WEBVTT - SYMHC: Q & A

0:00:01.280 --> 0:00:04.320
<v Speaker 1>Welcome to Stuff You Missed in History Class, A production

0:00:04.360 --> 0:00:13.320
<v Speaker 1>of I Heart Radio. Hello, and welcome to the podcast.

0:00:13.360 --> 0:00:17.239
<v Speaker 1>I'm Tracy B. Wilson and I'm Holly fry Back. At

0:00:17.239 --> 0:00:20.280
<v Speaker 1>the end of May, we talked about how we're probably

0:00:20.320 --> 0:00:22.120
<v Speaker 1>not going to go on a tour with a live

0:00:22.160 --> 0:00:28.240
<v Speaker 1>podcast this year because of the ongoing pandemic. We're gonna

0:00:28.280 --> 0:00:33.560
<v Speaker 1>tour my living room no yet, to an audience of cats. Yeah.

0:00:33.600 --> 0:00:35.320
<v Speaker 1>We've had a couple of people ask if we have

0:00:35.440 --> 0:00:39.760
<v Speaker 1>considered doing like some kind of virtual live show, and uh,

0:00:39.960 --> 0:00:44.320
<v Speaker 1>we did have an incredibly brief conversation that was basically like,

0:00:44.360 --> 0:00:46.760
<v Speaker 1>what if we did a virtual thing, how would that work?

0:00:46.840 --> 0:00:49.120
<v Speaker 1>And then we both got so swamped with just keeping

0:00:49.159 --> 0:00:52.360
<v Speaker 1>the show going that we have not explored that further.

0:00:53.280 --> 0:00:58.640
<v Speaker 1>It's not impossible, but like it also can't really predict anything.

0:00:58.640 --> 0:01:00.880
<v Speaker 1>But anyway, the point the win is one of the

0:01:00.920 --> 0:01:06.120
<v Speaker 1>best things about touring really is talking to listeners, answering

0:01:06.240 --> 0:01:09.080
<v Speaker 1>questions about things people are curious about about the show,

0:01:09.120 --> 0:01:11.640
<v Speaker 1>and that kind of thing. So we put out a

0:01:11.680 --> 0:01:15.319
<v Speaker 1>call for listeners submitted questions for a Q and A

0:01:15.400 --> 0:01:20.880
<v Speaker 1>episode and here that episode is, Um, I pulled this, uh,

0:01:21.080 --> 0:01:24.240
<v Speaker 1>this together. We got a lot of questions, UM, and

0:01:24.240 --> 0:01:26.640
<v Speaker 1>in pulling it together, I paired down some of the

0:01:26.720 --> 0:01:30.480
<v Speaker 1>longer questions for length, and there were definitely cases where

0:01:30.480 --> 0:01:33.360
<v Speaker 1>we got a whole lot of similar questions about the

0:01:33.400 --> 0:01:36.400
<v Speaker 1>same thing, and I kind of merged those things together.

0:01:36.520 --> 0:01:40.160
<v Speaker 1>I hope I got everyone. I'm very sorry if I

0:01:40.240 --> 0:01:43.800
<v Speaker 1>missed anyone. As we go through these questions to be answered.

0:01:44.240 --> 0:01:47.480
<v Speaker 1>So first off, we get a lot of questions always,

0:01:47.520 --> 0:01:50.040
<v Speaker 1>and we got a lot of questions with this query

0:01:50.280 --> 0:01:53.320
<v Speaker 1>about our research process, how long it takes to make

0:01:53.360 --> 0:01:56.280
<v Speaker 1>a typical episode, how we managed to do it so quickly,

0:01:56.360 --> 0:01:59.520
<v Speaker 1>and how detailed our notes are. And these questions came

0:01:59.560 --> 0:02:01.760
<v Speaker 1>from us, did people? I hope I pronounced all these

0:02:01.840 --> 0:02:13.480
<v Speaker 1>names properly Lydia, Alison, Andrew, Harma, Hack, Amberley, Asaki, Jin Elizabeth, Rose, Susan, Carol, Sarah, Lee, Molly, Zenia, Jessica,

0:02:13.680 --> 0:02:18.960
<v Speaker 1>Justine and gin So Tracy. Yeah. How do we do this? UM?

0:02:19.000 --> 0:02:20.560
<v Speaker 1>I think this is one that every Q and a

0:02:20.639 --> 0:02:23.080
<v Speaker 1>session that we do, someone asked something along the lines

0:02:23.120 --> 0:02:27.120
<v Speaker 1>of this UM, and we have similar but not identical processes.

0:02:27.880 --> 0:02:32.320
<v Speaker 1>I think each of us does a preliminary Google search.

0:02:32.400 --> 0:02:34.800
<v Speaker 1>Mine is is to just make sure is there going

0:02:34.840 --> 0:02:37.440
<v Speaker 1>to be enough to do this, because sometimes there's not

0:02:37.639 --> 0:02:40.919
<v Speaker 1>enough enough information to do that. And then I go

0:02:41.080 --> 0:02:46.480
<v Speaker 1>through a whole process of UM, a lot of searching

0:02:46.600 --> 0:02:52.120
<v Speaker 1>through Google, bookmarking things that are from UM Academic, incredible sources,

0:02:52.440 --> 0:02:55.520
<v Speaker 1>a lot of stuff from j Store. Very lucky to

0:02:55.560 --> 0:02:59.639
<v Speaker 1>have some very good, robust J Store access. Uh. There

0:02:59.639 --> 0:03:03.880
<v Speaker 1>are requests from the library. With the pandemic happening, those

0:03:03.880 --> 0:03:07.800
<v Speaker 1>are only reachable right now if they're digitally available, which

0:03:07.880 --> 0:03:10.280
<v Speaker 1>is has been very handy that I'm married to a

0:03:10.400 --> 0:03:13.560
<v Speaker 1>university librarian. UM. When it comes to getting some of

0:03:13.560 --> 0:03:16.960
<v Speaker 1>these materials, I go through all of that. There's a

0:03:17.000 --> 0:03:20.480
<v Speaker 1>whole phase where I have like twenty seven tabs and

0:03:20.560 --> 0:03:25.320
<v Speaker 1>fifteen different PDFs open on my computer, and I make

0:03:25.360 --> 0:03:27.120
<v Speaker 1>all these notes from that and then try to work

0:03:27.160 --> 0:03:29.800
<v Speaker 1>it into a narrative that has the beginning, a middle,

0:03:29.840 --> 0:03:35.120
<v Speaker 1>and an end. Yeah, I do a similar thing. I

0:03:35.120 --> 0:03:38.000
<v Speaker 1>think my process probably would feel a little more frantic

0:03:38.120 --> 0:03:41.839
<v Speaker 1>to Tracy UM because I tend to like, I look,

0:03:41.880 --> 0:03:43.400
<v Speaker 1>I do the same thing where I look and I'm like,

0:03:43.480 --> 0:03:46.080
<v Speaker 1>is there really enough material that I can get access

0:03:46.120 --> 0:03:49.080
<v Speaker 1>to for this? And then I try to find one

0:03:49.240 --> 0:03:53.840
<v Speaker 1>really good comprehensive article, again from like a good credible source,

0:03:53.880 --> 0:03:56.839
<v Speaker 1>and I just read through it to familiarize myself with it,

0:03:56.920 --> 0:04:01.160
<v Speaker 1>and I try very hard to us and intuitively to

0:04:01.240 --> 0:04:04.720
<v Speaker 1>my gut that goes, wait, is that is there part

0:04:04.840 --> 0:04:07.240
<v Speaker 1>left out here? Is this? It seems like there could

0:04:07.240 --> 0:04:09.360
<v Speaker 1>be more there um, And I write out an outline

0:04:09.480 --> 0:04:13.120
<v Speaker 1>based on that, and then I kind of chuckle. I'm like,

0:04:13.160 --> 0:04:16.560
<v Speaker 1>just twenty seven tabs because I have a tab problem.

0:04:16.600 --> 0:04:19.160
<v Speaker 1>And if you ask r I T person, they will

0:04:19.240 --> 0:04:23.240
<v Speaker 1>roll their eyes and be like, holly um, because I

0:04:23.240 --> 0:04:25.680
<v Speaker 1>I tend to have a cajillion open and then I

0:04:25.839 --> 0:04:29.200
<v Speaker 1>sort of always liken it to piecing together a puzzle

0:04:29.320 --> 0:04:33.479
<v Speaker 1>where and I also, lately, like the last probably seven

0:04:33.480 --> 0:04:36.200
<v Speaker 1>to eight months, I've gotten really into always wanting a

0:04:36.279 --> 0:04:38.599
<v Speaker 1>book in the mix, which adds a whole other layer

0:04:38.640 --> 0:04:42.479
<v Speaker 1>of like juggling and confusion because then I often have

0:04:42.560 --> 0:04:44.320
<v Speaker 1>like a book spread out on a table with me,

0:04:44.360 --> 0:04:46.200
<v Speaker 1>and I'm paging through that and pulling from that at

0:04:46.200 --> 0:04:49.160
<v Speaker 1>the same time I'm I'm pulling from articles, and I'm

0:04:49.240 --> 0:04:51.360
<v Speaker 1>kind of can tell where I'm at in the process

0:04:51.440 --> 0:04:54.760
<v Speaker 1>by how many tabs I've closed, because as I exhaust

0:04:54.760 --> 0:04:57.200
<v Speaker 1>a source, I note that source usually, and I close

0:04:57.279 --> 0:04:59.599
<v Speaker 1>that tab, and and I can kind of, over the

0:04:59.600 --> 0:05:03.800
<v Speaker 1>course of of my writing process see where I'm at.

0:05:03.920 --> 0:05:06.880
<v Speaker 1>It means I I never reboot my computer again to

0:05:07.040 --> 0:05:11.800
<v Speaker 1>the bane of our I t people. That's more or

0:05:11.880 --> 0:05:15.400
<v Speaker 1>less how mind does, although lately there have often been cases,

0:05:15.760 --> 0:05:17.880
<v Speaker 1>especially I think this happens to you too, Tracy, when

0:05:17.920 --> 0:05:20.680
<v Speaker 1>you travel and you'll stumble across something that is of

0:05:20.720 --> 0:05:23.800
<v Speaker 1>interest and maybe pick up a book or something along

0:05:23.880 --> 0:05:27.800
<v Speaker 1>the way, and then you know, I'll be reading that

0:05:28.000 --> 0:05:30.560
<v Speaker 1>or what not about whatever place I have visited, And

0:05:30.600 --> 0:05:34.200
<v Speaker 1>sometimes that kind of seeds an episode that goes much

0:05:34.200 --> 0:05:37.480
<v Speaker 1>more quickly when the writing actually happens. Yeah, because I've

0:05:37.560 --> 0:05:39.600
<v Speaker 1>kind of lived with that content for a little bit

0:05:39.600 --> 0:05:43.200
<v Speaker 1>longer and in a different sort of way. Yeah, Lately,

0:05:43.240 --> 0:05:45.520
<v Speaker 1>I've also gotten into this thing where I've I've picked

0:05:45.560 --> 0:05:48.400
<v Speaker 1>some topics that I thought were going to be relatively straightforward,

0:05:48.400 --> 0:05:49.880
<v Speaker 1>and then they've turned out to just be a lot

0:05:49.920 --> 0:05:53.720
<v Speaker 1>more complicated, and in the like later writing steps, I've

0:05:53.720 --> 0:05:57.440
<v Speaker 1>gotten into this thing where I've been trying to simultaneously

0:05:57.560 --> 0:05:59.840
<v Speaker 1>fact check stuff to make sure it's it's correct and

0:06:00.120 --> 0:06:02.440
<v Speaker 1>also fill in holes that I didn't really realize I

0:06:02.480 --> 0:06:04.520
<v Speaker 1>had until I started the writing process. And it's like,

0:06:04.560 --> 0:06:08.880
<v Speaker 1>I'll get a browser open with so many tabs in

0:06:08.960 --> 0:06:12.080
<v Speaker 1>it that there's not even a letter visible in terms

0:06:12.080 --> 0:06:15.000
<v Speaker 1>of what the label on each tab is. That many

0:06:15.040 --> 0:06:17.640
<v Speaker 1>tabs open, and then I'll be like, this is too

0:06:17.680 --> 0:06:20.440
<v Speaker 1>many taps, and I'll just open a whole new browser window.

0:06:21.400 --> 0:06:23.000
<v Speaker 1>They gets more, and then I'm like, what is wrong

0:06:23.040 --> 0:06:30.359
<v Speaker 1>with me? That seems absolutely correct me. Um. On a

0:06:30.480 --> 0:06:34.719
<v Speaker 1>similar note, both Evie and Jackie asked where do you

0:06:34.720 --> 0:06:37.599
<v Speaker 1>you get your ideas and your topics for podcasts and

0:06:37.640 --> 0:06:41.039
<v Speaker 1>how do you pick between them? All over the place? Yeah,

0:06:41.080 --> 0:06:43.640
<v Speaker 1>all over the places. Right. We have a listener suggestion

0:06:43.720 --> 0:06:45.960
<v Speaker 1>list that has more than a thousand things on it,

0:06:46.440 --> 0:06:48.560
<v Speaker 1>and that's that's not a made up number. It's more

0:06:48.720 --> 0:06:52.599
<v Speaker 1>more than a thousand, um, And so that if like,

0:06:52.640 --> 0:06:54.120
<v Speaker 1>that's a go to place a lot of times, and

0:06:54.160 --> 0:06:56.200
<v Speaker 1>I'm like, I'm not really feeling anything on my short

0:06:56.200 --> 0:06:59.800
<v Speaker 1>list because my short list in quotation marks has like

0:06:59.800 --> 0:07:03.360
<v Speaker 1>a hundred things on it, which is two years worth

0:07:03.400 --> 0:07:07.280
<v Speaker 1>of my episodes. So uh, it's not a very short

0:07:07.320 --> 0:07:10.160
<v Speaker 1>short list. Um. And in terms of picking between them,

0:07:10.160 --> 0:07:11.960
<v Speaker 1>there's a lot of stuff that I feel like I'm

0:07:12.000 --> 0:07:13.760
<v Speaker 1>trying to do, Like I want to try to make

0:07:13.760 --> 0:07:17.640
<v Speaker 1>sure that we get a broad range of places and

0:07:17.800 --> 0:07:22.160
<v Speaker 1>time periods and people and races and ethnicities and religions

0:07:22.160 --> 0:07:25.600
<v Speaker 1>and all this different stuff. Um. And so sometimes I'll

0:07:25.640 --> 0:07:29.000
<v Speaker 1>look back at what we've been doing, uh recently and

0:07:29.120 --> 0:07:31.400
<v Speaker 1>been like, Okay, this has been a whole series of

0:07:31.440 --> 0:07:33.800
<v Speaker 1>things that were all in the nineteenth century, and there's

0:07:33.840 --> 0:07:35.800
<v Speaker 1>like there's a reason it was all related to the

0:07:35.800 --> 0:07:38.960
<v Speaker 1>pandemic in some way, but like, let's let's break out

0:07:38.960 --> 0:07:41.440
<v Speaker 1>of that. And like, that's one of my deciding factors

0:07:41.480 --> 0:07:45.000
<v Speaker 1>in trying to make sure that we have, um a

0:07:45.080 --> 0:07:48.240
<v Speaker 1>broad selection of things on the show. Uh Yeah, I

0:07:48.240 --> 0:07:53.280
<v Speaker 1>mean I try to keep my brain open to ideas

0:07:53.440 --> 0:07:57.280
<v Speaker 1>as they appear before me in the world. Um. For example,

0:07:57.400 --> 0:08:00.280
<v Speaker 1>I have an idea for an upcoming episode which I

0:08:00.320 --> 0:08:03.120
<v Speaker 1>won't say what it is, but I was reviewing a

0:08:03.200 --> 0:08:06.560
<v Speaker 1>script for another podcast that I'm executive producing, and it's

0:08:06.600 --> 0:08:09.920
<v Speaker 1>a fiction podcast, but it makes reference to a historical

0:08:09.920 --> 0:08:12.000
<v Speaker 1>figure that I had never thought about before, and there's

0:08:12.040 --> 0:08:16.720
<v Speaker 1>some salacious events that happened in that person's life that

0:08:16.800 --> 0:08:19.520
<v Speaker 1>are just casually mentioned in this other script and I

0:08:19.600 --> 0:08:21.560
<v Speaker 1>was like, oh, is that real? And then I looked

0:08:21.560 --> 0:08:23.120
<v Speaker 1>it up and it is. And then I was like, well,

0:08:23.160 --> 0:08:26.400
<v Speaker 1>that goes down the list. Yeah, this happens to me too.

0:08:26.800 --> 0:08:29.560
<v Speaker 1>I have even when I'm on vacation, like it's on

0:08:29.680 --> 0:08:32.480
<v Speaker 1>my phone from when I was just on vacation pleasure

0:08:32.520 --> 0:08:34.640
<v Speaker 1>reading something and there was a side reference to some

0:08:34.760 --> 0:08:37.960
<v Speaker 1>historical event and like I make a note for later,

0:08:38.160 --> 0:08:41.760
<v Speaker 1>like look at this, what was this about? Uh? Yeah,

0:08:41.840 --> 0:08:44.360
<v Speaker 1>And then I'd have a similar thing to Tracy. I

0:08:44.400 --> 0:08:50.479
<v Speaker 1>have my own little short list that seems like a misnomer, uh,

0:08:50.520 --> 0:08:53.400
<v Speaker 1>and I try to figure out, you know, what's going

0:08:53.440 --> 0:08:57.640
<v Speaker 1>to feel right for that week. I also sort of

0:08:57.679 --> 0:09:02.800
<v Speaker 1>am always compiling a list of October episodes, always, all day,

0:09:02.840 --> 0:09:07.440
<v Speaker 1>every day forever. This dovetails This next question dovetails on

0:09:07.480 --> 0:09:10.400
<v Speaker 1>all of that, which is, how do you go about

0:09:10.440 --> 0:09:13.400
<v Speaker 1>even finding missed in history topics from outside of the

0:09:13.440 --> 0:09:16.360
<v Speaker 1>Western world. What is your process to start looking for

0:09:16.400 --> 0:09:19.360
<v Speaker 1>interesting people or events? How do you handle research or

0:09:19.440 --> 0:09:22.600
<v Speaker 1>resources about these topics events, people that may be very

0:09:22.640 --> 0:09:27.600
<v Speaker 1>Western centric or have been strongly shaped by or Western influenced. Um.

0:09:27.640 --> 0:09:30.480
<v Speaker 1>That is from Marissa. We also had a very similar

0:09:30.559 --> 0:09:36.160
<v Speaker 1>question from Melanie's. It is it's really hard, uh. And

0:09:36.200 --> 0:09:38.920
<v Speaker 1>it's one of those things where, you know, we talked

0:09:38.920 --> 0:09:40.480
<v Speaker 1>about it on the show all the time. When we

0:09:40.520 --> 0:09:45.480
<v Speaker 1>reference an event that happened in another place, that one

0:09:45.600 --> 0:09:50.280
<v Speaker 1>we're probably reading something written by either a native English

0:09:50.320 --> 0:09:55.240
<v Speaker 1>speaker or a white European that got translated into English. UM.

0:09:55.320 --> 0:09:58.440
<v Speaker 1>And so like that has inherent bias to it, and

0:09:58.480 --> 0:10:01.160
<v Speaker 1>we try to always acknowledge agen note that as we're

0:10:01.160 --> 0:10:05.840
<v Speaker 1>going along in the the show. Yeah, some of this UM,

0:10:06.559 --> 0:10:11.880
<v Speaker 1>I have relied on listeners suggestions for um because like

0:10:11.960 --> 0:10:15.200
<v Speaker 1>it's it's not possible for any one person to have

0:10:15.280 --> 0:10:18.640
<v Speaker 1>a thorough historical knowledge of everything in the entire world.

0:10:18.760 --> 0:10:22.920
<v Speaker 1>Like that's just not feasible. It's not how the human

0:10:22.960 --> 0:10:25.400
<v Speaker 1>mind works, and it's not how history works. History is

0:10:25.400 --> 0:10:31.000
<v Speaker 1>is infinite and lifetimes are finite. UM. So whenever we

0:10:31.080 --> 0:10:33.600
<v Speaker 1>have asked for listeners suggestions, like one of the things

0:10:33.640 --> 0:10:36.000
<v Speaker 1>that we've said a lot of the times is, hey,

0:10:36.040 --> 0:10:38.080
<v Speaker 1>we would really love to hear about things that were

0:10:38.120 --> 0:10:41.959
<v Speaker 1>are outside of these areas that we have been talking

0:10:41.960 --> 0:10:45.080
<v Speaker 1>about a lot um, And sometimes we'll get responses back

0:10:45.120 --> 0:10:46.840
<v Speaker 1>that are are sort of along the lines of I'd

0:10:46.840 --> 0:10:48.640
<v Speaker 1>love it if you did more African history, and it's

0:10:48.679 --> 0:10:53.040
<v Speaker 1>like we would too. But when that's the starting point,

0:10:53.120 --> 0:10:55.160
<v Speaker 1>it's not like finding a needle in a haystack. It's

0:10:55.160 --> 0:10:57.160
<v Speaker 1>more like it's all, hey, and you've got to figure

0:10:57.200 --> 0:11:01.320
<v Speaker 1>out which, Hey, is there enough information about that's in

0:11:01.400 --> 0:11:04.920
<v Speaker 1>English available to us and not written from a racist,

0:11:04.920 --> 0:11:09.160
<v Speaker 1>colonial perspective, which is just really challenging. It is. And

0:11:09.200 --> 0:11:12.400
<v Speaker 1>that's like one of those things that's like a shortcoming

0:11:12.440 --> 0:11:15.480
<v Speaker 1>that we recognize in ourselves and our education and the

0:11:15.640 --> 0:11:19.360
<v Speaker 1>society as a whole um that like we work to

0:11:19.600 --> 0:11:22.440
<v Speaker 1>try to balance out. But um, in a lot of ways,

0:11:22.520 --> 0:11:26.760
<v Speaker 1>they're uh, it's it's that has challenges through the whole

0:11:26.880 --> 0:11:30.400
<v Speaker 1>entire process. Well, one of the challenges we don't i

0:11:30.400 --> 0:11:35.439
<v Speaker 1>think often talk about in that is that the turnaround

0:11:35.520 --> 0:11:39.439
<v Speaker 1>time on episodes is quick. Yeah, right, Like if we

0:11:39.440 --> 0:11:42.000
<v Speaker 1>were like I'm setting aside the next six months to

0:11:42.160 --> 0:11:46.120
<v Speaker 1>find out about this part of you know, history in

0:11:46.120 --> 0:11:49.679
<v Speaker 1>a place that is not an English speaking country and

0:11:49.760 --> 0:11:53.160
<v Speaker 1>really fair it out like the best possible resources that

0:11:53.240 --> 0:11:56.040
<v Speaker 1>are not, like you said, from a biased or colonial perspective,

0:11:57.080 --> 0:12:01.000
<v Speaker 1>that would be cool, But we're doing two a week. Um,

0:12:01.040 --> 0:12:05.680
<v Speaker 1>so the turnaround is so fast that from a research perspective,

0:12:06.679 --> 0:12:09.160
<v Speaker 1>it makes those harder and harder. And sometimes we both

0:12:09.160 --> 0:12:11.480
<v Speaker 1>have ones that kind of bubble along in the background

0:12:11.520 --> 0:12:15.440
<v Speaker 1>that we're working on. But even so, like we never

0:12:15.480 --> 0:12:17.920
<v Speaker 1>get a chance to just dedicate weeks and weeks at

0:12:17.960 --> 0:12:20.920
<v Speaker 1>a time to one topic that really would benefit much

0:12:20.920 --> 0:12:23.800
<v Speaker 1>more from that the format that we have, which is

0:12:23.840 --> 0:12:26.400
<v Speaker 1>a little bit quicker. I also always have the question

0:12:26.400 --> 0:12:28.640
<v Speaker 1>in my mind of like, do I even have the

0:12:28.640 --> 0:12:31.280
<v Speaker 1>cultural competence to talk about this at all? And if

0:12:31.280 --> 0:12:35.280
<v Speaker 1>I don't, uh, like, is there someone that we might

0:12:35.320 --> 0:12:37.960
<v Speaker 1>have on the show as an interviewee, like somebody who's

0:12:37.960 --> 0:12:39.680
<v Speaker 1>written a book about something. So it's like we we

0:12:39.800 --> 0:12:44.080
<v Speaker 1>have tools to to offset the fact that you know,

0:12:44.120 --> 0:12:48.160
<v Speaker 1>we are too human beings with the education and background

0:12:48.160 --> 0:12:51.600
<v Speaker 1>that we have. Um, but still it's the whole, it's

0:12:51.600 --> 0:12:55.680
<v Speaker 1>the whole process. Uh. I love this next question. It

0:12:55.720 --> 0:12:58.439
<v Speaker 1>has a very easy answer. It's from Ian who asked,

0:12:58.520 --> 0:13:00.199
<v Speaker 1>have you ever had a topic that you were told

0:13:00.240 --> 0:13:03.200
<v Speaker 1>you couldn't do? I wasn't thinking of something scandalous, but

0:13:03.280 --> 0:13:06.559
<v Speaker 1>more of someone your bosses, editors, whatever the title is

0:13:06.600 --> 0:13:08.920
<v Speaker 1>of person above you in the company, thinking that isn't

0:13:08.960 --> 0:13:13.880
<v Speaker 1>really of interest to anyone in his way? Too obscure. Um, No,

0:13:13.880 --> 0:13:18.239
<v Speaker 1>no one has ever told us we can't do anything. Uh,

0:13:18.240 --> 0:13:21.400
<v Speaker 1>we are show at this point. We have been working

0:13:21.400 --> 0:13:23.920
<v Speaker 1>at it while it has been owned by multiple different companies,

0:13:24.000 --> 0:13:27.600
<v Speaker 1>and we have been extraordinarily fortunate to just have creative

0:13:27.600 --> 0:13:32.960
<v Speaker 1>control over it. Um that whole time. Yeah, I think, Uh,

0:13:33.200 --> 0:13:38.360
<v Speaker 1>it would be weirdly I am suddenly one of our

0:13:38.400 --> 0:13:42.880
<v Speaker 1>bosses it was like, hey, I mean we don't even

0:13:42.880 --> 0:13:45.000
<v Speaker 1>tell them ahead of time normally what we're working on.

0:13:45.080 --> 0:13:49.400
<v Speaker 1>We have a lot of autonomy, which is really nice. Um, yeah,

0:13:49.400 --> 0:13:51.880
<v Speaker 1>it would be super strange. I would literally be like,

0:13:51.960 --> 0:13:55.600
<v Speaker 1>what is what is going on? Uh? If that kind

0:13:55.600 --> 0:14:00.240
<v Speaker 1>of dialogue were introduced? Where this come from? Are you

0:14:00.400 --> 0:14:03.920
<v Speaker 1>very concerned about my future and the future of the

0:14:04.160 --> 0:14:07.120
<v Speaker 1>It would be super weird. The next one is do

0:14:07.240 --> 0:14:12.480
<v Speaker 1>you have a time period or type of episode like biographies, battles, uprisings, etcetera,

0:14:12.640 --> 0:14:15.400
<v Speaker 1>that you find yourself biased towards or against? If so,

0:14:15.520 --> 0:14:18.120
<v Speaker 1>what are they? That's from Olivia? I feel like I

0:14:18.160 --> 0:14:21.840
<v Speaker 1>know your answer. Well, I mean, I definitely love biographies.

0:14:21.960 --> 0:14:25.280
<v Speaker 1>I always talking about how I'm I love Queen Victoria

0:14:25.600 --> 0:14:31.520
<v Speaker 1>complicated and wrong. She's not. Uh, their problems with Queen Victoria,

0:14:31.960 --> 0:14:34.200
<v Speaker 1>But I mostly just love the Victorian era. It was

0:14:34.240 --> 0:14:36.880
<v Speaker 1>such an exciting time in human history. And of course,

0:14:36.920 --> 0:14:41.120
<v Speaker 1>like give me that, gave me that eighteenth century France

0:14:41.120 --> 0:14:46.320
<v Speaker 1>all day. Um. I'm trying to think if I have

0:14:46.360 --> 0:14:50.160
<v Speaker 1>any that I'm biased against. Well, I feel like that

0:14:50.360 --> 0:14:54.200
<v Speaker 1>I do, know, Yeah, okay, I feel like a lot

0:14:54.240 --> 0:14:57.760
<v Speaker 1>of our our biases toward include things that a lot

0:14:57.800 --> 0:14:59.920
<v Speaker 1>of times are not talked about as much. So we

0:15:00.120 --> 0:15:02.880
<v Speaker 1>talk about a lot of social history, and a lot

0:15:03.000 --> 0:15:05.840
<v Speaker 1>of reformers and a lot of writers and artists and

0:15:05.880 --> 0:15:08.840
<v Speaker 1>folks like that who Um, at least when you and

0:15:08.880 --> 0:15:11.400
<v Speaker 1>I were growing up, we're not the focus of history classes,

0:15:11.680 --> 0:15:15.400
<v Speaker 1>which does mean that we're not necessarily doing biographies of

0:15:15.560 --> 0:15:21.000
<v Speaker 1>people we might classify as like great European generals, right

0:15:21.240 --> 0:15:25.080
<v Speaker 1>that was? Which is funny because when we get review

0:15:25.120 --> 0:15:28.840
<v Speaker 1>copies of books from publishers, um, often it is a

0:15:28.920 --> 0:15:33.920
<v Speaker 1>gigantic stack of generals and presidents and kings um. And

0:15:33.960 --> 0:15:35.560
<v Speaker 1>those are just not the ones that we do the

0:15:35.600 --> 0:15:38.960
<v Speaker 1>most often. Um. I have I ever told you about

0:15:38.960 --> 0:15:44.040
<v Speaker 1>the game we play in the office. So the fabulous

0:15:44.080 --> 0:15:46.120
<v Speaker 1>colleague that sits next to me these days because we've

0:15:46.120 --> 0:15:48.920
<v Speaker 1>shuffled around a little bit. Mike and I have this

0:15:49.040 --> 0:15:51.920
<v Speaker 1>game and uh Sam, one of the people from marketing,

0:15:52.160 --> 0:15:54.440
<v Speaker 1>where when I come back in particularly if if I

0:15:54.480 --> 0:15:57.040
<v Speaker 1>have been traveling a lot, which I normally do during

0:15:57.120 --> 0:15:59.880
<v Speaker 1>normal times, and I come back and there's literally, like

0:16:00.040 --> 0:16:02.120
<v Speaker 1>my first day back, always a pile of books on

0:16:02.160 --> 0:16:04.640
<v Speaker 1>my desk, And we play this game that are from publishers,

0:16:04.960 --> 0:16:10.280
<v Speaker 1>and we play this game called Um Hitler Churchill General,

0:16:10.640 --> 0:16:15.160
<v Speaker 1>And so we have to guess just based on the

0:16:15.240 --> 0:16:20.320
<v Speaker 1>exterior packaging, which of those topics it's gonna be UM,

0:16:20.360 --> 0:16:24.960
<v Speaker 1>and we keep like a very casual rolling tally of

0:16:25.000 --> 0:16:28.600
<v Speaker 1>our success. Last year was a big Churchill year. Everybody

0:16:28.640 --> 0:16:30.920
<v Speaker 1>wanted to write about Churchill. So that's why that that

0:16:30.960 --> 0:16:33.360
<v Speaker 1>became a category. I'm just gonna put it out there.

0:16:33.400 --> 0:16:36.040
<v Speaker 1>We we get a lot of like automated emails, like

0:16:36.120 --> 0:16:41.640
<v Speaker 1>mass distribution emails from publishers and publicists and folks like that, Um,

0:16:41.800 --> 0:16:47.480
<v Speaker 1>if you represent authors of color or queer authors or

0:16:47.560 --> 0:16:52.840
<v Speaker 1>authors from outside the United States and Europe and Canada,

0:16:53.280 --> 0:16:56.200
<v Speaker 1>and folks that are writing about history that is the

0:16:56.320 --> 0:17:00.520
<v Speaker 1>history of people of color and queer people and women. Um,

0:17:00.560 --> 0:17:05.520
<v Speaker 1>if you rep these authors, feel free you pitch them

0:17:05.600 --> 0:17:11.159
<v Speaker 1>to us, because overwhelmingly, when we have had anybody on

0:17:11.200 --> 0:17:13.520
<v Speaker 1>the show as an interview subject who was not white,

0:17:14.320 --> 0:17:18.679
<v Speaker 1>like that's somebody we hunted down the publicist ourselves. Not

0:17:18.720 --> 0:17:20.920
<v Speaker 1>a hundred percent of the time, but like significantly yeah,

0:17:20.960 --> 0:17:24.359
<v Speaker 1>a lot of the time, which I mean we're happy

0:17:24.400 --> 0:17:26.560
<v Speaker 1>to do. But like, also we're way more aware of

0:17:26.560 --> 0:17:29.560
<v Speaker 1>the stuff that actually shows up in our inbox than

0:17:29.600 --> 0:17:32.919
<v Speaker 1>the ones that we have to go don a quest

0:17:33.119 --> 0:17:37.719
<v Speaker 1>to see, like who's publishing books this week? Do you

0:17:37.720 --> 0:17:41.320
<v Speaker 1>have bias against any time periods? I don't know, but

0:17:41.680 --> 0:17:43.879
<v Speaker 1>apart from the whole general's thing, not like not a

0:17:43.880 --> 0:17:46.600
<v Speaker 1>time period that I can think of, see, I feel

0:17:46.600 --> 0:17:50.439
<v Speaker 1>like there is this thing that goes on where the

0:17:50.520 --> 0:17:52.879
<v Speaker 1>time period I'm kind of shruggy about is one that

0:17:52.960 --> 0:17:56.440
<v Speaker 1>you're into. So it covers our basis. Oh yeah, yeah,

0:17:56.480 --> 0:18:00.680
<v Speaker 1>I don't really love researching medieval stuff, Okay, I don't.

0:18:00.840 --> 0:18:02.800
<v Speaker 1>It's not like I have like dislike of it. I

0:18:02.840 --> 0:18:05.040
<v Speaker 1>don't have active dislike. It's just not the thing that

0:18:05.200 --> 0:18:08.560
<v Speaker 1>usually like sparks my excitement, even though there's a lot

0:18:08.560 --> 0:18:12.280
<v Speaker 1>of cool stuff in there. Um, my proclivities lean in

0:18:12.320 --> 0:18:15.720
<v Speaker 1>other directions, so I'm always kind of excited when you're like,

0:18:17.840 --> 0:18:26.359
<v Speaker 1>here's here's a Tyler like great. Um, next we have

0:18:26.400 --> 0:18:28.960
<v Speaker 1>a question from Tyler, who says your audio sounds so

0:18:29.000 --> 0:18:30.959
<v Speaker 1>crisp and clear, it almost makes me think you two

0:18:31.000 --> 0:18:34.720
<v Speaker 1>are together recording. What software or devices do you use

0:18:34.800 --> 0:18:38.240
<v Speaker 1>to help with the clean audio quality? Um? I don't

0:18:38.240 --> 0:18:40.639
<v Speaker 1>think we can speak as much to the software because

0:18:40.640 --> 0:18:43.520
<v Speaker 1>our amazing producer and editor, Casey, is the person who

0:18:43.560 --> 0:18:46.920
<v Speaker 1>does the actual audio editing. But we do both have

0:18:47.680 --> 0:18:53.080
<v Speaker 1>like the same microphone, which is a professional microphone plugged

0:18:53.080 --> 0:18:57.159
<v Speaker 1>into a digital recorder. Um. Previously, before the pandemic, you

0:18:57.200 --> 0:19:00.199
<v Speaker 1>were recording in a studio and our offices, and then

0:19:00.240 --> 0:19:02.240
<v Speaker 1>I was recording in a home studio. But still we

0:19:02.280 --> 0:19:05.720
<v Speaker 1>had like the same microphones so that our sound would

0:19:05.720 --> 0:19:08.800
<v Speaker 1>sound the same. Yes, Um, and now we have them

0:19:08.840 --> 0:19:13.640
<v Speaker 1>and I'm in a shoe closet. Yeah. Right after the

0:19:13.640 --> 0:19:16.880
<v Speaker 1>pandemic started, there was a brief window where like I

0:19:16.920 --> 0:19:19.080
<v Speaker 1>was on this mic and you were on a USB mic,

0:19:19.200 --> 0:19:24.320
<v Speaker 1>and UM, probably like very finely tuned audio people could

0:19:24.400 --> 0:19:27.679
<v Speaker 1>hear that a little bit like here the difference, but UM,

0:19:27.720 --> 0:19:30.080
<v Speaker 1>like it was not. It was not like it sounded

0:19:30.119 --> 0:19:32.840
<v Speaker 1>like I was in a studio and you were sitting

0:19:32.840 --> 0:19:35.000
<v Speaker 1>in front of a fan on a beach with an

0:19:35.000 --> 0:19:38.760
<v Speaker 1>echo chamber around you. Or well, and Casey too will

0:19:38.800 --> 0:19:42.119
<v Speaker 1>like run filters that kind of normalize the sound and

0:19:42.200 --> 0:19:45.920
<v Speaker 1>makes them sound similar to one another. So there isn't

0:19:45.960 --> 0:19:51.040
<v Speaker 1>that discordant weirdness to it. Um specific filters I would

0:19:51.040 --> 0:19:55.600
<v Speaker 1>not know a last are. The next question is are

0:19:55.600 --> 0:19:58.040
<v Speaker 1>there any subjects or topics you absolutely will never do

0:19:58.119 --> 0:20:00.760
<v Speaker 1>a show on for any reason? So alarly, is there

0:20:00.760 --> 0:20:02.560
<v Speaker 1>a topic you want to do a show on that

0:20:02.640 --> 0:20:05.400
<v Speaker 1>you haven't been able to? Um? That is from Brianna.

0:20:05.560 --> 0:20:09.200
<v Speaker 1>Karen asked a similar question to the last part of that. Uh,

0:20:09.280 --> 0:20:14.359
<v Speaker 1>you usually say the Quints, right, Yeah, there's the dion Quints. Who.

0:20:14.680 --> 0:20:17.320
<v Speaker 1>Um We've mentioned this on a show. I can't remember

0:20:17.359 --> 0:20:22.160
<v Speaker 1>which episode it was on, but um, the dion Quints

0:20:22.160 --> 0:20:26.000
<v Speaker 1>a set of five quintuplets. Uh what obviously because they

0:20:26.000 --> 0:20:29.440
<v Speaker 1>were quints, um, two of them as of the last

0:20:29.440 --> 0:20:31.119
<v Speaker 1>time I checked, we're still living and have really just

0:20:31.160 --> 0:20:33.920
<v Speaker 1>said they want their privacy and part of their whole

0:20:33.960 --> 0:20:36.679
<v Speaker 1>story is that their privacy and their freedom was totally

0:20:36.680 --> 0:20:39.440
<v Speaker 1>stripped from them because of the fact that they were

0:20:39.480 --> 0:20:45.119
<v Speaker 1>a set of five babies who survived, which um was

0:20:45.119 --> 0:20:46.920
<v Speaker 1>an enormous charity. I think we talked about it in

0:20:46.960 --> 0:20:50.639
<v Speaker 1>the episode about the incubator Baby side shows that seems correct.

0:20:51.320 --> 0:20:56.320
<v Speaker 1>Another thing on the same line of thought is Henrietta Lacks,

0:20:56.800 --> 0:21:01.320
<v Speaker 1>which we've actually gotten an uptick and Henrietta Lacks questions lately. UM.

0:21:01.400 --> 0:21:04.920
<v Speaker 1>Henrietta Lacks was a Black woman who died of cancer

0:21:05.040 --> 0:21:08.440
<v Speaker 1>and the cells in her cancer became a cell line

0:21:08.480 --> 0:21:10.800
<v Speaker 1>that was used in pharmaceuticals. UM. And it is a

0:21:10.880 --> 0:21:14.560
<v Speaker 1>super important story, but it's also a story that involves

0:21:14.560 --> 0:21:18.000
<v Speaker 1>a lack of consent and an invasion of her privacy. UM.

0:21:18.680 --> 0:21:22.800
<v Speaker 1>And that just feels weird for us to dive into,

0:21:23.040 --> 0:21:25.960
<v Speaker 1>especially because what we would mostly be doing is kind

0:21:26.000 --> 0:21:30.240
<v Speaker 1>of a synopsis of Rebecca sclutes book, The Immortal Life

0:21:30.280 --> 0:21:32.159
<v Speaker 1>of Henrietta Lacks. And so like that's the case to

0:21:32.440 --> 0:21:35.960
<v Speaker 1>like go to that source, Like Rebecca Sclute worked with

0:21:36.000 --> 0:21:39.960
<v Speaker 1>the family, she did all that primary research her on

0:21:40.040 --> 0:21:43.479
<v Speaker 1>her you know, for her book, UM, and and like

0:21:43.760 --> 0:21:46.600
<v Speaker 1>it would just be us, it would be a book report,

0:21:46.840 --> 0:21:49.959
<v Speaker 1>it would be a book report. UM. So like we

0:21:50.040 --> 0:21:52.919
<v Speaker 1>absolutely agree that that is an important story that's worth telling.

0:21:53.400 --> 0:21:56.320
<v Speaker 1>And in more recent years her family has has talked

0:21:56.359 --> 0:21:59.240
<v Speaker 1>about like wanting people to understand what happened with that history,

0:21:59.280 --> 0:22:01.600
<v Speaker 1>but like that that is a case where someone else

0:22:01.680 --> 0:22:04.600
<v Speaker 1>did all the work, um, and that is the person

0:22:04.640 --> 0:22:07.959
<v Speaker 1>who's work should be showcased. I'm trying to think if

0:22:08.000 --> 0:22:11.040
<v Speaker 1>there's anything that we wanted to do a show on him,

0:22:11.040 --> 0:22:14.159
<v Speaker 1>we haven't really been able to. Uh, those tend to

0:22:14.200 --> 0:22:17.400
<v Speaker 1>fall over to six impossible episodes. Yeah, they get into

0:22:17.440 --> 0:22:20.680
<v Speaker 1>six impossible episodes a lot. Um, So I I perpetually

0:22:20.720 --> 0:22:22.600
<v Speaker 1>have a list of things that I don't feel like

0:22:22.640 --> 0:22:26.600
<v Speaker 1>I have quite enough information for that are over on

0:22:26.680 --> 0:22:28.880
<v Speaker 1>that little Maybe one day it's a six impossible episodes.

0:22:30.640 --> 0:22:34.000
<v Speaker 1>Amy asks, what's the craziest thing you've done in the

0:22:34.080 --> 0:22:36.159
<v Speaker 1>name of research? Was there a time you found yourself

0:22:36.240 --> 0:22:38.959
<v Speaker 1>chasing a bit of history somewhere so unexpected that by

0:22:39.000 --> 0:22:41.199
<v Speaker 1>the end you thought, how did I get here? Or

0:22:41.240 --> 0:22:44.399
<v Speaker 1>what have I done? Um? My answer to that is

0:22:44.480 --> 0:22:47.560
<v Speaker 1>from while we were still technically working the same job,

0:22:47.600 --> 0:22:51.200
<v Speaker 1>but before we had the podcast. Um. Because like as

0:22:51.359 --> 0:22:54.959
<v Speaker 1>as we said earlier, like our our show and previously

0:22:55.040 --> 0:22:58.040
<v Speaker 1>are like website employer has been sold a series of times.

0:22:58.640 --> 0:23:01.720
<v Speaker 1>I was working on an article when we were still

0:23:01.760 --> 0:23:03.800
<v Speaker 1>part of How Stuff Works, part of that website, and

0:23:03.840 --> 0:23:07.120
<v Speaker 1>I was still writing articles, and I don't remember exactly

0:23:07.119 --> 0:23:09.680
<v Speaker 1>what the article was about, but there was a um

0:23:09.720 --> 0:23:14.000
<v Speaker 1>an interview that was critical for me to read and

0:23:14.040 --> 0:23:17.719
<v Speaker 1>it had been published in Playboy, and Playboy was blocked

0:23:17.760 --> 0:23:20.760
<v Speaker 1>on the corporate network and I had to fill out

0:23:20.800 --> 0:23:24.560
<v Speaker 1>a form to get I t too unblocked Playboy for

0:23:24.680 --> 0:23:28.000
<v Speaker 1>me at work, and I was just like, I can't

0:23:28.040 --> 0:23:30.840
<v Speaker 1>believe this is happening to me right now, like it's

0:23:30.880 --> 0:23:34.119
<v Speaker 1>and it was like there was I had to have

0:23:34.240 --> 0:23:37.679
<v Speaker 1>this one specific interview because it had to tails in

0:23:37.680 --> 0:23:40.600
<v Speaker 1>it that just weren't available anywhere else UM And at

0:23:40.640 --> 0:23:42.879
<v Speaker 1>that point I did not have all the same library

0:23:42.880 --> 0:23:44.720
<v Speaker 1>resources that I have now. I might have had other

0:23:44.720 --> 0:23:47.120
<v Speaker 1>ways to get to this one article rather than having

0:23:47.160 --> 0:23:50.879
<v Speaker 1>Playboy unblocked on the corporate machines. And I think I

0:23:50.920 --> 0:23:53.000
<v Speaker 1>wound up with this like you have a one hour window,

0:23:54.080 --> 0:23:59.800
<v Speaker 1>get this article. That's it. UM. The only thing I

0:24:00.080 --> 0:24:05.320
<v Speaker 1>thing I mean, I I UM crazy things are relative,

0:24:06.320 --> 0:24:09.400
<v Speaker 1>so what seems crazy to some people may not seem

0:24:09.440 --> 0:24:12.560
<v Speaker 1>crazy to others Um. I do remember at one point

0:24:12.600 --> 0:24:14.159
<v Speaker 1>when I was working on the ax Man of New

0:24:14.240 --> 0:24:20.080
<v Speaker 1>Orleans episodes, calling a New Orleans public records office about

0:24:20.160 --> 0:24:25.439
<v Speaker 1>an old death record that like, the information I found

0:24:25.480 --> 0:24:29.080
<v Speaker 1>online was a little bit glorpy, like it wasn't clear

0:24:30.080 --> 0:24:33.000
<v Speaker 1>if it had been misentered or what. And so it

0:24:33.119 --> 0:24:38.040
<v Speaker 1>did not go anywhere successful because I was like, does

0:24:38.080 --> 0:24:40.800
<v Speaker 1>it say anything about whether they died of blunt force

0:24:40.880 --> 0:24:43.199
<v Speaker 1>trauma to the head? And I just got like, I

0:24:43.280 --> 0:24:46.879
<v Speaker 1>just got like, ma'am what I was just never mind?

0:24:47.080 --> 0:24:52.640
<v Speaker 1>Never mind? Um So I kinda I kind of whipped out. Yeah,

0:24:54.320 --> 0:25:04.520
<v Speaker 1>um uh at like that story. So our next question

0:25:04.600 --> 0:25:07.600
<v Speaker 1>is what is your opinion on judging historical figures with

0:25:07.640 --> 0:25:11.639
<v Speaker 1>modern criteria, in other words, applying modern moral criteria to

0:25:11.680 --> 0:25:15.360
<v Speaker 1>historical figures or actions. For example, George Washington had slaves

0:25:15.480 --> 0:25:18.840
<v Speaker 1>and that whole Columbus issue. Are they simply products of

0:25:18.840 --> 0:25:21.719
<v Speaker 1>their time? That is a question from Paul um So

0:25:21.800 --> 0:25:25.919
<v Speaker 1>I'm not sure, like the judging is the right word?

0:25:26.600 --> 0:25:29.320
<v Speaker 1>Um like that that that word comes up a lot,

0:25:29.760 --> 0:25:33.359
<v Speaker 1>and it sort of has connotations that people are trying

0:25:33.400 --> 0:25:40.120
<v Speaker 1>to like retroactively shame and embarrass a public figure from

0:25:40.240 --> 0:25:44.560
<v Speaker 1>beyond the grave. Um. I think what really is important

0:25:44.640 --> 0:25:48.399
<v Speaker 1>is having like an honest reckoning with a person's life

0:25:48.400 --> 0:25:50.600
<v Speaker 1>and work and legacy and their impact on the world.

0:25:50.640 --> 0:25:53.400
<v Speaker 1>And a lot of times like that has not happened

0:25:54.440 --> 0:25:58.200
<v Speaker 1>with figures who's like people who have been memorialized with

0:25:58.240 --> 0:26:01.359
<v Speaker 1>the statute but whose own views were apol ng um.

0:26:01.400 --> 0:26:03.440
<v Speaker 1>And another important thing to keep in mind is that

0:26:03.840 --> 0:26:09.520
<v Speaker 1>there have always been people who were advocating against slavery.

0:26:09.560 --> 0:26:13.600
<v Speaker 1>For example, there were abolitionists from the start. They were

0:26:13.640 --> 0:26:16.040
<v Speaker 1>also products of their time. So trying to say that

0:26:16.080 --> 0:26:19.359
<v Speaker 1>somebody was a product of their time erases all the

0:26:19.440 --> 0:26:23.120
<v Speaker 1>other people who were also there, um who either were

0:26:23.119 --> 0:26:25.600
<v Speaker 1>the people who were enslaved or the people who were

0:26:26.240 --> 0:26:29.159
<v Speaker 1>uh fighting against slavery, and some of those were the

0:26:29.200 --> 0:26:32.960
<v Speaker 1>same people. It just it raises all of that and

0:26:33.040 --> 0:26:36.680
<v Speaker 1>sort of makes it seem like, uh, these ideas of

0:26:37.400 --> 0:26:40.479
<v Speaker 1>racism being wrong and slavery being wrong are like newly

0:26:40.520 --> 0:26:44.800
<v Speaker 1>invented concepts and they really aren't like that that they

0:26:44.800 --> 0:26:48.199
<v Speaker 1>were all there the whole time. Yeah. For me, I mean,

0:26:48.240 --> 0:26:50.119
<v Speaker 1>I think you hit on it. Where the word judging

0:26:50.200 --> 0:26:54.639
<v Speaker 1>is tricky, It's really about contextualizing, right, Like we have

0:26:54.920 --> 0:26:59.800
<v Speaker 1>to step away from kind of the really uh some

0:27:00.080 --> 0:27:03.800
<v Speaker 1>times overly a brilliant accounts of somebody's life if they

0:27:03.840 --> 0:27:07.520
<v Speaker 1>achieved something, often like any of the negative stuff kind

0:27:07.520 --> 0:27:10.160
<v Speaker 1>of has gotten pushed to the side, and many many

0:27:10.200 --> 0:27:13.000
<v Speaker 1>tellings of their story and we've it's more about like

0:27:13.119 --> 0:27:17.360
<v Speaker 1>cataloging and contextualizing all of the reality of of who

0:27:17.400 --> 0:27:21.680
<v Speaker 1>they were and what they did, and it it's um

0:27:21.760 --> 0:27:26.359
<v Speaker 1>it becomes difficult because I think we are, by nature

0:27:26.560 --> 0:27:31.119
<v Speaker 1>humans want to categorize things for their own ability to

0:27:31.200 --> 0:27:33.840
<v Speaker 1>parse files, right Like I want to be able to

0:27:33.880 --> 0:27:35.720
<v Speaker 1>say this person was a good person, this person was

0:27:35.760 --> 0:27:39.199
<v Speaker 1>a bad person. That helps me like order history and

0:27:39.200 --> 0:27:42.560
<v Speaker 1>and how it all shook out and and my view

0:27:42.640 --> 0:27:46.879
<v Speaker 1>of it. But the the irritating and marvelous thing about

0:27:46.960 --> 0:27:51.840
<v Speaker 1>humans is that it's all nuance, and good people often

0:27:51.880 --> 0:27:55.879
<v Speaker 1>have bad behaviors involved in their their life story, and

0:27:55.920 --> 0:27:59.560
<v Speaker 1>people that we might categorize as villainous also often have

0:27:59.720 --> 0:28:02.240
<v Speaker 1>done really wonderful things. Like there are very few people

0:28:02.280 --> 0:28:07.080
<v Speaker 1>that are just pure and good or evil. So it

0:28:07.119 --> 0:28:13.199
<v Speaker 1>does become about context and nuance at that point. So

0:28:13.280 --> 0:28:14.960
<v Speaker 1>the last, the last question that we have in this

0:28:14.960 --> 0:28:18.160
<v Speaker 1>first time before we take a quick break is from Emily,

0:28:18.200 --> 0:28:20.879
<v Speaker 1>and Emily asked, are there any episodes you wish you

0:28:20.920 --> 0:28:23.640
<v Speaker 1>could go back and rerecord with a different tone, use

0:28:23.640 --> 0:28:27.639
<v Speaker 1>of terminology, et cetera, given how much has changed culturally

0:28:27.720 --> 0:28:30.760
<v Speaker 1>since you started the show? I think artists said That

0:28:30.800 --> 0:28:36.000
<v Speaker 1>was from Emily. That answer is yes. Um My. My

0:28:36.080 --> 0:28:39.960
<v Speaker 1>biggest example on that is our episode on Alan L. Heart.

0:28:40.720 --> 0:28:45.600
<v Speaker 1>Alan L Heart fits into the umbrella of of trans history,

0:28:45.840 --> 0:28:49.840
<v Speaker 1>although he lived before the idea of transgender as an

0:28:49.880 --> 0:28:54.920
<v Speaker 1>identity had really evolved. Um. And when I worked on

0:28:54.960 --> 0:28:59.959
<v Speaker 1>that show, I thought I knew enough about trans issue

0:29:00.320 --> 0:29:03.520
<v Speaker 1>to like have the starting point. I got in touch

0:29:03.560 --> 0:29:05.280
<v Speaker 1>with someone I knew who was a trans woman, who

0:29:05.560 --> 0:29:09.080
<v Speaker 1>very graciously agreed to answer a couple of questions for

0:29:09.120 --> 0:29:10.520
<v Speaker 1>me because I wanted to make sure that I was

0:29:10.600 --> 0:29:14.720
<v Speaker 1>handling things thoughtfully and sensitively. Um And in hindsight, it

0:29:14.840 --> 0:29:17.920
<v Speaker 1>was like I didn't quite know enough to know which

0:29:18.040 --> 0:29:22.600
<v Speaker 1>questions to ask her. Um. And consequently, looking back on

0:29:22.600 --> 0:29:27.680
<v Speaker 1>that episode, I feel like it it reinforces some misperceptions,

0:29:27.680 --> 0:29:31.040
<v Speaker 1>like it puts way too much focus on Alan Hart's

0:29:31.080 --> 0:29:33.840
<v Speaker 1>body and on the idea of surgery, and like there's

0:29:33.880 --> 0:29:36.520
<v Speaker 1>just a lot more nuance that it could have gotten

0:29:36.520 --> 0:29:38.680
<v Speaker 1>into UM. And so that's one that if I had

0:29:38.680 --> 0:29:44.680
<v Speaker 1>a time machine, I would have handled some things differently, UM,

0:29:44.920 --> 0:29:46.960
<v Speaker 1>because it was like I didn't even know what I

0:29:47.000 --> 0:29:50.560
<v Speaker 1>didn't know going into it. I mean there are a million, right,

0:29:50.640 --> 0:29:55.680
<v Speaker 1>Like they're a million episodes. I would change update. I

0:29:55.760 --> 0:29:58.600
<v Speaker 1>always UM. We have talked about this so many times

0:29:58.600 --> 0:30:02.080
<v Speaker 1>on the show before, but I always kind of did

0:30:02.120 --> 0:30:04.120
<v Speaker 1>there when it comes to like what I go back,

0:30:04.160 --> 0:30:07.200
<v Speaker 1>for example and like change an episode where we had

0:30:07.200 --> 0:30:11.240
<v Speaker 1>a pronunciation error, UM, and part of me is like, oh,

0:30:11.280 --> 0:30:13.800
<v Speaker 1>of course, and part of me is like, you know what, though,

0:30:13.880 --> 0:30:18.560
<v Speaker 1>like I feel like in a way, uh, because neither

0:30:18.600 --> 0:30:20.400
<v Speaker 1>of us, I don't think would bill ourselves as a

0:30:20.480 --> 0:30:25.920
<v Speaker 1>history expert UM or a historian, but we are history enthusiasts,

0:30:25.960 --> 0:30:28.600
<v Speaker 1>and we research and we learn, and so I feel

0:30:28.640 --> 0:30:30.280
<v Speaker 1>like in some ways that is a record of our

0:30:30.280 --> 0:30:35.640
<v Speaker 1>own learning process. So I'm not I'm not as twitchy

0:30:35.720 --> 0:30:39.480
<v Speaker 1>about those things or as like fretful that we should

0:30:39.480 --> 0:30:41.840
<v Speaker 1>redo them as I may be used to be. And

0:30:41.880 --> 0:30:44.760
<v Speaker 1>if people want to judge me on something I mispronounced

0:30:44.760 --> 0:30:48.040
<v Speaker 1>five years ago, that's fine. I mean I can't I

0:30:48.080 --> 0:30:52.280
<v Speaker 1>can't undo that for anybody. And I certainly have made

0:30:52.360 --> 0:30:55.680
<v Speaker 1>so many mistakes in all parts of my life over

0:30:55.720 --> 0:30:59.240
<v Speaker 1>the years, but that's part of the record of like

0:30:59.600 --> 0:31:03.680
<v Speaker 1>grow oath and I in some ways doing the show

0:31:03.800 --> 0:31:09.880
<v Speaker 1>is what informs that because as we have discussed, UM,

0:31:10.040 --> 0:31:12.560
<v Speaker 1>I feel like in a way that would be rewriting

0:31:12.640 --> 0:31:17.840
<v Speaker 1>that moment of our learning process and discovery and making

0:31:17.840 --> 0:31:19.520
<v Speaker 1>it seem like we knew more than we did for

0:31:19.560 --> 0:31:24.480
<v Speaker 1>example in right. Yeah, that's actually something that I really

0:31:24.520 --> 0:31:30.560
<v Speaker 1>have uh appreciated observing an other podcasts that I've listened to, Like,

0:31:31.720 --> 0:31:35.280
<v Speaker 1>I have seen how other podcasts also evolve and how

0:31:35.320 --> 0:31:41.000
<v Speaker 1>they talk about different issues. UM, and so I think

0:31:41.240 --> 0:31:46.160
<v Speaker 1>I am incredibly critical of my own self and in

0:31:46.240 --> 0:31:49.120
<v Speaker 1>a way where I extend grace to other people. So

0:31:49.240 --> 0:31:52.120
<v Speaker 1>maybe that's to be my key takeaway from this conversation

0:31:54.280 --> 0:31:57.520
<v Speaker 1>is to extend some more grace to myself for mistakes

0:31:57.560 --> 0:32:00.480
<v Speaker 1>for years ago. Do you want to extend into grace

0:32:00.560 --> 0:32:02.960
<v Speaker 1>to a listener break? Yeah, let's have a quick listener

0:32:03.000 --> 0:32:13.960
<v Speaker 1>break for a sponsor. Okay, so we are going to

0:32:13.960 --> 0:32:17.120
<v Speaker 1>get back to our listeners submitted questions this next chunk

0:32:17.160 --> 0:32:19.040
<v Speaker 1>of stuff. Previously, before the break, we had a bunch

0:32:19.080 --> 0:32:21.000
<v Speaker 1>of stuff that was about like the show and topics

0:32:21.040 --> 0:32:22.880
<v Speaker 1>and how we do it now. We have a few

0:32:22.880 --> 0:32:26.520
<v Speaker 1>things that are more about us as hosts. And the

0:32:26.600 --> 0:32:30.760
<v Speaker 1>first came from a several people, um, including John, Luca,

0:32:30.920 --> 0:32:34.520
<v Speaker 1>Amy and Morgan, who said, throughout the shows you mentioned

0:32:35.000 --> 0:32:37.080
<v Speaker 1>a few things from the past. I'd be curious would

0:32:37.120 --> 0:32:39.080
<v Speaker 1>if you'd be willing to give us a brief synopsis

0:32:39.120 --> 0:32:41.360
<v Speaker 1>of where you grew up, the path you took, how

0:32:41.400 --> 0:32:44.720
<v Speaker 1>it led to YouTube being history podcast host. Did you

0:32:44.800 --> 0:32:49.000
<v Speaker 1>major in history in college? Um? We did not major

0:32:49.040 --> 0:32:52.600
<v Speaker 1>in history in college. I majored in literature with at

0:32:52.600 --> 0:32:55.840
<v Speaker 1>a school that had a big humanities component as like

0:32:55.920 --> 0:33:00.520
<v Speaker 1>the the core general education requirements, And I feel like

0:33:00.520 --> 0:33:03.880
<v Speaker 1>the humanities and literature are like first cousins to history

0:33:03.960 --> 0:33:05.800
<v Speaker 1>and has a lot of the same stuff about close

0:33:05.840 --> 0:33:09.840
<v Speaker 1>reading of texts and putting things in context and uh

0:33:09.920 --> 0:33:14.560
<v Speaker 1>analyzing sources from the past like that that all fits

0:33:14.600 --> 0:33:17.800
<v Speaker 1>together from my point of view really well. Yeah, I'm

0:33:17.800 --> 0:33:21.320
<v Speaker 1>majored in theater and film study in English with a

0:33:21.360 --> 0:33:26.760
<v Speaker 1>miner and dance. Um, so yeah, not so much with

0:33:26.800 --> 0:33:30.000
<v Speaker 1>the history. Um, I grew up all over. My dad

0:33:30.120 --> 0:33:34.440
<v Speaker 1>is Air Force, so I would probably say the formative

0:33:34.520 --> 0:33:39.360
<v Speaker 1>years were on the floor to panhandle. But I also

0:33:39.480 --> 0:33:43.320
<v Speaker 1>lived in Arizona. I lived in just outside Seattle. You know,

0:33:43.360 --> 0:33:46.400
<v Speaker 1>we scooted around. Yeah. I was in North Carolina my

0:33:46.440 --> 0:33:50.040
<v Speaker 1>whole entire life until moving to Atlanta about a year

0:33:50.040 --> 0:33:53.320
<v Speaker 1>before I got hired at How Stuff Works. UM, and

0:33:53.360 --> 0:33:55.880
<v Speaker 1>I had I had tried to use my literature degree

0:33:56.000 --> 0:33:58.480
<v Speaker 1>to get a job as a writer, and when I

0:33:58.520 --> 0:34:00.800
<v Speaker 1>was living in North Carolina, most of our writing jobs

0:34:00.800 --> 0:34:03.160
<v Speaker 1>were like business to business communication and I did not

0:34:03.200 --> 0:34:06.480
<v Speaker 1>find that satisfying. UM. So I went on kind of

0:34:06.480 --> 0:34:08.880
<v Speaker 1>a winding road, wound up in Atlanta, got hired at

0:34:08.880 --> 0:34:12.280
<v Speaker 1>How Stuff Works. Worked my way from being a staff

0:34:12.320 --> 0:34:14.319
<v Speaker 1>writer to the senior staff writer, and then I moved

0:34:14.320 --> 0:34:19.600
<v Speaker 1>into management UM. And then uh well, one day had

0:34:19.640 --> 0:34:22.000
<v Speaker 1>this kind of weird existential crisis where I was listening

0:34:22.000 --> 0:34:25.080
<v Speaker 1>to an episode of Stuff You Should Know while driving

0:34:25.080 --> 0:34:28.279
<v Speaker 1>on a highway and a gigantic truck drove by me

0:34:28.360 --> 0:34:30.440
<v Speaker 1>and threw up just a wall of water because it

0:34:30.480 --> 0:34:32.040
<v Speaker 1>was draining really hard, and I had this moment where

0:34:32.080 --> 0:34:33.680
<v Speaker 1>I could not see anything on the road and I

0:34:33.760 --> 0:34:38.959
<v Speaker 1>was like, I might die, and my job is spreadsheets.

0:34:39.800 --> 0:34:45.279
<v Speaker 1>Uh and again, but I came back to work, and

0:34:45.320 --> 0:34:48.720
<v Speaker 1>I was like, look, uh, my boss conall, I would

0:34:48.719 --> 0:34:51.960
<v Speaker 1>really like to have some kind of creative project added

0:34:52.000 --> 0:34:54.680
<v Speaker 1>back into my workload. And then at some point after that,

0:34:54.760 --> 0:34:58.640
<v Speaker 1>he heard the two of us um just talk and

0:34:58.680 --> 0:35:02.600
<v Speaker 1>trash at an employee party and suggested that we have

0:35:02.640 --> 0:35:05.720
<v Speaker 1>a podcast. And that podcast it was a totally different

0:35:05.719 --> 0:35:07.799
<v Speaker 1>podcast from this one. It was called pop Stuff. It

0:35:07.840 --> 0:35:10.879
<v Speaker 1>was about pop culture. I feel like I remember seeing

0:35:10.880 --> 0:35:13.959
<v Speaker 1>a question in the inbox about whether we might bring

0:35:14.040 --> 0:35:16.880
<v Speaker 1>that show back, and that's like a thing that you

0:35:16.920 --> 0:35:19.600
<v Speaker 1>and I have asked ourselves repeatedly. I don't I don't

0:35:19.640 --> 0:35:22.560
<v Speaker 1>know how we might make that work in our time

0:35:23.160 --> 0:35:26.279
<v Speaker 1>at this moment. Uh yeah, it would be tricky. I

0:35:26.320 --> 0:35:28.560
<v Speaker 1>mean I have the bad habit of all. I was going, yeah,

0:35:28.600 --> 0:35:30.719
<v Speaker 1>we'll make it work, and then I have like, uh

0:35:31.040 --> 0:35:32.520
<v Speaker 1>days where I'm like, I'm going to cry. I'm so

0:35:32.560 --> 0:35:35.080
<v Speaker 1>stressed there showing the next eight hours what's going on?

0:35:35.239 --> 0:35:38.360
<v Speaker 1>I can't possibly answer all these Yeah. So yeah, I

0:35:38.400 --> 0:35:41.680
<v Speaker 1>think somebody also noted that UM, like the RSS feed

0:35:41.719 --> 0:35:44.440
<v Speaker 1>for that show has either vanished or it doesn't work anymore.

0:35:45.120 --> 0:35:49.080
<v Speaker 1>UM and I I have conflicted feelings about trying to

0:35:49.120 --> 0:35:51.640
<v Speaker 1>restore that because I have learned a whole lot of

0:35:51.640 --> 0:35:55.400
<v Speaker 1>stuff the last seven years, and I said some appalling

0:35:55.520 --> 0:36:02.200
<v Speaker 1>ignorant crap on that show. So anyway, that's kind of

0:36:02.200 --> 0:36:07.000
<v Speaker 1>the how we got to hear um, which leads us

0:36:07.000 --> 0:36:09.600
<v Speaker 1>into the next question, which, uh, which I'll go ahead

0:36:09.600 --> 0:36:11.120
<v Speaker 1>and read because it's so related. And that was the

0:36:11.280 --> 0:36:13.839
<v Speaker 1>two of us know each other before the podcast, how

0:36:13.840 --> 0:36:19.359
<v Speaker 1>did you meet? And that was from Teresa and Jean. Yep, Yes,

0:36:19.560 --> 0:36:24.800
<v Speaker 1>we met in line for Lord of the Rings trilogy Tuesday. Yeah,

0:36:25.000 --> 0:36:27.040
<v Speaker 1>we were each going to watch all of the Lord

0:36:27.040 --> 0:36:28.960
<v Speaker 1>of the Rings movies in a row on the same

0:36:29.040 --> 0:36:32.439
<v Speaker 1>day out a movie theater. Yeah. Um, which was the case.

0:36:32.560 --> 0:36:38.360
<v Speaker 1>It was not a random meeting. We had mutual people. Um.

0:36:38.719 --> 0:36:40.920
<v Speaker 1>I look back on that and I'm still shocked that

0:36:40.960 --> 0:36:43.160
<v Speaker 1>I did it, because I'm not that big of a

0:36:43.200 --> 0:36:46.400
<v Speaker 1>Lord of the Rings person. I was in a costume,

0:36:46.760 --> 0:36:51.680
<v Speaker 1>but I I mean, you know, I will do all

0:36:51.719 --> 0:36:55.759
<v Speaker 1>of the nerdy pop culture things, so that must have

0:36:55.800 --> 0:36:59.880
<v Speaker 1>been the driver there. Yeah. Um, I would be a

0:37:00.160 --> 0:37:05.040
<v Speaker 1>costume if it were a Star Wars event. Yeah. We

0:37:05.120 --> 0:37:08.080
<v Speaker 1>kind of ran into each other periodically because we had

0:37:08.120 --> 0:37:10.720
<v Speaker 1>some of the same like some overlap in our social circles,

0:37:10.719 --> 0:37:12.640
<v Speaker 1>but we did not really get to know each other

0:37:12.960 --> 0:37:17.160
<v Speaker 1>that much more until we were working together. Yeah um,

0:37:17.200 --> 0:37:19.000
<v Speaker 1>and then also got to know each other a lot

0:37:19.000 --> 0:37:22.560
<v Speaker 1>more working together on podcasts. I have that weird memory

0:37:22.680 --> 0:37:25.520
<v Speaker 1>of us running into each other at the Renaissance Festival

0:37:25.640 --> 0:37:28.960
<v Speaker 1>in the tea room. Wow, I don't even remember that

0:37:29.200 --> 0:37:32.759
<v Speaker 1>you had we're still had a leg injury because you

0:37:32.800 --> 0:37:34.759
<v Speaker 1>still had your gin. You were still rehabbing. And I

0:37:34.840 --> 0:37:38.279
<v Speaker 1>just remember I had eaten like I hadn't eaten this much,

0:37:38.320 --> 0:37:40.560
<v Speaker 1>but it felt like I had eaten a dozen Scotch eggs.

0:37:41.280 --> 0:37:44.560
<v Speaker 1>It's just full and cackling, uh, and hanging out with

0:37:45.360 --> 0:37:48.960
<v Speaker 1>our mutual friend and and yeah, it's a weird. I

0:37:49.000 --> 0:37:51.120
<v Speaker 1>don't know why that imprinted on my brain so hard,

0:37:51.160 --> 0:37:53.920
<v Speaker 1>but here we are years later. I think what imprinted

0:37:53.960 --> 0:37:55.880
<v Speaker 1>on my brain is more when we were backstage at

0:37:55.880 --> 0:37:59.239
<v Speaker 1>the costume contest at Dragon con Um. I think that

0:37:59.320 --> 0:38:01.279
<v Speaker 1>was the year that you all did the Muppet Band,

0:38:02.560 --> 0:38:04.200
<v Speaker 1>but it might have been the year that you did

0:38:04.880 --> 0:38:09.200
<v Speaker 1>Nightmare for Christmas. No, it was Muppets, which those are

0:38:09.239 --> 0:38:12.040
<v Speaker 1>always very blurry for me. In case anybody does not know,

0:38:12.200 --> 0:38:15.680
<v Speaker 1>I used to do I used to make with a

0:38:15.719 --> 0:38:20.160
<v Speaker 1>bunch of my friends, like giant, crazy mascotty kind of

0:38:20.200 --> 0:38:22.080
<v Speaker 1>costumes a lot of the time, Like we would do

0:38:22.680 --> 0:38:25.920
<v Speaker 1>big storybook characters or whatever, and we did the Muppets

0:38:25.920 --> 0:38:27.760
<v Speaker 1>When You're in Tracy kind of did a ride along

0:38:27.840 --> 0:38:33.320
<v Speaker 1>and was like like writing about it for how stuff works. Yeah,

0:38:33.400 --> 0:38:36.480
<v Speaker 1>And I the thing is that, like anytime I'm in

0:38:36.560 --> 0:38:38.880
<v Speaker 1>that situation, like when you're in those costumes, a lot

0:38:38.920 --> 0:38:42.120
<v Speaker 1>of times, there's like this whole sensory deprivation thing, Like

0:38:42.440 --> 0:38:45.040
<v Speaker 1>it all becomes a blur. So I have no memory

0:38:45.080 --> 0:38:47.799
<v Speaker 1>of that. I mean, I know you were there, but

0:38:47.880 --> 0:38:50.480
<v Speaker 1>like in terms of specific moments, I could not conjure

0:38:50.480 --> 0:38:57.959
<v Speaker 1>a thing. Um. So that's your renaissance tea room where

0:38:58.040 --> 0:39:00.959
<v Speaker 1>is Yeah? Uh. The next question is have you guys

0:39:01.000 --> 0:39:03.799
<v Speaker 1>gotten created with any self care stuff while having so

0:39:03.880 --> 0:39:06.160
<v Speaker 1>much more time at home? Also, are you sick of

0:39:06.200 --> 0:39:09.400
<v Speaker 1>your own cooking? That was asked by Anna and Jamie

0:39:09.440 --> 0:39:12.200
<v Speaker 1>asked about self care in the context of researching difficult

0:39:12.239 --> 0:39:15.520
<v Speaker 1>material Um. The biggest thing for me in self care

0:39:15.600 --> 0:39:18.880
<v Speaker 1>and these pandemic times was moving an exercise bike into

0:39:19.400 --> 0:39:24.520
<v Speaker 1>my office. Um, because my husband is also home all

0:39:24.520 --> 0:39:27.040
<v Speaker 1>the time and we had our exercise stuff, and this

0:39:27.160 --> 0:39:31.759
<v Speaker 1>weird little corner in our attic space. Um that like

0:39:31.880 --> 0:39:33.920
<v Speaker 1>isn't really useful for anything, but it's just the right

0:39:33.960 --> 0:39:36.680
<v Speaker 1>size to like stick an exercise bike and stuff. But

0:39:36.880 --> 0:39:39.360
<v Speaker 1>it's adjacent to what is now his workspace, and I

0:39:39.360 --> 0:39:42.040
<v Speaker 1>felt like I couldn't exercise without bothering him at work.

0:39:43.040 --> 0:39:49.560
<v Speaker 1>That's fair, So moving an exercise bike down here was huge. Uh,

0:39:49.600 --> 0:39:52.520
<v Speaker 1>and like made it much more possible for me to exercise.

0:39:52.520 --> 0:39:54.360
<v Speaker 1>And I just feel a lot better when I exercise.

0:39:56.040 --> 0:39:58.800
<v Speaker 1>Uh yeah, I mean I don't. I don't know I

0:39:59.480 --> 0:40:01.840
<v Speaker 1>have said I don't know if I've said it on

0:40:01.840 --> 0:40:08.040
<v Speaker 1>this show before. Pandemic aside and our current um unrest

0:40:08.239 --> 0:40:13.480
<v Speaker 1>over ongoing racism in the US and around the world aside,

0:40:14.600 --> 0:40:18.279
<v Speaker 1>this has been a shockingly delightful time for me. Like,

0:40:18.760 --> 0:40:21.319
<v Speaker 1>I think because I was traveling so much, I had

0:40:21.320 --> 0:40:24.359
<v Speaker 1>gotten to the point where, like I would get in

0:40:24.440 --> 0:40:28.319
<v Speaker 1>from wherever I was on Saturday or Sunday, I would

0:40:28.360 --> 0:40:31.280
<v Speaker 1>spend all day Monday writing an episode we would record

0:40:31.280 --> 0:40:33.600
<v Speaker 1>Tuesday morning, and I would leave from the studio to

0:40:33.640 --> 0:40:36.040
<v Speaker 1>go to the airport and do that whole cycle over again.

0:40:36.080 --> 0:40:37.960
<v Speaker 1>And I had gotten to the point where that was

0:40:38.000 --> 0:40:42.920
<v Speaker 1>almost every week. So for it to then be like, no,

0:40:43.400 --> 0:40:46.359
<v Speaker 1>you get several months at home with your husband and

0:40:46.400 --> 0:40:48.560
<v Speaker 1>your cats and all of the things that you love

0:40:48.600 --> 0:40:52.239
<v Speaker 1>in your home. For me, that's been sort of like

0:40:52.280 --> 0:40:55.960
<v Speaker 1>a weird forced self care that I never would have

0:40:56.040 --> 0:41:00.000
<v Speaker 1>taken on my own. UM. So that's been really really

0:41:00.040 --> 0:41:02.680
<v Speaker 1>marvelous because I love my husband. I want to hang

0:41:02.680 --> 0:41:05.600
<v Speaker 1>out with them all the time. UM. I have joked

0:41:05.600 --> 0:41:09.640
<v Speaker 1>several times that this whole pandemic was uh invoked by

0:41:09.640 --> 0:41:11.600
<v Speaker 1>me every day when I left and said I don't

0:41:11.640 --> 0:41:13.160
<v Speaker 1>want to leave. I want to be with you all

0:41:13.200 --> 0:41:17.400
<v Speaker 1>the time. And now I get to be and it's great. UM.

0:41:18.120 --> 0:41:21.040
<v Speaker 1>I have not gotten tired of my own cooking. I

0:41:21.120 --> 0:41:23.480
<v Speaker 1>love to cook. You and Patrick also cook a lot.

0:41:23.880 --> 0:41:26.000
<v Speaker 1>We cook a lot. Our cooking has gotten a lot

0:41:26.000 --> 0:41:28.959
<v Speaker 1>more adventurous, Like Patrick has learned to make several things

0:41:28.960 --> 0:41:31.200
<v Speaker 1>that he didn't know how to make before. Um. He

0:41:31.280 --> 0:41:34.560
<v Speaker 1>learned to make nioki, and he learned to make bagels. Um.

0:41:34.719 --> 0:41:36.640
<v Speaker 1>And we've also had to get really creative with stuff

0:41:36.680 --> 0:41:39.279
<v Speaker 1>because we've been a lot more intentionally focused on not

0:41:39.360 --> 0:41:42.120
<v Speaker 1>wasting food. So there have been a whole lot of

0:41:42.120 --> 0:41:44.239
<v Speaker 1>times when we look at what's in the fridge. And

0:41:44.239 --> 0:41:48.680
<v Speaker 1>then there's a step of like googling egg potato carrot

0:41:48.800 --> 0:41:53.600
<v Speaker 1>recipe what we get. There is a cap that does that,

0:41:54.760 --> 0:41:56.919
<v Speaker 1>where you check off the things that you have on hand,

0:41:56.920 --> 0:41:58.600
<v Speaker 1>and it'll be like, here are four things you can

0:41:58.680 --> 0:42:00.279
<v Speaker 1>make out of that. And I can't remember the name

0:42:00.280 --> 0:42:02.600
<v Speaker 1>of it. Now that sounds awesome. I'll have to look

0:42:02.640 --> 0:42:06.279
<v Speaker 1>it up. Jeff asked. Something I picked up on while

0:42:06.320 --> 0:42:09.560
<v Speaker 1>listening to your host picks is your change in delivery.

0:42:09.600 --> 0:42:12.160
<v Speaker 1>And some of these you have the NPR styles delivery

0:42:12.160 --> 0:42:14.960
<v Speaker 1>of soft spoken, relatively monotone. Now you use what I

0:42:15.000 --> 0:42:18.600
<v Speaker 1>assume as your natural speaking voices. Was this an intentional

0:42:18.640 --> 0:42:20.520
<v Speaker 1>shift or is it more of an evolution as you

0:42:20.600 --> 0:42:29.000
<v Speaker 1>get more comfortable as hosts? For me, both uh. And

0:42:29.040 --> 0:42:32.799
<v Speaker 1>also when you and I joined the show, we got

0:42:32.840 --> 0:42:37.920
<v Speaker 1>a lot of feedback that was very very very negative. Um,

0:42:38.040 --> 0:42:42.160
<v Speaker 1>and people described our voices as shrill and unlistenable. And

0:42:42.239 --> 0:42:44.319
<v Speaker 1>so I had this part of my mind that was like,

0:42:44.360 --> 0:42:48.000
<v Speaker 1>if I am trying to sound like a radio person,

0:42:48.520 --> 0:42:51.440
<v Speaker 1>and this is the response I get, how about I

0:42:51.520 --> 0:42:55.799
<v Speaker 1>just try to sound like myself, Because clearly trying to

0:42:55.840 --> 0:42:59.319
<v Speaker 1>sound like a radio person is not working um and

0:42:59.360 --> 0:43:04.239
<v Speaker 1>then also uh, at one point I intentionally did a

0:43:04.360 --> 0:43:09.040
<v Speaker 1>lot of self study about about podcasting and radio and

0:43:09.080 --> 0:43:12.200
<v Speaker 1>audio storytelling and that kind of stuff, and I tried

0:43:12.239 --> 0:43:15.920
<v Speaker 1>to incorporate the things that I learned into how I

0:43:15.960 --> 0:43:20.760
<v Speaker 1>record shows. Yeah. Um, there are a few different factors

0:43:20.800 --> 0:43:23.799
<v Speaker 1>in it. For me. One is that when we came

0:43:23.800 --> 0:43:27.959
<v Speaker 1>onto the show, we were inheriting someone else's show. I

0:43:28.000 --> 0:43:31.560
<v Speaker 1>did not feel comfortable just being myself on someone else's

0:43:31.600 --> 0:43:35.520
<v Speaker 1>show for a while. That was part of it. Yeah. Two,

0:43:35.880 --> 0:43:38.319
<v Speaker 1>and this sounds really like sad and poor me, and

0:43:38.320 --> 0:43:40.000
<v Speaker 1>I just want you to know I'm fine, But I'm

0:43:40.040 --> 0:43:44.640
<v Speaker 1>just explaining this transition that Jef has heard. Um. As

0:43:44.680 --> 0:43:48.640
<v Speaker 1>Tracy mentioned, we got a lot of really really harsh

0:43:48.680 --> 0:43:53.520
<v Speaker 1>criticism at the beginning. I had literally picked a date

0:43:53.560 --> 0:43:56.400
<v Speaker 1>on my calendar that was several months out and wrote,

0:43:56.440 --> 0:43:59.040
<v Speaker 1>if you still hate it, you can quit. You're not

0:43:59.080 --> 0:44:01.160
<v Speaker 1>a quitter. You just know that you need something else.

0:44:01.320 --> 0:44:03.719
<v Speaker 1>Because it was miserable. And so there are some of

0:44:03.760 --> 0:44:06.840
<v Speaker 1>those where I'm just like white knuckling it through the

0:44:06.920 --> 0:44:08.839
<v Speaker 1>thing to like get it recorded and get it done,

0:44:08.840 --> 0:44:12.240
<v Speaker 1>because the whole thing became so stressful for a while. Um,

0:44:13.239 --> 0:44:19.920
<v Speaker 1>it is fine. I mean I I um, I have

0:44:20.000 --> 0:44:23.799
<v Speaker 1>said on the show before, right, like I am a

0:44:23.840 --> 0:44:26.960
<v Speaker 1>filthy potty mouth. So there's always like a section of

0:44:27.000 --> 0:44:30.080
<v Speaker 1>myself that I have to wall off, right Like we can't.

0:44:30.080 --> 0:44:32.600
<v Speaker 1>This is an educational show in some ways, and like

0:44:32.640 --> 0:44:37.560
<v Speaker 1>people listen with families, which is wonderful and hum It's

0:44:37.560 --> 0:44:40.880
<v Speaker 1>something I take to heart and take very seriously and

0:44:40.920 --> 0:44:43.840
<v Speaker 1>am very trying to be very respectful of. But it

0:44:43.960 --> 0:44:45.880
<v Speaker 1>is very funny when my friends are like that, that

0:44:46.000 --> 0:44:48.480
<v Speaker 1>is not the holly I know, because he didn't drop

0:44:48.520 --> 0:44:50.520
<v Speaker 1>any bombs in there at all, and none of that

0:44:50.640 --> 0:44:54.440
<v Speaker 1>was really crude. Um. So it it is also a

0:44:54.480 --> 0:44:58.600
<v Speaker 1>balance of that, right, like trying to to be genuine

0:44:58.960 --> 0:45:01.520
<v Speaker 1>and not be constant le code switching, but also be

0:45:01.560 --> 0:45:07.160
<v Speaker 1>conscious that my very natural speaking is uh is not

0:45:07.360 --> 0:45:13.160
<v Speaker 1>appropriate for all audiences. Yeah, it's I have some of

0:45:13.160 --> 0:45:18.000
<v Speaker 1>the same feelings. Our next question is from Mary Lee,

0:45:18.080 --> 0:45:19.919
<v Speaker 1>and it is I am dying to know if either

0:45:20.000 --> 0:45:23.120
<v Speaker 1>of you have ever taken the Jeopardy online test. If so,

0:45:23.280 --> 0:45:25.640
<v Speaker 1>have either of you been selected for an audition? If

0:45:25.680 --> 0:45:28.759
<v Speaker 1>you have auditioned, what happened next? I am the one

0:45:28.800 --> 0:45:31.680
<v Speaker 1>who has taken the Jeopardy test. I took it I

0:45:31.719 --> 0:45:35.680
<v Speaker 1>think twice, so long ago that it was not online yet.

0:45:35.760 --> 0:45:38.160
<v Speaker 1>You had to go to a place UM and take

0:45:38.200 --> 0:45:41.840
<v Speaker 1>the tests in a room with other people, and I

0:45:41.880 --> 0:45:43.720
<v Speaker 1>did not do well enough. There was like a second

0:45:43.719 --> 0:45:46.160
<v Speaker 1>phase where they had kind of like a mock Jeopardy game.

0:45:46.200 --> 0:45:48.839
<v Speaker 1>I think I did not do well enough to make

0:45:48.880 --> 0:45:53.799
<v Speaker 1>it to that UM, and then I I stopped pursuing

0:45:53.880 --> 0:46:02.160
<v Speaker 1>my dream of being on Jeopardy. Uh. My answer is no, UM.

0:46:02.320 --> 0:46:04.160
<v Speaker 1>I am one of those people that loves a lot

0:46:04.160 --> 0:46:06.440
<v Speaker 1>of trivia stuff, but if you actually put me on

0:46:06.480 --> 0:46:08.719
<v Speaker 1>the spot, I go completely cold and I'll be like,

0:46:08.880 --> 0:46:11.040
<v Speaker 1>I don't know kittens like I have no It's like

0:46:11.080 --> 0:46:13.919
<v Speaker 1>my brain just goes I'm sorry, man, we've locked this down.

0:46:13.960 --> 0:46:16.680
<v Speaker 1>You can't access it. So that was never going to

0:46:16.719 --> 0:46:18.480
<v Speaker 1>be a thing for me. I can yell the answers

0:46:18.520 --> 0:46:22.400
<v Speaker 1>from my couch like a yeah, like nobody's business. But

0:46:22.400 --> 0:46:24.680
<v Speaker 1>but I know that's not a place where I would thrive.

0:46:25.280 --> 0:46:27.680
<v Speaker 1>Our last question before we take another quick break is

0:46:27.840 --> 0:46:30.640
<v Speaker 1>I would love to know which period in history you

0:46:30.680 --> 0:46:32.840
<v Speaker 1>would each travel to if you could. And that was

0:46:32.880 --> 0:46:37.799
<v Speaker 1>from Kristen. That's also super obvious, right, I think I

0:46:37.840 --> 0:46:41.239
<v Speaker 1>think your answer might be, I mean it would be

0:46:41.280 --> 0:46:45.560
<v Speaker 1>a difficult decision between the Court of Louis the sixteenth

0:46:45.680 --> 0:46:50.440
<v Speaker 1>before things go really downhill, and or you know, Louis

0:46:50.680 --> 0:46:54.359
<v Speaker 1>Louis Catturs is also very fun. Again, these people are problematic,

0:46:54.400 --> 0:46:57.760
<v Speaker 1>but just from a design perspective, I gotta be there. Um.

0:46:57.800 --> 0:47:01.200
<v Speaker 1>And of course, you know Victorian England would be spectacular.

0:47:01.560 --> 0:47:06.040
<v Speaker 1>I'm in it for the bustle gowns. Um. At this moment,

0:47:06.080 --> 0:47:09.200
<v Speaker 1>I'm actually just I'm more curious about the future, Like

0:47:09.280 --> 0:47:11.320
<v Speaker 1>I wish I could see what everything is going to

0:47:11.440 --> 0:47:16.160
<v Speaker 1>look like in fifty or a hundred years from now. Um,

0:47:16.200 --> 0:47:18.600
<v Speaker 1>But a lot of that is influenced by what's happening

0:47:18.640 --> 0:47:22.960
<v Speaker 1>in the world right now. So it's I think if

0:47:22.960 --> 0:47:25.200
<v Speaker 1>I had a time machine, that's that's the direction I

0:47:25.200 --> 0:47:36.040
<v Speaker 1>would go at this moment. Let's take a quick break.

0:47:37.160 --> 0:47:40.520
<v Speaker 1>This last chunk of questions that we are going to answer,

0:47:41.080 --> 0:47:43.640
<v Speaker 1>um are just ones that I found to be more

0:47:43.719 --> 0:47:46.919
<v Speaker 1>on the fun and quirky side. And the first one

0:47:47.120 --> 0:47:50.880
<v Speaker 1>was from Emma, who asked if there was one historical

0:47:50.960 --> 0:47:53.080
<v Speaker 1>person you could go back in time and slap in

0:47:53.120 --> 0:47:56.280
<v Speaker 1>the face, who would it be? Was there anyone you covered.

0:47:56.360 --> 0:47:59.040
<v Speaker 1>He was just so annoying that you want to give

0:47:59.120 --> 0:48:06.040
<v Speaker 1>them a quick smack. Yes, I think I said it

0:48:06.239 --> 0:48:11.359
<v Speaker 1>Um on the episode we did about him, Thomas Day. Yeah,

0:48:11.480 --> 0:48:15.040
<v Speaker 1>Thomas Day was really so. If anybody doesn't remember, Thomas

0:48:15.160 --> 0:48:22.960
<v Speaker 1>Day was the man who um in the seventeen hundreds adopted,

0:48:23.239 --> 0:48:28.480
<v Speaker 1>essentially to girls from an orphanage, with the idea that

0:48:28.560 --> 0:48:31.000
<v Speaker 1>he would train them both to be what he thought

0:48:31.080 --> 0:48:33.000
<v Speaker 1>was the ideal wife, and then at the end of

0:48:33.040 --> 0:48:36.560
<v Speaker 1>the experiment, he would pick the best one to marry.

0:48:36.680 --> 0:48:40.080
<v Speaker 1>And he abused these poor girls terribly and was a

0:48:40.200 --> 0:48:43.920
<v Speaker 1>jerk of the highest order. That is the kindest thing

0:48:43.960 --> 0:48:46.080
<v Speaker 1>I could say about him, because I really wanted to

0:48:46.160 --> 0:48:50.359
<v Speaker 1>hit him. I agree with that assessment. I'm gonna ask

0:48:50.400 --> 0:48:53.359
<v Speaker 1>this next question because it was actually for you specifically,

0:48:54.160 --> 0:48:58.040
<v Speaker 1>Which is what inspired you, Holly to start sewing? And

0:48:58.120 --> 0:49:01.400
<v Speaker 1>where can people see your work? That was from Heather Um,

0:49:01.440 --> 0:49:04.319
<v Speaker 1>I don't really remember, because I started sewing when I

0:49:04.400 --> 0:49:07.520
<v Speaker 1>was three. I grew up in a house where like

0:49:07.600 --> 0:49:11.160
<v Speaker 1>my mom sewed and my siblings sewed, and so it

0:49:11.280 --> 0:49:14.000
<v Speaker 1>was kind of like in terms of family culture, it

0:49:14.080 --> 0:49:17.520
<v Speaker 1>was just there. Um, And like when I was three,

0:49:17.640 --> 0:49:22.000
<v Speaker 1>I asked my mom if I could just have some

0:49:22.120 --> 0:49:24.640
<v Speaker 1>fabric and a needle and thread. And she was a

0:49:24.640 --> 0:49:27.200
<v Speaker 1>little wary about giving a needle and thread to a

0:49:27.239 --> 0:49:30.120
<v Speaker 1>toddler essentially, but she's like, you can do it if

0:49:30.120 --> 0:49:32.320
<v Speaker 1>I can watch you use it. And I was like cool,

0:49:32.719 --> 0:49:34.920
<v Speaker 1>And I made this little stuffed fish out of like

0:49:34.960 --> 0:49:38.759
<v Speaker 1>this quintuple knit horrible polyester, which I think my dad

0:49:38.800 --> 0:49:42.680
<v Speaker 1>still has and I've been sewing ever since. Um, where

0:49:42.719 --> 0:49:44.960
<v Speaker 1>it really really took off for me was when I

0:49:45.000 --> 0:49:48.719
<v Speaker 1>was probably like thirteen and fourteen, and like, we did

0:49:48.719 --> 0:49:51.000
<v Speaker 1>not grow up with a ton of cash, but I

0:49:51.040 --> 0:49:55.440
<v Speaker 1>got really interested in fashion. I was like, I cannot

0:49:55.440 --> 0:49:59.480
<v Speaker 1>afford clothes, but I could probably make some cool stuff,

0:50:00.040 --> 0:50:02.239
<v Speaker 1>and so I started making most of my clothes at

0:50:02.239 --> 0:50:06.240
<v Speaker 1>that point. Um, like for my senior year of high school,

0:50:06.440 --> 0:50:10.600
<v Speaker 1>like as a gift to me, my mom gave me

0:50:10.680 --> 0:50:13.200
<v Speaker 1>her credit card and dropped me off at the fabric

0:50:13.280 --> 0:50:15.319
<v Speaker 1>store and said, get whatever you want up to this

0:50:15.440 --> 0:50:18.880
<v Speaker 1>dollar amount, like I trust you. And that was huge,

0:50:19.080 --> 0:50:21.000
<v Speaker 1>and so I just like bought a bunch of really

0:50:21.040 --> 0:50:24.160
<v Speaker 1>really lux fabrics to make myself like a little wardrobe,

0:50:24.360 --> 0:50:27.520
<v Speaker 1>which probably still was like at that point in time,

0:50:27.680 --> 0:50:30.479
<v Speaker 1>you know, a fraction of what a normal person would

0:50:30.480 --> 0:50:33.359
<v Speaker 1>spend on their school close for the year. But and

0:50:33.360 --> 0:50:37.560
<v Speaker 1>it's just never ended from there. Um. As for where

0:50:37.600 --> 0:50:40.360
<v Speaker 1>you can see my work, I have a sewing blog,

0:50:40.440 --> 0:50:42.799
<v Speaker 1>but I'm not awesome at keeping up with it, which

0:50:42.840 --> 0:50:47.560
<v Speaker 1>is um at so s ew dash nerdy dot com. Uh,

0:50:47.560 --> 0:50:50.560
<v Speaker 1>and it's tutorials of stuff I've made. Uh if you

0:50:50.800 --> 0:50:55.800
<v Speaker 1>follow that on Twitter. I'm not really active on Facebook

0:50:55.800 --> 0:50:58.040
<v Speaker 1>at this point, but on Twitter I post a little

0:50:58.040 --> 0:51:00.520
<v Speaker 1>bit more, but usually it's, um, I'm really to fabric

0:51:00.560 --> 0:51:04.840
<v Speaker 1>design right now. So um it's usually like me designing

0:51:04.840 --> 0:51:07.439
<v Speaker 1>fabrics and I'll post a picture of something I'm working

0:51:07.440 --> 0:51:10.439
<v Speaker 1>on periodically. But yeah, it was because I wanted things

0:51:10.440 --> 0:51:11.920
<v Speaker 1>I couldn't have, and so I was like, well, I

0:51:11.960 --> 0:51:16.160
<v Speaker 1>will make them. So I kind of got to see, uh,

0:51:16.239 --> 0:51:20.600
<v Speaker 1>sewing as as almost an art of conjuring, because it

0:51:20.680 --> 0:51:22.720
<v Speaker 1>was how to get things I wanted that I would

0:51:22.719 --> 0:51:28.360
<v Speaker 1>not normally have access to. That's cool. Uh so uh.

0:51:28.440 --> 0:51:30.279
<v Speaker 1>The next question is from Evan and he says, what

0:51:30.400 --> 0:51:34.200
<v Speaker 1>is your favorite nonfiction history book. I had a memoir

0:51:35.320 --> 0:51:37.319
<v Speaker 1>which I I feel like it counts because it's about

0:51:37.360 --> 0:51:40.439
<v Speaker 1>a historical person that's Frankie Manning's memoir which is called

0:51:40.480 --> 0:51:43.640
<v Speaker 1>Frankie Manning Ambassador of Lindy Hop And I really think

0:51:43.680 --> 0:51:46.160
<v Speaker 1>that is like my favorite book that I have read

0:51:46.600 --> 0:51:50.279
<v Speaker 1>while working on the show. I um mind dovetails on

0:51:50.400 --> 0:51:53.400
<v Speaker 1>my last answer sort of. It is a book that

0:51:53.760 --> 0:51:55.400
<v Speaker 1>if you listen to address they have talked about this

0:51:55.440 --> 0:51:59.640
<v Speaker 1>book before. It's The Corset, a cultural history steel and

0:51:59.640 --> 0:52:03.239
<v Speaker 1>it's just a really cool examination of course a tree

0:52:03.400 --> 0:52:07.120
<v Speaker 1>from way way, way way way back to modern times

0:52:07.160 --> 0:52:11.799
<v Speaker 1>and how you know a foundation garment has shifted in

0:52:11.920 --> 0:52:16.839
<v Speaker 1>shape and also been misunderstood culturally and also become fetishized

0:52:16.840 --> 0:52:20.120
<v Speaker 1>in some ways. And it's just a really interesting examination

0:52:20.320 --> 0:52:25.799
<v Speaker 1>of how we interact intellectually with clothing and specifically with

0:52:25.880 --> 0:52:30.279
<v Speaker 1>underclothing and the taboo of it. Um and I just

0:52:30.400 --> 0:52:35.320
<v Speaker 1>I love that book. Cool. Next we have from Shelley,

0:52:35.440 --> 0:52:38.400
<v Speaker 1>what are your favorite alternate history or historical fiction books,

0:52:38.440 --> 0:52:43.680
<v Speaker 1>TV shows, podcast, movies, etcetera. For history nerds. I really

0:52:43.719 --> 0:52:47.160
<v Speaker 1>love all of Mary Robinett Coal's books. She's been a

0:52:47.200 --> 0:52:51.799
<v Speaker 1>guest on the show before, and uh like those those

0:52:51.800 --> 0:52:56.160
<v Speaker 1>are a long time favorite of mine. Um and it

0:52:56.239 --> 0:53:07.560
<v Speaker 1>suddenly all other writers went out of my head. Um uh,

0:53:07.680 --> 0:53:11.239
<v Speaker 1>I'm just laughing because that happens to me all the time. Well,

0:53:11.239 --> 0:53:13.359
<v Speaker 1>and we also in our recording session today, we put

0:53:13.400 --> 0:53:15.560
<v Speaker 1>this one first so our brains would still be working

0:53:15.600 --> 0:53:19.120
<v Speaker 1>the best, and so that's just evidence of how quickly

0:53:19.160 --> 0:53:22.840
<v Speaker 1>the brain is, like, no, I'm done. I really really

0:53:23.000 --> 0:53:27.440
<v Speaker 1>love it's a film. I really love Sofia Coppola's Marie Antoinette.

0:53:29.400 --> 0:53:31.920
<v Speaker 1>It's so fun and it's it's largely based on Antonia

0:53:32.000 --> 0:53:36.680
<v Speaker 1>Fraser's biography of Marie Antoinette, which is I mean, there's

0:53:36.719 --> 0:53:39.799
<v Speaker 1>a lot of of it's a lot more fact than

0:53:39.880 --> 0:53:42.880
<v Speaker 1>fiction in many ways, but the movie plays with it

0:53:42.920 --> 0:53:45.600
<v Speaker 1>in a way like there is a moment where you

0:53:45.640 --> 0:53:47.920
<v Speaker 1>see a shot of converse high tops in the shot,

0:53:48.080 --> 0:53:52.520
<v Speaker 1>so obviously like they're not being super anal retentive about

0:53:52.520 --> 0:53:55.879
<v Speaker 1>sticking to historical accuracy. And I just love it. It's

0:53:55.920 --> 0:53:58.359
<v Speaker 1>like a feast for the eyes and it's really fun

0:53:58.400 --> 0:54:01.880
<v Speaker 1>and an examination of Marie Antoinette from an angle that

0:54:01.960 --> 0:54:05.880
<v Speaker 1>she hadn't had for a long time. Um, you know,

0:54:05.960 --> 0:54:10.680
<v Speaker 1>it kind of opened my eyes in some ways about

0:54:10.719 --> 0:54:13.759
<v Speaker 1>really thinking about historical figures from multiple angles and not

0:54:13.880 --> 0:54:19.680
<v Speaker 1>just the broad brush strokes that we often get with them. Um, yeah,

0:54:19.719 --> 0:54:22.719
<v Speaker 1>I'll go with that for our next question. It's from

0:54:22.719 --> 0:54:26.080
<v Speaker 1>page and page as Has doing the podcast change the

0:54:26.080 --> 0:54:29.680
<v Speaker 1>way you watch historical movies or television shows, for instance?

0:54:29.719 --> 0:54:31.919
<v Speaker 1>Has it enhanced your enjoyment of it with a greater

0:54:32.000 --> 0:54:34.480
<v Speaker 1>understanding of context because you know so much, or does

0:54:34.520 --> 0:54:37.120
<v Speaker 1>it make it frustrating when things aren't quite right because

0:54:37.160 --> 0:54:39.719
<v Speaker 1>you know so much. There's a lot of stuff in

0:54:40.040 --> 0:54:42.719
<v Speaker 1>movies and books and TV shows and stuff like that

0:54:42.800 --> 0:54:48.080
<v Speaker 1>I don't care about. I don't care if like people's

0:54:48.160 --> 0:54:52.400
<v Speaker 1>hairstyle is not period accurate. I don't care if like

0:54:52.560 --> 0:54:58.320
<v Speaker 1>minor details are shifted. I do care when historical fiction

0:54:58.600 --> 0:55:01.920
<v Speaker 1>presents things in a way that our damaging, Like like

0:55:01.960 --> 0:55:07.160
<v Speaker 1>if a TV show is portraying indigenous people in a

0:55:07.200 --> 0:55:10.960
<v Speaker 1>way that reinforces racist stereotypes, Like that's the kind of

0:55:10.960 --> 0:55:14.200
<v Speaker 1>stuff that I will get really frustrated about. Um when

0:55:14.200 --> 0:55:17.359
<v Speaker 1>it comes to like whether the battle really happened on

0:55:17.400 --> 0:55:22.080
<v Speaker 1>this day or that day, like I super do not care. Um. Conversely, though, wow,

0:55:22.120 --> 0:55:24.960
<v Speaker 1>do I care about the Spanish moss in the trees

0:55:25.080 --> 0:55:27.880
<v Speaker 1>an outlander when that's supposed to be happening in western

0:55:27.920 --> 0:55:31.880
<v Speaker 1>North Carolina? Like that? Is just my biggest pet peeve

0:55:32.360 --> 0:55:35.320
<v Speaker 1>of that sort of nature, which is not really about history.

0:55:35.400 --> 0:55:38.600
<v Speaker 1>It's more about North Carolina geography, which the Outlander TV

0:55:38.680 --> 0:55:43.160
<v Speaker 1>show is very confused about. Yeah, I don't. I honestly

0:55:43.160 --> 0:55:45.520
<v Speaker 1>think I'm more relaxed about it than I ever used

0:55:45.560 --> 0:55:49.080
<v Speaker 1>to be. Um. You know, I kind of came into

0:55:49.160 --> 0:55:51.880
<v Speaker 1>history through clothes in many ways, and so for a

0:55:51.920 --> 0:55:55.680
<v Speaker 1>long time it would drive me bananas when there would

0:55:55.719 --> 0:56:00.920
<v Speaker 1>be like historical issues with costumes in film. Um, I

0:56:00.960 --> 0:56:04.040
<v Speaker 1>don't really feel that way anymore. And part of it

0:56:04.120 --> 0:56:06.840
<v Speaker 1>is because when you make content for a while, you

0:56:06.960 --> 0:56:09.759
<v Speaker 1>just realize that everybody's just trying to make content. No

0:56:09.760 --> 0:56:11.720
<v Speaker 1>one is like I'm gonna flip the bird to history

0:56:11.719 --> 0:56:14.120
<v Speaker 1>and I'm gonna do whatever I want. Like they're they're

0:56:14.120 --> 0:56:15.920
<v Speaker 1>trying to do their best, and they may or may

0:56:15.920 --> 0:56:22.080
<v Speaker 1>not make missteps. Um, but it's it's I can't think

0:56:22.080 --> 0:56:24.400
<v Speaker 1>of a time where unless they're really trying to rewrite

0:56:24.440 --> 0:56:26.760
<v Speaker 1>history in a way as Tracy mentioned that is damaging.

0:56:27.840 --> 0:56:30.560
<v Speaker 1>They're just trying to tell their story. I'm much more

0:56:30.640 --> 0:56:33.480
<v Speaker 1>interested in whether it's telling a good story than about whether,

0:56:33.800 --> 0:56:37.080
<v Speaker 1>like they have the year correct on the day that

0:56:37.200 --> 0:56:40.879
<v Speaker 1>the pivotal historic moment happened. Yeah, I mean I do.

0:56:41.040 --> 0:56:44.000
<v Speaker 1>There is one thing and I don't even um fault it.

0:56:44.200 --> 0:56:47.640
<v Speaker 1>And I love this movie, but there is one moment

0:56:47.760 --> 0:56:51.360
<v Speaker 1>in a historical film that I always chuckle at because

0:56:51.400 --> 0:56:55.120
<v Speaker 1>it it's shifts things in a way for dramatic effect

0:56:55.719 --> 0:57:02.120
<v Speaker 1>that never ever happened, and it's young Victoria. Uh. And

0:57:02.200 --> 0:57:04.560
<v Speaker 1>I love that film. Let me be very clear, I

0:57:04.680 --> 0:57:08.040
<v Speaker 1>really love that film. Um, there is a moment at

0:57:08.080 --> 0:57:14.040
<v Speaker 1>the end where Albert takes a bullet Victoria that didn't happen.

0:57:14.600 --> 0:57:16.919
<v Speaker 1>There was an attempt on her life, but he did

0:57:16.920 --> 0:57:20.160
<v Speaker 1>not get hit. Um. It was a very flawed and

0:57:20.320 --> 0:57:24.160
<v Speaker 1>bungled attempt in the first place. Uh. And so that's

0:57:24.160 --> 0:57:25.680
<v Speaker 1>just one of those things that I'm always like, he

0:57:25.760 --> 0:57:28.000
<v Speaker 1>didn't have to do. This is good on its own.

0:57:28.120 --> 0:57:31.920
<v Speaker 1>But again, I still love the movie without reservation. So

0:57:32.000 --> 0:57:37.560
<v Speaker 1>there you go, yeah, Katie. And similarly, Kathleen asked a

0:57:37.680 --> 0:57:40.080
<v Speaker 1>question which is, if you have the opportunity to sit

0:57:40.120 --> 0:57:43.000
<v Speaker 1>down and have dinner with one historical figure from one

0:57:43.000 --> 0:57:46.440
<v Speaker 1>of your episodes, who would it be and why. My

0:57:46.560 --> 0:57:50.040
<v Speaker 1>answer is, I would love to go to Edna St.

0:57:50.120 --> 0:57:54.000
<v Speaker 1>Vincent Malay's house and have dinner and cocktails with her

0:57:54.120 --> 0:57:58.880
<v Speaker 1>by their outdoor pool, because I love her and that

0:57:58.880 --> 0:58:02.959
<v Speaker 1>that would just be the most beautiful, wondrous day. I'm

0:58:03.000 --> 0:58:05.640
<v Speaker 1>I wonder if I will surprise you with this answer today.

0:58:06.600 --> 0:58:09.120
<v Speaker 1>I think you've heard me say this answer before. But um,

0:58:09.480 --> 0:58:11.640
<v Speaker 1>like most people would expect me to say Queen Victoria

0:58:11.800 --> 0:58:13.920
<v Speaker 1>right now. But what I'm gonna say is Charles Adams.

0:58:14.480 --> 0:58:18.200
<v Speaker 1>Oh yeah, he's a little history crush for me. Yeah,

0:58:18.280 --> 0:58:21.360
<v Speaker 1>when we did that episode, I think you said something similar. Um,

0:58:21.480 --> 0:58:24.400
<v Speaker 1>I was expecting you to say Vincent Price. Oh well,

0:58:24.440 --> 0:58:28.400
<v Speaker 1>of course, I mean, of course, of course, of course

0:58:29.200 --> 0:58:32.040
<v Speaker 1>I would just talk about art with him forever. But yeah,

0:58:32.040 --> 0:58:34.040
<v Speaker 1>I think I'd flirt with Charles Adams. Would be fun.

0:58:34.720 --> 0:58:41.120
<v Speaker 1>We'll crush on him, can't help it. Um, this is

0:58:41.640 --> 0:58:43.960
<v Speaker 1>a question from a Katie, not the same Katie as

0:58:43.960 --> 0:58:47.040
<v Speaker 1>the last question. Uh Anna and Tyler also asked a

0:58:47.120 --> 0:58:49.600
<v Speaker 1>very similar question, which was if each of you had

0:58:49.640 --> 0:58:52.480
<v Speaker 1>to pick the next next destination for a stuff you

0:58:52.520 --> 0:58:55.160
<v Speaker 1>missed in history class trip, where would it be. Uh,

0:58:55.640 --> 0:58:57.840
<v Speaker 1>we're still hoping that we will go to Italy, but

0:58:57.880 --> 0:59:00.720
<v Speaker 1>we don't know what's going to happen. We're we're keeping

0:59:00.720 --> 0:59:04.360
<v Speaker 1>an eye on the situation. Yeah, um, but where would

0:59:04.400 --> 0:59:07.760
<v Speaker 1>you pick? Tracy? Well, we had talked about what if

0:59:07.760 --> 0:59:12.240
<v Speaker 1>we went to Japan, which is super interesting to me.

0:59:13.360 --> 0:59:16.240
<v Speaker 1>I would also really like if we had like a

0:59:16.280 --> 0:59:21.240
<v Speaker 1>South America somewhere trip um, because there's just so much

0:59:22.000 --> 0:59:26.280
<v Speaker 1>uh so much that overlaps with some some of our

0:59:26.320 --> 0:59:29.200
<v Speaker 1>more interesting episodes, like in that part of the world,

0:59:29.200 --> 0:59:32.760
<v Speaker 1>and it's it's a place that I've never been. Um,

0:59:32.840 --> 0:59:35.920
<v Speaker 1>what do you think? Uh, you know, it's a little

0:59:35.920 --> 0:59:39.920
<v Speaker 1>bit pat from an American tourist perspective, but I would

0:59:39.960 --> 0:59:43.080
<v Speaker 1>really love to go to Egypt in the Nile Valley.

0:59:43.640 --> 0:59:50.520
<v Speaker 1>Oh yeah, um, yeah, that would be spectacular in my book. Um,

0:59:50.560 --> 0:59:52.800
<v Speaker 1>I mean I want to go to Paris once a year,

0:59:53.640 --> 0:59:57.760
<v Speaker 1>but that's not a destination. So we got this question

0:59:57.840 --> 1:00:00.600
<v Speaker 1>from Lizzie and a similar one from val Alery, which

1:00:00.600 --> 1:00:04.360
<v Speaker 1>is whitchcrafting based episodes. Were your favorites? Which crafts would

1:00:04.360 --> 1:00:06.480
<v Speaker 1>you like to do an episode on? And of the

1:00:06.520 --> 1:00:09.000
<v Speaker 1>episodes we've done so far, which actual things would you

1:00:09.040 --> 1:00:12.560
<v Speaker 1>get into yourself? Similarly, what historical stuff have you baked

1:00:12.600 --> 1:00:15.240
<v Speaker 1>or so or made after researching it for the show

1:00:16.160 --> 1:00:19.640
<v Speaker 1>a super long time ago. I intended to make beer

1:00:20.040 --> 1:00:24.640
<v Speaker 1>from an Egyptian recipe that never happened, did not get

1:00:24.720 --> 1:00:30.360
<v Speaker 1>around to do it. Um. I used to knit, and

1:00:30.400 --> 1:00:35.200
<v Speaker 1>I feel that we did a knitting episode right, but yeah,

1:00:35.600 --> 1:00:38.560
<v Speaker 1>um yeah. The irony there is that I'm not a knitter.

1:00:38.680 --> 1:00:42.280
<v Speaker 1>I know how to knit, Uh, it's not it doesn't

1:00:42.320 --> 1:00:44.120
<v Speaker 1>have the same appeal for me as sewing. Like I

1:00:44.160 --> 1:00:46.160
<v Speaker 1>remember my grandmother taught me to knit, and I remember

1:00:46.200 --> 1:00:48.400
<v Speaker 1>at one point looking at her and saying, I can

1:00:48.480 --> 1:00:50.320
<v Speaker 1>make three gowns in the time it takes me to

1:00:50.360 --> 1:00:52.160
<v Speaker 1>make this one thing, and she was like, yeah, that's knitting,

1:00:52.200 --> 1:00:55.240
<v Speaker 1>and I was like, this is not for me. Um. Again,

1:00:55.320 --> 1:00:58.520
<v Speaker 1>it was all about wanting more clothes. But I loved

1:00:58.560 --> 1:01:02.520
<v Speaker 1>researching that episode and it was super duper fun. Um.

1:01:02.560 --> 1:01:06.200
<v Speaker 1>I'm trying to think of anything. Uh, if we've baked

1:01:07.320 --> 1:01:12.720
<v Speaker 1>or sewn things. I mean I've definitely made clothes that

1:01:13.600 --> 1:01:18.440
<v Speaker 1>we're kind of historically inspired after um talking about things,

1:01:18.520 --> 1:01:20.920
<v Speaker 1>but none of them were like historically accurate clothes. It

1:01:21.000 --> 1:01:23.560
<v Speaker 1>was more like, oh, what I really want, like right now,

1:01:25.160 --> 1:01:29.000
<v Speaker 1>I want to make a split skirt of Victorian split skirt,

1:01:29.040 --> 1:01:31.120
<v Speaker 1>like the kind you would make for wearing for riding

1:01:31.120 --> 1:01:32.959
<v Speaker 1>a bicycle, but you can button it down the front

1:01:32.960 --> 1:01:36.360
<v Speaker 1>and it looks like you're just wearing a regular skirt. Um.

1:01:36.400 --> 1:01:38.160
<v Speaker 1>I just want one of those for daywear that's not

1:01:38.200 --> 1:01:41.320
<v Speaker 1>even for like costuming or like historical events, literally just

1:01:41.400 --> 1:01:45.440
<v Speaker 1>to like exist in the world because I think they're cute. Um. Yeah,

1:01:45.560 --> 1:01:47.040
<v Speaker 1>I feel like there's got to be a baking thing.

1:01:47.080 --> 1:01:49.400
<v Speaker 1>I'm not remembering, but well, we had all of the

1:01:49.880 --> 1:01:54.760
<v Speaker 1>the Ann Burn interviews. Yeah, I've definitely baked from her

1:01:54.800 --> 1:02:00.520
<v Speaker 1>books for sure. For Shore, I still say the caramel

1:02:00.560 --> 1:02:03.560
<v Speaker 1>sauce in her I think it's her cake book is

1:02:03.600 --> 1:02:10.600
<v Speaker 1>like transcendental, Like it's the best, It's so good, it's

1:02:10.640 --> 1:02:15.280
<v Speaker 1>so good. Uh. Who is your favorite villain figure from history?

1:02:15.640 --> 1:02:18.240
<v Speaker 1>This is uh from our listener Daria, and she says

1:02:18.280 --> 1:02:22.880
<v Speaker 1>minds Catherine de Medici. Um. I have the division between

1:02:23.000 --> 1:02:28.760
<v Speaker 1>like kind of um like villainous figures from history that

1:02:28.800 --> 1:02:31.560
<v Speaker 1>I have a weird affection for, and then like what

1:02:31.720 --> 1:02:35.960
<v Speaker 1>actually I think is the worst villain. White supremacy is

1:02:36.000 --> 1:02:40.960
<v Speaker 1>the worst villain. But I don't I don't love like

1:02:41.000 --> 1:02:44.880
<v Speaker 1>I would not characterize white supremacy is my favorite thing. Obviously,

1:02:45.600 --> 1:02:49.200
<v Speaker 1>I feel like I have to acknowledge Queen Victoria. Yeah,

1:02:50.160 --> 1:02:53.040
<v Speaker 1>I don't think she saw herself as a villainous, and

1:02:53.120 --> 1:02:55.640
<v Speaker 1>I don't think she was always cognizant of the ways

1:02:55.640 --> 1:02:58.600
<v Speaker 1>in which things that were going on in her name

1:02:58.720 --> 1:03:02.120
<v Speaker 1>and the decision she was making were in fact very

1:03:02.160 --> 1:03:05.320
<v Speaker 1>bad for people and more harmful. But I think we

1:03:05.360 --> 1:03:09.000
<v Speaker 1>have to recognize that whole imperialism thing is very bad.

1:03:09.560 --> 1:03:11.440
<v Speaker 1>I'm just getting that out of the way to acknowledge that.

1:03:11.480 --> 1:03:14.080
<v Speaker 1>I know my favor is very complicated. I'm gonna go

1:03:14.120 --> 1:03:19.400
<v Speaker 1>with Victor Lustig was the con man who, among other things,

1:03:20.320 --> 1:03:24.400
<v Speaker 1>sold the Eiffel Tower. Yeah, he did my own. Uh.

1:03:24.440 --> 1:03:27.080
<v Speaker 1>He's just fun. He's a gad you know, it seems

1:03:27.120 --> 1:03:29.919
<v Speaker 1>it seems like an interesting person to roll with. UM.

1:03:29.960 --> 1:03:34.000
<v Speaker 1>My answer is, um, kind of strange. This is not

1:03:34.120 --> 1:03:36.360
<v Speaker 1>something that I feel like somebody that I feel like

1:03:36.360 --> 1:03:39.800
<v Speaker 1>we described as a villain. Um. We described him more

1:03:39.800 --> 1:03:45.120
<v Speaker 1>as an entrepreneur. But like Frederick Tudor sold people on

1:03:45.200 --> 1:03:48.920
<v Speaker 1>the idea that they people should pay him money for

1:03:49.040 --> 1:03:53.720
<v Speaker 1>ice cut out of ponds in Massachusetts, Like he made

1:03:53.760 --> 1:03:57.160
<v Speaker 1>that into a product. And then where he becomes villainous

1:03:57.280 --> 1:04:01.720
<v Speaker 1>is that like he sold most of his product to

1:04:01.920 --> 1:04:06.200
<v Speaker 1>slave societies and English colonial ventures, and so it was

1:04:06.240 --> 1:04:08.000
<v Speaker 1>like he made a whole lot of money off of this,

1:04:08.720 --> 1:04:11.840
<v Speaker 1>um and like now he's often described as like, Oh,

1:04:11.960 --> 1:04:15.400
<v Speaker 1>what a great what a great creative mind to come

1:04:15.480 --> 1:04:18.560
<v Speaker 1>up with this whole ice trade. Uh, And really it's

1:04:18.600 --> 1:04:23.120
<v Speaker 1>like there's a whole seedy underbelly to all that. Jordans

1:04:23.120 --> 1:04:25.560
<v Speaker 1>asked what historical period would you like to explore in

1:04:25.560 --> 1:04:27.680
<v Speaker 1>a video game? What events would you like to see,

1:04:27.680 --> 1:04:31.360
<v Speaker 1>and what historic figures would you like to meet? Um.

1:04:31.400 --> 1:04:34.400
<v Speaker 1>I've been playing a lot of Assassin's Creed Odyssey and

1:04:34.440 --> 1:04:36.800
<v Speaker 1>that has been really fun. And they have announced the

1:04:36.840 --> 1:04:41.400
<v Speaker 1>next Assassin's Creed Valhalla, which also sounds interesting and may

1:04:41.520 --> 1:04:44.840
<v Speaker 1>preclude my actual answer, which is that I would like

1:04:44.880 --> 1:04:48.400
<v Speaker 1>an Assassin's Creed game that is about the Saga era

1:04:48.600 --> 1:04:52.160
<v Speaker 1>of Iceland. Um. But I bet if I were making

1:04:52.200 --> 1:04:57.160
<v Speaker 1>decisions of the Assassin's Creed creative team, that would seem

1:04:57.240 --> 1:05:04.040
<v Speaker 1>too similar to one about Vikings. I'm trying to think,

1:05:04.520 --> 1:05:07.720
<v Speaker 1>because really, if I'm playing a video game that is

1:05:07.760 --> 1:05:11.040
<v Speaker 1>historically based, what I want is really good visuals of

1:05:11.080 --> 1:05:15.080
<v Speaker 1>a whole lot of opulence. Um. So you could probably

1:05:15.200 --> 1:05:20.760
<v Speaker 1>drop me in like any palace any period, just as

1:05:20.800 --> 1:05:26.080
<v Speaker 1>long as there's a lot of guilt things, um, and

1:05:26.120 --> 1:05:30.360
<v Speaker 1>maybe a lot of good wrestling dresses, that'd be great. Yeah,

1:05:30.440 --> 1:05:32.720
<v Speaker 1>I'm I would be open for almost anything. At that point,

1:05:33.200 --> 1:05:35.760
<v Speaker 1>I just wanted to be really beautiful. I'm gonna read

1:05:35.800 --> 1:05:39.640
<v Speaker 1>Caroline's question because it's about Holly, and Caroline says, one

1:05:39.680 --> 1:05:42.400
<v Speaker 1>of my favorite things is Holly's laughter. It always brightens

1:05:42.480 --> 1:05:44.840
<v Speaker 1>my day and makes me laugh too. Anyway, could you

1:05:44.880 --> 1:05:47.280
<v Speaker 1>do a segment or a whole show with some segments

1:05:47.320 --> 1:05:50.960
<v Speaker 1>of Holly's best laugh clips. This cracks me up, and

1:05:50.960 --> 1:05:54.360
<v Speaker 1>I love this idea. Oh, Caroline, nobody actually wants that.

1:05:54.440 --> 1:05:56.760
<v Speaker 1>I promise we would just we would email it to

1:05:56.840 --> 1:06:00.560
<v Speaker 1>Caroline personally. Right, there are people that hey, my laugh

1:06:00.600 --> 1:06:04.960
<v Speaker 1>as well. Um. One of the things that this reminded

1:06:04.960 --> 1:06:07.600
<v Speaker 1>me of like that there have been times that I

1:06:07.640 --> 1:06:11.720
<v Speaker 1>have wished that we created an archive of funny things

1:06:11.760 --> 1:06:14.200
<v Speaker 1>that happened in the studio as they happened, which is

1:06:14.240 --> 1:06:17.840
<v Speaker 1>just not a thing that we have ever done. Um,

1:06:17.840 --> 1:06:21.160
<v Speaker 1>but it means that we've just lost some cookie studio

1:06:21.240 --> 1:06:26.520
<v Speaker 1>moments to like the the realm of deleted audio files. Um,

1:06:26.720 --> 1:06:29.840
<v Speaker 1>Like the time that I'm not trying to be funny.

1:06:30.200 --> 1:06:32.760
<v Speaker 1>It just came out of my mouth wrong. I said,

1:06:32.880 --> 1:06:36.919
<v Speaker 1>Napoleon bona farte, And then we laughed for a very

1:06:36.960 --> 1:06:39.480
<v Speaker 1>long time. And then I laughed for a whole lot longer.

1:06:39.560 --> 1:06:41.720
<v Speaker 1>I can't remember how long it took me to just

1:06:41.840 --> 1:06:44.000
<v Speaker 1>get it together. I kept trying to do the next

1:06:44.040 --> 1:06:48.280
<v Speaker 1>piece of the podcast and then falling totally part apart again. Anyway,

1:06:48.520 --> 1:06:50.840
<v Speaker 1>I don't think we we don't actually have a file

1:06:51.520 --> 1:06:55.640
<v Speaker 1>of funny laughing moments that sometimes, Yeah, sometimes I wish

1:06:55.640 --> 1:07:00.640
<v Speaker 1>we did have, like, uh, an archive of hilarious outtakes. Maybe.

1:07:00.720 --> 1:07:04.360
<v Speaker 1>I mean I laugh at everything, whether it's hilarious or not. Uh,

1:07:04.360 --> 1:07:06.959
<v Speaker 1>it just is what it is. But yes, I'm sure

1:07:07.080 --> 1:07:09.480
<v Speaker 1>that would be the bane of someone's existence, and they

1:07:09.480 --> 1:07:12.480
<v Speaker 1>would It would be like their man cherry and candidate trigger.

1:07:12.560 --> 1:07:16.720
<v Speaker 1>Nobody wants to see the maddest Uh. This next one

1:07:16.800 --> 1:07:19.640
<v Speaker 1>kind of cracks me up. It's from Emily, who asked

1:07:19.640 --> 1:07:23.240
<v Speaker 1>what are your favorite ways to eat pickles? Fried sper slices, etcetera.

1:07:23.920 --> 1:07:25.920
<v Speaker 1>I left this question for last because I love this

1:07:26.000 --> 1:07:30.000
<v Speaker 1>question and I would eat pickles anyway any potential way

1:07:30.000 --> 1:07:32.280
<v Speaker 1>that pickles exist, I would eat them as long as

1:07:32.320 --> 1:07:36.400
<v Speaker 1>it's not pickled ginger, because while I love pickles and

1:07:36.440 --> 1:07:40.240
<v Speaker 1>I love ginger, for some reason, I don't enjoy pickled

1:07:40.280 --> 1:07:43.520
<v Speaker 1>ginger at all. We are diametrically opposed on this issue.

1:07:43.960 --> 1:07:46.160
<v Speaker 1>This is also why Patrick and I are good couple,

1:07:46.400 --> 1:07:50.120
<v Speaker 1>because whenever we are out to dinner somewhere and pickle

1:07:50.200 --> 1:07:52.080
<v Speaker 1>ginger is part of the thing, I can just put

1:07:52.120 --> 1:07:54.480
<v Speaker 1>all of mine directly on his plate and he will

1:07:54.520 --> 1:07:57.080
<v Speaker 1>be happy as a clam. I do not care for pickles,

1:07:57.120 --> 1:08:00.240
<v Speaker 1>but I love pickled ginger. There is one way I

1:08:00.240 --> 1:08:04.680
<v Speaker 1>will eat a pickle, and it is on that crazy

1:08:04.680 --> 1:08:07.479
<v Speaker 1>sandwich that was popular on Twitter for a minute, which

1:08:07.520 --> 1:08:10.040
<v Speaker 1>is peanut butter bacon, which, by the way, that was

1:08:10.120 --> 1:08:12.160
<v Speaker 1>my go to sandwich as a kid for years and years,

1:08:12.160 --> 1:08:14.000
<v Speaker 1>so it was always a my lunchbox peanut butter and bacon.

1:08:14.200 --> 1:08:16.719
<v Speaker 1>But this is peanut butter and bacon and mayonnaise and pickles,

1:08:16.760 --> 1:08:19.880
<v Speaker 1>and it sounds vile, and it goes on sour dough bread.

1:08:20.120 --> 1:08:24.120
<v Speaker 1>It's freakishly delicious. And I have pickles in that context,

1:08:25.680 --> 1:08:28.160
<v Speaker 1>but normally they all go on to Brian's plate because

1:08:28.160 --> 1:08:32.760
<v Speaker 1>I wanted. I love them, love them. Um, Okay, this

1:08:33.120 --> 1:08:36.400
<v Speaker 1>episode went on for a lot longer than I thought

1:08:36.439 --> 1:08:38.200
<v Speaker 1>in my head it was going to when I pulled

1:08:38.240 --> 1:08:41.519
<v Speaker 1>all these questions together, so we don't have listener mail today. UM.

1:08:41.560 --> 1:08:44.439
<v Speaker 1>I did want to note that Mike, Beth, Neil, and

1:08:44.560 --> 1:08:48.519
<v Speaker 1>Matilda all asked some variety of question about how we

1:08:48.560 --> 1:08:51.240
<v Speaker 1>would change the way history is taught in schools or

1:08:51.280 --> 1:08:53.160
<v Speaker 1>what topics we would want to see in the curriculum,

1:08:53.200 --> 1:08:55.160
<v Speaker 1>and like we've kind of talked about that in the past,

1:08:55.200 --> 1:08:58.040
<v Speaker 1>but I honestly just don't want to tell teachers how

1:08:58.080 --> 1:09:00.760
<v Speaker 1>to do their jobs here because we're not teachers. We

1:09:00.800 --> 1:09:05.320
<v Speaker 1>don't have backgrounds in teaching or in pedagogy. Uh. And

1:09:05.360 --> 1:09:08.759
<v Speaker 1>I also wanted to thank dear Dret, Neil, Angela, Lisa

1:09:08.840 --> 1:09:13.160
<v Speaker 1>and Rachel, Devon, Urie and Linda who all asked questions

1:09:13.640 --> 1:09:15.719
<v Speaker 1>that we were not able to get to either because

1:09:15.840 --> 1:09:17.840
<v Speaker 1>like we just I didn't feel like we had a

1:09:17.840 --> 1:09:23.120
<v Speaker 1>great answer to them or um for time. Obviously time

1:09:23.640 --> 1:09:28.559
<v Speaker 1>has gone on for a bit. UM. So here's our

1:09:28.640 --> 1:09:32.320
<v Speaker 1>longer than usual Q and A episode UM for folks.

1:09:32.640 --> 1:09:35.240
<v Speaker 1>Thank you, thank you, thank you everyone who wrote in

1:09:35.320 --> 1:09:38.400
<v Speaker 1>with questions. I hope I did not miss anybody, and

1:09:38.520 --> 1:09:41.960
<v Speaker 1>going through them to compile them for the episode. And

1:09:42.040 --> 1:09:44.040
<v Speaker 1>of course we are still going to have listener mail

1:09:44.560 --> 1:09:48.200
<v Speaker 1>segments uh in our episodes going forward. So if you

1:09:48.200 --> 1:09:50.120
<v Speaker 1>want to send us a question about anything or a

1:09:50.200 --> 1:09:53.160
<v Speaker 1>history podcast at I heart radio dot com and we're

1:09:53.200 --> 1:09:55.320
<v Speaker 1>all over social media as miss in History that's really

1:09:55.320 --> 1:09:58.720
<v Speaker 1>find our Facebook, Twitter, Pinterest, and Instagram. And you can

1:09:58.720 --> 1:10:01.360
<v Speaker 1>subscribe to our show in the I heart radio app

1:10:01.439 --> 1:10:04.040
<v Speaker 1>or Apple podcasts or anywhere else you get your podcasts.

1:10:09.040 --> 1:10:11.240
<v Speaker 1>Stuff you Missed in History Class is a production of

1:10:11.280 --> 1:10:14.479
<v Speaker 1>I heart Radio. For more podcasts from I heart Radio,

1:10:14.680 --> 1:10:17.679
<v Speaker 1>visit the I heart Radio app, Apple Podcasts, or wherever

1:10:17.760 --> 1:10:19.240
<v Speaker 1>you listen to your favorite shows.