1 00:00:18,280 --> 00:00:20,840 Speaker 1: Welcome back, Thank you for your patience, Happy to have 2 00:00:20,960 --> 00:00:23,639 Speaker 1: you here. Welcome to part two of Q and A's 3 00:00:23,760 --> 00:00:27,200 Speaker 1: for season two. Here we go. What were some of 4 00:00:27,240 --> 00:00:31,120 Speaker 1: your tricks for memorizing lines every week? Did you guys 5 00:00:31,160 --> 00:00:33,920 Speaker 1: have any never has a problem, Just they're just in 6 00:00:33,960 --> 00:00:38,680 Speaker 1: my head exactly, young brains that were sponges naked them 7 00:00:38,760 --> 00:00:41,440 Speaker 1: up and by the time show night came around, you 8 00:00:41,479 --> 00:00:43,800 Speaker 1: just they were just in your head absolutely the next 9 00:00:43,880 --> 00:00:46,000 Speaker 1: day and filled up with new ones. Do you guys 10 00:00:46,040 --> 00:00:49,560 Speaker 1: remember being baffled by people thinking it was hard? Yes, 11 00:00:50,600 --> 00:00:52,879 Speaker 1: it was like yeah, and I will never be one 12 00:00:52,880 --> 00:00:55,280 Speaker 1: of those people, like, I don't know if it would 13 00:00:55,320 --> 00:00:56,760 Speaker 1: be hard now I haven't done it, and so but 14 00:00:56,840 --> 00:00:58,840 Speaker 1: like I imagine it would. It would kind of come 15 00:00:58,840 --> 00:01:01,240 Speaker 1: back if I practice. But like I remember as a 16 00:01:01,320 --> 00:01:03,080 Speaker 1: kid actor just being like, why are these people think 17 00:01:03,080 --> 00:01:06,800 Speaker 1: this is hard? Yeah, it's muscle memory after a while, 18 00:01:06,920 --> 00:01:08,600 Speaker 1: or just that's what it was. That was part of 19 00:01:08,600 --> 00:01:12,840 Speaker 1: your job. So in the later seasons, Sean Hunter's poetry 20 00:01:12,840 --> 00:01:15,199 Speaker 1: comes up and this person said, I remember I saw 21 00:01:15,200 --> 00:01:17,560 Speaker 1: in the credits that it was actually written by writer. 22 00:01:18,040 --> 00:01:20,920 Speaker 1: I've always wondered how this came about. Was it easy 23 00:01:21,000 --> 00:01:23,160 Speaker 1: for you to share your writing and have it be 24 00:01:23,200 --> 00:01:26,080 Speaker 1: a part of the show. Didn't we tell the story 25 00:01:26,480 --> 00:01:29,080 Speaker 1: we may have with you? I don't know that we 26 00:01:29,120 --> 00:01:31,840 Speaker 1: told the story of how the how? I mean I 27 00:01:32,319 --> 00:01:34,920 Speaker 1: talked about it. Yeah. Interesting, I thought I told the 28 00:01:34,959 --> 00:01:37,000 Speaker 1: story on the podcast. But maybe you know, also we've 29 00:01:37,040 --> 00:01:39,959 Speaker 1: done Q and A's right, so I might I might 30 00:01:39,959 --> 00:01:43,480 Speaker 1: be confused. Um, yeah, so they had done. They had 31 00:01:43,480 --> 00:01:46,640 Speaker 1: written the script based on the fact that I really 32 00:01:46,680 --> 00:01:50,680 Speaker 1: did write poetry in real life. Um, and thanks to 33 00:01:51,360 --> 00:01:54,040 Speaker 1: David Colmbs, the studio teacher. I you know, and I 34 00:01:54,040 --> 00:01:56,320 Speaker 1: know Danielle you feel the same way that poetry was 35 00:01:56,360 --> 00:01:58,480 Speaker 1: basically introduced to your life at a very young age. 36 00:01:58,520 --> 00:02:01,000 Speaker 1: It's still a huge thing. Like Danielle and I were 37 00:02:01,040 --> 00:02:03,560 Speaker 1: texting each other, you know, a few months ago, but 38 00:02:03,720 --> 00:02:06,720 Speaker 1: like something about some favorite poems and I was like, 39 00:02:06,800 --> 00:02:09,560 Speaker 1: you must know this poem because David probably taught to you. 40 00:02:09,639 --> 00:02:14,919 Speaker 1: And She's like, I've got my addition, it was a 41 00:02:15,000 --> 00:02:17,720 Speaker 1: John Keith's poem. Yeah. But then we were also we 42 00:02:18,000 --> 00:02:21,520 Speaker 1: read contemporary poetry. You're sharing Ada Lemon poems with each other, 43 00:02:21,520 --> 00:02:23,280 Speaker 1: and I just I love that. That's a huge part 44 00:02:23,280 --> 00:02:25,880 Speaker 1: of my life because of David and yours too. Um So, yeah, 45 00:02:25,919 --> 00:02:27,920 Speaker 1: so I got into writing poet, reading poetry, and then 46 00:02:27,919 --> 00:02:31,280 Speaker 1: were eventually writing poetry. And somehow the writing staff found 47 00:02:31,280 --> 00:02:35,200 Speaker 1: out about this decided, which now I see that we're 48 00:02:35,200 --> 00:02:37,320 Speaker 1: in the second season, poetry is always kind of a 49 00:02:37,360 --> 00:02:41,080 Speaker 1: backphone appoint meets world interestingly. Um so, I guess it 50 00:02:41,160 --> 00:02:43,000 Speaker 1: was part of Michael Jacobs, you know, I think he 51 00:02:43,040 --> 00:02:46,160 Speaker 1: likes poetry and loves literature obviously as you see throughout 52 00:02:46,200 --> 00:02:50,360 Speaker 1: the show. So they decided to take this aspect of 53 00:02:50,480 --> 00:02:54,200 Speaker 1: my real life put it into Sean and part of 54 00:02:54,320 --> 00:02:58,160 Speaker 1: his storyline, and um, I was really upset. I was 55 00:02:58,440 --> 00:03:01,880 Speaker 1: u I they had written it into the show. At 56 00:03:01,880 --> 00:03:03,600 Speaker 1: this point, they were already taking a lot of things 57 00:03:03,600 --> 00:03:07,080 Speaker 1: from my life. I wasn't comfortable with it always, and 58 00:03:07,200 --> 00:03:11,280 Speaker 1: this one really upset me. And it was David Colmbs 59 00:03:11,480 --> 00:03:13,519 Speaker 1: who sat me down. He was like, why are you 60 00:03:13,600 --> 00:03:15,240 Speaker 1: so upset about this? And I said, well, I just 61 00:03:15,280 --> 00:03:18,600 Speaker 1: feel like I don't know, I didn't say it this way, 62 00:03:18,600 --> 00:03:21,359 Speaker 1: but I think I felt exploited to a certain degree, 63 00:03:21,400 --> 00:03:23,959 Speaker 1: like I felt like, you know, And what I said was, 64 00:03:23,960 --> 00:03:26,080 Speaker 1: I feel like they've taken a part of me without 65 00:03:26,120 --> 00:03:29,680 Speaker 1: actually taking it, Like because they had written poems in 66 00:03:29,720 --> 00:03:32,400 Speaker 1: the show that weren't obviously not written by me, and 67 00:03:32,480 --> 00:03:35,040 Speaker 1: so David said, why don't you just go meet with Michael? 68 00:03:35,120 --> 00:03:36,800 Speaker 1: And so I did. I called a meeting with Michael 69 00:03:36,800 --> 00:03:39,080 Speaker 1: and I sat down and I didn't know what I wanted, 70 00:03:39,200 --> 00:03:41,480 Speaker 1: but Michael offered. He was like, do you want to 71 00:03:41,480 --> 00:03:43,720 Speaker 1: write the poems? Would that make you feel better? And 72 00:03:43,760 --> 00:03:46,280 Speaker 1: I said, yeah, why don't you give me a chance 73 00:03:46,280 --> 00:03:49,440 Speaker 1: to write the poems and if they work, you know, great, 74 00:03:49,480 --> 00:03:51,280 Speaker 1: you can use them. And if they don't, then we 75 00:03:51,320 --> 00:03:54,000 Speaker 1: can just use whatever is already in the script. So 76 00:03:54,040 --> 00:03:59,880 Speaker 1: I wrote two poems and and Michael loved the first one, 77 00:04:00,520 --> 00:04:03,280 Speaker 1: and then I started getting notes on the second one, 78 00:04:03,320 --> 00:04:05,560 Speaker 1: and I just said, yeah, I really like the second one. 79 00:04:05,640 --> 00:04:07,520 Speaker 1: I don't want to change it. So if you don't 80 00:04:07,560 --> 00:04:11,480 Speaker 1: want to use my poem, don't. And it became like 81 00:04:11,520 --> 00:04:13,440 Speaker 1: a big thing, like I remember in front of the audience. 82 00:04:13,520 --> 00:04:15,640 Speaker 1: We were like having all these meetings and Michael kept 83 00:04:15,640 --> 00:04:18,919 Speaker 1: trying to change the actual content of my poem and 84 00:04:18,960 --> 00:04:22,120 Speaker 1: I was like, just don't use it, right, like, I'm 85 00:04:22,160 --> 00:04:24,239 Speaker 1: not going to change like I you know, he wanted 86 00:04:24,279 --> 00:04:26,479 Speaker 1: it to be more accessible, he wanted the poem to 87 00:04:26,520 --> 00:04:29,680 Speaker 1: be like, I don't know. I guess it's more I 88 00:04:29,720 --> 00:04:31,200 Speaker 1: think that he had a hard time. He thought the 89 00:04:31,279 --> 00:04:34,359 Speaker 1: vocabulary was too complicated, the audience wouldn't get it, or 90 00:04:34,839 --> 00:04:36,599 Speaker 1: I don't know, And I was like, look, I get it. 91 00:04:36,720 --> 00:04:38,279 Speaker 1: I know what you're saying. But if you want to 92 00:04:38,360 --> 00:04:41,359 Speaker 1: use my poetry, this, I like this poem. This is 93 00:04:41,400 --> 00:04:43,520 Speaker 1: personal to me. I had written it, you know, for 94 00:04:43,680 --> 00:04:45,800 Speaker 1: the episode, but I had based it on my real life. 95 00:04:46,200 --> 00:04:48,240 Speaker 1: And if you don't want to use that, then don't 96 00:04:48,320 --> 00:04:50,520 Speaker 1: go back to the poem that you already had. And 97 00:04:50,560 --> 00:04:52,159 Speaker 1: it became kind of a face off, and then they 98 00:04:52,240 --> 00:04:55,320 Speaker 1: ended up using my poem without changing it. And then 99 00:04:56,040 --> 00:04:58,120 Speaker 1: you know, I that's the one that I get the 100 00:04:58,200 --> 00:05:02,880 Speaker 1: most emails, and the first one, which I actually think 101 00:05:02,920 --> 00:05:05,200 Speaker 1: now is kind of a better poem. People don't comment 102 00:05:05,240 --> 00:05:07,320 Speaker 1: on it that much. But the Top of the World 103 00:05:07,360 --> 00:05:09,799 Speaker 1: poem is the one that I get the most feedback about. 104 00:05:09,839 --> 00:05:11,599 Speaker 1: People love it. So what was the name of the 105 00:05:11,600 --> 00:05:19,280 Speaker 1: other one? An unpublished manuscript for JD. Salinger? Okay, yeah, well, 106 00:05:19,520 --> 00:05:22,520 Speaker 1: we all know that Corey sees himself as Celery, but 107 00:05:22,640 --> 00:05:27,160 Speaker 1: what food would your characters describe themselves as being a 108 00:05:28,120 --> 00:05:36,280 Speaker 1: great question, so fun. Wow. Um, you know. The first 109 00:05:36,279 --> 00:05:38,440 Speaker 1: thing that popped into my head and it has nothing 110 00:05:38,480 --> 00:05:41,800 Speaker 1: to do with it's just because of what Eric was 111 00:05:41,880 --> 00:05:46,280 Speaker 1: and became and was tofu Oh, just because he took 112 00:05:46,279 --> 00:05:48,520 Speaker 1: on the flavor of everything that was around him. He 113 00:05:48,560 --> 00:05:51,800 Speaker 1: just became whatever you had to become. No, it didn't 114 00:05:51,800 --> 00:05:53,960 Speaker 1: have its own thing, it just had I mean the 115 00:05:54,000 --> 00:05:55,880 Speaker 1: other thing I would say was just Eric seems like 116 00:05:55,920 --> 00:05:58,279 Speaker 1: a big old, happy slice of pizza or like yeah, 117 00:05:58,480 --> 00:06:01,800 Speaker 1: like a or like a pot pie, like something like 118 00:06:01,880 --> 00:06:06,080 Speaker 1: something warm, food, cozy and comfort foodie that at the 119 00:06:06,160 --> 00:06:07,880 Speaker 1: end of the day is probably not great for your heart, 120 00:06:07,920 --> 00:06:12,400 Speaker 1: but it's really good for your heart. Oh yeah, man, 121 00:06:12,520 --> 00:06:14,080 Speaker 1: I don't know, I have to talk. I did have 122 00:06:14,080 --> 00:06:15,880 Speaker 1: this question ahead of time. I still didn't prepare anything. 123 00:06:15,920 --> 00:06:19,320 Speaker 1: I think anything I feel like Topanga would have to 124 00:06:19,360 --> 00:06:24,719 Speaker 1: be something that's like a little too difficult to make, 125 00:06:25,160 --> 00:06:27,520 Speaker 1: like something that you're like, I'm not gonna make that, 126 00:06:27,760 --> 00:06:30,680 Speaker 1: like um, like three day Ramen, where it's like you've 127 00:06:30,680 --> 00:06:36,200 Speaker 1: got to first make the bone broth and everything. It's like, oh, yes, yes, 128 00:06:36,920 --> 00:06:40,200 Speaker 1: I do feel like something like that, something where you're like, well, yeah, 129 00:06:40,200 --> 00:06:42,200 Speaker 1: it's fine, but you really have to work for it. 130 00:06:42,360 --> 00:06:46,239 Speaker 1: Yeah that's great. Nice, Yeah, nice. I feel like, yeah, 131 00:06:46,279 --> 00:06:50,000 Speaker 1: I mean, Sean's got to be like, uh, like a 132 00:06:51,320 --> 00:06:54,039 Speaker 1: like a TV dinner, but like with a twist, right, 133 00:06:54,120 --> 00:06:57,239 Speaker 1: Like it's got to be something that would be served 134 00:06:57,240 --> 00:06:59,960 Speaker 1: in a trailer park. It's probably got mayonnaise, but then 135 00:07:00,040 --> 00:07:02,040 Speaker 1: it's got like a new it's like, um, oh you 136 00:07:02,080 --> 00:07:04,200 Speaker 1: know what it is. It's like a casserole dish, but 137 00:07:04,360 --> 00:07:07,000 Speaker 1: like with the cheese that's crumpled on top. I gotta 138 00:07:07,040 --> 00:07:09,760 Speaker 1: say I could also see just bologna and cheese on wonderbread. 139 00:07:10,720 --> 00:07:15,160 Speaker 1: You know, just that old school kind of sandwich. Yeah. Yeah, 140 00:07:15,160 --> 00:07:19,440 Speaker 1: it's a lot of mayo. Yeah. Miracle Whip, Miracle Whip. 141 00:07:20,200 --> 00:07:23,320 Speaker 1: Which character from the show do you would think do 142 00:07:23,360 --> 00:07:26,520 Speaker 1: you think would have had the best spinoff? They talked 143 00:07:26,520 --> 00:07:28,880 Speaker 1: about doing an Eric and Eric and Jack show. I 144 00:07:28,920 --> 00:07:31,200 Speaker 1: think that probably would have been pretty good. But for 145 00:07:31,240 --> 00:07:34,600 Speaker 1: the record, you and Ben did kind of have a 146 00:07:34,640 --> 00:07:38,080 Speaker 1: spin off. I mean, you know, it was more like 147 00:07:38,080 --> 00:07:40,880 Speaker 1: a sequel show. Yeah, yeah, but still I'm but no, 148 00:07:41,000 --> 00:07:42,960 Speaker 1: there was so I was going to talk about this 149 00:07:43,000 --> 00:07:45,400 Speaker 1: as we got closer, but I was going to leave 150 00:07:45,440 --> 00:07:48,000 Speaker 1: the show at one point. Um, I mean to the 151 00:07:48,000 --> 00:07:50,240 Speaker 1: point where Michael and I had had meetings. We had 152 00:07:50,240 --> 00:07:52,960 Speaker 1: meetings with ABC. He'd already written to it. Well, we'll 153 00:07:52,960 --> 00:07:54,880 Speaker 1: get to certain scenes where there's a scene where Bill 154 00:07:54,880 --> 00:07:56,880 Speaker 1: actually says, do you know what you're going to do 155 00:07:56,920 --> 00:07:58,840 Speaker 1: in life? And I talk about no. But and it 156 00:07:58,920 --> 00:08:00,960 Speaker 1: was because there was a a good chance I wasn't 157 00:08:01,000 --> 00:08:03,440 Speaker 1: going to come back the following season because Michael and 158 00:08:03,440 --> 00:08:05,920 Speaker 1: I what was all Michael had, But I was in 159 00:08:05,960 --> 00:08:09,000 Speaker 1: on the pitches, pitched an idea to where Eric moves 160 00:08:09,000 --> 00:08:11,880 Speaker 1: to Los Angeles. This was not the seventh season. This 161 00:08:11,960 --> 00:08:17,280 Speaker 1: was between This was season four, season five, and we 162 00:08:17,320 --> 00:08:19,560 Speaker 1: met with ABC, we met with Disney. He had the 163 00:08:19,560 --> 00:08:22,120 Speaker 1: pilot all set up. I remember it was Eric was 164 00:08:22,200 --> 00:08:24,320 Speaker 1: driving his car and the start was going to be 165 00:08:24,360 --> 00:08:27,520 Speaker 1: he jumps the ramp at Santa Monica, at the Santa 166 00:08:27,520 --> 00:08:31,120 Speaker 1: Monica Pier and just the car slams into the beach 167 00:08:31,200 --> 00:08:33,760 Speaker 1: like this. Eric stumbles out and just walks into the ocean. 168 00:08:34,200 --> 00:08:35,599 Speaker 1: And that was going to be the start of the 169 00:08:36,120 --> 00:08:37,920 Speaker 1: start of the episode. And it was gonna be like 170 00:08:38,000 --> 00:08:39,640 Speaker 1: a young friends and he was going to have meet 171 00:08:39,679 --> 00:08:42,080 Speaker 1: all these people in Los Angeles. So he actually, I mean, 172 00:08:42,120 --> 00:08:43,719 Speaker 1: we not only had meetings and talked about it, and 173 00:08:44,559 --> 00:08:47,200 Speaker 1: he was writing the pilot, but he wrote to it 174 00:08:47,320 --> 00:08:49,920 Speaker 1: on Boy. So you can actually see a time where 175 00:08:49,960 --> 00:08:52,440 Speaker 1: it was like, oh, they're writing me off, and it 176 00:08:52,480 --> 00:08:55,760 Speaker 1: was because Eric was gonna have hispen off. Wow. Yeah, 177 00:08:55,800 --> 00:08:58,760 Speaker 1: that's so cool. Yeah, I'm I'm not even sure why 178 00:08:58,760 --> 00:09:00,640 Speaker 1: it never happened, to be honest with you, I never 179 00:09:00,679 --> 00:09:02,439 Speaker 1: got I just never left boy. I never got a 180 00:09:02,480 --> 00:09:04,040 Speaker 1: reason why we didn't. We didn't do it well, I 181 00:09:04,080 --> 00:09:06,880 Speaker 1: didn't go forward. Yeah, I mean, based on what we've 182 00:09:06,880 --> 00:09:10,920 Speaker 1: seen so far, I would love a t K spin off. Yeah, 183 00:09:11,640 --> 00:09:15,080 Speaker 1: I think the bullies in general, all the bullies and 184 00:09:15,160 --> 00:09:18,840 Speaker 1: have their own little like version of Boy. That would 185 00:09:18,840 --> 00:09:20,880 Speaker 1: have been really fun. I think what could have been 186 00:09:20,880 --> 00:09:25,240 Speaker 1: really interesting too, would have been a UM Alex daysera 187 00:09:25,280 --> 00:09:28,640 Speaker 1: Tony Quinn spinoff. Could have been like a Young Teachers. 188 00:09:28,880 --> 00:09:32,079 Speaker 1: See I love Alex, but I don't remember what his 189 00:09:32,679 --> 00:09:35,679 Speaker 1: role of the show was at all Teachers, so like you, 190 00:09:36,480 --> 00:09:39,040 Speaker 1: a young faculty. But I mean that could have That 191 00:09:39,040 --> 00:09:40,680 Speaker 1: could have been an interesting kind of show too. You 192 00:09:40,679 --> 00:09:42,679 Speaker 1: get kind of friends aspect and all that kind of 193 00:09:42,720 --> 00:09:55,280 Speaker 1: stuff that could have ye. Yeah, writer, can you still 194 00:09:55,320 --> 00:09:59,760 Speaker 1: do a handstand slash? Walk on your hands. Uh yeah, wow, 195 00:10:00,000 --> 00:10:07,880 Speaker 1: I haven't done. So somebody asked if I could explain 196 00:10:07,960 --> 00:10:11,680 Speaker 1: to Penga's cross necklace that I wore slash she wore 197 00:10:11,800 --> 00:10:14,640 Speaker 1: in the later seasons. Was it a choice by producers 198 00:10:14,720 --> 00:10:18,800 Speaker 1: or wardrobe in support of waiting for marriage? And it 199 00:10:18,880 --> 00:10:21,360 Speaker 1: was just my necklace. I over the course of my 200 00:10:21,440 --> 00:10:26,480 Speaker 1: life have been on a roller coaster of trying to 201 00:10:26,520 --> 00:10:29,640 Speaker 1: figure out what I think about religions. And when I 202 00:10:29,720 --> 00:10:32,360 Speaker 1: was young, I was raised Catholic, and then we moved 203 00:10:32,360 --> 00:10:34,599 Speaker 1: to Calabasas and we couldn't find a church we like, 204 00:10:34,720 --> 00:10:37,120 Speaker 1: so we just stopped going to church altogether. And then 205 00:10:37,200 --> 00:10:41,480 Speaker 1: in the later my later teens, I, through different friends 206 00:10:41,480 --> 00:10:44,320 Speaker 1: in different avenues, started going to church again. And for 207 00:10:44,440 --> 00:10:48,160 Speaker 1: my eighteenth birthday, I asked my grandmother for a diamond 208 00:10:48,640 --> 00:10:52,160 Speaker 1: cross necklace and she got it for me, and it 209 00:10:52,200 --> 00:10:54,600 Speaker 1: was just a gift from my grandmother that I wore 210 00:10:54,880 --> 00:10:57,520 Speaker 1: basically all the time, and I just started wearing it 211 00:10:57,559 --> 00:11:00,360 Speaker 1: as part of my wardrobe and nobody complained. So it 212 00:11:00,480 --> 00:11:02,600 Speaker 1: just kind of seems like the jewelry was mostly ours. 213 00:11:02,760 --> 00:11:04,960 Speaker 1: It was. It seems like the jewelry was our choice. 214 00:11:05,040 --> 00:11:08,600 Speaker 1: Yeah yeah, yeah, yeah, which is interesting because then later 215 00:11:08,840 --> 00:11:10,400 Speaker 1: we'll talk about it, of course. But you know, Will's 216 00:11:10,400 --> 00:11:12,320 Speaker 1: already mentioned he had to ask permission before he got 217 00:11:12,360 --> 00:11:14,520 Speaker 1: a tattoo, and I did not ask permission. I just 218 00:11:14,520 --> 00:11:16,800 Speaker 1: went and got a tattoo, and then we showed it 219 00:11:16,880 --> 00:11:22,920 Speaker 1: in the final scene of BOYD And my goal was 220 00:11:23,720 --> 00:11:27,960 Speaker 1: man so interesting that like our jewelry, nobody really cared 221 00:11:27,960 --> 00:11:30,400 Speaker 1: too much about, but any sort of like body jewelry 222 00:11:30,400 --> 00:11:33,920 Speaker 1: stuff was not really supposed Yeah, we weren't really supposed 223 00:11:33,960 --> 00:11:35,640 Speaker 1: to do that. You got it removed, though, didn't you? 224 00:11:35,800 --> 00:11:38,480 Speaker 1: I did. Yeah. I had two tattoos and they're both gone, 225 00:11:38,840 --> 00:11:40,800 Speaker 1: and can you tell it all? Because I'd like one 226 00:11:40,800 --> 00:11:44,520 Speaker 1: of mine a very little bit. But I also stopped, like, 227 00:11:44,559 --> 00:11:48,600 Speaker 1: didn't finish my cycle of removals, and also I got 228 00:11:48,600 --> 00:11:51,760 Speaker 1: mine removed on the earlier side of tattoo removal. They've gone, 229 00:11:52,000 --> 00:11:54,120 Speaker 1: They've come a long way and they're better now. I 230 00:11:54,160 --> 00:11:56,640 Speaker 1: actually just recently bought another package to go and have them, 231 00:11:56,640 --> 00:12:00,120 Speaker 1: like I want them gone gone. So um, we can 232 00:12:00,120 --> 00:12:01,920 Speaker 1: go together if you'd like. I just need one. I 233 00:12:01,960 --> 00:12:03,680 Speaker 1: want to keep my others, but there's just one that 234 00:12:03,720 --> 00:12:06,000 Speaker 1: if it's like that's stupid. So yeah, yeah, well there's one. 235 00:12:06,040 --> 00:12:07,360 Speaker 1: There's one really close to us, so we can go 236 00:12:07,360 --> 00:12:11,000 Speaker 1: have it removed. So, um, where's the weirdest place you've 237 00:12:11,000 --> 00:12:15,800 Speaker 1: ever been recognized? Oh? God, the Anne Frank House and Amsterdam. 238 00:12:16,520 --> 00:12:23,480 Speaker 1: Oh oh, I know, but it was it was somebody going, 239 00:12:23,600 --> 00:12:28,160 Speaker 1: oh my god, I love you, and I was like, okay, okay, 240 00:12:28,480 --> 00:12:32,600 Speaker 1: not appropriate here. I'm not an appropriate place to be 241 00:12:32,640 --> 00:12:34,840 Speaker 1: doing this right now, so please like wanting to take 242 00:12:34,840 --> 00:12:37,959 Speaker 1: pictures and everything, and it's like we're essentially in a 243 00:12:38,040 --> 00:12:40,720 Speaker 1: Holocaust museum, like we're not going to be taking Boy 244 00:12:40,720 --> 00:12:43,320 Speaker 1: Meets World pictures here. I'm sorry, we're just not. So 245 00:12:43,400 --> 00:12:46,240 Speaker 1: that is the one that instantly jumps into my mind. 246 00:12:46,280 --> 00:12:51,400 Speaker 1: And then being strip searched, um, coming out of Lax, 247 00:12:51,520 --> 00:12:55,680 Speaker 1: coming from Amsterdam, and essentially being in my underwear as 248 00:12:55,760 --> 00:12:58,800 Speaker 1: the cop says to me. The police officer says to me, hey, 249 00:12:58,840 --> 00:13:00,800 Speaker 1: aren't you the guy from Boy Meets So those are 250 00:13:00,840 --> 00:13:06,200 Speaker 1: my those are my two writer I went. I was. 251 00:13:06,640 --> 00:13:09,720 Speaker 1: I was at a bachelor party and it was one 252 00:13:09,760 --> 00:13:13,000 Speaker 1: of these bachelor parties. I hate these things where strippers 253 00:13:13,000 --> 00:13:17,880 Speaker 1: were involved and they're so uncomfortable, if so uncomfortable and all, 254 00:13:18,000 --> 00:13:19,839 Speaker 1: you know, but you know, whatever you're at a friend 255 00:13:20,160 --> 00:13:22,480 Speaker 1: of course, of course, and somebody paid for me to 256 00:13:22,520 --> 00:13:25,200 Speaker 1: get a lap dance. And this is like not even 257 00:13:25,200 --> 00:13:26,520 Speaker 1: in a strip club. This is like one of those 258 00:13:26,520 --> 00:13:29,760 Speaker 1: situations where it's like strippers were brought to us, um 259 00:13:29,760 --> 00:13:34,920 Speaker 1: and yeah, sure enough, this this stripper was like, you know, 260 00:13:35,160 --> 00:13:39,640 Speaker 1: in my lap being like I grew up watching your show. Okay, 261 00:13:39,679 --> 00:13:43,200 Speaker 1: I guess maybe I just felt so you know, that 262 00:13:43,240 --> 00:13:46,400 Speaker 1: was by far like the just not wanted to be recognized, 263 00:13:46,440 --> 00:13:51,400 Speaker 1: like please, okay, okay, I think it's less uncomfortable to 264 00:13:51,480 --> 00:13:54,760 Speaker 1: just tell your friend I love you, but this isn't 265 00:13:54,800 --> 00:14:01,160 Speaker 1: for me. I was twenty years twenty one now I 266 00:14:01,200 --> 00:14:03,079 Speaker 1: was having New York. Yeah, this is when I was 267 00:14:03,120 --> 00:14:04,920 Speaker 1: moving to New York. So I was only twenty. It 268 00:14:05,000 --> 00:14:08,160 Speaker 1: was between twenty and twenty four, and it was just yeah, no, 269 00:14:08,160 --> 00:14:09,920 Speaker 1: now I would just be like please, that's how we 270 00:14:10,040 --> 00:14:12,400 Speaker 1: ever put me in this position again. Yeah, I also 271 00:14:12,440 --> 00:14:14,280 Speaker 1: think you know, things have changed. This was two thousand 272 00:14:14,280 --> 00:14:17,160 Speaker 1: and something, right, right, right, two thousand and two or whatever, 273 00:14:17,320 --> 00:14:20,840 Speaker 1: So yeah, I would be way different about my approach 274 00:14:20,880 --> 00:14:23,320 Speaker 1: to that situation. Yeah, I've always been the person that 275 00:14:23,400 --> 00:14:25,560 Speaker 1: was like, if that's what you want to do totally fine. 276 00:14:25,760 --> 00:14:27,640 Speaker 1: I'm just let me know when they're coming. And I'm 277 00:14:27,720 --> 00:14:29,440 Speaker 1: leaving and I have I've just been landing. I'll just 278 00:14:29,480 --> 00:14:32,280 Speaker 1: go put myself in the bathroom. I'm just going to 279 00:14:32,360 --> 00:14:36,080 Speaker 1: excuse myself from the situation I have. I'm not judging 280 00:14:36,160 --> 00:14:40,920 Speaker 1: you at all. You do you, but not for me, 281 00:14:41,080 --> 00:14:44,960 Speaker 1: Not for me, Not for me. I actually I have 282 00:14:45,040 --> 00:14:48,520 Speaker 1: similar stories. I've been recognized, you know, in uncomfortable places, 283 00:14:48,560 --> 00:14:51,120 Speaker 1: but I just I have one very recently, so I'll 284 00:14:51,200 --> 00:14:57,480 Speaker 1: use that one. I was my just absolutely beloved grandfather, 285 00:14:58,360 --> 00:15:01,080 Speaker 1: who was my biggest fan, you guys. No, Papa, my 286 00:15:01,120 --> 00:15:05,560 Speaker 1: mom's dad passed away two and a half weeks ago, 287 00:15:06,040 --> 00:15:09,800 Speaker 1: and he was ninety nine, ninety nine and a half really, 288 00:15:09,920 --> 00:15:14,320 Speaker 1: and he passed peacefully in his sleep. And it's, you 289 00:15:14,360 --> 00:15:17,040 Speaker 1: know what, how much more can you ask for than that? 290 00:15:17,080 --> 00:15:20,560 Speaker 1: A long life, lived to be extremely healthy until he 291 00:15:20,600 --> 00:15:24,080 Speaker 1: was like ninety seven or ninety eight years old, and 292 00:15:24,200 --> 00:15:27,680 Speaker 1: only then was then diagnosed with COPD and congestive heart failure, 293 00:15:27,680 --> 00:15:31,280 Speaker 1: but otherwise incredibly healthy his entire life. And we just 294 00:15:31,400 --> 00:15:36,240 Speaker 1: had his memorial and as I walked in, I said, Hi, 295 00:15:36,440 --> 00:15:39,240 Speaker 1: you know, we're here for the Joe CARBONI memorial and 296 00:15:39,520 --> 00:15:41,040 Speaker 1: the woman said, oh, I don't know if the family 297 00:15:41,160 --> 00:15:42,480 Speaker 1: is you know, ready yet, and I said, oh, no, 298 00:15:42,520 --> 00:15:45,480 Speaker 1: I'm family. And she goes, oh, excuse me, are you 299 00:15:46,680 --> 00:15:50,360 Speaker 1: are you? I think you are? And I was like yes, 300 00:15:50,400 --> 00:15:52,520 Speaker 1: and she's like, oh my gosh, I love that. And 301 00:15:52,560 --> 00:15:56,080 Speaker 1: I just thought, okay, it's just I love it, love you, 302 00:15:56,560 --> 00:16:02,280 Speaker 1: and let's let's just calm down a little. Yeah, I 303 00:16:02,360 --> 00:16:04,840 Speaker 1: just told you I was family. Like I just told 304 00:16:04,840 --> 00:16:10,960 Speaker 1: you exactly now. To her credit, she didn't ask to 305 00:16:10,960 --> 00:16:12,960 Speaker 1: take a picture. She didn't ask me to sign the 306 00:16:13,000 --> 00:16:15,760 Speaker 1: prayer card. But there are times when yes, it's it's 307 00:16:15,760 --> 00:16:17,800 Speaker 1: a little bit of a feeling of like, you know, 308 00:16:18,520 --> 00:16:20,480 Speaker 1: for them. For her, it was just her day at 309 00:16:20,480 --> 00:16:22,840 Speaker 1: her job, like that was just her place of work. 310 00:16:22,920 --> 00:16:25,680 Speaker 1: So anyway, there's an infamous story too that I might 311 00:16:25,720 --> 00:16:28,680 Speaker 1: as well tell, just because people probably have heard rumors 312 00:16:28,680 --> 00:16:32,120 Speaker 1: about it. But I was shooting cabin Fever and we 313 00:16:32,120 --> 00:16:36,800 Speaker 1: were shooting at an old boy scout camp in North Carolina, UM, 314 00:16:37,000 --> 00:16:39,160 Speaker 1: and we had the camp for the most part to 315 00:16:39,240 --> 00:16:42,360 Speaker 1: ourselves while we were shooting UM. But at one point 316 00:16:42,400 --> 00:16:45,080 Speaker 1: I was covered in blood because we had been shooting 317 00:16:45,120 --> 00:16:47,480 Speaker 1: the scene where I'm like covered in blood. And then 318 00:16:47,600 --> 00:16:49,360 Speaker 1: we took a long break or they went to go 319 00:16:49,400 --> 00:16:51,200 Speaker 1: shoot something else and I had to stay in the 320 00:16:51,240 --> 00:16:53,320 Speaker 1: blood makeup. And I was sitting in my trailer reading 321 00:16:53,480 --> 00:16:54,560 Speaker 1: and I was like, is it gonna be a while? 322 00:16:54,600 --> 00:16:55,960 Speaker 1: They're like, yeah, we've got a couple of hours. So 323 00:16:55,960 --> 00:16:57,640 Speaker 1: I said, okay, I'm going to take a hike. So 324 00:16:57,680 --> 00:17:00,360 Speaker 1: I took a hike into the woods by myself and 325 00:17:00,640 --> 00:17:05,359 Speaker 1: ran into a troop of kids for my boy Scout, 326 00:17:06,000 --> 00:17:08,760 Speaker 1: and so I'm walking. I was walking back from my 327 00:17:08,840 --> 00:17:10,680 Speaker 1: hike when I ran into it and I saw him 328 00:17:10,720 --> 00:17:12,480 Speaker 1: coming up and I was like, oh god, I'm going 329 00:17:12,560 --> 00:17:14,400 Speaker 1: to scare the crap out of these kids because I'm 330 00:17:14,440 --> 00:17:16,639 Speaker 1: I literally have dripping down my face and I was 331 00:17:16,680 --> 00:17:19,880 Speaker 1: like trying, and so they started freaking out seeing this 332 00:17:19,880 --> 00:17:21,800 Speaker 1: bloody guy coming out of the woods, and then they 333 00:17:21,840 --> 00:17:24,399 Speaker 1: all recognize me as riot or strong and then they 334 00:17:24,440 --> 00:17:27,240 Speaker 1: started screaming about that. So it was like this weird 335 00:17:27,359 --> 00:17:29,679 Speaker 1: rip as I'm like passing all these kids on this trail, 336 00:17:29,760 --> 00:17:31,680 Speaker 1: like one kids looking at the other like wait, is 337 00:17:31,720 --> 00:17:33,639 Speaker 1: that is that? Is that? And then like by the 338 00:17:33,640 --> 00:17:35,879 Speaker 1: time I was running back to my trailer because they 339 00:17:35,880 --> 00:17:39,720 Speaker 1: were all like freaking out. Oh my god, pretty weird experience. 340 00:17:40,040 --> 00:17:41,960 Speaker 1: And you say people may have heard rumors about it. 341 00:17:41,960 --> 00:17:43,720 Speaker 1: Did that story make its way to the internet, that 342 00:17:43,760 --> 00:17:46,480 Speaker 1: I saw Wright or Strong covered in blood? Yes? Well, 343 00:17:46,640 --> 00:17:49,439 Speaker 1: I think what happened to Eli Eli Roth, who was, like, 344 00:17:49,720 --> 00:17:52,840 Speaker 1: you know, the director of a notorious storyteller. He just 345 00:17:52,920 --> 00:17:55,639 Speaker 1: loves so he told this story like every Q and 346 00:17:55,680 --> 00:17:58,040 Speaker 1: A he would ever give, you know, when the movie 347 00:17:58,080 --> 00:17:59,920 Speaker 1: first came out, because he just thought it was hysterical. 348 00:18:00,040 --> 00:18:02,399 Speaker 1: So it's made it to the to the internet, I 349 00:18:02,400 --> 00:18:04,240 Speaker 1: think through him. I'm not sure if any of the 350 00:18:04,320 --> 00:18:08,920 Speaker 1: kids actually wrote about it, but oh that's so funny. Um. 351 00:18:09,040 --> 00:18:11,399 Speaker 1: What was it like for us to have animals on set? 352 00:18:12,000 --> 00:18:13,720 Speaker 1: The only time I really remember it is when we 353 00:18:13,760 --> 00:18:16,120 Speaker 1: had the little pigs. Do you remember that the bear 354 00:18:16,440 --> 00:18:18,960 Speaker 1: about the bear? I don't think I was in the bears. 355 00:18:19,320 --> 00:18:21,880 Speaker 1: Yes you were, You're in the scene with the bear. Yeah, 356 00:18:22,400 --> 00:18:26,679 Speaker 1: I don't remember. Then it was terrified, really, yes, we 357 00:18:26,760 --> 00:18:29,320 Speaker 1: get covered in honey in front in front of the bear. 358 00:18:29,520 --> 00:18:34,239 Speaker 1: I have such a fear of bears, and it was 359 00:18:34,520 --> 00:18:37,000 Speaker 1: we had a bear on set had a chain around 360 00:18:37,000 --> 00:18:39,600 Speaker 1: its neck, and then we had a bear A couple 361 00:18:39,640 --> 00:18:42,000 Speaker 1: times on the set at that time was with you guys, yes, 362 00:18:42,080 --> 00:18:45,879 Speaker 1: and they put a wire, an electric wire between us 363 00:18:45,880 --> 00:18:47,879 Speaker 1: and the bear, like in the doorway because the bears 364 00:18:47,880 --> 00:18:50,280 Speaker 1: in the doorway, and um, we are sitting in the 365 00:18:50,400 --> 00:18:54,159 Speaker 1: in the in the classroom, the college classroom. And the 366 00:18:54,320 --> 00:18:56,439 Speaker 1: joke was that that morning when the bear showed up, 367 00:18:56,480 --> 00:18:59,119 Speaker 1: they handed out pamphlets to everybody on set saying do 368 00:18:59,280 --> 00:19:02,000 Speaker 1: not have food, and do not around the bear, and 369 00:19:02,040 --> 00:19:04,919 Speaker 1: do not move quickly. And then our scene is us 370 00:19:04,960 --> 00:19:07,280 Speaker 1: getting covered in honey and running away from the bar, 371 00:19:07,480 --> 00:19:10,359 Speaker 1: and I remember being like, but we have since the 372 00:19:10,440 --> 00:19:13,160 Speaker 1: opposite of what we were told following any of that 373 00:19:13,240 --> 00:19:15,080 Speaker 1: was you guy, oh yeah. And then we had another 374 00:19:15,119 --> 00:19:18,840 Speaker 1: one in the in the Wilderness Store that again they 375 00:19:18,920 --> 00:19:21,560 Speaker 1: apparently used if I got the story right, and please 376 00:19:21,560 --> 00:19:24,240 Speaker 1: send all your emails to Daniel Fishel if I didn't. Um, 377 00:19:24,760 --> 00:19:27,080 Speaker 1: But they the bear they used in the Wilderness Store 378 00:19:27,119 --> 00:19:30,320 Speaker 1: that we did one time with Lonnie was also used 379 00:19:30,400 --> 00:19:34,360 Speaker 1: in a Will Farrell movie Semipro with the basketball thing. 380 00:19:34,359 --> 00:19:37,000 Speaker 1: And that bear on another set ended up killing somebody. 381 00:19:37,880 --> 00:19:40,400 Speaker 1: That same bear, yes, that same bear that we had 382 00:19:40,440 --> 00:19:45,240 Speaker 1: on later ended up like killing somebody on a different sounds. 383 00:19:46,359 --> 00:19:52,480 Speaker 1: It sounds through the hiker. What are the chances of 384 00:19:52,520 --> 00:19:54,760 Speaker 1: that happened? Have you heard about somebody dying on a 385 00:19:54,760 --> 00:19:57,480 Speaker 1: film set from a bear attack? Doesn't? Like that would 386 00:19:57,480 --> 00:19:59,960 Speaker 1: be a famous story. We would all know on Google. 387 00:20:00,200 --> 00:20:03,480 Speaker 1: I'm googling. I know. Bart the bear was the most 388 00:20:03,480 --> 00:20:07,520 Speaker 1: famous bear actor for years. And that's the one fall. No, 389 00:20:07,760 --> 00:20:11,080 Speaker 1: that's like the biggest, most incredible grizzly bear. This guy 390 00:20:11,080 --> 00:20:14,080 Speaker 1: had trained it to fight with him, so he could 391 00:20:14,119 --> 00:20:16,399 Speaker 1: actually fight a full grown grizzly bear. So it's the 392 00:20:16,400 --> 00:20:20,080 Speaker 1: baron the bear. Um, it's the baron legends of the fall. 393 00:20:20,480 --> 00:20:23,840 Speaker 1: So like whenever you see a person actually fighting with 394 00:20:23,880 --> 00:20:26,720 Speaker 1: the uh summer rental, I want to know, what is 395 00:20:26,760 --> 00:20:29,280 Speaker 1: the John Candy movie with a bear? Great Outdoors? I 396 00:20:29,320 --> 00:20:32,920 Speaker 1: think anyway, Bart was like the famous bear for years. 397 00:20:33,600 --> 00:20:37,800 Speaker 1: Nev Campbell survived a bear attack on set, okay, and 398 00:20:38,040 --> 00:20:42,200 Speaker 1: Jensen said he did kill a person. He killed his trainer, 399 00:20:42,520 --> 00:20:48,760 Speaker 1: thank you yep. While filming a promotional video, Miller was 400 00:20:48,840 --> 00:20:51,960 Speaker 1: killed by a five year old grizzly bear name Rocky Rock. 401 00:20:52,320 --> 00:20:54,040 Speaker 1: He was a He was a bear actor who had 402 00:20:54,080 --> 00:20:56,639 Speaker 1: been trained to wrestle human guys. I knew I was right. 403 00:20:56,880 --> 00:21:00,840 Speaker 1: We had prisoners in our audience. Damn it. Ry. Why 404 00:21:01,119 --> 00:21:07,240 Speaker 1: do I remember trust being covered in Honey Bear? You 405 00:21:07,280 --> 00:21:09,560 Speaker 1: know why? I can tell you remember that. I can 406 00:21:09,600 --> 00:21:12,840 Speaker 1: tell you why because yeah, that's why it was right 407 00:21:12,880 --> 00:21:14,600 Speaker 1: towards the end of the series. This was this was 408 00:21:14,640 --> 00:21:18,359 Speaker 1: the first second episode of the war episode what is 409 00:21:18,440 --> 00:21:20,959 Speaker 1: the War? This plays with squirrels episode where we are 410 00:21:21,560 --> 00:21:25,560 Speaker 1: fighting each other, so we keep like doing escalating pranks, 411 00:21:25,560 --> 00:21:27,719 Speaker 1: and that was the it's the old cast versus the 412 00:21:27,720 --> 00:21:31,280 Speaker 1: new cast. Yeah, and you me and Ben where we're 413 00:21:31,520 --> 00:21:36,399 Speaker 1: the old cast has like gotten the bear. And I 414 00:21:36,440 --> 00:21:38,240 Speaker 1: can remember you writer, could you know what I remember 415 00:21:38,240 --> 00:21:41,280 Speaker 1: about that scene? I remember that you're sitting in this 416 00:21:41,400 --> 00:21:45,280 Speaker 1: in the chair and Trina comes up to you guys 417 00:21:45,359 --> 00:21:47,840 Speaker 1: want to kiss, and everybody's booing on your side, like 418 00:21:48,200 --> 00:21:50,000 Speaker 1: Corey and to Pangra booing like you can't kiss her. 419 00:21:50,080 --> 00:21:52,040 Speaker 1: She's part of the enemy. And so you guys put 420 00:21:52,040 --> 00:21:53,560 Speaker 1: your hands up like this and you lean in to 421 00:21:53,600 --> 00:21:57,199 Speaker 1: kiss each other like you're both That's like that, I remember, 422 00:21:57,200 --> 00:21:59,159 Speaker 1: and then you back away and then the bear ends 423 00:21:59,240 --> 00:22:01,800 Speaker 1: up showing up. Yeah, like I remember, we had a 424 00:22:01,840 --> 00:22:04,320 Speaker 1: big there's an episode with a big dog. That I 425 00:22:04,400 --> 00:22:08,399 Speaker 1: like am friends with and I remember love Bernard and 426 00:22:08,440 --> 00:22:10,840 Speaker 1: I fell in love with your friend. You're like still 427 00:22:10,840 --> 00:22:17,920 Speaker 1: friends with this dog. No, I'm friends with Sean. I'm 428 00:22:17,960 --> 00:22:19,919 Speaker 1: doing it in the present tense. Sean becomes friends with 429 00:22:19,920 --> 00:22:22,000 Speaker 1: a dog somehow I don't know, but like I'm carrying 430 00:22:22,040 --> 00:22:24,399 Speaker 1: a dog around the college set. I just remember that, 431 00:22:24,680 --> 00:22:27,480 Speaker 1: And I remember I actually loved this dog. Was a 432 00:22:27,480 --> 00:22:30,199 Speaker 1: big Saint Bernard I think, or a big dog, and 433 00:22:30,240 --> 00:22:32,639 Speaker 1: I remember like hanging out with it and like laying 434 00:22:32,680 --> 00:22:35,320 Speaker 1: on it behind the set the scenes like this love 435 00:22:35,480 --> 00:22:38,119 Speaker 1: he was he was on Eric there because there's one 436 00:22:38,119 --> 00:22:40,000 Speaker 1: scene where I'm lying on the couch and you don't 437 00:22:40,040 --> 00:22:41,720 Speaker 1: know I'm supposed to be there. There's just a giant 438 00:22:41,760 --> 00:22:44,720 Speaker 1: dog and then I'm like and the thing moves aside 439 00:22:44,720 --> 00:22:47,560 Speaker 1: and I'm there. Yeah. I remember having the little pigs, 440 00:22:47,560 --> 00:22:50,280 Speaker 1: and the little pigs were really loud and and not 441 00:22:50,720 --> 00:22:53,640 Speaker 1: and we were really Yeah. Monkeys are always the worst 442 00:22:53,640 --> 00:22:55,480 Speaker 1: to work with. Yeah, we had we had the monkey. 443 00:22:55,560 --> 00:22:57,760 Speaker 1: We had the same monkey they had on Friends. Yeah 444 00:23:00,160 --> 00:23:08,000 Speaker 1: that will remember accused of someone, but there was there 445 00:23:08,000 --> 00:23:10,160 Speaker 1: were animals on the same all right, Well, we only 446 00:23:10,200 --> 00:23:13,840 Speaker 1: have two more questions. One I remember there being an 447 00:23:13,840 --> 00:23:16,520 Speaker 1: online vote if you wanted Corey into Pengga to get 448 00:23:16,560 --> 00:23:19,520 Speaker 1: married or not. And I remember voting. No one else 449 00:23:19,560 --> 00:23:22,640 Speaker 1: I've ever talked to my age remembers this. Do you 450 00:23:22,720 --> 00:23:29,040 Speaker 1: know or am I remembering completely wrong? You're right? There 451 00:23:29,119 --> 00:23:31,679 Speaker 1: was a website, Yeah, and you could go to the 452 00:23:31,680 --> 00:23:34,560 Speaker 1: website and you could place your vote for whether or 453 00:23:34,560 --> 00:23:37,200 Speaker 1: not Cory into Penga should get married. And they promised 454 00:23:37,160 --> 00:23:40,800 Speaker 1: that they were going to like honor it, and apparently 455 00:23:40,960 --> 00:23:46,200 Speaker 1: overwhelmingly people wanted Corey into Penga to get married. Um, 456 00:23:46,240 --> 00:23:48,119 Speaker 1: And then there was on that website there was like 457 00:23:48,160 --> 00:23:51,040 Speaker 1: a the date of the wedding, like it turned into 458 00:23:51,080 --> 00:23:52,760 Speaker 1: like a whole thing. Do you think they should have 459 00:23:52,760 --> 00:23:55,600 Speaker 1: gotten married? I mean, I'll have to watch the show. 460 00:23:55,760 --> 00:23:58,320 Speaker 1: I don't know. I think it's very young to get married. 461 00:23:59,080 --> 00:24:02,280 Speaker 1: With that said, similarly to the way my mom raised 462 00:24:02,320 --> 00:24:05,879 Speaker 1: me about like wanting to make decisions based on the 463 00:24:05,920 --> 00:24:09,920 Speaker 1: individual people, based on the individual couple, I don't think 464 00:24:09,960 --> 00:24:13,320 Speaker 1: I would ever recommend to somebody to get married, but 465 00:24:13,520 --> 00:24:17,240 Speaker 1: under certain circumstances, depending on the individual people, I could 466 00:24:17,240 --> 00:24:19,680 Speaker 1: see saying, if this is the decision you really want 467 00:24:19,680 --> 00:24:22,200 Speaker 1: to make, and you've thought it through, and we've had 468 00:24:22,240 --> 00:24:25,000 Speaker 1: these conversations and you've really thought about this that I 469 00:24:25,000 --> 00:24:28,560 Speaker 1: would give you my blessing. But overall, no, I would 470 00:24:28,560 --> 00:24:32,240 Speaker 1: say no one should get married at eighteen nineteen years old. 471 00:24:32,840 --> 00:24:34,600 Speaker 1: I don't care if you've known each other since you 472 00:24:34,640 --> 00:24:36,720 Speaker 1: were three, And that doesn't mean that your marriage isn't 473 00:24:36,720 --> 00:24:38,159 Speaker 1: going to work out or that you're not that there 474 00:24:38,200 --> 00:24:40,359 Speaker 1: aren't people who have happy marriages if they've done that, 475 00:24:40,400 --> 00:24:44,600 Speaker 1: But I overall, ninety eight percent of the time, that's 476 00:24:44,640 --> 00:24:47,960 Speaker 1: going to be a catastrophic failure. I agree. I also 477 00:24:48,040 --> 00:24:52,000 Speaker 1: think I think the better way to have gone would 478 00:24:52,000 --> 00:24:55,080 Speaker 1: have been Corey saying we're meant to be together, since 479 00:24:55,119 --> 00:24:58,440 Speaker 1: that's the way they did it, to almost a creepy way. 480 00:24:58,480 --> 00:25:00,880 Speaker 1: We're meant to be together. We're to survive your four 481 00:25:00,960 --> 00:25:04,240 Speaker 1: years go to Yale. Yeah, that's like you figure, that's 482 00:25:04,240 --> 00:25:06,199 Speaker 1: what you want for your partner. It's like, go do 483 00:25:06,480 --> 00:25:09,040 Speaker 1: be the best you you can be. I'm not going anywhere, 484 00:25:09,359 --> 00:25:12,199 Speaker 1: right and it distance or whatever breaks us up, then 485 00:25:12,480 --> 00:25:15,680 Speaker 1: we're supposed to be together. It's supposed to be together, exactly. 486 00:25:16,040 --> 00:25:18,919 Speaker 1: I think that's there's two different ways to approach this question, though, 487 00:25:19,000 --> 00:25:21,840 Speaker 1: right there's the question like the way you answered it, Danielle, 488 00:25:21,840 --> 00:25:24,399 Speaker 1: and you will too is like sort of how you 489 00:25:24,440 --> 00:25:27,840 Speaker 1: would feel about this situation where real life, right, But 490 00:25:27,880 --> 00:25:30,199 Speaker 1: there's also the sort of cultural question of was it 491 00:25:30,280 --> 00:25:33,360 Speaker 1: good for boy Meet's world to have these two given right, 492 00:25:33,440 --> 00:25:36,159 Speaker 1: you know? And and what message does the show end 493 00:25:36,200 --> 00:25:40,879 Speaker 1: up reinforcing or stating by having that be the main storyline? 494 00:25:41,080 --> 00:25:43,520 Speaker 1: And it's it's it's it's an interesting question, like I, 495 00:25:43,800 --> 00:25:45,639 Speaker 1: you know, I wouldn't have written it that way, Like 496 00:25:45,720 --> 00:25:48,200 Speaker 1: I don't, you know, but I think that it's such 497 00:25:48,240 --> 00:25:51,920 Speaker 1: a defining characteristic of the show that at this point 498 00:25:51,960 --> 00:25:55,800 Speaker 1: it's almost a moot point, like yeah, it's almost like people, 499 00:25:56,400 --> 00:25:59,240 Speaker 1: especially the people listening to our podcast right now, probably 500 00:25:59,280 --> 00:26:02,760 Speaker 1: are fans of Wyman's world, and if they are, part 501 00:26:02,760 --> 00:26:05,280 Speaker 1: of that is loving the Corey Tomanga relationship. It's almost 502 00:26:05,320 --> 00:26:10,440 Speaker 1: like it's inseparable um and and accepting the world view 503 00:26:10,480 --> 00:26:13,280 Speaker 1: of their destiny for each other is kind of part 504 00:26:13,280 --> 00:26:15,880 Speaker 1: of the deal. Like yeah, you know, there's a whole 505 00:26:15,880 --> 00:26:18,040 Speaker 1: other element that we're not discussing though, which is also 506 00:26:18,040 --> 00:26:22,720 Speaker 1: the fact that Tapeango was waiting for marriage, and there 507 00:26:22,720 --> 00:26:25,359 Speaker 1: are a large there's a large percentage of people who 508 00:26:25,760 --> 00:26:29,440 Speaker 1: not only choose to do that, but think religiously it's 509 00:26:29,560 --> 00:26:32,160 Speaker 1: something they're supposed to do. And so there's there's so 510 00:26:32,240 --> 00:26:37,240 Speaker 1: many elements to yeah, why people choose to do that, 511 00:26:37,680 --> 00:26:41,200 Speaker 1: um and regardless, and so I try to be very 512 00:26:41,280 --> 00:26:43,960 Speaker 1: non judgmental about all the different reasons for why people 513 00:26:44,040 --> 00:26:46,640 Speaker 1: choose to do that, because that's up to every person 514 00:26:46,680 --> 00:26:50,840 Speaker 1: to decide for themselves. But as a general rule, my 515 00:26:50,960 --> 00:26:54,520 Speaker 1: advice would be that you should wait to get married 516 00:26:54,600 --> 00:26:58,320 Speaker 1: until you, like, truly know yourself. And I do not 517 00:26:58,560 --> 00:27:02,000 Speaker 1: think you even have scratched the surface of who you 518 00:27:02,040 --> 00:27:04,320 Speaker 1: are by the time you are the age that they are. 519 00:27:04,440 --> 00:27:08,840 Speaker 1: And even though Corey and Topengo were the same from 520 00:27:08,920 --> 00:27:12,800 Speaker 1: you know, we believe, we believed as the characters. Oh, 521 00:27:12,840 --> 00:27:14,800 Speaker 1: these people are who they are, They're the That's kind 522 00:27:14,800 --> 00:27:16,400 Speaker 1: of the whole point of the show is like Corey's 523 00:27:16,440 --> 00:27:20,000 Speaker 1: always Corey and Topenga is always Topengga. Sean's always Sean. 524 00:27:20,119 --> 00:27:22,520 Speaker 1: But the truth is, look at us thirty years later 525 00:27:23,000 --> 00:27:27,280 Speaker 1: and how many changes, oh man, we've all gone through. Um, 526 00:27:27,320 --> 00:27:30,560 Speaker 1: And so that is more. I don't think you're grown 527 00:27:30,640 --> 00:27:34,520 Speaker 1: up until you're twenty five, twenty six Oh, I think it's, like, yeah, 528 00:27:34,560 --> 00:27:36,280 Speaker 1: I think it's I think like it we have such 529 00:27:36,280 --> 00:27:39,040 Speaker 1: a weird idea of adulthood in this country that's based 530 00:27:39,080 --> 00:27:42,760 Speaker 1: on eighteen eighteen twenty one makes sense. There are Martuary 531 00:27:42,840 --> 00:27:44,639 Speaker 1: numbers that are just grown out there. Yeah, well no, 532 00:27:44,800 --> 00:27:47,280 Speaker 1: I think it's honestly, I think it's because of the military. Military. 533 00:27:47,280 --> 00:27:49,440 Speaker 1: I think it's because we want to convince children to 534 00:27:49,520 --> 00:27:52,159 Speaker 1: go fight for us, and so we take advantage of 535 00:27:52,800 --> 00:27:59,359 Speaker 1: what they can't have a beer, right exactly. I mean 536 00:27:59,359 --> 00:28:02,480 Speaker 1: it's like, you're not you're you're you're You're definitely old 537 00:28:02,560 --> 00:28:04,159 Speaker 1: enough to go and fight for your country, but have 538 00:28:04,200 --> 00:28:06,920 Speaker 1: a beer? You really enough to make that decision? Yeah, 539 00:28:06,920 --> 00:28:10,240 Speaker 1: it's like waits what so? Yeah, it's crazy. No, let's 540 00:28:10,240 --> 00:28:14,359 Speaker 1: talk about politics. Oh no, okay, last last question. Will 541 00:28:14,640 --> 00:28:17,200 Speaker 1: For whatever reason, this is the person writing it. I 542 00:28:17,280 --> 00:28:20,879 Speaker 1: have a recollection of a teen Magazine photo spread of 543 00:28:21,040 --> 00:28:26,040 Speaker 1: you and Jennifer Love Hewitt washing a car. Do you 544 00:28:26,119 --> 00:28:30,639 Speaker 1: have any memory of this? I don't. That is not 545 00:28:30,800 --> 00:28:33,000 Speaker 1: what you Love been doing teen magazine. Oh yeah, we 546 00:28:33,000 --> 00:28:37,840 Speaker 1: did stuff to teen Magazine's teen People Vogue, like teen Vogue, 547 00:28:37,880 --> 00:28:39,959 Speaker 1: We did all that kind it was mostly her. It 548 00:28:40,040 --> 00:28:42,680 Speaker 1: was like her pulling me to something and then I'd 549 00:28:42,760 --> 00:28:44,760 Speaker 1: kind of be blurry in the background and close. It 550 00:28:44,800 --> 00:28:48,680 Speaker 1: didn't fit, um, but it was. But yes, I'm sure 551 00:28:48,760 --> 00:28:52,560 Speaker 1: there was some kind of something. Oh that's hilarious. I'm 552 00:28:52,600 --> 00:28:54,680 Speaker 1: actually googling it right now to see if I can 553 00:28:54,760 --> 00:28:56,880 Speaker 1: find it. But no, I can't find it. Doubt it. 554 00:28:56,960 --> 00:28:59,040 Speaker 1: I see a lot of that stuff existed only in 555 00:28:59,120 --> 00:29:02,880 Speaker 1: print back then, right, Yeah, you know, so uploaded their 556 00:29:03,400 --> 00:29:06,240 Speaker 1: Sure there's something somewhere. We were for you know, we 557 00:29:06,240 --> 00:29:09,000 Speaker 1: were that it couple for the six months or whatever. 558 00:29:09,080 --> 00:29:10,800 Speaker 1: We were together for like almost two years, but for 559 00:29:10,840 --> 00:29:13,280 Speaker 1: like six months we were everywhere. Yeah. She was still 560 00:29:13,320 --> 00:29:15,440 Speaker 1: one of the hardest working people I'd ever met in 561 00:29:15,520 --> 00:29:17,560 Speaker 1: my life. She knew what she wanted and she worked 562 00:29:17,560 --> 00:29:20,080 Speaker 1: her butt off for it and was constantly at a 563 00:29:20,160 --> 00:29:25,520 Speaker 1: mall singing or recording something, or doing photoshoots or filming something. 564 00:29:25,520 --> 00:29:28,560 Speaker 1: I mean, that was a hard working woman. She really was. 565 00:29:28,840 --> 00:29:30,240 Speaker 1: I think she still is. I mean I haven't seen 566 00:29:30,240 --> 00:29:32,640 Speaker 1: her in twenty five years, but back in the day, 567 00:29:32,720 --> 00:29:36,040 Speaker 1: she knew what she wanted and she went after it. Well, 568 00:29:36,080 --> 00:29:39,000 Speaker 1: thank you guys for answering so honestly and as always 569 00:29:39,000 --> 00:29:41,640 Speaker 1: a fun little trip down memory Lane. Thank you guys 570 00:29:41,640 --> 00:29:43,200 Speaker 1: for listening and thank you for joining us. You can 571 00:29:43,240 --> 00:29:45,760 Speaker 1: follow us on Instagram pod Meets World Show. You can 572 00:29:45,800 --> 00:29:48,280 Speaker 1: send us your emails pod Meets World Show at gmail 573 00:29:48,320 --> 00:29:49,960 Speaker 1: dot com. If you send us questions, we'll try to 574 00:29:50,000 --> 00:29:52,200 Speaker 1: get to them at our next Q and A. And 575 00:29:52,560 --> 00:29:58,440 Speaker 1: as always we have merch merchandizing pod Meets Worldshow dot com. 576 00:29:58,760 --> 00:30:01,480 Speaker 1: We will see you all next time. Well send us out. 577 00:30:02,040 --> 00:30:06,760 Speaker 1: We love you all, pod dismissed. Pod Meets World is 578 00:30:06,800 --> 00:30:10,000 Speaker 1: an iHeart podcast produced and hosted by Daniel Fishel Wilford, 579 00:30:10,120 --> 00:30:13,520 Speaker 1: lle and Ryder Strong Executive producers Jensen Karp and Amy Sugarman, 580 00:30:13,640 --> 00:30:17,040 Speaker 1: executive in Charger Production, Daniel Romo, producer and editor, Tara 581 00:30:17,120 --> 00:30:20,920 Speaker 1: Supboch producer, Jackie Rodriguez, engineer and Boy Meets World superfan 582 00:30:21,000 --> 00:30:23,400 Speaker 1: Easton Allen. Our theme song is by Kyle Morton of 583 00:30:23,400 --> 00:30:26,080 Speaker 1: Typhoon and you can follow us on Instagram at Podmeats 584 00:30:26,080 --> 00:30:29,240 Speaker 1: World Show or email us at Podmeats World Show at 585 00:30:29,240 --> 00:30:30,240 Speaker 1: gmail dot com