WEBVTT - Great Courses: Merion

0:00:00.280 --> 0:00:03.560
<v Speaker 1>The East Course at Marion Golf Club is kind of

0:00:03.560 --> 0:00:08.520
<v Speaker 1>a contradiction. This Hugh Wilson William Flynn design is one

0:00:08.560 --> 0:00:12.080
<v Speaker 1>of the oldest great American golf courses, so it's not

0:00:12.119 --> 0:00:16.400
<v Speaker 1>surprising that by modern standards it's pretty small, yet it's

0:00:16.440 --> 0:00:20.720
<v Speaker 1>still capable of testing the best golfers in the world.

0:00:21.480 --> 0:00:24.480
<v Speaker 1>And today we're going to find out why. I'm Garrett

0:00:24.520 --> 0:00:34.600
<v Speaker 1>Morrison and this is designing golf. All right, Before I

0:00:34.640 --> 0:00:38.640
<v Speaker 1>bring on my guest today, Wayne Morrison, let's do some Marion.

0:00:39.000 --> 0:00:41.360
<v Speaker 1>One oh one. What are the big things that you

0:00:41.479 --> 0:00:44.640
<v Speaker 1>need to know about the East Course at Marion Golf Club.

0:00:45.320 --> 0:00:48.599
<v Speaker 1>First little bit of history. Marian started way back in

0:00:48.680 --> 0:00:52.800
<v Speaker 1>eighteen sixty five as predominantly a cricket club, but in

0:00:52.840 --> 0:00:56.320
<v Speaker 1>the eighteen nineties golf became suddenly popular in the US

0:00:56.760 --> 0:01:00.240
<v Speaker 1>and members at Marion started playing golf on a kind

0:01:00.240 --> 0:01:04.960
<v Speaker 1>of rudimentary course. These were the origins of Marion Golf Club,

0:01:05.520 --> 0:01:08.959
<v Speaker 1>but the cricket and golf clubs actually didn't officially separate

0:01:09.120 --> 0:01:13.600
<v Speaker 1>until the early nineteen forties. So the East Course at

0:01:13.600 --> 0:01:19.200
<v Speaker 1>Marion opened in nineteen twelve. It was in Ardmore, Pennsylvania,

0:01:19.319 --> 0:01:23.960
<v Speaker 1>basically a wealthy suburb of Philadelphia. The architect of record

0:01:24.319 --> 0:01:27.800
<v Speaker 1>was a member named Hugh Wilson, who was the head

0:01:27.840 --> 0:01:31.880
<v Speaker 1>of the club's green committee. Wilson also designed the West

0:01:31.920 --> 0:01:35.319
<v Speaker 1>Course at Marion, about a mile down the road, but

0:01:35.520 --> 0:01:39.400
<v Speaker 1>the East Course as it stands today is I think

0:01:39.440 --> 0:01:44.080
<v Speaker 1>best understood as a collaborative design effort. Hugh Wilson was

0:01:44.120 --> 0:01:47.000
<v Speaker 1>the driving force and the initial architect, but he had

0:01:47.000 --> 0:01:52.360
<v Speaker 1>critical assistance from the club's greenkeeper, William Flynn. Flynn's name

0:01:52.400 --> 0:01:55.400
<v Speaker 1>you might recognize. He went on to become one of

0:01:55.440 --> 0:01:59.880
<v Speaker 1>America's greatest golf architects, designing Shinnakawk Hills as well as

0:02:00.080 --> 0:02:03.080
<v Speaker 1>bunch of other excellent courses, but he got his start

0:02:03.160 --> 0:02:07.400
<v Speaker 1>at Marion, and I think he learned his craft under

0:02:07.400 --> 0:02:12.560
<v Speaker 1>the influence of Hugh Wilson and in the context of Marion.

0:02:13.320 --> 0:02:17.160
<v Speaker 1>So between nineteen twelve and the nineteen thirties, William Flynn

0:02:17.200 --> 0:02:20.520
<v Speaker 1>and Hugh Wilson made a number of important updates to

0:02:20.560 --> 0:02:24.680
<v Speaker 1>the East Course, molding it into essentially the course that

0:02:24.720 --> 0:02:29.320
<v Speaker 1>we know today, which is one of our top championship venues.

0:02:29.720 --> 0:02:33.120
<v Speaker 1>It's hosted five US opens and is on the schedule

0:02:33.200 --> 0:02:37.120
<v Speaker 1>for twenty thirty twenty forty and twenty fifty. It's also

0:02:37.160 --> 0:02:41.720
<v Speaker 1>hosted six US Amateurs, with the seventh coming up next week.

0:02:42.440 --> 0:02:45.640
<v Speaker 1>All right, that brings us to the East Course itself.

0:02:46.320 --> 0:02:51.280
<v Speaker 1>Let's talk about land design and routing. The first thing

0:02:51.320 --> 0:02:55.320
<v Speaker 1>to know is that the property is very small. It's

0:02:55.360 --> 0:02:58.400
<v Speaker 1>only about one hundred and fifteen acres that's taken up

0:02:58.480 --> 0:03:02.400
<v Speaker 1>by the golf course. By comparison to Oakmont Country Club

0:03:02.840 --> 0:03:06.320
<v Speaker 1>is around two hundred acres. Pinehurst Number two in Shinnakawk

0:03:06.400 --> 0:03:11.600
<v Speaker 1>Hills around the same Marion is much smaller. But the

0:03:11.720 --> 0:03:14.600
<v Speaker 1>routing of the East Course is so good that you

0:03:14.639 --> 0:03:18.880
<v Speaker 1>really don't notice that the property is limited. For example,

0:03:19.000 --> 0:03:22.160
<v Speaker 1>if you look at holes two through nine, they all

0:03:22.200 --> 0:03:25.800
<v Speaker 1>sit in a valley that's about three hundred yards wide

0:03:26.400 --> 0:03:30.000
<v Speaker 1>and nine hundred and fifty yards long, so pretty narrow,

0:03:30.600 --> 0:03:34.639
<v Speaker 1>and there are eight holes packed into this one rectangle.

0:03:35.400 --> 0:03:38.240
<v Speaker 1>The danger here would be ending up with a bunch

0:03:38.320 --> 0:03:42.240
<v Speaker 1>of parallel holes kind of running up and down the valley.

0:03:42.720 --> 0:03:46.760
<v Speaker 1>That's when golfers would notice, you know this, this property

0:03:46.800 --> 0:03:49.640
<v Speaker 1>is pretty small. We're kind of hemmed in here going

0:03:49.680 --> 0:03:53.520
<v Speaker 1>back and forth. But the East Course avoids this in

0:03:53.560 --> 0:03:58.040
<v Speaker 1>a really clever way. Basically, holes two through nine form

0:03:58.160 --> 0:04:03.800
<v Speaker 1>two big overlap loops, so you're always changing direction and

0:04:03.960 --> 0:04:08.720
<v Speaker 1>swirling around the property instead of just bouncing back and forth.

0:04:09.360 --> 0:04:14.800
<v Speaker 1>Another brilliant aspect of Marian's routing is its pacing. Famously,

0:04:14.880 --> 0:04:18.040
<v Speaker 1>the writer Jerry Tardy compared the East Course to a

0:04:18.120 --> 0:04:22.640
<v Speaker 1>three act play, quote the drama of the first six

0:04:22.720 --> 0:04:26.640
<v Speaker 1>demanding holes, the comedy of the next seven, and the

0:04:26.640 --> 0:04:30.119
<v Speaker 1>tragedy of the last five. That makes a lot of sense.

0:04:30.600 --> 0:04:33.479
<v Speaker 1>With the exception of the first hole. That opening stretch

0:04:33.640 --> 0:04:36.600
<v Speaker 1>is pretty long and tough. Pulls two and four are

0:04:36.640 --> 0:04:39.480
<v Speaker 1>the only par fives on the course. That's your drama.

0:04:40.120 --> 0:04:43.200
<v Speaker 1>Then you get to the comedy of seven through thirteen,

0:04:43.839 --> 0:04:47.600
<v Speaker 1>lots of short par fours along with the tiny par

0:04:47.720 --> 0:04:53.279
<v Speaker 1>three thirteenth. Then you arrive at the final act fourteen

0:04:53.400 --> 0:04:58.800
<v Speaker 1>through eighteen, just one tough, treacherous hole after another, with

0:04:58.920 --> 0:05:03.600
<v Speaker 1>the last three playing through Marion's iconic quarry. That's your tragedy.

0:05:04.120 --> 0:05:08.440
<v Speaker 1>So every round at the East Course has this structure.

0:05:09.000 --> 0:05:13.080
<v Speaker 1>There's a sense of rising and falling action across the

0:05:13.120 --> 0:05:16.400
<v Speaker 1>eighteen holes, and I think that's a big part of

0:05:16.480 --> 0:05:22.800
<v Speaker 1>what generates this feeling of grandeur insignificance at Marion, even

0:05:22.839 --> 0:05:27.839
<v Speaker 1>though again the property is pretty small. All right. The

0:05:27.920 --> 0:05:30.960
<v Speaker 1>last topic I want to cover in this Marion one

0:05:30.960 --> 0:05:34.119
<v Speaker 1>oh one rundown is why the East Course is still

0:05:34.160 --> 0:05:37.880
<v Speaker 1>a relevant championship venue. At the US Amitter next week,

0:05:38.400 --> 0:05:41.040
<v Speaker 1>the longest that the course is going to play will

0:05:41.080 --> 0:05:46.360
<v Speaker 1>be around six nine and thirty yards, not even seven thousand.

0:05:46.480 --> 0:05:50.640
<v Speaker 1>So how does that even work for a modern championship

0:05:50.680 --> 0:05:54.880
<v Speaker 1>golf course. Well, for one, the East Course repeatedly takes

0:05:55.000 --> 0:05:57.640
<v Speaker 1>driver out of the hands of longer players. There are

0:05:57.640 --> 0:06:00.320
<v Speaker 1>only a few spots where you can go bombs way,

0:06:00.920 --> 0:06:04.080
<v Speaker 1>mostly in the first six holes. Otherwise it's a lot

0:06:04.080 --> 0:06:08.039
<v Speaker 1>of long irons and hybrids to certain landing zones. So

0:06:08.200 --> 0:06:13.360
<v Speaker 1>Marian definitely plays longer than the scorecard indicates, and it's

0:06:13.360 --> 0:06:18.640
<v Speaker 1>pretty hard to overwhelm. Two. The hazards are real hazards.

0:06:19.040 --> 0:06:22.920
<v Speaker 1>The bunkers are shockingly deep and out of bounds, comes

0:06:22.920 --> 0:06:26.080
<v Speaker 1>into play on several holes. This is another factor that

0:06:26.160 --> 0:06:33.039
<v Speaker 1>prevents power hitters from just overwhelming the course with raw strength. Three,

0:06:33.560 --> 0:06:39.200
<v Speaker 1>the greens are tough targets. They're mostly pretty small, many

0:06:39.240 --> 0:06:43.960
<v Speaker 1>of them severely tilted, and the hardest pin positions are

0:06:44.080 --> 0:06:48.360
<v Speaker 1>very very difficult to access. For the fourth and final

0:06:48.440 --> 0:06:52.760
<v Speaker 1>reason why Marion still works as a championship course, we

0:06:52.839 --> 0:06:55.800
<v Speaker 1>have to talk about narrow fair ways and thick rough.

0:06:56.360 --> 0:06:59.640
<v Speaker 1>Even after Gil Hans's renovation works several years ago, the

0:07:00.120 --> 0:07:04.720
<v Speaker 1>ways at Marion East remained quite narrow, much narrower than

0:07:04.720 --> 0:07:08.880
<v Speaker 1>they were in Hugh Wilson and William Flynn's time, and

0:07:08.960 --> 0:07:14.040
<v Speaker 1>the rough is lush, overseeded and dense now. On the

0:07:14.080 --> 0:07:17.360
<v Speaker 1>one hand, I understand why the club does this. It

0:07:17.480 --> 0:07:20.560
<v Speaker 1>keeps scoring in check and it's a deterrent to just

0:07:21.000 --> 0:07:25.760
<v Speaker 1>hitting driver everywhere. On the other hand, it does reduce

0:07:25.800 --> 0:07:29.880
<v Speaker 1>the complexity of the golf course. It shuts down what

0:07:30.200 --> 0:07:33.880
<v Speaker 1>should be what used to be valid strategic angles, and

0:07:33.920 --> 0:07:36.480
<v Speaker 1>it forces play down the middle. Plus I think it

0:07:36.600 --> 0:07:40.559
<v Speaker 1>hurts the course esthetically. The moulling lines just don't really

0:07:40.640 --> 0:07:44.680
<v Speaker 1>match the landforms anymore. But you know, when the governing

0:07:44.720 --> 0:07:48.920
<v Speaker 1>bodies don't regulate equipment effectively, this is what you get.

0:07:49.160 --> 0:07:54.080
<v Speaker 1>It's sad but inevitable. All that said, the East Course

0:07:54.120 --> 0:07:57.480
<v Speaker 1>at Marion is a unique and brilliant golf course, a

0:07:57.520 --> 0:08:01.960
<v Speaker 1>precision golf course, a great test of playing ability, and

0:08:02.040 --> 0:08:05.920
<v Speaker 1>it offers a lot of lessons for anyone interested in

0:08:06.000 --> 0:08:10.000
<v Speaker 1>golf architecture. Okay, so those are the basics. Let's go

0:08:10.000 --> 0:08:12.880
<v Speaker 1>a little bit deeper. And for that there's really no

0:08:12.960 --> 0:08:17.240
<v Speaker 1>one else to bring on than Wayne Morrison. Wayne is

0:08:17.280 --> 0:08:21.560
<v Speaker 1>the author of the definitive William Flynn biography, The Nature Faker,

0:08:21.640 --> 0:08:24.000
<v Speaker 1>and he also happens to be a member of Marian

0:08:24.040 --> 0:08:27.040
<v Speaker 1>Golf Club, so his knowledge of the East Course is

0:08:27.080 --> 0:08:29.920
<v Speaker 1>really second to none. All right, let's bring him on.

0:08:36.360 --> 0:08:40.439
<v Speaker 1>All right, Wayne Morrison is here. Wayne, welcome to the podcast.

0:08:40.640 --> 0:08:43.520
<v Speaker 2>Thanks for coming on, Welcome back to the podcast. You're welcome.

0:08:43.640 --> 0:08:44.360
<v Speaker 2>Good to be with you.

0:08:44.760 --> 0:08:47.160
<v Speaker 1>Indeed, welcome back to the podcast. Well, you have been

0:08:47.160 --> 0:08:50.480
<v Speaker 1>on the Friday Golf Podcast a couple of times, including

0:08:50.600 --> 0:08:54.360
<v Speaker 1>one time with me, and you've also been on various

0:08:54.480 --> 0:08:56.880
<v Speaker 1>videos of ours. So you've been very generous with your

0:08:56.920 --> 0:08:58.840
<v Speaker 1>time and your expertise.

0:08:58.960 --> 0:09:01.920
<v Speaker 2>I'll let people know right the bat that that you

0:09:02.000 --> 0:09:05.520
<v Speaker 2>are you know pretty much undoubtedly the world's leading William

0:09:05.559 --> 0:09:08.360
<v Speaker 2>Flynn expert. Your book, The Nature Faker is a great

0:09:08.400 --> 0:09:12.360
<v Speaker 2>resource for anybody looking into William Flynn designed courses and

0:09:12.520 --> 0:09:17.840
<v Speaker 2>courses that have elements of William Flynn design, which is

0:09:17.880 --> 0:09:20.600
<v Speaker 2>the category that the East Course at Marion Golf Club

0:09:20.960 --> 0:09:23.520
<v Speaker 2>falls into. So, Wayne, you're going to help me dig

0:09:23.559 --> 0:09:27.280
<v Speaker 2>a little deeper into the architecture and history of the

0:09:27.280 --> 0:09:30.160
<v Speaker 2>East Course. First, we'll talk about the elements of the

0:09:30.160 --> 0:09:37.000
<v Speaker 2>course itself, so land routing, hazards, grains, design philosophy, and

0:09:37.200 --> 0:09:39.640
<v Speaker 2>the you know, some of the renovations that have been

0:09:39.640 --> 0:09:43.000
<v Speaker 2>done in the past and recently. Then in the latter

0:09:43.080 --> 0:09:45.400
<v Speaker 2>part of our conversation, well, we'll dig a bit more

0:09:45.480 --> 0:09:48.959
<v Speaker 2>into the history, but I do want to start with

0:09:49.520 --> 0:09:53.840
<v Speaker 2>discussing the golf course from an architectural perspective, from a

0:09:53.840 --> 0:09:58.520
<v Speaker 2>design perspective, essentially as it stands today, starting with its

0:09:58.880 --> 0:10:03.120
<v Speaker 2>land with its So, Wayne, could you just describe in

0:10:03.160 --> 0:10:07.120
<v Speaker 2>a basic way the property that the East Course at

0:10:07.200 --> 0:10:11.160
<v Speaker 2>Marion currently occupies. Yeah, so the club itself sits on

0:10:11.640 --> 0:10:14.640
<v Speaker 2>about one hundred and twenty acres, but that includes the clubhouse,

0:10:14.720 --> 0:10:18.199
<v Speaker 2>the parking lot, and a driving range which we purchased

0:10:18.240 --> 0:10:21.440
<v Speaker 2>from the land we purchased from harf for College in

0:10:21.480 --> 0:10:25.000
<v Speaker 2>the sixties, So that's about fifteen or so acres. So

0:10:25.040 --> 0:10:27.520
<v Speaker 2>the whole thing being on one hundred and twenty five acres,

0:10:27.559 --> 0:10:30.880
<v Speaker 2>only about one hundred and one hundred and ten acres

0:10:30.920 --> 0:10:35.120
<v Speaker 2>or the golf course, which is very small footprint for

0:10:35.400 --> 0:10:38.720
<v Speaker 2>what's considered a championship golf course and remains a championship

0:10:38.760 --> 0:10:44.920
<v Speaker 2>golf course. It's L shaped, which is kind of it

0:10:45.040 --> 0:10:48.000
<v Speaker 2>sort of dictates, you know, what the routing can possibly be.

0:10:48.559 --> 0:10:51.200
<v Speaker 2>You can't have you can't have too many holes going

0:10:51.880 --> 0:10:55.200
<v Speaker 2>in the axis of the you know, the shorter lengths

0:10:55.240 --> 0:10:59.400
<v Speaker 2>of the L. So it just happens to fit. I mean,

0:10:59.640 --> 0:11:02.679
<v Speaker 2>it just happens to work, and a little bit lucky

0:11:02.679 --> 0:11:06.839
<v Speaker 2>in that regard, but there's nothing wrong with luck when

0:11:06.920 --> 0:11:11.280
<v Speaker 2>it comes to golf design. I'm sure there are other

0:11:11.360 --> 0:11:14.959
<v Speaker 2>examples where the boundaries of the site were fixed and

0:11:15.880 --> 0:11:17.880
<v Speaker 2>the golf just happened to fit very well in there.

0:11:19.080 --> 0:11:23.720
<v Speaker 2>So so that land is ideal for golf. There's about

0:11:23.720 --> 0:11:27.320
<v Speaker 2>one hundred and fifteen feet of elevation change overall from

0:11:27.360 --> 0:11:30.760
<v Speaker 2>the low point on the golf course is the eleventh green,

0:11:31.320 --> 0:11:33.439
<v Speaker 2>and not surprising that a lot of balls sort of,

0:11:33.880 --> 0:11:37.480
<v Speaker 2>you know, throughout the golf course tend to have, you know,

0:11:37.760 --> 0:11:41.040
<v Speaker 2>a more of a direct you know, more of a break,

0:11:41.200 --> 0:11:43.840
<v Speaker 2>and more of a speed as they go to the

0:11:43.840 --> 0:11:47.360
<v Speaker 2>eleventh green. And the high point is the fifteenth Green.

0:11:48.440 --> 0:11:52.200
<v Speaker 2>So in between there there's some parallel holes, but you

0:11:52.200 --> 0:11:55.000
<v Speaker 2>don't get any sense of parallelism. There are other courses

0:11:55.040 --> 0:11:57.800
<v Speaker 2>that we're all familiar with where you definitely know there's

0:11:58.040 --> 0:12:00.200
<v Speaker 2>there're parallel holes and you're playing up in back and

0:12:00.679 --> 0:12:04.360
<v Speaker 2>it gets a little bit routine, but not at Marion

0:12:04.400 --> 0:12:08.360
<v Speaker 2>because they're on different elevations, go in different directions. And

0:12:08.400 --> 0:12:11.560
<v Speaker 2>one of the fascinating things, I mean, and superintendents have

0:12:11.720 --> 0:12:14.800
<v Speaker 2>confirmed this with me. For whatever reason, the wind is

0:12:14.840 --> 0:12:19.240
<v Speaker 2>always changing at Marion. You could plays, as you well know,

0:12:19.360 --> 0:12:21.880
<v Speaker 2>the only two par fives on the golf course, or

0:12:21.880 --> 0:12:25.160
<v Speaker 2>the second and the fourth holes, they go in opposite directions.

0:12:25.200 --> 0:12:27.480
<v Speaker 2>But it's uncanny how you could have the same wind.

0:12:28.080 --> 0:12:29.760
<v Speaker 2>I don't I don't get it.

0:12:29.760 --> 0:12:35.160
<v Speaker 3>It's just some some sort of uh, you know, nuance

0:12:35.200 --> 0:12:41.600
<v Speaker 3>and and kind of you know, unusual circumstance that the

0:12:41.600 --> 0:12:43.079
<v Speaker 3>wind shifts so much at Marion.

0:12:43.280 --> 0:12:45.480
<v Speaker 2>It kind of seems like shirl, doesn't it, Like it's

0:12:45.520 --> 0:12:49.520
<v Speaker 2>a you know, yeah, the the biggest part of the property,

0:12:49.640 --> 0:12:51.920
<v Speaker 2>the part of the property that the front nine occupies,

0:12:52.160 --> 0:12:56.040
<v Speaker 2>is effectively a valley, right, and so you know, the

0:12:56.080 --> 0:12:58.000
<v Speaker 2>wind kind of gets down in there and it might

0:12:58.559 --> 0:13:01.600
<v Speaker 2>be bouncing off some things, and it's yeah, it really does.

0:13:01.640 --> 0:13:04.320
<v Speaker 2>I mean the creek along the left side of the

0:13:04.360 --> 0:13:06.839
<v Speaker 2>fifth holes where you know is the low point there,

0:13:07.679 --> 0:13:10.400
<v Speaker 2>that's the valley you're talking about. So what that valley

0:13:10.440 --> 0:13:15.640
<v Speaker 2>does is it creates some different levels and different you know,

0:13:15.679 --> 0:13:17.680
<v Speaker 2>so you don't get a scent, you don't get a

0:13:17.720 --> 0:13:19.840
<v Speaker 2>monotony or a sense of you know, I've played this

0:13:19.880 --> 0:13:22.360
<v Speaker 2>hole before. Things are very different there.

0:13:22.720 --> 0:13:28.480
<v Speaker 1>The topography itself, you know, there are valleys, there is

0:13:28.559 --> 0:13:32.040
<v Speaker 1>a general slope right, the high point, as you mentioned,

0:13:32.160 --> 0:13:35.320
<v Speaker 1>is the fifteenth grain. The low point is the eleventh grain,

0:13:35.480 --> 0:13:38.280
<v Speaker 1>so that there is a general push towards certain parts

0:13:38.280 --> 0:13:40.559
<v Speaker 1>of the property. But it's not as though the course

0:13:40.600 --> 0:13:45.160
<v Speaker 1>sits on a hillside, right, It is rolling, which I

0:13:45.200 --> 0:13:48.480
<v Speaker 1>think is is really what suits it to a golf course,

0:13:48.559 --> 0:13:52.600
<v Speaker 1>right that the that the topography isn't doing just one thing,

0:13:52.760 --> 0:13:55.760
<v Speaker 1>It's doing a lot of different things over over the

0:13:55.760 --> 0:13:58.320
<v Speaker 1>course of of the of the site.

0:13:58.760 --> 0:14:00.880
<v Speaker 2>Yeah, and it's kind of interesting when you think about,

0:14:01.080 --> 0:14:04.600
<v Speaker 2>you know, Marian was in a lot of ways. The

0:14:04.600 --> 0:14:09.079
<v Speaker 2>the the influence on the Shinnacock Shinnecock relies on triangulation

0:14:09.160 --> 0:14:11.600
<v Speaker 2>of wind. Marian doesn't have to rely on that because,

0:14:11.840 --> 0:14:15.120
<v Speaker 2>as you said, the way the wind plays in that valley,

0:14:15.360 --> 0:14:19.280
<v Speaker 2>you know, creates a lot of different kinds of influences

0:14:19.280 --> 0:14:22.720
<v Speaker 2>on on this, on the on the golfer and how

0:14:22.760 --> 0:14:25.520
<v Speaker 2>they play and how they play that it's and they're

0:14:25.520 --> 0:14:28.120
<v Speaker 2>not having you know, not having flags, having baskets. You

0:14:28.200 --> 0:14:31.400
<v Speaker 2>got to really be careful in how you assess what

0:14:31.480 --> 0:14:34.480
<v Speaker 2>the wind is, both the intensity and the and the direction.

0:14:35.040 --> 0:14:37.880
<v Speaker 1>Great. All right, So now that we have kind of

0:14:37.920 --> 0:14:41.480
<v Speaker 1>an idea of of the basic you know, terrain topography,

0:14:42.320 --> 0:14:45.800
<v Speaker 1>let's talk about the routing. You mentioned already that there's

0:14:45.960 --> 0:14:49.360
<v Speaker 1>there's uh, you know, you don't feel as though you're

0:14:49.400 --> 0:14:52.560
<v Speaker 1>playing parallel holes, even though if you look at the

0:14:52.600 --> 0:14:55.960
<v Speaker 1>course from above there there clearly are parallel holes. How

0:14:56.000 --> 0:15:00.360
<v Speaker 1>does the routing at the at the East course basically work.

0:15:00.400 --> 0:15:03.600
<v Speaker 1>What's kind of the tactic of the routing to get

0:15:03.600 --> 0:15:06.920
<v Speaker 1>the golfer through these different sections of the property.

0:15:07.520 --> 0:15:11.040
<v Speaker 2>That's a great question. And really that routing creates a

0:15:11.120 --> 0:15:13.960
<v Speaker 2>rhythm and flow to the golf course which I think

0:15:14.000 --> 0:15:18.080
<v Speaker 2>is unmatched in any other golf course. You've heard the

0:15:18.120 --> 0:15:20.960
<v Speaker 2>story about the three act play at Marion where The

0:15:20.960 --> 0:15:24.240
<v Speaker 2>first hole is sort of a well, it's a not

0:15:24.320 --> 0:15:27.760
<v Speaker 2>so gentle handshake because there's thirteen bunkers, right, But you know,

0:15:27.800 --> 0:15:30.000
<v Speaker 2>it's a short haul that requires a lot of precision.

0:15:30.040 --> 0:15:34.760
<v Speaker 2>The next five holes are long and challenging based on

0:15:34.880 --> 0:15:39.160
<v Speaker 2>length and also topographic changes. And obviously, I mean the

0:15:39.240 --> 0:15:42.080
<v Speaker 2>real challenge is at the greens.

0:15:42.240 --> 0:15:42.480
<v Speaker 1>You know.

0:15:43.120 --> 0:15:45.600
<v Speaker 2>That's why a golf course that's only sixty eight hundred

0:15:45.640 --> 0:15:47.720
<v Speaker 2>yards or I guess you can push it out to

0:15:47.800 --> 0:15:49.880
<v Speaker 2>sixty nine ninety six if you have one foot in

0:15:49.920 --> 0:15:53.720
<v Speaker 2>the rough on the back of every tee is still

0:15:55.000 --> 0:15:57.720
<v Speaker 2>a challenge to the best players in the world, and

0:15:57.800 --> 0:16:01.760
<v Speaker 2>yet still enjoyably difficult for you know, a range of golfers.

0:16:03.040 --> 0:16:04.960
<v Speaker 2>I wouldn't want to if I was a beginning golfer,

0:16:04.960 --> 0:16:07.560
<v Speaker 2>I'm not so sure i'd want to, you know, start

0:16:07.560 --> 0:16:09.720
<v Speaker 2>playing the East course. But we have the West Course,

0:16:09.760 --> 0:16:13.840
<v Speaker 2>which is nice in any case. So I was talking

0:16:13.880 --> 0:16:17.720
<v Speaker 2>about the rhythm and flow. It happens to work, but

0:16:17.760 --> 0:16:20.160
<v Speaker 2>it's it breaks a lot of principles. The only two

0:16:20.200 --> 0:16:25.240
<v Speaker 2>par fives are the second and fourth holes, and and

0:16:25.520 --> 0:16:29.760
<v Speaker 2>they're long and demanding par fives. But in some regard

0:16:29.920 --> 0:16:33.200
<v Speaker 2>that's one of you know, you think about Flynn and

0:16:33.280 --> 0:16:37.400
<v Speaker 2>hit the influences on Flynn's design practices. A lot of

0:16:37.480 --> 0:16:40.880
<v Speaker 2>the best courses are only two par fives par seventies.

0:16:41.560 --> 0:16:44.640
<v Speaker 2>They those courses hold up to championship play a lot

0:16:44.680 --> 0:16:49.120
<v Speaker 2>better than four par fives, because especially in these days,

0:16:49.160 --> 0:16:51.200
<v Speaker 2>you know, if you if you have four par fives,

0:16:52.280 --> 0:16:55.480
<v Speaker 2>the tour pros are going to be starting off ten

0:16:55.600 --> 0:16:58.640
<v Speaker 2>under par for the you know, for the four rounds. Anyway,

0:16:59.480 --> 0:17:01.680
<v Speaker 2>that's not the case when you only have two par fives.

0:17:02.080 --> 0:17:04.119
<v Speaker 2>And it's kind of interesting that the two par fives

0:17:04.119 --> 0:17:07.480
<v Speaker 2>on the are the are in the first four holes.

0:17:07.520 --> 0:17:10.000
<v Speaker 2>But it's not like all of a sudden like where

0:17:10.040 --> 0:17:11.720
<v Speaker 2>as a par fives on the rest of the round.

0:17:12.280 --> 0:17:16.440
<v Speaker 2>The rhythm and flow keeps you really centered and focused.

0:17:17.520 --> 0:17:22.200
<v Speaker 2>So there are three three acts to Marian Again, I

0:17:22.240 --> 0:17:25.960
<v Speaker 2>talked about the first hole being short, but it's kind

0:17:25.960 --> 0:17:29.639
<v Speaker 2>of nerve wracking anyway, because you're hitting in front of

0:17:30.200 --> 0:17:32.480
<v Speaker 2>all these people sitting in the upper terrace having lunch

0:17:32.560 --> 0:17:35.359
<v Speaker 2>ten feet away from it. Yeah, it's kind of a prologue,

0:17:35.560 --> 0:17:38.240
<v Speaker 2>is how I like to put it. Yeah, the first

0:17:38.240 --> 0:17:40.399
<v Speaker 2>hole is a prologue, and it feels that way, not

0:17:40.440 --> 0:17:43.679
<v Speaker 2>only because it's short, but because it's on the clubhouse

0:17:43.720 --> 0:17:46.800
<v Speaker 2>side of the property. After the first green, you cross

0:17:46.960 --> 0:17:50.320
<v Speaker 2>Ardmore Avenue and you get to the second hole, and

0:17:50.359 --> 0:17:53.520
<v Speaker 2>that that that's when the first act in this three

0:17:53.600 --> 0:17:56.600
<v Speaker 2>act structure really begins, and that first act is.

0:17:58.080 --> 0:18:01.840
<v Speaker 1>Tough and dramatic. Jerry Party, who came up with this

0:18:02.040 --> 0:18:07.000
<v Speaker 1>three act concept, said that this was the drama portion

0:18:07.280 --> 0:18:07.760
<v Speaker 1>of the play.

0:18:07.920 --> 0:18:11.280
<v Speaker 2>Brilliant ret Marion, so it really brought.

0:18:11.600 --> 0:18:13.640
<v Speaker 1>Yeah, it's that's a really it's a really good It's

0:18:13.640 --> 0:18:16.080
<v Speaker 1>it's been used a lot to describe Marian so obviously

0:18:16.160 --> 0:18:18.720
<v Speaker 1>it's been sticky. So you get through that first act,

0:18:18.760 --> 0:18:21.159
<v Speaker 1>which is which is the drama section, then you get

0:18:21.200 --> 0:18:24.200
<v Speaker 1>to the seventh te and where does it go from there?

0:18:24.720 --> 0:18:26.560
<v Speaker 1>How does how did the acts play out from there?

0:18:26.920 --> 0:18:30.359
<v Speaker 1>So from between seven and thirteen from the member tees

0:18:30.480 --> 0:18:32.520
<v Speaker 1>the white teas that you know, there's no hole over

0:18:32.560 --> 0:18:37.359
<v Speaker 1>four hundred yards. But to me, I think it starts

0:18:37.400 --> 0:18:40.640
<v Speaker 1>building towards the finishing the back five, because the back

0:18:40.720 --> 0:18:43.280
<v Speaker 1>five to me, I don't I can't think of another one,

0:18:43.320 --> 0:18:47.080
<v Speaker 1>maybe Carnousti, but I think it falls short of the

0:18:47.720 --> 0:18:52.240
<v Speaker 1>hardest finishing golf. So the middle section seven through thirteen.

0:18:53.600 --> 0:18:58.639
<v Speaker 1>That's called comedy because it whereas the original, you know,

0:18:58.680 --> 0:19:02.200
<v Speaker 1>the first six holes requires a lot of length demands

0:19:02.920 --> 0:19:04.600
<v Speaker 1>and controlling your shot shape and.

0:19:06.200 --> 0:19:09.760
<v Speaker 2>How you approach the greens. The middle holes are all

0:19:10.000 --> 0:19:13.800
<v Speaker 2>relatively short, but precision is elevated. You have to be

0:19:13.880 --> 0:19:16.679
<v Speaker 2>really precise. It's you're not gonna there's no way to

0:19:16.720 --> 0:19:20.000
<v Speaker 2>score from the rough, so you really have to play

0:19:20.760 --> 0:19:24.159
<v Speaker 2>for the fair way, and that kind of changes people's minds.

0:19:24.240 --> 0:19:27.199
<v Speaker 2>It was amazing how few drivers people and you know

0:19:27.600 --> 0:19:30.520
<v Speaker 2>use in the in the in you know, the US

0:19:30.600 --> 0:19:33.840
<v Speaker 2>Open or high level amateur play. So that makes the

0:19:33.920 --> 0:19:36.919
<v Speaker 2>courus at sixties eight hundred yards or whatever they're going

0:19:36.960 --> 0:19:39.439
<v Speaker 2>to play at play a lot longer because you're not

0:19:39.560 --> 0:19:43.520
<v Speaker 2>bombing three hundred yard drives on on the bar fours

0:19:43.520 --> 0:19:47.360
<v Speaker 2>and the bar fives. There's nothing it's you know, easy,

0:19:47.440 --> 0:19:50.880
<v Speaker 2>there's nothing that's simplistic about the design. It was sort

0:19:50.880 --> 0:19:54.280
<v Speaker 2>of if you think it's relentless, isn't it. It's every

0:19:54.320 --> 0:19:58.640
<v Speaker 2>shot is is tough, not in the sense that every

0:19:58.680 --> 0:20:05.679
<v Speaker 2>shot is necessarily but there's complexity and discomfort to pretty

0:20:05.760 --> 0:20:07.280
<v Speaker 2>much every shot you hit on this course.

0:20:07.320 --> 0:20:09.639
<v Speaker 1>And I think to bring it back to routing. A

0:20:09.640 --> 0:20:13.000
<v Speaker 1>lot of that is down to the routing of the

0:20:13.000 --> 0:20:16.520
<v Speaker 1>golf course because you're never playing the same type of

0:20:16.560 --> 0:20:20.800
<v Speaker 1>hole twice. The amount of variety that the routing finds

0:20:21.160 --> 0:20:25.280
<v Speaker 1>in this very small property is really impressive. I mean,

0:20:25.320 --> 0:20:28.880
<v Speaker 1>this was I think the only way for Hugh Wilson

0:20:29.160 --> 0:20:31.600
<v Speaker 1>and William Flynn to solve the puzzle of how to

0:20:31.680 --> 0:20:34.800
<v Speaker 1>route eighteen holes on this property in this particular way.

0:20:35.040 --> 0:20:39.000
<v Speaker 1>Each hole is different, each hole gives you some new

0:20:39.600 --> 0:20:43.880
<v Speaker 1>kind of issue to confront, and it all fits in

0:20:44.560 --> 0:20:48.960
<v Speaker 1>really tightly. And that's kind of the magic of the

0:20:49.040 --> 0:20:51.359
<v Speaker 1>routing of the East course at at Marion. I think

0:20:51.400 --> 0:20:54.840
<v Speaker 1>that's probably why people say that it's one of the

0:20:54.880 --> 0:20:59.399
<v Speaker 1>best routings, if not the best routing in the world

0:20:59.440 --> 0:21:01.000
<v Speaker 1>of golf. Don't you think? Is that?

0:21:01.080 --> 0:21:03.040
<v Speaker 2>Is that kind of like, I mean, why why is

0:21:03.080 --> 0:21:05.919
<v Speaker 2>it that you what's your general take on, you know,

0:21:05.960 --> 0:21:09.520
<v Speaker 2>where this routing kind of ranks among the routings of.

0:21:09.480 --> 0:21:11.679
<v Speaker 1>Golf courses that you've seen all of them?

0:21:11.720 --> 0:21:13.640
<v Speaker 2>Well, I'll expand on that a little bit. I think

0:21:13.640 --> 0:21:16.280
<v Speaker 2>William Flynn was the best router of golf courses in America.

0:21:16.680 --> 0:21:18.200
<v Speaker 2>He would take up he was a first of all

0:21:18.200 --> 0:21:20.960
<v Speaker 2>a really quick study. Now he didn't he didn't route

0:21:21.000 --> 0:21:24.119
<v Speaker 2>the golf course, but he learned about routing. Mary. This

0:21:24.200 --> 0:21:27.639
<v Speaker 2>was sort of his his uh school guess yeah right,

0:21:27.760 --> 0:21:34.280
<v Speaker 2>and you and Hugh Wilson was his professor. Souh. If

0:21:34.359 --> 0:21:39.920
<v Speaker 2>you look at so the routing. One of the aspects

0:21:39.920 --> 0:21:42.520
<v Speaker 2>of the routing that's very hard to discern unless you've

0:21:42.520 --> 0:21:45.199
<v Speaker 2>played it a thousand plus times like I have, is

0:21:46.119 --> 0:21:49.879
<v Speaker 2>the elevation changes. They're not that evident. If you're standing

0:21:49.960 --> 0:21:51.560
<v Speaker 2>on the third T and you look at the third

0:21:51.600 --> 0:21:53.960
<v Speaker 2>green and then you look out, you have to cross

0:21:54.000 --> 0:21:56.600
<v Speaker 2>over this from the second green to the third T,

0:21:56.760 --> 0:21:59.359
<v Speaker 2>you have to cross over the sixth hole. But if

0:21:59.359 --> 0:22:02.359
<v Speaker 2>you're standing on the third T, it looks like the

0:22:02.400 --> 0:22:05.280
<v Speaker 2>third green is twenty feet higher in elevation than the

0:22:05.320 --> 0:22:10.480
<v Speaker 2>sixth screen, which is way out there. In actuality, the

0:22:10.520 --> 0:22:12.800
<v Speaker 2>sixth green is ten feet higher in elevation than the

0:22:12.800 --> 0:22:17.160
<v Speaker 2>third green. To me, that's a classic example of what

0:22:17.240 --> 0:22:19.560
<v Speaker 2>Flynn learned it, Marian, and what he practiced later on

0:22:19.760 --> 0:22:24.000
<v Speaker 2>is your eye has a lot of difficulty in judging

0:22:24.040 --> 0:22:27.840
<v Speaker 2>elevation changes over long distance, and a lot of that

0:22:28.080 --> 0:22:34.080
<v Speaker 2>has to do with what he learned there. It's just

0:22:34.480 --> 0:22:38.600
<v Speaker 2>it's incredible how how many times really good golfers are

0:22:38.640 --> 0:22:41.880
<v Speaker 2>short on their approaches to both five and six. Actually

0:22:41.880 --> 0:22:48.520
<v Speaker 2>they're both elevated from the approach shots. The other thing

0:22:49.280 --> 0:22:52.399
<v Speaker 2>at the other aspect that I think is really interesting

0:22:53.280 --> 0:22:57.760
<v Speaker 2>about the routing is how again it hearkens back to

0:22:57.840 --> 0:22:59.840
<v Speaker 2>what the rhythm and flow of the golf course is.

0:23:00.320 --> 0:23:02.960
<v Speaker 2>You have drama, you have comedy, then you have tragedy.

0:23:03.560 --> 0:23:06.280
<v Speaker 2>So what goes on in your head while you're playing

0:23:06.280 --> 0:23:10.040
<v Speaker 2>the short holes the seven through thirteen is geez, I

0:23:10.040 --> 0:23:12.080
<v Speaker 2>better get some good scores in because I know I'm

0:23:12.080 --> 0:23:14.280
<v Speaker 2>going to have trouble at the end, and for whatever

0:23:14.359 --> 0:23:17.560
<v Speaker 2>reason psychologically, that really affects you. So a hole that

0:23:17.680 --> 0:23:20.200
<v Speaker 2>might be if it was somewhere else in the routing

0:23:20.280 --> 0:23:22.840
<v Speaker 2>or the routing progression was a little bit different, it

0:23:22.880 --> 0:23:25.000
<v Speaker 2>has a different effect on you because of where it

0:23:25.080 --> 0:23:27.680
<v Speaker 2>is in the position. You know, the out of bounds

0:23:27.760 --> 0:23:29.480
<v Speaker 2>is on the right hand side on the front nine.

0:23:30.080 --> 0:23:31.800
<v Speaker 2>Out of bounds is on the left hand side on

0:23:31.840 --> 0:23:35.760
<v Speaker 2>the back nine. So you really, you know, singles, if

0:23:35.800 --> 0:23:38.720
<v Speaker 2>you can shape your shot, you're rewarded tremendously.

0:23:39.080 --> 0:23:42.200
<v Speaker 1>So your discussion of out of bounds can bring us

0:23:42.359 --> 0:23:46.720
<v Speaker 1>to Marion's hazards. So, first of all, out of bounds

0:23:46.840 --> 0:23:50.760
<v Speaker 1>is a significant hazard at Maryon. It comes very much

0:23:50.800 --> 0:23:54.679
<v Speaker 1>into play on several holes, and so you know, what

0:23:54.720 --> 0:23:57.280
<v Speaker 1>do you think the impact of that is? How do

0:23:57.320 --> 0:24:02.359
<v Speaker 1>the holes use those boundaries lines? Well, some of it

0:24:02.440 --> 0:24:05.080
<v Speaker 1>are more strategic than others. I mean, the second hole,

0:24:05.160 --> 0:24:08.199
<v Speaker 1>the long part uphill par five, you got to keep

0:24:08.240 --> 0:24:09.920
<v Speaker 1>it left, you know, you got to keep it left

0:24:09.920 --> 0:24:13.360
<v Speaker 1>of the of the street, and that's you know, Ardmore Avenue.

0:24:13.680 --> 0:24:16.920
<v Speaker 2>But there's not that much difference between You're not rewarded

0:24:17.080 --> 0:24:19.760
<v Speaker 2>so much for playing on the you know, close to

0:24:19.600 --> 0:24:24.479
<v Speaker 2>the out of bounds there, but on the on the

0:24:24.600 --> 0:24:26.720
<v Speaker 2>for instance, the next hole that goes in that direction

0:24:27.320 --> 0:24:30.720
<v Speaker 2>would be the sixth hole, and there's out of bounds

0:24:30.760 --> 0:24:32.399
<v Speaker 2>on the right. But the closer you play to the

0:24:32.400 --> 0:24:34.920
<v Speaker 2>out of bounds on the sixth hole, you play over

0:24:34.960 --> 0:24:39.960
<v Speaker 2>the sort of sight line bunker on the right short right.

0:24:40.040 --> 0:24:42.600
<v Speaker 2>I mean, why is that bunker there? It doesn't really

0:24:43.080 --> 0:24:45.280
<v Speaker 2>it shouldn't come into play. It won't come into play

0:24:45.280 --> 0:24:49.120
<v Speaker 2>for the amateurs and touring pros that come here. But

0:24:49.800 --> 0:24:52.479
<v Speaker 2>if you hit it over that bunker, you're rewarded with

0:24:52.520 --> 0:24:54.960
<v Speaker 2>a turbot boost. It hits the backside of a slope

0:24:55.400 --> 0:24:59.000
<v Speaker 2>and it shoots down there, and which is a really long,

0:24:59.040 --> 0:25:02.600
<v Speaker 2>difficult approach, becomes a little bit easier if you play

0:25:02.640 --> 0:25:06.960
<v Speaker 2>close to the out of bounds. That's also true on

0:25:07.320 --> 0:25:09.520
<v Speaker 2>the seventh and eighth holes, which will go in the

0:25:09.560 --> 0:25:13.520
<v Speaker 2>same direction. Really, the ideal line on the seventh hole

0:25:13.600 --> 0:25:17.640
<v Speaker 2>is the right edge of the green. But it's kind

0:25:17.640 --> 0:25:21.000
<v Speaker 2>of funny Ben Hogan played to the left side of

0:25:21.040 --> 0:25:23.920
<v Speaker 2>that green. He hit three wood off the tee every time,

0:25:24.600 --> 0:25:28.160
<v Speaker 2>and there's a little flat area he needs the size

0:25:28.200 --> 0:25:30.800
<v Speaker 2>of a dining room table, maybe maybe smaller than that

0:25:30.960 --> 0:25:36.320
<v Speaker 2>size of a kitchen table. And they supposedly Hogan's five

0:25:36.400 --> 0:25:39.119
<v Speaker 2>divots were all within an eight foot circle there. He

0:25:39.200 --> 0:25:43.159
<v Speaker 2>wanted to come from the left side. There's more visibility

0:25:43.200 --> 0:25:45.719
<v Speaker 2>on the right, and you know, the green basically flows

0:25:46.160 --> 0:25:49.359
<v Speaker 2>front to back, but Hogan had to play over the

0:25:49.359 --> 0:25:53.080
<v Speaker 2>fronting the big gaping bunker that's on the front left

0:25:53.119 --> 0:25:56.600
<v Speaker 2>of that green. I still to this day can't figure

0:25:56.600 --> 0:25:58.800
<v Speaker 2>out why he decided to do that, but obviously it

0:25:58.840 --> 0:26:03.639
<v Speaker 2>worked for him. Then on the eighth hole, you have

0:26:04.640 --> 0:26:08.320
<v Speaker 2>a deep bunker right and a deep bunker left further down,

0:26:08.359 --> 0:26:11.600
<v Speaker 2>so it's short right and farther left. You can't tell,

0:26:11.760 --> 0:26:13.760
<v Speaker 2>I mean, first time playing it, but you really want

0:26:13.760 --> 0:26:16.720
<v Speaker 2>to hit over that right bunker. There's fair way behind it,

0:26:16.760 --> 0:26:19.400
<v Speaker 2>and it's by far the best angle into the green.

0:26:19.440 --> 0:26:22.080
<v Speaker 2>But it brings that bunker into play, and it also

0:26:22.080 --> 0:26:23.959
<v Speaker 2>brings the out of bounds into play. Out of bounds

0:26:24.160 --> 0:26:29.119
<v Speaker 2>then also comes into play on the fifteenth hole. I

0:26:29.160 --> 0:26:33.360
<v Speaker 2>guess it is four fourteen and fifty, yeah, fourteen. It's

0:26:33.680 --> 0:26:36.000
<v Speaker 2>you know, the drive can be essentially a lot of

0:26:36.000 --> 0:26:39.119
<v Speaker 2>longer players hit their ball well over the out of

0:26:39.160 --> 0:26:42.480
<v Speaker 2>bounds and kind of bring it into the fairway, especially

0:26:42.480 --> 0:26:46.800
<v Speaker 2>the left, the lefties for sure. Absolutely. Sergio Garcia in

0:26:46.840 --> 0:26:50.880
<v Speaker 2>the twenty and thirteen Open was sixteen over on fourteen

0:26:50.920 --> 0:26:53.440
<v Speaker 2>and fifteen and finished fifteen over And then you get

0:26:53.480 --> 0:26:56.159
<v Speaker 2>to sixteen, seventeen, and eighteen. That all played through a quarry,

0:26:56.920 --> 0:27:00.320
<v Speaker 2>and it's funny. One of the original guys was on

0:27:00.359 --> 0:27:03.000
<v Speaker 2>the site committee to determine where to put the you know,

0:27:03.200 --> 0:27:08.320
<v Speaker 2>where to locate the golf course. He argued that we

0:27:08.359 --> 0:27:10.280
<v Speaker 2>can't use this site because you know how much money

0:27:10.320 --> 0:27:14.040
<v Speaker 2>it'll cost to fill in the quarry. So yeah, it wasn't.

0:27:15.000 --> 0:27:19.080
<v Speaker 2>It wasn't really, Uh, it wasn't you know, initially imagined

0:27:19.119 --> 0:27:20.959
<v Speaker 2>that that would be such a great golf feature.

0:27:21.240 --> 0:27:24.440
<v Speaker 1>It wasn't obvious that that this should just be incorporated

0:27:24.480 --> 0:27:28.040
<v Speaker 1>into the golf course because obviously it was a you know,

0:27:28.119 --> 0:27:31.520
<v Speaker 1>it's it's it's not. A quarry is not necessarily considered

0:27:31.600 --> 0:27:35.600
<v Speaker 1>a wonderful natural feature because by definition it is it

0:27:35.640 --> 0:27:38.119
<v Speaker 1>is not natural. But that actually, you know, the quarry

0:27:38.800 --> 0:27:41.840
<v Speaker 1>is one of Marion's major hazards. You know, since we're

0:27:41.840 --> 0:27:45.440
<v Speaker 1>talking about the hazard of out of boundary, the quarry

0:27:45.560 --> 0:27:48.919
<v Speaker 1>is is a significant hazard. Now, the story that I

0:27:49.000 --> 0:27:52.120
<v Speaker 1>heard while I was at Marion, and you can say

0:27:52.160 --> 0:27:55.000
<v Speaker 1>whether this is true or not, is that a lot

0:27:55.040 --> 0:27:58.520
<v Speaker 1>of the rock that was mined from that quarry was

0:27:58.560 --> 0:28:02.119
<v Speaker 1>then used to build the houses Uh in the in

0:28:02.160 --> 0:28:05.080
<v Speaker 1>the suburb around Marion Golf Club. Is there any truth

0:28:05.119 --> 0:28:05.639
<v Speaker 1>to that story?

0:28:06.320 --> 0:28:09.199
<v Speaker 2>Uh, It's an often quoted story, but it is just

0:28:09.280 --> 0:28:13.720
<v Speaker 2>that it's a story that that quarry wash was abandoned,

0:28:14.040 --> 0:28:16.000
<v Speaker 2>you know, when the before the golf course was built,

0:28:16.080 --> 0:28:18.920
<v Speaker 2>before the homes were built, So that was a pre

0:28:19.000 --> 0:28:22.800
<v Speaker 2>existing quarry mhm. But the interesting thing about that is,

0:28:22.840 --> 0:28:25.560
<v Speaker 2>you know, the entrance from sixteenth you know, the approach

0:28:25.600 --> 0:28:28.320
<v Speaker 2>from the fairway to the sixteenth green. They had a

0:28:28.359 --> 0:28:32.000
<v Speaker 2>blast the rock that really went. They had to open

0:28:32.080 --> 0:28:36.879
<v Speaker 2>up that green. So they blasted and and chiseled or

0:28:36.880 --> 0:28:40.760
<v Speaker 2>did whatever they did to to uh, to remove the

0:28:40.920 --> 0:28:45.480
<v Speaker 2>that that that that rock wall, so to speak, to

0:28:45.560 --> 0:28:48.240
<v Speaker 2>create the opening, which is a little like what Flynn

0:28:48.240 --> 0:28:52.400
<v Speaker 2>did at Shinnacock on the eleventh hall that he had.

0:28:52.480 --> 0:28:55.160
<v Speaker 2>He had to remove a lot of that sloping you know,

0:28:55.200 --> 0:28:58.000
<v Speaker 2>the left to right slope of that, you know, to

0:28:58.080 --> 0:28:59.880
<v Speaker 2>open up the green right, Yeah, what.

0:29:00.240 --> 0:29:03.600
<v Speaker 1>Completely blind if they had not chopped off some of

0:29:03.640 --> 0:29:08.280
<v Speaker 1>that big ridge that kind of comes now diagonally across

0:29:08.320 --> 0:29:12.000
<v Speaker 1>the green there. So yeah, certainly some earth moving had

0:29:12.040 --> 0:29:15.200
<v Speaker 1>to be done in both cases. Now, as far as

0:29:15.240 --> 0:29:18.000
<v Speaker 1>hazards that Marian are concerned, out of bounds in the

0:29:18.040 --> 0:29:21.640
<v Speaker 1>quarry or certainly the most terrifying ones, I guess. But

0:29:22.200 --> 0:29:26.240
<v Speaker 1>then you have the bunkers, so you know what was

0:29:26.800 --> 0:29:31.640
<v Speaker 1>you know, how do you characterize Wilson's and Flynn's approach

0:29:31.720 --> 0:29:38.680
<v Speaker 1>to bunkering Marion not only positioning the bunkers but shaping

0:29:38.720 --> 0:29:41.360
<v Speaker 1>them as well. Oh, that's a terrific question, because there

0:29:41.760 --> 0:29:44.240
<v Speaker 1>it is. It is so different than what was going

0:29:44.280 --> 0:29:46.880
<v Speaker 1>on at the same time, you know, when the course

0:29:46.920 --> 0:29:48.440
<v Speaker 1>was being built. It really was.

0:29:48.560 --> 0:29:51.479
<v Speaker 2>Yeah, if you compare it to any contemporary course, just

0:29:51.560 --> 0:29:57.920
<v Speaker 2>the approach to bunkering esthetically and strategically quite different. Yeah,

0:29:58.120 --> 0:29:59.719
<v Speaker 2>And I think some of that has to do with

0:30:00.040 --> 0:30:03.320
<v Speaker 2>Wilson going overseas and looking at the bunkering. There's the

0:30:03.640 --> 0:30:07.280
<v Speaker 2>sort of and it's a true story that when Wilson

0:30:07.280 --> 0:30:09.560
<v Speaker 2>went overseas to look at the bunkering after the golf

0:30:09.560 --> 0:30:12.880
<v Speaker 2>course was seated, he was so enthralled with the ideas

0:30:12.920 --> 0:30:15.200
<v Speaker 2>that he was coming up with that he canceled his

0:30:15.240 --> 0:30:18.520
<v Speaker 2>trip back, you know, back home, and that was on

0:30:18.560 --> 0:30:20.680
<v Speaker 2>the Titanic, so he gave up his tickets on the

0:30:20.720 --> 0:30:26.880
<v Speaker 2>Titanic to see golf. But the difference between the bunkering

0:30:27.600 --> 0:30:29.920
<v Speaker 2>of what was going on with McDonald and what was

0:30:29.920 --> 0:30:33.080
<v Speaker 2>going on with some of the itinerants scott, Scottish and

0:30:33.640 --> 0:30:39.040
<v Speaker 2>British architects was was was really revolutionary because on heavy

0:30:39.080 --> 0:30:44.480
<v Speaker 2>clay soil they built some really natural looking bunkers. You know,

0:30:45.200 --> 0:30:47.760
<v Speaker 2>they don't look like bathtubs, they don't they look like

0:30:48.440 --> 0:30:52.800
<v Speaker 2>wind or water erosion created the bunkers. So they took it,

0:30:53.040 --> 0:30:56.240
<v Speaker 2>and that was mostly Flynn because the original bunkering.

0:30:55.880 --> 0:30:56.560
<v Speaker 1>Was not that.

0:30:58.440 --> 0:31:03.280
<v Speaker 2>I did not have that sort of uh naturalized appearance,

0:31:03.600 --> 0:31:09.400
<v Speaker 2>natural appearance exactly, flat bottoms, grass faces. That's that's what

0:31:09.480 --> 0:31:11.240
<v Speaker 2>was going on back then. They were you know, they

0:31:11.480 --> 0:31:14.800
<v Speaker 2>were to do that on heavy clay soil, though, required

0:31:14.840 --> 0:31:17.440
<v Speaker 2>a lot of time and effort, and that that's one

0:31:17.440 --> 0:31:20.880
<v Speaker 2>of the things that if you're if you're a member

0:31:20.880 --> 0:31:22.800
<v Speaker 2>of a club and you're doing it for your club,

0:31:22.880 --> 0:31:25.280
<v Speaker 2>you will spend the time you're there all you know,

0:31:25.440 --> 0:31:28.080
<v Speaker 2>it's not like you're going from one site to another.

0:31:28.960 --> 0:31:32.160
<v Speaker 2>They spent a lot of time on site when Flynn

0:31:32.280 --> 0:31:35.400
<v Speaker 2>was you know, he moved here and stayed here, so there.

0:31:35.480 --> 0:31:38.840
<v Speaker 2>The bunker approach they took had white face, the white

0:31:38.880 --> 0:31:42.160
<v Speaker 2>faces of marine, you know, the the raised sand faces.

0:31:42.480 --> 0:31:44.280
<v Speaker 2>But the other thing that they did, I think and

0:31:44.640 --> 0:31:50.080
<v Speaker 2>remains to this day very demanding, is the contoured bottoms

0:31:50.080 --> 0:31:52.760
<v Speaker 2>of the bunkers. You don't get a level lying on

0:31:52.960 --> 0:31:55.920
<v Speaker 2>just about any any of the bunkers. You're always have

0:31:56.000 --> 0:32:00.600
<v Speaker 2>a dance that's a little bit awkward. And they're deep too,

0:32:01.480 --> 0:32:03.480
<v Speaker 2>so but the one thing in this, and gil Hans

0:32:03.520 --> 0:32:06.760
<v Speaker 2>taught me this. The scale of the bunkering is ideal.

0:32:07.520 --> 0:32:09.680
<v Speaker 2>You don't have a lot of trees, there's not, so

0:32:09.720 --> 0:32:12.280
<v Speaker 2>there's a lot of open ground. And the bunkers are

0:32:12.360 --> 0:32:16.200
<v Speaker 2>huge and if on long hauls, really big bunkers don't

0:32:16.240 --> 0:32:18.640
<v Speaker 2>look that big until you get up near them. They

0:32:18.720 --> 0:32:22.280
<v Speaker 2>sort of have you know, they fit the other sort

0:32:22.320 --> 0:32:26.600
<v Speaker 2>of the design aesthetic that you think of. But there,

0:32:26.640 --> 0:32:29.680
<v Speaker 2>I mean to me, the scale of things, the scale

0:32:29.720 --> 0:32:33.000
<v Speaker 2>of the hazards, and there you are really brilliant, and

0:32:33.480 --> 0:32:38.400
<v Speaker 2>they were ideally located. There's still except for the when

0:32:38.400 --> 0:32:42.960
<v Speaker 2>we moved the second green to where Flynn proposed it,

0:32:43.080 --> 0:32:46.280
<v Speaker 2>excuse me, and they move the bunkers down range a

0:32:46.280 --> 0:32:49.080
<v Speaker 2>little bit. The bunkers that there are today are the

0:32:49.480 --> 0:32:52.920
<v Speaker 2>same bunkering that was used, you know, back in the twenties,

0:32:53.200 --> 0:32:56.800
<v Speaker 2>teens and twenties. I mean, I can't think of a

0:32:56.800 --> 0:33:00.479
<v Speaker 2>better bunker golf course. But you know, I've got informed

0:33:00.480 --> 0:33:03.960
<v Speaker 2>bias that probably shows all more than off more often

0:33:04.000 --> 0:33:04.200
<v Speaker 2>than not.

0:33:04.800 --> 0:33:06.320
<v Speaker 1>I think a lot of people would agree with you

0:33:06.680 --> 0:33:12.040
<v Speaker 1>on that. Aside, There we go. Let's get to the greens.

0:33:12.720 --> 0:33:15.719
<v Speaker 1>The greens that at Marion are are a big source

0:33:15.880 --> 0:33:19.640
<v Speaker 1>of of it's difficulty, of course for sure, and also

0:33:19.680 --> 0:33:23.000
<v Speaker 1>of its interest. So how would you go about describing

0:33:23.080 --> 0:33:29.080
<v Speaker 1>the design approach the architectural aspect of Marion East's greens.

0:33:29.320 --> 0:33:33.160
<v Speaker 1>They make it makes it very difficult to to read.

0:33:33.640 --> 0:33:35.440
<v Speaker 1>We have some of the best caddies, you know, it's

0:33:35.440 --> 0:33:41.240
<v Speaker 1>a real professional caddy program, and what you think the

0:33:41.280 --> 0:33:43.720
<v Speaker 1>butt should do is often not the opposite of what

0:33:43.760 --> 0:33:46.560
<v Speaker 1>it does. So I said, listen, you know, listen to

0:33:46.600 --> 0:33:49.800
<v Speaker 1>your caddy there. You know there's gonna be times where

0:33:49.920 --> 0:33:51.480
<v Speaker 1>it looks like it's going to break left and it

0:33:51.520 --> 0:33:55.200
<v Speaker 1>breaks right. Even you know, there was so many examples

0:33:55.240 --> 0:33:56.640
<v Speaker 1>of where Phil Mickelson.

0:33:56.280 --> 0:33:58.800
<v Speaker 2>Didn't really well. I wonder if he's going to listen

0:33:58.840 --> 0:34:03.720
<v Speaker 2>to this. I can almost guarantee you that he's not okay,

0:34:03.800 --> 0:34:07.240
<v Speaker 2>that he just misread putts six foot putts. He misread.

0:34:07.920 --> 0:34:11.080
<v Speaker 2>Some of that has to do with the way the

0:34:11.120 --> 0:34:14.600
<v Speaker 2>greens sit in the overall topography, but some of it

0:34:14.640 --> 0:34:17.880
<v Speaker 2>also has to do with grain, and there there is

0:34:18.080 --> 0:34:21.000
<v Speaker 2>there is grain in the greens. The interesting thing is

0:34:21.120 --> 0:34:23.400
<v Speaker 2>if you have an overall down slope to the to

0:34:23.440 --> 0:34:26.640
<v Speaker 2>the hole itself, and you change the downs and you

0:34:26.800 --> 0:34:30.239
<v Speaker 2>change it just a little bit. So if you if

0:34:30.239 --> 0:34:32.359
<v Speaker 2>you raise, you know, if you change the greens, it's

0:34:32.400 --> 0:34:34.640
<v Speaker 2>still a back to it's still a front to back slope,

0:34:34.960 --> 0:34:38.480
<v Speaker 2>but it's slightly softer than the overall topography around it.

0:34:38.840 --> 0:34:41.480
<v Speaker 2>Your eye here, we're going back to perspective again. Your

0:34:41.520 --> 0:34:44.800
<v Speaker 2>eye looks like it's severely back to front. So you

0:34:44.840 --> 0:34:48.080
<v Speaker 2>so the second hole, the fourth hole, the eighth hole

0:34:48.120 --> 0:34:51.359
<v Speaker 2>that it's all like that, you mean, the seventh hole,

0:34:52.680 --> 0:34:55.239
<v Speaker 2>the putts that look like they're really slow or you know,

0:34:55.320 --> 0:34:58.239
<v Speaker 2>go racing past the hole, and holes that look like

0:34:58.280 --> 0:35:02.840
<v Speaker 2>they're you know, screaming fast, you know, stop short of

0:35:02.840 --> 0:35:06.920
<v Speaker 2>the whole. And that's because it's hard to read what

0:35:07.239 --> 0:35:09.920
<v Speaker 2>the slopes of those greens are given the surrounds of

0:35:10.239 --> 0:35:14.279
<v Speaker 2>those greens. Yeah, and if I design, I kind of

0:35:14.320 --> 0:35:17.160
<v Speaker 2>think so because there's so many examples of it and there,

0:35:17.239 --> 0:35:18.959
<v Speaker 2>and there are other examples of it on other golf

0:35:19.000 --> 0:35:24.399
<v Speaker 2>courses that Flynn was associated with. Yeah, Sneacock Hills kind

0:35:24.400 --> 0:35:27.600
<v Speaker 2>of has has some of this characteristic that you're talking

0:35:27.680 --> 0:35:34.759
<v Speaker 2>about of the you know, long, more gradual, intersecting slopes.

0:35:35.400 --> 0:35:38.400
<v Speaker 2>And I want to highlight how important that is. What

0:35:38.680 --> 0:35:42.120
<v Speaker 2>you're saying about the style of Marian's greens, because you know,

0:35:42.200 --> 0:35:45.359
<v Speaker 2>you have other examples of Golden Age green design that

0:35:45.560 --> 0:35:49.000
<v Speaker 2>are not that right. There were designers who much preferred

0:35:49.000 --> 0:35:53.480
<v Speaker 2>to have kind of sharp internal contours, shells and gullies

0:35:53.520 --> 0:35:58.920
<v Speaker 2>and you know, contours that were easy to see because

0:35:58.960 --> 0:36:02.560
<v Speaker 2>they were big and severe. A lot of McDonald and

0:36:02.680 --> 0:36:05.359
<v Speaker 2>Rayner greens had these kinds of contours. A lot of

0:36:05.600 --> 0:36:09.400
<v Speaker 2>mackenzie greens, although they took a more natural approach, generally,

0:36:09.800 --> 0:36:12.759
<v Speaker 2>had had these characteristics as well. Then you get to

0:36:12.800 --> 0:36:17.040
<v Speaker 2>somebody like Perry Maxwell and and he loved these these

0:36:17.040 --> 0:36:20.680
<v Speaker 2>sort of rounded slopes in the middle of greens Maxwell rolls,

0:36:20.880 --> 0:36:24.239
<v Speaker 2>as they're often called. But again, you know, it's it's

0:36:24.440 --> 0:36:29.640
<v Speaker 2>interior contour. What Flynn did at Mayor well, what Wilson

0:36:29.719 --> 0:36:33.080
<v Speaker 2>and Flynn did at Marian Sorry, and what Flynn then

0:36:33.280 --> 0:36:36.600
<v Speaker 2>went on to do at Shannahawk Hills is is kind

0:36:36.640 --> 0:36:41.560
<v Speaker 2>of build greens that that have more gradual slopes, even

0:36:41.560 --> 0:36:45.719
<v Speaker 2>if they're very significant slopes there, they don't announce themselves

0:36:45.880 --> 0:36:47.879
<v Speaker 2>and and so but then they kind of run into

0:36:47.920 --> 0:36:50.799
<v Speaker 2>each other and go in different directions so that they're

0:36:50.880 --> 0:36:54.279
<v Speaker 2>they're very hard to read. And if if you're in

0:36:54.400 --> 0:36:57.240
<v Speaker 2>for a private club that you want a long learning curve?

0:36:58.440 --> 0:37:02.120
<v Speaker 2>You mean, well, I mean I do anyway. Yet you know,

0:37:02.440 --> 0:37:05.160
<v Speaker 2>if things are really overt and easily discerned, you just

0:37:05.200 --> 0:37:07.200
<v Speaker 2>have to make sure you get the right speed because

0:37:07.239 --> 0:37:09.239
<v Speaker 2>you know what the break is going to be. You know,

0:37:09.320 --> 0:37:12.680
<v Speaker 2>it gets to be a little bit. The learning curve

0:37:12.760 --> 0:37:17.239
<v Speaker 2>is not as steep, or sorry it's steep, it's not

0:37:17.280 --> 0:37:23.719
<v Speaker 2>as long. I think there are the greens themselves, I

0:37:23.719 --> 0:37:26.600
<v Speaker 2>think are there are really? Why at sixty eight hundred

0:37:26.640 --> 0:37:30.040
<v Speaker 2>yards sixty nine hundred yards from the very tips? Why

0:37:30.080 --> 0:37:34.960
<v Speaker 2>that golf course still challenges the pros today and the amateurs.

0:37:35.680 --> 0:37:38.279
<v Speaker 2>But the thing that's different about the Greens than the

0:37:38.360 --> 0:37:41.359
<v Speaker 2>last US Open or the last amateur we add is

0:37:41.800 --> 0:37:46.839
<v Speaker 2>that there's a technology system under the greens. It's precision air,

0:37:46.920 --> 0:37:51.839
<v Speaker 2>so it's the air conditioning, heating, vacuuming and blowing, so

0:37:51.880 --> 0:37:55.680
<v Speaker 2>they could you know, our superintendent is as good as

0:37:55.680 --> 0:37:59.520
<v Speaker 2>it gets. He can manipulate the greens to provide whatever

0:37:59.560 --> 0:38:02.800
<v Speaker 2>he whatever he wants. And and these this era of

0:38:02.840 --> 0:38:09.560
<v Speaker 2>where we have really strong brief showers, the golf course

0:38:09.680 --> 0:38:14.040
<v Speaker 2>uh you know is uh can be managed and playable

0:38:15.160 --> 0:38:17.520
<v Speaker 2>whereas you know, for the old push up greens that

0:38:17.560 --> 0:38:22.120
<v Speaker 2>we had, there was, there was they each green responded

0:38:22.120 --> 0:38:24.240
<v Speaker 2>a little bit differently, dried out a little bit differently.

0:38:24.600 --> 0:38:28.160
<v Speaker 2>To me, that adds some challenge and and the adaptability

0:38:28.200 --> 0:38:32.560
<v Speaker 2>of the golfer is is more into play. But I

0:38:33.040 --> 0:38:37.440
<v Speaker 2>do think the greed that Marion, you know, Flynn's learning,

0:38:37.920 --> 0:38:40.080
<v Speaker 2>you know what he did at Marion. I see there's

0:38:40.120 --> 0:38:43.399
<v Speaker 2>three phases of design at Marion. There's Hugh Wilson, there's

0:38:43.440 --> 0:38:46.560
<v Speaker 2>Hugh Wilson and Flynn, and then there's Flynn. But it's

0:38:46.600 --> 0:38:49.359
<v Speaker 2>easy to see the influence that Marion has on all

0:38:49.360 --> 0:38:53.759
<v Speaker 2>these other courses, Shinnacock being a great one right where

0:38:53.840 --> 0:38:59.200
<v Speaker 2>the sixth thall at uh Marion is is similar in

0:38:59.320 --> 0:39:02.799
<v Speaker 2>concept that the fourteenth at Shinnakok, for instance. But as

0:39:02.800 --> 0:39:05.280
<v Speaker 2>you brought up earlier, you know, it's the interplays of slopes,

0:39:05.640 --> 0:39:08.560
<v Speaker 2>it's the it's the angles. We didn't really talk about that.

0:39:08.960 --> 0:39:12.120
<v Speaker 2>The angles you have to play are you know, they're

0:39:12.360 --> 0:39:15.359
<v Speaker 2>really well defined to me. The first doll at Marion

0:39:15.480 --> 0:39:19.480
<v Speaker 2>is a really great example where you really need to

0:39:19.480 --> 0:39:22.160
<v Speaker 2>play on the outside of the dog leg because the

0:39:22.200 --> 0:39:25.080
<v Speaker 2>green is on a diagonal, so it's an offset green.

0:39:25.640 --> 0:39:29.279
<v Speaker 2>The fairway is pretty much straight away. But most architects

0:39:29.280 --> 0:39:32.160
<v Speaker 2>want you to play, you know, reward you for cutting

0:39:32.160 --> 0:39:36.520
<v Speaker 2>the dog leg. In this case, you really you have

0:39:36.560 --> 0:39:38.720
<v Speaker 2>a lack of visibility of the green because of the

0:39:38.760 --> 0:39:41.600
<v Speaker 2>top line of the of the crossbunker, and you're also

0:39:41.680 --> 0:39:45.359
<v Speaker 2>coming into the green from a shallow angle. But if

0:39:45.400 --> 0:39:47.680
<v Speaker 2>you play towards the hazards on the left, the bunkers,

0:39:47.719 --> 0:39:51.719
<v Speaker 2>the really deep demanding bunkers on the left, if you can,

0:39:51.880 --> 0:39:54.120
<v Speaker 2>if you can skirt those and stay really close to those,

0:39:54.200 --> 0:39:56.960
<v Speaker 2>you have you have a better view of the green.

0:39:57.239 --> 0:39:59.200
<v Speaker 2>And you also are playing into the long axis of

0:39:59.239 --> 0:40:02.360
<v Speaker 2>the green. So we talked about you know how marian

0:40:02.440 --> 0:40:05.840
<v Speaker 2>requires a lot of strategic thought and as well as execution.

0:40:06.719 --> 0:40:11.560
<v Speaker 2>There's some counterintuitive designs that I think also for people

0:40:11.600 --> 0:40:12.480
<v Speaker 2>off a little bit too.

0:40:12.960 --> 0:40:15.799
<v Speaker 1>Yeah, what you expect to be the ideal position just

0:40:15.840 --> 0:40:18.160
<v Speaker 1>looking at it from the tee, even as somebody may

0:40:18.160 --> 0:40:22.160
<v Speaker 1>be informed about how strategic angles usually work, often turns

0:40:22.160 --> 0:40:23.759
<v Speaker 1>out not to be the case once you get up

0:40:23.800 --> 0:40:26.400
<v Speaker 1>there and actually actually see the shots. So it is

0:40:26.440 --> 0:40:30.480
<v Speaker 1>a it is certainly a tricky golf course. And you

0:40:30.520 --> 0:40:32.200
<v Speaker 1>know the word that keeps coming to mind for me.

0:40:32.400 --> 0:40:36.160
<v Speaker 1>I mentioned it earlier is relentless. It is. It's relentless,

0:40:36.239 --> 0:40:39.000
<v Speaker 1>not only in terms of its difficulty, but in terms

0:40:39.040 --> 0:40:42.759
<v Speaker 1>of the strategic problem solving that you're faced with on

0:40:43.600 --> 0:40:46.840
<v Speaker 1>every single hole. And we sort of transitioned at this

0:40:46.880 --> 0:40:50.480
<v Speaker 1>point to talking about the kind of general design philosophy

0:40:51.360 --> 0:40:55.080
<v Speaker 1>at Marian. There is there is this balance at Marian,

0:40:55.480 --> 0:40:58.000
<v Speaker 1>or maybe it's not a balance. I guess it's two

0:40:58.080 --> 0:41:07.319
<v Speaker 1>goals pursued equally aggressively toward championship golf difficulty challenge for

0:41:07.320 --> 0:41:11.799
<v Speaker 1>for high level players, but also strategic golf. That was

0:41:11.800 --> 0:41:15.040
<v Speaker 1>the intent when when Philadelphia was playing New York and

0:41:15.080 --> 0:41:18.920
<v Speaker 1>Boston in inner city matches, we were getting hammered, and

0:41:19.080 --> 0:41:21.440
<v Speaker 1>because we didn't have great golf courses. Again we were

0:41:21.440 --> 0:41:23.520
<v Speaker 1>a little bit much later than New York and much

0:41:23.560 --> 0:41:27.640
<v Speaker 1>later than Boston and developing them. So really the primary

0:41:28.960 --> 0:41:30.640
<v Speaker 1>motivation between but.

0:41:30.680 --> 0:41:33.680
<v Speaker 2>With Marion and Van pine Valley a couple of years later,

0:41:34.200 --> 0:41:36.920
<v Speaker 2>was we got to start building champion designing and building

0:41:37.000 --> 0:41:42.200
<v Speaker 2>championship golf courses. To build championship golfers, there's difficulty, and

0:41:42.520 --> 0:41:46.799
<v Speaker 2>there's enjoyable difficulty. I think Marian's enjoyably difficult. There are

0:41:46.840 --> 0:41:50.280
<v Speaker 2>some courses which I won't name, there are just long,

0:41:50.600 --> 0:41:56.360
<v Speaker 2>boring slogs, and it's easy to design a difficult golf course.

0:41:57.080 --> 0:42:00.000
<v Speaker 2>It's not easy to design an enjoyably difficult golf course.

0:42:00.080 --> 0:42:02.960
<v Speaker 2>Versus is that most classes of players can play. I'm

0:42:02.960 --> 0:42:06.000
<v Speaker 2>not saying Marian is good for everybody. It's a very

0:42:06.040 --> 0:42:10.799
<v Speaker 2>tough course for for youngsters and for women because the

0:42:10.880 --> 0:42:13.759
<v Speaker 2>rough is always demanding and some of the some of

0:42:13.800 --> 0:42:16.680
<v Speaker 2>the carries you have to make are really demanding. That's

0:42:16.680 --> 0:42:19.080
<v Speaker 2>why they had the ladies aid on sixteen that a

0:42:19.120 --> 0:42:22.080
<v Speaker 2>lot of women can't carry the the one hundred and

0:42:22.120 --> 0:42:26.800
<v Speaker 2>thirty five yards uphill, usually into the wind, to uh

0:42:26.880 --> 0:42:29.239
<v Speaker 2>to the green, So they play around and it's a

0:42:29.239 --> 0:42:34.279
<v Speaker 2>part five for them. I have, I have. I just

0:42:34.360 --> 0:42:40.560
<v Speaker 2>think that there was there was a design intent to

0:42:40.560 --> 0:42:45.160
<v Speaker 2>make this a championship golf course, but somewhere underlying that,

0:42:45.280 --> 0:42:48.080
<v Speaker 2>either by hap hazards or by design, they made it

0:42:48.120 --> 0:42:51.120
<v Speaker 2>so it was. It was an interesting and different and

0:42:51.239 --> 0:42:54.360
<v Speaker 2>challenging golf course. One thing that we didn't talk about

0:42:54.520 --> 0:42:58.080
<v Speaker 2>it's in terms of hazards. Are the streams? Yeah, yeah, sure,

0:42:58.480 --> 0:43:00.880
<v Speaker 2>the streams come into play, not on a lot of holes.

0:43:00.920 --> 0:43:02.480
<v Speaker 2>There's you know, there's not a lot of water on

0:43:02.800 --> 0:43:06.120
<v Speaker 2>the golf course, but where they come in, they're really

0:43:06.480 --> 0:43:11.000
<v Speaker 2>they're really strategic. You know. Cobbs Creek, it's really interesting.

0:43:11.840 --> 0:43:14.640
<v Speaker 2>Cobbs Creek is is the creek that runs through Marion,

0:43:14.680 --> 0:43:17.680
<v Speaker 2>but it also runs through McCall field Club, and it

0:43:17.719 --> 0:43:20.799
<v Speaker 2>also runs through Cobbs Creek. The golf courses, so those

0:43:20.840 --> 0:43:24.279
<v Speaker 2>are courses that Flynn and Wilson had varying degrees of

0:43:24.640 --> 0:43:26.800
<v Speaker 2>input on, but all of them, you know, all of

0:43:26.800 --> 0:43:30.080
<v Speaker 2>them have Cobbs Creek going through them. So there's some

0:43:30.239 --> 0:43:34.239
<v Speaker 2>halls where the where the streams are parallel to the hole,

0:43:34.320 --> 0:43:37.120
<v Speaker 2>like the fifth hole, there are streams. There are holes

0:43:37.160 --> 0:43:44.040
<v Speaker 2>like the fourth Hall that the stream fronts the greens,

0:43:44.080 --> 0:43:46.520
<v Speaker 2>and then there's holes like the eleventh Hall where the

0:43:46.560 --> 0:43:50.239
<v Speaker 2>stream semi circle you know, covers half the you know,

0:43:50.320 --> 0:43:53.160
<v Speaker 2>covers half of the of the green, of the three

0:43:53.280 --> 0:43:56.360
<v Speaker 2>hundred and sixties one hundred and eighty degrees around the green.

0:43:56.880 --> 0:43:59.880
<v Speaker 2>The fifth hole, the fairway cants pretty hard right to

0:44:00.120 --> 0:44:04.560
<v Speaker 2>left the green. The it's a really long, demanding hole.

0:44:04.600 --> 0:44:07.880
<v Speaker 2>It's five oho nine from the back tee and the

0:44:08.040 --> 0:44:10.560
<v Speaker 2>and the fairway tilts right to left the entire way,

0:44:11.120 --> 0:44:14.080
<v Speaker 2>and the green tilts right to left as well, but

0:44:14.600 --> 0:44:16.800
<v Speaker 2>it levels off a little bit right before the creek.

0:44:16.920 --> 0:44:20.400
<v Speaker 2>So if you know, the best angle into that green

0:44:20.520 --> 0:44:22.920
<v Speaker 2>is from the left, you know, play skirt close to

0:44:22.960 --> 0:44:26.600
<v Speaker 2>the creek, you have a level line. The greens slopes towards,

0:44:26.680 --> 0:44:28.839
<v Speaker 2>you know, is sloping right to left, so you're hitting

0:44:28.880 --> 0:44:33.360
<v Speaker 2>into the to the slope. So I think the streams

0:44:33.400 --> 0:44:36.920
<v Speaker 2>are used brilliantly. I didn't, you know, I kind of

0:44:36.920 --> 0:44:39.680
<v Speaker 2>didn't occur to me right away, but Ramar set want

0:44:39.719 --> 0:44:42.600
<v Speaker 2>the kind of conversation with him, and he thought Flynn

0:44:42.600 --> 0:44:46.760
<v Speaker 2>was the best designer, the best utilizer of streams, especially

0:44:46.760 --> 0:44:50.480
<v Speaker 2>on diagonals, and uh yeah, I think you know, he

0:44:50.600 --> 0:44:53.880
<v Speaker 2>learned a lot of that at at at Marion.

0:44:54.400 --> 0:44:58.680
<v Speaker 1>So one thing that people will notice in the upcoming

0:44:58.800 --> 0:45:03.000
<v Speaker 1>US Amateur is the the course will look different than

0:45:03.040 --> 0:45:07.960
<v Speaker 1>what they remember from the twenty thirteen US Open. So

0:45:08.000 --> 0:45:10.920
<v Speaker 1>I just like to briefly touch on the recent round

0:45:11.040 --> 0:45:14.279
<v Speaker 1>of renovation work that was done at Marion, I think

0:45:14.320 --> 0:45:18.600
<v Speaker 1>primarily in twenty eighteen and twenty nineteen by Gill Hants.

0:45:18.800 --> 0:45:22.560
<v Speaker 1>What were just you know, high level view what were

0:45:22.560 --> 0:45:25.880
<v Speaker 1>the basic goals of that work. So I mean we

0:45:25.960 --> 0:45:31.080
<v Speaker 1>could talk about subsurface and above ground work. The subsurface,

0:45:31.120 --> 0:45:33.879
<v Speaker 1>we talked about the precision air and precision air, et cetera,

0:45:34.560 --> 0:45:38.040
<v Speaker 1>managing the firmness and the speed of the greens because

0:45:38.120 --> 0:45:41.719
<v Speaker 1>up until that point, Marion had its original push up

0:45:41.800 --> 0:45:43.680
<v Speaker 1>greens effectively right, but.

0:45:46.160 --> 0:45:49.000
<v Speaker 2>XGD drainage in some of the greens. We have it

0:45:49.080 --> 0:45:51.080
<v Speaker 2>in some of the fairways too, But they were the

0:45:51.080 --> 0:45:54.960
<v Speaker 2>original push up greens and they worked really well. But

0:45:55.680 --> 0:45:59.040
<v Speaker 2>we lose you know, the conditions of the golf course

0:45:59.040 --> 0:46:01.520
<v Speaker 2>in July and August. That's you know, Philadelphia in July

0:46:01.600 --> 0:46:05.920
<v Speaker 2>and August is hot and humid. We we would have

0:46:06.000 --> 0:46:14.200
<v Speaker 2>significant condition of UH concerns during that period of time.

0:46:14.840 --> 0:46:18.040
<v Speaker 2>Now it's it's you know, in championship condition every day.

0:46:18.760 --> 0:46:21.480
<v Speaker 2>It's not it's not cheap to do that, but but

0:46:21.560 --> 0:46:24.480
<v Speaker 2>the but the will and the and the ability to

0:46:24.520 --> 0:46:26.440
<v Speaker 2>do it is there.

0:46:27.960 --> 0:46:31.799
<v Speaker 1>So that's the subsurface aspect of the renovation. What was

0:46:31.840 --> 0:46:33.960
<v Speaker 1>the above ground above ground.

0:46:33.680 --> 0:46:37.760
<v Speaker 2>Was there was very little, you know, change in the bunkering,

0:46:38.000 --> 0:46:40.080
<v Speaker 2>but the but the surrounds of the bunkers, they got

0:46:40.160 --> 0:46:43.640
<v Speaker 2>rid of a lot of the fescue that wasn't original.

0:46:44.200 --> 0:46:45.960
<v Speaker 2>It was kind of I mean, it had a good

0:46:46.000 --> 0:46:49.440
<v Speaker 2>look to it, and and uh, it's there's something to

0:46:49.480 --> 0:46:51.279
<v Speaker 2>be said. And you know, when the sun's going down

0:46:51.280 --> 0:46:55.400
<v Speaker 2>and the textures and colors are you know, varied around

0:46:55.440 --> 0:46:57.680
<v Speaker 2>the golf course, and the way the wind would blow

0:46:57.760 --> 0:47:01.319
<v Speaker 2>the tall rescue, it was just a real serene kind

0:47:01.320 --> 0:47:06.760
<v Speaker 2>of look. Now today it's it's more it's more finished

0:47:06.920 --> 0:47:10.520
<v Speaker 2>in a lot of ways. But the bunkering except on

0:47:12.320 --> 0:47:16.480
<v Speaker 2>two is except for the string of pearls bunkering on

0:47:16.520 --> 0:47:19.719
<v Speaker 2>the right and the really big bunker that when one

0:47:19.760 --> 0:47:21.920
<v Speaker 2>you never want to get into. On the left side,

0:47:22.080 --> 0:47:27.719
<v Speaker 2>beyond the trees, they're in the same spot. They might

0:47:27.760 --> 0:47:30.640
<v Speaker 2>be a little bit deeper. They have better billy bunker now,

0:47:30.760 --> 0:47:34.360
<v Speaker 2>so which comes into play because you know, again we

0:47:34.440 --> 0:47:39.800
<v Speaker 2>have more short, shorter time periods of really heavy rains

0:47:40.160 --> 0:47:42.040
<v Speaker 2>and we don't get the washouts that we used to have,

0:47:42.920 --> 0:47:46.000
<v Speaker 2>so the but you know, the white faces are still there.

0:47:47.480 --> 0:47:50.440
<v Speaker 2>Jim Wager did a wonderful job in edging the bunkers,

0:47:50.680 --> 0:47:53.480
<v Speaker 2>you know, the creating the you know, the sort of

0:47:54.520 --> 0:47:57.520
<v Speaker 2>interest in in the sort of ragged shapes to the

0:47:57.600 --> 0:48:03.320
<v Speaker 2>edge of the bunkers. The fairway lines have not really

0:48:03.400 --> 0:48:05.759
<v Speaker 2>have not really been changed at all. They put some

0:48:05.840 --> 0:48:09.799
<v Speaker 2>new back teas in, so there's a new back te

0:48:09.960 --> 0:48:12.359
<v Speaker 2>on four, so it went from six hundred yards to

0:48:12.719 --> 0:48:15.759
<v Speaker 2>six hundred and forty yards. So that that so, and

0:48:15.800 --> 0:48:18.919
<v Speaker 2>then they put the back t in on eighteen. It's

0:48:18.960 --> 0:48:21.759
<v Speaker 2>five twenty one, but you know it plays shorter than

0:48:21.800 --> 0:48:24.799
<v Speaker 2>five twenty one because where the Hogan plaque is right

0:48:24.840 --> 0:48:27.319
<v Speaker 2>after that is a steep down slope and these guys

0:48:27.360 --> 0:48:31.439
<v Speaker 2>were easily hitting you know, from I guess from four

0:48:31.640 --> 0:48:33.520
<v Speaker 2>seventy or four to sixty or something like that. They

0:48:33.520 --> 0:48:37.160
<v Speaker 2>were easily hitting the back of that slope and they'd

0:48:37.160 --> 0:48:40.400
<v Speaker 2>have an eight iron in. So that to me, putting

0:48:40.400 --> 0:48:43.759
<v Speaker 2>that back t in at five twenty one makes you know,

0:48:43.800 --> 0:48:47.040
<v Speaker 2>the average play, the average tour pro or the average

0:48:47.440 --> 0:48:51.720
<v Speaker 2>high you know, high caliber amateur hit from around where

0:48:52.960 --> 0:48:56.480
<v Speaker 2>Bobby or sorry, Ben Hogan hit like it's I think

0:48:56.520 --> 0:48:58.720
<v Speaker 2>it's two to eleven from the plaque to the middle

0:48:58.760 --> 0:49:02.279
<v Speaker 2>of the green and just rose in twenty thirteen from

0:49:02.320 --> 0:49:08.640
<v Speaker 2>around that plaque on Sunday. So again a lot of

0:49:08.640 --> 0:49:10.600
<v Speaker 2>it was you know, you know, things that you don't

0:49:10.640 --> 0:49:14.160
<v Speaker 2>see underground technology and a few added bunkers and a

0:49:14.160 --> 0:49:14.960
<v Speaker 2>few added teas.

0:49:21.920 --> 0:49:24.040
<v Speaker 1>This episode of Designing Golf is brought to you by

0:49:24.040 --> 0:49:28.759
<v Speaker 1>our friends at the Golf Course Superintendent's Association of America

0:49:28.880 --> 0:49:33.200
<v Speaker 1>or GCSAA. This partnership makes a lot of sense for

0:49:33.280 --> 0:49:37.720
<v Speaker 1>Friday Golf. Really, our company wouldn't exist in its current

0:49:37.800 --> 0:49:41.840
<v Speaker 1>form today if not for the help and kindness of superintendents.

0:49:42.000 --> 0:49:45.960
<v Speaker 1>This community has been one of our most important bases

0:49:46.040 --> 0:49:51.560
<v Speaker 1>of support from the beginning, and GCSAA supports them. They

0:49:51.600 --> 0:49:55.399
<v Speaker 1>serve more than twenty one thousand members worldwide, not only

0:49:55.440 --> 0:49:59.719
<v Speaker 1>golf course superintendents, but also equipment managers, students, and educators.

0:50:00.320 --> 0:50:04.759
<v Speaker 1>Celebrating its one hundredth anniversary this year, GCSAA continues to

0:50:05.040 --> 0:50:09.840
<v Speaker 1>ensure that its members are on the forefront of research, education, innovation,

0:50:10.480 --> 0:50:14.080
<v Speaker 1>and advocacy through a range of programs and services. To

0:50:14.200 --> 0:50:18.040
<v Speaker 1>learn more, go to GCSAA dot org. Check it out.

0:50:18.520 --> 0:50:29.480
<v Speaker 1>Great organization and we're very proud to be partnered with them. Okay,

0:50:29.520 --> 0:50:33.920
<v Speaker 1>so that covers the characteristics of the course that I

0:50:33.960 --> 0:50:38.640
<v Speaker 1>wanted to cover. So we've kind of gone through greens

0:50:38.680 --> 0:50:42.959
<v Speaker 1>and bunkers and design and some of the renovation work.

0:50:44.000 --> 0:50:47.360
<v Speaker 1>I think now we can dive into the history, which

0:50:47.400 --> 0:50:50.239
<v Speaker 1>is your specialty. Now there's a lot here, right. We

0:50:50.320 --> 0:50:53.600
<v Speaker 1>could stay here for another four hours, probably talking about

0:50:54.080 --> 0:50:57.680
<v Speaker 1>the history of Marian Golf Club, but I kind of

0:50:57.719 --> 0:51:02.640
<v Speaker 1>want to give people a basic overview and then just

0:51:02.680 --> 0:51:07.759
<v Speaker 1>talk about it's importance historically just as a as a

0:51:07.800 --> 0:51:12.719
<v Speaker 1>new kind of golf design in America. So you know,

0:51:12.800 --> 0:51:18.000
<v Speaker 1>what were the origins of golf at Marion and then

0:51:18.040 --> 0:51:21.400
<v Speaker 1>take me up to the point that Hugh Wilson got involved.

0:51:21.640 --> 0:51:25.040
<v Speaker 2>Yeah, So I mean, like I said earlier, or golf

0:51:25.040 --> 0:51:28.640
<v Speaker 2>in Philadelphia started a bit late. Philadelphia Country Club in

0:51:28.640 --> 0:51:31.640
<v Speaker 2>eighteen ninety three had their first golf course in the city,

0:51:33.520 --> 0:51:38.400
<v Speaker 2>and in eighteen ninety five Marion had a golf course

0:51:38.480 --> 0:51:42.759
<v Speaker 2>on one of the members' properties, Clement Griscom and by

0:51:42.800 --> 0:51:46.680
<v Speaker 2>eighteen ninety six there was an official nine hole golf

0:51:46.680 --> 0:51:49.160
<v Speaker 2>course that was designed by Willie Campbell, not the Willy

0:51:49.239 --> 0:51:55.120
<v Speaker 2>Campbell from Brookline, Willie W. Campbell from Saint Andrew's. Willy

0:51:55.200 --> 0:51:58.320
<v Speaker 2>Campbell from Brookline was from Musselborough and this is a

0:51:58.360 --> 0:51:59.399
<v Speaker 2>different Willie.

0:51:59.400 --> 0:51:59.920
<v Speaker 1>One of the sea.

0:52:00.000 --> 0:52:07.640
<v Speaker 2>Semingly, thousands of Willie's from Great Britain, from England or

0:52:07.680 --> 0:52:10.560
<v Speaker 2>Scotland and were involved in early golf in America.

0:52:10.640 --> 0:52:13.080
<v Speaker 1>They all those guys are named Willy. Yeah.

0:52:13.120 --> 0:52:17.120
<v Speaker 2>Parents weren't very creative and no dolling out names, and

0:52:17.160 --> 0:52:19.719
<v Speaker 2>it makes it hard to follow because you know, they're

0:52:19.800 --> 0:52:24.359
<v Speaker 2>very common names, and you know, doing searches online makes

0:52:24.400 --> 0:52:27.080
<v Speaker 2>it kind of difficult. But Willie Campbell designed the first

0:52:27.160 --> 0:52:30.160
<v Speaker 2>nine hole course in eighteen ninety five. It was expanded

0:52:30.200 --> 0:52:33.880
<v Speaker 2>to eighteen holes in nineteen hundred, but it was it

0:52:33.960 --> 0:52:38.360
<v Speaker 2>was short, and the technology advances in that with the

0:52:38.400 --> 0:52:44.759
<v Speaker 2>Haskell ball and steel shafts instead of hickory shafts were creating, uh,

0:52:44.920 --> 0:52:48.640
<v Speaker 2>you know, the need for longer courses. I think the

0:52:48.680 --> 0:52:52.920
<v Speaker 2>course was fifty six hundred yards and that wasn't going

0:52:52.960 --> 0:52:56.279
<v Speaker 2>to cut it better. Better athletes were playing golf and

0:52:56.360 --> 0:52:59.799
<v Speaker 2>better equipment was was obsoleting a lot of courses. And

0:52:59.840 --> 0:53:02.200
<v Speaker 2>the court and the and the club leased the land

0:53:02.239 --> 0:53:06.120
<v Speaker 2>from the from the Pennsylvania Railroad, and Clement Chriskam don't

0:53:06.200 --> 0:53:09.320
<v Speaker 2>you know, allowed them to be on his property as well.

0:53:09.719 --> 0:53:11.839
<v Speaker 2>So they looked to find a place where they could

0:53:11.840 --> 0:53:15.640
<v Speaker 2>buy land and build a championship golf course that was

0:53:17.600 --> 0:53:21.560
<v Speaker 2>you don't go to stands attested time for the better players.

0:53:21.600 --> 0:53:30.240
<v Speaker 2>As Philadelphia embraced golf and embraced championship golf. The fellow

0:53:30.280 --> 0:53:33.120
<v Speaker 2>that bought the three hundred acres with the idea of

0:53:33.160 --> 0:53:36.920
<v Speaker 2>making the land available to Marion at half price, brought

0:53:36.920 --> 0:53:39.719
<v Speaker 2>in an H. H. Barker to look it over. He

0:53:39.760 --> 0:53:43.239
<v Speaker 2>was an English architect. You probably know him more about

0:53:43.320 --> 0:53:47.280
<v Speaker 2>him than I do. But he submitted a He submitted

0:53:47.320 --> 0:53:50.720
<v Speaker 2>a letter and then a routing map for the club.

0:53:50.960 --> 0:53:53.520
<v Speaker 2>We have the letter. Unfortunately we don't have the routing map,

0:53:53.880 --> 0:53:56.360
<v Speaker 2>so it's hard to understand what he what he was

0:53:56.360 --> 0:53:58.640
<v Speaker 2>looking at. You know, there were no boundaries then the

0:53:58.680 --> 0:54:02.880
<v Speaker 2>house and the location for the housing lots were not

0:54:03.680 --> 0:54:07.200
<v Speaker 2>delineated at that time, so we are don't we don't

0:54:07.200 --> 0:54:10.680
<v Speaker 2>really know what he was looking at a few years

0:54:11.520 --> 0:54:14.799
<v Speaker 2>I guess that was nineteen ten. So the next year

0:54:14.840 --> 0:54:18.520
<v Speaker 2>they brought in the two most celebrated golfers in America

0:54:18.600 --> 0:54:21.480
<v Speaker 2>SEEBE McDonald and H. J. Wigham. They both had US

0:54:21.560 --> 0:54:26.680
<v Speaker 2>Amateur championships. McDonald was in the middle of, you know,

0:54:26.920 --> 0:54:30.880
<v Speaker 2>creating National Golf Links, which is you know, is usually

0:54:30.920 --> 0:54:35.239
<v Speaker 2>considered the first best course in the United States. But

0:54:35.360 --> 0:54:38.120
<v Speaker 2>that was using old World principles in a lot of ways,

0:54:38.920 --> 0:54:41.880
<v Speaker 2>and the routing is up and back routing with the

0:54:42.040 --> 0:54:45.000
<v Speaker 2>you know, very little wind variety and things like that.

0:54:45.080 --> 0:54:48.080
<v Speaker 2>But they came in and looked at the and consulted.

0:54:48.400 --> 0:54:50.319
<v Speaker 2>I'm sure they knew each other from the Leslie Cup,

0:54:50.400 --> 0:54:56.080
<v Speaker 2>the Inner Club, inner City competitions, and they suggested a

0:54:56.160 --> 0:54:59.799
<v Speaker 2>six thousand yard golf course. I think McDonald didn't want

0:54:59.800 --> 0:55:03.560
<v Speaker 2>to thing to surpass or or you know, be or

0:55:03.840 --> 0:55:08.799
<v Speaker 2>outshine National Golf Links, so the six thousand yard golf course,

0:55:08.960 --> 0:55:11.080
<v Speaker 2>but that's not really what Mary was looking for. They

0:55:11.080 --> 0:55:14.080
<v Speaker 2>were looking for something a more severe test than that.

0:55:15.640 --> 0:55:19.400
<v Speaker 2>And eventually they you know that Hugh Wilson went to

0:55:20.960 --> 0:55:22.640
<v Speaker 2>it with some of the committee members and went to

0:55:22.880 --> 0:55:28.080
<v Speaker 2>visit McDonald and Wigham at National Golf Links. Came back

0:55:28.120 --> 0:55:32.279
<v Speaker 2>with a whole bunch of ideas and eventually they set

0:55:32.280 --> 0:55:37.080
<v Speaker 2>her on a like several ideas they had McDonald look

0:55:37.120 --> 0:55:40.480
<v Speaker 2>at them, and he helped them choose which of their designs.

0:55:40.480 --> 0:55:44.520
<v Speaker 2>It wasn't the McDonald McDonald design. He helped them select

0:55:44.520 --> 0:55:47.440
<v Speaker 2>which he thought would be the best design turns out

0:55:47.440 --> 0:55:49.839
<v Speaker 2>to be the one that we have now, and it was.

0:55:49.920 --> 0:55:53.440
<v Speaker 2>It was an in house project. Like I said, there

0:55:53.480 --> 0:55:55.960
<v Speaker 2>was only twenty two bunkers to start with. They wanted

0:55:55.960 --> 0:55:58.200
<v Speaker 2>to see how the course played. I mean these guys

0:55:58.200 --> 0:56:02.640
<v Speaker 2>were amateur golf out commissure architects. They didn't really couldn't

0:56:02.680 --> 0:56:05.759
<v Speaker 2>foresee how, you know, how the golf course would play

0:56:05.760 --> 0:56:10.680
<v Speaker 2>in actuality versus you know, theoretical, So they waited to

0:56:10.719 --> 0:56:13.400
<v Speaker 2>see how the course played. It was awarded the nineteen

0:56:13.480 --> 0:56:17.600
<v Speaker 2>sixteen Amateur, which only four years after opening, was probably

0:56:17.640 --> 0:56:23.279
<v Speaker 2>more indicative, how you know. The Philadelphians were you know,

0:56:23.400 --> 0:56:27.839
<v Speaker 2>considered that you know, throw you know, to have a

0:56:27.880 --> 0:56:31.279
<v Speaker 2>major tournament, and the Amateur was the major tournament back then.

0:56:31.320 --> 0:56:35.759
<v Speaker 2>The US opened was sort of second bananas. I think

0:56:35.800 --> 0:56:39.840
<v Speaker 2>it became more prominent and after Bobby Jones retired the

0:56:40.320 --> 0:56:42.800
<v Speaker 2>US opened that is, but for at that time, the

0:56:43.160 --> 0:56:45.920
<v Speaker 2>US Amateur was the premier event in the in the

0:56:46.000 --> 0:56:48.560
<v Speaker 2>United States. And they took a look at the golf

0:56:48.560 --> 0:56:50.720
<v Speaker 2>course and said, well, this isn't going to work because

0:56:51.040 --> 0:56:54.160
<v Speaker 2>there's only twenty two bunkers. And there was some outdated

0:56:56.200 --> 0:57:01.040
<v Speaker 2>design practices, some mounding, you know the quite chocolate drops

0:57:01.040 --> 0:57:06.680
<v Speaker 2>but mid Surrey kind of mounding, and some squared greens

0:57:06.719 --> 0:57:10.839
<v Speaker 2>and kind of geometric looking bunkers. But that's when you know,

0:57:10.960 --> 0:57:14.719
<v Speaker 2>Hugh Wilson and Flynn together decided to take the course

0:57:14.760 --> 0:57:19.240
<v Speaker 2>in a more original direction, and that's you know, really

0:57:19.800 --> 0:57:24.640
<v Speaker 2>one of the earliest examples of American architecture, which they

0:57:24.640 --> 0:57:32.680
<v Speaker 2>called the scientific design that you know, supplanted in a

0:57:32.720 --> 0:57:35.920
<v Speaker 2>lot of ways the Victorian designs and even the template

0:57:35.960 --> 0:57:41.440
<v Speaker 2>designs that McDonald and later mcgrater were doing. But again,

0:57:41.640 --> 0:57:45.440
<v Speaker 2>so they held the nineteen sixteen Amateur was a huge success.

0:57:45.920 --> 0:57:48.720
<v Speaker 2>They played the Amateur on both the East and West courses,

0:57:49.240 --> 0:57:52.360
<v Speaker 2>and then by the time nineteen twenty four came around,

0:57:52.680 --> 0:57:55.360
<v Speaker 2>we were able to you know, apply the additional seven

0:57:55.360 --> 0:57:58.760
<v Speaker 2>and a half acres Alost ten, twelve, ten and eleven,

0:57:58.800 --> 0:58:05.360
<v Speaker 2>twelve and thirteen were redesigned and I think dramatically improved,

0:58:05.480 --> 0:58:09.920
<v Speaker 2>mostly by Flynn, with Wilson contributing as well. He you know,

0:58:09.960 --> 0:58:11.440
<v Speaker 2>he was on a lot of Wilson was on a

0:58:11.480 --> 0:58:13.880
<v Speaker 2>lot of committees. He had to run his own family

0:58:14.000 --> 0:58:17.560
<v Speaker 2>insurance business, it was maritime insurance, and he was on

0:58:18.160 --> 0:58:20.479
<v Speaker 2>the executive board of the USGA. He's on the Green

0:58:20.560 --> 0:58:24.760
<v Speaker 2>Section board. He was in other local boards and stuff

0:58:24.760 --> 0:58:27.640
<v Speaker 2>like that. So he was really he groomed Flint and

0:58:27.960 --> 0:58:31.120
<v Speaker 2>they were they. I'm sure nothing was done without Hugh

0:58:31.160 --> 0:58:37.440
<v Speaker 2>Wilson's oversight, but also a lot of changes were made

0:58:37.440 --> 0:58:40.960
<v Speaker 2>after Hugh Wilson passed away. The first hall is a

0:58:41.000 --> 0:58:44.000
<v Speaker 2>Flinn Hall that was redesigned for the nineteen thirty amateur

0:58:44.320 --> 0:58:47.440
<v Speaker 2>and really until Gil Hants came in twenty eighteen, the

0:58:47.440 --> 0:58:52.600
<v Speaker 2>golf course was exactly the same for the what eighty

0:58:52.680 --> 0:58:57.720
<v Speaker 2>something years, So this was, you know, a great collaboration

0:58:57.880 --> 0:59:01.200
<v Speaker 2>between Hugh Wilson and William Flinton. Right, the course is

0:59:01.320 --> 0:59:07.600
<v Speaker 2>essentially their work, their baby. I'm fascinated by Hugh Wilson.

0:59:08.360 --> 0:59:11.400
<v Speaker 1>You know. My understanding is that he was he was

0:59:11.440 --> 0:59:14.760
<v Speaker 1>basically just a member of Yeah, I mean he was right,

0:59:14.880 --> 0:59:17.640
<v Speaker 1>I mean he wasn't he wasn't a hired gun. He

0:59:17.800 --> 0:59:21.280
<v Speaker 1>wasn't a professional architect by any means. No, he was

0:59:21.360 --> 0:59:25.040
<v Speaker 1>just I guess they identified him as, hey, this guy's

0:59:25.040 --> 0:59:27.400
<v Speaker 1>smart and maybe maybe he'll maybe he'll be able to

0:59:27.720 --> 0:59:29.560
<v Speaker 1>build us a good course. And he's right here, he's

0:59:29.560 --> 0:59:32.240
<v Speaker 1>in the membership and and let's go with him. So

0:59:32.280 --> 0:59:35.919
<v Speaker 1>who was Hugh Wilson like and how did he come

0:59:36.000 --> 0:59:40.360
<v Speaker 1>to be such a such alliant designer of this course

0:59:40.440 --> 0:59:41.080
<v Speaker 1>the very least.

0:59:41.160 --> 0:59:42.959
<v Speaker 2>I think that's a great question. I think it's really

0:59:42.960 --> 0:59:48.200
<v Speaker 2>good to highlight his contributions because they go well beyond

0:59:48.240 --> 0:59:52.120
<v Speaker 2>Marion in a lot of ways. He was a collegiate golfer.

0:59:53.120 --> 0:59:55.160
<v Speaker 2>He was a captain of the golf team at Princeton,

0:59:55.440 --> 0:59:59.280
<v Speaker 2>graduating in nineteen oh two. While he was at Princeton,

0:59:59.320 --> 1:00:03.400
<v Speaker 2>he was involved in the new design of the Springdale

1:00:03.440 --> 1:00:07.880
<v Speaker 2>course on campus that moved from a couple miles away

1:00:07.920 --> 1:00:11.240
<v Speaker 2>to where it is today. And when Flynn redesigned the course,

1:00:11.240 --> 1:00:14.400
<v Speaker 2>it was in homage to Hugh Wilson. That's the kind

1:00:14.400 --> 1:00:16.959
<v Speaker 2>of relationship they had. It was really like a father

1:00:17.040 --> 1:00:19.880
<v Speaker 2>and son relationship. But Hugh Wilson was you know, he

1:00:19.880 --> 1:00:23.600
<v Speaker 2>was an excellent golfer. He wasn't the best golfer in Philadelphia,

1:00:23.640 --> 1:00:27.160
<v Speaker 2>but he was really beloved people. I mean, he was

1:00:27.240 --> 1:00:29.360
<v Speaker 2>just a guy that you could not help. But like

1:00:30.120 --> 1:00:33.520
<v Speaker 2>he was a soft spoken, sickly kind of guy. You know,

1:00:33.560 --> 1:00:37.760
<v Speaker 2>he was often he's kind of rail thin, and he

1:00:38.240 --> 1:00:42.160
<v Speaker 2>always had ailments. He ended up dying in nineteen twenty five,

1:00:42.320 --> 1:00:44.880
<v Speaker 2>right after the twenty like February. I think it was

1:00:44.920 --> 1:00:47.640
<v Speaker 2>of twenty five, right after the not long after the

1:00:47.680 --> 1:00:51.200
<v Speaker 2>twenty four Amateur. But he was sickly through for many years.

1:00:51.560 --> 1:00:55.600
<v Speaker 2>He used to go up to Massachusetts and convalesced by

1:00:55.600 --> 1:01:02.040
<v Speaker 2>the ocean. Ended up dying young at of nephritis, and

1:01:02.080 --> 1:01:07.040
<v Speaker 2>he had arterial sclerosis as well. But while he was,

1:01:07.800 --> 1:01:11.360
<v Speaker 2>you know, he was a young guy that the big wigs,

1:01:11.360 --> 1:01:15.280
<v Speaker 2>the big potatoes that Marion Deem you know, named him

1:01:15.280 --> 1:01:18.720
<v Speaker 2>as the guy to do the job. He dived in

1:01:18.800 --> 1:01:22.000
<v Speaker 2>head first. He became one of the world's experts on turf,

1:01:22.040 --> 1:01:27.040
<v Speaker 2>grasses construction and all that. Piper and Oakley had a

1:01:27.080 --> 1:01:29.600
<v Speaker 2>book Developed Turf for golf courses and there's a chapter.

1:01:30.160 --> 1:01:32.480
<v Speaker 2>McDonald did a chapter, but Hugh Wilson did a chapter

1:01:32.560 --> 1:01:36.160
<v Speaker 2>on how they designed and turf to Marion and it's

1:01:36.240 --> 1:01:39.240
<v Speaker 2>it's just fascinating how much time he developed. And really

1:01:39.280 --> 1:01:42.240
<v Speaker 2>between Alan Wilson, U's brother, I'm not sure if he

1:01:42.280 --> 1:01:45.480
<v Speaker 2>was older or younger, Hugh Wilson and William Flynn, they

1:01:45.520 --> 1:01:48.800
<v Speaker 2>were very much responsible for the development of the USGA

1:01:48.880 --> 1:01:52.960
<v Speaker 2>Green section. So to me, Hugh Wilson is just, you know,

1:01:53.000 --> 1:01:57.080
<v Speaker 2>he was he had so much energy, so much desire

1:01:57.600 --> 1:01:59.840
<v Speaker 2>to learn, and his goal was to create the best

1:02:00.080 --> 1:02:04.640
<v Speaker 2>of course, and and and create a you know, a

1:02:04.920 --> 1:02:09.120
<v Speaker 2>collaborative community. And and really you think about Pine Valley,

1:02:09.160 --> 1:02:13.520
<v Speaker 2>the collaborative effort there, Cobbs Creek. These were Philadelphians that

1:02:13.560 --> 1:02:17.400
<v Speaker 2>didn't you know that they relished and embraced working together

1:02:17.920 --> 1:02:20.479
<v Speaker 2>to create something. There was no egos or anything like that.

1:02:20.680 --> 1:02:22.440
<v Speaker 2>If you look at some of the writings that that

1:02:22.520 --> 1:02:24.560
<v Speaker 2>Hugh Wilson did, he never.

1:02:24.400 --> 1:02:26.200
<v Speaker 1>Talked about I did this or we did that.

1:02:26.360 --> 1:02:29.640
<v Speaker 2>You know, it was always this is what happened. He

1:02:29.760 --> 1:02:31.560
<v Speaker 2>never you know, tried to take credit. He was a

1:02:31.920 --> 1:02:33.400
<v Speaker 2>I think he was a humble man in a lot

1:02:33.400 --> 1:02:37.120
<v Speaker 2>of ways, kind of yeah, typical Quaker gentleman, although he

1:02:37.160 --> 1:02:38.320
<v Speaker 2>wasn't Quaker, but.

1:02:38.920 --> 1:02:42.040
<v Speaker 1>Right, the influence maybe, but maybe was regionally.

1:02:43.360 --> 1:02:43.560
<v Speaker 2>You know.

1:02:43.920 --> 1:02:46.400
<v Speaker 1>An aspect of Hugh Wilson's story that I that I

1:02:46.480 --> 1:02:50.360
<v Speaker 1>find very interesting is his visits to National Golf Links

1:02:50.560 --> 1:02:55.120
<v Speaker 1>and then his trip over to see courses in Great Britain.

1:02:55.680 --> 1:02:59.480
<v Speaker 1>What influence do you think those those travels had on

1:02:59.480 --> 1:03:01.120
<v Speaker 1>on what he eventually did it?

1:03:01.200 --> 1:03:05.200
<v Speaker 2>Marion, I'm not so sure that I think with the

1:03:05.280 --> 1:03:08.240
<v Speaker 2>visit with McDonald and Wigum at National gave him a

1:03:08.240 --> 1:03:11.120
<v Speaker 2>perspective he probably didn't have before, right, I don't think

1:03:11.160 --> 1:03:15.080
<v Speaker 2>there was a direct influence, although there was a principal's

1:03:15.120 --> 1:03:17.760
<v Speaker 2>nose on the fourth hole for a while, you know

1:03:17.840 --> 1:03:21.280
<v Speaker 2>that really big cross bunker. Yeah, short of that was

1:03:21.280 --> 1:03:24.240
<v Speaker 2>was a principal's nose feature, so interesting, So there was

1:03:24.280 --> 1:03:25.040
<v Speaker 2>some influence.

1:03:25.080 --> 1:03:27.760
<v Speaker 1>But yeah, I mean he certainly didn't pick up the templates.

1:03:27.880 --> 1:03:31.320
<v Speaker 1>But I guess you know, if I'm putting myself back

1:03:31.360 --> 1:03:35.240
<v Speaker 1>in the early nineteen teens and I see National Golf

1:03:35.280 --> 1:03:38.800
<v Speaker 1>Links and all I've seen is the other courses that

1:03:38.920 --> 1:03:42.520
<v Speaker 1>existed in the US at the time, I'm not necessarily

1:03:42.560 --> 1:03:44.640
<v Speaker 1>saying to myself I want to do template holes now,

1:03:45.360 --> 1:03:48.000
<v Speaker 1>but I'm saying to myself, oh man, there's a lot

1:03:48.040 --> 1:03:52.160
<v Speaker 1>of potential in golf architecture. Yeah, you know, the grandeur

1:03:52.200 --> 1:03:55.040
<v Speaker 1>of this course, that the scale of this achievement is

1:03:55.120 --> 1:03:59.880
<v Speaker 1>something that, Ohsue, we can think bigger now. I think.

1:04:00.360 --> 1:04:01.400
<v Speaker 1>I think in.

1:04:03.000 --> 1:04:06.840
<v Speaker 2>Creating a knowledge base on turf, grass and maintenance practices

1:04:07.240 --> 1:04:10.680
<v Speaker 2>helped a lot. Oh sure, yeah, National was big in that, right.

1:04:11.400 --> 1:04:12.040
<v Speaker 1>They had trouble.

1:04:12.120 --> 1:04:14.960
<v Speaker 2>National was failing they you know, they they it was

1:04:14.960 --> 1:04:17.160
<v Speaker 2>built on straight sand and they had lots of trouble.

1:04:17.640 --> 1:04:21.200
<v Speaker 2>Pine Valley had tons of trouble, you know, after opening

1:04:21.240 --> 1:04:23.920
<v Speaker 2>because the golf course was built on straight sand and

1:04:23.960 --> 1:04:27.360
<v Speaker 2>they didn't really modify the soil, and they were losing

1:04:27.360 --> 1:04:29.320
<v Speaker 2>the golf course all the time. There was a while

1:04:29.360 --> 1:04:34.480
<v Speaker 2>where Flynn was both the superintendent at Pine Valley and Marion.

1:04:35.120 --> 1:04:37.720
<v Speaker 2>That must have been a pretty tough commute, but back

1:04:37.720 --> 1:04:42.720
<v Speaker 2>in the late nineteenth nineteen nineteen and nineteen twenty. But so,

1:04:42.800 --> 1:04:47.640
<v Speaker 2>I think there was something about the Philadelphians, the George Thomas,

1:04:47.680 --> 1:04:55.280
<v Speaker 2>the George Crump and Wilson w was was in the

1:04:55.640 --> 1:04:58.640
<v Speaker 2>was in that group. Yeah, yeah, that this Philadelphia school

1:04:58.680 --> 1:05:01.320
<v Speaker 2>of golf architecture. They wanted to do things differently. They

1:05:01.320 --> 1:05:04.960
<v Speaker 2>wanted an American style of golf architecture and have a

1:05:05.040 --> 1:05:10.640
<v Speaker 2>much more natural natural look, you know. Uh that that

1:05:11.120 --> 1:05:13.880
<v Speaker 2>wasn't kind of a stark contrast between what's man made

1:05:13.920 --> 1:05:16.320
<v Speaker 2>and what's what's what's what's.

1:05:16.280 --> 1:05:17.280
<v Speaker 1>You know, what is?

1:05:19.440 --> 1:05:22.680
<v Speaker 2>Yeah right yeah, So and then you know, when there

1:05:22.800 --> 1:05:25.960
<v Speaker 2>was architecture, they and this was sort of the the

1:05:26.000 --> 1:05:30.080
<v Speaker 2>way Flynn became the nature fakers. If they if they

1:05:30.080 --> 1:05:32.440
<v Speaker 2>were going to do something that was man made, they

1:05:32.480 --> 1:05:34.680
<v Speaker 2>didn want they didn't want it to look man made.

1:05:35.000 --> 1:05:39.160
<v Speaker 2>They didn't want geometric features or anything like that one

1:05:39.200 --> 1:05:41.760
<v Speaker 2>because they're more expensive to maintain. But also they just

1:05:42.600 --> 1:05:46.840
<v Speaker 2>they just thought that it needs to look like the

1:05:46.880 --> 1:05:51.000
<v Speaker 2>hand of man's not there. And there's something about you know,

1:05:51.080 --> 1:05:53.600
<v Speaker 2>even though you know marrying you know, the teaser built

1:05:53.640 --> 1:05:56.120
<v Speaker 2>and the bunkers are built, and the greens or but

1:05:56.160 --> 1:05:59.960
<v Speaker 2>there's something about it that there's a harmony there with it.

1:06:00.640 --> 1:06:04.280
<v Speaker 2>If you get a sense of maybe a pastoral feeling

1:06:04.560 --> 1:06:07.840
<v Speaker 2>that you're you know that you know, it's it's all,

1:06:08.040 --> 1:06:10.040
<v Speaker 2>it's right, if you know what I mean this, You're

1:06:10.040 --> 1:06:13.360
<v Speaker 2>not playing against man, you're playing against nature. And to

1:06:13.400 --> 1:06:16.600
<v Speaker 2>me that's that's a great feature with the you know,

1:06:17.040 --> 1:06:20.280
<v Speaker 2>with natural looking golf courses, there's just a different feel

1:06:20.280 --> 1:06:24.680
<v Speaker 2>about it. So I do think well the influence on

1:06:24.960 --> 1:06:29.480
<v Speaker 2>Hugh Wilson and later Flynn from the UK trip that

1:06:30.320 --> 1:06:32.600
<v Speaker 2>Wilson took and Flynn never went over there, so that

1:06:32.800 --> 1:06:36.080
<v Speaker 2>you know, this is a this all flowed through Hugh

1:06:36.120 --> 1:06:39.360
<v Speaker 2>Wilson was the more natural looking, the look of the

1:06:39.400 --> 1:06:42.080
<v Speaker 2>bunkering and the seaside. You know, he went to the

1:06:42.120 --> 1:06:45.840
<v Speaker 2>seaside what be it the Jersey Shore which he talked about,

1:06:46.280 --> 1:06:47.800
<v Speaker 2>or the or the bunkering that he saw on the

1:06:47.880 --> 1:06:52.360
<v Speaker 2>links Lands. Just I think that had a huge impact

1:06:52.440 --> 1:06:56.400
<v Speaker 2>on how he approached the design astatic of the bunkering

1:06:56.440 --> 1:06:57.040
<v Speaker 2>and things.

1:06:57.480 --> 1:07:01.920
<v Speaker 1>Right. Well, you know, throughout this conversation, Wayne, we've sort

1:07:01.960 --> 1:07:07.840
<v Speaker 1>of been developing an argument for Marion's importance that it's

1:07:08.120 --> 1:07:13.360
<v Speaker 1>at the beginning of something in American golf architecture. And

1:07:13.400 --> 1:07:14.960
<v Speaker 1>I'd like to kind of put a cap on that.

1:07:15.080 --> 1:07:19.280
<v Speaker 1>You know, how, how would you talk about Marion's influence

1:07:19.480 --> 1:07:24.480
<v Speaker 1>and importance in the development of golf architecture in the US.

1:07:25.160 --> 1:07:27.240
<v Speaker 2>That's a tough question. That's a good question, but you know,

1:07:27.280 --> 1:07:29.439
<v Speaker 2>not easy. A number of different directions you could take.

1:07:29.560 --> 1:07:34.320
<v Speaker 2>I mean, let me suggest William Flynn went out to

1:07:34.360 --> 1:07:37.600
<v Speaker 2>do a bunch of other things that were influential and

1:07:37.680 --> 1:07:41.000
<v Speaker 2>important in their own right, and really his origin story

1:07:41.200 --> 1:07:45.040
<v Speaker 2>is with the design and development of this golf course

1:07:45.080 --> 1:07:46.120
<v Speaker 2>alongside Hugh Wilson.

1:07:46.160 --> 1:07:49.320
<v Speaker 1>Right, So that's one direction, right. Another direction might be

1:07:49.840 --> 1:07:55.720
<v Speaker 1>this introduction of naturalism to American golf architecture. Aroach, don't

1:07:55.760 --> 1:07:57.120
<v Speaker 1>you answer this question? Well?

1:07:57.360 --> 1:08:01.040
<v Speaker 2>Sorry, no, no, I think I really don't mean.

1:08:00.920 --> 1:08:03.560
<v Speaker 1>To ask a question that I already have an answer

1:08:03.600 --> 1:08:06.080
<v Speaker 1>to because you know, what you've said so far is

1:08:06.160 --> 1:08:10.000
<v Speaker 1>basically what I'm giving back to you right now. But

1:08:10.120 --> 1:08:14.200
<v Speaker 1>you've kind of developed this naturalism idea. There's also perhaps

1:08:14.240 --> 1:08:20.000
<v Speaker 1>the idea of strategic architecture, you know, arranged on a

1:08:20.160 --> 1:08:25.160
<v Speaker 1>championship golf course, or strategic architecture applied to the end

1:08:25.640 --> 1:08:30.120
<v Speaker 1>of challenging really good players that Marian seems to embody.

1:08:30.200 --> 1:08:32.200
<v Speaker 1>So those are kind of three different directions that I've

1:08:32.240 --> 1:08:35.840
<v Speaker 1>seen you take this subject so far in the conversation.

1:08:36.080 --> 1:08:37.960
<v Speaker 1>But I don't know if there's anything.

1:08:37.600 --> 1:08:39.519
<v Speaker 2>Else or whether one of those stands out to you.

1:08:39.720 --> 1:08:41.800
<v Speaker 2>I look at Philadelphia at large, the kind of work

1:08:41.840 --> 1:08:44.320
<v Speaker 2>that was going on with the Philadelphia School of Golf architects,

1:08:44.360 --> 1:08:49.400
<v Speaker 2>Pine Valley and Marion. Again, these were collaborative efforts, less

1:08:49.400 --> 1:08:51.720
<v Speaker 2>so at Marian than it was at Pine Valley, but

1:08:51.800 --> 1:08:55.360
<v Speaker 2>it was all about creating championship golf courses that would

1:08:55.400 --> 1:08:59.320
<v Speaker 2>stand the test of time and develop better players. I

1:08:59.320 --> 1:09:02.479
<v Speaker 2>think they they succeeded very well, not only that, but

1:09:02.600 --> 1:09:05.240
<v Speaker 2>identifies great players. You look at the champions at Marion,

1:09:06.200 --> 1:09:11.000
<v Speaker 2>they're you know, I mean, maybe maybe Olin Dutris kind

1:09:11.000 --> 1:09:13.439
<v Speaker 2>of the exception which you know, there's bound to be

1:09:13.479 --> 1:09:15.840
<v Speaker 2>some exceptions to the rule. But there's a reason why

1:09:15.920 --> 1:09:20.040
<v Speaker 2>Bobby Jones won two amateurs there, there's a reason why

1:09:22.479 --> 1:09:26.080
<v Speaker 2>Ben Hogan won when he won. The course demands a

1:09:26.240 --> 1:09:30.760
<v Speaker 2>full complement of shots and the ability to move the

1:09:30.760 --> 1:09:33.639
<v Speaker 2>ball both ways, which kind of gets lost a little

1:09:33.680 --> 1:09:37.320
<v Speaker 2>bit in the modern game. I guess although you know, Mike,

1:09:37.680 --> 1:09:40.280
<v Speaker 2>as I aged Mike, I'm hitting not hitting it as

1:09:40.280 --> 1:09:42.800
<v Speaker 2>far as I used to, and uh, those demands aren't

1:09:42.840 --> 1:09:45.599
<v Speaker 2>quite there as much anymore. But I'm moving up teas.

1:09:45.680 --> 1:09:48.040
<v Speaker 2>I like playing combo te's now and things like that,

1:09:48.360 --> 1:09:51.000
<v Speaker 2>so you can set marrying up with short teas that

1:09:51.160 --> 1:09:53.840
<v Speaker 2>make it available, you know, make it enjoyable for everybody.

1:09:55.080 --> 1:09:59.760
<v Speaker 2>But I do think that it's the collaborative effort at

1:10:00.120 --> 1:10:04.479
<v Speaker 2>you know that Marion and Pine Valley, and particularly the

1:10:05.720 --> 1:10:09.559
<v Speaker 2>sharing of knowledge and the growth of knowledge that Hugh

1:10:09.600 --> 1:10:14.439
<v Speaker 2>Wilson and William Flynn had together. It transported everywhere. It

1:10:14.520 --> 1:10:17.760
<v Speaker 2>transporting out Thomas, you know, he brought up to California.

1:10:18.200 --> 1:10:22.599
<v Speaker 2>Tilling has brought it all over the country. But there

1:10:22.640 --> 1:10:25.960
<v Speaker 2>were two classrooms where these guys learned their lessons and

1:10:26.360 --> 1:10:32.200
<v Speaker 2>became you know, the exceptional talents that they became, and

1:10:32.200 --> 1:10:35.400
<v Speaker 2>that's Marian and Pine Valley, and the reasons for both

1:10:35.439 --> 1:10:39.559
<v Speaker 2>are the same. You know, developed championship golfers want, you know,

1:10:39.920 --> 1:10:42.639
<v Speaker 2>you need requiring, you know, needing a championship golf course

1:10:42.680 --> 1:10:46.519
<v Speaker 2>to create championship golfers. And I really do think the

1:10:46.560 --> 1:10:49.880
<v Speaker 2>influence is far and wide in the United States today.

1:10:50.400 --> 1:10:52.960
<v Speaker 2>There's been a little bit of a uh, you know,

1:10:53.040 --> 1:10:55.640
<v Speaker 2>things happen in cycles, so there's been a little bit

1:10:55.680 --> 1:10:59.320
<v Speaker 2>of a return to the McDonald rayner stuff that, you know,

1:10:59.560 --> 1:11:03.360
<v Speaker 2>bringing the lido back and you know, some of the

1:11:03.439 --> 1:11:10.639
<v Speaker 2>designs influences of MacDonald or Rayner. But to me, that's

1:11:10.640 --> 1:11:12.280
<v Speaker 2>not America thing, you know, that's that's sort of a

1:11:12.400 --> 1:11:16.360
<v Speaker 2>vestige of the old world. Maybe he had one foot

1:11:16.400 --> 1:11:19.280
<v Speaker 2>in the old world in one foot in the kind

1:11:19.280 --> 1:11:21.799
<v Speaker 2>of new world, but Philadelphia took it in an entirely

1:11:21.840 --> 1:11:26.040
<v Speaker 2>different direction and created an American style of golf architecture.

1:11:26.840 --> 1:11:31.000
<v Speaker 1>There's sort of these twin origin stories, I guess of

1:11:31.560 --> 1:11:36.360
<v Speaker 1>American golf architecture, the yin and the Yang represented by

1:11:36.960 --> 1:11:40.320
<v Speaker 1>National Golf Links on the one hand, which opened in

1:11:40.920 --> 1:11:45.280
<v Speaker 1>nineteen eleven, right was developed for several years before that,

1:11:45.360 --> 1:11:50.440
<v Speaker 1>but it finally became you know, playable by about nineteen eleven. Yeah,

1:11:50.479 --> 1:11:55.000
<v Speaker 1>and then it was the very next year that the

1:11:55.040 --> 1:12:00.400
<v Speaker 1>initial iteration of Hugh Wilson's design at the East Course

1:12:00.479 --> 1:12:05.040
<v Speaker 1>at Marion opened, And so it's it's within this two

1:12:05.120 --> 1:12:08.840
<v Speaker 1>year period that we have kind of two different paths

1:12:09.240 --> 1:12:12.120
<v Speaker 1>for American golf architecture opening up. Yeah.

1:12:12.120 --> 1:12:14.679
<v Speaker 2>That trunk of the tree, you know, has two really

1:12:14.680 --> 1:12:17.080
<v Speaker 2>big branches separated early on.

1:12:17.720 --> 1:12:21.160
<v Speaker 1>It's so interesting, though, I heard you say earlier that

1:12:21.160 --> 1:12:24.599
<v Speaker 1>that you really think that the East Course came into

1:12:24.680 --> 1:12:27.000
<v Speaker 1>its own and this is just my interpretation of what

1:12:27.040 --> 1:12:31.000
<v Speaker 1>you said, came into its own more in nineteen sixteen.

1:12:31.040 --> 1:12:34.360
<v Speaker 2>Around Yeahsaover was helped. Yeah, so that when you think

1:12:34.400 --> 1:12:38.360
<v Speaker 2>that Marion really became the kind of path breaking golf

1:12:38.360 --> 1:12:41.000
<v Speaker 2>course that we're talking about right now, yeah, I do

1:12:41.080 --> 1:12:43.880
<v Speaker 2>think so. And it was and you know, championship golf

1:12:43.920 --> 1:12:47.080
<v Speaker 2>at Marion's always been a you know, in the DNA

1:12:47.160 --> 1:12:49.840
<v Speaker 2>of the club, and it's really the reason why the club,

1:12:49.920 --> 1:12:53.040
<v Speaker 2>the course improved over time. I mean, if you think

1:12:53.040 --> 1:12:55.640
<v Speaker 2>of nineteen twelve to nineteen thirty four, there were a

1:12:55.680 --> 1:13:00.479
<v Speaker 2>lot of changes that were made and fortunately not all

1:13:00.560 --> 1:13:03.800
<v Speaker 2>changes or improvements, but these were these were all improvements

1:13:03.800 --> 1:13:06.960
<v Speaker 2>in the golf course. And again it was Hugh Wilson,

1:13:07.760 --> 1:13:10.479
<v Speaker 2>then Hugh Wilson and Flynn then Flynn, and I think

1:13:12.000 --> 1:13:15.920
<v Speaker 2>without a doubt the it's sort of a microcosm of

1:13:15.960 --> 1:13:20.120
<v Speaker 2>the evolution of golf architecture, and it followed the evolution

1:13:20.240 --> 1:13:24.160
<v Speaker 2>of golf going from you know, hitting a two hundred

1:13:24.160 --> 1:13:26.680
<v Speaker 2>and twenty yard shot with a with a hickory and

1:13:26.760 --> 1:13:30.200
<v Speaker 2>a gun approch it to you know what they're you know,

1:13:30.200 --> 1:13:33.719
<v Speaker 2>they're they're you know, four hundred and sixty cc drivers

1:13:33.720 --> 1:13:36.880
<v Speaker 2>that they're carrying three sixty hitting three wood over the

1:13:36.880 --> 1:13:41.800
<v Speaker 2>first green. It's still a relevant golf you know, still

1:13:41.800 --> 1:13:45.200
<v Speaker 2>a relevant golf course. And there's not too many sixty

1:13:45.200 --> 1:13:47.600
<v Speaker 2>eight sixty nine hundred yard golf courses that today that

1:13:47.680 --> 1:13:53.400
<v Speaker 2>can you know, withstand the the the improvements in golfers

1:13:53.400 --> 1:13:56.880
<v Speaker 2>and golf equipment. Studying that golf course. I think anybody

1:13:56.920 --> 1:13:59.960
<v Speaker 2>who wants is interested in golf architecture needs to study

1:14:00.240 --> 1:14:02.719
<v Speaker 2>it for what it is. Like you, like you pointed

1:14:02.720 --> 1:14:05.200
<v Speaker 2>out where it is in the in the evolution of

1:14:05.200 --> 1:14:09.639
<v Speaker 2>golf architecture in America, but it's it's It's an example

1:14:09.680 --> 1:14:13.880
<v Speaker 2>of a golf course that you know, considered short, is

1:14:13.920 --> 1:14:18.680
<v Speaker 2>still you know, still uh, still relevant and enjoyable.

1:14:19.600 --> 1:14:21.920
<v Speaker 1>Yeah, it was. It was important at the time that

1:14:22.080 --> 1:14:25.320
<v Speaker 1>it was built for a variety of reasons, because of

1:14:25.360 --> 1:14:27.840
<v Speaker 1>its newness and because of what it indicated about where

1:14:27.840 --> 1:14:31.640
<v Speaker 1>golf architecture could go. And now it still seems to

1:14:31.640 --> 1:14:36.120
<v Speaker 1>be important, partly because it represents a way to challenge

1:14:36.200 --> 1:14:43.320
<v Speaker 1>elite players without enlarging and lengthening everything, right, And so

1:14:44.000 --> 1:14:48.600
<v Speaker 1>the course's significance has maybe shifted over the years, but

1:14:48.600 --> 1:14:51.360
<v Speaker 1>but it's but it's still there. So, uh, thank you

1:14:51.400 --> 1:14:53.920
<v Speaker 1>so much for for coming on the podcast. Wayne. It's

1:14:53.960 --> 1:14:57.080
<v Speaker 1>always a delight to talk to you. And uh, you know,

1:14:57.160 --> 1:14:59.960
<v Speaker 1>your research has been really important in my own understanding

1:15:00.000 --> 1:15:04.439
<v Speaker 1>thing of this course and many of William Flynn's other courses.

1:15:04.520 --> 1:15:07.519
<v Speaker 1>So so thank you for that research. And we'll have

1:15:07.560 --> 1:15:08.320
<v Speaker 1>to talk again soon.

1:15:08.560 --> 1:15:10.880
<v Speaker 2>Thanks Gay. When are we going to play golf together

1:15:12.760 --> 1:15:17.759
<v Speaker 2>any anytime I'm on a plane, I'm outside of Portland, Oregon,

1:15:19.360 --> 1:15:22.240
<v Speaker 2>so I'm always away. I'm always away, but it's I'm

1:15:22.400 --> 1:15:24.640
<v Speaker 2>over one of these one of these days. I look

1:15:24.680 --> 1:15:27.120
<v Speaker 2>forward to that. That's great. I really enjoyed talking to you.

1:15:27.120 --> 1:15:33.280
<v Speaker 2>Your knowledge, your insights, your questioning abilities or are really phenomenal.

1:15:33.360 --> 1:15:35.760
<v Speaker 2>So it's a pleasure to speak to you. It's a

1:15:35.760 --> 1:15:41.080
<v Speaker 2>pleasure to get you know, inspired to uh to you know,

1:15:41.160 --> 1:15:43.519
<v Speaker 2>to to be able to dig in and and be

1:15:43.560 --> 1:15:46.520
<v Speaker 2>able to answer your very insightful question. So much appreciated.

1:15:55.640 --> 1:16:00.920
<v Speaker 1>This episode of Designing Golf was produced by Will. Thank

1:16:00.960 --> 1:16:05.439
<v Speaker 1>you Will. If you'd like to support Frida Egg Golf further,

1:16:06.040 --> 1:16:09.120
<v Speaker 1>go to the Frida Egg dot com slash membership to

1:16:09.200 --> 1:16:12.599
<v Speaker 1>see what Frida Egg Golf Club is all about. Lots

1:16:12.600 --> 1:16:14.759
<v Speaker 1>of fun things happening in there. We have a new

1:16:15.280 --> 1:16:19.559
<v Speaker 1>member app where we're interacting talking about golf courses, talking

1:16:19.600 --> 1:16:23.000
<v Speaker 1>about the game, and that's been really fun. Also, make

1:16:23.040 --> 1:16:26.080
<v Speaker 1>sure to check out Frida Egg Golf Volume two, which

1:16:26.120 --> 1:16:30.439
<v Speaker 1>is our second coffee table book currently in pre order.

1:16:31.000 --> 1:16:34.920
<v Speaker 1>There's pre order through September second, so go to the

1:16:34.920 --> 1:16:37.840
<v Speaker 1>pro shop dot Thefrida Egg dot com to see the

1:16:37.880 --> 1:16:41.720
<v Speaker 1>coffee table book offering really cool stuff there. Thank you

1:16:41.760 --> 1:16:54.719
<v Speaker 1>for listening, and we'll be back again soon with another episode.