WEBVTT - White American Psychosis

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<v Speaker 1>Good morning, peeps, and welcome to ook F Daily with

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<v Speaker 1>Meet your Girl Danielle Moody recording from the Home Bunker, Folks.

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<v Speaker 1>As I mentioned on Friday, today, I get into a

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<v Speaker 1>really great conversation with our in house doctor, doctor Jonathan Metzel,

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<v Speaker 1>where we talk about the country music singer Jason Alden

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<v Speaker 1>and his white supremacist video, and what that means, what

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<v Speaker 1>that states about our country, about what is deaned as

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<v Speaker 1>okay that what Jonathan will bring up is a fact

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<v Speaker 1>that these people who are applauding Jason Alden are the

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<v Speaker 1>very same ones who degraded athletes like Colin Kaepernick for

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<v Speaker 1>taking a knee. Jason Alvin is singing about shooting people

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<v Speaker 1>up or beating the crap out of them, acts of violence.

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<v Speaker 1>Funny because he was at one of the wildest mass

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<v Speaker 1>shootings that we've seen that happened at a concert he

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<v Speaker 1>was performing at in Las Vegas, where fifty eight people

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<v Speaker 1>were murdered, and this is him singing about murder and

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<v Speaker 1>violence and guns. Yet these would be the same people

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<v Speaker 1>that would wave their finger and try and cancel rap

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<v Speaker 1>artists for doing talking about I won't even say doing

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<v Speaker 1>I will say talking about their lived experience. I'm just

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<v Speaker 1>so sick of the bullshit folks. I have to say.

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<v Speaker 1>And you know what ended up happening is that after

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<v Speaker 1>the recording that we did with Jonathan, watched as Jason

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<v Speaker 1>Alden rose on the iTunes charts. Because that's what whiteness does.

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<v Speaker 1>It protects itself. Not only should his music have been

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<v Speaker 1>pulled and his music video have been pulled by CMT,

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<v Speaker 1>his entire catalog should be pulled from various streaming platforms

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<v Speaker 1>because he's a racist, He's a bigot, and instead of

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<v Speaker 1>us in media are trying to part and parcel. Well,

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<v Speaker 1>I don't know what he meant, and I don't know,

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<v Speaker 1>and I don't know, and I don't know. Take people

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<v Speaker 1>out their fucking word, right the same way that I

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<v Speaker 1>talked about Tommy Tuberville. Take people. Take these white cis,

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<v Speaker 1>hetero supposed Christian men, these white supremacists, take them at

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<v Speaker 1>their word. Stop giving them an opportunity to apologize for

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<v Speaker 1>what they know is fucking egregious and disgusting. I'm so

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<v Speaker 1>sick and tired of providing racist with the benefit of

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<v Speaker 1>the fucking doubt because they do not deserve it. It's enough.

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<v Speaker 1>Coming up next, my conversation with our friend Jonathan Metzel. Folks,

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<v Speaker 1>you know that whenever we have the opportunity to speak

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<v Speaker 1>with our in house doctor, doctor Jonathan Metzil, I am

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<v Speaker 1>always thrilled. And today we're gonna talk about entertainment and

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<v Speaker 1>I'm using air quotes because controversy that our friend Jonathan

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<v Speaker 1>brought my attention to. As many of you know who

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<v Speaker 1>listen to me, country music may not be my favorite

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<v Speaker 1>at all of music selections and genres, but Jason Aldan

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<v Speaker 1>has made headlines and has had a recent video pulled

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<v Speaker 1>by CMT and Jonathan, why don't you bring us into

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<v Speaker 1>the why of the matter.

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<v Speaker 2>Well, yeah, I'm glad we're talking about this because it

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<v Speaker 2>hits home where I live in Nashville. And also, as

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<v Speaker 2>you know, my new book looks at music and guns

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<v Speaker 2>and violence, and so it's a playing out of a

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<v Speaker 2>lot of things I've been thinking about. But basically, there

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<v Speaker 2>was a there's a country music star who happens to

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<v Speaker 2>also be Jason Aldine, the same music star who was

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<v Speaker 2>on stage during the Las Vegas mass shooting. Right, remember

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<v Speaker 2>there was a guy who was up in.

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<v Speaker 1>The Oh my god.

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<v Speaker 2>Yeah, so this guy has actually seen a mass shooting

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<v Speaker 2>up close and personal because he was on stage.

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<v Speaker 1>You are you gotta be kidding, man.

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<v Speaker 2>No, it's true, it's true. And the thing is, after

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<v Speaker 2>that mass shooting happened, he had sent out, you know,

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<v Speaker 2>can't we all come together and this is a time

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<v Speaker 2>for us to bond. He was actually a hero to

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<v Speaker 2>many people at that time because he was basically saying,

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<v Speaker 2>we have political divisions and now's a time for us

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<v Speaker 2>to come together. And so in a way, you know,

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<v Speaker 2>here's somebody who saw this life event and was calling

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<v Speaker 2>for common purpose and finding some common reason and can't

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<v Speaker 2>we come together across political divides? And that was kind

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<v Speaker 2>of the last that people like you and me who

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<v Speaker 2>aren't country music bands had thought about. It was like, cool,

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<v Speaker 2>here's somebody who's among the good guys, of which there

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<v Speaker 2>are many many in country music. And then kind of

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<v Speaker 2>out of the blue, this song comes out that's basically

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<v Speaker 2>a version of a kind of riff off of the

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<v Speaker 2>You'll pry my gun off my out of my cold

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<v Speaker 2>dead hands Charlton Heston kind of deal, which is basically,

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<v Speaker 2>you don't know what it's like to live in a

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<v Speaker 2>small town. You liberals want to come take our guns.

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<v Speaker 2>You'll never do it. You'll never get down the street

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<v Speaker 2>before we shoot you. And there were so many i

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<v Speaker 2>would say problems and unforced errors with this video that

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<v Speaker 2>he put out. One is that he shot the He

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<v Speaker 2>shot the video in front of town hall in Tennessee

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<v Speaker 2>where there actually have been lynchings of black people early.

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<v Speaker 1>Yes, let me just let me just say for folks.

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<v Speaker 1>In a Hill article that was covering this story, they

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<v Speaker 1>said that the song was released in May and had

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<v Speaker 1>been heavily criticized in recent days after the release of

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<v Speaker 1>the video, which was filmed in front of a courthouse

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<v Speaker 1>in Columbia, Tennessee, where black man was famously lynched in

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<v Speaker 1>the nineteen twenties. And in the video, the courthouse is

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<v Speaker 1>projected with images of violent protests and chrome acts, including

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<v Speaker 1>demonstrations from the Black Lives Matter movement in twenty twenty.

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<v Speaker 2>Right, And so this is to be honest, this is

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<v Speaker 2>obviously not the first time we've seen this. I mean

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<v Speaker 2>NRA TV didn't add about gun rights right after George

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<v Speaker 2>Floyd that had black Black Lives Matter protesters. There's many,

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<v Speaker 2>many histories of this exact genre, but somehow like this

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<v Speaker 2>particular issue, this particular timing. It really touched a nerve

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<v Speaker 2>and a lot of people, Shannon Watts was tweeting about it,

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<v Speaker 2>and other people who were gun safety advocates, and it's

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<v Speaker 2>just been it's been a it's honestly for me, been

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<v Speaker 2>depressing and terrifying because, first of all, here's a guy

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<v Speaker 2>who really should know better, like this guy has seen

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<v Speaker 2>this guy's seen it up close, and so to then

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<v Speaker 2>put out this like right wing you're not going to

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<v Speaker 2>take my gun's video with this video and these lyrics,

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<v Speaker 2>it just it's just I guess I don't know. This

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<v Speaker 2>is my question is like what happened, Like, are the

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<v Speaker 2>market forces so strong right now going toward trump is

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<v Speaker 2>and fascism that basically this is what happens is it

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<v Speaker 2>draws the market toward the right, and people say like,

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<v Speaker 2>oh my god, this is the this is the market

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<v Speaker 2>is to say we're victims of the liberal mob. And second,

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<v Speaker 2>it's just so flatly not true in so many ways,

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<v Speaker 2>which I'll just list a few of the ways that

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<v Speaker 2>this whole thing is not true. First is people are

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<v Speaker 2>pointing out he's actually not from a small town, he

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<v Speaker 2>lives in Nashville. Of course it's not And so Nashville

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<v Speaker 2>has like a million and a half people, and so

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<v Speaker 2>it's not like he doesn't live in a small town.

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<v Speaker 2>So this is like a guy who lives in a

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<v Speaker 2>city or suburbs kind of playing this idea of what

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<v Speaker 2>it means to be in a small town. So that

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<v Speaker 2>that's not Wait, I want to.

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<v Speaker 1>Wait, wait before you go on to number two, I

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<v Speaker 1>just want to give folks a lyric from the song

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<v Speaker 1>that goes just to that point. Ye he sings, and

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<v Speaker 1>again I'm going to use that in quotations. Got a

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<v Speaker 1>gun that my granddad gave me. They say one day

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<v Speaker 1>they're gonna round up Well, that shit might fly in

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<v Speaker 1>the city, good luck.

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<v Speaker 2>And the thing is like, first of all, dude, you

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<v Speaker 2>live in a city that Second of all, nobody's rounding

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<v Speaker 2>up anybody. Like the idea that people are rounding up people,

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<v Speaker 2>it's that's just like, that's like a it's a suburban myth, honestly,

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<v Speaker 2>that people are coming to round up people's guns. So

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<v Speaker 2>it's that's the narrative that the NRAA puts out every

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<v Speaker 2>time there's a mass shooting. You know, Obama's coming to

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<v Speaker 2>take your guns or blah blah blah. Fill in the

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<v Speaker 2>blank is taking your guns. Nobody's taking anybody's guns right now.

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<v Speaker 2>It's just like we've got four hundred and fifty million

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<v Speaker 2>guns in this country. I don't think anybody has a

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<v Speaker 2>car big enough to like load up people's guns in

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<v Speaker 2>the first place. But so number one is it it's

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<v Speaker 2>playing off of this you know, you city people are

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<v Speaker 2>coming to take our guns, which very flatly is not true.

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<v Speaker 2>For him in particular. Number two is, of course, you know,

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<v Speaker 2>I work on gun suicide and the idea that like

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<v Speaker 2>small towns are these safe locations where all the urban

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<v Speaker 2>black people are protesting, and that's what we need to

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<v Speaker 2>protect ourselves. Like, that's the narrative that is just so

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<v Speaker 2>flatly not true. I mean there's the first of all,

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<v Speaker 2>are a lot of mass shootings that happened in small towns.

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<v Speaker 2>But then also overwhelmingly the most common cause of gun

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<v Speaker 2>death is gun suicide, which is what I showed in

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<v Speaker 2>Dying of Whiteness, which happens very often in small towns.

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<v Speaker 2>And so it's again replaying this very racialized, politicized myth

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<v Speaker 2>of what gun violence is. And then the third part

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<v Speaker 2>is this guy in particular was in a city, Las Vegas,

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<v Speaker 2>where he actually saw a real mass shooting that actually

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<v Speaker 2>was brought upon country music people and so and so

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<v Speaker 2>it's just it's so it's I guess for me. Number one,

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<v Speaker 2>it's stupid, right, it's a it's an enforced error. But

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<v Speaker 2>number two, is the market so skewed right now? Like,

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<v Speaker 2>is the market so skewed that even people who like

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<v Speaker 2>were in the center before have to like, I'll use.

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<v Speaker 1>A but I don't. I don't know, Jonathan, because here

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<v Speaker 1>here's the thing. One, I don't want to call this

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<v Speaker 1>an unforced error. This was not an error.

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<v Speaker 2>Yeah, this is a.

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<v Speaker 1>This This was not an error on his part. This

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<v Speaker 1>was a literal and I and I and I, you know,

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<v Speaker 1>tongue in cheek. I actually don't mean to say this,

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<v Speaker 1>but I can't think of another term. This was a

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<v Speaker 1>shot at him trying to get relevance and grab headlines. Right.

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<v Speaker 1>I don't. Again, I don't pay attention to country music

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<v Speaker 1>at all, But I don't think that it's often that

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<v Speaker 1>people's music gets pulled. When your music gets pulled, you

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<v Speaker 1>have crossed like a line. And you know, and I

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<v Speaker 1>think that again, this is not We live in a

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<v Speaker 1>time of clickbait of really egregious and over the top

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<v Speaker 1>behavior to grab headlines, to grab clicks, to get views,

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<v Speaker 1>to get likes, right, And that goes for you know,

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<v Speaker 1>a regular person on the street who's doing who's pulling

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<v Speaker 1>a stunt to celebrities, right, So they're not above this.

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<v Speaker 1>And I think that for his point when I find

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<v Speaker 1>the most egregious about this, aside from the song being horrible,

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<v Speaker 1>aside from being in front of a building that was

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<v Speaker 1>the site that of a quote unquote famous lynching, aside

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<v Speaker 1>of all of that, his lie, right, this is what

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<v Speaker 1>he says about his own song, Try that in a

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<v Speaker 1>small time. Try that in a small town. For me,

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<v Speaker 1>refers to the feeling of a community that I had

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<v Speaker 1>growing up, where we took care of our neighbors regardless

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<v Speaker 1>of differences of background or belief, because they were our

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<v Speaker 1>neighbors and that was above any differences. You're a fucking liar, right,

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<v Speaker 1>So let's start out right there, because you're putting up

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<v Speaker 1>images of black people in a pandemic being forced out

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<v Speaker 1>into the streets to defend their right to exist, and

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<v Speaker 1>you're using that as a way to say we need

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<v Speaker 1>to protect our small towns, when you know, for that

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<v Speaker 1>none of those protests were happening in small fucking towns, right,

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<v Speaker 1>They were happening in cities and suburbs where the shootings

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<v Speaker 1>of unarmed black people are at an all time high.

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<v Speaker 1>These quote unquote white small towns don't have diverse neighbors

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<v Speaker 1>because they've either burned the towns that were close to

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<v Speaker 1>them to the ground write or circled their quote unquote

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<v Speaker 1>wagons and created policies to make sure that people who

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<v Speaker 1>didn't look like them weren't allowed in that same space.

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<v Speaker 1>So let's tell the truth from the beginning about the

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<v Speaker 1>history of the places that you're talking about with regard

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<v Speaker 1>to small town that have still have sunset laws on

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<v Speaker 1>the books that if a black person were to be

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<v Speaker 1>found there after sunset, they could be murdered and all

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<v Speaker 1>would be fine. So it's just like, it's the idea

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<v Speaker 1>to me that he's talking about, how dare people infer

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<v Speaker 1>racist elements? And I'm that I'm pro lynching. This is

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<v Speaker 1>what he says in this in this interview that he did,

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<v Speaker 1>how dare people do that? When I don't talk about

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<v Speaker 1>that at all. You don't have to say the N

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<v Speaker 1>word in order for people to think that you're a racist.

0:14:39.320 --> 0:14:44.400
<v Speaker 1>The entire song to me just is is stench. The

0:14:44.560 --> 0:14:45.680
<v Speaker 1>stench of it is there.

0:14:46.240 --> 0:14:48.360
<v Speaker 2>Well, and let me be very clear, like there are

0:14:48.680 --> 0:14:51.880
<v Speaker 2>like this is This has led to a pretty important

0:14:51.920 --> 0:14:54.520
<v Speaker 2>debate within country music. Like there are a lot of

0:14:55.080 --> 0:15:00.320
<v Speaker 2>very incredible socially conscious artists. Jason Isbel for a sample,

0:15:00.400 --> 0:15:03.280
<v Speaker 2>has been incredible. He's been pulling out of events and protests.

0:15:04.240 --> 0:15:07.280
<v Speaker 2>There are there are there. So the debate within country music,

0:15:07.320 --> 0:15:11.880
<v Speaker 2>I think about this about whether Elding was canceled, you know,

0:15:11.960 --> 0:15:14.320
<v Speaker 2>which is of course the minute any protest comes up,

0:15:14.360 --> 0:15:16.720
<v Speaker 2>then it's like, oh, you're canceling me. But but it'll

0:15:16.720 --> 0:15:19.160
<v Speaker 2>be interesting to see how country music responds, Like I

0:15:19.160 --> 0:15:22.560
<v Speaker 2>think it's actually pretty unprecedented for CMT to pull this

0:15:22.760 --> 0:15:27.920
<v Speaker 2>also and so and so it'll be interesting to see

0:15:27.960 --> 0:15:30.360
<v Speaker 2>where this leads in country music. But there is a

0:15:30.360 --> 0:15:32.760
<v Speaker 2>debate in country music which is similar to debate in

0:15:32.800 --> 0:15:34.960
<v Speaker 2>our country. And I just want to be clear that

0:15:35.080 --> 0:15:38.320
<v Speaker 2>not everybody's on the same side, but I just want

0:15:38.360 --> 0:15:40.680
<v Speaker 2>to I just want to reinforce a point you just made,

0:15:40.680 --> 0:15:43.840
<v Speaker 2>which is the issue is not just about his personal

0:15:43.960 --> 0:15:47.640
<v Speaker 2>racism or his intention. And I'll say that because when

0:15:47.640 --> 0:15:51.160
<v Speaker 2>I was doing my interviews for Dying of Whiteness. I

0:15:51.160 --> 0:15:55.280
<v Speaker 2>would do these interviews with people in the middle of nowhere, Missouri,

0:15:55.840 --> 0:15:58.040
<v Speaker 2>and they would basically say, I would say, like, why

0:15:58.040 --> 0:16:02.080
<v Speaker 2>do you have a an AR fifteen with you? And

0:16:02.680 --> 0:16:06.440
<v Speaker 2>they would always cite Ferguson, Missouri, like you know, a

0:16:06.480 --> 0:16:09.280
<v Speaker 2>gang banger might come here from Ferguson, Missouri. I see

0:16:09.280 --> 0:16:13.680
<v Speaker 2>what's happening in Ferguson, Missouri. And these were interviews that

0:16:13.720 --> 0:16:17.440
<v Speaker 2>were being done maybe two hundred miles from Ferguson, Missouri,

0:16:17.440 --> 0:16:20.280
<v Speaker 2>two hundred fifty miles from Ferguson, Missouri, and really among

0:16:20.320 --> 0:16:23.160
<v Speaker 2>the whitest parts of Missouri, there was not a Black

0:16:23.200 --> 0:16:26.960
<v Speaker 2>Lives Matter person for literally hundreds of miles, or.

0:16:27.080 --> 0:16:30.240
<v Speaker 1>A black person for nearly hundreds of miles. It's really

0:16:30.280 --> 0:16:30.760
<v Speaker 1>alone and.

0:16:30.840 --> 0:16:33.880
<v Speaker 2>Act it was. It was in the book. I think

0:16:33.920 --> 0:16:36.920
<v Speaker 2>I call it like a looking into a bucket of

0:16:37.240 --> 0:16:39.240
<v Speaker 2>rice or something like that, like it just it was

0:16:39.280 --> 0:16:41.280
<v Speaker 2>a bunch of It was just like a lot of

0:16:41.320 --> 0:16:43.520
<v Speaker 2>white people in this area, which is fine, I mean,

0:16:43.520 --> 0:16:46.440
<v Speaker 2>this is where they live. But the idea that this

0:16:46.600 --> 0:16:49.680
<v Speaker 2>was happening in Ferguson meant that people were strapping up

0:16:50.280 --> 0:16:52.440
<v Speaker 2>because this thing I and I would say, well, look,

0:16:52.480 --> 0:16:54.720
<v Speaker 2>it seems to me like the protests are actually happening

0:16:55.360 --> 0:16:59.080
<v Speaker 2>in Ferguson, right, It's not happening here. But they were like, well,

0:16:59.080 --> 0:17:01.640
<v Speaker 2>it could come here, they could come take my staff

0:17:01.640 --> 0:17:03.400
<v Speaker 2>and stuff. So it was this idea of the reason.

0:17:03.560 --> 0:17:08.000
<v Speaker 1>Well like like, it's the I got to tell you, like,

0:17:08.520 --> 0:17:11.600
<v Speaker 1>I know that your next book is about, you know,

0:17:11.920 --> 0:17:16.680
<v Speaker 1>is about gun culture in America. But this fucking psychosis

0:17:17.080 --> 0:17:21.520
<v Speaker 1>that white people suffer from in America that like Fox

0:17:21.640 --> 0:17:25.760
<v Speaker 1>News and Magadam has been able to exacerbate but has

0:17:25.880 --> 0:17:30.840
<v Speaker 1>always been prevalent, is absolutely crazy. To me. It is

0:17:31.000 --> 0:17:32.520
<v Speaker 1>it is a deep psychosis.

0:17:32.720 --> 0:17:34.840
<v Speaker 2>Well, and let me be clear that the point I'm

0:17:34.840 --> 0:17:40.360
<v Speaker 2>making is that it doesn't matter if Eldin was himself racist.

0:17:40.440 --> 0:17:43.680
<v Speaker 2>He's tapping into that narrative, right, and so the problem

0:17:43.760 --> 0:17:47.879
<v Speaker 2>isn't his intention or even his exact lyric. The problem

0:17:47.960 --> 0:17:50.520
<v Speaker 2>is that he's tapping into that intention that we need

0:17:50.560 --> 0:17:54.240
<v Speaker 2>to arm small towns because there are protests happening in Ferguson.

0:17:54.359 --> 0:17:55.960
<v Speaker 2>And so whether or not.

0:17:56.119 --> 0:17:58.679
<v Speaker 1>No one wants to go to your small town, I

0:17:58.720 --> 0:18:01.600
<v Speaker 1>also want to be very clear about that, Yeah, nobody's

0:18:01.640 --> 0:18:03.119
<v Speaker 1>fucking interested.

0:18:03.240 --> 0:18:04.880
<v Speaker 2>That's I would kind of when I would do these

0:18:05.200 --> 0:18:08.080
<v Speaker 2>interviews and people really were convinced that people were going

0:18:08.160 --> 0:18:11.159
<v Speaker 2>to come to their town and steal their big screen

0:18:11.240 --> 0:18:13.880
<v Speaker 2>TV that they had mounted on their wall and then

0:18:14.000 --> 0:18:16.240
<v Speaker 2>take public transit home and I and it was so

0:18:16.359 --> 0:18:19.320
<v Speaker 2>weird because I kept thinking, like, first, there's no public

0:18:19.320 --> 0:18:23.800
<v Speaker 2>transit here whatsoever, because that actually requires taxes. But also like,

0:18:23.840 --> 0:18:26.520
<v Speaker 2>nobody wants your big screen TV, like they probably have

0:18:26.640 --> 0:18:31.159
<v Speaker 2>a better TV already. And so but this idea that

0:18:31.200 --> 0:18:34.040
<v Speaker 2>somebody's going to come take my staff or my privilege

0:18:34.160 --> 0:18:37.200
<v Speaker 2>or my job or my wife like that is the

0:18:37.320 --> 0:18:40.719
<v Speaker 2>anxiety of whiteness in America a lot of times, and

0:18:40.760 --> 0:18:43.400
<v Speaker 2>so it taps into it. And so again I just think,

0:18:44.160 --> 0:18:46.800
<v Speaker 2>I just think that. And again the frustration for me,

0:18:46.840 --> 0:18:48.960
<v Speaker 2>you can hear it in my voice, I hope, is

0:18:49.000 --> 0:18:52.919
<v Speaker 2>that here's an artist who had actually overcome these divides

0:18:52.960 --> 0:18:56.120
<v Speaker 2>and said, look, man, I've seen this horror upfront firsthand,

0:18:56.800 --> 0:19:01.879
<v Speaker 2>and let's overcome our division. So here's somebody who was

0:19:01.920 --> 0:19:05.240
<v Speaker 2>like on the side of, like at least on paper,

0:19:05.680 --> 0:19:09.600
<v Speaker 2>on the side of like, let's overcome our political divisions,

0:19:09.600 --> 0:19:14.040
<v Speaker 2>who's now instead doubled down on some of the worst

0:19:14.119 --> 0:19:17.520
<v Speaker 2>stereotypes that tear people apart, which is this stereotype that

0:19:17.920 --> 0:19:20.199
<v Speaker 2>black people are going to come take our stuff and

0:19:20.240 --> 0:19:24.040
<v Speaker 2>that's why we need a gun. And so to me,

0:19:24.160 --> 0:19:29.240
<v Speaker 2>that's my frustration is like I don't know, like like

0:19:29.440 --> 0:19:31.800
<v Speaker 2>I don't out Danielle. I don't mean to be like

0:19:31.840 --> 0:19:33.800
<v Speaker 2>the straight guy today, but I really am the straight guy.

0:19:33.840 --> 0:19:36.360
<v Speaker 2>I'm trying to say, like even as like a white American.

0:19:37.359 --> 0:19:39.800
<v Speaker 2>I mean, I've studied this stuff forever, and it's like

0:19:39.840 --> 0:19:43.159
<v Speaker 2>the narrative is so consistent, and I can you know,

0:19:43.240 --> 0:19:46.560
<v Speaker 2>I can show you and add that NRA television did

0:19:46.800 --> 0:19:49.080
<v Speaker 2>three years ago, which is black people are coming for

0:19:49.160 --> 0:19:51.000
<v Speaker 2>your stuff and this is why you have to be armed.

0:19:51.520 --> 0:19:56.639
<v Speaker 1>And when I just I like express it enough that

0:19:56.840 --> 0:19:59.440
<v Speaker 1>like I don't want your shit, but I.

0:19:59.400 --> 0:20:03.359
<v Speaker 2>Mean and and the other narrative is like remember the

0:20:03.440 --> 0:20:07.280
<v Speaker 2>mccloskey's in Saint Louis. You know, like, oh, black people

0:20:07.320 --> 0:20:09.520
<v Speaker 2>are marching by our house and they probably want our shit,

0:20:09.680 --> 0:20:11.440
<v Speaker 2>and so we got to stand out there with guns.

0:20:11.440 --> 0:20:13.640
<v Speaker 2>And so this idea that basically people want our shit,

0:20:15.160 --> 0:20:18.040
<v Speaker 2>it's such a deep anxiety. And the thing is that

0:20:18.560 --> 0:20:21.000
<v Speaker 2>the answer is to say, the answer is to say

0:20:21.000 --> 0:20:23.679
<v Speaker 2>what Aldine said the first time, which is like, hey man,

0:20:23.760 --> 0:20:26.400
<v Speaker 2>let's overcome our divisions and figure it out and work

0:20:26.520 --> 0:20:29.280
<v Speaker 2>create a system that works for everybody. But this narrative

0:20:29.640 --> 0:20:32.760
<v Speaker 2>that people are coming for your stuff, and it's obviously

0:20:32.800 --> 0:20:36.159
<v Speaker 2>not just about stuff, it's about social position and hierarchy

0:20:36.840 --> 0:20:39.520
<v Speaker 2>and country and sexuality.

0:20:39.680 --> 0:20:42.919
<v Speaker 1>I look, I look, here's the thing, Like you and

0:20:42.960 --> 0:20:46.320
<v Speaker 1>I both understand this. What I want to break through

0:20:46.440 --> 0:20:52.480
<v Speaker 1>without having to do like docuseries after docuseries, or like

0:20:52.720 --> 0:20:56.480
<v Speaker 1>reporting on people's anxiety, is that like, because I don't

0:20:56.520 --> 0:20:59.760
<v Speaker 1>care about white people's anxiety, what I care abit about

0:20:59.880 --> 0:21:04.760
<v Speaker 1>is how their anxiety fuels public policy right that destroys

0:21:04.800 --> 0:21:09.920
<v Speaker 1>other people's access to anything right, whether that be a job,

0:21:10.040 --> 0:21:14.320
<v Speaker 1>higher education, like the ability to buy a home where

0:21:14.359 --> 0:21:17.040
<v Speaker 1>they want to how they want to. Like, that's the

0:21:17.119 --> 0:21:20.399
<v Speaker 1>fucking problem. That's where the investigation is. Is that you

0:21:21.560 --> 0:21:25.240
<v Speaker 1>is that White America has made up an entire boogeyman

0:21:25.400 --> 0:21:28.040
<v Speaker 1>of people that are coming to take their stuff from them.

0:21:28.600 --> 0:21:31.720
<v Speaker 1>When no one wants your stuff. They want the ability

0:21:31.920 --> 0:21:35.199
<v Speaker 1>to be able to buy their own stuff, to be

0:21:35.320 --> 0:21:39.040
<v Speaker 1>able to buy their own fucking property. And you've created

0:21:39.119 --> 0:21:43.679
<v Speaker 1>policies based off of your fucking anxiety and psychosis that

0:21:43.800 --> 0:21:46.640
<v Speaker 1>disallows people from being able to do so. And then

0:21:46.720 --> 0:21:51.719
<v Speaker 1>you want to hide right and hoard your privilege and

0:21:51.760 --> 0:21:55.680
<v Speaker 1>all of your shit. And it's just like you're hoarding

0:21:55.800 --> 0:21:58.880
<v Speaker 1>it because you know that you don't fucking deserve it.

0:21:59.480 --> 0:22:01.720
<v Speaker 1>Like That's the other thing, too, is that this all

0:22:01.760 --> 0:22:04.840
<v Speaker 1>comes back to a place of, well, I don't want

0:22:04.880 --> 0:22:07.280
<v Speaker 1>to be treated the way that I have been treating

0:22:07.600 --> 0:22:12.160
<v Speaker 1>these groups of people for generations, right, Like that's that's

0:22:12.200 --> 0:22:15.400
<v Speaker 1>the thing is. It's like the psychosis that fuels the

0:22:15.440 --> 0:22:20.320
<v Speaker 1>policy that leads to the oppression and suppression then fuels

0:22:20.880 --> 0:22:24.080
<v Speaker 1>the anxiety and the fear you have about those people

0:22:24.280 --> 0:22:27.679
<v Speaker 1>whose boots you have on their neck rising up to

0:22:27.800 --> 0:22:31.159
<v Speaker 1>take back what you have extracted from them.

0:22:31.440 --> 0:22:33.680
<v Speaker 2>And the other part of that is that then when

0:22:33.720 --> 0:22:36.960
<v Speaker 2>you get called on it, you claim that you're a

0:22:37.040 --> 0:22:39.000
<v Speaker 2>victim again, like, oh, it's cancer culture, and.

0:22:39.400 --> 0:22:41.320
<v Speaker 1>It is it is the way it is. It is,

0:22:41.520 --> 0:22:45.399
<v Speaker 1>like I got to tell you that, Like, you know,

0:22:45.600 --> 0:22:48.480
<v Speaker 1>there are some days when I pray for alien invasion

0:22:48.880 --> 0:22:52.879
<v Speaker 1>because like I just want to be fucking done. Like

0:22:52.960 --> 0:22:56.639
<v Speaker 1>because it's just so like every time you think that

0:22:56.720 --> 0:23:01.960
<v Speaker 1>you make inroads, you realize that the rod is just

0:23:02.040 --> 0:23:04.840
<v Speaker 1>so deep, and there are questions that I have on

0:23:04.880 --> 0:23:07.879
<v Speaker 1>a regular basis where I'm just like, maybe you just

0:23:08.160 --> 0:23:10.840
<v Speaker 1>throw away the whole. Maybe there is no more amputation

0:23:11.000 --> 0:23:13.880
<v Speaker 1>to do, Maybe there is no more surgery to do.

0:23:14.960 --> 0:23:17.240
<v Speaker 2>I mean, the problem, though I hear this a lot,

0:23:17.280 --> 0:23:18.920
<v Speaker 2>the problem is if we burn it down, we would

0:23:18.920 --> 0:23:21.959
<v Speaker 2>still be negotiating with the same people to build it

0:23:22.000 --> 0:23:26.000
<v Speaker 2>back up. I mean, I agree with you, it's just

0:23:26.080 --> 0:23:28.119
<v Speaker 2>what does that mean exactly? Like, what does that mean

0:23:28.160 --> 0:23:29.040
<v Speaker 2>in practical terms?

0:23:30.000 --> 0:23:32.440
<v Speaker 1>I have no idea, Jonathan, but I know that there

0:23:32.480 --> 0:23:37.160
<v Speaker 1>are days, there are months, there are years where I

0:23:37.240 --> 0:23:40.200
<v Speaker 1>am just I'm over it, like and I you know,

0:23:40.400 --> 0:23:43.280
<v Speaker 1>God blessed the fact that there are younger generations that

0:23:43.320 --> 0:23:47.439
<v Speaker 1>are coming in with more energy and more information and

0:23:47.520 --> 0:23:50.359
<v Speaker 1>more education that I had at their age to be

0:23:50.440 --> 0:23:52.280
<v Speaker 1>able to pick up the mantle, because I got to

0:23:52.280 --> 0:23:57.439
<v Speaker 1>tell you that, like, I understand the burnout, I understand

0:23:57.560 --> 0:24:01.400
<v Speaker 1>the exhaustion because it's just like it's never ending, right,

0:24:01.480 --> 0:24:04.239
<v Speaker 1>and that's what it's like. What is the solution. I

0:24:04.240 --> 0:24:06.679
<v Speaker 1>don't know, but it can't be banging my head against

0:24:06.680 --> 0:24:09.080
<v Speaker 1>the fucking wall on a day to day basis, do

0:24:09.080 --> 0:24:11.480
<v Speaker 1>you know what I'm saying? Like it can't be battling

0:24:11.640 --> 0:24:15.400
<v Speaker 1>against the great grandchildren of the slave master. They're still

0:24:15.440 --> 0:24:18.439
<v Speaker 1>begging for liberation, Like it can't be that, do you

0:24:18.440 --> 0:24:21.280
<v Speaker 1>know what I'm saying? So like, I don't know what

0:24:21.320 --> 0:24:23.119
<v Speaker 1>the solution is. I think if I did, I would

0:24:23.119 --> 0:24:27.160
<v Speaker 1>have a Pulitzer and a Nobel Peace Prize under my belt, right, Like.

0:24:27.160 --> 0:24:28.919
<v Speaker 2>I would like to give you a Pulitzer and a

0:24:28.960 --> 0:24:34.760
<v Speaker 2>Nobel Peace Prize already. But I would also say moments

0:24:34.800 --> 0:24:38.720
<v Speaker 2>like this, honestly, they're opportunities, right. I mean, if he

0:24:38.800 --> 0:24:41.280
<v Speaker 2>came out now and said, man, I messed up and

0:24:41.320 --> 0:24:43.320
<v Speaker 2>I'm going to work to make things right or something

0:24:43.400 --> 0:24:45.679
<v Speaker 2>like that, Like these are the moments where we see

0:24:45.800 --> 0:24:49.000
<v Speaker 2>how messed up things are, but there are also opportunities

0:24:49.040 --> 0:24:52.199
<v Speaker 2>to like look at the real issue and correct it.

0:24:52.280 --> 0:24:57.560
<v Speaker 2>And I don't know, it's just the deviciousness is so

0:24:57.920 --> 0:24:58.720
<v Speaker 2>deep right now.

0:24:58.960 --> 0:25:02.560
<v Speaker 1>But what I will say is that I absolutely applaud

0:25:02.760 --> 0:25:07.359
<v Speaker 1>like you did earlier. I applaud CMT for pulling the video.

0:25:08.600 --> 0:25:11.760
<v Speaker 1>And the fact is that, you know, maybe the reason

0:25:11.840 --> 0:25:15.280
<v Speaker 1>why the song wasn't pulled two months ago is because

0:25:15.520 --> 0:25:17.960
<v Speaker 1>tons of people put out music right, Like tons of

0:25:17.960 --> 0:25:20.360
<v Speaker 1>people put out music on a day to day basis,

0:25:20.760 --> 0:25:24.280
<v Speaker 1>but once you see the visuals associated with what it

0:25:24.359 --> 0:25:28.359
<v Speaker 1>is that he is singing about, you can't disassociate the

0:25:28.400 --> 0:25:31.439
<v Speaker 1>two and pretend that it's it's not what it is

0:25:31.440 --> 0:25:35.399
<v Speaker 1>that he's saying, right, And I applaud them for taking

0:25:35.400 --> 0:25:38.320
<v Speaker 1>the steps, because this is their base, this is who

0:25:38.359 --> 0:25:40.040
<v Speaker 1>they're this is you know, this is a part of

0:25:40.040 --> 0:25:42.800
<v Speaker 1>their basis, not the whole you know, country music bass,

0:25:42.840 --> 0:25:44.679
<v Speaker 1>but it's sure as hell is a good amount of

0:25:44.720 --> 0:25:49.280
<v Speaker 1>it right country music. Though to that point, I have watched,

0:25:49.400 --> 0:25:54.480
<v Speaker 1>even from Afar, watched it become so much more diverse

0:25:54.880 --> 0:25:58.680
<v Speaker 1>than it was twenty years ago, right when they silenced

0:25:58.720 --> 0:26:01.119
<v Speaker 1>the Dixie Chicks, and like the only people that you

0:26:01.280 --> 0:26:04.880
<v Speaker 1>saw were white folks on stage. That's no longer the thing.

0:26:05.880 --> 0:26:08.679
<v Speaker 1>And I think that they recognize that their audience is

0:26:08.720 --> 0:26:13.080
<v Speaker 1>a lot more diverse, you know, than it was, you know,

0:26:13.400 --> 0:26:16.800
<v Speaker 1>twenty thirty years ago. So bravo to them for taking

0:26:16.840 --> 0:26:19.240
<v Speaker 1>the steps to you know, to do what's right.

0:26:19.760 --> 0:26:21.600
<v Speaker 2>And we'll have to see what happens now. I mean,

0:26:21.640 --> 0:26:25.720
<v Speaker 2>there are well we can talk about this next time.

0:26:25.760 --> 0:26:28.919
<v Speaker 2>But he's actually supposed to perform at a at a

0:26:28.960 --> 0:26:31.679
<v Speaker 2>benefit concert for victims of the mass shooting at the

0:26:31.720 --> 0:26:33.480
<v Speaker 2>Covenant School in Nashville.

0:26:34.280 --> 0:26:37.399
<v Speaker 1>I mean, it's he should be, that should be, that

0:26:37.440 --> 0:26:39.119
<v Speaker 1>invite should be rescinded, and.

0:26:39.680 --> 0:26:43.399
<v Speaker 2>There's a big tribute at the Rhyman and stuff like that.

0:26:43.440 --> 0:26:47.480
<v Speaker 2>So again, how people respond again, I would follow people

0:26:47.520 --> 0:26:51.399
<v Speaker 2>like Jason Isbel who are really really coming out strong

0:26:51.680 --> 0:26:54.919
<v Speaker 2>I think here. But it'll be interesting to see what

0:26:55.119 --> 0:26:57.199
<v Speaker 2>this moment. I mean, it just seems to I'm just

0:26:57.240 --> 0:26:59.400
<v Speaker 2>so tired of like you get called on your shit

0:26:59.480 --> 0:27:01.960
<v Speaker 2>and then you cancel culture as opposed to like owning

0:27:02.000 --> 0:27:05.160
<v Speaker 2>what you did right. And so we'll have to see

0:27:05.400 --> 0:27:08.000
<v Speaker 2>what the response is. But I would say that maybe

0:27:08.040 --> 0:27:10.360
<v Speaker 2>some important voices will come out of this that are

0:27:10.480 --> 0:27:14.640
<v Speaker 2>that are counter voices to the narrative we're talking about.

0:27:15.840 --> 0:27:19.080
<v Speaker 1>Well, we will have to leave it there today. Jonathan

0:27:19.359 --> 0:27:22.840
<v Speaker 1>is on that with another controversy next week. But I

0:27:23.080 --> 0:27:26.760
<v Speaker 1>really do appreciate you bringing our attention to this because

0:27:26.800 --> 0:27:29.960
<v Speaker 1>I think that it's important. And while he should while

0:27:30.080 --> 0:27:32.600
<v Speaker 1>again I will say, this was not an unforced error.

0:27:32.640 --> 0:27:35.960
<v Speaker 1>It should have never happened. He did it for the clicks.

0:27:36.000 --> 0:27:38.600
<v Speaker 1>He did it for you know, he did it for

0:27:40.000 --> 0:27:42.800
<v Speaker 1>the provocation of it all.

0:27:44.080 --> 0:27:48.280
<v Speaker 2>Well, and yeah, it's also like I guarantee you, like,

0:27:48.480 --> 0:27:50.919
<v Speaker 2>people who are making like this, oh it's cancel culture

0:27:50.920 --> 0:27:54.160
<v Speaker 2>are the same people who at one time were saying.

0:27:54.240 --> 0:27:57.160
<v Speaker 1>To cancel the Dixie Chicks and other people.

0:27:57.200 --> 0:28:00.480
<v Speaker 2>But I'm saying that like, like, it's very very easy

0:28:00.480 --> 0:28:03.720
<v Speaker 2>for people to say, oh, rap music is glorifying violence

0:28:04.080 --> 0:28:06.600
<v Speaker 2>and culture and stuff like that. So in a way, like,

0:28:07.200 --> 0:28:10.080
<v Speaker 2>if if that's your critique, rap is glorifying violence, where

0:28:10.119 --> 0:28:14.600
<v Speaker 2>sometimes rap does glorify violence. But if that's your if

0:28:14.680 --> 0:28:18.440
<v Speaker 2>that's your metric, then you know, then you should take

0:28:18.440 --> 0:28:20.520
<v Speaker 2>a stand here and say we don't want this music

0:28:20.560 --> 0:28:23.080
<v Speaker 2>and this video glorifying violence violence.

0:28:22.960 --> 0:28:27.520
<v Speaker 1>One hundred Thank you Jonathan for always giving us deep

0:28:27.520 --> 0:28:31.239
<v Speaker 1>analysis and more food for thought. We appreciate you hanging there.

0:28:31.280 --> 0:28:34.879
<v Speaker 2>Everybody.

0:28:36.960 --> 0:28:40.120
<v Speaker 1>That is it for me today, Dear friends on woke

0:28:40.160 --> 0:28:43.440
<v Speaker 1>a f as always, Power to the people and to

0:28:43.640 --> 0:28:47.880
<v Speaker 1>all the people. Power, get woke and stay woke as fuck.