1 00:00:01,160 --> 00:00:06,800 Speaker 1: Warning, Today's episode contains spoilers for Alien Romulus in theaters now, 2 00:00:06,800 --> 00:00:28,760 Speaker 1: so if you haven't seen it, let's see it then listen. Suit. Hello, 3 00:00:29,720 --> 00:00:34,000 Speaker 1: my name is Jason and I'm Merday Night and welcome 4 00:00:34,040 --> 00:00:37,800 Speaker 1: back the Extra Vision of podcast where we dive deep. 5 00:00:37,800 --> 00:00:40,640 Speaker 1: It's your favorite shows, movies, comics, and pop culture coming 6 00:00:40,640 --> 00:00:43,839 Speaker 1: to you from our podcasts where we're bringing you to 7 00:00:44,040 --> 00:00:47,720 Speaker 1: action packed episodes every Tuesday and Thursday. 8 00:00:48,120 --> 00:00:53,760 Speaker 2: In today's action Packed episode, previously on, there is news, news, news, 9 00:00:54,040 --> 00:00:58,880 Speaker 2: the Acolytes been casting, rip to that show black Smith 10 00:00:58,960 --> 00:01:03,560 Speaker 2: Wukong is here and shadd James Streemis, shadd those steam records, 11 00:01:03,640 --> 00:01:07,679 Speaker 2: borderlines for trailer, secret level trailer, some sad news from 12 00:01:07,680 --> 00:01:11,720 Speaker 2: the world of anime, and a new date for Marvel Rivals. 13 00:01:11,760 --> 00:01:13,560 Speaker 2: There's all kinds of news and we're getting into it. 14 00:01:13,600 --> 00:01:18,440 Speaker 2: In the airlock, we are breaking down Alien Romulus, Fede 15 00:01:18,480 --> 00:01:22,280 Speaker 2: Alvarez's box office smash hit, So if you haven't listened, 16 00:01:22,560 --> 00:01:26,240 Speaker 2: make sure you go back. I watched that movie before 17 00:01:26,240 --> 00:01:28,200 Speaker 2: you come in here because it's gonna be all spoilers. 18 00:01:28,200 --> 00:01:31,840 Speaker 2: And then we have a special guest star as Jason 19 00:01:31,920 --> 00:01:36,240 Speaker 2: interviews one of the fantastic stars of Alien Romulus Aileen lou. 20 00:01:38,440 --> 00:01:44,560 Speaker 1: Up next. Previously on Well, folks, we woke up to 21 00:01:44,600 --> 00:01:49,120 Speaker 1: some crazy news this morning. The Acolyte has been canceled. 22 00:01:49,160 --> 00:01:53,040 Speaker 1: There will be no season two. This is reported by 23 00:01:53,400 --> 00:01:58,520 Speaker 1: all the trades, Deadline, forty, et cetera. The show ended 24 00:01:58,600 --> 00:02:01,960 Speaker 1: up with a seventy eight percent on Rotten Tomatoes. But 25 00:02:02,040 --> 00:02:05,000 Speaker 1: I think it's fair to say there was some divisions. 26 00:02:06,080 --> 00:02:11,000 Speaker 1: It was certainly divisive in terms of ratings. It was 27 00:02:11,040 --> 00:02:13,840 Speaker 1: the worst performing Star Wars show. Now, a quick note 28 00:02:13,880 --> 00:02:20,400 Speaker 1: about ratings. It's impossible to get accurate streaming ratings from 29 00:02:20,480 --> 00:02:24,560 Speaker 1: any of the streamers, so here you're kind of, uh, 30 00:02:25,280 --> 00:02:27,519 Speaker 1: We're always going to be referencing either Nielsen data or 31 00:02:27,560 --> 00:02:34,400 Speaker 1: Illuminate Data, some third party data site. And the thing 32 00:02:34,560 --> 00:02:36,880 Speaker 1: is their formulas are all different and have a lot 33 00:02:36,919 --> 00:02:40,360 Speaker 1: to do with like engagement in social media. The streamers 34 00:02:40,360 --> 00:02:45,400 Speaker 1: themselves would say that's not accurate. That aside, it certainly 35 00:02:45,400 --> 00:02:49,200 Speaker 1: appears that The Ecolyte was in terms of watches, in 36 00:02:49,280 --> 00:02:52,360 Speaker 1: terms of ratings, the worst performing and fell off over 37 00:02:52,400 --> 00:02:57,160 Speaker 1: the course of the series. And that is, you know, 38 00:02:57,240 --> 00:03:02,000 Speaker 1: in addition to the pretty toxic conversation around the show. 39 00:03:02,040 --> 00:03:02,560 Speaker 2: Yeah, it was. 40 00:03:02,639 --> 00:03:03,320 Speaker 1: It was hammered. 41 00:03:03,680 --> 00:03:10,120 Speaker 2: I definitely feel like we obviously can't know what's going 42 00:03:10,160 --> 00:03:13,080 Speaker 2: on in an exact mind, but I do feel like 43 00:03:13,120 --> 00:03:16,240 Speaker 2: this was surprising to me because you know the surprised. 44 00:03:16,320 --> 00:03:17,000 Speaker 1: Yeah, for sure. 45 00:03:17,160 --> 00:03:22,960 Speaker 2: The show had a very passionate fandom that loved it, 46 00:03:23,280 --> 00:03:26,560 Speaker 2: and it also was a conversation driver in a way 47 00:03:26,600 --> 00:03:30,520 Speaker 2: I think Disney has been seeking for their shows. That 48 00:03:30,560 --> 00:03:33,960 Speaker 2: hasn't necessarily happened this year. But as you say, it 49 00:03:34,000 --> 00:03:36,560 Speaker 2: was very divisive. I would hope that this is not, 50 00:03:38,040 --> 00:03:40,720 Speaker 2: you know, a case where they're listening to the most 51 00:03:41,200 --> 00:03:44,320 Speaker 2: negative parts of the fandom and choosing to cancel a 52 00:03:44,360 --> 00:03:46,920 Speaker 2: show based on that. I would say something we need 53 00:03:46,960 --> 00:03:50,000 Speaker 2: to notice. The show was incredibly expensive. It was one 54 00:03:50,080 --> 00:03:53,400 Speaker 2: hundred and eighty million dollars apparently according to Disney, which, 55 00:03:53,400 --> 00:03:56,640 Speaker 2: by the way, like that's all that's a Disney problem. 56 00:03:56,680 --> 00:03:58,440 Speaker 2: Like if you want to make the show for less money, 57 00:03:58,440 --> 00:04:00,560 Speaker 2: give them less money. Like if you don't have the 58 00:04:00,600 --> 00:04:03,000 Speaker 2: money to make one hundred and eighty million dollar show, 59 00:04:03,040 --> 00:04:05,360 Speaker 2: which I know you do, Disney, then don't give it 60 00:04:05,360 --> 00:04:07,880 Speaker 2: to them, you know, like, let's let's plan ahead. But 61 00:04:08,040 --> 00:04:11,000 Speaker 2: I think there was so much more to come from this. 62 00:04:11,200 --> 00:04:14,360 Speaker 2: I also will say this is all rumors, of course, 63 00:04:14,680 --> 00:04:17,640 Speaker 2: but the Internet has noticed some interesting choices, which are 64 00:04:17,680 --> 00:04:22,240 Speaker 2: like they had Manny Jacinto at D twenty three like 65 00:04:22,360 --> 00:04:26,720 Speaker 2: a week ago, and they had a thirty foot projected 66 00:04:26,760 --> 00:04:28,600 Speaker 2: image of him on the wall that people could take 67 00:04:28,600 --> 00:04:31,560 Speaker 2: pictures with, which I've heard was very popular because who 68 00:04:31,560 --> 00:04:34,360 Speaker 2: didn't love crime here. They also then canceled the show 69 00:04:34,400 --> 00:04:39,280 Speaker 2: on his birthday. Seems thoughtless if this was always going 70 00:04:39,320 --> 00:04:41,719 Speaker 2: to be the case. Maybe we're looking at a situation 71 00:04:41,839 --> 00:04:45,279 Speaker 2: here where there's no Acolyte season two, but we will 72 00:04:45,320 --> 00:04:48,480 Speaker 2: see these characters and stories be continued in a high 73 00:04:48,560 --> 00:04:51,760 Speaker 2: republic style movie or something. 74 00:04:51,640 --> 00:04:59,440 Speaker 1: That would not surprise me. I think this is in 75 00:04:59,520 --> 00:05:05,719 Speaker 1: certain specs. It's not surprising because of the ratings. I 76 00:05:05,720 --> 00:05:10,760 Speaker 1: think if if the viewership was there, then you could 77 00:05:10,839 --> 00:05:14,680 Speaker 1: they could shrug off the conversation. And I think more broadly, 78 00:05:14,839 --> 00:05:16,960 Speaker 1: Star Wars is kind of in a weird spot right 79 00:05:17,000 --> 00:05:21,400 Speaker 1: now where they are beholds into nostalgia in a way 80 00:05:21,640 --> 00:05:26,080 Speaker 1: that no other ip really is. They're caught between a 81 00:05:26,120 --> 00:05:28,520 Speaker 1: segment of the fan base that wants Star Wars the 82 00:05:28,560 --> 00:05:30,800 Speaker 1: way it has always been delivered to them. Now, I 83 00:05:30,839 --> 00:05:36,800 Speaker 1: think that the way that that that picture of a 84 00:05:36,880 --> 00:05:41,440 Speaker 1: nostalgic Star Wars is a myth in large part, uh, 85 00:05:41,600 --> 00:05:46,799 Speaker 1: and I think allies the content of the original trilogy 86 00:05:47,440 --> 00:05:51,000 Speaker 1: in a large way. That said, I it's it's a 87 00:05:51,000 --> 00:05:54,080 Speaker 1: tough spot because if you innovate, if you do something 88 00:05:54,600 --> 00:05:58,240 Speaker 1: interesting people, there's going to be a segment of the 89 00:05:58,240 --> 00:06:00,760 Speaker 1: fan base that absolutely hates it. And then if you 90 00:06:00,839 --> 00:06:05,159 Speaker 1: do the same old Star Wars stuff, you're really not 91 00:06:05,320 --> 00:06:09,160 Speaker 1: evolving the IP or doing anything that might bring in 92 00:06:10,279 --> 00:06:16,200 Speaker 1: more fans exactly and keep the community vibrant. So it's 93 00:06:16,240 --> 00:06:18,359 Speaker 1: just a tough spot and definitely a bummer. 94 00:06:18,640 --> 00:06:21,520 Speaker 2: Also interesting that they just straight up canceled it rather 95 00:06:21,600 --> 00:06:25,200 Speaker 2: than leaving it in kind of you know, limbo, like 96 00:06:25,240 --> 00:06:29,480 Speaker 2: a lot of these shows and movies end up being 97 00:06:29,760 --> 00:06:31,760 Speaker 2: like it's very rare for them to just be like 98 00:06:31,839 --> 00:06:35,320 Speaker 2: this is over, Like it's not happening, it's canceled. So 99 00:06:35,400 --> 00:06:39,480 Speaker 2: I think that's very interesting. Apparently there is rumors that 100 00:06:39,600 --> 00:06:41,800 Speaker 2: they had started working on season two, and that's why 101 00:06:41,839 --> 00:06:44,000 Speaker 2: they have to say it was canceled because Season two 102 00:06:44,120 --> 00:06:46,800 Speaker 2: kind of already existed. I will say one thing, our 103 00:06:46,839 --> 00:06:50,839 Speaker 2: discord is absolutely bummed. They were big Acolyte fans in there, 104 00:06:50,839 --> 00:06:53,720 Speaker 2: so sending love to the discord today, and I understand. 105 00:06:53,760 --> 00:06:55,880 Speaker 2: I hope we will get to see these stories and 106 00:06:56,000 --> 00:07:00,000 Speaker 2: themes and characters continued, because in the age of streaming 107 00:07:00,080 --> 00:07:02,760 Speaker 2: we live in now, stuff gets canceled so quickly. And 108 00:07:02,800 --> 00:07:05,120 Speaker 2: there's definitely been a lot of hilarious memes like the 109 00:07:05,200 --> 00:07:07,560 Speaker 2: Clone Wars never would have made it past you know, 110 00:07:07,720 --> 00:07:11,240 Speaker 2: season one in this era, so it's like. 111 00:07:12,600 --> 00:07:16,520 Speaker 1: That's maybe true. Although I will say animated Flies under 112 00:07:16,560 --> 00:07:22,480 Speaker 1: the Radar continues incredibly influential. I think, in my opinion, 113 00:07:22,680 --> 00:07:28,600 Speaker 1: is probably primarily responsible for keeping people in touch with 114 00:07:28,680 --> 00:07:31,520 Speaker 1: Star Wars and growing new audience. But it's also like 115 00:07:32,080 --> 00:07:35,760 Speaker 1: something that the nostalgia heads, the hardcore nostalgia peeps, I 116 00:07:35,800 --> 00:07:37,200 Speaker 1: think broadly. 117 00:07:36,760 --> 00:07:38,320 Speaker 2: Ignore, yeah, the most part. 118 00:07:40,560 --> 00:07:45,400 Speaker 1: Next up, there is a new hit video game, and 119 00:07:45,440 --> 00:07:50,760 Speaker 1: it is Black Myth Wukan. The game has already become 120 00:07:50,920 --> 00:07:56,680 Speaker 1: in its short life as a release, has already become 121 00:07:56,720 --> 00:08:00,400 Speaker 1: the second most played game on scheme with why two 122 00:08:00,400 --> 00:08:05,520 Speaker 1: and a half million concurrent players behind PUBG still doing 123 00:08:05,560 --> 00:08:07,480 Speaker 1: it by way, PUBJ still. 124 00:08:07,200 --> 00:08:09,440 Speaker 2: Doing it, still doing it, basically. 125 00:08:09,080 --> 00:08:11,880 Speaker 1: Still doing it now Steam numbers. Of course, we're not 126 00:08:11,880 --> 00:08:15,280 Speaker 1: taking to account players using the Epic Game Store, which 127 00:08:15,320 --> 00:08:18,360 Speaker 1: is platform or playing on PS five, which is wild 128 00:08:18,720 --> 00:08:23,800 Speaker 1: separate ecosystem. This a game from a Chinese developer, has 129 00:08:23,920 --> 00:08:29,760 Speaker 1: had some controversy around it related to an email they 130 00:08:29,800 --> 00:08:34,160 Speaker 1: sent around to influencers as they were kind of like 131 00:08:34,240 --> 00:08:37,920 Speaker 1: ginning up excitement for the game, basically saying don't mention 132 00:08:38,240 --> 00:08:42,240 Speaker 1: COVID nineteen, we get it okay, but also no quote, 133 00:08:42,280 --> 00:08:47,440 Speaker 1: no feminist propaganda, which is interesting. Sure that said blackmith Willkon. 134 00:08:47,880 --> 00:08:53,640 Speaker 1: It's the gameplay looks pretty crazy, the bosses look incredibly huge, 135 00:08:53,640 --> 00:08:56,520 Speaker 1: and this game looks to be a juggernaut in the making. 136 00:08:56,800 --> 00:09:00,560 Speaker 2: Yeah, And the truth is, like I do deeply loved 137 00:09:00,600 --> 00:09:04,080 Speaker 2: Journey to the West and like the Monkey. 138 00:09:03,720 --> 00:09:06,680 Speaker 1: King Wukan is the main character and Journey to the West, 139 00:09:06,679 --> 00:09:09,600 Speaker 1: which is huge hit in China and much of Asia. 140 00:09:10,000 --> 00:09:12,240 Speaker 2: Yeah, and it's like it's a it's a it's like 141 00:09:12,240 --> 00:09:15,280 Speaker 2: a sixteenth century Chinese novel that basically a lot of 142 00:09:15,280 --> 00:09:17,959 Speaker 2: people think it created the hero's journey. If you're watching 143 00:09:18,040 --> 00:09:21,400 Speaker 2: something like Avatar the Last Airbender, you're really watching something 144 00:09:21,559 --> 00:09:24,640 Speaker 2: that's very influenced by Journey to the West. So I 145 00:09:24,960 --> 00:09:27,200 Speaker 2: do think this is really interesting. The CEO of the 146 00:09:27,200 --> 00:09:30,000 Speaker 2: game company, who said, now that email he is. You know, 147 00:09:30,440 --> 00:09:32,640 Speaker 2: he has said some wild things in the past, but 148 00:09:32,760 --> 00:09:35,200 Speaker 2: sometimes you just gotta ignore it and just look at 149 00:09:35,200 --> 00:09:37,200 Speaker 2: a game. So it'll be interesting to see and I'm 150 00:09:37,240 --> 00:09:40,440 Speaker 2: interested to play this. I'm interested if any of our 151 00:09:41,760 --> 00:09:44,080 Speaker 2: our discord users are playing it, because the reviews are 152 00:09:44,080 --> 00:09:46,840 Speaker 2: pretty crazy. People say it's just a total whirlwind and 153 00:09:46,960 --> 00:09:49,680 Speaker 2: kind of a bit of an unexpected smash. I think. 154 00:09:50,720 --> 00:09:53,319 Speaker 1: Next up more video game stuff. Borderland's four has released 155 00:09:53,360 --> 00:09:59,160 Speaker 1: a teaser trailer. Not much that no gameplay, but I'm 156 00:09:59,200 --> 00:10:02,240 Speaker 1: excited on the less as a fan of the Venerable 157 00:10:02,440 --> 00:10:06,120 Speaker 1: Borderlands looter shooter franchise, I do enjoy some Borderlands. 158 00:10:06,200 --> 00:10:09,240 Speaker 2: Yeah, this is really great. I think I've been very 159 00:10:09,280 --> 00:10:12,160 Speaker 2: impressed with the Boardlands guy who was like, hey, you 160 00:10:12,360 --> 00:10:16,160 Speaker 2: love the game so much that you hated this bad movie. 161 00:10:16,320 --> 00:10:19,760 Speaker 2: Guess what, Bordlands four Finally it's finally coming out. He 162 00:10:19,880 --> 00:10:21,680 Speaker 2: was like, how can I turn this to my favor? 163 00:10:21,760 --> 00:10:23,839 Speaker 2: He's like, I didn't spend one hundred and ten million 164 00:10:23,880 --> 00:10:26,200 Speaker 2: dollars making this movie. But the reason people hate the 165 00:10:26,200 --> 00:10:28,440 Speaker 2: movie is because they love the games. So guess what, 166 00:10:28,559 --> 00:10:31,480 Speaker 2: Baby Boardlands for trailer They could not get that out 167 00:10:31,559 --> 00:10:33,360 Speaker 2: quick enough, and I respect it. 168 00:10:34,720 --> 00:10:40,000 Speaker 1: More kind of video video games adjacent video games adjacent. 169 00:10:40,600 --> 00:10:45,080 Speaker 1: The trailer for Secret Level on Amazon Prime Videos this 170 00:10:45,160 --> 00:10:49,160 Speaker 1: is wild. This comes from the creative team behind Love, 171 00:10:49,240 --> 00:10:51,839 Speaker 1: Death and Robots, which, if you were a fan of Love, 172 00:10:51,880 --> 00:10:54,960 Speaker 1: Death and Robots on Netflix, this looks to be for you. 173 00:10:55,480 --> 00:11:00,400 Speaker 1: And it's an anthology series with each episode based around 174 00:11:00,800 --> 00:11:06,400 Speaker 1: a different game slash video game franchise, including Dungeons and Dragons, 175 00:11:06,480 --> 00:11:10,679 Speaker 1: Honor of Kings, Mega Man, pac Man, Warhammer, Warhammer forty 176 00:11:10,760 --> 00:11:14,080 Speaker 1: K So uh looks pretty cool. 177 00:11:14,440 --> 00:11:17,800 Speaker 2: Yeah. I also feel like Secret Level is the correct 178 00:11:17,880 --> 00:11:20,480 Speaker 2: name because the way that they kept this under wraps 179 00:11:20,559 --> 00:11:23,520 Speaker 2: until now is kind of super impressive when you have 180 00:11:23,600 --> 00:11:28,200 Speaker 2: something as broad as like pac Man and Outer Worlds, 181 00:11:28,520 --> 00:11:31,720 Speaker 2: you know, God of War episode as an Armored Corps. 182 00:11:31,800 --> 00:11:35,160 Speaker 2: So I'm extremely interested to see how this lands because 183 00:11:35,200 --> 00:11:38,920 Speaker 2: I do think that the way the IP is being 184 00:11:39,000 --> 00:11:41,560 Speaker 2: used right now, like with this Star Wars stuff, right like, 185 00:11:41,880 --> 00:11:44,520 Speaker 2: you invest all this money into one show and if 186 00:11:44,559 --> 00:11:48,320 Speaker 2: it doesn't work, then you know you're fucked, basically, So 187 00:11:48,440 --> 00:11:51,320 Speaker 2: I do think this idea of more like anthology ips 188 00:11:51,360 --> 00:11:53,760 Speaker 2: where you try stuff out and see what works and 189 00:11:53,800 --> 00:11:57,440 Speaker 2: see what people are drawn to. That feels like it's 190 00:11:57,600 --> 00:12:01,439 Speaker 2: quite could be a war for the future kind of 191 00:12:01,440 --> 00:12:04,640 Speaker 2: of what these companies are gonna do. Apparently looks like 192 00:12:04,720 --> 00:12:06,480 Speaker 2: Keanu Reeves is going to be involved, which you know, 193 00:12:06,640 --> 00:12:08,920 Speaker 2: always a good thing. We love to see him. 194 00:12:09,880 --> 00:12:14,000 Speaker 1: Marv rivals. We have a release dates. What are you 195 00:12:14,160 --> 00:12:16,640 Speaker 1: doing for the holiday season? I don't what I'll be 196 00:12:16,640 --> 00:12:22,600 Speaker 1: doing playing December four, it's gonna be free to play, 197 00:12:22,640 --> 00:12:24,480 Speaker 1: which means you're gonna pay for those skins. 198 00:12:24,559 --> 00:12:28,439 Speaker 2: Folks, Baby, are you ready to pay for Captain America? 199 00:12:28,520 --> 00:12:31,600 Speaker 2: Is a Nazi skin? Or ever hide your cat? They 200 00:12:31,679 --> 00:12:33,960 Speaker 2: gonna be chotching you five dollars for that. But yeah, 201 00:12:34,120 --> 00:12:37,400 Speaker 2: it looks good. It looks like an Overwatch reskin, which 202 00:12:37,400 --> 00:12:41,240 Speaker 2: we always knew it would do. Side I'm like, let me, 203 00:12:41,520 --> 00:12:45,120 Speaker 2: let me just let me just kill some I mean, 204 00:12:45,240 --> 00:12:48,080 Speaker 2: let me just battle some people in the guise of 205 00:12:48,120 --> 00:12:49,600 Speaker 2: a character I enjoy. 206 00:12:49,760 --> 00:12:51,960 Speaker 1: Looks great. I can't wait to get in there with you. 207 00:12:52,120 --> 00:12:55,559 Speaker 1: Rosie problems, because a. 208 00:12:55,480 --> 00:12:56,080 Speaker 2: Lot of problems. 209 00:12:56,800 --> 00:13:00,920 Speaker 1: Next up new Megalopolis trailer, which is notable for this 210 00:13:01,000 --> 00:13:05,440 Speaker 1: Megalopolis of course. The Francis Ford Coppola latest Francis Ford 211 00:13:05,440 --> 00:13:11,200 Speaker 1: Coppola movie that that famously features a part of the 212 00:13:11,240 --> 00:13:15,440 Speaker 1: movie in which a actor has to come out and address 213 00:13:15,520 --> 00:13:17,360 Speaker 1: the screen. I don't know how they're gonna do this 214 00:13:17,440 --> 00:13:20,560 Speaker 1: and wide release. That said, here's what was notable to 215 00:13:20,600 --> 00:13:25,000 Speaker 1: me about this trailer. The trailer opens and I've never 216 00:13:25,080 --> 00:13:30,600 Speaker 1: seen this before. The trailer opens with a basically Francis 217 00:13:30,600 --> 00:13:36,120 Speaker 1: Ford Coppol's resume starting oh yeah, Father, and and a 218 00:13:36,320 --> 00:13:40,800 Speaker 1: like review from when that movie was released to listen 219 00:13:40,880 --> 00:13:44,360 Speaker 1: to nineteen seventy two The Godfather, and then some pan 220 00:13:45,120 --> 00:13:48,960 Speaker 1: yeah the movie nineteen seventy nine Apocalypse. Now, Rex Reid says, 221 00:13:49,040 --> 00:13:52,680 Speaker 1: and irredeemable piece of trash. 222 00:13:52,880 --> 00:13:54,719 Speaker 2: This man is so stressed. 223 00:13:55,360 --> 00:13:58,520 Speaker 1: Never seen this before. This guy he's been and France 224 00:13:58,640 --> 00:14:00,960 Speaker 1: is basically saying it. And people are gonna shoo on 225 00:14:00,960 --> 00:14:02,920 Speaker 1: this fucking movie, like the critic is gonna shoot on 226 00:14:02,960 --> 00:14:05,360 Speaker 1: it before it's released, and guess what, they're wrong. 227 00:14:05,960 --> 00:14:09,800 Speaker 2: He's still gonna be great. Dude. This man is absolutely wild. 228 00:14:09,880 --> 00:14:12,240 Speaker 2: I feel like this is especially. 229 00:14:12,280 --> 00:14:16,840 Speaker 3: Fiery after all these kind of like on set issues 230 00:14:16,920 --> 00:14:20,560 Speaker 3: about he's been, like videos of him like kissing extras 231 00:14:20,600 --> 00:14:22,880 Speaker 3: and saying like I'm getting them into the party. 232 00:14:22,920 --> 00:14:26,720 Speaker 2: Mood baby like if I don't love that, so I 233 00:14:26,760 --> 00:14:30,720 Speaker 2: feel like he's on a he's on a train to 234 00:14:32,080 --> 00:14:34,920 Speaker 2: Frants for Coppola Land. Then it's maybe it's gonna crash. 235 00:14:34,920 --> 00:14:37,040 Speaker 2: Maybe he's gonna make it there and make a billion dollars. 236 00:14:37,080 --> 00:14:40,440 Speaker 2: Who knows. It's absolutely bonkers, this tray Lie. I couldn't 237 00:14:40,440 --> 00:14:41,080 Speaker 2: believe he did it. 238 00:14:41,880 --> 00:14:48,160 Speaker 1: Uh well. The film has a crack ensemble cast, including 239 00:14:48,280 --> 00:14:53,720 Speaker 1: Adam Driver, giancarlois Posito, Natalie Emmanuel, Aubrey Plaza, Shila Buff, 240 00:14:54,440 --> 00:14:59,960 Speaker 1: the disgraced Shilah Buff, everybody's favorite Hollywood right wing conservatives 241 00:15:00,120 --> 00:15:04,400 Speaker 1: On Voight, Laurence Fishburg, Tylie Shier, Jesus Schwartzman. 242 00:15:04,080 --> 00:15:04,880 Speaker 4: And more. 243 00:15:05,680 --> 00:15:09,720 Speaker 2: Yeah, I believe Aubrey Plaza, which just absolutely bonkers, just 244 00:15:09,760 --> 00:15:14,680 Speaker 2: like completely wild. Chloe Feynman from SNL, Yeah, sure love it. 245 00:15:14,720 --> 00:15:15,600 Speaker 2: I love that. 246 00:15:15,560 --> 00:15:20,280 Speaker 1: That's the of the Warriors Fame and other great features 247 00:15:20,320 --> 00:15:29,000 Speaker 1: fam Tebe Sweeney. Yeah, Dustin Hoffman, he's there with his nephew, Grace. 248 00:15:28,760 --> 00:15:32,960 Speaker 2: Vanderwall, who I believe was on American Idol. Crazy, that's truly, 249 00:15:33,040 --> 00:15:35,600 Speaker 2: I mean, who knows what this movie is gonna be? Like, 250 00:15:36,400 --> 00:15:39,160 Speaker 2: this is gonna be absolutely Boncaus. Also, I just want 251 00:15:39,200 --> 00:15:42,200 Speaker 2: to say, this is a Lionsgate movie, right, This is 252 00:15:42,360 --> 00:15:45,720 Speaker 2: Lionsgate is doing some wild releases this year because lions 253 00:15:45,760 --> 00:15:47,600 Speaker 2: Gate is also buying The Crow, which we will talk 254 00:15:47,600 --> 00:15:50,520 Speaker 2: about another date. But I feel like who's out here 255 00:15:50,520 --> 00:15:54,280 Speaker 2: doing it? Like Lionsgate. They're putting the wildest stuff out 256 00:15:54,400 --> 00:15:57,240 Speaker 2: right now. And they picked up Cosmopolis and they're gonna 257 00:15:57,240 --> 00:16:01,400 Speaker 2: be making some kids come out from behind the popcorn 258 00:16:01,440 --> 00:16:04,360 Speaker 2: desk and speak to Adam Driver on that big screen. 259 00:16:04,400 --> 00:16:05,000 Speaker 2: I believe it. 260 00:16:05,600 --> 00:16:09,040 Speaker 1: And then finally Sad News goes to the shell and bayonet. 261 00:16:09,040 --> 00:16:12,120 Speaker 1: A voice actress at Suko Tanaka has passed at age 262 00:16:12,160 --> 00:16:17,680 Speaker 1: sixty one, whiches so young? Uh thoughts and to her 263 00:16:17,760 --> 00:16:18,400 Speaker 1: family and. 264 00:16:18,480 --> 00:16:22,840 Speaker 2: Ye very just a huge kind of beacon in the 265 00:16:23,240 --> 00:16:24,600 Speaker 2: in the voice acting space. 266 00:16:24,760 --> 00:16:31,960 Speaker 1: And yeah, folks, let's jump out of your sternum, oh 267 00:16:32,120 --> 00:16:35,560 Speaker 1: like in like a freshly hatched alien to talk about 268 00:16:35,600 --> 00:16:53,520 Speaker 1: alien robins. Up next, we're stepping out of the air 269 00:16:53,560 --> 00:16:57,320 Speaker 1: lock to discuss alien romulus in theaters. 270 00:16:57,440 --> 00:16:59,880 Speaker 2: Now, Roses big hit, Baby. 271 00:17:00,200 --> 00:17:04,080 Speaker 1: It's a huge all around the world. 272 00:17:04,240 --> 00:17:09,040 Speaker 2: People are enjoying it, people are feeling it, people are 273 00:17:09,320 --> 00:17:14,800 Speaker 2: loving it, people are having conversations about which is exactly 274 00:17:14,840 --> 00:17:15,800 Speaker 2: what we're gonna do. 275 00:17:16,520 --> 00:17:20,080 Speaker 1: Well, Rosie, I'll start. I like this movie. This is 276 00:17:20,119 --> 00:17:22,920 Speaker 1: a fun this is a fun movie, A good prequel. 277 00:17:24,160 --> 00:17:27,240 Speaker 2: I believe. I believe they're calling it an intquel now 278 00:17:27,280 --> 00:17:31,399 Speaker 2: because it's between alien and aliens. 279 00:17:30,760 --> 00:17:32,440 Speaker 1: A delightful interquol. 280 00:17:32,960 --> 00:17:35,399 Speaker 2: I'd never heard of that phrase before this week, but 281 00:17:35,440 --> 00:17:35,919 Speaker 2: there it is. 282 00:17:36,480 --> 00:17:39,560 Speaker 1: I love the practical effects. I love the more of 283 00:17:39,600 --> 00:17:42,360 Speaker 1: a starring role for the face huggers, which was oh 284 00:17:42,440 --> 00:17:43,080 Speaker 1: yeah fun. 285 00:17:43,240 --> 00:17:46,760 Speaker 2: The animatronics Animore very impressive, very scary. 286 00:17:46,920 --> 00:17:53,439 Speaker 1: Was great, and I really enjoyed David Johnson as as Andy. 287 00:17:53,480 --> 00:17:55,040 Speaker 2: That was the breakout. 288 00:17:55,040 --> 00:17:58,040 Speaker 1: Officials agreed, what did you think of the film? 289 00:17:58,119 --> 00:18:03,640 Speaker 2: Yeah, I really enjoyed it. I Fedda has Eddy Alva 290 00:18:03,680 --> 00:18:05,920 Speaker 2: as the director has made stuff that I really like, 291 00:18:05,920 --> 00:18:08,000 Speaker 2: like beebdev movies, made stuff that I like a little 292 00:18:08,000 --> 00:18:13,400 Speaker 2: bit less, like don't Breathe but visual and don't Breathe 293 00:18:13,400 --> 00:18:18,399 Speaker 2: too ooh. But the vision that he had for this movie, 294 00:18:18,680 --> 00:18:21,560 Speaker 2: the aesthetic of the movie, I think it's really. 295 00:18:22,960 --> 00:18:23,400 Speaker 1: Uh. 296 00:18:23,480 --> 00:18:25,520 Speaker 2: I think it's nice to be back in the world 297 00:18:25,640 --> 00:18:29,800 Speaker 2: of alien that you can kind of deeply immediately recognize. 298 00:18:29,840 --> 00:18:33,960 Speaker 2: It's grubby, it's gross, it's dark. You're on a mining colony, 299 00:18:34,680 --> 00:18:36,679 Speaker 2: you want to get out, you're a blue collar worker, 300 00:18:36,720 --> 00:18:38,560 Speaker 2: and you're going to be stopped by an alien. It's 301 00:18:38,560 --> 00:18:41,399 Speaker 2: incredibly bleak in a way that I think Edde does well. 302 00:18:41,880 --> 00:18:44,240 Speaker 2: I really liked it in the cinema. I think it's 303 00:18:44,280 --> 00:18:49,840 Speaker 2: a very enjoyable movie experience. Also, I have like a 304 00:18:49,840 --> 00:18:53,680 Speaker 2: cannon of movies and TV shows where like I will 305 00:18:53,760 --> 00:18:55,760 Speaker 2: forgive a lot of stuff if it's just like a 306 00:18:55,800 --> 00:18:58,399 Speaker 2: bunch of kids trying to get stuff done. So I'm like, 307 00:18:58,440 --> 00:19:01,119 Speaker 2: this is in the I would dive my children cannon. 308 00:19:01,160 --> 00:19:03,320 Speaker 2: Apart from Bjorn, I'm glad he died, but otherwise I 309 00:19:03,320 --> 00:19:07,000 Speaker 2: would be there. I would have been there fighting alongside Anna. Yeah, 310 00:19:07,040 --> 00:19:09,840 Speaker 2: I thought I definitely David Johnson as Andy, I think 311 00:19:09,960 --> 00:19:12,600 Speaker 2: is if he wasn't in this movie, I do not 312 00:19:12,680 --> 00:19:15,360 Speaker 2: think the reviews would be as good because I think 313 00:19:15,400 --> 00:19:18,120 Speaker 2: the one thing this script does really well that's very 314 00:19:18,119 --> 00:19:24,920 Speaker 2: interesting is it explores the notion of being a synthetic 315 00:19:25,080 --> 00:19:28,360 Speaker 2: in the alien world and what that means and how 316 00:19:28,400 --> 00:19:31,960 Speaker 2: much agency you have. And David Johnson gets to play 317 00:19:32,000 --> 00:19:34,880 Speaker 2: two different roles that are really really powerful, and one 318 00:19:34,920 --> 00:19:38,600 Speaker 2: of them is really scary and the other is really 319 00:19:39,080 --> 00:19:42,120 Speaker 2: kind of melancholic, and I just think he does such 320 00:19:42,119 --> 00:19:45,720 Speaker 2: an incredible job. Kaylee Spenny, she's great. She's a great 321 00:19:45,800 --> 00:19:48,560 Speaker 2: action e lead. She's she's got her muscles out. She 322 00:19:48,600 --> 00:19:51,320 Speaker 2: can hold he you know, a pulse rifle. I think 323 00:19:51,359 --> 00:19:56,960 Speaker 2: that there was some character actors here who were slightly wasted. 324 00:19:57,080 --> 00:20:02,720 Speaker 2: Isabella McCard from the beloved smash hit family movie Madam Webb. Yeah, 325 00:20:02,760 --> 00:20:04,280 Speaker 2: who is about to behold Go? 326 00:20:05,280 --> 00:20:08,680 Speaker 1: Well, let's quickly recap the film and then get into 327 00:20:08,760 --> 00:20:10,919 Speaker 1: a kind of deeper discussion. We're going to recap this 328 00:20:11,040 --> 00:20:15,320 Speaker 1: off the top of our heads. So we open on 329 00:20:15,800 --> 00:20:22,480 Speaker 1: a corporate planet that's basically all about mining and scavenging 330 00:20:22,560 --> 00:20:27,640 Speaker 1: a whalean Utani planet where you have to hit a 331 00:20:27,680 --> 00:20:32,920 Speaker 1: certain quota of I guess scavenge or hours or currency. 332 00:20:32,920 --> 00:20:35,320 Speaker 1: It's unclear what the number is, but you have to 333 00:20:35,400 --> 00:20:38,000 Speaker 1: hit this number before you're allowed to leave. So it's 334 00:20:38,040 --> 00:20:40,879 Speaker 1: kind of like the old school, like owing your life 335 00:20:40,920 --> 00:20:43,720 Speaker 1: to the company's store type of situation of like the 336 00:20:43,800 --> 00:20:48,760 Speaker 1: late nineteenth early twentieth century Industrial Revolution type thing, and. 337 00:20:48,760 --> 00:20:52,320 Speaker 2: If they need more workers, they will just extend your time, 338 00:20:52,920 --> 00:20:56,040 Speaker 2: right so there's no it's not fair whalen Utani. This 339 00:20:56,200 --> 00:21:00,000 Speaker 2: is the ultimate like working class factory town where people 340 00:21:00,240 --> 00:21:03,280 Speaker 2: just dying from being in the mind from Black Lung. 341 00:21:03,280 --> 00:21:06,320 Speaker 1: There's like two thousands, about two thousand people live there 342 00:21:06,359 --> 00:21:10,080 Speaker 1: in total, and part of that population is our main cast. 343 00:21:10,640 --> 00:21:16,000 Speaker 1: There is Rain played by Kaylee Spainey. There is Andy, 344 00:21:16,200 --> 00:21:22,240 Speaker 1: her artificial person brother, a gift from her father who 345 00:21:22,320 --> 00:21:24,399 Speaker 1: has passed away in the minds we believe. 346 00:21:24,760 --> 00:21:25,000 Speaker 2: Yeah. 347 00:21:25,240 --> 00:21:30,600 Speaker 1: Uh. There is Tyler, who is I believe Rain's ex right. 348 00:21:30,880 --> 00:21:33,879 Speaker 2: It feels like the coding there is that he is 349 00:21:34,160 --> 00:21:34,680 Speaker 2: her ex. 350 00:21:34,800 --> 00:21:40,600 Speaker 1: Yeah. There is kay who is pregnant with a baby 351 00:21:40,640 --> 00:21:45,760 Speaker 1: of unknown providence. We will discuss this play by further length. 352 00:21:46,160 --> 00:21:49,040 Speaker 2: Isabella Mcott who is going to be Hawk Girl in 353 00:21:49,119 --> 00:21:52,600 Speaker 2: the James Gun of Us and who was recently Ranya 354 00:21:52,880 --> 00:21:54,040 Speaker 2: and Madame Webb. 355 00:21:55,280 --> 00:21:59,840 Speaker 1: Las and then there is Bjorn played by Spike Fearn 356 00:22:00,200 --> 00:22:05,240 Speaker 1: Oh boo, I hate good acting Spike, and Alien Wu 357 00:22:05,320 --> 00:22:09,920 Speaker 1: plays Navarro. Yes, we'll be stay tuned for Alien Wu interview. 358 00:22:10,720 --> 00:22:14,920 Speaker 1: And basically they hit upon a scheme by which they 359 00:22:14,960 --> 00:22:20,040 Speaker 1: can leave the planet by taking their their like Junker 360 00:22:20,200 --> 00:22:28,320 Speaker 1: scavenger craft and outfitting it with enough cryo fuel to 361 00:22:28,600 --> 00:22:33,199 Speaker 1: power the the cryo chambers so that they can go 362 00:22:33,280 --> 00:22:36,880 Speaker 1: into hibernation for a nine year trip to a planet 363 00:22:36,920 --> 00:22:40,520 Speaker 1: where the sun actually shines, because on this planet it's 364 00:22:40,640 --> 00:22:43,960 Speaker 1: raining all the time and it sucks. And the only 365 00:22:44,000 --> 00:22:46,439 Speaker 1: way they can do that is by getting enough cryo 366 00:22:46,520 --> 00:22:48,080 Speaker 1: fuel to make the trip. 367 00:22:48,200 --> 00:22:51,680 Speaker 2: And keep the described for like nine years. 368 00:22:51,720 --> 00:22:54,320 Speaker 1: For nine years, and they've discovered that there is like 369 00:22:54,440 --> 00:23:01,159 Speaker 1: a wrecked Whyland Utahani space station that's just kind of 370 00:23:01,200 --> 00:23:04,720 Speaker 1: like floating right above the planet, so they go up 371 00:23:04,760 --> 00:23:07,919 Speaker 1: there turns out to be a research facility, and it 372 00:23:07,960 --> 00:23:13,080 Speaker 1: turns out this research facility is like chock a block 373 00:23:13,520 --> 00:23:17,920 Speaker 1: with face huggers and other aliens and a more research. 374 00:23:18,359 --> 00:23:25,880 Speaker 1: There's like a decommission destroyed artificial person there played by 375 00:23:27,760 --> 00:23:32,760 Speaker 1: a beyond life ian home and long story short, the 376 00:23:32,800 --> 00:23:40,840 Speaker 1: aliens come out, Everybody except for Rain gets killed. She 377 00:23:41,280 --> 00:23:45,480 Speaker 1: ultimately defeats the alien. The final boss alien turns out 378 00:23:45,480 --> 00:23:53,080 Speaker 1: to be a hybrid alien human baby that gives birth 379 00:23:53,119 --> 00:23:58,320 Speaker 1: to is really scary, and now with enough cryo fuel 380 00:23:58,440 --> 00:24:02,000 Speaker 1: to make the trip, she leaves her last log, puts 381 00:24:02,040 --> 00:24:05,800 Speaker 1: Andy in the hibernation chamber, puts herself in the hibernation 382 00:24:05,920 --> 00:24:10,600 Speaker 1: chamber and heads for the new planet. Okay, you kind 383 00:24:10,600 --> 00:24:15,399 Speaker 1: of hit on it in your statement up top. I 384 00:24:15,440 --> 00:24:18,560 Speaker 1: do think and this is my one nitpick. Here's my nitpick. 385 00:24:18,840 --> 00:24:21,119 Speaker 1: I love everything about this movie. I love the face huggers. 386 00:24:21,119 --> 00:24:24,520 Speaker 1: I love the practical effects. I think that looks as 387 00:24:25,720 --> 00:24:31,680 Speaker 1: it looks astoundingly good. The cast is wonderful. I do 388 00:24:31,800 --> 00:24:34,320 Speaker 1: think the one thing I was craving, and I was 389 00:24:34,440 --> 00:24:37,840 Speaker 1: craving it kind of significantly, was just like a little 390 00:24:37,880 --> 00:24:42,359 Speaker 1: deeper understanding of these characters. I do feel like Kay, 391 00:24:42,760 --> 00:24:45,119 Speaker 1: basically all we know about her is she's pregnant. That's 392 00:24:46,359 --> 00:24:48,239 Speaker 1: who is she? What does she dream of? What does 393 00:24:48,240 --> 00:24:49,960 Speaker 1: she want to do? What does she hate? Like I 394 00:24:50,720 --> 00:24:54,840 Speaker 1: kind of don't know Jorn. I know he hates androids, 395 00:24:54,920 --> 00:25:00,600 Speaker 1: and that's kind of it. Like Tyler, same thing. He 396 00:25:00,680 --> 00:25:03,280 Speaker 1: feels a little and the characters feel a little thin 397 00:25:03,440 --> 00:25:06,960 Speaker 1: to me now you mentioned it. I do think David 398 00:25:07,040 --> 00:25:09,440 Speaker 1: Johnson gives a tour to force here as Andy. Yeah, 399 00:25:09,920 --> 00:25:13,560 Speaker 1: and he's given a wide range of Like there's Andy 400 00:25:14,000 --> 00:25:18,639 Speaker 1: who is more hobbled intellectually and physically and is not 401 00:25:18,920 --> 00:25:23,280 Speaker 1: kind of he's half destroyed. He you know, Rain keeps 402 00:25:23,320 --> 00:25:26,000 Speaker 1: having to reboot him. Then he gets an upgrade and 403 00:25:26,040 --> 00:25:28,840 Speaker 1: all of a sudden, he's a much more competent, much sharper, 404 00:25:29,400 --> 00:25:34,800 Speaker 1: slightly more ominous figure. And that kind of wide range 405 00:25:34,840 --> 00:25:37,960 Speaker 1: is cool. Kaylee Spiney is awesome. Part of that is 406 00:25:38,000 --> 00:25:40,280 Speaker 1: just like how much he's on the screen. But I 407 00:25:40,320 --> 00:25:45,600 Speaker 1: do I did find myself wishing that I knew more 408 00:25:45,640 --> 00:25:49,199 Speaker 1: about these characters, that there had been more in this 409 00:25:49,359 --> 00:25:51,719 Speaker 1: movie for me to hold on to, so that I 410 00:25:51,840 --> 00:25:54,320 Speaker 1: cared about these characters more like I should. At a 411 00:25:54,400 --> 00:25:56,480 Speaker 1: certain point, I'm like, God, I hope you aren't dies, 412 00:25:57,040 --> 00:25:59,600 Speaker 1: and I shouldn't. I feel like I shouldn't be feeling 413 00:25:59,600 --> 00:26:00,720 Speaker 1: that guys should. 414 00:26:00,480 --> 00:26:05,879 Speaker 2: Not feel like, you know what this guy gets. I 415 00:26:05,960 --> 00:26:09,320 Speaker 2: do think that that is intentional, and I think it 416 00:26:09,440 --> 00:26:12,440 Speaker 2: comes with him specifically, and I do think it comes 417 00:26:12,480 --> 00:26:14,800 Speaker 2: down to something where we were talking about this pre production. 418 00:26:15,040 --> 00:26:18,520 Speaker 2: So let's talk about the because I've just discovered something 419 00:26:18,520 --> 00:26:21,520 Speaker 2: and I think it makes that more intentional. So let's 420 00:26:21,560 --> 00:26:25,240 Speaker 2: talk about Kay's father, Like, who. 421 00:26:25,040 --> 00:26:30,119 Speaker 1: Is I mean is I thought it was clearly born. 422 00:26:31,119 --> 00:26:32,359 Speaker 1: Other people are saying. 423 00:26:32,119 --> 00:26:35,600 Speaker 2: No, Well, I also believed it was borne because she says, 424 00:26:35,600 --> 00:26:38,439 Speaker 2: you know, he's he's that ass h's some asshole, and 425 00:26:38,480 --> 00:26:41,040 Speaker 2: then they're always calling him an asshole, and he's clearly 426 00:26:41,119 --> 00:26:44,119 Speaker 2: kind of creepy and he's got a bad vibe, and 427 00:26:44,160 --> 00:26:47,000 Speaker 2: there's like a scene where it really feels like that 428 00:26:47,160 --> 00:26:51,840 Speaker 2: is implied. And in a Reddit thread, somebody supposed that, 429 00:26:52,200 --> 00:26:55,680 Speaker 2: and FEddi Alvarez jumped in and said, yeah, you're right, 430 00:26:56,320 --> 00:26:59,480 Speaker 2: and this is actually a very fede thing because something 431 00:26:59,560 --> 00:27:01,640 Speaker 2: that was pointed out in our pre production and people 432 00:27:01,680 --> 00:27:05,160 Speaker 2: are very upset about and Reddit, is that that Cousins 433 00:27:05,520 --> 00:27:08,320 Speaker 2: in the screen? Yeah, but no, that's Freddy says. It's 434 00:27:08,359 --> 00:27:10,439 Speaker 2: it's happening baby, And if you've seen Don't Breathe, this 435 00:27:10,520 --> 00:27:12,359 Speaker 2: man probably does not have a problem with that. 436 00:27:12,440 --> 00:27:15,600 Speaker 1: I mean, I'll just say that's true. I mean, I'll 437 00:27:15,640 --> 00:27:19,920 Speaker 1: just say, of the Cousins thing, there's two thousand people 438 00:27:19,920 --> 00:27:22,960 Speaker 1: that live on this planet, like you've gotta you've got 439 00:27:22,960 --> 00:27:27,080 Speaker 1: to get busy somehow, and I think that obviously it's 440 00:27:27,119 --> 00:27:30,760 Speaker 1: not an ideal situation, but people, you know, life finds 441 00:27:30,760 --> 00:27:31,800 Speaker 1: a way, you. 442 00:27:31,720 --> 00:27:32,240 Speaker 4: Know what I mean. 443 00:27:32,400 --> 00:27:40,000 Speaker 1: You simply can't have the same kind of uh red line, 444 00:27:40,200 --> 00:27:43,640 Speaker 1: you know, criteria for finding a mate on a planet 445 00:27:43,680 --> 00:27:48,480 Speaker 1: where there's probably less people that live there than live 446 00:27:49,040 --> 00:27:53,880 Speaker 1: on your street. Yeah, like in certain areas of the country. 447 00:27:53,920 --> 00:27:57,320 Speaker 1: So I just feel like that didn't that didn't bump me. 448 00:27:57,440 --> 00:28:02,640 Speaker 2: Yeah. That also I'm a big fan of Uh. I'm 449 00:28:02,640 --> 00:28:04,600 Speaker 2: a big fan of the fact that Feddy just made 450 00:28:04,640 --> 00:28:07,680 Speaker 2: his own like Reddit profile and then he kept getting 451 00:28:07,720 --> 00:28:09,760 Speaker 2: in trouble on Reddit because they were saying he was 452 00:28:09,920 --> 00:28:14,040 Speaker 2: impersonating himself because he was going around just like answering 453 00:28:14,080 --> 00:28:17,239 Speaker 2: people's questions about the movie and read it was like 454 00:28:17,359 --> 00:28:19,280 Speaker 2: you are not Freeddy Alvarez and he was like, no, 455 00:28:19,320 --> 00:28:22,919 Speaker 2: I am, I really am. I promise. But yeah, I 456 00:28:22,960 --> 00:28:26,720 Speaker 2: think I definitely think that something about the First Alien 457 00:28:26,760 --> 00:28:30,760 Speaker 2: movie that makes it so special is look, Okay, first 458 00:28:30,760 --> 00:28:33,399 Speaker 2: of all, doesn't hurt that it has like a cast 459 00:28:33,480 --> 00:28:36,600 Speaker 2: of just absolutely stella character actors who would go on 460 00:28:36,760 --> 00:28:40,760 Speaker 2: to you know, become huge stars like Ian Holm and 461 00:28:40,880 --> 00:28:45,680 Speaker 2: yeaf At Koto and you know John Hurt, you know 462 00:28:45,720 --> 00:28:48,000 Speaker 2: you have and and I do think here they do 463 00:28:48,120 --> 00:28:50,280 Speaker 2: channel that because Isabella McCart is going to be a 464 00:28:50,360 --> 00:28:50,840 Speaker 2: huge star. 465 00:28:51,040 --> 00:28:53,440 Speaker 1: But there there was this there was this like ultimate 466 00:28:53,600 --> 00:28:57,760 Speaker 1: esque banter. Yeah, in that movie exact it's where they're 467 00:28:57,800 --> 00:29:01,520 Speaker 1: talking about their shares, and there all these little things 468 00:29:01,560 --> 00:29:04,480 Speaker 1: that add texture exactly where you know, you know what 469 00:29:04,520 --> 00:29:07,280 Speaker 1: they care about, you kind of understand what the situation 470 00:29:07,320 --> 00:29:08,800 Speaker 1: of working for this company. 471 00:29:08,560 --> 00:29:11,640 Speaker 2: Is, you understand really miss that. Yeah, I agree, I 472 00:29:11,680 --> 00:29:16,880 Speaker 2: wanted to know more about each of the characters before 473 00:29:16,920 --> 00:29:19,600 Speaker 2: they were in that situation. And I will say, pacing wise, 474 00:29:19,920 --> 00:29:21,800 Speaker 2: and I believe this is something that Fed's talked about 475 00:29:21,800 --> 00:29:24,760 Speaker 2: as well. Pacing wise, it does follow the first half 476 00:29:24,760 --> 00:29:28,440 Speaker 2: of the movie is far more in that alien slowburn 477 00:29:29,240 --> 00:29:31,760 Speaker 2: getting to the aliens, and then the second half is 478 00:29:31,760 --> 00:29:35,000 Speaker 2: more of an alien's kind of situation, lots of shooting, 479 00:29:35,200 --> 00:29:39,560 Speaker 2: lots of cool, gooey aliens. But I do think that 480 00:29:39,600 --> 00:29:44,200 Speaker 2: what's missing from that slowburn aspect is that interrogation of 481 00:29:44,280 --> 00:29:47,280 Speaker 2: like what are these relationships, Like how do they what 482 00:29:47,440 --> 00:29:50,680 Speaker 2: do they care about? Like what brought them together? What 483 00:29:50,760 --> 00:29:52,880 Speaker 2: do they pure And ironically is the one we get 484 00:29:52,920 --> 00:29:54,840 Speaker 2: to kind of know the most about just because we 485 00:29:54,920 --> 00:29:59,200 Speaker 2: learned that his mom was killed in a mining accident 486 00:29:59,280 --> 00:30:01,719 Speaker 2: where they basically to see the androids had to like 487 00:30:01,760 --> 00:30:04,040 Speaker 2: seal her in the mind. But we don't really get 488 00:30:04,080 --> 00:30:06,840 Speaker 2: a lot And I think, you know, you made a 489 00:30:06,880 --> 00:30:09,040 Speaker 2: great point when we were talking about this ahead of it. 490 00:30:09,320 --> 00:30:11,560 Speaker 2: One of the things that the movie is definitely kind 491 00:30:11,600 --> 00:30:13,920 Speaker 2: of missing is like a lot of the set dressing 492 00:30:14,000 --> 00:30:17,640 Speaker 2: is just references to old alien movies. Fun, but it 493 00:30:18,000 --> 00:30:22,400 Speaker 2: takes away from like I would like you you know, 494 00:30:22,440 --> 00:30:24,800 Speaker 2: what were you saying about Tyler, about his like interest 495 00:30:24,840 --> 00:30:25,560 Speaker 2: in the military. 496 00:30:25,560 --> 00:30:28,120 Speaker 1: I thought that was Yeah, so there's like there's another 497 00:30:29,360 --> 00:30:32,040 Speaker 1: early in the film, when they first arrived on the 498 00:30:32,040 --> 00:30:34,480 Speaker 1: space station, you know, he's Tyler is giving these like 499 00:30:34,520 --> 00:30:36,640 Speaker 1: hand signism, like why are you giving these hand signals? 500 00:30:36,680 --> 00:30:39,920 Speaker 1: What's what's up with that? And that's our first hint 501 00:30:40,080 --> 00:30:42,720 Speaker 1: that Tyler is interested in the military. Maybe he wants 502 00:30:42,720 --> 00:30:45,800 Speaker 1: to join the Colonial Marines. And I thought it was 503 00:30:45,840 --> 00:30:49,480 Speaker 1: a real wasted opportunity to not we go to Tyler's apartment, 504 00:30:49,920 --> 00:30:54,920 Speaker 1: you don't see like to your point about the dressing, Yeah, 505 00:30:55,000 --> 00:30:57,320 Speaker 1: how about a poster for the Colonial Marines, how about 506 00:30:57,360 --> 00:31:01,000 Speaker 1: like some books about something, how about anything in that 507 00:31:01,080 --> 00:31:03,720 Speaker 1: living space that would suggest to me that that's an 508 00:31:03,760 --> 00:31:07,520 Speaker 1: interest to him. We open on Rain's bunk and it's 509 00:31:07,640 --> 00:31:12,960 Speaker 1: like anodyne. There's like nothing there. Uh, you know. Caren 510 00:31:13,080 --> 00:31:15,600 Speaker 1: was talking about the fact that we see that little 511 00:31:15,720 --> 00:31:19,520 Speaker 1: duck that little dunking duck. That's a callback to the 512 00:31:19,560 --> 00:31:22,840 Speaker 1: Alien film. That's great, But how about some stuff in 513 00:31:22,880 --> 00:31:25,800 Speaker 1: there that's personalized to these It makes it feel like 514 00:31:25,840 --> 00:31:29,800 Speaker 1: a living space. And again small note, really because I 515 00:31:29,840 --> 00:31:32,560 Speaker 1: loved everything else about the movie, But I I guess 516 00:31:32,600 --> 00:31:34,400 Speaker 1: what I'm saying is I wanted to love it more. 517 00:31:34,600 --> 00:31:35,960 Speaker 1: I want to love it so much more. 518 00:31:35,880 --> 00:31:39,320 Speaker 2: Than I do. I love the experience of it. I'm 519 00:31:39,320 --> 00:31:43,040 Speaker 2: gonna always be thinking about the animatronic alien and the 520 00:31:43,080 --> 00:31:46,400 Speaker 2: real animatronic face huggers. Like the way this movie looks 521 00:31:46,440 --> 00:31:50,120 Speaker 2: and feels is so fantastic, and I already do. Like 522 00:31:50,160 --> 00:31:52,920 Speaker 2: I said, I love the canon of like a I 523 00:31:52,960 --> 00:31:55,440 Speaker 2: would die for these kids, and like this is definitely 524 00:31:55,440 --> 00:31:57,520 Speaker 2: in that canon for me because I have a lot 525 00:31:57,560 --> 00:32:00,440 Speaker 2: of love Fatchi Renaut, who plays Tyler. He was in 526 00:32:00,440 --> 00:32:02,800 Speaker 2: Shadow and Bone and I saw he was so fantastic 527 00:32:02,840 --> 00:32:06,320 Speaker 2: in that. Kaylee Spenny, she's really, you know, giving that 528 00:32:06,400 --> 00:32:09,200 Speaker 2: like she was in the Oscar contention. She's been in 529 00:32:09,280 --> 00:32:11,360 Speaker 2: a twenty four movies and now she's here leading like 530 00:32:11,400 --> 00:32:14,640 Speaker 2: an action movie. I thought Aileen Woer's Navarro was easily 531 00:32:14,680 --> 00:32:16,640 Speaker 2: the coolest character who I wanted to know. 532 00:32:16,560 --> 00:32:18,240 Speaker 1: More punched above her weight. 533 00:32:18,320 --> 00:32:21,160 Speaker 2: Yeah yeah, And I also think that something that she 534 00:32:21,440 --> 00:32:24,440 Speaker 2: really represents that I think the film does well is 535 00:32:24,960 --> 00:32:29,080 Speaker 2: the interconnections between the Alien movies and then the Prometheus 536 00:32:29,080 --> 00:32:32,120 Speaker 2: movies that Ridley Scott came back and made, because Navarro 537 00:32:32,280 --> 00:32:36,440 Speaker 2: has that connection to this religious exploration and that is 538 00:32:36,520 --> 00:32:39,000 Speaker 2: really a huge part of Prometheus. And then obviously we 539 00:32:39,040 --> 00:32:42,360 Speaker 2: get die more direct connections when we sort of start 540 00:32:42,400 --> 00:32:44,800 Speaker 2: to learn about the black Goo from this animorphs and 541 00:32:44,880 --> 00:32:47,080 Speaker 2: that the alien, the big chap alien from the first 542 00:32:47,080 --> 00:32:50,680 Speaker 2: movie survived. So this does lead us on to one 543 00:32:50,760 --> 00:32:54,920 Speaker 2: more conversation point, which is once you get onto the ship, 544 00:32:55,080 --> 00:32:59,959 Speaker 2: there's all this beautiful practical effects, but they find a synthetic, 545 00:33:00,360 --> 00:33:02,720 Speaker 2: the dead body of a synthetic who is revealed to 546 00:33:02,800 --> 00:33:09,719 Speaker 2: be as you mentioned, Ash, but this is Brook, but 547 00:33:09,760 --> 00:33:12,680 Speaker 2: he looks like Ash, who was played by Ian Holm 548 00:33:12,960 --> 00:33:16,120 Speaker 2: in one of the most chilling performances in the franchise. 549 00:33:16,440 --> 00:33:19,400 Speaker 2: I'll never forget when he wraps that tight little magazine 550 00:33:19,480 --> 00:33:22,360 Speaker 2: up to stuff down Sigourney Weaver's throat. So this is 551 00:33:22,560 --> 00:33:25,280 Speaker 2: this is Rook, who's another He is the science officer 552 00:33:25,320 --> 00:33:27,680 Speaker 2: on this ship, and he is the same model. So 553 00:33:27,720 --> 00:33:31,120 Speaker 2: you have Ian Holm's face, I just don't look. His 554 00:33:31,240 --> 00:33:36,200 Speaker 2: family supported this, which I love and that's important. That's 555 00:33:35,320 --> 00:33:39,440 Speaker 2: all mask But why didn't they do it with an 556 00:33:39,560 --> 00:33:43,400 Speaker 2: actual physical cast of I believe that one of those 557 00:33:43,480 --> 00:33:46,560 Speaker 2: must still exist somewhere from the original movie. I think 558 00:33:46,560 --> 00:33:52,360 Speaker 2: that the CGI of it all took the movie, but 559 00:33:52,560 --> 00:33:54,360 Speaker 2: it still has that uncanny valley. 560 00:33:54,960 --> 00:33:59,400 Speaker 1: Yeah, I agree, I did. My only thought is that 561 00:33:59,480 --> 00:34:01,760 Speaker 1: they must have tried, and they couldn't get it to work, 562 00:34:02,200 --> 00:34:04,640 Speaker 1: couldn't get it to look anywhere near good enough. Now, 563 00:34:04,720 --> 00:34:07,320 Speaker 1: I suppose there's a world in which if you can't 564 00:34:07,360 --> 00:34:09,839 Speaker 1: get it to look anywhere near good enough, maybe make 565 00:34:09,920 --> 00:34:12,560 Speaker 1: it look a lot worse and you really tear it 566 00:34:12,640 --> 00:34:16,880 Speaker 1: up and so it's only barely recognizable. But I'm sure 567 00:34:18,560 --> 00:34:21,480 Speaker 1: that they tried that, and this must have been the best, 568 00:34:21,640 --> 00:34:23,680 Speaker 1: you know, the best option that they could have gone with. 569 00:34:23,800 --> 00:34:27,080 Speaker 1: It did it was for a movie that feels so tactile. 570 00:34:27,160 --> 00:34:32,760 Speaker 1: It was interesting. I let's talk about the phones. Characters 571 00:34:32,719 --> 00:34:33,640 Speaker 1: are phones in this. 572 00:34:34,080 --> 00:34:37,440 Speaker 2: Oh wow, wow, could you believe it? 573 00:34:37,840 --> 00:34:40,960 Speaker 1: There's a lot of other parts of this, like I 574 00:34:40,960 --> 00:34:46,320 Speaker 1: I love the weapon design, I loved the I loved 575 00:34:46,600 --> 00:34:50,759 Speaker 1: the face huggers. Oh they think the face Huggers were 576 00:34:50,800 --> 00:34:53,360 Speaker 1: more of a front. That's something we've kind of not 577 00:34:53,520 --> 00:34:58,520 Speaker 1: seen before. Also, is a more direct threat from the 578 00:34:58,560 --> 00:35:01,440 Speaker 1: face huggers where yes, warm of them coming at you. 579 00:35:01,680 --> 00:35:03,560 Speaker 2: And they did a really I think they did something 580 00:35:03,600 --> 00:35:07,200 Speaker 2: really smart as well, which is they're in the trailer. 581 00:35:07,280 --> 00:35:11,480 Speaker 2: They showed like all of the characters, Eileen Wu, you know, 582 00:35:12,120 --> 00:35:16,239 Speaker 2: Archie Renault, the Spike who played Beyond, they kind of 583 00:35:16,239 --> 00:35:18,320 Speaker 2: had these clips of them looking like they were getting 584 00:35:18,320 --> 00:35:20,719 Speaker 2: got by the face huggers. But actually they kind of 585 00:35:20,800 --> 00:35:25,839 Speaker 2: introduced this, if you can get the face hugger's horrific 586 00:35:26,360 --> 00:35:29,759 Speaker 2: tentacle out of your mouth before it implants the egg, 587 00:35:29,800 --> 00:35:32,200 Speaker 2: oh wait, you can maybe survive this. So we kind 588 00:35:32,200 --> 00:35:37,600 Speaker 2: of got this great horrific, very grotesque sequence where they're 589 00:35:37,640 --> 00:35:41,040 Speaker 2: all kind of fighting it first until it ultimately, you know, 590 00:35:41,200 --> 00:35:43,839 Speaker 2: gets at Navarro. But I thought that was really good. 591 00:35:43,840 --> 00:35:47,640 Speaker 2: I loved the face hugger scene where we finally got 592 00:35:47,640 --> 00:35:50,480 Speaker 2: to see it connect with Navarro. I thought that Eileen 593 00:35:50,520 --> 00:35:52,839 Speaker 2: Woo did an unreal job getting to do her own 594 00:35:52,920 --> 00:35:56,520 Speaker 2: version of that chest burster scene. I just generally did 595 00:35:56,560 --> 00:35:58,879 Speaker 2: think this was really fun. I loved getting to see 596 00:35:58,880 --> 00:36:01,400 Speaker 2: the proto pulse rife for kind of like the colonial 597 00:36:01,440 --> 00:36:06,400 Speaker 2: Marines having aliens. I also thought that there was a 598 00:36:06,640 --> 00:36:09,319 Speaker 2: there's a really really clever sequence that did something we'd 599 00:36:09,320 --> 00:36:11,600 Speaker 2: never seen before, which was this use of the anti 600 00:36:11,680 --> 00:36:19,080 Speaker 2: gravity with the acid blood when Spanny. That's really cool. Again. 601 00:36:19,160 --> 00:36:23,320 Speaker 2: I just think I'm like, David Johnson, give him an award, please, 602 00:36:23,400 --> 00:36:26,239 Speaker 2: because he just grounds this. It's like when you know 603 00:36:26,280 --> 00:36:28,960 Speaker 2: when they cost Adam Driver and Force Awakens, and the 604 00:36:28,960 --> 00:36:31,040 Speaker 2: whole time you're watching the movie, you're like, You're so 605 00:36:31,239 --> 00:36:33,799 Speaker 2: lucky that Adam Driver said he would play Kylo Ren 606 00:36:34,120 --> 00:36:36,680 Speaker 2: like you. This movie is great, and I obviously I 607 00:36:36,760 --> 00:36:39,120 Speaker 2: love the Force Awakens. I would die for my children Cannon, 608 00:36:39,200 --> 00:36:41,960 Speaker 2: it's definitely a part of it. But like when Adam 609 00:36:42,040 --> 00:36:43,799 Speaker 2: Driver is in that movie, You're like, this man is 610 00:36:43,800 --> 00:36:48,479 Speaker 2: bringing like Shakespearean Thespian levels of tragedy to this these 611 00:36:48,520 --> 00:36:51,080 Speaker 2: scenes with like Harrison Ford, and I feel like David 612 00:36:51,120 --> 00:36:56,560 Speaker 2: Johnson is that grounding kind of elevating force in this movie. 613 00:36:56,600 --> 00:37:00,160 Speaker 2: So and it's absolutely wild to see him from He 614 00:37:00,280 --> 00:37:06,040 Speaker 2: was in this absolutely delightful Hulu uh rom com called 615 00:37:06,120 --> 00:37:09,239 Speaker 2: Rye Rye Lane that was set in London in South 616 00:37:09,280 --> 00:37:12,120 Speaker 2: London and he's so charming and delightful in that. Please 617 00:37:12,120 --> 00:37:14,320 Speaker 2: go watch it. It's so good. But it was crazy 618 00:37:14,360 --> 00:37:17,560 Speaker 2: to then see him kind of playing this more complicated 619 00:37:17,760 --> 00:37:22,560 Speaker 2: like spooky figure when he you know, depending on which 620 00:37:22,640 --> 00:37:24,560 Speaker 2: andy we got, and I just thought it was like 621 00:37:24,760 --> 00:37:25,360 Speaker 2: really cool. 622 00:37:25,920 --> 00:37:29,440 Speaker 1: He's also great in the first two seasons of Industry. 623 00:37:29,920 --> 00:37:33,400 Speaker 2: Yes, oh my gosh, Industry season three, just saying if 624 00:37:33,480 --> 00:37:37,200 Speaker 2: you are looking for because this feels like there's it's 625 00:37:37,239 --> 00:37:38,759 Speaker 2: gonna be the new succession, right. 626 00:37:38,840 --> 00:37:42,120 Speaker 1: This is as in as quick aside about Industry season 627 00:37:42,160 --> 00:37:45,839 Speaker 1: three on HBO and Max. It has definitely leveled up. 628 00:37:45,880 --> 00:37:48,279 Speaker 1: If you're watching season one and season two, you're trying 629 00:37:48,320 --> 00:37:50,440 Speaker 1: to get through it and you're wondering, is this is it? Really? 630 00:37:51,000 --> 00:37:53,040 Speaker 1: I don't know if this is for me. I promise 631 00:37:53,280 --> 00:37:54,719 Speaker 1: season three is thus far. 632 00:37:55,040 --> 00:37:57,640 Speaker 2: Coalesces is hitting three hard. 633 00:37:58,000 --> 00:38:01,480 Speaker 1: Anyway, back to the movie, I want to one final thing, 634 00:38:01,520 --> 00:38:10,160 Speaker 1: which is your thoughts on the engineer like alien xenomorph 635 00:38:11,120 --> 00:38:17,359 Speaker 1: human hybrid born from K's womb, bonded, bonded with her 636 00:38:17,640 --> 00:38:22,839 Speaker 1: unborn child, and let's talk about this alien. What did 637 00:38:22,920 --> 00:38:26,000 Speaker 1: you think of it? Also? Should this alien have tried 638 00:38:26,000 --> 00:38:26,880 Speaker 1: out for the NBA. 639 00:38:27,360 --> 00:38:32,399 Speaker 2: Definitely he should he should have been in the club 640 00:38:32,480 --> 00:38:34,960 Speaker 2: or shooting hoops. He's seven foot tall. You know what, 641 00:38:34,960 --> 00:38:37,759 Speaker 2: I'll be real with you. I thought it was very 642 00:38:37,760 --> 00:38:40,879 Speaker 2: clever design. I definitely liked that they made it look 643 00:38:40,960 --> 00:38:48,720 Speaker 2: like an engineer now knowing that this is now, knowing 644 00:38:48,800 --> 00:38:53,960 Speaker 2: that Fede has like confirmed that it is like it 645 00:38:54,120 --> 00:38:57,560 Speaker 2: was Buhn's baby. I also think this was probably Fede 646 00:38:57,560 --> 00:39:01,480 Speaker 2: doing some like, oh, incest baby with a xenomorph. I'm 647 00:39:01,480 --> 00:39:03,560 Speaker 2: not gonna lie. I'm just the lover of the original 648 00:39:03,640 --> 00:39:07,040 Speaker 2: xenomorph designs, and the Queen's aenomorph and like the alien 649 00:39:07,120 --> 00:39:11,600 Speaker 2: queen and basically anything Geiger does. So that that didn't 650 00:39:11,680 --> 00:39:14,399 Speaker 2: hit for me in like a spooky, like scary way. 651 00:39:14,440 --> 00:39:16,600 Speaker 2: I didn't think like, oh, I'm scared of this, but 652 00:39:16,719 --> 00:39:19,560 Speaker 2: I will say I did think it was like a cool, 653 00:39:19,960 --> 00:39:23,520 Speaker 2: unexpected twist. And I do think that every alien movie 654 00:39:23,520 --> 00:39:26,439 Speaker 2: needs to introduce some new version, and so I think 655 00:39:26,440 --> 00:39:29,160 Speaker 2: this was a unique way to bring together Prometheus and 656 00:39:30,320 --> 00:39:34,719 Speaker 2: the alien movies and kind of create something that was 657 00:39:34,760 --> 00:39:39,840 Speaker 2: really unique and never before seeing Carmen super producer Princess Carmen, 658 00:39:39,840 --> 00:39:42,560 Speaker 2: who's also an alien Stannus, you want to. Carmen was 659 00:39:42,680 --> 00:39:45,040 Speaker 2: terrified by the offspring, so it did. I think it 660 00:39:45,120 --> 00:39:46,720 Speaker 2: worked differently for other people. 661 00:39:46,880 --> 00:39:50,279 Speaker 1: It was gonna look. I really liked it and was 662 00:39:50,560 --> 00:39:55,680 Speaker 1: completely creeped out by it. Yeah. Uh, it was really disgusting. 663 00:39:55,719 --> 00:39:58,520 Speaker 1: And they grow so fast. I mean the thing grew 664 00:39:58,600 --> 00:39:59,840 Speaker 1: to like seven foot. 665 00:40:00,160 --> 00:40:02,520 Speaker 2: Yeah, that was like it was twenty minutes. It was 666 00:40:02,560 --> 00:40:06,560 Speaker 2: like Twilight speed birth, like there giving birth and then 667 00:40:06,560 --> 00:40:08,759 Speaker 2: the baby and then the babies in the NBA. You know, 668 00:40:08,880 --> 00:40:12,160 Speaker 2: it's like so quickly, they grow up so fast. Okay, 669 00:40:12,280 --> 00:40:14,160 Speaker 2: So one thing I want to ask you quickly before 670 00:40:14,160 --> 00:40:16,880 Speaker 2: we end on this is like I feel like, because 671 00:40:16,880 --> 00:40:20,799 Speaker 2: the movie's made a lot of money and because it 672 00:40:20,920 --> 00:40:24,040 Speaker 2: was relatively affordable to make in the grand scheme of 673 00:40:24,080 --> 00:40:26,560 Speaker 2: like a dead poor Wolverine, I think this could lead 674 00:40:26,640 --> 00:40:29,200 Speaker 2: to more movies. But the question is is it gonna be. 675 00:40:29,960 --> 00:40:32,200 Speaker 2: I feel like they could do like a spin off 676 00:40:32,480 --> 00:40:37,160 Speaker 2: of this where they kind of follow Rain and Andy 677 00:40:37,920 --> 00:40:40,240 Speaker 2: because she said, you know, I believe she'll fix Andy. 678 00:40:40,280 --> 00:40:43,480 Speaker 2: They're both together, and they could kind of explore more 679 00:40:43,520 --> 00:40:47,720 Speaker 2: about like the mysterious life giving goo that we see 680 00:40:47,760 --> 00:40:50,440 Speaker 2: in Alien, that we see in Prometheus, and then we 681 00:40:50,560 --> 00:40:54,000 Speaker 2: now see in Alien Romulus, or they could just keep 682 00:40:54,040 --> 00:40:59,200 Speaker 2: making like weird anthology movies that fit more around different timelines. 683 00:40:59,280 --> 00:41:01,560 Speaker 2: I think I would the latter as much as I 684 00:41:01,600 --> 00:41:04,200 Speaker 2: want to see Andy, But like, what do you think, Like, 685 00:41:04,239 --> 00:41:06,400 Speaker 2: what do you think the next Alien movie is going 686 00:41:06,480 --> 00:41:06,640 Speaker 2: to be? 687 00:41:07,120 --> 00:41:11,080 Speaker 1: There is, of course Noah Hawley's Alien Earth. Yes, which 688 00:41:11,160 --> 00:41:12,120 Speaker 1: is it's going. 689 00:41:12,120 --> 00:41:14,840 Speaker 2: To be a true prequel, I guess saying. 690 00:41:15,280 --> 00:41:18,320 Speaker 1: In some kind of place in its production life cycle. 691 00:41:18,360 --> 00:41:21,920 Speaker 1: We don't know where. I personally, I think that the 692 00:41:22,280 --> 00:41:25,160 Speaker 1: tried and true. Here's the thing about Alien Romulus. It 693 00:41:25,239 --> 00:41:30,600 Speaker 1: is directly lifted from the original Alien formula, which is 694 00:41:31,480 --> 00:41:33,200 Speaker 1: Haunted House in Space. 695 00:41:33,440 --> 00:41:35,239 Speaker 2: Trapped room, trapped Room. 696 00:41:35,880 --> 00:41:37,920 Speaker 1: And I think that that that has a lot of 697 00:41:37,960 --> 00:41:42,400 Speaker 1: life and vitality in it, different places, different cast You 698 00:41:42,400 --> 00:41:44,400 Speaker 1: can do a lot of things with that, and you 699 00:41:44,440 --> 00:41:49,360 Speaker 1: can make pretty relatively cheap movies that people want to 700 00:41:49,400 --> 00:41:53,160 Speaker 1: see just based on that formula. Me personally, I would 701 00:41:53,360 --> 00:41:55,560 Speaker 1: I'm hoping to see. One of the things I liked 702 00:41:55,560 --> 00:42:01,279 Speaker 1: about Prometheus is that it evolved the story, and I 703 00:42:01,320 --> 00:42:05,040 Speaker 1: think that's what I want is I want those scares. 704 00:42:05,120 --> 00:42:07,479 Speaker 1: I want that monster movie, I want that Haunted House 705 00:42:07,480 --> 00:42:12,280 Speaker 1: in Space. But I'm hoping to see more of the world, 706 00:42:12,360 --> 00:42:14,680 Speaker 1: have it more fleshed out, maybe have there be more 707 00:42:14,760 --> 00:42:18,840 Speaker 1: challenges as we get more of these movies. But I 708 00:42:18,840 --> 00:42:21,799 Speaker 1: think one of the things that I'm really excited about 709 00:42:21,960 --> 00:42:24,000 Speaker 1: is that it's for sure we're gonna get that, We're 710 00:42:24,000 --> 00:42:26,560 Speaker 1: gonna get more opportunities for more alien movies. I agree 711 00:42:26,600 --> 00:42:30,719 Speaker 1: with how Gangbusters this film is going right now all 712 00:42:30,800 --> 00:42:31,600 Speaker 1: around the world. 713 00:42:31,840 --> 00:42:34,080 Speaker 2: I definitely didn't expect. I mean, this came out what 714 00:42:34,239 --> 00:42:36,719 Speaker 2: like three weeks after Deadpool and Wouverine and managed to 715 00:42:36,760 --> 00:42:39,080 Speaker 2: take it off, which I don't know if anyone saw coming. 716 00:42:39,520 --> 00:42:42,560 Speaker 2: Also as well, FEDDEI did have a cool idea and 717 00:42:42,600 --> 00:42:44,279 Speaker 2: we'll leave you with this, which is he did an 718 00:42:44,280 --> 00:42:47,280 Speaker 2: interview I believe it was with Deadline where he said, 719 00:42:47,480 --> 00:42:50,919 Speaker 2: I want to do an alien versus preditor movie that's 720 00:42:51,000 --> 00:42:55,080 Speaker 2: half directed by me and half directed by Dan Trachtenberg 721 00:42:55,160 --> 00:42:57,799 Speaker 2: who made Prey. Now I want to see that. I mean, 722 00:42:57,920 --> 00:43:00,160 Speaker 2: I'm like Disney green Light that movie. 723 00:43:00,400 --> 00:43:03,080 Speaker 1: It's like from Dusk Till Dawn but in Spain. 724 00:43:03,920 --> 00:43:05,000 Speaker 2: Oh, now we're talking. 725 00:43:06,760 --> 00:43:09,319 Speaker 1: We like this movie. Hope you go hope you liked 726 00:43:09,360 --> 00:43:12,439 Speaker 1: it too. Up next, you want more Alien Romulus. We've 727 00:43:12,440 --> 00:43:15,319 Speaker 1: got more. We've got an interview with Alien Romulus star 728 00:43:15,440 --> 00:43:17,120 Speaker 1: Alien Wu, who plays Navarro. 729 00:43:18,440 --> 00:43:19,000 Speaker 2: Check that out. 730 00:43:33,920 --> 00:43:38,080 Speaker 1: We're so excited to welcome Alien Wu, who plays Novarro 731 00:43:38,360 --> 00:43:41,279 Speaker 1: in Alien Romulus. Alien, thank you so much for joining us. 732 00:43:41,480 --> 00:43:42,840 Speaker 4: Of course, thank you for having me. 733 00:43:43,120 --> 00:43:47,520 Speaker 1: I was reading about the process of you getting the role, 734 00:43:47,760 --> 00:43:49,759 Speaker 1: and it's so fun. I was wondering if you might 735 00:43:49,880 --> 00:43:50,759 Speaker 1: share that with us. 736 00:43:53,640 --> 00:43:57,840 Speaker 4: I think it was February twenty twenty one. I was 737 00:43:57,920 --> 00:44:03,200 Speaker 4: back home in Vancouver having finished undergrad at NYU, and 738 00:44:03,560 --> 00:44:07,040 Speaker 4: my husband and I were actually working together when I 739 00:44:07,040 --> 00:44:09,000 Speaker 4: got the self tape. He was producing and I was 740 00:44:09,040 --> 00:44:13,040 Speaker 4: directing a bunch of high school students in a production 741 00:44:13,239 --> 00:44:17,160 Speaker 4: of Shakespeare's The Tempest, which is I was kind of 742 00:44:17,200 --> 00:44:21,680 Speaker 4: a fun odd job that he had gotten me. We 743 00:44:21,680 --> 00:44:23,520 Speaker 4: weren't married yet, and that was like one of his 744 00:44:23,640 --> 00:44:26,000 Speaker 4: schemes to get me to come back home from New York. 745 00:44:26,040 --> 00:44:28,080 Speaker 4: He was like, I got you a job. He can't 746 00:44:28,120 --> 00:44:30,000 Speaker 4: turn down a job, and I was like, yeah, I 747 00:44:30,000 --> 00:44:32,799 Speaker 4: really can't. And he made it first time working on 748 00:44:32,920 --> 00:44:36,799 Speaker 4: anything theater Shakespeare related. Yeah, it was. We were having 749 00:44:36,800 --> 00:44:39,840 Speaker 4: a blast, and you know, we were a month away 750 00:44:39,880 --> 00:44:43,840 Speaker 4: and this self tape request comes in from my manager Helen, 751 00:44:44,680 --> 00:44:47,640 Speaker 4: and she's like, bracket, this is alien because they don't 752 00:44:47,840 --> 00:44:50,719 Speaker 4: usually tell you what it is in the title when 753 00:44:50,760 --> 00:44:54,120 Speaker 4: it's such a big franchise. Yeah. We went over to 754 00:44:54,880 --> 00:44:59,600 Speaker 4: my husband's producing partners apartment to film it after like 755 00:44:59,680 --> 00:45:02,560 Speaker 4: a twelve hour rehearsal day because he had this really 756 00:45:02,560 --> 00:45:08,200 Speaker 4: cool setup with like the blue screen backdrop and oh wow. Yeah, 757 00:45:08,280 --> 00:45:10,800 Speaker 4: and I was like, yeah, let's let's use this because 758 00:45:10,800 --> 00:45:14,480 Speaker 4: mainly one of the scenes or a couple of the 759 00:45:14,560 --> 00:45:19,600 Speaker 4: scenes had the entire ensemble, and we thought it would 760 00:45:19,600 --> 00:45:21,799 Speaker 4: be a good idea to kind of like have two 761 00:45:21,840 --> 00:45:24,960 Speaker 4: people read with me so I wouldn't get confused and 762 00:45:25,040 --> 00:45:29,840 Speaker 4: help me with my eyelines. But yeah, I did watch 763 00:45:29,960 --> 00:45:34,239 Speaker 4: the first film before doing the tape because I had 764 00:45:34,280 --> 00:45:36,120 Speaker 4: never watched any of them before. 765 00:45:38,640 --> 00:45:42,880 Speaker 5: Did I read your introduction was through your brother's action figure. 766 00:45:43,719 --> 00:45:49,160 Speaker 4: Yes, this could tract. Yeah. So, while we moved to 767 00:45:49,280 --> 00:45:54,239 Speaker 4: Vancouver when we were still in elementary school, and my 768 00:45:54,320 --> 00:45:59,879 Speaker 4: mom as an incentive to get us to really learn English, 769 00:46:00,239 --> 00:46:04,520 Speaker 4: if we did well at our English class, like, she 770 00:46:04,600 --> 00:46:08,160 Speaker 4: signed us up for outside of school English classes to 771 00:46:08,320 --> 00:46:11,279 Speaker 4: help us, you know, get better faster. If we did 772 00:46:11,320 --> 00:46:14,480 Speaker 4: well at those. Every week, she'd bring my brother and 773 00:46:14,520 --> 00:46:18,799 Speaker 4: I to like this Action figure store every Friday and 774 00:46:18,880 --> 00:46:20,759 Speaker 4: we would get to pick out a toy. But it's 775 00:46:20,760 --> 00:46:23,399 Speaker 4: really just like me following my older brother around and 776 00:46:23,440 --> 00:46:27,239 Speaker 4: watching what he would pick out. And he'd always give 777 00:46:27,280 --> 00:46:30,600 Speaker 4: me like a big introduction or like description of who 778 00:46:30,640 --> 00:46:34,400 Speaker 4: this is, what universe they're from, what powers they have. 779 00:46:36,200 --> 00:46:38,720 Speaker 4: But one day, like a xenomorph showed up. I didn't 780 00:46:38,719 --> 00:46:40,840 Speaker 4: know what it was, and I was like, this is weird, 781 00:46:40,960 --> 00:46:43,200 Speaker 4: and he's like, don't worry about it. I'll tell you 782 00:46:43,280 --> 00:46:46,000 Speaker 4: about next week's but this one's just for me. 783 00:46:47,719 --> 00:46:49,880 Speaker 5: Has he seen you in the movie yet? 784 00:46:50,160 --> 00:46:51,160 Speaker 4: No? He hasn't. 785 00:46:51,800 --> 00:47:01,319 Speaker 6: Oh yeah, David, my older brother David, He like we 786 00:47:01,400 --> 00:47:02,919 Speaker 6: have a funny relationship. 787 00:47:02,960 --> 00:47:05,359 Speaker 4: Like he's the only person I feel like in my 788 00:47:05,400 --> 00:47:09,919 Speaker 4: life who's like never impressed with what I do. It's 789 00:47:10,080 --> 00:47:14,600 Speaker 4: just like you will always be like my stupid, annoying 790 00:47:14,640 --> 00:47:18,560 Speaker 4: little sister who would not leave me alone ever growing up, 791 00:47:20,320 --> 00:47:22,799 Speaker 4: who I always have to clean up after because like 792 00:47:22,880 --> 00:47:25,920 Speaker 4: I threw a lot of parties during high school and 793 00:47:26,280 --> 00:47:30,600 Speaker 4: he would My parents would assign him as like babysitter 794 00:47:31,280 --> 00:47:33,600 Speaker 4: and he would have to like show up at these 795 00:47:33,640 --> 00:47:37,640 Speaker 4: parties and like help clean up and like like clean 796 00:47:37,719 --> 00:47:43,880 Speaker 4: puke off the floor, so like and be like stop 797 00:47:44,040 --> 00:47:49,760 Speaker 4: smoking in the backyard and like drive my drunk friends home. 798 00:47:49,840 --> 00:47:52,120 Speaker 4: And he wouldn't get to like drink and have fun 799 00:47:52,160 --> 00:47:55,520 Speaker 4: at these parties. So that's that's kind of our relationship, 800 00:47:55,560 --> 00:47:58,239 Speaker 4: which which I think honestly is very good for me, 801 00:47:58,360 --> 00:48:03,880 Speaker 4: Like it keeps me very grounded, humble. Yeah, so I 802 00:48:03,920 --> 00:48:06,279 Speaker 4: think he'll see it at some point, but I think 803 00:48:06,320 --> 00:48:09,319 Speaker 4: when it all dies down and like he gets to 804 00:48:09,480 --> 00:48:14,000 Speaker 4: like see it and by himself, you know, in our hometown. 805 00:48:14,600 --> 00:48:16,840 Speaker 1: So sometimes when you send in a self tape, you 806 00:48:16,880 --> 00:48:18,960 Speaker 1: know you're waiting. You don't know how, you know, you 807 00:48:19,000 --> 00:48:22,880 Speaker 1: don't know what the what the reaction is. How quick 808 00:48:23,000 --> 00:48:28,080 Speaker 1: did the process happen? After sending in the tape, Oh, 809 00:48:28,200 --> 00:48:28,600 Speaker 1: it was. 810 00:48:28,520 --> 00:48:30,880 Speaker 4: The next day they were like, they want to do 811 00:48:31,000 --> 00:48:34,520 Speaker 4: a zoom callback. I was like, great, I'd never gotten 812 00:48:34,520 --> 00:48:37,360 Speaker 4: a zoom callback from doing a self tape before. I 813 00:48:37,360 --> 00:48:41,279 Speaker 4: had only been with my agent, my manager, Helen, for 814 00:48:41,400 --> 00:48:44,240 Speaker 4: a year up to that point, and she was great. 815 00:48:44,239 --> 00:48:46,879 Speaker 4: She sent me things like back to back to back 816 00:48:46,920 --> 00:48:49,000 Speaker 4: and I would tape for them, and I feel like 817 00:48:49,040 --> 00:48:52,319 Speaker 4: it really built like that audition muscle in me. But 818 00:48:52,480 --> 00:48:55,440 Speaker 4: that was truthfully the first a callback that I got. 819 00:48:56,360 --> 00:49:01,440 Speaker 4: And then yeah, I did the callback, met Mary Renew 820 00:49:01,520 --> 00:49:04,160 Speaker 4: and Sydney. They were great to give me a couple 821 00:49:04,120 --> 00:49:08,439 Speaker 4: of notes. I did it like twice, and then two 822 00:49:08,520 --> 00:49:11,640 Speaker 4: days after I had that call back, they sent me 823 00:49:11,719 --> 00:49:15,160 Speaker 4: the full script, had me read it, and then I 824 00:49:15,200 --> 00:49:18,120 Speaker 4: was on a call with Fede who was in Budapestuary 825 00:49:21,000 --> 00:49:25,680 Speaker 4: and then he kind of gave me the role during 826 00:49:25,680 --> 00:49:29,120 Speaker 4: the call like that call, but I didn't really know 827 00:49:29,440 --> 00:49:32,520 Speaker 4: that that was what was going on. It was like, 828 00:49:33,280 --> 00:49:36,839 Speaker 4: so you you down to do this, and I was like, yeah, 829 00:49:38,040 --> 00:49:46,200 Speaker 4: this is are you tricking me? Because you know, my 830 00:49:46,200 --> 00:49:48,680 Speaker 4: my manager and my husband as well, who works mainly 831 00:49:48,719 --> 00:49:52,840 Speaker 4: as a film producer, they warned me. They're like, hey, 832 00:49:52,960 --> 00:49:58,279 Speaker 4: you have to wait for the official contract from studio. Like, 833 00:49:58,440 --> 00:50:00,239 Speaker 4: don't get your hopes up. There's a lot lot of 834 00:50:00,280 --> 00:50:03,800 Speaker 4: horror stories with actors getting in the process of getting 835 00:50:03,880 --> 00:50:07,520 Speaker 4: roles that like last minute they pull out and it's 836 00:50:07,520 --> 00:50:09,879 Speaker 4: like getting the rug pulled out from under them. It's 837 00:50:09,920 --> 00:50:13,720 Speaker 4: the worst feelings. So like, just really stay grounded, plant 838 00:50:13,760 --> 00:50:16,200 Speaker 4: your feet and we wait no matter what happens on 839 00:50:16,239 --> 00:50:20,040 Speaker 4: the zoom call we wait until your name is on 840 00:50:20,080 --> 00:50:22,600 Speaker 4: a piece of paper underneath the line where you can 841 00:50:22,640 --> 00:50:25,200 Speaker 4: sign your name. I was like, okay, got it. So 842 00:50:25,280 --> 00:50:27,360 Speaker 4: when he said that, I was like, they warned me 843 00:50:27,440 --> 00:50:27,880 Speaker 4: about this. 844 00:50:32,120 --> 00:50:34,560 Speaker 5: It's funny. We'll talk to us about the first time 845 00:50:34,600 --> 00:50:36,520 Speaker 5: you walk on set. 846 00:50:36,960 --> 00:50:41,000 Speaker 4: Oh man, I was so never been to Budapest before. 847 00:50:41,920 --> 00:50:47,440 Speaker 4: A beautiful, beautiful country. And then the studio is huge. 848 00:50:47,480 --> 00:50:50,360 Speaker 4: It's where they also filmed like Doom Part one and 849 00:50:50,400 --> 00:50:56,799 Speaker 4: part two, so it's like giant, giant buildings that look 850 00:50:56,880 --> 00:51:02,920 Speaker 4: like warehouses. And Fete is giving me, Archie and Spike 851 00:51:03,160 --> 00:51:07,400 Speaker 4: a tour. So we just went in and every studio 852 00:51:07,480 --> 00:51:10,799 Speaker 4: had like different sets were built in them, and I 853 00:51:10,840 --> 00:51:13,680 Speaker 4: was just like can I film this? I'm very like 854 00:51:14,320 --> 00:51:16,160 Speaker 4: or is that not allowed? But yeah, he was just 855 00:51:16,239 --> 00:51:19,120 Speaker 4: so excited to was so excited to show us everything. 856 00:51:19,200 --> 00:51:22,120 Speaker 4: It truly was like his his baby. 857 00:51:22,239 --> 00:51:25,480 Speaker 1: You know, I've read that, And this is kind of 858 00:51:26,080 --> 00:51:30,080 Speaker 1: unique for feature films that it was filmed in order. 859 00:51:30,480 --> 00:51:33,960 Speaker 4: Yes, it was a film all chronologically. 860 00:51:34,120 --> 00:51:38,319 Speaker 1: That's wild. So your first scene is the first thing 861 00:51:38,520 --> 00:51:42,160 Speaker 1: that you did after arriving on set? 862 00:51:42,520 --> 00:51:43,480 Speaker 4: Yeah, pretty much. 863 00:51:43,600 --> 00:51:45,040 Speaker 1: Wow? So what was that like? 864 00:51:45,440 --> 00:51:48,600 Speaker 4: It was such. I mean, this is my first feature film. 865 00:51:48,640 --> 00:51:50,960 Speaker 4: I had no idea what I was. I was like, 866 00:51:51,120 --> 00:51:54,560 Speaker 4: is this normal? Do we always shoot in chronological order? 867 00:51:54,600 --> 00:52:00,320 Speaker 4: And everybody was like, no, this never happens. I was like, oh, okay, 868 00:52:00,560 --> 00:52:04,400 Speaker 4: well this is a treat. I think it really kicked 869 00:52:04,400 --> 00:52:08,520 Speaker 4: in afterwards. Oh, I just got a miss call from 870 00:52:10,000 --> 00:52:14,000 Speaker 4: wonder what's going on. I'll call him back if. 871 00:52:13,880 --> 00:52:15,640 Speaker 1: You want to close it of a text? Wee can 872 00:52:18,480 --> 00:52:19,040 Speaker 1: you don't want to? 873 00:52:19,600 --> 00:52:24,800 Speaker 4: No? No, it's okay, I like to. Yeah, it didn't 874 00:52:24,960 --> 00:52:28,320 Speaker 4: for the chronological part. Oh, he's really calling again. 875 00:52:28,400 --> 00:52:34,000 Speaker 1: Okay, yeah, we'll meet the Yeah, feel free to. 876 00:52:33,960 --> 00:52:35,000 Speaker 4: Meet in Sorry guys. 877 00:52:37,160 --> 00:52:38,879 Speaker 5: Oh my god, that was the sweetest thing. 878 00:52:39,480 --> 00:52:43,319 Speaker 4: He's a sweet, sweet man. So just called me. I 879 00:52:43,360 --> 00:52:45,440 Speaker 4: missed the first one, but I picked up the second one. 880 00:52:45,640 --> 00:52:50,640 Speaker 4: He was like, this, this movie is making so much money. 881 00:52:51,000 --> 00:52:53,360 Speaker 4: I'm not very good with numbers, he said the number, 882 00:52:53,480 --> 00:52:55,200 Speaker 4: but it's making a lot of money. 883 00:52:54,920 --> 00:52:56,359 Speaker 1: In the China market, it really is. 884 00:52:56,800 --> 00:53:02,320 Speaker 4: And yeah, and he said there's not like a massive 885 00:53:02,600 --> 00:53:06,520 Speaker 4: cult following in China, so it really is just credits 886 00:53:06,560 --> 00:53:11,280 Speaker 4: to us and specifically me. That was very sweet because 887 00:53:11,600 --> 00:53:14,080 Speaker 4: this is the thing even in the audition request. They 888 00:53:14,120 --> 00:53:17,359 Speaker 4: were like, if you speak another language, please do one 889 00:53:17,400 --> 00:53:20,200 Speaker 4: of the tapes in the other language that you speak. 890 00:53:20,760 --> 00:53:23,520 Speaker 4: So I did that. Yeah, I've never seen that before. 891 00:53:23,520 --> 00:53:27,880 Speaker 4: I've never experienced that with a tape before. And after 892 00:53:27,920 --> 00:53:30,080 Speaker 4: we got on set, he was like, hey, your tapes, 893 00:53:30,800 --> 00:53:33,799 Speaker 4: those Mandarin takes that you did were so cool. Do 894 00:53:33,840 --> 00:53:37,480 Speaker 4: you mind if we bring some of that while filming 895 00:53:37,640 --> 00:53:42,600 Speaker 4: and like brainstorm some moments where Navarro would speak in 896 00:53:42,640 --> 00:53:46,759 Speaker 4: her mother tongue. So there's a couple moments in the 897 00:53:46,840 --> 00:53:51,000 Speaker 4: film where I got to speak Mandarin and I'm getting 898 00:53:51,040 --> 00:53:54,600 Speaker 4: some like traction like just on Instagram and stuff like 899 00:53:54,600 --> 00:53:58,040 Speaker 4: that of people being like, wow, this is this is 900 00:53:58,080 --> 00:54:02,799 Speaker 4: so special. First Asia an actress in this franchise and 901 00:54:03,320 --> 00:54:07,440 Speaker 4: she's speaking Mandarin. This is so cool. 902 00:54:07,920 --> 00:54:11,680 Speaker 1: That is really cool. How did you choose the moments? 903 00:54:11,800 --> 00:54:15,560 Speaker 4: Like what were the I went for the private moments. 904 00:54:15,840 --> 00:54:18,440 Speaker 4: I went for the more private moments that Navarro was having. 905 00:54:20,320 --> 00:54:24,480 Speaker 4: And really it was like very collaborative with Fei. He 906 00:54:24,560 --> 00:54:26,799 Speaker 4: would be like half the time he'd be like, hey, 907 00:54:27,040 --> 00:54:28,759 Speaker 4: I think this is a and I was like, yes, 908 00:54:28,800 --> 00:54:30,319 Speaker 4: I agree. I was just going to go to you 909 00:54:30,400 --> 00:54:34,920 Speaker 4: and say that maybe it's here. Yeah, And he'd be 910 00:54:34,960 --> 00:54:38,200 Speaker 4: like saying maybe something like this, and I'll be like, okay, okay, 911 00:54:38,239 --> 00:54:39,759 Speaker 4: I got you. And then I would like try to 912 00:54:39,760 --> 00:54:42,400 Speaker 4: come up with something and like call my mom and 913 00:54:42,440 --> 00:54:44,200 Speaker 4: call my husband right before we roll and be like, 914 00:54:44,239 --> 00:54:48,160 Speaker 4: does this make sense? Because my Mandarin is not perfect? 915 00:54:48,480 --> 00:54:50,920 Speaker 4: Like it's been a long time since I've been in 916 00:54:50,960 --> 00:54:54,080 Speaker 4: an environment where it's all Mandarin speaking, so I feel 917 00:54:54,080 --> 00:54:55,480 Speaker 4: like I kind of speak it brokenly. 918 00:54:55,760 --> 00:54:59,960 Speaker 5: That he seems like such a actor's director as watch 919 00:55:00,160 --> 00:55:02,839 Speaker 5: a bunch of like videos with him and talking about 920 00:55:02,840 --> 00:55:05,560 Speaker 5: his process and everything. And one thing that really stuck 921 00:55:05,600 --> 00:55:07,320 Speaker 5: out to me that that was interesting, is it sometimes 922 00:55:07,400 --> 00:55:10,680 Speaker 5: he'll barbecue for the cast and crew, he said, especially 923 00:55:10,719 --> 00:55:13,640 Speaker 5: if there's like a really difficult day or week ahead, 924 00:55:13,800 --> 00:55:16,040 Speaker 5: like to sort of prep them. I was wondering if 925 00:55:16,160 --> 00:55:18,200 Speaker 5: he barbecued for you guys, and if so, can you 926 00:55:18,280 --> 00:55:20,800 Speaker 5: raise his food so good? 927 00:55:21,880 --> 00:55:27,200 Speaker 4: Such good barbecue? He he brings the meat from Uruguay. 928 00:55:27,560 --> 00:55:33,120 Speaker 4: I'm not kidding, he like, he puts, yes, I don't 929 00:55:33,120 --> 00:55:34,799 Speaker 4: know how you did that. He's like, guys, this is 930 00:55:34,880 --> 00:55:38,719 Speaker 4: meat from Uruguay arrived this morning. And he barbecues for 931 00:55:38,840 --> 00:55:43,120 Speaker 4: the entire cast and crew, like hundreds and hundreds of 932 00:55:43,239 --> 00:55:46,840 Speaker 4: thousands of people. And he says this is a tradition 933 00:55:46,920 --> 00:55:50,239 Speaker 4: of his and he does this every film that he's directing. 934 00:55:50,680 --> 00:55:54,360 Speaker 4: Before we start shooting. Wow, and like his his wife 935 00:55:54,680 --> 00:55:58,400 Speaker 4: is like chopping up the bread and making the chimmy 936 00:55:58,440 --> 00:56:02,719 Speaker 4: churry and the salad, and his uncle is there and 937 00:56:02,760 --> 00:56:05,759 Speaker 4: his kids are running around like it's the best, it's 938 00:56:05,800 --> 00:56:06,600 Speaker 4: the best vibes. 939 00:56:07,120 --> 00:56:12,120 Speaker 1: That is so cool, you know, it struck me thinking 940 00:56:12,120 --> 00:56:17,920 Speaker 1: about this movie, which is notable for use of extensive 941 00:56:18,000 --> 00:56:22,480 Speaker 1: use of really practical like in camera effects, and it's 942 00:56:22,480 --> 00:56:25,720 Speaker 1: so interesting that your self tape like had a blue screen, 943 00:56:26,320 --> 00:56:30,400 Speaker 1: Like Yeah, I talk to us about like the contrast 944 00:56:30,440 --> 00:56:34,319 Speaker 1: between you know, going from this self tape and this 945 00:56:34,400 --> 00:56:37,560 Speaker 1: really quick process to then ending up on set where 946 00:56:38,160 --> 00:56:42,479 Speaker 1: you know, you've got a chest burster thing like on 947 00:56:42,520 --> 00:56:46,440 Speaker 1: you three chess burster. Yeah, there's like what there's water 948 00:56:46,560 --> 00:56:49,000 Speaker 1: and grease and stuff dripping off everything. I talked to 949 00:56:49,360 --> 00:56:52,440 Speaker 1: Loube apparently, yeah, Loube, apparently you're stuck in a hole 950 00:56:52,640 --> 00:56:55,239 Speaker 1: for a period of time, So what is that? What's that? 951 00:56:55,400 --> 00:56:55,480 Speaker 5: Like? 952 00:56:56,160 --> 00:56:59,080 Speaker 7: That was really crazy. I really just tried to take 953 00:56:59,120 --> 00:57:01,960 Speaker 7: it one day out of time. You're honest, with y'all, 954 00:57:03,080 --> 00:57:06,840 Speaker 7: and I think folmin in chronological order again really helped 955 00:57:06,880 --> 00:57:11,400 Speaker 7: with that because like you could track with the script 956 00:57:11,680 --> 00:57:13,799 Speaker 7: as we went on really. 957 00:57:13,560 --> 00:57:18,880 Speaker 4: Easily, and it came very naturally. The journey of her downfall, 958 00:57:18,960 --> 00:57:22,080 Speaker 4: which is also very short, yeah, because it just it 959 00:57:22,240 --> 00:57:26,320 Speaker 4: happens and then all shit goes down once it once 960 00:57:26,400 --> 00:57:30,880 Speaker 4: she's attacked, everything happens super fast paced. So yeah, that 961 00:57:31,040 --> 00:57:35,320 Speaker 4: was very exhilarating. It's just like, Okay, face hugger's check, 962 00:57:35,440 --> 00:57:40,160 Speaker 4: We've done a week of that, next week the chess 963 00:57:40,160 --> 00:57:43,600 Speaker 4: burser check, and then okay, let's do the appendage coming 964 00:57:43,600 --> 00:57:47,640 Speaker 4: out of my mouth with second You know, we kept 965 00:57:47,720 --> 00:57:51,200 Speaker 4: looking forward to that moment and it never came on tip. 966 00:57:51,360 --> 00:57:53,439 Speaker 4: Right before I was stepping off set, they were like, yeah, 967 00:57:53,720 --> 00:57:55,760 Speaker 4: that's right, we haven't shot. 968 00:57:55,480 --> 00:57:59,680 Speaker 8: That one scene one moment yet. Let's let's do that 969 00:57:59,800 --> 00:58:03,040 Speaker 8: with second unit. And I was like, damn, I wish 970 00:58:03,080 --> 00:58:05,080 Speaker 8: I got to do it with FEddi. But once we 971 00:58:05,120 --> 00:58:06,800 Speaker 8: started filming that, I was like, Okay, it makes a 972 00:58:06,800 --> 00:58:09,160 Speaker 8: lot of sense that we're doing this on second unit 973 00:58:09,200 --> 00:58:12,800 Speaker 8: because it's just like a very technical shot and it's 974 00:58:12,880 --> 00:58:17,400 Speaker 8: like one set up and yeah, we spent like I 975 00:58:17,440 --> 00:58:21,800 Speaker 8: think six seven hours doing that one one take, over 976 00:58:21,880 --> 00:58:22,680 Speaker 8: and over and over. 977 00:58:22,960 --> 00:58:25,040 Speaker 5: This is where you're pulling the face hugger off you. 978 00:58:25,880 --> 00:58:28,160 Speaker 4: Yes, everybody thinks it's CGI, but it's not. 979 00:58:28,800 --> 00:58:30,000 Speaker 5: Wow holy yow. 980 00:58:31,080 --> 00:58:33,400 Speaker 4: And no, no, it doesn't actually go all the way 981 00:58:33,440 --> 00:58:38,360 Speaker 4: down to my stomach. I didn't have to swallow a 982 00:58:38,520 --> 00:58:39,520 Speaker 4: thing every take. 983 00:58:41,520 --> 00:58:46,200 Speaker 1: As a producer, director yourself, were you able to glean 984 00:58:46,240 --> 00:58:48,760 Speaker 1: anything from being on set that you're like, oh, this 985 00:58:48,840 --> 00:58:53,840 Speaker 1: is this will help me as I evolve in my career. 986 00:58:54,520 --> 00:59:00,479 Speaker 4: Two things Fedi's kindness. Kindness as the director goes such 987 00:59:00,520 --> 00:59:03,560 Speaker 4: a long way, especially when the task at hand is 988 00:59:03,680 --> 00:59:07,880 Speaker 4: very large and challenging. Yeah, his patience and his kindness. 989 00:59:08,400 --> 00:59:10,280 Speaker 4: And then that leads to my second thing. When you 990 00:59:10,360 --> 00:59:15,400 Speaker 4: have that, it's easier to get everyone to have the 991 00:59:15,440 --> 00:59:18,960 Speaker 4: mentality of like, let's get this shot. We either have 992 00:59:19,120 --> 00:59:21,600 Speaker 4: this or we don't. We have to do this for 993 00:59:21,640 --> 00:59:27,640 Speaker 4: the audience and really honor what their experience, what experience 994 00:59:27,760 --> 00:59:31,840 Speaker 4: we want them to have and aim for the fucking stars. 995 00:59:32,400 --> 00:59:36,000 Speaker 4: If you aim for it, then there's that's the only 996 00:59:36,120 --> 00:59:39,240 Speaker 4: possible way that you might have a chance of reaching 997 00:59:39,280 --> 00:59:39,880 Speaker 4: that well. 998 00:59:39,920 --> 00:59:43,240 Speaker 1: Alien the movie is a huge hit, You're a big 999 00:59:43,280 --> 00:59:46,479 Speaker 1: part of that. Congratulations on the success of the film 1000 00:59:46,520 --> 00:59:48,520 Speaker 1: and your success, and thank you so much for joining 1001 00:59:48,560 --> 00:59:48,960 Speaker 1: us again. 1002 00:59:49,960 --> 00:59:52,800 Speaker 4: Thank you guys so much. This is lovely much. 1003 00:59:52,640 --> 00:59:55,800 Speaker 1: Thanks to Alien Wu for joining us. Coming up on 1004 00:59:56,000 --> 00:59:59,200 Speaker 1: X ray Vision, we're gonna be diving into Godzilla, Monster Island, 1005 00:59:59,240 --> 01:00:03,080 Speaker 1: Summer Cambriton by somebody who is on this it's recording session, 1006 01:00:03,920 --> 01:00:07,120 Speaker 1: and then we're gonna be recapping Rings of Power season one. 1007 01:00:07,440 --> 01:00:09,880 Speaker 1: Oh baby, stay tuned for that. And that's it for 1008 01:00:09,920 --> 01:00:11,200 Speaker 1: this episode. Thanks for listening. 1009 01:00:11,320 --> 01:00:16,280 Speaker 2: Bye. 1010 01:00:18,040 --> 01:00:21,400 Speaker 1: X ray Vision is hosted by Jason Kenseepsion and Rosie 1011 01:00:21,440 --> 01:00:25,680 Speaker 1: Knight and is a production of iHeart Podcasts. Our executive 1012 01:00:25,720 --> 01:00:29,920 Speaker 1: producers are Joelle Smith and Aaron Kaufman. Our supervising producer 1013 01:00:30,320 --> 01:00:35,040 Speaker 1: is a Boo Zafar. Our producers are Carmen Laurent and 1014 01:00:35,160 --> 01:00:38,600 Speaker 1: Mia Taylor. Our theme song is by Brian Basquez. 1015 01:00:39,080 --> 01:00:43,360 Speaker 2: Special thanks to Soul Rubin and Chris Lord, Kenny Goodman 1016 01:00:43,760 --> 01:00:45,800 Speaker 2: and Heidi A discolled moderata