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Speaker 1: Hello all, it is Sam here with a quick announcement,

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Speaker 1: and that is that we have two Stradio Lab live

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Speaker 1: shows coming up. The first one is in Chicago on

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Speaker 1: October sixth at the Den Theater and we couldn't be

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Speaker 1: more excited. Chicago's one of our favorite damn cities in

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Speaker 1: this damn country, so we would love for you to

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Speaker 1: get tickets to that at Sunday, October sixth. And then

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Speaker 1: we are returning to New York on October twelfth at

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Speaker 1: the Bellhouse. So you know, as someone that claims citizenship

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Speaker 1: to both of these cities, I am thrilled to be

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Speaker 1: on sort of what I will refer to as my

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Speaker 1: homecoming tour. Please please please get your tickets now October

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Speaker 1: sixth in Chicago and October twelfth in New York City. Baby, okay, enjoy.

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Speaker 2: The EPP.

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Speaker 1: Podcast starts now. Hello all, and welcome to our beautiful

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Speaker 1: bi coastal podcast, Tradia Lab.

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Speaker 2: And let me just say tgif tg if.

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Speaker 1: We are once again recording on a Friday, which is amazing,

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Speaker 1: so no matter what day listening, it's Friday. George, you

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Speaker 1: were just saying something that I actually found really groundbreaking,

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Speaker 1: and I want you to continue saying.

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Speaker 3: Okay, so I don't know. You know, obviously not all

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Speaker 3: our listeners are Brooklyn Nights. So a lot of them are,

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Speaker 3: but a lot of them are. In fact, I would

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Speaker 3: say too many of them are, and that becomes an

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Speaker 3: issue sometimes when we tour, because you know, if only

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Speaker 3: we could kind of copy and paste our Brooklyn audience

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Speaker 3: to other cities like, for instance, Denver, Austin. You know,

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Speaker 3: we're local Lanta, we're local girls, and that's okay.

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Speaker 2: You know, not everyone can be a.

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Speaker 3: Global pop star a Lah Chapel Rone or Katie Perry.

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Speaker 3: You know some of us, some of us are just

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Speaker 3: like Caroline Polocheck. You know she's gonna sell out Brooklyn.

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Speaker 3: I don't know if she could sell out Denver.

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Speaker 2: Let's be honest. Yeah, so true.

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Speaker 3: Basically to me, a sort of an icon of like

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Speaker 3: gentrifying Bushwick sort of circa twenty tens is Roberta's Pizzeria.

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Speaker 2: It is a classic.

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Speaker 3: Sort of like woodfire of in pizzeria where a lot

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Speaker 3: of people that I would say our HBO's Girls adjacent

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Speaker 3: would go to anywhere between twenty twelve and or even earlier,

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Speaker 3: like twenty ten and twenty fourteen.

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Speaker 2: Would you say that's accurate?

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Speaker 1: Sam, say that's accurate. The classic story about Robertos is

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Speaker 1: people are like, you know, the Clintons went there.

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Speaker 2: Is that true?

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Speaker 1: Yes, this is what people always say about Robertos. They're like,

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Speaker 1: it's actually an amazing restaurant. Actually the Clintons went there.

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Speaker 3: And by the Clintons you mean Bill and Hillary, I

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Speaker 3: mean Bill and Hillary.

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Speaker 2: Was Chelsea involved?

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Speaker 3: Was it don't sort of take your daughter to pizzeria day?

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Speaker 3: Or was it just a romantic you know how they're

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Speaker 3: so in love. Maybe it was like just a romantic

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Speaker 3: dinner day like they have often.

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Speaker 1: I think Chelsea was out and about. She was, you know,

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Speaker 1: hitting up elsewhere. She was at Knockdown Center, Adown Center.

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Speaker 1: And so Bill and Hillary had a romantic dinner at Roberta's.

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Speaker 1: God to be a fly on the wall for Bill

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Speaker 1: and Hillary having We cannot go down the Bill and Hill.

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Speaker 2: Okay, I'm sorry, but but don't you think.

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Speaker 1: So?

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Speaker 3: Okay, they are sort of like one of the most

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Speaker 3: romantic love stories of our time.

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Speaker 1: How is that true?

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Speaker 3: Not sexually obviously, but I do think that they have

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Speaker 3: they have a connection.

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Speaker 1: You are pissing me off, right, all right?

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Speaker 3: All right, Okay, So Bill and Hillary went to Roberta's.

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Speaker 3: And you know it's the type of place where you

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Speaker 3: could see maybe like a B plus less celebrity or

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Speaker 3: even an A less celebrity like Hillary Clinton and Bill Clinton.

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Speaker 1: Clearly who are the lovers of our time.

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Speaker 3: No, So, currently we are recording in a studio close

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Speaker 3: to Manhattan's own Penn Station. And you know, Penn Station

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Speaker 3: is where you can get the AM track, It's where

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Speaker 3: you can get the subway, that's where you can get

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Speaker 3: the ENJ transit to go to New York Airport. And

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Speaker 3: I I have found out recently that a Robertas has

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Speaker 3: opened in Penn Station. I don't know if it's in

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Speaker 3: the actual Pen Station or if it's like a building over,

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Speaker 3: but it's there and it has a rooftop situation including

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Speaker 3: a tiki bar. This and so after this recording, I'm

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Speaker 3: going to that Penn Station based Robertas.

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Speaker 1: This to me is one of the saddest stories one

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Speaker 1: could tell. This is sort of it's giving. Did you

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Speaker 1: know that there's a tonnel under Ocean Boulevard?

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Speaker 2: Did you know that there is a Roberta's over Penn Station.

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Speaker 1: And it's also like I remember when like this was

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Speaker 1: also maybe in twenty ten or something. Obviously, like you know,

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Speaker 1: nineteen seventy nine. CBGB's Lower East Side hasn't existed since

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Speaker 1: maybe nineteen eighty three, but there was a point when

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Speaker 1: a CBGB's opened as a like pop up store in

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Speaker 1: the Newark Airport and everyone's taking pictures of it and

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Speaker 1: being like this is so sad, like how this was

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Speaker 1: like a cultural moment and now it's a gift shop

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Speaker 1: in the Newark Airport.

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Speaker 2: And that's what this feels like. That's what the Robertas

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Speaker 2: is giving to me, because of.

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Speaker 3: Course, like twenty ten's Bushwick is to you what Lower

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Speaker 3: East Sided CBGB's was to that generation. Actually, and we're

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Speaker 3: about to bring our guests into apologies for mentioning her

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Speaker 3: before we do, but her co star Broadway Zone, Patty Lapone,

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Speaker 3: was recently on the New York Radio Hour and she

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Speaker 3: was talking about like seventies rock and roll and she

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Speaker 3: was like, it was a crazy time. It was you know,

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Speaker 3: it was like immoral and crazy, but people were experimenting.

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Speaker 3: And I was like, yeah, that's how we feel about

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Speaker 3: twenty ten's Bushwick Comedy.

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Speaker 1: Literally, that's how I feel about tandem bar off of

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Speaker 1: Troutman may rest in PTM.

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Speaker 2: There's actually one in Pen Station.

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Speaker 1: Now, did you know that there's a tandem bar in

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Speaker 1: Penn Station?

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Speaker 2: Oh my god?

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Speaker 1: Okay and okay, so now we covered the the eternal

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Speaker 1: crumbling of New York. I want to also say, George,

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Speaker 1: what a beautiful wedding. Oh my god, my god, my god,

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Speaker 1: just stunning event. Oh my god, Who's who?

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Speaker 3: The way our guest is so excluded right now, just

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Speaker 3: like us talking about events that she was not at

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Speaker 3: and not allowing her to speak.

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Speaker 4: It sounds really fun.

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Speaker 1: Oh, I guess your invite got lost in the mail.

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Speaker 4: I was here, I would see it.

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Speaker 1: I think you were in LA, but you don't want

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Speaker 1: to talk about it.

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Speaker 3: Being no, I would love to talk about it, but

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Speaker 3: I do think if we start talking about it now,

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Speaker 3: then it will take a lot. Like we would have

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Speaker 3: to wrap up in two minutes and then bring in

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Speaker 3: our guests.

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Speaker 1: Do you think we did to say if we were

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Speaker 1: starting to talk about how gorgeous it was, it would

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Speaker 1: take an hour.

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Speaker 3: I mean, let's just be honest. I mean my vows alone.

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Speaker 2: Well yes, okay.

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Speaker 3: Well, okay, first impressions. I want to know you know,

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Speaker 3: I'm giving you forty five seconds.

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Speaker 2: How how was my wedding? Incredible?

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Speaker 1: Chic? Chic, chic? And also your mom is to die

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Speaker 1: for God when you meet a mom who is glamor

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Speaker 1: or us.

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Speaker 3: She was, of course famously wearing a dress that was

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Speaker 3: both magenta and chartruse.

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Speaker 2: A lot of people don't know.

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Speaker 3: That those colors can be combined, but she is living

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Speaker 3: proof that they can.

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Speaker 1: When there's something I'm starting to feel a bit chicken

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Speaker 1: or the egg about gay sons and glamorous moms.

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Speaker 2: Totally, where is she glamorous because I'm gay? Or am

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Speaker 2: I gay because she's glamorous?

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Speaker 4: Exactly?

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Speaker 2: Something's up.

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Speaker 1: There's a connection here and we should look into it.

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Speaker 3: I mean, if only I had on tape the moment

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Speaker 3: where Matt Rogers met my mom in fact we're very

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Speaker 3: sort of sweetly, was like, I want to meet your mom,

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Speaker 3: took I brought him over, introduced him to her. He

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Speaker 3: was like ready to charm her, and my mom just goes,

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Speaker 3: so are you married? And then Matt like panics and

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Speaker 3: is like, oh no, I haven't found that special someone.

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Speaker 3: And then my mom is just like nodding and looking

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Speaker 3: at him and not asking any follow up questions.

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Speaker 1: Your parents have a really specific way of being very

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Speaker 1: sweet but also very business business.

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Speaker 2: Well, they are business people to them.

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Speaker 3: Business like treating someone as though you're meeting at a

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Speaker 3: business conference is to them the highest form of intimacy.

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Speaker 3: Like for my dad to be like, so what was

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Speaker 3: your degree in? That's like him saying I love you.

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Speaker 1: Your dad like talk to like was like came up.

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Speaker 1: I think it was just like he was like, Oh,

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Speaker 1: I'm so excited to meet you. I'm so happy to

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Speaker 1: meet you.

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Speaker 2: He requested to me like literally, can you bring me

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Speaker 2: to Sam?

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Speaker 1: You brought him over. We had like a five minute

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Speaker 1: conversation and then he was just like Okay, goodbye, And

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Speaker 1: I was like it felt like an interview that went

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Speaker 1: badly and I was like, did I fuck up?

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Speaker 2: But then he like came to me.

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Speaker 3: I was like, Sam, great guy, like his a good

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Speaker 3: head on his shoulders.

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Speaker 1: Business, business, business in a way that I appreciate.

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Speaker 2: Yeah, okay, it's time to bring in.

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Speaker 3: Speaking of business, it's not to bring in our business

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Speaker 3: partner that we have no personal relationship with. Was here

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Speaker 3: to promote her Disney Plus show. That's part of the

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Speaker 3: Marble cinematic universe.

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Speaker 1: You say it, you're in person.

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Speaker 3: Please welcome our dear friend. Multiple guest live show guests,

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Speaker 3: one of the funniest people we know, so shar Zamada, yay.

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Speaker 4: Hello, I've been dying to get in here.

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Speaker 1: Truly.

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Speaker 2: Oh that was really it kills me.

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Speaker 4: I want to talk.

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Speaker 1: That was cooler than normal.

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Speaker 2: It was cooler than normal.

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Speaker 4: Yeah, it's okay, it's fine.

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Speaker 2: What's your relationship with Roberta's.

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Speaker 4: I like Roberta's and also feel conflicted about it being inpensation.

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Speaker 4: I get it. I feel the same way as you do.

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Speaker 4: Like it's like, doesn't it just belong in Brooklyn?

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Speaker 3: I wonder what would be the thing that really, like,

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Speaker 3: what is the thing you consider you know, indie whatever

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Speaker 3: that like went secret that if it went mainstream, you

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Speaker 3: would be like really uh sort of depressed, like like Apple,

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Speaker 3: Apple of the company. Yeah, little streaming serving iPhones now

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Speaker 3: in the Midwest.

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Speaker 4: Can you believe it?

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Speaker 1: I'm like, that's a New York thing.

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Speaker 4: That's my thing. I can't believe it.

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Speaker 3: There are people out there watching the Morning Show starting

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Speaker 3: Reese Witherspoon in you know, Milwaukee.

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Speaker 4: It's disgusting to be fair.

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Speaker 1: I still think the Morning show starting reswisdim is Indie

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Speaker 1: to be.

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Speaker 3: Oh, it is sun Dance two thousand and eight. It

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Speaker 3: is literally it is literally pre Little Miss Sunshine Sundance.

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Speaker 1: It is like one of those shows where it's like, actually,

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Speaker 1: no one except for the twelve people we know is

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Speaker 1: watching this.

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Speaker 3: It literally starts Parker Posey and no one else and

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Speaker 3: she didn't even get a wardrobe budget.

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Speaker 2: That is what the morning show is.

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Speaker 1: God, oh oh wow.

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Speaker 4: I don't even know what is Indy anymore. I also

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Speaker 4: don't know what's around anymore. Like, you know, I've been

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Speaker 4: in New York all week and I passed things of

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Speaker 4: like I guess that's gone. Yeah, it's a coffee chep.

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Speaker 4: Now it's Starbucks or a bank.

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Speaker 3: It Also, the signifiers that you're used to are not

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Speaker 3: clear anymore. Like this happened to me when I learned

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Speaker 3: that Starbucks co host of the Republican National Convention, where

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Speaker 3: I was like, huh.

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Speaker 2: I thought they were all gay there, Like I thought

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Speaker 2: so too.

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Speaker 3: I sort of thought that every year of Pride they

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Speaker 3: would release another rainbow. Yeah, like and then where then

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Speaker 3: suddenly Mark Zuckerberg is dressing like a hype beast or

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Speaker 3: then like you know, start no offense. But Patty Lapone

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Speaker 3: is in the Marble Cinematic universe, like you're sort of

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Speaker 3: like up is down, down is up.

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Speaker 4: Yeah, we don't know, we don't know what's right. Nothing

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Speaker 4: makes makes sense. Yeah, and maybe that's progress.

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Speaker 3: To be clear, I could not be happier than Patty

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Speaker 3: Laponas in the universe. It makes me so thrilled. I'm

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Speaker 3: so happy for her, and please welcome her tonight.

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Speaker 1: I would love Well, it feels a little bit disingenuous

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Speaker 1: to be having this conversation while I'm literally dressed as

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Speaker 1: a NASCAR driver.

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Speaker 3: Okay, so you've been really wanting to talk about how

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Speaker 3: your dress is a NASCAR driver, so we're giving you

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Speaker 3: the floor.

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Speaker 1: Well, I'm just saying, we're saying our indicators of what

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Speaker 1: is indy are completely off and I'm completely dressed head

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Speaker 1: to toe like a nasscar driver. Yeah, it doesn't make

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Speaker 1: any sense, and I'm trying to I'm walking around and

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Speaker 1: I'm like, do you ever wear an outfit where you're like,

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Speaker 1: I can just you can just wear whatever you want.

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Speaker 1: And then you're wearing it and you're like everyone's looking

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Speaker 1: at me.

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Speaker 3: I tell you something, And I hope this doesn't offend

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Speaker 3: you in any way.

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Speaker 2: Sure it will.

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Speaker 1: I'm absolutely one hundred percent you're just gonna be like

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Speaker 1: you look normal.

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Speaker 3: No, it's actually not what I'm about to say. It's

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Speaker 3: what I'm said to say is potentially worse. I think

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Speaker 3: you look like a fashionista who is like you look

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Speaker 3: like you're wearing the hypeiest version of the NASCAR outfit.

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Speaker 2: Do you agree?

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Speaker 3: Like it's very much like this is the like their

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Speaker 3: collab that they did with Supreme or something.

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Speaker 4: Yeah, for a Wrangler shirt, that is a cool shirt.

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Speaker 3: It's not like it doesn't give like I found it,

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Speaker 3: you know, under a table in some thrift store.

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Speaker 2: It gives fashion.

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Speaker 4: Although I do see now that I don't know if

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Speaker 4: I noticed the one on the collar. I think now

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Speaker 4: that I can see three different Wranglers on the shirt,

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Speaker 4: the collar above the pocket, really big on the arm.

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Speaker 2: To me, what's so supreme?

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Speaker 4: Is there another?

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Speaker 2: Yeah?

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Speaker 4: That is that's a race car driver right there?

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Speaker 3: Again for anyone not watching that, it says Wrangler on

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Speaker 3: I'm counting four different places.

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Speaker 4: Yeah, in different sizes too, And it's a button down shirt.

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Speaker 1: Yeah, no, George, I know what you mean. The problem

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Speaker 1: with wearing a shirt like this is your like, do

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Speaker 1: I lean it? Do I try to make it more authentic,

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Speaker 1: like right now I'm wearing cowboy boots and cowboy belt,

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Speaker 1: or I could like have gone in sort of a

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Speaker 1: hype Easter way and like unbuttoned and wren like cool shoes.

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Speaker 2: Yeah, yeah, leaned, I leaned in.

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Speaker 4: Yeah, I'm glad you did.

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Speaker 3: Have you ever had a sort of cowboy phase fashion wized?

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Speaker 4: I think a mix. There have been points where I

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Speaker 4: wore cowboy boots, but then I think I, like, you know,

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Speaker 4: had other stuff going on, like leggings and a skirt,

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Speaker 4: like I wasn't going full cowboy. And I've also had

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Speaker 4: the bandoliers. I'll just like throw on a shirt at

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Speaker 4: some point in time, but yeah, I don't think full cowboy.

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Speaker 3: There was someone at my wedding that had, oh my god,

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Speaker 3: what are those called? The like vandelier vandelier but it

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Speaker 3: doesn't have another name, like a bowl of bolotie. Yes,

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Speaker 3: someone wearing like a formal bulletie, and I was like, oh, okay.

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Speaker 4: Is it was it?

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Speaker 2: Earned?

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Speaker 4: Are they from a place where that would happen?

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Speaker 3: They are from New Orleans, so I think it could

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Speaker 3: go either way. Yeah, yeah, but they looked great, like

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Speaker 3: I thought. I thought they looked the part Georgia.

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Speaker 1: I will say your wedding was interesting because there were

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Speaker 1: a lot of fashion conversations happening, like people in like

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Speaker 1: you know, normal suits and you'd see someone in like

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Speaker 1: you know, a chic like Comte de Garsoon jacket and

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Speaker 1: you're law and like you'd be like, we are all

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Speaker 1: at the same event. I guess this is normal, Like

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Speaker 1: I don't like it was sort of like who am

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Speaker 1: I not fashion enough? Are they too fashion? It was

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Speaker 1: sort of an interesting range.

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Speaker 3: I sort of think the like a good fashion event

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Speaker 3: is one in which everyone is everyone is trying, but

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Speaker 3: in different ways. Like you can be in head to

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Speaker 3: talk home to Garzon, or you can be in like

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Speaker 3: a really classic Brooks Brothers suit. But what you can't

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Speaker 3: do is show up in like flip flops and you

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Speaker 3: know jeans like I and I sort of do think

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Speaker 3: that that happened. Like I was looking around and I

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Speaker 3: was like, Okay, everyone showed up.

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Speaker 1: Yeah, yeah, everyone turned out.

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Speaker 4: Sam, what did you wear?

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Speaker 1: So the thing is, oh, there's always a say so

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Speaker 1: I have a suit that I like that I got

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Speaker 1: at Ja Crew last year and it's sort of my

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Speaker 1: been my go to wedding outfit for the last year, okay,

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Speaker 1: and it's like an unstructured, sort of more casual suit

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Speaker 1: in a fun way. But this time I was like,

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Speaker 1: you know, I've worn this suit enough, I'm going shopping

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Speaker 1: and I like, literally I went to stores. I went

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Speaker 1: to this like vintage store in Brooklyn's like men's wear

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Speaker 1: and I was like, I'm going to get a new

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Speaker 1: and of course you can't do this. You can't day

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Speaker 1: of be like I'm getting a new outfit, but that

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Speaker 1: was my goal. And I bought a new blazer and

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Speaker 1: then I panicked, and then I bought a new shirt,

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Speaker 1: and then I panicked all day being like should I

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Speaker 1: wear this? Should I wear this? Texting everyone being like

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Speaker 1: should I?

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Speaker 2: Is this too casual? Is this too?

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Speaker 1: It was like a light kind of blue, and I

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Speaker 1: was like is this two daytime?

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Speaker 2: Is it?

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Speaker 1: Yeah? And then I ended up just wearing the suit

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Speaker 1: I brought.

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Speaker 3: I thought you looked fabulous. And I something that I

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Speaker 3: do think connects this is both of us. Every time

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Speaker 3: we have to go to an event, try to buy

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Speaker 3: something the day of. Yeah, it never works out.

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Speaker 4: No, it's too stressful.

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Speaker 3: Never and also try to buy something day of from

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Speaker 3: like a vintage store, like.

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Speaker 1: Not even so stupid.

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Speaker 4: Both of us faith something will fit me. Literally, it

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Speaker 4: will be available.

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Speaker 3: It's yeah, and it's also just like literally the thing

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Speaker 3: of you know, the definition of insanity is doing the

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Speaker 3: same thing over and over again, expecting different results. Like

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Speaker 3: every time, I'm like, but this time I'll find something

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Speaker 3: perfectly Yeah, what did you wear?

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Speaker 2: I wore?

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Speaker 3: I mean, this is a whole saga. But we ended

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Speaker 3: up wearing matching suits, which at first I thought would

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Speaker 3: be tacky, but then anything that we tried that wasn't

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Speaker 3: also seemed tacky. And then I was like, is it

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Speaker 3: just tacky to be a gay man? Like do you

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Speaker 3: actually need a bride for a wedding to not be attacking?

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Speaker 2: Not to be homophobic?

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Speaker 3: Like, and I was sort of like I kept looking

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Speaker 3: at photos of like a groom and a bride and

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Speaker 3: I'd be like, ough, now that's like if only if

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Speaker 3: only there was a woman here, like then it could

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Speaker 3: really sort of class this joint up.

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Speaker 2: It was like two men, like, what the hell, this

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Speaker 2: doesn't look right?

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Speaker 3: It does not look right, Like maybe they had some

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Speaker 3: points and so but no, we ended up basically.

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Speaker 4: Conservatives really didn't want to get people get married because

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Speaker 4: it doesn't look exactly aesthetically match.

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Speaker 3: Sam always says, yeah, so we we wore matching suits.

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Speaker 3: They were very simple, which is what you know. They

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Speaker 3: were like very simple but very let me say, well

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Speaker 3: tailored navy suits. But then I think what really actually

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Speaker 3: brought it all together is this absolutely stunning German woman

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Speaker 3: who did.

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Speaker 2: The flowers for the restaurant.

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Speaker 3: Did our little boutineers nice and they were Sam, do

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Speaker 3: you remember them?

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Speaker 2: I feel like they were like.

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Speaker 1: Yeah, they were great, the like red thing.

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00:18:07,440 --> 00:18:09,240
Speaker 3: Yeah, it was like sort of like red and pink,

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Speaker 3: so it like femmed it up.

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Speaker 4: Yeah, that's cute.

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Speaker 2: I like that.

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Speaker 1: And then they were serving gender fluid.

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Speaker 2: Oh yeah, I know. See I was wearing you know,

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Speaker 2: navy soup. Put on the flower.

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Speaker 3: Suddenly I'm gender flu Yeah, suddenly I'm Sam Smith on

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Speaker 3: the runway.

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Speaker 1: So you were you were screaming, break the binary, break

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Speaker 1: the binary.

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Speaker 4: Wow with flowers.

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Speaker 2: Wow do you believe it?

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Speaker 3: So that was Oh God, have you been going to

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Speaker 3: a lot of weddings.

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Speaker 4: I actually went to one last night. It was great.

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Speaker 4: It was also at a restaurant, very low key. Yeah,

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Speaker 4: it was like in the basement, private room and there's

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Speaker 4: like lots of wine and great food and and then

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Speaker 4: I was to put it early.

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Speaker 2: Do you enjoy weddings.

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Speaker 4: I do enjoy weddings. It's nice to celebrate love.

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Speaker 3: I agree, Yeah, famously our topic one time was celebrating love.

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Speaker 2: Oh it was Pat Reagan stuff.

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Speaker 4: It's just too straight. That's really funny.

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Speaker 1: Yeah, I I George, I wanted to ask a little bit,

430
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Speaker 1: like how did you feel about I feel like you

431
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Speaker 1: have a way of sort of doing something that is

432
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Speaker 1: like for you, like like it's not meant to become

433
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Speaker 1: a thing, and then it becomes like like I feel

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Speaker 1: like people were jealous, Like I feel like it became

435
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Speaker 1: like an industry comedy event. Whoa and like it reminded

436
00:19:35,840 --> 00:19:38,239
Speaker 1: me honestly. George once had a tweet that was like

437
00:19:39,240 --> 00:19:42,199
Speaker 1: something about the destabilizing gay in the community, and it

438
00:19:42,320 --> 00:19:44,119
Speaker 1: like took on a life of its own where everyone

439
00:19:44,160 --> 00:19:45,959
Speaker 1: was like trying to guess who this gay was and

440
00:19:46,000 --> 00:19:48,359
Speaker 1: it was like went viral in this weird like you

441
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Speaker 1: thought it was like it was very specific.

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Speaker 3: I was literally it was a point where you know

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Speaker 3: that first time you start feeling like, oh, I'm not

444
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Speaker 3: the youngest person.

445
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Speaker 2: I was sort of having a time.

446
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Speaker 3: I was probably like twenty six at the time, and

447
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Speaker 3: I was like, oh, there are like new gay guys

448
00:20:03,240 --> 00:20:06,120
Speaker 3: constantly and they're twenty two and they're entering comedy seat.

449
00:20:06,440 --> 00:20:08,040
Speaker 3: And it was not about someone in particular, but I

450
00:20:08,080 --> 00:20:11,160
Speaker 3: was like, you know something like there's always some new

451
00:20:11,200 --> 00:20:14,280
Speaker 3: gay guy that destabilizes the community or something. And then

452
00:20:14,960 --> 00:20:20,040
Speaker 3: literally it literally I had people like famous people that

453
00:20:20,160 --> 00:20:22,359
Speaker 3: did not know me, dming me who is this about?

454
00:20:23,400 --> 00:20:26,359
Speaker 2: Because because they also arened.

455
00:20:25,880 --> 00:20:27,520
Speaker 4: About it too, Yeah, they're like who is it?

456
00:20:27,640 --> 00:20:28,240
Speaker 2: Like, what the hell?

457
00:20:28,840 --> 00:20:31,360
Speaker 4: Who is this person destabilizing my position?

458
00:20:32,240 --> 00:20:33,679
Speaker 1: Well, they're like I either have to make them my

459
00:20:33,800 --> 00:20:36,040
Speaker 1: enemy or my best friend. Yeah. It was truly like

460
00:20:36,359 --> 00:20:38,160
Speaker 1: I hear, hey destabilize in the community.

461
00:20:38,480 --> 00:20:41,480
Speaker 3: Okay, wait, I'm loving this mythology you have in me, Sam, Genuinely,

462
00:20:41,560 --> 00:20:44,280
Speaker 3: I'm not being sarcastic, like so I'm doing things for

463
00:20:44,320 --> 00:20:45,960
Speaker 3: myself and then they become phenomenon.

464
00:20:46,040 --> 00:20:49,120
Speaker 2: I'm sure like Chapel Roat honestly with.

465
00:20:49,119 --> 00:20:55,280
Speaker 4: The flower a phenomena.

466
00:20:53,000 --> 00:20:55,400
Speaker 3: Actually ushering in a new era of gender queer fat

467
00:20:55,440 --> 00:20:57,600
Speaker 3: of gender bending fashion. I think is me wearing a

468
00:20:57,680 --> 00:20:59,520
Speaker 3: boutineer to my gay cis wedding?

469
00:21:01,440 --> 00:21:03,639
Speaker 1: No, But I really like it was sort of like,

470
00:21:04,119 --> 00:21:06,880
Speaker 1: you know, I saw some posts that were like, oh,

471
00:21:06,920 --> 00:21:08,800
Speaker 1: I wasn't invited to George's and I was like, you

472
00:21:08,800 --> 00:21:09,719
Speaker 1: don't even know George.

473
00:21:09,880 --> 00:21:10,360
Speaker 2: Like you a way.

474
00:21:10,480 --> 00:21:13,119
Speaker 3: I was like, well there was public I know, the

475
00:21:13,119 --> 00:21:13,879
Speaker 3: one you're talking about it.

476
00:21:13,840 --> 00:21:15,840
Speaker 2: And I was a little bit like what the hell?

477
00:21:17,560 --> 00:21:20,280
Speaker 1: But I really felt like it, like I was able

478
00:21:20,280 --> 00:21:22,360
Speaker 1: to zoom out of it and be like, damn, you

479
00:21:22,359 --> 00:21:24,080
Speaker 1: were just living your life and then it turned into

480
00:21:24,119 --> 00:21:26,720
Speaker 1: an event. It was as if you had a movie

481
00:21:26,960 --> 00:21:28,520
Speaker 1: exciting Wow.

482
00:21:29,960 --> 00:21:34,639
Speaker 3: Well, you know, it was just really nice to be

483
00:21:34,680 --> 00:21:37,440
Speaker 3: in a room with all people I love and respect, and.

484
00:21:38,960 --> 00:21:41,240
Speaker 1: You know, we didn't know what if everyone has fifty

485
00:21:41,320 --> 00:21:42,440
Speaker 1: k followers or more.

486
00:21:42,560 --> 00:21:45,320
Speaker 2: That's not on purpose. The fact that we didn't have press.

487
00:21:45,359 --> 00:21:47,159
Speaker 2: There was a choice because I just didn't want it

488
00:21:47,200 --> 00:21:47,960
Speaker 2: to be a whole thing.

489
00:21:48,040 --> 00:21:49,280
Speaker 4: I know, people to be uncomfortable.

490
00:21:49,560 --> 00:21:51,920
Speaker 3: I got requests, but I was like, this is this

491
00:21:52,000 --> 00:21:56,160
Speaker 3: is my day, Like I just it's just my family.

492
00:21:56,320 --> 00:22:03,240
Speaker 3: You know, people like Olivia Wild, you know, Henry Gold.

493
00:22:03,240 --> 00:22:04,600
Speaker 2: I don't know why that's the first person.

494
00:22:04,440 --> 00:22:06,160
Speaker 1: I thought like, I've never heard that name of my life.

495
00:22:06,160 --> 00:22:06,720
Speaker 2: Who is that?

496
00:22:07,119 --> 00:22:08,640
Speaker 3: It's like I was trying to think of, like who

497
00:22:08,680 --> 00:22:11,879
Speaker 3: is a sort of not not like super super huge,

498
00:22:11,880 --> 00:22:13,679
Speaker 3: but like if you know, you know, isn't Henry Golding

499
00:22:13,720 --> 00:22:16,880
Speaker 3: the guy from Crazy Asian?

500
00:22:16,960 --> 00:22:18,320
Speaker 2: Yeah? And a simple favorite?

501
00:22:18,359 --> 00:22:18,800
Speaker 4: Yeah?

502
00:22:18,960 --> 00:22:20,040
Speaker 2: Hot, it's hunk.

503
00:22:20,560 --> 00:22:23,320
Speaker 1: Okay, Yeah, I'll take your word for it.

504
00:22:25,040 --> 00:22:26,440
Speaker 3: Wait, okay, I kind of want to do our first

505
00:22:26,440 --> 00:22:28,920
Speaker 3: segment because I'm very antsy to get to the topic

506
00:22:28,920 --> 00:22:30,080
Speaker 3: because I think it's a really good one.

507
00:22:30,400 --> 00:22:36,919
Speaker 2: Okay, how do you feel about that? I think that's amazing. Okay,

508
00:22:37,040 --> 00:22:37,480
Speaker 2: so share.

509
00:22:37,680 --> 00:22:37,960
Speaker 4: Yeah.

510
00:22:38,040 --> 00:22:40,200
Speaker 3: Our first segment, as you know, is called Straight Shooters,

511
00:22:40,200 --> 00:22:41,639
Speaker 3: and in this segment, we ask you a series of

512
00:22:41,720 --> 00:22:43,679
Speaker 3: rapid fire questions where you have to choose this thing

513
00:22:43,760 --> 00:22:46,040
Speaker 3: or this other thing to gauge your familiarity with and

514
00:22:46,119 --> 00:22:48,359
Speaker 3: complicity and straight culture. And the one rule is you

515
00:22:48,400 --> 00:22:50,280
Speaker 3: can't ask any follow up questions about how it works,

516
00:22:50,280 --> 00:22:53,280
Speaker 3: and if you do, we will cancel our Disney pluss

517
00:22:53,320 --> 00:22:55,320
Speaker 3: on the spot. I will take out my phone, I

518
00:22:55,320 --> 00:22:57,200
Speaker 3: will go to Disney Plus and I will cancel it.

519
00:22:58,400 --> 00:23:00,680
Speaker 4: Also, I know this is like my my third or

520
00:23:00,680 --> 00:23:02,880
Speaker 4: fourth time doing this show, and I will not understand

521
00:23:02,880 --> 00:23:03,280
Speaker 4: these rules.

522
00:23:03,400 --> 00:23:05,880
Speaker 3: No, I never, No one ever does.

523
00:23:07,040 --> 00:23:08,359
Speaker 4: So I'm picking which one.

524
00:23:08,520 --> 00:23:10,200
Speaker 2: I am sending a question.

525
00:23:10,440 --> 00:23:13,200
Speaker 1: George, open your phone. It's time to no.

526
00:23:13,200 --> 00:23:14,960
Speaker 4: No, okay, I I have no questions.

527
00:23:15,000 --> 00:23:16,640
Speaker 2: I will just Patty.

528
00:23:16,880 --> 00:23:20,040
Speaker 4: You're calling Patty, directly calling pat She certainly does not

529
00:23:20,119 --> 00:23:21,680
Speaker 4: know how to cancel a Disney Plus subscription.

530
00:23:23,840 --> 00:23:26,480
Speaker 3: Well she actually she's probably on stage right now for

531
00:23:26,640 --> 00:23:28,240
Speaker 3: her new Broadway play, Yeah.

532
00:23:28,040 --> 00:23:30,880
Speaker 4: The Roommates, which I saw and it's so good. Oh

533
00:23:30,920 --> 00:23:31,439
Speaker 4: my god, man?

534
00:23:31,560 --> 00:23:33,440
Speaker 3: Can you can you believe me if we are living

535
00:23:33,440 --> 00:23:37,200
Speaker 3: at a time when when Patty can be in Marvel

536
00:23:37,280 --> 00:23:39,480
Speaker 3: and then go do a play with me a farah,

537
00:23:40,720 --> 00:23:42,719
Speaker 3: I mean, and then and then they say and then

538
00:23:42,760 --> 00:23:47,520
Speaker 3: they say art is dead. I'm serious. Okay, they do

539
00:23:47,600 --> 00:23:50,600
Speaker 3: say that. They do say that, They do be saying that.

540
00:23:50,680 --> 00:23:55,800
Speaker 3: So sheer doing squats to work out your ass or

541
00:23:55,840 --> 00:23:58,240
Speaker 3: a production of cats CoA Sparring Lands Pass.

542
00:24:01,720 --> 00:24:09,800
Speaker 4: I okay, doing squats to work out my ass?

543
00:24:10,600 --> 00:24:14,439
Speaker 1: Okay? So sure, bacon, egg and cheese or what do

544
00:24:14,520 --> 00:24:15,800
Speaker 1: we say?

545
00:24:15,840 --> 00:24:16,240
Speaker 2: Please?

546
00:24:17,880 --> 00:24:23,040
Speaker 4: Wow, good delivery, bacon, egg and cheese.

547
00:24:24,359 --> 00:24:29,640
Speaker 2: Okay? H O T T O G O or f

548
00:24:30,119 --> 00:24:34,320
Speaker 2: E R g A l O U.

549
00:24:34,480 --> 00:24:37,120
Speaker 4: S now were you transfered furglicious?

550
00:24:37,760 --> 00:24:42,240
Speaker 2: Wait, no, that's that was wrong. I spelled furgless g

551
00:24:42,600 --> 00:24:45,840
Speaker 2: l A m O r o u s glamorous, glamor.

552
00:24:45,840 --> 00:24:49,000
Speaker 4: Oh wait, actually.

553
00:24:50,119 --> 00:24:52,920
Speaker 3: It's actually h O T t O g or fergoluss.

554
00:24:54,160 --> 00:24:56,640
Speaker 2: That's the official question that I meant asking.

555
00:24:57,200 --> 00:25:02,360
Speaker 4: Furgl Okay, So not furglicious or glamorous. That's furgoless. I'm

556
00:25:02,359 --> 00:25:03,160
Speaker 4: gonna go furgus.

557
00:25:03,320 --> 00:25:06,400
Speaker 3: And by the way, furgolus is now trending. We're pioneering Furgoluss.

558
00:25:07,440 --> 00:25:08,760
Speaker 2: I'm feeling fergoliss.

559
00:25:08,880 --> 00:25:11,760
Speaker 1: I'm wearing a fergolis, I'm wearing my flower bootin ear,

560
00:25:11,880 --> 00:25:12,760
Speaker 1: and I'm feeling.

561
00:25:14,000 --> 00:25:15,840
Speaker 3: My wedding was pretty fergoliss.

562
00:25:15,480 --> 00:25:16,639
Speaker 4: It sounded like it.

563
00:25:16,760 --> 00:25:18,240
Speaker 2: No, it was so fergoloss.

564
00:25:19,560 --> 00:25:22,960
Speaker 1: Okay, so shere, get out of my dreams and into

565
00:25:23,000 --> 00:25:25,520
Speaker 1: my car or a girl. You have done it again,

566
00:25:25,680 --> 00:25:26,880
Speaker 1: constantly raising the bar.

567
00:25:30,119 --> 00:25:33,200
Speaker 4: Girl, you have done it again, constantly raising the bar.

568
00:25:34,080 --> 00:25:37,560
Speaker 3: Going on a honeymoon or transforming into sailor moon.

569
00:25:38,000 --> 00:25:41,240
Speaker 4: Oh, transforming into sailor moon?

570
00:25:42,240 --> 00:25:45,479
Speaker 1: Okay, French manicure or English muffin.

571
00:25:46,359 --> 00:25:53,359
Speaker 4: Mmmmm, hmmm mmmmm. I don't know.

572
00:25:54,440 --> 00:25:55,399
Speaker 2: You know what that's valid.

573
00:25:55,640 --> 00:25:58,080
Speaker 4: It's actually hard for me. I don't like English weapons

574
00:25:58,240 --> 00:26:02,520
Speaker 4: and I don't really care about me hers, but I'll

575
00:26:02,520 --> 00:26:03,240
Speaker 4: say French rank.

576
00:26:03,400 --> 00:26:05,520
Speaker 2: Okay, this same techiek again.

577
00:26:05,560 --> 00:26:09,800
Speaker 4: I don't know what goal of this is, like all will.

578
00:26:09,680 --> 00:26:15,000
Speaker 3: Be revealed, Okay, this Saint Texas or I ain't no

579
00:26:15,119 --> 00:26:16,160
Speaker 3: haull of bat Girl.

580
00:26:19,480 --> 00:26:21,680
Speaker 2: The Saint Texas period.

581
00:26:22,040 --> 00:26:27,320
Speaker 1: Okay, Mesopotamia or if this kitchen is a mess, I'm

582
00:26:27,320 --> 00:26:27,920
Speaker 1: blaming you.

583
00:26:28,400 --> 00:26:31,400
Speaker 4: O lords another good delivery.

584
00:26:31,520 --> 00:26:32,440
Speaker 2: That was so good.

585
00:26:33,960 --> 00:26:35,960
Speaker 4: If you mess up this kitchen, I'm.

586
00:26:35,840 --> 00:26:38,439
Speaker 2: Blaming Yeah, yeah, you gotta go with that.

587
00:26:38,720 --> 00:26:39,120
Speaker 4: Yeah.

588
00:26:39,160 --> 00:26:39,400
Speaker 1: Wow.

589
00:26:39,440 --> 00:26:42,000
Speaker 3: So I think, first of all, I think that was

590
00:26:42,040 --> 00:26:43,120
Speaker 3: an incredible performance.

591
00:26:43,119 --> 00:26:43,760
Speaker 2: Don't your grace an?

592
00:26:43,960 --> 00:26:45,040
Speaker 1: I couldn't agree more.

593
00:26:45,320 --> 00:26:48,679
Speaker 3: Here's what I'm thinking. I feel like that performance was

594
00:26:49,400 --> 00:26:53,000
Speaker 3: very sun Dance indie movie. You were you were being mumblecore, like,

595
00:26:53,080 --> 00:26:55,479
Speaker 3: rather than answering in a straightforward way, you were like

596
00:26:55,760 --> 00:27:00,800
Speaker 3: considering each one. There was a comfort with a finality,

597
00:27:00,960 --> 00:27:04,000
Speaker 3: like for some of them, you gave it time to land.

598
00:27:04,200 --> 00:27:06,639
Speaker 4: Yeah. I think very morning show.

599
00:27:06,800 --> 00:27:09,679
Speaker 3: Yeah, yes, very morning show. I almost would say anti capitalist.

600
00:27:09,800 --> 00:27:12,080
Speaker 3: How you you rejected the idea that you had to

601
00:27:12,080 --> 00:27:15,280
Speaker 3: pick one or the other. Yeah, I think the entire

602
00:27:15,320 --> 00:27:17,879
Speaker 3: time you were sort of repeating how you were unsure

603
00:27:17,920 --> 00:27:20,800
Speaker 3: about how it worked, which to.

604
00:27:20,760 --> 00:27:23,120
Speaker 2: Me felt like feminist in a way.

605
00:27:23,880 --> 00:27:25,520
Speaker 1: To me, it was there was a sense of wonder.

606
00:27:25,560 --> 00:27:29,240
Speaker 1: There was a sense of like childhood innocence that refuses

607
00:27:29,280 --> 00:27:31,800
Speaker 1: to die in a way that I was like amazing,

608
00:27:32,040 --> 00:27:36,440
Speaker 1: because to come on this show multiple times, yeah and

609
00:27:36,480 --> 00:27:39,080
Speaker 1: still be like what is going on? I'm like so

610
00:27:39,119 --> 00:27:41,639
Speaker 1: many little couldn't do that. They would just be like

611
00:27:41,720 --> 00:27:45,320
Speaker 1: I accept this, and you're like what you're speaking up?

612
00:27:45,400 --> 00:27:48,000
Speaker 1: It's activist and you're speaking up when something doesn't make sense.

613
00:27:48,280 --> 00:27:49,800
Speaker 2: Yeah, and you're sinking stop.

614
00:27:50,880 --> 00:27:52,359
Speaker 3: And I think you were being a little kind of

615
00:27:52,400 --> 00:27:56,040
Speaker 3: millennial icon, you know, a sort of Hannah Horror of

616
00:27:56,080 --> 00:27:59,800
Speaker 3: Ath kind of vibe to be like, okay, so she

617
00:27:59,800 --> 00:28:02,320
Speaker 3: had as her like fifth office job, and she still

618
00:28:02,359 --> 00:28:05,600
Speaker 3: doesn't know that you need to like wear a bra. No,

619
00:28:05,720 --> 00:28:08,560
Speaker 3: it was very frands as how, it was very Francis

620
00:28:08,560 --> 00:28:09,960
Speaker 3: hob I love that.

621
00:28:12,200 --> 00:28:13,560
Speaker 2: Oh my god, I have to tell you both about

622
00:28:13,560 --> 00:28:15,520
Speaker 2: the room where I heard about Greta Gerwig. Wait can

623
00:28:15,520 --> 00:28:17,680
Speaker 2: you say it on the air? I literally can't.

624
00:28:17,960 --> 00:28:18,200
Speaker 1: Oh.

625
00:28:18,280 --> 00:28:20,240
Speaker 3: I actually let's just say that if I say it

626
00:28:20,280 --> 00:28:23,280
Speaker 3: on the air, I might be put on a list.

627
00:28:24,040 --> 00:28:25,040
Speaker 2: Well, that's what I'm going to say.

628
00:28:25,200 --> 00:28:28,959
Speaker 4: Is she a communist, trader?

629
00:28:30,040 --> 00:28:32,040
Speaker 2: A capitalist? That's it.

630
00:28:32,200 --> 00:28:35,080
Speaker 3: My gossip is Gwig is a capitalist.

631
00:28:35,200 --> 00:28:37,119
Speaker 4: The one who directed Barbiele.

632
00:28:36,760 --> 00:28:37,880
Speaker 1: She was a capitalist.

633
00:28:38,080 --> 00:28:40,440
Speaker 2: Oh my gallass is horrible.

634
00:28:40,840 --> 00:28:44,200
Speaker 3: Wow, and you guys please this days between us Gwig.

635
00:28:44,280 --> 00:28:47,360
Speaker 3: I have it on good I have it on record

636
00:28:47,360 --> 00:28:48,680
Speaker 3: that she is a capitalist.

637
00:28:49,000 --> 00:28:50,360
Speaker 4: Okay, I can't believe it.

638
00:28:50,360 --> 00:28:54,320
Speaker 2: It's really shocking. What's next. Noah Bambach is a landlord?

639
00:28:57,680 --> 00:28:58,400
Speaker 2: Oh my god?

640
00:28:58,640 --> 00:29:00,840
Speaker 1: Can I tell you guys something about Noah that's not

641
00:29:01,400 --> 00:29:03,640
Speaker 1: It's more like my opinion on him, which is like

642
00:29:05,240 --> 00:29:08,280
Speaker 1: I'm always like I think in theory, I really think

643
00:29:08,440 --> 00:29:11,040
Speaker 1: like he's a fun punchline and someone that's like I

644
00:29:11,040 --> 00:29:13,120
Speaker 1: do think I go to sort of like straight director.

645
00:29:13,680 --> 00:29:15,720
Speaker 1: But at the same time, I'm like, but he's good

646
00:29:16,000 --> 00:29:17,800
Speaker 1: and I want to hate him. I want to be like, yeah,

647
00:29:17,800 --> 00:29:20,160
Speaker 1: this guy sucks, and then everything he does I'm like, yeah,

648
00:29:20,200 --> 00:29:20,880
Speaker 1: I like him.

649
00:29:22,080 --> 00:29:24,719
Speaker 4: Is there a big push to hate him?

650
00:29:24,920 --> 00:29:25,200
Speaker 1: There is?

651
00:29:25,280 --> 00:29:28,680
Speaker 2: Internally there's one for me. No I think the Indian

652
00:29:28,680 --> 00:29:30,880
Speaker 2: alt and but he was Indian.

653
00:29:30,880 --> 00:29:32,800
Speaker 3: He was Indian, but he was sort of Indian this

654
00:29:32,960 --> 00:29:37,239
Speaker 3: like white guy, like you know how people like make

655
00:29:37,320 --> 00:29:39,719
Speaker 3: jokes about infinite chest Like I feel like it's sort

656
00:29:39,720 --> 00:29:42,640
Speaker 3: of along that continuum of like, oh, like you know

657
00:29:42,920 --> 00:29:46,400
Speaker 3: self serious film bros, like yeah movies or something interesting

658
00:29:46,640 --> 00:29:50,400
Speaker 3: just in fact not I agree with you, Sam, I'm

659
00:29:50,440 --> 00:29:53,479
Speaker 3: I'm if he's directing something, I'm watching it. I mean

660
00:29:53,480 --> 00:29:55,000
Speaker 3: I can't say that for the last like two movies

661
00:29:55,000 --> 00:29:56,720
Speaker 3: he made, but you know I'll rewatch.

662
00:29:56,480 --> 00:30:01,760
Speaker 4: Frances yea, yeah, marriage to I feel like that kind

663
00:30:01,800 --> 00:30:06,960
Speaker 4: of like punchline or like brush off is like for

664
00:30:07,080 --> 00:30:14,640
Speaker 4: more like uh, infinite jests where it's like a universal

665
00:30:14,720 --> 00:30:17,640
Speaker 4: like everyone knows that, like Christopher Nolan. Even though I

666
00:30:17,680 --> 00:30:19,840
Speaker 4: do like some Christopher Nolan movies, I feel like it'd

667
00:30:19,920 --> 00:30:22,760
Speaker 4: be like a, well, you know this guy style.

668
00:30:22,680 --> 00:30:26,360
Speaker 3: Totally totally You're you're saying bombback is still too indie,

669
00:30:26,680 --> 00:30:28,040
Speaker 3: I think, so backlash.

670
00:30:28,320 --> 00:30:31,360
Speaker 4: Yeah, I feel like, yeah, you say this person's name, and.

671
00:30:31,840 --> 00:30:33,920
Speaker 3: Maybe what it is is that he's such a stereotypical

672
00:30:33,920 --> 00:30:35,200
Speaker 3: like Brooklyn figure, he's.

673
00:30:35,240 --> 00:30:37,880
Speaker 4: The Robertas and now he's in Penstation.

674
00:30:37,960 --> 00:30:39,440
Speaker 2: Now he's in Pensation because of Barbie.

675
00:30:39,600 --> 00:30:42,440
Speaker 1: Yeah, not wrong, Barbie is Penstation.

676
00:30:42,640 --> 00:30:49,840
Speaker 3: Barbie, yes, station of film. Yeah, wow, folks, damn.

677
00:30:50,240 --> 00:30:52,520
Speaker 4: And you know what, and I liked Barbie, so maybe

678
00:30:52,520 --> 00:30:53,840
Speaker 4: I like this pens Station Roberta.

679
00:30:54,240 --> 00:30:58,360
Speaker 3: You know, notably, Barbenheimer was on my birthday and it

680
00:30:58,400 --> 00:30:59,520
Speaker 3: was a day I will never forget.

681
00:31:00,120 --> 00:31:02,920
Speaker 4: Yeah, yeah, did you see both? I?

682
00:31:03,040 --> 00:31:06,400
Speaker 3: Well, ultimately I saw both, and actually, you know, Sam

683
00:31:06,440 --> 00:31:09,480
Speaker 3: and I ended up being huge Oppenheimer stands and both

684
00:31:09,600 --> 00:31:13,880
Speaker 3: are on record as like Notpenheim more than Barbie. But

685
00:31:14,360 --> 00:31:16,240
Speaker 3: I did see Barbie on my birthday and so Greta

686
00:31:16,280 --> 00:31:17,360
Speaker 3: will always have that for me.

687
00:31:17,480 --> 00:31:18,200
Speaker 4: That's really nice.

688
00:31:18,360 --> 00:31:20,720
Speaker 3: Yeah, it was very nice. And then of course this

689
00:31:20,800 --> 00:31:22,480
Speaker 3: year on my birthday, biteen dropped out. So you know,

690
00:31:22,560 --> 00:31:24,120
Speaker 3: am I the center of the universe?

691
00:31:24,160 --> 00:31:24,720
Speaker 4: Wow? Yeah?

692
00:31:25,520 --> 00:31:27,160
Speaker 1: An event and it becomes the event I had.

693
00:31:27,160 --> 00:31:29,200
Speaker 2: An event, it becomes event, it's about.

694
00:31:28,960 --> 00:31:30,640
Speaker 1: Something in his life, and it becomes a cultural I

695
00:31:30,680 --> 00:31:32,000
Speaker 1: heard Thes were there, but.

696
00:31:34,480 --> 00:31:35,720
Speaker 2: Chelsea unconfirmed.

697
00:31:36,360 --> 00:31:38,920
Speaker 3: Well she wasn't invited, and that's the one who posted

698
00:31:38,920 --> 00:31:40,080
Speaker 3: about it.

699
00:31:40,240 --> 00:31:41,160
Speaker 4: I feel like my parents were there.

700
00:31:41,160 --> 00:31:44,560
Speaker 2: I feel like I'd be in Okay. Can I coin Fergolis? Officially?

701
00:31:44,680 --> 00:31:47,240
Speaker 3: I think ferg it because it's a combination of furglicious

702
00:31:47,280 --> 00:31:49,480
Speaker 3: and glamorous. W here's what I think it is. Okay,

703
00:31:49,520 --> 00:31:52,239
Speaker 3: so glamorous obviously everyone knows what that is. Furglicious is

704
00:31:52,280 --> 00:31:55,720
Speaker 3: like that Jeni saqua that only you Fergie can have.

705
00:31:56,120 --> 00:31:57,920
Speaker 3: So when you combine them, that is something that is

706
00:31:58,000 --> 00:32:01,400
Speaker 3: glamorous but particular to you. Okay, So to have a

707
00:32:01,440 --> 00:32:04,200
Speaker 3: wedding that's fergolis is like it was really glamorous, but

708
00:32:04,720 --> 00:32:07,040
Speaker 3: only George could have had that wedding. Only Sasher could

709
00:32:07,040 --> 00:32:07,600
Speaker 3: have had that.

710
00:32:08,120 --> 00:32:11,040
Speaker 2: You know, like, yeah, this is a very positive read.

711
00:32:11,440 --> 00:32:14,480
Speaker 1: I think this is I just think fergolis as a

712
00:32:14,520 --> 00:32:23,640
Speaker 1: word obviously sounds bad. Okay, coolerglis doesn't sound It's not

713
00:32:23,720 --> 00:32:25,720
Speaker 1: like it doesn't sound chic. You know, someone you say

714
00:32:25,720 --> 00:32:26,640
Speaker 1: something's furgilist.

715
00:32:27,560 --> 00:32:29,640
Speaker 3: Thank god there's no Wrangler logo on my back because

716
00:32:29,640 --> 00:32:31,240
Speaker 3: it would be filled with blood right now because of

717
00:32:31,280 --> 00:32:32,520
Speaker 3: how much I was stabbed.

718
00:32:35,760 --> 00:32:39,400
Speaker 1: Just like I think fergolus means it implies. You know,

719
00:32:40,000 --> 00:32:41,720
Speaker 1: the sound of words has implication.

720
00:32:41,840 --> 00:32:42,160
Speaker 2: Listen.

721
00:32:42,200 --> 00:32:45,520
Speaker 3: It definitely has a diagnosis type sound. You know, I've

722
00:32:45,560 --> 00:32:49,959
Speaker 3: been I've come down with fergolis and it's untreatable and

723
00:32:50,000 --> 00:32:54,040
Speaker 3: it is symptomatic. I'm sure he's showing symptoms of ferglis.

724
00:32:54,120 --> 00:32:58,480
Speaker 4: Yeahs also kind of sounds like Ferguson, which makes me

725
00:32:58,520 --> 00:33:03,200
Speaker 4: think of that redheaded kid on Clarissa explains it one that.

726
00:33:03,160 --> 00:33:06,360
Speaker 3: Do you guys under that of the thirty rock joke

727
00:33:07,080 --> 00:33:09,200
Speaker 3: Smooth move Ferguson. I don't know if you've seen that.

728
00:33:09,560 --> 00:33:12,160
Speaker 3: It's like the entire thing is about how they have

729
00:33:12,240 --> 00:33:14,960
Speaker 3: an inside joke without Tracy, and the inside joke that

730
00:33:15,000 --> 00:33:17,600
Speaker 3: no one gets is smooth move Ferguson, and he feels

731
00:33:17,600 --> 00:33:19,600
Speaker 3: so left out that he makes him recreate the entire

732
00:33:19,680 --> 00:33:22,360
Speaker 3: day so that he can be inside that joy.

733
00:33:22,760 --> 00:33:26,560
Speaker 1: I like that, so, George, I feel like Fergoliss means

734
00:33:26,560 --> 00:33:31,720
Speaker 1: more like you are glamorous, but with like like something

735
00:33:31,800 --> 00:33:35,760
Speaker 1: like you spilled a little coffee on yourself, like you're

736
00:33:35,960 --> 00:33:39,080
Speaker 1: you're you're glamorous, but there's like you're also down to earth.

737
00:33:39,520 --> 00:33:42,600
Speaker 2: Oh I see, mm hmm, just like Fergie.

738
00:33:44,160 --> 00:33:46,520
Speaker 4: Just like Fergie, she's glamorous, but she has a peace

739
00:33:46,600 --> 00:33:47,960
Speaker 4: hurt herself.

740
00:33:50,240 --> 00:33:51,200
Speaker 2: She does have issues.

741
00:33:51,440 --> 00:33:54,120
Speaker 3: She's sort of the queen of having issues, the persevering

742
00:33:54,160 --> 00:33:56,080
Speaker 3: for it all, you know.

743
00:33:56,120 --> 00:33:59,920
Speaker 1: At least she like has big like issues because like

744
00:34:00,080 --> 00:34:02,320
Speaker 1: Katy Perry has issues, but they're like just sort of

745
00:34:02,320 --> 00:34:03,560
Speaker 1: like a deep sadness.

746
00:34:05,120 --> 00:34:10,359
Speaker 3: Yeah, well and sort of poor songwriting, of.

747
00:34:10,280 --> 00:34:15,680
Speaker 1: Course, of course. Okay, I also just really quickly want

748
00:34:15,719 --> 00:34:17,360
Speaker 1: to say, George, I'm so glad you went back to

749
00:34:17,400 --> 00:34:18,600
Speaker 1: furglus after all that.

750
00:34:18,680 --> 00:34:21,520
Speaker 3: Well, I wanted to address it because, you know, the one.

751
00:34:21,719 --> 00:34:22,399
Speaker 2: It's one of those things.

752
00:34:22,400 --> 00:34:23,799
Speaker 3: I was writing it down and I was like, I

753
00:34:23,840 --> 00:34:27,040
Speaker 3: literally spelled forglias like you were reading.

754
00:34:27,160 --> 00:34:28,360
Speaker 2: That is what I was reading from.

755
00:34:29,160 --> 00:34:30,680
Speaker 3: Never occurred to me that it was incorrect until I

756
00:34:30,680 --> 00:34:31,920
Speaker 3: started saying it out loud and I was like, oh,

757
00:34:32,200 --> 00:34:33,880
Speaker 3: it doesn't sound quite right.

758
00:34:35,520 --> 00:34:35,920
Speaker 4: Yeah.

759
00:34:36,000 --> 00:34:40,440
Speaker 1: We really start need to do read throughs before the show,

760
00:34:40,600 --> 00:34:43,040
Speaker 1: because there have been many times when I'm like this rhymes,

761
00:34:43,200 --> 00:34:44,400
Speaker 1: and then I'll read it out loud and I'm like,

762
00:34:44,400 --> 00:34:45,920
Speaker 1: that does not make any sense.

763
00:34:46,040 --> 00:34:49,560
Speaker 2: There's no rhyme. Okay, So all.

764
00:34:49,520 --> 00:34:52,640
Speaker 3: Right, well, I guess the meaning of fergolis can be

765
00:34:52,680 --> 00:34:53,759
Speaker 3: whatever you want it to mean.

766
00:34:54,719 --> 00:34:55,920
Speaker 1: So sheare, what does this furglis mean?

767
00:34:56,160 --> 00:34:56,960
Speaker 2: What does mean?

768
00:34:57,000 --> 00:35:06,880
Speaker 4: Do means? Hm hm hmm. Maybe like you're having a

769
00:35:06,880 --> 00:35:11,480
Speaker 4: good day, but like it's like a little silly.

770
00:35:12,000 --> 00:35:18,120
Speaker 2: That's actually a really good definition. Yeah, it's like la yeah.

771
00:35:17,440 --> 00:35:20,600
Speaker 4: Lack like that noise. You're like, oh, my god, I

772
00:35:20,600 --> 00:35:22,920
Speaker 4: forgot my phone at home, but like I still got

773
00:35:22,920 --> 00:35:23,359
Speaker 4: to see my.

774
00:35:23,320 --> 00:35:25,200
Speaker 2: Friends little Kathy cartoon.

775
00:35:25,360 --> 00:35:27,360
Speaker 4: Yeah, okay, oh I love that.

776
00:35:27,719 --> 00:35:31,000
Speaker 1: I love that too. That's fun. It's still sort of

777
00:35:31,000 --> 00:35:32,960
Speaker 1: spilled coffee on your shirt, but it's in a fun way.

778
00:35:33,160 --> 00:35:34,160
Speaker 4: Yeah, in that vein.

779
00:35:34,600 --> 00:35:40,480
Speaker 2: Yeah, God, today's been so fergloss. Wow.

780
00:35:40,880 --> 00:35:43,880
Speaker 1: I love I love that. Should we get into the topic, I.

781
00:35:43,880 --> 00:35:44,480
Speaker 2: Would love that.

782
00:35:44,520 --> 00:35:46,399
Speaker 3: And actually I would really love to put the shirt

783
00:35:46,400 --> 00:35:49,799
Speaker 3: on the spot and ever explain specifically what the topic is.

784
00:35:50,840 --> 00:35:51,680
Speaker 2: That's right about it?

785
00:35:52,520 --> 00:36:00,000
Speaker 4: Okay, so you know, all right, they are shoe covers,

786
00:36:00,480 --> 00:36:02,560
Speaker 4: but it's like a box that you put by the

787
00:36:02,560 --> 00:36:05,799
Speaker 4: front door of your home. You put your foot with

788
00:36:05,880 --> 00:36:08,359
Speaker 4: your shoe still on your foot into the box, and

789
00:36:08,360 --> 00:36:11,360
Speaker 4: then plastic wraps around the shoe and now you can

790
00:36:11,440 --> 00:36:16,759
Speaker 4: walk around the house without tracking dirt into it. I

791
00:36:16,840 --> 00:36:19,359
Speaker 4: think these are terrible ideas. You should just take your

792
00:36:19,360 --> 00:36:21,640
Speaker 4: shoes off at the door. I feel like the dedication

793
00:36:22,320 --> 00:36:26,200
Speaker 4: to wanting to keep your shoes on so bad feels

794
00:36:26,360 --> 00:36:29,799
Speaker 4: wild to me. Construction workers put shoe covers on. That

795
00:36:29,840 --> 00:36:32,160
Speaker 4: makes sense because you're working around a house, etc. You

796
00:36:32,160 --> 00:36:35,000
Speaker 4: may not want to get it dirty, but for normal people.

797
00:36:35,040 --> 00:36:36,480
Speaker 4: This is the thing that people can buy for their

798
00:36:36,480 --> 00:36:37,840
Speaker 4: homes when they're like, you don't have to take your

799
00:36:37,880 --> 00:36:39,560
Speaker 4: shoes off, just put plastic on.

800
00:36:41,160 --> 00:36:41,520
Speaker 1: Yeah.

801
00:36:42,000 --> 00:36:44,840
Speaker 2: So what do you think is straight about it? I'm curious.

802
00:36:45,120 --> 00:36:48,359
Speaker 4: I just feel like I feel like maybe it is

803
00:36:48,640 --> 00:36:54,160
Speaker 4: more queer leaning or gender fluid maybe to want to

804
00:36:54,200 --> 00:36:59,000
Speaker 4: be barefoot absolutely or take your shoes off body positive,

805
00:36:59,080 --> 00:37:03,480
Speaker 4: body positive, put your feet on the couch, like walk around,

806
00:37:03,760 --> 00:37:06,319
Speaker 4: feel the earth, and just feel very straight to like

807
00:37:06,400 --> 00:37:07,480
Speaker 4: want to keep your shoes on.

808
00:37:07,760 --> 00:37:11,239
Speaker 3: Yeah, yeah, it's I mean, it's this classic thing that

809
00:37:11,280 --> 00:37:15,280
Speaker 3: I think is a recurring part of these of straight culture,

810
00:37:15,320 --> 00:37:18,040
Speaker 3: which is like sort of wanting a wanting to have

811
00:37:18,040 --> 00:37:21,839
Speaker 3: your cake and cake and eat it too. Be this

812
00:37:21,920 --> 00:37:24,040
Speaker 3: idea of like a compromise that pleases no one, Like

813
00:37:24,080 --> 00:37:27,840
Speaker 3: you're trying so hard to be like no, there must

814
00:37:27,840 --> 00:37:29,960
Speaker 3: be a better way, and it's like just calm down.

815
00:37:30,280 --> 00:37:32,560
Speaker 3: Your heart is beating so fast right now, calm down.

816
00:37:32,800 --> 00:37:35,239
Speaker 3: Either take your shoes off or leave them on. Yeah,

817
00:37:34,960 --> 00:37:36,040
Speaker 3: it's gonna be okay.

818
00:37:36,160 --> 00:37:38,080
Speaker 4: Yeah, it's like you don't have to take shoes off

819
00:37:38,080 --> 00:37:40,120
Speaker 4: at all, leave them on. I have plastic for you.

820
00:37:41,160 --> 00:37:43,560
Speaker 3: What the stress of like, well, if I keep them on,

821
00:37:43,600 --> 00:37:44,840
Speaker 3: then they'll be dirty. But if I take them off,

822
00:37:44,840 --> 00:37:45,680
Speaker 3: then what if I step them water.

823
00:37:45,719 --> 00:37:49,640
Speaker 2: It's like it's okay, mm hmm. Life is complicated and messy.

824
00:37:49,880 --> 00:37:51,200
Speaker 2: It can be furgoloss at times.

825
00:37:51,719 --> 00:37:54,400
Speaker 3: Life is furgoloss and it's okay, And it's okay, so

826
00:37:54,520 --> 00:37:56,280
Speaker 3: anti fergliss to put shoe covers.

827
00:37:57,560 --> 00:38:00,799
Speaker 1: It's so like powering through. It's just like it's like

828
00:38:01,200 --> 00:38:03,399
Speaker 1: you can get through this. And it's like no, no, no,

829
00:38:03,480 --> 00:38:06,640
Speaker 1: stop fighting, stop fighting. Listen to your body. Your body

830
00:38:06,719 --> 00:38:08,200
Speaker 1: is telling you to take your shoes off.

831
00:38:08,320 --> 00:38:10,640
Speaker 2: Right, No, it's fundamentally body negative.

832
00:38:11,000 --> 00:38:15,520
Speaker 4: Yeah, covering every part of you nothing, not even my toes.

833
00:38:16,360 --> 00:38:16,560
Speaker 2: Yeah.

834
00:38:16,800 --> 00:38:22,200
Speaker 3: There's something about also like useless technologies or like bulky technologies,

835
00:38:22,200 --> 00:38:24,520
Speaker 3: Like I think about this when people travel with a

836
00:38:24,640 --> 00:38:25,600
Speaker 3: neck pillow.

837
00:38:25,360 --> 00:38:26,719
Speaker 2: And do you do that?

838
00:38:26,880 --> 00:38:29,879
Speaker 4: No offensive, I haven't I have before, but I haven't

839
00:38:29,880 --> 00:38:30,239
Speaker 4: an one.

840
00:38:30,280 --> 00:38:33,000
Speaker 2: I certainly have, you know, before I saw the light,

841
00:38:33,320 --> 00:38:34,160
Speaker 2: before I saw the light.

842
00:38:34,200 --> 00:38:37,560
Speaker 3: But it's just like it's okay, like just let go,

843
00:38:37,800 --> 00:38:39,000
Speaker 3: like give into the experience.

844
00:38:39,000 --> 00:38:40,520
Speaker 2: You're not gonna feel comfortable on a plane.

845
00:38:40,560 --> 00:38:43,920
Speaker 3: You do not need to have this disgusting dust covered

846
00:38:44,400 --> 00:38:44,920
Speaker 3: neck pillow.

847
00:38:44,920 --> 00:38:46,879
Speaker 2: That's going to go through security in order to get

848
00:38:46,880 --> 00:38:47,520
Speaker 2: on your delta fight.

849
00:38:47,680 --> 00:38:48,919
Speaker 4: Do you think that's what made me stop it, because

850
00:38:48,920 --> 00:38:51,520
Speaker 4: I was like, I'm just realizing that this is specifically

851
00:38:51,560 --> 00:38:55,040
Speaker 4: four planes which are disgusting, and I'm just bringing it

852
00:38:55,080 --> 00:38:57,960
Speaker 4: with me all over the place and I'm not gonna

853
00:38:58,000 --> 00:39:00,400
Speaker 4: wash it. You have hard is to get cover off

854
00:39:00,400 --> 00:39:01,000
Speaker 4: a neck pillow.

855
00:39:01,360 --> 00:39:04,040
Speaker 1: No, there's some things where you're just like, no, this

856
00:39:04,080 --> 00:39:06,480
Speaker 1: will never get washed. This is something that I will

857
00:39:06,480 --> 00:39:09,560
Speaker 1: not wash ever once in my life, and if neckpill

858
00:39:09,680 --> 00:39:12,120
Speaker 1: is one of them. Sometimes I feel that way about comforters,

859
00:39:12,120 --> 00:39:13,880
Speaker 1: but you do got to wash a comforter every now

860
00:39:13,920 --> 00:39:14,200
Speaker 1: and then.

861
00:39:14,440 --> 00:39:18,239
Speaker 4: Every now and then. Yeah.

862
00:39:18,280 --> 00:39:21,400
Speaker 1: The thing I do feel like shoes at a party

863
00:39:21,520 --> 00:39:24,520
Speaker 1: is complex. I know that this is like tried and

864
00:39:24,600 --> 00:39:27,680
Speaker 1: true territory. You know, we're going sort of Seinfeld mode here,

865
00:39:28,160 --> 00:39:34,000
Speaker 1: But I do feel that I have flip flopped issue

866
00:39:34,400 --> 00:39:43,040
Speaker 1: many issue that was really good because I'm like, obviously

867
00:39:43,760 --> 00:39:46,279
Speaker 1: part of me, you know, when I'm feeling brash, when

868
00:39:46,840 --> 00:39:48,719
Speaker 1: I'm sort of like everyone should just keep their shoes

869
00:39:48,760 --> 00:39:50,840
Speaker 1: on at a party. If we're getting the place dirty,

870
00:39:50,920 --> 00:39:53,719
Speaker 1: that's beautiful and who cares? And you're gonna clean anyway,

871
00:39:53,960 --> 00:39:56,560
Speaker 1: just get everything dirty. But now I have a rug

872
00:39:56,600 --> 00:39:59,480
Speaker 1: that's like a little white like it has like white spots,

873
00:39:59,560 --> 00:40:01,560
Speaker 1: and I'm like, well, then I don't want anyone to

874
00:40:01,600 --> 00:40:03,480
Speaker 1: have their shoes on when they come inside, because cleaning

875
00:40:03,480 --> 00:40:05,320
Speaker 1: a rug is much harder than like sweet.

876
00:40:05,080 --> 00:40:08,279
Speaker 3: Totally being chill really is a slippery slope because I've

877
00:40:08,280 --> 00:40:10,920
Speaker 3: always been a shoes on person. But it's like, but

878
00:40:10,960 --> 00:40:12,640
Speaker 3: then what if someone got to sting on my couch.

879
00:40:12,680 --> 00:40:14,600
Speaker 3: Obviously I'm deleting them from my phone and they will

880
00:40:14,600 --> 00:40:16,239
Speaker 3: not be invited to my second wedding.

881
00:40:19,120 --> 00:40:21,480
Speaker 1: So I am. But then when when you have to

882
00:40:21,480 --> 00:40:23,120
Speaker 1: take your shoes off at a party and there's the big,

883
00:40:23,200 --> 00:40:27,040
Speaker 1: ugly pile of shoes and it gives you almost you

884
00:40:27,080 --> 00:40:29,840
Speaker 1: know how people can be really judgmental of like parents,

885
00:40:30,120 --> 00:40:32,160
Speaker 1: Like maybe if you have your kid at a restaurant

886
00:40:32,200 --> 00:40:36,560
Speaker 1: and everyone's sort of like like they're doing that thing

887
00:40:36,600 --> 00:40:38,520
Speaker 1: where they're looking at the kid judgmentally and looking at

888
00:40:38,560 --> 00:40:40,480
Speaker 1: the parents. That's what people do when there's a big

889
00:40:40,520 --> 00:40:42,960
Speaker 1: pile of shoes. To the owner of the house, they'll

890
00:40:43,000 --> 00:40:47,000
Speaker 1: be like, oh, well, someone's too uptight, and it's like

891
00:40:48,040 --> 00:40:50,240
Speaker 1: it is ugly to see the big pile of shoes.

892
00:40:50,239 --> 00:40:50,920
Speaker 1: But then what do you do?

893
00:40:52,280 --> 00:40:54,799
Speaker 4: But I'm also I rest my case, ready to take

894
00:40:54,800 --> 00:40:58,120
Speaker 4: my shoes off. Yeah, I'm entering anyone's home, I would.

895
00:40:58,400 --> 00:40:59,960
Speaker 4: I don't want to have the shoes.

896
00:41:00,239 --> 00:41:02,640
Speaker 3: I agree with you completely accept when on the rare

897
00:41:02,680 --> 00:41:06,000
Speaker 3: occasion that my shoe is sort of part of the outfit.

898
00:41:06,239 --> 00:41:12,480
Speaker 3: Oh yeah, and I want to look like sometimes when

899
00:41:12,480 --> 00:41:15,480
Speaker 3: I first bought Doc Martin loafers, which by the way,

900
00:41:15,560 --> 00:41:17,880
Speaker 3: I had tried to break in for exactly seven years

901
00:41:17,880 --> 00:41:20,319
Speaker 3: and my feet still bleed when I wear them. But

902
00:41:20,360 --> 00:41:22,000
Speaker 3: when I was first wearing them, I was like, oh,

903
00:41:22,080 --> 00:41:24,279
Speaker 3: this is like I can wear something very simple. But

904
00:41:24,280 --> 00:41:26,719
Speaker 3: then just wearing those loafers like makes me look a

905
00:41:26,760 --> 00:41:29,680
Speaker 3: little oler Yeah, and if I take them off, I'm

906
00:41:29,960 --> 00:41:33,239
Speaker 3: just sort of wearing like jeans from the gap. So

907
00:41:33,280 --> 00:41:36,720
Speaker 3: that is where it gets a little complicated. But listen,

908
00:41:36,760 --> 00:41:38,919
Speaker 3: I will do whatever my host tells me to do. Yeah,

909
00:41:38,920 --> 00:41:43,440
Speaker 3: and I will not complain. I okay. An alternative to

910
00:41:43,640 --> 00:41:45,680
Speaker 3: the shoe covers, which I do actually think is queer

911
00:41:45,760 --> 00:41:47,399
Speaker 3: and would not work for a big party, would only

912
00:41:47,440 --> 00:41:52,400
Speaker 3: work for small gathering, is people who have like random

913
00:41:52,480 --> 00:41:55,560
Speaker 3: like slippers and crocs that like old slippers and crocs

914
00:41:55,560 --> 00:41:57,560
Speaker 3: by the door, and they're like, oh, you just put

915
00:41:57,600 --> 00:42:00,319
Speaker 3: one of those. It's like imagine a woman holding you know,

916
00:42:00,360 --> 00:42:02,959
Speaker 3: a half drink bottle of peanut or just glass of peanut.

917
00:42:02,960 --> 00:42:04,640
Speaker 3: Grezian and she was like, oh, yeah, we have like

918
00:42:04,680 --> 00:42:05,400
Speaker 3: crocs for everyone.

919
00:42:05,600 --> 00:42:06,319
Speaker 2: Yeah, those on.

920
00:42:06,600 --> 00:42:09,920
Speaker 4: I'm actually kind of thinking that not old crocs, because

921
00:42:10,120 --> 00:42:13,600
Speaker 4: what don't put my old crocs on? But but maybe

922
00:42:13,640 --> 00:42:14,000
Speaker 4: like you.

923
00:42:13,960 --> 00:42:15,560
Speaker 1: Know, my mother's crocs.

924
00:42:16,000 --> 00:42:19,960
Speaker 4: These were handed down generation to generation, you know, those

925
00:42:20,040 --> 00:42:24,279
Speaker 4: like fin like hotels exactly, maybe something like that. I've

926
00:42:24,280 --> 00:42:27,040
Speaker 4: had parties where actually had my birthday party this year

927
00:42:27,120 --> 00:42:30,759
Speaker 4: was like country cowboy Carter Memed and I did buy

928
00:42:30,760 --> 00:42:34,319
Speaker 4: a bunch of like like floppy cowboy hats for people

929
00:42:34,360 --> 00:42:38,040
Speaker 4: to wear throughout the party. And so maybe it'd be

930
00:42:38,040 --> 00:42:40,200
Speaker 4: fun to have like just a bunch of slippers. Take

931
00:42:40,239 --> 00:42:42,880
Speaker 4: some slippers walk around so you're not like wearing your shoes.

932
00:42:42,880 --> 00:42:44,799
Speaker 4: No feel pressure to show your feet or your socks

933
00:42:44,880 --> 00:42:46,040
Speaker 4: or whatever if you don't want to do that.

934
00:42:46,560 --> 00:42:48,600
Speaker 3: I honestly think there should be more of a market

935
00:42:48,640 --> 00:42:51,040
Speaker 3: for hotel slippers for the home.

936
00:42:51,239 --> 00:42:54,279
Speaker 4: Yeah, and I think they're probably I mean, I'm sure

937
00:42:54,280 --> 00:42:55,279
Speaker 4: you can buy it on amy you.

938
00:42:55,560 --> 00:42:56,279
Speaker 2: Yeah, but but.

939
00:42:56,280 --> 00:42:58,520
Speaker 3: Imagine if they were also like little you know, it

940
00:42:58,560 --> 00:42:59,520
Speaker 3: was like just this year's house.

941
00:43:00,040 --> 00:43:04,360
Speaker 4: Oh yeah, yeah, it would be very cute.

942
00:43:04,920 --> 00:43:05,800
Speaker 2: That would be cute.

943
00:43:06,320 --> 00:43:09,879
Speaker 4: Like my birthday. Yeah yeah, your first birthday?

944
00:43:09,880 --> 00:43:12,440
Speaker 2: Four? What's your issue?

945
00:43:12,800 --> 00:43:17,000
Speaker 1: Yeah, and you're you're that's you with the half glass

946
00:43:17,120 --> 00:43:19,920
Speaker 1: of wine and you're like, yeah, honestly, keep the shoes,

947
00:43:20,480 --> 00:43:21,160
Speaker 1: I'm gonna use.

948
00:43:22,800 --> 00:43:24,160
Speaker 2: Really yours. It's a party favor.

949
00:43:24,480 --> 00:43:26,200
Speaker 3: I've been trying to, like, I don't know, I write

950
00:43:26,239 --> 00:43:28,280
Speaker 3: a joke about this for something, but like the archetype

951
00:43:28,320 --> 00:43:31,239
Speaker 3: of the like wealthy woman who opens the door and

952
00:43:31,320 --> 00:43:34,440
Speaker 3: is in like really casual but clearly expensive clothes and

953
00:43:34,480 --> 00:43:36,560
Speaker 3: a half glass of wine is just like sorry, it's

954
00:43:36,600 --> 00:43:39,040
Speaker 3: been so crazy today here just like sit wherever, like

955
00:43:39,080 --> 00:43:42,160
Speaker 3: we have crackers, Like it's that's exactly who I want me.

956
00:43:42,440 --> 00:43:45,560
Speaker 1: Yeah, Like that's real fantasy.

957
00:43:45,800 --> 00:43:48,239
Speaker 3: Yeah, just like having being like I guess I could

958
00:43:48,239 --> 00:43:50,080
Speaker 3: put together a cheeseboard and then you open the fridge

959
00:43:50,120 --> 00:43:52,680
Speaker 3: and you, in fact do have three diverse cheeses there,

960
00:43:52,680 --> 00:43:54,879
Speaker 3: and one is smooth, one is yellow, and one is like.

961
00:43:55,960 --> 00:43:56,920
Speaker 4: This is easily soft.

962
00:43:59,480 --> 00:44:00,280
Speaker 2: Yeah.

963
00:44:00,440 --> 00:44:03,920
Speaker 4: I went to Bangladesh after college for like three weeks

964
00:44:03,920 --> 00:44:07,280
Speaker 4: for this like like service trip, and we were staying

965
00:44:07,320 --> 00:44:08,640
Speaker 4: with a family who lived there and they were like

966
00:44:08,640 --> 00:44:11,080
Speaker 4: one of the richest families of Bangladesh, which is not

967
00:44:11,200 --> 00:44:13,520
Speaker 4: hard to do, but it was they were that and

968
00:44:16,040 --> 00:44:17,600
Speaker 4: she wanted us to stay. We were like a bunch

969
00:44:17,640 --> 00:44:20,200
Speaker 4: of college students. She's like, can you stay a little longer?

970
00:44:20,440 --> 00:44:22,319
Speaker 4: And like some of us said yes, some said no,

971
00:44:22,600 --> 00:44:25,320
Speaker 4: but like it was a bitch to change our Emirates flights.

972
00:44:25,440 --> 00:44:30,200
Speaker 4: So she like made it her mission to call Emirates

973
00:44:30,440 --> 00:44:35,560
Speaker 4: for hours and like convince them to let us stay longer.

974
00:44:35,640 --> 00:44:38,120
Speaker 4: Like she I just had this image of her, like

975
00:44:38,160 --> 00:44:42,799
Speaker 4: in this very long pink gown with pearls under her chandelier,

976
00:44:43,440 --> 00:44:47,640
Speaker 4: screaming on the phone, being like they're Americans and they're sick.

977
00:44:48,040 --> 00:44:51,640
Speaker 4: They're so sick and they have to stay here. They

978
00:44:51,680 --> 00:44:53,759
Speaker 4: cannot get on a plane. And I was like, she

979
00:44:53,960 --> 00:44:56,360
Speaker 4: is getting a kick out of this. She's like, I'm

980
00:44:56,840 --> 00:44:58,919
Speaker 4: on a mission to this is the missions for today,

981
00:44:58,960 --> 00:44:59,879
Speaker 4: otherwise it'd be nothing.

982
00:45:00,120 --> 00:45:00,640
Speaker 2: Yeah.

983
00:45:00,719 --> 00:45:02,840
Speaker 3: I love the idea that like their Americans is like

984
00:45:02,880 --> 00:45:04,839
Speaker 3: a condition. It's like you know how they are, They

985
00:45:04,840 --> 00:45:07,840
Speaker 3: could bear Americans like they're not used to doing anything

986
00:45:07,880 --> 00:45:09,000
Speaker 3: for themselves.

987
00:45:08,520 --> 00:45:10,280
Speaker 4: Like, yeah, they can't survive.

988
00:45:10,000 --> 00:45:12,000
Speaker 2: Can't survive, or you're kidding me going to an airport.

989
00:45:13,560 --> 00:45:15,200
Speaker 2: Oh my god, I love we say it. It worked

990
00:45:15,239 --> 00:45:16,120
Speaker 2: ya Wow.

991
00:45:16,440 --> 00:45:20,839
Speaker 1: Yeah, I'm thinking about I'm trying to think about shoecovers

992
00:45:20,960 --> 00:45:23,839
Speaker 1: as the only thing that I think can be sort

993
00:45:23,880 --> 00:45:27,040
Speaker 1: of LGBTQ plus about them is that sometimes when I'm

994
00:45:27,040 --> 00:45:29,080
Speaker 1: wearing a shoe cover and I'm walking around a home,

995
00:45:29,160 --> 00:45:32,560
Speaker 1: I feel like I'm in a gallery space that can

996
00:45:32,760 --> 00:45:35,719
Speaker 1: really give me a bit of a fantasy and that

997
00:45:35,880 --> 00:45:36,560
Speaker 1: can feel good.

998
00:45:36,640 --> 00:45:36,879
Speaker 2: Nice.

999
00:45:36,920 --> 00:45:39,720
Speaker 3: Well, there is something, much like you know, crocs or whatever,

1000
00:45:39,960 --> 00:45:43,160
Speaker 3: there is something They're so ugly that they're kind of

1001
00:45:43,239 --> 00:45:46,760
Speaker 3: like ugly hot. Yeah, like if I just started wearing

1002
00:45:47,040 --> 00:45:49,080
Speaker 3: I mean maybe not me, but if someone more fashionable

1003
00:45:49,120 --> 00:45:51,160
Speaker 3: than me started wearing them, just like around New York,

1004
00:45:51,520 --> 00:45:54,279
Speaker 3: like if Julia Fox started wearing them, people would be like, oh,

1005
00:45:54,360 --> 00:45:56,560
Speaker 3: I guess the new trend is shoe covers.

1006
00:45:56,920 --> 00:45:59,960
Speaker 4: But then they'd get so disgusting so fast if you're

1007
00:46:00,000 --> 00:46:04,040
Speaker 4: actually walking with them on the street right right, like

1008
00:46:04,280 --> 00:46:06,080
Speaker 4: very quickly, they be like disgusting.

1009
00:46:06,280 --> 00:46:08,719
Speaker 3: But then that's like sort of like commenting part of it.

1010
00:46:08,800 --> 00:46:10,160
Speaker 3: Charlie XCX twenty four.

1011
00:46:10,640 --> 00:46:13,239
Speaker 2: Yeah, it's bratt. It's bratt. Yeah, that's brat.

1012
00:46:14,360 --> 00:46:17,080
Speaker 4: Well, according to her, Charlie Brett, summer is over.

1013
00:46:18,520 --> 00:46:19,000
Speaker 2: That's true.

1014
00:46:19,000 --> 00:46:19,719
Speaker 1: That's that's true.

1015
00:46:19,800 --> 00:46:22,720
Speaker 4: That's also someone if if we are going for the gallery,

1016
00:46:22,760 --> 00:46:24,960
Speaker 4: feel if someone is asking me to put shoe covers

1017
00:46:24,960 --> 00:46:27,759
Speaker 4: on in their home, their home better be close to

1018
00:46:27,800 --> 00:46:31,240
Speaker 4: a gallery, Like it better be like so chic and fancy.

1019
00:46:31,360 --> 00:46:34,040
Speaker 4: If it's just like normal and.

1020
00:46:33,400 --> 00:46:36,120
Speaker 2: And they have kids, it's like, why not your problem?

1021
00:46:36,239 --> 00:46:40,320
Speaker 4: Yeah, Like there was literally vomit on the floor, flocking dirt.

1022
00:46:42,520 --> 00:46:43,640
Speaker 2: Yeah, totally.

1023
00:46:43,840 --> 00:46:47,200
Speaker 1: Do you get people like Julia Fox? How do you

1024
00:46:47,239 --> 00:46:51,200
Speaker 1: feel like you handle that much power? Like literally if

1025
00:46:51,239 --> 00:46:53,239
Speaker 1: you walk out of your house and you can wear

1026
00:46:53,440 --> 00:46:55,440
Speaker 1: like a ring pop and everyone's like, okay, ring pops

1027
00:46:55,440 --> 00:46:59,719
Speaker 1: are in, Like, what do you do with that? Well?

1028
00:46:59,760 --> 00:47:01,640
Speaker 3: I stually think Julie fuck is a great example because

1029
00:47:01,719 --> 00:47:04,400
Speaker 3: she clearly has decided that her way of dealing with

1030
00:47:04,400 --> 00:47:04,759
Speaker 3: that is.

1031
00:47:04,680 --> 00:47:05,720
Speaker 2: Like messing with everyone.

1032
00:47:05,840 --> 00:47:10,279
Speaker 3: Yeah, where like just looking insane and like I really

1033
00:47:10,320 --> 00:47:12,400
Speaker 3: respect it. Like she's just like, yeah, I will like

1034
00:47:12,560 --> 00:47:15,640
Speaker 3: literally go out with like wearing just like one pasty

1035
00:47:15,719 --> 00:47:18,880
Speaker 3: but it's not even on my breast it's.

1036
00:47:18,719 --> 00:47:19,279
Speaker 4: On my nose.

1037
00:47:19,320 --> 00:47:19,959
Speaker 2: It's on my nose.

1038
00:47:22,440 --> 00:47:23,319
Speaker 4: Yeah I do like that.

1039
00:47:23,600 --> 00:47:24,440
Speaker 2: Yeah, I'm addicted.

1040
00:47:26,400 --> 00:47:31,319
Speaker 3: Another another straight thing. There's something very straight about being like, look,

1041
00:47:31,360 --> 00:47:36,800
Speaker 3: this is something that is somehow good for the group,

1042
00:47:37,239 --> 00:47:40,239
Speaker 3: but it's also insanely wasteful. Like yeah, it's like, oh,

1043
00:47:40,280 --> 00:47:42,040
Speaker 3: I have the perfect solution. Get ready for this.

1044
00:47:42,080 --> 00:47:43,960
Speaker 2: You guys are not gonna believe a single use plastics.

1045
00:47:44,840 --> 00:47:47,759
Speaker 4: Throw it right away after you're done, don't take it

1046
00:47:47,760 --> 00:47:49,560
Speaker 4: with you, don't use it again, you put your shoes

1047
00:47:49,560 --> 00:47:51,000
Speaker 4: in there, disgusting, Throw it away.

1048
00:47:51,200 --> 00:47:53,440
Speaker 2: It's almost just being like, what if we litter just

1049
00:47:53,480 --> 00:47:54,200
Speaker 2: a little bit for fun?

1050
00:47:54,320 --> 00:47:56,440
Speaker 4: Yeah, inside the house, inside the house.

1051
00:47:56,520 --> 00:47:58,880
Speaker 3: Like there's no reason for this, let's just do it.

1052
00:47:59,120 --> 00:48:01,040
Speaker 3: Don't you get a rush from throwing something in the trash?

1053
00:48:01,160 --> 00:48:02,000
Speaker 4: Yeah?

1054
00:48:02,160 --> 00:48:06,120
Speaker 1: Yeah I do. All Like, you know, green rules are

1055
00:48:06,120 --> 00:48:08,400
Speaker 1: out the window when you're throwing a party or like

1056
00:48:08,440 --> 00:48:11,440
Speaker 1: shooting something like I'm always surprised when people on sets

1057
00:48:11,440 --> 00:48:13,800
Speaker 1: are just like, do you want the smallest little plastic

1058
00:48:13,800 --> 00:48:16,480
Speaker 1: water botle you could ever have? And it's like, why

1059
00:48:16,800 --> 00:48:19,719
Speaker 1: just give me a cup of water, give me a glass.

1060
00:48:20,719 --> 00:48:25,560
Speaker 3: There's a part in a Breakable Commischmidt where Jane Grokowski,

1061
00:48:25,600 --> 00:48:28,160
Speaker 3: who's like a rich woman, has like an entire fridge

1062
00:48:28,160 --> 00:48:30,759
Speaker 3: of bottled waters, and so she takes one and is like,

1063
00:48:30,800 --> 00:48:32,360
Speaker 3: do you want one? And the person's like no, and

1064
00:48:32,360 --> 00:48:36,040
Speaker 3: so then she just like drops it in the trash.

1065
00:48:36,080 --> 00:48:36,960
Speaker 4: That's very funny.

1066
00:48:37,480 --> 00:48:39,320
Speaker 1: George, you're going so Tina famous.

1067
00:48:39,440 --> 00:48:42,959
Speaker 2: I know, I know, I'm being very Tina fe today.

1068
00:48:43,440 --> 00:48:45,200
Speaker 2: Literally have you seen this thirty Rock?

1069
00:48:45,440 --> 00:48:45,520
Speaker 1: Ye?

1070
00:48:45,640 --> 00:48:47,120
Speaker 4: Are you currently watching thirty Rock?

1071
00:48:47,880 --> 00:48:48,120
Speaker 2: Well?

1072
00:48:48,200 --> 00:48:50,480
Speaker 3: I sort of am like constantly in the place of everyone,

1073
00:48:51,840 --> 00:48:56,200
Speaker 3: but I'm I'm doing my best to discover new things. Yeah,

1074
00:48:56,280 --> 00:48:59,440
Speaker 3: I'm watching the new Vince von show on Apple TV. Great,

1075
00:48:59,719 --> 00:49:01,080
Speaker 3: I'm watching Found Apple.

1076
00:49:01,120 --> 00:49:02,799
Speaker 2: How did you find out? It's crazy?

1077
00:49:02,960 --> 00:49:04,960
Speaker 1: Well, George has always had a nose for Indy.

1078
00:49:05,719 --> 00:49:07,720
Speaker 4: Yeah, yeah, yeah.

1079
00:49:08,560 --> 00:49:10,040
Speaker 2: Yeah, that's sort of. That was a big part of

1080
00:49:10,080 --> 00:49:10,480
Speaker 2: my wedding.

1081
00:49:12,200 --> 00:49:14,640
Speaker 1: I'll never forget your mom's speech. She was like, George

1082
00:49:14,640 --> 00:49:16,879
Speaker 1: has always loved Indie.

1083
00:49:18,960 --> 00:49:20,279
Speaker 2: Ever since he was a little boy.

1084
00:49:21,239 --> 00:49:24,200
Speaker 3: Well, my mom did tell me a rejected story she

1085
00:49:24,280 --> 00:49:26,040
Speaker 3: was going to tell in her toast that you ended

1086
00:49:26,120 --> 00:49:28,080
Speaker 3: up not telling. She was like, I wanted who rejected it?

1087
00:49:28,160 --> 00:49:31,879
Speaker 3: You no, No, just like she was, it wasn't right.

1088
00:49:33,120 --> 00:49:34,040
Speaker 4: He had it cut it for time.

1089
00:49:34,320 --> 00:49:37,200
Speaker 3: She was saying, excuse me, that she wanted to say

1090
00:49:37,280 --> 00:49:39,919
Speaker 3: something that would illustrate my, in her words, my love

1091
00:49:39,960 --> 00:49:40,440
Speaker 3: of media.

1092
00:49:40,800 --> 00:49:42,000
Speaker 2: Okay, And so it.

1093
00:49:41,920 --> 00:49:43,799
Speaker 3: Was that we were like when we were moving from

1094
00:49:43,840 --> 00:49:47,360
Speaker 3: Greece to or from the US back to Greece, it

1095
00:49:47,440 --> 00:49:50,520
Speaker 3: was like we were like three young kids. We were

1096
00:49:50,520 --> 00:49:52,400
Speaker 3: with my grandmother because my mom had already gone. It

1097
00:49:52,440 --> 00:49:54,560
Speaker 3: was like so tiring. Our flight was late, so we

1098
00:49:54,600 --> 00:49:56,919
Speaker 3: had to stay in like a airport Hilton for a night.

1099
00:49:57,000 --> 00:49:59,600
Speaker 3: Everyone was exhausted. We hadn't eaten, and I was being

1100
00:49:59,680 --> 00:50:01,400
Speaker 3: very throughout and I was like taking care of my

1101
00:50:01,440 --> 00:50:03,239
Speaker 3: younger sisters and blah blah, and everyone was like, wow,

1102
00:50:03,280 --> 00:50:05,160
Speaker 3: Georgia is so mature. And then we finally get on

1103
00:50:05,160 --> 00:50:07,880
Speaker 3: the plane and the plane doesn't have little screens. And

1104
00:50:07,920 --> 00:50:10,440
Speaker 3: then in that moment, I was like, ugh, what's next?

1105
00:50:10,480 --> 00:50:13,200
Speaker 3: Are they going to feed us rocks? That was my

1106
00:50:13,320 --> 00:50:15,799
Speaker 3: direct quote, is like that was the breaking point for me.

1107
00:50:15,880 --> 00:50:18,719
Speaker 3: It was no screens on the planet. I don't care

1108
00:50:18,760 --> 00:50:23,040
Speaker 3: about being like hungry, tired, unshowered, but like, as soon

1109
00:50:23,080 --> 00:50:25,360
Speaker 3: as I can't watch my stories.

1110
00:50:26,560 --> 00:50:28,279
Speaker 2: Anyway, that is a good story.

1111
00:50:28,560 --> 00:50:30,720
Speaker 1: That's a really good story. I'm so sad the network

1112
00:50:30,760 --> 00:50:31,160
Speaker 1: passed on it.

1113
00:50:31,200 --> 00:50:32,880
Speaker 2: I guess for the wedding.

1114
00:50:35,680 --> 00:50:39,200
Speaker 1: Yeah, how old were you when that happened?

1115
00:50:39,680 --> 00:50:40,600
Speaker 2: I was like twelve.

1116
00:50:41,360 --> 00:50:45,800
Speaker 1: Okay, it's always you know, almost in like the Boyhood style,

1117
00:50:45,880 --> 00:50:48,879
Speaker 1: I would love to like watch a gay boy grow

1118
00:50:49,000 --> 00:50:51,080
Speaker 1: up and see the moment when he becomes a fucking bit.

1119
00:50:51,200 --> 00:50:55,120
Speaker 3: They should do Boyhood the day, honestly, Yeah, why.

1120
00:50:54,960 --> 00:50:58,240
Speaker 1: Didn't I want to see the exact moment.

1121
00:50:58,520 --> 00:50:59,919
Speaker 4: Yeah, like, oh, there's the turn.

1122
00:51:01,000 --> 00:51:02,399
Speaker 2: This is actually a great point.

1123
00:51:02,440 --> 00:51:04,680
Speaker 3: Like Boyhood would be so much better if the boy

1124
00:51:04,719 --> 00:51:06,360
Speaker 3: was gig because there would at least be like something

1125
00:51:06,400 --> 00:51:07,400
Speaker 3: you're tracking.

1126
00:51:07,680 --> 00:51:10,480
Speaker 4: And then we can all see how glamorous was the

1127
00:51:10,520 --> 00:51:13,359
Speaker 4: mom in the beginning, and she become more glamorous over time.

1128
00:51:13,680 --> 00:51:17,560
Speaker 3: And I would actually say that Patricia Arquette didn't get

1129
00:51:17,600 --> 00:51:20,759
Speaker 3: progressively more glamorous in that film.

1130
00:51:21,000 --> 00:51:23,400
Speaker 1: That movie was interesting because it was like I'm loving it,

1131
00:51:23,440 --> 00:51:25,560
Speaker 1: I'm loving it, I'm loving it, and like I'm like, wow,

1132
00:51:25,600 --> 00:51:27,000
Speaker 1: I relate to this boy so much.

1133
00:51:27,040 --> 00:51:28,040
Speaker 2: We're like the same age.

1134
00:51:27,920 --> 00:51:30,600
Speaker 1: Blah blah blah. And then it's like, oh, but he

1135
00:51:30,640 --> 00:51:37,440
Speaker 1: doesn't turn gay, Like it was sort of like.

1136
00:51:35,000 --> 00:51:38,640
Speaker 4: Wa wait, wait, wait, wait, now I don't get it.

1137
00:51:39,440 --> 00:51:40,880
Speaker 2: Yeah, this part's confusing to me.

1138
00:51:42,000 --> 00:51:43,680
Speaker 3: This is how I feel about Pablo Lorraine, who does

1139
00:51:43,719 --> 00:51:47,680
Speaker 3: all those movies like the Diana movie and the what's

1140
00:51:47,719 --> 00:51:51,880
Speaker 3: the other one, the Natalie Portman Jackie Jackie movie, and

1141
00:51:51,880 --> 00:51:53,520
Speaker 3: now he's doing the Maria Callis movie, And I'm like,

1142
00:51:54,080 --> 00:51:54,840
Speaker 3: but you're straight?

1143
00:51:55,280 --> 00:51:56,280
Speaker 2: The hell is your angle?

1144
00:51:57,239 --> 00:51:58,600
Speaker 1: Wait? That's actually shocking to me.

1145
00:51:58,680 --> 00:52:00,759
Speaker 3: This is like I actually didn't know that, Like, you're

1146
00:52:00,880 --> 00:52:03,040
Speaker 3: just like a straight guy, and he's honestly like a

1147
00:52:03,080 --> 00:52:07,040
Speaker 3: hot straight guy. Wait, and his entire thing is being

1148
00:52:07,080 --> 00:52:14,200
Speaker 3: like diva yeah, yes, and working with like specifically actresses

1149
00:52:14,239 --> 00:52:18,120
Speaker 3: like Natalie Portman is a gay guy actress, and we're

1150
00:52:18,160 --> 00:52:22,520
Speaker 3: casting Angelina Joli as Maria like I'm and Christmas Stewart

1151
00:52:22,520 --> 00:52:24,919
Speaker 3: of course, of course he's not the one who cast

1152
00:52:25,000 --> 00:52:27,719
Speaker 3: Naomi wats Is Diana. You know, much more straight, I

1153
00:52:27,760 --> 00:52:30,400
Speaker 3: would say than casting Christians Stewart. Anyway, I don't know

1154
00:52:30,480 --> 00:52:32,720
Speaker 3: what his deal is, but I'm watching you, bitch.

1155
00:52:35,480 --> 00:52:37,359
Speaker 1: No, that's actually kind of jarring to find out.

1156
00:52:40,560 --> 00:52:42,799
Speaker 3: Oh, by the way, my family is angry that they

1157
00:52:42,880 --> 00:52:45,720
Speaker 3: cast a non Greek woman as Marie Kalas, so everyone

1158
00:52:45,760 --> 00:52:48,040
Speaker 3: can start can start protesting.

1159
00:52:47,560 --> 00:52:50,360
Speaker 1: Now, I'm not trying to be ignorant. Who is this person?

1160
00:52:50,800 --> 00:52:51,600
Speaker 2: Angelina Joli?

1161
00:52:56,480 --> 00:52:58,759
Speaker 3: She is a very famous opera She's probably the most

1162
00:52:58,800 --> 00:53:02,880
Speaker 3: famous opera singer of all time. And she was a

1163
00:53:03,040 --> 00:53:08,320
Speaker 3: Greek American and was sort of like a classic diva,

1164
00:53:08,480 --> 00:53:11,080
Speaker 3: Like she was just like always you.

1165
00:53:11,040 --> 00:53:13,920
Speaker 2: Know, not cat I, what's I guess it is? Cat I?

1166
00:53:14,040 --> 00:53:17,239
Speaker 3: Just like always hair done, always make up, like stunning.

1167
00:53:17,600 --> 00:53:17,839
Speaker 1: You know.

1168
00:53:18,080 --> 00:53:19,120
Speaker 2: Gay guys loved her.

1169
00:53:19,680 --> 00:53:23,920
Speaker 3: She was, you know, just like always jewelry and beautiful voice,

1170
00:53:24,680 --> 00:53:26,640
Speaker 3: you know, sort of like a tabloid fixture. There was

1171
00:53:26,680 --> 00:53:28,480
Speaker 3: like a whole thing where she like lost weight, but

1172
00:53:28,520 --> 00:53:29,919
Speaker 3: then it was bad for her voice, and then people

1173
00:53:29,920 --> 00:53:34,400
Speaker 3: were like white, that was white. And so now his

1174
00:53:34,520 --> 00:53:35,359
Speaker 3: new movie is about her.

1175
00:53:35,560 --> 00:53:41,000
Speaker 4: Oh so yeah, I wonder how this sink. I mean,

1176
00:53:41,160 --> 00:53:42,720
Speaker 4: I'm assuming someone else go to sing.

1177
00:53:42,800 --> 00:53:43,920
Speaker 2: What if? What if it was.

1178
00:53:43,960 --> 00:53:48,040
Speaker 4: Really we didn't know this whole time that she could sing.

1179
00:53:48,840 --> 00:53:51,480
Speaker 3: It's actually like a fully a soprano, Like it's just

1180
00:53:51,520 --> 00:53:55,160
Speaker 3: like singing incredibly operati Like how this never come up before?

1181
00:53:56,600 --> 00:53:59,280
Speaker 1: I actually would actually would prefer it was like heavily

1182
00:53:59,360 --> 00:54:02,560
Speaker 1: auto tune, like not even trying to sound normal, Like yes,

1183
00:54:02,560 --> 00:54:03,520
Speaker 1: she's like style.

1184
00:54:05,080 --> 00:54:07,040
Speaker 4: Funny in her mouth. You can't even see like the

1185
00:54:07,120 --> 00:54:08,399
Speaker 4: vocal cords working in her throat.

1186
00:54:08,440 --> 00:54:12,040
Speaker 1: She's just she's literally just like talking and they like

1187
00:54:12,280 --> 00:54:14,560
Speaker 1: just make it sound crazy, or if.

1188
00:54:14,440 --> 00:54:16,640
Speaker 3: She insisted on singing live, but she's bad, and so

1189
00:54:16,680 --> 00:54:18,279
Speaker 3: it's just like part of it's like.

1190
00:54:18,080 --> 00:54:19,840
Speaker 4: Well, we couldn't we couldn't do.

1191
00:54:19,840 --> 00:54:22,440
Speaker 3: Anything, and then everyone has to act like in the

1192
00:54:22,520 --> 00:54:25,360
Speaker 3: narrative of the movie, she's doing a really good job sobbing.

1193
00:54:27,000 --> 00:54:32,160
Speaker 1: That would actually be an incredible film.

1194
00:54:32,200 --> 00:54:35,560
Speaker 2: Oh my god, do you remember the.

1195
00:54:37,200 --> 00:54:40,880
Speaker 4: Do you were any of the song the songs that

1196
00:54:42,640 --> 00:54:45,720
Speaker 4: Ali slash Lady Gaga.

1197
00:54:45,280 --> 00:54:48,240
Speaker 3: Saying from her body face.

1198
00:54:49,000 --> 00:54:52,160
Speaker 4: Yes, I really liked her actual pop songs.

1199
00:54:53,440 --> 00:54:54,840
Speaker 2: That why did you do that?

1200
00:54:55,160 --> 00:54:59,040
Speaker 3: And I remember, like I sort of am shocked they

1201
00:54:59,040 --> 00:55:01,239
Speaker 3: haven't had more of an afterlife because at the time

1202
00:55:01,320 --> 00:55:03,719
Speaker 3: I also really liked them. Yeah, And I remember like

1203
00:55:03,920 --> 00:55:06,160
Speaker 3: literally like listening to them just on my own free time.

1204
00:55:06,280 --> 00:55:07,759
Speaker 4: Yeah, but I feel like that was like supposed to

1205
00:55:07,760 --> 00:55:09,839
Speaker 4: be like, oh, she's selling out. I was like, I

1206
00:55:09,880 --> 00:55:11,680
Speaker 4: love it. Can't we have more of that?

1207
00:55:11,800 --> 00:55:12,240
Speaker 2: If anything?

1208
00:55:12,239 --> 00:55:16,200
Speaker 3: I think they were better than shallow to be honest, Yeah.

1209
00:55:16,040 --> 00:55:18,480
Speaker 2: Sure, but why did you do that?

1210
00:55:18,600 --> 00:55:22,160
Speaker 1: Is like truly a hit. It's but there was that

1211
00:55:22,520 --> 00:55:24,439
Speaker 1: there was an era where there were all these fake

1212
00:55:24,480 --> 00:55:27,040
Speaker 1: pop songs that were supposed to be bad or evil,

1213
00:55:27,120 --> 00:55:29,080
Speaker 1: Like there was the Miley Cyrus Black Mirror song.

1214
00:55:29,000 --> 00:55:30,080
Speaker 4: Yeahs Black Mirror.

1215
00:55:30,120 --> 00:55:32,840
Speaker 3: Also the Natalie Portman vox Lox. I don't know if

1216
00:55:32,880 --> 00:55:34,320
Speaker 3: you listen to that soundtrack huge.

1217
00:55:34,560 --> 00:55:35,239
Speaker 4: I don't think I did.

1218
00:55:35,400 --> 00:55:38,359
Speaker 3: I'm pretty sure they were written by Cia and it

1219
00:55:38,400 --> 00:55:40,439
Speaker 3: was this movie, Yes, I remember this movie.

1220
00:55:40,520 --> 00:55:46,160
Speaker 1: Yeah. And then also famously the Idol a little step

1221
00:55:46,160 --> 00:55:49,719
Speaker 1: song from the Idol I'm just a freaking.

1222
00:55:49,760 --> 00:55:51,080
Speaker 2: Well, that's that's a hit.

1223
00:55:51,360 --> 00:55:54,360
Speaker 1: No, that song, it's like so good. We are the

1224
00:55:54,440 --> 00:55:56,560
Speaker 1: two biggest idol stands on Earth.

1225
00:55:56,800 --> 00:55:58,200
Speaker 4: I didn't watch any of it.

1226
00:55:58,360 --> 00:56:01,320
Speaker 3: Yeah, and I and I watched seventy percent of the pilot,

1227
00:56:01,360 --> 00:56:02,440
Speaker 3: but I am prepared to go.

1228
00:56:02,360 --> 00:56:04,200
Speaker 2: To bad for No.

1229
00:56:04,360 --> 00:56:06,880
Speaker 1: I watched the entire thing in a cabin in Vermont.

1230
00:56:07,040 --> 00:56:08,839
Speaker 2: Yes, oh my god, I didn't know that. Well.

1231
00:56:09,680 --> 00:56:11,840
Speaker 1: I went to Vermont, you know, last summer, and you

1232
00:56:11,880 --> 00:56:12,560
Speaker 1: went to watch it.

1233
00:56:13,440 --> 00:56:16,279
Speaker 4: Literally, I have to be away from everybody to watch this.

1234
00:56:16,480 --> 00:56:18,960
Speaker 3: It's like you went to Promises Malibu Promises, to go

1235
00:56:19,000 --> 00:56:20,840
Speaker 3: to rehab, but instead you were just watching the Idol.

1236
00:56:21,400 --> 00:56:23,359
Speaker 1: It was like the thing where I was like, God,

1237
00:56:23,360 --> 00:56:24,719
Speaker 1: I just can't wait to be in the nature. And

1238
00:56:24,719 --> 00:56:26,520
Speaker 1: then the moment I was alone, I was like, I

1239
00:56:26,600 --> 00:56:29,840
Speaker 1: need to watch something like Shiny Shiny Shiny about like

1240
00:56:29,920 --> 00:56:34,840
Speaker 1: city people. Yeah, yeah, yeah, I don't actually want to

1241
00:56:34,880 --> 00:56:35,440
Speaker 1: move to the woods.

1242
00:56:35,480 --> 00:56:38,680
Speaker 2: Unfortunately, that's something I learned about myself. It's not tough

1243
00:56:38,800 --> 00:56:39,640
Speaker 2: thing to accept.

1244
00:56:40,360 --> 00:56:43,799
Speaker 1: Tough thing to accept, Like a weekend in the woods,

1245
00:56:43,840 --> 00:56:47,320
Speaker 1: like without friends is actually so boring.

1246
00:56:50,640 --> 00:56:52,200
Speaker 4: That's an amazing I mean I haven't done it.

1247
00:56:52,480 --> 00:56:57,799
Speaker 2: Mm hmmm. I feel like, are you outdoorsy?

1248
00:56:58,400 --> 00:57:00,640
Speaker 4: I like being outside me as.

1249
00:57:00,800 --> 00:57:03,480
Speaker 2: You have this inner calm that I must say, I

1250
00:57:03,520 --> 00:57:05,000
Speaker 2: personally do not. No, I can't.

1251
00:57:05,239 --> 00:57:07,319
Speaker 3: And I think it comes like I could see you

1252
00:57:07,400 --> 00:57:10,680
Speaker 3: being like yeah, just like every Friday at five pm,

1253
00:57:10,719 --> 00:57:13,200
Speaker 3: I unplug and then for the weekend I'm in my

1254
00:57:13,280 --> 00:57:15,960
Speaker 3: cabin and then I come back to set on Monday.

1255
00:57:16,000 --> 00:57:16,200
Speaker 2: Wow.

1256
00:57:16,240 --> 00:57:17,560
Speaker 4: I love that. That's the vibe I give.

1257
00:57:17,640 --> 00:57:18,600
Speaker 2: That's not no.

1258
00:57:18,720 --> 00:57:23,000
Speaker 4: Actually I can be outside, but I need to know

1259
00:57:23,960 --> 00:57:27,760
Speaker 4: that I'm going to go back inside then and that

1260
00:57:27,880 --> 00:57:31,880
Speaker 4: it's like not too far, Like yeah, I could, I

1261
00:57:31,920 --> 00:57:34,640
Speaker 4: could go on a hike, I could go to a beach.

1262
00:57:35,000 --> 00:57:37,240
Speaker 4: I could go to the forest, but not for so long.

1263
00:57:37,280 --> 00:57:39,040
Speaker 4: I don't want to camp. I don't want to sleep

1264
00:57:39,040 --> 00:57:41,960
Speaker 4: on the ground. I want my things. I need my phone.

1265
00:57:42,640 --> 00:57:42,920
Speaker 2: Yeah.

1266
00:57:42,960 --> 00:57:46,919
Speaker 4: It's like like outside light, outside light.

1267
00:57:47,080 --> 00:57:50,000
Speaker 2: Yeah yeah, yeah, well.

1268
00:57:49,920 --> 00:57:51,280
Speaker 1: Sure, final segment.

1269
00:57:51,400 --> 00:57:53,240
Speaker 2: Well, I just wanted to say, any final thoughts on

1270
00:57:53,320 --> 00:57:54,080
Speaker 2: shoe covers.

1271
00:57:54,200 --> 00:57:59,960
Speaker 4: Oh yes, I don't think so. I guess other than

1272
00:58:00,080 --> 00:58:02,800
Speaker 4: fact that, like I've only seen blue ones and clear

1273
00:58:02,840 --> 00:58:04,480
Speaker 4: ones feels too binary.

1274
00:58:04,680 --> 00:58:07,560
Speaker 2: I agree. Wow, how do you think about that?

1275
00:58:07,600 --> 00:58:07,760
Speaker 1: Oh?

1276
00:58:07,800 --> 00:58:11,480
Speaker 3: You know, Okay, I will say I am allowing nurses

1277
00:58:11,520 --> 00:58:12,120
Speaker 3: to wear.

1278
00:58:11,920 --> 00:58:16,200
Speaker 4: Them sure at the hospital, yes, yeah, specifically in a home.

1279
00:58:16,520 --> 00:58:17,720
Speaker 3: That's the issue I have.

1280
00:58:17,720 --> 00:58:18,240
Speaker 2: That's the issue.

1281
00:58:18,320 --> 00:58:20,640
Speaker 3: Yeah, yeah, I mean a nurse to me, all nurses

1282
00:58:20,640 --> 00:58:24,919
Speaker 3: are single moms who are literally the hardest working women

1283
00:58:24,920 --> 00:58:30,200
Speaker 3: in America or potentially single lesbian aunts. And I think

1284
00:58:30,240 --> 00:58:34,200
Speaker 3: they should go whatever the hell they want, preferably scrubs

1285
00:58:34,200 --> 00:58:35,960
Speaker 3: with a sort of design on them.

1286
00:58:36,080 --> 00:58:37,600
Speaker 2: If I'm you know, if I'm.

1287
00:58:37,480 --> 00:58:40,280
Speaker 4: Choosing whatever the hell they want, as long as they're actual.

1288
00:58:39,880 --> 00:58:42,720
Speaker 3: Scrubs in their uniforms, as long as they're aware, as

1289
00:58:42,760 --> 00:58:45,000
Speaker 3: long as they're serving, they can wear whatever they want.

1290
00:58:45,040 --> 00:58:47,720
Speaker 1: They can wear whatever they want, but specifically blue white

1291
00:58:47,800 --> 00:58:49,200
Speaker 1: or a light pink is allowed.

1292
00:58:49,320 --> 00:58:50,280
Speaker 2: I think is allowed.

1293
00:58:50,360 --> 00:58:55,600
Speaker 1: Yeah, No, not too loud of a pattern, nothing political, please, Yeah.

1294
00:58:55,680 --> 00:58:58,880
Speaker 3: And then my message to the fashion industry is, let's

1295
00:58:58,880 --> 00:59:00,360
Speaker 3: see what we can do with you, because you know

1296
00:59:00,400 --> 00:59:02,120
Speaker 3: you have one chance. I'm going to give you one

1297
00:59:02,160 --> 00:59:05,080
Speaker 3: calendar year. I'll see you at Milan in Paris, and

1298
00:59:05,160 --> 00:59:07,280
Speaker 3: if you can make them fashionable in a way that

1299
00:59:07,360 --> 00:59:11,760
Speaker 3: pleases me, then I will rethink my stance. But for now,

1300
00:59:12,000 --> 00:59:13,000
Speaker 3: we are firmly anti.

1301
00:59:13,280 --> 00:59:14,600
Speaker 2: I agree, I agree.

1302
00:59:15,720 --> 00:59:18,800
Speaker 3: Done before we do our final segment, we have sort

1303
00:59:18,800 --> 00:59:21,560
Speaker 3: of heavily implied what you're promoting, but never actually talked

1304
00:59:21,560 --> 00:59:22,840
Speaker 3: to you about it this year, and I like.

1305
00:59:22,840 --> 00:59:23,240
Speaker 4: It that way.

1306
00:59:23,320 --> 00:59:24,200
Speaker 2: Yeah, and I know that.

1307
00:59:24,280 --> 00:59:24,480
Speaker 1: Well.

1308
00:59:24,760 --> 00:59:27,960
Speaker 3: The nice thing about promoting a Marvel project is I

1309
00:59:28,000 --> 00:59:29,720
Speaker 3: don't feel bad about not asking about it because you're

1310
00:59:29,720 --> 00:59:30,360
Speaker 3: not allowed to say.

1311
00:59:30,280 --> 00:59:31,200
Speaker 2: Anything that's true.

1312
00:59:31,400 --> 00:59:32,600
Speaker 4: I can't say much, but.

1313
00:59:32,760 --> 00:59:35,480
Speaker 2: Can you tell people where they can see you on

1314
00:59:35,600 --> 00:59:36,400
Speaker 2: Disney Plus?

1315
00:59:37,120 --> 00:59:43,440
Speaker 4: And yeah, Agatha, it's very witchy, it's very spooky Halloween season,

1316
00:59:44,800 --> 00:59:50,400
Speaker 4: great cast, great everything, You'll love it, I mean, Patti Cattieme,

1317
00:59:52,520 --> 00:59:57,240
Speaker 4: Jill lock Allie on can you Believe It? It's it's fun,

1318
00:59:57,440 --> 00:59:57,960
Speaker 4: it's great.

1319
00:59:58,320 --> 00:59:59,560
Speaker 2: That's crazy. I can't you know.

1320
01:00:00,120 --> 01:00:04,720
Speaker 3: You know the whole thing about how Aubrey stayed with

1321
01:00:04,840 --> 01:00:05,880
Speaker 3: Patty Lapone.

1322
01:00:06,160 --> 01:00:07,720
Speaker 4: Yes, yeah, one of.

1323
01:00:07,640 --> 01:00:13,720
Speaker 2: My favorite little media stories. Okay, So basically, while they were.

1324
01:00:13,600 --> 01:00:20,080
Speaker 3: On set, Aubrey Plaza got a play in New York

1325
01:00:20,680 --> 01:00:22,480
Speaker 3: and then Patty was like, have they ever been on stage?

1326
01:00:22,520 --> 01:00:25,120
Speaker 3: And Aubrey was like no, And Patty was like, oh, sweetheart,

1327
01:00:25,200 --> 01:00:27,000
Speaker 3: I'm going to take you under my wing. Come move

1328
01:00:27,040 --> 01:00:29,120
Speaker 3: in with me. I'll teach you everything, like it's going

1329
01:00:29,160 --> 01:00:31,240
Speaker 3: to be so hard, blah blah. And apparently she did

1330
01:00:31,240 --> 01:00:32,439
Speaker 3: her laundry and made her soup.

1331
01:00:32,840 --> 01:00:34,840
Speaker 1: Yeah, whoa, it's really cut.

1332
01:00:34,920 --> 01:00:39,440
Speaker 2: It's amazing. I wish a more established comedian would do

1333
01:00:39,480 --> 01:00:42,640
Speaker 2: that to me. Potentially, I don't know who would. I

1334
01:00:42,680 --> 01:00:45,720
Speaker 2: want Sarah Silverman.

1335
01:00:45,880 --> 01:00:48,720
Speaker 3: If Sarah Silverman wants to actually room with me and

1336
01:00:48,760 --> 01:00:51,600
Speaker 3: make me soup my laundrey, I would actually really appreciate.

1337
01:00:51,640 --> 01:00:53,200
Speaker 4: That sounds amazing, That sounds great.

1338
01:00:54,240 --> 01:00:54,479
Speaker 2: Okay.

1339
01:00:54,480 --> 01:00:57,080
Speaker 1: I want to say one more thing, which I have

1340
01:00:57,160 --> 01:00:59,840
Speaker 1: this thing, George, I'm I'm I'm questioning whether to bring

1341
01:00:59,840 --> 01:01:04,240
Speaker 1: this or not. Okay, okay, but it was to shear

1342
01:01:05,000 --> 01:01:07,360
Speaker 1: when people come on and they're promoting something large, like

1343
01:01:07,400 --> 01:01:10,320
Speaker 1: a Disney Plus show. I'm always sort of like, well

1344
01:01:10,360 --> 01:01:15,080
Speaker 1: does this does like does our podcast count as pressed?

1345
01:01:15,680 --> 01:01:16,919
Speaker 1: Does our podcast count?

1346
01:01:17,000 --> 01:01:17,560
Speaker 2: Excuse me?

1347
01:01:17,760 --> 01:01:20,600
Speaker 3: We were New York Magazine's number one podcast of twenty

1348
01:01:20,680 --> 01:01:21,120
Speaker 3: twenty two.

1349
01:01:21,320 --> 01:01:24,400
Speaker 1: It counts, But I have this thing in my head

1350
01:01:24,440 --> 01:01:27,600
Speaker 1: where I'm like, well, we don't count. And it's it's

1351
01:01:27,640 --> 01:01:32,480
Speaker 1: like someone someone at your wedding. I was sort of

1352
01:01:32,600 --> 01:01:35,880
Speaker 1: being self deprecating about something and they literally were like, oh,

1353
01:01:35,960 --> 01:01:38,680
Speaker 1: you still like think you're an underdog in this way

1354
01:01:38,760 --> 01:01:39,240
Speaker 1: where I.

1355
01:01:39,240 --> 01:01:41,480
Speaker 4: Was like, it's also kind of a burn. Oh you

1356
01:01:41,560 --> 01:01:42,480
Speaker 4: still think.

1357
01:01:42,240 --> 01:01:46,440
Speaker 1: That in a way that was like I cannot stop

1358
01:01:46,480 --> 01:01:47,240
Speaker 1: thinking about it.

1359
01:01:47,640 --> 01:01:49,360
Speaker 2: Yeah, no, but I think.

1360
01:01:49,280 --> 01:01:52,560
Speaker 4: It is like, you know, you guys were on my itinerary.

1361
01:01:52,840 --> 01:01:54,920
Speaker 4: You're part of the press. This is part of the press.

1362
01:01:55,040 --> 01:01:57,920
Speaker 3: I well, you know, I do think not to keep

1363
01:01:57,960 --> 01:02:01,280
Speaker 3: bringing up Pagula pone, but I'm like us specifically, it's like,

1364
01:02:01,400 --> 01:02:06,400
Speaker 3: we will get gay guys to watch this show like that.

1365
01:02:06,640 --> 01:02:11,160
Speaker 4: Seems appropriate and a lot of queerness in this show

1366
01:02:11,400 --> 01:02:13,920
Speaker 4: like that, yes you should be watching.

1367
01:02:14,040 --> 01:02:15,160
Speaker 3: You know what we're going to do is get you

1368
01:02:15,200 --> 01:02:17,120
Speaker 3: gay guys that will watch the whole thing, but then

1369
01:02:17,160 --> 01:02:20,000
Speaker 3: be so toxic that they're like cyper bullying you online.

1370
01:02:20,120 --> 01:02:23,480
Speaker 4: Great, give it to me. Marvel needs news bullies.

1371
01:02:24,600 --> 01:02:26,920
Speaker 3: It's like they won't be bullying in a Marvel way

1372
01:02:26,920 --> 01:02:28,640
Speaker 3: of like being like this isn't canon or whatever.

1373
01:02:28,720 --> 01:02:30,479
Speaker 2: They'll just be like those tights were wrong.

1374
01:02:31,520 --> 01:02:35,240
Speaker 4: Yeah, we need internaturals and not just be the straight guys. Yeah,

1375
01:02:35,720 --> 01:02:37,720
Speaker 4: and start making fun of us for other reasons.

1376
01:02:37,880 --> 01:02:41,200
Speaker 3: Yeah, you need gay guys. Make fun of women's appearances.

1377
01:02:41,400 --> 01:02:44,800
Speaker 4: Yes, yes, progress, progress.

1378
01:02:46,640 --> 01:02:48,920
Speaker 3: Okay, let's do our final segment.

1379
01:02:54,000 --> 01:02:56,400
Speaker 1: Okay, so shear our final segment that's called shout outs.

1380
01:02:56,400 --> 01:02:58,600
Speaker 1: And in this segment we pay homonitor the grand straight

1381
01:02:58,640 --> 01:03:02,040
Speaker 1: tradition of the radio shout out. So we're shouting out

1382
01:03:02,080 --> 01:03:05,080
Speaker 1: anything that we like. People place these things ideas, and

1383
01:03:05,120 --> 01:03:06,720
Speaker 1: you know, pretend it's two thousand and one and you're

1384
01:03:06,720 --> 01:03:10,360
Speaker 1: at TRL shouting out to your squad back home. I

1385
01:03:10,400 --> 01:03:15,280
Speaker 1: actually do have one. Okay, Okay, what is up, freak

1386
01:03:15,280 --> 01:03:18,000
Speaker 1: exc losers and perverts around the globe. I want to

1387
01:03:18,000 --> 01:03:22,160
Speaker 1: give a huge shout out to the musician Christopher Owens.

1388
01:03:22,560 --> 01:03:25,479
Speaker 1: So this guy is the lead singer, the guy from

1389
01:03:25,520 --> 01:03:29,000
Speaker 1: the band from twenty ten girls, we all remember this.

1390
01:03:29,080 --> 01:03:30,600
Speaker 2: Wow, we all like this band.

1391
01:03:30,880 --> 01:03:33,000
Speaker 1: And then they sort of disappeared and they stopped existing.

1392
01:03:33,040 --> 01:03:35,040
Speaker 1: They broke up, and it was sort of like, okay, bye.

1393
01:03:35,440 --> 01:03:38,680
Speaker 1: And then recently I heard a solo song of his

1394
01:03:38,880 --> 01:03:41,320
Speaker 1: and this is again, like a full decade later. I

1395
01:03:41,320 --> 01:03:44,120
Speaker 1: had given up on the concept of these people existing,

1396
01:03:44,480 --> 01:03:47,360
Speaker 1: and now I listened to this solo song called I

1397
01:03:47,360 --> 01:03:49,280
Speaker 1: Think About Heaven, and I was like, this song is

1398
01:03:49,360 --> 01:03:50,560
Speaker 1: so fucking good.

1399
01:03:50,960 --> 01:03:51,720
Speaker 2: I'm addicted.

1400
01:03:52,080 --> 01:03:55,720
Speaker 1: I'm sort of craving indie as we go into fall,

1401
01:03:55,800 --> 01:04:00,240
Speaker 1: I'm craving sort of not listening to a club music

1402
01:04:00,320 --> 01:04:03,640
Speaker 1: for once in my fucking life. And Christopher Owens is

1403
01:04:03,880 --> 01:04:08,240
Speaker 1: so damn good. And because I haven't followed his career

1404
01:04:08,320 --> 01:04:11,200
Speaker 1: for the last decade, there's other music to listen to,

1405
01:04:11,320 --> 01:04:13,919
Speaker 1: so I'm listening to his old solo albums and they're

1406
01:04:13,960 --> 01:04:16,880
Speaker 1: also good. I think it's so nice when someone is

1407
01:04:16,920 --> 01:04:19,800
Speaker 1: sort of in their lane and thriving, and whether I'm

1408
01:04:19,840 --> 01:04:21,920
Speaker 1: looking at them or not, they just keep pushing on

1409
01:04:22,320 --> 01:04:25,960
Speaker 1: and stay good. I'm so excited for his new album

1410
01:04:26,000 --> 01:04:29,240
Speaker 1: that will come out this month, I think, and I'm

1411
01:04:29,360 --> 01:04:34,240
Speaker 1: excited to sort of feel autumnal even in Los Angeles, California, XI.

1412
01:04:34,360 --> 01:04:38,120
Speaker 3: So Sam, Yeah, okay, all right, I have a few.

1413
01:04:38,160 --> 01:04:46,280
Speaker 2: I'm trying to decide. Okay, okay, okay, hmm okay, what's up?

1414
01:04:46,280 --> 01:04:47,440
Speaker 2: Breaks the losers out there?

1415
01:04:47,480 --> 01:04:49,479
Speaker 3: I want to give a shout out to get ready

1416
01:04:49,480 --> 01:04:53,640
Speaker 3: for this one, you guys. I want to shout out brunch. Well,

1417
01:04:53,640 --> 01:04:56,080
Speaker 3: I am ready to reclaim it. It has been long

1418
01:04:56,200 --> 01:04:59,760
Speaker 3: enough of pretending it's lame and it's basic, and it's

1419
01:05:00,720 --> 01:05:04,040
Speaker 3: and oh ha ha, you're going to brunch and everyone

1420
01:05:04,120 --> 01:05:06,680
Speaker 3: it's all girls with floppy hats and gay guys with

1421
01:05:06,800 --> 01:05:10,160
Speaker 3: skinny pants and boat shoes that don't fit right and.

1422
01:05:10,120 --> 01:05:13,160
Speaker 2: Ba ha ha ha they're all secretly Republican. Well, I

1423
01:05:13,160 --> 01:05:13,560
Speaker 2: guess what.

1424
01:05:14,200 --> 01:05:17,720
Speaker 3: There's actually nothing better than being with your cheekas and

1425
01:05:17,880 --> 01:05:21,120
Speaker 3: getting around of bloody Mary's getting some mimosas, getting a

1426
01:05:21,280 --> 01:05:24,720
Speaker 3: mix of savory and sweet. I'm talking, I'm getting the omelet,

1427
01:05:24,760 --> 01:05:27,360
Speaker 3: but then I'm having three bites of French toast. I'm talking,

1428
01:05:27,440 --> 01:05:29,600
Speaker 3: I'm getting the grain bowl, but I'm having a couple

1429
01:05:29,600 --> 01:05:32,800
Speaker 3: of bites of pancakes. We then it is easy to

1430
01:05:32,840 --> 01:05:35,040
Speaker 3: split the check because everything sort of costs around the same.

1431
01:05:35,080 --> 01:05:37,600
Speaker 3: No one's getting a steak. No one's getting, you know,

1432
01:05:37,720 --> 01:05:41,360
Speaker 3: a giant pork shoulder or something. I the morning of

1433
01:05:41,400 --> 01:05:45,320
Speaker 3: my wedding had get ready a corned beef hash. Oh

1434
01:05:45,480 --> 01:05:47,919
Speaker 3: that was my last meal before I had to put

1435
01:05:47,960 --> 01:05:51,240
Speaker 3: on my navy suit and my gender bending boot and air.

1436
01:05:51,160 --> 01:05:54,280
Speaker 1: And get there at.

1437
01:05:53,240 --> 01:05:57,200
Speaker 3: Montague Diner in Brooklyn Heights. I've never tasted something so

1438
01:05:57,280 --> 01:05:59,560
Speaker 3: delicious in my life. I love a hash. I love

1439
01:05:59,560 --> 01:06:02,160
Speaker 3: an omlet. I love a poached egg. I love a

1440
01:06:02,200 --> 01:06:06,439
Speaker 3: bagel with salmon and a sort of lemony dill kind

1441
01:06:06,440 --> 01:06:07,560
Speaker 3: of topping on top of it.

1442
01:06:07,920 --> 01:06:09,000
Speaker 2: I love brunch.

1443
01:06:09,320 --> 01:06:11,800
Speaker 3: There is no reason why it should be so blacklisted

1444
01:06:11,840 --> 01:06:12,480
Speaker 3: in our culture.

1445
01:06:12,840 --> 01:06:14,160
Speaker 2: Get your friends, get by the way.

1446
01:06:14,160 --> 01:06:16,280
Speaker 3: It's usually more affordable and getting a really nice dinner

1447
01:06:16,280 --> 01:06:20,360
Speaker 3: in New York City. And it can also it's It

1448
01:06:20,400 --> 01:06:22,400
Speaker 3: can be at nine am if you happen to be

1449
01:06:22,640 --> 01:06:24,680
Speaker 3: let's say a parent that gets up early, or it

1450
01:06:24,720 --> 01:06:27,560
Speaker 3: can be at two pm, and it doesn't matter. What

1451
01:06:27,720 --> 01:06:29,720
Speaker 3: is so wrong about that? Why has it been so

1452
01:06:29,800 --> 01:06:33,040
Speaker 3: stigmatized in our culture? I don't understand it is time

1453
01:06:33,040 --> 01:06:34,200
Speaker 3: to bring it back. I think we should bring it

1454
01:06:34,200 --> 01:06:36,000
Speaker 3: back in a sort of indie sleeves way, like in

1455
01:06:36,000 --> 01:06:38,360
Speaker 3: a like throwback you way, and I want to see

1456
01:06:38,400 --> 01:06:40,240
Speaker 3: Julia Fox going out to brunch. I want to see

1457
01:06:40,240 --> 01:06:42,560
Speaker 3: the lead singer of the band Girls going out to brunch.

1458
01:06:42,720 --> 01:06:44,720
Speaker 3: We need cool people going to brunch.

1459
01:06:45,360 --> 01:06:47,439
Speaker 2: Shut up, shut up, I do.

1460
01:06:47,560 --> 01:06:50,480
Speaker 1: I've become very pancake for the table pilled.

1461
01:06:51,080 --> 01:06:51,320
Speaker 4: Yeah.

1462
01:06:51,680 --> 01:06:52,400
Speaker 1: I find that to.

1463
01:06:52,400 --> 01:06:53,680
Speaker 2: Be so luxurious.

1464
01:06:54,040 --> 01:06:56,000
Speaker 4: It's so nice because you don't have to commit.

1465
01:06:56,080 --> 01:06:56,280
Speaker 2: Yeah.

1466
01:06:59,040 --> 01:07:00,880
Speaker 4: Yeah, and I want wants to bite.

1467
01:07:01,120 --> 01:07:03,440
Speaker 2: I mean I mentioned this, but I've become so French

1468
01:07:03,520 --> 01:07:06,480
Speaker 2: toast pilled all of a sudden. Of the three, I

1469
01:07:06,520 --> 01:07:07,880
Speaker 2: am firmly French toasts.

1470
01:07:07,960 --> 01:07:11,600
Speaker 1: Yeah, the three being pancake, waffle, French toast exactly. Yeah.

1471
01:07:11,960 --> 01:07:13,480
Speaker 4: And waffle is never my top two.

1472
01:07:13,560 --> 01:07:14,120
Speaker 1: No, never.

1473
01:07:14,680 --> 01:07:16,520
Speaker 2: I want waffles to be erased.

1474
01:07:16,680 --> 01:07:19,880
Speaker 4: I want eradicated from Yeah.

1475
01:07:20,040 --> 01:07:24,440
Speaker 1: I want to fund down waffles and get rid of them. Yeah,

1476
01:07:24,560 --> 01:07:26,360
Speaker 1: they have nothing to offer. I'm sorry.

1477
01:07:26,800 --> 01:07:29,040
Speaker 3: No, it's like, okay, it's giving squares.

1478
01:07:29,640 --> 01:07:30,120
Speaker 2: Shut up.

1479
01:07:30,480 --> 01:07:33,840
Speaker 1: Shut up. Oh waffles, that's like pancakes with syrup traps.

1480
01:07:33,960 --> 01:07:34,440
Speaker 1: Shut up.

1481
01:07:35,400 --> 01:07:37,280
Speaker 3: I don't need the syrup to be trapped. I can

1482
01:07:37,360 --> 01:07:38,680
Speaker 3: just dip it in more syrup.

1483
01:07:38,880 --> 01:07:43,160
Speaker 4: Yeah, let me like control the syrup. Yeah, intake.

1484
01:07:43,240 --> 01:07:44,880
Speaker 1: There's something at a waffle where it's like you're leaning

1485
01:07:44,920 --> 01:07:46,960
Speaker 1: too much on the body. You're like, you think, exactly

1486
01:07:46,960 --> 01:07:48,840
Speaker 1: care about this shape? We don't care about the shape.

1487
01:07:49,000 --> 01:07:52,360
Speaker 3: No, because pancakes and French toast they're not they're not flashy.

1488
01:07:52,400 --> 01:07:53,880
Speaker 3: It's like it just tastes good.

1489
01:07:54,080 --> 01:07:55,160
Speaker 1: Yeah, yeah, it's not.

1490
01:07:55,280 --> 01:07:59,360
Speaker 4: It's what I feel like what waffles like. What they

1491
01:07:59,400 --> 01:08:01,680
Speaker 4: have to do to get the shape of the box

1492
01:08:02,520 --> 01:08:05,800
Speaker 4: is like in lieu of the texture. Yes, yes, now

1493
01:08:05,840 --> 01:08:08,360
Speaker 4: it's like kind of crunching and hard and like not

1494
01:08:08,680 --> 01:08:11,160
Speaker 4: soft and gooey like you would want with a waffle

1495
01:08:11,280 --> 01:08:12,880
Speaker 4: or with a French choast or a pancake.

1496
01:08:12,960 --> 01:08:16,200
Speaker 2: Yeah. Yeah, horrible, horrible, Damn.

1497
01:08:16,240 --> 01:08:17,240
Speaker 1: I'm glad we got that all of us.

1498
01:08:18,240 --> 01:08:22,120
Speaker 4: I just had to get that off my chests, all right, one,

1499
01:08:22,800 --> 01:08:28,760
Speaker 4: I do what up? Burgolis, fam I gotta shout out

1500
01:08:29,680 --> 01:08:34,519
Speaker 4: up close magic. I just really love it. I also

1501
01:08:34,560 --> 01:08:37,479
Speaker 4: think it's a thing that people don't think is cool,

1502
01:08:37,920 --> 01:08:41,160
Speaker 4: but I'm thoroughly impressed every time it happens in front

1503
01:08:41,160 --> 01:08:43,360
Speaker 4: of me. I know it's a trick. I know it's

1504
01:08:43,400 --> 01:08:46,600
Speaker 4: not real magic, but the magic is the prestige. The

1505
01:08:46,640 --> 01:08:50,519
Speaker 4: magic is the illusion. What went into it to create

1506
01:08:50,560 --> 01:08:53,120
Speaker 4: this thing. How did you get me? I got got?

1507
01:08:53,240 --> 01:08:56,560
Speaker 4: I love getting got get me again? Like did you

1508
01:08:56,600 --> 01:08:58,679
Speaker 4: put something in your sleeve? Did you put in your mouth?

1509
01:08:58,880 --> 01:09:00,880
Speaker 4: Is it in your coat? Is it on me? How'd

1510
01:09:00,880 --> 01:09:04,200
Speaker 4: you get it on me? I love it every single time.

1511
01:09:04,200 --> 01:09:06,000
Speaker 4: I can't get enough of it. Wish it was at

1512
01:09:06,040 --> 01:09:08,559
Speaker 4: more parties. Whenever it is at a party, I'm like,

1513
01:09:08,880 --> 01:09:11,439
Speaker 4: this is only getting better, Like this party is now

1514
01:09:12,120 --> 01:09:14,519
Speaker 4: like at a ten when it was at eight, and

1515
01:09:14,640 --> 01:09:17,439
Speaker 4: I'm just like so thankful for it. I wish I

1516
01:09:17,479 --> 01:09:20,280
Speaker 4: wish it was in restaurants. I wish it was at

1517
01:09:20,280 --> 01:09:22,960
Speaker 4: bowling alleys. I wish it was at arcades. I wish,

1518
01:09:23,000 --> 01:09:24,960
Speaker 4: well you're like waiting for a movie or something, it

1519
01:09:25,000 --> 01:09:27,320
Speaker 4: was in the lobby. I wish. But post magic would

1520
01:09:27,320 --> 01:09:33,760
Speaker 4: just got more respect and more prevalence throughout culture.

1521
01:09:33,840 --> 01:09:36,960
Speaker 3: Higher magicians, higher magicians.

1522
01:09:36,439 --> 01:09:40,400
Speaker 1: And cultivate upcoming magicians. Yeah, I actually feel like there

1523
01:09:40,680 --> 01:09:42,840
Speaker 1: is very much a world, Like if my life had

1524
01:09:42,880 --> 01:09:45,080
Speaker 1: just been slightly slightly different than I would have gotten

1525
01:09:45,080 --> 01:09:48,120
Speaker 1: really into magic, Like we need.

1526
01:09:47,960 --> 01:09:49,920
Speaker 3: Her drag race for I understand that there have been

1527
01:09:49,960 --> 01:09:53,400
Speaker 3: magic shows and whatever, but the way the drag race,

1528
01:09:53,520 --> 01:09:57,200
Speaker 3: like mainstreamed drag and now every time at the VMA's

1529
01:09:57,240 --> 01:09:58,920
Speaker 3: it's like, look she brought out drag wings.

1530
01:09:59,200 --> 01:09:59,920
Speaker 2: They need to do that.

1531
01:10:00,160 --> 01:10:03,960
Speaker 4: Magicians, Yeah, make magicians cool again. There was absolutely an

1532
01:10:04,000 --> 01:10:09,080
Speaker 4: era of like David Blank Angel. Yeah, there was like ooh, edgy,

1533
01:10:09,520 --> 01:10:10,440
Speaker 4: edgy magicians.

1534
01:10:10,800 --> 01:10:16,120
Speaker 2: We need what that is? Wild?

1535
01:10:16,240 --> 01:10:19,160
Speaker 4: He was cool? Yeah, I think, but we need a

1536
01:10:19,200 --> 01:10:20,760
Speaker 4: resurgence of like what's the gen z?

1537
01:10:21,320 --> 01:10:25,800
Speaker 1: I know, well, magician a different aesthetic because it's literally

1538
01:10:25,840 --> 01:10:28,040
Speaker 1: like they do like that font, Like there's like magician

1539
01:10:28,120 --> 01:10:30,360
Speaker 1: font in a way that's like stop it. It's like

1540
01:10:30,720 --> 01:10:32,000
Speaker 1: ed Hardy vibes or something.

1541
01:10:32,160 --> 01:10:32,680
Speaker 4: Yeah.

1542
01:10:32,800 --> 01:10:34,240
Speaker 2: And steampunk, Yeah.

1543
01:10:34,280 --> 01:10:37,200
Speaker 1: Steampunk ed Hardy is a magician and it needs a

1544
01:10:37,240 --> 01:10:38,200
Speaker 1: fashion rebrand.

1545
01:10:38,360 --> 01:10:45,280
Speaker 2: We need like an Everlaine like Sons serah magician. That's

1546
01:10:45,280 --> 01:10:46,160
Speaker 2: actually true.

1547
01:10:47,439 --> 01:10:47,960
Speaker 1: Well there you go.

1548
01:10:48,000 --> 01:10:50,040
Speaker 3: I think we've learned a lot and proposed a lot

1549
01:10:50,080 --> 01:10:50,759
Speaker 3: for society.

1550
01:10:51,200 --> 01:10:53,439
Speaker 4: Yeah, to get to it, society.

1551
01:10:53,520 --> 01:10:58,320
Speaker 1: Yeah, get out there, stay fergalists, everybody.

1552
01:10:57,439 --> 01:10:58,040
Speaker 2: We'll see you.

1553
01:10:59,400 --> 01:11:04,400
Speaker 4: Yes you want Disney Plus Bye bye.

1554
01:11:04,240 --> 01:11:09,360
Speaker 3: Bye podcast and now want more? Subscribe to our Patreon

1555
01:11:09,479 --> 01:11:13,000
Speaker 3: for two extra episodes a month, discord access and more

1556
01:11:13,200 --> 01:11:16,800
Speaker 3: by heading to patreon dot com, slash Stradio lab and.

1557
01:11:16,800 --> 01:11:19,679
Speaker 1: For all our Visual earners. Free full length video episodes

1558
01:11:19,680 --> 01:11:21,120
Speaker 1: are available on our YouTube.

1559
01:11:21,360 --> 01:11:35,559
Speaker 2: Now get back to work.