 Speaker 1: How did you get to the lake? I don't know. 217 00:18:48,440 --> 00:18:54,879 Speaker 1: I don't know. Okay, scared, Nana's okay, Ethan, we are done, captain. 218 00:18:56,200 --> 00:19:12,800 Speaker 1: We're gonna let him rest, right, Okaya, Nana? Mm hmm, 219 00:19:13,119 --> 00:19:17,000 Speaker 1: it's okay baby. I'm gonna stay here with you. You're safe. 220 00:19:17,080 --> 00:19:39,240 Speaker 1: Could you send him my mom? Yeah? Of course, how 221 00:19:39,320 --> 00:19:45,560 Speaker 1: was he? He's all right. His family is going to 222 00:19:45,600 --> 00:19:49,040 Speaker 1: be with him tonight. So now you you're not you're 223 00:19:49,080 --> 00:19:54,639 Speaker 1: not staying m h I uh. I just wanted to 224 00:19:54,640 --> 00:20:01,840 Speaker 1: give them some alone time. And mm hmm do you? Uh? 225 00:20:05,920 --> 00:20:11,120 Speaker 1: I mean when when did uh just spitch out? Rat Shaws? 226 00:20:12,600 --> 00:20:17,480 Speaker 1: Where where's Shelley's father? I just I don't know. I 227 00:20:17,600 --> 00:20:22,960 Speaker 1: mean you you two don't seem very close, and you 228 00:20:23,040 --> 00:20:32,800 Speaker 1: never he's gone. He's been gone for forty years. Right, Sorry, 229 00:20:36,560 --> 00:20:42,359 Speaker 1: you're right, we're not close. I messed up with Shelly. 230 00:20:43,160 --> 00:20:49,240 Speaker 1: I never wanted kids, but when her dad, I wasn't 231 00:20:49,240 --> 00:20:55,400 Speaker 1: a good mother. But I'm trying. Messed up. We live too. 232 00:20:57,359 --> 00:21:03,720 Speaker 1: She seems to love you, you know. I mean when 233 00:21:03,760 --> 00:21:06,080 Speaker 1: she was a kid, I was too obsessed with finding 234 00:21:06,080 --> 00:21:09,600 Speaker 1: out what happened to her grandfather. So you know, I'm 235 00:21:09,640 --> 00:21:14,840 Speaker 1: trying with Ethan, really trying. He was their miracle baby. 236 00:21:14,920 --> 00:21:17,520 Speaker 1: They they didn't think that they could have another one. 237 00:21:17,560 --> 00:21:23,960 Speaker 1: And then I don't see anything happened to him. Well 238 00:21:24,000 --> 00:21:47,439 Speaker 1: I safe now, mm hmmm. And forty years? Yeah, what 239 00:21:50,200 --> 00:21:54,000 Speaker 1: you said? He's been gone for forty years, and I 240 00:21:54,040 --> 00:21:56,239 Speaker 1: think we should just go to sleep. Bradshot has been 241 00:21:56,320 --> 00:22:01,919 Speaker 1: one hell of a long night. You knew he was 242 00:22:01,960 --> 00:22:11,639 Speaker 1: waking up in the middle of the night. And what 243 00:22:11,680 --> 00:22:25,879 Speaker 1: do you want me to say, Jeremy, how long? When? Um? So? 244 00:22:26,040 --> 00:22:36,200 Speaker 1: That means huh did my mom know? She found out? 245 00:22:37,720 --> 00:22:42,280 Speaker 1: And so this whole time, all these years, these decades, 246 00:22:44,200 --> 00:22:47,159 Speaker 1: you knew I still lived here. Yeah, And I was 247 00:22:47,200 --> 00:22:49,200 Speaker 1: going to tell you when you got older. But then 248 00:22:49,240 --> 00:22:51,480 Speaker 1: you moved out to California with your mom. That was 249 00:22:51,520 --> 00:22:55,160 Speaker 1: for college. And then I came back. Why why did 250 00:22:55,160 --> 00:22:57,439 Speaker 1: you come back? What happened to you here? I know? 251 00:22:57,600 --> 00:23:00,480 Speaker 1: But why did you come back? Why would you stay? 252 00:23:00,880 --> 00:23:08,000 Speaker 1: I have family here, so do I apparently talk? Could 253 00:23:08,000 --> 00:23:14,000 Speaker 1: you not tell me? How could my own mother no 254 00:23:14,160 --> 00:23:17,560 Speaker 1: tell me? She didn't want to ruin the idea of 255 00:23:17,640 --> 00:23:20,840 Speaker 1: your dad, and neither did I. They were going to 256 00:23:20,880 --> 00:23:25,159 Speaker 1: get divorced. And then when he went missing, we and 257 00:23:25,280 --> 00:23:29,520 Speaker 1: we both thought it would be kinder to keep you 258 00:23:29,560 --> 00:23:37,000 Speaker 1: in the dark. It's like all I ever am it's 259 00:23:37,119 --> 00:23:43,920 Speaker 1: in the dark, and try so hard to know everything 260 00:23:43,920 --> 00:23:51,960 Speaker 1: I can, and I am still constantly in the dark. 261 00:23:52,800 --> 00:23:58,720 Speaker 1: I am sorry. Oh fuck you? Fuck you Anne. You 262 00:23:58,800 --> 00:24:01,680 Speaker 1: don't get to talk to me like that. Why because 263 00:24:01,680 --> 00:24:05,120 Speaker 1: you were sucking my dad? That doesn't make you someone 264 00:24:05,359 --> 00:24:08,960 Speaker 1: to me. Don't make us sound tawdry. We were together, 265 00:24:09,680 --> 00:24:15,880 Speaker 1: we were in love. I still am. Yeah. Well, guess what, 266 00:24:17,600 --> 00:24:21,320 Speaker 1: he is dead. You dragged him into your crazy theories 267 00:24:21,359 --> 00:24:22,840 Speaker 1: and you encouraged him to go out there and do 268 00:24:22,920 --> 00:24:26,480 Speaker 1: something stupid and dangerous, and now he's dead. Don't you 269 00:24:26,560 --> 00:24:29,359 Speaker 1: blame me for that. I told him never to go 270 00:24:29,440 --> 00:24:32,400 Speaker 1: out there on his own. We were doing everything together. 271 00:24:32,680 --> 00:24:37,080 Speaker 1: Oh you sure were, weren't you. You were doing everything together. 272 00:24:37,280 --> 00:24:39,200 Speaker 1: When I woke up and I realized that he was gone, 273 00:24:39,240 --> 00:24:41,520 Speaker 1: I couldn't go after him because I was watching you. 274 00:24:41,760 --> 00:24:44,160 Speaker 1: So whose vault is it? Really? What are you talking about? 275 00:24:44,440 --> 00:24:47,480 Speaker 1: How did my house not look familiar to you? You 276 00:24:47,560 --> 00:24:51,120 Speaker 1: stayed over sometimes when they split up. Your parents decided 277 00:24:51,160 --> 00:24:53,720 Speaker 1: that there would be joint custody, especially when we found 278 00:24:53,760 --> 00:24:59,720 Speaker 1: out that I was so we uh, we were trying 279 00:24:59,720 --> 00:25:01,439 Speaker 1: to make get comfortable for you at my house the 280 00:25:01,480 --> 00:25:03,840 Speaker 1: weekend your dad went missing. Your mom almost out of 281 00:25:03,840 --> 00:25:07,840 Speaker 1: town visiting a friend, you know, getting some space, so 282 00:25:08,080 --> 00:25:13,640 Speaker 1: we had you for the weekend. Well, I don't remember that. 283 00:25:13,760 --> 00:25:15,720 Speaker 1: And we were all going to go for a hike 284 00:25:15,800 --> 00:25:19,600 Speaker 1: in Freetown. You know. I used to join you guys 285 00:25:19,680 --> 00:25:22,960 Speaker 1: on your Saturday. I did them with Ethan now and 286 00:25:23,000 --> 00:25:25,199 Speaker 1: he stays in the same room she did when you 287 00:25:25,240 --> 00:25:30,199 Speaker 1: were little, Hope. No, those hikes were always just the 288 00:25:30,240 --> 00:25:39,600 Speaker 1: two of us. Honey, you were just a kid. I'm 289 00:25:39,640 --> 00:25:42,879 Speaker 1: I'm not surprised that you don't remember. Why are you 290 00:25:43,000 --> 00:25:51,680 Speaker 1: lying to me? I'm not Jeremy, not anymore. But you're 291 00:25:51,720 --> 00:25:55,800 Speaker 1: telling me that it's my fault. It's my fault that 292 00:25:55,840 --> 00:25:58,399 Speaker 1: my dad is dead. But he's not dead. When you 293 00:25:58,480 --> 00:26:03,920 Speaker 1: shut up, Anne, m he is dead. He's as dead 294 00:26:04,040 --> 00:26:07,320 Speaker 1: as you can get and he's been dead for forty years. 295 00:26:07,359 --> 00:26:13,919 Speaker 1: And I am sorry you never found anyone else, But 296 00:26:14,040 --> 00:26:20,280 Speaker 1: that's your fault. I'm sure you were just trying to 297 00:26:20,280 --> 00:26:24,000 Speaker 1: protect me, which is but you know that was never 298 00:26:24,080 --> 00:26:36,600 Speaker 1: your job either. But um, you could have I could 299 00:26:36,640 --> 00:26:47,560 Speaker 1: have had you should have told me. I know I 300 00:26:47,720 --> 00:27:01,520 Speaker 1: have a half sister. M hmm, what does she know, no, No, 301 00:27:01,720 --> 00:27:07,760 Speaker 1: I never told her. She asked about her dad so much, 302 00:27:07,800 --> 00:27:12,359 Speaker 1: but I had never told her. It's one of the 303 00:27:12,400 --> 00:27:17,800 Speaker 1: reasons why we're not so close. Is that supposed to 304 00:27:17,800 --> 00:27:20,800 Speaker 1: make me feel bad for you? Know? These are the 305 00:27:20,880 --> 00:27:24,600 Speaker 1: choices that you made. And you can't blame your ghosts, 306 00:27:24,720 --> 00:27:27,239 Speaker 1: or your monsters, or your cults. You can't blame the 307 00:27:27,320 --> 00:27:43,400 Speaker 1: Bridgewater Triangle for your unhappiness. Neither can you. Well, I'm 308 00:27:43,400 --> 00:27:56,159 Speaker 1: glad either safe. Oh my god, fuck, he's my nephew. 309 00:27:57,760 --> 00:28:05,200 Speaker 1: I have a nephew and a niece. I don't think 310 00:28:05,240 --> 00:28:09,840 Speaker 1: I could ever forgive you for this, Anna, I know, 311 00:28:15,840 --> 00:28:28,240 Speaker 1: I know. Bridgewater was created by Aaron Manky and written 312 00:28:28,240 --> 00:28:32,439 Speaker 1: and directed by Lauren Shippen, with executive producers Aaron Manky, 313 00:28:32,680 --> 00:28:37,880 Speaker 1: Misha Collins, Matt Frederick, and Alex Williams, supervising producer Trevor Young, 314 00:28:38,320 --> 00:28:41,479 Speaker 1: editing and sound designed by Trevor Young and Matt Stillo, 315 00:28:41,880 --> 00:28:46,680 Speaker 1: and music by Chad Lawson. Starring Misha Collins as Jeremy Bradshaw, 316 00:28:46,840 --> 00:28:51,040 Speaker 1: Melissa Ponzio as Anne Becker, Karen Sony as Vipen Corona, 317 00:28:51,440 --> 00:28:56,240 Speaker 1: Lori Allen as Nancy Collins, Cheryl Umania as Officer Bautista, 318 00:28:56,640 --> 00:29:00,760 Speaker 1: Victoria Grace as Katie Frank's Will Wheaton as Captain Haddock, 319 00:29:01,000 --> 00:29:06,120 Speaker 1: Hillary Burton Morgan as Shelley Hoskins, Jonathan Joss as Joseph Hoskins, 320 00:29:06,360 --> 00:29:11,120 Speaker 1: Sabra May as Olivia Hoskins, Samuel Marty as Ethan Hoskins, 321 00:29:11,400 --> 00:29:16,000 Speaker 1: Kristin Bauer as Celeste, and Nathan Fillion as Thomas brad Shahn, 322 00:29:16,400 --> 00:29:21,720 Speaker 1: with additional voice acting by Brigand Snow, Andrew Nowak, Julia Maurizawa, 323 00:29:22,160 --> 00:29:27,720 Speaker 1: Jarvis Johnson and Brielle Bresnan, Kristen dem Curio, James Oliva, 324 00:29:27,960 --> 00:29:32,200 Speaker 1: and Leron Amiel. Learn more about the show over at 325 00:29:32,240 --> 00:29:35,840 Speaker 1: Grimm and Mild dot com Slash Bridgewater and find more 326 00:29:35,920 --> 00:29:39,000 Speaker 1: podcasts from I heart Radio on the I heart Radio app, 327 00:29:39,040 --> 00:29:42,520 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows, 328 00:29:43,120 --> 00:29:45,480 Speaker 1: and as always, thanks for listening