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Speaker 1: Hey guys, it's me Russell Peters here. You're listening to

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Speaker 1: my podcast Culturally Canceled. Now, before we get into this episode,

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Speaker 1: I want to let you guys know what shows I

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Speaker 1: got coming up in case you want to see me live.

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Speaker 1: So from June three to June fifth, I'll be in Bridgeport,

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Speaker 1: Connecticut at the Stress Factory. From June, you can catch

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Speaker 1: me at the Irvine Improv in Irvine, California. From July

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Speaker 1: nine to July eleven, I'll be in Ontario, California. So

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Speaker 1: if you're in California and you want to come see me,

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Speaker 1: you got a choice of June or July, whether it's

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Speaker 1: Irvine or Ontario. I'll also be in Oklahoma City. I've

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Speaker 1: never been there. I'm kind of looking forward to that

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Speaker 1: one August five to the seventh at the Bricktown Comedy Club. Now,

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Speaker 1: there's always more shows being at it, so keep checking

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Speaker 1: Russell Peters dot com. Alright, this episode is hilarious. Um,

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Speaker 1: we say some foul shit on this one, so um,

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Speaker 1: please don't get offended. It's just us being us and

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Speaker 1: to me and Airy Spears acting like comics, and we

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Speaker 1: have Big Daddy Kane, the legendary Big Daddy Kane, Mad Skills,

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Speaker 1: legendary m C Lord Finest, legendary rapper, DJ producer, my brother,

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Speaker 1: He's he's family to me, and obviously the hilarious Airy Spears.

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Speaker 1: This is just part one of this conversation. Part two

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Speaker 1: will be the next episode. And let me tell you something,

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Speaker 1: this episode is one for the ages. I'm really excited

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Speaker 1: about this one. I've been telling people about it since

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Speaker 1: before it came out. I hope you enjoyed it as

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Speaker 1: much as I enjoyed making it. So here we go. Hey,

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Speaker 1: it's Russell Peters. Welcome to this episode culturally canceled. Uh

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Speaker 1: today we have I really you know, I really want

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Speaker 1: to make this in a sorted show. But it is

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Speaker 1: rapper heavy. But I mean it's rapper heavy with heavy rappers.

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Speaker 1: So um. Besides, beside me on my left, all the

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Speaker 1: way on the left is my brother, Lord Finesse, who

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Speaker 1: is also a resident here at the West Wing, and uh,

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Speaker 1: he doesn't have a mike, so when he does want

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Speaker 1: to talk, I have to pass him on. Beside him

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Speaker 1: is the rapper formerly known as Mad Skills now just Skills.

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Speaker 1: Is it still Mad Skills? What is this? White? You know?

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Speaker 1: I mad anymore. I think I just stay with it.

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Speaker 1: I thought you weren't mad for a while I was. Again,

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Speaker 1: they'd be ma get older almost in a hip in

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Speaker 1: a hip hop world, it's abundance of yeah. So we're

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Speaker 1: just gonna go with that. You went from mad skills

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Speaker 1: to angry talent and beside me on my right, uh

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Speaker 1: the the youngest cat to ever do deaf jam and

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Speaker 1: a brother who I met in Montreal. He doesn't remember this.

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Speaker 1: I met him in Montreal five years ago. He said, hey, man,

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Speaker 1: give me give me a Mad TV And he said,

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Speaker 1: get yourself on Mad TV. I know I didn't say

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Speaker 1: it like that, but I might have. That's when he

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Speaker 1: looked like Mace, I got you. My brother Arie Spears

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Speaker 1: is beside me, what's baby? What's up? And then beside

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Speaker 1: aries is uh is uh dark Gable? You you know

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Speaker 1: him and love him as uh well, the ladies love him.

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Speaker 1: But he's the only rapper that ladies loved and men

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Speaker 1: wanted to be other than ll cool J. And he

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Speaker 1: made Dark sexy again as my brother. Big Daddy Kane

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Speaker 1: is in the house with us. Yeah, I gotta use

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Speaker 1: the mic though, Kane. Yeah, there we go. Can you don't.

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Speaker 1: You don't have to sound sexy for us, Cane. It's

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Speaker 1: just four dudes. I mean, you could be cool today.

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Speaker 1: I'm gonna lose my cool for a minute, my composure. Uh, sir,

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Speaker 1: I want you to know that I'm forty six, so

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Speaker 1: me and all my crew grew up on you and

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Speaker 1: to this day, my brother loves you to death. And uh,

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Speaker 1: if he was here, you know, I would I would

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Speaker 1: say it. I was trying to. I was rehearsing it

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Speaker 1: because I didn't want to mess it up. But the

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Speaker 1: old b I g d a double d y k

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Speaker 1: any we had that memorized. So when you was rocking,

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Speaker 1: we was rocking. So it's uh, it's an honor. Man.

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Speaker 1: You're a pioneering and legend dog no b. But man,

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Speaker 1: you're great talent yourself. Thank you. I always in my man,

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Speaker 1: and you know your impasination skills are impeccable. Man, much

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Speaker 1: respect to you, sir. We got that out of way.

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Speaker 1: How do you feel about skills? I'm just man, I'm

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Speaker 1: just listening. I'm I'm just I'm happy to be around

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Speaker 1: my era. Yeah. You know, uh, I know a lot

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Speaker 1: of y'all won't say it because you know or maybe

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Speaker 1: you will. But I know because of the whole East

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Speaker 1: West Coast beef. Uh, we gotta learn to embrace each other,

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Speaker 1: regardless as to how subjective the talent is. But I'm

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Speaker 1: not a rapper. I'm a comedian, so I can say it. Uh,

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Speaker 1: this ship today is cobbage man. So I I to

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Speaker 1: be around my era where I came from. Skills, um,

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Speaker 1: word play, metaphors, punch lines, uh means something. Yeah, Skills

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Speaker 1: is one of them cats too. Although I've never come

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Speaker 1: from him. Uh, I've enjoyed his music. Shut up, oh man,

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Speaker 1: listen for for me to be here next to next,

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Speaker 1: I'm saying that's already know how I feel about him,

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Speaker 1: like Kane is. I tell people all the time. I've

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Speaker 1: told him before, like he is directly apart it. It It

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Speaker 1: would be no mad Skills with our big Daddy Kane.

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Speaker 1: I watched him. I study them. I had a flat top.

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Speaker 1: I wanted to put punch lines together, metaphors. A matter

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Speaker 1: of fact, your first album had a flat top on it. Yes, yes,

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Speaker 1: so you know what I mean. For me to be here,

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Speaker 1: you know what I'm saying, sitting down comedic grades, hip

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Speaker 1: hop grades. I'm happy it's a good day for you

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Speaker 1: never had a flat top, did you? No? I never

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Speaker 1: never had. He was like a shaved head or braids,

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Speaker 1: fade and a half moon, you know that's that's yeah. Yeah,

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Speaker 1: and then you then you grew into Eddie Leverte, So

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Speaker 1: that's that's gonna be abundant of joke. Yeah, yeah, it's

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Speaker 1: gonna be. I think the older you get, the smoother

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Speaker 1: you gotta be. Man, I don't I don't see me

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Speaker 1: throwing on on certain gear to fit in with the

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Speaker 1: younger crowd. Hey man, I'm sitting here in a goddamn

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Speaker 1: troop jacket. Did you do with your dogs? You're shooting dogs? Yeah? Yeah,

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Speaker 1: I had Marvin get worried about new addition. You know.

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Speaker 1: Now that's real talk. What was your do you? Did

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Speaker 1: you have another name? But you had another you know,

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Speaker 1: you had my first rap name? Yeah? Yeah, My first

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Speaker 1: rap name was the Funky Orator Let That Live. Did

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Speaker 1: you have another name came? Yeah? Go ahead, kid, My well,

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Speaker 1: my first rap name was mc came. But when I

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Speaker 1: was DJ, before I was rapping, DJ, name was Sir Romeo.

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Speaker 1: Is that when you were did sante um? No? I

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Speaker 1: was just king then, But I mean back in one Yes,

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Speaker 1: DJ served Romeo DJ A thirteen. Yeah, God damn, that

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Speaker 1: was when you was that's when you put that you're

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Speaker 1: the first guy to hit me to Pete DJ Jones.

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Speaker 1: I didn't know about him until we started hanging a

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Speaker 1: while ago, a long time ago, and then you told

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Speaker 1: me about him. I didn't know about him. Now I

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Speaker 1: did my research and saw that he opened for James Brown,

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Speaker 1: right yeah, uh now you talking about Flowers about Flowers

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Speaker 1: open for James Brown. But they're around that same yeah, yeah,

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Speaker 1: late sixties. Yeah, like d P d J Jones. You know,

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Speaker 1: he had like the whole DJ crew and you know,

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Speaker 1: like Hollywood was part of that crew, and like you know,

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Speaker 1: they was like doing parties like you know, on the

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Speaker 1: on the on the bag, and that's where that whole

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Speaker 1: that voice come from, that first hip hop voice, you know,

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Speaker 1: like when you know right though, Yeah, you seem like

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Speaker 1: you was shocked when you said detailing at thirteen. Yeah,

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Speaker 1: I mean I started at fifteen, and I thought it

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Speaker 1: was earlier. Yeah, but you're different. See That's that's that

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Speaker 1: to me is again, when you talk about what makes

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Speaker 1: hip hop from our era so much deeper, it's because

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Speaker 1: I go hard on these young kids on on social media,

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Speaker 1: and you know, I'll hear some people go, man, take

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Speaker 1: it easy, man, they just kids. And I gonsro Alomatic

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Speaker 1: when he was nineteen came to this thing at so

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Speaker 1: stop with the excuses, man, steppy game up. Yea yeah,

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Speaker 1: but skills don't matter anymore, not you. The actual talent

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Speaker 1: doesn't matter anymore. I'm gonna say that. And I don't

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Speaker 1: mean talent, Harris, I mean talent, actual talent. Well, you

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Speaker 1: know when you um, when you're accepted as a real

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Speaker 1: music genre, and that's what hip hop is now. It's

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Speaker 1: now officially a real music genre. In a situation like that,

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Speaker 1: you know, you absolutely right, like the skills don't matter

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Speaker 1: because you know, you have a lot of major pop stars,

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Speaker 1: major rock stars that don't really have, you know, skills,

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Speaker 1: you know, they just got hit records. And that's the

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Speaker 1: way hip hop is right now, where you know you

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Speaker 1: have major stars that I wouldn't even say that. I

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Speaker 1: wouldn't say the hit records. They say they're popular because

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Speaker 1: a hit to me and something that's gonna last a smash,

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Speaker 1: I mean last. But there's a lot of people that

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Speaker 1: got them and lasted, and they can't sing for ship.

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Speaker 1: That's true. We're not We're not talking about Keiths, so

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Speaker 1: we're talking about hilarious. We're talking about this generation came.

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Speaker 1: I mean, for me, like I look at it as

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Speaker 1: you know what I'm saying, Like, it's always a case

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Speaker 1: for me where I knew my parents didn't like what

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Speaker 1: I was listening to, So I don't expect to like

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Speaker 1: what my kids listened to. Yeah, but I don't know

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Speaker 1: if that flies. Because even though I couldn't understand it,

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Speaker 1: I knew Michael Jackson was special. True, Whitney Houston was special.

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Speaker 1: I knew the stylistics were special. So and and like you,

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Speaker 1: just a good music last a lifetime, you know this.

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Speaker 1: Michael Jackson, until he started looking like a Japanese woman,

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Speaker 1: lasted how many generations? But my decades He's spawned decades.

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Speaker 1: But my my question is, all right, so if the

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Speaker 1: art form itself and just just to play devil with advocated,

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Speaker 1: if the art form itself is like thirty thirty years

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Speaker 1: thirty years old, do we Nothing stays the same for

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Speaker 1: thirty years, I know, But what stays consistent is quality.

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Speaker 1: I'll give you that. I'll give you that now, just now,

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Speaker 1: you gotta understand. I'm like I said, I'm just I'm

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Speaker 1: just being a devil's advocate here. When I was in

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Speaker 1: my room listening to hip hop, my mom was in

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Speaker 1: the next room losing her mind. I'm listening to Fund

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Speaker 1: the Police in my room, right, So she ain't so pos.

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Speaker 1: That's not music. She came from an era where you

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Speaker 1: didn't curse to be romantic. You know what I mean.

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Speaker 1: It was a certain way you do your business. We

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Speaker 1: also came from the non cursing to be romantic era,

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Speaker 1: but when it came to hip hop, it's different. Like

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Speaker 1: when I heard I Think. The first time I heard Silk,

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Speaker 1: I was like, what the fund is this? Let me

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Speaker 1: lick you up and down? We like we lost our imagination.

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Speaker 1: And now I'm listening like I heard this song weekend.

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Speaker 1: It was like she gave me a head four times

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Speaker 1: and it's like a really dope song. But listen to

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Speaker 1: words and I'm like, come on, hey, you gotta ruin

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Speaker 1: the song when she gave me a head, I don't.

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Speaker 1: I don't even know who the artist was. Man. I

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Speaker 1: was doing a gig in Ohio, and you know, when

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Speaker 1: the club is over a lot of times the staff

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Speaker 1: listens to music clean up and I just remember one

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Speaker 1: dude said. The lyrics basically was he said to the girl,

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Speaker 1: can you work my dick like you scramble the eggs? Now?

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Speaker 1: I didn't want it didn't make sense to me, and

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Speaker 1: are we are we doing this now? I had a

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Speaker 1: spatulor fetish I hate for the rapper in me. I hate,

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Speaker 1: I hate a punch line. This guy to be explained.

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Speaker 1: If the ship got to be explained and it didn't

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Speaker 1: do his job like I'm supposed to hear it and go,

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Speaker 1: oh not what what was that? Let me let me

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Speaker 1: just say this real quick, um, because I think that

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Speaker 1: we had this discussion um as an MC. That's something

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Speaker 1: that I actually always liked doing. I like giving a

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Speaker 1: bunch of free punch lines that the average person can get.

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Speaker 1: But I always love to try to put that one

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Speaker 1: joint and yeah, I want to figure it out. I

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Speaker 1: want you to figure it out. So let me tell

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Speaker 1: you something. I recently put out a post God Rest

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Speaker 1: his Soul. DMX was on Death Poetry Jam and he

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Speaker 1: was talking about the industry and he had a limit

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Speaker 1: of it where he said, uh, I want you to

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Speaker 1: walk like this and talk like that. But I'm gonna

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Speaker 1: walk like this and I'm gonna talk with the bat

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Speaker 1: and the crowd just right. That's what's missing. I don't

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Speaker 1: hear that. I don't get that from Gucci. You're not

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Speaker 1: gonna get that, you know, And I just stick to listen.

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Speaker 1: I noted the rap like any form of you know,

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Speaker 1: our form is subjective and this different styles. You know,

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Speaker 1: kidn Play was about having fun. So I'm not saying

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Speaker 1: that all rap needs to be conscious. It all needs

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Speaker 1: to be street, it all needs to be serious. There's

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Speaker 1: room for the playful ship. But it's getting so silly

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Speaker 1: that I'm going, where is this young generation's version of

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Speaker 1: biggie pop, big gel punt nas Where? Let me ask

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Speaker 1: you this, what if you looked at what they're doing

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Speaker 1: as a style? What if good? What if that's the

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Speaker 1: new style? Like I'm gonna just say that's not to

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Speaker 1: cut you off again, and I put in my post.

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Speaker 1: If you honestly took this young generation's group of rappers

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Speaker 1: and made an all star team and then you took

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Speaker 1: our era, it would be like the ninety two Dream

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Speaker 1: Team versus Special Olympics. Like it's not even close. Not

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Speaker 1: what are we doing all right. Now, I get it totally.

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Speaker 1: He's throwing spears all day. But like, you know, I

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Speaker 1: don't you know, for me, you know, I look at

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Speaker 1: it as I don't have to like it. I'm never

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Speaker 1: gonna be mad at the young black man who did

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Speaker 1: something positive and didn't didn't sell drugs and didn't go

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Speaker 1: to jail and brought his mama house with it. I'm

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Speaker 1: not gonna hate on that even if I don't like it,

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Speaker 1: even if it's not for me and you're not supposed to.

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Speaker 1: But listen, that's nice. But that's almost like Chris Roxy joke. Man,

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Speaker 1: I take care of my kids. Nigga, you supposed to.

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Speaker 1: So it's like, you know, yeah, doing positive, you young,

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Speaker 1: you black, you're getting money, Bravo Nigga MAZLTF. But what

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Speaker 1: about the art form you're killing? The friend that's hip

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Speaker 1: hop is a franchise. We're killing the franchise. We also,

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Speaker 1: our generation knew about the roots of the tree. We were.

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Speaker 1: We were this Our generation was like the leaves from

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Speaker 1: this small tree that was growing. You know, we knew who,

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Speaker 1: we knew who planted the seeds, and we understood what

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Speaker 1: was happening under the underground. There and we were still

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Speaker 1: kind of part of the rumbling of the underground. And

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Speaker 1: now this tree's flourished. It's a big fucking tree. But

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Speaker 1: these young kids don't know, they don't know or care

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Speaker 1: who fucking planted this tree, And that's you should care. No,

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Speaker 1: I agree, comedically, I could look at step and fetch

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Speaker 1: it in man Tam Morlan and that era right and

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Speaker 1: and and go okay, But they had to do what

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Speaker 1: they had to do that and I gotta tip my

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Speaker 1: hat to that because without them I wouldn't be here right. Lately,

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Speaker 1: I've been really busy juggling shows and being a dad,

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Speaker 1: and I'm always looking for ways to maximize my time

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Speaker 1: online business owners. Am I right? I mean you started

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Speaker 1: people want, and the orders are coming in fast. But

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Speaker 1: the hardest part is often shipping those products out. That's

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00:17:17,200 --> 00:17:19,880
Speaker 1: you know, once again you've got you. You got to understand,

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Speaker 1: going back to what I was saying earlier. You know,

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Speaker 1: hip hop is now officially a music genre. And because

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Speaker 1: of that, because of what hip hop is now, you know,

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Speaker 1: it's like back you know, when we first started, we

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Speaker 1: understood it as a culture. It's something that we embrace

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Speaker 1: as a culture. We lived and we wanted y'all to

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Speaker 1: um enjoy our experience. But now that it's it's it's

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Speaker 1: it's a music genre for real, what's happening. It's like,

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Speaker 1: you know, just like anything else, any other corporation, any

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Speaker 1: other thing that becomes commercialized mass production. So therefore, when

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Speaker 1: quantity comes in, quality goes out. You know. But you

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Speaker 1: don't think in the in the what they say from

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Speaker 1: the eighties, but to the golden era of Wrap the nineties,

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Speaker 1: you don't think that we had crazy quantity with quality.

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Speaker 1: If you could the bums you could count on one hand. Don't.

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Speaker 1: But don't act like we don't handle bums. Though we

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Speaker 1: had some bums in the nineties. We have some. I'm

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Speaker 1: still do though. I come on, man, what we had

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Speaker 1: a Hammer had a hammer, and y'all didn't treat Hammer.

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Speaker 1: And when Hammer was at his prime, y'all didn't treat

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Speaker 1: Hammer like y'all do now. Y'all was like, man, fuck

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Speaker 1: that nigger. I'm just saying, between the wardrobe and let's

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Speaker 1: be honest, some of the success, it's always envy jealousy.

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Speaker 1: But from from what he did, he was necessary. But

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Speaker 1: you could again, you could count those dudes on one hand.

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Speaker 1: We had some ship ones. We had skinny boys. Yes,

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Speaker 1: I don't know who that is exactly they had. Uh

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Speaker 1: they were like trying to be the opposite of the

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Speaker 1: fat boys. Had an il'um called Waitless and me like, yeah,

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00:19:12,760 --> 00:19:16,440
Speaker 1: me like a fucking idiot. I bought it, remember the Yeah,

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Speaker 1: I mean it so did. I like the skinny boys.

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Speaker 1: Were they from Brooklyn? No, they from Connecticut. That's the

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Speaker 1: that's the no. I was just saying, they're not from Brooklyn,

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Speaker 1: They're from Connecticut. They cut it out, man, go ahead, man,

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Speaker 1: you see how they're setting me up. I like this. No,

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Speaker 1: it was wow, this is a real conversation here. Yeah,

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00:19:47,080 --> 00:19:50,200
Speaker 1: it was black entitlement. Now, I don't you know, people

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Speaker 1: want to get in without earning the proper dudes to

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Speaker 1: get in, Like if dudes is on the basketball court

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Speaker 1: playing back in the days like the way they talk

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Speaker 1: to you now. It's like y'all had your turn, it's

347
00:20:02,119 --> 00:20:06,040
Speaker 1: our turn now, but you gotta loser. I don't know.

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00:20:06,080 --> 00:20:08,320
Speaker 1: But but but our generation did that too, because cares

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Speaker 1: One said, remember, old school artists don't burn. But wait,

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00:20:12,880 --> 00:20:19,399
Speaker 1: he had skills, so you know. But if you were

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Speaker 1: trying to play basketball on the court and you wasn't good,

352
00:20:21,840 --> 00:20:23,879
Speaker 1: they ain't let you play. But here's the thing about that.

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Speaker 1: To me, where I go, they threw your ball over

354
00:20:25,720 --> 00:20:28,280
Speaker 1: the fence, it feels like it feels like it's in

355
00:20:28,320 --> 00:20:32,280
Speaker 1: Connecticut when they go, uh, your old heads. I hate

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00:20:32,280 --> 00:20:34,359
Speaker 1: it because we get money. You're just mad because we

357
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Speaker 1: get money now, And I go, we don't hate you

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00:20:36,680 --> 00:20:39,480
Speaker 1: for the money. We hate you because you're lazy. You're right,

359
00:20:39,520 --> 00:20:43,080
Speaker 1: and your penmanship is lazy. They got nothing to do

360
00:20:43,119 --> 00:20:45,360
Speaker 1: with get money. I don't even think there's a pen involved,

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00:20:46,080 --> 00:20:49,879
Speaker 1: all right, So listen, let's just say and I'm only

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Speaker 1: only I don't even know if I believe this, but

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Speaker 1: I'm just saying that because I'm here. So when rap

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00:20:55,280 --> 00:20:58,359
Speaker 1: first started, when you forty six, you we were in

365
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Speaker 1: the same age. So a rap first came into the

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Speaker 1: to the foe the rap style was I got something

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00:21:05,640 --> 00:21:09,720
Speaker 1: to something, man something, so I gotta bah blah blah

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00:21:09,720 --> 00:21:12,560
Speaker 1: blah blah blah blah blah blah blah blah. That's how

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00:21:12,600 --> 00:21:16,760
Speaker 1: everybody fucking rapped, right, everybody rapped like that. But but

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00:21:16,840 --> 00:21:20,560
Speaker 1: let me let me finish pre run DMC and then

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00:21:20,640 --> 00:21:23,640
Speaker 1: guys like run DMC come in, Guys like can't come

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00:21:23,680 --> 00:21:27,800
Speaker 1: in and they short mel Meil shortened it up. So

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Speaker 1: when he shortened it up with the message it was

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00:21:30,280 --> 00:21:33,080
Speaker 1: mother fucker's that was from that era, the dog dot

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00:21:33,160 --> 00:21:36,359
Speaker 1: that was going, Man, this sh it ain't gonna never work. Well. Look,

376
00:21:36,680 --> 00:21:40,840
Speaker 1: I certainly sucking up the game. Anybody from the eighties.

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00:21:41,640 --> 00:21:45,080
Speaker 1: I don't want to disrespect because one, they started it fast,

378
00:21:45,160 --> 00:21:47,800
Speaker 1: so you gotta give them their problems for starting it too.

379
00:21:48,440 --> 00:21:50,800
Speaker 1: It hadn't found its legs yet. That's why they call

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Speaker 1: the nineties the Golden error, because it was the error

381
00:21:53,440 --> 00:21:57,000
Speaker 1: where hip hop found itself. It grew its nuts. It

382
00:21:57,119 --> 00:22:00,480
Speaker 1: was a baby when it started, so everybody's following the blueprint.

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00:22:00,640 --> 00:22:02,960
Speaker 1: So you're saying it because the baby when it started,

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00:22:03,040 --> 00:22:05,639
Speaker 1: and now it's a thirty year old, dumb adult, and

385
00:22:05,720 --> 00:22:08,880
Speaker 1: you don't like it because it's the thirty year old's old.

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00:22:08,880 --> 00:22:12,680
Speaker 1: My fucking diepest shipping on itself. It's back to being

387
00:22:12,720 --> 00:22:16,480
Speaker 1: in an infant. I need I need the analogies because

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00:22:16,480 --> 00:22:21,520
Speaker 1: that's the only way I'm just saying that. Like, listen,

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00:22:21,640 --> 00:22:25,760
Speaker 1: listen whether when you look at styles eminem Nas who

390
00:22:25,760 --> 00:22:29,680
Speaker 1: did a song called rewind Wrapped Backwards Facts Biggie Niggas

391
00:22:29,680 --> 00:22:33,399
Speaker 1: bleed that story with the music and the melody is

392
00:22:33,400 --> 00:22:37,560
Speaker 1: a Scorsese scene. Jay z Snoop with his laid back

393
00:22:37,920 --> 00:22:43,800
Speaker 1: styling Cadence Andre three thousand. Now today every got the

394
00:22:43,960 --> 00:22:51,080
Speaker 1: auto tune? How do that's the majority because that's their style,

395
00:22:51,119 --> 00:22:53,960
Speaker 1: and people go, yo, you gotta look for the diamonds

396
00:22:53,960 --> 00:22:57,000
Speaker 1: in the rough to j Coles to Kendrick Lamars, and

397
00:22:58,040 --> 00:23:00,560
Speaker 1: you didn't look. It was there, right, I didn't have

398
00:23:00,600 --> 00:23:02,560
Speaker 1: to go fight. I will say that it ain't no

399
00:23:02,600 --> 00:23:05,760
Speaker 1: balance like it was. Well, that's because you know the

400
00:23:06,480 --> 00:23:10,280
Speaker 1: who's in control now, you know? I mean you gotta understand.

401
00:23:10,359 --> 00:23:13,520
Speaker 1: You know, back then hip hop with something new to

402
00:23:13,760 --> 00:23:16,400
Speaker 1: radio and two labels, they ain't know what the hell

403
00:23:16,440 --> 00:23:19,280
Speaker 1: to do with it. You know, people, people are the

404
00:23:19,320 --> 00:23:22,760
Speaker 1: record labels. They just got through working a Stephanie Mills record,

405
00:23:23,080 --> 00:23:25,240
Speaker 1: you know, Eleland Champagne King record. They ain't even know

406
00:23:25,280 --> 00:23:26,959
Speaker 1: what the hell to do with hip hop, you know.

407
00:23:27,480 --> 00:23:31,119
Speaker 1: Right now it's where we actually have hip hop A

408
00:23:31,240 --> 00:23:33,639
Speaker 1: and rs hip hop, you know, like hip hop people

409
00:23:33,800 --> 00:23:36,120
Speaker 1: that's raised off of hip hop, that's running these labels,

410
00:23:36,400 --> 00:23:39,040
Speaker 1: and what they're doing to the control that they have

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00:23:39,200 --> 00:23:42,840
Speaker 1: on it, I think is the main problem. I'm not

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00:23:43,000 --> 00:23:46,440
Speaker 1: disagreeing with you. I'm a grant. I'm a grant with you,

413
00:23:46,520 --> 00:23:48,720
Speaker 1: but I'm just saying we got to point the finger

414
00:23:48,760 --> 00:23:52,399
Speaker 1: elsewhere because listen to what you're saying. With what you're saying,

415
00:23:53,080 --> 00:23:57,800
Speaker 1: I think it's right, But the artists they're not gonna

416
00:23:57,880 --> 00:24:01,840
Speaker 1: change up if that lane is right there for them,

417
00:24:01,840 --> 00:24:03,760
Speaker 1: Like where it's like, you know, nah, can you sound

418
00:24:03,800 --> 00:24:05,840
Speaker 1: like the me goes, can you do this? This is

419
00:24:05,880 --> 00:24:08,040
Speaker 1: what we want now. We didn't want nothing like that

420
00:24:08,400 --> 00:24:11,040
Speaker 1: radio saying now we don't want to play J Cole,

421
00:24:11,320 --> 00:24:14,200
Speaker 1: we don't want to play Rhapsody. We want to play

422
00:24:14,320 --> 00:24:17,560
Speaker 1: all nineteen of these motherfuckers to sound exactly alike, you

423
00:24:17,560 --> 00:24:20,800
Speaker 1: know what I'm saying. So in a situation like that,

424
00:24:20,880 --> 00:24:23,880
Speaker 1: you know, it's something that needs to change through radio

425
00:24:24,400 --> 00:24:27,600
Speaker 1: through media, and the blame can't just fall solely on

426
00:24:27,760 --> 00:24:31,480
Speaker 1: the artists. Because of the artists see diversity, they will

427
00:24:31,520 --> 00:24:33,480
Speaker 1: start to change with it because they don't want to

428
00:24:33,480 --> 00:24:36,600
Speaker 1: be left behind. I said this in when they gave

429
00:24:36,640 --> 00:24:39,080
Speaker 1: cash Money Million as a thirty million dollars deal, that

430
00:24:39,160 --> 00:24:41,959
Speaker 1: they just paid Black America to get dumber, because what

431
00:24:42,000 --> 00:24:44,560
Speaker 1: they did was they said, here's thirty million dollars. Sound

432
00:24:44,600 --> 00:24:46,640
Speaker 1: as dumber as those guys, or or worse, and we'll

433
00:24:46,640 --> 00:24:48,600
Speaker 1: give you more money. And that's what we're at today

434
00:24:48,680 --> 00:24:50,679
Speaker 1: because if you think about the way these fucking kids

435
00:24:50,720 --> 00:24:54,040
Speaker 1: speak nowadays, you listen to the kids speak nowadays with

436
00:24:54,240 --> 00:24:56,600
Speaker 1: all what's available to them as far as education and

437
00:24:56,640 --> 00:24:59,680
Speaker 1: opportunities go, and you listen to a kid, same young

438
00:24:59,680 --> 00:25:02,280
Speaker 1: black in the fifties speaking. That kid in the fifties

439
00:25:02,320 --> 00:25:06,199
Speaker 1: spoke better uneducated than these kids do with all the

440
00:25:06,240 --> 00:25:10,399
Speaker 1: opportunity they have. Dude, I'm a video game fanatic. And

441
00:25:10,400 --> 00:25:12,000
Speaker 1: that's why I said when we talked about earlier, if

442
00:25:12,040 --> 00:25:14,199
Speaker 1: I wanted to spark up, I'm like when I got

443
00:25:14,240 --> 00:25:16,040
Speaker 1: a ritual when I hit my weed him in my

444
00:25:16,119 --> 00:25:18,879
Speaker 1: theater room. I'm on that PS baby, And I remember

445
00:25:18,920 --> 00:25:21,840
Speaker 1: I was playing two K and they got the soundtrack

446
00:25:21,880 --> 00:25:25,160
Speaker 1: plan and this one young dude and raps like that

447
00:25:25,560 --> 00:25:29,720
Speaker 1: said some some ship. All my said be lit everything

448
00:25:29,760 --> 00:25:34,439
Speaker 1: including my year. He said, yeah, he meant jewelry. He

449
00:25:34,520 --> 00:25:39,760
Speaker 1: reduced a several syllable words to one to make it fit.

450
00:25:39,880 --> 00:25:43,440
Speaker 1: Now when you say that as a style, sounds like

451
00:25:43,680 --> 00:25:49,520
Speaker 1: McDonald's and balloons nigger. I mean my question is, like,

452
00:25:50,040 --> 00:25:52,919
Speaker 1: so we talked about the eighties, how how they was rapping,

453
00:25:53,119 --> 00:25:55,720
Speaker 1: mail them came in a change to run dmc did

454
00:25:55,720 --> 00:25:58,240
Speaker 1: the one boss syllable, So now we count bars. Then

455
00:25:58,240 --> 00:26:00,880
Speaker 1: we got in the nineties to golden there. Later on

456
00:26:00,920 --> 00:26:03,240
Speaker 1: we got a whole bunch of dope. Everybody wanted to

457
00:26:03,280 --> 00:26:06,800
Speaker 1: be bosses and and and my field. So god, he's

458
00:26:06,800 --> 00:26:10,320
Speaker 1: and we're selling all this cracking, coking, all these songs.

459
00:26:10,640 --> 00:26:13,480
Speaker 1: And now we got you surprised that we got the

460
00:26:13,520 --> 00:26:17,000
Speaker 1: crack babies rapping like who you think who you think

461
00:26:17,200 --> 00:26:20,680
Speaker 1: their parents was? Yeah? We we we we We definitely

462
00:26:20,760 --> 00:26:24,840
Speaker 1: spawned the We definitely got some responsibility for it. But

463
00:26:24,840 --> 00:26:28,399
Speaker 1: I'm gonna go back to what Kane said. Okay, we

464
00:26:28,480 --> 00:26:31,440
Speaker 1: know what the record company's agenda is, but isn't there

465
00:26:31,560 --> 00:26:34,600
Speaker 1: something that we should be doing or could be doing

466
00:26:34,840 --> 00:26:37,520
Speaker 1: within the rap community to go, we can't allow this.

467
00:26:37,960 --> 00:26:42,200
Speaker 1: There is something that we should be doing, but it's

468
00:26:42,240 --> 00:26:46,159
Speaker 1: not being allowed. Like there's something we should do. But

469
00:26:46,640 --> 00:26:52,760
Speaker 1: there's a disconnect between my generation and even the nas

470
00:26:52,960 --> 00:26:57,400
Speaker 1: jay Z generation with the generation of today. There's a disconnect.

471
00:26:57,440 --> 00:27:00,680
Speaker 1: And I believe that it's done on purpose. Because when

472
00:27:00,720 --> 00:27:04,080
Speaker 1: I came in the industry, Yo, I remember Jolil from

473
00:27:04,119 --> 00:27:07,000
Speaker 1: Houdini calling me in his room. I'm I'm thinking we

474
00:27:06,960 --> 00:27:08,960
Speaker 1: were he about to have some you know, we're about

475
00:27:08,960 --> 00:27:11,000
Speaker 1: to see some titties and some ass. And he sat

476
00:27:11,040 --> 00:27:14,639
Speaker 1: there gave me game about the industry. He sat there,

477
00:27:14,720 --> 00:27:17,520
Speaker 1: gave me game about the industry. I remember the first

478
00:27:17,560 --> 00:27:19,760
Speaker 1: time I met Rick James, you know, I mean you

479
00:27:19,800 --> 00:27:21,879
Speaker 1: know he well, I'm not the first time. It's the

480
00:27:21,880 --> 00:27:24,280
Speaker 1: first time that I hung out with him as big

481
00:27:24,320 --> 00:27:27,360
Speaker 1: that he came. James the first time, you don't want game,

482
00:27:27,400 --> 00:27:33,920
Speaker 1: you want them titties and as he did bring that

483
00:27:34,000 --> 00:27:37,200
Speaker 1: to the table after afterwards. But when we was when

484
00:27:37,200 --> 00:27:39,800
Speaker 1: we was at the photo shoot, nothing but game. He

485
00:27:39,920 --> 00:27:42,600
Speaker 1: telling me about you know this, about that watch out

486
00:27:42,640 --> 00:27:45,040
Speaker 1: for this, watch out for nothing, a game eating Babby

487
00:27:45,040 --> 00:27:48,040
Speaker 1: White same thing, giving me game, nothing but game, you

488
00:27:48,080 --> 00:27:50,119
Speaker 1: know what I'm saying. And it's like we're in a

489
00:27:50,160 --> 00:27:53,199
Speaker 1: situation now where it's like I couldn't connect with a

490
00:27:53,200 --> 00:27:57,120
Speaker 1: little oozy verb, I couldn't connect with Kodak Black because

491
00:27:57,160 --> 00:28:00,920
Speaker 1: of the disconnect that they have created, where it's like, Yo,

492
00:28:01,000 --> 00:28:03,320
Speaker 1: them old heads ain't relevant no more. Them old heads

493
00:28:03,320 --> 00:28:06,280
Speaker 1: ain't relevant no more. Let me just say one more thing.

494
00:28:06,560 --> 00:28:09,320
Speaker 1: And then for us it's like, you know, fuck them

495
00:28:09,359 --> 00:28:12,000
Speaker 1: young dudes. They ain't They ain't real hip hop. They're

496
00:28:12,000 --> 00:28:15,400
Speaker 1: sitting there mumbling so and that's a disconnect that's created

497
00:28:15,440 --> 00:28:17,639
Speaker 1: where it's like we should be able to converse with

498
00:28:17,680 --> 00:28:20,040
Speaker 1: these cats and tell them like, hey, man, this is

499
00:28:20,040 --> 00:28:22,000
Speaker 1: what happened with me when I was your age. Man,

500
00:28:22,160 --> 00:28:23,760
Speaker 1: this is what I used to do. Hey, you ever

501
00:28:23,840 --> 00:28:26,919
Speaker 1: tried this before? Like you ever tried Here's a unique

502
00:28:26,920 --> 00:28:28,720
Speaker 1: way of writing. You know what I'm saying, because I

503
00:28:28,800 --> 00:28:30,560
Speaker 1: would love to do that with these dudes. You know

504
00:28:30,560 --> 00:28:32,159
Speaker 1: what I'm saying. I don't want to sit down with

505
00:28:32,240 --> 00:28:33,800
Speaker 1: any of them and say, Yo, can I be on

506
00:28:33,800 --> 00:28:36,760
Speaker 1: your album? I'd rather sit down with them and explain

507
00:28:37,119 --> 00:28:40,760
Speaker 1: the process of writing. But at the end of the day,

508
00:28:41,000 --> 00:28:44,320
Speaker 1: It all starts with you possess the ability to begin with.

509
00:28:44,840 --> 00:28:47,520
Speaker 1: So if even if you wanted to reach out to

510
00:28:47,600 --> 00:28:52,680
Speaker 1: those young kids, if they don't possess the ability, is

511
00:28:52,680 --> 00:28:55,920
Speaker 1: it gonna translate? Are you really reaching them? You gotta

512
00:28:56,000 --> 00:28:59,000
Speaker 1: have the talent to start with. It ain't even know

513
00:28:59,160 --> 00:29:04,000
Speaker 1: it's it's not just the ability, it's just them even

514
00:29:04,040 --> 00:29:06,760
Speaker 1: taking time to listen to what you got to say,

515
00:29:06,800 --> 00:29:09,240
Speaker 1: because the minute you don't say what they want to hear,

516
00:29:09,960 --> 00:29:13,040
Speaker 1: they turned it off. They don't listen to you no more.

517
00:29:13,960 --> 00:29:16,880
Speaker 1: And like what Kane was saying with with with the

518
00:29:16,960 --> 00:29:21,920
Speaker 1: radio wants to play, it kind of hurts because what

519
00:29:21,920 --> 00:29:25,120
Speaker 1: what goes on is you do get cast that are original,

520
00:29:25,240 --> 00:29:28,920
Speaker 1: that are dope, But once they say that's not what

521
00:29:28,960 --> 00:29:32,200
Speaker 1: we're checking for now, they're gonna change up and try

522
00:29:32,280 --> 00:29:35,400
Speaker 1: to do what's going on the day instead of being original.

523
00:29:35,800 --> 00:29:38,440
Speaker 1: The only thing that can save a lot of these

524
00:29:38,560 --> 00:29:43,000
Speaker 1: new artists is independence, is believing in yourself and investing

525
00:29:43,040 --> 00:29:45,880
Speaker 1: the money into yourself, because you know what you're doing

526
00:29:46,280 --> 00:29:49,800
Speaker 1: is dope. If you're waiting for somebody to approve of

527
00:29:49,960 --> 00:29:54,800
Speaker 1: what you're doing. I always say the greatest journeys some

528
00:29:54,920 --> 00:29:57,800
Speaker 1: of the greatest battles you're gonna fight by yourself. And

529
00:29:57,840 --> 00:30:00,120
Speaker 1: if you ain't ready to fight them by yourself, just

530
00:30:00,120 --> 00:30:02,840
Speaker 1: just quit now. Because if you're waiting for somebody to

531
00:30:02,840 --> 00:30:06,160
Speaker 1: give your approval that you dope and you know what

532
00:30:06,200 --> 00:30:09,280
Speaker 1: you're doing is different than it's far it might be

533
00:30:09,360 --> 00:30:11,960
Speaker 1: the next level. If you don't believe in that and

534
00:30:12,040 --> 00:30:17,080
Speaker 1: investing that, it's over. And I would say, like as

535
00:30:17,120 --> 00:30:20,920
Speaker 1: far as these kids and how they kids get music

536
00:30:20,960 --> 00:30:24,040
Speaker 1: in a whole different way. Now everything is right here

537
00:30:24,120 --> 00:30:27,280
Speaker 1: for them. Everything any fucking jerk off can make a

538
00:30:27,280 --> 00:30:30,360
Speaker 1: song and happen right and it don't got to it

539
00:30:30,400 --> 00:30:32,680
Speaker 1: don't got to get to the radio. They can become

540
00:30:32,680 --> 00:30:35,280
Speaker 1: a star without leaving their room, or at least think

541
00:30:35,320 --> 00:30:39,320
Speaker 1: they are at least popular. So these labels are chasing

542
00:30:39,760 --> 00:30:42,120
Speaker 1: what the kids are doing. They're going to TikTok that

543
00:30:42,200 --> 00:30:44,480
Speaker 1: it's the numbers to them, how many followers you got,

544
00:30:44,680 --> 00:30:47,680
Speaker 1: what was your last video or you had eighty million views?

545
00:30:47,840 --> 00:30:51,600
Speaker 1: We gotta sign this kid like they have no fucking clue.

546
00:30:51,640 --> 00:30:55,000
Speaker 1: The same things happening in comedy. So basically we've just

547
00:30:55,120 --> 00:30:58,960
Speaker 1: given a lot of little kids motherucker's can be They

548
00:30:59,000 --> 00:31:00,800
Speaker 1: could be funny on the girl Am and then you

549
00:31:00,800 --> 00:31:02,600
Speaker 1: put him in front of people and they can't tell

550
00:31:02,680 --> 00:31:04,760
Speaker 1: two jokes. I remember that happened to me at the

551
00:31:04,800 --> 00:31:07,360
Speaker 1: improv one night. Went back when Uh, what was that

552
00:31:07,400 --> 00:31:10,080
Speaker 1: one that happened around Instagram time? It was a four

553
00:31:10,160 --> 00:31:13,600
Speaker 1: or five second video? What was that one called? It

554
00:31:13,720 --> 00:31:17,880
Speaker 1: was an app? I remember one night I'm hosting at

555
00:31:17,880 --> 00:31:20,920
Speaker 1: the improv and uh, and this kid was on. I said,

556
00:31:20,920 --> 00:31:22,000
Speaker 1: what do you want me to say about you? Goes,

557
00:31:22,640 --> 00:31:24,920
Speaker 1: you could tell him I have over five thousand and

558
00:31:24,920 --> 00:31:27,440
Speaker 1: followers on fine. I go, no, seriously, what do you

559
00:31:27,440 --> 00:31:29,600
Speaker 1: want me to say about you? And he goes, that's

560
00:31:29,640 --> 00:31:32,040
Speaker 1: a big deal, man. I go, okay, pal. So he

561
00:31:32,080 --> 00:31:34,960
Speaker 1: goes on and eats a fat dick on stage, and

562
00:31:34,960 --> 00:31:36,840
Speaker 1: then I went back on stage and go give it

563
00:31:36,920 --> 00:31:38,680
Speaker 1: up for whatever that kids? I said, whatever kid's names?

564
00:31:38,680 --> 00:31:40,240
Speaker 1: I said his name, I said, give it up for

565
00:31:40,440 --> 00:31:43,000
Speaker 1: so and so. Apparently it's really funny for five seconds

566
00:31:43,040 --> 00:31:49,240
Speaker 1: at a time, which translates in real life, you know

567
00:31:49,240 --> 00:31:52,120
Speaker 1: what I mean? Like to them, it's like, you know,

568
00:31:52,480 --> 00:31:55,280
Speaker 1: it's a microwave. They put it in and hit a

569
00:31:55,280 --> 00:31:58,200
Speaker 1: button and it's done fat and it ain't good for you.

570
00:31:58,280 --> 00:32:01,080
Speaker 1: It's not it's not so food. Didn't cook it well,

571
00:32:01,080 --> 00:32:04,480
Speaker 1: that ain't good for you. What I'm just saying, it's

572
00:32:04,520 --> 00:32:08,240
Speaker 1: not made with love. Your arteries enjoyed. It's not made

573
00:32:08,240 --> 00:32:11,400
Speaker 1: with love. It's not health it's just cooked fast. But

574
00:32:11,760 --> 00:32:15,080
Speaker 1: that's why I'm saying. Even if someone like Cain or

575
00:32:15,120 --> 00:32:17,959
Speaker 1: anybody else that's respectable says to you, sit down, let

576
00:32:18,000 --> 00:32:21,040
Speaker 1: me give you game. It's great if they're willing to listen.

577
00:32:21,360 --> 00:32:23,400
Speaker 1: It's great that you want to give it. But at

578
00:32:23,440 --> 00:32:25,600
Speaker 1: the end of the day, you gotta possess the ability

579
00:32:25,640 --> 00:32:27,720
Speaker 1: to do something with it. Like That's why it's like

580
00:32:27,840 --> 00:32:31,080
Speaker 1: from a comedic standpoint, people go, man, I want to

581
00:32:31,160 --> 00:32:33,080
Speaker 1: I want to learn to do comedy. I want to

582
00:32:33,120 --> 00:32:35,480
Speaker 1: take a class. And I know that's the biggest waste

583
00:32:35,520 --> 00:32:37,680
Speaker 1: of time. At the end of the day, you're either

584
00:32:37,760 --> 00:32:40,400
Speaker 1: born with this or you're not. And if you're born

585
00:32:40,440 --> 00:32:43,120
Speaker 1: with it, now you're the piece of clay that somebody

586
00:32:43,160 --> 00:32:46,080
Speaker 1: can mold you with advice and shape you. But if

587
00:32:46,120 --> 00:32:49,240
Speaker 1: you ain't got the skills to begin with, Yeah, but

588
00:32:49,400 --> 00:32:51,960
Speaker 1: they don't believe that, you know why. It's almost like

589
00:32:52,480 --> 00:32:57,200
Speaker 1: nobody that's whack thinks they're whack. They don't think they're whack.

590
00:32:57,360 --> 00:32:59,160
Speaker 1: So when the guy, so, when the when the girl

591
00:32:59,240 --> 00:33:01,800
Speaker 1: walks in front of the American Idol judges and she's

592
00:33:01,840 --> 00:33:06,320
Speaker 1: singing and she's trash, they laughing at her. Simon's gonna

593
00:33:06,360 --> 00:33:09,640
Speaker 1: drag her, but everybody in her city sent her there.

594
00:33:09,920 --> 00:33:12,960
Speaker 1: She thinks she's good. But that's why we need Simons

595
00:33:13,080 --> 00:33:17,560
Speaker 1: right to give to true need gatekeepers. Yeah, and that's

596
00:33:17,560 --> 00:33:20,880
Speaker 1: what you're here for. That's why my career is where

597
00:33:20,880 --> 00:33:23,920
Speaker 1: it is. The truth is like poetry, and nobody likes

598
00:33:23,920 --> 00:33:28,400
Speaker 1: fucking poetry, not real poetry, right, not that ship that

599
00:33:28,440 --> 00:33:31,200
Speaker 1: you gotta figure out if you want heroin. Oh yeah, yeah,

600
00:33:31,520 --> 00:33:33,920
Speaker 1: we're That's where we're at. And what is darkness? What

601
00:33:34,080 --> 00:33:36,720
Speaker 1: is light? What is the animal inhabitants of the wolves

602
00:33:36,720 --> 00:33:38,920
Speaker 1: in the woods? No, I get my flesh. The clock

603
00:33:39,000 --> 00:33:41,200
Speaker 1: takes the big hand moves. Some people break free from

604
00:33:41,200 --> 00:33:43,000
Speaker 1: the Western stress, only to find out that life is

605
00:33:44,680 --> 00:33:51,560
Speaker 1: already I was gone, right. I don't know. I would

606
00:33:51,600 --> 00:33:54,320
Speaker 1: put that on a T shirt? Would what else? What

607
00:33:54,360 --> 00:33:55,880
Speaker 1: we're talking about next? I don't. I don't want to

608
00:33:55,880 --> 00:33:58,400
Speaker 1: even give them the building. We're just having this whole

609
00:33:58,400 --> 00:34:02,000
Speaker 1: conversations about we're getting we'll get there some people need

610
00:34:02,080 --> 00:34:05,160
Speaker 1: verbal spankings. Man, you know this is just a verbal spanking.

611
00:34:06,800 --> 00:34:09,160
Speaker 1: You know, I don't believe in you know. One of

612
00:34:09,239 --> 00:34:13,040
Speaker 1: the things about this, this young generation that really despises

613
00:34:13,560 --> 00:34:17,600
Speaker 1: this whole wokeness political correct that's fakes an opinion now

614
00:34:17,719 --> 00:34:20,399
Speaker 1: is hatred. You know. It's like it's it's not you're

615
00:34:20,400 --> 00:34:22,560
Speaker 1: allowed to have an opinion, you know what I mean?

616
00:34:22,560 --> 00:34:28,279
Speaker 1: Every time I speak out on something like what the

617
00:34:28,280 --> 00:34:31,680
Speaker 1: funk out is? See, I appreciate your fee because of that. Like,

618
00:34:32,480 --> 00:34:34,880
Speaker 1: you know, comedians are supposed to be the last truth tellers.

619
00:34:35,360 --> 00:34:37,760
Speaker 1: You're not getting there your information from the news anymore

620
00:34:37,760 --> 00:34:41,400
Speaker 1: because you're getting biased news. Whether you watch CNN, Fox,

621
00:34:41,840 --> 00:34:44,440
Speaker 1: you're gonna get an opinion based on which side they

622
00:34:44,520 --> 00:34:49,120
Speaker 1: lean to. And comedians were the last bastion of telling

623
00:34:49,120 --> 00:34:51,680
Speaker 1: you exactly what the funk it is. You know, we

624
00:34:51,760 --> 00:34:54,239
Speaker 1: don't we don't care what you like. We don't care

625
00:34:54,280 --> 00:34:56,480
Speaker 1: if this is the side you're on, that decide you're on.

626
00:34:56,800 --> 00:34:58,880
Speaker 1: We're just telling it as it is, and people aren't

627
00:34:58,920 --> 00:35:03,120
Speaker 1: fucking able to under process that anymore. Speaking, I would

628
00:35:03,160 --> 00:35:05,400
Speaker 1: like to hear some truth about this question. And this

629
00:35:05,520 --> 00:35:09,320
Speaker 1: is supposed to both of you what is better pussy

630
00:35:09,400 --> 00:35:13,719
Speaker 1: rat pussy or comedy pussy? Um? Well, one has chlamydia,

631
00:35:14,719 --> 00:35:23,520
Speaker 1: um and the other one has low self esteem. So

632
00:35:23,560 --> 00:35:25,719
Speaker 1: I'll take that low self esteem. A pill. Ain't gonna

633
00:35:26,160 --> 00:35:28,080
Speaker 1: I could guess which one is which. Yeah, I think

634
00:35:28,120 --> 00:35:30,839
Speaker 1: it's pretty obvious. Anytime I perform in the South, Uh,

635
00:35:31,280 --> 00:35:34,000
Speaker 1: bitches bring me plates. I don't get panties. I get plates.

636
00:35:34,360 --> 00:35:37,520
Speaker 1: I don't get a ship. I get h That's true,

637
00:35:37,560 --> 00:35:41,080
Speaker 1: It's exactly that. Actually, that is exactly the reason I get.

638
00:35:41,120 --> 00:35:43,200
Speaker 1: People have a way to catch up in cool. Yeah

639
00:35:43,480 --> 00:35:45,080
Speaker 1: we have. We had of ways to go, but I

640
00:35:45,120 --> 00:35:46,920
Speaker 1: was lucky enough to go around the black community, so

641
00:35:47,760 --> 00:35:49,800
Speaker 1: you know I came up this way. So Russell is

642
00:35:49,840 --> 00:35:52,280
Speaker 1: a strange breed. Baby, I am a very different breathe.

643
00:35:56,640 --> 00:35:58,919
Speaker 1: Do you dread looking at your credit card statement every month?

644
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645
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646
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647
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648
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649
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650
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Speaker 1: it's paying off credit cards, consolidating high interest debt, or

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Speaker 1: funding personal expenses. Over half a million people have used

652
00:36:22,840 --> 00:36:26,040
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653
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654
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655
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656
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663
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664
00:37:04,719 --> 00:37:07,680
Speaker 1: r L to let them know we sent you. Loan

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666
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667
00:37:14,239 --> 00:37:17,839
Speaker 1: upstart dot com slash peters to see what upstart can

668
00:37:17,880 --> 00:37:30,279
Speaker 1: do for you today. No, Kane's married, Are you trying

669
00:37:30,320 --> 00:37:33,960
Speaker 1: to ruin his marriage? Like? That's a long time. I

670
00:37:34,040 --> 00:37:38,919
Speaker 1: never got post you before my wife. I did play

671
00:37:38,920 --> 00:37:43,120
Speaker 1: a girl, but that was for the money. Oh man, damn,

672
00:37:43,160 --> 00:37:45,920
Speaker 1: you didn't do that. Did he really with Madonna? What

673
00:37:45,960 --> 00:37:53,080
Speaker 1: do you mean? Yes, yes, yes, you gotta changes Mr

674
00:37:53,360 --> 00:37:57,200
Speaker 1: wine Glass for a microphone. You were like my whole

675
00:37:57,320 --> 00:38:00,680
Speaker 1: d like fanboy moment. I'll never and he know he

676
00:38:00,719 --> 00:38:03,439
Speaker 1: knows how I feel about it. I never forget. We

677
00:38:03,440 --> 00:38:05,719
Speaker 1: was in North Carolinas, me, Jeff and Darnell. You know

678
00:38:05,760 --> 00:38:10,680
Speaker 1: how big of a j Zell so our road manager, Darnell.

679
00:38:10,960 --> 00:38:14,320
Speaker 1: We were in the van. We land in North Carolina

680
00:38:14,360 --> 00:38:16,279
Speaker 1: to go to a gig or something. We're landing, We're

681
00:38:16,400 --> 00:38:21,279
Speaker 1: arguing about jay Z and Biggie and he's just going

682
00:38:21,440 --> 00:38:24,640
Speaker 1: He's like, Hove is the guy. I'm like, I'm like, man, listen,

683
00:38:24,680 --> 00:38:28,560
Speaker 1: bro like he's Hove is amazing. But I can't put

684
00:38:28,680 --> 00:38:32,480
Speaker 1: anybody in front of the person that they that they

685
00:38:32,320 --> 00:38:34,719
Speaker 1: that they were influenced by. I can't do it. So

686
00:38:34,760 --> 00:38:37,200
Speaker 1: the van loops back and we have no idea this

687
00:38:37,280 --> 00:38:39,719
Speaker 1: is about to happen. The guy goes, yeah, man, I

688
00:38:39,719 --> 00:38:42,920
Speaker 1: gotta pick up another person to go to the venue

689
00:38:43,280 --> 00:38:45,520
Speaker 1: or to go to the hotel. You guys mind just

690
00:38:45,560 --> 00:38:48,120
Speaker 1: were looping back around. I just grabbed. So we come

691
00:38:48,160 --> 00:38:52,960
Speaker 1: back around. The van opens up. Big Daddy came walks

692
00:38:53,000 --> 00:38:56,239
Speaker 1: into the gets into the van and I'm fan boying out,

693
00:38:56,320 --> 00:39:00,120
Speaker 1: like oh fuck. Kane is in the fucking back like

694
00:39:00,120 --> 00:39:02,080
Speaker 1: what's up, brothers, and we just like what's up. We're like,

695
00:39:02,280 --> 00:39:03,920
Speaker 1: he's like, yo, he came like yo, so we're going

696
00:39:03,960 --> 00:39:06,520
Speaker 1: to the hotel now. They're like yeah. So I'm just like, so,

697
00:39:06,560 --> 00:39:08,439
Speaker 1: what was you saying about whole? I'm trying to push

698
00:39:08,480 --> 00:39:11,000
Speaker 1: my man, like, what was you saying about whole? So

699
00:39:11,120 --> 00:39:14,960
Speaker 1: he like like, I said, jay Z is ah and

700
00:39:15,000 --> 00:39:17,919
Speaker 1: I said, I'll never think. I looked back at kne

701
00:39:17,920 --> 00:39:21,879
Speaker 1: and I said, uh, this is my friend. I said,

702
00:39:21,880 --> 00:39:25,600
Speaker 1: this is my homeboy. But he he believes that because

703
00:39:25,840 --> 00:39:29,719
Speaker 1: Biggie and jay Z were after you, he that there

704
00:39:30,120 --> 00:39:34,759
Speaker 1: he they don't he don't understand that without him, without you,

705
00:39:35,000 --> 00:39:38,080
Speaker 1: there could be no Biggie or jay Z. And Kane

706
00:39:38,120 --> 00:39:43,719
Speaker 1: goes and that's your man, and that was it. Like

707
00:39:43,760 --> 00:39:47,200
Speaker 1: that was it? Yo? When I tell you, he sunk

708
00:39:47,239 --> 00:39:50,120
Speaker 1: down in the seats so heavy because I'm such a

709
00:39:50,200 --> 00:39:52,680
Speaker 1: big daddy came fan like. I was ready to on

710
00:39:52,800 --> 00:39:54,400
Speaker 1: them to the death, and I had the proof in

711
00:39:54,440 --> 00:39:57,399
Speaker 1: the car with me, like, and he just said cool

712
00:39:57,440 --> 00:40:01,200
Speaker 1: as a motherucking fan in big and he came esque,

713
00:40:01,239 --> 00:40:04,960
Speaker 1: he just went and that's your man, Like that was

714
00:40:06,200 --> 00:40:11,719
Speaker 1: Do you remember that? It was such a dope moment, man,

715
00:40:11,760 --> 00:40:14,239
Speaker 1: It was such a dope mo funny thing is Um?

716
00:40:14,320 --> 00:40:17,920
Speaker 1: I actually met you uh once. It was during the

717
00:40:17,920 --> 00:40:20,880
Speaker 1: shack Saw Star comedy Jam. I think it was in

718
00:40:20,960 --> 00:40:25,719
Speaker 1: Phoenix and you breathe through and uh, you know, I was,

719
00:40:25,840 --> 00:40:28,080
Speaker 1: you know, nervous and I said hello, and you was

720
00:40:28,160 --> 00:40:31,560
Speaker 1: just cool. You just was like what's up, um, and

721
00:40:31,640 --> 00:40:33,480
Speaker 1: just left it at that. So I didn't want to

722
00:40:33,880 --> 00:40:35,560
Speaker 1: I didn't want to push it. But you know, you

723
00:40:35,600 --> 00:40:38,319
Speaker 1: always get nervous when you meet people that you kind

724
00:40:38,320 --> 00:40:40,879
Speaker 1: of look up to because you're scared they either gonna

725
00:40:40,960 --> 00:40:43,839
Speaker 1: let you down or yeah yeah yeah yeah. So but

726
00:40:44,239 --> 00:40:46,880
Speaker 1: he was cool, man, he was very cool. I remember

727
00:40:46,920 --> 00:40:50,719
Speaker 1: meeting you on Melrose you you you you. I was

728
00:40:50,920 --> 00:40:52,719
Speaker 1: getting a walk into a store and you was in

729
00:40:52,800 --> 00:40:55,799
Speaker 1: your your whip and you hollered at me and I

730
00:40:55,880 --> 00:40:58,719
Speaker 1: just was like basing and you said your name and

731
00:40:58,760 --> 00:41:00,440
Speaker 1: I was like, no, I know who that who you are?

732
00:41:01,040 --> 00:41:05,359
Speaker 1: Remember that? No? I don't you know? What's crazy? Man?

733
00:41:05,600 --> 00:41:08,800
Speaker 1: Is Um? I've been doing this thirty six thirty one years,

734
00:41:09,160 --> 00:41:11,360
Speaker 1: and it's like when I meet the people that I

735
00:41:11,440 --> 00:41:14,640
Speaker 1: came up with, I know, I know them. I don't

736
00:41:14,719 --> 00:41:17,719
Speaker 1: ever expect them to know me. I just I just

737
00:41:18,200 --> 00:41:20,520
Speaker 1: And so when that happens, you you're throwing the back

738
00:41:20,600 --> 00:41:24,359
Speaker 1: like this motherfucking on league. So it just it throws you.

739
00:41:24,440 --> 00:41:26,000
Speaker 1: It just throws you know what it is because we

740
00:41:26,200 --> 00:41:29,440
Speaker 1: fan boy and because they know us. Weeks we were

741
00:41:29,440 --> 00:41:31,520
Speaker 1: hoping they're a fan boy, to know what I mean.

742
00:41:31,840 --> 00:41:35,080
Speaker 1: The first Slash from Guns and Rods. I was doing

743
00:41:35,400 --> 00:41:38,360
Speaker 1: George Lopez show and I'm in the green room and

744
00:41:38,360 --> 00:41:42,080
Speaker 1: it's literally just me and Slash standing there. I go, oh, hey, Slash, um,

745
00:41:42,120 --> 00:41:44,200
Speaker 1: I'm my name is Russell Peters, some comedian on the

746
00:41:44,200 --> 00:41:46,040
Speaker 1: show with you to night. He goes, because I look

747
00:41:46,040 --> 00:41:47,359
Speaker 1: in his head, goes, yeah, man, I know who you are.

748
00:41:47,440 --> 00:41:49,960
Speaker 1: And I go when you hear that, you almost go

749
00:41:50,440 --> 00:41:51,960
Speaker 1: I hear I know who you are. I think he sucks.

750
00:41:52,000 --> 00:41:54,600
Speaker 1: That's what we're here because we're so ship on ourselves.

751
00:41:55,040 --> 00:41:56,920
Speaker 1: And then he goes, I go, oh you do it

752
00:41:56,960 --> 00:41:59,720
Speaker 1: goes yeah man. I was on tour in Europe just

753
00:41:59,719 --> 00:42:01,680
Speaker 1: just just recently and we were watching you on our

754
00:42:01,680 --> 00:42:04,520
Speaker 1: tour bus and I said, are you kidding me? And

755
00:42:04,560 --> 00:42:06,640
Speaker 1: I was like, I have a new DVD. Do you

756
00:42:06,680 --> 00:42:14,399
Speaker 1: want it? I first met Cane on One Street. Never

757
00:42:14,440 --> 00:42:17,360
Speaker 1: forget it. No, like yesterday he was in front of

758
00:42:17,440 --> 00:42:21,239
Speaker 1: Dapper Dance the black and gold m C M suit

759
00:42:22,640 --> 00:42:28,120
Speaker 1: three quarter. He was driving a black Vovo white white. No,

760
00:42:28,239 --> 00:42:32,279
Speaker 1: it was a Vovo, but uh I remember, I was like,

761
00:42:32,320 --> 00:42:35,319
Speaker 1: oh Ship, that's Cane. I fanned out, but I get

762
00:42:35,360 --> 00:42:38,840
Speaker 1: cool and Yo, your mind. You're given the autograph for

763
00:42:38,920 --> 00:42:49,880
Speaker 1: my girl. You know, I forget I'm signed with oh

764
00:42:50,000 --> 00:42:54,640
Speaker 1: Man crazy, but I figured I'm gonna score points with

765
00:42:54,680 --> 00:42:57,680
Speaker 1: my girl. I come in with a big daddy can autograph,

766
00:42:57,800 --> 00:43:01,920
Speaker 1: it's all and get what I want that night. But then, um,

767
00:43:01,960 --> 00:43:04,800
Speaker 1: I remember meeting them again when I became an artist

768
00:43:05,080 --> 00:43:07,200
Speaker 1: and I used to always be around scoop and scrap

769
00:43:08,120 --> 00:43:10,799
Speaker 1: and I met him and I was like, Yo, man,

770
00:43:11,040 --> 00:43:14,320
Speaker 1: you know it's honor to meet you. Yo. Low Finesseini

771
00:43:14,719 --> 00:43:16,319
Speaker 1: did the same thing, and I know who you are,

772
00:43:17,160 --> 00:43:20,080
Speaker 1: and Yo, I was listening to your album. Yo. Ship

773
00:43:20,120 --> 00:43:23,920
Speaker 1: was dope. Man. That like, I didn't even need to

774
00:43:23,960 --> 00:43:27,719
Speaker 1: go further my my career could right there. Because when

775
00:43:27,920 --> 00:43:31,160
Speaker 1: when you acknowledged by by your heroes and icons and

776
00:43:31,200 --> 00:43:34,920
Speaker 1: you you going for something to be just as great

777
00:43:35,040 --> 00:43:37,959
Speaker 1: one day and they say I listened to its ship

778
00:43:38,080 --> 00:43:41,279
Speaker 1: is good that that? I mean this came before the

779
00:43:41,360 --> 00:43:45,320
Speaker 1: money part of the industry. It was just being able

780
00:43:45,400 --> 00:43:48,359
Speaker 1: to be a part of the hip hop, the hip

781
00:43:48,400 --> 00:43:52,120
Speaker 1: hop part of it, and contributing and knowing that whatever

782
00:43:52,160 --> 00:43:55,319
Speaker 1: it is you made your mark. And the money came late.

783
00:43:55,400 --> 00:43:57,760
Speaker 1: I think if you be consistent, you do what you do,

784
00:43:58,000 --> 00:44:02,319
Speaker 1: everything else to come. But the heroes that inspired you

785
00:44:03,280 --> 00:44:06,799
Speaker 1: and you get that acknowledgement from them, Man, that's a

786
00:44:06,880 --> 00:44:10,319
Speaker 1: whole somebody to let you down. He wrote it made

787
00:44:10,360 --> 00:44:12,960
Speaker 1: you feel like damn like they didn't know what I mean,

788
00:44:13,520 --> 00:44:16,759
Speaker 1: they came off shitty or well, I think motherfucker's that

789
00:44:16,880 --> 00:44:18,800
Speaker 1: let me down. I didn't give a funk about anyway.

790
00:44:18,920 --> 00:44:25,040
Speaker 1: So like I've met people, I've met people where you know,

791
00:44:25,239 --> 00:44:28,600
Speaker 1: I'm thinking they're cool and they ain't cool, and it's like,

792
00:44:28,640 --> 00:44:31,840
Speaker 1: in my mind, I'm cursing that out. That's why I

793
00:44:31,880 --> 00:44:34,719
Speaker 1: was always scared because I'm a Michael Jordan fanatic, but

794
00:44:34,760 --> 00:44:36,680
Speaker 1: I was always scared to meet Mike because I heard

795
00:44:36,719 --> 00:44:39,680
Speaker 1: different stories about his personality, and I always felt like

796
00:44:39,719 --> 00:44:43,600
Speaker 1: if I meet him, he ship on me Henna and

797
00:44:43,680 --> 00:44:46,560
Speaker 1: say some ship like me and better than you know.

798
00:44:46,719 --> 00:44:52,440
Speaker 1: I don't mean that, right, He's gonna force you to

799
00:44:51,880 --> 00:44:55,399
Speaker 1: to to say something. Yeah. Yeah, No, they say never

800
00:44:55,440 --> 00:44:58,960
Speaker 1: meet That's what they say. That's true. But I got

801
00:44:59,000 --> 00:45:01,480
Speaker 1: lucky and all the heroes I met so far, So

802
00:45:01,560 --> 00:45:03,920
Speaker 1: you know, you never met nobody. I met people. They

803
00:45:03,920 --> 00:45:06,760
Speaker 1: weren't like idols that that I met that I wanted

804
00:45:06,800 --> 00:45:10,080
Speaker 1: to meet. Uh. Other than I never met Jordan's I

805
00:45:10,160 --> 00:45:13,879
Speaker 1: met Ali. Uh you know, brought me to tears. Uh.

806
00:45:14,080 --> 00:45:17,879
Speaker 1: I'm a Mike Tyson fanatic. Uh, Mike was kind of cool,

807
00:45:17,920 --> 00:45:19,439
Speaker 1: but you got to meet him at the right time.

808
00:45:20,080 --> 00:45:22,040
Speaker 1: I put you on that Zoom call with him last year.

809
00:45:22,120 --> 00:45:25,400
Speaker 1: Yeah yeah, yeah yeah uh so yeah. Other than that,

810
00:45:25,600 --> 00:45:27,560
Speaker 1: Jordan's the only person that I never met that I

811
00:45:27,560 --> 00:45:30,560
Speaker 1: would like. My jaw would hit the floor. I'm not

812
00:45:30,560 --> 00:45:32,520
Speaker 1: even a basketball fan, but if I met Jordan, I

813
00:45:32,560 --> 00:45:34,520
Speaker 1: would geek out. You don't want that. You don't want

814
00:45:34,560 --> 00:45:37,759
Speaker 1: the chamellionaire chamellionaire. Yeah you know what I mean. You

815
00:45:37,760 --> 00:45:43,040
Speaker 1: don't want them to look at you and says out

816
00:45:43,080 --> 00:45:45,560
Speaker 1: here right. See that's when you were big Daddy Kane

817
00:45:46,080 --> 00:45:47,840
Speaker 1: and that he was Michael Jordan. But you were a

818
00:45:47,840 --> 00:45:52,160
Speaker 1: big daddy, so he wasn't Michael Jordan's. Yeah, in the

819
00:45:52,200 --> 00:45:55,319
Speaker 1: eighties he was. He was Michael Jordan. It was Michael Jordan.

820
00:45:55,320 --> 00:45:59,040
Speaker 1: He wasn't Jordan's, right, I mean it was one of

821
00:45:59,040 --> 00:46:03,239
Speaker 1: the type of things where you know, um um um

822
00:46:03,239 --> 00:46:04,600
Speaker 1: it was you know what type of things where you

823
00:46:04,680 --> 00:46:07,200
Speaker 1: know you can feel that like you're like, you don't dude,

824
00:46:07,239 --> 00:46:09,160
Speaker 1: ain't want to really be bothered, you know, so I

825
00:46:09,239 --> 00:46:11,480
Speaker 1: just you know, like, you know, hey, man, you know

826
00:46:13,000 --> 00:46:16,040
Speaker 1: you're great, man. I'm a big Fanily what you do man,

827
00:46:16,080 --> 00:46:21,439
Speaker 1: Respect your work, man, going to enjoy your night man. Yeah, yeah,

828
00:46:21,520 --> 00:46:23,120
Speaker 1: you know I have to give me a fist bump

829
00:46:23,239 --> 00:46:24,640
Speaker 1: or something like that, so you know, you know, I

830
00:46:24,719 --> 00:46:26,719
Speaker 1: just kept it moving. I heard Jordan's cool when you

831
00:46:26,719 --> 00:46:28,360
Speaker 1: meet him if you don't ask him for a photo

832
00:46:28,440 --> 00:46:32,239
Speaker 1: or an autograph, which kind of sucks because that's the

833
00:46:32,239 --> 00:46:35,160
Speaker 1: one thing you want. But I also think you have

834
00:46:35,280 --> 00:46:37,840
Speaker 1: to meet him, like if you met him through someone.

835
00:46:38,400 --> 00:46:43,120
Speaker 1: Charles Barkley said, Hey, m J. But if you're just

836
00:46:43,200 --> 00:46:46,520
Speaker 1: some random dude, m J. M J. Then it's like, man,

837
00:46:46,560 --> 00:46:49,640
Speaker 1: I heard all this before. Yep. Yeah, it's like you

838
00:46:49,680 --> 00:46:52,480
Speaker 1: don't want to get the Chamellionaire ship. When he just

839
00:46:52,719 --> 00:46:55,160
Speaker 1: was like, yeah, man, you know, I just wonder I

840
00:46:55,160 --> 00:46:57,279
Speaker 1: could take a picture with you, Mike if I wasn't.

841
00:46:57,600 --> 00:47:00,920
Speaker 1: I don't take pictures with niggers left me. Is that

842
00:47:00,960 --> 00:47:03,520
Speaker 1: what he said? Yeah, it's a Chamellionaire. I mean I

843
00:47:03,600 --> 00:47:05,560
Speaker 1: think you had a basketball and everything, and he was

844
00:47:05,600 --> 00:47:08,520
Speaker 1: just like yeah, but he said it like I don't like,

845
00:47:08,680 --> 00:47:12,319
Speaker 1: I don't take pictures, but he's taking so many, so

846
00:47:12,360 --> 00:47:17,359
Speaker 1: that's maybe maybe even especially since Jordan's a billionaire, right.

847
00:47:18,400 --> 00:47:20,480
Speaker 1: I think he said he was at a restaurant he

848
00:47:20,640 --> 00:47:23,680
Speaker 1: darted to, like the sports story and got a ball

849
00:47:23,800 --> 00:47:26,000
Speaker 1: this ship. He was like, it's just about to happen

850
00:47:26,080 --> 00:47:30,880
Speaker 1: for me. Look, as much as I love fast food,

851
00:47:31,160 --> 00:47:32,879
Speaker 1: I know that I can't eat it all the time,

852
00:47:33,000 --> 00:47:35,799
Speaker 1: but cooking can be consuming and annoying, so it's hard

853
00:47:35,840 --> 00:47:38,680
Speaker 1: to motivate me to do it, like really difficult to

854
00:47:38,680 --> 00:47:41,200
Speaker 1: do that. But now that I'm using Hello fresh, cooking

855
00:47:41,280 --> 00:47:42,799
Speaker 1: is no big deal for me. I mean, it's still

856
00:47:42,840 --> 00:47:44,840
Speaker 1: kind of a big deal for me, but it's fast,

857
00:47:44,920 --> 00:47:47,160
Speaker 1: it's easy, and all the recipes are right there, and

858
00:47:47,160 --> 00:47:51,040
Speaker 1: they're really delicious. With Hello Fresh, you get fresh, pre

859
00:47:51,120 --> 00:47:54,520
Speaker 1: measured ingredients and mouth watering seasonal recipes delivered right to

860
00:47:54,560 --> 00:47:56,360
Speaker 1: your door. I can tell you right now that my

861
00:47:56,400 --> 00:47:58,880
Speaker 1: mouth is actually watering. You can skip trips to the

862
00:47:58,880 --> 00:48:01,960
Speaker 1: grocery store and count on Hello Fresh to make home

863
00:48:02,000 --> 00:48:06,120
Speaker 1: cooking easy, fun and affordable. That's why it's America's number

864
00:48:06,120 --> 00:48:08,759
Speaker 1: one meal kit. You know I love a deal, right,

865
00:48:08,920 --> 00:48:10,680
Speaker 1: so believe me when I tell you that Hello Fresh

866
00:48:10,760 --> 00:48:13,560
Speaker 1: is a great deal. It's twenty eight percent cheaper than

867
00:48:13,600 --> 00:48:17,200
Speaker 1: shopping at your local grocery store and seventy two cheaper

868
00:48:17,200 --> 00:48:19,839
Speaker 1: than going to a restaurant. And the thing is their

869
00:48:19,840 --> 00:48:22,600
Speaker 1: meals taste like amazing restaurant meals, so it's a win

870
00:48:22,680 --> 00:48:25,440
Speaker 1: win situation. I think the best thing for me is

871
00:48:25,480 --> 00:48:28,560
Speaker 1: how much flexibility I have with Hello Fresh. My schedule

872
00:48:28,680 --> 00:48:31,560
Speaker 1: changes all the time, so I need flexibility, and with

873
00:48:31,600 --> 00:48:33,840
Speaker 1: Hello Fresh, I can skip orders when I know I

874
00:48:33,880 --> 00:48:36,800
Speaker 1: won't be home, and I can customize my box every

875
00:48:36,840 --> 00:48:38,680
Speaker 1: week so that if I have friends staying with me,

876
00:48:38,920 --> 00:48:41,320
Speaker 1: there's enough food for them too. I can even double

877
00:48:41,360 --> 00:48:44,120
Speaker 1: up on my kid's favorite recipes to keep them happy. Yes,

878
00:48:44,320 --> 00:48:47,200
Speaker 1: I know what you're thinking. Who needs that many chicken nuggets? Hey,

879
00:48:47,200 --> 00:48:50,560
Speaker 1: they give me options, which is super helpful. It really

880
00:48:50,600 --> 00:48:53,160
Speaker 1: makes my life a lot easier. So go to Hello

881
00:48:53,200 --> 00:48:57,920
Speaker 1: Fresh dot com slash twelve peters and use code twelve

882
00:48:58,000 --> 00:49:02,560
Speaker 1: peters for twelve free meals including free shipping. That's Hello

883
00:49:02,640 --> 00:49:06,440
Speaker 1: Fresh dot com slash twelve peters, that's the number twelve

884
00:49:06,760 --> 00:49:10,040
Speaker 1: and my last name Peters and use code twelve peters

885
00:49:10,040 --> 00:49:13,560
Speaker 1: for twelve free meals, including free shipping. Hello Fresh, America's

886
00:49:13,680 --> 00:49:22,600
Speaker 1: number one meal kid. And I think because we're both comedians, uh,

887
00:49:22,880 --> 00:49:24,759
Speaker 1: you know, we all in the we in the comedy game.

888
00:49:24,840 --> 00:49:28,560
Speaker 1: Was this is a class? Uh? First time I met

889
00:49:28,719 --> 00:49:31,160
Speaker 1: Paul Mooney and this is my cheap way of seguating

890
00:49:31,440 --> 00:49:35,480
Speaker 1: into a Paul Mooney and press. Absolutely. But Paul is

891
00:49:35,520 --> 00:49:37,880
Speaker 1: one of the one of the goats. But if he

892
00:49:37,920 --> 00:49:43,279
Speaker 1: don't know you, he could be very So you're I'm

893
00:49:43,360 --> 00:49:46,440
Speaker 1: Paul and you're meeting me and you just talk to

894
00:49:46,440 --> 00:49:48,440
Speaker 1: me for a second. Paul Mooney, Man, how are you doing? Man?

895
00:49:48,520 --> 00:49:50,800
Speaker 1: Nice to meet you now. My name is Aria Spears.

896
00:49:50,960 --> 00:49:53,520
Speaker 1: I'm a young comedian coming up Nigga. I'm fine nigga,

897
00:49:53,800 --> 00:49:59,200
Speaker 1: I'm fine. I'm fine. You asked me, I'll see how

898
00:49:59,239 --> 00:50:01,920
Speaker 1: I am. I'm by by goddamn self. You know how

899
00:50:01,960 --> 00:50:09,880
Speaker 1: the fuck I am. Please, but you know what my

900
00:50:10,040 --> 00:50:13,160
Speaker 1: thing is. That's the perfect way for a comedian. You

901
00:50:13,160 --> 00:50:21,920
Speaker 1: would expect that, though not forget listen as a comic.

902
00:50:22,200 --> 00:50:26,840
Speaker 1: I'll never forget, y'all. Motherfucker's have no code. It's always funny.

903
00:50:26,880 --> 00:50:29,520
Speaker 1: I won't forget the time that we was on tour,

904
00:50:30,239 --> 00:50:32,640
Speaker 1: or we went to one of your shows and Chris

905
00:50:32,760 --> 00:50:34,879
Speaker 1: Rock was on the bus. It might have been Chris

906
00:50:34,960 --> 00:50:36,880
Speaker 1: Rock and somebody else. We was going to the venue

907
00:50:37,239 --> 00:50:41,520
Speaker 1: Whitney Houston had died not twenty four hours earlier, and

908
00:50:41,640 --> 00:50:45,399
Speaker 1: y'all was fucking going ham with the jokes. And then

909
00:50:45,440 --> 00:50:49,439
Speaker 1: you went too soon, and we all was like, come on, russe,

910
00:50:49,520 --> 00:50:51,799
Speaker 1: and you was like, I mean, but is it ever

911
00:50:51,920 --> 00:50:55,160
Speaker 1: really too soon? Like always a joke? All right, So

912
00:50:55,239 --> 00:50:59,640
Speaker 1: let me ask you this in terms of too soon. Uh,

913
00:51:00,120 --> 00:51:02,279
Speaker 1: one of my man I forget which one it was,

914
00:51:02,320 --> 00:51:07,200
Speaker 1: but to do from Criss Cross pass Away about four

915
00:51:07,280 --> 00:51:09,600
Speaker 1: days into the past. And I was on stage and

916
00:51:09,920 --> 00:51:12,040
Speaker 1: somebody in the audience was like, yo, dude, from Criss

917
00:51:12,040 --> 00:51:15,160
Speaker 1: Cross died. I was like, damn, this fucked up. I

918
00:51:15,200 --> 00:51:17,200
Speaker 1: wonder if they gonna put him in the casket backwards.

919
00:51:31,520 --> 00:51:37,480
Speaker 1: Remember that the day the day Michael Jackson died, I tweeted,

920
00:51:37,960 --> 00:51:41,560
Speaker 1: I said sad, I said, the sad day for music

921
00:51:41,960 --> 00:51:46,560
Speaker 1: and the Jackson Ford two is gonna suck. Listen, Can

922
00:51:46,600 --> 00:51:49,440
Speaker 1: I ask comedians? Can I ask y'all? Because that's something

923
00:51:49,480 --> 00:51:52,560
Speaker 1: that made just us regular humans who don't tell jokes

924
00:51:52,600 --> 00:51:55,920
Speaker 1: for a living, we call you'all civilians. Is that is

925
00:51:55,960 --> 00:51:59,720
Speaker 1: that a code? Isn't a code? Like whoever? If it's funny,

926
00:51:59,800 --> 00:52:03,240
Speaker 1: it's funny, it is. But the problem is the funny

927
00:52:03,320 --> 00:52:06,359
Speaker 1: is always gonna be the butter somebody it has funny

928
00:52:06,360 --> 00:52:08,399
Speaker 1: to everybody else with them. I'm gonna give you one more.

929
00:52:08,719 --> 00:52:10,640
Speaker 1: And I think he stopped following me because it is.

930
00:52:12,440 --> 00:52:16,319
Speaker 1: Dwayne Wave was following me on on Twitter. And this

931
00:52:16,400 --> 00:52:18,680
Speaker 1: was right around the time he was playing bad, like

932
00:52:18,719 --> 00:52:21,360
Speaker 1: he went through a stretch and after one game he

933
00:52:21,440 --> 00:52:24,520
Speaker 1: played so bad, I tweeted, Yo, d Waves shouldn't even

934
00:52:24,560 --> 00:52:28,680
Speaker 1: shower after the game because he's already washed up bowsers.

935
00:52:29,880 --> 00:52:33,680
Speaker 1: So you know, it's a then lie between joke and

936
00:52:33,800 --> 00:52:37,560
Speaker 1: not well, it's a joke to us them. That's what

937
00:52:37,600 --> 00:52:40,759
Speaker 1: I'm saying that that's what it is funny and it's

938
00:52:40,800 --> 00:52:44,040
Speaker 1: not like y'all would say it and everybody's gonna go, oh,

939
00:52:44,080 --> 00:52:46,600
Speaker 1: that was cold. You shouldn't have said that. Somebody's going

940
00:52:46,640 --> 00:52:49,840
Speaker 1: to laugh. And if the point, if the point is

941
00:52:49,880 --> 00:52:53,279
Speaker 1: that if one motherfucking the room falls out laughing, didn't

942
00:52:53,280 --> 00:52:55,759
Speaker 1: the joke, that's how we look at it. You've done

943
00:52:55,800 --> 00:53:01,440
Speaker 1: your job. Listen. You ain't a real comic till somebody

944
00:53:01,440 --> 00:53:05,600
Speaker 1: wants to fight you. I've had several incidences where people

945
00:53:05,600 --> 00:53:08,360
Speaker 1: in the audience wanted to come to blows and and

946
00:53:10,560 --> 00:53:14,000
Speaker 1: fan and I want to That was cold. That was

947
00:53:14,120 --> 00:53:17,120
Speaker 1: so so let me ask you this, hold on you

948
00:53:17,160 --> 00:53:20,719
Speaker 1: do you do? You do a hell of a dmxium

949
00:53:20,880 --> 00:53:26,600
Speaker 1: impression impression? We just lost ex God bless if somebody

950
00:53:26,640 --> 00:53:29,359
Speaker 1: did an ex joke, would that rub you the wrong way?

951
00:53:30,280 --> 00:53:32,920
Speaker 1: Not at all. I just I just wouldn't do the

952
00:53:33,000 --> 00:53:35,920
Speaker 1: ex joke because because you use you and you it

953
00:53:36,040 --> 00:53:37,759
Speaker 1: was a friend right. He scared the sh it out

954
00:53:37,760 --> 00:53:40,279
Speaker 1: of me. I let me tell you. When I came

955
00:53:40,280 --> 00:53:43,200
Speaker 1: out with my comedy CD uh just right around the

956
00:53:43,239 --> 00:53:45,759
Speaker 1: time uh jay Z was doing a concert at the

957
00:53:45,800 --> 00:53:48,680
Speaker 1: Staple Center, so I went down there. I hung out

958
00:53:48,719 --> 00:53:51,360
Speaker 1: with me, Mehing, Me and Red Man. We all went together.

959
00:53:51,760 --> 00:53:54,279
Speaker 1: So I was trying to get as many celebrity endorsements

960
00:53:54,680 --> 00:53:57,040
Speaker 1: as I could. So I saw this one. I saw

961
00:53:57,080 --> 00:53:59,319
Speaker 1: this when I said, Yo, can you just hold up

962
00:53:59,320 --> 00:54:01,920
Speaker 1: the c D give me a shout on camera support

963
00:54:02,000 --> 00:54:05,799
Speaker 1: my man? And everybody did it buster. Everybody snooped. So

964
00:54:05,880 --> 00:54:08,080
Speaker 1: finally I see next and on the on the c D,

965
00:54:08,560 --> 00:54:10,520
Speaker 1: I did a bunch of crank calls. So I did

966
00:54:10,520 --> 00:54:13,640
Speaker 1: a crank call of DMX calling first seeing me Baptist

967
00:54:13,680 --> 00:54:17,240
Speaker 1: Church talking to Reverend Murray about the beef with y'all rules.

968
00:54:17,760 --> 00:54:21,239
Speaker 1: So X kind of heard about it, and I said,

969
00:54:21,280 --> 00:54:23,440
Speaker 1: your ex can we He said, you're dog come with me?

970
00:54:24,000 --> 00:54:26,880
Speaker 1: So I walked into the to the locker room and

971
00:54:26,920 --> 00:54:29,319
Speaker 1: I'm all his boys coming in and there's only one

972
00:54:29,360 --> 00:54:31,680
Speaker 1: way in and one way out with me and X

973
00:54:31,760 --> 00:54:34,719
Speaker 1: standing in it in the middle, and these boys all

974
00:54:34,719 --> 00:54:37,439
Speaker 1: make a circle around us, and the bodyguard the last

975
00:54:37,440 --> 00:54:40,200
Speaker 1: one comes in slams the door and just stands in

976
00:54:40,200 --> 00:54:42,200
Speaker 1: front of the door. And I said, X, can you

977
00:54:42,320 --> 00:54:44,680
Speaker 1: with my CD doug my voice? I heard some things

978
00:54:45,040 --> 00:54:47,680
Speaker 1: I don't know if it's good. Yeah, if it's not,

979
00:54:49,760 --> 00:54:53,359
Speaker 1: and and and then and then the motherfucker proceeded. And

980
00:54:53,360 --> 00:54:55,960
Speaker 1: and this is how I know I'm black, but I

981
00:54:56,000 --> 00:54:59,440
Speaker 1: ain't black. Black. This nigga pulls out a razor blade

982
00:54:59,760 --> 00:55:02,520
Speaker 1: from underneath his tongue and he had the ability to

983
00:55:02,680 --> 00:55:06,200
Speaker 1: talk with it without cutting himself. Now I'm Huxtable's black.

984
00:55:06,480 --> 00:55:10,960
Speaker 1: That's good time, snigger Dash. I saw that. It's a

985
00:55:11,600 --> 00:55:18,920
Speaker 1: it's a fine line between were you scared, listen night scared.

986
00:55:19,360 --> 00:55:23,279
Speaker 1: I remember one time being at a Little Wayne show

987
00:55:23,360 --> 00:55:26,960
Speaker 1: in Hampton, Virginia. Little Wayne is at his height and

988
00:55:27,000 --> 00:55:32,239
Speaker 1: I'm walking. You know, I got a past, shut up popularity.

989
00:55:32,280 --> 00:55:36,680
Speaker 1: I mean, I'm walking through the vengee Little Wayne. Don't

990
00:55:36,719 --> 00:55:40,319
Speaker 1: scare me because that nigga looks I'm not the sky

991
00:55:40,400 --> 00:55:45,560
Speaker 1: scre I get to I come out of catering and

992
00:55:45,640 --> 00:55:48,080
Speaker 1: I'm walking up the hallway and it's these dudes that

993
00:55:48,200 --> 00:55:50,600
Speaker 1: work security. They used to do security from Misty. They

994
00:55:50,680 --> 00:55:53,239
Speaker 1: called the four Horseman Huge. They all brothers. They are

995
00:55:53,280 --> 00:55:56,120
Speaker 1: from Virginia. Huge. And I see two of them walking

996
00:55:56,160 --> 00:55:59,239
Speaker 1: with Floyd Mayweather walking towards me. So I'm like, oh,

997
00:55:59,280 --> 00:56:02,440
Speaker 1: ship his money, Damn you know, I'm doing the wrap ups.

998
00:56:02,480 --> 00:56:05,239
Speaker 1: I'm throwing motherfucker's under the bus. Every year. The wrap

999
00:56:05,360 --> 00:56:08,640
Speaker 1: up is out and I see Floyd and he like,

1000
00:56:09,680 --> 00:56:11,759
Speaker 1: I said, oh, Ship, what's so Floyd? He was like

1001
00:56:11,880 --> 00:56:15,439
Speaker 1: what up? He said, Yo, I heard your song? I said, yeah,

1002
00:56:15,480 --> 00:56:18,080
Speaker 1: what you one? He said the one about me, nigga

1003
00:56:18,760 --> 00:56:21,000
Speaker 1: Floyd and balled his hands up, and I was like,

1004
00:56:22,440 --> 00:56:25,640
Speaker 1: I'm about to get snuff about Floyd Mayweb. Wow. The

1005
00:56:26,280 --> 00:56:30,200
Speaker 1: Virginia security guards knew me, so they like like like, yeah,

1006
00:56:30,280 --> 00:56:32,800
Speaker 1: no this this boss man like skill fu V like

1007
00:56:32,880 --> 00:56:37,000
Speaker 1: nigga this and I'm like, oh, Ship, and then he goes,

1008
00:56:37,680 --> 00:56:39,600
Speaker 1: I'm just working with you. It was funny, is my mother?

1009
00:56:39,600 --> 00:56:43,520
Speaker 1: And I was like, oh my god. Like when he

1010
00:56:43,719 --> 00:56:46,360
Speaker 1: stopped and said the one about me nigga, because I

1011
00:56:46,440 --> 00:56:48,080
Speaker 1: think that was the year he had did something that

1012
00:56:48,239 --> 00:56:50,400
Speaker 1: the w w ask and the ship just corny and

1013
00:56:50,440 --> 00:56:52,880
Speaker 1: I was like yeah. I was like yo, Floyd, like

1014
00:56:52,960 --> 00:56:56,000
Speaker 1: what then you doing you like it was an ill punchline.

1015
00:56:56,880 --> 00:57:00,480
Speaker 1: I'm not thinking Floyd Mayweather's gonna hear the song. Mothercker'

1016
00:57:00,480 --> 00:57:02,560
Speaker 1: said the one about me nigga and boiled his hands

1017
00:57:02,600 --> 00:57:07,560
Speaker 1: up and I was like, good night, done deal. I'm

1018
00:57:07,560 --> 00:57:10,400
Speaker 1: gonna tell you. Um speaking of Floyd Uh, the night

1019
00:57:10,480 --> 00:57:14,000
Speaker 1: he fought Manny Pacyale. You know, everybody went to that fight,

1020
00:57:14,680 --> 00:57:18,680
Speaker 1: so okay, so the fight's over, everybody's spelling out into

1021
00:57:18,720 --> 00:57:22,919
Speaker 1: the streets, and for him, there's Allen Iverson. So there's

1022
00:57:22,960 --> 00:57:26,080
Speaker 1: a crowd of people around Allen Allen a but then

1023
00:57:26,120 --> 00:57:30,080
Speaker 1: out of nowhere, everybody flocks from Alan over to this

1024
00:57:30,280 --> 00:57:32,680
Speaker 1: way and it was like Alan was nobody then, so

1025
00:57:32,760 --> 00:57:34,920
Speaker 1: everybody like you who then are they going through? Jay

1026
00:57:35,040 --> 00:57:37,240
Speaker 1: Z and Beyonce? I walk in hand in hand and

1027
00:57:37,360 --> 00:57:40,120
Speaker 1: everybody's around them. So I just happened to When I

1028
00:57:40,400 --> 00:57:43,760
Speaker 1: got out there, my stride was right next to Hove

1029
00:57:43,840 --> 00:57:46,720
Speaker 1: and Beyonce, and again I kind of fanboyed a little bit.

1030
00:57:46,760 --> 00:57:48,880
Speaker 1: I was like, yo, hoving man, I'm a big fan

1031
00:57:48,960 --> 00:57:51,120
Speaker 1: of love you. Sh He goes, I know who you are, nigga,

1032
00:57:51,360 --> 00:57:54,080
Speaker 1: I know who you are, because you know I don't.

1033
00:57:54,080 --> 00:57:57,840
Speaker 1: I don't A million times so many times when he

1034
00:57:57,920 --> 00:58:00,280
Speaker 1: said I know who you are, it was know who

1035
00:58:00,360 --> 00:58:04,320
Speaker 1: you It wasn't. It wasn't good. Yeah, So yeah, you

1036
00:58:04,440 --> 00:58:06,919
Speaker 1: get that, but I'll take it. It's weird man, because

1037
00:58:06,960 --> 00:58:09,360
Speaker 1: it's like you don't expect these people to know you,

1038
00:58:09,920 --> 00:58:12,400
Speaker 1: and then when they say they do, it's in the

1039
00:58:12,440 --> 00:58:16,240
Speaker 1: way that you like. Damn Like the Internet made us

1040
00:58:16,280 --> 00:58:18,760
Speaker 1: all closer in the way. But but nothing feels better

1041
00:58:18,840 --> 00:58:21,240
Speaker 1: than when they love you and they give you that

1042
00:58:21,480 --> 00:58:24,280
Speaker 1: love back an abundant sad. But you ain't, dude, you

1043
00:58:24,320 --> 00:58:26,920
Speaker 1: ain't do ja greazy though bad you like? I mean,

1044
00:58:27,040 --> 00:58:29,280
Speaker 1: you know I said that Joe campmell ship in the lips.

1045
00:58:30,000 --> 00:58:32,920
Speaker 1: I mean you didn't do that to him though, that's

1046
00:58:32,960 --> 00:58:36,520
Speaker 1: not your fault, right right, Um? But you know, Shock

1047
00:58:37,160 --> 00:58:40,040
Speaker 1: loves it, Shocks the biggest kid, and I did it.

1048
00:58:40,120 --> 00:58:42,520
Speaker 1: I did Miami and prov One night I'm leaving, I

1049
00:58:42,600 --> 00:58:45,160
Speaker 1: go to the club down to South Beach, Shocks coming out.

1050
00:58:45,200 --> 00:58:48,080
Speaker 1: I'm coming in, Yo, Diesel, what up? Sudn't make fun

1051
00:58:48,120 --> 00:58:51,200
Speaker 1: of me alone? You make fun of me? Just hilarious, man, Right,

1052
00:58:52,840 --> 00:58:55,480
Speaker 1: So you know, Shaq loves it. Right, some people get it.

1053
00:58:55,600 --> 00:58:57,520
Speaker 1: Some people can take a joke and some people can't.

1054
00:58:59,160 --> 00:59:06,360
Speaker 1: You should yeah, yeah, Hey, thanks for listening to Culturally Canceled.

1055
00:59:06,400 --> 00:59:09,600
Speaker 1: I hope you enjoyed today's conversation. I say conversation, but

1056
00:59:09,720 --> 00:59:12,640
Speaker 1: really it was. It was a discussion and it was

1057
00:59:12,680 --> 00:59:15,000
Speaker 1: a ship show. I loved it. I'm really excited to

1058
00:59:15,040 --> 00:59:17,600
Speaker 1: tell you this. Now culturally Canceled has a phone line now,

1059
00:59:17,720 --> 00:59:19,480
Speaker 1: so now you can call and leave a message and

1060
00:59:19,480 --> 00:59:21,520
Speaker 1: ask me a question that I might answer on the show.

1061
00:59:21,960 --> 00:59:24,880
Speaker 1: Ask me about you know about music, food, a, comedy, boxing, whatever,

1062
00:59:25,040 --> 00:59:27,240
Speaker 1: mm a, whatever you want to ask me about. If

1063
00:59:27,280 --> 00:59:28,960
Speaker 1: I have an answer, I'll give it to you. If not, well,

1064
00:59:29,000 --> 00:59:31,040
Speaker 1: your question won't get answered. But let's let's play it

1065
00:59:31,040 --> 00:59:33,680
Speaker 1: by your inswer what happens. It's our little nod to

1066
00:59:33,800 --> 00:59:36,240
Speaker 1: the ways of old school radio shows. So let's have

1067
00:59:36,320 --> 00:59:38,600
Speaker 1: fun with it. Now. Remember the number is four to

1068
00:59:38,800 --> 00:59:45,800
Speaker 1: four six six six three. Ironically, uh, the Iron Maiden

1069
00:59:45,800 --> 00:59:47,280
Speaker 1: album Number of the Beast did not come out of

1070
00:59:47,360 --> 00:59:49,120
Speaker 1: nineteen eight three, but come on the early eighties. So

1071
00:59:49,800 --> 00:59:55,640
Speaker 1: it's four to four six six six. If you love

1072
00:59:55,680 --> 00:59:58,320
Speaker 1: our podcast, even if you like it, be sure to

1073
00:59:58,440 --> 01:00:00,360
Speaker 1: rate and review it on Apple podcast. I'm more people

1074
01:00:00,400 --> 01:00:02,120
Speaker 1: can find out about it. And if you didn't like

1075
01:00:02,200 --> 01:00:03,600
Speaker 1: it and you don't love it, go fund yourself. We

1076
01:00:03,600 --> 01:00:04,760
Speaker 1: don't need you to listen, you know what I mean.

1077
01:00:04,840 --> 01:00:06,440
Speaker 1: And if you are listening in you're a hater. I

1078
01:00:06,480 --> 01:00:08,480
Speaker 1: don't need to hear your negative comments. Let's keep the

1079
01:00:08,480 --> 01:00:11,960
Speaker 1: ship positive, folks, and follow us on Instagram and culturally

1080
01:00:12,040 --> 01:00:16,080
Speaker 1: canceled and culturally RP on Twitter. We're also on YouTube.

1081
01:00:16,080 --> 01:00:17,919
Speaker 1: If you want to see what in my backyard looks

1082
01:00:17,960 --> 01:00:19,760
Speaker 1: like in real life, well you're not actually gonna see

1083
01:00:19,760 --> 01:00:22,200
Speaker 1: the whole backyard, but you'll see the smoking section. Um,

1084
01:00:22,440 --> 01:00:24,400
Speaker 1: come on, be nosy. You can even poke your head

1085
01:00:24,400 --> 01:00:26,200
Speaker 1: and around the back in the distance in the in

1086
01:00:26,280 --> 01:00:28,120
Speaker 1: the background, you might see the DJ room in the bar.

1087
01:00:28,240 --> 01:00:30,200
Speaker 1: But whatever, have us. Have a look at us on

1088
01:00:30,280 --> 01:00:33,320
Speaker 1: YouTube and until next week, keep it real.