1 00:00:02,000 --> 00:00:05,360 Speaker 1: Welcome back to another episode of Alchemy. This I'm your host, 2 00:00:05,480 --> 00:00:09,240 Speaker 1: Kevin Pollock. Yes that Kevin Pollock's sure. If that's why 3 00:00:09,240 --> 00:00:11,800 Speaker 1: you want to play it, your move, monkey boy, But 4 00:00:11,840 --> 00:00:15,720 Speaker 1: I digress. Let's meet our alchemists for today in particular order. 5 00:00:16,000 --> 00:00:18,560 Speaker 1: Please say hello and how do you do to Vanessa 6 00:00:18,640 --> 00:00:24,000 Speaker 1: Raglan Vaniche? Do you remember what your last locker combination was? No, 7 00:00:24,079 --> 00:00:29,000 Speaker 1: not even at the time. Sorry, you're constantly asking people. 8 00:00:29,000 --> 00:00:31,920 Speaker 1: I had to have it written down in my backpacks. 9 00:00:32,159 --> 00:00:34,040 Speaker 1: I ended up just sharing my best friends locker because 10 00:00:34,040 --> 00:00:36,360 Speaker 1: I'm not good the number. Couldn't you question the lock 11 00:00:36,479 --> 00:00:43,559 Speaker 1: with a key? You can't do that? Request locker with 12 00:00:43,640 --> 00:00:47,320 Speaker 1: a key? Oh, I'd like a different style. Yeah, you 13 00:00:47,320 --> 00:00:50,080 Speaker 1: didn't work for me. You didn't go to the all 14 00:00:50,120 --> 00:00:55,120 Speaker 1: men's military elementary school like James. Power of the People. 15 00:00:55,120 --> 00:00:58,000 Speaker 1: It's Craig atkowski y. If you could create and teach 16 00:00:58,040 --> 00:01:01,480 Speaker 1: a new high school course, what would be how to 17 00:01:01,560 --> 00:01:07,240 Speaker 1: get the funk out of as soon as single most 18 00:01:07,240 --> 00:01:13,440 Speaker 1: popular class in the history. That's right, illuminated your mind. 19 00:01:13,480 --> 00:01:18,000 Speaker 1: There's James Heeney, Jimmy Jackalope, ken straight talking kid from 20 00:01:18,040 --> 00:01:23,160 Speaker 1: the Midwest. Ever get far a fair shaking the city. 21 00:01:24,080 --> 00:01:31,759 Speaker 1: I fooled myself with my horrible typing on Kevin translating, 22 00:01:33,280 --> 00:01:36,280 Speaker 1: let's try it again, Jimmy Jacklope, kind of straight talking 23 00:01:36,360 --> 00:01:38,520 Speaker 1: kid from the Midwest. Ever get a fair shake in 24 00:01:38,520 --> 00:01:42,000 Speaker 1: the city. I mean, the city is definitely shaking me, 25 00:01:42,080 --> 00:01:46,679 Speaker 1: that's for sure. Who you gonna call? It's Joey Grair 26 00:01:47,640 --> 00:01:54,400 Speaker 1: stir down there? Yeah, um, what the hell Joey Greer? Uh? 27 00:01:54,520 --> 00:02:00,400 Speaker 1: The end is Greaer. What's that smell? Bo? Yeah? Oh man, 28 00:02:00,480 --> 00:02:03,880 Speaker 1: I love that smell that Greer sweet? Be you all right? 29 00:02:03,920 --> 00:02:05,840 Speaker 1: Let's get to our first scene showing all of today's 30 00:02:05,840 --> 00:02:08,480 Speaker 1: It's seen. Suggestions were gathered from our listeners emails. If 31 00:02:08,480 --> 00:02:10,360 Speaker 1: you'd like to sus to make yours, please write to 32 00:02:10,400 --> 00:02:13,040 Speaker 1: the podcast at your name here at alchemy this dot com. 33 00:02:13,200 --> 00:02:16,560 Speaker 1: That's your name here at alchemy this dot com. Our 34 00:02:16,600 --> 00:02:19,480 Speaker 1: first scene today indeed comes from a listener. His name 35 00:02:19,520 --> 00:02:22,359 Speaker 1: is Rob, who wrote, Hi, guys, I've been listening ever 36 00:02:22,440 --> 00:02:25,360 Speaker 1: since day one, and your podcast has become a treat 37 00:02:25,400 --> 00:02:28,680 Speaker 1: to listen to with a cold beverage after a long 38 00:02:28,840 --> 00:02:32,880 Speaker 1: day of monkeying around with spreadsheets and data nonsense at work. 39 00:02:33,360 --> 00:02:35,959 Speaker 1: Dare I say it's the only thing getting me through 40 00:02:36,000 --> 00:02:41,000 Speaker 1: Tuesdays and Thursdays. Ah No, I don't, he wrote. Uh. 41 00:02:41,120 --> 00:02:45,280 Speaker 1: My suggestion is this disgraced scientist takes a job as 42 00:02:45,320 --> 00:02:48,040 Speaker 1: a museum guide in a small town in an effort 43 00:02:48,040 --> 00:02:51,359 Speaker 1: to spread his groundbreaking and revolutionary grand theory of everything 44 00:02:52,000 --> 00:02:55,440 Speaker 1: to the confused and unprepared visitors. Keep up the good work, 45 00:02:55,720 --> 00:03:02,720 Speaker 1: Rob Plymouth, UK, United Kingdom. I like the impressionists. Where 46 00:03:02,760 --> 00:03:08,600 Speaker 1: are the impressionists? This is nature and nature and history museums, 47 00:03:08,600 --> 00:03:12,000 Speaker 1: so we don't really have impressions water lilies, Well, the 48 00:03:12,040 --> 00:03:16,239 Speaker 1: water lilies are in the botanical section here. Yeah, I 49 00:03:16,320 --> 00:03:18,400 Speaker 1: work here. Okay, so we came to see her. Where 50 00:03:18,440 --> 00:03:21,079 Speaker 1: are we going? This is a This is the National 51 00:03:21,200 --> 00:03:24,679 Speaker 1: History Museum, right, So are there paintings? I mean it 52 00:03:25,080 --> 00:03:29,519 Speaker 1: was a different museum a moment ago. Are you sure? 53 00:03:29,560 --> 00:03:33,600 Speaker 1: You said yes? Where would we see the paintings? Like, well, 54 00:03:33,639 --> 00:03:37,000 Speaker 1: there are paintings, but there are paintings of old history. 55 00:03:37,160 --> 00:03:41,400 Speaker 1: This is the National History Museum. This is the National 56 00:03:41,520 --> 00:03:46,280 Speaker 1: History Museum. It doesn't seem what's the national part mean? Well, honestly, 57 00:03:46,320 --> 00:03:49,560 Speaker 1: it's uh. I believe it stands for international because a 58 00:03:49,600 --> 00:03:52,560 Speaker 1: lot of these things come from all over the way 59 00:03:52,640 --> 00:04:01,800 Speaker 1: international Internet. Rick, this is the Museum of Natural History, 60 00:04:02,280 --> 00:04:07,960 Speaker 1: Natural History. Well, at first you said this is the 61 00:04:08,040 --> 00:04:11,839 Speaker 1: Museum of Nature and History, implying that there are two 62 00:04:11,880 --> 00:04:15,600 Speaker 1: different ways, and then you said National History, and then 63 00:04:15,640 --> 00:04:19,479 Speaker 1: you said national stands for international, which I think it 64 00:04:19,560 --> 00:04:24,880 Speaker 1: almost completely doesn't other dude, Yes, other paintings we could 65 00:04:24,880 --> 00:04:29,480 Speaker 1: see here. This is not an art museum. Thank you. 66 00:04:29,760 --> 00:04:32,280 Speaker 1: I am so sorry for misleading you, but yes, thank you. 67 00:04:32,360 --> 00:04:35,159 Speaker 1: But there are things that are painted. Where can I 68 00:04:35,200 --> 00:04:37,800 Speaker 1: get a postcard or some of the paintings here? I'm 69 00:04:37,839 --> 00:04:40,480 Speaker 1: in the going to You came up at the perfect time. 70 00:04:40,960 --> 00:04:45,839 Speaker 1: There's no paintings here, but there's postcards right here. We 71 00:04:45,920 --> 00:04:48,000 Speaker 1: have postcards in our gift show. Isn't this the Nature 72 00:04:48,120 --> 00:04:52,560 Speaker 1: and History Museum? Oh it's not. I'm sorry to you 73 00:04:52,600 --> 00:04:54,760 Speaker 1: a little bit earlier. I don't pay taxes for this? 74 00:04:54,800 --> 00:04:57,479 Speaker 1: Is that right? You don't pay taxes for this? That 75 00:04:57,640 --> 00:05:00,960 Speaker 1: is right? Do you pay taxes? Man? I do pay taxes. 76 00:05:01,000 --> 00:05:03,960 Speaker 1: Do I not pay taxes? I have no idea if 77 00:05:03,960 --> 00:05:06,359 Speaker 1: you pay taxes anyone this guy's account. How do we 78 00:05:06,400 --> 00:05:09,919 Speaker 1: know if you pay your taxes? Dude? Okay, the eleven 79 00:05:09,960 --> 00:05:14,359 Speaker 1: o'clock tour is about to start. Yeah, so Rick? Is 80 00:05:14,400 --> 00:05:19,040 Speaker 1: it almost eleven o'clock? Safe in Rick's hands? He doesn't 81 00:05:19,040 --> 00:05:21,640 Speaker 1: seem to know much. I've been shadowing Luke for a 82 00:05:21,680 --> 00:05:24,080 Speaker 1: long time, and I do believe that I'm ready. Okay, 83 00:05:24,360 --> 00:05:27,440 Speaker 1: shadow me twice. I'm down for this. It really makes 84 00:05:27,440 --> 00:05:29,560 Speaker 1: me nervous. Or you're not going to shadow behind me, 85 00:05:29,760 --> 00:05:33,200 Speaker 1: I'm going to shadow behind you. Why don't you just 86 00:05:33,279 --> 00:05:38,359 Speaker 1: lead it? Why doesn't Luke leaded? I excuse me, But 87 00:05:38,400 --> 00:05:41,120 Speaker 1: if I don't eventually get my own, well, Luke shadow 88 00:05:41,120 --> 00:05:43,000 Speaker 1: Smith and I'll never be able to do my own tours. 89 00:05:43,040 --> 00:05:45,280 Speaker 1: How's that our problem? Yeah? You don't even know the 90 00:05:45,360 --> 00:05:53,239 Speaker 1: name of the museum. Fine, fine, I'll shadow again. All right, okay, folks, 91 00:05:53,640 --> 00:06:02,200 Speaker 1: if you can follow me into Slippery just the floors? Yeah, Rick, 92 00:06:02,279 --> 00:06:04,839 Speaker 1: did you do some of the mo I am above 93 00:06:04,880 --> 00:06:07,320 Speaker 1: mopping the floors here at the National Museum of Art. 94 00:06:07,720 --> 00:06:11,159 Speaker 1: I was one of the mop Someone has a question 95 00:06:11,160 --> 00:06:14,560 Speaker 1: about Mark, who wasn't a question. It was a near fault, 96 00:06:15,040 --> 00:06:17,160 Speaker 1: more of an observation. But let me tell you what 97 00:06:17,240 --> 00:06:19,720 Speaker 1: I use. I use hot water and then I use 98 00:06:19,760 --> 00:06:25,000 Speaker 1: flakes of my spit. We have to go on to goodbye, 99 00:06:25,320 --> 00:06:28,320 Speaker 1: I'm having to anything. Okay, that's old man Marcus. He's 100 00:06:28,320 --> 00:06:31,400 Speaker 1: our custodian and he will be popping up on the 101 00:06:31,440 --> 00:06:33,800 Speaker 1: tour from time to time. Just you know, how did 102 00:06:33,800 --> 00:06:36,160 Speaker 1: he get the name old Man Marcus. Well, he used 103 00:06:36,200 --> 00:06:39,480 Speaker 1: to just be Marcus, but time has a way of things. 104 00:06:39,680 --> 00:06:46,240 Speaker 1: He doesn't look that old. You guys are very generous. 105 00:06:46,320 --> 00:06:50,680 Speaker 1: It's it's old for custodian. Usually you use that as 106 00:06:50,680 --> 00:06:55,840 Speaker 1: a chumping off platform. Sorry we did old Man Marcus 107 00:06:55,839 --> 00:06:59,799 Speaker 1: did just mop the floors all around. Question about mom. 108 00:07:01,160 --> 00:07:04,680 Speaker 1: Nobody has a question about mopping. It's pretty straightforward. In 109 00:07:04,720 --> 00:07:07,680 Speaker 1: a chair, the mop is made out of my hair. 110 00:07:09,560 --> 00:07:12,560 Speaker 1: If you need to be pushed around a wheelchair or 111 00:07:13,240 --> 00:07:19,680 Speaker 1: a chair, scoot fun on this, Luke Wind, Is the 112 00:07:20,480 --> 00:07:26,200 Speaker 1: museum tour actually begin? Well, we're on the tour right now. Yeah, 113 00:07:26,280 --> 00:07:28,280 Speaker 1: we haven't had a chance to actually begin. If you 114 00:07:28,280 --> 00:07:32,280 Speaker 1: can follow me into the main hallway. Well that what 115 00:07:32,440 --> 00:07:37,520 Speaker 1: the hell are we justin? Was that? Nothing? Was? I 116 00:07:37,560 --> 00:07:41,720 Speaker 1: thought that was an atrium. Typically people are ooing and 117 00:07:41,760 --> 00:07:44,960 Speaker 1: awing at the grand display of skeletons that we have 118 00:07:45,080 --> 00:07:49,880 Speaker 1: here in the main hallway. Dinosaur Dinosaurs is a dinosaur 119 00:07:49,960 --> 00:07:54,480 Speaker 1: that's a diplosaurus. Diplosaurus. Uh, well, good portions of it 120 00:07:54,520 --> 00:07:57,880 Speaker 1: aren't real and summer replaced with plaster. Also, dinosaurs are fake, 121 00:07:58,000 --> 00:08:01,800 Speaker 1: I know it. No, dinosaurs are not fake. Prob Wrong. 122 00:08:02,160 --> 00:08:05,080 Speaker 1: I don't see any walking around now. No, he's got 123 00:08:05,120 --> 00:08:09,960 Speaker 1: a good point. Meat tasted like nothing. It was fake chicken? 124 00:08:10,640 --> 00:08:13,600 Speaker 1: Maybe chicken? My guess, is it tastes like chicken? What 125 00:08:13,680 --> 00:08:18,160 Speaker 1: a beautiful room, Luke? Well, the dinosaurs were actually ancestors 126 00:08:18,200 --> 00:08:20,520 Speaker 1: of the modern day birds, so it's it's not so 127 00:08:20,640 --> 00:08:22,360 Speaker 1: much of a stretch to imagine that it might have 128 00:08:22,400 --> 00:08:26,480 Speaker 1: tasted like ch Is that part of the normal tour 129 00:08:27,840 --> 00:08:31,120 Speaker 1: solider than that? Take a fit of my hair. Yeah, 130 00:08:31,160 --> 00:08:39,000 Speaker 1: but some dinosaurs are tiny too, sir. Let's give k 131 00:08:39,040 --> 00:08:41,760 Speaker 1: a chance. Which one of the dinosaurs were tiny like 132 00:08:41,800 --> 00:08:50,120 Speaker 1: the birds, Thesaurusaurus. This is a very controversial as to 133 00:08:50,160 --> 00:08:53,080 Speaker 1: whether that was actually a dinosaur or not. This is 134 00:08:53,800 --> 00:08:58,200 Speaker 1: why Rick lost his previous job. That previous all I 135 00:08:58,240 --> 00:09:03,680 Speaker 1: previously was a full fledged science tist and he was 136 00:09:03,720 --> 00:09:08,200 Speaker 1: demoted to have fledged Well, now I don't have any 137 00:09:08,480 --> 00:09:11,160 Speaker 1: ledge scientists. Well, your mother must have been very proud 138 00:09:11,240 --> 00:09:15,360 Speaker 1: until you lost your title. I guess I also lost 139 00:09:15,400 --> 00:09:18,319 Speaker 1: my funding, my grants. They think that I've got too 140 00:09:18,320 --> 00:09:20,960 Speaker 1: big wreck. What the hell is going on here? Okay, 141 00:09:20,960 --> 00:09:23,640 Speaker 1: you've got research on certain dinosaurs here, and you've got 142 00:09:23,640 --> 00:09:26,000 Speaker 1: something called a diddly source you want to push to us. 143 00:09:26,000 --> 00:09:29,200 Speaker 1: It's a typo. Okay, it was a small typo. I'm 144 00:09:29,200 --> 00:09:32,520 Speaker 1: trying to make mass amounts of meat at a low cost. 145 00:09:32,760 --> 00:09:37,679 Speaker 1: It's and you're researching a diddly source. Well, I think 146 00:09:37,679 --> 00:09:39,920 Speaker 1: it's gonna be a lot more realistic to reproduce a 147 00:09:39,920 --> 00:09:43,880 Speaker 1: small dinosaur before we go big. You want to clone 148 00:09:43,880 --> 00:09:45,760 Speaker 1: a dinosaur, I'm damn with that. I'm a full fledge 149 00:09:45,800 --> 00:09:48,679 Speaker 1: scientist just like you. You know that, all right, But 150 00:09:48,800 --> 00:09:51,640 Speaker 1: the differences. We already have meat sources. To put that 151 00:09:51,720 --> 00:09:54,720 Speaker 1: kind of money behind cloning an animal that we don't 152 00:09:54,720 --> 00:09:59,880 Speaker 1: even know existed, You don't know existed. It's a deadly sore. 153 00:10:00,000 --> 00:10:03,000 Speaker 1: I've been I saw your sketches, and they're your sketches. 154 00:10:03,520 --> 00:10:06,160 Speaker 1: They're based off of no bone samples or any kind 155 00:10:06,160 --> 00:10:09,359 Speaker 1: of reconstruction. But don't they look like a tiny dinosaur 156 00:10:09,520 --> 00:10:12,760 Speaker 1: or large chicken? Mr? Rick? Mr Rick, you got a 157 00:10:12,800 --> 00:10:15,439 Speaker 1: letter for the science board. Hold on, hold on, hold on, 158 00:10:15,679 --> 00:10:20,640 Speaker 1: let me get that I'm sure it's just more funding. Okay, 159 00:10:21,000 --> 00:10:25,040 Speaker 1: Dear Rick, I'm writing this with a heavy hot what's 160 00:10:25,040 --> 00:10:27,760 Speaker 1: the same, Mr Rick? Hold on, let me read it 161 00:10:27,800 --> 00:10:32,760 Speaker 1: to myself first. You meant a great deal to the 162 00:10:32,800 --> 00:10:36,800 Speaker 1: research lab for going on seven months now, so it 163 00:10:36,920 --> 00:10:40,640 Speaker 1: is difficult for me to inform you your services. And 164 00:10:41,400 --> 00:10:45,360 Speaker 1: hold on, I'm trying to worp this so I can 165 00:10:45,360 --> 00:10:53,000 Speaker 1: explain it the room. I pretty much got this. I 166 00:10:53,760 --> 00:10:55,920 Speaker 1: know what it says. What did it say? They said 167 00:10:55,920 --> 00:10:57,920 Speaker 1: that they're really happy with my work and I should 168 00:10:57,920 --> 00:11:00,760 Speaker 1: take this equipment and just start working from home full time. 169 00:11:01,000 --> 00:11:03,520 Speaker 1: Old man, Do you have a letter for me? Yes? 170 00:11:03,600 --> 00:11:08,200 Speaker 1: I do, Mr Jerry. Let me just is that's in 171 00:11:08,240 --> 00:11:10,920 Speaker 1: regards to me. You should don't read as from the science, 172 00:11:13,480 --> 00:11:18,080 Speaker 1: just Jerry. I write this with a heavy heart. We're 173 00:11:18,120 --> 00:11:21,000 Speaker 1: having to let Rick go. I want you to take 174 00:11:21,040 --> 00:11:29,080 Speaker 1: over all research from Mr Shutting up, God, I have 175 00:11:29,120 --> 00:11:34,640 Speaker 1: to read it again. Let me start again. I'm just 176 00:11:34,640 --> 00:11:37,480 Speaker 1: gonna put these speakers in my bag and this Bunson 177 00:11:37,559 --> 00:11:39,640 Speaker 1: bart hold on, hold on, Rick, all right, let me 178 00:11:39,720 --> 00:11:44,640 Speaker 1: just read this, Mr Rick. My letter said to take 179 00:11:44,679 --> 00:11:46,800 Speaker 1: my equipment home so I can work full time with 180 00:11:46,840 --> 00:11:49,880 Speaker 1: no distraction. Let me just read this again. It's just 181 00:11:50,000 --> 00:11:59,440 Speaker 1: so hard. I can't see Jerry. Okay, dear, it says, 182 00:11:59,480 --> 00:12:03,000 Speaker 1: dear Jerry. I'll start it off with that. Okay, you're Jerry. 183 00:12:03,200 --> 00:12:05,560 Speaker 1: It is with tears in my eyes that I inform 184 00:12:05,640 --> 00:12:08,800 Speaker 1: you that we're letting Rick go. Oh no, his work 185 00:12:08,840 --> 00:12:13,839 Speaker 1: is ship and it would be great take over Jerry, Jerry, 186 00:12:13,880 --> 00:12:16,800 Speaker 1: what's going on? What are you reading? This letter is changing, 187 00:12:17,960 --> 00:12:19,920 Speaker 1: The words are moving and the letters are turning into 188 00:12:19,960 --> 00:12:23,240 Speaker 1: something else. We've got, Jerry. There's a knife on the counter. 189 00:12:23,760 --> 00:12:27,320 Speaker 1: Pick it up, Jerry, What are you doing? Point? Why 190 00:12:27,360 --> 00:12:31,760 Speaker 1: do you have that science knife pointed at Tina? Don't 191 00:12:31,800 --> 00:12:34,200 Speaker 1: walk towards her. Just let her know that you're nice. 192 00:12:34,280 --> 00:12:37,320 Speaker 1: This is my knife. I see that, Jerry. I never 193 00:12:37,360 --> 00:12:40,440 Speaker 1: knew above your head? Let her? What do you want 194 00:12:40,480 --> 00:12:42,240 Speaker 1: me to do? Letter? What do you want me to do? 195 00:12:43,520 --> 00:12:48,439 Speaker 1: Your head? Jerry? You're a full fledged scientist. Why why 196 00:12:48,480 --> 00:12:50,400 Speaker 1: are you taking all of our equipment? This is now 197 00:12:50,440 --> 00:12:54,040 Speaker 1: my equipment. I've got to go, Jerry, good a hold yourself. 198 00:12:54,440 --> 00:12:58,920 Speaker 1: You're a full fledged science To lose your flag this letter. 199 00:13:00,160 --> 00:13:03,359 Speaker 1: I have to take a break, to take a sabbatical. 200 00:13:03,679 --> 00:13:11,840 Speaker 1: Signs are crushing blood, so anyway, that's rich history. Well 201 00:13:12,000 --> 00:13:15,839 Speaker 1: I'm glad you're at the mousenum. Now. Well, I had 202 00:13:15,880 --> 00:13:19,640 Speaker 1: bigger dreams, but I had the biggest dream. You know 203 00:13:19,679 --> 00:13:23,680 Speaker 1: what I dreamed about what the whole world? And I 204 00:13:23,800 --> 00:13:28,080 Speaker 1: was a planet. I was a planet looking at the world. 205 00:13:28,200 --> 00:13:31,320 Speaker 1: I guess that's about the biggest dream ever we've never had. 206 00:13:33,000 --> 00:13:35,880 Speaker 1: So you were a planet looking at I was a 207 00:13:35,920 --> 00:13:39,840 Speaker 1: planet looking at the Earth. I'm a scientist, and it 208 00:13:39,840 --> 00:13:43,760 Speaker 1: sounds like you're describing a moon a lunar I wasn't 209 00:13:43,840 --> 00:13:50,480 Speaker 1: a moon or a lunar moon, a lunar moon. Stupid 210 00:13:50,480 --> 00:13:54,599 Speaker 1: piece of ship. I hate this muse It's a museum, 211 00:13:54,880 --> 00:13:57,679 Speaker 1: the Museum of natural which I wouldn't say that like 212 00:13:57,760 --> 00:14:00,760 Speaker 1: that because there's no paintings. Where can get a painted 213 00:14:00,800 --> 00:14:04,000 Speaker 1: I just want to postcard? Okay, Well, if if if 214 00:14:04,040 --> 00:14:06,520 Speaker 1: you look at this diorama of these cave people here, 215 00:14:06,559 --> 00:14:08,440 Speaker 1: you'll notice that there is a painting of sorts in 216 00:14:08,480 --> 00:14:12,000 Speaker 1: the background. Is a background. Yes, it's a background painting, 217 00:14:12,440 --> 00:14:16,080 Speaker 1: creating the feeling of depth and the cave people really 218 00:14:16,120 --> 00:14:18,599 Speaker 1: were underwears like that, or people just not want to 219 00:14:18,600 --> 00:14:22,000 Speaker 1: show the nipples in the diorama. Well, I think people 220 00:14:22,000 --> 00:14:25,240 Speaker 1: would be offended if you offended. Is that what we're 221 00:14:25,240 --> 00:14:28,640 Speaker 1: worried about. Now, that's a great question. Well, you know 222 00:14:28,640 --> 00:14:31,160 Speaker 1: a lot of children take tours here, so your children 223 00:14:31,480 --> 00:14:36,360 Speaker 1: are raised on breasts. That that's true. But let's see 224 00:14:36,360 --> 00:14:40,320 Speaker 1: the cave woman nature and history right now, Okay, stayed 225 00:14:40,360 --> 00:14:45,680 Speaker 1: behind the world, this cave. Let's just move around and 226 00:14:46,080 --> 00:14:48,040 Speaker 1: do something about this. I think they might have a 227 00:14:48,040 --> 00:14:51,800 Speaker 1: good point. I feel like we're constantly censoring science, and 228 00:14:51,800 --> 00:14:54,920 Speaker 1: it looks if Peters is in science, it looks pretty easier. 229 00:14:55,040 --> 00:15:01,360 Speaker 1: Nipples your aim of natural history, right her broad nipples. 230 00:15:01,680 --> 00:15:04,120 Speaker 1: They didn't even make the nipples because they didn't think 231 00:15:04,160 --> 00:15:06,640 Speaker 1: that the breast would be exposed in the first place. 232 00:15:06,720 --> 00:15:10,480 Speaker 1: They never intended to show us the nipples. We to 233 00:15:10,520 --> 00:15:13,720 Speaker 1: believe that the cave women had no ariola. I'm sure 234 00:15:13,760 --> 00:15:17,560 Speaker 1: they had areolas nipples. If they had no nipples, the 235 00:15:17,560 --> 00:15:22,160 Speaker 1: babies were just eating dinosaurs. They don't exist. There wasn't 236 00:15:22,160 --> 00:15:24,480 Speaker 1: a crossover of dinosaurs and man, how long have you 237 00:15:24,560 --> 00:15:29,080 Speaker 1: worked here, Rick, I've worked here for about right, the 238 00:15:29,160 --> 00:15:31,360 Speaker 1: guy who doesn't seem to know much as Rick, I'm 239 00:15:31,400 --> 00:15:36,560 Speaker 1: a scientists, full fledged fledge now. Alright, So Luke I'm sorry. 240 00:15:36,560 --> 00:15:38,960 Speaker 1: How long have you worked in twelve years? Which is 241 00:15:38,960 --> 00:15:43,080 Speaker 1: your favorite exhibit? Well, probably the largest mammal on earth, 242 00:15:43,880 --> 00:15:47,080 Speaker 1: the blue whale? Human beings? Where, No, the human being 243 00:15:47,160 --> 00:15:49,960 Speaker 1: is not the largest mammal on earth. Prove me wrong. 244 00:15:50,000 --> 00:15:52,880 Speaker 1: I'm a huge I could ending up would where where 245 00:15:52,880 --> 00:15:59,960 Speaker 1: would you put human beings? Like? Seventh? That the human 246 00:16:00,120 --> 00:16:03,360 Speaker 1: You've got to be the biggest thing human. Well, if 247 00:16:03,360 --> 00:16:05,920 Speaker 1: you follow me into the Grand Hall of the seas well, 248 00:16:05,920 --> 00:16:07,960 Speaker 1: how many halls do you have? We have a lot 249 00:16:08,000 --> 00:16:12,440 Speaker 1: of halls, a series of halls. That's well, these halls 250 00:16:12,440 --> 00:16:21,200 Speaker 1: are filled with important items. Ris, that's a big boat 251 00:16:21,360 --> 00:16:25,400 Speaker 1: so we can fly. No, it's just yeah, we flung 252 00:16:25,480 --> 00:16:29,000 Speaker 1: it up above you. You hang it up so you 253 00:16:29,040 --> 00:16:32,360 Speaker 1: could get a good view of the boat. Imagine how 254 00:16:32,400 --> 00:16:35,760 Speaker 1: many when did they go extinct? They didn't go there 255 00:16:35,800 --> 00:16:37,600 Speaker 1: still living now, but they are in danger. Are you 256 00:16:37,600 --> 00:16:43,360 Speaker 1: telling me a dinosaur living now? But this big one 257 00:16:43,480 --> 00:16:47,440 Speaker 1: is What was your name? I didn't get it on 258 00:16:47,480 --> 00:16:50,880 Speaker 1: the way in. My name is Dristle. Dristle. Did you 259 00:16:50,920 --> 00:16:56,000 Speaker 1: have a coincidence that my name is driss is my 260 00:16:56,160 --> 00:17:01,800 Speaker 1: last name? Here with your last name? That's how I 261 00:17:01,920 --> 00:17:04,720 Speaker 1: go by. I go by Dristle Rise where you hail 262 00:17:04,800 --> 00:17:10,040 Speaker 1: from Montana. So at what point when you left the hotel, 263 00:17:10,080 --> 00:17:12,760 Speaker 1: assuming that's where you're staying well in town, did you 264 00:17:12,760 --> 00:17:14,959 Speaker 1: think it was a good idea to where your KKK 265 00:17:15,200 --> 00:17:21,360 Speaker 1: hood to the museum? Had not noticed that that between us? 266 00:17:25,000 --> 00:17:29,560 Speaker 1: I didn't know it was on all right to you. 267 00:17:30,119 --> 00:17:32,760 Speaker 1: I'm not a Dristle, I don't know any of the 268 00:17:35,040 --> 00:17:39,800 Speaker 1: I'm not a dress Rick. You want to take over them, 269 00:17:40,520 --> 00:17:44,080 Speaker 1: I feel like I should. First of all, no hats 270 00:17:44,080 --> 00:17:50,639 Speaker 1: on the tour and no hats on the tour is 271 00:17:50,680 --> 00:17:57,439 Speaker 1: the name of that one. Sin two comes to us 272 00:17:57,480 --> 00:17:59,840 Speaker 1: from Tim, who wrote, Hello Alcolm, this thanks for all 273 00:17:59,880 --> 00:18:03,360 Speaker 1: the after you have provided me on my commutes along 274 00:18:03,359 --> 00:18:08,919 Speaker 1: the four oh five for being a highway number specific. Uh. 275 00:18:08,960 --> 00:18:12,880 Speaker 1: My job entails television city council meetings, and I thought 276 00:18:12,880 --> 00:18:15,879 Speaker 1: it would make a great scene suggestion residents of a 277 00:18:15,920 --> 00:18:18,680 Speaker 1: small town come to the podium during the public comments 278 00:18:18,720 --> 00:18:23,800 Speaker 1: section of those meetings televised. Yeah, and there was a 279 00:18:23,880 --> 00:18:31,160 Speaker 1: special yeah, well, he said television city, which is a town, 280 00:18:31,400 --> 00:18:34,320 Speaker 1: believe it or not, in Los Angeles. It's near universal. 281 00:18:34,440 --> 00:18:38,080 Speaker 1: I believe it's called television city. I've ever heard Yeah, 282 00:18:38,119 --> 00:18:40,720 Speaker 1: and it must be from the fifties when TV took 283 00:18:40,720 --> 00:18:45,040 Speaker 1: over that area. In fact, he goes on saying as 284 00:18:45,080 --> 00:18:47,840 Speaker 1: in real life, some of the residents get overly dramatic, 285 00:18:47,920 --> 00:18:52,040 Speaker 1: knowing it's all being televised. So these small council meetings, 286 00:18:52,280 --> 00:18:55,280 Speaker 1: c span what have you? Will? Okay, keep having fund? 287 00:18:55,320 --> 00:19:00,160 Speaker 1: Tim Stansbury, Cerritos, California. Ps. I love that characters are 288 00:19:00,240 --> 00:19:06,040 Speaker 1: often named Tim or Timmy. Yes, if the next person 289 00:19:06,119 --> 00:19:08,479 Speaker 1: could come to the podium and please present your issue 290 00:19:08,640 --> 00:19:14,440 Speaker 1: for the board. Yeah, um, how are you say your name? Please? Yes, 291 00:19:14,920 --> 00:19:18,880 Speaker 1: my name is Ben Yer and the last name that's 292 00:19:19,040 --> 00:19:25,159 Speaker 1: uh my only name and like the powdery donut thing 293 00:19:25,200 --> 00:19:29,080 Speaker 1: in New Orleans, Yes it is okay. I would like 294 00:19:29,119 --> 00:19:32,960 Speaker 1: to bring up for the city council the trash being 295 00:19:33,000 --> 00:19:36,760 Speaker 1: picked up too soon. Talking about your neighbors, yes, uh 296 00:19:37,200 --> 00:19:39,639 Speaker 1: is they're very quick on the trash pick up. What 297 00:19:39,800 --> 00:19:42,359 Speaker 1: do you mean the trucks real quick? Yes, And if 298 00:19:42,400 --> 00:19:44,440 Speaker 1: there's any time that we could just have a couple 299 00:19:44,440 --> 00:19:46,639 Speaker 1: of weeks off, a couple weeks off and picking up 300 00:19:46,640 --> 00:19:50,800 Speaker 1: the traft for what purpose? Yeah? Well, I just don't 301 00:19:50,840 --> 00:19:52,440 Speaker 1: know why the trash guy get picked up so quick? 302 00:19:52,600 --> 00:19:54,840 Speaker 1: And uh me on a weekly basis. I don't know 303 00:19:54,840 --> 00:19:58,960 Speaker 1: about this quick issue. It's pretty quick. So if the 304 00:19:59,040 --> 00:20:01,800 Speaker 1: time between pick up too quick for you, it's just 305 00:20:01,840 --> 00:20:03,760 Speaker 1: a quick pickup for the trash. So if there's any 306 00:20:03,760 --> 00:20:07,000 Speaker 1: way for us to just put a hiatus, more more 307 00:20:07,040 --> 00:20:12,040 Speaker 1: metormium on the pickup. Okay, thank you, Benya. So is 308 00:20:12,040 --> 00:20:16,280 Speaker 1: there anything else? No, that's my tip. Okay, the next question, 309 00:20:16,320 --> 00:20:22,640 Speaker 1: please take them Hello Television City. Hello, Well, thank you? 310 00:20:22,680 --> 00:20:26,040 Speaker 1: Which camera am I looking at? Uh Sarah. The cameras 311 00:20:26,040 --> 00:20:29,920 Speaker 1: are just for observation, okay, so right right into the camera. Wait, 312 00:20:30,000 --> 00:20:33,520 Speaker 1: let me powder you okay, Okay, this is this multi camera, 313 00:20:33,560 --> 00:20:37,199 Speaker 1: single cam. Okay, so it's a multi cam. Okay, so 314 00:20:37,240 --> 00:20:43,440 Speaker 1: a little broader sure, okay. Um. Hi, I'm Tim Timmerson 315 00:20:44,080 --> 00:20:47,880 Speaker 1: and I just wanted to say where you're from. Tim, 316 00:20:48,160 --> 00:20:51,200 Speaker 1: I'm live right here in Television City. I'm his wife, 317 00:20:51,280 --> 00:20:53,720 Speaker 1: and I have worked on sets for my whole life. 318 00:20:53,720 --> 00:20:55,240 Speaker 1: So this is all just a walk in the park 319 00:20:55,320 --> 00:20:59,200 Speaker 1: to me. She grew up in the Bill grew in 320 00:20:59,240 --> 00:21:05,920 Speaker 1: the oh, why my knows, okay, her pop was a teamster, 321 00:21:06,040 --> 00:21:10,520 Speaker 1: her mom was in craft service. Uh, Tammy, I'm guessing 322 00:21:10,920 --> 00:21:15,879 Speaker 1: why would you get Timmy Timmerson and Eloise Eloise Jimmy 323 00:21:15,920 --> 00:21:23,520 Speaker 1: Timmerson and Eloise Timmerson. Okay, if we could get I 324 00:21:23,560 --> 00:21:29,840 Speaker 1: am wondering about advertising. Can we do more to get 325 00:21:29,880 --> 00:21:33,639 Speaker 1: our town out there? Uh? You know bigger billboards, you 326 00:21:33,680 --> 00:21:37,080 Speaker 1: know out there where's They're just out there for people 327 00:21:37,119 --> 00:21:39,399 Speaker 1: to know who we are and what we're doing and 328 00:21:39,400 --> 00:21:44,440 Speaker 1: what we're up to. You want to you want to 329 00:21:44,480 --> 00:21:47,000 Speaker 1: suggest that we advertise more than the city is here. 330 00:21:47,080 --> 00:21:49,200 Speaker 1: I want to promote Television City because I love it 331 00:21:49,240 --> 00:21:51,240 Speaker 1: here so much. And what would you like the board 332 00:21:51,280 --> 00:21:56,320 Speaker 1: to do to participate in your desires? Well, bless you, 333 00:21:57,160 --> 00:22:00,840 Speaker 1: bless you, I'll take it out in post. We will, 334 00:22:00,960 --> 00:22:06,919 Speaker 1: We'll take that post. Uh. You know, I, Elouise and 335 00:22:06,960 --> 00:22:12,000 Speaker 1: I are willing to write direct and start in some 336 00:22:12,040 --> 00:22:17,439 Speaker 1: commercials for Television City and seign Set Design Craft Service. 337 00:22:17,960 --> 00:22:22,040 Speaker 1: So you've come here to office your services. Yes, absolutely, 338 00:22:22,160 --> 00:22:24,959 Speaker 1: the hope of promoting Television City. And it's fine. We 339 00:22:25,000 --> 00:22:26,840 Speaker 1: don't want this to happen, but should we need to 340 00:22:26,880 --> 00:22:29,560 Speaker 1: be the face of Television City, we are cool with that. 341 00:22:29,640 --> 00:22:37,080 Speaker 1: We're ready. The Timerson excuse me, and uh, what what 342 00:22:37,119 --> 00:22:41,919 Speaker 1: do you want from the board exactly? He'd like us 343 00:22:41,920 --> 00:22:45,840 Speaker 1: to airmark some dollars. Yes, and have you got a 344 00:22:45,880 --> 00:22:48,160 Speaker 1: proposal together for the Yes, we don't. We have storyboards 345 00:22:48,840 --> 00:22:51,560 Speaker 1: for the first seven spots, um, and they're going to 346 00:22:51,640 --> 00:22:58,960 Speaker 1: leave it on a cliffhanger. Um. Season season? What does 347 00:22:59,000 --> 00:23:02,080 Speaker 1: that for season one? Let me get out the season 348 00:23:02,119 --> 00:23:06,680 Speaker 1: one bible? Um. We were thinking we were thinking about 349 00:23:06,680 --> 00:23:09,840 Speaker 1: a million per so about I think because we can 350 00:23:09,840 --> 00:23:11,560 Speaker 1: do this on the budget, we know people, we can 351 00:23:11,600 --> 00:23:15,040 Speaker 1: call in all the favors a million, a million per episodes, 352 00:23:15,160 --> 00:23:18,359 Speaker 1: so I think probably seven million for the season. Yeah, 353 00:23:18,560 --> 00:23:21,960 Speaker 1: so a short season. It will be a short but 354 00:23:22,160 --> 00:23:25,919 Speaker 1: the episodes are two hours each, getting a bang for 355 00:23:25,960 --> 00:23:30,600 Speaker 1: our dollars exactly, Yes, two hours and millions. Madmen meets 356 00:23:30,640 --> 00:23:36,680 Speaker 1: the floot Stones Television City. Imagine Don Draper driving around 357 00:23:36,680 --> 00:23:43,879 Speaker 1: with bald feet. Right, who's Don Draper? I'm sorry you 358 00:23:44,040 --> 00:23:48,480 Speaker 1: were hilarious. Okay, So this guy's the head of the 359 00:23:48,520 --> 00:23:52,399 Speaker 1: Television City Council. Think you'd like us to consider a 360 00:23:53,160 --> 00:23:56,600 Speaker 1: setting aside seven million dollars for seven million dollars your 361 00:23:56,680 --> 00:23:59,760 Speaker 1: efforts or advance or just I think set it aside 362 00:23:59,760 --> 00:24:02,280 Speaker 1: for then give it to us, Yeah, exactly, and then 363 00:24:02,320 --> 00:24:05,520 Speaker 1: we'll get the ball rolling on production. Um, and what 364 00:24:05,560 --> 00:24:07,560 Speaker 1: do you have to present the board today in terms 365 00:24:07,640 --> 00:24:11,640 Speaker 1: of what the money is going to looking at it? Well, 366 00:24:11,680 --> 00:24:16,359 Speaker 1: first started very greedy eyes. Uh do you want do 367 00:24:16,400 --> 00:24:21,760 Speaker 1: you want to look at the still boards? Um? So 368 00:24:23,040 --> 00:24:25,479 Speaker 1: we used old science fair boards. Um. I used to 369 00:24:25,640 --> 00:24:28,680 Speaker 1: kill it at the Science Fair. But you can see, Um, 370 00:24:28,680 --> 00:24:33,520 Speaker 1: that's that's Tim and that's me. And you've got period 371 00:24:33,560 --> 00:24:35,280 Speaker 1: costumes on because we want to take it back to 372 00:24:35,320 --> 00:24:38,119 Speaker 1: the glory days of television at the beginning of what 373 00:24:38,240 --> 00:24:49,000 Speaker 1: period is glamour? Glamour cigarettes, Maryland, Oh television. You want 374 00:24:49,000 --> 00:24:52,120 Speaker 1: to promote alcoholism within television, That's what I heard. Well, 375 00:24:52,160 --> 00:24:54,000 Speaker 1: that we can make a lot of money. The city 376 00:24:54,040 --> 00:24:55,919 Speaker 1: does make a lot of revenue from alcohol sales. And 377 00:24:55,960 --> 00:24:57,840 Speaker 1: I think we want to be realistic and grounded and 378 00:24:57,920 --> 00:25:01,480 Speaker 1: just what the world was then exactly, Don Draper, And 379 00:25:01,480 --> 00:25:04,040 Speaker 1: how does that help put out the word about Television 380 00:25:04,040 --> 00:25:06,920 Speaker 1: City what it represents today. Well, as you can see 381 00:25:06,920 --> 00:25:09,560 Speaker 1: in the back of all of these sketches, it says 382 00:25:09,800 --> 00:25:12,639 Speaker 1: welcome to Television City. Right, So we're gonna be shooting 383 00:25:12,640 --> 00:25:15,399 Speaker 1: it all on a sound stage that every frame is 384 00:25:15,440 --> 00:25:18,199 Speaker 1: actually an advertisement for Television City, which has never been 385 00:25:18,240 --> 00:25:22,840 Speaker 1: done before and again the word about today's television City 386 00:25:22,920 --> 00:25:25,080 Speaker 1: is represented. How well. I think we're gonna build up 387 00:25:25,119 --> 00:25:26,760 Speaker 1: to that, you know. I think we're going to tease 388 00:25:26,800 --> 00:25:29,760 Speaker 1: it a bit in episode seven, you know, and there's 389 00:25:30,280 --> 00:25:35,560 Speaker 1: sex and hitting, um, sex and hitting in the same 390 00:25:36,480 --> 00:25:39,399 Speaker 1: same scene. And I think if the also if the 391 00:25:39,400 --> 00:25:41,520 Speaker 1: whole thing is kind of framed as a flashback, So 392 00:25:41,640 --> 00:25:44,760 Speaker 1: maybe maybe we start present day with an old elderly 393 00:25:44,800 --> 00:25:47,600 Speaker 1: man played by me. Tim Timerson can do it, he 394 00:25:47,600 --> 00:25:50,359 Speaker 1: can pull it off, and then we're flashing back to 395 00:25:50,480 --> 00:25:52,920 Speaker 1: different eras. You know. That would be great. And every 396 00:25:52,920 --> 00:25:56,119 Speaker 1: episode starts with an alarm clock of fifties alarm clocking. 397 00:25:56,400 --> 00:26:00,480 Speaker 1: They wake up another day in Television City. I say, 398 00:26:00,800 --> 00:26:06,240 Speaker 1: I am uh compelled by the stories you've told here today. Um, 399 00:26:06,320 --> 00:26:08,879 Speaker 1: we're going to get our seven million dollars. Seem to 400 00:26:08,920 --> 00:26:12,800 Speaker 1: have quite a vision for what. Absolutely we're artists and 401 00:26:12,960 --> 00:26:14,920 Speaker 1: want to make things. I think everyone on the board 402 00:26:14,920 --> 00:26:18,720 Speaker 1: would be excited about any opportunity to promote Television City. 403 00:26:18,760 --> 00:26:20,960 Speaker 1: Why isn't anybody else on the board weighing in? By 404 00:26:20,960 --> 00:26:27,119 Speaker 1: the way, well, I welcome anywhere on the board just 405 00:26:27,560 --> 00:26:31,639 Speaker 1: to listen. Thank you, Edgar, Thank you that's one of 406 00:26:31,680 --> 00:26:33,560 Speaker 1: the reasons a lot of them are here to listen, 407 00:26:34,200 --> 00:26:37,479 Speaker 1: very elderly on the board. My name is Victory Delight, 408 00:26:38,160 --> 00:26:40,919 Speaker 1: and I have I've becoming in and out of what 409 00:26:40,960 --> 00:26:44,400 Speaker 1: you're saying, and from what I can take from that 410 00:26:44,400 --> 00:26:47,840 Speaker 1: that you two want to make some kind of radio tower. 411 00:26:48,359 --> 00:26:51,639 Speaker 1: Is that right? No? I think we can paint in 412 00:26:51,680 --> 00:26:55,280 Speaker 1: the radio episode. There's a place for that, right like 413 00:26:55,320 --> 00:26:58,320 Speaker 1: a diorama feeling of death. We were going to do 414 00:26:58,359 --> 00:27:00,840 Speaker 1: some car crash scenes and one could go right into 415 00:27:01,000 --> 00:27:04,080 Speaker 1: a watertown. Sure, I love nature. That's going to add 416 00:27:04,119 --> 00:27:13,040 Speaker 1: to the budget. But so, okay, well thanks Victory. Oh no, 417 00:27:13,160 --> 00:27:16,800 Speaker 1: I'm just having trouble breathing. So should we just get 418 00:27:16,880 --> 00:27:22,920 Speaker 1: started on pre production or Mr Timmerson, I'm Timmerson Timmerson, 419 00:27:23,040 --> 00:27:26,080 Speaker 1: Sorry about that. We are over budget. Okay, We've only 420 00:27:26,080 --> 00:27:31,399 Speaker 1: shot two episodes. How much we spent so far? We 421 00:27:31,520 --> 00:27:35,840 Speaker 1: spent ten million dollars? Okay, okay, we only had a 422 00:27:35,840 --> 00:27:39,440 Speaker 1: budget for seven. Sure, what this happens? You know you 423 00:27:39,800 --> 00:27:42,440 Speaker 1: run over you know, hey, guys, the crab legs are here. 424 00:27:44,440 --> 00:27:46,359 Speaker 1: I told you this craft service is going to be 425 00:27:46,960 --> 00:27:48,600 Speaker 1: over the just doing it like they would have done 426 00:27:48,600 --> 00:27:53,400 Speaker 1: the old days, you know. Okay, crab legs for everyone. 427 00:27:53,840 --> 00:27:55,719 Speaker 1: Maybe we shouldn't do that. Maybe we should just have 428 00:27:56,000 --> 00:28:04,439 Speaker 1: burgers or something, crab burgers, we have to. I was 429 00:28:04,480 --> 00:28:06,240 Speaker 1: thinking for tonight we should do a clam bake, because 430 00:28:06,240 --> 00:28:08,240 Speaker 1: since we're doing crabs for lunch, we could do a 431 00:28:08,280 --> 00:28:10,560 Speaker 1: clam bake for tonight. We're going to go out to Malibu. 432 00:28:10,920 --> 00:28:16,440 Speaker 1: Can't We can't. We're over budget. All right, we're over budget? 433 00:28:18,400 --> 00:28:21,120 Speaker 1: Big Why are you show up? Tight? Because I'm looking 434 00:28:21,119 --> 00:28:23,520 Speaker 1: at the money and we're the line producer. What do 435 00:28:23,560 --> 00:28:25,760 Speaker 1: you care? I care because I have to talk to 436 00:28:25,800 --> 00:28:34,080 Speaker 1: the board. Funny shaped ears your headphones? Comic is your headphones? Yes? Oh, 437 00:28:34,240 --> 00:28:36,199 Speaker 1: we should add that into one of the episodes. I 438 00:28:36,240 --> 00:28:38,560 Speaker 1: was also thinking an outer space thing. Maybe we could 439 00:28:38,600 --> 00:28:42,240 Speaker 1: do that. Nothing is being consistently brought up that the 440 00:28:42,280 --> 00:28:45,440 Speaker 1: show is all over the place. Exactly where do you 441 00:28:45,440 --> 00:28:48,479 Speaker 1: guys want me to put the spaceship? Already in the 442 00:28:48,520 --> 00:28:53,520 Speaker 1: sky the sky? Yeah, alright, sure, where is this guy? Well, 443 00:28:53,560 --> 00:28:57,320 Speaker 1: we could create a night sky with some Sworsky crystals. 444 00:28:57,560 --> 00:29:00,760 Speaker 1: Oh my god, my Hant works next door to that store. 445 00:29:01,080 --> 00:29:03,200 Speaker 1: She can get them. We have an end, so don't 446 00:29:03,240 --> 00:29:08,320 Speaker 1: worry about that the grease paint. I love it, oh 447 00:29:08,360 --> 00:29:11,080 Speaker 1: my god, because I want to tell I mean, where 448 00:29:11,080 --> 00:29:14,000 Speaker 1: to put the horses. Oh, we were going to cut 449 00:29:14,000 --> 00:29:17,760 Speaker 1: the horses. The horses have been cut. Information about that. 450 00:29:17,840 --> 00:29:21,280 Speaker 1: I got sixteen head of horse out here in the alleyway. 451 00:29:21,320 --> 00:29:24,400 Speaker 1: And uh we you know we were supposed to be 452 00:29:24,400 --> 00:29:31,160 Speaker 1: paid on a ride. We'll still pay you. We'll pay you. 453 00:29:31,160 --> 00:29:33,480 Speaker 1: You gotta get these horses off the streets, sir. You 454 00:29:33,560 --> 00:29:38,239 Speaker 1: can't have horses. This is television city. Who why are 455 00:29:38,320 --> 00:29:43,000 Speaker 1: you gonna go for a ride. It's forty seven dollars 456 00:29:43,040 --> 00:29:45,080 Speaker 1: a ride and take you around the studio a lot. 457 00:29:45,280 --> 00:29:48,400 Speaker 1: I don't have any money. Okay, get on the third one, 458 00:29:49,520 --> 00:29:58,960 Speaker 1: which from the front. That's it. That's the old one out. 459 00:30:00,360 --> 00:30:03,720 Speaker 1: He's not feeling real well. He's had healthy hues ever 460 00:30:03,760 --> 00:30:10,560 Speaker 1: since his brother went off the war. Yep, that's what. 461 00:30:11,480 --> 00:30:14,200 Speaker 1: He's walked real good, though, you can say, hold the 462 00:30:14,280 --> 00:30:18,080 Speaker 1: range now, I'm gonna try this just to see if 463 00:30:18,080 --> 00:30:26,280 Speaker 1: he's still got it. Rear up, tommy, we're up. Unfortunate. 464 00:30:27,040 --> 00:30:30,479 Speaker 1: He just fell right over you, all right. Oh my, 465 00:30:30,680 --> 00:30:33,960 Speaker 1: he's got his neck on your face. Hold on. And 466 00:30:33,960 --> 00:30:37,720 Speaker 1: in the two hundred and seventeen Emmys. We represent, we 467 00:30:37,760 --> 00:30:40,600 Speaker 1: are we we are all about film and television and 468 00:30:40,640 --> 00:30:46,680 Speaker 1: we love it. And the winner are practicing. Babe, what 469 00:30:46,720 --> 00:30:48,720 Speaker 1: are you doing in here? He's supposed to be on 470 00:30:49,000 --> 00:30:51,239 Speaker 1: stage in two seconds? I know, I know, I just 471 00:30:51,880 --> 00:30:55,200 Speaker 1: it's so nervous. They need you out there. I know 472 00:30:55,240 --> 00:30:57,959 Speaker 1: what is going to do it. I'm gonna go out 473 00:30:57,960 --> 00:31:00,800 Speaker 1: there in a second. In three you, thank you, thank you. Three. 474 00:31:02,320 --> 00:31:04,560 Speaker 1: You know, it's just been such a long journey coming 475 00:31:04,560 --> 00:31:07,680 Speaker 1: from television city to hear you know. Yeah, well this 476 00:31:07,760 --> 00:31:10,280 Speaker 1: is your chance. You can't sunk this up. I know, 477 00:31:10,880 --> 00:31:13,040 Speaker 1: just a little more support. Well, no, it sounded like 478 00:31:13,040 --> 00:31:15,760 Speaker 1: you won't even be like saying word I was saying. 479 00:31:15,760 --> 00:31:18,200 Speaker 1: We're just didn't make sense. I was saying words. They 480 00:31:18,200 --> 00:31:20,960 Speaker 1: weren't good words. Look, I gotta go on in three 481 00:31:21,600 --> 00:31:24,959 Speaker 1: minutes our seconds. That wasn't clear. I think it was minutes. 482 00:31:25,800 --> 00:31:30,480 Speaker 1: We don't probably two now Oh your tan one minute? Minute, 483 00:31:30,480 --> 00:31:31,920 Speaker 1: thank you? One minute? Oh my god, you're tann is 484 00:31:32,000 --> 00:31:34,840 Speaker 1: dripping all of your coming back from commercials. Time to 485 00:31:34,840 --> 00:31:37,080 Speaker 1: spray tan on my shirt, to spray tan on your face. 486 00:31:40,000 --> 00:31:51,920 Speaker 1: Here we go up, Dan nine hey, seven six five 487 00:31:52,920 --> 00:32:11,360 Speaker 1: four three. Welcome back to back your host, Larry Drake. Hello, Uh, 488 00:32:11,440 --> 00:32:15,400 Speaker 1: this is the two seventeen Emmy Awards ceremony for all 489 00:32:15,440 --> 00:32:17,840 Speaker 1: the TV shows and everyone who's involved in the shows. 490 00:32:18,560 --> 00:32:22,280 Speaker 1: This year, we're looking at so many great artists and 491 00:32:22,360 --> 00:32:25,320 Speaker 1: inventors and and full fledged scientists who've been a part 492 00:32:25,320 --> 00:32:27,160 Speaker 1: of everything that we can think of when it comes 493 00:32:27,200 --> 00:32:29,959 Speaker 1: to tv U. For our first category, we'll get right 494 00:32:30,000 --> 00:32:32,200 Speaker 1: into it, and it's going to be for the best 495 00:32:32,720 --> 00:32:35,160 Speaker 1: uh independent TV show that coming out of a local 496 00:32:35,240 --> 00:32:44,680 Speaker 1: news station. Local news stations in um, you're taking jobs 497 00:32:44,680 --> 00:32:51,000 Speaker 1: away from legitimate artists. This is an award for all 498 00:32:51,080 --> 00:32:56,160 Speaker 1: the indies and the category the categories. Why have there 499 00:32:56,200 --> 00:33:01,040 Speaker 1: been a hundred Emmy ceremonies this year? And the nominees 500 00:33:01,080 --> 00:33:07,080 Speaker 1: for this category are I don't know it was a 501 00:33:07,160 --> 00:33:09,719 Speaker 1: video slides, but I guess I'll read it. The nominees 502 00:33:09,760 --> 00:33:17,120 Speaker 1: are h Television City, going back in Time boo, Yes, 503 00:33:17,600 --> 00:33:24,200 Speaker 1: arbor Land, Yes, arbor Land. Why are we killing the packages? 504 00:33:25,040 --> 00:33:28,680 Speaker 1: I'm sorry, I supposed to be a video package companies. 505 00:33:28,720 --> 00:33:31,160 Speaker 1: Each one of these nomination amounts. Yeah, but this guy's 506 00:33:31,200 --> 00:33:34,480 Speaker 1: got so much pizzas, so much charis that you took 507 00:33:34,480 --> 00:33:38,320 Speaker 1: it upon yourself to make an executive decisionstract it was 508 00:33:38,400 --> 00:33:41,080 Speaker 1: kind of distract from his performance. Pactors shouldn't get out, 509 00:33:41,200 --> 00:33:46,360 Speaker 1: Are you kidding me? Yes? I have, thank God, Thank god, 510 00:33:47,840 --> 00:33:54,240 Speaker 1: Tristan and Marigold. Um what are the other ones? Uh? 511 00:33:55,200 --> 00:33:58,160 Speaker 1: The during this off the top of your head, the 512 00:33:58,240 --> 00:34:03,000 Speaker 1: snake in the boot his mouth? Um? Uh. And finally, 513 00:34:03,760 --> 00:34:09,719 Speaker 1: but not last, they might win uh shirts. And the 514 00:34:09,760 --> 00:34:14,879 Speaker 1: winner is the winner is Let me just read it here. 515 00:34:15,840 --> 00:34:19,319 Speaker 1: What's the letter? What's the what's it saying? Hold on 516 00:34:19,400 --> 00:34:26,080 Speaker 1: a second, says dear Larry. The nominees in the category 517 00:34:26,200 --> 00:34:29,920 Speaker 1: that you're looking for. Wait, have you read them already? 518 00:34:31,400 --> 00:34:37,399 Speaker 1: Answer me, Larry, this is the letter speaking to you. Yes, okay, 519 00:34:37,880 --> 00:34:40,799 Speaker 1: Now is the time to announce the winner. And the 520 00:34:40,800 --> 00:34:45,440 Speaker 1: winner is Television City. Okay, okay, I know the winner 521 00:34:45,480 --> 00:34:49,200 Speaker 1: now okay, but people are gonna boom you. Let's just 522 00:34:49,239 --> 00:34:52,520 Speaker 1: be prepared for I'm just reading the letter. I'm just 523 00:34:52,560 --> 00:34:57,640 Speaker 1: reading the letter. I should be the name of the show. 524 00:34:58,040 --> 00:35:00,360 Speaker 1: It's a lot. We got a letter this year. Okay, 525 00:35:01,600 --> 00:35:04,279 Speaker 1: should just be the name of the shop. Let me 526 00:35:04,280 --> 00:35:07,040 Speaker 1: read it again. Going to commercial in four minutes. Can't 527 00:35:07,080 --> 00:35:17,560 Speaker 1: read four all right? Let me just Read the letter again, Larry, change. 528 00:35:17,600 --> 00:35:20,760 Speaker 1: What are you doing with your life? This letter is changing? 529 00:35:22,200 --> 00:35:29,520 Speaker 1: Your career is failing. Read it aloud. Okay, uh, take 530 00:35:29,560 --> 00:35:33,520 Speaker 1: the gun out, Larry, Gun out, Larry. What did he say? 531 00:35:33,600 --> 00:35:38,880 Speaker 1: There's a gun in this letter? Okay? I really should 532 00:35:38,880 --> 00:35:48,800 Speaker 1: have had the packages video package. Please come on, don Okay, 533 00:35:48,840 --> 00:35:54,160 Speaker 1: what's he doing? What's he doing? The tsion the Television 534 00:35:54,200 --> 00:35:58,799 Speaker 1: City nominees are about to crash the stage. You will 535 00:35:58,840 --> 00:36:01,520 Speaker 1: shoot them both in the head. Okay, Hey, let's just 536 00:36:01,520 --> 00:36:03,960 Speaker 1: get up there. Okay, let's just go. Okay, we know 537 00:36:04,040 --> 00:36:09,600 Speaker 1: we want we wanted. Okay, guys, thank you so much. 538 00:36:09,960 --> 00:36:19,560 Speaker 1: I'm sorry. I'm sorry the guys, this is this? What 539 00:36:19,680 --> 00:36:21,960 Speaker 1: is the budget for this? By the way, we wanted 540 00:36:21,960 --> 00:36:24,760 Speaker 1: more gun stuff. We wanted so much more gun stuff. 541 00:36:25,880 --> 00:36:31,200 Speaker 1: I'm sorry, Brown, I'm sorry, I'm sorry. I'm sorry. Everyone. 542 00:36:31,239 --> 00:36:35,840 Speaker 1: Get down, Get down, not us at the award. Where's 543 00:36:35,880 --> 00:36:45,359 Speaker 1: the award? Is this the award? Boom boom? God? Let 544 00:36:45,360 --> 00:36:48,480 Speaker 1: me revisit the book one oh one where it says 545 00:36:49,160 --> 00:36:55,760 Speaker 1: there's no rather button than boom boom. I was waiting 546 00:36:55,800 --> 00:36:57,800 Speaker 1: for Jason Stathen to jump up from the audience and 547 00:36:57,880 --> 00:37:02,480 Speaker 1: save the day and the two seventeen them, but he's 548 00:37:02,480 --> 00:37:09,160 Speaker 1: not gonna be there. Our third scene comes from a 549 00:37:09,200 --> 00:37:13,759 Speaker 1: fellow named Daniels with an S who wrote, Hey, Alchemists, 550 00:37:13,760 --> 00:37:19,800 Speaker 1: greetings from Rainy lat Via, lat Via l A t V. 551 00:37:19,920 --> 00:37:23,440 Speaker 1: I ain't your quick wits in the moment never ceased 552 00:37:23,440 --> 00:37:25,600 Speaker 1: to amaze me. In my case, as soon as I 553 00:37:25,640 --> 00:37:28,080 Speaker 1: start to talk to anyone, I can almost imagine them 554 00:37:28,160 --> 00:37:33,600 Speaker 1: drifting off in their head looking out into the distance. Daniels, 555 00:37:34,640 --> 00:37:38,200 Speaker 1: I suggest you confirm my delusions. I'm imagining a person 556 00:37:38,280 --> 00:37:40,360 Speaker 1: going about their day, but as soon as he or 557 00:37:40,400 --> 00:37:44,760 Speaker 1: she starts a sentence, the people's nearby sort of drift 558 00:37:44,800 --> 00:37:48,279 Speaker 1: off and talk to themselves with an inner monologue. Perhaps, um, 559 00:37:49,239 --> 00:37:51,440 Speaker 1: I can tell by the way you're reading this that 560 00:37:51,560 --> 00:37:59,080 Speaker 1: you've already tuned out. Wow, it's like the last cats. 561 00:37:59,239 --> 00:38:03,000 Speaker 1: Uh then the ads told you so? Exclamation. Keep up 562 00:38:03,040 --> 00:38:07,960 Speaker 1: the great work, Daniels. Thanks Daniel. Did you like any 563 00:38:07,960 --> 00:38:11,520 Speaker 1: more ice? Team? Actually I would like an iced tea. 564 00:38:12,080 --> 00:38:15,320 Speaker 1: Do you have a fresh lemon wedge that you could 565 00:38:15,920 --> 00:38:19,319 Speaker 1: put it inside of it? Like a nice team two 566 00:38:19,600 --> 00:38:22,239 Speaker 1: T one with. Let just get a picture of iced 567 00:38:22,239 --> 00:38:25,440 Speaker 1: teas for the table, and if you could give us 568 00:38:25,480 --> 00:38:30,640 Speaker 1: a picture you wanted me to take on my phone? 569 00:38:31,760 --> 00:38:40,560 Speaker 1: No picture this table. I was stupid. I'm going to 570 00:38:40,680 --> 00:38:43,960 Speaker 1: kill myself right here in front of the toot. You 571 00:38:44,000 --> 00:38:47,960 Speaker 1: know what we are? Do you remember our allergies? Yeah? 572 00:38:48,080 --> 00:38:54,680 Speaker 1: Peanut and sorry? Yeah? And hey, come on that the tea. 573 00:38:54,800 --> 00:38:56,600 Speaker 1: Maybe I should put all those things in the tea. 574 00:38:56,800 --> 00:39:00,880 Speaker 1: Just see what happens to him? All right? One picture 575 00:39:00,960 --> 00:39:03,520 Speaker 1: of ice tea and then we're still thinking about what 576 00:39:03,560 --> 00:39:06,320 Speaker 1: we want to order. But we are not against another 577 00:39:06,920 --> 00:39:11,040 Speaker 1: bowl of bread? Yeah, taking time to thank you bread? 578 00:39:12,000 --> 00:39:14,719 Speaker 1: Can they don't understand what's up at table three? I 579 00:39:14,719 --> 00:39:19,040 Speaker 1: don't know. I mean how we're able to communicate with 580 00:39:19,120 --> 00:39:23,359 Speaker 1: just our thoughts? Are you talking to yourself? Sir? But 581 00:39:23,400 --> 00:39:26,840 Speaker 1: he's staring at the other waiter. But the other waiter 582 00:39:26,960 --> 00:39:31,040 Speaker 1: is insane? Anything? Uh? Shall you enjoy your bread? And 583 00:39:31,080 --> 00:39:35,520 Speaker 1: I'll refill the picture of ice. Team waiters staring at 584 00:39:35,520 --> 00:39:39,759 Speaker 1: each other so intensely they're piercing my ears, right, Jesus, 585 00:39:39,920 --> 00:39:43,640 Speaker 1: I mean, how do we do we kill them or ourselves? Ourselves? 586 00:39:43,880 --> 00:39:48,479 Speaker 1: That's the only way to cure on three one? Yeah, 587 00:39:48,520 --> 00:39:52,919 Speaker 1: I'm not gonna bowls of bread they want? Hey, Devin, 588 00:39:53,000 --> 00:39:56,399 Speaker 1: can you pick up table tin. Yeah, it's a it's 589 00:39:56,400 --> 00:39:58,360 Speaker 1: a four top. They were just saying, this guy is 590 00:39:58,360 --> 00:40:02,480 Speaker 1: so aggressive. What is this fun? And can we push 591 00:40:02,520 --> 00:40:04,880 Speaker 1: the specials a little more? What are the specials again? 592 00:40:05,040 --> 00:40:08,200 Speaker 1: What are the specials? The specials? We had a meeting 593 00:40:09,200 --> 00:40:11,960 Speaker 1: lineup about twenty minutes ago. Minutes and give me the 594 00:40:12,000 --> 00:40:15,120 Speaker 1: top three. Well, there's a ship on the special set. 595 00:40:15,160 --> 00:40:17,680 Speaker 1: There's one of three. Yeah, but if you give me 596 00:40:17,719 --> 00:40:19,560 Speaker 1: the top three because I hate to break this up, 597 00:40:19,560 --> 00:40:21,920 Speaker 1: but Devin and Darien, can you guys stop staring at 598 00:40:21,920 --> 00:40:23,799 Speaker 1: each other just a little more space. We put you 599 00:40:23,800 --> 00:40:28,400 Speaker 1: in different sections, like a little more space. Customers complain, Um, 600 00:40:28,480 --> 00:40:32,280 Speaker 1: people are just looking people you. It's you. I'm annoyed. 601 00:40:32,640 --> 00:40:34,640 Speaker 1: I'm annoyed because I've been trying to move you guys apart. 602 00:40:34,640 --> 00:40:36,279 Speaker 1: I feel like I'm a kindergarten teacher. I'm not a 603 00:40:36,360 --> 00:40:39,279 Speaker 1: kindergarten teacher, but I have to separate you because this 604 00:40:39,440 --> 00:40:43,680 Speaker 1: eye contact thing you do is upsetting. It's upsetting. It's upsetting, 605 00:40:44,360 --> 00:40:47,920 Speaker 1: it's upsetting to the culture of the restaurant. Huh okay, 606 00:40:48,400 --> 00:40:50,520 Speaker 1: So no staring, no waiter staring at each other in 607 00:40:50,600 --> 00:40:54,800 Speaker 1: the jungle restaurant. Yeah, okay, because that would be as disturbing. 608 00:40:54,960 --> 00:40:57,279 Speaker 1: It feels like we're about to attack each other. The 609 00:40:57,320 --> 00:41:01,520 Speaker 1: restaurant is jungle themed. Let's keep it Flash Cafe. I 610 00:41:01,600 --> 00:41:05,960 Speaker 1: know what it is. We all know that we work 611 00:41:06,000 --> 00:41:09,240 Speaker 1: at the Rainforest Cafe. Do you know the top three specials? Today? 612 00:41:09,920 --> 00:41:13,560 Speaker 1: We had a line up about it? Are you not 613 00:41:13,600 --> 00:41:16,120 Speaker 1: at the line I was up the lineup? Yeah for you? 614 00:41:16,840 --> 00:41:19,399 Speaker 1: Or were you just staring at Darien? I was physically there. 615 00:41:19,880 --> 00:41:22,840 Speaker 1: I would just were lost in Darien's eyes. Can anyone 616 00:41:22,880 --> 00:41:25,439 Speaker 1: just tell me the top three? Top three? Top three? 617 00:41:25,480 --> 00:41:26,759 Speaker 1: Because that's when I go to a table. If I 618 00:41:26,800 --> 00:41:31,800 Speaker 1: get in the top three, well yeah, go talk to Darren. 619 00:41:31,840 --> 00:41:34,200 Speaker 1: You want to take that one? Hi, sir, can I 620 00:41:34,200 --> 00:41:37,320 Speaker 1: help you? We've been needing five minutes and nobody's fucking 621 00:41:37,360 --> 00:41:39,759 Speaker 1: come over here. I'm sure it's I'm sure it's a 622 00:41:39,760 --> 00:41:43,239 Speaker 1: good reason. People have blood issues. Get my wife a 623 00:41:43,320 --> 00:41:47,719 Speaker 1: fucking cooke. You not a diet A diet coke? Get 624 00:41:47,760 --> 00:41:50,160 Speaker 1: her a coke? Is there a problem? Yeah, we've been 625 00:41:50,239 --> 00:41:52,319 Speaker 1: waiting here for five minutes. I understand there's a lot 626 00:41:52,320 --> 00:41:55,279 Speaker 1: of profane have blood issue. Do you see the family 627 00:41:58,080 --> 00:42:01,000 Speaker 1: we got? These two of these kids are kids those kids, 628 00:42:01,000 --> 00:42:04,000 Speaker 1: all about the monkeys, those of our kids to a 629 00:42:04,000 --> 00:42:06,000 Speaker 1: corpse at the rainforest. And now what you want? We 630 00:42:06,000 --> 00:42:09,279 Speaker 1: don't want about to think I'm about passage, Timmy. Can 631 00:42:09,320 --> 00:42:12,400 Speaker 1: you help out a little bit here? How many fucking waters? 632 00:42:12,440 --> 00:42:15,520 Speaker 1: And why those two guys looking at each other just 633 00:42:16,880 --> 00:42:19,239 Speaker 1: to just kill them both? What? What can I help? 634 00:42:19,320 --> 00:42:22,960 Speaker 1: You need? A table sevens losing their mind? Basically guys 635 00:42:23,080 --> 00:42:28,800 Speaker 1: using profanity? Okay, did you tell not telling them special? 636 00:42:28,880 --> 00:42:33,160 Speaker 1: But I hope maybe that usually passes with si? Okay, 637 00:42:33,239 --> 00:42:35,799 Speaker 1: can I tell you to the special? Are you you're 638 00:42:36,200 --> 00:42:41,359 Speaker 1: talking to me? We don't diet cocoa regular, regular cook 639 00:42:42,480 --> 00:42:47,799 Speaker 1: regular Darian with the regular coke Darien. It's for the lady. Yeah, 640 00:42:48,040 --> 00:42:53,000 Speaker 1: always the straw that's on request. I request it. I'll 641 00:42:53,040 --> 00:42:55,960 Speaker 1: be back if I could just kill this term. Why 642 00:42:56,000 --> 00:42:58,799 Speaker 1: don't you give us those fucking special Okay? The first 643 00:42:58,840 --> 00:43:02,960 Speaker 1: special we have is a steak tartar appetizer. I'm sorry, 644 00:43:03,160 --> 00:43:06,239 Speaker 1: it's awful. Let my face in it like a cow. Yeah, 645 00:43:07,400 --> 00:43:11,200 Speaker 1: just kind of the goal weight. And if you don't 646 00:43:11,239 --> 00:43:14,279 Speaker 1: like it, that's on you. I mean Thailand, you I 647 00:43:14,360 --> 00:43:16,440 Speaker 1: like it? I was speaking cow. If you just put 648 00:43:16,480 --> 00:43:18,160 Speaker 1: your face on the trough. I don't know if you 649 00:43:18,239 --> 00:43:21,040 Speaker 1: realize this, but that was out fucking loud. Sir, that 650 00:43:21,239 --> 00:43:26,319 Speaker 1: was fucking out loud. He called you a cow. All right, 651 00:43:26,400 --> 00:43:29,000 Speaker 1: let's move on past the steak tartar, your wife or 652 00:43:29,040 --> 00:43:34,560 Speaker 1: whatever the relationship my wife suggested, asked you if you 653 00:43:34,680 --> 00:43:37,040 Speaker 1: thought she was a cow? You didn't answer. So I 654 00:43:37,160 --> 00:43:39,080 Speaker 1: was trying to fill in the devoid that learned a 655 00:43:39,120 --> 00:43:42,680 Speaker 1: long time ago not to answer trap questions. Very happily married? 656 00:43:43,000 --> 00:43:48,160 Speaker 1: How happy? Not a scale of one to ten? All right, 657 00:43:48,320 --> 00:43:52,200 Speaker 1: So we heard steak tartar. That's an appetizer. Not not interested, 658 00:43:52,400 --> 00:43:55,480 Speaker 1: that's an appetizer. Let's do that, all right, we'll do that, 659 00:43:55,760 --> 00:43:59,480 Speaker 1: all right? The steak tartar six? Who did that? That 660 00:43:59,640 --> 00:44:01,040 Speaker 1: was me? That was you? Why the hell did you 661 00:44:01,080 --> 00:44:05,399 Speaker 1: do that? Because it's the only special weeks ago, two 662 00:44:05,480 --> 00:44:08,080 Speaker 1: weeks ago. You're doing a special we did two weeks ago. Man, 663 00:44:08,200 --> 00:44:10,160 Speaker 1: I'm not good at this job. What the fun is 664 00:44:10,200 --> 00:44:13,000 Speaker 1: going on? Should I kill a chef? I should? Just should? 665 00:44:13,640 --> 00:44:15,839 Speaker 1: We got to focus up here. Okay, I only got 666 00:44:15,880 --> 00:44:18,320 Speaker 1: a certain amount of food back here. We got the specials. 667 00:44:18,360 --> 00:44:21,239 Speaker 1: We got the Gator steak. Okay, we got the gator soup, 668 00:44:21,600 --> 00:44:24,839 Speaker 1: and we got the gator bites to push the gator, Yes, 669 00:44:25,160 --> 00:44:28,120 Speaker 1: push the gator. What is the gate? What is the 670 00:44:28,160 --> 00:44:32,320 Speaker 1: actual food that we're calling gator? It's gators? Gator tama? 671 00:44:32,400 --> 00:44:35,320 Speaker 1: What are we using? What is gator? It's okay, you 672 00:44:35,400 --> 00:44:39,239 Speaker 1: want to know, you know what? That's a dinosaur. We're 673 00:44:39,280 --> 00:44:42,879 Speaker 1: cooking a tiny little dinosaur. Right, it's a dead don't 674 00:44:43,320 --> 00:44:47,239 Speaker 1: very good? You listen to me, remembers everything? So look, okay, 675 00:44:47,320 --> 00:44:49,560 Speaker 1: can we just all focus up and push the gator? 676 00:44:49,680 --> 00:44:52,719 Speaker 1: All right? Yeah, sure to get rid of this deadly source. Yeah, 677 00:44:52,719 --> 00:44:54,880 Speaker 1: well you're the cook. You should absolutely tell us what 678 00:44:55,000 --> 00:44:58,120 Speaker 1: to do. I'm going back out to table seven, sir high, 679 00:44:58,480 --> 00:45:01,680 Speaker 1: what the fund are you doing? Back? You thought about 680 00:45:01,760 --> 00:45:10,799 Speaker 1: the ankle swelling? That's probably then bring up the cow dad. 681 00:45:10,840 --> 00:45:13,480 Speaker 1: Where's the food? Right? The food is coming? We ordered 682 00:45:13,480 --> 00:45:16,600 Speaker 1: to steak tart. Can I tell you about I don't 683 00:45:16,600 --> 00:45:22,480 Speaker 1: know what? I'm not a cheaper speak of the devil? 684 00:45:22,560 --> 00:45:24,799 Speaker 1: All right, please concentrated. I want to know about whatever, 685 00:45:24,920 --> 00:45:29,800 Speaker 1: especially you're just getting stuck in the volcano. Gator soup, 686 00:45:30,280 --> 00:45:34,320 Speaker 1: Gator soup? All right? Uh? Can we get a family style? 687 00:45:34,480 --> 00:45:36,840 Speaker 1: A family style gator soup. I feel it comes in 688 00:45:36,880 --> 00:45:43,400 Speaker 1: a little trough which the cow? How white? That's it? 689 00:45:45,360 --> 00:45:49,279 Speaker 1: You know who else had this proportions? Marilyn Monroe? Monroe, Yeah, 690 00:45:49,320 --> 00:45:51,880 Speaker 1: these are the same proportions. And Katema, is that your 691 00:45:51,960 --> 00:45:54,920 Speaker 1: daughter in the volcan? But yes, and yes, anyway you 692 00:45:54,960 --> 00:45:57,040 Speaker 1: could get her down? I don't know is any way 693 00:45:57,080 --> 00:45:59,239 Speaker 1: you could get it down. I'm too huge, I'm too 694 00:45:59,480 --> 00:46:05,440 Speaker 1: possibly blow up every minute. I don't wish death on 695 00:46:05,560 --> 00:46:12,719 Speaker 1: your sister. Get us a manager, fucking now, getting the manager? Hi, 696 00:46:12,960 --> 00:46:16,239 Speaker 1: how can I help you? Are you your rainy day? 697 00:46:17,040 --> 00:46:21,640 Speaker 1: I'm the manager? What which one of you? Am I 698 00:46:21,719 --> 00:46:25,439 Speaker 1: going to talk to you? Men? Is not the manager? Arrian? 699 00:46:25,560 --> 00:46:28,840 Speaker 1: We have been through this, We have been through this recently. 700 00:46:29,760 --> 00:46:32,839 Speaker 1: You are on the track to management. But I am 701 00:46:32,880 --> 00:46:36,000 Speaker 1: the manager and you're a manager. Why would you do that? 702 00:46:36,440 --> 00:46:39,440 Speaker 1: I'm so sorry. Anything we can do to make your 703 00:46:39,440 --> 00:46:42,200 Speaker 1: experience better, that is what we're here for. Well, I'll 704 00:46:42,239 --> 00:46:46,160 Speaker 1: tell you one thing. He's fucking way to keeps telling 705 00:46:46,280 --> 00:46:48,640 Speaker 1: my wife she looks like a cow and eat out 706 00:46:48,719 --> 00:46:55,319 Speaker 1: of a trough is rainforest at her? You look beautiful, man, 707 00:46:55,440 --> 00:46:58,040 Speaker 1: Thank you? I feel beautiful. I feel fucking beautiful and 708 00:46:58,120 --> 00:46:59,880 Speaker 1: that's what Matt is. Look at me, look at my car. 709 00:47:00,000 --> 00:47:04,080 Speaker 1: I was looking at my ask Yeah, well you are 710 00:47:04,120 --> 00:47:07,600 Speaker 1: a lovely lady. And the meals on us. Oh that's great, 711 00:47:07,760 --> 00:47:11,800 Speaker 1: the meal is on us. Oh my god. The volcano 712 00:47:12,000 --> 00:47:16,480 Speaker 1: is about to explode. Can you well I can't, sir, 713 00:47:16,600 --> 00:47:18,560 Speaker 1: but we are trying a new liquid today and I 714 00:47:18,840 --> 00:47:20,680 Speaker 1: think it's a warm one, so you might want to 715 00:47:21,200 --> 00:47:23,560 Speaker 1: There's been several minutes. We were told the volcano explode 716 00:47:23,640 --> 00:47:26,160 Speaker 1: every minute. How could it explode every minute? The cleanup 717 00:47:26,160 --> 00:47:28,359 Speaker 1: would be well, that's what I was thinking. Who told 718 00:47:28,400 --> 00:47:32,640 Speaker 1: you that? Did that? Waiter over there? You're fired, thank god? 719 00:47:32,760 --> 00:47:39,839 Speaker 1: And Darien step back, Darien, Darien, show your fun if 720 00:47:39,920 --> 00:47:42,200 Speaker 1: you're a man at youer? What do you want your 721 00:47:42,200 --> 00:47:44,120 Speaker 1: foot on the table? Darren? Why the fund is this 722 00:47:44,200 --> 00:47:46,920 Speaker 1: guy got his foot on the table. I don't know. Alright, 723 00:47:47,000 --> 00:47:49,880 Speaker 1: So here the Nature and History Museum. We would just 724 00:47:49,920 --> 00:47:52,840 Speaker 1: want to the Nature and History. You're gonna be shattering 725 00:47:53,040 --> 00:47:56,759 Speaker 1: shadowing Lucan and Rick. You're going to be shattering Luke 726 00:47:56,840 --> 00:48:00,279 Speaker 1: and Rick. Yeah I heard him. So you're and take 727 00:48:00,320 --> 00:48:02,839 Speaker 1: over their position. You gotta really shatter them. Yeah, yeah, 728 00:48:03,239 --> 00:48:05,120 Speaker 1: you know, have fun, that's what we do here? Were 729 00:48:05,160 --> 00:48:08,040 Speaker 1: you have fun? Huh? Have fun? You were at the 730 00:48:08,120 --> 00:48:12,719 Speaker 1: Rainforest Cafe before this sixteen years? Yeah, I felt I 731 00:48:12,800 --> 00:48:14,120 Speaker 1: felt like how do I get out? And I just 732 00:48:14,200 --> 00:48:16,000 Speaker 1: could never nail it. Yeah, and you never went to 733 00:48:16,040 --> 00:48:19,600 Speaker 1: a manageorial position. You're just now just a waiter work 734 00:48:19,840 --> 00:48:26,400 Speaker 1: the run Forest Cafe. Once. What's your name? That's the liquor? 735 00:48:28,040 --> 00:48:37,640 Speaker 1: What's that I serve? Domas me here had I used 736 00:48:37,680 --> 00:48:40,840 Speaker 1: to work with here at the Natural History Museum? So 737 00:48:41,560 --> 00:48:47,440 Speaker 1: do How could they still have it? They were calling 738 00:48:47,480 --> 00:48:51,280 Speaker 1: it the gator Bot. They cloned to the at his house. 739 00:48:52,080 --> 00:48:54,600 Speaker 1: We couldn't get it into the museum, but they didn't 740 00:48:54,640 --> 00:48:56,520 Speaker 1: even want to get it into muse name. I wanted 741 00:48:56,560 --> 00:48:58,520 Speaker 1: to get it into floods, like can you please check 742 00:48:58,520 --> 00:49:00,520 Speaker 1: out the bathrooms? Please make sure the clean looked on them? 743 00:49:00,520 --> 00:49:03,560 Speaker 1: They're very clean? Alright? Did that? This is exactly what 744 00:49:04,920 --> 00:49:08,879 Speaker 1: forest restaurant the dinosas gator? Yes, I hear what you're saying. 745 00:49:09,239 --> 00:49:12,680 Speaker 1: There was a rain for this cafe. It was a 746 00:49:12,760 --> 00:49:15,520 Speaker 1: real rain forest in the cafe. To look up, I've 747 00:49:15,520 --> 00:49:17,920 Speaker 1: never said there was Okay, I'm just saying I did 748 00:49:18,000 --> 00:49:21,160 Speaker 1: never say that. Put words on my math, right, you 749 00:49:21,280 --> 00:49:24,720 Speaker 1: think because you got all your tea they're so fancy. 750 00:49:25,000 --> 00:49:27,200 Speaker 1: It doesn't have all of them. There's a couple of faques. 751 00:49:27,840 --> 00:49:30,680 Speaker 1: This isn't interesting. You know, you go on break. I 752 00:49:30,840 --> 00:49:34,120 Speaker 1: just started. I'll go home and break the look at 753 00:49:34,160 --> 00:49:36,600 Speaker 1: you just came off a break. You just told me 754 00:49:36,680 --> 00:49:38,319 Speaker 1: to go on bright and until you go and break. 755 00:49:38,400 --> 00:49:39,960 Speaker 1: Until this guy to go on. But he didn't take it. 756 00:49:40,239 --> 00:49:41,960 Speaker 1: The break was up for ground. No, it wasn't up 757 00:49:42,000 --> 00:49:44,520 Speaker 1: for grabs. It works. There's a break on the table. 758 00:49:44,760 --> 00:49:46,439 Speaker 1: It's not on the table. Don't you put a break 759 00:49:46,480 --> 00:49:48,080 Speaker 1: on the side. I said, he has a break on 760 00:49:48,120 --> 00:49:52,120 Speaker 1: the table, on the side. There's no break on the table. 761 00:49:52,400 --> 00:49:56,040 Speaker 1: Break if I may, there's no table. You got to 762 00:49:56,040 --> 00:50:00,960 Speaker 1: go on break now it's on the table. I'm telling gonnah. 763 00:50:01,640 --> 00:50:05,359 Speaker 1: What was her name? Delica? Delica? Where is she from? 764 00:50:05,640 --> 00:50:10,279 Speaker 1: She's from Montana sent her masks. Excuse me, somebody has 765 00:50:10,520 --> 00:50:13,920 Speaker 1: has drawn nipples on the cave woman. What somebody has 766 00:50:14,000 --> 00:50:16,120 Speaker 1: drawn nipples on the cave woman in the diarma. We 767 00:50:16,160 --> 00:50:18,800 Speaker 1: can't have that. That's not historically accurate. Exactly, sir, we 768 00:50:18,920 --> 00:50:22,040 Speaker 1: don't know that someone has your own break. I work here. 769 00:50:22,200 --> 00:50:26,160 Speaker 1: Don't call me sir, Who the funk are you guy? 770 00:50:26,239 --> 00:50:28,880 Speaker 1: This guy's gonna shot the guy. He's gonna shatter me 771 00:50:29,719 --> 00:50:34,000 Speaker 1: the shatter good. This is the kind of competition I like. Oh, 772 00:50:34,080 --> 00:50:35,799 Speaker 1: I wanted to get here first. We need to get 773 00:50:35,840 --> 00:50:38,279 Speaker 1: to Liqua to clean the nipples on the cave when 774 00:50:38,280 --> 00:50:41,319 Speaker 1: we weren't here first. What are you doing here, Luke? 775 00:50:42,160 --> 00:50:44,960 Speaker 1: I still work here despite the fact that I got 776 00:50:45,000 --> 00:50:50,279 Speaker 1: a terrible YELP review because you were shadowing me. Oh man, 777 00:50:51,440 --> 00:50:54,359 Speaker 1: I want every square into that to be real. Why 778 00:50:54,480 --> 00:50:57,600 Speaker 1: can't it? Oh? Thank you all for writing in your 779 00:50:57,640 --> 00:51:00,439 Speaker 1: scene suggestions. Let's thank our alcomist for its a day, 780 00:51:00,760 --> 00:51:03,759 Speaker 1: James Heeney. Working folks find you on the interwebs and 781 00:51:03,840 --> 00:51:06,680 Speaker 1: they're out. Just go straight to the real James Heeney 782 00:51:06,760 --> 00:51:09,600 Speaker 1: dot com. Yeah, and you're doing some new animation stuff 783 00:51:09,680 --> 00:51:17,479 Speaker 1: for the episode. Generous speaking roll in the room. Good God, 784 00:51:17,719 --> 00:51:21,759 Speaker 1: I spend I spend so much time character better part 785 00:51:21,800 --> 00:51:28,520 Speaker 1: of a half hour, not the whole that. Man, I struggle. 786 00:51:28,560 --> 00:51:30,520 Speaker 1: I'm not good, but I'm gonna work at it. I 787 00:51:30,640 --> 00:51:32,239 Speaker 1: just love it. You feel they need to point out 788 00:51:32,320 --> 00:51:37,680 Speaker 1: that you're not good. I think I started In all fairness, 789 00:51:37,800 --> 00:51:40,960 Speaker 1: I'm much better than anybody that didn't even trying. Yes, 790 00:51:41,040 --> 00:51:43,840 Speaker 1: you are. I want to applaud the effort and it 791 00:51:44,040 --> 00:51:46,120 Speaker 1: is fun to make fun of it and you for it, 792 00:51:46,480 --> 00:51:49,160 Speaker 1: but but I do appreciate it. Thank you. I do 793 00:51:49,320 --> 00:51:53,400 Speaker 1: appreciate you. Craig Kakowski. I'm gonna throw a few Twitter 794 00:51:53,520 --> 00:51:57,840 Speaker 1: handles at you Kowski at Craigslist, peak cast at Orange 795 00:51:57,920 --> 00:52:03,879 Speaker 1: Tucks improv from my various So it's so fantastic. Vanessa Raglan, Yeah, 796 00:52:04,800 --> 00:52:07,280 Speaker 1: what do you got? You want to share the Dincy 797 00:52:07,320 --> 00:52:10,920 Speaker 1: Typewriter theater dot com. Yeah, and probably when this comes out, 798 00:52:10,960 --> 00:52:14,520 Speaker 1: I'm having a baby. Yeah, so I've got a little 799 00:52:14,640 --> 00:52:18,560 Speaker 1: less brain power than you. Well, listen, we got the 800 00:52:18,640 --> 00:52:20,879 Speaker 1: last of it today, So thank you, and not great 801 00:52:20,920 --> 00:52:24,680 Speaker 1: stuff I was offering, thanks for making it more. That's 802 00:52:24,800 --> 00:52:30,360 Speaker 1: ridiculous of you. Let's thank our very own engineer, Doug Baby. 803 00:52:31,800 --> 00:52:34,200 Speaker 1: No one else can lame that claim in the podcast world, 804 00:52:34,560 --> 00:52:48,640 Speaker 1: but y'all and our Papa Man Post sound design or 805 00:52:48,719 --> 00:52:56,680 Speaker 1: just rop producer Vie Lichtman her radio media place. I 806 00:52:56,800 --> 00:52:58,600 Speaker 1: courage you all to write a review and tell everyone 807 00:52:58,640 --> 00:53:01,800 Speaker 1: you've ever met a about our podcast. We love your support, 808 00:53:01,840 --> 00:53:04,239 Speaker 1: We greatly appreciate it. Please continue to write to us 809 00:53:04,280 --> 00:53:06,360 Speaker 1: with your scene suggestions at your name here at alchemy 810 00:53:06,440 --> 00:53:09,400 Speaker 1: this dot com. That's your name here at alchemy this 811 00:53:09,920 --> 00:53:12,880 Speaker 1: dot com. Until next time, thank you again and remember