1 00:00:00,320 --> 00:00:03,280 Speaker 1: Hello the Internet, and welcome to Season to fifty seven, 2 00:00:03,279 --> 00:00:06,840 Speaker 1: episode four of DIR Daily Like Guys Day production of 3 00:00:06,920 --> 00:00:09,720 Speaker 1: I Heart Radio. This is a podcast where we take 4 00:00:09,800 --> 00:00:13,840 Speaker 1: a deep dive into America's share consciousness. And it's Wednesday, 5 00:00:13,880 --> 00:00:18,520 Speaker 1: October six. What we were working with today on the 6 00:00:18,640 --> 00:00:22,319 Speaker 1: national day and six Big Fella National Coaches Day. Shout 7 00:00:22,320 --> 00:00:25,720 Speaker 1: out all the coaches there, myself included your your father, 8 00:00:25,800 --> 00:00:29,760 Speaker 1: included Jackie. Ever coach before. I have not coached before 9 00:00:29,920 --> 00:00:33,720 Speaker 1: other than you know, dabbling with life coaching. Okay, yeah, 10 00:00:33,720 --> 00:00:36,400 Speaker 1: thank you. You helped me. I stopped. I stopped biting 11 00:00:36,400 --> 00:00:39,440 Speaker 1: my nails after working with you. Yeah. You said, just 12 00:00:39,479 --> 00:00:42,960 Speaker 1: put spicy spices on your fingers, and that's fine. That's 13 00:00:43,000 --> 00:00:45,920 Speaker 1: actually my cure for most things, most maladies, not just 14 00:00:46,000 --> 00:00:48,400 Speaker 1: chewing your nails. Just put spices on your fingers. It 15 00:00:48,479 --> 00:00:51,800 Speaker 1: did help my insecurities as well. It's also National Mad 16 00:00:51,840 --> 00:00:54,480 Speaker 1: Hatter Day. Shout out to was that mercury poisoning? Is 17 00:00:54,480 --> 00:00:59,760 Speaker 1: that what they were mad? National Noodle Day, National orange 18 00:00:59,760 --> 00:01:03,080 Speaker 1: Wine Day. I see you people with the skin contact. 19 00:01:03,120 --> 00:01:08,160 Speaker 1: People love sucking orange wine skin on Skinnational Appreciation Day, 20 00:01:08,160 --> 00:01:11,400 Speaker 1: a National German American Day. Boom, Hey there we go. 21 00:01:11,880 --> 00:01:15,640 Speaker 1: Shout out to German American Schmidt Schmidty is the clan, 22 00:01:16,000 --> 00:01:20,120 Speaker 1: you know, one of our finest. I think German American. Anyways, 23 00:01:20,280 --> 00:01:25,040 Speaker 1: my name is Jack O'Brien a k Mountain Mountain Dew, 24 00:01:26,240 --> 00:01:32,040 Speaker 1: Mountain Mountain Dew. I'm crazy like a fool because I 25 00:01:32,160 --> 00:01:37,200 Speaker 1: drink Mountain Mountain Dew that is courtesy of Bruce Chili's 26 00:01:37,680 --> 00:01:41,160 Speaker 1: and it's Daddy Cool by bony M. Bony M is 27 00:01:41,200 --> 00:01:44,920 Speaker 1: a the groups that I'm just gaining an appreciation for 28 00:01:45,360 --> 00:01:48,559 Speaker 1: because via my kids. Because they have a dope song 29 00:01:48,640 --> 00:01:51,560 Speaker 1: about rescue and with a lot of fun and uh, 30 00:01:52,480 --> 00:01:56,160 Speaker 1: I'm just am I like, was I just weirdly sheltered 31 00:01:56,200 --> 00:01:59,160 Speaker 1: from bony Um or what are they? I don't know 32 00:01:59,160 --> 00:02:03,160 Speaker 1: known not at all man. Anyway, I have to watch 33 00:02:03,200 --> 00:02:06,080 Speaker 1: YouTube video of the I'm performing Daddy Cool this morning. 34 00:02:06,160 --> 00:02:10,040 Speaker 1: I okay, It's a lot of fun. Highly recommend. Anyways, 35 00:02:10,080 --> 00:02:11,920 Speaker 1: I'm thrilled to be joined as always by my co 36 00:02:12,080 --> 00:02:18,399 Speaker 1: host Mr Miles ground put a snake on may Oh 37 00:02:18,480 --> 00:02:23,760 Speaker 1: to make fun of Chuck, but a snake on may 38 00:02:23,800 --> 00:02:28,840 Speaker 1: coming path on me up, But a sneak on may 39 00:02:28,880 --> 00:02:32,360 Speaker 1: I can't get enough Shout out to t v Z Burner, 40 00:02:32,440 --> 00:02:35,240 Speaker 1: because you know what's october Fest. We saw the logo 41 00:02:35,320 --> 00:02:39,360 Speaker 1: of oktober Fest looked like it was requisitely spooky, but 42 00:02:39,520 --> 00:02:42,040 Speaker 1: Shock had to add a big snake on the logo 43 00:02:42,160 --> 00:02:44,520 Speaker 1: for good measured, I guess, to make it scarier, but 44 00:02:44,600 --> 00:02:47,440 Speaker 1: it for us seemed a bit superfluous. But where we 45 00:02:47,560 --> 00:02:50,440 Speaker 1: to criticize Shack Diesel's logo design. Shout out to t 46 00:02:50,520 --> 00:02:54,560 Speaker 1: v Z Burner for that wonderful a k and inspired 47 00:02:54,639 --> 00:03:00,280 Speaker 1: by yesterday's episode and my washed old Halloween decoration, I 48 00:03:00,400 --> 00:03:03,800 Speaker 1: rushed out this morning before this recording and got a 49 00:03:03,880 --> 00:03:10,680 Speaker 1: twelve ft which at at home depot struggling attempting to 50 00:03:10,800 --> 00:03:15,040 Speaker 1: put together for the next thirty days, probably right up 51 00:03:15,120 --> 00:03:21,000 Speaker 1: until after Halloween. It it's gonna be It's gonna be 52 00:03:21,040 --> 00:03:23,720 Speaker 1: a mess. But anyways, Miles, we are thrilled to be 53 00:03:23,800 --> 00:03:26,480 Speaker 1: joined in our third seat by one of the funniest 54 00:03:26,639 --> 00:03:29,120 Speaker 1: up and coming stand ups doing it. She's open for 55 00:03:29,280 --> 00:03:33,520 Speaker 1: Maria Bamford and TDZ favorite duel say sloan you're shoot 56 00:03:33,600 --> 00:03:36,600 Speaker 1: her on TV and things like Barry and as Gayle 57 00:03:36,960 --> 00:03:43,640 Speaker 1: and single drunk female. It's Madison Shepherd. Hi, what's up? 58 00:03:43,760 --> 00:03:46,440 Speaker 1: I get come back, Madison's been too long. Thank you 59 00:03:46,480 --> 00:03:49,320 Speaker 1: for having me. I'm glad I can come back. Yeah, 60 00:03:49,560 --> 00:03:51,480 Speaker 1: we were just talking about how the last time you 61 00:03:51,480 --> 00:03:54,600 Speaker 1: were on the episode was titled turns Out this Trump 62 00:03:54,640 --> 00:03:58,760 Speaker 1: guy is an Asshole? So I think we were being sarcastic, 63 00:03:58,800 --> 00:04:01,040 Speaker 1: but it feels like it was early in our journey 64 00:04:01,240 --> 00:04:05,920 Speaker 1: as a podcast and as a country. Yeah. I remember 65 00:04:05,920 --> 00:04:08,360 Speaker 1: that episode because after I think I said like weed 66 00:04:08,400 --> 00:04:11,240 Speaker 1: culture was overrated or something, because all these like Weed 67 00:04:11,280 --> 00:04:13,720 Speaker 1: had started tweeting at me about how I was wrong, 68 00:04:13,760 --> 00:04:15,880 Speaker 1: and I was like, it's not for me. I'm sorry, 69 00:04:16,200 --> 00:04:18,479 Speaker 1: or just being like and you're proving it, like come on, 70 00:04:18,560 --> 00:04:20,880 Speaker 1: don't keepe for Look, I love weed too, but I'm 71 00:04:20,880 --> 00:04:24,360 Speaker 1: not going to waste my energy being look hey hey 72 00:04:24,480 --> 00:04:29,239 Speaker 1: it's cool. Was a different year, was Yeah, priorities, priorities 73 00:04:29,279 --> 00:04:32,120 Speaker 1: shifted hopefully for those people. A lot of other ships 74 00:04:32,160 --> 00:04:34,960 Speaker 1: going on that you could maybe get your get outraged about. 75 00:04:35,320 --> 00:04:39,279 Speaker 1: But what else is new with you? Oh gosh, not much. 76 00:04:39,320 --> 00:04:42,640 Speaker 1: You know, I'm just really excited. We're shooting season two 77 00:04:42,640 --> 00:04:46,040 Speaker 1: of Single Drunk Female right now. Well they are obviously, 78 00:04:46,080 --> 00:04:50,320 Speaker 1: I'm back home in l A right now. So um 79 00:04:50,440 --> 00:04:52,400 Speaker 1: guest star so just you know, I go when they 80 00:04:52,440 --> 00:04:55,440 Speaker 1: want me, and then I don't when they don't. Yeah, yeah, yeah, 81 00:04:55,560 --> 00:04:58,240 Speaker 1: you know, okay, Okay, where do you shoot that? We 82 00:04:58,279 --> 00:05:01,080 Speaker 1: shoot that in Atlanta? Actually, even though it's like set 83 00:05:01,120 --> 00:05:05,280 Speaker 1: in Boston. Some Atlanta is like every city, you know 84 00:05:05,320 --> 00:05:08,840 Speaker 1: what I mean, they do everything there. Yeah, they really 85 00:05:08,839 --> 00:05:12,800 Speaker 1: make it very it's very malleable that Atlanta. I mean 86 00:05:13,040 --> 00:05:17,640 Speaker 1: like that, God bless the subsidies. Yeah. I feel like 87 00:05:17,680 --> 00:05:20,520 Speaker 1: I know people who who work in the film industry 88 00:05:20,560 --> 00:05:23,200 Speaker 1: that just moved to Atlanta straight up, or at least 89 00:05:23,200 --> 00:05:25,480 Speaker 1: I hear about them. I don't know. But my uncle 90 00:05:26,600 --> 00:05:28,839 Speaker 1: or my uncle had he would just get an apartment 91 00:05:28,880 --> 00:05:31,919 Speaker 1: there because production was taking him out there so much. 92 00:05:32,720 --> 00:05:34,200 Speaker 1: And then it would be funny. He'd come back from 93 00:05:34,200 --> 00:05:36,080 Speaker 1: Atlanta and like get his ship mixed up and be 94 00:05:36,160 --> 00:05:37,760 Speaker 1: like where's that once and I was like, wait, that's 95 00:05:37,760 --> 00:05:41,159 Speaker 1: in Atlanta. Never mind, I can't get there right now. Yeah. 96 00:05:41,480 --> 00:05:45,679 Speaker 1: I I could see myself living there some of the time. 97 00:05:45,800 --> 00:05:47,640 Speaker 1: Like I know a lot of people who have like 98 00:05:47,720 --> 00:05:51,400 Speaker 1: condos there and stuff like. It just depends on how 99 00:05:51,440 --> 00:05:53,599 Speaker 1: often you're there, Like if you're shooting an hour long 100 00:05:53,680 --> 00:05:58,000 Speaker 1: TV show, you're there, like six to eight months or something. 101 00:05:58,080 --> 00:05:59,760 Speaker 1: You know, it could be a very long time, and 102 00:05:59,800 --> 00:06:02,840 Speaker 1: it's well, what's the point of not just being there 103 00:06:03,040 --> 00:06:05,760 Speaker 1: for that time? You know, Yeah, what's something you like 104 00:06:05,800 --> 00:06:08,520 Speaker 1: to do when you're in Atlanta? I try not to 105 00:06:08,560 --> 00:06:13,320 Speaker 1: catch COVID. That's kind of my main gig. I've heard 106 00:06:13,320 --> 00:06:16,440 Speaker 1: of that that's actually getting that was big for like 107 00:06:16,480 --> 00:06:19,880 Speaker 1: a little while in I feel like people aren't talking 108 00:06:19,880 --> 00:06:26,000 Speaker 1: about its cool retro like yeah, Atlanta. I just like 109 00:06:26,560 --> 00:06:29,479 Speaker 1: I mostly stay in my hotel. I do get up 110 00:06:29,520 --> 00:06:32,040 Speaker 1: at the Laughing Skull like a little bit, like I'll 111 00:06:32,360 --> 00:06:35,720 Speaker 1: always try to pop in there, um whatever ian it 112 00:06:35,800 --> 00:06:38,880 Speaker 1: bears hosting at the time. I will pretty much do 113 00:06:38,920 --> 00:06:41,000 Speaker 1: any show he asked me to do. But yeah, I 114 00:06:41,480 --> 00:06:50,920 Speaker 1: get wings, I order JR Crickets, you know, okay what yep, 115 00:06:51,160 --> 00:06:53,960 Speaker 1: there you go, and I go to busy Bees. I 116 00:06:54,000 --> 00:06:56,960 Speaker 1: get that on uber eats. It's very exciting, you know. 117 00:06:57,120 --> 00:06:58,920 Speaker 1: But yeah, when you're working, it's not like you're like 118 00:06:58,960 --> 00:07:01,680 Speaker 1: out there, like we'll have a social scene out here. 119 00:07:02,279 --> 00:07:04,080 Speaker 1: They'd be like, I'm here to work and you know, 120 00:07:04,400 --> 00:07:06,520 Speaker 1: do do whatever I can in between. Well, because I 121 00:07:07,360 --> 00:07:11,160 Speaker 1: know so many people who have lost their gig because 122 00:07:11,200 --> 00:07:15,320 Speaker 1: they tested positive like days before or hours before they 123 00:07:15,320 --> 00:07:17,840 Speaker 1: were slated to get on set, and I'm like, I 124 00:07:17,880 --> 00:07:22,480 Speaker 1: can't afford it, right, Oh, I didn't even think, but yeah, 125 00:07:22,520 --> 00:07:25,760 Speaker 1: that form of bag. Wait. So then in that like instance, 126 00:07:25,840 --> 00:07:29,120 Speaker 1: do they have like a standby performer in case like 127 00:07:29,160 --> 00:07:31,400 Speaker 1: in those times, like we're like, well, you know what happens, 128 00:07:31,560 --> 00:07:34,320 Speaker 1: we're calling up the p A now. Depending on who 129 00:07:34,360 --> 00:07:36,640 Speaker 1: it is, like if it's like a series regular or 130 00:07:36,720 --> 00:07:39,520 Speaker 1: the lead of the movie or whatever, they will halt production. 131 00:07:40,160 --> 00:07:43,120 Speaker 1: But short of it being like numbers one through three 132 00:07:43,160 --> 00:07:46,640 Speaker 1: on the calls chet, they just write you out and 133 00:07:46,840 --> 00:07:51,000 Speaker 1: just right around you. It's painful. Yeah, you're just not 134 00:07:51,120 --> 00:07:53,640 Speaker 1: in that episode or in that section in the movie 135 00:07:53,680 --> 00:07:56,880 Speaker 1: or whatever you're shooting. I know somebody who's couldn't film 136 00:07:56,960 --> 00:08:01,680 Speaker 1: their special because they were literal really doing I guess 137 00:08:01,760 --> 00:08:04,640 Speaker 1: like they were about they were like a day out 138 00:08:04,760 --> 00:08:07,680 Speaker 1: from like shooting it, and while they were there like 139 00:08:07,800 --> 00:08:11,320 Speaker 1: rehearsing or something, they got a positive result and their 140 00:08:11,400 --> 00:08:15,720 Speaker 1: special was no longer taping. Yeah, that actually happened to 141 00:08:15,760 --> 00:08:20,440 Speaker 1: my friend Adele. Yeah, I think she actually had some 142 00:08:20,520 --> 00:08:22,440 Speaker 1: issues with that. I'm not sure you guys might have 143 00:08:22,480 --> 00:08:30,200 Speaker 1: heard of her up and comer. Yeah, all right, well 144 00:08:30,440 --> 00:08:31,960 Speaker 1: we are going to get to know you a little 145 00:08:31,960 --> 00:08:34,040 Speaker 1: bit better in a moment. First, we're going to tell 146 00:08:34,160 --> 00:08:37,400 Speaker 1: our listeners a couple of the things that we're talking 147 00:08:37,440 --> 00:08:40,079 Speaker 1: about today. We're going to talk about the uprisings an Iran, 148 00:08:40,679 --> 00:08:44,240 Speaker 1: which aren't just about the morality police and what. You know, 149 00:08:44,280 --> 00:08:47,319 Speaker 1: they've been gone on for three weeks and they're both 150 00:08:47,360 --> 00:08:51,960 Speaker 1: inspiring and the government response and crackdown has been horrifying. 151 00:08:52,280 --> 00:08:54,920 Speaker 1: And you know, we talked on here a lot about 152 00:08:55,760 --> 00:09:00,480 Speaker 1: lack of America's lack of revolutionary imagination, and I feel 153 00:09:00,520 --> 00:09:01,960 Speaker 1: like this is this is a good one to be 154 00:09:02,000 --> 00:09:05,480 Speaker 1: paying attention to, especially because you look on any American 155 00:09:05,559 --> 00:09:08,959 Speaker 1: news site and they are like there's like one article 156 00:09:09,040 --> 00:09:11,679 Speaker 1: every six days, and most of it's like it's bad 157 00:09:11,760 --> 00:09:13,920 Speaker 1: and we're not going to tell you about like class 158 00:09:13,960 --> 00:09:18,000 Speaker 1: solidarity or anything that's occurring. Yeah, the New Yorker like 159 00:09:18,080 --> 00:09:21,240 Speaker 1: it's a very much leaderless and the New Yorker like 160 00:09:21,320 --> 00:09:25,120 Speaker 1: did this profile of a Air America, which I'm pretty 161 00:09:25,120 --> 00:09:29,720 Speaker 1: sure is like the CIA radio station media, like somebody 162 00:09:29,720 --> 00:09:31,760 Speaker 1: who works for Air America who They're like, this is 163 00:09:31,840 --> 00:09:36,280 Speaker 1: who's really behind this thing? So you know the hand 164 00:09:36,320 --> 00:09:38,800 Speaker 1: of the invisible hand of the CIA is always it's 165 00:09:38,920 --> 00:09:43,520 Speaker 1: very busy, always working all of that plenty more. But first, Madisine, 166 00:09:43,520 --> 00:09:45,959 Speaker 1: we like to ask our guest, what is something from 167 00:09:46,280 --> 00:09:50,960 Speaker 1: your search history? Okay? So I was looking and I 168 00:09:51,000 --> 00:09:53,640 Speaker 1: was like, what do I mostly google stuff for work? 169 00:09:53,880 --> 00:09:56,360 Speaker 1: So it's like, you know, I write on a countdown 170 00:09:56,400 --> 00:09:59,880 Speaker 1: show for Roku, and so it's like David Beckham has 171 00:09:59,880 --> 00:10:01,640 Speaker 1: a show coming out, so it's like a number of 172 00:10:01,679 --> 00:10:04,880 Speaker 1: times David Beckham won a World World Series I don't know, 173 00:10:05,480 --> 00:10:10,120 Speaker 1: championships or whatever. Yes, whatever you want. Okay. So the 174 00:10:10,200 --> 00:10:12,640 Speaker 1: last thing that I googled where I was like, oh, 175 00:10:12,679 --> 00:10:16,520 Speaker 1: that's interesting. A couple of days ago, I googled Hong 176 00:10:16,640 --> 00:10:24,200 Speaker 1: Kong coffin and cage apartments, which are these horrifying like 177 00:10:24,600 --> 00:10:27,240 Speaker 1: dwellings in Hong Kong, and they have them in other 178 00:10:27,320 --> 00:10:32,240 Speaker 1: cities to where it's essentially like they you know, imagine 179 00:10:32,280 --> 00:10:34,559 Speaker 1: like you know, like on a tour of us hell, 180 00:10:34,640 --> 00:10:38,160 Speaker 1: they'll have like, you know, basically bunk beds that are 181 00:10:38,200 --> 00:10:41,680 Speaker 1: like little capsules, and like folks will have like you know, 182 00:10:41,800 --> 00:10:44,440 Speaker 1: their charge or their headphone or whatever. Imagine living in 183 00:10:44,559 --> 00:10:51,360 Speaker 1: something that size during a pandemic with a country that 184 00:10:51,480 --> 00:10:54,920 Speaker 1: like super duper locks people down and you literally can't leave. 185 00:10:55,880 --> 00:10:59,680 Speaker 1: It was like a crazy like eye opening thing. But 186 00:10:59,760 --> 00:11:02,920 Speaker 1: on the look at the pictures of this point of view, 187 00:11:03,120 --> 00:11:06,240 Speaker 1: pictures actual point of view, not TikTok point of view 188 00:11:06,320 --> 00:11:10,719 Speaker 1: which just means everything, but actual like pictures taken by 189 00:11:10,800 --> 00:11:14,560 Speaker 1: people sitting in their coffin apartments, and it's giving me 190 00:11:14,640 --> 00:11:18,880 Speaker 1: a panic attack. And of course, like you know, these 191 00:11:18,880 --> 00:11:23,200 Speaker 1: are like truly people who cannot afford to pay for 192 00:11:23,240 --> 00:11:25,960 Speaker 1: more space, like this is literally using up most of 193 00:11:26,000 --> 00:11:29,200 Speaker 1: their income to pay for these like literal coffins. But 194 00:11:29,280 --> 00:11:31,600 Speaker 1: the flip side of that, which I found interesting is 195 00:11:31,640 --> 00:11:36,120 Speaker 1: there is luxury cage apartments which are similar, but they 196 00:11:36,120 --> 00:11:40,760 Speaker 1: are like I'm sorry, what how is uh? I mean? 197 00:11:40,800 --> 00:11:43,520 Speaker 1: I get, but as a binary I would rather be 198 00:11:43,559 --> 00:11:47,199 Speaker 1: in a cage than a coffin. But immediately my mind 199 00:11:47,240 --> 00:11:50,920 Speaker 1: doesn't go, of course, a luxury cage home like what 200 00:11:50,920 --> 00:11:55,559 Speaker 1: what is a loom picturing? I'm picturing where where Hannibal 201 00:11:55,640 --> 00:11:58,560 Speaker 1: Lecter is housed at the end of at the end 202 00:11:58,600 --> 00:12:00,880 Speaker 1: of Sounds of the Lambs, He's in that big loft 203 00:12:00,960 --> 00:12:05,360 Speaker 1: space with like classical music playing and land being served 204 00:12:05,360 --> 00:12:07,640 Speaker 1: to him inside a cage. I'm guessing that's not what 205 00:12:07,679 --> 00:12:11,640 Speaker 1: we're dealing with here. It looks like the you know 206 00:12:11,679 --> 00:12:14,080 Speaker 1: in the movie Fifth Element when they have to go 207 00:12:14,160 --> 00:12:16,880 Speaker 1: to the like this and go into the little bed. 208 00:12:17,040 --> 00:12:19,480 Speaker 1: It looks like that. It looks like the airport hotel 209 00:12:19,520 --> 00:12:23,280 Speaker 1: looks like, yeah, yeah, it's it's but it's luxury, so 210 00:12:23,320 --> 00:12:27,400 Speaker 1: people more for luxury. It's wild though, too, like that, 211 00:12:27,880 --> 00:12:30,400 Speaker 1: because this is all obviously because we have a housing 212 00:12:30,440 --> 00:12:34,040 Speaker 1: crisis like globally, and then like the options are like, well, 213 00:12:34,040 --> 00:12:36,440 Speaker 1: obviously you've been priced out of the traditional home market. 214 00:12:36,840 --> 00:12:41,000 Speaker 1: Might I are for you a fucking cage? What's are 215 00:12:41,040 --> 00:12:44,160 Speaker 1: the fucking names here? Like where we even like this 216 00:12:44,200 --> 00:12:47,000 Speaker 1: is I mean, look shouts to them for not trying 217 00:12:47,000 --> 00:12:49,600 Speaker 1: to paint it any other way. They're like, motherfucker, this 218 00:12:49,679 --> 00:12:53,160 Speaker 1: is a luxury cage, right, and that's that because it 219 00:12:53,240 --> 00:12:58,400 Speaker 1: has led mood lighting. Yeah yeah, I mean usually usually 220 00:12:58,480 --> 00:13:02,600 Speaker 1: the world of real estate come up with euphemisms, but 221 00:13:02,720 --> 00:13:05,040 Speaker 1: cage is pretty that. I guess they were asleep at 222 00:13:05,040 --> 00:13:07,960 Speaker 1: the wheel on that day, you know. They're just like, yeah, 223 00:13:08,040 --> 00:13:10,760 Speaker 1: I don't know, it's a fucking cage, man. Stop stop 224 00:13:10,800 --> 00:13:13,160 Speaker 1: asking me to come up with good spins to put 225 00:13:13,200 --> 00:13:15,600 Speaker 1: on this ship. And I guess, like, and I want 226 00:13:15,640 --> 00:13:17,959 Speaker 1: to say, I forgive me. This was a few days ago. 227 00:13:18,000 --> 00:13:21,120 Speaker 1: But I think in like Tokyo they have a version 228 00:13:21,160 --> 00:13:23,960 Speaker 1: of it that is actually luxury. And it's like in 229 00:13:24,080 --> 00:13:28,440 Speaker 1: places like Howarduku and stuff, where like the rent is 230 00:13:28,480 --> 00:13:32,599 Speaker 1: mad expensive, but even the cage apartment has been elevated 231 00:13:32,640 --> 00:13:36,079 Speaker 1: to be the cost of a regular size apartment. Very crazy. 232 00:13:36,240 --> 00:13:38,840 Speaker 1: A lot of a lot of capsule hotels or capsule 233 00:13:39,280 --> 00:13:42,320 Speaker 1: that's see, that's the thing in Japan called capsule apartment. 234 00:13:42,679 --> 00:13:45,319 Speaker 1: It's like living in a fucking bill, you know, the 235 00:13:46,040 --> 00:13:50,439 Speaker 1: same size as a pill. But yeah, it is. It's 236 00:13:50,480 --> 00:13:53,440 Speaker 1: just it's wild that like we're constantly just figure out 237 00:13:53,480 --> 00:13:56,280 Speaker 1: like ways to just be like have less of a 238 00:13:56,360 --> 00:13:58,880 Speaker 1: functioning life and like learning how to deal with that 239 00:13:59,040 --> 00:14:01,120 Speaker 1: rather than like being like no no no no no 240 00:14:01,120 --> 00:14:03,280 Speaker 1: no no no no. I mean, like I like the 241 00:14:03,280 --> 00:14:06,000 Speaker 1: problem we're trying to solve here, but god, we've really 242 00:14:06,000 --> 00:14:07,480 Speaker 1: got to be moving the other way and being like 243 00:14:07,520 --> 00:14:10,840 Speaker 1: we need to get people in regular ass houses. Yeah. 244 00:14:10,880 --> 00:14:13,160 Speaker 1: I feel like it's only a matter of time before 245 00:14:13,160 --> 00:14:16,160 Speaker 1: that's commonplace here, you know. Oh yeah, I mean we're 246 00:14:16,160 --> 00:14:18,040 Speaker 1: already seeing it with a lot of the like sort 247 00:14:18,080 --> 00:14:22,040 Speaker 1: of shared apartment like we work type live like work 248 00:14:22,440 --> 00:14:25,680 Speaker 1: cult spaces or whatever. I know someone who stayed in one. 249 00:14:25,720 --> 00:14:27,480 Speaker 1: They said it was fine, but they didn't stay there 250 00:14:27,480 --> 00:14:28,800 Speaker 1: for more than like a couple of weeks. I'm not 251 00:14:28,840 --> 00:14:31,640 Speaker 1: sure they got the full like feeling of being And 252 00:14:31,680 --> 00:14:33,680 Speaker 1: I don't know, like the way it's always marketed is 253 00:14:33,720 --> 00:14:35,720 Speaker 1: like the goals who buy up all the housing are 254 00:14:35,760 --> 00:14:39,800 Speaker 1: like it sounds like young people really like these like 255 00:14:39,800 --> 00:14:45,760 Speaker 1: like luxury prison setups. Now, yeah, hey, the young kids 256 00:14:45,760 --> 00:14:48,480 Speaker 1: go over there and that's in gen Z Block that 257 00:14:48,560 --> 00:14:51,120 Speaker 1: they have to go to, and it's like, wow, that 258 00:14:51,280 --> 00:14:54,840 Speaker 1: was good. Once he's get to America, I can see 259 00:14:54,880 --> 00:14:57,120 Speaker 1: real estate agents going to work and just being like 260 00:14:57,320 --> 00:15:02,200 Speaker 1: this cozy and snug is a bug well is replete 261 00:15:02,240 --> 00:15:08,280 Speaker 1: with amenities and so ho adjace. You know, in East 262 00:15:08,320 --> 00:15:10,880 Speaker 1: Hollywood they have this apartment set up where it's a 263 00:15:10,960 --> 00:15:15,000 Speaker 1: two or three bedroom apartment and essentially they pair you 264 00:15:15,040 --> 00:15:18,040 Speaker 1: with roommates. But they're calling it like just like shared 265 00:15:18,160 --> 00:15:20,960 Speaker 1: living or something. They have like some weird euphemism for it, 266 00:15:20,960 --> 00:15:23,120 Speaker 1: But I'm like, you're basically just like renting a room 267 00:15:23,160 --> 00:15:26,960 Speaker 1: with three strangers. You don't know it's a boarding more. 268 00:15:27,160 --> 00:15:30,720 Speaker 1: It's very strange, yes, exactly. Oh you know, it's it 269 00:15:30,760 --> 00:15:34,840 Speaker 1: has already arrived here. There are people who are just 270 00:15:35,000 --> 00:15:38,320 Speaker 1: straight up Now there's an article California startup offers affordable 271 00:15:38,360 --> 00:15:42,920 Speaker 1: capsule pods in shared living accommodation. Yeah, so they they've 272 00:15:42,960 --> 00:15:46,240 Speaker 1: gone with the capsule pod wording to you know, make 273 00:15:46,280 --> 00:15:51,720 Speaker 1: it more attractive. It's just weird. How like we're truly 274 00:15:51,760 --> 00:15:54,720 Speaker 1: like in these two paths where there's like traditional you know, 275 00:15:55,040 --> 00:15:58,080 Speaker 1: luxury for the wealthy, and how like that keeps getting 276 00:15:58,160 --> 00:16:00,960 Speaker 1: more fucking ridiculous. But now we're also like trying to 277 00:16:01,040 --> 00:16:06,000 Speaker 1: like luxurify people like not having access either. You know, 278 00:16:06,120 --> 00:16:08,440 Speaker 1: it's like you can have luxury as well in your 279 00:16:08,440 --> 00:16:12,480 Speaker 1: place of little options and essentially like people with wealth 280 00:16:12,560 --> 00:16:15,240 Speaker 1: like cause playing to be poor. It's nothing new, you 281 00:16:15,280 --> 00:16:17,280 Speaker 1: know what I mean, They do it in different ways, 282 00:16:17,320 --> 00:16:19,840 Speaker 1: but this is just like a fun new iteration of 283 00:16:19,880 --> 00:16:25,320 Speaker 1: it that's like barf inducing what a time? Yeah, I mean, 284 00:16:25,400 --> 00:16:27,240 Speaker 1: what do you do a filone? Like farts? Are their 285 00:16:27,320 --> 00:16:30,520 Speaker 1: rules about that? Because if you have a company or 286 00:16:30,800 --> 00:16:33,080 Speaker 1: you want to, i don't know, stand up not be 287 00:16:33,200 --> 00:16:36,200 Speaker 1: laying down. That shows you I don't have a very uh. 288 00:16:36,560 --> 00:16:38,760 Speaker 1: I wasn't much of a lothario back in the day. 289 00:16:38,800 --> 00:16:43,720 Speaker 1: I was mostly always farting in most is what about farts? 290 00:16:43,920 --> 00:16:46,480 Speaker 1: What about farts? Are you is this pro fart? Or 291 00:16:46,520 --> 00:16:50,640 Speaker 1: do I have to think this is designed for sharing 292 00:16:50,920 --> 00:16:53,120 Speaker 1: this space at all? Like, I don't think they even 293 00:16:53,160 --> 00:16:55,400 Speaker 1: crusted anyone's mind when they're doing this. So I think 294 00:16:55,440 --> 00:16:58,520 Speaker 1: what you're worried about is your own farts in this case? 295 00:16:58,640 --> 00:17:02,600 Speaker 1: Is that fair to say? Also? Okay, okay, well look 296 00:17:02,680 --> 00:17:06,600 Speaker 1: let's cover that in our next session. Telling you that 297 00:17:06,720 --> 00:17:09,400 Speaker 1: spices on your fingertips one thing out of time. Look, 298 00:17:09,720 --> 00:17:11,120 Speaker 1: you told me spice some one of the fingers will 299 00:17:11,119 --> 00:17:14,359 Speaker 1: stop my farting. It didn't. What is something you think 300 00:17:14,440 --> 00:17:18,560 Speaker 1: is overrated in Madison? I think cottage core is overrated. 301 00:17:19,480 --> 00:17:23,720 Speaker 1: Like cottage core is like basically, I mean, it's a 302 00:17:23,760 --> 00:17:26,560 Speaker 1: style of dress, but it's also like an entire lifestyle. 303 00:17:26,600 --> 00:17:29,680 Speaker 1: It's basically going back to like you know, old school, 304 00:17:29,840 --> 00:17:33,560 Speaker 1: little house on the prairie, simple living, living off the grid, 305 00:17:34,359 --> 00:17:37,359 Speaker 1: you know, making your own bread, your own butter, living 306 00:17:37,359 --> 00:17:41,920 Speaker 1: off your trust fund. Basically, Because wasn't there like one 307 00:17:41,920 --> 00:17:44,399 Speaker 1: of those people who were there, like yo, like I 308 00:17:44,440 --> 00:17:47,080 Speaker 1: felt there was a cottage core influencer, people like this 309 00:17:47,119 --> 00:17:50,159 Speaker 1: person has a lot of money, Like so they're not 310 00:17:50,240 --> 00:17:52,760 Speaker 1: actually I mean like as they are living off the land, 311 00:17:52,920 --> 00:17:57,360 Speaker 1: they are also have a massive financial safety net. I mean, 312 00:17:58,560 --> 00:18:02,080 Speaker 1: oh yeah, I mean it's crazy. There's a girl who 313 00:18:02,160 --> 00:18:05,320 Speaker 1: I follow who's like, I live in this cottage in 314 00:18:05,520 --> 00:18:08,520 Speaker 1: a mountain range and it's like the mountain is owned 315 00:18:08,520 --> 00:18:14,320 Speaker 1: by her family. Oh is that the one in Europe? 316 00:18:14,960 --> 00:18:17,960 Speaker 1: You know she's in Washington. I mean she's a gay girl. 317 00:18:18,040 --> 00:18:21,600 Speaker 1: But I'm like, girl, get out of here. I understand 318 00:18:21,720 --> 00:18:31,320 Speaker 1: like Cassandra Olympia and Cascadia, but wait, what are we 319 00:18:31,320 --> 00:18:33,000 Speaker 1: going to say about it? I just I just think 320 00:18:33,000 --> 00:18:35,640 Speaker 1: it's weird. I think it you know. I understand like 321 00:18:36,280 --> 00:18:39,320 Speaker 1: wanting to live more simply, like my my family, My 322 00:18:39,440 --> 00:18:41,840 Speaker 1: grandmother lived in a trailer in West Texas. I know 323 00:18:41,920 --> 00:18:45,640 Speaker 1: about living simply and just having to like make your 324 00:18:45,640 --> 00:18:49,200 Speaker 1: own food and like go get the water and like 325 00:18:49,359 --> 00:18:51,720 Speaker 1: what you know, all these kind of things. But I 326 00:18:51,760 --> 00:18:55,280 Speaker 1: think it's like it I worry sometimes like is this 327 00:18:55,359 --> 00:18:58,560 Speaker 1: a hop skip and a jump away from like being 328 00:18:58,600 --> 00:19:02,439 Speaker 1: anti feminist like odd wive, like barefoot and pregnant in 329 00:19:02,480 --> 00:19:07,439 Speaker 1: the house of no electricity nothing right now, it's mostly 330 00:19:07,480 --> 00:19:11,399 Speaker 1: like a feminine aesthetic, like the cottage core. We're not 331 00:19:11,400 --> 00:19:14,040 Speaker 1: seeing like bro cottage core yet, where it's like we're 332 00:19:14,040 --> 00:19:16,720 Speaker 1: a cottage core a couple and he's out there drinking 333 00:19:16,800 --> 00:19:22,720 Speaker 1: his homemade mead and swinging in ax. That's Portland's That's 334 00:19:22,800 --> 00:19:29,840 Speaker 1: that's portlandt that's actually right there. Yeah, yeah, I think 335 00:19:29,960 --> 00:19:34,240 Speaker 1: any style that is based on that just completely coops 336 00:19:34,359 --> 00:19:38,800 Speaker 1: like a version of history is probably I don't know. 337 00:19:38,840 --> 00:19:41,439 Speaker 1: I feel like fashion is where we get to like 338 00:19:41,760 --> 00:19:45,880 Speaker 1: maybe pull some elements from history, but then combine them 339 00:19:45,960 --> 00:19:50,840 Speaker 1: to make something new and interesting. But if it's just 340 00:19:51,280 --> 00:19:54,320 Speaker 1: you know, if it's just like colonial Jamestown or you know, 341 00:19:54,880 --> 00:19:58,399 Speaker 1: people people cause playing, I feel like that that's a 342 00:19:58,600 --> 00:20:02,720 Speaker 1: that's a waste of a fashion movement. Personally, it's just 343 00:20:02,840 --> 00:20:06,960 Speaker 1: it's elements of whimsy. It's not a fetishization of fashion 344 00:20:07,080 --> 00:20:10,840 Speaker 1: or history. Looking back on even like rockabilly style, like 345 00:20:11,040 --> 00:20:13,720 Speaker 1: when I was a teenager in the early Acts, there 346 00:20:13,760 --> 00:20:16,560 Speaker 1: was a lot of like rockabilly looks and we were 347 00:20:16,600 --> 00:20:19,199 Speaker 1: really harkening back to the fifties. But like as an adult, 348 00:20:19,240 --> 00:20:21,119 Speaker 1: I'm like looking back, and I'm like, oh, you mean 349 00:20:21,160 --> 00:20:25,600 Speaker 1: where they like hose down your grandmother? Where where like 350 00:20:26,160 --> 00:20:29,040 Speaker 1: dad was born in the colored section of the hospital. 351 00:20:29,160 --> 00:20:32,960 Speaker 1: You mean that that fifties association with these outfits isn't 352 00:20:33,080 --> 00:20:36,720 Speaker 1: the most the warmest of memories. It's usually them screaming 353 00:20:36,760 --> 00:20:40,040 Speaker 1: in someone's face and a German shepherd like on a leash, 354 00:20:40,119 --> 00:20:43,520 Speaker 1: fucking like children. Yeah, like that's what I but okay, 355 00:20:43,760 --> 00:20:45,560 Speaker 1: that's it's funny though, too, Like even with like the 356 00:20:45,600 --> 00:20:48,520 Speaker 1: fast wave haircut, you know, like wh when everybody was 357 00:20:48,560 --> 00:20:51,919 Speaker 1: getting like the Hitler youth like like fascist hair and 358 00:20:51,920 --> 00:20:54,480 Speaker 1: it was like super fashionable at a time, and it 359 00:20:54,520 --> 00:20:56,840 Speaker 1: took a few people with like some historical eyeballs like 360 00:20:57,200 --> 00:20:59,920 Speaker 1: this is like y'all are just doing like Hitler youth haircuts, 361 00:21:00,040 --> 00:21:02,560 Speaker 1: just so you know, And then it became then like 362 00:21:02,600 --> 00:21:05,840 Speaker 1: suddenly like every conservatives like yes I am fascist, now, 363 00:21:05,920 --> 00:21:08,560 Speaker 1: thank you. I've like it's not like you led to 364 00:21:08,680 --> 00:21:12,520 Speaker 1: the real reckoning of like gender norms or something progressive. 365 00:21:12,760 --> 00:21:14,760 Speaker 1: And I can't imagine that, you know, if I saw 366 00:21:14,800 --> 00:21:16,960 Speaker 1: people dressed up and you know, just like when we 367 00:21:17,000 --> 00:21:19,240 Speaker 1: see this ship on Airbnb or like hey, stay in 368 00:21:19,240 --> 00:21:25,359 Speaker 1: a slave cottage I'm no, no, no, no, no, Like, 369 00:21:25,400 --> 00:21:27,919 Speaker 1: don't even offer the people the idea that they that 370 00:21:28,000 --> 00:21:31,160 Speaker 1: they're interacting with such a sordid time and history. But look, 371 00:21:31,200 --> 00:21:34,520 Speaker 1: cottages are fine, you know, get your gunny stack on. 372 00:21:34,800 --> 00:21:37,200 Speaker 1: I guess you know. I mean you can also get 373 00:21:37,200 --> 00:21:40,840 Speaker 1: married at plantations and stuff like. That's. Yeah, it's weird 374 00:21:40,880 --> 00:21:43,800 Speaker 1: to me that the like in America, we don't treat 375 00:21:44,320 --> 00:21:48,760 Speaker 1: plantations sites or sites of former plantations like they do 376 00:21:49,080 --> 00:21:54,760 Speaker 1: Holocaust memorials like in Germany. Like it's not dissimilar. It's 377 00:21:54,840 --> 00:21:56,960 Speaker 1: actually quite worse in a lot of ways. I mean 378 00:21:56,960 --> 00:21:58,800 Speaker 1: not I don't actually need to wait into that, but 379 00:21:59,119 --> 00:22:02,200 Speaker 1: it's horrible all both. But we don't even acknowledge that, 380 00:22:02,359 --> 00:22:06,360 Speaker 1: like these atrocities happened here. Oh yeah, so weird. It's 381 00:22:06,400 --> 00:22:11,000 Speaker 1: like it's like, man, remember like simpler times like the 382 00:22:11,680 --> 00:22:14,359 Speaker 1: dog whistle conservatives talk about all the time, like you 383 00:22:14,440 --> 00:22:18,000 Speaker 1: know how when things were simpler, easier times, And it's like, well, 384 00:22:18,720 --> 00:22:21,399 Speaker 1: sure for you. Yeah. I'm also not saying that the 385 00:22:21,720 --> 00:22:24,280 Speaker 1: I'm not trying to compare Holocaust. I just want to 386 00:22:24,280 --> 00:22:26,280 Speaker 1: be clear about that. I'm just saying that our country 387 00:22:26,280 --> 00:22:30,280 Speaker 1: has no chadow. Slavery was fucking brutal, and but when 388 00:22:30,320 --> 00:22:32,720 Speaker 1: we see the sights of those crimes, we do our 389 00:22:32,760 --> 00:22:35,960 Speaker 1: first as a country. The first instinct isn't to go, 390 00:22:36,040 --> 00:22:38,520 Speaker 1: oh my god, take you know, take a moment to 391 00:22:38,600 --> 00:22:42,320 Speaker 1: reflect here. It's like, girl, go run by those fucking columns. 392 00:22:42,359 --> 00:22:44,600 Speaker 1: I love this. This is where the fucking chariot would 393 00:22:44,640 --> 00:22:48,640 Speaker 1: pull up. Yeah, They're like, take pictures for your Instagram here, Yeah, 394 00:22:49,160 --> 00:22:51,640 Speaker 1: which I mean to be honest, look, that's just happening. 395 00:22:51,760 --> 00:22:55,040 Speaker 1: Also at Holocaust memorials are people have no fucking decency 396 00:22:55,119 --> 00:22:58,480 Speaker 1: or concept of like decorum where people are like planking 397 00:22:58,520 --> 00:23:04,520 Speaker 1: on top of my wild didn't Ryan Reynolds, America's most 398 00:23:04,560 --> 00:23:09,080 Speaker 1: likable man, get married in on a plantation. Yeah to 399 00:23:09,200 --> 00:23:13,520 Speaker 1: his wife, Blake Lively, he's Canadian man. See he's trouble. 400 00:23:13,560 --> 00:23:16,520 Speaker 1: I knew it. Yeah, I mean Canadians weren't that innocent 401 00:23:16,560 --> 00:23:21,680 Speaker 1: during that time. Both about that, both colonizing freaks out here. 402 00:23:22,840 --> 00:23:27,480 Speaker 1: What is something you think is underrated? Something this is 403 00:23:27,520 --> 00:23:29,800 Speaker 1: more reflective of what I'm going through as a as 404 00:23:29,840 --> 00:23:32,679 Speaker 1: a person. But something I think is underrated is not 405 00:23:32,800 --> 00:23:37,440 Speaker 1: posting on the internet like we don't need to see. 406 00:23:37,960 --> 00:23:39,879 Speaker 1: Don't let me put it on I don't let me 407 00:23:39,920 --> 00:23:45,160 Speaker 1: say I I don't need to share my hot takes, feelings, thoughts, 408 00:23:45,280 --> 00:23:49,639 Speaker 1: emotions about every subject that comes on the Internet. I 409 00:23:49,640 --> 00:23:52,320 Speaker 1: mean I went so far, like I'm just I've had 410 00:23:52,440 --> 00:23:53,639 Speaker 1: just like a moment where I was like, let me 411 00:23:53,680 --> 00:23:56,680 Speaker 1: shut up some Also, the internet is so bad for me, 412 00:23:56,800 --> 00:24:00,159 Speaker 1: Like I deleted my Twitter, I deleted my Facebook. I 413 00:24:00,200 --> 00:24:03,800 Speaker 1: only have I G and I sometimes scroll TikTok. But 414 00:24:03,800 --> 00:24:05,560 Speaker 1: it's like I don't need to, like I'm only using 415 00:24:05,600 --> 00:24:07,520 Speaker 1: it for promo now, and so I just think like 416 00:24:07,920 --> 00:24:12,800 Speaker 1: shutting the funk up is just incredibly overrated in general 417 00:24:12,880 --> 00:24:16,919 Speaker 1: in society today, giving yourself the ability to be like 418 00:24:17,000 --> 00:24:20,000 Speaker 1: I don't I get that right now, Like we're so 419 00:24:20,480 --> 00:24:22,879 Speaker 1: especially on social media, it's like we're just in like 420 00:24:22,920 --> 00:24:26,080 Speaker 1: that fucking take economy. I got to participate in there 421 00:24:26,080 --> 00:24:28,960 Speaker 1: with my take. And I'm the same way, like I 422 00:24:29,000 --> 00:24:33,560 Speaker 1: get overwhelmed pretty quickly, like going on social media and 423 00:24:33,600 --> 00:24:37,080 Speaker 1: ship like that where I've definitely had to like throttleship 424 00:24:37,119 --> 00:24:39,800 Speaker 1: back or I can do it in like waves, but yeah, 425 00:24:39,840 --> 00:24:42,639 Speaker 1: it is it. I slowly did lose the earth, Like 426 00:24:42,720 --> 00:24:45,600 Speaker 1: I used to have like a compulsion to want to 427 00:24:45,680 --> 00:24:49,720 Speaker 1: post something and over time, I think that's diminished. Whether 428 00:24:49,760 --> 00:24:53,159 Speaker 1: that's through like just becoming older and maybe more like 429 00:24:53,200 --> 00:24:55,240 Speaker 1: secure in who I am and I'm like less having 430 00:24:55,280 --> 00:24:57,760 Speaker 1: to prove myself through like my wit on the internet, 431 00:24:57,920 --> 00:25:00,800 Speaker 1: or maybe it's the anxiety I get from having to 432 00:25:00,880 --> 00:25:02,800 Speaker 1: interact or see a bunch of funked up ship too. 433 00:25:02,800 --> 00:25:06,200 Speaker 1: It's who knows, But yeah, I definitely agree. You know 434 00:25:06,240 --> 00:25:10,440 Speaker 1: what I find helps is um just podcast for two 435 00:25:10,480 --> 00:25:14,240 Speaker 1: hours a day and then you get it all out 436 00:25:14,320 --> 00:25:18,560 Speaker 1: that way. Yeah, exactly. I mean it's true, like since 437 00:25:18,680 --> 00:25:21,320 Speaker 1: we started doing the show, I I post less and 438 00:25:21,400 --> 00:25:23,760 Speaker 1: less and a lot of the times I like a 439 00:25:23,800 --> 00:25:26,000 Speaker 1: lot of stuff I would share from my personal life. 440 00:25:26,000 --> 00:25:28,639 Speaker 1: I talked so much about my life on the podcast. 441 00:25:28,680 --> 00:25:31,480 Speaker 1: Like at a certain point, I'm like, I've already given 442 00:25:31,560 --> 00:25:35,879 Speaker 1: up so much of my intimate story reasons ship, I 443 00:25:35,920 --> 00:25:39,280 Speaker 1: don't have anything for fucking Twitter after that, right, right, 444 00:25:39,640 --> 00:25:42,960 Speaker 1: And here you can explain what ye subscribe that I 445 00:25:43,000 --> 00:25:44,720 Speaker 1: was gonna say, you have to subscribe to the patreon 446 00:25:44,760 --> 00:25:48,840 Speaker 1: to get the intimate details of obviously the life coaching 447 00:25:48,880 --> 00:25:51,760 Speaker 1: sessions the black market Patreon that we got going on. 448 00:25:53,520 --> 00:25:56,119 Speaker 1: All right, let's take a quick break and we'll be 449 00:25:56,240 --> 00:26:12,000 Speaker 1: right back and we're back. And usually we don't talk 450 00:26:12,040 --> 00:26:16,119 Speaker 1: a lot about a lot of international news because the 451 00:26:16,600 --> 00:26:20,520 Speaker 1: this show is about the Americans, like Geist, and the Americans, 452 00:26:20,560 --> 00:26:25,080 Speaker 1: like Geist is very difficult to puncture, a k. A 453 00:26:25,320 --> 00:26:28,800 Speaker 1: ignorant the Americans, like Guist doesn't pay a ton of 454 00:26:28,840 --> 00:26:33,000 Speaker 1: attention to news around the world. But I think the 455 00:26:33,119 --> 00:26:40,639 Speaker 1: uprisings in Iran are incredibly worthy of our attention for 456 00:26:40,640 --> 00:26:44,200 Speaker 1: for a number of reasons. And yeah, so, I mean 457 00:26:44,800 --> 00:26:46,840 Speaker 1: we we've talked about it in passing, but just to 458 00:26:47,200 --> 00:26:50,360 Speaker 1: kind of yeah, because there's I mean, I think there's 459 00:26:50,400 --> 00:26:52,480 Speaker 1: a couple of versions that you could interact with the story. 460 00:26:52,520 --> 00:26:55,320 Speaker 1: On one is, you might just see rampant violence in Iran, 461 00:26:55,680 --> 00:26:59,520 Speaker 1: like with the government attacking protesters, or you see people 462 00:26:59,520 --> 00:27:02,320 Speaker 1: cutting their women, cutting their hair and protest, and you 463 00:27:02,400 --> 00:27:06,040 Speaker 1: might say, oh, wow, people are angry. Huh, And then 464 00:27:06,160 --> 00:27:08,440 Speaker 1: you might just keep scrolling past and that's the most 465 00:27:08,560 --> 00:27:11,439 Speaker 1: that you'll ingest from that. And you know, in Iran 466 00:27:11,520 --> 00:27:13,760 Speaker 1: is a place where there have been revolution or like 467 00:27:13,840 --> 00:27:16,679 Speaker 1: these kinds of mass uprisings before, so people might get 468 00:27:16,720 --> 00:27:20,600 Speaker 1: into the rhythm of oh, they're having an uprising. I'm 469 00:27:20,640 --> 00:27:23,119 Speaker 1: you know, Oh, I can just now put that to 470 00:27:23,160 --> 00:27:24,640 Speaker 1: the back of my mind. But just I think it's 471 00:27:24,640 --> 00:27:28,160 Speaker 1: important to understand just like the totality of what's happening 472 00:27:28,240 --> 00:27:33,240 Speaker 1: right now, because it obviously the protests began as a 473 00:27:33,280 --> 00:27:36,720 Speaker 1: response to the death of two year old Zena Massa Mini, 474 00:27:36,760 --> 00:27:39,119 Speaker 1: who you know, died at the hands of Iran's more 475 00:27:39,400 --> 00:27:42,919 Speaker 1: morality police, and they insisted that this was they had 476 00:27:42,960 --> 00:27:44,600 Speaker 1: nothing to do with it. She wasn't beaten to death, 477 00:27:44,800 --> 00:27:48,280 Speaker 1: you know, And that's that's despite witnesses saying they saw 478 00:27:48,720 --> 00:27:52,520 Speaker 1: the complete contrary occurring. And just for some context, right, 479 00:27:52,520 --> 00:27:55,000 Speaker 1: it's important to know the sequence of leadership in Iran 480 00:27:55,480 --> 00:27:58,360 Speaker 1: at present. The country is ruled by a theocratic government 481 00:27:58,600 --> 00:28:01,439 Speaker 1: that came to power after or the US. The last 482 00:28:01,600 --> 00:28:05,240 Speaker 1: US backed Shaw was ousted in the nineteen seventy nine revolution. 483 00:28:05,560 --> 00:28:08,480 Speaker 1: The reason that Shaw was backed by the United States 484 00:28:08,640 --> 00:28:13,320 Speaker 1: is because of Western greed. So prior to the Shah 485 00:28:13,400 --> 00:28:17,000 Speaker 1: being installed, Iran was being led by this Prime Minister, 486 00:28:17,359 --> 00:28:22,199 Speaker 1: Mohammed Mossadegg, who was very popular, Like people were like, yes, this, 487 00:28:22,640 --> 00:28:25,919 Speaker 1: we we support this guy because he had policies like 488 00:28:25,960 --> 00:28:28,640 Speaker 1: you know, trying to uplift people and because of the 489 00:28:28,720 --> 00:28:31,560 Speaker 1: massive amounts of oil that Iran has in their land. 490 00:28:31,920 --> 00:28:33,679 Speaker 1: They're also like, you know what, we need to actually 491 00:28:33,760 --> 00:28:37,280 Speaker 1: nationalize our oil industry, so we are the ones who 492 00:28:37,320 --> 00:28:40,000 Speaker 1: are reaping the benefits of this oil being pumped, rather 493 00:28:40,040 --> 00:28:42,360 Speaker 1: than the Brits who are here under this like convoluted 494 00:28:42,400 --> 00:28:44,960 Speaker 1: agreement which we're not getting a fair share out of 495 00:28:44,960 --> 00:28:47,080 Speaker 1: the resources that are coming out of our own lands. 496 00:28:47,400 --> 00:28:51,520 Speaker 1: And so when he decided to nationalize the industry, the 497 00:28:51,600 --> 00:28:54,400 Speaker 1: British you know, it came to the CIA and they're like, yo, 498 00:28:54,560 --> 00:28:57,080 Speaker 1: we gotta fucking this is a problem. Like if if 499 00:28:57,120 --> 00:28:59,479 Speaker 1: we have no access to this, this is lucrative, this 500 00:28:59,560 --> 00:29:01,360 Speaker 1: is not this is not the order of things that 501 00:29:01,400 --> 00:29:04,280 Speaker 1: we want. So he was ousted in a CIA backed 502 00:29:04,320 --> 00:29:07,760 Speaker 1: coup in nineteen fifty three led by Kermit Roosevelt, who 503 00:29:07,760 --> 00:29:10,040 Speaker 1: I believe is the grandson of Teddy Roosevelt or nephew. 504 00:29:10,680 --> 00:29:13,160 Speaker 1: So then the show was installed, and he welcomed foreign 505 00:29:13,160 --> 00:29:15,280 Speaker 1: meddling in the oil industry as well as running a 506 00:29:15,320 --> 00:29:19,120 Speaker 1: repressive government that basically struck down descent and exploited labor. 507 00:29:19,560 --> 00:29:21,640 Speaker 1: So all of this was happening, and then you know, 508 00:29:21,720 --> 00:29:24,760 Speaker 1: when the seventy nine Revolution comes, you know, these religious 509 00:29:24,800 --> 00:29:27,320 Speaker 1: leaders are promising a new vision of Iran, one where 510 00:29:27,400 --> 00:29:30,800 Speaker 1: like workers like workers centric, like we understand like this 511 00:29:30,840 --> 00:29:32,800 Speaker 1: isn't like the show exploiting people, like we want to 512 00:29:32,880 --> 00:29:35,480 Speaker 1: level things up, but a lot of those things didn't 513 00:29:35,520 --> 00:29:39,040 Speaker 1: come to pass come to pass. So again, like I said, 514 00:29:39,080 --> 00:29:41,680 Speaker 1: this isn't the first time that like this has happened. 515 00:29:41,680 --> 00:29:43,880 Speaker 1: And you know, even in this century, right recently, the 516 00:29:43,920 --> 00:29:47,080 Speaker 1: most notable uprisings have been in twenty nineteen in response 517 00:29:47,120 --> 00:29:49,360 Speaker 1: to gas prices, which is more of a worker led 518 00:29:49,800 --> 00:29:52,800 Speaker 1: uprising uh and in two thousand nine during the Green 519 00:29:52,880 --> 00:29:55,720 Speaker 1: movement that was more of a middle class, upper middle 520 00:29:55,720 --> 00:30:00,600 Speaker 1: class educated people's movement. But this time things feel different, 521 00:30:00,800 --> 00:30:03,440 Speaker 1: not just to observers but to the people in Iran. 522 00:30:03,800 --> 00:30:08,320 Speaker 1: They began spontaneously, mostly in Iranian Kurdistan, but then quickly 523 00:30:08,360 --> 00:30:12,080 Speaker 1: to other cities, and typically the protests around wearing like 524 00:30:12,240 --> 00:30:15,400 Speaker 1: head covering has been in places like northern Tehran or 525 00:30:15,440 --> 00:30:18,920 Speaker 1: other metropolitan areas, and was like a middle class like 526 00:30:18,960 --> 00:30:21,560 Speaker 1: a middle class movement or was represented by more middle 527 00:30:21,600 --> 00:30:24,640 Speaker 1: class people. And and and it's important to note that class, 528 00:30:24,640 --> 00:30:28,280 Speaker 1: the class representation here amongst many other dimensions of this uprising, 529 00:30:28,280 --> 00:30:30,800 Speaker 1: because the meaning is from this place called Saks, which 530 00:30:30,920 --> 00:30:34,480 Speaker 1: is a very working class area where Kurds are already 531 00:30:34,480 --> 00:30:37,600 Speaker 1: facing an uphill battle as like an ethnic minority. So 532 00:30:38,000 --> 00:30:42,000 Speaker 1: what we're seeing now is going beyond like this initial killing, 533 00:30:42,000 --> 00:30:45,400 Speaker 1: and obviously the increased violence is only motivating people more. 534 00:30:45,440 --> 00:30:49,160 Speaker 1: But now we're seeing that it's a very intersectional movement 535 00:30:49,240 --> 00:30:54,200 Speaker 1: involving numerous classes, ethnicities, and even religious beliefs. Yeah, and 536 00:30:54,320 --> 00:30:56,600 Speaker 1: that's like a really that's a huge aspect of it 537 00:30:56,640 --> 00:31:00,160 Speaker 1: that I don't every like anything I see out out 538 00:31:00,200 --> 00:31:03,320 Speaker 1: of Algebra, al Jazeera or like a very like a 539 00:31:03,520 --> 00:31:07,080 Speaker 1: like a socialist like world news outlet. You're not going 540 00:31:07,120 --> 00:31:09,800 Speaker 1: to hear about like these other dimensions that are going on. 541 00:31:09,920 --> 00:31:13,560 Speaker 1: Obviously every dimension is just as important, but it's it 542 00:31:13,600 --> 00:31:16,360 Speaker 1: seems like Western media sort of picks and chooses what 543 00:31:16,440 --> 00:31:20,160 Speaker 1: to focus on. Yeah, it's it feels very easy for 544 00:31:20,200 --> 00:31:23,000 Speaker 1: them to just other these people rather than focus on 545 00:31:23,160 --> 00:31:26,520 Speaker 1: like they're there a lot of the protesters who are 546 00:31:26,640 --> 00:31:30,040 Speaker 1: so one of the notable things is it's really led 547 00:31:30,040 --> 00:31:34,840 Speaker 1: by women in the streets just protesting by showing their 548 00:31:35,000 --> 00:31:38,760 Speaker 1: like not wearing the thing that the government wants them 549 00:31:38,840 --> 00:31:42,840 Speaker 1: to wear, and just being free and dancing and but 550 00:31:42,960 --> 00:31:47,440 Speaker 1: it's leaderless, and I think that is that is one 551 00:31:47,440 --> 00:31:49,600 Speaker 1: way the US government is like trying or the US 552 00:31:49,680 --> 00:31:52,680 Speaker 1: mainstream media is just like you know, they're trying to 553 00:31:52,720 --> 00:31:56,800 Speaker 1: impose leadership on it. The government is trying to attack 554 00:31:56,840 --> 00:32:01,360 Speaker 1: it by like taking and kidnapping and in some cases 555 00:32:01,440 --> 00:32:04,880 Speaker 1: reportedly like murdering these like really bright some of the 556 00:32:04,880 --> 00:32:08,240 Speaker 1: brightest students in Iran who are involved in the protest, 557 00:32:08,280 --> 00:32:10,560 Speaker 1: because it is like there's a lot of young people 558 00:32:10,600 --> 00:32:14,480 Speaker 1: involved in the movement and these are you know leaders 559 00:32:14,760 --> 00:32:19,080 Speaker 1: in like world leaders of tomorrow and in America of 560 00:32:19,160 --> 00:32:23,480 Speaker 1: tomorrow who are being you know killed. And that's also 561 00:32:23,640 --> 00:32:26,040 Speaker 1: not something that is getting covered in the mainstream. It's 562 00:32:26,080 --> 00:32:29,840 Speaker 1: just it's very easy for the mainstream media in the 563 00:32:29,880 --> 00:32:32,480 Speaker 1: West to just other them and the story sort of 564 00:32:32,480 --> 00:32:37,480 Speaker 1: fades into the background. Does trouble in other country? You know? Yeah, 565 00:32:38,520 --> 00:32:41,920 Speaker 1: I think just like to your point, right, like the 566 00:32:42,040 --> 00:32:45,520 Speaker 1: US version is like trouble in Uran again, people aren't 567 00:32:45,520 --> 00:32:49,280 Speaker 1: happy because their government's bad, and then it's like that's 568 00:32:49,360 --> 00:32:52,000 Speaker 1: the end of it. And I think what's really fucked 569 00:32:52,080 --> 00:32:53,640 Speaker 1: up too is like the people in the government who 570 00:32:53,680 --> 00:32:57,200 Speaker 1: like love the like sanctions on Iran might think that 571 00:32:57,240 --> 00:33:00,440 Speaker 1: their plan is coming together that you know, dip driving 572 00:33:00,520 --> 00:33:04,760 Speaker 1: the everyday iranian of like resources, medicine, food will get 573 00:33:04,800 --> 00:33:07,840 Speaker 1: them to destabilize their current government, which is like the 574 00:33:07,920 --> 00:33:10,200 Speaker 1: thinking right, it's like, hey, man, if it gets bad enough, 575 00:33:10,560 --> 00:33:12,840 Speaker 1: they're gonna do something about it, and we can you know, 576 00:33:13,000 --> 00:33:15,880 Speaker 1: we can play dirty like that. But the funked up 577 00:33:15,920 --> 00:33:18,800 Speaker 1: part of that is too. Because of that, it allows 578 00:33:18,840 --> 00:33:21,760 Speaker 1: like the current government to just sort of paint this 579 00:33:21,840 --> 00:33:25,240 Speaker 1: as sometimes inauthentic, to say, like, you see, this is 580 00:33:25,280 --> 00:33:27,960 Speaker 1: because of Western meddling, this is because of this or that, 581 00:33:28,000 --> 00:33:31,840 Speaker 1: when it truly is just so widespread that they're actually 582 00:33:31,880 --> 00:33:34,120 Speaker 1: at a point now where they really aren't sure what 583 00:33:34,200 --> 00:33:38,160 Speaker 1: to do. Because typically the the ebb and flow would 584 00:33:38,160 --> 00:33:42,320 Speaker 1: be well, you come out, you know, be a super violent, 585 00:33:42,920 --> 00:33:46,760 Speaker 1: quell the fucking uprising, and then move on. But what 586 00:33:46,800 --> 00:33:49,719 Speaker 1: we're seeing, I think has a much different texture to it, 587 00:33:49,760 --> 00:33:53,040 Speaker 1: and from many other people who consistently write about this 588 00:33:53,080 --> 00:33:55,200 Speaker 1: and report on it there, like this has a much 589 00:33:55,320 --> 00:33:59,800 Speaker 1: different feeling to it because of how like, you know, widespread, uh, 590 00:33:59,800 --> 00:34:02,720 Speaker 1: the anger is and it's not just you know, relegated 591 00:34:02,760 --> 00:34:06,080 Speaker 1: to like one segment of the society. Yeah, I mean, 592 00:34:06,120 --> 00:34:09,880 Speaker 1: it's so interesting to me, like like all I'm seeing, 593 00:34:10,000 --> 00:34:13,040 Speaker 1: so all I see on like my ads on YouTube 594 00:34:13,239 --> 00:34:18,800 Speaker 1: are promotions, I guess, or messages like commercials from women 595 00:34:19,160 --> 00:34:23,839 Speaker 1: in Israel being like we support Iranian women and like, 596 00:34:24,160 --> 00:34:26,879 Speaker 1: which is like lovely, but I don't understand why I'm 597 00:34:26,880 --> 00:34:30,680 Speaker 1: seeing it here because whatever, but that's neither here nor there. 598 00:34:30,719 --> 00:34:33,400 Speaker 1: But also all I see is it's just like repost 599 00:34:33,480 --> 00:34:36,840 Speaker 1: from like white women. So like I think, I think, 600 00:34:36,920 --> 00:34:40,719 Speaker 1: like from my and my algorithm, my timeline, how it's 601 00:34:40,760 --> 00:34:43,640 Speaker 1: being given to me is literally that it's just like 602 00:34:43,680 --> 00:34:47,960 Speaker 1: a women's right issue, a women's rights issue, which in 603 00:34:48,000 --> 00:34:50,640 Speaker 1: this country is they're like, oh, pooh, pooh, you know 604 00:34:50,640 --> 00:34:53,080 Speaker 1: what I mean. I remember when you guys used to 605 00:34:53,120 --> 00:34:55,000 Speaker 1: march in the streets a couple of years ago. Oh, well, 606 00:34:55,719 --> 00:34:57,960 Speaker 1: like it's done, like your rights don't matter, we're still 607 00:34:58,000 --> 00:35:01,399 Speaker 1: actively taking them. So I think it's getting painted with 608 00:35:01,440 --> 00:35:03,680 Speaker 1: this like I guess, like a pink brush where they're 609 00:35:03,680 --> 00:35:06,560 Speaker 1: just like, oh, this is women's stuff, and yeah, you know, 610 00:35:06,640 --> 00:35:10,560 Speaker 1: like they aren't taking it as serious lee because it's 611 00:35:10,600 --> 00:35:14,600 Speaker 1: mostly women who are being outspoken. And then also that's 612 00:35:14,640 --> 00:35:16,319 Speaker 1: all that's being fed to me, like as just like 613 00:35:16,360 --> 00:35:18,960 Speaker 1: an average well I guess I'm not really that average 614 00:35:18,960 --> 00:35:23,840 Speaker 1: American woman, but like, just like a regular person, algorithm 615 00:35:23,920 --> 00:35:28,080 Speaker 1: has deemed a regular American media consumer, right They painting 616 00:35:28,080 --> 00:35:30,279 Speaker 1: it with a pink brush is an interesting way to 617 00:35:30,640 --> 00:35:33,880 Speaker 1: think of it as like a divide and conquer sort of. 618 00:35:33,960 --> 00:35:36,960 Speaker 1: This is a this issue that you only need to 619 00:35:37,000 --> 00:35:41,120 Speaker 1: care about if you like wear pink for breast Breast 620 00:35:41,160 --> 00:35:45,160 Speaker 1: Cancer Awareness Month or you know, like the like the 621 00:35:45,160 --> 00:35:48,120 Speaker 1: things that when we talk about the lack of a 622 00:35:48,200 --> 00:35:53,280 Speaker 1: revolutionary imagination United States, like the things that we're seeing 623 00:35:53,400 --> 00:35:57,280 Speaker 1: here that I feel like should inform how we think about, 624 00:35:57,680 --> 00:36:01,120 Speaker 1: you know, organizing and moving into the United States is 625 00:36:01,640 --> 00:36:05,960 Speaker 1: the like Miles said, the intersectionality, the cooperation, like labor 626 00:36:06,239 --> 00:36:11,000 Speaker 1: is now threatening to strike around oil, which is something 627 00:36:11,000 --> 00:36:15,759 Speaker 1: that obviously the you know, the government can't ignore. And 628 00:36:16,000 --> 00:36:18,239 Speaker 1: what what is being painted and portrayed in a lot 629 00:36:18,239 --> 00:36:22,080 Speaker 1: of cases is this like social justice movement is actually 630 00:36:22,160 --> 00:36:25,920 Speaker 1: spreading and there's cooperation between labor and you know, the 631 00:36:26,040 --> 00:36:32,279 Speaker 1: Koords and women women across classes and but but yeah, 632 00:36:32,520 --> 00:36:36,480 Speaker 1: getting labor involved, you can't like the government can't kidnap 633 00:36:36,560 --> 00:36:40,080 Speaker 1: their way out of people not working to like make 634 00:36:40,120 --> 00:36:45,759 Speaker 1: a functioning. They'll try, like they'll try to. Yeah, I 635 00:36:45,760 --> 00:36:48,160 Speaker 1: mean it's there like again, like there are just so 636 00:36:48,200 --> 00:36:52,120 Speaker 1: many things simmering, you know, because even between the two 637 00:36:52,120 --> 00:36:55,279 Speaker 1: thousand nine where you know, there was another activist who 638 00:36:55,360 --> 00:36:58,160 Speaker 1: was killed and there was a huge outpouring of like 639 00:36:58,239 --> 00:37:01,920 Speaker 1: anger over that. You know, people have continued to die 640 00:37:02,239 --> 00:37:06,200 Speaker 1: protesting or be taken away and disappeared and shipped like that. 641 00:37:06,320 --> 00:37:10,200 Speaker 1: So there, like this was it's just been constantly simmering, 642 00:37:10,680 --> 00:37:13,839 Speaker 1: and now it's turning into a revolution. There was an 643 00:37:13,840 --> 00:37:18,080 Speaker 1: interesting interview in Jacobin with this activist organized in Iran 644 00:37:18,640 --> 00:37:21,360 Speaker 1: and just talking about how the demands like they're evolving, 645 00:37:21,520 --> 00:37:24,279 Speaker 1: Like it started about like being about like liberty and 646 00:37:24,400 --> 00:37:27,080 Speaker 1: body autonomy, and now we're talking like you have people 647 00:37:27,160 --> 00:37:32,160 Speaker 1: now like fucking fighting the Islamic Republican Guard Corps like 648 00:37:32,200 --> 00:37:36,120 Speaker 1: in some cases killing them, and they're now saying things 649 00:37:36,160 --> 00:37:39,200 Speaker 1: like no, down with this, like theocracy, like down with 650 00:37:39,640 --> 00:37:41,799 Speaker 1: like we want we want to now we want to 651 00:37:41,840 --> 00:37:46,160 Speaker 1: move into something new. And it's again like but the 652 00:37:46,239 --> 00:37:48,880 Speaker 1: government's cracked. The crackdown on this has just been to 653 00:37:49,000 --> 00:37:51,640 Speaker 1: be just to turn up the volume on the violence 654 00:37:52,239 --> 00:37:55,640 Speaker 1: and like behind all that too, like when you look 655 00:37:55,680 --> 00:37:58,000 Speaker 1: at this sort of the disparity between the haves and 656 00:37:58,040 --> 00:38:02,440 Speaker 1: have nots, there's plenty of normal working people who are saying, like, 657 00:38:02,920 --> 00:38:06,560 Speaker 1: I'm I fucking lost family in the COVID, like during 658 00:38:06,600 --> 00:38:10,200 Speaker 1: COVID because of the lack of medical resources that were 659 00:38:10,200 --> 00:38:12,920 Speaker 1: there due to sanctions or just agreed of the regime whatever. 660 00:38:12,960 --> 00:38:15,359 Speaker 1: There are many things that are that are adding up 661 00:38:15,360 --> 00:38:18,840 Speaker 1: to our anger. And like while we have these people 662 00:38:18,840 --> 00:38:21,120 Speaker 1: in like the ruling class are able to like live 663 00:38:21,200 --> 00:38:23,400 Speaker 1: lives that are more akin to like you know, huge 664 00:38:23,400 --> 00:38:26,120 Speaker 1: cities in Western Europe, like sending their kids abroad to 665 00:38:26,120 --> 00:38:28,440 Speaker 1: be educated and things like that, and it's all just 666 00:38:28,960 --> 00:38:31,279 Speaker 1: becoming a lot. And I just want to read this 667 00:38:31,360 --> 00:38:35,000 Speaker 1: quote from UM. This activist she I think just gave 668 00:38:35,040 --> 00:38:37,759 Speaker 1: her first name, which is part and Day, and she 669 00:38:37,840 --> 00:38:40,920 Speaker 1: said this, Um, the Iranian public is intelligent. We know 670 00:38:40,960 --> 00:38:42,960 Speaker 1: when we are being taken advantage of. This is not 671 00:38:43,000 --> 00:38:46,279 Speaker 1: an uprising but a revolution. They are killing Bassig's, which 672 00:38:46,280 --> 00:38:48,840 Speaker 1: are members of one of the like sort of elements 673 00:38:48,840 --> 00:38:51,600 Speaker 1: of the Islamic Republican Guard. They are standing in the 674 00:38:51,600 --> 00:38:53,719 Speaker 1: face of the army and saying death to the dictator, 675 00:38:53,760 --> 00:38:56,960 Speaker 1: death to Hamani, death to the Islamic Republic. They're tearing 676 00:38:56,960 --> 00:39:00,879 Speaker 1: down and burning down, burning images of Imam Pomani, rock 677 00:39:00,960 --> 00:39:03,719 Speaker 1: bar and cost them Soleimani, who was the guy the 678 00:39:04,560 --> 00:39:07,560 Speaker 1: Kods Division Islamic Republican guard like sort of leader that 679 00:39:07,640 --> 00:39:11,200 Speaker 1: was killed in a drone. Striking women are shaving their heads, 680 00:39:11,239 --> 00:39:13,879 Speaker 1: removing their veils, shouting in the faces of the revolutionary 681 00:39:13,880 --> 00:39:16,200 Speaker 1: guards and morality police. They're standing in front of tanks, 682 00:39:16,239 --> 00:39:19,080 Speaker 1: fire hoses, machine guns, and tear gas. We have only 683 00:39:19,160 --> 00:39:21,200 Speaker 1: rocks and our fists to fight with. We are one 684 00:39:21,239 --> 00:39:23,359 Speaker 1: of the bravest groups of people on the planet. I'm 685 00:39:23,400 --> 00:39:25,520 Speaker 1: really convinced of it. I would say, for now the 686 00:39:25,560 --> 00:39:28,160 Speaker 1: goal of the average protester would be a revolution resulting 687 00:39:28,160 --> 00:39:30,560 Speaker 1: in a transition to democracy, but of course it is 688 00:39:30,600 --> 00:39:33,160 Speaker 1: subject to change as these protests carry on, which I 689 00:39:33,200 --> 00:39:36,319 Speaker 1: think they will. Fuck Yeah, all I gotta say is like, hell, yeah, 690 00:39:36,360 --> 00:39:39,439 Speaker 1: more of that. Yeah, like you are you are the brave, 691 00:39:39,600 --> 00:39:43,920 Speaker 1: Like honestly, when to look like she goes on this 692 00:39:43,960 --> 00:39:47,200 Speaker 1: interview to say, it's a really haunting like line, I 693 00:39:47,239 --> 00:39:50,399 Speaker 1: just want to uh. She said, We've been encouraged for 694 00:39:50,400 --> 00:39:52,680 Speaker 1: forty three years to look into the barrel of a 695 00:39:52,719 --> 00:39:55,279 Speaker 1: gun and see paradise and to die with smiles on 696 00:39:55,280 --> 00:39:57,800 Speaker 1: our faces. Why are they surprised now that my generation 697 00:39:57,920 --> 00:40:00,480 Speaker 1: is fearless. We were born prepared for fighting and have 698 00:40:00,560 --> 00:40:05,640 Speaker 1: no qualms about death. It's it's haunting to you know, 699 00:40:05,880 --> 00:40:10,080 Speaker 1: because like underneath that bravery, which is I'm taken aback 700 00:40:10,160 --> 00:40:14,280 Speaker 1: by that to hear someone say I have no option 701 00:40:14,480 --> 00:40:18,120 Speaker 1: but to fight for something better than what I have Now, 702 00:40:18,600 --> 00:40:21,040 Speaker 1: it's like there are these underpinnings two of just like 703 00:40:21,120 --> 00:40:25,560 Speaker 1: how Western imperialism has contributed to this situation decades ago, 704 00:40:26,239 --> 00:40:28,880 Speaker 1: and these people have had to constantly fight to the 705 00:40:28,920 --> 00:40:31,200 Speaker 1: point that like again in her words, death is not 706 00:40:31,320 --> 00:40:36,040 Speaker 1: something they fear. Yeah, it's just it's all like it's 707 00:40:36,040 --> 00:40:39,760 Speaker 1: this all encompassing sort of uprising. And again it makes 708 00:40:39,760 --> 00:40:44,200 Speaker 1: sense why you go to like ABC News or NBC 709 00:40:44,239 --> 00:40:47,520 Speaker 1: News and the things are just about like you know 710 00:40:47,600 --> 00:40:50,400 Speaker 1: there's tensions or that you know, this is this is 711 00:40:50,440 --> 00:40:53,480 Speaker 1: what the Supreme Leader is now saying in response to things, 712 00:40:53,640 --> 00:40:57,640 Speaker 1: rather than trying to inform people that there's all of 713 00:40:57,680 --> 00:41:00,640 Speaker 1: these things that have contributed that. The thing I think 714 00:41:00,800 --> 00:41:04,200 Speaker 1: most of the times we do news seekers the disservice 715 00:41:04,239 --> 00:41:06,960 Speaker 1: of never explaining how we get to a point it's 716 00:41:07,000 --> 00:41:10,319 Speaker 1: just like and that's happening in a vacuum. All right, 717 00:41:10,440 --> 00:41:13,279 Speaker 1: back to you, Aaron Judge, just Man Mollet sixty two 718 00:41:13,280 --> 00:41:16,640 Speaker 1: home runs, rather than Hey, why don't you go? I mean, like, 719 00:41:16,760 --> 00:41:19,239 Speaker 1: there's plenty of plenty of forks in the road you 720 00:41:19,239 --> 00:41:21,719 Speaker 1: could talk about. But again, you have the perfect opportunity 721 00:41:21,719 --> 00:41:25,239 Speaker 1: to talk about how the CIA backed coup sort of 722 00:41:25,280 --> 00:41:29,160 Speaker 1: began this countdown for a country that, again at the time, 723 00:41:29,280 --> 00:41:31,279 Speaker 1: was just trying to say, we have natural resources that 724 00:41:31,320 --> 00:41:33,440 Speaker 1: the West is trying to exploit. How about you give 725 00:41:33,520 --> 00:41:36,000 Speaker 1: us our fair share rather than it's like seventy split 726 00:41:36,080 --> 00:41:38,880 Speaker 1: that we're being offered. And that was like, not fuck it, 727 00:41:39,600 --> 00:41:42,200 Speaker 1: We're throwing you out. The right to use their own 728 00:41:42,320 --> 00:41:45,600 Speaker 1: natural resources is the and the CIA was like, no, 729 00:41:45,719 --> 00:41:48,239 Speaker 1: we can't allow that, and killed people to make it 730 00:41:48,360 --> 00:41:51,960 Speaker 1: so that they couldn't allow that, so that so that 731 00:41:52,000 --> 00:41:55,520 Speaker 1: they could get companies basically a better deal and ownership 732 00:41:55,560 --> 00:42:04,160 Speaker 1: of of those national natural resources. Yeah America, man, Yeah, yeah. 733 00:42:04,280 --> 00:42:06,359 Speaker 1: I When I hear stories like this, I'm just like, 734 00:42:06,440 --> 00:42:09,000 Speaker 1: what will it take in our country to have that 735 00:42:09,080 --> 00:42:13,080 Speaker 1: sort of like revolutionary action, Like I'm just like, what 736 00:42:13,200 --> 00:42:14,640 Speaker 1: is it going to take for us to get to 737 00:42:14,680 --> 00:42:17,520 Speaker 1: that point, because I mean we're obviously not in a 738 00:42:17,960 --> 00:42:21,960 Speaker 1: the exact situation of you know, the people in Iran, 739 00:42:22,160 --> 00:42:26,120 Speaker 1: but like we're not not like we're close, you know. 740 00:42:26,239 --> 00:42:27,839 Speaker 1: And I'm just like, when are we going to wake 741 00:42:27,920 --> 00:42:30,480 Speaker 1: up and understand that, like we use the people have 742 00:42:30,600 --> 00:42:35,600 Speaker 1: more power collectively to like act and make change happen. 743 00:42:35,680 --> 00:42:38,000 Speaker 1: You know. Yeah, I think that's probably a part of 744 00:42:38,040 --> 00:42:42,080 Speaker 1: the reason why it's being undercovered and like not put 745 00:42:42,120 --> 00:42:45,520 Speaker 1: into the perspective like thinking of it as women fighting 746 00:42:45,560 --> 00:42:49,920 Speaker 1: for bodily autonomy can form the foundation of a revolution 747 00:42:50,080 --> 00:42:53,719 Speaker 1: for social justice that like intersects with you know, a 748 00:42:53,840 --> 00:42:58,120 Speaker 1: minority group that has been persecuted traditionally, like the Kurds, 749 00:42:58,160 --> 00:43:01,560 Speaker 1: that includes labor and people just wanting, you know, to 750 00:43:01,680 --> 00:43:05,000 Speaker 1: be able to feed their families. If you treat it 751 00:43:05,080 --> 00:43:09,520 Speaker 1: as a recipe for you know, social change and you 752 00:43:09,560 --> 00:43:13,760 Speaker 1: know relevant it compared it to what you know, different 753 00:43:13,920 --> 00:43:16,680 Speaker 1: movements that are happening in the US, and like really 754 00:43:17,000 --> 00:43:20,720 Speaker 1: a way to rethink how those movements could could work together. 755 00:43:21,120 --> 00:43:25,560 Speaker 1: But instead it really seems like they're trying to find 756 00:43:25,600 --> 00:43:28,560 Speaker 1: ways to sight in that energy off and I think 757 00:43:28,640 --> 00:43:31,480 Speaker 1: it's our own egos as Americans. That keeps us from 758 00:43:31,520 --> 00:43:34,880 Speaker 1: doing it right because we are so I'd say the 759 00:43:34,920 --> 00:43:41,240 Speaker 1: biggest obstacle is American people owning, not necessarily owning, acknowledging 760 00:43:41,320 --> 00:43:45,040 Speaker 1: the fact that they are they have been exploited at 761 00:43:45,080 --> 00:43:48,319 Speaker 1: some level and things are bad. Yeah, too many people 762 00:43:48,360 --> 00:43:50,480 Speaker 1: are like, I ain't getting exploded. You're talking about I'm 763 00:43:50,480 --> 00:43:53,680 Speaker 1: not exploited. I got a job, I can do this. 764 00:43:53,760 --> 00:43:56,840 Speaker 1: I'm not exploited. I'm not oppressed. And the difference. This 765 00:43:56,920 --> 00:43:59,640 Speaker 1: is another really interesting quote from this woman. In this interview, 766 00:44:00,080 --> 00:44:04,320 Speaker 1: she talks about what the similarities that she sees between 767 00:44:04,440 --> 00:44:07,280 Speaker 1: Latin America and the in the Middle East in terms 768 00:44:07,280 --> 00:44:09,520 Speaker 1: of their ability right because we're looking at like Luis 769 00:44:09,680 --> 00:44:12,040 Speaker 1: R say, in Bolivia and people like that like coming 770 00:44:12,160 --> 00:44:15,680 Speaker 1: up and you're like, whoa, yeah, they're people like are 771 00:44:15,680 --> 00:44:17,560 Speaker 1: people are in their bag and they get what the 772 00:44:17,600 --> 00:44:19,799 Speaker 1: stakes are. They get what the stakes are. She said, 773 00:44:19,840 --> 00:44:21,520 Speaker 1: I find that Latin American in the Middle East have 774 00:44:21,640 --> 00:44:24,520 Speaker 1: are similar that we both have been exploited. Our revolution 775 00:44:24,600 --> 00:44:27,279 Speaker 1: are as people and have large gaps between their rich 776 00:44:27,320 --> 00:44:30,680 Speaker 1: and peasant classes and are religiously devout. When thinking about 777 00:44:30,719 --> 00:44:32,799 Speaker 1: the future of Irana, often look to Latin America for 778 00:44:32,840 --> 00:44:36,840 Speaker 1: hope and inspiration, and there's a few elements there that 779 00:44:36,920 --> 00:44:40,000 Speaker 1: I think aren't quite as vivid to American people as 780 00:44:40,000 --> 00:44:42,600 Speaker 1: they are to people in the Middle East or Latin America. Right, 781 00:44:42,600 --> 00:44:45,960 Speaker 1: because we've were convincing ourselves. I think a lot of 782 00:44:46,040 --> 00:44:51,400 Speaker 1: energy spent on soothing people who are currently being exploited 783 00:44:51,440 --> 00:44:54,840 Speaker 1: into believing they are not. Oh, I mean, in America's 784 00:44:54,960 --> 00:44:58,200 Speaker 1: entire marketing plan from John p has been you're the greatest, 785 00:44:58,280 --> 00:45:02,000 Speaker 1: You're the freest, you're the best. We fought to get 786 00:45:02,040 --> 00:45:05,040 Speaker 1: away from the British and now everything is fine and 787 00:45:06,040 --> 00:45:10,920 Speaker 1: the Nazis to them exactly. I mean, also, you know, 788 00:45:10,960 --> 00:45:12,520 Speaker 1: not to put it all on the people, but like 789 00:45:12,560 --> 00:45:16,320 Speaker 1: our government goes out of its motherfucking way to quell 790 00:45:16,520 --> 00:45:20,879 Speaker 1: any and all like revolutionary groups for good and for bad, right, 791 00:45:20,960 --> 00:45:24,880 Speaker 1: like the CIA was all in the January six like 792 00:45:25,040 --> 00:45:29,560 Speaker 1: group chats and like Facebook groups like heavily involved getting 793 00:45:29,600 --> 00:45:32,840 Speaker 1: involved trying to like stop January six from happening or 794 00:45:32,920 --> 00:45:35,319 Speaker 1: understanding what was happening, as well as like how they 795 00:45:35,400 --> 00:45:39,120 Speaker 1: treated like the Black Panthers and hell, I mean, Arita 796 00:45:39,160 --> 00:45:44,000 Speaker 1: Franklin apparently had like a forty year surveillance file from 797 00:45:44,120 --> 00:45:47,719 Speaker 1: the government, because she just wanted black people to be liberated. 798 00:45:47,800 --> 00:45:51,680 Speaker 1: Like we have such a powerful machine that's like keeping 799 00:45:51,760 --> 00:45:54,279 Speaker 1: us in place and like not able to rise to that. 800 00:45:55,000 --> 00:45:57,920 Speaker 1: So it's gonna be interesting when that well. And I 801 00:45:57,960 --> 00:46:00,279 Speaker 1: think that's and I think this is what's happened. I 802 00:46:00,360 --> 00:46:04,440 Speaker 1: think we're seeing this breakdown happen between the old ways 803 00:46:04,760 --> 00:46:09,319 Speaker 1: of trying to convince people that everything's okay, or the 804 00:46:09,400 --> 00:46:13,279 Speaker 1: old ways of stopping and uprising, or like they're just 805 00:46:13,440 --> 00:46:16,560 Speaker 1: not working in the same way, you know, like for 806 00:46:17,320 --> 00:46:20,120 Speaker 1: because like even in like I just think of in 807 00:46:20,520 --> 00:46:24,360 Speaker 1: like the U S specifically, this like revival of the 808 00:46:24,440 --> 00:46:28,960 Speaker 1: labor movement precisely comes because the they have not They 809 00:46:28,960 --> 00:46:31,560 Speaker 1: can they can spend all this propaganda they want, but 810 00:46:31,640 --> 00:46:34,279 Speaker 1: at a certain point, you're not at that job with 811 00:46:34,320 --> 00:46:37,440 Speaker 1: the person who is looking at a fucked up situation 812 00:46:37,800 --> 00:46:41,840 Speaker 1: and say, I fucking don't want this at all. And 813 00:46:41,880 --> 00:46:46,520 Speaker 1: there's no amount of you know, propaganda or or Facebook 814 00:46:46,520 --> 00:46:49,560 Speaker 1: posts or whatever that can change what your lived experiences. 815 00:46:49,600 --> 00:46:51,479 Speaker 1: And I think that's the hard part is they can't. 816 00:46:51,920 --> 00:46:54,000 Speaker 1: It's the only way to stop that is to actually 817 00:46:54,000 --> 00:46:56,960 Speaker 1: meet people where they're at and meet their needs. So 818 00:46:57,000 --> 00:46:59,799 Speaker 1: if that's not gonna happen, you're gonna increasingly you know, 819 00:47:00,000 --> 00:47:01,920 Speaker 1: I have a group of people who are and this 820 00:47:01,960 --> 00:47:05,000 Speaker 1: is where it gets dangerous looking for answers and solutions 821 00:47:05,040 --> 00:47:08,560 Speaker 1: to what they're like. They're the cause of their lack 822 00:47:08,719 --> 00:47:11,680 Speaker 1: as a human being. And that's where bad faith actors 823 00:47:11,719 --> 00:47:14,160 Speaker 1: come in, and you know, fascists are like, what'd you 824 00:47:14,200 --> 00:47:16,000 Speaker 1: say you need it? Oh, let me tell you who 825 00:47:16,000 --> 00:47:18,359 Speaker 1: can solve this and who the bad guy is? Uh? 826 00:47:18,400 --> 00:47:20,839 Speaker 1: And that's what currently I feel like, that's what where 827 00:47:20,840 --> 00:47:23,800 Speaker 1: the knife saige we're on is what is the majority 828 00:47:23,840 --> 00:47:27,719 Speaker 1: of people? What version of getting in back in touch 829 00:47:27,800 --> 00:47:31,160 Speaker 1: with their power and their ability to advocate for better 830 00:47:31,200 --> 00:47:34,960 Speaker 1: for themselves? Which perspective are they going to go for? 831 00:47:35,200 --> 00:47:38,000 Speaker 1: The one that says we have to treat certain people 832 00:47:38,120 --> 00:47:41,240 Speaker 1: worse because it's a zero sum game, or the version 833 00:47:41,280 --> 00:47:44,520 Speaker 1: that is we're all people and we can fucking work 834 00:47:44,600 --> 00:47:48,000 Speaker 1: together because there is enough. It's just the there only 835 00:47:48,040 --> 00:47:50,680 Speaker 1: there's only the illusion that there isn't enough because we 836 00:47:50,760 --> 00:47:54,000 Speaker 1: have too many people hoarding too much of the wealth. 837 00:47:54,640 --> 00:47:57,759 Speaker 1: And that's and that's really what that's that's the fork 838 00:47:57,800 --> 00:47:59,880 Speaker 1: in the road we're at right now and you see 839 00:48:00,160 --> 00:48:02,560 Speaker 1: splitting off. There's people who definitely are picking one over 840 00:48:02,600 --> 00:48:05,839 Speaker 1: the other, but the critical mass of where that ends up, 841 00:48:05,880 --> 00:48:09,560 Speaker 1: I think is really you know, determinative where we end up, 842 00:48:09,600 --> 00:48:12,279 Speaker 1: you know. Yeah, And I think I think we do 843 00:48:12,400 --> 00:48:18,680 Speaker 1: underestimate how much the CIA and the government or just 844 00:48:19,200 --> 00:48:23,080 Speaker 1: the you know, our horny nous for the market as 845 00:48:23,080 --> 00:48:28,160 Speaker 1: a nation just completely drench and every piece of information 846 00:48:28,200 --> 00:48:31,160 Speaker 1: that we get like that, it's unless it's a zine 847 00:48:31,480 --> 00:48:36,200 Speaker 1: or you know, a a socialist you know outlet, which 848 00:48:36,239 --> 00:48:39,800 Speaker 1: are so few and so far between, Like just every 849 00:48:39,840 --> 00:48:43,040 Speaker 1: part of the information economy is pushing in this one 850 00:48:43,760 --> 00:48:47,960 Speaker 1: direction and so like it when when it comes to 851 00:48:48,040 --> 00:48:50,960 Speaker 1: like our I think we said earlier, like you know, 852 00:48:51,040 --> 00:48:54,480 Speaker 1: our ego as Americans to be like you know, not 853 00:48:54,840 --> 00:48:57,839 Speaker 1: no Americans want to think of themselves as peasants. But 854 00:48:58,120 --> 00:49:01,279 Speaker 1: they're also like not given the tools to really do 855 00:49:01,360 --> 00:49:05,480 Speaker 1: that if if they're not going to like get a 856 00:49:05,560 --> 00:49:09,120 Speaker 1: deep college education or you know something like that. Like 857 00:49:09,160 --> 00:49:13,680 Speaker 1: it's the mainstream media is is really all pushing in 858 00:49:13,680 --> 00:49:17,240 Speaker 1: the same direction as you know, what what the market 859 00:49:17,520 --> 00:49:20,920 Speaker 1: and whatever is good for the upward era. And I 860 00:49:20,960 --> 00:49:22,960 Speaker 1: don't want to say and I know we talked about, 861 00:49:23,000 --> 00:49:29,520 Speaker 1: like the perceived lack of imagination for revolution, People do 862 00:49:29,760 --> 00:49:31,759 Speaker 1: have it. I don't mean to say that no one 863 00:49:32,360 --> 00:49:35,759 Speaker 1: understands in this country what the stakes are and is 864 00:49:35,760 --> 00:49:38,640 Speaker 1: not willing to fight for it. It's just that we 865 00:49:38,800 --> 00:49:43,239 Speaker 1: have been systematically fed like we exist in the most 866 00:49:43,280 --> 00:49:48,960 Speaker 1: potent propaganda atmosphere on earth, and that's basically led to 867 00:49:49,440 --> 00:49:54,040 Speaker 1: the amounts of confusion that again benefit the status quo. 868 00:49:54,520 --> 00:49:56,880 Speaker 1: And I think that's why I think the parts that 869 00:49:56,920 --> 00:49:59,960 Speaker 1: they're you know, the powers that be, aren't really understand 870 00:50:00,080 --> 00:50:01,719 Speaker 1: ending when they get confused. And I was like, whoa, 871 00:50:01,760 --> 00:50:04,160 Speaker 1: whoa aren't getting all this pushback on this other stuff. 872 00:50:04,480 --> 00:50:06,880 Speaker 1: It's because you don't actually live in the same fucking 873 00:50:06,920 --> 00:50:09,719 Speaker 1: world as the majority of people do. And it's that 874 00:50:09,840 --> 00:50:14,600 Speaker 1: disconnect that, again I think will probably potentially be the 875 00:50:14,760 --> 00:50:18,320 Speaker 1: end for people who overreach to exploit people or to 876 00:50:18,480 --> 00:50:22,439 Speaker 1: not create more equitable terms for people, because they think 877 00:50:22,520 --> 00:50:25,680 Speaker 1: that most people are just sitting idly by, satisfied with 878 00:50:25,719 --> 00:50:27,839 Speaker 1: their lot in life, when many are not. Many are 879 00:50:27,880 --> 00:50:30,359 Speaker 1: asking questions, many are trying to figure out what to do, 880 00:50:30,680 --> 00:50:35,280 Speaker 1: and in many instances we're starting to see people organize. Yeah, 881 00:50:35,640 --> 00:50:39,080 Speaker 1: so yeah, I mean, the one thing that this woman 882 00:50:39,200 --> 00:50:42,719 Speaker 1: pond in this interview said, She's like, two Americans, do 883 00:50:42,760 --> 00:50:45,360 Speaker 1: not call your senators or congress people and read some 884 00:50:45,480 --> 00:50:50,360 Speaker 1: script about this. That is the last fucking thing we need. 885 00:50:50,400 --> 00:50:52,440 Speaker 1: I've seen that on social media and it is the 886 00:50:52,480 --> 00:50:57,120 Speaker 1: app So we do not need that of Congress. Yeah, 887 00:50:57,520 --> 00:50:59,919 Speaker 1: but it's so fun. I'm glad that somebody is under 888 00:51:00,040 --> 00:51:04,360 Speaker 1: standing that, like us, calling our oppressors to be like, well, 889 00:51:04,400 --> 00:51:07,160 Speaker 1: we have a complaint about this isn't going to help 890 00:51:08,080 --> 00:51:13,440 Speaker 1: people abroad or here. Yeah, upholding that status quo to 891 00:51:13,520 --> 00:51:17,319 Speaker 1: keep us oppressed. What a brilliant thing to say. This 892 00:51:17,360 --> 00:51:19,560 Speaker 1: woman is dope. Whoever she is, like, shouts to her, 893 00:51:19,640 --> 00:51:21,960 Speaker 1: you know. Yeah. Links off to this interview she had 894 00:51:21,960 --> 00:51:24,480 Speaker 1: in Jacobin because it's really amazing, and I just I 895 00:51:25,160 --> 00:51:28,200 Speaker 1: will read this last part because it's really just a 896 00:51:28,320 --> 00:51:31,080 Speaker 1: good The last question they were just asked was you know, 897 00:51:31,160 --> 00:51:33,960 Speaker 1: what is your hope for Iran? She said, My hope 898 00:51:34,000 --> 00:51:35,759 Speaker 1: for Iran is simple. I want us to finally have 899 00:51:35,880 --> 00:51:37,759 Speaker 1: a say in our own government. We were we were 900 00:51:37,760 --> 00:51:40,800 Speaker 1: a monarchy from day one and faced invasions from multiple empires, 901 00:51:41,040 --> 00:51:43,720 Speaker 1: the westbound oil on our land, finance to new monarchy 902 00:51:43,719 --> 00:51:45,880 Speaker 1: and overthrew our elected prime minister in a British and 903 00:51:45,880 --> 00:51:49,360 Speaker 1: American coup. Data we started a revolution that was hijacked 904 00:51:49,480 --> 00:51:52,080 Speaker 1: to prevent the spread of communism and have now been 905 00:51:52,120 --> 00:51:55,120 Speaker 1: stuck for fifty years. It is time we have a 906 00:51:55,200 --> 00:51:57,880 Speaker 1: say in our livelihood without the interference of foreign powers. 907 00:51:57,920 --> 00:52:01,160 Speaker 1: Whatever the Iranian masses choose, I will expect, I will accept. 908 00:52:01,239 --> 00:52:03,200 Speaker 1: As I said before, the fight of leftists will be 909 00:52:03,239 --> 00:52:05,360 Speaker 1: the same. We will still advocate for the working class, 910 00:52:05,400 --> 00:52:07,960 Speaker 1: labor rights and so on. We deserve to be prosperous 911 00:52:07,960 --> 00:52:11,680 Speaker 1: and independent. Yeah. I mean the fact that all the 912 00:52:11,719 --> 00:52:15,239 Speaker 1: groups recognize that they're fighting for human rights and the 913 00:52:15,280 --> 00:52:19,480 Speaker 1: same bodily autonomy and you know, being impressed by the 914 00:52:19,560 --> 00:52:22,879 Speaker 1: same force like that. That is something that whenever there's 915 00:52:22,880 --> 00:52:27,040 Speaker 1: a movement in the US quickly gets that that movement 916 00:52:27,040 --> 00:52:30,719 Speaker 1: gets othered, you know, the US. The US version of 917 00:52:30,719 --> 00:52:34,360 Speaker 1: this would have been, have a referendum, maybe lighten the 918 00:52:34,520 --> 00:52:39,359 Speaker 1: morality police laws, and then address a one dimension of 919 00:52:39,400 --> 00:52:41,880 Speaker 1: what people are asking about for change, and then just 920 00:52:41,920 --> 00:52:44,080 Speaker 1: kind of keep it moving again. Treated as an extremist 921 00:52:44,239 --> 00:52:47,920 Speaker 1: Kurdish movement, which is something that's happening, or a Western 922 00:52:48,120 --> 00:52:52,280 Speaker 1: influenced movement. Yeah, just other the people as quickly as possible. 923 00:52:52,480 --> 00:52:56,879 Speaker 1: And and then obviously like you know, some sort of propaganda, 924 00:52:57,239 --> 00:53:02,360 Speaker 1: use of reports of violence to people feel unsafe. And 925 00:53:02,400 --> 00:53:04,560 Speaker 1: also I mean like that we'll have to mention that 926 00:53:04,600 --> 00:53:07,000 Speaker 1: there is just like in the Kuda thought. Just like 927 00:53:07,040 --> 00:53:09,920 Speaker 1: in the US, this happens all the time with you know, 928 00:53:10,719 --> 00:53:14,360 Speaker 1: dirty regimes. They like to have you know, plants in 929 00:53:14,400 --> 00:53:17,000 Speaker 1: the protests, causing damage to make the move to try 930 00:53:17,040 --> 00:53:19,719 Speaker 1: and discredit the movement. Same thing is happening, except these 931 00:53:19,719 --> 00:53:22,799 Speaker 1: cops are so sloppy. They're like on camera fucking up 932 00:53:22,840 --> 00:53:26,520 Speaker 1: mosques and ship and it's just like, dude, you're on camera. 933 00:53:26,640 --> 00:53:29,200 Speaker 1: And then another thing I was really interesting is one 934 00:53:29,239 --> 00:53:31,680 Speaker 1: of the like sort of local law enforcement people in 935 00:53:31,680 --> 00:53:34,719 Speaker 1: the municipality was saying that, like the average age of 936 00:53:34,880 --> 00:53:40,120 Speaker 1: people that they've detained is around fifteen years old. Yeah, 937 00:53:40,320 --> 00:53:44,000 Speaker 1: that's in one part, Like so this isn't like this 938 00:53:44,080 --> 00:53:48,279 Speaker 1: is a this is a mass movement. And yeah, just 939 00:53:49,880 --> 00:53:52,759 Speaker 1: again I can't I can't tell how much like I'm 940 00:53:52,800 --> 00:53:58,280 Speaker 1: equal parts amazed, inspired, frightened by the bravery these people. 941 00:53:58,280 --> 00:54:00,960 Speaker 1: But that's that's the city suation that these people have 942 00:54:00,960 --> 00:54:03,759 Speaker 1: found themselves in and I think to not you know, 943 00:54:03,880 --> 00:54:07,160 Speaker 1: for our for the version that American people are getting, 944 00:54:07,160 --> 00:54:09,239 Speaker 1: when honestly, like to your point, matic's like we have 945 00:54:09,360 --> 00:54:11,319 Speaker 1: a lot in common. We have more in common with 946 00:54:11,360 --> 00:54:13,279 Speaker 1: oppressed people around the world than we do with the 947 00:54:13,320 --> 00:54:16,319 Speaker 1: fucking one percenters in this country. You know, to then 948 00:54:16,560 --> 00:54:22,520 Speaker 1: speed people, this like disingenuous summation of things, which is like, yeah, man, there, 949 00:54:23,000 --> 00:54:27,200 Speaker 1: Rahani's bad at huh, all right, healing people, Let's keep 950 00:54:27,200 --> 00:54:30,760 Speaker 1: it there, don't talk about anything else, don't give people 951 00:54:30,800 --> 00:54:34,120 Speaker 1: any more texture to it. Yeah, alright, let's take a 952 00:54:34,160 --> 00:54:48,520 Speaker 1: quick break. We'll come right back, and we're back, and 953 00:54:48,960 --> 00:54:52,240 Speaker 1: just briefly we wanted to talk about So Walmart built 954 00:54:52,280 --> 00:54:58,759 Speaker 1: a creepy virtual reality toys tour in the Metaverse, and 955 00:54:58,880 --> 00:55:04,759 Speaker 1: it features some of the best things an interactive world, right, yeah, yeah, 956 00:55:05,400 --> 00:55:10,000 Speaker 1: it's in Roadblocks, marketed to gen Z and children, and yeah, 957 00:55:10,080 --> 00:55:13,640 Speaker 1: it's called Walmart's Universe of Play. It allows kids to 958 00:55:13,680 --> 00:55:16,440 Speaker 1: play games that feature some of the best selling toys 959 00:55:16,520 --> 00:55:20,120 Speaker 1: this year, all while a magical blimp drops virtual toys 960 00:55:20,160 --> 00:55:23,560 Speaker 1: on you from the sky. Everything about the Metaverse just 961 00:55:24,120 --> 00:55:27,640 Speaker 1: makes me feel like I'm in hell. It's the parallels 962 00:55:27,920 --> 00:55:33,440 Speaker 1: of like we just talked about this revolution mass uprising 963 00:55:33,440 --> 00:55:36,279 Speaker 1: happening and in the US, like, hey, kids, put on 964 00:55:36,360 --> 00:55:41,680 Speaker 1: these fucking reality changing goggles and live in this fucking 965 00:55:41,719 --> 00:55:44,560 Speaker 1: space for a little bit. Huh yeah, where you get 966 00:55:44,600 --> 00:55:48,400 Speaker 1: little treats. It's specifically designed to be like a little 967 00:55:48,760 --> 00:55:52,399 Speaker 1: skinner box with a little treat trigger that drops little 968 00:55:52,440 --> 00:55:57,919 Speaker 1: treats on you every regularly, not regularly, actually randomly so 969 00:55:57,960 --> 00:56:01,920 Speaker 1: that you feel like you are can change the outcome 970 00:56:02,280 --> 00:56:05,480 Speaker 1: is actually how they hear it. But it's blatantly a 971 00:56:05,600 --> 00:56:11,360 Speaker 1: commercial targeting kids by enveloping them in a new immersive reality. Also, 972 00:56:11,480 --> 00:56:16,080 Speaker 1: this relates to the earlier conversation about the casket apartments 973 00:56:16,160 --> 00:56:20,959 Speaker 1: and cage apartments, because you know this is that that's 974 00:56:21,000 --> 00:56:25,520 Speaker 1: the next step in in the whole idea of oh 975 00:56:25,600 --> 00:56:28,160 Speaker 1: don't like what your I see, change what your eyes 976 00:56:28,239 --> 00:56:31,560 Speaker 1: see with this product. Yeah, why would you need a 977 00:56:31,560 --> 00:56:34,560 Speaker 1: whole entire living space where you can just go in here? 978 00:56:34,600 --> 00:56:37,919 Speaker 1: And and I hate it so much. I mean I 979 00:56:38,000 --> 00:56:40,399 Speaker 1: was like as a poor kid, I grew up very 980 00:56:40,400 --> 00:56:45,719 Speaker 1: poor the nineties and the commercials during children's programming we're 981 00:56:46,160 --> 00:56:50,440 Speaker 1: so uh gross and toxic and like eat this sugar. 982 00:56:50,600 --> 00:56:53,800 Speaker 1: Buy this toy, your old one sucks. Get this bike, 983 00:56:54,000 --> 00:56:56,640 Speaker 1: get this outfit. You need this. Push push push, like 984 00:56:56,680 --> 00:56:59,399 Speaker 1: so much crazy advertising. And I think that to the point, 985 00:56:59,400 --> 00:57:01,960 Speaker 1: like there are laws that have changed around how you 986 00:57:02,000 --> 00:57:05,040 Speaker 1: can advertise to children because there were none, and now 987 00:57:05,200 --> 00:57:09,520 Speaker 1: it's like, this is the loophole to those laws protect right, 988 00:57:12,040 --> 00:57:15,720 Speaker 1: it's horrifying. There's no way they could own a blimp 989 00:57:15,840 --> 00:57:20,280 Speaker 1: your Yeah, kids don't watch TV anymore. They're all court cutters, 990 00:57:20,400 --> 00:57:24,040 Speaker 1: and so in addition to like YouTube ads, they're trying 991 00:57:24,040 --> 00:57:28,400 Speaker 1: to find new ways to reach kids, and this is 992 00:57:28,400 --> 00:57:30,840 Speaker 1: what they've come up with, and people are pointing out 993 00:57:30,880 --> 00:57:35,360 Speaker 1: that it's illegal, like the like even the terms of 994 00:57:35,400 --> 00:57:39,120 Speaker 1: service for these various VR products like say that you 995 00:57:39,160 --> 00:57:41,880 Speaker 1: can't go in there if you're under thirteen. Oculust is 996 00:57:41,960 --> 00:57:44,960 Speaker 1: for thirteen plus, so an easy our headset is for 997 00:57:45,040 --> 00:57:49,160 Speaker 1: twelve and above. You know, HTC says that children should 998 00:57:49,160 --> 00:57:52,560 Speaker 1: not be allowed to use it's VR headset HTC VV 999 00:57:53,400 --> 00:57:56,960 Speaker 1: and or vibe. I actually don't know that, but then 1000 00:57:57,440 --> 00:57:59,160 Speaker 1: that didn't stop us from going in the A O 1001 00:57:59,320 --> 00:58:05,400 Speaker 1: L chat room. I mean, well, it's very it's very 1002 00:58:05,400 --> 00:58:10,360 Speaker 1: clear because Walmart, Walmart's little toy land Is has a 1003 00:58:10,360 --> 00:58:15,200 Speaker 1: bunch of stuff from pat patrol. Patrol is something that 1004 00:58:15,280 --> 00:58:18,480 Speaker 1: my four year old has already outgrown like that that's 1005 00:58:19,120 --> 00:58:25,600 Speaker 1: patrol is also just like cop propaganda. Yeah, also for 1006 00:58:25,960 --> 00:58:28,760 Speaker 1: very young kids. It's like the I think, you know, 1007 00:58:29,040 --> 00:58:31,520 Speaker 1: everybody goes through different things at different times, but like 1008 00:58:31,560 --> 00:58:35,200 Speaker 1: in in our household, like the birthday parties that we 1009 00:58:35,240 --> 00:58:38,600 Speaker 1: would go to for like it was like more three 1010 00:58:38,920 --> 00:58:41,760 Speaker 1: and four year old birthday parties were pot patrol and 1011 00:58:41,800 --> 00:58:46,080 Speaker 1: then the kids move on to other stuff. What's that 1012 00:58:46,440 --> 00:58:50,680 Speaker 1: p J what's the PJ? What's it? What's that PJ masks? 1013 00:58:51,160 --> 00:58:55,160 Speaker 1: EJ mask? Yeah, that's what my niece and nephews working with. Yeah, 1014 00:58:55,200 --> 00:58:58,320 Speaker 1: my my youngest is really into p J Masks, even 1015 00:58:58,320 --> 00:59:00,760 Speaker 1: though he can't watch an entire episode because he finds 1016 00:59:00,760 --> 00:59:04,480 Speaker 1: it too scary, but he like he has all the costumes. 1017 00:59:04,920 --> 00:59:09,840 Speaker 1: It's these three kids who turn into superheroes at night 1018 00:59:09,920 --> 00:59:13,760 Speaker 1: in their pjs, their pajamas and fight fight crime at night, 1019 00:59:14,000 --> 00:59:16,200 Speaker 1: which I think it resonates with my four year old 1020 00:59:16,240 --> 00:59:19,760 Speaker 1: because he is does not sleep. He has whatever that 1021 00:59:19,840 --> 00:59:23,760 Speaker 1: gene is that only that? Yeah, Like he's like I 1022 00:59:23,800 --> 00:59:26,560 Speaker 1: need two points seven hours he doesn't need sleep, Like 1023 00:59:26,600 --> 00:59:30,000 Speaker 1: I'm like sitting there with him, like just watching him 1024 00:59:30,200 --> 00:59:36,520 Speaker 1: like stare back at me, just be like like like, oh, 1025 00:59:36,640 --> 00:59:38,400 Speaker 1: I could watch him go to sleep, But meanwhile, you're 1026 00:59:38,440 --> 00:59:43,280 Speaker 1: luck his older brother like falls asleep hours before him. 1027 00:59:43,280 --> 00:59:47,520 Speaker 1: It's crazy. But anyways, they're blade Like you can't tell 1028 00:59:47,560 --> 00:59:52,200 Speaker 1: me that you are advertising Paw Patrol characters to children 1029 00:59:52,360 --> 00:59:55,960 Speaker 1: over the age of twelve, Like that's it's just not happening. 1030 00:59:56,080 --> 00:59:58,960 Speaker 1: And even so that's too young. But the whole thing 1031 00:59:59,080 --> 01:00:03,560 Speaker 1: is just so VR on a dude, I've almost fucking 1032 01:00:03,640 --> 01:00:07,480 Speaker 1: walked through a like a plate glass sliding door with 1033 01:00:07,560 --> 01:00:11,160 Speaker 1: a VR headset once and that's me as a fucking 1034 01:00:11,280 --> 01:00:15,560 Speaker 1: wild you know, high out of his mind. But tell 1035 01:00:15,640 --> 01:00:19,960 Speaker 1: the truth, that's like being a small child. And if 1036 01:00:20,040 --> 01:00:22,200 Speaker 1: I can't have my ship together like that, I can't 1037 01:00:22,200 --> 01:00:25,600 Speaker 1: imagine like a six year old, like they're gonna know 1038 01:00:25,720 --> 01:00:28,480 Speaker 1: the boundaries outside of the headset, and like if they're 1039 01:00:28,520 --> 01:00:30,919 Speaker 1: in some fake gas toy store, they're gonna be like, yeah, 1040 01:00:31,120 --> 01:00:33,480 Speaker 1: over here, run over here into the fucking stove or 1041 01:00:33,520 --> 01:00:35,960 Speaker 1: some ship. I don't know. I wouldn't be shocked if 1042 01:00:36,000 --> 01:00:39,040 Speaker 1: we don't see like a crime, like a big crime 1043 01:00:39,440 --> 01:00:42,480 Speaker 1: be committed because a kid was like, oh, I'm blaming 1044 01:00:42,480 --> 01:00:45,440 Speaker 1: it on VR because remember when like those girls murdered 1045 01:00:46,080 --> 01:00:49,280 Speaker 1: or attacked another girl and like blamed it on slender Man, 1046 01:00:49,560 --> 01:00:52,280 Speaker 1: which was just like stories they were reading on the internet. 1047 01:00:52,360 --> 01:00:55,280 Speaker 1: Like it's only a better kid before something like this 1048 01:00:55,360 --> 01:00:58,040 Speaker 1: is going to cause a child to have really not 1049 01:00:58,160 --> 01:01:01,520 Speaker 1: understand the reality works, and the internet is the Internet 1050 01:01:01,560 --> 01:01:04,640 Speaker 1: is already like social media is already a huge danger 1051 01:01:04,760 --> 01:01:09,040 Speaker 1: for children that like, children should not be using social 1052 01:01:09,080 --> 01:01:13,360 Speaker 1: media terrible, and this is like more immersive social media. 1053 01:01:13,760 --> 01:01:17,600 Speaker 1: It's basically what this creates. So it's very don't put 1054 01:01:17,640 --> 01:01:21,040 Speaker 1: that headset on don't put the headset on kids. Although 1055 01:01:21,040 --> 01:01:22,840 Speaker 1: I kind of want an Oculus, I'm not gonna lie. 1056 01:01:23,120 --> 01:01:26,000 Speaker 1: I'm not I want that ship too, I don't want it. Look, 1057 01:01:26,040 --> 01:01:28,360 Speaker 1: I think the best part about that stuff is like 1058 01:01:28,440 --> 01:01:30,439 Speaker 1: it's given me a new way to watch TV because 1059 01:01:30,440 --> 01:01:32,360 Speaker 1: I remember, like there's like a theater mode and you 1060 01:01:32,360 --> 01:01:36,680 Speaker 1: can be like whoa much in this big movie? But yeah, 1061 01:01:36,760 --> 01:01:38,960 Speaker 1: I mean I love I love gadgets and ship. I 1062 01:01:39,080 --> 01:01:41,520 Speaker 1: just got into animal crossing in the Pandemic, so that's 1063 01:01:41,520 --> 01:01:44,840 Speaker 1: about as far as I've gotten. And I played another 1064 01:01:44,920 --> 01:01:48,800 Speaker 1: game called like middle Little mismisfortune or something. But like, 1065 01:01:48,960 --> 01:01:50,440 Speaker 1: you know, I don't know if I'm actually gonna be 1066 01:01:50,440 --> 01:01:52,840 Speaker 1: able to handle an oculus. I can't. I can't survive 1067 01:01:52,880 --> 01:01:59,480 Speaker 1: Mario Kart. I suck at it, right? So yeah, nice, 1068 01:01:59,720 --> 01:02:02,960 Speaker 1: well Addison, such a pleasure having you. Where can people 1069 01:02:03,120 --> 01:02:06,000 Speaker 1: find you? Follow you? All that good stuff? So even 1070 01:02:06,000 --> 01:02:08,360 Speaker 1: though I don't like social media, but still, you know, 1071 01:02:08,800 --> 01:02:11,960 Speaker 1: follow your girl, because the people who hire me care 1072 01:02:12,200 --> 01:02:15,400 Speaker 1: about my social media numbers. You can follow me on 1073 01:02:15,480 --> 01:02:20,720 Speaker 1: Instagram at Madison Underscore Shepherd s g P A R 1074 01:02:20,800 --> 01:02:24,440 Speaker 1: D or on TikTok. I believe it's the same at 1075 01:02:24,560 --> 01:02:29,240 Speaker 1: Madison Underscore Shepherd amazing and it is there a tweet 1076 01:02:29,320 --> 01:02:32,200 Speaker 1: or some other work of social media or media in 1077 01:02:32,280 --> 01:02:36,439 Speaker 1: general that you've been enjoying. So there's this kid on 1078 01:02:36,480 --> 01:02:41,360 Speaker 1: TikTok and Instagram called Sean McManus. He is a cast 1079 01:02:41,440 --> 01:02:45,400 Speaker 1: member of Beetlejuice on Broadway and he I don't know 1080 01:02:45,400 --> 01:02:47,880 Speaker 1: if you guys remember a couple of months ago there 1081 01:02:47,960 --> 01:02:51,440 Speaker 1: was a church in Texas who did an unauthorized version 1082 01:02:52,000 --> 01:02:56,320 Speaker 1: of Hamilton's or is basically like an infammation Hamilton's should 1083 01:02:56,320 --> 01:02:59,840 Speaker 1: be about Jesus and if you're like lgbt Q, like 1084 01:03:00,080 --> 01:03:02,640 Speaker 1: you are basically addicted to drugs, it's the same. It 1085 01:03:02,720 --> 01:03:05,160 Speaker 1: was very weird. Anyways, I got the ship suit out 1086 01:03:05,160 --> 01:03:08,080 Speaker 1: of them. But so this kid, John McManus does Patti 1087 01:03:08,200 --> 01:03:12,160 Speaker 1: Lapone impressions. Patti Lapone is a famous Broadway actress who 1088 01:03:12,280 --> 01:03:14,000 Speaker 1: is like a three time Tony winner. I believe, just 1089 01:03:14,040 --> 01:03:16,760 Speaker 1: an incredible talent. If you don't know, like look her up. Anyways, 1090 01:03:16,760 --> 01:03:19,000 Speaker 1: he does this crazy impression where he does like Patti 1091 01:03:19,120 --> 01:03:25,800 Speaker 1: Lapone like performing selections from the unauthorized Hamilton's and I 1092 01:03:25,840 --> 01:03:30,240 Speaker 1: don't know why it as the former theater kid. It 1093 01:03:30,520 --> 01:03:35,440 Speaker 1: tickles me to no end. It is hilarious. It's flat. 1094 01:03:35,840 --> 01:03:39,720 Speaker 1: It's like so camp and silly and literally I think 1095 01:03:39,760 --> 01:03:43,840 Speaker 1: about it like maybe once a week. I dropped the 1096 01:03:43,880 --> 01:03:48,040 Speaker 1: link in the chat. All right, you'll definitely yeah, it's 1097 01:03:48,040 --> 01:03:51,360 Speaker 1: a fun one awesome miles. Where can people find you 1098 01:03:51,400 --> 01:03:54,640 Speaker 1: with a tweet you've been enjoying, oh Man, find me 1099 01:03:54,760 --> 01:03:58,080 Speaker 1: on Twitter and Instagram at Miles of Grave. If you 1100 01:03:58,120 --> 01:04:00,480 Speaker 1: like basketball, check us out my on my housing Jack 1101 01:04:00,520 --> 01:04:03,880 Speaker 1: Got Mad Boost. These are NBA podcast. The season is 1102 01:04:04,480 --> 01:04:07,280 Speaker 1: that's it's quickly the best part of the season where 1103 01:04:07,400 --> 01:04:12,400 Speaker 1: anything can be true with a single book performance, a 1104 01:04:13,000 --> 01:04:18,720 Speaker 1: single good preseason play by a player, and I'm like, what, oh, 1105 01:04:18,800 --> 01:04:22,520 Speaker 1: my good man, or maybe or maybe a player missed 1106 01:04:22,640 --> 01:04:26,680 Speaker 1: less shots than normal. Yeah, and You're like, we're going 1107 01:04:27,960 --> 01:04:29,920 Speaker 1: he's going to be a problem. He's going to be 1108 01:04:29,960 --> 01:04:34,200 Speaker 1: a problem. And if just wait, despite what the stats 1109 01:04:34,200 --> 01:04:36,920 Speaker 1: say in history. Um, and if you like ninety day Fiance, 1110 01:04:37,160 --> 01:04:40,200 Speaker 1: check myself and Sophia Alexander out on our other podcast 1111 01:04:40,240 --> 01:04:44,360 Speaker 1: four twenty Day Fiance smoking loud and getting loud about 1112 01:04:44,360 --> 01:04:49,160 Speaker 1: trash reality TV. Let's see some tweets that I like. First, 1113 01:04:49,200 --> 01:04:54,720 Speaker 1: one is from Corey at Cool Math Game Underscore tweeted, 1114 01:04:55,080 --> 01:04:57,640 Speaker 1: random guy, it's not a big deal, man, I just 1115 01:04:57,680 --> 01:05:00,360 Speaker 1: don't think it matters me pulling out a gun. The 1116 01:05:00,520 --> 01:05:04,560 Speaker 1: two main characters in a show called Veggie Tales are 1117 01:05:04,720 --> 01:05:08,960 Speaker 1: fruits and that doesn't matter to you. It's not a 1118 01:05:09,000 --> 01:05:13,360 Speaker 1: big deal, which I think about that. This one was 1119 01:05:13,400 --> 01:05:16,320 Speaker 1: another one from at Kona's later tweeted saying the body 1120 01:05:16,360 --> 01:05:18,720 Speaker 1: of Christ each time I give my dog a cracker, 1121 01:05:20,560 --> 01:05:22,640 Speaker 1: and then Dan to me at d H two Me 1122 01:05:22,680 --> 01:05:27,000 Speaker 1: tweeted levels of male friendship just met seems like a 1123 01:05:27,040 --> 01:05:30,680 Speaker 1: cool guy hung out twice. I got a buddy who 1124 01:05:31,080 --> 01:05:35,520 Speaker 1: go out on weekends, go out on weekends. I got 1125 01:05:35,560 --> 01:05:38,920 Speaker 1: a buddy who literally best friends. I got a buddy 1126 01:05:38,960 --> 01:05:41,840 Speaker 1: who known each other for life. I got this buddy 1127 01:05:41,840 --> 01:05:49,200 Speaker 1: who's so true. It seems like it seems like a 1128 01:05:49,320 --> 01:05:52,440 Speaker 1: nice guy. And I got this buddy. Yeah it seems 1129 01:05:52,480 --> 01:05:55,280 Speaker 1: like a cool guy. Yeah he seems cool. He seems 1130 01:05:55,280 --> 01:05:57,240 Speaker 1: like a cool guy. All right. You can find me 1131 01:05:57,400 --> 01:06:01,960 Speaker 1: on Twitter at Jack Underscore, Obra Iron, liking things like 1132 01:06:02,240 --> 01:06:05,680 Speaker 1: Kristen stock Doll tweet a screen cap of a news 1133 01:06:05,680 --> 01:06:09,560 Speaker 1: headline Kim taunts West by launching test missile over Japan, 1134 01:06:10,200 --> 01:06:14,280 Speaker 1: and she tweeted an interesting development in the Kim Kanye saga, 1135 01:06:14,960 --> 01:06:20,760 Speaker 1: which it was a story about North Korea. They just 1136 01:06:20,840 --> 01:06:25,280 Speaker 1: fired some missiles back in the sea too. Lap Cry 1137 01:06:25,360 --> 01:06:28,920 Speaker 1: Coffee tweeted me any costco requests husband who is out 1138 01:06:28,920 --> 01:06:34,840 Speaker 1: of deodorant, toothpaste and works next, Nope, I'm good. And 1139 01:06:34,880 --> 01:06:40,200 Speaker 1: then depths of Wikipedia depths of WICKI tweeted love how 1140 01:06:40,240 --> 01:06:43,880 Speaker 1: the kayak Wikipedia article has a section that's just roasting 1141 01:06:43,920 --> 01:06:49,000 Speaker 1: this child and apparently the picture the picture for kayaking 1142 01:06:49,640 --> 01:06:54,760 Speaker 1: is a child and the caption is child using oversized equipment. 1143 01:06:54,840 --> 01:06:57,400 Speaker 1: The kayak is floating too high, it is too wide 1144 01:06:57,400 --> 01:06:59,560 Speaker 1: for his hips and shoulders, and it is so deep 1145 01:06:59,600 --> 01:07:02,120 Speaker 1: that his bows hit the deck. His paddle is also 1146 01:07:02,200 --> 01:07:05,040 Speaker 1: too long. It is impossible for him to paddle efficiently 1147 01:07:05,120 --> 01:07:08,080 Speaker 1: and he will tire quickly hit His p f D 1148 01:07:08,400 --> 01:07:10,680 Speaker 1: is also large enough to slip off over his head 1149 01:07:10,680 --> 01:07:13,959 Speaker 1: well fastened. So it's just so. He just got mad 1150 01:07:14,040 --> 01:07:17,600 Speaker 1: when they saw this picture and just roasted this motherfucker. 1151 01:07:17,840 --> 01:07:22,640 Speaker 1: Who they But that's that's yeah exactly. I love that 1152 01:07:23,080 --> 01:07:27,360 Speaker 1: that personal rotation device. Well can wait too back, he though. Man. Yes, anyways, 1153 01:07:27,360 --> 01:07:29,720 Speaker 1: you can find us on Twitter at daily zee Guys. 1154 01:07:29,760 --> 01:07:31,800 Speaker 1: Were at the Daily Zite Guys on Instagram. We have 1155 01:07:31,840 --> 01:07:34,320 Speaker 1: a Facebook fan page and a website, Daily zeit guys 1156 01:07:34,360 --> 01:07:36,960 Speaker 1: dot com, where we post our episodes and our footnotes. 1157 01:07:37,600 --> 01:07:39,440 Speaker 1: We link off to the information that we talked about 1158 01:07:39,440 --> 01:07:42,080 Speaker 1: in today's episode, as well as a song that we 1159 01:07:42,120 --> 01:07:44,400 Speaker 1: think you might enjoy. Miles, what song do you think 1160 01:07:44,440 --> 01:07:47,760 Speaker 1: people might enjoy? Oh? Man? So I posted that video 1161 01:07:47,920 --> 01:07:50,920 Speaker 1: of the DJ three PCE trio that was at the 1162 01:07:50,920 --> 01:07:52,920 Speaker 1: wedding I was at over the weekend. Who they do 1163 01:07:53,040 --> 01:07:55,760 Speaker 1: was playing sacks and another dude on trombone just killing it, 1164 01:07:55,920 --> 01:07:57,840 Speaker 1: and a lot of people were like, yo, what's the tracks. 1165 01:07:57,840 --> 01:08:00,560 Speaker 1: Some people thought it was too many zoos, which I 1166 01:08:00,880 --> 01:08:02,800 Speaker 1: know what you mean, because they would get down in 1167 01:08:02,840 --> 01:08:05,320 Speaker 1: the train stations in New York with their big berry sacks. 1168 01:08:05,400 --> 01:08:06,760 Speaker 1: Is I think they went to the new school, their 1169 01:08:06,800 --> 01:08:11,160 Speaker 1: jazz guys. But this actually is from this old track 1170 01:08:11,400 --> 01:08:15,280 Speaker 1: called Calabria by Roone. It's like an old house track. 1171 01:08:15,560 --> 01:08:18,519 Speaker 1: That's where that sack sample I believe is originally from. 1172 01:08:18,560 --> 01:08:21,040 Speaker 1: So listen to that, go back to the year of 1173 01:08:21,080 --> 01:08:23,880 Speaker 1: my high school graduation and Lebron James is as well, 1174 01:08:24,120 --> 01:08:29,680 Speaker 1: and just float away to Calabria by Rooms. Amazing. All right, Well, 1175 01:08:29,680 --> 01:08:31,760 Speaker 1: the Daily Ze guys, the production of I Heart Radio. 1176 01:08:31,760 --> 01:08:33,720 Speaker 1: For more podcasts from my Heart Radio, visit the I 1177 01:08:33,800 --> 01:08:38,080 Speaker 1: Heart Radio app, Apple Podcast wherever favorite your favorite shows, 1178 01:08:38,640 --> 01:08:41,880 Speaker 1: wherever Apple podcast, or wherever you listen your favorite shows. 1179 01:08:42,600 --> 01:08:46,600 Speaker 1: Oh no, the computer is bwitching. That is going to 1180 01:08:46,680 --> 01:08:49,000 Speaker 1: do it for us this morning. But we are back 1181 01:08:49,080 --> 01:08:51,840 Speaker 1: this afternoon to tell you what is trending and we 1182 01:08:51,880 --> 01:08:54,000 Speaker 1: will talk to all then Bye bye,