WEBVTT - SUNDAY SAMPLER - The Nashville Podcast Network (9-15-24)

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<v Speaker 1>Hey, everybody's Sunday Sampler time.

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<v Speaker 2>We'll get to some Sore Losers movie Mike's Movie podcast,

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<v Speaker 2>but we're gonna start with a little bit of Doctor Josie.

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<v Speaker 2>It's the final episode of season one of In the

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<v Speaker 2>Vets Office and Caroline Hobby stop Buy had her three

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<v Speaker 2>month old puppy, Ruby, and they talked about what you

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<v Speaker 2>need to know whenever you have a puppy, because I

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<v Speaker 2>think anytime we get a new puppy, we're like, holy crap.

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<v Speaker 1>What they talked about, what to do and what not

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<v Speaker 1>to do.

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<v Speaker 3>Let's get started.

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<v Speaker 4>Now.

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<v Speaker 2>Here's a clip of this week's episode of In the

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<v Speaker 2>Vets Office with Doctor Josie.

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<v Speaker 5>Yeah, you're listening to In the Vets Office with Doctor

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<v Speaker 5>Josie Horshak.

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<v Speaker 4>Right, So we got Ruby on a whim and I

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<v Speaker 4>am not following any of the rules.

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<v Speaker 6>This is my daughter's dog. Thankfully. Ruby loves to.

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<v Speaker 4>Rough house, goes to She and Sunday and Ruby like

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<v Speaker 4>play and wrestle all the time. But just working on

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<v Speaker 4>the potty training. They were seventy percent there. She is

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<v Speaker 4>sleeping in the bed. Oh or I'll talk about that.

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<v Speaker 4>Not sure about the food situation because she started off

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<v Speaker 4>with one food. Then when eat it and tried to

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<v Speaker 4>give her another one, and then she got diarrhea.

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<v Speaker 6>And so I'm just like the basics of starting up.

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<v Speaker 4>A dog and perfect you know, I guess, nailing down

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<v Speaker 4>what you need to do in the beginning I could use.

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<v Speaker 6>Really, the potty training is my number one.

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<v Speaker 4>Yeah, it is so important when they are at this age,

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<v Speaker 4>they're very impressionable, and we're setting them up for success

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<v Speaker 4>for the rest of their life. Because Ruby og, we

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<v Speaker 4>know how that plight, we know how that goes. So

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<v Speaker 4>remind me Ruby two point zero. We'll call her. She's

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<v Speaker 4>fourteen weeks. Yeah, okay, I'm a big proponent.

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<v Speaker 5>Of the crate.

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<v Speaker 6>Okay, it is.

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<v Speaker 4>Yeah, it is soul sucking for someone like me who

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<v Speaker 4>is a dog mom.

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<v Speaker 5>I like, live for my dogs.

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<v Speaker 4>I feel like I'm torturing them, especially puppies when you

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<v Speaker 4>put them in the crate and they cry. I mean,

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<v Speaker 4>it's just like the worst thing in the world. But

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<v Speaker 4>it is going to set you up for success. Tell me, okay,

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<v Speaker 4>tell me why, and then how do you do the crate?

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<v Speaker 4>So you want to make sure you get to create

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<v Speaker 4>a The size is super important. We want to get

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<v Speaker 4>to create that isn't too big. We want it to

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<v Speaker 4>be big enough where she can get in it, move

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<v Speaker 4>in a circle, kind of lay down and get subtled,

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<v Speaker 4>but not big enough that she can go to one

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<v Speaker 4>side of the crate and pee and poop and then

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<v Speaker 4>skidad all over to the other side.

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<v Speaker 6>Okay, So she has to be like just enough.

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<v Speaker 4>To correct, like somewhat confined, but not big enough for

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<v Speaker 4>her to run around in it. So size is really important.

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<v Speaker 4>I think it's nice to have like the metal wire

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<v Speaker 4>ones where they can see out, and then at night,

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<v Speaker 4>if she's in her crate, which she should be, you

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<v Speaker 4>could throw a blanket over it. That way, it's nice

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<v Speaker 4>and dark and it is far and away our best

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<v Speaker 4>tool for potty trading. Can they make it through the

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<v Speaker 4>whole night at fourteen weeks? The kind of rule of

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<v Speaker 4>thumb is for every month they are plus one, that's

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<v Speaker 4>how many hours they can hold it through the day.

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<v Speaker 4>Usually by this time around fourteen weeks, some of them

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<v Speaker 4>can hold it overnight. But you probably are looking at

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<v Speaker 4>getting up once in the early morning to take her

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<v Speaker 4>out to go potty.

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<v Speaker 6>And will she like cry?

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<v Speaker 4>You think she Once she gets great trained, she'll probably

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<v Speaker 4>whine to let you know she needs to go out.

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<v Speaker 4>There's some puppies that are gonna whine because they just

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<v Speaker 4>want to be with you. But it's almost like a

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<v Speaker 4>baby where you start to understand, like are you crying

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<v Speaker 4>because you want my attention? Are you crying because you

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<v Speaker 4>need to go potty? But you're I mean fourteen weeks. Gosh,

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<v Speaker 4>you've only got another like three or four weeks. And

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<v Speaker 4>she'll be able to hold it through the.

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<v Speaker 6>Evening well just because she is sleeping in the bed.

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<v Speaker 6>I have noticed.

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<v Speaker 4>I took her out like at eleven last night, and

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<v Speaker 4>she did make it till like six this morning. Okay,

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<v Speaker 4>that's great. So now we know that she can hold it,

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<v Speaker 4>so this is perfect. So yeah, I would doing it

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<v Speaker 4>all wrong, That's okay, that's okay. So create is so important.

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<v Speaker 4>I tell owners potty training is on us. If they

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<v Speaker 4>have an accident in the house. We don't necessarily want

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<v Speaker 4>to punish them because we aren't necessarily doing our job.

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<v Speaker 4>And it's very kind of saying it, saying you messed up. Yeah, yeah,

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<v Speaker 4>I don't. I'm not gonna say you messed up, but

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<v Speaker 4>want that so during the day they need to go out.

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<v Speaker 4>It feels like one hundred times.

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<v Speaker 6>All the time.

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<v Speaker 4>Okay, so how often do we need That's like huge,

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<v Speaker 4>It's like every thirty minutes you gotta take them out,

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<v Speaker 4>or what is every time after they eat, after they drink,

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<v Speaker 4>after they wake up from a nap, after they're done playing.

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<v Speaker 5>I mean it is like constant.

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<v Speaker 4>Do you say, like, go potty, go body, I sady, yep,

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<v Speaker 4>go potty, give them the chance to go. I Also,

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<v Speaker 4>I am really big on if you are going to

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<v Speaker 4>peepad train, no stick with pea pads for all of

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<v Speaker 4>you out there that are ppad training. Worst, if you're

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<v Speaker 4>not going to peepad train, like long term, you want

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<v Speaker 4>them to go outside, do not start peap pads at all.

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<v Speaker 6>Oh be really confusing for the peapads or the visit

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<v Speaker 6>the bane, the veine of my existence.

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<v Speaker 4>The bane of my existence got me both. Yeah, because

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<v Speaker 4>they just don't quite get the peapad. They'll put their

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<v Speaker 4>front paws on it and they're pee on the carpet.

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<v Speaker 4>I mean, yeah, congratulations to people doing well with peapads.

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<v Speaker 7>I never have And.

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<v Speaker 4>There's a lot of like little dogs and high rises

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<v Speaker 4>that do great in the right right. But when we're

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<v Speaker 4>potty training some people be like, well, I'm using peapads

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<v Speaker 4>for now, and then I want them to go on

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<v Speaker 4>the grass, and that just is really difficult. So so

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<v Speaker 4>go outside, go to the same spot and the same spot. Yep.

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<v Speaker 4>Make it really consistent, really can really routine, same spot,

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<v Speaker 4>and then I find a really high reward treat that

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<v Speaker 4>they love. I had one dog that was so hard

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<v Speaker 4>to potty train that I got turkey hot dogs and

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<v Speaker 4>I slice them into tiny pieces and the only time

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<v Speaker 4>she got a piece of a turkey hot dog is

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<v Speaker 4>when she went potty outside like she was supposed to.

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<v Speaker 4>And that just kind of helps them. It helps it click.

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<v Speaker 4>So you say, good potty, here's your treat, like right then,

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<v Speaker 4>right then and there, so you have it with you

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<v Speaker 4>when you take them outside.

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<v Speaker 5>You want to have treats in your pockets at all

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<v Speaker 5>times when you have a puppy. So okay, okay, go out

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<v Speaker 5>with your turkey hot dogs.

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<v Speaker 4>As soon as soon as she goes, give her a

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<v Speaker 4>little bit, tell her she did a great job. And

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<v Speaker 4>then you go right back inside, and you want to

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<v Speaker 4>make it like, hey, you did an awesome job. Like

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<v Speaker 4>your neighbors are going to think you're insane, but you know,

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<v Speaker 4>lots of reward.

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<v Speaker 6>Okay, yeah, okay, okay, okay.

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<v Speaker 4>So so put in their credit at night right when

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<v Speaker 4>you wake up, take her outside with the treat, have

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<v Speaker 4>it ready, yep? Then feeder, then feeder, and then right

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<v Speaker 4>back out to go potty again.

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<v Speaker 6>And how long do you wait after they eat? I

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<v Speaker 6>typically will go.

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<v Speaker 5>Right after they eat.

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<v Speaker 4>It takes her a lot of poop, and like I'll

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<v Speaker 4>take her out and then she'll pee, and then we'll

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<v Speaker 4>hang out there for a while and then she just

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<v Speaker 4>woll poop and then she'll come in and poop inside

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<v Speaker 4>that what is that? That is just her being young

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<v Speaker 4>and not getting it yet, So just stick with it.

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<v Speaker 4>Once she goes potty, I would only give her like

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<v Speaker 4>a minute or two to go poop. If she's not

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<v Speaker 4>going to do her business, then it's back inside because

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<v Speaker 4>they can get kind of distracted a butterfly, you know,

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<v Speaker 4>and they're like pooop, yeah exactly, So back inside, give

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<v Speaker 4>them a few minutes, and then you can go back

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<v Speaker 4>out again and give it another shot. And then during

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<v Speaker 4>the day when you were not directly supervising her in

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<v Speaker 4>the crate. In the crate, I know it's it's soul sucking.

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<v Speaker 5>I'm telling we just let her when we leave, we

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<v Speaker 5>just leave her in the house. Oh Lord and Almighty.

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<v Speaker 4>That I feel about that, doctor, I don't feel great

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<v Speaker 4>about that. I mean, I suppose in some puppies it works,

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<v Speaker 4>but in ninety nine percent of them, it's a recipe

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<v Speaker 4>for ruby og.

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<v Speaker 6>Okay, okay.

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<v Speaker 4>So as soon as I leave here, I need to

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<v Speaker 4>go get a crate. Yes, definitely, you can on Amazon.

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<v Speaker 4>You can get them at any pet store. Get a

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<v Speaker 4>create immediately, yep, get it create immediately.

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<v Speaker 5>And the crate.

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<v Speaker 4>That's a whole other thing is we want it to

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<v Speaker 4>be a place that they want to go.

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<v Speaker 6>How do you make it that?

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<v Speaker 5>So I throw a.

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<v Speaker 4>Little blanky in there, not not too much stuff, but

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<v Speaker 4>I'll blanket if you want to put one of your

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<v Speaker 4>t shirts in there that smells like you.

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<v Speaker 5>Throw it in a room.

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<v Speaker 4>Where you guys are often in, typically like a living room.

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<v Speaker 4>Leave the door open. That way, she can kind of

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<v Speaker 4>come and go as she pleases. Lots of positive reinforcement,

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<v Speaker 4>so treats when she goes into her crate. Some people

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<v Speaker 4>will like even feed them there. If they're food motivated,

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<v Speaker 4>they'll feed them their meals in the crate, so they

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<v Speaker 4>just we want to associate the crate with positivity. We

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<v Speaker 4>don't ever really want to use it as punishment, like, oh,

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<v Speaker 4>you Pete in the house, I'm going to put you

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<v Speaker 4>in your crate.

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<v Speaker 5>We do not want to do that.

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<v Speaker 6>Oh that's good advice.

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<v Speaker 4>And if you don't have a Kong, I would get

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<v Speaker 4>a cong. Those are like those rubber volcano looking toys.

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<v Speaker 6>Put that in the crate.

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<v Speaker 4>I typically put like a little tablespoon of peanut butter,

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<v Speaker 4>throw it in the freezer. And then when you put

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<v Speaker 4>her in her crate and you're leaving to like run

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<v Speaker 4>an errand it's like, Hey, I'm going on my crea.

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<v Speaker 5>This is not the end of the world because.

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<v Speaker 6>I have a cong.

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<v Speaker 5>I have an amazing peanut butter filled kong.

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<v Speaker 2>The first songs you learned was it for me? It

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<v Speaker 2>was a lot of classic rock stuff. And I'm not

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<v Speaker 2>the player that you are, but I remember just.

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<v Speaker 1>What I what I would learn.

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<v Speaker 2>I would learned like Metallica stuff, because some of that

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<v Speaker 2>stuff was easy. I'd learn like some using like tab.

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<v Speaker 2>I would learn like some.

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<v Speaker 1>Guitar times.

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<v Speaker 2>Yeah, I don't even use tab anymore. But at the beginning,

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<v Speaker 2>it was really good for me to learn, you know,

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<v Speaker 2>six three. But what what was that for you? What

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<v Speaker 2>did you want to learn? What did you learn first?

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<v Speaker 8>I can't read music at all, period whatsoever. I don't

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<v Speaker 8>read a chart. I hardly know the Nashville skills here,

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<v Speaker 8>Like I know enough to understand what they're talking about,

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<v Speaker 8>but I don't. I've never been able to. It doesn't

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<v Speaker 8>translate with me. So it's all about ear. That being said,

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<v Speaker 8>the first things that I kind of learned when I

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<v Speaker 8>started playing guitar, I mean, simple Man, Smoke on the Water.

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<v Speaker 1>Those are all like dittymoke on the Water.

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<v Speaker 4>Army.

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<v Speaker 8>Yeah, yeah, But like when you talk about getting into

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<v Speaker 8>like ultimate guitar tabs and like all that kind of stuff.

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<v Speaker 8>Like the first ones that I remember putting together all

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<v Speaker 8>the way through were Drake White songs. Probably the first

0:09:24.040 --> 0:09:26.560
<v Speaker 8>ever was probably a simple Man letter Skinnered. That was

0:09:26.720 --> 0:09:29.040
<v Speaker 8>probably the first one, top to bottom that I learned

0:09:29.080 --> 0:09:29.680
<v Speaker 8>all the way through.

0:09:29.760 --> 0:09:31.960
<v Speaker 1>How long until you could actually sing and play?

0:09:32.240 --> 0:09:37.560
<v Speaker 8>Oh god, it took a while, man, it was, you know.

0:09:37.840 --> 0:09:40.120
<v Speaker 1>And I'm not the I'm not I'm.

0:09:40.000 --> 0:09:41.720
<v Speaker 8>Still not the player that I want to be when

0:09:41.720 --> 0:09:43.920
<v Speaker 8>it comes to this hand, you know, or this one,

0:09:44.200 --> 0:09:48.640
<v Speaker 8>you know. But it took a while, and my timing

0:09:48.760 --> 0:09:52.080
<v Speaker 8>used to be so weird, so weird, man.

0:09:55.160 --> 0:09:57.719
<v Speaker 2>What about because it haven't you know, we get to

0:09:57.800 --> 0:09:59.079
<v Speaker 2>know you a little bit over the past couple of

0:09:59.160 --> 0:10:01.600
<v Speaker 2>years the time that we spent together. You're not a

0:10:01.640 --> 0:10:05.880
<v Speaker 2>guy it's gonna walk into a room and just demand everybody's.

0:10:05.520 --> 0:10:08.400
<v Speaker 1>Attention when everybody's just hang around talking. You don't say

0:10:08.440 --> 0:10:08.800
<v Speaker 1>a lot.

0:10:09.360 --> 0:10:10.840
<v Speaker 2>You have a big presence because you're a big guy,

0:10:10.880 --> 0:10:13.040
<v Speaker 2>and you definitely dress like you're gonna murder someone if

0:10:13.040 --> 0:10:17.959
<v Speaker 2>they cross you. However, I would not, just by knowing

0:10:18.080 --> 0:10:20.280
<v Speaker 2>you as a person, think well, this is a guy

0:10:20.320 --> 0:10:24.199
<v Speaker 2>that wants to get on stage and sing or talk

0:10:24.320 --> 0:10:27.400
<v Speaker 2>or entertain in any way whatsoever. Now did you have

0:10:27.480 --> 0:10:30.640
<v Speaker 2>the same demeanor younger? And was your dad and your

0:10:30.679 --> 0:10:31.319
<v Speaker 2>family like.

0:10:31.760 --> 0:10:32.720
<v Speaker 3>You want to do what?

0:10:34.040 --> 0:10:36.920
<v Speaker 8>My dad never wanted us to lay brick and block,

0:10:37.040 --> 0:10:42.640
<v Speaker 8>So anything other than that was very welcome in our family. Now,

0:10:42.679 --> 0:10:45.000
<v Speaker 8>my siblings have taken over the family business and they're

0:10:45.000 --> 0:10:46.960
<v Speaker 8>doing that, you know. But they all went out and

0:10:47.000 --> 0:10:49.360
<v Speaker 8>had their time in the world and chase their dreams

0:10:49.400 --> 0:10:52.520
<v Speaker 8>and they've come home and you know, all that stuff.

0:10:53.400 --> 0:10:55.840
<v Speaker 8>But no, he wanted anything other than what he was doing.

0:10:55.960 --> 0:10:58.000
<v Speaker 2>He had to be so surprised though, and maybe he wasn't,

0:10:58.000 --> 0:11:01.319
<v Speaker 2>but that you wanted to go entertain people, because again,

0:11:01.640 --> 0:11:04.040
<v Speaker 2>if you meet you, you don't think, well, he wants

0:11:04.040 --> 0:11:05.600
<v Speaker 2>to get on stage and just rock people's face off.

0:11:05.600 --> 0:11:06.480
<v Speaker 1>You're like, that guy's.

0:11:06.280 --> 0:11:08.439
<v Speaker 2>Probably I don't know what kind of mobb he's in,

0:11:09.400 --> 0:11:13.880
<v Speaker 2>what kind of cattle he's trading, who knows, But you know,

0:11:13.920 --> 0:11:16.920
<v Speaker 2>your personality on stage is large. Your personality here it's

0:11:17.880 --> 0:11:22.320
<v Speaker 2>very compact. Your demeanor is very straightforward. People can hear

0:11:22.360 --> 0:11:24.520
<v Speaker 2>that I used to be scared of you, not anymore,

0:11:24.840 --> 0:11:26.400
<v Speaker 2>but he's scared of you when I first met you

0:11:26.440 --> 0:11:28.560
<v Speaker 2>because I was like this, dude, he hates my guts,

0:11:29.600 --> 0:11:32.320
<v Speaker 2>but I would compare like you, and I'm friends with

0:11:32.400 --> 0:11:36.960
<v Speaker 2>Kane Brown. I thought Kine hated me because Kine doesn't

0:11:37.000 --> 0:11:40.240
<v Speaker 2>say a whole lot, no, no man, a few words. Yeah,

0:11:40.600 --> 0:11:42.880
<v Speaker 2>Now that I know Kane and love Kane like, that's

0:11:42.880 --> 0:11:44.480
<v Speaker 2>one of the things I love about him. It's like

0:11:44.600 --> 0:11:46.520
<v Speaker 2>he's still who he is off stage, but then when

0:11:46.520 --> 0:11:49.160
<v Speaker 2>he gets on stage he puts it on again. Were

0:11:49.160 --> 0:11:50.920
<v Speaker 2>they surprised that you wanted to get on stage and

0:11:50.920 --> 0:11:51.320
<v Speaker 2>put it on.

0:11:52.520 --> 0:11:55.200
<v Speaker 8>It definitely took some time to grow on my mom.

0:11:56.360 --> 0:12:01.240
<v Speaker 8>She didn't quite understand. She didn't quite not fathom it

0:12:01.480 --> 0:12:04.880
<v Speaker 8>at first, but she was like, I don't know, honey,

0:12:05.080 --> 0:12:07.800
<v Speaker 8>you know, I don't know. And I'm also talk about

0:12:07.840 --> 0:12:10.080
<v Speaker 8>two and a half three years before she was like, okay,

0:12:10.280 --> 0:12:10.679
<v Speaker 8>let's go.

0:12:11.120 --> 0:12:12.599
<v Speaker 2>It's also got to be weird too, because where I

0:12:12.640 --> 0:12:16.360
<v Speaker 2>come from, nobody did anything in the art community because

0:12:16.360 --> 0:12:18.920
<v Speaker 2>they worked at the mill. Like they worked at the mill,

0:12:19.080 --> 0:12:21.920
<v Speaker 2>or they had a job, you know, just because where

0:12:21.960 --> 0:12:23.760
<v Speaker 2>you and I both come from, it's not like people

0:12:23.800 --> 0:12:27.440
<v Speaker 2>move off and are, for my case, work on radio

0:12:27.440 --> 0:12:29.360
<v Speaker 2>and TV or your case, they don't move off and

0:12:29.400 --> 0:12:32.040
<v Speaker 2>become country stars. So it's not the people say you

0:12:32.080 --> 0:12:34.320
<v Speaker 2>can't do it, but they don't know that you can

0:12:34.360 --> 0:12:36.520
<v Speaker 2>because no one else really does it around.

0:12:36.320 --> 0:12:39.160
<v Speaker 8>Yeah, and the only the only people that the only

0:12:39.200 --> 0:12:44.200
<v Speaker 8>references we had from around home, you know, coming from construction,

0:12:44.240 --> 0:12:47.280
<v Speaker 8>we don't know the music industry, right. The only references

0:12:47.320 --> 0:12:51.520
<v Speaker 8>we had were brothers Osbourne and Nuggie Rose. You know

0:12:51.600 --> 0:12:56.839
<v Speaker 8>they Maggie's from Mechanicsville and the brothers are from literally

0:12:56.960 --> 0:13:01.520
<v Speaker 8>twenty used to life fires the same place as they did.

0:13:01.440 --> 0:13:04.840
<v Speaker 2>Yeah, you know that hasful though, to see those guys

0:13:04.840 --> 0:13:07.920
<v Speaker 2>and see that they were doing it, and it because again,

0:13:07.960 --> 0:13:08.319
<v Speaker 2>there is.

0:13:08.280 --> 0:13:12.360
<v Speaker 1>Normal I know their parents. There is normal and blue collar.

0:13:13.280 --> 0:13:16.240
<v Speaker 8>And there's like two hundred and fifty of them of them,

0:13:16.400 --> 0:13:20.400
<v Speaker 8>of the of the OSBA. It's it's nuts, man, It's

0:13:20.440 --> 0:13:25.240
<v Speaker 8>it's nuts. I've met fifteen uncles of theirs.

0:13:25.520 --> 0:13:27.440
<v Speaker 6>They They've been.

0:13:27.240 --> 0:13:31.400
<v Speaker 8>Really good to us over the last couple of years.

0:13:32.200 --> 0:13:35.600
<v Speaker 8>The first big ass show that we did was Delaware

0:13:35.640 --> 0:13:38.560
<v Speaker 8>State Fair with them, and I remember choking so bad.

0:13:38.600 --> 0:13:40.280
<v Speaker 1>I choked on Hallelujah.

0:13:40.760 --> 0:13:43.560
<v Speaker 8>On Ryan Bingham's Hallelujah, I've been playing the song for

0:13:43.600 --> 0:13:46.320
<v Speaker 8>three years and just too much happening in my brain

0:13:46.480 --> 0:13:48.959
<v Speaker 8>and just completely choked on it. But that was the

0:13:49.000 --> 0:13:50.600
<v Speaker 8>biggest show that we had done to that date, and

0:13:50.679 --> 0:13:53.240
<v Speaker 8>they were so good to us and have.

0:13:53.440 --> 0:13:54.880
<v Speaker 1>And have continued to be.

0:13:55.280 --> 0:13:59.960
<v Speaker 8>But there they were the only they were the only

0:14:00.000 --> 0:14:03.040
<v Speaker 8>even close to us that we were like, that's dope,

0:14:04.040 --> 0:14:04.600
<v Speaker 8>you know what I mean?

0:14:04.880 --> 0:14:06.600
<v Speaker 1>Like and humans like us can do that?

0:14:07.640 --> 0:14:11.200
<v Speaker 2>Yeah, because that I mean, I think representation, regardless of

0:14:11.240 --> 0:14:14.679
<v Speaker 2>what it is, you were kind of being represented by

0:14:14.679 --> 0:14:18.199
<v Speaker 2>somebody showing that if you want to do it, and

0:14:18.200 --> 0:14:19.000
<v Speaker 2>you're good enough to do it, and you.

0:14:19.000 --> 0:14:19.800
<v Speaker 1>Work hard enough to do it.

0:14:19.800 --> 0:14:48.880
<v Speaker 9>It actually can be done personally.

0:14:50.880 --> 0:14:51.640
<v Speaker 10>Visuals than.

0:14:54.200 --> 0:14:58.280
<v Speaker 11>This episode is all about careers and finding happiness within success.

0:14:58.600 --> 0:15:00.520
<v Speaker 6>I have on Ashley Stall, who is a.

0:15:00.520 --> 0:15:03.800
<v Speaker 11>Career coach with years of experience, talking about the best

0:15:03.840 --> 0:15:06.640
<v Speaker 11>way to discover your direction in life and how to

0:15:06.680 --> 0:15:10.080
<v Speaker 11>find fulfillment in a career. Then Melissa Schleichner joins me.

0:15:10.280 --> 0:15:13.480
<v Speaker 11>She's a celebrity makeup and hairstylist, most known for her

0:15:13.520 --> 0:15:16.600
<v Speaker 11>salon Parlor three in Nashville. And of course we're being

0:15:16.800 --> 0:15:20.240
<v Speaker 11>Carrie Underwood's full time hair and makeup stylist for over

0:15:20.280 --> 0:15:32.000
<v Speaker 11>seventeen years. Making the leap to a new job can

0:15:32.040 --> 0:15:36.400
<v Speaker 11>also be super scary. How can one know or feel

0:15:36.560 --> 0:15:39.840
<v Speaker 11>that they're making the right move for themselves, because that's

0:15:39.880 --> 0:15:41.400
<v Speaker 11>a really terrifying place to be.

0:15:41.520 --> 0:15:41.720
<v Speaker 12>You know.

0:15:41.760 --> 0:15:43.960
<v Speaker 13>I think that life is really an experiment and you

0:15:44.040 --> 0:15:46.080
<v Speaker 13>need to be willing to take what you know and

0:15:46.120 --> 0:15:49.080
<v Speaker 13>with the best of your knowledge, move forward. Fulfilling and

0:15:49.200 --> 0:15:53.000
<v Speaker 13>successful career really has three lily pads, is what I've found.

0:15:53.040 --> 0:15:55.240
<v Speaker 13>The first lily pad is kind of what the majority

0:15:55.240 --> 0:15:57.960
<v Speaker 13>of the workforce unfortunately chooses to be in, which is

0:15:58.120 --> 0:16:00.680
<v Speaker 13>they're fine, and they're fine with being fine, and maybe

0:16:00.680 --> 0:16:02.640
<v Speaker 13>they don't love what they do, they like it enough

0:16:02.880 --> 0:16:04.880
<v Speaker 13>or it pays the bills and they stay there. There's

0:16:04.880 --> 0:16:08.120
<v Speaker 13>a certain population that swims from lily pad one to

0:16:08.200 --> 0:16:10.600
<v Speaker 13>lily Pad two, which is where my work really is

0:16:10.640 --> 0:16:12.800
<v Speaker 13>geared to take people. That's about really figuring out where

0:16:12.800 --> 0:16:15.120
<v Speaker 13>you're a gifted and where your talents are. So if

0:16:15.120 --> 0:16:18.120
<v Speaker 13>you're willing to swim from being fine to really finding

0:16:18.120 --> 0:16:20.920
<v Speaker 13>your gifts, you need to go through an unknown and

0:16:20.960 --> 0:16:25.040
<v Speaker 13>an experimental period. Clarity comes from engagement. It's never going

0:16:25.120 --> 0:16:27.560
<v Speaker 13>to just come from thinking. You can't think. It's like

0:16:27.720 --> 0:16:30.200
<v Speaker 13>rocking in a rocking chair, just thinking and ending up

0:16:30.240 --> 0:16:33.640
<v Speaker 13>in the same place. Ultimately, a certain level of thinking

0:16:33.800 --> 0:16:36.600
<v Speaker 13>got you to where you are, And as Albert Einstein

0:16:36.720 --> 0:16:39.320
<v Speaker 13>has set in many of his quotables, you need to

0:16:39.360 --> 0:16:42.480
<v Speaker 13>do something new to get somewhere new. That comes down

0:16:42.520 --> 0:16:45.080
<v Speaker 13>to experimenting. So in order to get to that second

0:16:45.080 --> 0:16:47.280
<v Speaker 13>lily pad, there comes a point where you need to

0:16:47.320 --> 0:16:50.040
<v Speaker 13>say this feels like it's aligned with my core skill

0:16:50.080 --> 0:16:52.920
<v Speaker 13>set and really understand your core skill set is a

0:16:53.000 --> 0:16:56.560
<v Speaker 13>huge umbrella with many different options beneath it and many

0:16:56.560 --> 0:16:58.920
<v Speaker 13>different ways of expressing yourself beneath it.

0:16:58.960 --> 0:16:59.960
<v Speaker 6>And once you lock.

0:16:59.840 --> 0:17:03.080
<v Speaker 13>In to a role that's using your gifts, people notice

0:17:03.120 --> 0:17:07.000
<v Speaker 13>your magic because it's actually rare, unfortunately, to see someone

0:17:07.040 --> 0:17:09.960
<v Speaker 13>in a role where they're really aligned with their skills.

0:17:10.080 --> 0:17:11.600
<v Speaker 7>And you know it, if you think about.

0:17:11.320 --> 0:17:13.240
<v Speaker 13>Your work right now or your team right now, you

0:17:13.359 --> 0:17:15.840
<v Speaker 13>know there's one person that comes to mind where they're

0:17:15.880 --> 0:17:18.960
<v Speaker 13>really shining because they're locked in with their skill set

0:17:19.000 --> 0:17:21.080
<v Speaker 13>and people always want to get and that's the thing.

0:17:21.119 --> 0:17:23.639
<v Speaker 13>A lot of research shows that the most talented and

0:17:23.760 --> 0:17:26.280
<v Speaker 13>high impact person is the most burnt out person because

0:17:26.280 --> 0:17:28.359
<v Speaker 13>people see how gifted they are and they want to

0:17:28.400 --> 0:17:30.200
<v Speaker 13>give them more work because they can trust them to

0:17:30.240 --> 0:17:31.959
<v Speaker 13>get it done with a lot of shine on it.

0:17:32.160 --> 0:17:35.040
<v Speaker 13>And so I think going into that experimental period, trying

0:17:35.119 --> 0:17:37.640
<v Speaker 13>things on that gets you onto that second lily pad

0:17:37.680 --> 0:17:40.000
<v Speaker 13>where you're working in your zone of genius, and from

0:17:40.119 --> 0:17:43.600
<v Speaker 13>there life becomes a game of opportunities. You start to

0:17:43.680 --> 0:17:46.800
<v Speaker 13>sift between your yeses and your nose because once people

0:17:46.840 --> 0:17:49.480
<v Speaker 13>start to see someone really talented, they start to ask

0:17:49.520 --> 0:17:52.359
<v Speaker 13>them and offer them different opportunities. And the thing with

0:17:52.440 --> 0:17:55.119
<v Speaker 13>opportunities is that they can be a very high form

0:17:55.240 --> 0:17:58.679
<v Speaker 13>of distraction, because sometimes opportunities are a yes for you,

0:17:58.760 --> 0:18:01.040
<v Speaker 13>other times they're just distracted you and they're not actually

0:18:01.119 --> 0:18:03.200
<v Speaker 13>what you're meant for. So your job, when you get

0:18:03.200 --> 0:18:05.800
<v Speaker 13>to that second lily pad and you finally have experimented

0:18:05.920 --> 0:18:08.479
<v Speaker 13>enough to land in a role that's really using your

0:18:08.520 --> 0:18:10.960
<v Speaker 13>skills and showing your gifts and you're shining, is to

0:18:10.960 --> 0:18:13.240
<v Speaker 13>be able to say yes to the right things for you,

0:18:13.359 --> 0:18:16.200
<v Speaker 13>be a little more discerning about who you really are,

0:18:16.359 --> 0:18:18.920
<v Speaker 13>what your values are, what your skills are, and how

0:18:18.960 --> 0:18:21.080
<v Speaker 13>you want to be growing. And once you find that

0:18:21.200 --> 0:18:24.520
<v Speaker 13>right opportunity, you have an opportunity to swim over to

0:18:24.560 --> 0:18:27.200
<v Speaker 13>the third lily pad, and not everybody makes it there.

0:18:27.359 --> 0:18:29.240
<v Speaker 13>I believe that that lily pad is kind of what

0:18:29.280 --> 0:18:32.560
<v Speaker 13>they would call your dharma you're calling, and I've only

0:18:32.600 --> 0:18:34.760
<v Speaker 13>been there once in my career. When I was writing

0:18:34.760 --> 0:18:37.280
<v Speaker 13>my book, it felt like time didn't exist. Words were

0:18:37.320 --> 0:18:39.480
<v Speaker 13>just flying through my fingers as I was typing for

0:18:39.560 --> 0:18:42.800
<v Speaker 13>deadlines with my publisher. It was like this magical experience

0:18:42.840 --> 0:18:45.679
<v Speaker 13>that was beyond me and it felt like soul work.

0:18:45.840 --> 0:18:48.240
<v Speaker 13>And I think a fulfilling life doesn't have to get

0:18:48.240 --> 0:18:50.840
<v Speaker 13>you to that part where you're really doing your dharma.

0:18:50.960 --> 0:18:53.119
<v Speaker 13>But I wish for everyone to at least have an

0:18:53.160 --> 0:18:56.520
<v Speaker 13>opportunity to access that human experience. And I would say,

0:18:56.520 --> 0:18:59.120
<v Speaker 13>you really can't get there unless you're willing to experiment,

0:18:59.280 --> 0:19:02.280
<v Speaker 13>to engage, to try on different things. And it doesn't

0:19:02.320 --> 0:19:04.760
<v Speaker 13>mean you need to be reckless, you need to be thoughtful.

0:19:13.080 --> 0:19:15.800
<v Speaker 11>What was that first connection that happened for you? I

0:19:15.920 --> 0:19:18.719
<v Speaker 11>listed so many of the country music starts you were

0:19:18.760 --> 0:19:21.040
<v Speaker 11>working with. When did that begin and what did that

0:19:21.080 --> 0:19:23.160
<v Speaker 11>look like to even get your foot in that door?

0:19:23.480 --> 0:19:26.439
<v Speaker 14>So it started there was another makeup artist, Melanie. There

0:19:26.480 --> 0:19:29.080
<v Speaker 14>was not very many makeup artists when I was started

0:19:29.200 --> 0:19:32.280
<v Speaker 14>for the celebrities, and there was a girl named Melanie

0:19:32.320 --> 0:19:34.639
<v Speaker 14>Shelley and I was kind of her assistant, and I

0:19:34.640 --> 0:19:37.520
<v Speaker 14>would do people when she couldn't do it, and she

0:19:37.720 --> 0:19:40.440
<v Speaker 14>was just amazing. She was working with the Dixie Chicks,

0:19:40.440 --> 0:19:42.520
<v Speaker 14>Alan Jackson, Lena Womack, all these different people.

0:19:42.640 --> 0:19:44.760
<v Speaker 13>Well, she got super busy with the Dixie Chicks, so

0:19:44.840 --> 0:19:45.320
<v Speaker 13>I would.

0:19:45.160 --> 0:19:48.679
<v Speaker 14>Go do Alin Jackson for her or different people, and

0:19:48.760 --> 0:19:50.760
<v Speaker 14>you know, it just kind of evolves where it wasn't

0:19:50.800 --> 0:19:52.560
<v Speaker 14>they liked me, but she was just really busy at

0:19:52.560 --> 0:19:56.000
<v Speaker 14>the time. My first real client was Alan Jackson.

0:19:56.400 --> 0:19:59.280
<v Speaker 11>And what does that look like doing makeup for a

0:19:59.359 --> 0:20:01.720
<v Speaker 11>male artist, because a lot of people are like, oh, makeup, hair,

0:20:01.960 --> 0:20:02.919
<v Speaker 11>it's all female.

0:20:03.040 --> 0:20:06.040
<v Speaker 14>I love male grooming like it's easy, but it's also me.

0:20:06.119 --> 0:20:08.359
<v Speaker 14>You think, oh, just slap some powdery. It's not that easy.

0:20:08.359 --> 0:20:10.840
<v Speaker 14>They're going on TV. You have to make sure everything

0:20:10.880 --> 0:20:14.080
<v Speaker 14>looks great. They're brows and all the good things. But

0:20:14.320 --> 0:20:16.160
<v Speaker 14>I love male grooming so much.

0:20:16.400 --> 0:20:18.560
<v Speaker 13>How did the connection to Carrie happen?

0:20:18.960 --> 0:20:21.880
<v Speaker 14>Carrie was this girl on American Idol. I didn't watch

0:20:21.880 --> 0:20:24.760
<v Speaker 14>TV much. I was weren't busy doing my freelance stuff.

0:20:24.760 --> 0:20:27.480
<v Speaker 14>Here Alan Jackson, Leo Walmack, all these people. And my

0:20:27.680 --> 0:20:31.040
<v Speaker 14>daughter Hunter was watching American Idol when bo and Carrie

0:20:31.080 --> 0:20:33.760
<v Speaker 14>were on there she won, which my daughter was obsessed

0:20:33.760 --> 0:20:36.080
<v Speaker 14>with carry and I said, oh, Hunter, they called me

0:20:36.160 --> 0:20:38.320
<v Speaker 14>for that girl you love on American Idol for her

0:20:38.320 --> 0:20:41.360
<v Speaker 14>first Afrey debut. She's like, mom, you have to do it.

0:20:41.880 --> 0:20:44.359
<v Speaker 14>And so I had Alan Jackson that night. So I

0:20:44.400 --> 0:20:46.200
<v Speaker 14>actually was like, Okay, I can come get it ready,

0:20:46.200 --> 0:20:47.880
<v Speaker 14>but I have to leave. So I did it.

0:20:48.200 --> 0:20:49.399
<v Speaker 6>Didn't think anything about it.

0:20:49.440 --> 0:20:50.960
<v Speaker 15>I just did it for my daughter.

0:20:51.119 --> 0:20:53.920
<v Speaker 14>That was eleven years old at the time to get

0:20:53.920 --> 0:20:57.359
<v Speaker 14>an autograph. And then I think like two weeks later,

0:20:57.480 --> 0:20:58.840
<v Speaker 14>I was working with other artists. They were kind of

0:20:58.840 --> 0:21:02.199
<v Speaker 14>slowing down and called me for like thirty dates for

0:21:02.359 --> 0:21:05.480
<v Speaker 14>Carrie and I was like, oh, okay, I liked her.

0:21:05.720 --> 0:21:06.240
<v Speaker 10>She's great.

0:21:06.320 --> 0:21:07.880
<v Speaker 7>And then it just went from there.

0:21:09.160 --> 0:21:10.240
<v Speaker 3>We're gonna do it live.

0:21:11.800 --> 0:21:16.600
<v Speaker 12>Oh the one, two, three, Sore Losers.

0:21:16.760 --> 0:21:18.440
<v Speaker 3>What up, everybody? I am lunchbox.

0:21:18.480 --> 0:21:20.119
<v Speaker 16>I know the most about sports, so I'll give you

0:21:20.160 --> 0:21:24.000
<v Speaker 16>the sports facts, my sports opinions, because I'm pretty much

0:21:24.000 --> 0:21:25.879
<v Speaker 16>a sports genius, y'all.

0:21:25.920 --> 0:21:28.240
<v Speaker 12>It's Susan. I'm from the North. I'm an alpha male.

0:21:28.280 --> 0:21:30.480
<v Speaker 12>I live on the North side of Nashville with Bayser,

0:21:30.560 --> 0:21:30.880
<v Speaker 12>my wife.

0:21:30.960 --> 0:21:31.720
<v Speaker 3>We do have a farm.

0:21:31.760 --> 0:21:35.200
<v Speaker 12>It's beautiful, a lot of acreage, no animals, a lot

0:21:35.200 --> 0:21:40.400
<v Speaker 12>of crops. Hopefully soon corn pumpkins, rye. I believe maybe

0:21:40.440 --> 0:21:45.520
<v Speaker 12>a little fescue to be determined. Over to you, coach.

0:21:46.640 --> 0:21:48.840
<v Speaker 16>And here's a clip from this week's episode of The

0:21:48.840 --> 0:21:52.119
<v Speaker 16>Sore Losers. The wife and I kind of got in

0:21:52.119 --> 0:21:57.560
<v Speaker 16>a little tiff because get home with the kids, you know,

0:21:58.480 --> 0:22:01.080
<v Speaker 16>and I'm outside and I'm on the phone with Granny

0:22:01.080 --> 0:22:05.200
<v Speaker 16>and Grandpa and Toolbox and you know, hat Box. We're

0:22:05.240 --> 0:22:06.960
<v Speaker 16>just chatting away and we're I'm just hanging in the

0:22:06.960 --> 0:22:09.000
<v Speaker 16>front yard. The kids keep coming in and out. They're

0:22:09.040 --> 0:22:12.240
<v Speaker 16>talking to me, get away from the moat, and I

0:22:12.320 --> 0:22:14.959
<v Speaker 16>end up talking to my parents for like forty five minutes,

0:22:15.000 --> 0:22:16.840
<v Speaker 16>just about life, how everything's going.

0:22:17.600 --> 0:22:21.120
<v Speaker 3>Hey, dad, I never asked you what's your favorite color? No, no, don't.

0:22:21.359 --> 0:22:23.080
<v Speaker 16>I don't know what his favorite color is. Don't know

0:22:23.080 --> 0:22:25.360
<v Speaker 16>what my mom's favorite color is either, never really asked

0:22:25.400 --> 0:22:27.639
<v Speaker 16>them that. But we're just talking about other things, just talking.

0:22:28.160 --> 0:22:31.600
<v Speaker 12>Hey dad, how's your sex life.

0:22:32.480 --> 0:22:34.679
<v Speaker 16>I'd rather talk to my kid about sticking his fingers

0:22:34.680 --> 0:22:37.600
<v Speaker 16>and his butt and smelling them than know about my parents'

0:22:37.640 --> 0:22:40.400
<v Speaker 16>sex life. Do you think about that like your parents

0:22:40.440 --> 0:22:41.399
<v Speaker 16>are Hey no.

0:22:41.440 --> 0:22:43.800
<v Speaker 12>No, I mean you could think of you realize your

0:22:43.840 --> 0:22:47.000
<v Speaker 12>mind's really powerful. You could think about anything any moment

0:22:47.000 --> 0:22:49.600
<v Speaker 12>of the day. But I choose the things that I

0:22:49.640 --> 0:22:51.880
<v Speaker 12>think about. But when you look at your mom and dad,

0:22:51.960 --> 0:22:53.800
<v Speaker 12>do you think, man, they still do it. No, I

0:22:53.840 --> 0:22:56.159
<v Speaker 12>don't ever think about that because that's just a gross thought.

0:22:56.680 --> 0:22:58.920
<v Speaker 12>But I have ways of blocking stuff out of my head,

0:22:58.960 --> 0:23:01.440
<v Speaker 12>like if I do something a mistake, block from the head.

0:23:01.480 --> 0:23:04.520
<v Speaker 12>Forget about it Friday afternoon. Don't care about it, so

0:23:04.600 --> 0:23:06.440
<v Speaker 12>you can block stuff. You have that power. You need

0:23:06.480 --> 0:23:08.399
<v Speaker 12>to teach your son he has that power to not

0:23:08.440 --> 0:23:09.840
<v Speaker 12>wonder about what's in his buttthole.

0:23:10.800 --> 0:23:13.480
<v Speaker 16>I agree, I need him to block that out because

0:23:13.480 --> 0:23:15.879
<v Speaker 16>I do think about that. Like I think about like

0:23:15.920 --> 0:23:18.720
<v Speaker 16>when my father in law's around, Like does he sit

0:23:18.760 --> 0:23:22.800
<v Speaker 16>there and go, man, this dude's banging my daughter. Does

0:23:22.840 --> 0:23:24.520
<v Speaker 16>he have that thought or is that not in his

0:23:24.560 --> 0:23:25.200
<v Speaker 16>head now?

0:23:25.720 --> 0:23:28.760
<v Speaker 3>I mean I originally probably yes, but now.

0:23:28.760 --> 0:23:31.200
<v Speaker 16>Like you don't think your father in law sit there going, man,

0:23:31.200 --> 0:23:34.040
<v Speaker 16>he's going to bed with my daughter. I gots so weird,

0:23:34.200 --> 0:23:38.040
<v Speaker 16>like that is a weird concept that eventually your kid

0:23:38.440 --> 0:23:41.000
<v Speaker 16>is gonna be I don't know. That's just weird to me.

0:23:41.440 --> 0:23:43.560
<v Speaker 12>Right if you choose to think about that. But I

0:23:43.640 --> 0:23:45.920
<v Speaker 12>just don't, well, I don't choose to think about it.

0:23:45.960 --> 0:23:48.960
<v Speaker 16>Just pops in my head sometimes, like man, he thinks, oh, yeah,

0:23:49.480 --> 0:23:51.000
<v Speaker 16>he's having sex with my daughter.

0:23:51.280 --> 0:23:55.800
<v Speaker 3>Like if you ever thought about hooking on with Arnold? No,

0:23:56.359 --> 0:23:58.560
<v Speaker 3>I haven't. That's what I'm saying. You have that power

0:23:58.720 --> 0:23:59.679
<v Speaker 3>to not think about them.

0:23:59.720 --> 0:24:03.399
<v Speaker 16>Okay, okay, anyway back to my original story.

0:24:03.560 --> 0:24:04.119
<v Speaker 10>I'm sorry.

0:24:04.200 --> 0:24:07.000
<v Speaker 16>So after forty five minutes, I tell my parents, all right,

0:24:07.000 --> 0:24:08.320
<v Speaker 16>I gotta go, you know what I mean. I'm gonna

0:24:08.320 --> 0:24:10.480
<v Speaker 16>go inside hopefully, you know, maybe dinner's ready by now

0:24:10.600 --> 0:24:14.320
<v Speaker 16>or something. And I go inside and the plates are

0:24:14.320 --> 0:24:19.879
<v Speaker 16>all on the counter and I'm like what. And I

0:24:19.920 --> 0:24:22.040
<v Speaker 16>go to my wife. I said, did you guys already eat?

0:24:22.880 --> 0:24:26.719
<v Speaker 16>She goes yeah. I'm like, oh, well, why didn't you

0:24:26.880 --> 0:24:29.240
<v Speaker 16>come out and say, hey, dinner's ready? She goes, Oh,

0:24:29.280 --> 0:24:31.560
<v Speaker 16>I thought you'd be in any minute.

0:24:33.000 --> 0:24:33.760
<v Speaker 3>I said, yeah, yeah.

0:24:33.800 --> 0:24:36.600
<v Speaker 16>But when I didn't come in in a minute, you

0:24:36.640 --> 0:24:38.480
<v Speaker 16>don't think you could pop your head out and say, hey,

0:24:38.480 --> 0:24:41.119
<v Speaker 16>we're gonna eat. You want to come in and eat?

0:24:41.320 --> 0:24:44.360
<v Speaker 16>And she's like oh. I was like, you could even

0:24:44.400 --> 0:24:47.160
<v Speaker 16>texted me. You could even text me instead of walking

0:24:47.240 --> 0:24:49.359
<v Speaker 16>the ten feet to the door, you could have texted

0:24:49.400 --> 0:24:51.080
<v Speaker 16>me and said, hey, you coming inside for dinner.

0:24:51.760 --> 0:24:53.639
<v Speaker 3>Instead, you guys had dinner without me.

0:24:53.760 --> 0:24:57.520
<v Speaker 16>She's like, yeah, I mean I just thought, oh, he'll

0:24:57.560 --> 0:24:59.639
<v Speaker 16>be in a minute, and then a couple of minutes

0:24:59.680 --> 0:25:01.800
<v Speaker 16>you were so I'll say, oh, he'll be in another minute,

0:25:02.119 --> 0:25:03.800
<v Speaker 16>and next thing you know, we were done eating dinner.

0:25:04.680 --> 0:25:07.920
<v Speaker 3>Is that what led to TIFF's treats or you said,

0:25:07.960 --> 0:25:11.600
<v Speaker 3>Tiff that was a tiff, Yeah, little fight. Yeah, so

0:25:11.680 --> 0:25:14.360
<v Speaker 3>I ordered TIFF's treats right, Well, why would I order

0:25:14.400 --> 0:25:16.840
<v Speaker 3>TIFF's treats. She's the one that didn't tell me, damn,

0:25:16.840 --> 0:25:20.600
<v Speaker 3>dinner was ready? I sided with your wife. How I

0:25:20.680 --> 0:25:22.800
<v Speaker 3>have real life examples, go for it.

0:25:23.320 --> 0:25:26.920
<v Speaker 12>Baser does Uber Eats. She knows exactly when it's gonna

0:25:26.920 --> 0:25:29.120
<v Speaker 12>be delivered. When it comes and she says, hey, Uber

0:25:29.119 --> 0:25:33.720
<v Speaker 12>Eats is here, I go get Uber Eats once a month.

0:25:33.800 --> 0:25:37.600
<v Speaker 3>Guys, we don't do it regularly every week in this economy,

0:25:38.160 --> 0:25:38.480
<v Speaker 3>I know.

0:25:39.080 --> 0:25:41.119
<v Speaker 12>And so get it and I put it on the

0:25:41.119 --> 0:25:46.120
<v Speaker 12>table and I'll just start eating. And sometimes she's under

0:25:46.160 --> 0:25:49.680
<v Speaker 12>the assumption that I'm gonna bring it to her in bed.

0:25:49.440 --> 0:25:52.920
<v Speaker 12>I just you know, the food's there, so come out

0:25:52.920 --> 0:25:58.119
<v Speaker 12>and get it. Yeah, no, no, Or what if I

0:25:58.240 --> 0:26:00.520
<v Speaker 12>just go get the pizza. So there's there's like about

0:26:00.520 --> 0:26:03.000
<v Speaker 12>a two minute thing where it says it's coming down

0:26:03.000 --> 0:26:07.840
<v Speaker 12>our driveway and when I start eating, I'll just go

0:26:07.880 --> 0:26:10.000
<v Speaker 12>get it, put on the table and start eating. Do

0:26:10.119 --> 0:26:11.959
<v Speaker 12>I need to go into the bedroom and say, hey,

0:26:11.960 --> 0:26:13.280
<v Speaker 12>do you want me to bring the food too? I'll

0:26:13.320 --> 0:26:16.480
<v Speaker 12>just start eating. I'm with your wife. You don't need

0:26:16.480 --> 0:26:19.040
<v Speaker 12>to know. You knew around when the meal was gonna

0:26:19.080 --> 0:26:22.600
<v Speaker 12>be made, did I? My wife knows when when the

0:26:22.800 --> 0:26:24.679
<v Speaker 12>uber is gonna come into the table.

0:26:26.400 --> 0:26:28.920
<v Speaker 16>I get that uber eats is a set time. See, guys,

0:26:28.920 --> 0:26:32.159
<v Speaker 16>here's this thing uber eats. Were you rich people?

0:26:32.240 --> 0:26:32.400
<v Speaker 10>Well?

0:26:32.600 --> 0:26:35.399
<v Speaker 12>Because my wife can't hear the door because for whatever reason,

0:26:35.800 --> 0:26:38.200
<v Speaker 12>we had a two hundred square feet that I didn't

0:26:38.200 --> 0:26:40.560
<v Speaker 12>plan on having, so she actually can't hear the door shut,

0:26:40.680 --> 0:26:42.919
<v Speaker 12>so she doesn't know that food is on the table.

0:26:43.280 --> 0:26:46.560
<v Speaker 12>Is it my job to say dinner's here when she

0:26:46.800 --> 0:26:49.720
<v Speaker 12>knows the roundabout time that that food is gonna be

0:26:49.720 --> 0:26:51.360
<v Speaker 12>put on the table from when I went and got

0:26:51.400 --> 0:26:52.480
<v Speaker 12>it from the uber eats.

0:26:52.920 --> 0:26:55.280
<v Speaker 3>Now that I understand, I just sit down and start eating.

0:26:55.400 --> 0:26:56.920
<v Speaker 3>Just like your wife. I'm hungry.

0:26:56.960 --> 0:26:59.679
<v Speaker 16>I'm gonna agree with you on your side, but mine

0:26:59.720 --> 0:27:01.679
<v Speaker 16>is not. It's an uber eat situation where there's a

0:27:01.720 --> 0:27:03.640
<v Speaker 16>set time when on an app that tells you when

0:27:03.640 --> 0:27:05.960
<v Speaker 16>they're gonna be at your freaking door. This is my

0:27:06.040 --> 0:27:09.440
<v Speaker 16>wife is in the kitchen making some dinner, and she's

0:27:09.440 --> 0:27:12.480
<v Speaker 16>gonna put it on plates, and we're gonna eat and

0:27:12.560 --> 0:27:14.720
<v Speaker 16>if she doesn't tell me it's ready, I would never

0:27:14.960 --> 0:27:16.920
<v Speaker 16>So I'm just supposed to stand there and just watch

0:27:16.920 --> 0:27:21.639
<v Speaker 16>her until it's ready. No, say hey, dinner's ready. And

0:27:21.680 --> 0:27:25.800
<v Speaker 16>I said, you usually come outside and say hey, dinner's ready,

0:27:26.200 --> 0:27:28.400
<v Speaker 16>and she goes, yeah, but you're usually outside with the kids.

0:27:28.400 --> 0:27:31.560
<v Speaker 16>The kids weren't out there, So I'm supposed to just

0:27:31.640 --> 0:27:33.000
<v Speaker 16>magically know it's ready.

0:27:33.359 --> 0:27:35.560
<v Speaker 3>It's it's the same. It's you and Bezer the same.

0:27:35.840 --> 0:27:38.800
<v Speaker 12>Y'all should date you guys need to then check on

0:27:38.880 --> 0:27:42.320
<v Speaker 12>the knead. I don't know. It's not mine and your wife.

0:27:42.760 --> 0:27:44.800
<v Speaker 12>Me and your wife are in the same boat on

0:27:44.840 --> 0:27:47.119
<v Speaker 12>this one. It's not our job to notify you of

0:27:47.160 --> 0:27:48.879
<v Speaker 12>the meal that you already know is about to be

0:27:48.920 --> 0:27:54.119
<v Speaker 12>made in some in some five minute window, the meal's made,

0:27:54.240 --> 0:27:56.080
<v Speaker 12>come check in on it. What if you just came

0:27:56.160 --> 0:27:58.920
<v Speaker 12>and just what if you on the phone just come in? Huh,

0:27:58.960 --> 0:28:01.120
<v Speaker 12>look and see if the phone's food's made. It's your

0:28:01.200 --> 0:28:04.960
<v Speaker 12>wife's job to come notify you that the food is made.

0:28:05.440 --> 0:28:09.800
<v Speaker 3>No, No, hang out for a second. Just see if

0:28:09.880 --> 0:28:12.000
<v Speaker 3>all the food's coming in. Hey, would you bring it

0:28:12.040 --> 0:28:13.600
<v Speaker 3>in the room. All the foods here.

0:28:14.160 --> 0:28:16.400
<v Speaker 16>That's the thing dude, how do you think it would

0:28:16.400 --> 0:28:21.400
<v Speaker 16>fly over if at the Dallas Cowboys facility, catering gets

0:28:21.440 --> 0:28:23.320
<v Speaker 16>put out and they just.

0:28:23.320 --> 0:28:24.320
<v Speaker 1>Leave it out and then they leave.

0:28:25.080 --> 0:28:27.639
<v Speaker 16>You're telling me they would, and if they didn't go

0:28:27.680 --> 0:28:31.120
<v Speaker 16>down the hallway and tell Zeke and Dak and Ceedee

0:28:31.160 --> 0:28:33.720
<v Speaker 16>Lamb and Jake Ferguson, if they didn't stick their head

0:28:33.760 --> 0:28:35.840
<v Speaker 16>in the other rooms say hey, guys, food's ready, Come

0:28:35.880 --> 0:28:36.280
<v Speaker 16>and eat it.

0:28:36.480 --> 0:28:39.440
<v Speaker 3>Brandon cooks, Thanks, Brandon Cooks.

0:28:39.760 --> 0:28:40.200
<v Speaker 10>Thanks.

0:28:40.680 --> 0:28:44.080
<v Speaker 16>If you don't think there would be a problem that

0:28:44.360 --> 0:28:46.280
<v Speaker 16>the person that cooked the food didn't go down and

0:28:46.320 --> 0:28:49.600
<v Speaker 16>tell freaking Mike McCarthy, I mean you think Mike McCarthy's

0:28:49.640 --> 0:28:51.760
<v Speaker 16>gonna be okay with not eating.

0:28:52.000 --> 0:28:54.840
<v Speaker 12>No, sir, that's because it's an outside catering source, somebody

0:28:54.920 --> 0:28:58.280
<v Speaker 12>that's not related or in cahoots with the person eating

0:28:58.280 --> 0:29:01.320
<v Speaker 12>the meal. You and your wife are on such a

0:29:01.480 --> 0:29:04.720
<v Speaker 12>similar thought pattern. You guys know in Baser all of it,

0:29:05.560 --> 0:29:09.000
<v Speaker 12>there's no need for the notifications of the meal. Once

0:29:09.440 --> 0:29:12.680
<v Speaker 12>you shoot a deer fifty years ago, you started eating

0:29:12.680 --> 0:29:16.800
<v Speaker 12>the fucker. You don't go tell the caveman. Hey, guys,

0:29:16.880 --> 0:29:18.920
<v Speaker 12>I got a deer. I'm gonna cook it. No man,

0:29:19.000 --> 0:29:20.280
<v Speaker 12>you just started eating that.

0:29:38.520 --> 0:29:48.880
<v Speaker 8>Good cast up little food for yourself.

0:29:50.000 --> 0:29:50.280
<v Speaker 3>Life.

0:29:50.560 --> 0:29:54.080
<v Speaker 8>Oh it's pretty bad, It's pretty beautiful, maiful.

0:29:54.400 --> 0:29:59.680
<v Speaker 1>Laugh a little more, said he k.

0:30:00.520 --> 0:30:05.080
<v Speaker 10>Y're kicking with fulling.

0:30:03.600 --> 0:30:04.440
<v Speaker 17>With Amy Brown.

0:30:05.000 --> 0:30:08.160
<v Speaker 5>So on Monday, Kat has an episode coming out on

0:30:08.240 --> 0:30:11.040
<v Speaker 5>you Need Therapy. She has episodes every Monday and Wednesday,

0:30:11.280 --> 0:30:13.000
<v Speaker 5>and I'm going to be the guest and we're going

0:30:13.080 --> 0:30:16.240
<v Speaker 5>to be talking about my recent dating life, because when

0:30:16.240 --> 0:30:21.120
<v Speaker 5>it comes to dating, I need therapy, so a lot

0:30:21.120 --> 0:30:24.960
<v Speaker 5>of people. But if you're dating like me, it can

0:30:25.040 --> 0:30:28.320
<v Speaker 5>be a little bit confusing. It can be intimidating, especially

0:30:28.360 --> 0:30:30.600
<v Speaker 5>if you're divorced and you have kids and you're older.

0:30:30.720 --> 0:30:32.880
<v Speaker 5>And I feel like it was confusing for me in

0:30:32.920 --> 0:30:35.840
<v Speaker 5>my twenties, and you would think with the maturity, which

0:30:35.880 --> 0:30:37.520
<v Speaker 5>I would say, it's a little different. I do have

0:30:37.640 --> 0:30:39.880
<v Speaker 5>some of that, but there's still stuff that creeps in

0:30:39.920 --> 0:30:41.680
<v Speaker 5>morow like I can't believe I'm having these thoughts at

0:30:41.920 --> 0:30:45.480
<v Speaker 5>forty something that I had back when I was in

0:30:45.520 --> 0:30:48.640
<v Speaker 5>my twenties, because I'll still find myself getting a little confused.

0:30:48.640 --> 0:30:50.640
<v Speaker 5>But I guess I recover from it faster or I

0:30:50.680 --> 0:30:53.840
<v Speaker 5>have more rational thoughts pop into my head that are like, Okay,

0:30:54.040 --> 0:30:57.040
<v Speaker 5>don't overthink this, don't over analyze it doesn't mean anything.

0:30:57.080 --> 0:30:59.920
<v Speaker 5>You're building a story. But I think when meeting a guy,

0:31:00.640 --> 0:31:03.840
<v Speaker 5>if you're getting to know him, it's normal to wonder

0:31:04.200 --> 0:31:07.200
<v Speaker 5>like does he really like me? Or is this going

0:31:07.240 --> 0:31:10.280
<v Speaker 5>to be like a friend thing? And so I was

0:31:10.360 --> 0:31:14.160
<v Speaker 5>looking at various sources and came across twenty seven signs

0:31:14.720 --> 0:31:18.200
<v Speaker 5>that he likes you more than a friend, but I

0:31:18.280 --> 0:31:19.120
<v Speaker 5>pulled the top six.

0:31:19.280 --> 0:31:21.680
<v Speaker 18>Okay, I was like, that's a lot of signs.

0:31:22.240 --> 0:31:23.920
<v Speaker 5>No, we're not going to go over all twenty seven,

0:31:24.320 --> 0:31:28.640
<v Speaker 5>but I'm very curious about this first one. He displays

0:31:28.680 --> 0:31:31.959
<v Speaker 5>a healthy jealousy. From a therapist standpoint, I'm curious your

0:31:32.000 --> 0:31:34.120
<v Speaker 5>thoughts on this. If he gets a little jealous when

0:31:34.120 --> 0:31:38.600
<v Speaker 5>you mention other guys, he's probably displaying his protectiveness around you.

0:31:39.280 --> 0:31:41.240
<v Speaker 5>So is there such thing as healthy jealousy?

0:31:41.680 --> 0:31:41.960
<v Speaker 1>Yeah?

0:31:42.040 --> 0:31:46.760
<v Speaker 18>I think jealousy is oftentimes healthy and it's helpful because

0:31:46.760 --> 0:31:50.320
<v Speaker 18>when we feel jealous, it's often because we see something

0:31:50.320 --> 0:31:51.360
<v Speaker 18>that we want.

0:31:51.800 --> 0:31:53.880
<v Speaker 7>So I think that that can be true.

0:31:54.040 --> 0:31:56.080
<v Speaker 18>It's what you do with that jealousy that might be

0:31:56.640 --> 0:31:58.720
<v Speaker 18>that healthy and unhealthy thing.

0:31:59.120 --> 0:32:00.600
<v Speaker 5>Yeah, Like, how far is willing to go?

0:32:00.720 --> 0:32:01.320
<v Speaker 7>But what does he do.

0:32:01.320 --> 0:32:03.480
<v Speaker 18>Does he like blame you for cheating on him or something,

0:32:03.600 --> 0:32:05.400
<v Speaker 18>or does he go like beat this guy up, or

0:32:05.400 --> 0:32:07.920
<v Speaker 18>he ask you to like never contact that person again?

0:32:08.360 --> 0:32:11.440
<v Speaker 7>That is not great. But if he's like, oh, Brad

0:32:11.440 --> 0:32:12.760
<v Speaker 7>texted you, what did he want?

0:32:13.440 --> 0:32:15.440
<v Speaker 5>Cool? What are you going to hang out with Brad?

0:32:15.720 --> 0:32:16.760
<v Speaker 7>That's passive aggressive?

0:32:17.040 --> 0:32:19.719
<v Speaker 5>Oh but I know, but I've done that joking joke. Okay,

0:32:19.760 --> 0:32:25.040
<v Speaker 5>So I've done that jokey jokey with which maybe we'll

0:32:25.040 --> 0:32:27.960
<v Speaker 5>talk about it more on Monday. We haven't recorded that

0:32:28.000 --> 0:32:30.920
<v Speaker 5>episode yet, but you've been there and I've made a

0:32:31.000 --> 0:32:34.720
<v Speaker 5>joke joke about it's cute. Let's call her Tina. I'm like, oh,

0:32:34.840 --> 0:32:35.880
<v Speaker 5>is that what Tina like to do?

0:32:36.000 --> 0:32:38.640
<v Speaker 18>But that's flirting okay, But if you take it too far,

0:32:38.680 --> 0:32:40.000
<v Speaker 18>if you were like, why don't you just go hang

0:32:40.000 --> 0:32:40.600
<v Speaker 18>out with Tina?

0:32:41.240 --> 0:32:42.280
<v Speaker 7>That is not.

0:32:42.640 --> 0:32:47.520
<v Speaker 5>Fun Lifetime movie vibes, Yes, like who's Tina? When we've

0:32:47.520 --> 0:32:49.440
<v Speaker 5>only been out like twice and he could easily still

0:32:49.440 --> 0:32:52.640
<v Speaker 5>be dating Tina and doing it in an appropriate way

0:32:52.680 --> 0:32:56.040
<v Speaker 5>because when you're usually dating, you can be dating multiple people.

0:32:56.640 --> 0:32:58.120
<v Speaker 5>And the jealousy thing. I like that you brought that

0:32:58.200 --> 0:33:00.200
<v Speaker 5>up too, So it's outside of relationships as well, Like

0:33:00.240 --> 0:33:02.320
<v Speaker 5>you could see something you want, like you could be

0:33:02.600 --> 0:33:05.360
<v Speaker 5>jealous of a career thing, but you can use as

0:33:05.400 --> 0:33:07.600
<v Speaker 5>an indicator of like, oh, it's actually good that I'm

0:33:07.600 --> 0:33:10.400
<v Speaker 5>feeling this because it's telling me what I want and

0:33:10.440 --> 0:33:12.800
<v Speaker 5>now what do I need to do to go get

0:33:12.840 --> 0:33:14.120
<v Speaker 5>that in a healthy way?

0:33:14.600 --> 0:33:16.120
<v Speaker 7>And I don't have to hate the person that has

0:33:16.160 --> 0:33:16.800
<v Speaker 7>something I want.

0:33:17.640 --> 0:33:21.400
<v Speaker 5>Observes even the small things about you, So it says

0:33:21.440 --> 0:33:23.920
<v Speaker 5>a guy who notices small changes in your daily life

0:33:23.960 --> 0:33:26.600
<v Speaker 5>is making an effort to build a deeper connection with you.

0:33:27.280 --> 0:33:27.720
<v Speaker 7>I love it.

0:33:28.040 --> 0:33:32.120
<v Speaker 5>When I topped on my hair off, he noticed, Yeah.

0:33:31.000 --> 0:33:32.200
<v Speaker 7>So you're saying this guy likes you.

0:33:32.800 --> 0:33:35.360
<v Speaker 5>I'm just kidding. That was very obvious. My hair went

0:33:35.400 --> 0:33:37.000
<v Speaker 5>from really long to really short.

0:33:37.280 --> 0:33:40.600
<v Speaker 18>I cut five inches off of my hair and colored it,

0:33:40.680 --> 0:33:42.280
<v Speaker 18>and I came home and I just stood in the

0:33:42.360 --> 0:33:45.440
<v Speaker 18>kitchen looking at Patrick, being like flipping my hair and

0:33:45.480 --> 0:33:47.920
<v Speaker 18>being like, how's your day? And then I just like

0:33:47.960 --> 0:33:50.000
<v Speaker 18>stared at him in the eyes for like thirty seconds,

0:33:50.000 --> 0:33:51.240
<v Speaker 18>and he was like, what is wrong with you?

0:33:51.280 --> 0:33:52.480
<v Speaker 7>And I was like, Oh, I don't.

0:33:52.280 --> 0:33:54.920
<v Speaker 18>Know if anything new happened or if you notice, and

0:33:54.960 --> 0:33:57.320
<v Speaker 18>he was so confused, So then I think I probably

0:33:57.320 --> 0:33:59.480
<v Speaker 18>gave him the silent treatment for like an hour after

0:33:59.640 --> 0:34:02.120
<v Speaker 18>he didn't five inches.

0:34:02.240 --> 0:34:05.200
<v Speaker 5>Chat GPT would not agree with your reaction to that. Well,

0:34:05.320 --> 0:34:07.400
<v Speaker 5>first of all, I was tricked him into trying to

0:34:07.480 --> 0:34:09.400
<v Speaker 5>notice your hair and stood there, and then you gave

0:34:09.480 --> 0:34:12.000
<v Speaker 5>him the silent treatment. It's not effective communication, It's.

0:34:11.880 --> 0:34:14.799
<v Speaker 18>Not It was very unhealthy and I will own that.

0:34:15.000 --> 0:34:16.600
<v Speaker 18>But what do you think it says about Patrick that

0:34:16.600 --> 0:34:19.720
<v Speaker 18>he didn't notice. He's a sociopath, okay, and he doesn't

0:34:19.760 --> 0:34:19.960
<v Speaker 18>like me.

0:34:20.000 --> 0:34:24.399
<v Speaker 5>I'm just kidding. Next thing, he goes the extra mile

0:34:24.480 --> 0:34:27.800
<v Speaker 5>for you. Men will go to any extent to charm

0:34:27.840 --> 0:34:31.080
<v Speaker 5>their partners, even at the cost of their inconvenience.

0:34:31.360 --> 0:34:32.200
<v Speaker 7>I love this one.

0:34:32.440 --> 0:34:34.279
<v Speaker 5>I haven't experienced it really, Yea.

0:34:34.560 --> 0:34:36.880
<v Speaker 7>I have when you had the mold.

0:34:37.239 --> 0:34:39.520
<v Speaker 5>Oh yeah, okay, thank you for the reminder.

0:34:40.160 --> 0:34:41.880
<v Speaker 18>We're like I'd like, oh I have to make a

0:34:41.880 --> 0:34:45.160
<v Speaker 18>phone call for her, and like like that's an inconvenience,

0:34:45.320 --> 0:34:47.440
<v Speaker 18>but people do it.

0:34:47.760 --> 0:34:48.080
<v Speaker 7>Okay.

0:34:48.400 --> 0:34:50.840
<v Speaker 5>That was right when it all kind of started back.

0:34:50.880 --> 0:34:53.440
<v Speaker 7>And he was happy to be inconvenienced by you.

0:34:53.880 --> 0:34:57.160
<v Speaker 5>Okay, thank you for that. He changes his body language,

0:34:57.440 --> 0:35:00.120
<v Speaker 5>does he keep his feet towards you. Does he look

0:35:00.160 --> 0:35:03.000
<v Speaker 5>you in the eye or listen attentively when you speak?

0:35:03.239 --> 0:35:06.080
<v Speaker 5>If yes, he could be attracted to you. Does he

0:35:06.160 --> 0:35:09.480
<v Speaker 5>keep his feet towards you? That's interesting me paying attention

0:35:09.520 --> 0:35:11.440
<v Speaker 5>to feat? Does he look you in the eye? But

0:35:11.480 --> 0:35:14.920
<v Speaker 5>you and Patrick Yell are married now for what seven months?

0:35:15.000 --> 0:35:15.200
<v Speaker 10>Yeah?

0:35:15.239 --> 0:35:18.320
<v Speaker 7>Whole seven months? So probably we're past the sea towards

0:35:18.360 --> 0:35:18.719
<v Speaker 7>each other.

0:35:18.920 --> 0:35:23.000
<v Speaker 5>Stage keeps you updated. Men who see you as romantic

0:35:23.120 --> 0:35:26.360
<v Speaker 5>interest will update you about their day, send you pictures,

0:35:27.000 --> 0:35:30.880
<v Speaker 5>show curiosity to know about your day, and send wishful texts.

0:35:31.520 --> 0:35:32.200
<v Speaker 7>You're smiling.

0:35:32.440 --> 0:35:35.680
<v Speaker 5>I'm smiling because I sent a text to him yesterday

0:35:35.920 --> 0:35:38.160
<v Speaker 5>because you want to see that new Reagan movie with

0:35:38.239 --> 0:35:38.880
<v Speaker 5>Dennis Quaid.

0:35:39.120 --> 0:35:41.080
<v Speaker 7>Oh I want to see that. I know about that.

0:35:41.280 --> 0:35:42.960
<v Speaker 5>So I saw a big billboard and I was out

0:35:43.000 --> 0:35:45.759
<v Speaker 5>of light, and I took a picture of the Reagan billboard,

0:35:45.920 --> 0:35:48.520
<v Speaker 5>but in front of me was a grey Honda. And

0:35:48.920 --> 0:35:51.879
<v Speaker 5>all he replied back, he was like, you must really

0:35:51.960 --> 0:35:55.120
<v Speaker 5>like that gray Honda, because you're sending it to me.

0:35:57.000 --> 0:35:57.520
<v Speaker 3>I want this.

0:35:58.280 --> 0:36:01.560
<v Speaker 7>He knew it was the billboard. He was making a joke. Oh,

0:36:01.600 --> 0:36:02.839
<v Speaker 7>that's really funny.

0:36:02.560 --> 0:36:04.640
<v Speaker 5>And so now I said, oh, yeah, you know, every

0:36:04.640 --> 0:36:10.960
<v Speaker 5>time I see Gray Honda, they are But that was

0:36:11.200 --> 0:36:14.480
<v Speaker 5>me kind of updating him. I feel like I would

0:36:14.520 --> 0:36:17.760
<v Speaker 5>probably text way more than he does, but that's okay.

0:36:18.200 --> 0:36:20.640
<v Speaker 18>Also, the way you text in general is different, Like

0:36:21.440 --> 0:36:23.839
<v Speaker 18>you're like a text like me, which is.

0:36:24.400 --> 0:36:26.200
<v Speaker 7>We send a lot of texts in a row and

0:36:26.239 --> 0:36:28.640
<v Speaker 7>then we go M I A yeah.

0:36:28.520 --> 0:36:30.400
<v Speaker 18>And then But you don't mind like being in that

0:36:30.480 --> 0:36:32.839
<v Speaker 18>constant where like some people would rather just like, Okay,

0:36:32.840 --> 0:36:34.120
<v Speaker 18>if I have something to say, I'm going to call you,

0:36:34.360 --> 0:36:36.000
<v Speaker 18>or I don't need to talk to you all day,

0:36:36.000 --> 0:36:37.759
<v Speaker 18>I'll just call you at a certain point and catch up.

0:36:38.280 --> 0:36:40.680
<v Speaker 18>Versus I'm like, every time I take a step, I

0:36:40.719 --> 0:36:42.319
<v Speaker 18>have to tell you how far I've gotten in what

0:36:42.400 --> 0:36:44.160
<v Speaker 18>I've seen and how the clouds look different and all

0:36:44.200 --> 0:36:45.080
<v Speaker 18>that true.

0:36:45.280 --> 0:36:47.960
<v Speaker 5>The final thing he introduces you to his inner circle.

0:36:48.080 --> 0:36:51.040
<v Speaker 5>If you have met his best friends or his family,

0:36:51.719 --> 0:36:53.360
<v Speaker 5>he may just be interested in you.

0:36:54.239 --> 0:36:56.759
<v Speaker 18>That is actually a good indicator because when you are

0:36:56.960 --> 0:36:58.680
<v Speaker 18>kept he's calling shut up.

0:36:59.040 --> 0:37:03.640
<v Speaker 5>It should be recorded like through it, hold on, hold on, hold.

0:37:03.480 --> 0:37:14.440
<v Speaker 10>On, Carne.

0:37:15.440 --> 0:37:20.400
<v Speaker 12>She's a queen and talking and so she's.

0:37:20.200 --> 0:37:23.399
<v Speaker 6>Get really not afraid to fing so so just.

0:37:23.440 --> 0:37:24.040
<v Speaker 10>Let it blow.

0:37:24.560 --> 0:37:30.960
<v Speaker 17>No one can do we quiet, carlne it's sound of Caroline.

0:37:33.200 --> 0:37:35.359
<v Speaker 4>So how are you doing? You have so last time

0:37:35.360 --> 0:37:40.040
<v Speaker 4>we talked, you and John weren't married. You were maybe

0:37:40.080 --> 0:37:43.960
<v Speaker 4>not even engaged. Maybe we're engaged, just engaged or right

0:37:44.040 --> 0:37:48.200
<v Speaker 4>in the Yeah, we're definitely serious and in the engagement world.

0:37:48.280 --> 0:37:50.080
<v Speaker 6>But it was all so new.

0:37:52.160 --> 0:37:55.120
<v Speaker 4>You guys met because your mom's introduced you. Yeah, can

0:37:55.160 --> 0:37:57.239
<v Speaker 4>you just refresh that story because that one's too good?

0:37:57.320 --> 0:38:00.560
<v Speaker 15>You my actually my client and John's mom.

0:38:00.640 --> 0:38:01.160
<v Speaker 6>Do you do hair?

0:38:01.640 --> 0:38:02.359
<v Speaker 15>I did hair?

0:38:03.200 --> 0:38:04.160
<v Speaker 6>Have been tired?

0:38:04.440 --> 0:38:05.120
<v Speaker 15>Oh good for you.

0:38:05.280 --> 0:38:06.919
<v Speaker 6>Hey, you've moved on to new things.

0:38:06.960 --> 0:38:08.359
<v Speaker 15>I thought for sure I was going to be back

0:38:08.400 --> 0:38:10.640
<v Speaker 15>to hair four weeks after Presley, like I was one

0:38:10.719 --> 0:38:13.239
<v Speaker 15>hundred percent I'm going to be back, And here I

0:38:13.280 --> 0:38:14.960
<v Speaker 15>am now a year and a half later, with two

0:38:15.000 --> 0:38:19.280
<v Speaker 15>babies and still not doing hair. Hey season, But it's

0:38:19.840 --> 0:38:22.080
<v Speaker 15>I feel like at peace with it, which is really nice.

0:38:22.520 --> 0:38:25.160
<v Speaker 15>So but yeah, no, John, So my client at the time,

0:38:26.040 --> 0:38:28.719
<v Speaker 15>and John's mom. John and I both grew up in California,

0:38:28.840 --> 0:38:31.080
<v Speaker 15>like three hours apart, didn't know each other. I honestly

0:38:31.120 --> 0:38:32.640
<v Speaker 15>don't even know who he was, even though I've grown

0:38:32.680 --> 0:38:36.680
<v Speaker 15>up with country music. But they set us up because

0:38:36.719 --> 0:38:41.279
<v Speaker 15>he had had failed fail after fail of girlfriends, and

0:38:41.280 --> 0:38:43.239
<v Speaker 15>same for me with boyfriends and so.

0:38:42.920 --> 0:38:44.160
<v Speaker 6>So he was looking for a good girl.

0:38:44.200 --> 0:38:46.080
<v Speaker 15>He was looking for a good girl, looking, John, All,

0:38:47.000 --> 0:38:48.160
<v Speaker 15>you're looking for a good girl.

0:38:48.160 --> 0:38:49.520
<v Speaker 6>You were looking for a good cowboy.

0:38:49.920 --> 0:38:52.839
<v Speaker 15>I was looking for a cowboy. You really probably weren't

0:38:52.840 --> 0:38:55.080
<v Speaker 15>have lived in California, but a California cowboy.

0:38:55.120 --> 0:38:56.600
<v Speaker 6>Well, he is a California cowboy.

0:38:57.040 --> 0:38:59.920
<v Speaker 15>Yeah that those exist, but they really they do.

0:39:00.000 --> 0:39:02.000
<v Speaker 4>There's a lot of land up there in California. Yeah,

0:39:02.239 --> 0:39:04.479
<v Speaker 4>he grew up as a cowboy, like on land.

0:39:04.640 --> 0:39:06.240
<v Speaker 6>Yep, doing what.

0:39:06.160 --> 0:39:08.640
<v Speaker 15>He's All of his family and stuff has been in

0:39:09.120 --> 0:39:11.839
<v Speaker 15>different family members are in farming. They'd had like almonds

0:39:11.840 --> 0:39:15.160
<v Speaker 15>and all kinds of things up north where he's from,

0:39:15.239 --> 0:39:18.279
<v Speaker 15>like outside of sacrament now. So he always grew up

0:39:18.640 --> 0:39:20.680
<v Speaker 15>just out out living the dream.

0:39:21.000 --> 0:39:22.520
<v Speaker 4>So she'll met on a blind date. Met on a

0:39:22.520 --> 0:39:25.239
<v Speaker 4>blind date because your mom, his mom came to you.

0:39:25.560 --> 0:39:27.319
<v Speaker 4>I've so was she coming to you?

0:39:27.360 --> 0:39:31.239
<v Speaker 15>That's what you said, my client, his mom, Okay, did

0:39:31.280 --> 0:39:34.799
<v Speaker 15>their whole working magic? Gave John my number. He sat

0:39:34.840 --> 0:39:36.880
<v Speaker 15>on it for a few days. Text me because he

0:39:36.920 --> 0:39:39.560
<v Speaker 15>was actually in my hometown for a concert. I think

0:39:39.560 --> 0:39:41.719
<v Speaker 15>he was trying with Dirks at the time, but I

0:39:41.800 --> 0:39:45.759
<v Speaker 15>was in Vegas, and so the next option was to

0:39:45.840 --> 0:39:48.200
<v Speaker 15>fly out to Denver the following week to meet him,

0:39:48.200 --> 0:39:49.160
<v Speaker 15>where he had two shows.

0:39:49.160 --> 0:39:52.239
<v Speaker 4>I forgot you actually flew out to meet him on

0:39:52.320 --> 0:39:55.240
<v Speaker 4>a blind date. That's so ballsy summer, Oh my gosh.

0:39:55.320 --> 0:39:57.320
<v Speaker 15>And I took my girl friend just in case it

0:39:57.400 --> 0:39:59.239
<v Speaker 15>was a disaster. Case it was a disaster, I would

0:39:59.239 --> 0:40:02.120
<v Speaker 15>at least have a girl und daed roll strip. I

0:40:02.200 --> 0:40:05.760
<v Speaker 15>tried to cancel the flight, and that didn't happen because

0:40:05.800 --> 0:40:08.320
<v Speaker 15>it was booked by his travel agents, so I couldn't

0:40:08.320 --> 0:40:10.799
<v Speaker 15>go in and edit the flight. I tried to. I

0:40:10.880 --> 0:40:16.360
<v Speaker 15>panicked last minute, and so here we are, seven years,

0:40:16.400 --> 0:40:17.360
<v Speaker 15>I think now later.

0:40:18.000 --> 0:40:19.719
<v Speaker 6>I've got a lot of grounds in seven.

0:40:19.520 --> 0:40:20.560
<v Speaker 15>Years, twenty seventeen.

0:40:20.719 --> 0:40:21.880
<v Speaker 6>So how's how was it?

0:40:21.880 --> 0:40:22.080
<v Speaker 15>Okay?

0:40:22.120 --> 0:40:26.359
<v Speaker 4>Y'all got married? Touring NonStop, career keeps blowing up. You

0:40:26.400 --> 0:40:29.960
<v Speaker 4>are like blowing up. You're such like an incredible brand ambassador.

0:40:30.120 --> 0:40:32.360
<v Speaker 4>You have so much great advice to share with people

0:40:32.440 --> 0:40:34.360
<v Speaker 4>like I. Literally, if I need to know what I

0:40:34.440 --> 0:40:36.120
<v Speaker 4>need to have for everything in my life, you are

0:40:36.160 --> 0:40:36.520
<v Speaker 4>a go to.

0:40:37.040 --> 0:40:38.200
<v Speaker 6>You're an incredible.

0:40:37.800 --> 0:40:40.680
<v Speaker 4>Resource and you just learn. You're just such like a

0:40:40.960 --> 0:40:44.840
<v Speaker 4>wonderful energy to follow too. You're so real, you're so open,

0:40:45.239 --> 0:40:45.839
<v Speaker 4>you're just.

0:40:46.280 --> 0:40:49.000
<v Speaker 6>You're just your or your dream, your total dream summer.

0:40:49.160 --> 0:40:49.719
<v Speaker 15>Thank you, thank you.

0:40:50.000 --> 0:40:52.879
<v Speaker 4>So your life has dramatically changed though, because marrying John

0:40:52.880 --> 0:40:54.319
<v Speaker 4>puts you on a different trajectory.

0:40:54.480 --> 0:40:55.000
<v Speaker 15>Definitely.

0:40:55.280 --> 0:40:57.000
<v Speaker 6>And how was that? Do you feel like you were

0:40:57.000 --> 0:40:57.799
<v Speaker 6>made for road life?

0:40:57.800 --> 0:41:00.120
<v Speaker 4>Because I really some people like it's really hard, and

0:41:00.160 --> 0:41:02.120
<v Speaker 4>other people are like, this is what I'm made for.

0:41:02.640 --> 0:41:06.319
<v Speaker 15>I mean definitely wasn't made for it. Then we talked

0:41:06.320 --> 0:41:09.080
<v Speaker 15>about this, I'm sure in the beginning too, because it

0:41:09.120 --> 0:41:11.640
<v Speaker 15>was just like I was such a routine homebody, like

0:41:11.760 --> 0:41:15.120
<v Speaker 15>same breakfast every day, same you know, wake up, jim

0:41:15.360 --> 0:41:21.759
<v Speaker 15>scrambled egg, work, home, nothing, nothing outside those lines. And

0:41:21.800 --> 0:41:26.480
<v Speaker 15>so to be thrown into this lifestyle where there's no

0:41:26.600 --> 0:41:30.640
<v Speaker 15>routine and no no schedule in a sense of like normalcy.

0:41:33.719 --> 0:41:36.400
<v Speaker 15>But I've done well, I will say I've I have.

0:41:37.080 --> 0:41:38.759
<v Speaker 15>I will pat myself on the back because I have

0:41:38.840 --> 0:41:40.440
<v Speaker 15>done better than I thought I would do.

0:41:40.800 --> 0:41:43.279
<v Speaker 4>What have you had to what were the parts that

0:41:43.360 --> 0:41:45.520
<v Speaker 4>you had to like get to And they makes you

0:41:45.560 --> 0:41:47.680
<v Speaker 4>feel a little like, oh, this is this is not

0:41:47.840 --> 0:41:50.600
<v Speaker 4>my normal that you had to push through alter your

0:41:50.960 --> 0:41:52.279
<v Speaker 4>perception on it a little bit.

0:41:52.719 --> 0:41:56.440
<v Speaker 15>Everything about road life, the shitty sleep.

0:41:56.880 --> 0:41:59.719
<v Speaker 6>Sleep is so bad, horrible, It's so bad.

0:41:59.680 --> 0:42:02.640
<v Speaker 15>Unless you get blocked out drunk. It's the only way

0:42:02.680 --> 0:42:03.080
<v Speaker 15>to sleep.

0:42:03.160 --> 0:42:05.279
<v Speaker 6>Man, You're gonna feel terrible in another way and you.

0:42:05.200 --> 0:42:09.560
<v Speaker 15>Pay for it. Yeah, there's no there's no positive. And

0:42:09.600 --> 0:42:10.319
<v Speaker 15>I get scared that.

0:42:10.320 --> 0:42:11.000
<v Speaker 6>We're going to crash.

0:42:11.040 --> 0:42:12.560
<v Speaker 4>Like I have a very hard time going to sleep,

0:42:12.560 --> 0:42:15.000
<v Speaker 4>because like you're putting your whole life in this person

0:42:15.080 --> 0:42:15.960
<v Speaker 4>driving the bus.

0:42:15.960 --> 0:42:17.839
<v Speaker 15>The guy's not think about stuff because John's never talked

0:42:17.840 --> 0:42:19.719
<v Speaker 15>about that. I'm like, I spent the first six months

0:42:19.800 --> 0:42:21.800
<v Speaker 15>waiting to get tea boned Yeah, in the back of

0:42:21.840 --> 0:42:22.320
<v Speaker 15>that bus.

0:42:22.600 --> 0:42:25.279
<v Speaker 4>Michaels never thinks about stuff like I'm always like, okay,

0:42:25.320 --> 0:42:27.920
<v Speaker 4>assessing my situation, which is kind of ironic that I

0:42:27.920 --> 0:42:29.480
<v Speaker 4>crushed my tail buone because.

0:42:29.520 --> 0:42:30.880
<v Speaker 6>I am someone I told the cmicle.

0:42:30.920 --> 0:42:32.839
<v Speaker 4>I was like, I am literally someone who I'm going

0:42:32.840 --> 0:42:34.600
<v Speaker 4>to assess the situation. I don't want to be like

0:42:34.640 --> 0:42:37.120
<v Speaker 4>a freak of nature where I'm scared of everything, but

0:42:37.200 --> 0:42:39.160
<v Speaker 4>I'm going to look at the whole thing and I'm

0:42:39.200 --> 0:42:42.399
<v Speaker 4>going to figure out where the pitfalls could be where

0:42:42.440 --> 0:42:45.239
<v Speaker 4>the danger lurks, you know, on that one where the

0:42:45.320 --> 0:42:45.880
<v Speaker 4>risk is.

0:42:46.120 --> 0:42:46.640
<v Speaker 6>How about that.

0:42:46.719 --> 0:42:48.560
<v Speaker 4>I'm going to find the risk and then I'm going

0:42:48.600 --> 0:42:50.480
<v Speaker 4>to weigh my odds, do we is this worth the

0:42:50.600 --> 0:42:51.040
<v Speaker 4>risk or not?

0:42:51.160 --> 0:42:51.440
<v Speaker 6>Okay?

0:42:51.480 --> 0:42:53.600
<v Speaker 4>So like the risk with the road life, like the

0:42:53.680 --> 0:42:56.680
<v Speaker 4>driving in the in the bus is very scary to

0:42:56.719 --> 0:42:58.719
<v Speaker 4>me to sleep at night, but I mean it's worth

0:42:58.719 --> 0:43:00.760
<v Speaker 4>the risk because you got to get to the shows,

0:43:00.760 --> 0:43:02.960
<v Speaker 4>which is why are you bus? I mean, so, you know,

0:43:03.160 --> 0:43:04.960
<v Speaker 4>and I think that's how Michael view sings is like

0:43:05.760 --> 0:43:07.640
<v Speaker 4>he's like, what are you going to do? You know,

0:43:07.680 --> 0:43:10.200
<v Speaker 4>It's like you can't worry about that kind of stuff.

0:43:11.200 --> 0:43:12.520
<v Speaker 6>But I think about it.

0:43:12.560 --> 0:43:14.520
<v Speaker 4>So the first six months you were thinking about it, Yeah,

0:43:14.600 --> 0:43:15.280
<v Speaker 4>and then what happened?

0:43:15.280 --> 0:43:16.760
<v Speaker 6>You just decided not to worry about it anymore.

0:43:16.840 --> 0:43:20.080
<v Speaker 15>I think I just got broken. I think I just

0:43:20.120 --> 0:43:21.320
<v Speaker 15>started getting drunk every.

0:43:21.200 --> 0:43:21.960
<v Speaker 1>Night or something.

0:43:22.160 --> 0:43:24.799
<v Speaker 4>I I think that's another reason why people do have

0:43:24.920 --> 0:43:27.040
<v Speaker 4>like some a little sleep aid.

0:43:27.320 --> 0:43:29.160
<v Speaker 6>I need a little help to like go to sleep.

0:43:29.440 --> 0:43:34.400
<v Speaker 15>Definitely, I mean that's definitely part of it, yeah, for sure. Sure,

0:43:34.520 --> 0:43:36.279
<v Speaker 15>But also that first year was so fun of like

0:43:36.360 --> 0:43:40.279
<v Speaker 15>the party life. You know, it's night and day from

0:43:40.320 --> 0:43:41.200
<v Speaker 15>what we were back then.

0:43:41.400 --> 0:43:43.040
<v Speaker 6>Tell me how it was then and how it is now, Like,

0:43:43.080 --> 0:43:43.800
<v Speaker 6>give me some details.

0:43:43.840 --> 0:43:46.959
<v Speaker 15>I mean, it was party central, but we were also

0:43:47.040 --> 0:43:49.480
<v Speaker 15>on one bus with like thirteen of us. It was

0:43:49.560 --> 0:43:54.440
<v Speaker 15>me and like the loving guys, which was honestly disgusting.

0:43:54.920 --> 0:43:57.360
<v Speaker 15>But in the time, I was so in that honeymoon phase,

0:43:57.520 --> 0:43:59.920
<v Speaker 15>like I said, this is amazing, Like this is so fun.

0:44:00.760 --> 0:44:05.319
<v Speaker 15>One bathroom always covered in pe fal And then I

0:44:05.320 --> 0:44:09.360
<v Speaker 15>think a year later we had graduated two buses, and

0:44:09.400 --> 0:44:14.200
<v Speaker 15>then now it's got four or five, and so we

0:44:14.239 --> 0:44:15.960
<v Speaker 15>have our own bus now, so we have our family

0:44:15.960 --> 0:44:18.560
<v Speaker 15>bus where it's just us and the girls, and then

0:44:18.600 --> 0:44:22.719
<v Speaker 15>we have automar nanny who travels with us. And so

0:44:22.880 --> 0:44:25.680
<v Speaker 15>even that, though is like it makes me laugh thinking

0:44:25.719 --> 0:44:28.920
<v Speaker 15>about the days when that first eight months of our

0:44:28.960 --> 0:44:31.760
<v Speaker 15>life together was literally thirteen of us on a bus,

0:44:31.800 --> 0:44:34.000
<v Speaker 15>just rage mode parting every night.

0:44:34.760 --> 0:44:37.200
<v Speaker 17>Hey, it's Mike d and this week All Movie Mike's

0:44:37.200 --> 0:44:41.319
<v Speaker 17>Movie Podcast, I shared my top eight movies from the

0:44:41.360 --> 0:44:44.000
<v Speaker 17>eighties that I think deserve a sequel. Now with the

0:44:44.040 --> 0:44:47.960
<v Speaker 17>success of Beetlejuice Beetlejuice, I think Hollywood is foaming out

0:44:47.960 --> 0:44:50.840
<v Speaker 17>the mouth to get more eighties movie sequels, So I

0:44:50.880 --> 0:44:52.840
<v Speaker 17>shared some of my favorite movies from the eighties that

0:44:52.880 --> 0:44:55.960
<v Speaker 17>still don't have one. Surprisingly, I also gave my spoiler

0:44:56.000 --> 0:44:58.319
<v Speaker 17>free review of Beetlejuice. Beetlejuice, so be sure to check

0:44:58.320 --> 0:45:00.520
<v Speaker 17>out this full episode. But right now, now, here's just

0:45:00.520 --> 0:45:04.640
<v Speaker 17>a little bit of movie Mike's movie podcast at number

0:45:04.680 --> 0:45:07.920
<v Speaker 17>eight a movie that came out in nineteen eighty six.

0:45:08.080 --> 0:45:11.520
<v Speaker 17>It's one of my favorite football movies of all time. Actually,

0:45:11.560 --> 0:45:15.319
<v Speaker 17>two of my favorite all time favorite football movies came

0:45:15.360 --> 0:45:18.160
<v Speaker 17>out in the eighties, but it is Lucas. The reason

0:45:18.200 --> 0:45:20.319
<v Speaker 17>I feel that this movie needs a sequel is one

0:45:20.719 --> 0:45:23.560
<v Speaker 17>I identified a lot with the character of Lucas. If

0:45:23.600 --> 0:45:26.120
<v Speaker 17>you're not familiar with this movie, it is a character

0:45:26.200 --> 0:45:30.720
<v Speaker 17>named Lucas played by Corey Heim, Which how more quintessential

0:45:30.840 --> 0:45:34.440
<v Speaker 17>eighties actor can you get than Corey Heim sadly passed away,

0:45:34.840 --> 0:45:38.440
<v Speaker 17>but he was such a dominant force in the eighties

0:45:38.480 --> 0:45:41.600
<v Speaker 17>when it came to childhood and teenage actors. And he

0:45:41.719 --> 0:45:45.360
<v Speaker 17>played this character named Lucas, who was a really smart

0:45:45.400 --> 0:45:48.759
<v Speaker 17>teenager and he was trying to get this girl, and

0:45:48.800 --> 0:45:52.799
<v Speaker 17>in order to impress, he joined the football team. She

0:45:53.000 --> 0:45:55.520
<v Speaker 17>was the new girl in school. Played by Carrie Green.

0:45:56.080 --> 0:45:59.239
<v Speaker 17>Charlie Sheen was in the movie. He tried to protect Lucas,

0:45:59.440 --> 0:46:01.880
<v Speaker 17>Y said, I know in a writer, so an incredible

0:46:01.920 --> 0:46:04.520
<v Speaker 17>eighties cast, And the reason I want to see a

0:46:04.560 --> 0:46:07.040
<v Speaker 17>sequel to Lucas is probably a little bit selfish. But

0:46:07.080 --> 0:46:10.160
<v Speaker 17>in the eighties and nineties, there was this category of

0:46:10.239 --> 0:46:14.200
<v Speaker 17>movie with a plot line nerdy boy tries to get

0:46:14.320 --> 0:46:17.200
<v Speaker 17>hot girl, and that was a lot of movies and

0:46:17.840 --> 0:46:20.960
<v Speaker 17>us as viewers, we love to root for the underdog.

0:46:21.440 --> 0:46:24.280
<v Speaker 17>We love to root for the guy to get the girl,

0:46:24.360 --> 0:46:27.080
<v Speaker 17>the girl to get the guy. The will they won't they?

0:46:27.719 --> 0:46:30.680
<v Speaker 17>That has just been a constant in TV and movies,

0:46:31.040 --> 0:46:33.160
<v Speaker 17>and I feel in the last ten fifteen years we

0:46:33.280 --> 0:46:36.279
<v Speaker 17>don't really have those type of movies anymore. And it's

0:46:36.360 --> 0:46:41.040
<v Speaker 17>probably in the same way that we've had less comedies

0:46:41.080 --> 0:46:45.000
<v Speaker 17>in the last five, six, seven, even decade, we've also

0:46:45.080 --> 0:46:47.759
<v Speaker 17>had less of this type of plotline because it's not

0:46:47.880 --> 0:46:51.280
<v Speaker 17>quite a rom com, it's not quite a full on comedy.

0:46:51.880 --> 0:46:54.960
<v Speaker 17>It is this very specific coming of age movie. That

0:46:55.120 --> 0:46:56.840
<v Speaker 17>is why I want to see that movie. I have

0:46:57.000 --> 0:47:00.600
<v Speaker 17>Lucas too at number eight At number V seven is

0:47:00.600 --> 0:47:03.279
<v Speaker 17>a movie from nineteen eighty five, I want to see

0:47:03.280 --> 0:47:06.960
<v Speaker 17>a sequel to Sesame Street Presents Follow That Bird, Give

0:47:07.000 --> 0:47:09.560
<v Speaker 17>Me Part Two. This is a movie that I discovered

0:47:10.200 --> 0:47:13.240
<v Speaker 17>on a VHS tape. I'm not sure exactly what movie

0:47:13.800 --> 0:47:16.680
<v Speaker 17>that I watched so much in my childhood that I

0:47:16.760 --> 0:47:19.400
<v Speaker 17>remembered all the trailers, and this was one of the

0:47:19.440 --> 0:47:22.440
<v Speaker 17>trailers that when you pop into that VHS tape you

0:47:22.520 --> 0:47:25.160
<v Speaker 17>had to sit through them. You don't have that anymore.

0:47:25.520 --> 0:47:27.600
<v Speaker 17>Our version of that is maybe a pop up ad

0:47:27.680 --> 0:47:30.719
<v Speaker 17>on social media. Scrolling through TikTok. Every now and then

0:47:30.719 --> 0:47:33.120
<v Speaker 17>you get a movie trailer, you hop onto YouTube you

0:47:33.120 --> 0:47:37.359
<v Speaker 17>see trailers. But before that, for DVDs, when you got

0:47:37.360 --> 0:47:41.520
<v Speaker 17>a VHS, it had the baked in movie trailers of

0:47:41.640 --> 0:47:44.000
<v Speaker 17>other movies that you could go buy right now. But

0:47:44.080 --> 0:47:47.600
<v Speaker 17>I remember watching this trailer all the time, and I

0:47:47.680 --> 0:47:51.520
<v Speaker 17>finally was able to actually watch the movie. And I

0:47:51.760 --> 0:47:55.399
<v Speaker 17>love this category of movie. And the interesting thing about

0:47:55.480 --> 0:47:58.719
<v Speaker 17>Sesame Street movies is they've only made two that came

0:47:58.719 --> 0:48:01.279
<v Speaker 17>out in theaters. The first one was this one, Follow

0:48:01.360 --> 0:48:03.880
<v Speaker 17>That Bird, which came out in nineteen eighty five, and

0:48:03.920 --> 0:48:06.600
<v Speaker 17>then they had another one in nineteen ninety nine, Elmo

0:48:06.760 --> 0:48:11.319
<v Speaker 17>and Grouchland. Sadly The thing about Sesame Street movies not

0:48:11.400 --> 0:48:16.160
<v Speaker 17>that profitable, which is so surprising to me that a

0:48:16.239 --> 0:48:20.760
<v Speaker 17>TV show as popular as Sesame Street would have box

0:48:20.840 --> 0:48:24.840
<v Speaker 17>office BOMs. Follow that Bird only made thirteen million dollars

0:48:24.840 --> 0:48:28.000
<v Speaker 17>at the box office, probably cost around ten million dollars

0:48:28.080 --> 0:48:30.040
<v Speaker 17>to make. They didn't even release the numbers for how

0:48:30.120 --> 0:48:32.319
<v Speaker 17>much this movie costs to make. But the Ilman movie

0:48:32.320 --> 0:48:35.040
<v Speaker 17>in ninety nine cost twenty six million dollars to make

0:48:35.120 --> 0:48:38.320
<v Speaker 17>and only mail eleven million dollars at the box office.

0:48:38.560 --> 0:48:41.840
<v Speaker 17>So after that they said, Okay, no more Sesame Street movies.

0:48:42.200 --> 0:48:44.920
<v Speaker 17>It could be the model of Sesame Street. You're having

0:48:44.960 --> 0:48:47.319
<v Speaker 17>to go pay for something in theaters that you could

0:48:47.360 --> 0:48:50.920
<v Speaker 17>get at home for free. And it also has a

0:48:51.200 --> 0:48:54.680
<v Speaker 17>very young audience, so maybe it's hard to kind of

0:48:54.719 --> 0:48:57.960
<v Speaker 17>convert that into getting people and families out to go

0:48:58.040 --> 0:49:00.960
<v Speaker 17>to the theater to watch it. Because I feel like

0:49:01.000 --> 0:49:03.080
<v Speaker 17>a Sesame Street movie. Now I'm kind of talking myself

0:49:03.080 --> 0:49:05.080
<v Speaker 17>out of it, but I feel like a Sesame Street

0:49:05.120 --> 0:49:09.000
<v Speaker 17>movie has just a very very key demographic of young

0:49:09.120 --> 0:49:13.480
<v Speaker 17>young kids, unlike some of the Illumination or Disney movies

0:49:13.520 --> 0:49:16.000
<v Speaker 17>that are fun for the entire family. But me as

0:49:16.000 --> 0:49:19.759
<v Speaker 17>a kid I love follow That Bird had an amazing cast.

0:49:19.840 --> 0:49:23.120
<v Speaker 17>You had Waylon Jennings in this movie. You had Chevy Chase,

0:49:23.560 --> 0:49:27.680
<v Speaker 17>you had John Candy, you had the classic Sesame Street humor.

0:49:28.000 --> 0:49:30.720
<v Speaker 17>My favorite joke out of the entire movie is whenever

0:49:30.760 --> 0:49:32.880
<v Speaker 17>they're trying to track down Big Bird, because what happens

0:49:32.880 --> 0:49:35.720
<v Speaker 17>in this movie. Big Bird is living in Sesame Street,

0:49:36.160 --> 0:49:39.160
<v Speaker 17>living his normal life, loving it, and then he is

0:49:39.200 --> 0:49:42.160
<v Speaker 17>sent to live with a bird family much like he is,

0:49:42.480 --> 0:49:44.920
<v Speaker 17>ends up. He doesn't like that Bird family whatsoever and

0:49:45.000 --> 0:49:47.279
<v Speaker 17>decides that he misses his friends and wants to go

0:49:47.320 --> 0:49:50.480
<v Speaker 17>back to Sesame Street. So it's him getting away from there,

0:49:50.560 --> 0:49:53.279
<v Speaker 17>and then all the Sesame Street characters trying to find

0:49:53.280 --> 0:49:55.280
<v Speaker 17>Big Bird now that he is lost.

0:49:55.840 --> 0:49:56.640
<v Speaker 1>But there is this.

0:49:56.560 --> 0:49:59.040
<v Speaker 17>Big road trip, and I love a movie with the

0:49:59.120 --> 0:50:02.239
<v Speaker 17>road trip. But there's joke where they're like, oh, it's

0:50:02.239 --> 0:50:04.240
<v Speaker 17>the fork in the road, and there's like a literal

0:50:04.280 --> 0:50:07.440
<v Speaker 17>fork in the road. Classic comedy. Me as like a

0:50:07.480 --> 0:50:08.480
<v Speaker 17>four or five year old.

0:50:08.560 --> 0:50:09.560
<v Speaker 10>I ate that up.

0:50:09.840 --> 0:50:13.319
<v Speaker 17>So I know these movies have not been successful, But

0:50:13.440 --> 0:50:16.879
<v Speaker 17>as you can hear in my voice that twenty five,

0:50:17.000 --> 0:50:19.800
<v Speaker 17>twenty seven years after I watched this movie, I'm still

0:50:19.840 --> 0:50:22.879
<v Speaker 17>thinking about it. Even though they didn't make a whole

0:50:22.920 --> 0:50:24.920
<v Speaker 17>lot of money at the box office, that doesn't mean

0:50:25.000 --> 0:50:28.680
<v Speaker 17>that these movies aren't impactful. Maybe it's a straight to

0:50:28.960 --> 0:50:32.360
<v Speaker 17>MAX type movie, because that is just the nature of

0:50:32.400 --> 0:50:34.600
<v Speaker 17>things now we don't have straight to videos straight to

0:50:34.719 --> 0:50:39.120
<v Speaker 17>vhs anymore. Maybe it's a Max original give me Follow

0:50:39.200 --> 0:50:42.640
<v Speaker 17>That Bird Too at number six from nineteen eighty three

0:50:42.719 --> 0:50:45.840
<v Speaker 17>when the original came out. Kujo two is a sequel.

0:50:45.960 --> 0:50:49.160
<v Speaker 17>I would love to see. Reason is I just remember

0:50:49.280 --> 0:50:52.759
<v Speaker 17>this being the go to scary movie that everybody talked

0:50:52.760 --> 0:50:55.520
<v Speaker 17>about when I was growing up. Have you seen Kujo

0:50:55.920 --> 0:50:59.400
<v Speaker 17>The Story of the Killer Dog? One of I believes

0:50:59.440 --> 0:51:03.120
<v Speaker 17>Stephen's best movies in the eighties. It is a movie

0:51:03.120 --> 0:51:05.160
<v Speaker 17>that just feels like it gets a referenced so much

0:51:05.239 --> 0:51:08.440
<v Speaker 17>even if you haven't seen it. But essentially what happens

0:51:08.560 --> 0:51:11.480
<v Speaker 17>in Kujo is, well, you have a killer dog, and

0:51:11.520 --> 0:51:14.080
<v Speaker 17>it's this family trapped in a car the entire time

0:51:14.480 --> 0:51:17.040
<v Speaker 17>and them trying well not to be eaten by Kujo.

0:51:17.360 --> 0:51:21.120
<v Speaker 17>And the movie is truly terrifying. His bloody snout is

0:51:21.360 --> 0:51:25.160
<v Speaker 17>just a great, fantastic movie, and I am surprised that

0:51:25.200 --> 0:51:28.040
<v Speaker 17>we have not had a sequel to it now. Stephen

0:51:28.120 --> 0:51:31.640
<v Speaker 17>King did put out another book called Rattlesnakes, which does

0:51:31.760 --> 0:51:37.360
<v Speaker 17>serve as the sequel to Kujo, primarily focusing on the

0:51:37.440 --> 0:51:41.840
<v Speaker 17>human characters taking place in the aftermath of Kujo, which

0:51:41.920 --> 0:51:45.680
<v Speaker 17>spoiler alert doesn't turn out so great. So you do

0:51:45.840 --> 0:51:48.799
<v Speaker 17>have the source material here. There is a story for

0:51:48.880 --> 0:51:52.120
<v Speaker 17>Kujo two you can throw in make it another dog,

0:51:52.440 --> 0:51:54.719
<v Speaker 17>So I have Kujo two is a sequel I want

0:51:54.760 --> 0:51:56.640
<v Speaker 17>to see at number six.

0:52:05.239 --> 0:52:08.320
<v Speaker 2>Thanks for listening to this week's Sunday Sampler. New episodes

0:52:08.360 --> 0:52:10.760
<v Speaker 2>are out weekly of every single one of those shows.

0:52:11.000 --> 0:52:13.360
<v Speaker 2>We hope you find something that you like. Please subscribe.

0:52:13.600 --> 0:52:16.080
<v Speaker 2>You can also check out our Instagram page, the Nashville

0:52:16.080 --> 0:52:16.840
<v Speaker 2>Podcast Network.

0:52:16.960 --> 0:52:18.040
<v Speaker 1>Hope you guys have a great week.