WEBVTT - How Planetariums Work

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<v Speaker 1>Get in touch with technology. What's tech stuff from dot com?

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<v Speaker 1>Hey there, and welcome to tech stuff. I'm Jonathan Strickland

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<v Speaker 1>and I'm Lauren Fock Obama. And we thought today we

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<v Speaker 1>would do a little star gazing. But we're not out

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<v Speaker 1>doorsy types. Lauren. Uh, well, I mean we can be,

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<v Speaker 1>but actually at night it's more or less fun. Yeah,

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<v Speaker 1>it's really the sun gets us. But but anyway, sometimes

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<v Speaker 1>sometimes you're just not able to really do some good

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<v Speaker 1>star gazing depending upon where you are. Maybe it's overcast,

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<v Speaker 1>or maybe there are other conditions will talk about that

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<v Speaker 1>kind of prevents you from doing it. So where do

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<v Speaker 1>you go for star gazing when the stars are not

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<v Speaker 1>necessarily visible to you at that particular moment. Planetarium would

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<v Speaker 1>be a pretty good option. Yes, it is not pronounced

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<v Speaker 1>as Matt Frederick would say, as a planet arium. It's

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<v Speaker 1>a planetarium which is essentially uh in enclosed with an

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<v Speaker 1>artificial sky that has stars and sometimes plants and sometimes

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<v Speaker 1>other celestial bodies represented some kind of space scape. Yeah.

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<v Speaker 1>So there are a lot of different types of planetariums

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<v Speaker 1>that all use a very similar approach, but you know,

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<v Speaker 1>the actual implementation can differ between one and the other.

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<v Speaker 1>But we wanted to talk more about all of the

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<v Speaker 1>kind of history that built into coming up to the

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<v Speaker 1>planetariums as well as how they actually work. Right. We

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<v Speaker 1>didn't want to just explain it's a projector and then

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<v Speaker 1>go in from there. I mean, because because basically it's

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<v Speaker 1>a projector. Yea, So we could just say it's a projector,

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<v Speaker 1>and if you know how a projector, it's a Friday,

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<v Speaker 1>so we're ready to go home. But no, we wanted

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<v Speaker 1>to actually talk about the history of planetariums because it's

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<v Speaker 1>a fascinating story. I mean, obviously, as as a species,

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<v Speaker 1>humans have been fascinated with the heavens since before recorded history.

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<v Speaker 1>I mean, this is something that we've obviously been really

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<v Speaker 1>amazed by over thousands of years. It's pretty amazing. And

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<v Speaker 1>what's interesting is that there have been lots of different

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<v Speaker 1>attempts to create a an indoor version of this experience,

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<v Speaker 1>because it's not always convenient to go outside and do

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<v Speaker 1>all your your work. And based upon thousands of years

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<v Speaker 1>of observations, we got pretty good at figure out how

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<v Speaker 1>to represent the night sky in a way that was

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<v Speaker 1>accurate even with the movement of things like planets in

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<v Speaker 1>the moon and the Sun and Earth itself. Yeah, I

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<v Speaker 1>mean it took us a while to figure that part out,

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<v Speaker 1>that the Earth itself was moving and not say everything

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<v Speaker 1>else was moving around the Earth. And depending upon whom

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<v Speaker 1>you are, you might still argue that thinking of a

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<v Speaker 1>specific documentary that Jane Way was the voice for anyway. So,

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<v Speaker 1>assuming you're not having this geocentric view, even even that

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<v Speaker 1>would allow you to see that the the heavens move

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<v Speaker 1>in a very pretty actable way. It may take a

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<v Speaker 1>long time for a particular cycle to happen, but once

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<v Speaker 1>you know what those cycles are, you could predict make

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<v Speaker 1>observations that would end up either verifying or or negating

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<v Speaker 1>the previous guesswork, and eventually you make it into a science.

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<v Speaker 1>So why our planetariums themselves awesome? Well, for one, you

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<v Speaker 1>get to look at the stars, even if again you

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<v Speaker 1>are in a place where you can't normally see them,

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<v Speaker 1>like here in Atlanta, we get a lot of what's

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<v Speaker 1>called light pollution. So that's just a you know, any

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<v Speaker 1>major city tends to have this where you've got lots

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<v Speaker 1>of lights that are on at night, and that tends

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<v Speaker 1>to drown out some of the stars. You can't see

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<v Speaker 1>the fainter ones. You really only see the brightest ones

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<v Speaker 1>that are in the sky. Uh. You know, you might

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<v Speaker 1>be able to see things like Venus, which are that's

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<v Speaker 1>that's extremely bright, and you might see some of the

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<v Speaker 1>major stars and some of the major constellations, but you're

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<v Speaker 1>missing out on a lot certainly. So unless you go

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<v Speaker 1>way out into the middle of no Aware where there

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<v Speaker 1>aren't so many lights, or you have to live someplace

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<v Speaker 1>that has really strict rules about the lights at night.

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<v Speaker 1>Because there are a few of those places, you probably

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<v Speaker 1>can't see that many. And even in those places it

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<v Speaker 1>sometimes rains or gets cloudy. It turns out clouds really

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<v Speaker 1>inhibit the star gazing activities. Also, the sky over the

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<v Speaker 1>Southern Hemisphere is different than that over the Northern Hemisphere. So, um,

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<v Speaker 1>if if you don't travel back and forth pretty frequently

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<v Speaker 1>between the two, Yeah, if you don't cross the line

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<v Speaker 1>over at the equator and shout out to all my

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<v Speaker 1>navy buddies who do um, if you don't do that frequently, yeah,

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<v Speaker 1>you know, you miss out on the way the sky

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<v Speaker 1>looks and in the Southern hemisphere, or if you live

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<v Speaker 1>in the Southern hemisphere the Northern hemisphere, so I'll fly

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<v Speaker 1>to our New Zealand listeners. There's a lot of you.

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<v Speaker 1>There's actually quite a few of you. UM. I will

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<v Speaker 1>not confuse you with the Australian listeners, please don't we

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<v Speaker 1>We love all of you equally. So if you've never

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<v Speaker 1>been there, but you want to see what the sky

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<v Speaker 1>looks like up Manitarium, some of them, anyway, can accommodate you.

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<v Speaker 1>A lot of them have the capability of showing the

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<v Speaker 1>stars over any particular point on Earth. Like That's how

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<v Speaker 1>sophisticated they've become. So not only that, but they many

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<v Speaker 1>of them can also show you what the sky would

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<v Speaker 1>look like on any given date. So you might say, well,

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<v Speaker 1>what did the sky look like yesterday? What will it

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<v Speaker 1>look like tomorrow? What will it look like in a century?

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<v Speaker 1>What will it look like a hundred centuries from now?

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<v Speaker 1>What did it look like back in the day that

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<v Speaker 1>Shakespeare wrote his plays? Like, you could do any of

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<v Speaker 1>those things, and by plugging in some some numbers. The

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<v Speaker 1>computers that handle the calculations for most of these uh devices,

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<v Speaker 1>not all of them, some of them are a little older,

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<v Speaker 1>but most of them can take that into consideration and

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<v Speaker 1>actually determine what the position of the planets would be

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<v Speaker 1>on any given date, the stars, etcetera, which is pretty awesome. Yeah. Um,

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<v Speaker 1>they can also be used to teach celestial navigation, and

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<v Speaker 1>they certainly were used for that purpose during World War two.

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<v Speaker 1>Very useful, especially if you can't always depend upon instruments

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<v Speaker 1>to be able to get around. Also, hey, it teaches astronomy. Yeah,

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<v Speaker 1>you know, I always almost left that out of the notes,

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<v Speaker 1>and I was like, yeah, that's a that's a big deal.

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<v Speaker 1>I guess that's the thing. Yeah. So obviously the astronomers

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<v Speaker 1>out there if you want to be able to identify

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<v Speaker 1>various star clusters things like that, and a lot of

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<v Speaker 1>these have special um projectors that will show things like

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<v Speaker 1>the Milky Way galaxy or other nebula or things like that.

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<v Speaker 1>And that's important. Oh sure, sure, but we will get

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<v Speaker 1>into that later on. Um, let's talk for right now

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<v Speaker 1>about the history of these devices, because people have been

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<v Speaker 1>painting the sky on ceilings I mean for for basically ever. Yeah,

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<v Speaker 1>I mean, like I got a cousin who has the

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<v Speaker 1>Glow in the Dark ones that's been on her her

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<v Speaker 1>bedroom ceiling like since she was like four. So yeah. Also,

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<v Speaker 1>there's a star map on the ceiling of the tomb

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<v Speaker 1>of the Egyptian official sinement that dates from that does

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<v Speaker 1>predate my cousin, so a little bit your your argument

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<v Speaker 1>is valid. Yeah, I mean this is something, like I said,

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<v Speaker 1>humans have been fascinated with the stars for as long

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<v Speaker 1>as we've been looking around and being able to express

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<v Speaker 1>our thoughts. So it's no surprise that we're seeing evidence

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<v Speaker 1>of that in in prehistoric and and uh, you know,

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<v Speaker 1>just post historic, fairly historic uh, you know, drawings and

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<v Speaker 1>and uh and depictions on things like this tomb. And

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<v Speaker 1>then we have some early examples of what could be

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<v Speaker 1>something like a planetarium from the Arabic world right right there,

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<v Speaker 1>there were Arabic tents made with holes in the fabric

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<v Speaker 1>to let outside lights shine through, representing each star or

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<v Speaker 1>each star as they knew them. And in that time

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<v Speaker 1>um described in European History Circle that twelve hundreds are

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<v Speaker 1>so and so that's that's you know, that's a good

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<v Speaker 1>while back, right and then we had, uh, let's let's

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<v Speaker 1>switch up to say, oh, I don't know, let's let's

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<v Speaker 1>go to the idea of using globes and sky maps.

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<v Speaker 1>This is really cool too. So starting a couple of

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<v Speaker 1>thousand years ago, it became really popular in the West

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<v Speaker 1>to draw sky maps on globes, and um the first

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<v Speaker 1>planetarium is known to history. Were huge versions of these,

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<v Speaker 1>like big enough for people to sit in. A really

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<v Speaker 1>famous example is the gor Top Globe, supposedly based on

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<v Speaker 1>plans found among Tico Brahe's papers. Okay, so wait, wait, wait,

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<v Speaker 1>Tico Bray. I've always heard Tycho Bray. Where did you

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<v Speaker 1>hear Tico Brian. I'm one of my astronomy professors in

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<v Speaker 1>college called him Tico. That's good enough for me. So

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<v Speaker 1>I know, I know that the Penny Arcade dude calls

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<v Speaker 1>himself Tycho, but hey, we're going with an astronomy professor's approach.

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<v Speaker 1>I'm I'm all right with bowing to authority on this one.

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<v Speaker 1>He had a really impressive beard, so that also, I mean,

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<v Speaker 1>that's like credentials in the astronomy world. So that's totally cool.

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<v Speaker 1>So that that was that was built in the mid

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<v Speaker 1>sixteen hundreds and what's now Germany, and it was large

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<v Speaker 1>enough for like twelve people to sit in on these

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<v Speaker 1>circular benches that were around a table um where refreshments

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<v Speaker 1>could be served. Obviously, um so, so the So the object,

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<v Speaker 1>this globe was about ten ft or three meters in diameter,

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<v Speaker 1>and the stars in it were these gilded, spangled fixtures

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<v Speaker 1>in the inside surface of the globe that we're eliminated

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<v Speaker 1>by a lamp that would sit on the table along

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<v Speaker 1>with your you know, snaky cakes. Interesting. So it's like

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<v Speaker 1>it's like if you look at a regular globe, you know,

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<v Speaker 1>that's something that we look at on the outside surface

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<v Speaker 1>obviously that's you know, representing the Earth. But this is

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<v Speaker 1>one where we would go on the inside and we're

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<v Speaker 1>looking at the inner wall, which is representing the heavens,

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<v Speaker 1>the heavens right right, and the outside of it was

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<v Speaker 1>actually painted like like the Earth. It had all of

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<v Speaker 1>the continents and everything on it. Pretty cool that whole

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<v Speaker 1>globe shell could could rotate around the viewers thanks to

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<v Speaker 1>some water powered machinery. And it took some ten years

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<v Speaker 1>to build and weighs like three tons, despite which it

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<v Speaker 1>was moved to St. Petersburg as a gift to Peter

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<v Speaker 1>the Great in seventeen seventeen. Shortly after that, it was

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<v Speaker 1>partially destroyed in a fire, then restored, then stolen by

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<v Speaker 1>the Germans in World War Two, found by US troops

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<v Speaker 1>and restored again to St. Petersburg. I'm pretty sure that

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<v Speaker 1>should be an Indiana Jones plot. All right, it's great,

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<v Speaker 1>and this thing weighs three tons. It takes some determination

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<v Speaker 1>to steal anything that weighs three tons. That's pretty incredible.

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<v Speaker 1>But so the practice of making these these enterable sky

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<v Speaker 1>globes like this unwieldy as they were persisted into the

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<v Speaker 1>nineteen hundreds. The Museum of the Chicago Academy of Sciences

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<v Speaker 1>built their Atwood globe as late as nine um and

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<v Speaker 1>and that's that's about the same size, a little bigger

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<v Speaker 1>at measure sixteen feet, that's about five meters in diameter

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<v Speaker 1>um and shows six nine two stars plus the planets

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<v Speaker 1>in our solar system, as as holes through which outside

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<v Speaker 1>light can shine. It's electric and the shell can spin

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<v Speaker 1>once every eight minutes around viewers. Interesting, and so this

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<v Speaker 1>is kind of it's it's like it's taking a note

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<v Speaker 1>back from those old Arabic tents, right the lights coming

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<v Speaker 1>from outside shining through holes, and that's what represents the stars,

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<v Speaker 1>very much like those tents that had the holes pin

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<v Speaker 1>break through the tent canvas, right right. You know, of

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<v Speaker 1>course this depends on either in this case probably electric

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<v Speaker 1>lights outside or in the case of those tents, having

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<v Speaker 1>a good source of sunlight in order to see what's

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<v Speaker 1>going on. Um. But by the way, a couple of

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<v Speaker 1>distinctions that I wanted to make here. If you've ever

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<v Speaker 1>heard of an ory um, that's that's a physical model

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<v Speaker 1>of the planets in our Solar system, and sometimes also

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<v Speaker 1>called a planetarium, and they're also sometimes included in planetariums.

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<v Speaker 1>So that's nice and confusing, right, So orris are if

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<v Speaker 1>you've ever seen one of those physical models where you've

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<v Speaker 1>got the Sun in the center and then you have

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<v Speaker 1>all the different planets that can spin around the Sun.

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<v Speaker 1>Sometimes they are actually mounted on gears or motors so

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<v Speaker 1>that it represents the accurate movement of each of these

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<v Speaker 1>bodies as they would move in relation to one another.

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<v Speaker 1>So for example, the Earth's uh, the Earth's movement around

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<v Speaker 1>the Sun is different from Saint Mars, which is different

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<v Speaker 1>from Neptune or Saturn. Anyway, you would be able to

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<v Speaker 1>watch these and see how they move in relation to

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<v Speaker 1>each other, see the times when they happen to aligne

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<v Speaker 1>when they get out of alignment, and it's really fascinating

0:12:26.640 --> 0:12:29.839
<v Speaker 1>to see an orry but it's from an outside perspective.

0:12:29.840 --> 0:12:32.280
<v Speaker 1>You're not looking from the inside out. You're looking as

0:12:32.320 --> 0:12:34.920
<v Speaker 1>if you were able to distance yourself all the way

0:12:34.960 --> 0:12:37.600
<v Speaker 1>out of the solar system and look in on it, right,

0:12:37.720 --> 0:12:40.800
<v Speaker 1>and and being that especially early ones, where were you know,

0:12:40.840 --> 0:12:42.960
<v Speaker 1>the planets were all on their little rods and would

0:12:42.960 --> 0:12:46.000
<v Speaker 1>all be going on a on a single plane around

0:12:46.000 --> 0:12:48.280
<v Speaker 1>the Sun rather than in the truth three dimensions in

0:12:48.320 --> 0:12:50.439
<v Speaker 1>which right right it would be. It would be as

0:12:50.440 --> 0:12:53.360
<v Speaker 1>if we had a completely flat solar system, which is

0:12:53.360 --> 0:12:55.960
<v Speaker 1>not exactly true. Yeah, it's like Star Trek World. Everything

0:12:56.000 --> 0:12:58.120
<v Speaker 1>just comes right knows up to each other. Yeah. And

0:12:58.160 --> 0:13:00.840
<v Speaker 1>also they would move in and essentially perfect circles. They

0:13:00.840 --> 0:13:03.360
<v Speaker 1>wouldn't have these kind of elliptical orbitals because that's really

0:13:03.360 --> 0:13:06.720
<v Speaker 1>hard to do with physical rod. But you know, my

0:13:06.840 --> 0:13:09.520
<v Speaker 1>favorite or y of all time is from the movie

0:13:09.520 --> 0:13:12.160
<v Speaker 1>The Dark Crystal, and it's what Augra had. Now that

0:13:12.240 --> 0:13:16.160
<v Speaker 1>of course was an ory for a fictional solar system,

0:13:16.280 --> 0:13:20.200
<v Speaker 1>but was amazing an enormous things spinning around all over

0:13:20.280 --> 0:13:22.760
<v Speaker 1>the place that that lady still creeps me out as

0:13:22.840 --> 0:13:26.920
<v Speaker 1>an incredible movie that everyone should go see. Uh oh, absolutely, yes,

0:13:27.040 --> 0:13:33.840
<v Speaker 1>very much. So I can't okay, science. Besides planetariums and

0:13:34.000 --> 0:13:36.400
<v Speaker 1>uh and or planetaria if we want to talk about

0:13:36.480 --> 0:13:41.200
<v Speaker 1>or reas in that sense, and these globes, we also

0:13:41.280 --> 0:13:45.560
<v Speaker 1>have the concept of keeping track of astronomical phenomena in

0:13:45.640 --> 0:13:49.000
<v Speaker 1>other ways that aren't again all immersive. All right, Well,

0:13:49.040 --> 0:13:53.240
<v Speaker 1>part of the function of a planetarium is as an

0:13:53.280 --> 0:13:56.640
<v Speaker 1>astronomical clock, right, like you were saying earlier, being able

0:13:56.679 --> 0:13:58.599
<v Speaker 1>to to go into the future, into the past and

0:13:58.640 --> 0:14:00.960
<v Speaker 1>see what the stars looked like at any even point. Um.

0:14:01.080 --> 0:14:04.200
<v Speaker 1>And you and Joe talked about a really famous one

0:14:05.080 --> 0:14:09.840
<v Speaker 1>antiquathera device or antiquathera mechanism, which is a some people

0:14:09.840 --> 0:14:14.120
<v Speaker 1>would call the oldest computer and analog computer, and yeah

0:14:14.120 --> 0:14:16.719
<v Speaker 1>and forward thinking. We did a podcast now I think

0:14:16.760 --> 0:14:18.439
<v Speaker 1>I think you did it on tech Stuff. It was

0:14:20.000 --> 0:14:23.160
<v Speaker 1>that's see here's the things that I do. Too many

0:14:23.160 --> 0:14:25.720
<v Speaker 1>shows for too many different different versions. Yes, we did

0:14:25.760 --> 0:14:28.680
<v Speaker 1>do the tech stuff one, so as a reminder because

0:14:28.720 --> 0:14:32.960
<v Speaker 1>obviously I need one. Uh. The Antiquathera device was this, uh,

0:14:33.040 --> 0:14:37.400
<v Speaker 1>this gadget that had been lost in a shipwreck and

0:14:38.080 --> 0:14:40.640
<v Speaker 1>recovered by sponge divers, and it was recovered in very

0:14:40.680 --> 0:14:42.880
<v Speaker 1>poor repair. It was all these different pieces and some

0:14:42.960 --> 0:14:46.560
<v Speaker 1>of them were big chunks and some were smaller pieces. Uh.

0:14:46.600 --> 0:14:49.400
<v Speaker 1>And eventually it took decades to do this, but eventually

0:14:49.480 --> 0:14:52.440
<v Speaker 1>we figured out that this was an astronomical computer. It

0:14:52.520 --> 0:14:56.480
<v Speaker 1>was able to show where the position of the planets

0:14:56.480 --> 0:14:59.520
<v Speaker 1>were in relation to the Earth on any given date,

0:14:59.680 --> 0:15:02.280
<v Speaker 1>in in the position and phase of the moon and

0:15:02.280 --> 0:15:04.760
<v Speaker 1>the position of the Sun, and you would turn a

0:15:04.880 --> 0:15:09.640
<v Speaker 1>crank in order to adjust the dials so that you

0:15:09.680 --> 0:15:13.000
<v Speaker 1>could change it to any date and see what what

0:15:13.040 --> 0:15:16.000
<v Speaker 1>the that actual alignment happened to be on that given date.

0:15:16.040 --> 0:15:18.560
<v Speaker 1>It was also very useful for things like planning out

0:15:18.880 --> 0:15:22.360
<v Speaker 1>specific events because you could do this and find out

0:15:22.360 --> 0:15:24.600
<v Speaker 1>when there was going to be an eclipse, for example,

0:15:25.000 --> 0:15:27.880
<v Speaker 1>and an eclipse tended to be considered a bad omen,

0:15:28.280 --> 0:15:31.640
<v Speaker 1>so you might think, hey, this big festival, we want

0:15:31.680 --> 0:15:33.680
<v Speaker 1>to have what happen to fall on in the eclipse,

0:15:33.720 --> 0:15:37.840
<v Speaker 1>So we're going to have a special a special festival

0:15:37.880 --> 0:15:40.000
<v Speaker 1>that's going to be three weeks earlier so that we

0:15:40.040 --> 0:15:43.000
<v Speaker 1>don't have to worry about that, or an Olympics event

0:15:43.080 --> 0:15:47.600
<v Speaker 1>that there would be another example. So it's really super cool. However, again,

0:15:47.640 --> 0:15:51.880
<v Speaker 1>this was something that was relatively small. We're talking about

0:15:51.960 --> 0:15:54.560
<v Speaker 1>like the size of a large book, and so you're

0:15:54.600 --> 0:15:57.680
<v Speaker 1>looking at at these dials rather than again being immersed

0:15:57.720 --> 0:16:00.680
<v Speaker 1>in the experience. But it was really useful for checking out,

0:16:01.080 --> 0:16:03.920
<v Speaker 1>you know, what a a planetary alignment would be on

0:16:03.920 --> 0:16:08.080
<v Speaker 1>any given date, because again they understood that the movements

0:16:08.080 --> 0:16:11.600
<v Speaker 1>of the planets were regular and cyclical. Yeah, and so

0:16:11.680 --> 0:16:14.200
<v Speaker 1>they were able to do this, and I don't want

0:16:14.240 --> 0:16:18.080
<v Speaker 1>to minimize how difficult this was. They had to build

0:16:18.160 --> 0:16:22.760
<v Speaker 1>exact gear ratios to represent the movement of all these

0:16:22.800 --> 0:16:27.280
<v Speaker 1>planets and sometimes hand machining those. Yeah, yeah, yeah, an

0:16:27.320 --> 0:16:30.000
<v Speaker 1>incredible amount of precision is required, and sometimes you know,

0:16:30.000 --> 0:16:31.920
<v Speaker 1>you would have to have things move backwards a little

0:16:31.920 --> 0:16:35.320
<v Speaker 1>bit and then move forwards because from our perspective, that's

0:16:35.360 --> 0:16:38.200
<v Speaker 1>the way things seem to be moving. So really really

0:16:38.240 --> 0:16:42.320
<v Speaker 1>complicated stuff. Uh but still again that's that's not quite

0:16:42.560 --> 0:16:45.960
<v Speaker 1>an astronomical clock. It's very similar to one. Once we

0:16:46.120 --> 0:16:50.360
<v Speaker 1>looked at actual astronomical clocks. Those look like clocks, but

0:16:50.400 --> 0:16:54.200
<v Speaker 1>they happen to have either a dial or sometimes it's

0:16:54.240 --> 0:16:57.680
<v Speaker 1>a uh, you know, a little physical representation of what

0:16:58.120 --> 0:17:00.080
<v Speaker 1>the planetary alignments are going to be, or the it

0:17:00.160 --> 0:17:02.760
<v Speaker 1>those phase the moon or whatever. These have been popular

0:17:02.800 --> 0:17:05.600
<v Speaker 1>since the middle ages. There were also some of those

0:17:05.680 --> 0:17:08.720
<v Speaker 1>posh sky globes that could hypothetically predict the movement of

0:17:08.760 --> 0:17:11.280
<v Speaker 1>celestial bodies, and Archimedes is said to have had one

0:17:11.400 --> 0:17:17.040
<v Speaker 1>background two right, so uh probably true. Loss of stuff

0:17:17.080 --> 0:17:21.560
<v Speaker 1>about that time period difficult for us to verify, but

0:17:21.560 --> 0:17:24.760
<v Speaker 1>but I'm willing to believe it because they were wicked smart.

0:17:25.240 --> 0:17:28.920
<v Speaker 1>So uh yeah, yeah, Again, we're still talking about stuff

0:17:28.920 --> 0:17:31.080
<v Speaker 1>that lets you look at it. It doesn't surround you

0:17:31.160 --> 0:17:34.520
<v Speaker 1>like the crazy um the globes where you would walk

0:17:34.560 --> 0:17:37.239
<v Speaker 1>inside and take a seat. But that's what leads us

0:17:37.280 --> 0:17:44.120
<v Speaker 1>to the more modern day planetarium that would require projection, yes,

0:17:44.359 --> 0:17:46.800
<v Speaker 1>and not not like standing in the middle and projecting

0:17:46.800 --> 0:17:51.400
<v Speaker 1>out by speaking more loudly. We're talking about light projection here. Yeah,

0:17:51.440 --> 0:17:54.639
<v Speaker 1>but before we get into that, Hey, Jonathan, do you

0:17:54.680 --> 0:17:56.800
<v Speaker 1>think it's about time for us to take a quick

0:17:56.840 --> 0:17:59.160
<v Speaker 1>break for a word from our sponsors. That would be

0:17:59.320 --> 0:18:05.679
<v Speaker 1>an excellent notion. Okay, So projectors planetarium all right. The

0:18:05.760 --> 0:18:08.800
<v Speaker 1>first one was installed in a roof on a rooftop

0:18:08.840 --> 0:18:12.400
<v Speaker 1>in Jenna, Germany, and I apologize, I suppose it would

0:18:12.440 --> 0:18:16.040
<v Speaker 1>it be Jenna, Germany. The j is generally pronounced like

0:18:16.080 --> 0:18:22.439
<v Speaker 1>a y. Well, Jacob would be Yacob Johan, I I

0:18:22.480 --> 0:18:26.520
<v Speaker 1>see where you're going, and I'm guessing it's Jenna. Any

0:18:26.560 --> 0:18:29.920
<v Speaker 1>of our German listeners who would like to to reprimand

0:18:29.960 --> 0:18:33.440
<v Speaker 1>me on my pronunciation feel free, because um I should

0:18:33.560 --> 0:18:36.360
<v Speaker 1>know better at this point. But it was an optical projector,

0:18:36.480 --> 0:18:39.560
<v Speaker 1>so it actually used light and lenses to project images

0:18:39.560 --> 0:18:44.040
<v Speaker 1>of stars on a curved surface the inside of a dome. Yeah.

0:18:44.440 --> 0:18:48.199
<v Speaker 1>So this dates all the way back to nine for

0:18:48.240 --> 0:18:51.080
<v Speaker 1>the earliest of the plans. That's when a man named

0:18:51.080 --> 0:18:55.040
<v Speaker 1>Oscar von Miller commissioned the device for the Deutsche Museum

0:18:55.119 --> 0:18:59.560
<v Speaker 1>in Mind. So the idea to actually use projection was

0:19:00.040 --> 0:19:02.840
<v Speaker 1>read upon. In nineteen fourteen, there was this big meeting

0:19:03.280 --> 0:19:07.080
<v Speaker 1>and generally speaking, most people credit an engineer by the

0:19:07.160 --> 0:19:11.159
<v Speaker 1>name of Walter Bousfeld who came up with this idea

0:19:11.240 --> 0:19:14.120
<v Speaker 1>to use a projector. He was working with the company,

0:19:14.200 --> 0:19:17.159
<v Speaker 1>a company called Carl Zeiss, which was an optics company

0:19:17.280 --> 0:19:20.320
<v Speaker 1>still is in fact still is that's that's very true, uh,

0:19:20.359 --> 0:19:23.800
<v Speaker 1>And they decided that they would use this kind of approach.

0:19:23.960 --> 0:19:26.040
<v Speaker 1>They decided that they wanted to use something that was

0:19:26.480 --> 0:19:29.720
<v Speaker 1>fairly new, the idea of a new source of light

0:19:29.920 --> 0:19:32.359
<v Speaker 1>for people at that time. Well, their their original idea

0:19:32.400 --> 0:19:36.600
<v Speaker 1>here was was to use those fancy, newfangled light bulbs

0:19:37.280 --> 0:19:40.240
<v Speaker 1>as instead of a pin prick, instead of having a

0:19:40.240 --> 0:19:42.760
<v Speaker 1>pinhole for for each light source, they wanted to use

0:19:42.800 --> 0:19:45.840
<v Speaker 1>a light bulb for each star. And they very quickly

0:19:45.880 --> 0:19:50.000
<v Speaker 1>realized how complex and expensive and terrifying that would be,

0:19:50.119 --> 0:19:52.800
<v Speaker 1>especially if you want to be able to move your

0:19:52.840 --> 0:19:55.200
<v Speaker 1>field of vision right right, So if you had all

0:19:55.240 --> 0:19:57.919
<v Speaker 1>these stars in fixed positions on the dome, how do

0:19:57.960 --> 0:20:00.160
<v Speaker 1>you move them if you want to? If you want

0:20:00.160 --> 0:20:02.440
<v Speaker 1>to move the entire ceiling, and that's that's not good.

0:20:02.480 --> 0:20:05.280
<v Speaker 1>Can you imagine the heat generated from those old bulbs

0:20:05.280 --> 0:20:08.000
<v Speaker 1>to all of those things? So this this one engineer,

0:20:08.080 --> 0:20:12.280
<v Speaker 1>Vaulter uh supposedly said, hey, why don't we put the

0:20:12.359 --> 0:20:14.880
<v Speaker 1>light in the middle and then shine it out on

0:20:14.920 --> 0:20:17.760
<v Speaker 1>the on the on the inside, as opposed to poking

0:20:17.760 --> 0:20:19.880
<v Speaker 1>holes on the inside and putting these light bulbs through.

0:20:20.440 --> 0:20:24.679
<v Speaker 1>And people said, you're crazy, except for another engineer, and

0:20:24.760 --> 0:20:27.440
<v Speaker 1>this one. This is a very interesting and tragic story.

0:20:27.480 --> 0:20:29.680
<v Speaker 1>There's actually a really good documentary that we'll talk about.

0:20:29.720 --> 0:20:33.800
<v Speaker 1>But there's an engineer, a scientist, an engineer named Rudolph Straubel,

0:20:34.280 --> 0:20:37.800
<v Speaker 1>who expanded upon Bauersfeld's suggestion. He actually said, wait, this

0:20:37.880 --> 0:20:40.040
<v Speaker 1>is a great idea. We can use a projector and

0:20:40.080 --> 0:20:43.240
<v Speaker 1>not only can the projector show things like the the

0:20:43.280 --> 0:20:45.240
<v Speaker 1>position of planets, which was that that was kind of

0:20:45.280 --> 0:20:47.880
<v Speaker 1>the initial approach was, well, we can show the planets

0:20:47.880 --> 0:20:50.040
<v Speaker 1>this way, so no, we can actually show the stars

0:20:50.040 --> 0:20:52.560
<v Speaker 1>this way too. We don't have to just rely on

0:20:52.640 --> 0:20:54.920
<v Speaker 1>this as being a way of showing the planets. And

0:20:54.960 --> 0:20:57.800
<v Speaker 1>they all began to work on this. Now Strawble would

0:20:57.800 --> 0:21:02.439
<v Speaker 1>eventually leave the museum and this his position working on

0:21:02.480 --> 0:21:06.439
<v Speaker 1>this project because he refused to divorce his Jewish wife.

0:21:07.040 --> 0:21:09.800
<v Speaker 1>So this was the rise of the the Nazis in

0:21:09.880 --> 0:21:13.200
<v Speaker 1>Germany at the time. And um, there's a documentary called

0:21:13.240 --> 0:21:18.800
<v Speaker 1>Planetarium that really follows this and the the general perspective

0:21:18.800 --> 0:21:22.680
<v Speaker 1>on Planetarium is that Strawble was actually a major contributor

0:21:22.840 --> 0:21:26.600
<v Speaker 1>to uh to this first planetarium, but his work was

0:21:26.680 --> 0:21:30.000
<v Speaker 1>all but erased by the Nazis, and then the Nazis

0:21:30.560 --> 0:21:34.840
<v Speaker 1>attempts to erase it were then subsequently erased, partly because

0:21:35.240 --> 0:21:38.680
<v Speaker 1>the the company, the Zeiss Company, got split into two

0:21:38.680 --> 0:21:41.159
<v Speaker 1>companies after World War Two. Half of it was in

0:21:41.160 --> 0:21:43.760
<v Speaker 1>the East Germany, the other half in West Germany and

0:21:43.840 --> 0:21:47.120
<v Speaker 1>too for the West Germany side to uh, to talk

0:21:47.200 --> 0:21:50.680
<v Speaker 1>about strawble would have also been to admit that they

0:21:50.720 --> 0:21:55.560
<v Speaker 1>had bowed to the Nazis uh demands, and so it

0:21:55.640 --> 0:22:00.280
<v Speaker 1>was not politically, uh, let's see what's the right way student,

0:22:00.760 --> 0:22:03.840
<v Speaker 1>it was not prudent at that at that juncture, so

0:22:03.920 --> 0:22:07.080
<v Speaker 1>to speak, to make that admission. So if you're really

0:22:07.119 --> 0:22:10.360
<v Speaker 1>interested to hear more about the the drama behind that

0:22:10.440 --> 0:22:14.560
<v Speaker 1>and also the truly the tragedy behind that story, check

0:22:14.560 --> 0:22:17.840
<v Speaker 1>out the documentary Planetarium at anyway, getting back to the

0:22:17.840 --> 0:22:21.480
<v Speaker 1>planetarium itself, it took years of research and development before

0:22:21.480 --> 0:22:25.239
<v Speaker 1>construction could begin. Right. Also they were there was a

0:22:25.280 --> 0:22:28.600
<v Speaker 1>war from from yeah, there was World War One, yeah,

0:22:28.720 --> 0:22:33.080
<v Speaker 1>and then and then the nineteen yeah, so that we

0:22:33.119 --> 0:22:36.040
<v Speaker 1>had World War one going, so that that puts things

0:22:36.080 --> 0:22:39.719
<v Speaker 1>on hold. Construction will begin in nineteen nineteen. It wouldn't

0:22:39.720 --> 0:22:43.240
<v Speaker 1>be completed until nineteen twenty three and was first shown

0:22:43.440 --> 0:22:47.520
<v Speaker 1>on a rooftop in Yana, Germany, and then would eventually

0:22:47.600 --> 0:22:50.119
<v Speaker 1>move to its permanent home in the Deutsche Museum in

0:22:50.200 --> 0:22:56.040
<v Speaker 1>n And this had what was called a star ball.

0:22:56.240 --> 0:22:58.760
<v Speaker 1>A star ball this is this is a perforated sphere

0:22:58.880 --> 0:23:01.440
<v Speaker 1>that that powerful light can be shown through up onto

0:23:01.440 --> 0:23:05.200
<v Speaker 1>the dome like like we've been talking about um by

0:23:05.200 --> 0:23:07.600
<v Speaker 1>By Around a decade later, domes like this would be

0:23:07.680 --> 0:23:12.520
<v Speaker 1>installed in museums around the world, especially after affordability improvements

0:23:12.560 --> 0:23:15.639
<v Speaker 1>were made to the Zeist device by Armand's fits in

0:23:16.760 --> 0:23:19.520
<v Speaker 1>six He was then the director of the Franklin Institute

0:23:19.520 --> 0:23:23.840
<v Speaker 1>in Philadelphia, and he his innovation was to um to

0:23:23.960 --> 0:23:28.880
<v Speaker 1>scale it down from from a starball to a star dodecahedron.

0:23:29.200 --> 0:23:31.320
<v Speaker 1>Ah yeah, okay, that makes sense. You get a lot

0:23:31.359 --> 0:23:35.240
<v Speaker 1>more flat surfaces. Flat surfaces, it's easier to to machine

0:23:35.680 --> 0:23:39.760
<v Speaker 1>in those days. A sphere is not easy. No, no, Um.

0:23:39.800 --> 0:23:42.000
<v Speaker 1>It was actually suggested to him by Einstein. The story

0:23:42.040 --> 0:23:47.800
<v Speaker 1>goes way to go Einstein, all right, So yeah, UM

0:23:48.040 --> 0:23:50.639
<v Speaker 1>circle of the nineteen sixties lenses would come in to

0:23:50.800 --> 0:23:53.440
<v Speaker 1>use to amplify the appearance of brighter stars to make

0:23:53.440 --> 0:23:56.960
<v Speaker 1>a more realistic starfield and more expensive machines. Around the

0:23:57.000 --> 0:24:00.880
<v Speaker 1>same time, multiple projectors, each with their own star plates.

0:24:01.280 --> 0:24:04.720
<v Speaker 1>UM would let you use lights of different brightnesses to

0:24:05.080 --> 0:24:08.640
<v Speaker 1>project different magnitudes of stars. Gotcha. So yeah, it gets

0:24:08.640 --> 0:24:11.320
<v Speaker 1>a little tricky, like how do you represent the stars

0:24:11.880 --> 0:24:13.960
<v Speaker 1>accurately because some, of course when you look up in

0:24:13.960 --> 0:24:16.480
<v Speaker 1>the sky, are much brighter than others. And there's only

0:24:16.480 --> 0:24:19.639
<v Speaker 1>so much you can do with with machining, different different

0:24:19.680 --> 0:24:22.679
<v Speaker 1>apertures of pin pricks, right right, So yeah, it was

0:24:22.720 --> 0:24:26.120
<v Speaker 1>pretty complicated stuff. So how do they work today? Well,

0:24:26.160 --> 0:24:27.399
<v Speaker 1>if you were to go to the one in the

0:24:27.440 --> 0:24:31.359
<v Speaker 1>Deutsche Museum, it's been updated several times over the course

0:24:31.359 --> 0:24:33.719
<v Speaker 1>of its history, so it's not the same device that

0:24:33.800 --> 0:24:37.560
<v Speaker 1>was installed back in No, it's had some eight million

0:24:37.680 --> 0:24:41.400
<v Speaker 1>visitors or more over the intervening years. And now they

0:24:41.520 --> 0:24:44.399
<v Speaker 1>use a projector that has thirty two different slides to

0:24:44.480 --> 0:24:47.200
<v Speaker 1>create the images of stars and planets on the curve

0:24:47.280 --> 0:24:50.240
<v Speaker 1>surface of the walls and ceiling. Now these slides have

0:24:50.400 --> 0:24:53.400
<v Speaker 1>a fine pattern of holes that correspond to the actual

0:24:53.440 --> 0:24:56.440
<v Speaker 1>position of stars in the night sky above Germany. It's

0:24:56.560 --> 0:24:59.639
<v Speaker 1>specific to that. Yeah, I mean it would be weird

0:24:59.680 --> 0:25:02.200
<v Speaker 1>for them to have a representation of the sky above

0:25:02.240 --> 0:25:04.199
<v Speaker 1>somewhere else. I mean, this is this is you know

0:25:04.600 --> 0:25:07.800
<v Speaker 1>above where the facility is. Each slide is a pair

0:25:07.840 --> 0:25:10.520
<v Speaker 1>of glass panes, you know, like a slide, you know,

0:25:10.600 --> 0:25:14.320
<v Speaker 1>the juicier a microscope or something between these pains. There's

0:25:14.359 --> 0:25:16.960
<v Speaker 1>a thin layer of copper and they punch holes in

0:25:17.000 --> 0:25:20.080
<v Speaker 1>the copper. Now, the size of the hole determines how

0:25:20.160 --> 0:25:22.280
<v Speaker 1>bright the star is going to be, right, so if

0:25:22.280 --> 0:25:24.000
<v Speaker 1>you make a tiny hole, it's going to be a

0:25:24.000 --> 0:25:26.560
<v Speaker 1>relatively faint star. If you make a larger hole, it's

0:25:26.560 --> 0:25:29.399
<v Speaker 1>gonna be a brighter star. The lenses you used to

0:25:29.440 --> 0:25:32.800
<v Speaker 1>help focus that light so that it's the right size,

0:25:33.119 --> 0:25:36.480
<v Speaker 1>so you've got the right brightness and size. Yep. Yeah,

0:25:36.520 --> 0:25:38.080
<v Speaker 1>you don't want to have just this kind of fuzzy

0:25:38.080 --> 0:25:42.720
<v Speaker 1>blurry effect. So generally speaking, you got a lamp that's

0:25:42.800 --> 0:25:45.919
<v Speaker 1>what's providing the back light, and you have special projectors

0:25:45.920 --> 0:25:48.920
<v Speaker 1>for the sun, Moon, the planets, and the Milky Way

0:25:48.960 --> 0:25:51.480
<v Speaker 1>to complete the picture. So this is a multi projector

0:25:51.560 --> 0:25:55.240
<v Speaker 1>set up. Um. Now, the original structure relied on gears

0:25:55.480 --> 0:25:59.040
<v Speaker 1>to turn the projectors precisely to mimic celestial movements, so

0:25:59.440 --> 0:26:02.800
<v Speaker 1>you would actually of someone manually turning some We have

0:26:02.840 --> 0:26:06.520
<v Speaker 1>sense upgraded. Now it's electric motors that do this. Uh.

0:26:06.600 --> 0:26:09.200
<v Speaker 1>And again you have the gear ratios worked out so

0:26:09.240 --> 0:26:12.639
<v Speaker 1>that they mimic the actual movements. So uh, you know,

0:26:12.720 --> 0:26:14.840
<v Speaker 1>you could just have everything turning. But of course that

0:26:14.840 --> 0:26:17.760
<v Speaker 1>wouldn't be accurate to what we actually see in nature.

0:26:18.080 --> 0:26:20.720
<v Speaker 1>You have to be a little more specific so that

0:26:21.080 --> 0:26:23.960
<v Speaker 1>you know when Mars is going past your vision, it's

0:26:23.960 --> 0:26:27.240
<v Speaker 1>doing so at the right speed relative to the other

0:26:27.520 --> 0:26:31.159
<v Speaker 1>other sites in the sky. So, uh. The neat thing

0:26:31.200 --> 0:26:34.680
<v Speaker 1>about this is that you can actually obviously speed things

0:26:34.760 --> 0:26:36.960
<v Speaker 1>up or slow things down. So you could sit there

0:26:37.000 --> 0:26:40.800
<v Speaker 1>and say, all, right, here's what the path of Mars

0:26:40.840 --> 0:26:43.520
<v Speaker 1>looks like over the course of a month, and you

0:26:43.520 --> 0:26:46.159
<v Speaker 1>could show it in in uh, sped up time, so

0:26:46.200 --> 0:26:47.760
<v Speaker 1>you don't actually have to sit there for a month

0:26:47.800 --> 0:26:50.199
<v Speaker 1>to see it happen, right, Or you can reverse it

0:26:50.320 --> 0:26:53.040
<v Speaker 1>so that you can say, here's what Mars did last month, right,

0:26:53.040 --> 0:26:55.880
<v Speaker 1>And then of course that sets time backward. And then,

0:26:55.920 --> 0:26:58.560
<v Speaker 1>because we learned that from Superman, right, if you spend

0:26:58.560 --> 0:27:01.600
<v Speaker 1>the world backwards, then obviously time reverses. It's okay. They

0:27:01.640 --> 0:27:03.639
<v Speaker 1>all have way back machines in turnums, right, so they

0:27:03.680 --> 0:27:06.000
<v Speaker 1>all everything works out in the end by the time

0:27:06.040 --> 0:27:08.080
<v Speaker 1>you leave, everything's right back to where was, so you

0:27:08.080 --> 0:27:11.240
<v Speaker 1>don't have to mess with your watch. That's that's really smart. Now,

0:27:11.520 --> 0:27:15.720
<v Speaker 1>about six of all planetariums still use projectors like this.

0:27:15.920 --> 0:27:20.480
<v Speaker 1>I get this particular figure from the planetarium in Hilo, Hawaii,

0:27:21.480 --> 0:27:25.040
<v Speaker 1>a lovely place to visit, by the way. So they

0:27:25.119 --> 0:27:28.640
<v Speaker 1>use standard video special mechanical projectors to create those images

0:27:28.640 --> 0:27:31.000
<v Speaker 1>of the night sky. But beginning in the nineteen eighties,

0:27:31.000 --> 0:27:34.760
<v Speaker 1>some planetariums began to experiment with going digital rather than analog.

0:27:35.320 --> 0:27:38.080
<v Speaker 1>It wouldn't be until the nineteen nineties that planetariums could

0:27:38.080 --> 0:27:42.800
<v Speaker 1>actually experiment with full dome animated content. Uh Now, full

0:27:42.840 --> 0:27:45.720
<v Speaker 1>dome animated content this is used for lots of stuff.

0:27:45.720 --> 0:27:48.040
<v Speaker 1>It's not just used for planetariums. For example, there are

0:27:48.359 --> 0:27:52.440
<v Speaker 1>virtual environments that use domes to represent things like say

0:27:52.960 --> 0:27:57.919
<v Speaker 1>the sky for a a jet simulator. So these domes

0:27:57.960 --> 0:28:01.040
<v Speaker 1>allow you to have this amazing field view that you

0:28:01.080 --> 0:28:04.879
<v Speaker 1>can then project some sort of virtual environment on and

0:28:04.920 --> 0:28:07.640
<v Speaker 1>that's more effective than say being in a flat room

0:28:07.680 --> 0:28:12.720
<v Speaker 1>with corners and flat surfaces that doesn't usually convey as

0:28:12.800 --> 0:28:16.840
<v Speaker 1>realistic and experience. So for planetariums it's great because it

0:28:16.880 --> 0:28:19.840
<v Speaker 1>can mimic the night sky very well. Uh Now, this

0:28:20.000 --> 0:28:23.639
<v Speaker 1>this full dome approach meant that you could have some

0:28:23.720 --> 0:28:27.520
<v Speaker 1>really cool effects, but it also comes with some challenges.

0:28:27.560 --> 0:28:30.440
<v Speaker 1>It's not uh always easy to do. If you're using

0:28:30.440 --> 0:28:33.760
<v Speaker 1>a multiprojector approach. For example, you have to make sure

0:28:33.760 --> 0:28:35.760
<v Speaker 1>that all of the edges are going to line up

0:28:35.800 --> 0:28:37.680
<v Speaker 1>with each other so that you don't have any kind

0:28:37.680 --> 0:28:40.760
<v Speaker 1>of wackiness in between, right exactly. Let's so, let's say

0:28:40.760 --> 0:28:43.840
<v Speaker 1>that you have a projector that is a certain like

0:28:44.000 --> 0:28:46.000
<v Speaker 1>if you look at the dome as kind of a

0:28:46.000 --> 0:28:48.480
<v Speaker 1>a pie, so you think of a slice of that pie.

0:28:48.520 --> 0:28:51.720
<v Speaker 1>One projector is responsible for that slice. The next projector

0:28:51.760 --> 0:28:54.440
<v Speaker 1>is responsible for the slice next to that. If those

0:28:54.480 --> 0:28:57.239
<v Speaker 1>two projectors are out of alignment, then you're gonna have

0:28:57.280 --> 0:28:59.240
<v Speaker 1>some stars that are overlapping each other. And then you

0:28:59.280 --> 0:29:01.680
<v Speaker 1>have this added to property of light. You know, you

0:29:01.720 --> 0:29:04.920
<v Speaker 1>have light from two different sources hitting the same physical space,

0:29:05.280 --> 0:29:07.320
<v Speaker 1>and it's gonna be blurry, it's gonna be too bright,

0:29:07.440 --> 0:29:10.000
<v Speaker 1>it's not going to represent the actual stars. So this

0:29:10.040 --> 0:29:12.840
<v Speaker 1>is something that has to be very carefully calibrated every

0:29:12.880 --> 0:29:15.480
<v Speaker 1>single time any maintenance is done on it. So this

0:29:15.560 --> 0:29:18.160
<v Speaker 1>is true for all planetariums. It's not just for the

0:29:18.200 --> 0:29:21.640
<v Speaker 1>ones that are multiprojector, but multiprojector in particular, you have

0:29:21.680 --> 0:29:25.280
<v Speaker 1>to make these considerations. Yeah, they generally still call it

0:29:25.520 --> 0:29:27.840
<v Speaker 1>a star ball. By the way, this kind of a

0:29:28.200 --> 0:29:32.120
<v Speaker 1>spherical construction into which all of these projectors are are

0:29:32.200 --> 0:29:35.000
<v Speaker 1>sat is still called a star ball. I think starball

0:29:35.040 --> 0:29:37.160
<v Speaker 1>is a really great word. Starball just I mean it

0:29:37.760 --> 0:29:39.760
<v Speaker 1>sounds like something out of Cardamri Dominancy to me, which

0:29:39.800 --> 0:29:41.280
<v Speaker 1>I think is why I'm so fond of it. I was,

0:29:41.360 --> 0:29:44.200
<v Speaker 1>I was thinking it sounds like a like like a

0:29:44.280 --> 0:29:47.760
<v Speaker 1>John Carpenter movie, but maybe I'm thinking Starman. So yeah,

0:29:47.880 --> 0:29:50.880
<v Speaker 1>it's um, pretty pretty cool. I mean, obviously, if you

0:29:51.040 --> 0:29:53.760
<v Speaker 1>if you wanna have a planetarium, one of the concerns

0:29:53.800 --> 0:29:55.440
<v Speaker 1>you have is that you wanted to be really dark.

0:29:55.840 --> 0:29:57.560
<v Speaker 1>You don't want to have any kind of other light

0:29:57.600 --> 0:30:01.200
<v Speaker 1>bleeding into it because that's going to interrupt the actual

0:30:01.280 --> 0:30:04.320
<v Speaker 1>view that you want. Um. Also, you know, you could

0:30:04.360 --> 0:30:06.719
<v Speaker 1>go with a single projector, which would be at the

0:30:06.760 --> 0:30:10.760
<v Speaker 1>center of the planetarium. So you've got a projector that's

0:30:10.840 --> 0:30:14.400
<v Speaker 1>right in the very middle. Now, one thing that you

0:30:14.440 --> 0:30:17.040
<v Speaker 1>have to keep in mind, there's a drawback there. You

0:30:17.120 --> 0:30:19.840
<v Speaker 1>can't stand in the middle because that's where the actual

0:30:19.880 --> 0:30:22.600
<v Speaker 1>projector is. These things, by the way, cost lots of money,

0:30:23.080 --> 0:30:26.880
<v Speaker 1>you know, sometimes hundreds of thousands of dollars. So generally speaking,

0:30:26.920 --> 0:30:29.120
<v Speaker 1>if you're in a planetarium that has a single projector,

0:30:29.200 --> 0:30:31.320
<v Speaker 1>there tends to be like railings and things like that

0:30:31.400 --> 0:30:33.840
<v Speaker 1>so that you can't get too close and mess with it.

0:30:34.440 --> 0:30:38.160
<v Speaker 1>I remember standing right next to one for a commercial

0:30:38.240 --> 0:30:41.560
<v Speaker 1>for a science fiction convention back when I was thirteen

0:30:41.640 --> 0:30:43.640
<v Speaker 1>years old, and I would never been more terrified in

0:30:43.640 --> 0:30:45.520
<v Speaker 1>my life that I was going to end up bankrupting

0:30:45.560 --> 0:30:50.240
<v Speaker 1>my parents by by accidentally falling against this planetarium projector.

0:30:50.960 --> 0:30:53.760
<v Speaker 1>But yeah, it's it's uh, it's it's usually blocked off.

0:30:53.760 --> 0:30:55.920
<v Speaker 1>It takes up that center space, So one thing you've

0:30:55.920 --> 0:30:58.240
<v Speaker 1>got to keep in mind is that takes up potential

0:30:58.360 --> 0:31:02.000
<v Speaker 1>place for people to sit. However, sitting in the center

0:31:02.040 --> 0:31:05.440
<v Speaker 1>of a planetarium is rarely the best seat, so usually

0:31:05.480 --> 0:31:07.840
<v Speaker 1>you just you just make use of the outer edge

0:31:07.880 --> 0:31:10.560
<v Speaker 1>as much as you possibly can. But with that center

0:31:11.080 --> 0:31:13.640
<v Speaker 1>single projector, you also don't have to worry about bleeding

0:31:13.640 --> 0:31:17.040
<v Speaker 1>into other projectors. Assuming you've got one that's the master

0:31:17.120 --> 0:31:20.360
<v Speaker 1>projector that handles everything including the planets, the Sun, the moon,

0:31:20.480 --> 0:31:23.000
<v Speaker 1>all that stuff, you're good to go. You don't have

0:31:23.080 --> 0:31:26.920
<v Speaker 1>to worry about that those other issues of are these

0:31:26.960 --> 0:31:29.920
<v Speaker 1>things perfectly aligned, because everything should be fine assuming that

0:31:29.920 --> 0:31:32.920
<v Speaker 1>the projector itself is in good working order. The multi

0:31:32.960 --> 0:31:35.480
<v Speaker 1>projector set ups that that that I was talking about

0:31:35.520 --> 0:31:38.320
<v Speaker 1>a second ago are are in those starballs. But I

0:31:38.320 --> 0:31:40.600
<v Speaker 1>but it sounds like, Jonathan, you're talking about a a

0:31:40.680 --> 0:31:43.040
<v Speaker 1>different kind of projector set up. Yeah, there's actually there

0:31:43.040 --> 0:31:44.640
<v Speaker 1>are different ways you can do this. You can have

0:31:44.680 --> 0:31:47.280
<v Speaker 1>the multi projector all in the center, which is similar

0:31:47.280 --> 0:31:50.200
<v Speaker 1>to that single projector I was just talking about, which

0:31:50.240 --> 0:31:53.440
<v Speaker 1>may or may not have multiple lenses on it. In fact,

0:31:53.480 --> 0:31:56.200
<v Speaker 1>it usually does have multiple lenses on it, so it

0:31:56.240 --> 0:31:59.040
<v Speaker 1>can look a lot like the multi projector set up.

0:31:59.240 --> 0:32:01.080
<v Speaker 1>But there are other mule projector set ups where it

0:32:01.120 --> 0:32:03.320
<v Speaker 1>leaves the center completely clear. And the way they do

0:32:03.360 --> 0:32:06.080
<v Speaker 1>that is they set the projectors up along the inside

0:32:06.440 --> 0:32:09.920
<v Speaker 1>perimeter of this dome and they use mirrors to reflect

0:32:10.000 --> 0:32:12.000
<v Speaker 1>the light from the projectors so that it hits the

0:32:12.040 --> 0:32:14.360
<v Speaker 1>precise spots on the inside of the dome, so you

0:32:14.440 --> 0:32:18.120
<v Speaker 1>get that starry night appear. So, yeah, you know, they're multiple.

0:32:18.200 --> 0:32:20.920
<v Speaker 1>The nice thing is is that once you know the

0:32:20.960 --> 0:32:23.920
<v Speaker 1>actual movement of the celestial bodies and you're able to

0:32:23.960 --> 0:32:29.040
<v Speaker 1>represent them accurately, there are multiple ways to actually achieve that,

0:32:29.200 --> 0:32:31.640
<v Speaker 1>and that's the cool thing. Is that we've seen lots

0:32:31.680 --> 0:32:34.920
<v Speaker 1>of different approaches to this particular problem and all of

0:32:34.920 --> 0:32:37.480
<v Speaker 1>them work. They just work in different ways, which is

0:32:37.480 --> 0:32:40.280
<v Speaker 1>pretty awesome. It just shows the ingenuity of people when

0:32:40.280 --> 0:32:42.160
<v Speaker 1>it comes to I want to represent this thing that's

0:32:42.200 --> 0:32:44.480
<v Speaker 1>in nature, how do I do that? And people come

0:32:44.560 --> 0:32:47.400
<v Speaker 1>up with completely different ideas that all work the uh

0:32:47.440 --> 0:32:50.960
<v Speaker 1>you know, equally well, just in different ways. So we

0:32:51.040 --> 0:32:53.880
<v Speaker 1>actually have we have a couple of planetariums here in

0:32:53.920 --> 0:32:57.040
<v Speaker 1>Atlanta that uh you know, I think fern Bank has one,

0:32:57.120 --> 0:33:01.000
<v Speaker 1>but Emory also has one, and uh, Emery is interesting

0:33:01.320 --> 0:33:04.400
<v Speaker 1>for a couple of different reasons. One is that it

0:33:04.400 --> 0:33:07.480
<v Speaker 1>it's a classroom as well as a planetarium, so it

0:33:07.520 --> 0:33:11.120
<v Speaker 1>can actually double up. And in fact, the planetarium stuff

0:33:11.160 --> 0:33:13.280
<v Speaker 1>can fade off into the background so that it can

0:33:13.280 --> 0:33:15.640
<v Speaker 1>just be a regular schoolroom. And by by by fade off,

0:33:15.680 --> 0:33:18.080
<v Speaker 1>you mean you mean sink into the floor like a

0:33:18.120 --> 0:33:21.400
<v Speaker 1>super villain layer. Apparently in Atlanta we have this thing

0:33:21.680 --> 0:33:25.960
<v Speaker 1>about incredible equipment sinking into the floor. It's it's the

0:33:26.000 --> 0:33:29.560
<v Speaker 1>planetarium at Emory, it's the Mighty mo Organ over at

0:33:29.600 --> 0:33:31.560
<v Speaker 1>the Fox Theater. Why don't why don't we have this

0:33:31.600 --> 0:33:34.160
<v Speaker 1>in the office anywhere? Yeah, you know, I think Ben

0:33:34.280 --> 0:33:36.440
<v Speaker 1>sunk into the floor once, but I'm not sure that

0:33:36.480 --> 0:33:40.160
<v Speaker 1>anyone besides me saw it, so I could just be crazy,

0:33:40.320 --> 0:33:42.640
<v Speaker 1>but I don't know. Sometimes he likes to make me

0:33:42.680 --> 0:33:44.400
<v Speaker 1>think that. The other reason why I wanted to bring

0:33:44.440 --> 0:33:48.160
<v Speaker 1>it up is because the planetarium itself has a projector

0:33:48.240 --> 0:33:52.280
<v Speaker 1>called the Zeiss Skymaster z k P three, which is

0:33:52.320 --> 0:33:55.840
<v Speaker 1>cool because it's it's Yeah, it's from the same company

0:33:55.880 --> 0:34:00.160
<v Speaker 1>that made the very first planetarium projector, so again, they're

0:34:00.200 --> 0:34:03.000
<v Speaker 1>still in business, they're still making that. This one was installed,

0:34:03.000 --> 0:34:05.080
<v Speaker 1>I believe in two thousand two, so it wasn't it

0:34:05.160 --> 0:34:08.840
<v Speaker 1>wasn't that long ago. Now, the one at Emory is

0:34:08.840 --> 0:34:11.759
<v Speaker 1>computer controlled. It's got a keyboard for manual input and

0:34:11.840 --> 0:34:15.759
<v Speaker 1>has thirty nine different projecting lenses of different sizes that

0:34:15.840 --> 0:34:18.440
<v Speaker 1>create the stars, planets, and other celestial bodies on the

0:34:18.480 --> 0:34:20.920
<v Speaker 1>inner surface of the dome, and can project more than

0:34:21.000 --> 0:34:25.360
<v Speaker 1>seven thousand individual stars, plus star clusters, nebula galaxies, the

0:34:25.400 --> 0:34:28.239
<v Speaker 1>Milky Way, the planets, Sun, the Moon, and it can

0:34:28.280 --> 0:34:33.239
<v Speaker 1>superimpose lines between stars to illustrate constellations. So if you

0:34:33.400 --> 0:34:37.799
<v Speaker 1>hear about these constellations and you think I just looks

0:34:37.800 --> 0:34:41.040
<v Speaker 1>like a cluster of stars. I don't. I don't get it.

0:34:41.320 --> 0:34:46.200
<v Speaker 1>Then they can actually show the connections that uh the

0:34:46.320 --> 0:34:49.160
<v Speaker 1>inspired the imaginations of people thousands of years ago to

0:34:49.200 --> 0:34:54.520
<v Speaker 1>call the stars wacky things like Oryan. Yeah, I always

0:34:54.520 --> 0:34:56.640
<v Speaker 1>had trouble with those. The only one I could ever

0:34:56.680 --> 0:34:58.279
<v Speaker 1>pick out was O. Ryan, because I could pick out

0:34:58.280 --> 0:35:01.560
<v Speaker 1>A Ryan's belt. But otherwise I was, I was hopeless.

0:35:01.560 --> 0:35:02.640
<v Speaker 1>I was. I was a whiz at it. When I

0:35:02.719 --> 0:35:05.720
<v Speaker 1>was a kid. I had a really big astronomy phase. Yeah,

0:35:05.760 --> 0:35:07.920
<v Speaker 1>I wish I had taken a course in astronomy. I

0:35:07.960 --> 0:35:10.480
<v Speaker 1>never did. Uh. The one that Emory also usually shows

0:35:10.480 --> 0:35:13.400
<v Speaker 1>the sky over Atlanta. Again, no big surprise, but because

0:35:13.480 --> 0:35:15.719
<v Speaker 1>it is a computer system, it's one of those that

0:35:15.760 --> 0:35:18.440
<v Speaker 1>can show you the sky over any given point on

0:35:18.520 --> 0:35:21.120
<v Speaker 1>the art at any given time, so you can set

0:35:21.120 --> 0:35:24.279
<v Speaker 1>it for whenever. Now. Um. The other cool thing about

0:35:24.400 --> 0:35:27.239
<v Speaker 1>is that it's connected to a telescope that's on the

0:35:27.280 --> 0:35:30.399
<v Speaker 1>building's rooftop, and they have a direct video feed from

0:35:30.400 --> 0:35:33.719
<v Speaker 1>the telescope to the planetarium, so for astronomical events you

0:35:33.760 --> 0:35:36.319
<v Speaker 1>can go and you know, yeah, just watch it, and

0:35:36.400 --> 0:35:39.279
<v Speaker 1>just watch it from on the ceiling of this planetarium,

0:35:39.320 --> 0:35:41.560
<v Speaker 1>which is you know, you could see a live event.

0:35:41.600 --> 0:35:44.279
<v Speaker 1>They they've hosted several live events there, not all of

0:35:44.280 --> 0:35:47.279
<v Speaker 1>them were some that you could watch through the telescope. Like, uh,

0:35:47.560 --> 0:35:51.320
<v Speaker 1>I'm pretty sure that the Mars Rover landing you probably

0:35:51.320 --> 0:35:54.239
<v Speaker 1>couldn't see through the telescope. I cannot imagine that would

0:35:54.239 --> 0:35:57.520
<v Speaker 1>be possible now. But but they do show some interesting

0:35:57.520 --> 0:36:01.479
<v Speaker 1>feeds from various sources. So the days, I mean, as

0:36:01.520 --> 0:36:04.480
<v Speaker 1>impressive as that planetarium is and as proud as I

0:36:04.520 --> 0:36:07.719
<v Speaker 1>am as a as a native at Lantin, that's here. Uh,

0:36:07.760 --> 0:36:12.160
<v Speaker 1>there are others that are even more sophisticated. We're talking

0:36:12.400 --> 0:36:16.239
<v Speaker 1>four K or eight K projectors. So you know, think

0:36:16.239 --> 0:36:19.080
<v Speaker 1>of the general rule of thumb, and granted it's a

0:36:19.200 --> 0:36:22.120
<v Speaker 1>rough rule of thumb, is four K means four times

0:36:22.160 --> 0:36:27.080
<v Speaker 1>the the resolution of say a ten eight high definition television.

0:36:27.120 --> 0:36:29.439
<v Speaker 1>That that's when you get into ultra high definition. Yeah,

0:36:29.480 --> 0:36:31.719
<v Speaker 1>this is this is way more high def than your

0:36:31.800 --> 0:36:35.719
<v Speaker 1>local cinema. Yeah, eight K even more so. Uh yeah,

0:36:35.760 --> 0:36:37.560
<v Speaker 1>even if you have a four K cinema near you,

0:36:37.680 --> 0:36:40.160
<v Speaker 1>eight K twice as good really as when you get

0:36:40.200 --> 0:36:43.560
<v Speaker 1>down to it. Again, that's very rough. I mean, anyone

0:36:43.560 --> 0:36:47.120
<v Speaker 1>who's a true video file is cringing when I say this,

0:36:47.239 --> 0:36:50.319
<v Speaker 1>but yeah, you can go and see planetariums use eight

0:36:50.400 --> 0:36:52.960
<v Speaker 1>K projectors. Some of them have full three D effects

0:36:52.960 --> 0:36:55.240
<v Speaker 1>at six D frames per second, so you can actually

0:36:55.239 --> 0:36:58.080
<v Speaker 1>feel like you're floating through space. They can take you

0:36:58.120 --> 0:37:01.560
<v Speaker 1>on on journeys all the way around the Solar System

0:37:01.640 --> 0:37:05.120
<v Speaker 1>and the galaxy. You've got data feeds from all over,

0:37:05.160 --> 0:37:08.160
<v Speaker 1>like including space probes. It's pretty incredible. So oh yeah, yeah,

0:37:08.200 --> 0:37:10.719
<v Speaker 1>some of these things can show over nine thousand stars

0:37:10.760 --> 0:37:13.640
<v Speaker 1>that ago, go backward and forward ten thousand years into

0:37:13.680 --> 0:37:16.839
<v Speaker 1>the past and future. Um and and right take you

0:37:16.920 --> 0:37:20.319
<v Speaker 1>so far beyond Earth to to show any kind of

0:37:20.840 --> 0:37:23.520
<v Speaker 1>any kind of data that we have anywhere in the universe.

0:37:23.760 --> 0:37:27.520
<v Speaker 1>Um and you can you can composite the astronomer's data

0:37:27.600 --> 0:37:31.160
<v Speaker 1>and and artists composits. Yeah, it's fantastic. I love the

0:37:31.200 --> 0:37:33.720
<v Speaker 1>idea of also being able to see things like here's

0:37:33.760 --> 0:37:35.520
<v Speaker 1>what the night sky would look like if you were

0:37:35.520 --> 0:37:38.160
<v Speaker 1>on Mars, right. I mean, that's incredible stuff that we

0:37:38.600 --> 0:37:42.160
<v Speaker 1>clearly most of us are not going to ever have

0:37:42.239 --> 0:37:45.040
<v Speaker 1>the chance of looking at the stars from the surface

0:37:45.040 --> 0:37:47.960
<v Speaker 1>of another planet, or to go into the center or

0:37:47.960 --> 0:37:50.200
<v Speaker 1>a galaxy and check out the black hole there. Yeah,

0:37:50.200 --> 0:37:53.840
<v Speaker 1>I had plans and they got canceled. The other couple

0:37:53.880 --> 0:37:55.640
<v Speaker 1>that was gonna go with us something came up, and

0:37:55.920 --> 0:37:58.279
<v Speaker 1>when that happened, Yeah, so rude. That's the nice thing

0:37:58.280 --> 0:38:00.880
<v Speaker 1>about the planetariums is they give us this opportunity to

0:38:01.040 --> 0:38:04.319
<v Speaker 1>journey to places we physically could not get to and

0:38:04.360 --> 0:38:09.800
<v Speaker 1>really understand more about our galaxy and the way everything

0:38:09.880 --> 0:38:12.359
<v Speaker 1>seems to work in relation to each other based upon

0:38:12.360 --> 0:38:14.879
<v Speaker 1>our knowledge now. And the other nice thing about planetariums

0:38:14.960 --> 0:38:20.120
<v Speaker 1>is that these facilities update as our understanding grows. So

0:38:20.280 --> 0:38:23.279
<v Speaker 1>there are times when we might learn something that ends

0:38:23.320 --> 0:38:26.920
<v Speaker 1>up affecting the way a planetarium is displaying the night sky,

0:38:27.160 --> 0:38:31.880
<v Speaker 1>and it's pretty easy with digital projection to fix it relatively. Yeah,

0:38:32.040 --> 0:38:34.120
<v Speaker 1>and so you might even be able to watch something

0:38:34.200 --> 0:38:37.319
<v Speaker 1>like here's what a supernova looks like. And you know,

0:38:37.360 --> 0:38:40.719
<v Speaker 1>there there have been events in the past where they've

0:38:40.760 --> 0:38:44.080
<v Speaker 1>been amazing astronomical events, but many of them happened before

0:38:44.560 --> 0:38:47.279
<v Speaker 1>most of us were alive, So it'd be really cool

0:38:47.360 --> 0:38:50.439
<v Speaker 1>to be able to see those kind of representations things

0:38:50.480 --> 0:38:54.840
<v Speaker 1>like uh Hallie's comment as another good example, or maybe

0:38:54.880 --> 0:38:56.880
<v Speaker 1>if you wanted to see what it would look like

0:38:56.960 --> 0:38:59.200
<v Speaker 1>with some of the other famous comments that have gone by,

0:38:59.400 --> 0:39:02.120
<v Speaker 1>but you never chance when they actually happened. Maybe it

0:39:02.160 --> 0:39:04.680
<v Speaker 1>was cloudy that day, or maybe you weren't born yet,

0:39:05.160 --> 0:39:07.840
<v Speaker 1>it would give you the opportunity. So super cool stuff.

0:39:08.480 --> 0:39:11.279
<v Speaker 1>Um really interesting again to look into it, and the

0:39:11.320 --> 0:39:15.279
<v Speaker 1>fact that so many different people have created similar but

0:39:15.480 --> 0:39:19.560
<v Speaker 1>different approaches for this same purpose is really cool. I mean,

0:39:19.560 --> 0:39:22.840
<v Speaker 1>it's it's it's rare when we talk about a technology

0:39:22.920 --> 0:39:25.560
<v Speaker 1>where there are all these multiple pathways that get to

0:39:25.560 --> 0:39:29.759
<v Speaker 1>the same destination. Usually we talk about convergence, where you know,

0:39:29.840 --> 0:39:32.719
<v Speaker 1>competing technologies start to fall away until you have a

0:39:32.719 --> 0:39:37.000
<v Speaker 1>clear front runner or maybe two possible ones. But with

0:39:37.080 --> 0:39:39.120
<v Speaker 1>this there are lots of different ways. Oh yeah, and

0:39:39.160 --> 0:39:42.920
<v Speaker 1>all of these interactions with multiple disciplines of of bringing

0:39:42.960 --> 0:39:45.840
<v Speaker 1>together the knowledge that we have been gathering over the

0:39:45.880 --> 0:39:49.520
<v Speaker 1>centuries about the universe around us, along with the optics

0:39:49.560 --> 0:39:52.920
<v Speaker 1>fields that have let us use these technologies to to

0:39:53.040 --> 0:39:56.799
<v Speaker 1>project stuff onto a ceiling. Yeah, I mean it's I mean,

0:39:56.840 --> 0:39:59.680
<v Speaker 1>it sounds it sounds so ludicrously simple when you say

0:39:59.719 --> 0:40:01.640
<v Speaker 1>it that way, right, But yeah, all you have to

0:40:01.680 --> 0:40:05.600
<v Speaker 1>do go to go to a planetarium. Guys, go to

0:40:05.640 --> 0:40:09.920
<v Speaker 1>a planetarium, and especially if the the projector is something

0:40:09.960 --> 0:40:12.200
<v Speaker 1>that's that's in view, take a really good look at

0:40:12.239 --> 0:40:14.560
<v Speaker 1>that thing, because send us pictures of it if they

0:40:14.640 --> 0:40:17.200
<v Speaker 1>let you. They're pretty phenomenal. Yeah. Yeah. And if you

0:40:17.239 --> 0:40:20.759
<v Speaker 1>work at a facility that has a planetarium and you think, hey,

0:40:20.800 --> 0:40:23.120
<v Speaker 1>the tech stuff, guys, they should really go and see

0:40:23.160 --> 0:40:27.160
<v Speaker 1>this place, let us know because we totally would go. Yeah.

0:40:27.200 --> 0:40:28.759
<v Speaker 1>I mean, I like Pink Floyd as much as the

0:40:28.800 --> 0:40:32.480
<v Speaker 1>next guy. So they're one of the planetariums in Atlanta,

0:40:32.520 --> 0:40:35.040
<v Speaker 1>would do Pink Floyd show. I think there would be

0:40:35.040 --> 0:40:38.719
<v Speaker 1>a little lasers that would go on inside and stuff. Um,

0:40:39.000 --> 0:40:41.279
<v Speaker 1>not really my scene, actually, I just I'd like to

0:40:41.360 --> 0:40:43.600
<v Speaker 1>reference it. But no, we really do find this kind

0:40:43.600 --> 0:40:46.719
<v Speaker 1>of stuff fascinating. So guys, if there's a technology that

0:40:46.840 --> 0:40:49.479
<v Speaker 1>you find fascinating but you've always wanted to know more about,

0:40:49.600 --> 0:40:51.040
<v Speaker 1>you want to know the history, you want to know

0:40:51.080 --> 0:40:55.000
<v Speaker 1>how it works, you want to know the the social implications,

0:40:55.200 --> 0:40:59.160
<v Speaker 1>how is it culturally significant? Anything like that. Let us

0:40:59.160 --> 0:41:02.759
<v Speaker 1>not send this email our addresses tech stuffs at Discovery

0:41:02.880 --> 0:41:05.680
<v Speaker 1>dot com, or drop us a line on Facebook, Twitter

0:41:05.800 --> 0:41:08.360
<v Speaker 1>or Tumbler or handle it. All three is tech stuff

0:41:08.640 --> 0:41:12.200
<v Speaker 1>hs WTH and we'll talk to you again really soon

0:41:16.320 --> 0:41:18.759
<v Speaker 1>for more on this and thousands of other topics because

0:41:18.800 --> 0:41:29.760
<v Speaker 1>it has stuff. Work dot com