WEBVTT - Alien: Romulus Reactions & Interview with Aileen Wu

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<v Speaker 1>Warning, Today's episode contains spoilers for Alien Romulus in theaters now,

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<v Speaker 1>so if you haven't seen it, let's see it then listen. Suit. Hello,

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<v Speaker 1>my name is Jason and I'm Merday Night and welcome

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<v Speaker 1>back the Extra Vision of podcast where we dive deep.

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<v Speaker 1>It's your favorite shows, movies, comics, and pop culture coming

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<v Speaker 1>to you from our podcasts where we're bringing you to

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<v Speaker 1>action packed episodes every Tuesday and Thursday.

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<v Speaker 2>In today's action Packed episode, previously on, there is news, news, news,

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<v Speaker 2>the Acolytes been casting, rip to that show black Smith

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<v Speaker 2>Wukong is here and shadd James Streemis, shadd those steam records,

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<v Speaker 2>borderlines for trailer, secret level trailer, some sad news from

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<v Speaker 2>the world of anime, and a new date for Marvel Rivals.

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<v Speaker 2>There's all kinds of news and we're getting into it.

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<v Speaker 2>In the airlock, we are breaking down Alien Romulus, Fede

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<v Speaker 2>Alvarez's box office smash hit, So if you haven't listened,

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<v Speaker 2>make sure you go back. I watched that movie before

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<v Speaker 2>you come in here because it's gonna be all spoilers.

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<v Speaker 2>And then we have a special guest star as Jason

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<v Speaker 2>interviews one of the fantastic stars of Alien Romulus Aileen lou.

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<v Speaker 1>Up next. Previously on Well, folks, we woke up to

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<v Speaker 1>some crazy news this morning. The Acolyte has been canceled.

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<v Speaker 1>There will be no season two. This is reported by

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<v Speaker 1>all the trades, Deadline, forty, et cetera. The show ended

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<v Speaker 1>up with a seventy eight percent on Rotten Tomatoes. But

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<v Speaker 1>I think it's fair to say there was some divisions.

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<v Speaker 1>It was certainly divisive in terms of ratings. It was

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<v Speaker 1>the worst performing Star Wars show. Now, a quick note

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<v Speaker 1>about ratings. It's impossible to get accurate streaming ratings from

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<v Speaker 1>any of the streamers, so here you're kind of, uh,

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<v Speaker 1>We're always going to be referencing either Nielsen data or

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<v Speaker 1>Illuminate Data, some third party data site. And the thing

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<v Speaker 1>is their formulas are all different and have a lot

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<v Speaker 1>to do with like engagement in social media. The streamers

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<v Speaker 1>themselves would say that's not accurate. That aside, it certainly

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<v Speaker 1>appears that The Ecolyte was in terms of watches, in

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<v Speaker 1>terms of ratings, the worst performing and fell off over

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<v Speaker 1>the course of the series. And that is, you know,

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<v Speaker 1>in addition to the pretty toxic conversation around the show.

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<v Speaker 2>Yeah, it was.

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<v Speaker 1>It was hammered.

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<v Speaker 2>I definitely feel like we obviously can't know what's going

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<v Speaker 2>on in an exact mind, but I do feel like

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<v Speaker 2>this was surprising to me because you know the surprised.

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<v Speaker 1>Yeah, for sure.

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<v Speaker 2>The show had a very passionate fandom that loved it,

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<v Speaker 2>and it also was a conversation driver in a way

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<v Speaker 2>I think Disney has been seeking for their shows. That

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<v Speaker 2>hasn't necessarily happened this year. But as you say, it

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<v Speaker 2>was very divisive. I would hope that this is not,

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<v Speaker 2>you know, a case where they're listening to the most

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<v Speaker 2>negative parts of the fandom and choosing to cancel a

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<v Speaker 2>show based on that. I would say something we need

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<v Speaker 2>to notice. The show was incredibly expensive. It was one

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<v Speaker 2>hundred and eighty million dollars apparently according to Disney, which,

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<v Speaker 2>by the way, like that's all that's a Disney problem.

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<v Speaker 2>Like if you want to make the show for less money,

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<v Speaker 2>give them less money. Like if you don't have the

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<v Speaker 2>money to make one hundred and eighty million dollar show,

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<v Speaker 2>which I know you do, Disney, then don't give it

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<v Speaker 2>to them, you know, like, let's let's plan ahead. But

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<v Speaker 2>I think there was so much more to come from this.

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<v Speaker 2>I also will say this is all rumors, of course,

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<v Speaker 2>but the Internet has noticed some interesting choices, which are

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<v Speaker 2>like they had Manny Jacinto at D twenty three like

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<v Speaker 2>a week ago, and they had a thirty foot projected

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<v Speaker 2>image of him on the wall that people could take

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<v Speaker 2>pictures with, which I've heard was very popular because who

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<v Speaker 2>didn't love crime here. They also then canceled the show

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<v Speaker 2>on his birthday. Seems thoughtless if this was always going

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<v Speaker 2>to be the case. Maybe we're looking at a situation

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<v Speaker 2>here where there's no Acolyte season two, but we will

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<v Speaker 2>see these characters and stories be continued in a high

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<v Speaker 2>republic style movie or something.

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<v Speaker 1>That would not surprise me. I think this is in

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<v Speaker 1>certain specs. It's not surprising because of the ratings. I

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<v Speaker 1>think if if the viewership was there, then you could

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<v Speaker 1>they could shrug off the conversation. And I think more broadly,

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<v Speaker 1>Star Wars is kind of in a weird spot right

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<v Speaker 1>now where they are beholds into nostalgia in a way

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<v Speaker 1>that no other ip really is. They're caught between a

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<v Speaker 1>segment of the fan base that wants Star Wars the

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<v Speaker 1>way it has always been delivered to them. Now, I

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<v Speaker 1>think that the way that that that picture of a

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<v Speaker 1>nostalgic Star Wars is a myth in large part, uh,

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<v Speaker 1>and I think allies the content of the original trilogy

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<v Speaker 1>in a large way. That said, I it's it's a

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<v Speaker 1>tough spot because if you innovate, if you do something

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<v Speaker 1>interesting people, there's going to be a segment of the

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<v Speaker 1>fan base that absolutely hates it. And then if you

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<v Speaker 1>do the same old Star Wars stuff, you're really not

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<v Speaker 1>evolving the IP or doing anything that might bring in

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<v Speaker 1>more fans exactly and keep the community vibrant. So it's

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<v Speaker 1>just a tough spot and definitely a bummer.

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<v Speaker 2>Also interesting that they just straight up canceled it rather

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<v Speaker 2>than leaving it in kind of you know, limbo, like

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<v Speaker 2>a lot of these shows and movies end up being

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<v Speaker 2>like it's very rare for them to just be like

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<v Speaker 2>this is over, Like it's not happening, it's canceled. So

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<v Speaker 2>I think that's very interesting. Apparently there is rumors that

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<v Speaker 2>they had started working on season two, and that's why

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<v Speaker 2>they have to say it was canceled because Season two

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<v Speaker 2>kind of already existed. I will say one thing, our

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<v Speaker 2>discord is absolutely bummed. They were big Acolyte fans in there,

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<v Speaker 2>so sending love to the discord today, and I understand.

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<v Speaker 2>I hope we will get to see these stories and

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<v Speaker 2>themes and characters continued, because in the age of streaming

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<v Speaker 2>we live in now, stuff gets canceled so quickly. And

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<v Speaker 2>there's definitely been a lot of hilarious memes like the

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<v Speaker 2>Clone Wars never would have made it past you know,

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<v Speaker 2>season one in this era, so it's like.

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<v Speaker 1>That's maybe true. Although I will say animated Flies under

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<v Speaker 1>the Radar continues incredibly influential. I think, in my opinion,

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<v Speaker 1>is probably primarily responsible for keeping people in touch with

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<v Speaker 1>Star Wars and growing new audience. But it's also like

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<v Speaker 1>something that the nostalgia heads, the hardcore nostalgia peeps, I

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<v Speaker 1>think broadly.

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<v Speaker 2>Ignore, yeah, the most part.

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<v Speaker 1>Next up, there is a new hit video game, and

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<v Speaker 1>it is Black Myth Wukan. The game has already become

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<v Speaker 1>in its short life as a release, has already become

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<v Speaker 1>the second most played game on scheme with why two

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<v Speaker 1>and a half million concurrent players behind PUBG still doing

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<v Speaker 1>it by way, PUBJ still.

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<v Speaker 2>Doing it, still doing it, basically.

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<v Speaker 1>Still doing it now Steam numbers. Of course, we're not

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<v Speaker 1>taking to account players using the Epic Game Store, which

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<v Speaker 1>is platform or playing on PS five, which is wild

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<v Speaker 1>separate ecosystem. This a game from a Chinese developer, has

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<v Speaker 1>had some controversy around it related to an email they

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<v Speaker 1>sent around to influencers as they were kind of like

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<v Speaker 1>ginning up excitement for the game, basically saying don't mention

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<v Speaker 1>COVID nineteen, we get it okay, but also no quote,

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<v Speaker 1>no feminist propaganda, which is interesting. Sure that said blackmith Willkon.

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<v Speaker 1>It's the gameplay looks pretty crazy, the bosses look incredibly huge,

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<v Speaker 1>and this game looks to be a juggernaut in the making.

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<v Speaker 2>Yeah, And the truth is, like I do deeply loved

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<v Speaker 2>Journey to the West and like the Monkey.

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<v Speaker 1>King Wukan is the main character and Journey to the West,

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<v Speaker 1>which is huge hit in China and much of Asia.

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<v Speaker 2>Yeah, and it's like it's a it's a it's like

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<v Speaker 2>a sixteenth century Chinese novel that basically a lot of

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<v Speaker 2>people think it created the hero's journey. If you're watching

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<v Speaker 2>something like Avatar the Last Airbender, you're really watching something

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<v Speaker 2>that's very influenced by Journey to the West. So I

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<v Speaker 2>do think this is really interesting. The CEO of the

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<v Speaker 2>game company, who said, now that email he is. You know,

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<v Speaker 2>he has said some wild things in the past, but

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<v Speaker 2>sometimes you just gotta ignore it and just look at

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<v Speaker 2>a game. So it'll be interesting to see and I'm

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<v Speaker 2>interested to play this. I'm interested if any of our

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<v Speaker 2>our discord users are playing it, because the reviews are

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<v Speaker 2>pretty crazy. People say it's just a total whirlwind and

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<v Speaker 2>kind of a bit of an unexpected smash. I think.

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<v Speaker 1>Next up more video game stuff. Borderland's four has released

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<v Speaker 1>a teaser trailer. Not much that no gameplay, but I'm

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<v Speaker 1>excited on the less as a fan of the Venerable

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<v Speaker 1>Borderlands looter shooter franchise, I do enjoy some Borderlands.

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<v Speaker 2>Yeah, this is really great. I think I've been very

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<v Speaker 2>impressed with the Boardlands guy who was like, hey, you

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<v Speaker 2>love the game so much that you hated this bad movie.

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<v Speaker 2>Guess what, Bordlands four Finally it's finally coming out. He

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<v Speaker 2>was like, how can I turn this to my favor?

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<v Speaker 2>He's like, I didn't spend one hundred and ten million

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<v Speaker 2>dollars making this movie. But the reason people hate the

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<v Speaker 2>movie is because they love the games. So guess what,

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<v Speaker 2>Baby Boardlands for trailer They could not get that out

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<v Speaker 2>quick enough, and I respect it.

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<v Speaker 1>More kind of video video games adjacent video games adjacent.

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<v Speaker 1>The trailer for Secret Level on Amazon Prime Videos this

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<v Speaker 1>is wild. This comes from the creative team behind Love,

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<v Speaker 1>Death and Robots, which, if you were a fan of Love,

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<v Speaker 1>Death and Robots on Netflix, this looks to be for you.

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<v Speaker 1>And it's an anthology series with each episode based around

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<v Speaker 1>a different game slash video game franchise, including Dungeons and Dragons,

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<v Speaker 1>Honor of Kings, Mega Man, pac Man, Warhammer, Warhammer forty

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<v Speaker 1>K So uh looks pretty cool.

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<v Speaker 2>Yeah. I also feel like Secret Level is the correct

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<v Speaker 2>name because the way that they kept this under wraps

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<v Speaker 2>until now is kind of super impressive when you have

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<v Speaker 2>something as broad as like pac Man and Outer Worlds,

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<v Speaker 2>you know, God of War episode as an Armored Corps.

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<v Speaker 2>So I'm extremely interested to see how this lands because

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<v Speaker 2>I do think that the way the IP is being

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<v Speaker 2>used right now, like with this Star Wars stuff, right like,

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<v Speaker 2>you invest all this money into one show and if

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<v Speaker 2>it doesn't work, then you know you're fucked, basically, So

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<v Speaker 2>I do think this idea of more like anthology ips

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<v Speaker 2>where you try stuff out and see what works and

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<v Speaker 2>see what people are drawn to. That feels like it's

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<v Speaker 2>quite could be a war for the future kind of

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<v Speaker 2>of what these companies are gonna do. Apparently looks like

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<v Speaker 2>Keanu Reeves is going to be involved, which you know,

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<v Speaker 2>always a good thing. We love to see him.

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<v Speaker 1>Marv rivals. We have a release dates. What are you

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<v Speaker 1>doing for the holiday season? I don't what I'll be

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<v Speaker 1>doing playing December four, it's gonna be free to play,

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<v Speaker 1>which means you're gonna pay for those skins.

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<v Speaker 2>Folks, Baby, are you ready to pay for Captain America?

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<v Speaker 2>Is a Nazi skin? Or ever hide your cat? They

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<v Speaker 2>gonna be chotching you five dollars for that. But yeah,

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<v Speaker 2>it looks good. It looks like an Overwatch reskin, which

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<v Speaker 2>we always knew it would do. Side I'm like, let me,

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<v Speaker 2>let me just let me just kill some I mean,

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<v Speaker 2>let me just battle some people in the guise of

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<v Speaker 2>a character I enjoy.

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<v Speaker 1>Looks great. I can't wait to get in there with you.

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<v Speaker 1>Rosie problems, because a.

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<v Speaker 2>Lot of problems.

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<v Speaker 1>Next up new Megalopolis trailer, which is notable for this

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<v Speaker 1>Megalopolis of course. The Francis Ford Coppola latest Francis Ford

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<v Speaker 1>Coppola movie that that famously features a part of the

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<v Speaker 1>movie in which a actor has to come out and address

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<v Speaker 1>the screen. I don't know how they're gonna do this

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<v Speaker 1>and wide release. That said, here's what was notable to

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<v Speaker 1>me about this trailer. The trailer opens and I've never

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<v Speaker 1>seen this before. The trailer opens with a basically Francis

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<v Speaker 1>Ford Coppol's resume starting oh yeah, Father, and and a

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<v Speaker 1>like review from when that movie was released to listen

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<v Speaker 1>to nineteen seventy two The Godfather, and then some pan

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<v Speaker 1>yeah the movie nineteen seventy nine Apocalypse. Now, Rex Reid says,

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<v Speaker 1>and irredeemable piece of trash.

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<v Speaker 2>This man is so stressed.

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<v Speaker 1>Never seen this before. This guy he's been and France

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<v Speaker 1>is basically saying it. And people are gonna shoo on

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<v Speaker 1>this fucking movie, like the critic is gonna shoot on

0:14:02.960 --> 0:14:05.360
<v Speaker 1>it before it's released, and guess what, they're wrong.

0:14:05.960 --> 0:14:09.800
<v Speaker 2>He's still gonna be great. Dude. This man is absolutely wild.

0:14:09.880 --> 0:14:12.240
<v Speaker 2>I feel like this is especially.

0:14:12.280 --> 0:14:16.840
<v Speaker 3>Fiery after all these kind of like on set issues

0:14:16.920 --> 0:14:20.560
<v Speaker 3>about he's been, like videos of him like kissing extras

0:14:20.600 --> 0:14:22.880
<v Speaker 3>and saying like I'm getting them into the party.

0:14:22.920 --> 0:14:26.720
<v Speaker 2>Mood baby like if I don't love that, so I

0:14:26.760 --> 0:14:30.720
<v Speaker 2>feel like he's on a he's on a train to

0:14:32.080 --> 0:14:34.920
<v Speaker 2>Frants for Coppola Land. Then it's maybe it's gonna crash.

0:14:34.920 --> 0:14:37.040
<v Speaker 2>Maybe he's gonna make it there and make a billion dollars.

0:14:37.080 --> 0:14:40.440
<v Speaker 2>Who knows. It's absolutely bonkers, this tray Lie. I couldn't

0:14:40.440 --> 0:14:41.080
<v Speaker 2>believe he did it.

0:14:41.880 --> 0:14:48.160
<v Speaker 1>Uh well. The film has a crack ensemble cast, including

0:14:48.280 --> 0:14:53.720
<v Speaker 1>Adam Driver, giancarlois Posito, Natalie Emmanuel, Aubrey Plaza, Shila Buff,

0:14:54.440 --> 0:14:59.960
<v Speaker 1>the disgraced Shilah Buff, everybody's favorite Hollywood right wing conservatives

0:15:00.120 --> 0:15:04.400
<v Speaker 1>On Voight, Laurence Fishburg, Tylie Shier, Jesus Schwartzman.

0:15:04.080 --> 0:15:04.880
<v Speaker 4>And more.

0:15:05.680 --> 0:15:09.720
<v Speaker 2>Yeah, I believe Aubrey Plaza, which just absolutely bonkers, just

0:15:09.760 --> 0:15:14.680
<v Speaker 2>like completely wild. Chloe Feynman from SNL, Yeah, sure love it.

0:15:14.720 --> 0:15:15.600
<v Speaker 2>I love that.

0:15:15.560 --> 0:15:20.280
<v Speaker 1>That's the of the Warriors Fame and other great features

0:15:20.320 --> 0:15:29.000
<v Speaker 1>fam Tebe Sweeney. Yeah, Dustin Hoffman, he's there with his nephew, Grace.

0:15:28.760 --> 0:15:32.960
<v Speaker 2>Vanderwall, who I believe was on American Idol. Crazy, that's truly,

0:15:33.040 --> 0:15:35.600
<v Speaker 2>I mean, who knows what this movie is gonna be? Like,

0:15:36.400 --> 0:15:39.160
<v Speaker 2>this is gonna be absolutely Boncaus. Also, I just want

0:15:39.200 --> 0:15:42.200
<v Speaker 2>to say, this is a Lionsgate movie, right, This is

0:15:42.360 --> 0:15:45.720
<v Speaker 2>Lionsgate is doing some wild releases this year because lions

0:15:45.760 --> 0:15:47.600
<v Speaker 2>Gate is also buying The Crow, which we will talk

0:15:47.600 --> 0:15:50.520
<v Speaker 2>about another date. But I feel like who's out here

0:15:50.520 --> 0:15:54.280
<v Speaker 2>doing it? Like Lionsgate. They're putting the wildest stuff out

0:15:54.400 --> 0:15:57.240
<v Speaker 2>right now. And they picked up Cosmopolis and they're gonna

0:15:57.240 --> 0:16:01.400
<v Speaker 2>be making some kids come out from behind the popcorn

0:16:01.440 --> 0:16:04.360
<v Speaker 2>desk and speak to Adam Driver on that big screen.

0:16:04.400 --> 0:16:05.000
<v Speaker 2>I believe it.

0:16:05.600 --> 0:16:09.040
<v Speaker 1>And then finally Sad News goes to the shell and bayonet.

0:16:09.040 --> 0:16:12.120
<v Speaker 1>A voice actress at Suko Tanaka has passed at age

0:16:12.160 --> 0:16:17.680
<v Speaker 1>sixty one, whiches so young? Uh thoughts and to her

0:16:17.760 --> 0:16:18.400
<v Speaker 1>family and.

0:16:18.480 --> 0:16:22.840
<v Speaker 2>Ye very just a huge kind of beacon in the

0:16:23.240 --> 0:16:24.600
<v Speaker 2>in the voice acting space.

0:16:24.760 --> 0:16:31.960
<v Speaker 1>And yeah, folks, let's jump out of your sternum, oh

0:16:32.120 --> 0:16:35.560
<v Speaker 1>like in like a freshly hatched alien to talk about

0:16:35.600 --> 0:16:53.520
<v Speaker 1>alien robins. Up next, we're stepping out of the air

0:16:53.560 --> 0:16:57.320
<v Speaker 1>lock to discuss alien romulus in theaters.

0:16:57.440 --> 0:16:59.880
<v Speaker 2>Now, Roses big hit, Baby.

0:17:00.200 --> 0:17:04.080
<v Speaker 1>It's a huge all around the world.

0:17:04.240 --> 0:17:09.040
<v Speaker 2>People are enjoying it, people are feeling it, people are

0:17:09.320 --> 0:17:14.800
<v Speaker 2>loving it, people are having conversations about which is exactly

0:17:14.840 --> 0:17:15.800
<v Speaker 2>what we're gonna do.

0:17:16.520 --> 0:17:20.080
<v Speaker 1>Well, Rosie, I'll start. I like this movie. This is

0:17:20.119 --> 0:17:22.920
<v Speaker 1>a fun this is a fun movie, A good prequel.

0:17:24.160 --> 0:17:27.240
<v Speaker 2>I believe. I believe they're calling it an intquel now

0:17:27.280 --> 0:17:31.399
<v Speaker 2>because it's between alien and aliens.

0:17:30.760 --> 0:17:32.440
<v Speaker 1>A delightful interquol.

0:17:32.960 --> 0:17:35.399
<v Speaker 2>I'd never heard of that phrase before this week, but

0:17:35.440 --> 0:17:35.919
<v Speaker 2>there it is.

0:17:36.480 --> 0:17:39.560
<v Speaker 1>I love the practical effects. I love the more of

0:17:39.600 --> 0:17:42.360
<v Speaker 1>a starring role for the face huggers, which was oh

0:17:42.440 --> 0:17:43.080
<v Speaker 1>yeah fun.

0:17:43.240 --> 0:17:46.760
<v Speaker 2>The animatronics Animore very impressive, very scary.

0:17:46.920 --> 0:17:53.439
<v Speaker 1>Was great, and I really enjoyed David Johnson as as Andy.

0:17:53.480 --> 0:17:55.040
<v Speaker 2>That was the breakout.

0:17:55.040 --> 0:17:58.040
<v Speaker 1>Officials agreed, what did you think of the film?

0:17:58.119 --> 0:18:03.640
<v Speaker 2>Yeah, I really enjoyed it. I Fedda has Eddy Alva

0:18:03.680 --> 0:18:05.920
<v Speaker 2>as the director has made stuff that I really like,

0:18:05.920 --> 0:18:08.000
<v Speaker 2>like beebdev movies, made stuff that I like a little

0:18:08.000 --> 0:18:13.400
<v Speaker 2>bit less, like don't Breathe but visual and don't Breathe

0:18:13.400 --> 0:18:18.399
<v Speaker 2>too ooh. But the vision that he had for this movie,

0:18:18.680 --> 0:18:21.560
<v Speaker 2>the aesthetic of the movie, I think it's really.

0:18:22.960 --> 0:18:23.400
<v Speaker 1>Uh.

0:18:23.480 --> 0:18:25.520
<v Speaker 2>I think it's nice to be back in the world

0:18:25.640 --> 0:18:29.800
<v Speaker 2>of alien that you can kind of deeply immediately recognize.

0:18:29.840 --> 0:18:33.960
<v Speaker 2>It's grubby, it's gross, it's dark. You're on a mining colony,

0:18:34.680 --> 0:18:36.679
<v Speaker 2>you want to get out, you're a blue collar worker,

0:18:36.720 --> 0:18:38.560
<v Speaker 2>and you're going to be stopped by an alien. It's

0:18:38.560 --> 0:18:41.399
<v Speaker 2>incredibly bleak in a way that I think Edde does well.

0:18:41.880 --> 0:18:44.240
<v Speaker 2>I really liked it in the cinema. I think it's

0:18:44.280 --> 0:18:49.840
<v Speaker 2>a very enjoyable movie experience. Also, I have like a

0:18:49.840 --> 0:18:53.680
<v Speaker 2>cannon of movies and TV shows where like I will

0:18:53.760 --> 0:18:55.760
<v Speaker 2>forgive a lot of stuff if it's just like a

0:18:55.800 --> 0:18:58.399
<v Speaker 2>bunch of kids trying to get stuff done. So I'm like,

0:18:58.440 --> 0:19:01.119
<v Speaker 2>this is in the I would dive my children cannon.

0:19:01.160 --> 0:19:03.320
<v Speaker 2>Apart from Bjorn, I'm glad he died, but otherwise I

0:19:03.320 --> 0:19:07.000
<v Speaker 2>would be there. I would have been there fighting alongside Anna. Yeah,

0:19:07.040 --> 0:19:09.840
<v Speaker 2>I thought I definitely David Johnson as Andy, I think

0:19:09.960 --> 0:19:12.600
<v Speaker 2>is if he wasn't in this movie, I do not

0:19:12.680 --> 0:19:15.360
<v Speaker 2>think the reviews would be as good because I think

0:19:15.400 --> 0:19:18.120
<v Speaker 2>the one thing this script does really well that's very

0:19:18.119 --> 0:19:24.920
<v Speaker 2>interesting is it explores the notion of being a synthetic

0:19:25.080 --> 0:19:28.360
<v Speaker 2>in the alien world and what that means and how

0:19:28.400 --> 0:19:31.960
<v Speaker 2>much agency you have. And David Johnson gets to play

0:19:32.000 --> 0:19:34.880
<v Speaker 2>two different roles that are really really powerful, and one

0:19:34.920 --> 0:19:38.600
<v Speaker 2>of them is really scary and the other is really

0:19:39.080 --> 0:19:42.120
<v Speaker 2>kind of melancholic, and I just think he does such

0:19:42.119 --> 0:19:45.720
<v Speaker 2>an incredible job. Kaylee Spenny, she's great. She's a great

0:19:45.800 --> 0:19:48.560
<v Speaker 2>action e lead. She's she's got her muscles out. She

0:19:48.600 --> 0:19:51.320
<v Speaker 2>can hold he you know, a pulse rifle. I think

0:19:51.359 --> 0:19:56.960
<v Speaker 2>that there was some character actors here who were slightly wasted.

0:19:57.080 --> 0:20:02.720
<v Speaker 2>Isabella McCard from the beloved smash hit family movie Madam Webb. Yeah,

0:20:02.760 --> 0:20:04.280
<v Speaker 2>who is about to behold Go?

0:20:05.280 --> 0:20:08.680
<v Speaker 1>Well, let's quickly recap the film and then get into

0:20:08.760 --> 0:20:10.919
<v Speaker 1>a kind of deeper discussion. We're going to recap this

0:20:11.040 --> 0:20:15.320
<v Speaker 1>off the top of our heads. So we open on

0:20:15.800 --> 0:20:22.480
<v Speaker 1>a corporate planet that's basically all about mining and scavenging

0:20:22.560 --> 0:20:27.640
<v Speaker 1>a whalean Utani planet where you have to hit a

0:20:27.680 --> 0:20:32.920
<v Speaker 1>certain quota of I guess scavenge or hours or currency.

0:20:32.920 --> 0:20:35.320
<v Speaker 1>It's unclear what the number is, but you have to

0:20:35.400 --> 0:20:38.000
<v Speaker 1>hit this number before you're allowed to leave. So it's

0:20:38.040 --> 0:20:40.879
<v Speaker 1>kind of like the old school, like owing your life

0:20:40.920 --> 0:20:43.720
<v Speaker 1>to the company's store type of situation of like the

0:20:43.800 --> 0:20:48.760
<v Speaker 1>late nineteenth early twentieth century Industrial Revolution type thing, and.

0:20:48.760 --> 0:20:52.320
<v Speaker 2>If they need more workers, they will just extend your time,

0:20:52.920 --> 0:20:56.040
<v Speaker 2>right so there's no it's not fair whalen Utani. This

0:20:56.200 --> 0:21:00.000
<v Speaker 2>is the ultimate like working class factory town where people

0:21:00.240 --> 0:21:03.280
<v Speaker 2>just dying from being in the mind from Black Lung.

0:21:03.280 --> 0:21:06.320
<v Speaker 1>There's like two thousands, about two thousand people live there

0:21:06.359 --> 0:21:10.080
<v Speaker 1>in total, and part of that population is our main cast.

0:21:10.640 --> 0:21:16.000
<v Speaker 1>There is Rain played by Kaylee Spainey. There is Andy,

0:21:16.200 --> 0:21:22.240
<v Speaker 1>her artificial person brother, a gift from her father who

0:21:22.320 --> 0:21:24.399
<v Speaker 1>has passed away in the minds we believe.

0:21:24.760 --> 0:21:25.000
<v Speaker 2>Yeah.

0:21:25.240 --> 0:21:30.600
<v Speaker 1>Uh. There is Tyler, who is I believe Rain's ex right.

0:21:30.880 --> 0:21:33.879
<v Speaker 2>It feels like the coding there is that he is

0:21:34.160 --> 0:21:34.680
<v Speaker 2>her ex.

0:21:34.800 --> 0:21:40.600
<v Speaker 1>Yeah. There is kay who is pregnant with a baby

0:21:40.640 --> 0:21:45.760
<v Speaker 1>of unknown providence. We will discuss this play by further length.

0:21:46.160 --> 0:21:49.040
<v Speaker 2>Isabella Mcott who is going to be Hawk Girl in

0:21:49.119 --> 0:21:52.600
<v Speaker 2>the James Gun of Us and who was recently Ranya

0:21:52.880 --> 0:21:54.040
<v Speaker 2>and Madame Webb.

0:21:55.280 --> 0:21:59.840
<v Speaker 1>Las and then there is Bjorn played by Spike Fearn

0:22:00.200 --> 0:22:05.240
<v Speaker 1>Oh boo, I hate good acting Spike, and Alien Wu

0:22:05.320 --> 0:22:09.920
<v Speaker 1>plays Navarro. Yes, we'll be stay tuned for Alien Wu interview.

0:22:10.720 --> 0:22:14.920
<v Speaker 1>And basically they hit upon a scheme by which they

0:22:14.960 --> 0:22:20.040
<v Speaker 1>can leave the planet by taking their their like Junker

0:22:20.200 --> 0:22:28.320
<v Speaker 1>scavenger craft and outfitting it with enough cryo fuel to

0:22:28.600 --> 0:22:33.199
<v Speaker 1>power the the cryo chambers so that they can go

0:22:33.280 --> 0:22:36.880
<v Speaker 1>into hibernation for a nine year trip to a planet

0:22:36.920 --> 0:22:40.520
<v Speaker 1>where the sun actually shines, because on this planet it's

0:22:40.640 --> 0:22:43.960
<v Speaker 1>raining all the time and it sucks. And the only

0:22:44.000 --> 0:22:46.439
<v Speaker 1>way they can do that is by getting enough cryo

0:22:46.520 --> 0:22:48.080
<v Speaker 1>fuel to make the trip.

0:22:48.200 --> 0:22:51.680
<v Speaker 2>And keep the described for like nine years.

0:22:51.720 --> 0:22:54.320
<v Speaker 1>For nine years, and they've discovered that there is like

0:22:54.440 --> 0:23:01.159
<v Speaker 1>a wrecked Whyland Utahani space station that's just kind of

0:23:01.200 --> 0:23:04.720
<v Speaker 1>like floating right above the planet, so they go up

0:23:04.760 --> 0:23:07.919
<v Speaker 1>there turns out to be a research facility, and it

0:23:07.960 --> 0:23:13.080
<v Speaker 1>turns out this research facility is like chock a block

0:23:13.520 --> 0:23:17.920
<v Speaker 1>with face huggers and other aliens and a more research.

0:23:18.359 --> 0:23:25.880
<v Speaker 1>There's like a decommission destroyed artificial person there played by

0:23:27.760 --> 0:23:32.760
<v Speaker 1>a beyond life ian home and long story short, the

0:23:32.800 --> 0:23:40.840
<v Speaker 1>aliens come out, Everybody except for Rain gets killed. She

0:23:41.280 --> 0:23:45.480
<v Speaker 1>ultimately defeats the alien. The final boss alien turns out

0:23:45.480 --> 0:23:53.080
<v Speaker 1>to be a hybrid alien human baby that gives birth

0:23:53.119 --> 0:23:58.320
<v Speaker 1>to is really scary, and now with enough cryo fuel

0:23:58.440 --> 0:24:02.000
<v Speaker 1>to make the trip, she leaves her last log, puts

0:24:02.040 --> 0:24:05.800
<v Speaker 1>Andy in the hibernation chamber, puts herself in the hibernation

0:24:05.920 --> 0:24:10.600
<v Speaker 1>chamber and heads for the new planet. Okay, you kind

0:24:10.600 --> 0:24:15.399
<v Speaker 1>of hit on it in your statement up top. I

0:24:15.440 --> 0:24:18.560
<v Speaker 1>do think and this is my one nitpick. Here's my nitpick.

0:24:18.840 --> 0:24:21.119
<v Speaker 1>I love everything about this movie. I love the face huggers.

0:24:21.119 --> 0:24:24.520
<v Speaker 1>I love the practical effects. I think that looks as

0:24:25.720 --> 0:24:31.680
<v Speaker 1>it looks astoundingly good. The cast is wonderful. I do

0:24:31.800 --> 0:24:34.320
<v Speaker 1>think the one thing I was craving, and I was

0:24:34.440 --> 0:24:37.840
<v Speaker 1>craving it kind of significantly, was just like a little

0:24:37.880 --> 0:24:42.359
<v Speaker 1>deeper understanding of these characters. I do feel like Kay,

0:24:42.760 --> 0:24:45.119
<v Speaker 1>basically all we know about her is she's pregnant. That's

0:24:46.359 --> 0:24:48.239
<v Speaker 1>who is she? What does she dream of? What does

0:24:48.240 --> 0:24:49.960
<v Speaker 1>she want to do? What does she hate? Like I

0:24:50.720 --> 0:24:54.840
<v Speaker 1>kind of don't know Jorn. I know he hates androids,

0:24:54.920 --> 0:25:00.600
<v Speaker 1>and that's kind of it. Like Tyler, same thing. He

0:25:00.680 --> 0:25:03.280
<v Speaker 1>feels a little and the characters feel a little thin

0:25:03.440 --> 0:25:06.960
<v Speaker 1>to me now you mentioned it. I do think David

0:25:07.040 --> 0:25:09.440
<v Speaker 1>Johnson gives a tour to force here as Andy. Yeah,

0:25:09.920 --> 0:25:13.560
<v Speaker 1>and he's given a wide range of Like there's Andy

0:25:14.000 --> 0:25:18.639
<v Speaker 1>who is more hobbled intellectually and physically and is not

0:25:18.920 --> 0:25:23.280
<v Speaker 1>kind of he's half destroyed. He you know, Rain keeps

0:25:23.320 --> 0:25:26.000
<v Speaker 1>having to reboot him. Then he gets an upgrade and

0:25:26.040 --> 0:25:28.840
<v Speaker 1>all of a sudden, he's a much more competent, much sharper,

0:25:29.400 --> 0:25:34.800
<v Speaker 1>slightly more ominous figure. And that kind of wide range

0:25:34.840 --> 0:25:37.960
<v Speaker 1>is cool. Kaylee Spiney is awesome. Part of that is

0:25:38.000 --> 0:25:40.280
<v Speaker 1>just like how much he's on the screen. But I

0:25:40.320 --> 0:25:45.600
<v Speaker 1>do I did find myself wishing that I knew more

0:25:45.640 --> 0:25:49.199
<v Speaker 1>about these characters, that there had been more in this

0:25:49.359 --> 0:25:51.719
<v Speaker 1>movie for me to hold on to, so that I

0:25:51.840 --> 0:25:54.320
<v Speaker 1>cared about these characters more like I should. At a

0:25:54.400 --> 0:25:56.480
<v Speaker 1>certain point, I'm like, God, I hope you aren't dies,

0:25:57.040 --> 0:25:59.600
<v Speaker 1>and I shouldn't. I feel like I shouldn't be feeling

0:25:59.600 --> 0:26:00.720
<v Speaker 1>that guys should.

0:26:00.480 --> 0:26:05.879
<v Speaker 2>Not feel like, you know what this guy gets. I

0:26:05.960 --> 0:26:09.320
<v Speaker 2>do think that that is intentional, and I think it

0:26:09.440 --> 0:26:12.440
<v Speaker 2>comes with him specifically, and I do think it comes

0:26:12.480 --> 0:26:14.800
<v Speaker 2>down to something where we were talking about this pre production.

0:26:15.040 --> 0:26:18.520
<v Speaker 2>So let's talk about the because I've just discovered something

0:26:18.520 --> 0:26:21.520
<v Speaker 2>and I think it makes that more intentional. So let's

0:26:21.560 --> 0:26:25.240
<v Speaker 2>talk about Kay's father, Like, who.

0:26:25.040 --> 0:26:30.119
<v Speaker 1>Is I mean is I thought it was clearly born.

0:26:31.119 --> 0:26:32.359
<v Speaker 1>Other people are saying.

0:26:32.119 --> 0:26:35.600
<v Speaker 2>No, Well, I also believed it was borne because she says,

0:26:35.600 --> 0:26:38.439
<v Speaker 2>you know, he's he's that ass h's some asshole, and

0:26:38.480 --> 0:26:41.040
<v Speaker 2>then they're always calling him an asshole, and he's clearly

0:26:41.119 --> 0:26:44.119
<v Speaker 2>kind of creepy and he's got a bad vibe, and

0:26:44.160 --> 0:26:47.000
<v Speaker 2>there's like a scene where it really feels like that

0:26:47.160 --> 0:26:51.840
<v Speaker 2>is implied. And in a Reddit thread, somebody supposed that,

0:26:52.200 --> 0:26:55.680
<v Speaker 2>and FEddi Alvarez jumped in and said, yeah, you're right,

0:26:56.320 --> 0:26:59.480
<v Speaker 2>and this is actually a very fede thing because something

0:26:59.560 --> 0:27:01.640
<v Speaker 2>that was pointed out in our pre production and people

0:27:01.680 --> 0:27:05.160
<v Speaker 2>are very upset about and Reddit, is that that Cousins

0:27:05.520 --> 0:27:08.320
<v Speaker 2>in the screen? Yeah, but no, that's Freddy says. It's

0:27:08.359 --> 0:27:10.439
<v Speaker 2>it's happening baby, And if you've seen Don't Breathe, this

0:27:10.520 --> 0:27:12.359
<v Speaker 2>man probably does not have a problem with that.

0:27:12.440 --> 0:27:15.600
<v Speaker 1>I mean, I'll just say that's true. I mean, I'll

0:27:15.640 --> 0:27:19.920
<v Speaker 1>just say, of the Cousins thing, there's two thousand people

0:27:19.920 --> 0:27:22.960
<v Speaker 1>that live on this planet, like you've gotta you've got

0:27:22.960 --> 0:27:27.080
<v Speaker 1>to get busy somehow, and I think that obviously it's

0:27:27.119 --> 0:27:30.760
<v Speaker 1>not an ideal situation, but people, you know, life finds

0:27:30.760 --> 0:27:31.800
<v Speaker 1>a way, you.

0:27:31.720 --> 0:27:32.240
<v Speaker 4>Know what I mean.

0:27:32.400 --> 0:27:40.000
<v Speaker 1>You simply can't have the same kind of uh red line,

0:27:40.200 --> 0:27:43.640
<v Speaker 1>you know, criteria for finding a mate on a planet

0:27:43.680 --> 0:27:48.480
<v Speaker 1>where there's probably less people that live there than live

0:27:49.040 --> 0:27:53.880
<v Speaker 1>on your street. Yeah, like in certain areas of the country.

0:27:53.920 --> 0:27:57.320
<v Speaker 1>So I just feel like that didn't that didn't bump me.

0:27:57.440 --> 0:28:02.640
<v Speaker 2>Yeah. That also I'm a big fan of Uh. I'm

0:28:02.640 --> 0:28:04.600
<v Speaker 2>a big fan of the fact that Feddy just made

0:28:04.640 --> 0:28:07.680
<v Speaker 2>his own like Reddit profile and then he kept getting

0:28:07.720 --> 0:28:09.760
<v Speaker 2>in trouble on Reddit because they were saying he was

0:28:09.920 --> 0:28:14.040
<v Speaker 2>impersonating himself because he was going around just like answering

0:28:14.080 --> 0:28:17.239
<v Speaker 2>people's questions about the movie and read it was like

0:28:17.359 --> 0:28:19.280
<v Speaker 2>you are not Freeddy Alvarez and he was like, no,

0:28:19.320 --> 0:28:22.919
<v Speaker 2>I am, I really am. I promise. But yeah, I

0:28:22.960 --> 0:28:26.720
<v Speaker 2>think I definitely think that something about the First Alien

0:28:26.760 --> 0:28:30.760
<v Speaker 2>movie that makes it so special is look, Okay, first

0:28:30.760 --> 0:28:33.399
<v Speaker 2>of all, doesn't hurt that it has like a cast

0:28:33.480 --> 0:28:36.600
<v Speaker 2>of just absolutely stella character actors who would go on

0:28:36.760 --> 0:28:40.760
<v Speaker 2>to you know, become huge stars like Ian Holm and

0:28:40.880 --> 0:28:45.680
<v Speaker 2>yeaf At Koto and you know John Hurt, you know

0:28:45.720 --> 0:28:48.000
<v Speaker 2>you have and and I do think here they do

0:28:48.120 --> 0:28:50.280
<v Speaker 2>channel that because Isabella McCart is going to be a

0:28:50.360 --> 0:28:50.840
<v Speaker 2>huge star.

0:28:51.040 --> 0:28:53.440
<v Speaker 1>But there there was this there was this like ultimate

0:28:53.600 --> 0:28:57.760
<v Speaker 1>esque banter. Yeah, in that movie exact it's where they're

0:28:57.800 --> 0:29:01.520
<v Speaker 1>talking about their shares, and there all these little things

0:29:01.560 --> 0:29:04.480
<v Speaker 1>that add texture exactly where you know, you know what

0:29:04.520 --> 0:29:07.280
<v Speaker 1>they care about, you kind of understand what the situation

0:29:07.320 --> 0:29:08.800
<v Speaker 1>of working for this company.

0:29:08.560 --> 0:29:11.640
<v Speaker 2>Is, you understand really miss that. Yeah, I agree, I

0:29:11.680 --> 0:29:16.880
<v Speaker 2>wanted to know more about each of the characters before

0:29:16.920 --> 0:29:19.600
<v Speaker 2>they were in that situation. And I will say, pacing wise,

0:29:19.920 --> 0:29:21.800
<v Speaker 2>and I believe this is something that Fed's talked about

0:29:21.800 --> 0:29:24.760
<v Speaker 2>as well. Pacing wise, it does follow the first half

0:29:24.760 --> 0:29:28.440
<v Speaker 2>of the movie is far more in that alien slowburn

0:29:29.240 --> 0:29:31.760
<v Speaker 2>getting to the aliens, and then the second half is

0:29:31.760 --> 0:29:35.000
<v Speaker 2>more of an alien's kind of situation, lots of shooting,

0:29:35.200 --> 0:29:39.560
<v Speaker 2>lots of cool, gooey aliens. But I do think that

0:29:39.600 --> 0:29:44.200
<v Speaker 2>what's missing from that slowburn aspect is that interrogation of

0:29:44.280 --> 0:29:47.280
<v Speaker 2>like what are these relationships, Like how do they what

0:29:47.440 --> 0:29:50.680
<v Speaker 2>do they care about? Like what brought them together? What

0:29:50.760 --> 0:29:52.880
<v Speaker 2>do they pure And ironically is the one we get

0:29:52.920 --> 0:29:54.840
<v Speaker 2>to kind of know the most about just because we

0:29:54.920 --> 0:29:59.200
<v Speaker 2>learned that his mom was killed in a mining accident

0:29:59.280 --> 0:30:01.719
<v Speaker 2>where they basically to see the androids had to like

0:30:01.760 --> 0:30:04.040
<v Speaker 2>seal her in the mind. But we don't really get

0:30:04.080 --> 0:30:06.840
<v Speaker 2>a lot And I think, you know, you made a

0:30:06.880 --> 0:30:09.040
<v Speaker 2>great point when we were talking about this ahead of it.

0:30:09.320 --> 0:30:11.560
<v Speaker 2>One of the things that the movie is definitely kind

0:30:11.600 --> 0:30:13.920
<v Speaker 2>of missing is like a lot of the set dressing

0:30:14.000 --> 0:30:17.640
<v Speaker 2>is just references to old alien movies. Fun, but it

0:30:18.000 --> 0:30:22.400
<v Speaker 2>takes away from like I would like you you know,

0:30:22.440 --> 0:30:24.800
<v Speaker 2>what were you saying about Tyler, about his like interest

0:30:24.840 --> 0:30:25.560
<v Speaker 2>in the military.

0:30:25.560 --> 0:30:28.120
<v Speaker 1>I thought that was Yeah, so there's like there's another

0:30:29.360 --> 0:30:32.040
<v Speaker 1>early in the film, when they first arrived on the

0:30:32.040 --> 0:30:34.480
<v Speaker 1>space station, you know, he's Tyler is giving these like

0:30:34.520 --> 0:30:36.640
<v Speaker 1>hand signism, like why are you giving these hand signals?

0:30:36.680 --> 0:30:39.920
<v Speaker 1>What's what's up with that? And that's our first hint

0:30:40.080 --> 0:30:42.720
<v Speaker 1>that Tyler is interested in the military. Maybe he wants

0:30:42.720 --> 0:30:45.800
<v Speaker 1>to join the Colonial Marines. And I thought it was

0:30:45.840 --> 0:30:49.480
<v Speaker 1>a real wasted opportunity to not we go to Tyler's apartment,

0:30:49.920 --> 0:30:54.920
<v Speaker 1>you don't see like to your point about the dressing, Yeah,

0:30:55.000 --> 0:30:57.320
<v Speaker 1>how about a poster for the Colonial Marines, how about

0:30:57.360 --> 0:31:01.000
<v Speaker 1>like some books about something, how about anything in that

0:31:01.080 --> 0:31:03.720
<v Speaker 1>living space that would suggest to me that that's an

0:31:03.760 --> 0:31:07.520
<v Speaker 1>interest to him. We open on Rain's bunk and it's

0:31:07.640 --> 0:31:12.960
<v Speaker 1>like anodyne. There's like nothing there. Uh, you know. Caren

0:31:13.080 --> 0:31:15.600
<v Speaker 1>was talking about the fact that we see that little

0:31:15.720 --> 0:31:19.520
<v Speaker 1>duck that little dunking duck. That's a callback to the

0:31:19.560 --> 0:31:22.840
<v Speaker 1>Alien film. That's great, But how about some stuff in

0:31:22.880 --> 0:31:25.800
<v Speaker 1>there that's personalized to these It makes it feel like

0:31:25.840 --> 0:31:29.800
<v Speaker 1>a living space. And again small note, really because I

0:31:29.840 --> 0:31:32.560
<v Speaker 1>loved everything else about the movie, But I I guess

0:31:32.600 --> 0:31:34.400
<v Speaker 1>what I'm saying is I wanted to love it more.

0:31:34.600 --> 0:31:35.960
<v Speaker 1>I want to love it so much more.

0:31:35.880 --> 0:31:39.320
<v Speaker 2>Than I do. I love the experience of it. I'm

0:31:39.320 --> 0:31:43.040
<v Speaker 2>gonna always be thinking about the animatronic alien and the

0:31:43.080 --> 0:31:46.400
<v Speaker 2>real animatronic face huggers. Like the way this movie looks

0:31:46.440 --> 0:31:50.120
<v Speaker 2>and feels is so fantastic, and I already do. Like

0:31:50.160 --> 0:31:52.920
<v Speaker 2>I said, I love the canon of like a I

0:31:52.960 --> 0:31:55.440
<v Speaker 2>would die for these kids, and like this is definitely

0:31:55.440 --> 0:31:57.520
<v Speaker 2>in that canon for me because I have a lot

0:31:57.560 --> 0:32:00.440
<v Speaker 2>of love Fatchi Renaut, who plays Tyler. He was in

0:32:00.440 --> 0:32:02.800
<v Speaker 2>Shadow and Bone and I saw he was so fantastic

0:32:02.840 --> 0:32:06.320
<v Speaker 2>in that. Kaylee Spenny, she's really, you know, giving that

0:32:06.400 --> 0:32:09.200
<v Speaker 2>like she was in the Oscar contention. She's been in

0:32:09.280 --> 0:32:11.360
<v Speaker 2>a twenty four movies and now she's here leading like

0:32:11.400 --> 0:32:14.640
<v Speaker 2>an action movie. I thought Aileen Woer's Navarro was easily

0:32:14.680 --> 0:32:16.640
<v Speaker 2>the coolest character who I wanted to know.

0:32:16.560 --> 0:32:18.240
<v Speaker 1>More punched above her weight.

0:32:18.320 --> 0:32:21.160
<v Speaker 2>Yeah yeah, And I also think that something that she

0:32:21.440 --> 0:32:24.440
<v Speaker 2>really represents that I think the film does well is

0:32:24.960 --> 0:32:29.080
<v Speaker 2>the interconnections between the Alien movies and then the Prometheus

0:32:29.080 --> 0:32:32.120
<v Speaker 2>movies that Ridley Scott came back and made, because Navarro

0:32:32.280 --> 0:32:36.440
<v Speaker 2>has that connection to this religious exploration and that is

0:32:36.520 --> 0:32:39.000
<v Speaker 2>really a huge part of Prometheus. And then obviously we

0:32:39.040 --> 0:32:42.360
<v Speaker 2>get die more direct connections when we sort of start

0:32:42.400 --> 0:32:44.800
<v Speaker 2>to learn about the black Goo from this animorphs and

0:32:44.880 --> 0:32:47.080
<v Speaker 2>that the alien, the big chap alien from the first

0:32:47.080 --> 0:32:50.680
<v Speaker 2>movie survived. So this does lead us on to one

0:32:50.760 --> 0:32:54.920
<v Speaker 2>more conversation point, which is once you get onto the ship,

0:32:55.080 --> 0:32:59.959
<v Speaker 2>there's all this beautiful practical effects, but they find a synthetic,

0:33:00.360 --> 0:33:02.720
<v Speaker 2>the dead body of a synthetic who is revealed to

0:33:02.800 --> 0:33:09.719
<v Speaker 2>be as you mentioned, Ash, but this is Brook, but

0:33:09.760 --> 0:33:12.680
<v Speaker 2>he looks like Ash, who was played by Ian Holm

0:33:12.960 --> 0:33:16.120
<v Speaker 2>in one of the most chilling performances in the franchise.

0:33:16.440 --> 0:33:19.400
<v Speaker 2>I'll never forget when he wraps that tight little magazine

0:33:19.480 --> 0:33:22.360
<v Speaker 2>up to stuff down Sigourney Weaver's throat. So this is

0:33:22.560 --> 0:33:25.280
<v Speaker 2>this is Rook, who's another He is the science officer

0:33:25.320 --> 0:33:27.680
<v Speaker 2>on this ship, and he is the same model. So

0:33:27.720 --> 0:33:31.120
<v Speaker 2>you have Ian Holm's face, I just don't look. His

0:33:31.240 --> 0:33:36.200
<v Speaker 2>family supported this, which I love and that's important. That's

0:33:35.320 --> 0:33:39.440
<v Speaker 2>all mask But why didn't they do it with an

0:33:39.560 --> 0:33:43.400
<v Speaker 2>actual physical cast of I believe that one of those

0:33:43.480 --> 0:33:46.560
<v Speaker 2>must still exist somewhere from the original movie. I think

0:33:46.560 --> 0:33:52.360
<v Speaker 2>that the CGI of it all took the movie, but

0:33:52.560 --> 0:33:54.360
<v Speaker 2>it still has that uncanny valley.

0:33:54.960 --> 0:33:59.400
<v Speaker 1>Yeah, I agree, I did. My only thought is that

0:33:59.480 --> 0:34:01.760
<v Speaker 1>they must have tried, and they couldn't get it to work,

0:34:02.200 --> 0:34:04.640
<v Speaker 1>couldn't get it to look anywhere near good enough. Now,

0:34:04.720 --> 0:34:07.320
<v Speaker 1>I suppose there's a world in which if you can't

0:34:07.360 --> 0:34:09.839
<v Speaker 1>get it to look anywhere near good enough, maybe make

0:34:09.920 --> 0:34:12.560
<v Speaker 1>it look a lot worse and you really tear it

0:34:12.640 --> 0:34:16.880
<v Speaker 1>up and so it's only barely recognizable. But I'm sure

0:34:18.560 --> 0:34:21.480
<v Speaker 1>that they tried that, and this must have been the best,

0:34:21.640 --> 0:34:23.680
<v Speaker 1>you know, the best option that they could have gone with.

0:34:23.800 --> 0:34:27.080
<v Speaker 1>It did it was for a movie that feels so tactile.

0:34:27.160 --> 0:34:32.760
<v Speaker 1>It was interesting. I let's talk about the phones. Characters

0:34:32.719 --> 0:34:33.640
<v Speaker 1>are phones in this.

0:34:34.080 --> 0:34:37.440
<v Speaker 2>Oh wow, wow, could you believe it?

0:34:37.840 --> 0:34:40.960
<v Speaker 1>There's a lot of other parts of this, like I

0:34:40.960 --> 0:34:46.320
<v Speaker 1>I love the weapon design, I loved the I loved

0:34:46.600 --> 0:34:50.759
<v Speaker 1>the face huggers. Oh they think the face Huggers were

0:34:50.800 --> 0:34:53.360
<v Speaker 1>more of a front. That's something we've kind of not

0:34:53.520 --> 0:34:58.520
<v Speaker 1>seen before. Also, is a more direct threat from the

0:34:58.560 --> 0:35:01.440
<v Speaker 1>face huggers where yes, warm of them coming at you.

0:35:01.680 --> 0:35:03.560
<v Speaker 2>And they did a really I think they did something

0:35:03.600 --> 0:35:07.200
<v Speaker 2>really smart as well, which is they're in the trailer.

0:35:07.280 --> 0:35:11.480
<v Speaker 2>They showed like all of the characters, Eileen Wu, you know,

0:35:12.120 --> 0:35:16.239
<v Speaker 2>Archie Renault, the Spike who played Beyond, they kind of

0:35:16.239 --> 0:35:18.320
<v Speaker 2>had these clips of them looking like they were getting

0:35:18.320 --> 0:35:20.719
<v Speaker 2>got by the face huggers. But actually they kind of

0:35:20.800 --> 0:35:25.839
<v Speaker 2>introduced this, if you can get the face hugger's horrific

0:35:26.360 --> 0:35:29.759
<v Speaker 2>tentacle out of your mouth before it implants the egg,

0:35:29.800 --> 0:35:32.200
<v Speaker 2>oh wait, you can maybe survive this. So we kind

0:35:32.200 --> 0:35:37.600
<v Speaker 2>of got this great horrific, very grotesque sequence where they're

0:35:37.640 --> 0:35:41.040
<v Speaker 2>all kind of fighting it first until it ultimately, you know,

0:35:41.200 --> 0:35:43.839
<v Speaker 2>gets at Navarro. But I thought that was really good.

0:35:43.840 --> 0:35:47.640
<v Speaker 2>I loved the face hugger scene where we finally got

0:35:47.640 --> 0:35:50.480
<v Speaker 2>to see it connect with Navarro. I thought that Eileen

0:35:50.520 --> 0:35:52.839
<v Speaker 2>Woo did an unreal job getting to do her own

0:35:52.920 --> 0:35:56.520
<v Speaker 2>version of that chest burster scene. I just generally did

0:35:56.560 --> 0:35:58.879
<v Speaker 2>think this was really fun. I loved getting to see

0:35:58.880 --> 0:36:01.400
<v Speaker 2>the proto pulse rife for kind of like the colonial

0:36:01.440 --> 0:36:06.400
<v Speaker 2>Marines having aliens. I also thought that there was a

0:36:06.640 --> 0:36:09.319
<v Speaker 2>there's a really really clever sequence that did something we'd

0:36:09.320 --> 0:36:11.600
<v Speaker 2>never seen before, which was this use of the anti

0:36:11.680 --> 0:36:19.080
<v Speaker 2>gravity with the acid blood when Spanny. That's really cool. Again.

0:36:19.160 --> 0:36:23.320
<v Speaker 2>I just think I'm like, David Johnson, give him an award, please,

0:36:23.400 --> 0:36:26.239
<v Speaker 2>because he just grounds this. It's like when you know

0:36:26.280 --> 0:36:28.960
<v Speaker 2>when they cost Adam Driver and Force Awakens, and the

0:36:28.960 --> 0:36:31.040
<v Speaker 2>whole time you're watching the movie, you're like, You're so

0:36:31.239 --> 0:36:33.799
<v Speaker 2>lucky that Adam Driver said he would play Kylo Ren

0:36:34.120 --> 0:36:36.680
<v Speaker 2>like you. This movie is great, and I obviously I

0:36:36.760 --> 0:36:39.120
<v Speaker 2>love the Force Awakens. I would die for my children Cannon,

0:36:39.200 --> 0:36:41.960
<v Speaker 2>it's definitely a part of it. But like when Adam

0:36:42.040 --> 0:36:43.799
<v Speaker 2>Driver is in that movie, You're like, this man is

0:36:43.800 --> 0:36:48.479
<v Speaker 2>bringing like Shakespearean Thespian levels of tragedy to this these

0:36:48.520 --> 0:36:51.080
<v Speaker 2>scenes with like Harrison Ford, and I feel like David

0:36:51.120 --> 0:36:56.560
<v Speaker 2>Johnson is that grounding kind of elevating force in this movie.

0:36:56.600 --> 0:37:00.160
<v Speaker 2>So and it's absolutely wild to see him from He

0:37:00.280 --> 0:37:06.040
<v Speaker 2>was in this absolutely delightful Hulu uh rom com called

0:37:06.120 --> 0:37:09.239
<v Speaker 2>Rye Rye Lane that was set in London in South

0:37:09.280 --> 0:37:12.120
<v Speaker 2>London and he's so charming and delightful in that. Please

0:37:12.120 --> 0:37:14.320
<v Speaker 2>go watch it. It's so good. But it was crazy

0:37:14.360 --> 0:37:17.560
<v Speaker 2>to then see him kind of playing this more complicated

0:37:17.760 --> 0:37:22.560
<v Speaker 2>like spooky figure when he you know, depending on which

0:37:22.640 --> 0:37:24.560
<v Speaker 2>andy we got, and I just thought it was like

0:37:24.760 --> 0:37:25.360
<v Speaker 2>really cool.

0:37:25.920 --> 0:37:29.440
<v Speaker 1>He's also great in the first two seasons of Industry.

0:37:29.920 --> 0:37:33.400
<v Speaker 2>Yes, oh my gosh, Industry season three, just saying if

0:37:33.480 --> 0:37:37.200
<v Speaker 2>you are looking for because this feels like there's it's

0:37:37.239 --> 0:37:38.759
<v Speaker 2>gonna be the new succession, right.

0:37:38.840 --> 0:37:42.120
<v Speaker 1>This is as in as quick aside about Industry season

0:37:42.160 --> 0:37:45.839
<v Speaker 1>three on HBO and Max. It has definitely leveled up.

0:37:45.880 --> 0:37:48.279
<v Speaker 1>If you're watching season one and season two, you're trying

0:37:48.320 --> 0:37:50.440
<v Speaker 1>to get through it and you're wondering, is this is it? Really?

0:37:51.000 --> 0:37:53.040
<v Speaker 1>I don't know if this is for me. I promise

0:37:53.280 --> 0:37:54.719
<v Speaker 1>season three is thus far.

0:37:55.040 --> 0:37:57.640
<v Speaker 2>Coalesces is hitting three hard.

0:37:58.000 --> 0:38:01.480
<v Speaker 1>Anyway, back to the movie, I want to one final thing,

0:38:01.520 --> 0:38:10.160
<v Speaker 1>which is your thoughts on the engineer like alien xenomorph

0:38:11.120 --> 0:38:17.359
<v Speaker 1>human hybrid born from K's womb, bonded, bonded with her

0:38:17.640 --> 0:38:22.839
<v Speaker 1>unborn child, and let's talk about this alien. What did

0:38:22.920 --> 0:38:26.000
<v Speaker 1>you think of it? Also? Should this alien have tried

0:38:26.000 --> 0:38:26.880
<v Speaker 1>out for the NBA.

0:38:27.360 --> 0:38:32.399
<v Speaker 2>Definitely he should he should have been in the club

0:38:32.480 --> 0:38:34.960
<v Speaker 2>or shooting hoops. He's seven foot tall. You know what,

0:38:34.960 --> 0:38:37.759
<v Speaker 2>I'll be real with you. I thought it was very

0:38:37.760 --> 0:38:40.879
<v Speaker 2>clever design. I definitely liked that they made it look

0:38:40.960 --> 0:38:48.720
<v Speaker 2>like an engineer now knowing that this is now, knowing

0:38:48.800 --> 0:38:53.960
<v Speaker 2>that Fede has like confirmed that it is like it

0:38:54.120 --> 0:38:57.560
<v Speaker 2>was Buhn's baby. I also think this was probably Fede

0:38:57.560 --> 0:39:01.480
<v Speaker 2>doing some like, oh, incest baby with a xenomorph. I'm

0:39:01.480 --> 0:39:03.560
<v Speaker 2>not gonna lie. I'm just the lover of the original

0:39:03.640 --> 0:39:07.040
<v Speaker 2>xenomorph designs, and the Queen's aenomorph and like the alien

0:39:07.120 --> 0:39:11.600
<v Speaker 2>queen and basically anything Geiger does. So that that didn't

0:39:11.680 --> 0:39:14.399
<v Speaker 2>hit for me in like a spooky, like scary way.

0:39:14.440 --> 0:39:16.600
<v Speaker 2>I didn't think like, oh, I'm scared of this, but

0:39:16.719 --> 0:39:19.560
<v Speaker 2>I will say I did think it was like a cool,

0:39:19.960 --> 0:39:23.520
<v Speaker 2>unexpected twist. And I do think that every alien movie

0:39:23.520 --> 0:39:26.439
<v Speaker 2>needs to introduce some new version, and so I think

0:39:26.440 --> 0:39:29.160
<v Speaker 2>this was a unique way to bring together Prometheus and

0:39:30.320 --> 0:39:34.719
<v Speaker 2>the alien movies and kind of create something that was

0:39:34.760 --> 0:39:39.840
<v Speaker 2>really unique and never before seeing Carmen super producer Princess Carmen,

0:39:39.840 --> 0:39:42.560
<v Speaker 2>who's also an alien Stannus, you want to. Carmen was

0:39:42.680 --> 0:39:45.040
<v Speaker 2>terrified by the offspring, so it did. I think it

0:39:45.120 --> 0:39:46.720
<v Speaker 2>worked differently for other people.

0:39:46.880 --> 0:39:50.279
<v Speaker 1>It was gonna look. I really liked it and was

0:39:50.560 --> 0:39:55.680
<v Speaker 1>completely creeped out by it. Yeah. Uh, it was really disgusting.

0:39:55.719 --> 0:39:58.520
<v Speaker 1>And they grow so fast. I mean the thing grew

0:39:58.600 --> 0:39:59.840
<v Speaker 1>to like seven foot.

0:40:00.160 --> 0:40:02.520
<v Speaker 2>Yeah, that was like it was twenty minutes. It was

0:40:02.560 --> 0:40:06.560
<v Speaker 2>like Twilight speed birth, like there giving birth and then

0:40:06.560 --> 0:40:08.759
<v Speaker 2>the baby and then the babies in the NBA. You know,

0:40:08.880 --> 0:40:12.160
<v Speaker 2>it's like so quickly, they grow up so fast. Okay,

0:40:12.280 --> 0:40:14.160
<v Speaker 2>So one thing I want to ask you quickly before

0:40:14.160 --> 0:40:16.880
<v Speaker 2>we end on this is like I feel like, because

0:40:16.880 --> 0:40:20.799
<v Speaker 2>the movie's made a lot of money and because it

0:40:20.920 --> 0:40:24.040
<v Speaker 2>was relatively affordable to make in the grand scheme of

0:40:24.080 --> 0:40:26.560
<v Speaker 2>like a dead poor Wolverine, I think this could lead

0:40:26.640 --> 0:40:29.200
<v Speaker 2>to more movies. But the question is is it gonna be.

0:40:29.960 --> 0:40:32.200
<v Speaker 2>I feel like they could do like a spin off

0:40:32.480 --> 0:40:37.160
<v Speaker 2>of this where they kind of follow Rain and Andy

0:40:37.920 --> 0:40:40.240
<v Speaker 2>because she said, you know, I believe she'll fix Andy.

0:40:40.280 --> 0:40:43.480
<v Speaker 2>They're both together, and they could kind of explore more

0:40:43.520 --> 0:40:47.720
<v Speaker 2>about like the mysterious life giving goo that we see

0:40:47.760 --> 0:40:50.440
<v Speaker 2>in Alien, that we see in Prometheus, and then we

0:40:50.560 --> 0:40:54.000
<v Speaker 2>now see in Alien Romulus, or they could just keep

0:40:54.040 --> 0:40:59.200
<v Speaker 2>making like weird anthology movies that fit more around different timelines.

0:40:59.280 --> 0:41:01.560
<v Speaker 2>I think I would the latter as much as I

0:41:01.600 --> 0:41:04.200
<v Speaker 2>want to see Andy, But like, what do you think, Like,

0:41:04.239 --> 0:41:06.400
<v Speaker 2>what do you think the next Alien movie is going

0:41:06.480 --> 0:41:06.640
<v Speaker 2>to be?

0:41:07.120 --> 0:41:11.080
<v Speaker 1>There is, of course Noah Hawley's Alien Earth. Yes, which

0:41:11.160 --> 0:41:12.120
<v Speaker 1>is it's going.

0:41:12.120 --> 0:41:14.840
<v Speaker 2>To be a true prequel, I guess saying.

0:41:15.280 --> 0:41:18.320
<v Speaker 1>In some kind of place in its production life cycle.

0:41:18.360 --> 0:41:21.920
<v Speaker 1>We don't know where. I personally, I think that the

0:41:22.280 --> 0:41:25.160
<v Speaker 1>tried and true. Here's the thing about Alien Romulus. It

0:41:25.239 --> 0:41:30.600
<v Speaker 1>is directly lifted from the original Alien formula, which is

0:41:31.480 --> 0:41:33.200
<v Speaker 1>Haunted House in Space.

0:41:33.440 --> 0:41:35.239
<v Speaker 2>Trapped room, trapped Room.

0:41:35.880 --> 0:41:37.920
<v Speaker 1>And I think that that that has a lot of

0:41:37.960 --> 0:41:42.400
<v Speaker 1>life and vitality in it, different places, different cast You

0:41:42.400 --> 0:41:44.400
<v Speaker 1>can do a lot of things with that, and you

0:41:44.440 --> 0:41:49.360
<v Speaker 1>can make pretty relatively cheap movies that people want to

0:41:49.400 --> 0:41:53.160
<v Speaker 1>see just based on that formula. Me personally, I would

0:41:53.360 --> 0:41:55.560
<v Speaker 1>I'm hoping to see. One of the things I liked

0:41:55.560 --> 0:42:01.279
<v Speaker 1>about Prometheus is that it evolved the story, and I

0:42:01.320 --> 0:42:05.040
<v Speaker 1>think that's what I want is I want those scares.

0:42:05.120 --> 0:42:07.479
<v Speaker 1>I want that monster movie, I want that Haunted House

0:42:07.480 --> 0:42:12.280
<v Speaker 1>in Space. But I'm hoping to see more of the world,

0:42:12.360 --> 0:42:14.680
<v Speaker 1>have it more fleshed out, maybe have there be more

0:42:14.760 --> 0:42:18.840
<v Speaker 1>challenges as we get more of these movies. But I

0:42:18.840 --> 0:42:21.799
<v Speaker 1>think one of the things that I'm really excited about

0:42:21.960 --> 0:42:24.000
<v Speaker 1>is that it's for sure we're gonna get that, We're

0:42:24.000 --> 0:42:26.560
<v Speaker 1>gonna get more opportunities for more alien movies. I agree

0:42:26.600 --> 0:42:30.719
<v Speaker 1>with how Gangbusters this film is going right now all

0:42:30.800 --> 0:42:31.600
<v Speaker 1>around the world.

0:42:31.840 --> 0:42:34.080
<v Speaker 2>I definitely didn't expect. I mean, this came out what

0:42:34.239 --> 0:42:36.719
<v Speaker 2>like three weeks after Deadpool and Wouverine and managed to

0:42:36.760 --> 0:42:39.080
<v Speaker 2>take it off, which I don't know if anyone saw coming.

0:42:39.520 --> 0:42:42.560
<v Speaker 2>Also as well, FEDDEI did have a cool idea and

0:42:42.600 --> 0:42:44.279
<v Speaker 2>we'll leave you with this, which is he did an

0:42:44.280 --> 0:42:47.280
<v Speaker 2>interview I believe it was with Deadline where he said,

0:42:47.480 --> 0:42:50.919
<v Speaker 2>I want to do an alien versus preditor movie that's

0:42:51.000 --> 0:42:55.080
<v Speaker 2>half directed by me and half directed by Dan Trachtenberg

0:42:55.160 --> 0:42:57.799
<v Speaker 2>who made Prey. Now I want to see that. I mean,

0:42:57.920 --> 0:43:00.160
<v Speaker 2>I'm like Disney green Light that movie.

0:43:00.400 --> 0:43:03.080
<v Speaker 1>It's like from Dusk Till Dawn but in Spain.

0:43:03.920 --> 0:43:05.000
<v Speaker 2>Oh, now we're talking.

0:43:06.760 --> 0:43:09.319
<v Speaker 1>We like this movie. Hope you go hope you liked

0:43:09.360 --> 0:43:12.439
<v Speaker 1>it too. Up next, you want more Alien Romulus. We've

0:43:12.440 --> 0:43:15.319
<v Speaker 1>got more. We've got an interview with Alien Romulus star

0:43:15.440 --> 0:43:17.120
<v Speaker 1>Alien Wu, who plays Navarro.

0:43:18.440 --> 0:43:19.000
<v Speaker 2>Check that out.

0:43:33.920 --> 0:43:38.080
<v Speaker 1>We're so excited to welcome Alien Wu, who plays Novarro

0:43:38.360 --> 0:43:41.279
<v Speaker 1>in Alien Romulus. Alien, thank you so much for joining us.

0:43:41.480 --> 0:43:42.840
<v Speaker 4>Of course, thank you for having me.

0:43:43.120 --> 0:43:47.520
<v Speaker 1>I was reading about the process of you getting the role,

0:43:47.760 --> 0:43:49.759
<v Speaker 1>and it's so fun. I was wondering if you might

0:43:49.880 --> 0:43:50.759
<v Speaker 1>share that with us.

0:43:53.640 --> 0:43:57.840
<v Speaker 4>I think it was February twenty twenty one. I was

0:43:57.920 --> 0:44:03.200
<v Speaker 4>back home in Vancouver having finished undergrad at NYU, and

0:44:03.560 --> 0:44:07.040
<v Speaker 4>my husband and I were actually working together when I

0:44:07.040 --> 0:44:09.000
<v Speaker 4>got the self tape. He was producing and I was

0:44:09.040 --> 0:44:13.040
<v Speaker 4>directing a bunch of high school students in a production

0:44:13.239 --> 0:44:17.160
<v Speaker 4>of Shakespeare's The Tempest, which is I was kind of

0:44:17.200 --> 0:44:21.680
<v Speaker 4>a fun odd job that he had gotten me. We

0:44:21.680 --> 0:44:23.520
<v Speaker 4>weren't married yet, and that was like one of his

0:44:23.640 --> 0:44:26.000
<v Speaker 4>schemes to get me to come back home from New York.

0:44:26.040 --> 0:44:28.080
<v Speaker 4>He was like, I got you a job. He can't

0:44:28.120 --> 0:44:30.000
<v Speaker 4>turn down a job, and I was like, yeah, I

0:44:30.000 --> 0:44:32.799
<v Speaker 4>really can't. And he made it first time working on

0:44:32.920 --> 0:44:36.799
<v Speaker 4>anything theater Shakespeare related. Yeah, it was. We were having

0:44:36.800 --> 0:44:39.840
<v Speaker 4>a blast, and you know, we were a month away

0:44:39.880 --> 0:44:43.840
<v Speaker 4>and this self tape request comes in from my manager Helen,

0:44:44.680 --> 0:44:47.640
<v Speaker 4>and she's like, bracket, this is alien because they don't

0:44:47.840 --> 0:44:50.719
<v Speaker 4>usually tell you what it is in the title when

0:44:50.760 --> 0:44:54.120
<v Speaker 4>it's such a big franchise. Yeah. We went over to

0:44:54.880 --> 0:44:59.600
<v Speaker 4>my husband's producing partners apartment to film it after like

0:44:59.680 --> 0:45:02.560
<v Speaker 4>a twelve hour rehearsal day because he had this really

0:45:02.560 --> 0:45:08.200
<v Speaker 4>cool setup with like the blue screen backdrop and oh wow. Yeah,

0:45:08.280 --> 0:45:10.800
<v Speaker 4>and I was like, yeah, let's let's use this because

0:45:10.800 --> 0:45:14.480
<v Speaker 4>mainly one of the scenes or a couple of the

0:45:14.560 --> 0:45:19.600
<v Speaker 4>scenes had the entire ensemble, and we thought it would

0:45:19.600 --> 0:45:21.799
<v Speaker 4>be a good idea to kind of like have two

0:45:21.840 --> 0:45:24.960
<v Speaker 4>people read with me so I wouldn't get confused and

0:45:25.040 --> 0:45:29.840
<v Speaker 4>help me with my eyelines. But yeah, I did watch

0:45:29.960 --> 0:45:34.239
<v Speaker 4>the first film before doing the tape because I had

0:45:34.280 --> 0:45:36.120
<v Speaker 4>never watched any of them before.

0:45:38.640 --> 0:45:42.880
<v Speaker 5>Did I read your introduction was through your brother's action figure.

0:45:43.719 --> 0:45:49.160
<v Speaker 4>Yes, this could tract. Yeah. So, while we moved to

0:45:49.280 --> 0:45:54.239
<v Speaker 4>Vancouver when we were still in elementary school, and my

0:45:54.320 --> 0:45:59.879
<v Speaker 4>mom as an incentive to get us to really learn English,

0:46:00.239 --> 0:46:04.520
<v Speaker 4>if we did well at our English class, like, she

0:46:04.600 --> 0:46:08.160
<v Speaker 4>signed us up for outside of school English classes to

0:46:08.320 --> 0:46:11.279
<v Speaker 4>help us, you know, get better faster. If we did

0:46:11.320 --> 0:46:14.480
<v Speaker 4>well at those. Every week, she'd bring my brother and

0:46:14.520 --> 0:46:18.799
<v Speaker 4>I to like this Action figure store every Friday and

0:46:18.880 --> 0:46:20.759
<v Speaker 4>we would get to pick out a toy. But it's

0:46:20.760 --> 0:46:23.399
<v Speaker 4>really just like me following my older brother around and

0:46:23.440 --> 0:46:27.239
<v Speaker 4>watching what he would pick out. And he'd always give

0:46:27.280 --> 0:46:30.600
<v Speaker 4>me like a big introduction or like description of who

0:46:30.640 --> 0:46:34.400
<v Speaker 4>this is, what universe they're from, what powers they have.

0:46:36.200 --> 0:46:38.720
<v Speaker 4>But one day, like a xenomorph showed up. I didn't

0:46:38.719 --> 0:46:40.840
<v Speaker 4>know what it was, and I was like, this is weird,

0:46:40.960 --> 0:46:43.200
<v Speaker 4>and he's like, don't worry about it. I'll tell you

0:46:43.280 --> 0:46:46.000
<v Speaker 4>about next week's but this one's just for me.

0:46:47.719 --> 0:46:49.880
<v Speaker 5>Has he seen you in the movie yet?

0:46:50.160 --> 0:46:51.160
<v Speaker 4>No? He hasn't.

0:46:51.800 --> 0:47:01.319
<v Speaker 6>Oh yeah, David, my older brother David, He like we

0:47:01.400 --> 0:47:02.919
<v Speaker 6>have a funny relationship.

0:47:02.960 --> 0:47:05.359
<v Speaker 4>Like he's the only person I feel like in my

0:47:05.400 --> 0:47:09.919
<v Speaker 4>life who's like never impressed with what I do. It's

0:47:10.080 --> 0:47:14.600
<v Speaker 4>just like you will always be like my stupid, annoying

0:47:14.640 --> 0:47:18.560
<v Speaker 4>little sister who would not leave me alone ever growing up,

0:47:20.320 --> 0:47:22.799
<v Speaker 4>who I always have to clean up after because like

0:47:22.880 --> 0:47:25.920
<v Speaker 4>I threw a lot of parties during high school and

0:47:26.280 --> 0:47:30.600
<v Speaker 4>he would My parents would assign him as like babysitter

0:47:31.280 --> 0:47:33.600
<v Speaker 4>and he would have to like show up at these

0:47:33.640 --> 0:47:37.640
<v Speaker 4>parties and like help clean up and like like clean

0:47:37.719 --> 0:47:43.880
<v Speaker 4>puke off the floor, so like and be like stop

0:47:44.040 --> 0:47:49.760
<v Speaker 4>smoking in the backyard and like drive my drunk friends home.

0:47:49.840 --> 0:47:52.120
<v Speaker 4>And he wouldn't get to like drink and have fun

0:47:52.160 --> 0:47:55.520
<v Speaker 4>at these parties. So that's that's kind of our relationship,

0:47:55.560 --> 0:47:58.239
<v Speaker 4>which which I think honestly is very good for me,

0:47:58.360 --> 0:48:03.880
<v Speaker 4>Like it keeps me very grounded, humble. Yeah, so I

0:48:03.920 --> 0:48:06.279
<v Speaker 4>think he'll see it at some point, but I think

0:48:06.320 --> 0:48:09.319
<v Speaker 4>when it all dies down and like he gets to

0:48:09.480 --> 0:48:14.000
<v Speaker 4>like see it and by himself, you know, in our hometown.

0:48:14.600 --> 0:48:16.840
<v Speaker 1>So sometimes when you send in a self tape, you

0:48:16.880 --> 0:48:18.960
<v Speaker 1>know you're waiting. You don't know how, you know, you

0:48:19.000 --> 0:48:22.880
<v Speaker 1>don't know what the what the reaction is. How quick

0:48:23.000 --> 0:48:28.080
<v Speaker 1>did the process happen? After sending in the tape, Oh,

0:48:28.200 --> 0:48:28.600
<v Speaker 1>it was.

0:48:28.520 --> 0:48:30.880
<v Speaker 4>The next day they were like, they want to do

0:48:31.000 --> 0:48:34.520
<v Speaker 4>a zoom callback. I was like, great, I'd never gotten

0:48:34.520 --> 0:48:37.360
<v Speaker 4>a zoom callback from doing a self tape before. I

0:48:37.360 --> 0:48:41.279
<v Speaker 4>had only been with my agent, my manager, Helen, for

0:48:41.400 --> 0:48:44.240
<v Speaker 4>a year up to that point, and she was great.

0:48:44.239 --> 0:48:46.879
<v Speaker 4>She sent me things like back to back to back

0:48:46.920 --> 0:48:49.000
<v Speaker 4>and I would tape for them, and I feel like

0:48:49.040 --> 0:48:52.319
<v Speaker 4>it really built like that audition muscle in me. But

0:48:52.480 --> 0:48:55.440
<v Speaker 4>that was truthfully the first a callback that I got.

0:48:56.360 --> 0:49:01.440
<v Speaker 4>And then yeah, I did the callback, met Mary Renew

0:49:01.520 --> 0:49:04.160
<v Speaker 4>and Sydney. They were great to give me a couple

0:49:04.120 --> 0:49:08.439
<v Speaker 4>of notes. I did it like twice, and then two

0:49:08.520 --> 0:49:11.640
<v Speaker 4>days after I had that call back, they sent me

0:49:11.719 --> 0:49:15.160
<v Speaker 4>the full script, had me read it, and then I

0:49:15.200 --> 0:49:18.120
<v Speaker 4>was on a call with Fede who was in Budapestuary

0:49:21.000 --> 0:49:25.680
<v Speaker 4>and then he kind of gave me the role during

0:49:25.680 --> 0:49:29.120
<v Speaker 4>the call like that call, but I didn't really know

0:49:29.440 --> 0:49:32.520
<v Speaker 4>that that was what was going on. It was like,

0:49:33.280 --> 0:49:36.839
<v Speaker 4>so you you down to do this, and I was like, yeah,

0:49:38.040 --> 0:49:46.200
<v Speaker 4>this is are you tricking me? Because you know, my

0:49:46.200 --> 0:49:48.680
<v Speaker 4>my manager and my husband as well, who works mainly

0:49:48.719 --> 0:49:52.840
<v Speaker 4>as a film producer, they warned me. They're like, hey,

0:49:52.960 --> 0:49:58.279
<v Speaker 4>you have to wait for the official contract from studio. Like,

0:49:58.440 --> 0:50:00.239
<v Speaker 4>don't get your hopes up. There's a lot lot of

0:50:00.280 --> 0:50:03.800
<v Speaker 4>horror stories with actors getting in the process of getting

0:50:03.880 --> 0:50:07.520
<v Speaker 4>roles that like last minute they pull out and it's

0:50:07.520 --> 0:50:09.879
<v Speaker 4>like getting the rug pulled out from under them. It's

0:50:09.920 --> 0:50:13.720
<v Speaker 4>the worst feelings. So like, just really stay grounded, plant

0:50:13.760 --> 0:50:16.200
<v Speaker 4>your feet and we wait no matter what happens on

0:50:16.239 --> 0:50:20.040
<v Speaker 4>the zoom call we wait until your name is on

0:50:20.080 --> 0:50:22.600
<v Speaker 4>a piece of paper underneath the line where you can

0:50:22.640 --> 0:50:25.200
<v Speaker 4>sign your name. I was like, okay, got it. So

0:50:25.280 --> 0:50:27.360
<v Speaker 4>when he said that, I was like, they warned me

0:50:27.440 --> 0:50:27.880
<v Speaker 4>about this.

0:50:32.120 --> 0:50:34.560
<v Speaker 5>It's funny. We'll talk to us about the first time

0:50:34.600 --> 0:50:36.520
<v Speaker 5>you walk on set.

0:50:36.960 --> 0:50:41.000
<v Speaker 4>Oh man, I was so never been to Budapest before.

0:50:41.920 --> 0:50:47.440
<v Speaker 4>A beautiful, beautiful country. And then the studio is huge.

0:50:47.480 --> 0:50:50.360
<v Speaker 4>It's where they also filmed like Doom Part one and

0:50:50.400 --> 0:50:56.799
<v Speaker 4>part two, so it's like giant, giant buildings that look

0:50:56.880 --> 0:51:02.920
<v Speaker 4>like warehouses. And Fete is giving me, Archie and Spike

0:51:03.160 --> 0:51:07.400
<v Speaker 4>a tour. So we just went in and every studio

0:51:07.480 --> 0:51:10.799
<v Speaker 4>had like different sets were built in them, and I

0:51:10.840 --> 0:51:13.680
<v Speaker 4>was just like can I film this? I'm very like

0:51:14.320 --> 0:51:16.160
<v Speaker 4>or is that not allowed? But yeah, he was just

0:51:16.239 --> 0:51:19.120
<v Speaker 4>so excited to was so excited to show us everything.

0:51:19.200 --> 0:51:22.120
<v Speaker 4>It truly was like his his baby.

0:51:22.239 --> 0:51:25.480
<v Speaker 1>You know, I've read that, And this is kind of

0:51:26.080 --> 0:51:30.080
<v Speaker 1>unique for feature films that it was filmed in order.

0:51:30.480 --> 0:51:33.960
<v Speaker 4>Yes, it was a film all chronologically.

0:51:34.120 --> 0:51:38.319
<v Speaker 1>That's wild. So your first scene is the first thing

0:51:38.520 --> 0:51:42.160
<v Speaker 1>that you did after arriving on set?

0:51:42.520 --> 0:51:43.480
<v Speaker 4>Yeah, pretty much.

0:51:43.600 --> 0:51:45.040
<v Speaker 1>Wow? So what was that like?

0:51:45.440 --> 0:51:48.600
<v Speaker 4>It was such. I mean, this is my first feature film.

0:51:48.640 --> 0:51:50.960
<v Speaker 4>I had no idea what I was. I was like,

0:51:51.120 --> 0:51:54.560
<v Speaker 4>is this normal? Do we always shoot in chronological order?

0:51:54.600 --> 0:52:00.320
<v Speaker 4>And everybody was like, no, this never happens. I was like, oh, okay,

0:52:00.560 --> 0:52:04.400
<v Speaker 4>well this is a treat. I think it really kicked

0:52:04.400 --> 0:52:08.520
<v Speaker 4>in afterwards. Oh, I just got a miss call from

0:52:10.000 --> 0:52:14.000
<v Speaker 4>wonder what's going on. I'll call him back if.

0:52:13.880 --> 0:52:15.640
<v Speaker 1>You want to close it of a text? Wee can

0:52:18.480 --> 0:52:19.040
<v Speaker 1>you don't want to?

0:52:19.600 --> 0:52:24.800
<v Speaker 4>No? No, it's okay, I like to. Yeah, it didn't

0:52:24.960 --> 0:52:28.320
<v Speaker 4>for the chronological part. Oh, he's really calling again.

0:52:28.400 --> 0:52:34.000
<v Speaker 1>Okay, yeah, we'll meet the Yeah, feel free to.

0:52:33.960 --> 0:52:35.000
<v Speaker 4>Meet in Sorry guys.

0:52:37.160 --> 0:52:38.879
<v Speaker 5>Oh my god, that was the sweetest thing.

0:52:39.480 --> 0:52:43.319
<v Speaker 4>He's a sweet, sweet man. So just called me. I

0:52:43.360 --> 0:52:45.440
<v Speaker 4>missed the first one, but I picked up the second one.

0:52:45.640 --> 0:52:50.640
<v Speaker 4>He was like, this, this movie is making so much money.

0:52:51.000 --> 0:52:53.360
<v Speaker 4>I'm not very good with numbers, he said the number,

0:52:53.480 --> 0:52:55.200
<v Speaker 4>but it's making a lot of money.

0:52:54.920 --> 0:52:56.359
<v Speaker 1>In the China market, it really is.

0:52:56.800 --> 0:53:02.320
<v Speaker 4>And yeah, and he said there's not like a massive

0:53:02.600 --> 0:53:06.520
<v Speaker 4>cult following in China, so it really is just credits

0:53:06.560 --> 0:53:11.280
<v Speaker 4>to us and specifically me. That was very sweet because

0:53:11.600 --> 0:53:14.080
<v Speaker 4>this is the thing even in the audition request. They

0:53:14.120 --> 0:53:17.359
<v Speaker 4>were like, if you speak another language, please do one

0:53:17.400 --> 0:53:20.200
<v Speaker 4>of the tapes in the other language that you speak.

0:53:20.760 --> 0:53:23.520
<v Speaker 4>So I did that. Yeah, I've never seen that before.

0:53:23.520 --> 0:53:27.880
<v Speaker 4>I've never experienced that with a tape before. And after

0:53:27.920 --> 0:53:30.080
<v Speaker 4>we got on set, he was like, hey, your tapes,

0:53:30.800 --> 0:53:33.799
<v Speaker 4>those Mandarin takes that you did were so cool. Do

0:53:33.840 --> 0:53:37.480
<v Speaker 4>you mind if we bring some of that while filming

0:53:37.640 --> 0:53:42.600
<v Speaker 4>and like brainstorm some moments where Navarro would speak in

0:53:42.640 --> 0:53:46.759
<v Speaker 4>her mother tongue. So there's a couple moments in the

0:53:46.840 --> 0:53:51.000
<v Speaker 4>film where I got to speak Mandarin and I'm getting

0:53:51.040 --> 0:53:54.600
<v Speaker 4>some like traction like just on Instagram and stuff like

0:53:54.600 --> 0:53:58.040
<v Speaker 4>that of people being like, wow, this is this is

0:53:58.080 --> 0:54:02.799
<v Speaker 4>so special. First Asia an actress in this franchise and

0:54:03.320 --> 0:54:07.440
<v Speaker 4>she's speaking Mandarin. This is so cool.

0:54:07.920 --> 0:54:11.680
<v Speaker 1>That is really cool. How did you choose the moments?

0:54:11.800 --> 0:54:15.560
<v Speaker 4>Like what were the I went for the private moments.

0:54:15.840 --> 0:54:18.440
<v Speaker 4>I went for the more private moments that Navarro was having.

0:54:20.320 --> 0:54:24.480
<v Speaker 4>And really it was like very collaborative with Fei. He

0:54:24.560 --> 0:54:26.799
<v Speaker 4>would be like half the time he'd be like, hey,

0:54:27.040 --> 0:54:28.759
<v Speaker 4>I think this is a and I was like, yes,

0:54:28.800 --> 0:54:30.319
<v Speaker 4>I agree. I was just going to go to you

0:54:30.400 --> 0:54:34.920
<v Speaker 4>and say that maybe it's here. Yeah, And he'd be

0:54:34.960 --> 0:54:38.200
<v Speaker 4>like saying maybe something like this, and I'll be like, okay, okay,

0:54:38.239 --> 0:54:39.759
<v Speaker 4>I got you. And then I would like try to

0:54:39.760 --> 0:54:42.400
<v Speaker 4>come up with something and like call my mom and

0:54:42.440 --> 0:54:44.200
<v Speaker 4>call my husband right before we roll and be like,

0:54:44.239 --> 0:54:48.160
<v Speaker 4>does this make sense? Because my Mandarin is not perfect?

0:54:48.480 --> 0:54:50.920
<v Speaker 4>Like it's been a long time since I've been in

0:54:50.960 --> 0:54:54.080
<v Speaker 4>an environment where it's all Mandarin speaking, so I feel

0:54:54.080 --> 0:54:55.480
<v Speaker 4>like I kind of speak it brokenly.

0:54:55.760 --> 0:54:59.960
<v Speaker 5>That he seems like such a actor's director as watch

0:55:00.160 --> 0:55:02.839
<v Speaker 5>a bunch of like videos with him and talking about

0:55:02.840 --> 0:55:05.560
<v Speaker 5>his process and everything. And one thing that really stuck

0:55:05.600 --> 0:55:07.320
<v Speaker 5>out to me that that was interesting, is it sometimes

0:55:07.400 --> 0:55:10.680
<v Speaker 5>he'll barbecue for the cast and crew, he said, especially

0:55:10.719 --> 0:55:13.640
<v Speaker 5>if there's like a really difficult day or week ahead,

0:55:13.800 --> 0:55:16.040
<v Speaker 5>like to sort of prep them. I was wondering if

0:55:16.160 --> 0:55:18.200
<v Speaker 5>he barbecued for you guys, and if so, can you

0:55:18.280 --> 0:55:20.800
<v Speaker 5>raise his food so good?

0:55:21.880 --> 0:55:27.200
<v Speaker 4>Such good barbecue? He he brings the meat from Uruguay.

0:55:27.560 --> 0:55:33.120
<v Speaker 4>I'm not kidding, he like, he puts, yes, I don't

0:55:33.120 --> 0:55:34.799
<v Speaker 4>know how you did that. He's like, guys, this is

0:55:34.880 --> 0:55:38.719
<v Speaker 4>meat from Uruguay arrived this morning. And he barbecues for

0:55:38.840 --> 0:55:43.120
<v Speaker 4>the entire cast and crew, like hundreds and hundreds of

0:55:43.239 --> 0:55:46.840
<v Speaker 4>thousands of people. And he says this is a tradition

0:55:46.920 --> 0:55:50.239
<v Speaker 4>of his and he does this every film that he's directing.

0:55:50.680 --> 0:55:54.360
<v Speaker 4>Before we start shooting. Wow, and like his his wife

0:55:54.680 --> 0:55:58.400
<v Speaker 4>is like chopping up the bread and making the chimmy

0:55:58.440 --> 0:56:02.719
<v Speaker 4>churry and the salad, and his uncle is there and

0:56:02.760 --> 0:56:05.759
<v Speaker 4>his kids are running around like it's the best, it's

0:56:05.800 --> 0:56:06.600
<v Speaker 4>the best vibes.

0:56:07.120 --> 0:56:12.120
<v Speaker 1>That is so cool, you know, it struck me thinking

0:56:12.120 --> 0:56:17.920
<v Speaker 1>about this movie, which is notable for use of extensive

0:56:18.000 --> 0:56:22.480
<v Speaker 1>use of really practical like in camera effects, and it's

0:56:22.480 --> 0:56:25.720
<v Speaker 1>so interesting that your self tape like had a blue screen,

0:56:26.320 --> 0:56:30.400
<v Speaker 1>Like Yeah, I talk to us about like the contrast

0:56:30.440 --> 0:56:34.319
<v Speaker 1>between you know, going from this self tape and this

0:56:34.400 --> 0:56:37.560
<v Speaker 1>really quick process to then ending up on set where

0:56:38.160 --> 0:56:42.479
<v Speaker 1>you know, you've got a chest burster thing like on

0:56:42.520 --> 0:56:46.440
<v Speaker 1>you three chess burster. Yeah, there's like what there's water

0:56:46.560 --> 0:56:49.000
<v Speaker 1>and grease and stuff dripping off everything. I talked to

0:56:49.360 --> 0:56:52.440
<v Speaker 1>Loube apparently, yeah, Loube, apparently you're stuck in a hole

0:56:52.640 --> 0:56:55.239
<v Speaker 1>for a period of time, So what is that? What's that?

0:56:55.400 --> 0:56:55.480
<v Speaker 5>Like?

0:56:56.160 --> 0:56:59.080
<v Speaker 7>That was really crazy. I really just tried to take

0:56:59.120 --> 0:57:01.960
<v Speaker 7>it one day out of time. You're honest, with y'all,

0:57:03.080 --> 0:57:06.840
<v Speaker 7>and I think folmin in chronological order again really helped

0:57:06.880 --> 0:57:11.400
<v Speaker 7>with that because like you could track with the script

0:57:11.680 --> 0:57:13.799
<v Speaker 7>as we went on really.

0:57:13.560 --> 0:57:18.880
<v Speaker 4>Easily, and it came very naturally. The journey of her downfall,

0:57:18.960 --> 0:57:22.080
<v Speaker 4>which is also very short, yeah, because it just it

0:57:22.240 --> 0:57:26.320
<v Speaker 4>happens and then all shit goes down once it once

0:57:26.400 --> 0:57:30.880
<v Speaker 4>she's attacked, everything happens super fast paced. So yeah, that

0:57:31.040 --> 0:57:35.320
<v Speaker 4>was very exhilarating. It's just like, Okay, face hugger's check,

0:57:35.440 --> 0:57:40.160
<v Speaker 4>We've done a week of that, next week the chess

0:57:40.160 --> 0:57:43.600
<v Speaker 4>burser check, and then okay, let's do the appendage coming

0:57:43.600 --> 0:57:47.640
<v Speaker 4>out of my mouth with second You know, we kept

0:57:47.720 --> 0:57:51.200
<v Speaker 4>looking forward to that moment and it never came on tip.

0:57:51.360 --> 0:57:53.439
<v Speaker 4>Right before I was stepping off set, they were like, yeah,

0:57:53.720 --> 0:57:55.760
<v Speaker 4>that's right, we haven't shot.

0:57:55.480 --> 0:57:59.680
<v Speaker 8>That one scene one moment yet. Let's let's do that

0:57:59.800 --> 0:58:03.040
<v Speaker 8>with second unit. And I was like, damn, I wish

0:58:03.080 --> 0:58:05.080
<v Speaker 8>I got to do it with FEddi. But once we

0:58:05.120 --> 0:58:06.800
<v Speaker 8>started filming that, I was like, Okay, it makes a

0:58:06.800 --> 0:58:09.160
<v Speaker 8>lot of sense that we're doing this on second unit

0:58:09.200 --> 0:58:12.800
<v Speaker 8>because it's just like a very technical shot and it's

0:58:12.880 --> 0:58:17.400
<v Speaker 8>like one set up and yeah, we spent like I

0:58:17.440 --> 0:58:21.800
<v Speaker 8>think six seven hours doing that one one take, over

0:58:21.880 --> 0:58:22.680
<v Speaker 8>and over and over.

0:58:22.960 --> 0:58:25.040
<v Speaker 5>This is where you're pulling the face hugger off you.

0:58:25.880 --> 0:58:28.160
<v Speaker 4>Yes, everybody thinks it's CGI, but it's not.

0:58:28.800 --> 0:58:30.000
<v Speaker 5>Wow holy yow.

0:58:31.080 --> 0:58:33.400
<v Speaker 4>And no, no, it doesn't actually go all the way

0:58:33.440 --> 0:58:38.360
<v Speaker 4>down to my stomach. I didn't have to swallow a

0:58:38.520 --> 0:58:39.520
<v Speaker 4>thing every take.

0:58:41.520 --> 0:58:46.200
<v Speaker 1>As a producer, director yourself, were you able to glean

0:58:46.240 --> 0:58:48.760
<v Speaker 1>anything from being on set that you're like, oh, this

0:58:48.840 --> 0:58:53.840
<v Speaker 1>is this will help me as I evolve in my career.

0:58:54.520 --> 0:59:00.479
<v Speaker 4>Two things Fedi's kindness. Kindness as the director goes such

0:59:00.520 --> 0:59:03.560
<v Speaker 4>a long way, especially when the task at hand is

0:59:03.680 --> 0:59:07.880
<v Speaker 4>very large and challenging. Yeah, his patience and his kindness.

0:59:08.400 --> 0:59:10.280
<v Speaker 4>And then that leads to my second thing. When you

0:59:10.360 --> 0:59:15.400
<v Speaker 4>have that, it's easier to get everyone to have the

0:59:15.440 --> 0:59:18.960
<v Speaker 4>mentality of like, let's get this shot. We either have

0:59:19.120 --> 0:59:21.600
<v Speaker 4>this or we don't. We have to do this for

0:59:21.640 --> 0:59:27.640
<v Speaker 4>the audience and really honor what their experience, what experience

0:59:27.760 --> 0:59:31.840
<v Speaker 4>we want them to have and aim for the fucking stars.

0:59:32.400 --> 0:59:36.000
<v Speaker 4>If you aim for it, then there's that's the only

0:59:36.120 --> 0:59:39.240
<v Speaker 4>possible way that you might have a chance of reaching

0:59:39.280 --> 0:59:39.880
<v Speaker 4>that well.

0:59:39.920 --> 0:59:43.240
<v Speaker 1>Alien the movie is a huge hit, You're a big

0:59:43.280 --> 0:59:46.479
<v Speaker 1>part of that. Congratulations on the success of the film

0:59:46.520 --> 0:59:48.520
<v Speaker 1>and your success, and thank you so much for joining

0:59:48.560 --> 0:59:48.960
<v Speaker 1>us again.

0:59:49.960 --> 0:59:52.800
<v Speaker 4>Thank you guys so much. This is lovely much.

0:59:52.640 --> 0:59:55.800
<v Speaker 1>Thanks to Alien Wu for joining us. Coming up on

0:59:56.000 --> 0:59:59.200
<v Speaker 1>X ray Vision, we're gonna be diving into Godzilla, Monster Island,

0:59:59.240 --> 1:00:03.080
<v Speaker 1>Summer Cambriton by somebody who is on this it's recording session,

1:00:03.920 --> 1:00:07.120
<v Speaker 1>and then we're gonna be recapping Rings of Power season one.

1:00:07.440 --> 1:00:09.880
<v Speaker 1>Oh baby, stay tuned for that. And that's it for

1:00:09.920 --> 1:00:11.200
<v Speaker 1>this episode. Thanks for listening.

1:00:11.320 --> 1:00:16.280
<v Speaker 2>Bye.

1:00:18.040 --> 1:00:21.400
<v Speaker 1>X ray Vision is hosted by Jason Kenseepsion and Rosie

1:00:21.440 --> 1:00:25.680
<v Speaker 1>Knight and is a production of iHeart Podcasts. Our executive

1:00:25.720 --> 1:00:29.920
<v Speaker 1>producers are Joelle Smith and Aaron Kaufman. Our supervising producer

1:00:30.320 --> 1:00:35.040
<v Speaker 1>is a Boo Zafar. Our producers are Carmen Laurent and

1:00:35.160 --> 1:00:38.600
<v Speaker 1>Mia Taylor. Our theme song is by Brian Basquez.

1:00:39.080 --> 1:00:43.360
<v Speaker 2>Special thanks to Soul Rubin and Chris Lord, Kenny Goodman

1:00:43.760 --> 1:00:45.800
<v Speaker 2>and Heidi A discolled moderata