1
00:00:02,720 --> 00:00:07,360
Speaker 1: Are you leaving? I you wanna way back home? Either way,

2
00:00:07,600 --> 00:00:12,879
Speaker 1: we want to be there. Doesn't matter how much baggage

3
00:00:12,920 --> 00:00:17,680
Speaker 1: you claim and give us time and a termino and gage.

4
00:00:19,040 --> 00:00:21,599
Speaker 2: We want to send you off in style.

5
00:00:23,000 --> 00:00:28,440
Speaker 1: We wanna welcome you back home. Tell us all about it.

6
00:00:28,680 --> 00:00:49,320
Speaker 1: We scared her? Was it fine? Mal porn? Do you

7
00:00:49,479 --> 00:00:53,320
Speaker 1: need to ride? Do you need to ride? Do you

8
00:00:53,479 --> 00:00:57,240
Speaker 1: need to ride? Do you need to ride? Do you

9
00:00:57,440 --> 00:01:00,720
Speaker 1: need to ride? Do your need to ride?

10
00:01:01,600 --> 00:01:15,560
Speaker 3: To ride with Karen and Chris? Welcome to Do you

11
00:01:15,600 --> 00:01:17,960
Speaker 3: need to ride? This is Chris Fairbanks.

12
00:01:17,440 --> 00:01:20,920
Speaker 4: And this is Karen Kilgariff. Hello, my friend, Hello Chris.

13
00:01:21,600 --> 00:01:26,959
Speaker 4: We are in holl Hollywood, near the Army Surplus store.

14
00:01:27,040 --> 00:01:30,560
Speaker 4: That is where you can just openly and I recommend

15
00:01:30,560 --> 00:01:31,680
Speaker 4: this to everyone.

16
00:01:31,920 --> 00:01:37,240
Speaker 3: By pepper spray. Yeah, not enough people have pepper spray.

17
00:01:37,680 --> 00:01:40,039
Speaker 3: It's a great insurance in your.

18
00:01:39,920 --> 00:01:45,880
Speaker 1: Safety, especially if you like to hike in the deep forest. Yes, sorry,

19
00:01:45,920 --> 00:01:47,680
Speaker 1: I'm thinking of bear spray right.

20
00:01:48,040 --> 00:01:51,920
Speaker 3: I'm talking about the ability to spray other human like

21
00:01:52,040 --> 00:01:53,280
Speaker 3: men in the eyes.

22
00:01:54,640 --> 00:01:56,400
Speaker 1: But just use bear spray.

23
00:01:57,640 --> 00:01:59,760
Speaker 3: But a lot of if you spray a human with

24
00:02:00,000 --> 00:02:02,720
Speaker 3: air spray, sometimes they have a little identity crisis and

25
00:02:02,720 --> 00:02:06,000
Speaker 3: that really throws them off. They just start like Yogi

26
00:02:06,080 --> 00:02:09,040
Speaker 3: b Yeah, they stop trying to attack you, and they

27
00:02:09,120 --> 00:02:12,840
Speaker 3: go face first into a honey tree.

28
00:02:13,560 --> 00:02:16,280
Speaker 1: A honey tree, A honey tree. Sure, you're thinking of

29
00:02:16,480 --> 00:02:19,320
Speaker 1: a tree that's got a beehive in it where there's

30
00:02:19,360 --> 00:02:21,600
Speaker 1: honey inside the beehive. Right, am I right?

31
00:02:21,840 --> 00:02:22,240
Speaker 3: Yes?

32
00:02:22,400 --> 00:02:23,240
Speaker 1: Do I understand?

33
00:02:23,560 --> 00:02:27,519
Speaker 3: Yes, a hollowed out tree where bees are like, let

34
00:02:27,560 --> 00:02:30,560
Speaker 3: me confusingly hide my hide in this tree hole?

35
00:02:30,760 --> 00:02:33,519
Speaker 1: Yes, so that nobody comes in with their long bear

36
00:02:33,680 --> 00:02:37,000
Speaker 1: paws and claws open our hard work and eats it

37
00:02:37,040 --> 00:02:40,040
Speaker 1: for themselves and gets stuck in the hole. That's a

38
00:02:40,080 --> 00:02:40,880
Speaker 1: Winnie the poodo.

39
00:02:41,639 --> 00:02:47,720
Speaker 3: Yes, and take it from me, a Christopher. I know

40
00:02:47,800 --> 00:02:48,359
Speaker 3: Winnie the.

41
00:02:48,320 --> 00:02:52,680
Speaker 1: Pooh as a kid, as a Christopher.

42
00:02:52,960 --> 00:02:56,760
Speaker 3: Yeah, everyone called me Christopher Robin. I'd say, stop it. Well,

43
00:02:56,800 --> 00:02:59,720
Speaker 3: I know it's too late, but I consider it a compliment.

44
00:03:00,120 --> 00:03:02,840
Speaker 3: You fourth graders trying to get a rise out of me.

45
00:03:03,040 --> 00:03:05,520
Speaker 1: Yeah, they really. That was like being called Karen the

46
00:03:05,520 --> 00:03:07,560
Speaker 1: Red Baron, and I was like, you are not touching

47
00:03:07,600 --> 00:03:11,880
Speaker 1: me in any way, shape or form. You cannot like sorry,

48
00:03:12,080 --> 00:03:15,200
Speaker 1: my parents gave me the perfect name. Ye can't, I

49
00:03:15,240 --> 00:03:17,959
Speaker 1: can't you can't. It doesn't hurt for you to call

50
00:03:18,040 --> 00:03:20,760
Speaker 1: me a red baron right. No one even knows what

51
00:03:20,800 --> 00:03:22,280
Speaker 1: that is. It's like a Snoopy reference.

52
00:03:23,040 --> 00:03:26,720
Speaker 3: But I'm glad it's dying. It's being misused. It's the

53
00:03:27,160 --> 00:03:32,480
Speaker 3: name Karen got co opted, yes, and then it got confused.

54
00:03:32,480 --> 00:03:36,040
Speaker 3: Now it's being used by all right people to describe

55
00:03:36,080 --> 00:03:42,160
Speaker 3: someone that's bothering a Trump rally or what Karen used

56
00:03:42,160 --> 00:03:47,200
Speaker 3: to be just a specific person saying pulling over and

57
00:03:47,240 --> 00:03:51,040
Speaker 3: saying do you live in this neighborhood? Right, and that

58
00:03:51,160 --> 00:03:53,520
Speaker 3: it was a random name. I hope you never took

59
00:03:53,560 --> 00:03:57,680
Speaker 3: it personally. No, but it was probably annoying, not at all.

60
00:03:58,000 --> 00:03:58,360
Speaker 3: I don't.

61
00:03:58,680 --> 00:04:03,880
Speaker 1: I feel like it is great. I really like the

62
00:04:03,960 --> 00:04:06,880
Speaker 1: spirit with which it started, which is these fucking white

63
00:04:06,920 --> 00:04:10,080
Speaker 1: women who go around bossing the world around, and we've

64
00:04:10,080 --> 00:04:13,440
Speaker 1: all suffered under that energy of like, oh, that's the

65
00:04:13,520 --> 00:04:17,320
Speaker 1: lady that drives carpool. But she's also an insane asshole, right,

66
00:04:17,400 --> 00:04:19,640
Speaker 1: So people listen to her and she somehow can snap

67
00:04:19,680 --> 00:04:22,680
Speaker 1: her fingers and people do stuff and she can't use

68
00:04:22,720 --> 00:04:23,720
Speaker 1: her power correctly.

69
00:04:23,920 --> 00:04:27,440
Speaker 3: Yeah, and she has the haircut of the mom from

70
00:04:27,480 --> 00:04:30,560
Speaker 3: that so and so and so and so have eight kids.

71
00:04:31,520 --> 00:04:33,560
Speaker 1: What was that, oh, John and Kate Plessing.

72
00:04:33,760 --> 00:04:40,280
Speaker 3: Yes, that asymmetrical sharp angled, But now it just means

73
00:04:41,279 --> 00:04:46,599
Speaker 3: any woman speaking up for herself or defending someone. It's

74
00:04:46,640 --> 00:04:49,200
Speaker 3: really been destroyed. It's very confused.

75
00:04:49,320 --> 00:04:52,720
Speaker 1: It's how the kind of trends in the media go,

76
00:04:53,040 --> 00:04:56,440
Speaker 1: where it starts accurate, then it gets overused, then it

77
00:04:56,560 --> 00:04:59,600
Speaker 1: just gets misused. Yes, then it's pointless.

78
00:05:00,400 --> 00:05:05,920
Speaker 3: We have to remember the original Karen, and and remember

79
00:05:06,360 --> 00:05:10,039
Speaker 3: that it's not the original Karen who I'm sitting next to.

80
00:05:10,279 --> 00:05:11,240
Speaker 3: They're unrelated.

81
00:05:11,680 --> 00:05:14,520
Speaker 1: Although I do have some tendencies that are very Karen, like.

82
00:05:15,200 --> 00:05:18,520
Speaker 3: The good one, the original kind. Right, you're power to

83
00:05:18,560 --> 00:05:23,039
Speaker 3: the people, do my best. You're she always she drives

84
00:05:23,120 --> 00:05:24,160
Speaker 3: with a raised fist.

85
00:05:24,560 --> 00:05:27,320
Speaker 1: I like the idea of if you I want to

86
00:05:27,320 --> 00:05:30,360
Speaker 1: be one of those Karens that if I'm in CVS

87
00:05:30,560 --> 00:05:34,280
Speaker 1: and there's a weird old white maga lady screaming at

88
00:05:34,320 --> 00:05:36,800
Speaker 1: people that she thinks shouldn't be speaking a different language

89
00:05:36,800 --> 00:05:39,159
Speaker 1: in front of Oh my God, that's where I shine.

90
00:05:40,080 --> 00:05:42,040
Speaker 1: That's where I really will come into play.

91
00:05:42,080 --> 00:05:44,839
Speaker 3: Please Karen, bring back the original you.

92
00:05:47,560 --> 00:05:50,400
Speaker 1: It didn't really bother me ever until people are like,

93
00:05:50,440 --> 00:05:52,520
Speaker 1: I'm really sorry, this is happening, and it's like that

94
00:05:52,600 --> 00:05:55,840
Speaker 1: means you think of me when you hear this right now,

95
00:05:56,240 --> 00:05:58,600
Speaker 1: it's like, I just don't relate, but should I.

96
00:05:58,800 --> 00:06:01,320
Speaker 3: Only in the way that it ca we wear all

97
00:06:01,360 --> 00:06:04,200
Speaker 3: great friends. And then people started using that and I'm like, hey,

98
00:06:04,279 --> 00:06:05,000
Speaker 3: that's not fair.

99
00:06:06,120 --> 00:06:10,080
Speaker 1: It's fine. It's like, finally, let it be the people's fault.

100
00:06:10,080 --> 00:06:13,360
Speaker 1: Who's it's actually their fault. I like that part of it,

101
00:06:13,440 --> 00:06:16,240
Speaker 1: so it's worth it to me. Where it's like name

102
00:06:16,320 --> 00:06:19,160
Speaker 1: and shame the people who are actually abusive and destructive

103
00:06:19,200 --> 00:06:20,919
Speaker 1: and weird, but they do it with a weird smile

104
00:06:20,960 --> 00:06:23,240
Speaker 1: on their face so they never get in trouble. I hae, right, right,

105
00:06:23,440 --> 00:06:28,240
Speaker 1: Hate those tricksters. Hate those people who are like, they're

106
00:06:28,279 --> 00:06:31,480
Speaker 1: super nice in general, but actually they're wildly racist and

107
00:06:32,320 --> 00:06:35,680
Speaker 1: jump on the chance to like demean a black person

108
00:06:36,040 --> 00:06:38,320
Speaker 1: or a person of color, just like all those people.

109
00:06:38,560 --> 00:06:41,480
Speaker 3: Yeah, it's it's I thought it was something that was

110
00:06:41,560 --> 00:06:45,159
Speaker 3: just happening in the past or in towns that I

111
00:06:45,200 --> 00:06:49,119
Speaker 3: don't visit, But turns out it's a very confusing time.

112
00:06:49,880 --> 00:06:53,080
Speaker 1: Well, there's just no shortage of stupid people, and when

113
00:06:53,120 --> 00:06:57,320
Speaker 1: stupid people feel very empowered, like that their anger and

114
00:06:57,400 --> 00:07:01,000
Speaker 1: their hatred is a quality that's good about them. Then

115
00:07:01,040 --> 00:07:04,760
Speaker 1: they don't get into any kind of changing lesson learning position.

116
00:07:05,200 --> 00:07:09,600
Speaker 1: They just get kind of like fake applauded for being

117
00:07:09,600 --> 00:07:10,800
Speaker 1: the worst version of themselves.

118
00:07:10,960 --> 00:07:13,080
Speaker 3: Right, But it seems like just a handful of years

119
00:07:13,120 --> 00:07:16,800
Speaker 3: ago they were staying indoors in the darkness.

120
00:07:17,480 --> 00:07:19,320
Speaker 1: It just we didn't have to see them that much.

121
00:07:19,440 --> 00:07:21,600
Speaker 1: Now we're all seeing them the same Nazis.

122
00:07:21,680 --> 00:07:25,200
Speaker 3: Damn phones, isn't it Nazis? Well, where are you running

123
00:07:25,200 --> 00:07:27,680
Speaker 3: away to? For all you're going on a vacation.

124
00:07:28,000 --> 00:07:29,160
Speaker 1: I am just up north?

125
00:07:29,320 --> 00:07:32,520
Speaker 3: Can you tell me? Where are you? Oh? To the

126
00:07:32,760 --> 00:07:36,360
Speaker 3: your al stopping ground. That's not the Great North Canada.

127
00:07:36,480 --> 00:07:39,480
Speaker 1: I can't go there anymore with the oly arrests.

128
00:07:39,960 --> 00:07:42,640
Speaker 3: Yes, yes, oh yes that's true.

129
00:07:42,800 --> 00:07:47,960
Speaker 1: It's my record. My rap sheet is so long, sorry Canada.

130
00:07:48,360 --> 00:07:52,120
Speaker 3: Yeah you aw those corporate crimes.

131
00:07:52,360 --> 00:07:54,080
Speaker 1: Yes, I love a white collar crime.

132
00:07:54,200 --> 00:07:57,680
Speaker 3: Yeah, you did them so secretly? To where right now

133
00:07:57,800 --> 00:07:59,480
Speaker 3: is the first time hearing of it? And I brought

134
00:07:59,480 --> 00:08:02,080
Speaker 3: it up right But then you said I did do that.

135
00:08:02,400 --> 00:08:05,120
Speaker 1: That's how I get you. That's like she's so trustworthy,

136
00:08:05,200 --> 00:08:06,600
Speaker 1: she told me she's doing it.

137
00:08:06,760 --> 00:08:10,200
Speaker 3: But that's also an example of my gotcha journalism.

138
00:08:10,320 --> 00:08:12,640
Speaker 1: Oh shit, you're recording this whole conversation.

139
00:08:13,680 --> 00:08:15,480
Speaker 3: It's being dictated with AI.

140
00:08:15,640 --> 00:08:17,280
Speaker 1: That's going to have my love on.

141
00:08:20,160 --> 00:08:25,520
Speaker 3: You've never been podcasting the last thirteen years. Thirteen fourteen,

142
00:08:25,960 --> 00:08:26,960
Speaker 3: I mean more.

143
00:08:26,840 --> 00:08:29,320
Speaker 1: Than ten, certainly more than ten.

144
00:08:29,720 --> 00:08:31,960
Speaker 3: If you're listening right now and you want to tell me,

145
00:08:32,200 --> 00:08:34,520
Speaker 3: please don't, it's.

146
00:08:34,360 --> 00:08:35,400
Speaker 1: Got to be fourteen.

147
00:08:35,920 --> 00:08:36,320
Speaker 3: Mm hmm.

148
00:08:38,720 --> 00:08:43,000
Speaker 1: Twenty eleven. We started that sounds right, sounds kind of right,

149
00:08:43,800 --> 00:08:46,880
Speaker 1: twenty eleven, twenty twelve, because I was in you're right,

150
00:08:47,080 --> 00:08:52,160
Speaker 1: New York and then Chicago. So after that, when I

151
00:08:52,200 --> 00:08:54,400
Speaker 1: got back from then, it was like twenty twelve and.

152
00:08:54,360 --> 00:08:58,520
Speaker 3: I was producing my last handful of Fuel TV segments

153
00:08:58,760 --> 00:09:05,240
Speaker 3: and that ended eleven. Okay, wow, it's been nice knowing you.

154
00:09:05,280 --> 00:09:06,480
Speaker 1: Goodbye and get out here.

155
00:09:06,559 --> 00:09:08,040
Speaker 3: No hello, let's continue.

156
00:09:08,120 --> 00:09:11,959
Speaker 1: Oh okay, yeah, yeah, thank you for journing that around.

157
00:09:12,120 --> 00:09:15,319
Speaker 3: Yeah, let's consider that the start of a new season.

158
00:09:15,640 --> 00:09:20,680
Speaker 3: Our first season was seven years then. We yeah, we're

159
00:09:20,800 --> 00:09:23,760
Speaker 3: just doing it. I think this time it should be

160
00:09:25,559 --> 00:09:27,840
Speaker 3: a leap year. I still don't know what a leap

161
00:09:27,880 --> 00:09:28,360
Speaker 3: year is.

162
00:09:29,080 --> 00:09:31,079
Speaker 1: That's the one where it's every four years instead of

163
00:09:31,120 --> 00:09:32,960
Speaker 1: every year. At the end of February.

164
00:09:33,640 --> 00:09:35,800
Speaker 3: Okay, we're going to start in a new season at

165
00:09:35,800 --> 00:09:38,960
Speaker 3: the start of this fiscal year and sail at a

166
00:09:39,000 --> 00:09:39,760
Speaker 3: mattress store.

167
00:09:39,840 --> 00:09:43,319
Speaker 1: Should we restart every season quarterly in the fiscal quarter?

168
00:09:43,760 --> 00:09:49,080
Speaker 3: Should we restart this episode? No? That was me? What's

169
00:09:49,160 --> 00:09:51,440
Speaker 3: me roasting myself? Not you?

170
00:09:51,720 --> 00:09:54,120
Speaker 1: Incredible? No, you can't roast yourself without roasting.

171
00:09:54,360 --> 00:09:56,120
Speaker 3: Keep rolling. Let's get some room.

172
00:09:56,200 --> 00:10:02,079
Speaker 1: Tone, do not cut. Okay until I say cut.

173
00:10:03,920 --> 00:10:05,920
Speaker 3: I think this has been a good episode, so funny.

174
00:10:05,920 --> 00:10:10,319
Speaker 1: I too. We're in it. This is the kind of like, look,

175
00:10:10,400 --> 00:10:13,120
Speaker 1: you love comedy, obviously you're a listener of this podcast

176
00:10:13,160 --> 00:10:15,880
Speaker 1: for fourteen years. Yes, thank you for your dedication.

177
00:10:15,960 --> 00:10:17,240
Speaker 3: First of all, Yes, thank you.

178
00:10:17,640 --> 00:10:21,240
Speaker 1: Secondly, thank you for supporting our comedic endeavors, because this

179
00:10:21,320 --> 00:10:23,160
Speaker 1: really is what it's like to hang out with comics.

180
00:10:23,240 --> 00:10:26,280
Speaker 3: Yeah, and with today's order, you'll not only get the

181
00:10:26,280 --> 00:10:32,960
Speaker 3: tote bag, you will get years of programming, like a

182
00:10:33,040 --> 00:10:39,080
Speaker 3: DVD of all of our I get it wrong. That's

183
00:10:39,080 --> 00:10:41,839
Speaker 3: why I don't do improv. I know, budded myself.

184
00:10:41,880 --> 00:10:43,719
Speaker 1: You know. Here's the thing, though, that was the kind

185
00:10:43,720 --> 00:10:46,760
Speaker 1: of comedy where people who can like spot memorize bullshit

186
00:10:46,960 --> 00:10:47,319
Speaker 1: this guy.

187
00:10:47,640 --> 00:10:52,800
Speaker 4: Oh my god, she's gotta be fucking cod so bizarre,

188
00:10:52,960 --> 00:10:55,200
Speaker 4: Jesus fucking happening.

189
00:10:56,360 --> 00:10:58,280
Speaker 3: Why was all that happening?

190
00:10:58,400 --> 00:11:01,720
Speaker 1: That person was in my thought, but then the.

191
00:11:01,640 --> 00:11:04,200
Speaker 3: Truck behind them decided to take her side.

192
00:11:04,800 --> 00:11:07,200
Speaker 1: No, I think it was just getting away from her.

193
00:11:07,400 --> 00:11:08,680
Speaker 1: I swerved into his lane.

194
00:11:08,800 --> 00:11:12,560
Speaker 3: Oh wow, let's just abandon this road all together.

195
00:11:12,360 --> 00:11:13,720
Speaker 1: He says. I'm so sorry you guys.

196
00:11:13,760 --> 00:11:15,640
Speaker 3: It's okay. We're on a terfect route to go to

197
00:11:15,679 --> 00:11:17,360
Speaker 3: where we wanted to go, but we had to get

198
00:11:17,360 --> 00:11:17,800
Speaker 3: out of there.

199
00:11:17,880 --> 00:11:20,199
Speaker 1: We had to get out of there, and now we have.

200
00:11:20,200 --> 00:11:23,480
Speaker 3: To go to the Hollywood Bowl for whatever daytime concerts playing.

201
00:11:24,480 --> 00:11:27,040
Speaker 1: I ate it's forced concerts.

202
00:11:27,679 --> 00:11:30,920
Speaker 3: It's so weird. It's always within because this is where

203
00:11:30,920 --> 00:11:35,720
Speaker 3: I had my traumatic rear ending in a vehicle, not

204
00:11:35,840 --> 00:11:40,960
Speaker 3: what you thought I meant. And yesterday, a time that

205
00:11:41,360 --> 00:11:44,840
Speaker 3: I parked my car ironically went into audition for a

206
00:11:44,880 --> 00:11:48,880
Speaker 3: car insurance commercial, came out and someone had sideswiped my car.

207
00:11:50,720 --> 00:11:54,280
Speaker 3: I yesterday went I parked in that same spot because

208
00:11:54,280 --> 00:11:58,040
Speaker 3: I got lost trying to find a home depot, and

209
00:11:59,120 --> 00:12:03,920
Speaker 3: I saw wyatt happened. Originally it was like that San

210
00:12:04,080 --> 00:12:08,960
Speaker 3: Fernando near the Golden Brewing Place wherever it's like a

211
00:12:09,040 --> 00:12:12,160
Speaker 3: wide turn. Someone almost hit my car again, and it

212
00:12:12,200 --> 00:12:16,120
Speaker 3: was the same situations situation, and they would have hit

213
00:12:16,160 --> 00:12:18,520
Speaker 3: the same dnse. It could have been the same person.

214
00:12:19,080 --> 00:12:22,559
Speaker 3: I'm just saying some of these corners are cursed. They are,

215
00:12:23,520 --> 00:12:27,800
Speaker 3: and you shouldn't take it personally because it's a traffic

216
00:12:27,840 --> 00:12:30,960
Speaker 3: ghost and it's been there for years.

217
00:12:31,320 --> 00:12:35,760
Speaker 1: Also, I think that situation where someone's coming into my lane.

218
00:12:35,840 --> 00:12:38,760
Speaker 1: So then once that ends, I'm like, fucking asshole, and

219
00:12:38,800 --> 00:12:41,920
Speaker 1: then I go to get over, Like the guy behind

220
00:12:42,040 --> 00:12:45,920
Speaker 1: me saw that happening and sped up, so I couldn't

221
00:12:45,920 --> 00:12:49,199
Speaker 1: get away from that car, like because once the car passed,

222
00:12:49,240 --> 00:12:50,840
Speaker 1: I was like, yeah, I'm trying to get over, and

223
00:12:50,840 --> 00:12:52,839
Speaker 1: then like that car was like I'm here, and.

224
00:12:52,800 --> 00:12:56,760
Speaker 3: It's like so they were killing Also, yes, like if.

225
00:12:57,160 --> 00:12:59,800
Speaker 1: You're watching the car in front of you almost crashed

226
00:12:59,800 --> 00:13:01,800
Speaker 1: into the car to the right of you, give it

227
00:13:01,880 --> 00:13:08,000
Speaker 1: some room what like whatever. I mean, fifty percent my fault.

228
00:13:08,040 --> 00:13:10,000
Speaker 1: But maybe they were a duo.

229
00:13:10,080 --> 00:13:12,600
Speaker 3: They were car pulling, caravanning.

230
00:13:12,240 --> 00:13:13,920
Speaker 1: Or they do that thing where they try to get

231
00:13:13,920 --> 00:13:14,959
Speaker 1: you into a car accident.

232
00:13:15,320 --> 00:13:18,920
Speaker 3: Oh I only see it on Uh you know videos

233
00:13:18,920 --> 00:13:21,760
Speaker 3: of people on motorcycles. They're in cahoots. You pull up,

234
00:13:21,800 --> 00:13:27,600
Speaker 3: I pull up. We'd rob them with a cleaver. Uh yeah,

235
00:13:27,640 --> 00:13:31,280
Speaker 3: that was actually really scary. And this is a new

236
00:13:31,320 --> 00:13:33,400
Speaker 3: pretty car. It would have been dented. You would have

237
00:13:33,840 --> 00:13:34,439
Speaker 3: talked to the.

238
00:13:34,920 --> 00:13:37,560
Speaker 1: Oh sorry people, Sorry scary.

239
00:13:37,960 --> 00:13:41,440
Speaker 3: And I was about to go into something about PBS.

240
00:13:41,480 --> 00:13:42,920
Speaker 3: I've probably said before.

241
00:13:42,960 --> 00:13:45,920
Speaker 1: Oh the speech, you didn't know. No.

242
00:13:46,120 --> 00:13:47,880
Speaker 3: What I was going to bring up is one of

243
00:13:47,920 --> 00:13:50,520
Speaker 3: the times they were doing a pledge drive. If it's

244
00:13:50,559 --> 00:13:53,640
Speaker 3: called that on BBS. It is one of the things

245
00:13:53,679 --> 00:13:58,560
Speaker 3: they were selling so randomly. Was a live concert that

246
00:13:58,880 --> 00:14:02,800
Speaker 3: had some of the Rolling Stones and some of the Beatles,

247
00:14:02,880 --> 00:14:06,120
Speaker 3: and it was after the Beatles did their the drug

248
00:14:06,200 --> 00:14:10,360
Speaker 3: Sabbatical somewhere. It was like clearly a room full of

249
00:14:10,400 --> 00:14:14,640
Speaker 3: people with garden gnome hats, orange hats. Everyone was wearing

250
00:14:14,640 --> 00:14:17,880
Speaker 3: orange like it looked like a cult situation and the

251
00:14:17,960 --> 00:14:22,080
Speaker 3: music was good, but everyone it's a PBS thing and

252
00:14:22,120 --> 00:14:25,040
Speaker 3: they're showing footage from it. Everyone is so clearly on

253
00:14:25,280 --> 00:14:31,680
Speaker 3: acid and other insane like they're smiling and looking and

254
00:14:31,720 --> 00:14:35,160
Speaker 3: petting each other. They were all tripping. And it's a

255
00:14:35,280 --> 00:14:39,000
Speaker 3: DVD that you're supposed to get for the music, but

256
00:14:39,120 --> 00:14:41,960
Speaker 3: you're just watching. There was heavy petting going on.

257
00:14:42,120 --> 00:14:45,280
Speaker 1: What yes, and this was distributed by PBS.

258
00:14:45,400 --> 00:14:47,840
Speaker 3: Yes, it was a thing that you would order if

259
00:14:47,840 --> 00:14:50,840
Speaker 3: you pledge. Now you get the tote bag and this orgy.

260
00:14:51,600 --> 00:14:54,960
Speaker 1: No, was it like an episode of Nova of like

261
00:14:55,040 --> 00:14:58,640
Speaker 1: this is acid on the same brain And they edited.

262
00:14:58,480 --> 00:15:04,160
Speaker 3: Around the nip slips and that's the fluid trans transfers.

263
00:15:04,160 --> 00:15:10,080
Speaker 3: So you just watched it so clearly was like stuff

264
00:15:10,120 --> 00:15:12,400
Speaker 3: was about to go down and then they said cut

265
00:15:12,640 --> 00:15:13,720
Speaker 3: and rolled the credits.

266
00:15:13,800 --> 00:15:14,880
Speaker 1: What is that?

267
00:15:14,880 --> 00:15:17,240
Speaker 3: That's when the tarps came out, the Beatles and the

268
00:15:17,320 --> 00:15:23,640
Speaker 3: Rolling Stones. It was like Mick Jagger with uh. I

269
00:15:24,560 --> 00:15:26,640
Speaker 3: want to say John Lennon, but I also want to

270
00:15:26,680 --> 00:15:29,920
Speaker 3: say one of the other three guys ring not Ringo,

271
00:15:30,880 --> 00:15:38,600
Speaker 3: the drummer that actually did the drumming. Yeah, are you

272
00:15:38,680 --> 00:15:43,600
Speaker 3: still doing your Ringo star drumming? Fully work by the

273
00:15:43,720 --> 00:16:00,280
Speaker 3: Michael Winslow of Ladies, that's you and I feel Yeah,

274
00:15:59,920 --> 00:16:05,320
Speaker 3: I like when it sounds like a tisk, a teenager's dismissal.

275
00:16:05,440 --> 00:16:11,040
Speaker 1: Yeah, judgment, a harsh adolescent judgment coming towards you. I

276
00:16:11,120 --> 00:16:14,200
Speaker 1: used to laugh like that, and a couple guys in

277
00:16:14,240 --> 00:16:17,040
Speaker 1: my class. They were twins, Adam and Aaron, and Adam

278
00:16:17,080 --> 00:16:19,680
Speaker 1: would go I would be like, and I didn't realize

279
00:16:19,680 --> 00:16:21,440
Speaker 1: I was doing it. It was just like somebody would say

280
00:16:21,440 --> 00:16:24,480
Speaker 1: something sarcastic in class, right. But he would ask questions

281
00:16:24,480 --> 00:16:26,200
Speaker 1: and he would kind of do this like he would

282
00:16:26,240 --> 00:16:29,440
Speaker 1: over dramatically ask the question. So he's like, yes, uh

283
00:16:29,520 --> 00:16:32,280
Speaker 1: could I and so like after thirty seconds, I would

284
00:16:32,280 --> 00:16:35,920
Speaker 1: always go like that. He would get so mad or

285
00:16:35,920 --> 00:16:38,720
Speaker 1: I'm just like, just ask the fucking question. What are

286
00:16:38,720 --> 00:16:39,960
Speaker 1: you doing? Oh?

287
00:16:40,040 --> 00:16:40,560
Speaker 3: Yeah?

288
00:16:40,600 --> 00:16:42,880
Speaker 1: But he did a big long preamble where it was like,

289
00:16:42,920 --> 00:16:45,200
Speaker 1: are you trying to pull a prank right now? Are

290
00:16:45,200 --> 00:16:47,640
Speaker 1: you actually asking a sincere question?

291
00:16:48,360 --> 00:16:50,840
Speaker 3: Yeah, there's a for a while, and I think I

292
00:16:50,840 --> 00:16:53,160
Speaker 3: got it. When I was hanging out with Henry Phillips

293
00:16:53,200 --> 00:16:57,120
Speaker 3: a lot, we would like lap it wasn't I wasn't

294
00:16:57,400 --> 00:16:59,760
Speaker 3: not being genuine when I would laugh this way, but

295
00:16:59,840 --> 00:17:05,359
Speaker 3: I I would respond to things with like I it

296
00:17:05,960 --> 00:17:09,840
Speaker 3: was just an easier way to show I thought that

297
00:17:10,000 --> 00:17:12,760
Speaker 3: was funny. But it does a lot of people took

298
00:17:12,760 --> 00:17:15,560
Speaker 3: it as like I'm being sarcastic, So I had to

299
00:17:15,600 --> 00:17:16,960
Speaker 3: curb it. I had to get rid of it.

300
00:17:17,040 --> 00:17:17,880
Speaker 1: Yeah, me too.

301
00:17:18,160 --> 00:17:20,800
Speaker 3: It was a very specific there is good. There's a

302
00:17:20,840 --> 00:17:24,359
Speaker 3: handful of friends. And if you're listening, they remember that

303
00:17:24,480 --> 00:17:27,760
Speaker 3: handful of years where I was as tisk laugher.

304
00:17:28,640 --> 00:17:31,760
Speaker 1: Those were called my high school years tist laughing. Also,

305
00:17:32,000 --> 00:17:35,159
Speaker 1: all those weird little habits that you have, Like I

306
00:17:35,200 --> 00:17:37,840
Speaker 1: remember I would, oh, in my twenties, I would always say, like, God,

307
00:17:37,840 --> 00:17:40,480
Speaker 1: I'm only joking, and it's just like, well, you're not

308
00:17:40,600 --> 00:17:43,480
Speaker 1: joking good enough that people are getting it right, So like,

309
00:17:43,920 --> 00:17:46,639
Speaker 1: don't just say whatever the fuck comes into your head,

310
00:17:46,960 --> 00:17:49,240
Speaker 1: you know what I mean? That kind of like, well, God,

311
00:17:49,680 --> 00:17:51,879
Speaker 1: I'm just gonna say stuff, and it's like, well, people

312
00:17:51,880 --> 00:17:53,000
Speaker 1: won't like it if you do that.

313
00:17:53,320 --> 00:17:58,160
Speaker 3: Yeah, I just just hurting your feelings out a discomfort

314
00:17:58,160 --> 00:17:59,960
Speaker 3: that I have in my own body.

315
00:18:00,400 --> 00:18:04,600
Speaker 1: Can't I have a coping mechanism at you that sacrifices you.

316
00:18:06,400 --> 00:18:10,159
Speaker 3: So unfair just making light of things at your expense,

317
00:18:10,720 --> 00:18:15,720
Speaker 3: got it? Yeah, Bullying, We've all done it, We've all

318
00:18:15,760 --> 00:18:18,560
Speaker 3: been victim to it. And then the response later on

319
00:18:18,840 --> 00:18:19,879
Speaker 3: you do it yourself.

320
00:18:19,920 --> 00:18:21,800
Speaker 1: But now it went out of fashion.

321
00:18:22,080 --> 00:18:24,240
Speaker 3: Yep, it's not cool anymore.

322
00:18:24,720 --> 00:18:29,119
Speaker 1: It's not Look speaking of the karate kid, Oh, we

323
00:18:29,160 --> 00:18:30,160
Speaker 1: didn't this episode.

324
00:18:31,359 --> 00:18:33,360
Speaker 3: We spoke of it last time. I spoke of it last,

325
00:18:33,600 --> 00:18:35,360
Speaker 3: and so we speak of it again.

326
00:18:35,160 --> 00:18:40,640
Speaker 1: And I shall call its name back down. I don't know.

327
00:18:40,920 --> 00:18:42,240
Speaker 1: It was a little Michael Collins.

328
00:18:42,520 --> 00:18:45,320
Speaker 3: Yes, he sticks with you, demons.

329
00:18:45,480 --> 00:18:48,919
Speaker 1: It's he didn't say demons until three quarters the way.

330
00:18:48,760 --> 00:18:52,880
Speaker 3: Through that shadow of mons. Yes, I had to try

331
00:18:52,880 --> 00:18:54,880
Speaker 3: and bring it out of him.

332
00:18:55,040 --> 00:18:58,639
Speaker 1: I didn't steer clear of the fire station spot.

333
00:18:58,760 --> 00:19:00,880
Speaker 3: What Karen was going to say is fourteen years ago.

334
00:19:01,320 --> 00:19:04,080
Speaker 3: Our early episodes had a lot of bullying. I think

335
00:19:04,160 --> 00:19:05,399
Speaker 3: that's what you were going towards.

336
00:19:05,440 --> 00:19:07,720
Speaker 1: That's I just want to apologize to all of the

337
00:19:07,800 --> 00:19:11,320
Speaker 1: kids I bullied through this podcast, a lot of third graders.

338
00:19:12,000 --> 00:19:14,880
Speaker 1: I went young with my bullying. It's because I find

339
00:19:14,880 --> 00:19:17,120
Speaker 1: it's easier to faster kind of one and done.

340
00:19:17,320 --> 00:19:20,080
Speaker 3: Yeah, you're early bullying was say it was as an adult,

341
00:19:20,119 --> 00:19:20,600
Speaker 3: but it was.

342
00:19:20,800 --> 00:19:21,800
Speaker 1: I was an adults.

343
00:19:21,960 --> 00:19:25,000
Speaker 3: It was early for them driving by schools, yelling really

344
00:19:25,040 --> 00:19:26,679
Speaker 3: mean things.

345
00:19:29,000 --> 00:19:31,359
Speaker 1: Look at that I like that graffiti.

346
00:19:31,800 --> 00:19:37,000
Speaker 3: Oh yeah, kind of an a gesture stick person, but

347
00:19:37,040 --> 00:19:39,399
Speaker 3: not a stick person. Better than that better.

348
00:19:39,680 --> 00:19:41,640
Speaker 1: Also, look at the look at the heart with arms

349
00:19:41,640 --> 00:19:43,320
Speaker 1: and legs and a knife.

350
00:19:43,560 --> 00:19:46,080
Speaker 3: Yeah, oh yeah, that is pretty good.

351
00:19:46,200 --> 00:19:46,840
Speaker 1: That's pretty great.

352
00:19:46,920 --> 00:19:49,880
Speaker 3: That explains a lot of love lost. Oh and look

353
00:19:49,880 --> 00:19:53,240
Speaker 3: at the after photo before and after. Yeah, that one's

354
00:19:53,320 --> 00:19:53,880
Speaker 3: just bleeding.

355
00:19:54,119 --> 00:19:57,119
Speaker 1: Oh shit, Woody Woody is the graffiti artist on the

356
00:19:57,160 --> 00:20:00,800
Speaker 1: one O one North. That that's all rage right now.

357
00:20:00,960 --> 00:20:04,159
Speaker 3: I yeah, I didn't know what to do after Cheers

358
00:20:04,160 --> 00:20:09,760
Speaker 3: got canceled. I love when there's a graffiti like that

359
00:20:09,760 --> 00:20:12,639
Speaker 3: that is a you know, it's like a flip book

360
00:20:12,840 --> 00:20:16,040
Speaker 3: and you it just looks like a series of stick men,

361
00:20:16,200 --> 00:20:18,760
Speaker 3: but then as you're driving it's people running.

362
00:20:19,040 --> 00:20:20,200
Speaker 1: Yep, that's cool.

363
00:20:20,600 --> 00:20:21,160
Speaker 3: I like that.

364
00:20:21,359 --> 00:20:23,520
Speaker 1: I like that too, that any kind of thing like that.

365
00:20:23,520 --> 00:20:27,679
Speaker 1: There used to be an artist in the nineties that

366
00:20:27,720 --> 00:20:30,840
Speaker 1: would put up these really great what's that called when

367
00:20:30,880 --> 00:20:34,480
Speaker 1: you roll it up onto like an electrical box or whatever, Yes,

368
00:20:34,720 --> 00:20:36,480
Speaker 1: like secretly like kind of.

369
00:20:38,000 --> 00:20:40,720
Speaker 3: Paper Yeah, I want to say paper mache, but it's

370
00:20:40,880 --> 00:20:44,880
Speaker 3: it's like a it's a poster style, yes, and it's

371
00:20:45,080 --> 00:20:47,639
Speaker 3: very well known and we should both be yelling at Unison,

372
00:20:47,720 --> 00:20:49,000
Speaker 3: but everyone knows what we're doing.

373
00:20:49,000 --> 00:20:51,080
Speaker 1: But everyone knows what But anyway, there was a girl

374
00:20:51,200 --> 00:20:56,440
Speaker 1: and so her signature was Becca lowercase, and she would

375
00:20:56,480 --> 00:21:00,439
Speaker 1: do these awesome kind of painting things of and they

376
00:21:00,440 --> 00:21:02,280
Speaker 1: always look like girls that were like eleven years old,

377
00:21:02,320 --> 00:21:05,320
Speaker 1: but they would have like a gun or have a

378
00:21:05,359 --> 00:21:08,120
Speaker 1: really good cowboy outfit on or whatever, and they would

379
00:21:08,160 --> 00:21:11,000
Speaker 1: just pop up all over luciless, and it was so

380
00:21:11,119 --> 00:21:14,240
Speaker 1: exciting because pre internet obviously.

381
00:21:13,960 --> 00:21:16,600
Speaker 3: And pre Banksy and pre Banksy, and it was.

382
00:21:16,600 --> 00:21:18,439
Speaker 1: Just this kind of like, look there's a black guy just.

383
00:21:18,400 --> 00:21:21,360
Speaker 3: Saw a new ball. Oh wow, yeah pasted. Yeah, it's

384
00:21:21,400 --> 00:21:25,360
Speaker 3: like kind of pasting. Yeah, it's what they do.

385
00:21:25,440 --> 00:21:25,640
Speaker 1: Now.

386
00:21:25,720 --> 00:21:28,640
Speaker 3: I always wonder how it's legal. You'll see like full

387
00:21:28,680 --> 00:21:33,240
Speaker 3: on like here these movies The Boys, season whatever of

388
00:21:33,280 --> 00:21:38,360
Speaker 3: the Boy, they're just gluing it to a empty building. Yeah,

389
00:21:38,400 --> 00:21:42,399
Speaker 3: like you know, they're the illegal advertising that they're just

390
00:21:42,840 --> 00:21:45,280
Speaker 3: doing because it's never on like a legit business where

391
00:21:45,280 --> 00:21:48,680
Speaker 3: it's maybe that's a bad example. No it's closed. That's

392
00:21:48,680 --> 00:21:49,639
Speaker 3: a closed building.

393
00:21:49,680 --> 00:21:51,360
Speaker 1: Oh yeah, so they're just postering.

394
00:21:51,600 --> 00:21:57,359
Speaker 3: Yeah, but it's a movie studio with a budget just

395
00:21:58,359 --> 00:21:59,600
Speaker 3: getting free advertising.

396
00:21:59,680 --> 00:22:03,840
Speaker 1: That's not right, No, that's crazy. Yeah, they have the money.

397
00:22:04,080 --> 00:22:05,680
Speaker 3: You have the streaming revenue.

398
00:22:05,800 --> 00:22:07,639
Speaker 1: Boys, pay up boys.

399
00:22:07,760 --> 00:22:13,720
Speaker 3: You heard us, the boys, These fucking boys got it

400
00:22:14,000 --> 00:22:16,240
Speaker 3: turned real. I got so scared just now.

401
00:22:16,400 --> 00:22:17,240
Speaker 1: Oh except we.

402
00:22:17,080 --> 00:22:20,080
Speaker 3: Were Yeah, well, you went to a new you're an actor.

403
00:22:20,200 --> 00:22:22,640
Speaker 1: Yeah, I'm trying to take it to new levels on

404
00:22:22,920 --> 00:22:26,359
Speaker 1: this podcast in case for next pilot season.

405
00:22:26,640 --> 00:22:29,680
Speaker 3: Oh yeah, you know what I mean. Yeah, Oh that's

406
00:22:29,720 --> 00:22:33,000
Speaker 3: so funny. I never don't. I don't believe I ever

407
00:22:33,080 --> 00:22:34,800
Speaker 3: experienced a pilot season.

408
00:22:35,280 --> 00:22:35,600
Speaker 1: Really.

409
00:22:35,960 --> 00:22:39,399
Speaker 3: Yeah. I mean i've I've done some stuff, but I

410
00:22:39,400 --> 00:22:41,560
Speaker 3: don't know when. Was it February?

411
00:22:41,800 --> 00:22:47,440
Speaker 1: It's like February to May or not February. Well, yeah,

412
00:22:47,920 --> 00:22:50,280
Speaker 1: it's like three months, like development season supposed to be

413
00:22:50,359 --> 00:22:53,679
Speaker 1: in full. Then of course everyone goes on vacation for

414
00:22:53,720 --> 00:22:56,560
Speaker 1: two months and then the things get picked up and

415
00:22:56,600 --> 00:22:57,600
Speaker 1: then they start casting.

416
00:22:57,920 --> 00:23:00,480
Speaker 3: Did you ever hear the Harris Whittles joke what's the

417
00:23:00,560 --> 00:23:04,280
Speaker 3: show spec everyone's been writing for? I always thought that

418
00:23:04,320 --> 00:23:06,359
Speaker 3: was a good one, like a spec script.

419
00:23:06,640 --> 00:23:08,920
Speaker 1: No, I understood the joke. I just don't think it's

420
00:23:08,920 --> 00:23:09,520
Speaker 1: that good either.

421
00:23:09,960 --> 00:23:13,760
Speaker 3: I did too. I bet I told it wrong.

422
00:23:13,920 --> 00:23:18,199
Speaker 1: Oh yeah, well, I'm just saying punt. There was a

423
00:23:18,240 --> 00:23:21,959
Speaker 1: real resurgence of puns with the bj novakr O correct

424
00:23:22,960 --> 00:23:27,480
Speaker 1: in the whenever That was twenty mid twenty, and I

425
00:23:27,520 --> 00:23:30,680
Speaker 1: was like, sorry, I was raised to not respect this

426
00:23:30,840 --> 00:23:34,000
Speaker 1: type of joke. Writingess is for my uncle at a funeral.

427
00:23:34,080 --> 00:23:36,959
Speaker 3: Right right, Yeah, it's it's uh but if you do

428
00:23:37,000 --> 00:23:38,120
Speaker 3: it real sarcastic.

429
00:23:38,640 --> 00:23:40,760
Speaker 1: Yeah that they loved that back then.

430
00:23:40,920 --> 00:23:43,960
Speaker 3: Yeah, it was it. I noticed that when I moved here.

431
00:23:44,000 --> 00:23:45,880
Speaker 3: That was right when I moved here, and I'm like, wow,

432
00:23:46,119 --> 00:23:49,080
Speaker 3: time time time for some wordplay.

433
00:23:49,119 --> 00:23:53,119
Speaker 1: I guess what does anybody should we go to in

434
00:23:53,160 --> 00:23:56,760
Speaker 1: and out? I'm anyone hungry, You're not hungry.

435
00:23:56,880 --> 00:24:00,480
Speaker 3: I'm gonna just say and make I went grocery shopping.

436
00:24:00,600 --> 00:24:02,720
Speaker 3: I think I'm just gonna eat at home like a weirdo.

437
00:24:03,000 --> 00:24:05,000
Speaker 1: I guess I did just eat two candy bars, so

438
00:24:05,040 --> 00:24:06,199
Speaker 1: I'm not exactly hungry.

439
00:24:06,400 --> 00:24:07,720
Speaker 3: No, but I know why.

440
00:24:09,040 --> 00:24:11,800
Speaker 1: We did Satisfaction from the fucking sandwich shop.

441
00:24:12,240 --> 00:24:16,520
Speaker 3: Well, it's backwards dessert. You usually close a meal out

442
00:24:16,560 --> 00:24:20,120
Speaker 3: with dessert, and if you start with dessert, you then

443
00:24:20,200 --> 00:24:23,160
Speaker 3: want the meal. Yeah, it's just how we've been trained.

444
00:24:23,280 --> 00:24:25,280
Speaker 1: It's how Sizzler trained us.

445
00:24:25,560 --> 00:24:29,560
Speaker 3: Yes, I start with the pudding and then I have

446
00:24:29,640 --> 00:24:31,600
Speaker 3: the rest of the stuff from the salad bar.

447
00:24:31,960 --> 00:24:34,120
Speaker 1: Live it up. You wan't to explain to everybody about

448
00:24:34,119 --> 00:24:37,800
Speaker 1: what happened to the sandwich shop. Oh that's right. The

449
00:24:37,840 --> 00:24:42,280
Speaker 1: listeners aren't with us. Yes, thank you, dear gentle reader listener.

450
00:24:42,480 --> 00:24:46,960
Speaker 1: We were near a neighborhood that I am never near, Larchmont.

451
00:24:47,000 --> 00:24:48,840
Speaker 1: It's lovely if you come to Los Angeles, a great

452
00:24:48,840 --> 00:24:51,280
Speaker 1: little shopping street, a lot of rich people. So it's

453
00:24:51,320 --> 00:24:53,959
Speaker 1: a lot of good stores. And there's a deli there

454
00:24:54,000 --> 00:24:58,200
Speaker 1: called the Larchmont Winey Cheese and they.

455
00:24:58,119 --> 00:25:00,800
Speaker 3: Made cheeses, big wheels of wheels.

456
00:25:00,440 --> 00:25:04,240
Speaker 1: Of cheese, foreign stuff. Uh. And we went there to

457
00:25:04,240 --> 00:25:08,080
Speaker 1: get sandwiches in between podcast recordings and they ran out

458
00:25:08,080 --> 00:25:08,680
Speaker 1: of bread.

459
00:25:09,080 --> 00:25:11,680
Speaker 3: Yeah, that's that's how fancy they are.

460
00:25:12,000 --> 00:25:14,199
Speaker 1: Yeah, they were like sandwiches.

461
00:25:14,359 --> 00:25:18,840
Speaker 3: Sorry, the bread that we have baked by a classic

462
00:25:19,240 --> 00:25:22,600
Speaker 3: bread cobbler. We've run out, we've run out so by

463
00:25:23,000 --> 00:25:25,280
Speaker 3: and yeah. And it's the kind of place where they said,

464
00:25:25,320 --> 00:25:27,199
Speaker 3: they tell you they ran out of bread, and we

465
00:25:27,280 --> 00:25:28,679
Speaker 3: both said, oh, so sorry.

466
00:25:29,240 --> 00:25:32,160
Speaker 1: Yeah. We kind of backed away, bending at the waist.

467
00:25:32,640 --> 00:25:32,840
Speaker 3: Yeah.

468
00:25:33,080 --> 00:25:34,600
Speaker 1: Some foreign candy bars.

469
00:25:34,400 --> 00:25:37,480
Speaker 3: Thank you. I threw down rose petals for some reason.

470
00:25:37,520 --> 00:25:38,119
Speaker 1: It was weird.

471
00:25:38,359 --> 00:25:40,960
Speaker 3: They did have pretty rostas there, but they also had

472
00:25:41,080 --> 00:25:45,240
Speaker 3: European chocolates, the kind of chocolate that we often talk about,

473
00:25:45,520 --> 00:25:51,760
Speaker 3: the not waxy, preservative riddled American chocolate. We're talking. There

474
00:25:51,840 --> 00:25:55,280
Speaker 3: was Greek writing on my Yeah, nestleye Lion.

475
00:25:56,560 --> 00:25:59,040
Speaker 1: That's a good candy bar, nestleie Lion.

476
00:25:59,200 --> 00:26:03,920
Speaker 3: It was really delicious, but you know, now we want dinner,

477
00:26:04,040 --> 00:26:04,480
Speaker 3: that's all.

478
00:26:04,720 --> 00:26:07,439
Speaker 1: Yeah, it just it wasn't the right choice for me,

479
00:26:07,960 --> 00:26:08,680
Speaker 1: that's for sure.

480
00:26:08,920 --> 00:26:10,320
Speaker 3: I don't know. It gave us a little pep in

481
00:26:10,359 --> 00:26:10,840
Speaker 3: our step.

482
00:26:11,240 --> 00:26:13,680
Speaker 1: Well, I mean it definitely made this podcast hilarious.

483
00:26:13,880 --> 00:26:16,800
Speaker 3: You know how I am. If I don't have a snack,

484
00:26:17,000 --> 00:26:20,719
Speaker 3: I turn into an angry Uretha Franklin like in that

485
00:26:20,720 --> 00:26:25,000
Speaker 3: commercial Aretha, did I say Urethra a little bit?

486
00:26:25,720 --> 00:26:25,920
Speaker 1: Yeah?

487
00:26:26,200 --> 00:26:27,920
Speaker 3: I love word play jokes.

488
00:26:28,160 --> 00:26:33,560
Speaker 4: Yeah, I know, I know it's okay, only when I

489
00:26:33,600 --> 00:26:37,119
Speaker 4: do it accidentally, and the jokes on me that's my favorite.

490
00:26:37,119 --> 00:26:38,000
Speaker 1: That's the best one.

491
00:26:38,840 --> 00:26:41,040
Speaker 3: I'm just, of course talking about it. One of those

492
00:26:41,920 --> 00:26:43,720
Speaker 3: candy bar commercials where.

493
00:26:43,760 --> 00:26:47,040
Speaker 1: Yeah, people are angry, they're angry and they need a Snickers.

494
00:26:47,200 --> 00:26:50,560
Speaker 3: Yes, I do get that way, And it did satisfy,

495
00:26:50,760 --> 00:26:53,320
Speaker 3: but it's very it's got a short shelf life.

496
00:26:53,400 --> 00:26:56,480
Speaker 1: Yeah that's right, because you you're satisfied for twenty minutes,

497
00:26:56,600 --> 00:27:00,880
Speaker 1: then you're angrier, right, and maybe there's a some light crying.

498
00:27:01,200 --> 00:27:04,320
Speaker 3: Yep, I've tickled my sweet tooth and now I want

499
00:27:04,320 --> 00:27:09,040
Speaker 3: to fill my salt tummy. I really want to wheel

500
00:27:09,040 --> 00:27:09,760
Speaker 3: a cheese.

501
00:27:10,320 --> 00:27:11,399
Speaker 1: My salt tummy.

502
00:27:11,760 --> 00:27:16,000
Speaker 3: I'm so glad I'm not younger than I am. And

503
00:27:16,600 --> 00:27:21,520
Speaker 3: I don't know about the cheese Cowboy. They play it

504
00:27:21,520 --> 00:27:22,800
Speaker 3: on Saturday mornings.

505
00:27:23,280 --> 00:27:24,920
Speaker 1: Oh yeah, you don't know about him.

506
00:27:25,480 --> 00:27:28,240
Speaker 3: No, I would hate to live in a world where

507
00:27:28,240 --> 00:27:31,840
Speaker 3: I didn't grow up with the Dairy Council sponsored Okay

508
00:27:32,240 --> 00:27:34,000
Speaker 3: hanker for a hunk of cheese. Yeah?

509
00:27:34,080 --> 00:27:37,040
Speaker 1: Who. I was so confused because I was like, you're

510
00:27:37,080 --> 00:27:39,120
Speaker 1: saying you're grateful that you don't know what a thing

511
00:27:39,280 --> 00:27:40,520
Speaker 1: is that you're saying what it is?

512
00:27:40,920 --> 00:27:41,120
Speaker 3: Right?

513
00:27:41,440 --> 00:27:44,680
Speaker 1: That was my confusion. Yes, and you weren't doing that, No,

514
00:27:45,160 --> 00:27:45,720
Speaker 1: the opposite.

515
00:27:46,000 --> 00:27:49,600
Speaker 3: Yes, I'm thankful that I'm not at an age where

516
00:27:49,600 --> 00:27:51,600
Speaker 3: I confusingly describe things.

517
00:27:52,880 --> 00:27:55,159
Speaker 1: It's so great that you're not. You never do that.

518
00:27:55,720 --> 00:28:00,000
Speaker 3: It's something about that era. It was such a success,

519
00:28:00,000 --> 00:28:07,359
Speaker 3: successfully bizarre successful advertising for just an industry. Yes, the

520
00:28:07,520 --> 00:28:13,920
Speaker 3: cattle industry. The reason there's gianozone holes, it's from cow farts,

521
00:28:13,960 --> 00:28:14,719
Speaker 3: not our cars.

522
00:28:14,880 --> 00:28:18,520
Speaker 1: Get children to eat cheese, no matter what it does.

523
00:28:18,359 --> 00:28:22,840
Speaker 3: To milan it eggs, eat eggs for the country, please God,

524
00:28:22,960 --> 00:28:24,639
Speaker 3: And you watch it as a kid, and I'm like,

525
00:28:24,720 --> 00:28:27,280
Speaker 3: you know what I kind of do want to make

526
00:28:28,320 --> 00:28:30,159
Speaker 3: a wheel of cheese.

527
00:28:30,160 --> 00:28:33,560
Speaker 1: Yes with a toothpick and make a toothplake and a

528
00:28:33,560 --> 00:28:36,439
Speaker 1: grape yeah whatever it was wheel.

529
00:28:36,720 --> 00:28:41,120
Speaker 3: Yeah, they were like snack ideas, but coming from an unhinged,

530
00:28:41,560 --> 00:28:43,400
Speaker 3: cheese bodied cowboy.

531
00:28:43,080 --> 00:28:46,280
Speaker 1: Who had a very weird He had a kind of

532
00:28:48,040 --> 00:28:52,800
Speaker 1: a yellow submarine cartoon vibe, like the yellow the whatever

533
00:28:52,920 --> 00:28:55,840
Speaker 1: minis green meanies yellow, very.

534
00:28:55,880 --> 00:28:59,040
Speaker 3: H and R puff and stuff like everyone who drew

535
00:29:00,160 --> 00:29:06,080
Speaker 3: on this cara. This advertising campaign was on many drugs. Yeah,

536
00:29:06,120 --> 00:29:08,720
Speaker 3: they were at that Beetles concert with a heavy petting.

537
00:29:08,800 --> 00:29:11,280
Speaker 1: They petted and then they were like, I have a

538
00:29:11,320 --> 00:29:13,200
Speaker 1: new idea. It's for cheese.

539
00:29:13,600 --> 00:29:17,680
Speaker 3: Get ready, the walls are melting. Also, I wrote to

540
00:29:17,680 --> 00:29:19,920
Speaker 3: some lyrics a hank of for a honk.

541
00:29:19,640 --> 00:29:24,320
Speaker 4: Of cheese, yes, fliver slicer chunka snaga is winter and

542
00:29:24,360 --> 00:29:24,960
Speaker 4: it won't.

543
00:29:24,760 --> 00:29:25,720
Speaker 1: Spoil your dinner.

544
00:29:26,080 --> 00:29:27,520
Speaker 3: That's what I meant to say.

545
00:29:27,760 --> 00:29:30,600
Speaker 1: Also there was He also taught us how to make

546
00:29:30,760 --> 00:29:34,920
Speaker 1: orange juice popsicles by putting orange juice in an ice tray,

547
00:29:35,200 --> 00:29:38,600
Speaker 1: putting cellophane over the top and putting toothpicks into the cellophane,

548
00:29:38,920 --> 00:29:41,600
Speaker 1: put it in the freezer, and then four hours later

549
00:29:41,720 --> 00:29:43,240
Speaker 1: you've got little orange juice.

550
00:29:43,000 --> 00:29:47,800
Speaker 3: Pops But they aren't they're just icicles, yes, of ice

551
00:29:47,880 --> 00:29:50,680
Speaker 3: cubes of aren't you lick it? I guess, But it's

552
00:29:50,720 --> 00:29:53,000
Speaker 3: not gonna It's not a popsicle.

553
00:29:53,040 --> 00:29:54,080
Speaker 1: It doesn't taste good.

554
00:29:54,560 --> 00:29:55,800
Speaker 3: It's not porous enough.

555
00:29:56,040 --> 00:29:58,680
Speaker 1: Much can we have I don't know. We do have?

556
00:29:58,840 --> 00:30:02,560
Speaker 1: We need about twenty more mins. Oh shit, Oh lord.

557
00:30:02,360 --> 00:30:05,320
Speaker 3: Well now we know what your place is. Still sometimes

558
00:30:05,360 --> 00:30:07,600
Speaker 3: it's good to just do a drive by check by

559
00:30:07,800 --> 00:30:08,240
Speaker 3: check up.

560
00:30:08,360 --> 00:30:10,520
Speaker 1: Did I have a package on the yeah?

561
00:30:10,680 --> 00:30:13,720
Speaker 3: Make sure everything is secure.

562
00:30:13,880 --> 00:30:16,760
Speaker 1: Kind of alert the dogs. They get upset we leave again.

563
00:30:17,000 --> 00:30:20,240
Speaker 3: Oh, they for sure heard your car and got all excited.

564
00:30:20,560 --> 00:30:25,240
Speaker 1: Those dogs know when everyone's coming. It's really crazy, you know,

565
00:30:25,240 --> 00:30:28,160
Speaker 1: when people are wandering out in the street, they know

566
00:30:28,240 --> 00:30:28,520
Speaker 1: it all.

567
00:30:29,400 --> 00:30:33,719
Speaker 3: I keep getting it. I didn't. There are texts that

568
00:30:33,880 --> 00:30:39,440
Speaker 3: come in that are like they're getting very creative with

569
00:30:39,560 --> 00:30:42,160
Speaker 3: the hey we trick do scamming.

570
00:30:42,360 --> 00:30:44,120
Speaker 1: Oh I've gotten like three of those today.

571
00:30:45,160 --> 00:30:48,120
Speaker 3: I'm getting toll road ones and it's very believable that

572
00:30:48,200 --> 00:30:51,520
Speaker 3: I maybe yeah, didn't realize I was driving through a

573
00:30:51,560 --> 00:30:54,719
Speaker 3: toll road and I just got one that said the DMV.

574
00:30:55,080 --> 00:30:56,640
Speaker 1: Yes, yeah, I got that one today too.

575
00:30:56,800 --> 00:30:59,280
Speaker 3: Oh you did. Okay, that makes me feel good.

576
00:30:59,400 --> 00:31:01,160
Speaker 1: Yeah, because and then I got a third one that

577
00:31:01,320 --> 00:31:05,640
Speaker 1: was like from a specific person acting as if they

578
00:31:05,680 --> 00:31:08,600
Speaker 1: now need to talk to me about it, like as

579
00:31:08,600 --> 00:31:10,880
Speaker 1: if they were personally from the DMV, where it was

580
00:31:10,920 --> 00:31:14,800
Speaker 1: just like, right, this email is not official, right, what

581
00:31:14,840 --> 00:31:15,320
Speaker 1: are you doing?

582
00:31:15,680 --> 00:31:19,320
Speaker 3: But I did, and I consider myself like, you know,

583
00:31:19,400 --> 00:31:22,680
Speaker 3: I was warning my dad not to fall for these pranks.

584
00:31:22,760 --> 00:31:26,800
Speaker 3: A lot of people, my nephew got tricked one years

585
00:31:26,840 --> 00:31:29,720
Speaker 3: ago when they first were starting to happen. I feel

586
00:31:29,800 --> 00:31:32,680
Speaker 3: like I can smell them a mile away. But last year,

587
00:31:32,800 --> 00:31:37,360
Speaker 3: the up we tried to deliver a package put in

588
00:31:37,400 --> 00:31:39,640
Speaker 3: your info, and I felt for it. It was linked

589
00:31:39,680 --> 00:31:46,320
Speaker 3: to a site that looked exactly like the United States

590
00:31:46,360 --> 00:31:51,600
Speaker 3: Postal Service, but my bank was like nope, you know,

591
00:31:52,200 --> 00:31:53,160
Speaker 3: and they didn't go through.

592
00:31:53,520 --> 00:31:54,040
Speaker 1: Thank god.

593
00:31:54,360 --> 00:31:58,200
Speaker 3: Yeah, yeah, so thank you well Fargo.

594
00:31:57,920 --> 00:31:58,560
Speaker 1: Good jobbles.

595
00:31:59,080 --> 00:32:02,360
Speaker 3: You bring my money from town to town via wagon,

596
00:32:03,160 --> 00:32:07,800
Speaker 3: and you won't let a robber steal my bullion.

597
00:32:08,120 --> 00:32:11,200
Speaker 1: You didn't do it In eighteen seventy five and you're

598
00:32:11,280 --> 00:32:12,240
Speaker 1: not doing it now.

599
00:32:13,120 --> 00:32:17,360
Speaker 3: Thanks Wells, Thanks Wells. That was a a bank. I

600
00:32:17,400 --> 00:32:21,880
Speaker 3: did not choose it, chose you. Yes, when they bought

601
00:32:21,920 --> 00:32:23,000
Speaker 3: my old bank.

602
00:32:22,960 --> 00:32:25,320
Speaker 1: Uhhah, yeah, well it was your old bank.

603
00:32:25,400 --> 00:32:28,680
Speaker 3: I was a proud I did all my banking at Northwest.

604
00:32:29,600 --> 00:32:30,640
Speaker 1: What the fuck, Chris?

605
00:32:30,760 --> 00:32:33,000
Speaker 3: Yeah, no, A lot of people haven't heard it. They

606
00:32:33,040 --> 00:32:35,640
Speaker 3: scooped up regional branches of Northwest.

607
00:32:35,720 --> 00:32:36,880
Speaker 1: Yeah, that makes sense.

608
00:32:37,040 --> 00:32:40,000
Speaker 3: I went to Austin. I opened my very first adult

609
00:32:40,360 --> 00:32:41,720
Speaker 3: checking account.

610
00:32:41,560 --> 00:32:43,000
Speaker 1: To the one with boobs.

611
00:32:46,080 --> 00:32:48,840
Speaker 3: I opened a fully nude checking.

612
00:32:48,560 --> 00:32:53,920
Speaker 1: Account who the frontals knew to beach jank.

613
00:32:54,120 --> 00:32:57,120
Speaker 3: Well, my other checking account served food, so they had

614
00:32:57,120 --> 00:32:58,680
Speaker 3: to wear a top.

615
00:33:00,200 --> 00:33:01,080
Speaker 1: Ah.

616
00:33:01,440 --> 00:33:04,520
Speaker 3: But yeah, it just one day. It was like, hey,

617
00:33:04,200 --> 00:33:07,160
Speaker 3: you're with Wells Fargo and you have nothing to say

618
00:33:07,200 --> 00:33:07,560
Speaker 3: about it.

619
00:33:07,640 --> 00:33:10,600
Speaker 1: Yeah, that happens, zip it And you said I will

620
00:33:10,640 --> 00:33:13,400
Speaker 1: talk about it. That's what you sound.

621
00:33:13,160 --> 00:33:18,400
Speaker 3: Like I do. Yeah, I just thought I was speaking.

622
00:33:18,480 --> 00:33:19,800
Speaker 3: That's why I didn't question it.

623
00:33:19,920 --> 00:33:22,840
Speaker 1: Yeah, you were like, there's a slight delay. I can

624
00:33:22,880 --> 00:33:23,520
Speaker 1: hear myself.

625
00:33:24,120 --> 00:33:27,080
Speaker 3: Yeah, oh, that just must be one of my thoughts. Again,

626
00:33:28,720 --> 00:33:29,960
Speaker 3: it's weird that I can hear it.

627
00:33:30,080 --> 00:33:30,360
Speaker 1: Weird.

628
00:33:31,520 --> 00:33:34,000
Speaker 3: Well, I have to tell you. I have to say

629
00:33:34,160 --> 00:33:37,520
Speaker 3: because we talked about last episode, but that's okay, Okay,

630
00:33:37,960 --> 00:33:41,560
Speaker 3: you have to watch this, Peerman. Okay, it's so good.

631
00:33:41,640 --> 00:33:43,000
Speaker 1: I'm afraid i'm gonna get upset though.

632
00:33:43,400 --> 00:33:46,760
Speaker 3: It's you know, it's good to have emotions. It's good

633
00:33:46,840 --> 00:33:49,320
Speaker 3: to watch a sad thing and feel sad about it

634
00:33:49,400 --> 00:33:53,280
Speaker 3: because it's also a nostalgic it's not a looming global

635
00:33:53,440 --> 00:33:57,440
Speaker 3: problem kind of sadness that we're always being bombarded with

636
00:33:57,480 --> 00:34:01,080
Speaker 3: and we're pretending isn't bothering us every day. Hmm. This

637
00:34:01,280 --> 00:34:07,080
Speaker 3: is a Oh it makes you love the person that Paul.

638
00:34:06,920 --> 00:34:08,399
Speaker 1: Rubins was, but I already do.

639
00:34:08,719 --> 00:34:11,400
Speaker 3: But there's a lot you don't know, like how he

640
00:34:11,920 --> 00:34:13,880
Speaker 3: kind of knew exactly what he wanted and he was

641
00:34:13,960 --> 00:34:15,640
Speaker 3: kind of a cutthroat badass.

642
00:34:15,880 --> 00:34:16,360
Speaker 1: Yeah.

643
00:34:16,400 --> 00:34:20,759
Speaker 3: And it talks about real life like relationship stuff and

644
00:34:22,760 --> 00:34:25,520
Speaker 3: the phil Harmon thing that Tim Burton, like he basically

645
00:34:25,560 --> 00:34:29,640
Speaker 3: started Tim Burton's career all that stuff. It's really pretty great, Okay,

646
00:34:29,920 --> 00:34:33,560
Speaker 3: and he's just very funny. I was laughing so hard.

647
00:34:33,680 --> 00:34:36,400
Speaker 1: Yeah, I've seen clips on TikTok, of course, but I

648
00:34:36,440 --> 00:34:38,600
Speaker 1: think it's the thing of the thing between him and

649
00:34:38,640 --> 00:34:41,200
Speaker 1: the director and he's fighting with the director, Like I

650
00:34:41,200 --> 00:34:44,320
Speaker 1: don't want to watch people be mean to the director,

651
00:34:44,440 --> 00:34:46,520
Speaker 1: or like I don't want to watch him. I know

652
00:34:46,560 --> 00:34:48,160
Speaker 1: he's being funny while he was doing.

653
00:34:48,120 --> 00:34:51,840
Speaker 3: Yeah, I got the feeling maybe you read something different

654
00:34:51,880 --> 00:34:54,560
Speaker 3: that they were peals or something that they were friends.

655
00:34:55,080 --> 00:34:58,320
Speaker 3: What I did notice, and I've heard before because I

656
00:34:58,719 --> 00:35:01,480
Speaker 3: can't remember who it was, they were a person that

657
00:35:01,640 --> 00:35:06,200
Speaker 3: often got birthday texts from Paul Rubins. Oh, I was like,

658
00:35:06,239 --> 00:35:09,279
Speaker 3: he's very text me every year. I don't it's I

659
00:35:09,320 --> 00:35:11,520
Speaker 3: worked with him once. Maybe it was Paul Greenberg. It

660
00:35:11,560 --> 00:35:16,160
Speaker 3: was someone and during the interview, he was like, oh,

661
00:35:16,160 --> 00:35:19,279
Speaker 3: I have to text thirteen people to day. I text

662
00:35:19,360 --> 00:35:22,160
Speaker 3: people on their birthdays. And it came back to me

663
00:35:22,480 --> 00:35:26,680
Speaker 3: rushing back. What I know of him is that he

664
00:35:26,719 --> 00:35:29,400
Speaker 3: would text people on their birthdays, and it was proved.

665
00:35:29,440 --> 00:35:32,600
Speaker 3: It was just a side note, and during an interview,

666
00:35:32,640 --> 00:35:35,560
Speaker 3: I'm like, he did do that. I know that's real

667
00:35:35,840 --> 00:35:37,200
Speaker 3: and that's a sweet person.

668
00:35:37,480 --> 00:35:38,640
Speaker 1: Yes, it is for sure.

669
00:35:38,840 --> 00:35:43,640
Speaker 3: As someone that never remembers a single birthday and I

670
00:35:43,719 --> 00:35:46,440
Speaker 3: try to be a good person, I know that that's

671
00:35:46,480 --> 00:35:47,120
Speaker 3: not easy.

672
00:35:47,280 --> 00:35:51,759
Speaker 1: I'm very detached from the birthday. The birthday requirement that

673
00:35:51,840 --> 00:35:53,840
Speaker 1: I fucking hate. I think other people hate it too,

674
00:35:53,880 --> 00:35:56,319
Speaker 1: where I'm just like, don't seriously, don't worry about it,

675
00:35:56,400 --> 00:35:58,160
Speaker 1: and then I don't have to worry about it with you,

676
00:35:58,239 --> 00:35:59,920
Speaker 1: but I will don't always feel.

677
00:35:59,760 --> 00:36:04,080
Speaker 3: That I was raised to hate a ding and I

678
00:36:04,280 --> 00:36:06,640
Speaker 3: was never I never had a No one ever jumped

679
00:36:06,640 --> 00:36:09,600
Speaker 3: out from behind a couch and said surprise. So I

680
00:36:09,640 --> 00:36:11,920
Speaker 3: have an angsty hatred of birthday.

681
00:36:12,400 --> 00:36:16,320
Speaker 1: I have an angsty feeling about the Paul Rubins documentary

682
00:36:16,360 --> 00:36:21,240
Speaker 1: because when I was like eleven, my aunt Kathleen taped

683
00:36:21,320 --> 00:36:24,000
Speaker 1: the pe Wee Herman Special off of HBO for us,

684
00:36:24,440 --> 00:36:26,400
Speaker 1: and she would do that all the time for us,

685
00:36:26,400 --> 00:36:28,879
Speaker 1: So we watched like Bill Cosby himself when it came

686
00:36:28,920 --> 00:36:31,480
Speaker 1: out when I was ten, and she would she would

687
00:36:31,480 --> 00:36:35,440
Speaker 1: like record these really good comedy specials for us. So

688
00:36:35,520 --> 00:36:38,480
Speaker 1: we knew about pee Wee Herman real early, like before

689
00:36:38,520 --> 00:36:41,160
Speaker 1: the TV show because my aunt got this. And then

690
00:36:41,200 --> 00:36:43,640
Speaker 1: there was the Paragon of Comedy, which was John Paragon,

691
00:36:44,040 --> 00:36:47,719
Speaker 1: which was Paul Rubin's kind of partner at the Groundlings.

692
00:36:47,800 --> 00:36:49,000
Speaker 3: Yeah, he also.

693
00:36:48,840 --> 00:36:52,600
Speaker 1: He was John By and he also got he also

694
00:36:52,640 --> 00:36:54,960
Speaker 1: got an HBO special and pee Wee Herman was on

695
00:36:55,000 --> 00:36:57,640
Speaker 1: it with him right as well. He's probably in that.

696
00:36:57,880 --> 00:37:00,440
Speaker 3: Yes he is, And I how do I know that person?

697
00:37:00,680 --> 00:37:03,440
Speaker 1: Oh, you've seen him on He's this amazing character actor.

698
00:37:03,920 --> 00:37:06,120
Speaker 1: He's been on a million things, but he is the

699
00:37:06,239 --> 00:37:09,600
Speaker 1: head in the box. He's the right genie. Yeah yeah,

700
00:37:09,600 --> 00:37:11,840
Speaker 1: and then he's just been in a ton of stuff.

701
00:37:11,880 --> 00:37:15,160
Speaker 1: But John Peregone's Comedy Special, and I think it's a

702
00:37:15,200 --> 00:37:18,920
Speaker 1: tiny bit dated just because there's like there's some stuff

703
00:37:18,960 --> 00:37:21,320
Speaker 1: in it that of course is like cancelable for today,

704
00:37:21,400 --> 00:37:23,520
Speaker 1: like if there's kind of a fat joke, yeah, but

705
00:37:24,400 --> 00:37:26,760
Speaker 1: tons of hilarious. There was like a whole The Valley

706
00:37:26,800 --> 00:37:30,319
Speaker 1: Girl Report where they're like Matt dlln May Jarka, it's

707
00:37:30,360 --> 00:37:33,840
Speaker 1: just girl. It's like men dressing up as girls, acting

708
00:37:33,880 --> 00:37:38,120
Speaker 1: like girls. Like it's just funny. And so there's I

709
00:37:38,160 --> 00:37:40,000
Speaker 1: always have that kind of like pee wee herm And

710
00:37:40,040 --> 00:37:42,239
Speaker 1: I liked him first because my aunt did that and

711
00:37:42,320 --> 00:37:47,480
Speaker 1: like we truly were obsessed with those guys early, right, okay,

712
00:37:47,640 --> 00:37:50,799
Speaker 1: and then the stage show she recorded the stage show,

713
00:37:50,880 --> 00:37:51,400
Speaker 1: the one.

714
00:37:51,280 --> 00:37:54,960
Speaker 3: Oh wow, right okay, yeah, that see, maybe that's why

715
00:37:54,960 --> 00:37:57,719
Speaker 3: I appreciate it. I appreciated that so much because I

716
00:37:57,760 --> 00:38:02,080
Speaker 3: didn't know it was a full started at the ground

717
00:38:02,080 --> 00:38:05,959
Speaker 3: things became a regular live show at the Troubadoor and

718
00:38:06,040 --> 00:38:08,760
Speaker 3: for adults, and it was weird. He was still doing

719
00:38:08,800 --> 00:38:13,680
Speaker 3: what he does on that kid's show, and even when

720
00:38:13,680 --> 00:38:15,799
Speaker 3: they pitched it, Hey, we think this should be a

721
00:38:15,880 --> 00:38:20,440
Speaker 3: kid's show, he was apprehensive. Yeah, and it took some like, oh,

722
00:38:20,480 --> 00:38:22,240
Speaker 3: I guess I do want to do it for kids.

723
00:38:22,520 --> 00:38:25,719
Speaker 3: That blew my mind because I grew up thinking, oh,

724
00:38:25,760 --> 00:38:29,560
Speaker 3: this is for one hundred percent for kids, right, And

725
00:38:29,640 --> 00:38:32,000
Speaker 3: it didn't talk down to kids. It was like it just.

726
00:38:32,000 --> 00:38:34,360
Speaker 1: Didn't start that way, and they used to have really

727
00:38:34,400 --> 00:38:36,920
Speaker 1: funny like I think he was probably afraid because he

728
00:38:37,000 --> 00:38:40,920
Speaker 1: played off of other people, like he played off of

729
00:38:40,960 --> 00:38:43,080
Speaker 1: dirty jokes like he was a little kid and thought

730
00:38:43,080 --> 00:38:46,680
Speaker 1: everything was disgusting. Yeah, which was very funny. So I

731
00:38:46,719 --> 00:38:48,439
Speaker 1: was like, oh, yeah, that makes sense that he doesn't

732
00:38:48,440 --> 00:38:52,480
Speaker 1: want to get kind of bogged down by having to

733
00:38:52,520 --> 00:38:56,120
Speaker 1: worry about who's hearing this joke, because he does make

734
00:38:56,320 --> 00:38:58,960
Speaker 1: kind of jokes that are tasteless. But then it's like,

735
00:38:59,040 --> 00:39:02,040
Speaker 1: but you don't actually you don't need to. Yeah, if

736
00:39:02,040 --> 00:39:07,279
Speaker 1: you have Phil Hartman and Asa Petha Murkison and who

737
00:39:07,360 --> 00:39:09,600
Speaker 1: was it was it Who's the Cowboy?

738
00:39:09,920 --> 00:39:15,160
Speaker 3: Oh, Laurence Fishburne, Yeah, yeah, it was, And yeah, it's

739
00:39:15,160 --> 00:39:17,640
Speaker 3: it's so great to see who was involved with that.

740
00:39:17,920 --> 00:39:23,040
Speaker 3: It's just it was just a piece of my childhood explained. Yeah,

741
00:39:23,239 --> 00:39:26,000
Speaker 3: in a way that I don't know. I thought about

742
00:39:26,000 --> 00:39:28,759
Speaker 3: it. It stuck with me. But yeah, I won't bump you out.

743
00:39:29,080 --> 00:39:32,440
Speaker 3: It'll be like no, okay, no, okay. It makes you

744
00:39:32,520 --> 00:39:38,240
Speaker 3: just love him and appreciate ways the world that's changed.

745
00:39:38,600 --> 00:39:43,040
Speaker 1: Yeah. Well, also that character, what he was doing was

746
00:39:43,120 --> 00:39:45,879
Speaker 1: so specific, Like did they show the clips of him

747
00:39:45,960 --> 00:39:49,200
Speaker 1: on Letterman, like guesting on Letterman and just destroying where

748
00:39:49,200 --> 00:39:51,480
Speaker 1: he would pull out his little toys Nick explain his

749
00:39:51,560 --> 00:39:53,360
Speaker 1: toys and just kind of like it, Yeah, that's the

750
00:39:53,400 --> 00:39:55,760
Speaker 1: thing I like. And it's like super weird and nobody

751
00:39:55,840 --> 00:39:58,280
Speaker 1: kind of knew what was going on. And David Letterman

752
00:39:58,400 --> 00:40:01,560
Speaker 1: loved it so much, just like a grown man acting

753
00:40:01,600 --> 00:40:04,680
Speaker 1: like he's eight years old and talking about stuff that's

754
00:40:04,840 --> 00:40:06,800
Speaker 1: hilarious but you don't know why.

755
00:40:07,080 --> 00:40:10,560
Speaker 3: I mean, yeah, and they showed the early ground leg shows.

756
00:40:10,600 --> 00:40:12,520
Speaker 3: He was just like it was a show and tell

757
00:40:12,560 --> 00:40:17,520
Speaker 3: of things and he was so invested. He was such

758
00:40:17,560 --> 00:40:21,040
Speaker 3: a he was so being that character that no one

759
00:40:21,120 --> 00:40:23,759
Speaker 3: doubted him for a second. No, So even though there

760
00:40:23,760 --> 00:40:27,120
Speaker 3: weren't like jokes, it was just like I am showcasing

761
00:40:28,160 --> 00:40:31,520
Speaker 3: a world where I am this person, and then it

762
00:40:31,560 --> 00:40:34,359
Speaker 3: took off to where he's like, I can't even have

763
00:40:34,440 --> 00:40:38,759
Speaker 3: my private life. I have to hide it. I'm just

764
00:40:39,040 --> 00:40:43,799
Speaker 3: because I don't think anyone knew what Pee Wee looked

765
00:40:43,880 --> 00:40:46,359
Speaker 3: like as a person till that mugshot, and it like

766
00:40:46,600 --> 00:40:51,200
Speaker 3: was devastated, but again not a bummer of an It's

767
00:40:51,440 --> 00:40:55,800
Speaker 3: important watch Okay, okay, well the first okay, thank you finally.

768
00:40:55,640 --> 00:40:58,279
Speaker 1: Kind of like, did you ever watch the Mister Rogers documentary?

769
00:40:58,719 --> 00:41:03,120
Speaker 3: Oh yeah, of course. Yeah. It's it's sweet because that

770
00:41:03,520 --> 00:41:05,440
Speaker 3: like the same kind of tears.

771
00:41:05,719 --> 00:41:08,680
Speaker 1: So but I've told you the story where I started

772
00:41:08,719 --> 00:41:10,920
Speaker 1: watching that documentary on a plane and was crying so

773
00:41:11,040 --> 00:41:13,040
Speaker 1: hard within five minutes I had to turn it off

774
00:41:13,160 --> 00:41:16,120
Speaker 1: because I was scaring the businessman sitting there right right.

775
00:41:16,560 --> 00:41:20,080
Speaker 3: You. This will also, but it's not like, oh this

776
00:41:20,280 --> 00:41:24,319
Speaker 3: is tragic, it's like the same tears. It made you

777
00:41:25,760 --> 00:41:30,520
Speaker 3: feel good about humanity and this person being part of

778
00:41:30,560 --> 00:41:31,280
Speaker 3: that movement.

779
00:41:31,840 --> 00:41:32,600
Speaker 1: I don't want to feel that.

780
00:41:32,920 --> 00:41:35,759
Speaker 3: You don't want to feel it. No, well, might I

781
00:41:35,840 --> 00:41:39,120
Speaker 3: suggest The Accountant Part two and a Flag and John

782
00:41:39,160 --> 00:41:44,640
Speaker 3: Barrenthall it's so good. Yeah, I might see it again.

783
00:41:46,320 --> 00:41:50,759
Speaker 1: Yeah, it's great, amazing pivot. First of all, thank you

784
00:41:50,800 --> 00:41:55,240
Speaker 1: so much for really taking in my point and backing

785
00:41:55,280 --> 00:41:57,160
Speaker 1: it up with at least some entertainment.

786
00:41:57,320 --> 00:42:00,680
Speaker 3: Yeah, it's great. I love the gun, it's a good

787
00:42:00,760 --> 00:42:05,240
Speaker 3: the Sarquette, the buddy comedy aspect. I may see it again.

788
00:42:05,760 --> 00:42:06,240
Speaker 1: Amazing.

789
00:42:06,520 --> 00:42:09,640
Speaker 3: I've never seen beneflect so good. In the first one,

790
00:42:09,680 --> 00:42:15,040
Speaker 3: he's like was a mathematician, this accountant that could you know,

791
00:42:15,680 --> 00:42:19,680
Speaker 3: numbers were floating around in his head, much like the

792
00:42:19,719 --> 00:42:24,160
Speaker 3: movie he wrote with his friend. Anyway it is. I

793
00:42:24,280 --> 00:42:29,920
Speaker 3: liked it. It was betterigg the story of the Jello Corporation,

794
00:42:31,600 --> 00:42:35,360
Speaker 3: Goodwill hunting that. Yeah he was. He was like a

795
00:42:35,360 --> 00:42:37,719
Speaker 3: accountant and then you find out he's a tough guy.

796
00:42:37,800 --> 00:42:41,200
Speaker 3: But in this, I don't know, there's just more backstory

797
00:42:41,400 --> 00:42:46,399
Speaker 3: and it's it's great. And you already liked that. John burnhal, guy,

798
00:42:46,800 --> 00:42:49,240
Speaker 3: I do. And they are great together.

799
00:42:49,840 --> 00:42:50,640
Speaker 1: They're a great team.

800
00:42:50,920 --> 00:42:55,399
Speaker 3: Yeah, just causually improvising brothers hanging out. They were good.

801
00:42:56,080 --> 00:42:57,560
Speaker 1: Every word of that was written.

802
00:42:58,680 --> 00:43:02,799
Speaker 3: You're probably right no, a lot. You could tell some

803
00:43:02,840 --> 00:43:06,319
Speaker 3: of it wasn't though. They just were so casual. It

804
00:43:06,360 --> 00:43:06,719
Speaker 3: was good.

805
00:43:07,400 --> 00:43:11,560
Speaker 1: John Barenthal was in the first one, right, yes, yeah, yeah, okay.

806
00:43:11,239 --> 00:43:14,400
Speaker 3: But it was like he was the enemy low my

807
00:43:14,480 --> 00:43:18,640
Speaker 3: long host brother. He's an assassin or something. Now they're like,

808
00:43:19,280 --> 00:43:21,319
Speaker 3: it's more about like, why didn't you ever call me?

809
00:43:21,560 --> 00:43:25,879
Speaker 3: It was a very well done family travel movie. They

810
00:43:25,920 --> 00:43:28,960
Speaker 3: go on a road trip. There's like a dance scene

811
00:43:28,960 --> 00:43:33,200
Speaker 3: where they even though he's uncomfortable around people, he does

812
00:43:33,280 --> 00:43:36,200
Speaker 3: like a line dancing thing and I loved it. Okay,

813
00:43:36,320 --> 00:43:38,680
Speaker 3: and on paper it sounds like the cheesiest thing.

814
00:43:38,880 --> 00:43:41,080
Speaker 1: Well, it also on paper sounds like rain Man.

815
00:43:41,600 --> 00:43:46,120
Speaker 3: It very much is rain Man, like it's rain Man

816
00:43:46,120 --> 00:43:50,319
Speaker 3: with guns. And in order to tell you on this,

817
00:43:50,520 --> 00:43:54,200
Speaker 3: I'm going to raise my volume Rainman Part two Guns.

818
00:43:55,960 --> 00:43:58,280
Speaker 1: Rainman with Guns is a great idea.

819
00:43:58,520 --> 00:44:02,279
Speaker 3: It is rain Man. You haven't even seen it, I know,

820
00:44:02,760 --> 00:44:03,640
Speaker 3: And you're right.

821
00:44:03,840 --> 00:44:07,400
Speaker 1: It's pattern recognition issue. It's a coping mechanism from my childhood.

822
00:44:09,680 --> 00:44:12,000
Speaker 3: That's so funny that I didn't even realize.

823
00:44:12,400 --> 00:44:14,759
Speaker 1: I'm so sad we couldn't have those sandwiches.

824
00:44:15,200 --> 00:44:15,680
Speaker 3: Yeah, I know.

825
00:44:17,320 --> 00:44:21,600
Speaker 1: I don't usually get into that mode of like so

826
00:44:21,840 --> 00:44:25,279
Speaker 1: much funk or just I have to have this one thing. Yeah,

827
00:44:25,320 --> 00:44:28,160
Speaker 1: because I'm always like if I'm hungry, it's whatever, whatever,

828
00:44:28,760 --> 00:44:32,879
Speaker 1: Y goat. But I was really like, oh, I never

829
00:44:33,040 --> 00:44:34,640
Speaker 1: go there. It's such a rarity.

830
00:44:35,280 --> 00:44:38,640
Speaker 3: Yeah, it's hard to argue with we are out of

831
00:44:38,719 --> 00:44:42,280
Speaker 3: bread though. Yeah, it kind of is a perfect way

832
00:44:42,320 --> 00:44:44,600
Speaker 3: to just end a conversation.

833
00:44:45,239 --> 00:44:47,600
Speaker 1: Also, it's like we were shamed by that, like we

834
00:44:47,600 --> 00:44:49,680
Speaker 1: were the pigs that ate all the bread. For some reason,

835
00:44:50,080 --> 00:44:53,040
Speaker 1: the people in line were like, oh, okay, bye, like

836
00:44:53,040 --> 00:44:56,160
Speaker 1: like we should have never wanted sandwiches in the first place.

837
00:44:56,400 --> 00:45:00,879
Speaker 3: Yeah, bread is gone because you illegally parked because you.

838
00:45:01,120 --> 00:45:04,520
Speaker 1: Are not loading anything in that loading zone.

839
00:45:04,840 --> 00:45:07,600
Speaker 3: Well, we wanted to load some bread into our fucking

840
00:45:07,680 --> 00:45:08,360
Speaker 3: mouth zone.

841
00:45:08,480 --> 00:45:12,359
Speaker 1: These pieces of shit. Yeah, that's inappropriate.

842
00:45:12,640 --> 00:45:16,960
Speaker 3: It's okay, it's okay. There was a last time, this

843
00:45:17,120 --> 00:45:22,719
Speaker 3: time fourteen years ago. In the recap of the episode,

844
00:45:23,680 --> 00:45:25,839
Speaker 3: you promised not to swear as much.

845
00:45:26,200 --> 00:45:34,280
Speaker 1: Really so upset. I'm sorry tisk tests tisk and tisk

846
00:45:35,080 --> 00:45:35,480
Speaker 1: to you.

847
00:45:36,000 --> 00:45:38,839
Speaker 3: I still don't know what tisk is.

848
00:45:38,840 --> 00:45:42,759
Speaker 1: Is it is it that sounds Some people literally say

849
00:45:42,760 --> 00:45:43,640
Speaker 1: the word tisk tisk.

850
00:45:44,480 --> 00:45:47,680
Speaker 3: Oh God, I mean, we're give meing Kathy the cartoon.

851
00:45:48,880 --> 00:45:50,680
Speaker 3: I really don't know what a tisk is.

852
00:45:50,800 --> 00:45:53,360
Speaker 1: A tisk sounds like you're calling a cat, though. My

853
00:45:53,440 --> 00:45:57,359
Speaker 1: favorite bumper sticker of tell your cat, I said, tisk tisk, right,

854
00:45:57,520 --> 00:45:59,239
Speaker 1: isn't that the one tell your dog? I said, Hi,

855
00:45:59,360 --> 00:46:01,680
Speaker 1: tell your cat? I said, cat noise?

856
00:46:01,920 --> 00:46:08,719
Speaker 3: Really? I, oh, you know, I kind of. I don't

857
00:46:08,760 --> 00:46:11,040
Speaker 3: take in cat based bumper stickers like.

858
00:46:10,960 --> 00:46:12,600
Speaker 1: I used to stop projecting them.

859
00:46:12,800 --> 00:46:18,680
Speaker 3: I am no buddying you and all cats. Oh if

860
00:46:18,719 --> 00:46:22,680
Speaker 3: only we could be as good at improv as Beniflec

861
00:46:22,719 --> 00:46:27,360
Speaker 3: and John Barenthal. I'll say his name differ however I want.

862
00:46:27,640 --> 00:46:32,040
Speaker 1: I told her that I went to the not the

863
00:46:32,120 --> 00:46:34,399
Speaker 1: Aero Theater, but the one that's over by the four

864
00:46:34,480 --> 00:46:35,200
Speaker 1: h five.

865
00:46:36,920 --> 00:46:37,759
Speaker 3: Oh New Art.

866
00:46:38,280 --> 00:46:41,800
Speaker 1: I went to the New Art because the new Lena

867
00:46:41,840 --> 00:46:44,120
Speaker 1: Dunna movie had come out. I can't remember how many

868
00:46:44,160 --> 00:46:47,080
Speaker 1: years ago this was, and John Barenthal was like starring

869
00:46:47,120 --> 00:46:49,680
Speaker 1: in it with her, with Lena Dunham and they were

870
00:46:49,719 --> 00:46:52,800
Speaker 1: like and special guest John Barrenthal after you know, Q

871
00:46:52,960 --> 00:46:53,120
Speaker 1: and A.

872
00:46:53,360 --> 00:46:54,800
Speaker 3: Oh he was there, uh huh.

873
00:46:54,840 --> 00:46:57,040
Speaker 1: So I went. I made my friend go with me.

874
00:46:57,120 --> 00:47:00,120
Speaker 1: I can't remember who, and I was like, what am

875
00:47:00,120 --> 00:47:02,120
Speaker 1: I doing? I don't give this much of a shit

876
00:47:02,160 --> 00:47:04,680
Speaker 1: about I'm not like that kind of a fan of his,

877
00:47:04,760 --> 00:47:06,239
Speaker 1: but I was like, but I kind of just want

878
00:47:06,280 --> 00:47:08,239
Speaker 1: to look at him in real life. Yeah, and he

879
00:47:08,400 --> 00:47:13,080
Speaker 1: was super like Swave. He's everything you want him to be.

880
00:47:13,280 --> 00:47:17,600
Speaker 1: He's very smart, he can speak about acting really well

881
00:47:17,680 --> 00:47:22,040
Speaker 1: without sounding like trite or what like. He was very sincere.

882
00:47:23,160 --> 00:47:25,960
Speaker 1: He was just wonderful. And You're like, this guy should

883
00:47:25,960 --> 00:47:27,879
Speaker 1: be a gigantic fucking.

884
00:47:27,520 --> 00:47:30,479
Speaker 3: Star, right, and I think he is now.

885
00:47:30,640 --> 00:47:32,200
Speaker 1: I guess he is, But I mean he should be

886
00:47:32,239 --> 00:47:34,400
Speaker 1: more than the character actor or the brother.

887
00:47:34,840 --> 00:47:35,480
Speaker 2: He can be.

888
00:47:36,920 --> 00:47:41,400
Speaker 3: It's no one wants to be so famous that they

889
00:47:41,440 --> 00:47:42,640
Speaker 3: can't go places.

890
00:47:42,960 --> 00:47:45,800
Speaker 1: John Barenthal wants that. He told us at the movie

891
00:47:45,800 --> 00:47:49,120
Speaker 1: theater that night. He said, if you leave here with

892
00:47:49,200 --> 00:47:53,000
Speaker 1: one goal, let it be that I have to stay

893
00:47:53,000 --> 00:47:54,359
Speaker 1: in my house for the rest of my life.

894
00:47:54,360 --> 00:47:55,760
Speaker 3: It's really uh huh.

895
00:47:55,760 --> 00:47:57,600
Speaker 1: It's weird because we were like, John, how do we

896
00:47:57,840 --> 00:47:59,520
Speaker 1: and he was like, stop asking you questions the Q

897
00:47:59,640 --> 00:48:02,400
Speaker 1: and azo, Yeah it was wild.

898
00:48:02,760 --> 00:48:04,480
Speaker 3: Wow, that really took a turn.

899
00:48:04,640 --> 00:48:06,719
Speaker 1: I know, but you say you like the guy I

900
00:48:06,840 --> 00:48:11,759
Speaker 1: like fighting, Oh right, I think it's funny.

901
00:48:11,600 --> 00:48:16,720
Speaker 3: Well there was any Apparently in college he just accidentally

902
00:48:17,960 --> 00:48:21,080
Speaker 3: went to some acting class to fulfill a requirement.

903
00:48:21,239 --> 00:48:23,879
Speaker 1: Mm hmmm. He was supposed to be a baseball player, right,

904
00:48:24,239 --> 00:48:25,359
Speaker 1: I saw that TikTok to him.

905
00:48:25,440 --> 00:48:30,040
Speaker 3: Yeah, and then and then he I forget the details

906
00:48:30,080 --> 00:48:33,960
Speaker 3: after that, but he's like it very accidentally became an actress.

907
00:48:34,120 --> 00:48:36,640
Speaker 1: But I also think it's like, you're not that good

908
00:48:36,680 --> 00:48:38,640
Speaker 1: look in don't know that you could be an actor

909
00:48:38,880 --> 00:48:41,719
Speaker 1: in my opinion, right, because he just has a classic,

910
00:48:41,880 --> 00:48:46,120
Speaker 1: like it's very Silvester Stallone style where it's like you're

911
00:48:46,239 --> 00:48:51,000
Speaker 1: like a hot, muscly, kind of broken nosed Italian man.

912
00:48:51,239 --> 00:48:53,719
Speaker 1: You've you've never not succeeded in this country. Oh.

913
00:48:53,840 --> 00:48:56,600
Speaker 3: I thought he was an ex MMA fighter because the

914
00:48:56,640 --> 00:49:01,680
Speaker 3: first thing I saw him in was that that fighting warrior.

915
00:49:01,800 --> 00:49:04,360
Speaker 3: I don't know what it was, I can't, it doesn't matter,

916
00:49:04,520 --> 00:49:07,399
Speaker 3: but he was so good in it. I'm like, God,

917
00:49:07,440 --> 00:49:09,959
Speaker 3: this guy's good for a fighter because he learned how.

918
00:49:10,560 --> 00:49:14,200
Speaker 3: He's like obviously does the martial arts that are mixed.

919
00:49:14,880 --> 00:49:17,600
Speaker 3: He different mixed arts.

920
00:49:17,640 --> 00:49:20,640
Speaker 1: It's a kind of a bridge mix ye martial arts. Yes,

921
00:49:21,120 --> 00:49:23,560
Speaker 1: he also was in I think it was Band of

922
00:49:23,600 --> 00:49:25,960
Speaker 1: Brothers or one of those movies where they had to

923
00:49:26,000 --> 00:49:31,680
Speaker 1: go and like work out as soldiers for six weeks. Right,

924
00:49:32,040 --> 00:49:33,359
Speaker 1: I think it was right.

925
00:49:33,440 --> 00:49:34,759
Speaker 3: Yeah, Yeah, I think you're right.

926
00:49:34,800 --> 00:49:38,280
Speaker 1: And I think he I would totally believe he would

927
00:49:38,680 --> 00:49:41,200
Speaker 1: love though. He would be like, please sign me up.

928
00:49:41,239 --> 00:49:45,000
Speaker 1: I absolutely can't wait to do the Navy Seal training

929
00:49:45,160 --> 00:49:45,839
Speaker 1: six week training.

930
00:49:46,160 --> 00:49:50,760
Speaker 3: Yes, exactly. Yeah, I've already been practicing for my whole life,

931
00:49:51,640 --> 00:49:54,200
Speaker 3: when I go late at night and swam in the

932
00:49:54,200 --> 00:49:59,960
Speaker 3: ocean for no reason with the black grease pencil under

933
00:50:00,120 --> 00:50:01,680
Speaker 3: my eyes like a baseball.

934
00:50:01,280 --> 00:50:03,280
Speaker 1: Player and a knife in my teeth.

935
00:50:03,520 --> 00:50:05,560
Speaker 3: Yes, if you have to happen, he got to.

936
00:50:05,800 --> 00:50:10,160
Speaker 1: Yeah, our family friend when I was like in college,

937
00:50:11,040 --> 00:50:12,840
Speaker 1: a girl we went high school with got married to

938
00:50:12,840 --> 00:50:14,879
Speaker 1: a guy we went to high school with, and he

939
00:50:15,000 --> 00:50:17,960
Speaker 1: had went to college and then become a Navy seal,

940
00:50:18,520 --> 00:50:20,560
Speaker 1: and my dad was obsessed with the fact that he

941
00:50:20,600 --> 00:50:22,160
Speaker 1: was a Navy seal. And then it was a Navy

942
00:50:22,200 --> 00:50:25,520
Speaker 1: seal's wedding, and so we're sitting in the church forew

943
00:50:25,600 --> 00:50:27,160
Speaker 1: was like waiting for it to start. My Dad's like,

944
00:50:27,520 --> 00:50:29,960
Speaker 1: guess he's swimming up the Petaluma River right now with

945
00:50:30,040 --> 00:50:30,640
Speaker 1: a knife.

946
00:50:30,440 --> 00:50:32,279
Speaker 3: In his seat's so fun.

947
00:50:32,360 --> 00:50:35,040
Speaker 1: That's the way he's getting to his own wedding. He's

948
00:50:35,080 --> 00:50:37,279
Speaker 1: got a navy seal his way to his wedding.

949
00:50:37,360 --> 00:50:39,759
Speaker 3: Jam, good one, Jim.

950
00:50:39,560 --> 00:50:45,000
Speaker 1: Pretty funny. My dad's great. If you're waiting in a hospital,

951
00:50:45,440 --> 00:50:49,759
Speaker 1: emergency room, in a church for a funeral or a wedding.

952
00:50:49,600 --> 00:50:52,799
Speaker 3: Give you just buy a happenstance. Sit next to him. Yeah,

953
00:50:52,880 --> 00:50:54,840
Speaker 3: he'll turn and give you a real jam.

954
00:50:54,960 --> 00:50:57,680
Speaker 1: He will absolutely make you, try to make you laugh

955
00:50:57,719 --> 00:51:00,799
Speaker 1: at the most inappropriate time. It's his favorite thing to do.

956
00:51:00,880 --> 00:51:04,360
Speaker 3: That's great, that's great, my dad would like that.

957
00:51:05,200 --> 00:51:07,080
Speaker 1: And then he tells you to be quiet. He tries

958
00:51:07,120 --> 00:51:08,560
Speaker 1: to get you to laugh, and then you start laughing

959
00:51:08,600 --> 00:51:08,759
Speaker 1: at it.

960
00:51:08,880 --> 00:51:12,120
Speaker 3: He pretend it's too late in life for our gyms

961
00:51:12,160 --> 00:51:16,680
Speaker 3: to not become lifelong friends. I know we need. The

962
00:51:16,760 --> 00:51:18,560
Speaker 3: technology doesn't exist yet.

963
00:51:18,880 --> 00:51:21,839
Speaker 1: The amount of acorn stairlifts we would need to make

964
00:51:21,880 --> 00:51:24,360
Speaker 1: that happen, you can't even picture it.

965
00:51:24,440 --> 00:51:28,239
Speaker 3: I can't A brand of a chair that fixes to

966
00:51:28,320 --> 00:51:30,839
Speaker 3: a handrail up a spiral scare exactly right.

967
00:51:30,880 --> 00:51:33,600
Speaker 1: Remember in Gremlins, the Grandma's on the chair and then

968
00:51:33,640 --> 00:51:35,720
Speaker 1: it oh goes crazy.

969
00:51:36,000 --> 00:51:37,959
Speaker 3: I got my Rascal scooter.

970
00:51:39,320 --> 00:51:41,800
Speaker 1: And I'm on top of the world Grand Canyon.

971
00:51:42,680 --> 00:51:46,839
Speaker 3: Right in the commercials, she falls into the Grand falls in.

972
00:51:48,560 --> 00:51:51,479
Speaker 1: Her head is crushed and sales went through the roof,

973
00:51:51,600 --> 00:51:53,480
Speaker 1: and they're like, I want a piece of that adventure.

974
00:51:55,239 --> 00:51:58,080
Speaker 1: Someone said it was I had an interview today and

975
00:51:58,200 --> 00:52:01,120
Speaker 1: somebody said, oh, yeah, they told you're going on vacation,

976
00:52:02,239 --> 00:52:04,000
Speaker 1: and they were like, and the guy goes, is it

977
00:52:04,040 --> 00:52:08,440
Speaker 1: more of like relaxation or adventure? It's just like I

978
00:52:08,560 --> 00:52:12,440
Speaker 1: was like, it's never adventure. I don't know what you.

979
00:52:13,360 --> 00:52:18,640
Speaker 3: Could have said, Uh, adventure is my relaxation. And then

980
00:52:18,719 --> 00:52:20,000
Speaker 3: put a knife in your mouth.

981
00:52:19,920 --> 00:52:22,640
Speaker 1: And then just dip down the blow motion.

982
00:52:23,920 --> 00:52:25,560
Speaker 3: I'll do the sound effects.

983
00:52:25,440 --> 00:52:27,960
Speaker 1: And then I would say to I'm going underwater a

984
00:52:28,520 --> 00:52:32,240
Speaker 1: little bit and then just crawl out. Stop the interview.

985
00:52:32,280 --> 00:52:39,960
Speaker 3: Now I'm making bacon. Sorry when that sounded more like

986
00:52:40,000 --> 00:52:43,680
Speaker 3: a surgery. Yeah, I'm not good at it. I just

987
00:52:43,880 --> 00:52:46,160
Speaker 3: want to do it. Oh okay, I want to be

988
00:52:46,200 --> 00:52:51,839
Speaker 3: a fully hard do it. Then ah okay, but drop

989
00:52:51,920 --> 00:52:52,319
Speaker 3: me off.

990
00:52:53,200 --> 00:52:54,960
Speaker 1: Oh go start your actual career.

991
00:52:55,400 --> 00:52:59,319
Speaker 3: Yeah at the radio show where they require that profession,

992
00:52:59,360 --> 00:53:00,000
Speaker 3: which is gone.

993
00:53:00,280 --> 00:53:03,160
Speaker 1: Now you have a goddamn radio show. It's called do

994
00:53:03,200 --> 00:53:03,879
Speaker 1: you Need to ride.

995
00:53:04,200 --> 00:53:07,719
Speaker 3: Well, it's a perfect place. Give me a thing happening.

996
00:53:07,840 --> 00:53:08,600
Speaker 3: I'll do the.

997
00:53:08,480 --> 00:53:12,719
Speaker 1: Sound helicopter tour that then crashes into the side of

998
00:53:12,760 --> 00:53:14,640
Speaker 1: a mountain up on.

999
00:53:14,640 --> 00:53:20,680
Speaker 3: The right strong of burning. My skin is relted the end.

1000
00:53:20,960 --> 00:53:24,239
Speaker 1: Incredible, Thank you. I was there? Was that Hawaii?

1001
00:53:24,440 --> 00:53:27,920
Speaker 3: Well it was the helicopter. It was Hawaii, and then

1002
00:53:29,200 --> 00:53:31,600
Speaker 3: yeah I got it focused on the voice and I

1003
00:53:31,640 --> 00:53:33,600
Speaker 3: forgot about the location for a minute.

1004
00:53:33,719 --> 00:53:35,920
Speaker 1: Well it came through in the performance.

1005
00:53:36,040 --> 00:53:39,040
Speaker 3: Yeah, thank you. It's not my first time during a

1006
00:53:39,040 --> 00:53:42,720
Speaker 3: helicopter on this podcast. I appreciate you throwing a little

1007
00:53:42,719 --> 00:53:43,360
Speaker 3: of what I know.

1008
00:53:43,800 --> 00:53:46,440
Speaker 1: Yeah, I think that was important to let you really

1009
00:53:46,840 --> 00:53:50,759
Speaker 1: shine so people get invested in the radio show that

1010
00:53:50,800 --> 00:53:53,640
Speaker 1: we're trying to make this podcast. Okay, next, what is

1011
00:53:53,680 --> 00:53:57,080
Speaker 1: it you're driving a cyber truck and you're being harassed

1012
00:53:57,120 --> 00:54:00,880
Speaker 1: by pedestrians?

1013
00:54:02,080 --> 00:54:06,120
Speaker 3: Yeah, right back at you, buddy. It's paid for.

1014
00:54:06,520 --> 00:54:08,960
Speaker 1: And in between you were blowing on a comb with

1015
00:54:08,960 --> 00:54:09,920
Speaker 1: a piece of paper over it.

1016
00:54:10,160 --> 00:54:12,719
Speaker 3: Yeah. Yeah, Well I didn't get to the part where

1017
00:54:12,719 --> 00:54:15,400
Speaker 3: I put shoes on my hands and walk through gravel.

1018
00:54:15,640 --> 00:54:18,719
Speaker 1: You're doing fully in the cyber truck. You can't do that.

1019
00:54:19,200 --> 00:54:22,719
Speaker 3: No, that the back of the truck was filled already.

1020
00:54:22,880 --> 00:54:24,680
Speaker 3: I had to put the gravel under my feet.

1021
00:54:25,120 --> 00:54:29,439
Speaker 1: You have a fully studio recording studio in that cyber truck.

1022
00:54:29,520 --> 00:54:31,440
Speaker 3: No, I have gravel formats.

1023
00:54:31,480 --> 00:54:33,960
Speaker 1: Oh and scene.

1024
00:54:33,880 --> 00:54:34,239
Speaker 3: Thank you.

1025
00:54:34,719 --> 00:54:42,200
Speaker 1: Woo uh, well, we've done it again.

1026
00:54:42,360 --> 00:54:44,919
Speaker 3: We have done it again. This was like an old

1027
00:54:44,920 --> 00:54:51,439
Speaker 3: school episode, unhinged, nonsensical, totally based.

1028
00:54:51,120 --> 00:54:56,279
Speaker 1: In trust, conversational sort of I mean here and there,

1029
00:54:57,160 --> 00:54:59,040
Speaker 1: kind of riffy.

1030
00:54:58,960 --> 00:55:02,480
Speaker 3: Solid jokes and some weird bits.

1031
00:55:02,600 --> 00:55:06,520
Speaker 1: And old stories you've heard before always are guaranteed to you.

1032
00:55:06,640 --> 00:55:11,440
Speaker 3: Yeah, and some commercial jingles we sang many times in

1033
00:55:11,480 --> 00:55:15,480
Speaker 3: the past taught us there is now an American car

1034
00:55:15,640 --> 00:55:18,799
Speaker 3: that does exactly what you've been looking for. We can't

1035
00:55:18,840 --> 00:55:21,480
Speaker 3: sing it anymore. We've got a strongly worded letter.

1036
00:55:21,560 --> 00:55:23,400
Speaker 1: We've already paid the price for.

1037
00:55:24,280 --> 00:55:27,120
Speaker 3: Oh god, I'm I took a bath on that.

1038
00:55:27,600 --> 00:55:30,479
Speaker 1: Yeah, you really paid fifty thousand dollars. Write out your.

1039
00:55:30,400 --> 00:55:34,640
Speaker 3: Ass for so much money. Okay, that's it. I'm gonna

1040
00:55:34,640 --> 00:55:35,399
Speaker 3: get out of the car.

1041
00:55:35,680 --> 00:55:38,520
Speaker 1: Well wrap it up first, please, Yeah, I will you.

1042
00:55:38,680 --> 00:55:42,279
Speaker 3: Okay, I just was announcing that I'm gonna wrap it up,

1043
00:55:42,360 --> 00:55:44,920
Speaker 3: and here we are. You've been listening to do you

1044
00:55:44,960 --> 00:55:46,920
Speaker 3: need a ride, then I'm going to open the door

1045
00:55:47,480 --> 00:55:49,840
Speaker 3: d y n Ar.

1046
00:55:56,880 --> 00:55:59,320
Speaker 2: This has been an exactly right production.

1047
00:56:00,080 --> 00:56:02,040
Speaker 1: Senior producer is Annalise Nelson.

1048
00:56:02,440 --> 00:56:03,839
Speaker 2: Mixed by Edson Choy.

1049
00:56:04,280 --> 00:56:06,160
Speaker 1: Our talent booker is Patrick Kotner.

1050
00:56:06,440 --> 00:56:08,360
Speaker 2: Themed song by Karen Kilgareff.

1051
00:56:08,800 --> 00:56:12,360
Speaker 1: Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter,

1052
00:56:12,400 --> 00:56:16,759
Speaker 1: and Facebook at dinar podcast That's d y nar Podcast.

1053
00:56:17,160 --> 00:56:20,759
Speaker 3: For more information, go to exactly rightmedia dot com.

1054
00:56:20,760 --> 00:56:23,040
Speaker 1: Thank you, Oh, You're welcome.