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Speaker 1: Look man, oh I see you. Why and look over there?

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Speaker 1: How is that culture? Yes? Goodness ding dast culture racist

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Speaker 1: calling and just like that, just like that, big girl,

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Speaker 1: I guess you have to say spoiler alert, No, there's

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Speaker 1: it's no no, I refuse. I refused to hand hold

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Speaker 1: at every juncture. Yeah, it's it's too much. Our listeners

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Speaker 1: give us enough guff. We love the readers so much,

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Speaker 1: but sometimes you guys are out of pocket. You're out

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Speaker 1: of pocket sometimes when you come to me and be like,

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Speaker 1: you ruin this thing for me. There's incest in Game

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Speaker 1: of Thrones, or there's there's a gossip Girl and gossip Girl,

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Speaker 1: it's going to that point. It's like, can I say something?

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Speaker 1: If you're listening to this podcast and you haven't watched

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Speaker 1: the first two episodes of then just like that. That's truly,

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Speaker 1: I don't know. I don't know how to relate to

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Speaker 1: you girls anymore. I really know. Hey, No, we just

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Speaker 1: don't want you to feel any further kind of alien

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Speaker 1: nation from what we're talking about on this silly little

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Speaker 1: podcast that we have. Oh, we did have some readers

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Speaker 1: ask if we're doing twelve days of culture this year,

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Speaker 1: We unfortunately will not be Man is very busy touring,

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Speaker 1: you know, I'm busy working. I guess, yeah, I would,

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Speaker 1: I would. I would say that you are. I think

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Speaker 1: we're both actually over extended, and I think that, um,

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Speaker 1: we're gonna be taking it a little bit easy for

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Speaker 1: the rest of the year. Everyone. There's gonna be some

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Speaker 1: re releases. We haven't even talked to our producers about

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Speaker 1: this yet, but we actually don't have time to record

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Speaker 1: the rest of the year, so we will be putting

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Speaker 1: little Easter eggs out there, some familiar, old favorite episodes out.

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Speaker 1: You know. It's just it just so happens that the

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Speaker 1: holiday has become an extra busy time for the culture East.

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Speaker 1: That's not the least of which reason being that we

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Speaker 1: have to keep on top of the culture in our

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Speaker 1: own lives and and just like that's going to be

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Speaker 1: putting out episodes and we have to be watching them.

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Speaker 1: Can I just stage the space. Yeah, I did not

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Speaker 1: mean to come so hard for the readers. From the

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Speaker 1: very beginning. I think that they get it. This isn't

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Speaker 1: this is not no. But this isn't even specific to

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Speaker 1: the readers. This is as a culture. We need to

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Speaker 1: stop it. With the spoiler alert culture. Okay, because you

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Speaker 1: and I both said you and I have both been

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Speaker 1: on either side of this. I mean that was for

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Speaker 1: those of you don't know. But we're not regating. We're

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Speaker 1: not going to relitigate it, but we are going to

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Speaker 1: just state the facts, which is when Katia Zamachava was

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Speaker 1: eliminated on RuPaul's Drag Race, the program that RuPaul's Drag

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Speaker 1: Race season seven, Bowen Yang logged onto Twitter and tweeted

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Speaker 1: two words but elongated Katia. No, not on Twitter, it

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Speaker 1: was Facebook. It was ace, smaller audience. And guess what

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Speaker 1: drag races is queer sports. You watch them live, you know,

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Speaker 1: DVR the game and watch it, you know, three days later,

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Speaker 1: and think, hey, thank goodness, no one spoiled the result

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Speaker 1: for me. You know I I think I agree with

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Speaker 1: you now because I now that I've moved to I

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Speaker 1: remember living in New York when you did that, and

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Speaker 1: I felt spoiled drag Race. I was like, I rate,

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Speaker 1: But now it's like, now that I live in Los Angeles,

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Speaker 1: it's like, no, we're three hours behind. And it truly is.

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Speaker 1: You're always at risk for spoilers. Cannot go on social

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Speaker 1: media if you're in la if you're in the West

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Speaker 1: coast for for the three hours until. Also, if you're

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Speaker 1: so panicked and worried about being spoiled on social media

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Speaker 1: about your favorite shows, then examine your relationship with social media. Well,

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Speaker 1: I don't know that's this is all dicey. I guess

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Speaker 1: some people will take issue with this, which is fine.

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Speaker 1: I think I hope we offend people. I hope we

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Speaker 1: really offend people. Well make headlines. Finally, for offension, I

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Speaker 1: actually for offension, I actually find that I have developed

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Speaker 1: better coping mechanisms around having something spoiled to me. Like

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Speaker 1: I think this is actually like a beautiful learning opportunity,

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Speaker 1: teachable opportunity, because like I mean, like with Sucking All

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Speaker 1: Stars six, like every week I was getting it spoiled

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Speaker 1: on when I would go on Twitter dot com myself,

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Speaker 1: I was like, oh, well now I know, like who

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Speaker 1: the assassin is, who goes home? Who whatever? Just a

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Speaker 1: bad way to roll out that show. But I still

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Speaker 1: but then I think it's re tuned my expectations around

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Speaker 1: or like my enjoyment overall is like obviously I will

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Speaker 1: enjoy it less if I had known, if I hadn't known,

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Speaker 1: But now I can watch something where I know what

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Speaker 1: the result is and enjoy it anyway. You know, it

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Speaker 1: just depends on what it is. Like. If it's something

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Speaker 1: I actually like, I'm just gonna come out here and

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Speaker 1: bravely say, like, I thought All Stars six was fun,

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Speaker 1: but it did not bother me in the slightest that

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Speaker 1: I logged on one day to Instagram, uh the app,

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Speaker 1: and the first thing that popped up was Liganda Astranga

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Speaker 1: turning over a lipstick that said silky. Literally, the whole

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Speaker 1: episode ruined for me in a second. Who the assassin was,

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Speaker 1: what the person won the lip sync, and who was eliminated.

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Speaker 1: I was just like, wow, I can't even open the

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Speaker 1: app without being spoiled. That's what I'm saying. So but

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Speaker 1: but it depends. It depends on the content. So here's

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Speaker 1: the thing. This is what I'm saying. Though. It's like,

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Speaker 1: if I was little press play on this episode today

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Speaker 1: of Lost Cultures this and Just like That, I was spoiled,

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Speaker 1: Like and I the first words in the episode were

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Speaker 1: big Died, I'd be like, you know what, though, the

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Speaker 1: episodes of and Just like That have been out for

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Speaker 1: days and a week that has passed, so I have

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Speaker 1: no excuse I came prepared to lost cultures this. My

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Speaker 1: thing is that I feel like the seal has been

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Speaker 1: broken on like the conversation around Big Death, and like

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Speaker 1: right oh, like people are writing about their pieces about

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Speaker 1: it now, like everyone knows what's happened. So it's it's

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Speaker 1: fine as fine, But we we've already wasted too much time.

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Speaker 1: Can I just say, without a spoiler alert, we're bravely

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Speaker 1: leaving the very first episodes Big Died, Big Big First, Sorry,

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Speaker 1: we smoked. The very first words of this episode are

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Speaker 1: going to be Big Died. We're leaving that, and we're

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Speaker 1: good with it. You're asking if we're cutting it. No, no,

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Speaker 1: we're leaving it. I love it, I love us, I

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Speaker 1: love us that I love us, and then that obsessed

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Speaker 1: with us. We cut that, then you're gonna cut the

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Speaker 1: whole first six minutes of this podcast. No, we could

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Speaker 1: do two single bleeps like like it was a damn curse.

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Speaker 1: No way, can I say, Can I say an ugly

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Speaker 1: word that's such pussy ship, that would be such pussy's

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Speaker 1: problematic problematic huh um um, of course I say that facetiously.

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Speaker 1: Everyone else, love you and kiss you all on the

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Speaker 1: forehead Big actually did die and I respect it so much, Honey.

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Speaker 1: I said it in my chair and I said, the

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Speaker 1: show might have just actually fucked and Dennis Bushnell could

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Speaker 1: never she could never. We thank Candice for creating this world.

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Speaker 1: Thanks for the the this sort of canvas. It's time

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Speaker 1: to color in the canvas with crayons. And the third

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Speaker 1: graders have a new job. Are you here to say

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Speaker 1: that the third graders have been hired? I think the

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Speaker 1: third graders showed what they could do with The Morning

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Speaker 1: Show season two and the producers of it just like that,

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Speaker 1: we're saying, I think that we got a staff here

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Speaker 1: and I've never been more happy. But where is the

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Speaker 1: teacher in this what doing this time? The teacher is

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Speaker 1: the teacher took a week off because this writer's This

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Speaker 1: writer's room was only one week. Yeah, this writers room

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Speaker 1: was one week. It was it was the next week.

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Speaker 1: It was like, well, basically what happened was on Monday morning,

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Speaker 1: the teacher walked in and she had seen because she

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Speaker 1: had binged Morning Show season two over the weekend, and

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Speaker 1: she walked in and she said, good job. Ah, but

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Speaker 1: you guys really did an amazing job. Great imaginations. I

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Speaker 1: loved the choices that you made so big, very good.

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Speaker 1: And I love the cliffhanger ending. Wow, what's going to

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Speaker 1: happen next? Oh my god, can you do can you

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Speaker 1: do that? But with sex in the city And here's

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Speaker 1: some parameters. No, Samantha, that would be too sexy for you. Guys.

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Speaker 1: Well this is this is so interesting because I think, yeah,

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Speaker 1: like the teacher was like, well, this time you have

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Speaker 1: to use an existing I P and the kids went, oh,

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Speaker 1: and then here we are and here we are. I

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Speaker 1: mean literally, when Big died at the end, I was

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Speaker 1: like the third graders, I'm so happy they found another job. Well,

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Speaker 1: they're now their story editors. They did their hard year

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Speaker 1: of staff writers, and now the third graders have actually

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Speaker 1: been emboildened by their promotion to story that doesn't always

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Speaker 1: happen that, you know, the title after one Room, very rare.

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Speaker 1: Good job, third graders, very good. They're good. They're making

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Speaker 1: their way in the entertainment industry. And soon they'll be

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Speaker 1: show running, you know what I mean. Soon that their

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Speaker 1: graders are just gonna be able to come up with

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Speaker 1: their own ideas for what to put on. Oh my god,

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Speaker 1: I cannot wait. I mean it's one thing if like

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Speaker 1: these shows got canceled and like none of us cared,

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Speaker 1: but like we're talking about these shows. That's huge. Can

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Speaker 1: I say something you needed the third graders if you

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Speaker 1: were gonna revive Sex in the City for today, Because

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Speaker 1: here's the thing, the third graders. Only a third grader

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Speaker 1: could have a cursory enough understanding of the character Miranda

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Speaker 1: Hobbs to have her spin out the way she does

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Speaker 1: in that classroom with that professor, who, by the way,

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Speaker 1: is Karen Pittman who's also on the Morning Show, And

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Speaker 1: is she my favorite actress? Yes, it's a rule of

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Speaker 1: culture number fourteen. Matt's favorite actressress is kids and Pittman

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Speaker 1: from Sex in the City Revival and just like that

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Speaker 1: and Morning Shows season one and two. Stam, you know,

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Speaker 1: I bet Karen went into the classroom and like took

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Speaker 1: a meeting with the writers and the third graders of like, hi,

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Speaker 1: miss Karen, and hey guys, so what are you cooking up?

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Speaker 1: And then they're like, um, you play a professor of

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Speaker 1: a human rights program and you I think what we

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Speaker 1: want you to do is be attacked by a chucky

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Speaker 1: on the subway. Wait, hold on a second, this, you

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Speaker 1: think this could really happen in real life. And actually

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Speaker 1: the third graders, I mean, because you know who was

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Speaker 1: obsessed with this storyline was Bowen Yang. I am obsessed

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Speaker 1: with this storyline. The third graders killed this for you.

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Speaker 1: They actually like like achieved something here, real talk, real talk.

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Speaker 1: And let mean, I haven't fully been able to like

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Speaker 1: verbalize this in the way that like is leare, but

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Speaker 1: you get what I'm saying when I say that, when

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Speaker 1: you texted me this, I agree with every word. It

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Speaker 1: felt like classic vintage sex in the City when it

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Speaker 1: when it was known for having like edge, or when

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Speaker 1: it was known for like showing like a little underbelly

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Speaker 1: bits of New York City. Yeah, the random spurts of

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Speaker 1: New York energy. That's specific chaotic New York thing. That

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Speaker 1: felt really good. Yeah, in a real way. And it

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Speaker 1: was just like see half of a scene, but like

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Speaker 1: I kind of like appreciate and like there are little

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Speaker 1: moments like that, like like in the second episode, right

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Speaker 1: like when Mirandasi is carrying the kitchen the morning after,

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Speaker 1: like she goes over and like, yes, that was making coffee.

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Speaker 1: Like it's just an interesting little scene where I'm like, wow,

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Speaker 1: like you would have never gone this in the movie,

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Speaker 1: I don't think, And it just feels like, I like

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Speaker 1: when it has this sort of you know, little like

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Speaker 1: flavor this body to it that makes sense, and I

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Speaker 1: think that let's just say this and I'm going to talk.

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Speaker 1: I'm real talk, That's what I'm going to do at

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Speaker 1: this point. I think that the first time I watched

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Speaker 1: the first two episodes of NG, just like that, because

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Speaker 1: I have watched it now through two times, I think

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Speaker 1: I was so in shock by what was going on

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Speaker 1: and like the new way that the characters that we

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Speaker 1: know and love are interacting with this very new world

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Speaker 1: that that literally and figuraively I'm talking about because like

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Speaker 1: it does feel like I don't know, like the Sex

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Speaker 1: in the City. It's it's still it's right that it's

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Speaker 1: called something different than Sex in the City, because it

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Speaker 1: just doesn't feel like Sex in the City. It feels

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Speaker 1: like an updated version of like if you took this

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Speaker 1: characters into New York that was being filmed with one

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Speaker 1: camera and now it's like a whole different lens on it,

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Speaker 1: Like the voiceover not being there is a huge departure.

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Speaker 1: It's only at the end it I was like wait,

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Speaker 1: we're not doing the voiceover, Like, this is so weird.

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Speaker 1: We're not using the same opening. She right, like we're

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Speaker 1: in a different version of the columnists. Sorry, right, well

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Speaker 1: now she's a damn podcaster, which we must discuss. We

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Speaker 1: must discuss. But like that. The first time I watched

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Speaker 1: it through, I was so like, oh my god, I'm shocked.

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Speaker 1: I don't know if I like that. And the second

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Speaker 1: time I actually did, I appreciated it. I think the

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Speaker 1: third graders understand what to do here. By the third graders,

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Speaker 1: I mean, like you know, like Michael Patrick King and um,

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Speaker 1: like these well known acclaimed writers. Yes, yes, that we're

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Speaker 1: referring to as the third graders lovingly, because lovingly happened.

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Speaker 1: That's why I love that this feels one not anything

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Speaker 1: like the movies. Um, although I do, I mean, I

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Speaker 1: do maintain that one is great. I like the first

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Speaker 1: movie and too that it just feels like, of course

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Speaker 1: it won't be like the same it would be. It's

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Speaker 1: so funny though I can't tell what this would end,

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Speaker 1: just like that's relationship or it's awareness of fantasy is

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Speaker 1: yet because I feel like the original Sex in the

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Speaker 1: City was a fantasy. Was this like, well to do

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Speaker 1: Manhattan fantasy of like what like single women, like how

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Speaker 1: like what they were thinking about how they lived this.

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Speaker 1: I'm like, Okay, so COVID happened, and it's over quote

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Speaker 1: unquote and completely eradicated a world where it happened and

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Speaker 1: we beat it and no one's wearing a mask and

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Speaker 1: all this stuff, and so I can't even like I

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Speaker 1: can't even like sort of like draw a line to

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Speaker 1: where we are in the present day and at the end.

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Speaker 1: So I'm like, okay, so this is taking place on

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Speaker 1: a different timeline, Like let's just I have to accept

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Speaker 1: that first. Then that is I would say, fantastical. So

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Speaker 1: I'm like, I think this is still a fantasy, which

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Speaker 1: makes it I guess, okay to like watch it and

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Speaker 1: laugh at the frivolous parts, but then I don't know,

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Speaker 1: appreciate the parts that like try to ground itself in

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Speaker 1: some like real reality that's redundant, but like, I don't know,

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Speaker 1: I feel like all the little glimmers of I never

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Speaker 1: thought Sex in the City was that frivolous, to be honest,

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Speaker 1: when it was on, I was always like, this is

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Speaker 1: a very mature developed show, has a lot to say

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Speaker 1: it's very bold. It's because you took what the women

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Speaker 1: were taking seriously seriously. The only reason it was known

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Speaker 1: as a frivolous show is because it was about women.

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Speaker 1: Like it was. The show had like really, this show

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Speaker 1: was always tackling things that were really I mean, there

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Speaker 1: was gravity and everything like this. I feel like I

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Speaker 1: feel like the gravity is back, I mean a way

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Speaker 1: for me. It's just like what they really needed to

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Speaker 1: do with these first two episodes, and I'm really happy

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Speaker 1: that two were released all at the same time was

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Speaker 1: really show you just how much they were going to

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Speaker 1: reboot the show. You have to answer and spend time

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Speaker 1: on the Samantha of it all, the big of it all,

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Speaker 1: in order to adjust us all to the new reality

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Speaker 1: of and just like that not sex in the city,

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Speaker 1: and yet you still have to honor sex in the city.

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Speaker 1: And so it did take these first two episodes to

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Speaker 1: do that. And then you see in the trailer of

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Speaker 1: what the whole show is going to be. We actually

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Speaker 1: are getting a comedy, but you need to have these

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Speaker 1: first two episodes I think carry dramatic weight to not

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Speaker 1: to to pun and not mean to um. But but

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Speaker 1: I also think the enough of the humor was there

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Speaker 1: where I'm like, it's not gone, Like I love that.

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Speaker 1: The first thing Miranda says is I stepped on my

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Speaker 1: son's used condom this morning. It's like that is a

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Speaker 1: intro line at brunch in a class at sept in

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Speaker 1: the city. Sense. You're absolutely right. The first two episodes

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Speaker 1: did have to bust open the world. A lot of

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Speaker 1: work to do and a lot it's a lot of

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Speaker 1: work to do. I'm excited to watch. I will be

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Speaker 1: watching every week like this is my new appointment television

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Speaker 1: now that Succession is done, I do want to briefly

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Speaker 1: touch on it, even though you don't watch it. No,

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Speaker 1: I would love to talk about it yet, but I

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Speaker 1: I don't know. All I'm saying is I'm very happy

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Speaker 1: it's back. Me too, and I honestly that it's here. Yeah,

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Speaker 1: the new characters are interesting to me. I think that, Um,

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Speaker 1: you know, I think for us and I actually think

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Speaker 1: we should peel back the curtain on something, and I'm

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Speaker 1: excited about it for me. I don't know how you feel.

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Speaker 1: But when I watch a podcast recording on television or

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Speaker 1: a depiction of a podcast recording on television, I'm always

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Speaker 1: looking for something that makes it feel like like how

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Speaker 1: are they doing this? Like how are we making a

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Speaker 1: podcast fun on TV? And I think ultimately this served

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Speaker 1: and of course it did like these writers are some

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Speaker 1: of the grades, but it served character in a way

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Speaker 1: and wasn't like the character they're doing a podcast. It

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Speaker 1: was like about Carrie struggling at work. And so that

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Speaker 1: is another important establisher is Carrie. You know, she always

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Speaker 1: just like part of the DNA of the show is

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Speaker 1: she has success as a writer. She's a columnist. Carrie

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Speaker 1: Bradshaw has to adapt professionally. And that's another reason why

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Speaker 1: I think it's a really valid thing to explore if

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Speaker 1: you're going to reboot the show, because you know her

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Speaker 1: life is going to get more difficult as the media changes.

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Speaker 1: So I thought that that was really great. And I

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Speaker 1: also think it's cool that part of the d n

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Speaker 1: a of what she's going to go through is she's

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Speaker 1: going to have to become more open. And this is

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Speaker 1: someone who was always you know, at the forefront and

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Speaker 1: known as being revolutionary and bold and Carrie Bradshaw. So

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Speaker 1: to see Carrie Bradshaw be confronted with the fact that

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Speaker 1: maybe she's not edgy, it's fun to me, it's it's meta,

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Speaker 1: it's self aware in a meadow way where they understand

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Speaker 1: the show cannot possibly be the edgy show it was

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Speaker 1: back then, and these women will not have the same

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Speaker 1: kind of sex that they did when they were in

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Speaker 1: their thirties. Yeah, and I kind of I dug the

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Speaker 1: podcasting a lot. I love like the quick cuts to

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Speaker 1: like whatever the engineer was. They have their own loved that,

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Speaker 1: loved that, and they have a hot engineer. It's so funny.

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Speaker 1: I think I think that I think that engineer will

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Speaker 1: reappear in some intimate way. It seems like, yes, and

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Speaker 1: I would fucking love that. And also, um, so that's

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Speaker 1: like one of those things that's just in there enough

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Speaker 1: where I'm like, I think you're right about that. You

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Speaker 1: know what else is just in there enough that I

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Speaker 1: think it's going to be a thing. Miranda's drinking, like,

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Speaker 1: oh my god, asiably ordering. Well. It's so funny because

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Speaker 1: when I first watched the episode and the episodes and

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Speaker 1: I got to the end, I didn't even think of

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Speaker 1: the fact that in a few different scenes we see

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Speaker 1: Miranda needing to drink at the morning before she goes

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Speaker 1: to class and waiting in a bar when she's fifteen

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Speaker 1: minutes early. Then later on we see her like have

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Speaker 1: to drink before she gives the eulogy at Harry's funeral,

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Speaker 1: and she can't wait to get her drink there, and

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Speaker 1: she brings wine to the piano recital, so like they're

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Speaker 1: slipping in there that Miranda drinks a lot. And it's

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Speaker 1: been really subtle because people that I've talked to having

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Speaker 1: noticed it, but I've been picking up on it. Oh yeah,

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Speaker 1: we've noticed it. Um. I was at dinner and people

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Speaker 1: were talking about, how, like, is it do we want

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Speaker 1: to see miranda alcoholism story? This is what I think about.

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Speaker 1: It might not even be an alcoholism story, because my

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Speaker 1: thing is just like, of course, it looks like they're

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Speaker 1: laying in the groundwork for that, but maybe it will

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Speaker 1: just be a thing of She's being asked for the

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Speaker 1: first time ever to to just consider her relationship with

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Speaker 1: alcohol and what it is. Because another part of sex

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Speaker 1: in the city is they do drink a lot. And

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Speaker 1: so when she was ordering drinks, I was I didn't

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Speaker 1: even second guess it because I was like, yeah, this

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Speaker 1: is what they do, these women, they drink. She wants

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Speaker 1: to drink before she goes to um class. She's a

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Speaker 1: she's a professional like woman. She's like an adult woman

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Speaker 1: doing this. She can make a decision about this. But

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Speaker 1: then when I thought about the way they were depicting it,

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Speaker 1: I was like, Oh, if they're saying there's an issue here,

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Speaker 1: that's interesting. And for the first time ever, it seems

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Speaker 1: like she's going to have like the developing really close

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Speaker 1: new friendship with this professor, and maybe this professor is

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Speaker 1: going to be like you drink a lot, you know,

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Speaker 1: like maybe that's where it comes from. Because all her

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Speaker 1: friends aren't going to see it. They just accepted as

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Speaker 1: the reality. How do we feel about each of these

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Speaker 1: women having their own magical colored person um too, like

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Speaker 1: kind of you know, like wake them up and be like, hey,

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Speaker 1: this is what the world is like. Actually, I I'm conflicted, So,

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Speaker 1: you know, I this is not the first time that

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Speaker 1: I think like a character is a certain race. And

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Speaker 1: then of course you have to ask the question of

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Speaker 1: how how are the how is this character being utilized?

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Speaker 1: We don't know them well enough yet. I think it's

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Speaker 1: possible that they're setting enough groundwork and each of their

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Speaker 1: individual stories that it won't feel like we're just there

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Speaker 1: to service the main three. But maybe I'm giving it

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Speaker 1: too much credit. I understand why you pose that, but

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Speaker 1: I'm willing to give it a chance. Yeah, okay, I

400
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Speaker 1: just I can't. If someone did bring up that it

401
00:22:00,080 --> 00:22:03,359
Speaker 1: is insane that the thing that Miranda says after she

402
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Speaker 1: saves she saves she saves Professor Nia from the attack

403
00:22:08,040 --> 00:22:10,880
Speaker 1: is was that was that a white savior moment or whatever,

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Speaker 1: I'm like, it's insane, Hey, that is like that is

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Speaker 1: actually kind of crazy. If I was if I was

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Speaker 1: the Karen Pittman character Dr and Nya, if I was

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Speaker 1: Dr Nya and that in that instance, I'd be like, honestly,

408
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Speaker 1: I don't like you are making me really uncomfortable constantly,

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Speaker 1: and I think you should think about not being in

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Speaker 1: the class at this point. I would just be like,

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Speaker 1: this is I don't think this situation is working for me,

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Speaker 1: and I'm the teacher, so you gotta go. Actually, Miranda's

413
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Speaker 1: antics like when when she when she was trying to

414
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Speaker 1: get into the when when Dr and I was trying

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Speaker 1: to get into the Miranda's antics and then someone said

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Speaker 1: I think it was Laverne Cox on the view they

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Speaker 1: had Cynthia x and on and Laverne Cox was like,

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Speaker 1: I love the show. I love Miranda, but is she

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Speaker 1: the original Karen in because Miranda is that vibe, but

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Speaker 1: not to this extent. I don't. I don't think she

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Speaker 1: is the original Karen Thow like Miranda like was like,

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Speaker 1: I definitely don't think she wasn't either make it. I

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Speaker 1: mean everyone said this at this point, like make it Charlotte.

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Speaker 1: It makes total sense for Charlotte to be that. But

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Speaker 1: of course, like, I don't know, I'm sure we'll get

426
00:23:20,160 --> 00:23:23,280
Speaker 1: some of that with her, and uh, this lt W character,

427
00:23:23,880 --> 00:23:26,639
Speaker 1: I think that might be interesting because clearly it's like

428
00:23:27,600 --> 00:23:30,760
Speaker 1: on a status level, like that lt W character is

429
00:23:30,800 --> 00:23:34,440
Speaker 1: doing better than Charlotte, and Charlotte probably like is going

430
00:23:34,480 --> 00:23:38,520
Speaker 1: into that relational thing being like, oh, I'm a piece

431
00:23:38,520 --> 00:23:40,800
Speaker 1: of ship compared to her, which I kind of love

432
00:23:40,880 --> 00:23:45,000
Speaker 1: because I think Charlotte sucks as a character. Charlotte is

433
00:23:45,040 --> 00:23:48,680
Speaker 1: awful and I hate to say it, but I don't

434
00:23:48,680 --> 00:23:50,960
Speaker 1: know how you feel. But in the scenes where Charlotte

435
00:23:51,040 --> 00:23:53,880
Speaker 1: is taking up too much of the narrative, I'm like, unfortunately,

436
00:23:54,520 --> 00:23:58,240
Speaker 1: a guiding principle of this character is that she's annoying,

437
00:23:58,280 --> 00:24:01,560
Speaker 1: annoying and just let her be annoying. She can't, but

438
00:24:01,720 --> 00:24:03,920
Speaker 1: what you're what you're saying, like like at this point,

439
00:24:03,920 --> 00:24:06,200
Speaker 1: it's like too grading and you're like, as a viewer,

440
00:24:06,280 --> 00:24:10,440
Speaker 1: you can't even like remember that. The way it needs

441
00:24:10,440 --> 00:24:13,280
Speaker 1: to work is we need a carry a story, a

442
00:24:13,400 --> 00:24:17,920
Speaker 1: Miranda be story, and some rotational thing of Samantha and

443
00:24:18,040 --> 00:24:21,720
Speaker 1: Charlotte doubt down there. But we don't have Samantha to

444
00:24:21,720 --> 00:24:24,520
Speaker 1: balance Charlotte. And that's why I'm really excited to get

445
00:24:24,560 --> 00:24:26,640
Speaker 1: to know these new characters, because I feel like then

446
00:24:26,640 --> 00:24:28,440
Speaker 1: it will populate more and we don't have to spend

447
00:24:28,440 --> 00:24:31,439
Speaker 1: as much time with Charlotte because unfortunately, there are just

448
00:24:31,560 --> 00:24:34,400
Speaker 1: not a lot of redeeming qualities outside of the fact

449
00:24:34,480 --> 00:24:38,040
Speaker 1: that she is a very good and loyal our favorite

450
00:24:38,040 --> 00:24:42,080
Speaker 1: word friend and she's well intentioned. But she's annoying and

451
00:24:42,160 --> 00:24:45,199
Speaker 1: I often think she's not that smart. Oh no, that

452
00:24:45,320 --> 00:24:48,320
Speaker 1: but that's the character. And I think like, since we've

453
00:24:48,320 --> 00:24:52,640
Speaker 1: all understood the character to be um, I think that

454
00:24:54,119 --> 00:25:05,359
Speaker 1: I will enjoy the whole thing. I'm also just like

455
00:25:05,400 --> 00:25:08,880
Speaker 1: a little pissed that they just decided to make Steve

456
00:25:09,480 --> 00:25:12,240
Speaker 1: hard of hearing deaf, because I was like, I wonder

457
00:25:12,280 --> 00:25:14,480
Speaker 1: if David Eigenberg is hard of hearing and I looked

458
00:25:14,480 --> 00:25:16,800
Speaker 1: it up and he's not. And I'm like, what's what's

459
00:25:16,840 --> 00:25:20,439
Speaker 1: the storyline? Like they're fifty and they're all their bodies

460
00:25:20,440 --> 00:25:23,480
Speaker 1: are falling apart. I don't know, and like like I'm sorry,

461
00:25:23,520 --> 00:25:27,200
Speaker 1: but Mr. D Eigenberg is still like so crazy hot,

462
00:25:27,359 --> 00:25:30,359
Speaker 1: He's hot, virile. Why are we making him say what

463
00:25:30,760 --> 00:25:32,360
Speaker 1: all the time? Like I want to I don't want

464
00:25:32,359 --> 00:25:34,960
Speaker 1: to hear him about him being in like that's what

465
00:25:35,040 --> 00:25:37,920
Speaker 1: his whole role is now if he feels I feel

466
00:25:37,960 --> 00:25:45,080
Speaker 1: excuse voice got even Stevie or decades mad me hag yeah, Brady,

467
00:25:45,160 --> 00:25:48,800
Speaker 1: bradyes fucking in the next rowe. I'm like, what is this?

468
00:25:49,200 --> 00:25:55,199
Speaker 1: You forget? How just dominating Lee weird? His voices, it

469
00:25:55,280 --> 00:25:58,239
Speaker 1: just takes over everything. Everyone I've watched it with and

470
00:25:58,240 --> 00:26:02,320
Speaker 1: talked about this with has been like Steve's voice has

471
00:26:02,440 --> 00:26:05,520
Speaker 1: never been this insane. It's like Carol Channing if she

472
00:26:05,600 --> 00:26:12,639
Speaker 1: had no teeth. There's something That scene was absolutely the same.

473
00:26:13,680 --> 00:26:17,160
Speaker 1: But I'm saying, like he's so hot, still so hot,

474
00:26:17,400 --> 00:26:19,480
Speaker 1: And I'm not that like I correlate hotness to like

475
00:26:19,520 --> 00:26:22,520
Speaker 1: sexual activity, but like, like why wouldn't he and Miranda

476
00:26:22,600 --> 00:26:25,639
Speaker 1: be having so much. So No, I here's the thing.

477
00:26:25,680 --> 00:26:28,440
Speaker 1: If I'm in a relationship with Steve, I'm getting I'm

478
00:26:28,520 --> 00:26:32,720
Speaker 1: really sorry to say this, but bread constantly, and I'm

479
00:26:32,800 --> 00:26:35,200
Speaker 1: really sorry to just come out and say it like that.

480
00:26:35,480 --> 00:26:38,040
Speaker 1: I hate that I did that, but I'm not. But

481
00:26:38,160 --> 00:26:41,040
Speaker 1: I'm not a dishonest person. You're not a dishonest person.

482
00:26:41,200 --> 00:26:44,359
Speaker 1: And the reality is he'd be breeding me. That is

483
00:26:44,400 --> 00:26:48,199
Speaker 1: the reality if you were Oh my god, if you

484
00:26:48,240 --> 00:26:50,720
Speaker 1: went into the third graders room, that that that you

485
00:26:50,920 --> 00:26:53,080
Speaker 1: that'd be the first thing in your mouth. And you

486
00:26:53,080 --> 00:26:54,879
Speaker 1: you don't you don't care that the third graders. No,

487
00:26:54,960 --> 00:26:57,000
Speaker 1: I don't care at all. And you know what, here's

488
00:26:57,040 --> 00:27:01,000
Speaker 1: the thing. If the classes, like sixteen seventeen kids, a

489
00:27:01,080 --> 00:27:03,280
Speaker 1: lot of kids, I think four or five of them

490
00:27:03,280 --> 00:27:05,400
Speaker 1: actually know what breeding is and then they all tell

491
00:27:05,440 --> 00:27:08,320
Speaker 1: each other. And that's the grade I think four I

492
00:27:08,320 --> 00:27:11,360
Speaker 1: think four or five third graders in the year one

493
00:27:11,359 --> 00:27:13,600
Speaker 1: out of a class of sixteen or seventeen know what

494
00:27:13,640 --> 00:27:18,960
Speaker 1: it means to get bread. Yeah, for sure, that's rough. Huh, Yeah,

495
00:27:19,000 --> 00:27:24,000
Speaker 1: I guess a fourth grade maybe third grade? Do you forget,

496
00:27:24,160 --> 00:27:28,160
Speaker 1: like the kids, what did you did you have any

497
00:27:28,240 --> 00:27:32,240
Speaker 1: when you were like that age, really young, huge misconceptions

498
00:27:32,240 --> 00:27:35,560
Speaker 1: about what sex was and how it worked. So this

499
00:27:35,600 --> 00:27:39,320
Speaker 1: is my thing is that I didn't understand what come

500
00:27:39,520 --> 00:27:43,000
Speaker 1: was until I was like in the fifth grade, right now,

501
00:27:43,240 --> 00:27:45,280
Speaker 1: what did you think come was? Because I have a

502
00:27:45,280 --> 00:27:47,480
Speaker 1: story about what I thought come was. I thought come

503
00:27:47,560 --> 00:27:53,720
Speaker 1: was just like basically p but I honestly didn't understand.

504
00:27:53,760 --> 00:27:55,480
Speaker 1: I like when when when I read it in the

505
00:27:55,520 --> 00:27:58,359
Speaker 1: fifth grade, like sex sad like that like ejaculation happened.

506
00:27:58,400 --> 00:28:00,840
Speaker 1: I was like, well, I don't want I've never seen

507
00:28:00,880 --> 00:28:02,880
Speaker 1: that word before and I don't care to know what

508
00:28:02,920 --> 00:28:04,800
Speaker 1: it means, so I will not look into such an

509
00:28:04,920 --> 00:28:14,359
Speaker 1: ugly word ejaculator number three such. So that was my feeling.

510
00:28:14,680 --> 00:28:18,360
Speaker 1: So what was yours? I was told by I think

511
00:28:18,520 --> 00:28:21,040
Speaker 1: this kid's name was Eric in like the second grade

512
00:28:21,040 --> 00:28:23,399
Speaker 1: that he's like, yeah, like you ever think about come?

513
00:28:23,440 --> 00:28:25,800
Speaker 1: And I was like, what's come? Like? He was like come,

514
00:28:25,880 --> 00:28:28,560
Speaker 1: you know, like like semen And I was like oh

515
00:28:28,600 --> 00:28:29,840
Speaker 1: and what is I was like what is that? And

516
00:28:29,840 --> 00:28:32,240
Speaker 1: he was like, it's when you get really sexually excited

517
00:28:32,240 --> 00:28:34,400
Speaker 1: and you rub your dick on something so much that

518
00:28:34,440 --> 00:28:38,680
Speaker 1: you throw up white stuff. I thought this kid told

519
00:28:38,720 --> 00:28:42,800
Speaker 1: me that like when you got sexually so excited that

520
00:28:42,840 --> 00:28:45,320
Speaker 1: you threw up a little bit of white, and that's

521
00:28:45,320 --> 00:28:48,920
Speaker 1: how babies got got how women got pregnant through their mouth.

522
00:28:49,920 --> 00:28:53,800
Speaker 1: You threw up in their mouth the white and so like,

523
00:28:53,880 --> 00:28:55,480
Speaker 1: I was like, that all makes a lot of sense

524
00:28:55,480 --> 00:28:57,600
Speaker 1: to me, actually, because there is like a weird feeling

525
00:28:57,640 --> 00:29:00,320
Speaker 1: like down there in your stomach. I thought, when you

526
00:29:00,360 --> 00:29:03,360
Speaker 1: manipulate your penis. And then I thought, and then obviously

527
00:29:03,440 --> 00:29:05,680
Speaker 1: the women swallow something, it goes into their belly and

528
00:29:05,680 --> 00:29:08,240
Speaker 1: then their belly gets big. That makes sense to me.

529
00:29:08,840 --> 00:29:11,520
Speaker 1: And it was I think months until I found out

530
00:29:11,520 --> 00:29:15,640
Speaker 1: it was actually, you know, come in the traditional come sense,

531
00:29:15,720 --> 00:29:18,520
Speaker 1: i e. It comes out of your penist. Girl, you

532
00:29:18,600 --> 00:29:20,960
Speaker 1: go into third graders classroom, and then you get the

533
00:29:21,000 --> 00:29:23,840
Speaker 1: script six months later and you go, I'm throwing up

534
00:29:23,840 --> 00:29:29,760
Speaker 1: in Steve's mouth, Steve starting up in mine. Huh huh um.

535
00:29:29,800 --> 00:29:31,880
Speaker 1: But anyway, I think the news would travel enough that

536
00:29:31,920 --> 00:29:34,040
Speaker 1: they could do a storyline about it, but unfortunately they're

537
00:29:34,040 --> 00:29:36,720
Speaker 1: doing the deaf thing with Steve. I think missed opportunity.

538
00:29:36,760 --> 00:29:40,120
Speaker 1: But whatever, whatever, um, this is what I wanted to

539
00:29:40,120 --> 00:29:43,600
Speaker 1: peel back the curtain on. Oh yeah, so the podcast

540
00:29:43,640 --> 00:29:48,360
Speaker 1: of it all. So when Bowen and I did Lost

541
00:29:48,400 --> 00:29:52,200
Speaker 1: Culture Restus live at was it Little Island? It was

542
00:29:52,200 --> 00:29:55,360
Speaker 1: that Little Island. It was in August, Yes, in the

543
00:29:55,400 --> 00:29:57,800
Speaker 1: middle of production. In the middle of production of it,

544
00:29:57,920 --> 00:30:02,320
Speaker 1: just like that, we got a request that tickled us

545
00:30:02,360 --> 00:30:05,280
Speaker 1: that Sada Ramirez would like to come to our show.

546
00:30:06,040 --> 00:30:09,360
Speaker 1: And we were like, oh my god, do they listen

547
00:30:09,400 --> 00:30:11,720
Speaker 1: to the podcast? Oh my god. We we thought, oh

548
00:30:11,720 --> 00:30:16,840
Speaker 1: my god, maybe to the podcast. Then like after the show,

549
00:30:17,440 --> 00:30:20,480
Speaker 1: like I had heard that they really enjoyed it. And

550
00:30:20,520 --> 00:30:22,560
Speaker 1: then Bowen said, you know what it was because then

551
00:30:22,600 --> 00:30:24,080
Speaker 1: by then the news had come out they were playing

552
00:30:24,080 --> 00:30:27,080
Speaker 1: a pipe two and two together. Yes, And so Bone

553
00:30:27,120 --> 00:30:30,080
Speaker 1: was like, I think they came for research to see

554
00:30:30,120 --> 00:30:33,240
Speaker 1: like a live podcast show, because then in the preview

555
00:30:33,320 --> 00:30:38,280
Speaker 1: for it, it's very clear yea as Chay does a

556
00:30:38,320 --> 00:30:40,520
Speaker 1: live show. We were part of the research for the

557
00:30:40,600 --> 00:30:43,600
Speaker 1: character of che you guys, we think we think I

558
00:30:43,640 --> 00:30:45,640
Speaker 1: just want to say that I don't think they really.

559
00:30:45,880 --> 00:30:49,200
Speaker 1: I think they might have been disappointed because I think

560
00:30:49,200 --> 00:30:51,120
Speaker 1: they thought of us just stand ups and that like

561
00:30:51,160 --> 00:30:53,960
Speaker 1: we were like very like socially, like we talked about

562
00:30:54,000 --> 00:30:57,640
Speaker 1: like the issues capital I a lot, and what they

563
00:30:57,800 --> 00:31:00,640
Speaker 1: ended up coming to was this like stud big comedy

564
00:31:00,680 --> 00:31:02,959
Speaker 1: show where we each did one minute rance against like

565
00:31:03,040 --> 00:31:05,560
Speaker 1: fucking like string cheese or whatever, you know, like it

566
00:31:05,640 --> 00:31:08,200
Speaker 1: was a frivolous I don't know. I think I think

567
00:31:08,200 --> 00:31:09,840
Speaker 1: they might have got something out of it, because I

568
00:31:09,880 --> 00:31:12,960
Speaker 1: did hear from a connector that they really enjoyed it.

569
00:31:13,040 --> 00:31:16,120
Speaker 1: But I've been really it's been really crazy because I

570
00:31:16,160 --> 00:31:19,000
Speaker 1: didn't watch Gray's Anatomy after a couple of seasons that

571
00:31:19,080 --> 00:31:22,280
Speaker 1: they were on back in the day. I forget Sada

572
00:31:22,360 --> 00:31:26,320
Speaker 1: Ramirez When they were in the elevator with Carrie going down,

573
00:31:26,400 --> 00:31:29,240
Speaker 1: I was like, you know, there's like I hate I

574
00:31:29,280 --> 00:31:31,440
Speaker 1: hate that character pulls out a pipe would never happen,

575
00:31:31,480 --> 00:31:33,400
Speaker 1: So I definitely hate that that that does a pipe

576
00:31:33,440 --> 00:31:35,160
Speaker 1: of it all. But I don't know. I guess what

577
00:31:35,200 --> 00:31:38,960
Speaker 1: I'm saying ultimately is I am enjoying watching a sell

578
00:31:39,000 --> 00:31:41,440
Speaker 1: with Sada Ramires in it because I fucking love Sada

579
00:31:41,520 --> 00:31:46,000
Speaker 1: romeiraz me too. I just I have some issues with

580
00:31:46,080 --> 00:31:50,040
Speaker 1: the way Chay has written so far. Okay speak on that.

581
00:31:50,680 --> 00:31:55,440
Speaker 1: Just the whole introductory scene where they're on the mic,

582
00:31:56,440 --> 00:31:59,080
Speaker 1: and it makes total sense that this is how you

583
00:31:59,080 --> 00:32:02,120
Speaker 1: would introduce this character her, But the way that they

584
00:32:02,160 --> 00:32:07,880
Speaker 1: sort of rattled off all of these identities, yeah, and

585
00:32:07,960 --> 00:32:10,480
Speaker 1: like made it made it such a I don't know,

586
00:32:10,680 --> 00:32:14,640
Speaker 1: like so cloying and it's not a it's not a

587
00:32:14,680 --> 00:32:17,240
Speaker 1: sour thing. It's like in the writing. Unfortunately, the third

588
00:32:17,280 --> 00:32:19,320
Speaker 1: grade has kind of chunked it on this. I think,

589
00:32:19,440 --> 00:32:22,880
Speaker 1: like with all due respect to Mr King and Starr

590
00:32:22,960 --> 00:32:26,080
Speaker 1: or whoever else was involved, but like I feel like

591
00:32:26,840 --> 00:32:29,760
Speaker 1: it was pure, like like I don't know, like breaking

592
00:32:29,760 --> 00:32:32,720
Speaker 1: every rules of pilot logical like I'm I'm at this person,

593
00:32:32,800 --> 00:32:35,040
Speaker 1: am that that that that you know, like just giving

594
00:32:35,080 --> 00:32:38,640
Speaker 1: you such not not exposition, but like, well, I I

595
00:32:38,680 --> 00:32:42,280
Speaker 1: think that what you're responding to is the fact that,

596
00:32:42,320 --> 00:32:45,960
Speaker 1: like what the character's identity just kind of gets stated

597
00:32:46,360 --> 00:32:49,000
Speaker 1: in this way where it feels like is that easy?

598
00:32:49,360 --> 00:32:52,600
Speaker 1: I'm never shown, it never gets I'm willing to forgive

599
00:32:52,600 --> 00:32:56,360
Speaker 1: it only because it happens in the context of an

600
00:32:56,360 --> 00:33:00,360
Speaker 1: opening line on a podcast, and that is so of

601
00:33:00,960 --> 00:33:04,080
Speaker 1: the way that a lot of podcasts like that work.

602
00:33:04,240 --> 00:33:07,200
Speaker 1: Of course, it's it's I think it's gonna bother us

603
00:33:07,480 --> 00:33:11,280
Speaker 1: more than it's gonna bother anyone else. I don't know,

604
00:33:11,640 --> 00:33:14,520
Speaker 1: I don't know I'm hearing some people say. People are

605
00:33:14,520 --> 00:33:16,760
Speaker 1: seemed to be split on it. People are like, I

606
00:33:16,840 --> 00:33:19,440
Speaker 1: love Chay as a character, and I'm like, why are

607
00:33:19,480 --> 00:33:23,040
Speaker 1: they given we to teenagers at funerals? You know? Like

608
00:33:23,480 --> 00:33:27,240
Speaker 1: I think that they for sure are. It's it's too

609
00:33:27,520 --> 00:33:30,560
Speaker 1: far in terms of like, I mean, pretty much across

610
00:33:30,600 --> 00:33:33,320
Speaker 1: the board. The first two episodes went a little too

611
00:33:33,320 --> 00:33:36,040
Speaker 1: far in every direction. But this is what I'm saying.

612
00:33:36,200 --> 00:33:38,040
Speaker 1: I fear that it will continue to go at the

613
00:33:38,080 --> 00:33:41,400
Speaker 1: same pace. In the exact I get it, and I

614
00:33:41,440 --> 00:33:43,920
Speaker 1: also don't. I can't quite put my finger on what

615
00:33:43,960 --> 00:33:46,560
Speaker 1: they're doing with Miranda and Jay. Do you think it's

616
00:33:46,640 --> 00:33:50,040
Speaker 1: queer love stories? I don't know. It's maybe I don't

617
00:33:50,040 --> 00:33:53,680
Speaker 1: know what did Steve ever do to deserve that? I'll

618
00:33:53,720 --> 00:33:57,800
Speaker 1: be so piste off. This is what I'm saying. Gun

619
00:33:57,840 --> 00:34:00,800
Speaker 1: into your head, Chay and Eve come up to you

620
00:34:00,800 --> 00:34:04,160
Speaker 1: and say one of us will breed you every night.

621
00:34:05,720 --> 00:34:08,440
Speaker 1: Only only one is gonna be said. I'm I'm I

622
00:34:08,560 --> 00:34:12,160
Speaker 1: know who I'm going home with, but Miranda, she might

623
00:34:12,239 --> 00:34:14,640
Speaker 1: make a different choice. It's it's not about what I

624
00:34:14,680 --> 00:34:17,640
Speaker 1: would do, It's about what Miranda would do. And unfortunately

625
00:34:18,239 --> 00:34:20,680
Speaker 1: I don't buy that from Miranda, Like if we're taking

626
00:34:20,680 --> 00:34:23,000
Speaker 1: Miranda in a queer direction just because she's played by

627
00:34:23,000 --> 00:34:26,560
Speaker 1: Cynthia Nixon, I just I don't know. I don't buy it.

628
00:34:26,600 --> 00:34:32,719
Speaker 1: I think Miranda like she looks guys. I don't know Miranda,

629
00:34:32,960 --> 00:34:37,360
Speaker 1: like Miranda was kind of like I don't know. I

630
00:34:37,360 --> 00:34:40,360
Speaker 1: don't think Miranda needs to be queer. There I said it.

631
00:34:40,480 --> 00:34:42,920
Speaker 1: I don't need that storyline. I don't really want it.

632
00:34:43,239 --> 00:34:45,919
Speaker 1: I don't think that Steve deserves that. I don't think

633
00:34:45,920 --> 00:34:48,319
Speaker 1: it's worth her shaking up her family structure. And I

634
00:34:48,400 --> 00:34:50,400
Speaker 1: don't believe it. And if we're gonna do it to

635
00:34:50,480 --> 00:34:52,719
Speaker 1: make a point and explore a queer storyline, I'm not

636
00:34:52,800 --> 00:34:56,120
Speaker 1: about it. Period. Here's what it is for me. If

637
00:34:56,719 --> 00:35:01,240
Speaker 1: they want to preserve this eat the insects in the city,

638
00:35:01,800 --> 00:35:06,440
Speaker 1: that it's about these sis head white women, and like

639
00:35:06,880 --> 00:35:09,000
Speaker 1: what it meant in the nineties and what it means now,

640
00:35:10,480 --> 00:35:14,240
Speaker 1: there's something like I don't know, like, let's there's something

641
00:35:14,280 --> 00:35:20,200
Speaker 1: to like maintain in that right, like don't don't change

642
00:35:20,200 --> 00:35:23,520
Speaker 1: the variables around too much or even even if one changes,

643
00:35:23,520 --> 00:35:26,279
Speaker 1: and that kind of like domino effects out for me

644
00:35:26,320 --> 00:35:28,600
Speaker 1: where I'm like, well then I can't really then, and

645
00:35:28,640 --> 00:35:30,839
Speaker 1: then like I can't really you know, I don't know

646
00:35:30,840 --> 00:35:32,640
Speaker 1: how what to think of the show anymore, because am

647
00:35:32,680 --> 00:35:36,880
Speaker 1: I supposed to sympathize with Miranda, like beyond just liking

648
00:35:36,920 --> 00:35:38,720
Speaker 1: her as a character over the years and being invested

649
00:35:38,760 --> 00:35:40,360
Speaker 1: in her, Am I supposed to be like, well, I

650
00:35:40,400 --> 00:35:43,760
Speaker 1: guess she's been you know, further oppressed in her womanhood

651
00:35:43,760 --> 00:35:46,000
Speaker 1: by being like in the closet her whole life. Like

652
00:35:46,040 --> 00:35:48,080
Speaker 1: I don't like if if if they're going to like

653
00:35:48,160 --> 00:35:51,040
Speaker 1: pair each of them up with a magical colored person,

654
00:35:51,520 --> 00:35:55,560
Speaker 1: I'm like, let's not like up and let's not compromise

655
00:35:55,680 --> 00:35:58,920
Speaker 1: that like dynamic in any way. Am I making sense?

656
00:35:59,160 --> 00:36:02,920
Speaker 1: You are? So? I mean, I just I don't know

657
00:36:03,200 --> 00:36:05,359
Speaker 1: if if Miranda were queer, then I then I start

658
00:36:05,400 --> 00:36:08,120
Speaker 1: to question, like I'm I'm of the mind that this

659
00:36:08,200 --> 00:36:11,880
Speaker 1: is a fantasy, that this whole show has always been fantastical.

660
00:36:13,160 --> 00:36:17,120
Speaker 1: And if I like, if if any of these characters

661
00:36:17,160 --> 00:36:20,000
Speaker 1: gets like a shade drawn like just a shade like

662
00:36:20,200 --> 00:36:25,280
Speaker 1: lightly cross hatched in, I'm like, oh no, this ruins

663
00:36:25,360 --> 00:36:28,000
Speaker 1: like that. I hate to say this word, but there's

664
00:36:28,000 --> 00:36:30,560
Speaker 1: a purity there in terms of like, oh these are

665
00:36:30,760 --> 00:36:34,400
Speaker 1: I don't take these women seriously because you know, I

666
00:36:34,400 --> 00:36:36,520
Speaker 1: don't know, I just don't take them seriously. I either

667
00:36:36,560 --> 00:36:38,960
Speaker 1: aspire to be somewhat like them or I just laugh

668
00:36:39,000 --> 00:36:42,799
Speaker 1: at how they behave. Yeah, I think that like the

669
00:36:42,880 --> 00:36:47,200
Speaker 1: only person and even like this is different now, but

670
00:36:47,520 --> 00:36:50,600
Speaker 1: the only aspirational character was carried. But I also think

671
00:36:50,600 --> 00:36:52,680
Speaker 1: that has so much to do with statistic A Parker.

672
00:36:52,960 --> 00:36:56,000
Speaker 1: We were talking about this, like what a fucking noxious

673
00:36:56,120 --> 00:36:59,680
Speaker 1: character on the page, but it's s JP who fucking

674
00:36:59,800 --> 00:37:03,279
Speaker 1: may you fall in love? There are some shots of

675
00:37:03,480 --> 00:37:06,360
Speaker 1: s JP in these episodes where I'm just like, my god,

676
00:37:06,800 --> 00:37:12,719
Speaker 1: like so much for being on screen. Thank you. She

677
00:37:13,000 --> 00:37:17,920
Speaker 1: is a star. She is an absolute capital S star

678
00:37:18,440 --> 00:37:22,360
Speaker 1: and such a good actor, honestly good. So much of

679
00:37:22,400 --> 00:37:25,480
Speaker 1: the reason why I will be ride or die with

680
00:37:25,520 --> 00:37:29,400
Speaker 1: these characters is because of Sarahistica Parker and Cynthia Nixon

681
00:37:29,920 --> 00:37:36,319
Speaker 1: fucking make everything at least seem like it's working or work. Seriously.

682
00:37:36,640 --> 00:37:40,440
Speaker 1: I love everyone involved on the show. Can we just

683
00:37:40,480 --> 00:37:44,400
Speaker 1: say that I would die for anyone who was on

684
00:37:44,440 --> 00:37:49,919
Speaker 1: the call sheet front back page two. Queen, queen, thank

685
00:37:49,960 --> 00:37:52,960
Speaker 1: you so much. This is the takeaway. We we work

686
00:37:53,000 --> 00:37:54,920
Speaker 1: kind of we're kind of like fucking spew and bile

687
00:37:55,000 --> 00:38:00,480
Speaker 1: left and right being stupid. Starky faggots be like like

688
00:38:00,640 --> 00:38:06,280
Speaker 1: that snarky Fagus. Snarky fagus. Maybe that's title. Maybe snarky

689
00:38:06,400 --> 00:38:13,480
Speaker 1: Faggots is the title snarky fag Honestly, that is if

690
00:38:13,480 --> 00:38:16,040
Speaker 1: they were doing like a satire of this podcast, they

691
00:38:16,040 --> 00:38:21,279
Speaker 1: would call it snarky faggots. If they had to write

692
00:38:21,320 --> 00:38:24,120
Speaker 1: like they had like jaglass it was like an Adam McKay,

693
00:38:24,239 --> 00:38:28,680
Speaker 1: don't look up about it would be called snags. Do

694
00:38:28,840 --> 00:38:35,279
Speaker 1: exchange the name of the podcast going forward, Snarky Faggots.

695
00:38:35,840 --> 00:38:38,480
Speaker 1: I love that ep of Darks, the second darky episode

696
00:38:38,480 --> 00:38:42,200
Speaker 1: of Snarky when she was on Snarky Faggots. Sorry, sorry

697
00:38:42,440 --> 00:38:46,000
Speaker 1: when whenever in Lost CULTU Sorry sorry snarky fagots. Um.

698
00:38:46,760 --> 00:38:49,120
Speaker 1: I just want to say that for all the snarky

699
00:38:49,160 --> 00:38:52,680
Speaker 1: faggotry that we do here about a show like and

700
00:38:52,760 --> 00:38:55,600
Speaker 1: just like that that everyone you know is having fun

701
00:38:55,760 --> 00:38:59,759
Speaker 1: like talking about it's the new It's the new Morning

702
00:38:59,800 --> 00:39:03,400
Speaker 1: Show in terms of the cultural conversation that takes up,

703
00:39:03,400 --> 00:39:07,520
Speaker 1: because the Morning Show was a huge cultural conversation. Absolutely,

704
00:39:08,719 --> 00:39:13,840
Speaker 1: but we love every single every single person involved is

705
00:39:14,080 --> 00:39:21,919
Speaker 1: I will be at there like every birthday, even like

706
00:39:22,520 --> 00:39:25,080
Speaker 1: young Brady who's now fucking And by the way, the

707
00:39:25,200 --> 00:39:28,560
Speaker 1: scene where when the episode opened on Brady fun ship

708
00:39:28,680 --> 00:39:31,799
Speaker 1: out of his girlfriend in the next room from Uh,

709
00:39:32,000 --> 00:39:34,880
Speaker 1: Miranda and Steve, I was like, Wow, now, I guess

710
00:39:35,239 --> 00:39:37,720
Speaker 1: that's why we've stooped to in order to get sex

711
00:39:37,719 --> 00:39:39,280
Speaker 1: and sex in this and we have to watch seventeen

712
00:39:39,360 --> 00:39:44,600
Speaker 1: year olds fucking each other. Banana to that girl, it's

713
00:39:44,640 --> 00:39:47,040
Speaker 1: never gonna I'm never gonna yank it to Brady. I'm

714
00:39:47,080 --> 00:39:51,520
Speaker 1: just not give me a Bobby kind of volley, hon,

715
00:39:51,719 --> 00:39:55,759
Speaker 1: I would love that with the funking Kim from the

716
00:39:55,840 --> 00:40:01,360
Speaker 1: ear in the ear, I miss Samantha miss so much

717
00:40:01,600 --> 00:40:06,120
Speaker 1: it sucks. I fucking hate it. I hate that she's

718
00:40:06,160 --> 00:40:09,760
Speaker 1: not there. I I can't even like obviously Kim control,

719
00:40:10,120 --> 00:40:12,360
Speaker 1: she should do whatever she needs to do, whatever she

720
00:40:12,400 --> 00:40:15,799
Speaker 1: wants to. But I missed Samantha. I really do. And

721
00:40:15,920 --> 00:40:20,960
Speaker 1: you and I said this are dumb, wishful, naive little

722
00:40:21,000 --> 00:40:24,440
Speaker 1: asses for thinking we each separately thought this on our

723
00:40:24,480 --> 00:40:27,840
Speaker 1: own and watching these first two episodes, well, I'll be

724
00:40:27,840 --> 00:40:31,080
Speaker 1: really special if Kim Contrall shut up and came back.

725
00:40:32,360 --> 00:40:37,440
Speaker 1: Sob dream My Dream Bowen is the last scene of

726
00:40:37,480 --> 00:40:41,480
Speaker 1: the last episode of this season is just you hear this,

727
00:40:41,680 --> 00:40:45,480
Speaker 1: You hear this word. It's like carries aloud, no matter

728
00:40:45,520 --> 00:40:48,160
Speaker 1: what you're saying at night, and you just hear this

729
00:40:48,239 --> 00:40:55,040
Speaker 1: voice say Carrie. And she turns around or actually would

730
00:40:55,040 --> 00:41:01,040
Speaker 1: be more like this, Carrie. And she turns around and

731
00:41:01,120 --> 00:41:04,440
Speaker 1: you see Samantha standing there on the street like with

732
00:41:04,760 --> 00:41:07,400
Speaker 1: like holding her holding her clutch like in a white

733
00:41:07,440 --> 00:41:12,319
Speaker 1: coat like and Carrie Bradshaw just she runs over and

734
00:41:12,360 --> 00:41:15,479
Speaker 1: they don't even have to have a conversation about like

735
00:41:16,080 --> 00:41:17,880
Speaker 1: why they haven't been friends or why they've been a

736
00:41:17,920 --> 00:41:22,319
Speaker 1: strange She runs over and they embrace and wordlessly we

737
00:41:22,440 --> 00:41:26,400
Speaker 1: know it's okay, like because I hate that she's not there.

738
00:41:26,840 --> 00:41:29,400
Speaker 1: Mt it just be so beautiful that it's it starts

739
00:41:29,480 --> 00:41:31,920
Speaker 1: with a loss and then it ends with like the

740
00:41:33,200 --> 00:41:38,560
Speaker 1: most beautiful like reunion, this most beautiful gain. I just

741
00:41:38,640 --> 00:41:41,240
Speaker 1: don't believe the reason why she's not there. It's not

742
00:41:41,480 --> 00:41:44,040
Speaker 1: good enough. Like they had a fight because Carrie Letter

743
00:41:44,080 --> 00:41:47,799
Speaker 1: goers her publicist in a completely understandable fashion, and Samantha

744
00:41:47,840 --> 00:41:51,120
Speaker 1: went to another country never speaks to them again. Or

745
00:41:51,960 --> 00:41:54,680
Speaker 1: you would die for her friends she fed her soup

746
00:41:54,800 --> 00:41:57,560
Speaker 1: in the bed when she went like, are you kidding me?

747
00:41:57,640 --> 00:42:00,320
Speaker 1: Like this is not good enough. I was going to

748
00:42:00,440 --> 00:42:05,360
Speaker 1: pitch that, she says Carrie, and then Carrie turns and

749
00:42:05,360 --> 00:42:10,279
Speaker 1: it's Samantha with a perfect bowl of soup spoon out

750
00:42:11,360 --> 00:42:12,759
Speaker 1: going like that like the way she did in the

751
00:42:12,800 --> 00:42:15,239
Speaker 1: movie especially. I mean, you know, what, can we talk

752
00:42:15,280 --> 00:42:18,160
Speaker 1: about the soup moment. I'm sure we've talked about the

753
00:42:18,160 --> 00:42:22,040
Speaker 1: super Woman anytime we've fed her, but no, she fed

754
00:42:22,080 --> 00:42:24,600
Speaker 1: her mama. But I'm saying, like, Kim Control, that is

755
00:42:24,640 --> 00:42:29,480
Speaker 1: the acting impact that this woman has, Kim ConTroll, Like

756
00:42:30,000 --> 00:42:34,319
Speaker 1: I It's burned into my brain, just the motion of

757
00:42:34,400 --> 00:42:38,279
Speaker 1: her wordlessly like holding out the soup and then like

758
00:42:38,680 --> 00:42:42,040
Speaker 1: pushing the spoon forward and smiling at her at Carrie

759
00:42:42,200 --> 00:42:45,200
Speaker 1: as because she had all the love in the world

760
00:42:45,320 --> 00:42:48,320
Speaker 1: for her. I think that is just a two seconds, silent,

761
00:42:48,680 --> 00:42:52,520
Speaker 1: wordless moment of the most beautiful moment of friendship captured

762
00:42:52,560 --> 00:42:55,719
Speaker 1: on film is that moment, two seconds of nothing, of

763
00:42:55,800 --> 00:42:59,840
Speaker 1: just a soup, a soup spoon gorgeous. I could cry.

764
00:43:00,200 --> 00:43:04,000
Speaker 1: Kim Control as Samantha Jones on Sex in the City

765
00:43:04,160 --> 00:43:08,880
Speaker 1: is one of the most important comedic performances and performances

766
00:43:09,200 --> 00:43:13,919
Speaker 1: in television history. It is. It is formative. We're being

767
00:43:13,920 --> 00:43:19,120
Speaker 1: completely serious. There's not there's not a world I want

768
00:43:19,160 --> 00:43:23,200
Speaker 1: to live in. Well, this isn't something everyone believes. You

769
00:43:23,280 --> 00:43:25,440
Speaker 1: have to give it up for Kim Contralla Samantha Jones

770
00:43:25,520 --> 00:43:28,200
Speaker 1: because on the page, when you have no template for

771
00:43:28,239 --> 00:43:30,680
Speaker 1: hor Samantha is and you walk in and you create

772
00:43:30,719 --> 00:43:35,560
Speaker 1: that character, you're a genius. Actually, and it is in

773
00:43:35,680 --> 00:43:39,279
Speaker 1: watching and just like that. Unfortunately, while I'm enjoying it,

774
00:43:39,600 --> 00:43:42,520
Speaker 1: you do realize, like, well, it's just not sex in

775
00:43:42,520 --> 00:43:45,000
Speaker 1: the city without sex in the city, and it's good

776
00:43:45,040 --> 00:43:49,239
Speaker 1: that they don't call it that for many reasons. Well,

777
00:43:49,360 --> 00:43:52,399
Speaker 1: any any any parting thoughts before on sex in the city,

778
00:43:52,400 --> 00:43:55,000
Speaker 1: and just like that. Well, and I'm just like that. No,

779
00:43:55,120 --> 00:43:57,120
Speaker 1: I'm ready, I'm excited. I'm ready. I'm ready to go,

780
00:43:57,480 --> 00:43:59,759
Speaker 1: and I won't miss big. I'll tell you that I

781
00:43:59,760 --> 00:44:01,919
Speaker 1: don't want to see Aiden's ask again neither. Let's put

782
00:44:01,920 --> 00:44:05,640
Speaker 1: her with someone new. The hot engineer Burger comes back here,

783
00:44:06,120 --> 00:44:10,200
Speaker 1: what Burger comes back? Honestly, I'm interested to see how

784
00:44:10,200 --> 00:44:13,880
Speaker 1: he's developed. Me too, I'm interested to see how he's developed.

785
00:44:13,880 --> 00:44:16,480
Speaker 1: And I'm Actually, I'm willing for that. I'm willing to

786
00:44:16,560 --> 00:44:19,839
Speaker 1: get to a place where that's endgame. I think they

787
00:44:19,880 --> 00:44:23,040
Speaker 1: are going to really surprise us. I think the third

788
00:44:23,040 --> 00:44:25,520
Speaker 1: graders have a lot rolled up their sleeves, and as

789
00:44:25,560 --> 00:44:27,640
Speaker 1: smart I'm saying in a smart way, they will make

790
00:44:27,680 --> 00:44:30,799
Speaker 1: Burger very a very interesting character. Now, do you have

791
00:44:30,840 --> 00:44:33,360
Speaker 1: any parting thoughts on And just like that, um, I

792
00:44:33,400 --> 00:44:36,560
Speaker 1: will have additional ones later on in the show. Let's

793
00:44:36,600 --> 00:44:46,640
Speaker 1: just say that you did see West Side Story. Do

794
00:44:46,680 --> 00:44:49,920
Speaker 1: you want to glow and praise? Oh my god, I

795
00:44:49,960 --> 00:44:54,200
Speaker 1: mean I just loved it. And then and let's give

796
00:44:54,560 --> 00:44:59,800
Speaker 1: big ups to Tony Kushner for for for writing a

797
00:44:59,840 --> 00:45:04,000
Speaker 1: b beautiful little monologue the scene for Mr Corey Stole

798
00:45:05,040 --> 00:45:11,880
Speaker 1: to first, Yes, Tony Kushner is good Corey. For Corey

799
00:45:11,880 --> 00:45:14,560
Speaker 1: Stool to deliver a little monologue at the beginning of

800
00:45:14,560 --> 00:45:19,880
Speaker 1: this widely beloved movie, bold move to give like pure

801
00:45:19,960 --> 00:45:25,800
Speaker 1: exposition basically but only just enough about the about what's happened,

802
00:45:25,840 --> 00:45:30,560
Speaker 1: why they're conflict, why there's this turf war between these

803
00:45:30,560 --> 00:45:33,480
Speaker 1: two games. I really loved that as a way to

804
00:45:33,560 --> 00:45:37,239
Speaker 1: just like level set the whole thing, because you know what,

805
00:45:37,400 --> 00:45:38,960
Speaker 1: you know what you're going to get when you go

806
00:45:39,000 --> 00:45:42,600
Speaker 1: to see West Side Story, right, I was not expecting

807
00:45:42,719 --> 00:45:44,879
Speaker 1: that scene. Is that you know that that's I find

808
00:45:44,920 --> 00:45:48,160
Speaker 1: that first seemed very interesting. You know, I think that

809
00:45:48,480 --> 00:45:51,239
Speaker 1: it fills in this is I guess the thing is

810
00:45:51,280 --> 00:45:54,960
Speaker 1: like it does fill in gaps in a way where

811
00:45:55,480 --> 00:45:59,160
Speaker 1: you almost feel watching it when they do a little

812
00:45:59,160 --> 00:46:01,600
Speaker 1: bit more or fill in a little bit more than

813
00:46:01,680 --> 00:46:03,719
Speaker 1: the original did, like do we need to do this?

814
00:46:03,760 --> 00:46:05,640
Speaker 1: Are we messing with a classic? But I think that

815
00:46:05,760 --> 00:46:10,680
Speaker 1: everything they added improved the storytelling. I really loved I'm

816
00:46:10,719 --> 00:46:13,399
Speaker 1: not the only one who loved that that cloister date

817
00:46:13,719 --> 00:46:16,400
Speaker 1: between Tony and Maria. I was like, this is the

818
00:46:16,440 --> 00:46:18,920
Speaker 1: perfect because in the original I should know this, but

819
00:46:19,000 --> 00:46:22,719
Speaker 1: like one and one Heart was somewhat nondescript. I want

820
00:46:22,719 --> 00:46:25,200
Speaker 1: to say, I just really love that, Like they took

821
00:46:25,200 --> 00:46:27,040
Speaker 1: advantage of the fact that this is a film that

822
00:46:27,120 --> 00:46:29,400
Speaker 1: is said in the you know, New York in the fifties,

823
00:46:30,200 --> 00:46:33,000
Speaker 1: and yeah, where would they go? Let's ask the question again,

824
00:46:33,040 --> 00:46:36,480
Speaker 1: where would they go? And like like they take the train.

825
00:46:36,719 --> 00:46:39,680
Speaker 1: They I love that scene on the train so so

826
00:46:39,719 --> 00:46:42,000
Speaker 1: sweet and like you got to see because like part

827
00:46:42,040 --> 00:46:44,799
Speaker 1: of the tragedy of you know Westside story, Romy and Julia.

828
00:46:44,800 --> 00:46:46,759
Speaker 1: I guess is that you don't really see, you know,

829
00:46:47,080 --> 00:46:51,279
Speaker 1: the lovers like outside of this environment where like you know,

830
00:46:51,480 --> 00:46:53,400
Speaker 1: violence is happening all around them, or like you know,

831
00:46:53,800 --> 00:46:57,040
Speaker 1: animosity is just in the air. I kind of like

832
00:46:57,200 --> 00:47:00,600
Speaker 1: that they broke that a little bit away from the

833
00:47:00,640 --> 00:47:03,880
Speaker 1: source materials where like you got to see Tony Marian

834
00:47:04,000 --> 00:47:07,120
Speaker 1: like a date. Yeah, I I completely agree with you

835
00:47:07,160 --> 00:47:11,359
Speaker 1: that in Star Crossed Lovers is hard to sell like

836
00:47:12,840 --> 00:47:16,120
Speaker 1: and so you do need to see chemistry play out,

837
00:47:16,239 --> 00:47:18,120
Speaker 1: you know what I mean. This is the thing too,

838
00:47:18,200 --> 00:47:22,879
Speaker 1: is it's like romantic comedies and and love stories need

839
00:47:23,000 --> 00:47:26,520
Speaker 1: to not forget. We need to see the love. We

840
00:47:26,600 --> 00:47:30,440
Speaker 1: need to see the chemistry, like those cute little scenes.

841
00:47:30,600 --> 00:47:32,919
Speaker 1: I'll bring one up and bring it on when they're

842
00:47:32,960 --> 00:47:37,520
Speaker 1: brushing their teeth class act. You need that scene and

843
00:47:37,640 --> 00:47:40,480
Speaker 1: like and like, all love stories need that. So that's

844
00:47:40,480 --> 00:47:42,800
Speaker 1: a random example, but I think it's a good example.

845
00:47:43,160 --> 00:47:45,440
Speaker 1: And so to see them just on the train, the

846
00:47:45,480 --> 00:47:47,440
Speaker 1: way the scene was directed, the way the acting was

847
00:47:47,520 --> 00:47:49,919
Speaker 1: playing out, I was like, yeah, I get that there's

848
00:47:50,000 --> 00:47:53,160
Speaker 1: chemistry here, and I understand why they're doing the state

849
00:47:53,239 --> 00:47:56,239
Speaker 1: together and why they want to be together, even if, like,

850
00:47:56,560 --> 00:48:00,760
Speaker 1: even if it felt extras, it's better for the story. Yes,

851
00:48:01,440 --> 00:48:06,760
Speaker 1: um loved you know. Rina Murino is basically the new

852
00:48:07,040 --> 00:48:10,239
Speaker 1: the new doc Um. What did you think about the

853
00:48:10,360 --> 00:48:15,719
Speaker 1: last scene with her after Anita's assault? So so, so beautiful,

854
00:48:15,960 --> 00:48:21,880
Speaker 1: And my fucked up and probably incorrect take on the

855
00:48:22,000 --> 00:48:25,520
Speaker 1: somewhere of it all is that it was so powerful.

856
00:48:25,560 --> 00:48:27,040
Speaker 1: It's such a different thing for her to say. I

857
00:48:27,120 --> 00:48:30,400
Speaker 1: just thinking about it. Yeah, yeah, yeah, I really still

858
00:48:30,719 --> 00:48:32,960
Speaker 1: part of like the dumb originalist in me is like

859
00:48:33,040 --> 00:48:36,400
Speaker 1: I do want to see Tony Marias saying that still

860
00:48:36,719 --> 00:48:39,200
Speaker 1: so like kind of give like an extra like like

861
00:48:39,239 --> 00:48:41,360
Speaker 1: I don't know, split the song in half and have

862
00:48:41,520 --> 00:48:45,040
Speaker 1: like Valentinus sing the first half and then or maybe

863
00:48:45,040 --> 00:48:46,840
Speaker 1: Tony Marias in the first half and then have the power.

864
00:48:46,920 --> 00:48:49,279
Speaker 1: Really like a reprise of it would be c But

865
00:48:49,320 --> 00:48:51,799
Speaker 1: maybe I mean Spielberg and Kushner like knew what they

866
00:48:51,800 --> 00:48:53,959
Speaker 1: were doing when they gave that song to her. Here's

867
00:48:53,960 --> 00:48:56,800
Speaker 1: what I think they were saying when when they changed

868
00:48:57,239 --> 00:49:00,120
Speaker 1: that moment. I think that they were saying they're not

869
00:49:00,239 --> 00:49:03,520
Speaker 1: in any way trying to like replace the original. No,

870
00:49:04,040 --> 00:49:07,520
Speaker 1: it's just own living breathing thing. And I almost think

871
00:49:07,520 --> 00:49:12,239
Speaker 1: it's a comment on the original. And let's this particular iteration,

872
00:49:13,000 --> 00:49:15,400
Speaker 1: have that moment, which I do think is powerful for

873
00:49:15,400 --> 00:49:19,480
Speaker 1: her to sing that song when she sings it. Yeah, yeah,

874
00:49:19,920 --> 00:49:22,640
Speaker 1: I mean not a crier at films you know this?

875
00:49:23,200 --> 00:49:28,799
Speaker 1: Did you cry? Stopped sobbed? What was the first thing

876
00:49:28,840 --> 00:49:32,040
Speaker 1: that got you? Well, it was the last thing. Yeah,

877
00:49:32,080 --> 00:49:33,479
Speaker 1: it was the whole it was. It was the last

878
00:49:33,520 --> 00:49:37,879
Speaker 1: Mariam monologue, um where she takes the gun and it's

879
00:49:38,239 --> 00:49:41,680
Speaker 1: it's so, it's just so, and she was killed now

880
00:49:41,719 --> 00:49:48,120
Speaker 1: because I hate now. So that is so. It really

881
00:49:48,320 --> 00:49:52,120
Speaker 1: sits in you for that to be the last emotion.

882
00:49:54,040 --> 00:49:57,080
Speaker 1: I just I really loved it. And and Maria, Maria,

883
00:49:57,080 --> 00:50:01,920
Speaker 1: I've just been a starting Rachel fantastic. You just have

884
00:50:02,000 --> 00:50:04,600
Speaker 1: to be so fucking talented. You have to have you

885
00:50:04,640 --> 00:50:08,040
Speaker 1: have such such immense talent to be able to do

886
00:50:08,080 --> 00:50:12,160
Speaker 1: that and make it look that effortless. Yeah, she made

887
00:50:12,160 --> 00:50:15,919
Speaker 1: it so like I had no second thoughts about who

888
00:50:15,920 --> 00:50:18,520
Speaker 1: this person was and why she was playing this this part,

889
00:50:19,239 --> 00:50:21,320
Speaker 1: which like I don't know, does that ever happen? I

890
00:50:21,600 --> 00:50:24,680
Speaker 1: just was like, this is really special. And Ansel was

891
00:50:24,719 --> 00:50:27,200
Speaker 1: a great Tony I thought the actor who played Riff

892
00:50:27,280 --> 00:50:31,680
Speaker 1: was fantastic and Tornardo was with a great Bernardo Rianna

893
00:50:31,840 --> 00:50:36,719
Speaker 1: was fantastic. She was so good. I'm disappointed to hear

894
00:50:36,760 --> 00:50:41,400
Speaker 1: how badly it's doing. It is, Oh my god, unfortunately,

895
00:50:41,440 --> 00:50:44,680
Speaker 1: it's like sort of bombing. It only made ten million

896
00:50:44,760 --> 00:50:49,239
Speaker 1: dollars in its first week. Oh no, and um and

897
00:50:49,360 --> 00:50:51,640
Speaker 1: or I don't it's just not doing well, which sucks.

898
00:50:51,640 --> 00:50:54,120
Speaker 1: And I just really want to like implore people to

899
00:50:54,440 --> 00:50:57,279
Speaker 1: go out there. And also who knows, maybe like and

900
00:50:57,640 --> 00:51:00,759
Speaker 1: actually during the Christmas time, like more people out there.

901
00:51:01,000 --> 00:51:03,600
Speaker 1: And I get that people are nervous still because who

902
00:51:03,600 --> 00:51:06,200
Speaker 1: the funk knows what a macron really is like or

903
00:51:06,320 --> 00:51:11,040
Speaker 1: COVID is still and I think unfortunately a large audience

904
00:51:11,080 --> 00:51:13,000
Speaker 1: for this is probably going to be older because of

905
00:51:13,000 --> 00:51:16,600
Speaker 1: the nostalgia factor, and maybe they're just a little bit

906
00:51:16,600 --> 00:51:20,160
Speaker 1: nervous about theaters right now. But I just really hope

907
00:51:20,600 --> 00:51:25,640
Speaker 1: that good movies start doing well again, because it is

908
00:51:25,680 --> 00:51:27,840
Speaker 1: getting a little dire. To be honest with you, it

909
00:51:27,920 --> 00:51:30,640
Speaker 1: feels like the only things making any money are like

910
00:51:31,080 --> 00:51:34,480
Speaker 1: Ghostbusters nine, you know what I mean. Like it's it's

911
00:51:34,520 --> 00:51:37,400
Speaker 1: sort of getting to that point where you have to

912
00:51:37,440 --> 00:51:40,840
Speaker 1: feel a little nervous about the ways that certain movies

913
00:51:40,880 --> 00:51:44,320
Speaker 1: are playing. And I don't know, I just I've loved

914
00:51:44,400 --> 00:51:46,959
Speaker 1: going back to the theater. It's something I really miss.

915
00:51:47,000 --> 00:51:48,719
Speaker 1: Like we were talking, Dave and I were saying the

916
00:51:48,760 --> 00:51:50,440
Speaker 1: other night, remember when we were little, you'd go to

917
00:51:50,480 --> 00:51:53,360
Speaker 1: see like The Grinch, like Monsters, inc. And the theaters

918
00:51:53,400 --> 00:51:57,320
Speaker 1: were like packed. Yeah, miss that end. I miss that

919
00:51:57,480 --> 00:52:02,799
Speaker 1: end so much. And like, honest, a heartbreak feels for

920
00:52:02,840 --> 00:52:07,080
Speaker 1: some reason, heartbreak feels okay, what is the what are

921
00:52:07,080 --> 00:52:10,920
Speaker 1: the lines? We're the most iconic thing right now and

922
00:52:11,040 --> 00:52:13,319
Speaker 1: culture that's playing out is Nicole Kidman being in the

923
00:52:13,360 --> 00:52:15,680
Speaker 1: AMC theater. Break feels good in a place like this.

924
00:52:15,719 --> 00:52:20,759
Speaker 1: I'm sorry. Somehow hotbreak feels good. I mean, it's an

925
00:52:20,960 --> 00:52:24,840
Speaker 1: iconic thing. People were applauding at the end of it.

926
00:52:24,840 --> 00:52:29,200
Speaker 1: It speaks to how iconic movies are, like it meets

927
00:52:29,200 --> 00:52:33,000
Speaker 1: the occasion for what it's trying to do. Nicole Kidman

928
00:52:33,840 --> 00:52:38,400
Speaker 1: does her job extremely well when it comes to convincing

929
00:52:38,480 --> 00:52:41,440
Speaker 1: us how magical movies can be. When the job is

930
00:52:42,120 --> 00:52:45,840
Speaker 1: convince people how magical the movies can be, there's no

931
00:52:45,960 --> 00:52:49,799
Speaker 1: one you should hire but Nicole. Nicole is a savant

932
00:52:50,880 --> 00:52:53,640
Speaker 1: yes of an actor, and she will find a way

933
00:52:54,000 --> 00:52:58,920
Speaker 1: to make all these lines absolutely sing. And she's giving

934
00:52:58,960 --> 00:53:01,080
Speaker 1: it to you in the AMC theaters. You can't get

935
00:53:01,120 --> 00:53:04,439
Speaker 1: that from a streamer. You just can't. All Right, here

936
00:53:04,480 --> 00:53:08,279
Speaker 1: we go. Okay, this is Nicole Kimman's AMC speech for

937
00:53:08,320 --> 00:53:11,840
Speaker 1: everyone that doesn't know. We come to this place for magic.

938
00:53:12,280 --> 00:53:16,799
Speaker 1: We come to AMC theaters to laugh, to cry, and

939
00:53:16,840 --> 00:53:22,200
Speaker 1: to care because we need that, all of us. The

940
00:53:22,320 --> 00:53:27,080
Speaker 1: indescribable feeling we get when the lights begin to dim

941
00:53:27,120 --> 00:53:31,759
Speaker 1: and we go somewhere we've never been before. Not just entertained,

942
00:53:32,320 --> 00:53:37,319
Speaker 1: but somehow are we born together? Dazzling images on a

943
00:53:37,480 --> 00:53:43,399
Speaker 1: huge silver screen, sound that I can feel, somehow hotbreak

944
00:53:45,280 --> 00:53:49,200
Speaker 1: like this, our heroes feel like the best parts of us,

945
00:53:49,520 --> 00:53:54,640
Speaker 1: and stories feel perfect and powerful because here they are.

946
00:53:57,480 --> 00:54:02,359
Speaker 1: We make movies. Be it a be a UM. I

947
00:54:02,400 --> 00:54:08,200
Speaker 1: cannot do an Australian accent, especially whispy little American like

948
00:54:08,280 --> 00:54:11,240
Speaker 1: Nicole does she? She she has her own little beautiful

949
00:54:11,239 --> 00:54:14,000
Speaker 1: amalgam I mean. And as as for someone being born there,

950
00:54:14,040 --> 00:54:17,239
Speaker 1: it's truly shameful that I can't. Um. Let's let's let's

951
00:54:17,239 --> 00:54:20,160
Speaker 1: see there was the Golden Globe nominations that came out

952
00:54:20,160 --> 00:54:23,440
Speaker 1: today and critics choice, Um, do we care at all?

953
00:54:23,480 --> 00:54:26,359
Speaker 1: Did anything get shaken up at all? I? I didn't.

954
00:54:26,400 --> 00:54:28,000
Speaker 1: I didn't. I thought that I don't care. I just

955
00:54:28,040 --> 00:54:30,000
Speaker 1: didn't pay attention, which I guess me. And it just

956
00:54:30,040 --> 00:54:32,000
Speaker 1: says it all. I can tell you. It's a lot

957
00:54:32,040 --> 00:54:33,880
Speaker 1: more of the same, but I will say some some

958
00:54:33,960 --> 00:54:36,360
Speaker 1: good things are happening, like we might see Kirsten Dunn's

959
00:54:36,360 --> 00:54:39,239
Speaker 1: finally get a goddamn Oscar nomination. I need to watch.

960
00:54:39,280 --> 00:54:40,960
Speaker 1: I need to see Power of the Dog. I need

961
00:54:41,000 --> 00:54:43,160
Speaker 1: to see it too. I will sit through it and

962
00:54:43,280 --> 00:54:45,480
Speaker 1: it'll be a nice movie to watch when I'm not

963
00:54:45,520 --> 00:54:48,360
Speaker 1: busy with work. Can I quickly just talk about Succession?

964
00:54:48,680 --> 00:54:52,440
Speaker 1: Oh my god? Yes, I know we are split between

965
00:54:52,480 --> 00:54:54,759
Speaker 1: the two of us. I want you to I want

966
00:54:54,760 --> 00:54:57,520
Speaker 1: you to go off. But I'm just saying, like of

967
00:54:57,600 --> 00:55:00,120
Speaker 1: Jeremy Strong, no no, no, no no. I've just the

968
00:55:00,160 --> 00:55:03,359
Speaker 1: show in general. I know you do not enjoy it

969
00:55:03,480 --> 00:55:05,839
Speaker 1: or have not watched it, don't care to watch it.

970
00:55:06,200 --> 00:55:10,520
Speaker 1: Who cares about me? It's fine, I do don't. No,

971
00:55:11,920 --> 00:55:13,640
Speaker 1: you're asking me to do something I don't want to do,

972
00:55:13,880 --> 00:55:20,320
Speaker 1: so I care less care less about I just think,

973
00:55:20,360 --> 00:55:24,240
Speaker 1: like the beauty of the show is that for most

974
00:55:24,280 --> 00:55:27,719
Speaker 1: of the season, absolutely nothing happens like this is this, This

975
00:55:27,640 --> 00:55:29,520
Speaker 1: This is how the show has been structured for all

976
00:55:29,520 --> 00:55:33,840
Speaker 1: three seasons. To my mind, it's that nothing changes in

977
00:55:34,000 --> 00:55:36,360
Speaker 1: like the nine episodes or eight episodes leading up to

978
00:55:36,400 --> 00:55:40,799
Speaker 1: the finale, and then the finale ship goes crazy and

979
00:55:40,840 --> 00:55:44,000
Speaker 1: then you almost wanted to deliver on the promise of

980
00:55:44,640 --> 00:55:48,000
Speaker 1: what the prior finally does or sets up, and then

981
00:55:48,440 --> 00:55:51,799
Speaker 1: the farcticool thing is nothing has changed. It's all It

982
00:55:51,840 --> 00:55:55,080
Speaker 1: all goes back to the same model of Logan has control,

983
00:55:55,239 --> 00:55:57,280
Speaker 1: one of the children wants it, one of the children

984
00:55:57,280 --> 00:55:59,520
Speaker 1: wants to get it from him. HIV is being like

985
00:55:59,800 --> 00:56:01,799
Speaker 1: the smart one who has it together, Romans being the

986
00:56:01,840 --> 00:56:05,759
Speaker 1: impish trickster, Jeremy uh you know, Kendall is being like

987
00:56:05,840 --> 00:56:09,120
Speaker 1: the self destructive time bomb. But like all of that

988
00:56:09,239 --> 00:56:11,080
Speaker 1: is up ended in this finale and it's set up

989
00:56:11,120 --> 00:56:15,080
Speaker 1: in the most genius ways. And I really fucking got chills,

990
00:56:15,120 --> 00:56:17,080
Speaker 1: Like I was watching it and felt to myself and

991
00:56:17,120 --> 00:56:18,959
Speaker 1: I'm sure you feel this way when you watch things,

992
00:56:19,280 --> 00:56:22,239
Speaker 1: Matt is that I'm like, this is such an important

993
00:56:22,280 --> 00:56:26,480
Speaker 1: scene in television I'm just I watched these scenes. There's

994
00:56:26,560 --> 00:56:28,880
Speaker 1: there's a scene where they like where the two siblings

995
00:56:29,080 --> 00:56:31,719
Speaker 1: um Shiv in Rome have to like listen to like

996
00:56:31,760 --> 00:56:34,800
Speaker 1: I have to watch their older brother, the favorite to

997
00:56:35,200 --> 00:56:38,360
Speaker 1: get the company like break down and like confess to

998
00:56:38,400 --> 00:56:40,920
Speaker 1: all these horrible things he's done. And it's just shot

999
00:56:40,960 --> 00:56:44,640
Speaker 1: in the most beautiful way, like in rural Italy. And

1000
00:56:44,640 --> 00:56:46,200
Speaker 1: I just watched it and it was not on any

1001
00:56:46,239 --> 00:56:49,719
Speaker 1: drugs or anything. I was just like, this is such

1002
00:56:49,760 --> 00:56:52,640
Speaker 1: a powerful scene. And then the last scene where like

1003
00:56:53,040 --> 00:56:58,040
Speaker 1: stuff happens like it's truly like it feels magical, like

1004
00:56:58,120 --> 00:57:01,800
Speaker 1: there's magic coming out of the screen. I'm like, Wow,

1005
00:57:01,840 --> 00:57:04,560
Speaker 1: this is I didn't realize TV could be like written

1006
00:57:04,600 --> 00:57:07,640
Speaker 1: like this, that it could be performed like this. I

1007
00:57:07,719 --> 00:57:10,440
Speaker 1: just I just thought it was fantastic. I just I

1008
00:57:10,560 --> 00:57:12,440
Speaker 1: kind of had my misgivings about this season, and I

1009
00:57:12,480 --> 00:57:13,960
Speaker 1: was like, this isn't as good as season two. Like

1010
00:57:14,000 --> 00:57:16,440
Speaker 1: you needed a you needed a Holly Hunter, you needed

1011
00:57:16,760 --> 00:57:18,800
Speaker 1: an episode or two with Terry Jones in it, but

1012
00:57:18,840 --> 00:57:22,520
Speaker 1: like this season didn't really have that. But oh all

1013
00:57:22,600 --> 00:57:25,160
Speaker 1: that like pays all the boring stuff like pays off

1014
00:57:25,200 --> 00:57:28,400
Speaker 1: in the biggest way and you need you would fucking

1015
00:57:28,520 --> 00:57:30,520
Speaker 1: die for something. I'm certain that I would, and I

1016
00:57:30,720 --> 00:57:32,640
Speaker 1: trust me. Like, it's not that I it's not that

1017
00:57:32,680 --> 00:57:35,840
Speaker 1: I haven't enjoyed the show. It's just that, with so

1018
00:57:35,960 --> 00:57:38,960
Speaker 1: much to watch, I just prefer, like, I don't know,

1019
00:57:39,520 --> 00:57:41,280
Speaker 1: because I know it's a show that I really have

1020
00:57:41,400 --> 00:57:44,360
Speaker 1: to sit down and absorb, and I have limited time

1021
00:57:44,400 --> 00:57:47,160
Speaker 1: to do that, and so it is a sit especially

1022
00:57:47,160 --> 00:57:49,440
Speaker 1: for it just takes a little bit longer for me

1023
00:57:49,480 --> 00:57:51,000
Speaker 1: to get off the ground with something like that. But

1024
00:57:51,040 --> 00:57:52,800
Speaker 1: what I have seen I do enjoy. And I think

1025
00:57:52,800 --> 00:57:55,960
Speaker 1: it's really smart of the show to remind everyone of

1026
00:57:56,040 --> 00:58:01,640
Speaker 1: the actual power player, which is Logan. And I think that, like,

1027
00:58:01,720 --> 00:58:04,600
Speaker 1: it's really smart for the show to make the stakes

1028
00:58:04,760 --> 00:58:07,760
Speaker 1: that now all the characters know the only person really

1029
00:58:07,800 --> 00:58:12,000
Speaker 1: standing in the way of them and taking over is him.

1030
00:58:12,040 --> 00:58:14,640
Speaker 1: Like it's it's just very solidfu thing. That's what it

1031
00:58:14,680 --> 00:58:17,320
Speaker 1: always That's what it always resets to them. Man, Like

1032
00:58:17,440 --> 00:58:21,640
Speaker 1: Aaron Aaron Jackson was saying this like brilliantly. He was like,

1033
00:58:22,160 --> 00:58:25,280
Speaker 1: the show is half of it is Shakespeare's The show

1034
00:58:25,360 --> 00:58:29,640
Speaker 1: is all Shakespeare on TV. Half of it is like Macbeth.

1035
00:58:29,800 --> 00:58:32,520
Speaker 1: The other half is like Midst of Nights Stream or

1036
00:58:32,560 --> 00:58:34,600
Speaker 1: like you know, like The Merchant of Venice or whatever.

1037
00:58:34,760 --> 00:58:37,000
Speaker 1: It's like it's half of its tragedy, half of its comedy.

1038
00:58:37,160 --> 00:58:39,640
Speaker 1: But they're both Shakespeare in the ways that they're executed,

1039
00:58:39,640 --> 00:58:43,040
Speaker 1: and I I think I agree with that. Of course

1040
00:58:43,080 --> 00:58:45,520
Speaker 1: it's hyperbolic, just like compared to Shakespeare, but like, I

1041
00:58:45,560 --> 00:58:48,080
Speaker 1: think that's what it's like trying to like strike the

1042
00:58:48,080 --> 00:58:51,360
Speaker 1: balance of and it's like a dramedy in the truest way,

1043
00:58:51,920 --> 00:58:54,560
Speaker 1: in the truest sense. And I think that's what's exciting

1044
00:58:54,560 --> 00:58:57,280
Speaker 1: about what they did, is like in Shakespeare, once you

1045
00:58:57,320 --> 00:59:01,040
Speaker 1: realize that, like the king is like it's killed, and

1046
00:59:01,080 --> 00:59:03,280
Speaker 1: so like I think that's where it's heading. It's like

1047
00:59:03,400 --> 00:59:06,040
Speaker 1: they're gonna start. I think it's gonna be fun to

1048
00:59:06,080 --> 00:59:10,000
Speaker 1: see it get truly dark. Yeah, by the time season

1049
00:59:10,000 --> 00:59:12,160
Speaker 1: four comes out, I feel like, you don't worry, I'll

1050
00:59:12,200 --> 00:59:15,080
Speaker 1: be there. And I also like maybe even very soon

1051
00:59:15,120 --> 00:59:17,720
Speaker 1: I'll have watched. I also think, did you watch peep Show?

1052
00:59:17,880 --> 00:59:19,400
Speaker 1: I should watch peep Show. It's the same it's the

1053
00:59:19,400 --> 00:59:21,320
Speaker 1: same people, it's the same guy who to peep Show.

1054
00:59:21,840 --> 00:59:24,240
Speaker 1: But anyway, the thing did you see what's what's been

1055
00:59:24,280 --> 00:59:26,440
Speaker 1: going on online to about the Jeremy strong of it all,

1056
00:59:26,480 --> 00:59:28,200
Speaker 1: like just like a Chess day and Anna Hathaway and

1057
00:59:28,240 --> 00:59:30,720
Speaker 1: all these people coming to his defense. I'm kind of like, you, guys,

1058
00:59:30,760 --> 00:59:33,160
Speaker 1: like you should have just let this blow over, because

1059
00:59:33,360 --> 00:59:37,600
Speaker 1: people will then seconds later be talking about how incredible

1060
00:59:37,640 --> 00:59:40,280
Speaker 1: he is in the Succession finale. People will move on

1061
00:59:40,320 --> 00:59:43,080
Speaker 1: from this narrative. I don't know why all these actors

1062
00:59:43,120 --> 00:59:44,960
Speaker 1: that worked with him felt the need like they needed

1063
00:59:45,000 --> 00:59:47,000
Speaker 1: to go out and like be like, no, no, no,

1064
00:59:47,080 --> 00:59:50,840
Speaker 1: that's a one sided profile. He's incredible. It's like what

1065
00:59:51,040 --> 00:59:54,360
Speaker 1: how how dark is his reality that he needs from

1066
00:59:54,400 --> 01:00:00,080
Speaker 1: you guys? That's number one. Number two, It's like we

1067
01:00:00,200 --> 01:00:05,680
Speaker 1: all know, we all understand that actors are annoying like this, yeah,

1068
01:00:05,760 --> 01:00:07,960
Speaker 1: like it's fine, it's not And the fact is like

1069
01:00:08,320 --> 01:00:11,000
Speaker 1: that just shows how seriously they take themselves too. I

1070
01:00:11,040 --> 01:00:14,040
Speaker 1: think it's just like very revealing. So then on that end,

1071
01:00:14,080 --> 01:00:17,600
Speaker 1: it's like, well then you got like a profile about

1072
01:00:17,600 --> 01:00:20,320
Speaker 1: an annoying person, people point out laugh at how annoying

1073
01:00:20,320 --> 01:00:23,360
Speaker 1: the person is. Then you have other annoying people come

1074
01:00:23,400 --> 01:00:26,360
Speaker 1: out and say like, hey, he's actually not annoying, Like

1075
01:00:26,400 --> 01:00:32,560
Speaker 1: it's like it's too much. All that is annoying, annoying, y'all.

1076
01:00:33,760 --> 01:00:36,480
Speaker 1: And I say this as an annoying that person about

1077
01:00:36,480 --> 01:00:38,440
Speaker 1: a two weeks in a row. I say this as

1078
01:00:38,480 --> 01:00:43,920
Speaker 1: an annoying person. I'm like, you know, consider shutting the

1079
01:00:43,960 --> 01:00:48,280
Speaker 1: funk up, dusting your shelves or something like, there's there's

1080
01:00:48,320 --> 01:00:54,040
Speaker 1: stuff to do. Because also it's true, they're all whacko.

1081
01:00:54,320 --> 01:00:56,800
Speaker 1: You know, we know all actors are wacko. You don't

1082
01:00:56,840 --> 01:00:59,520
Speaker 1: need to like, it's not that big of a it's

1083
01:00:59,600 --> 01:01:02,280
Speaker 1: just not that deep. And let us just enjoy his

1084
01:01:02,400 --> 01:01:07,680
Speaker 1: performance now. I mean, like, he's unreal. He's so good,

1085
01:01:07,720 --> 01:01:10,400
Speaker 1: he's so good. Look if he's gonna if he's gonna

1086
01:01:10,560 --> 01:01:13,360
Speaker 1: be that crazy, at least you're getting it on screen.

1087
01:01:13,640 --> 01:01:15,920
Speaker 1: Oh my god, him breaking down in this last episode

1088
01:01:15,960 --> 01:01:19,240
Speaker 1: was most some of the best acting I've seen in years.

1089
01:01:19,640 --> 01:01:23,080
Speaker 1: The Emmy is one. The Emmy is one. I am.

1090
01:01:23,160 --> 01:01:26,240
Speaker 1: I just think I love her to death. But like

1091
01:01:26,800 --> 01:01:29,720
Speaker 1: that the moment it like fully was like, oh this

1092
01:01:29,760 --> 01:01:32,960
Speaker 1: is crazy to me. Was seeing this whole Anne Hathaway

1093
01:01:33,000 --> 01:01:36,040
Speaker 1: post about him on Instagram. It was like, after the

1094
01:01:36,120 --> 01:01:39,439
Speaker 1: Jessica thing, It's right, I'm saying, why are we why

1095
01:01:39,440 --> 01:01:42,440
Speaker 1: are we? Like and like literally she says, he's actually

1096
01:01:42,520 --> 01:01:44,960
Speaker 1: or something to the effective, he's actually really fun and

1097
01:01:45,000 --> 01:01:50,160
Speaker 1: I'm like, you're not helping either of you. It's whatever.

1098
01:01:50,480 --> 01:01:53,480
Speaker 1: But yeah, I mean I will watch it because if

1099
01:01:53,520 --> 01:01:57,640
Speaker 1: someone's gonna this is the culture bit of a performance

1100
01:01:57,680 --> 01:02:01,240
Speaker 1: and my sister talk about in this way, I am

1101
01:02:01,240 --> 01:02:02,800
Speaker 1: not going to be left out in the damn cald

1102
01:02:03,080 --> 01:02:06,960
Speaker 1: no shivering like a like a babe, babe. This is

1103
01:02:07,000 --> 01:02:09,000
Speaker 1: what I have to say to you. You gotta stick

1104
01:02:09,040 --> 01:02:11,240
Speaker 1: it out until you get to Holly Hunter, until you

1105
01:02:11,280 --> 01:02:15,280
Speaker 1: get to Rate Rhea. I can't wait, and then you're

1106
01:02:15,360 --> 01:02:17,360
Speaker 1: set your coasting for the rest of the season. Two

1107
01:02:17,400 --> 01:02:19,960
Speaker 1: into three, three is gonna start. You're gonna be like, oh,

1108
01:02:20,000 --> 01:02:21,680
Speaker 1: this is gonna be good. It's gonna dip a little,

1109
01:02:21,680 --> 01:02:25,080
Speaker 1: it's gonna get a little boring again. But then Mr

1110
01:02:25,120 --> 01:02:28,480
Speaker 1: scarscard in Your Stars Scarred comes back in and then

1111
01:02:28,600 --> 01:02:32,600
Speaker 1: it gets interesting and then the finale is who who

1112
01:02:35,160 --> 01:02:40,959
Speaker 1: It's no, it's groo. It's the finale was the most

1113
01:02:41,080 --> 01:02:45,280
Speaker 1: groo thing all year to me. It was absolutely that

1114
01:02:46,240 --> 01:02:50,840
Speaker 1: hundred period hundred period period says it's it's like this

1115
01:02:51,440 --> 01:03:00,960
Speaker 1: in quotes, hundred period says the snarky faggots. Oh on, look,

1116
01:03:01,040 --> 01:03:04,640
Speaker 1: your arms look big like this to put your your

1117
01:03:05,200 --> 01:03:10,040
Speaker 1: bone is rocking some guns, y'all. I don't want having sex. No,

1118
01:03:10,520 --> 01:03:17,000
Speaker 1: he's been having sex. It's okay, flyar fire. I know

1119
01:03:17,080 --> 01:03:21,360
Speaker 1: you've been rolling in the bed. You've been rolling in

1120
01:03:21,400 --> 01:03:25,080
Speaker 1: the bed. What about what about you, honey? Per chance

1121
01:03:25,920 --> 01:03:28,560
Speaker 1: to drink out of the company of a gentleman just

1122
01:03:28,680 --> 01:03:33,080
Speaker 1: the other night, pret chance, chance to drink, for a

1123
01:03:33,160 --> 01:03:36,480
Speaker 1: chance to drink. Maybe I rolled in the sheets, got

1124
01:03:36,480 --> 01:03:41,840
Speaker 1: a foul Maybe I endeavored with my body okay. Maybe

1125
01:03:41,960 --> 01:03:48,920
Speaker 1: I set the bar sexually in the bedroom. Okay. Maybe

1126
01:03:49,160 --> 01:03:54,440
Speaker 1: I took a lover. Maybe I thrive have connecting with

1127
01:03:54,520 --> 01:04:01,040
Speaker 1: someone of a sexual nature. Maybe I look into someone's

1128
01:04:01,120 --> 01:04:06,800
Speaker 1: eyes as we entered each other. Oh, they love to him.

1129
01:04:07,400 --> 01:04:10,640
Speaker 1: You looked in their eyes when you entered each other.

1130
01:04:10,840 --> 01:04:13,480
Speaker 1: I can't see the I can't make eye contact. This

1131
01:04:13,520 --> 01:04:18,240
Speaker 1: is the first flip fucking love love making, flip fuck

1132
01:04:18,360 --> 01:04:21,240
Speaker 1: love making. The only enter each other. I was only

1133
01:04:21,280 --> 01:04:23,040
Speaker 1: I was thinking that in terms of you guys entered

1134
01:04:23,040 --> 01:04:26,000
Speaker 1: each other at the same time, which is that that

1135
01:04:26,040 --> 01:04:30,960
Speaker 1: would be absolutely thrown Well, you picked two, Okay, you

1136
01:04:31,120 --> 01:04:34,720
Speaker 1: enter each other? Yeah, sounds good. It's at the same

1137
01:04:34,800 --> 01:04:38,880
Speaker 1: time you make eye contact. You can't do all three.

1138
01:04:39,120 --> 01:04:42,800
Speaker 1: You can't. That's what sucks about being gay. You can't.

1139
01:04:44,200 --> 01:04:50,280
Speaker 1: You can't do it, your mom, you know what, you know,

1140
01:04:50,320 --> 01:04:56,720
Speaker 1: what's what rap about being gay? Sometimes they can't make

1141
01:04:56,800 --> 01:05:01,360
Speaker 1: eye contact and enter each other. You know, you know

1142
01:05:02,120 --> 01:05:14,800
Speaker 1: how vaginally if you gave me in with Dix, now

1143
01:05:15,160 --> 01:05:18,160
Speaker 1: let's move on and talk about Salt Lake City. Do

1144
01:05:18,200 --> 01:05:19,720
Speaker 1: we want to do a salta City up to Salt

1145
01:05:19,760 --> 01:05:21,640
Speaker 1: Lake City? And then I don't think so, honey. And

1146
01:05:21,640 --> 01:05:23,600
Speaker 1: also I want to say the finale of Survivor is

1147
01:05:23,640 --> 01:05:26,440
Speaker 1: this week, which I can't believe that I believe. I

1148
01:05:26,440 --> 01:05:28,160
Speaker 1: need to catch up. I didn't watch last week's episode,

1149
01:05:28,160 --> 01:05:31,760
Speaker 1: but I will prediction prediction, prediction. I'm rooting for our

1150
01:05:31,920 --> 01:05:35,640
Speaker 1: our guy, for Card Card Baby, come on coming through. Okay,

1151
01:05:36,080 --> 01:05:39,479
Speaker 1: likes not like, I mean, a fine episode. I still

1152
01:05:39,600 --> 01:05:42,440
Speaker 1: nothing's really changed for me. I did think that Lisa

1153
01:05:43,040 --> 01:05:45,040
Speaker 1: had one of my favorite quotes in a long time,

1154
01:05:45,080 --> 01:05:47,760
Speaker 1: which is, um, I'm not gonna do the impression, but

1155
01:05:47,840 --> 01:05:51,480
Speaker 1: she says, you know, Heather and Whitney probably count Lisa

1156
01:05:51,560 --> 01:05:56,800
Speaker 1: Barlows in their sleep. They go and I'm just imagining

1157
01:05:57,480 --> 01:06:00,680
Speaker 1: many an army, a line of Lisa Barlow's jumping across

1158
01:06:00,720 --> 01:06:04,240
Speaker 1: the fence, popping across the fence on it on a

1159
01:06:04,280 --> 01:06:09,440
Speaker 1: beautiful green hill. I'm obsessed. Also, I can't believe Whitney

1160
01:06:09,440 --> 01:06:13,880
Speaker 1: put her whole savings into the work, but she's gonna

1161
01:06:13,920 --> 01:06:16,600
Speaker 1: make it work. Because if I believe in one North Star,

1162
01:06:16,840 --> 01:06:19,680
Speaker 1: it's Whitney Rose. All I thought about when I saw

1163
01:06:19,720 --> 01:06:23,960
Speaker 1: her on my screen was go off, go off. I

1164
01:06:24,120 --> 01:06:30,200
Speaker 1: support her all the way she will never never not,

1165
01:06:30,320 --> 01:06:32,440
Speaker 1: she will never disappoint me, and the way that she

1166
01:06:32,480 --> 01:06:34,080
Speaker 1: said at the end of the episode. If I'm going

1167
01:06:34,120 --> 01:06:39,560
Speaker 1: to take Mary down, I need support. I love it.

1168
01:06:40,160 --> 01:06:43,440
Speaker 1: I think Whitney is We would be honored to have

1169
01:06:43,520 --> 01:06:48,479
Speaker 1: Whitney in the universe of Lost Cultures. The conversation has begun.

1170
01:06:49,240 --> 01:06:53,400
Speaker 1: I'm obsessed with the breakdown of Meredith and Lisa's friendship beginning.

1171
01:06:53,680 --> 01:06:57,440
Speaker 1: Like Meredith really her voice, They're like I like that

1172
01:06:57,480 --> 01:06:59,760
Speaker 1: at all or whatever she said, Like it was just

1173
01:07:00,200 --> 01:07:01,880
Speaker 1: it's really heading in the right direction. What did you

1174
01:07:01,920 --> 01:07:05,840
Speaker 1: think of Jen being like, well, first of all, like

1175
01:07:05,920 --> 01:07:10,600
Speaker 1: maintaining the line when she said that they they they

1176
01:07:10,720 --> 01:07:13,840
Speaker 1: had her son at gunpoint. My heart really did break

1177
01:07:14,240 --> 01:07:17,640
Speaker 1: because I was like, this is very real. Is the

1178
01:07:17,680 --> 01:07:19,760
Speaker 1: fact that like that footage that they showed of the

1179
01:07:19,880 --> 01:07:24,120
Speaker 1: ring camp that really bothered me, Like because honestly, like

1180
01:07:24,280 --> 01:07:27,120
Speaker 1: we see ship like that go wrong all the time

1181
01:07:27,320 --> 01:07:31,400
Speaker 1: and post everything that's gone on in the past few

1182
01:07:31,480 --> 01:07:34,720
Speaker 1: years with police brutality, Like if your heart doesn't go

1183
01:07:34,760 --> 01:07:37,080
Speaker 1: out to someone whose kid had a situation with the

1184
01:07:37,120 --> 01:07:39,760
Speaker 1: police like that, like a young black man, like who

1185
01:07:39,760 --> 01:07:41,600
Speaker 1: has a situation like that with the police? I don't know,

1186
01:07:41,680 --> 01:07:45,840
Speaker 1: Like Jen is a violent person, I think, and she

1187
01:07:46,080 --> 01:07:49,439
Speaker 1: is like likely like going to prison, But my heart

1188
01:07:49,440 --> 01:07:51,640
Speaker 1: did go out to her there because she probably also

1189
01:07:51,760 --> 01:07:55,680
Speaker 1: felt responsible for it because she is sure she because

1190
01:07:55,720 --> 01:08:00,960
Speaker 1: she is Yeah, um uh, I mean it looks like

1191
01:08:01,000 --> 01:08:03,480
Speaker 1: the rest of the episodes of this season are going

1192
01:08:03,520 --> 01:08:07,760
Speaker 1: to be a barn Burners bangers. So that's that's all. Um.

1193
01:08:07,760 --> 01:08:10,400
Speaker 1: This this was like a decent episode. Nothing really happened.

1194
01:08:10,840 --> 01:08:13,480
Speaker 1: I mean, it's setting up the state. What did you

1195
01:08:13,520 --> 01:08:16,080
Speaker 1: think of Jenny's daughter, who's like a forty three year

1196
01:08:16,080 --> 01:08:21,040
Speaker 1: old woman. Find cute cue precocious little girl. Love it.

1197
01:08:21,240 --> 01:08:23,240
Speaker 1: We love to see it, like the way that she

1198
01:08:23,800 --> 01:08:26,200
Speaker 1: laughs and has opinions about food. She really is like

1199
01:08:26,240 --> 01:08:28,880
Speaker 1: an old woman. Yeah, well, I think it's time for

1200
01:08:28,920 --> 01:08:30,360
Speaker 1: I don't think so, honey. I think this is a

1201
01:08:30,400 --> 01:08:33,559
Speaker 1: fabulous time for. I think this is a fabulous time.

1202
01:08:33,600 --> 01:08:38,360
Speaker 1: Do you have something I deal? Okay, this is beautiful.

1203
01:08:38,360 --> 01:08:41,080
Speaker 1: What I love to hear. This is Matt Rodgers is

1204
01:08:41,120 --> 01:08:43,200
Speaker 1: I don't think so honey. As time starts now, I

1205
01:08:43,240 --> 01:08:44,840
Speaker 1: don't think so honey. I try to make a big

1206
01:08:44,880 --> 01:08:49,000
Speaker 1: purchase and Chase shuts it all down. Girl, Just let

1207
01:08:49,000 --> 01:08:53,280
Speaker 1: me use my damn card, please, or just don't worried

1208
01:08:53,560 --> 01:08:56,960
Speaker 1: send me that's like, is it you? I'll say yes,

1209
01:08:57,240 --> 01:09:01,840
Speaker 1: but don't make all the cards not work. I'll be

1210
01:09:01,920 --> 01:09:04,639
Speaker 1: in a place and like it'll be like one, two, three,

1211
01:09:04,840 --> 01:09:07,320
Speaker 1: cards all don't work and it's all Chase. And it's

1212
01:09:07,360 --> 01:09:12,360
Speaker 1: because like suspicions activity. I'm going around to different cities

1213
01:09:12,439 --> 01:09:14,880
Speaker 1: right now. I'm a little bit of a traveler. Just

1214
01:09:15,000 --> 01:09:17,040
Speaker 1: send me a text and confirm it to me. Don't

1215
01:09:17,120 --> 01:09:20,000
Speaker 1: just like make the card, don't just decline the card please.

1216
01:09:20,360 --> 01:09:23,000
Speaker 1: Then I have to struggle with my girl. I don't

1217
01:09:23,000 --> 01:09:24,360
Speaker 1: think so honey that I have to hang out with

1218
01:09:24,400 --> 01:09:26,240
Speaker 1: my girl at the counter for that long as she

1219
01:09:26,320 --> 01:09:31,840
Speaker 1: watches me like struggle, but please help Chase. You are

1220
01:09:31,880 --> 01:09:33,479
Speaker 1: the bank, and I want to go to the bank

1221
01:09:33,520 --> 01:09:36,080
Speaker 1: and get access to my dollars. Please. I want to

1222
01:09:36,120 --> 01:09:40,280
Speaker 1: buy this little jacket by this gift. I want to

1223
01:09:40,320 --> 01:09:43,320
Speaker 1: buy this. I don't think that's girl. You got to

1224
01:09:43,360 --> 01:09:45,360
Speaker 1: call out them up and say I don't want to

1225
01:09:45,360 --> 01:09:47,759
Speaker 1: get on the phone with them. I don't think there's

1226
01:09:47,800 --> 01:09:50,240
Speaker 1: any reason for me to ever talk to my bank.

1227
01:09:50,400 --> 01:09:53,040
Speaker 1: That's just the position I take. That's how I was raised.

1228
01:09:53,920 --> 01:09:56,760
Speaker 1: That's not quite helpful, Like eventually, when you buy a

1229
01:09:56,760 --> 01:09:58,960
Speaker 1: house or something, you want to be able to know

1230
01:09:59,000 --> 01:10:01,599
Speaker 1: how to talk to your bank. I don't know. It's

1231
01:10:01,600 --> 01:10:04,040
Speaker 1: not a relationship. I think it's healthy for me. Okay,

1232
01:10:04,200 --> 01:10:07,439
Speaker 1: that's respect. I respect that. Thank you for at least

1233
01:10:07,439 --> 01:10:10,040
Speaker 1: respecting me, even if you can't agree. Because when we

1234
01:10:10,080 --> 01:10:13,120
Speaker 1: come on this podcast and debate cultural topics, I don't

1235
01:10:13,160 --> 01:10:15,519
Speaker 1: ask that you agree with everything I say. But when

1236
01:10:15,520 --> 01:10:17,680
Speaker 1: I really think, I just want you to respect me

1237
01:10:17,760 --> 01:10:20,680
Speaker 1: and have a little bit of respect. That's literally all

1238
01:10:20,720 --> 01:10:23,360
Speaker 1: I ever asked. Okay, and I hope that's all I

1239
01:10:23,400 --> 01:10:29,000
Speaker 1: ever give you on my honor. Good. I would hate

1240
01:10:29,000 --> 01:10:31,839
Speaker 1: to have to come over there and snack you around.

1241
01:10:33,680 --> 01:10:35,960
Speaker 1: I'm looking for my clock side. That's why I'm staring

1242
01:10:36,000 --> 01:10:39,840
Speaker 1: with this boy. Okay, this is so I don't think so, honey,

1243
01:10:40,080 --> 01:10:42,559
Speaker 1: And as time starts now, I don't think so, honey.

1244
01:10:42,720 --> 01:10:46,120
Speaker 1: The full way of this Peloton thing we played out

1245
01:10:46,160 --> 01:10:50,080
Speaker 1: so in the end it was like product placement. It

1246
01:10:50,439 --> 01:10:54,040
Speaker 1: was like a fucking partnership deal, like the fucking ad

1247
01:10:54,120 --> 01:10:56,200
Speaker 1: that came out today on Monday of Chris Note and

1248
01:10:56,320 --> 01:10:59,840
Speaker 1: Jess King iconic instructor. Jess King, do you know doing

1249
01:11:00,000 --> 01:11:02,559
Speaker 1: I'm you know, a little cute double entendre thing by

1250
01:11:02,600 --> 01:11:05,240
Speaker 1: the fire. Oh, let's hop back on. You want to

1251
01:11:05,360 --> 01:11:07,840
Speaker 1: do it again? I'm feeling great. And then you have

1252
01:11:07,960 --> 01:11:10,479
Speaker 1: Ryan Reynolds coming in with a little cute voice over

1253
01:11:10,680 --> 01:11:13,639
Speaker 1: thirty seconds. I love everyone involved. I just hate that

1254
01:11:13,680 --> 01:11:17,080
Speaker 1: we were all basically fooled into thinking that this was

1255
01:11:17,200 --> 01:11:21,080
Speaker 1: a completely like everyone was common by by surprise, including Peloton.

1256
01:11:21,439 --> 01:11:23,360
Speaker 1: That feels so campy to me. But now the fact

1257
01:11:23,400 --> 01:11:26,920
Speaker 1: that this was a long walked with commercial all along

1258
01:11:27,200 --> 01:11:30,920
Speaker 1: makes me sick, Make me sick, want to vomit the

1259
01:11:30,960 --> 01:11:34,360
Speaker 1: bile out of my stomach. I think this we all

1260
01:11:34,400 --> 01:11:36,960
Speaker 1: got duped, and it actually is no longer fun. I

1261
01:11:37,000 --> 01:11:40,080
Speaker 1: actually have less respect for the move of killing Big

1262
01:11:40,080 --> 01:11:43,240
Speaker 1: on Peloton than I used to. That's one minute. I

1263
01:11:43,320 --> 01:11:47,240
Speaker 1: have to tell you that for that, for them to

1264
01:11:47,280 --> 01:11:49,800
Speaker 1: be like we have to fit in Peloton, we have

1265
01:11:49,880 --> 01:11:52,760
Speaker 1: to say it so many times I have Big die

1266
01:11:52,800 --> 01:11:57,080
Speaker 1: on it. But but but girl, in the end, that's

1267
01:11:57,080 --> 01:11:59,439
Speaker 1: not what it was. Like I think like Peloton was

1268
01:11:59,560 --> 01:12:02,000
Speaker 1: eventually they made aware before like they made it seem

1269
01:12:02,040 --> 01:12:04,040
Speaker 1: like this past week and that they were they saw

1270
01:12:04,040 --> 01:12:05,760
Speaker 1: it for the first time along with the rest of us.

1271
01:12:05,800 --> 01:12:08,639
Speaker 1: They didn't they knew was coming. And then they shot

1272
01:12:08,640 --> 01:12:12,120
Speaker 1: this fucking commercial weeks in advance too, Like it did

1273
01:12:12,120 --> 01:12:14,479
Speaker 1: not all come together, and like there was no way

1274
01:12:14,760 --> 01:12:17,120
Speaker 1: they could have shot that and executed that in the

1275
01:12:17,240 --> 01:12:19,439
Speaker 1: in the days that the show had been out. There's

1276
01:12:19,439 --> 01:12:22,880
Speaker 1: no way. You're right there, and so like it was,

1277
01:12:23,040 --> 01:12:26,800
Speaker 1: it was gam I'm saying, like we all like we're

1278
01:12:27,000 --> 01:12:32,800
Speaker 1: kind of line to that we were forced fed Peloton. Yes, yes,

1279
01:12:32,960 --> 01:12:36,679
Speaker 1: so anyway, Allegro was iconic. I love when she said

1280
01:12:36,760 --> 01:12:41,360
Speaker 1: celebrate yourself. Jess King doing a lightly lightly Spanish accent,

1281
01:12:41,479 --> 01:12:44,519
Speaker 1: not a lightly Spanish, just doing a Spanish accent. We'll

1282
01:12:44,640 --> 01:12:46,920
Speaker 1: we'll go ahead, and say yes to that one. We're

1283
01:12:46,920 --> 01:12:51,600
Speaker 1: gonna accept. We're going to accept what a thrilling, snarky,

1284
01:12:51,640 --> 01:12:55,320
Speaker 1: faggy episode this was. You know, we definitely came up

1285
01:12:55,360 --> 01:12:58,640
Speaker 1: with our fucking faggy snarky opinions this time. Right. I

1286
01:12:58,640 --> 01:13:00,559
Speaker 1: think I thought we brought the SNAr and we brought

1287
01:13:00,640 --> 01:13:06,320
Speaker 1: the fag a tree to like sort of repellent snarky,

1288
01:13:06,360 --> 01:13:17,120
Speaker 1: disgusting motor mouth noxious gaze. And they're gay. They're so

1289
01:13:17,200 --> 01:13:20,080
Speaker 1: gross talking about come. One of them is white, one

1290
01:13:20,120 --> 01:13:24,439
Speaker 1: of them is Asian, Asian Chinese. If I had to

1291
01:13:24,520 --> 01:13:31,280
Speaker 1: guess first thought, if I go first thought Chinese, I guess,

1292
01:13:32,040 --> 01:13:37,439
Speaker 1: are they cute? I mean, I'm maybe they're interesting. They're

1293
01:13:37,520 --> 01:13:43,840
Speaker 1: interesting looking. One of them like their hands are both

1294
01:13:43,920 --> 01:13:47,000
Speaker 1: kind of weird. I really think I have weird hands.

1295
01:13:47,040 --> 01:13:49,800
Speaker 1: Do you have beautiful hands? And look at the look

1296
01:13:49,800 --> 01:13:52,639
Speaker 1: at my hands? No, they're beautiful. Your hand is so beautiful.

1297
01:13:52,720 --> 01:13:55,080
Speaker 1: Can I say something though, hands? And this is not

1298
01:13:55,160 --> 01:13:57,760
Speaker 1: just to say no, no, no, this is what I'm

1299
01:13:57,760 --> 01:14:00,880
Speaker 1: gonna say. If you look at fingers and hands for

1300
01:14:00,960 --> 01:14:04,160
Speaker 1: too long, it's like that thing of when you look

1301
01:14:04,160 --> 01:14:06,000
Speaker 1: at a word too long and it becomes like a

1302
01:14:06,040 --> 01:14:10,920
Speaker 1: weird word, hands hands are so. Look at me. Look

1303
01:14:10,920 --> 01:14:13,000
Speaker 1: at what I'm doing right now, the way I'm shaking

1304
01:14:13,000 --> 01:14:15,519
Speaker 1: my fingers. We need to put this point on the internet.

1305
01:14:15,960 --> 01:14:19,240
Speaker 1: Hands are so. Hands are yeah, Like, look at the

1306
01:14:19,240 --> 01:14:22,639
Speaker 1: way they move their fingers. It looks like I'm looking

1307
01:14:22,680 --> 01:14:25,160
Speaker 1: at my hand and it looks like a logo for

1308
01:14:25,320 --> 01:14:27,600
Speaker 1: something like it shouldn't belong on my body. It's like

1309
01:14:27,640 --> 01:14:30,160
Speaker 1: to like even there's like four long things and then

1310
01:14:30,200 --> 01:14:33,040
Speaker 1: one short one on the side, like who who foo

1311
01:14:33,120 --> 01:14:36,799
Speaker 1: decided that? Since when did you have that peloton tattoo

1312
01:14:36,880 --> 01:14:41,880
Speaker 1: across your palm? What? Oh the logo? No, I'm saying,

1313
01:14:41,880 --> 01:14:44,000
Speaker 1: but the design, the outline of my hand looks like

1314
01:14:44,040 --> 01:14:46,720
Speaker 1: it it's it doesn't belong on a human body. I'm

1315
01:14:46,720 --> 01:14:49,360
Speaker 1: telling you. That's when you really realize that we're all

1316
01:14:49,400 --> 01:14:52,439
Speaker 1: aliens is when you look at our girl fingers. And

1317
01:14:52,479 --> 01:14:54,479
Speaker 1: that's that's all I have to say about that. Readers,

1318
01:14:54,520 --> 01:14:56,439
Speaker 1: we hope you have a great holiday season a great

1319
01:14:56,439 --> 01:15:01,320
Speaker 1: new year. We're wishing you all the best. Tiding Wow.

1320
01:15:01,600 --> 01:15:03,880
Speaker 1: Thank you. Honestly, to add on a really earnest note,

1321
01:15:03,920 --> 01:15:07,240
Speaker 1: thank you for listening to us all year. Yes, thank you,

1322
01:15:07,720 --> 01:15:09,320
Speaker 1: we love you. You forgot this was the last one

1323
01:15:09,320 --> 01:15:12,240
Speaker 1: of the year. God, bless God. This was it. This

1324
01:15:12,320 --> 01:15:14,120
Speaker 1: was it. This was kind of a doozy of a year.

1325
01:15:14,120 --> 01:15:16,240
Speaker 1: And thank you for like sticking with us. And you

1326
01:15:16,280 --> 01:15:19,280
Speaker 1: know there was that there was that serotonin deficit era.

1327
01:15:19,360 --> 01:15:22,880
Speaker 1: I think you out of that. Thank you for being

1328
01:15:22,920 --> 01:15:25,760
Speaker 1: along with us for all the seasons like I mean,

1329
01:15:25,880 --> 01:15:28,040
Speaker 1: I mean this, and like the seasons of the show

1330
01:15:28,080 --> 01:15:31,800
Speaker 1: in terms of the seasons of our lives like beautiful

1331
01:15:31,920 --> 01:15:34,559
Speaker 1: we I think you know, if you go back and listen,

1332
01:15:35,040 --> 01:15:37,160
Speaker 1: not that you would or that you would be interested

1333
01:15:37,240 --> 01:15:39,160
Speaker 1: or that would benefit you too, but I think you

1334
01:15:39,160 --> 01:15:41,960
Speaker 1: can really track our emotional journeys this year, and I

1335
01:15:42,000 --> 01:15:46,320
Speaker 1: think the best is yet to come the next year.

1336
01:15:46,400 --> 01:15:48,320
Speaker 1: The best is yet to come. The best is yet

1337
01:15:48,360 --> 01:15:50,280
Speaker 1: to come. Well, we love you so much, readers, have

1338
01:15:50,320 --> 01:15:52,240
Speaker 1: a happy New Year. And we always close out with

1339
01:15:52,280 --> 01:16:04,360
Speaker 1: the song A Greatnce Oh God, love dout you for

1340
01:16:04,680 --> 01:16:20,080
Speaker 1: O for God, little old oh Lee. Yeah. Fine,