1
00:00:08,800 --> 00:00:10,280
Speaker 1: Hey, everybody's Sunday Sampler time.

2
00:00:10,480 --> 00:00:13,400
Speaker 2: We'll get to some Sore Losers movie Mike's Movie podcast,

3
00:00:13,680 --> 00:00:16,160
Speaker 2: but we're gonna start with a little bit of Doctor Josie.

4
00:00:16,200 --> 00:00:18,400
Speaker 2: It's the final episode of season one of In the

5
00:00:18,440 --> 00:00:21,279
Speaker 2: Vets Office and Caroline Hobby stop Buy had her three

6
00:00:21,320 --> 00:00:23,840
Speaker 2: month old puppy, Ruby, and they talked about what you

7
00:00:23,880 --> 00:00:26,040
Speaker 2: need to know whenever you have a puppy, because I

8
00:00:26,040 --> 00:00:28,320
Speaker 2: think anytime we get a new puppy, we're like, holy crap.

9
00:00:28,360 --> 00:00:30,360
Speaker 1: What they talked about, what to do and what not

10
00:00:30,400 --> 00:00:30,720
Speaker 1: to do.

11
00:00:31,120 --> 00:00:31,920
Speaker 3: Let's get started.

12
00:00:31,960 --> 00:00:32,120
Speaker 4: Now.

13
00:00:32,159 --> 00:00:34,560
Speaker 2: Here's a clip of this week's episode of In the

14
00:00:34,640 --> 00:00:41,720
Speaker 2: Vets Office with Doctor Josie.

15
00:00:43,080 --> 00:00:47,800
Speaker 5: Yeah, you're listening to In the Vets Office with Doctor

16
00:00:47,880 --> 00:00:48,840
Speaker 5: Josie Horshak.

17
00:00:52,120 --> 00:00:54,360
Speaker 4: Right, So we got Ruby on a whim and I

18
00:00:54,400 --> 00:00:55,840
Speaker 4: am not following any of the rules.

19
00:00:56,120 --> 00:00:58,840
Speaker 6: This is my daughter's dog. Thankfully. Ruby loves to.

20
00:00:58,880 --> 00:01:01,400
Speaker 4: Rough house, goes to She and Sunday and Ruby like

21
00:01:01,760 --> 00:01:04,560
Speaker 4: play and wrestle all the time. But just working on

22
00:01:04,560 --> 00:01:06,959
Speaker 4: the potty training. They were seventy percent there. She is

23
00:01:07,000 --> 00:01:11,560
Speaker 4: sleeping in the bed. Oh or I'll talk about that.

24
00:01:12,080 --> 00:01:14,800
Speaker 4: Not sure about the food situation because she started off

25
00:01:14,800 --> 00:01:16,560
Speaker 4: with one food. Then when eat it and tried to

26
00:01:16,560 --> 00:01:18,760
Speaker 4: give her another one, and then she got diarrhea.

27
00:01:18,880 --> 00:01:22,479
Speaker 6: And so I'm just like the basics of starting up.

28
00:01:22,400 --> 00:01:25,600
Speaker 4: A dog and perfect you know, I guess, nailing down

29
00:01:25,720 --> 00:01:27,880
Speaker 4: what you need to do in the beginning I could use.

30
00:01:28,080 --> 00:01:29,839
Speaker 6: Really, the potty training is my number one.

31
00:01:29,959 --> 00:01:33,160
Speaker 4: Yeah, it is so important when they are at this age,

32
00:01:33,160 --> 00:01:35,600
Speaker 4: they're very impressionable, and we're setting them up for success

33
00:01:35,959 --> 00:01:38,560
Speaker 4: for the rest of their life. Because Ruby og, we

34
00:01:38,600 --> 00:01:40,959
Speaker 4: know how that plight, we know how that goes. So

35
00:01:41,720 --> 00:01:44,360
Speaker 4: remind me Ruby two point zero. We'll call her. She's

36
00:01:44,600 --> 00:01:47,360
Speaker 4: fourteen weeks. Yeah, okay, I'm a big proponent.

37
00:01:47,000 --> 00:01:47,440
Speaker 5: Of the crate.

38
00:01:48,040 --> 00:01:48,840
Speaker 6: Okay, it is.

39
00:01:49,120 --> 00:01:52,280
Speaker 4: Yeah, it is soul sucking for someone like me who

40
00:01:52,360 --> 00:01:53,200
Speaker 4: is a dog mom.

41
00:01:53,400 --> 00:01:55,400
Speaker 5: I like, live for my dogs.

42
00:01:55,440 --> 00:01:58,360
Speaker 4: I feel like I'm torturing them, especially puppies when you

43
00:01:58,360 --> 00:01:59,880
Speaker 4: put them in the crate and they cry. I mean,

44
00:02:00,000 --> 00:02:02,360
Speaker 4: it's just like the worst thing in the world. But

45
00:02:02,560 --> 00:02:05,000
Speaker 4: it is going to set you up for success. Tell me, okay,

46
00:02:05,040 --> 00:02:06,680
Speaker 4: tell me why, and then how do you do the crate?

47
00:02:06,880 --> 00:02:08,280
Speaker 4: So you want to make sure you get to create

48
00:02:08,280 --> 00:02:10,200
Speaker 4: a The size is super important. We want to get

49
00:02:10,200 --> 00:02:12,320
Speaker 4: to create that isn't too big. We want it to

50
00:02:12,360 --> 00:02:14,919
Speaker 4: be big enough where she can get in it, move

51
00:02:14,960 --> 00:02:17,160
Speaker 4: in a circle, kind of lay down and get subtled,

52
00:02:17,160 --> 00:02:18,760
Speaker 4: but not big enough that she can go to one

53
00:02:18,800 --> 00:02:20,280
Speaker 4: side of the crate and pee and poop and then

54
00:02:20,360 --> 00:02:21,760
Speaker 4: skidad all over to the other side.

55
00:02:21,840 --> 00:02:24,120
Speaker 6: Okay, So she has to be like just enough.

56
00:02:23,880 --> 00:02:27,320
Speaker 4: To correct, like somewhat confined, but not big enough for

57
00:02:27,360 --> 00:02:31,560
Speaker 4: her to run around in it. So size is really important.

58
00:02:31,639 --> 00:02:33,799
Speaker 4: I think it's nice to have like the metal wire

59
00:02:33,880 --> 00:02:36,239
Speaker 4: ones where they can see out, and then at night,

60
00:02:36,280 --> 00:02:37,960
Speaker 4: if she's in her crate, which she should be, you

61
00:02:37,960 --> 00:02:40,359
Speaker 4: could throw a blanket over it. That way, it's nice

62
00:02:40,360 --> 00:02:43,200
Speaker 4: and dark and it is far and away our best

63
00:02:43,200 --> 00:02:45,440
Speaker 4: tool for potty trading. Can they make it through the

64
00:02:45,440 --> 00:02:48,239
Speaker 4: whole night at fourteen weeks? The kind of rule of

65
00:02:48,280 --> 00:02:50,919
Speaker 4: thumb is for every month they are plus one, that's

66
00:02:50,919 --> 00:02:53,000
Speaker 4: how many hours they can hold it through the day.

67
00:02:53,760 --> 00:02:57,440
Speaker 4: Usually by this time around fourteen weeks, some of them

68
00:02:57,440 --> 00:02:59,480
Speaker 4: can hold it overnight. But you probably are looking at

69
00:02:59,480 --> 00:03:01,600
Speaker 4: getting up once in the early morning to take her

70
00:03:01,639 --> 00:03:02,560
Speaker 4: out to go potty.

71
00:03:02,280 --> 00:03:03,200
Speaker 6: And will she like cry?

72
00:03:03,320 --> 00:03:06,280
Speaker 4: You think she Once she gets great trained, she'll probably

73
00:03:06,360 --> 00:03:07,919
Speaker 4: whine to let you know she needs to go out.

74
00:03:07,960 --> 00:03:11,160
Speaker 4: There's some puppies that are gonna whine because they just

75
00:03:11,160 --> 00:03:12,760
Speaker 4: want to be with you. But it's almost like a

76
00:03:12,760 --> 00:03:15,120
Speaker 4: baby where you start to understand, like are you crying

77
00:03:15,160 --> 00:03:16,799
Speaker 4: because you want my attention? Are you crying because you

78
00:03:16,840 --> 00:03:19,480
Speaker 4: need to go potty? But you're I mean fourteen weeks. Gosh,

79
00:03:19,480 --> 00:03:21,480
Speaker 4: you've only got another like three or four weeks. And

80
00:03:21,600 --> 00:03:22,760
Speaker 4: she'll be able to hold it through the.

81
00:03:22,680 --> 00:03:24,639
Speaker 6: Evening well just because she is sleeping in the bed.

82
00:03:24,680 --> 00:03:25,520
Speaker 6: I have noticed.

83
00:03:25,760 --> 00:03:28,120
Speaker 4: I took her out like at eleven last night, and

84
00:03:28,200 --> 00:03:30,120
Speaker 4: she did make it till like six this morning. Okay,

85
00:03:30,120 --> 00:03:31,800
Speaker 4: that's great. So now we know that she can hold it,

86
00:03:31,880 --> 00:03:34,400
Speaker 4: so this is perfect. So yeah, I would doing it

87
00:03:34,680 --> 00:03:38,120
Speaker 4: all wrong, That's okay, that's okay. So create is so important.

88
00:03:38,120 --> 00:03:40,920
Speaker 4: I tell owners potty training is on us. If they

89
00:03:40,920 --> 00:03:43,160
Speaker 4: have an accident in the house. We don't necessarily want

90
00:03:43,200 --> 00:03:46,160
Speaker 4: to punish them because we aren't necessarily doing our job.

91
00:03:46,320 --> 00:03:50,040
Speaker 4: And it's very kind of saying it, saying you messed up. Yeah, yeah,

92
00:03:50,240 --> 00:03:51,800
Speaker 4: I don't. I'm not gonna say you messed up, but

93
00:03:52,600 --> 00:03:55,640
Speaker 4: want that so during the day they need to go out.

94
00:03:55,720 --> 00:03:57,640
Speaker 4: It feels like one hundred times.

95
00:03:57,240 --> 00:03:57,760
Speaker 6: All the time.

96
00:03:57,840 --> 00:04:00,640
Speaker 4: Okay, so how often do we need That's like huge,

97
00:04:00,720 --> 00:04:02,520
Speaker 4: It's like every thirty minutes you gotta take them out,

98
00:04:02,600 --> 00:04:05,720
Speaker 4: or what is every time after they eat, after they drink,

99
00:04:05,800 --> 00:04:09,560
Speaker 4: after they wake up from a nap, after they're done playing.

100
00:04:09,600 --> 00:04:10,880
Speaker 5: I mean it is like constant.

101
00:04:11,080 --> 00:04:13,440
Speaker 4: Do you say, like, go potty, go body, I sady, yep,

102
00:04:13,480 --> 00:04:15,600
Speaker 4: go potty, give them the chance to go. I Also,

103
00:04:15,640 --> 00:04:18,320
Speaker 4: I am really big on if you are going to

104
00:04:18,360 --> 00:04:20,960
Speaker 4: peepad train, no stick with pea pads for all of

105
00:04:21,000 --> 00:04:23,160
Speaker 4: you out there that are ppad training. Worst, if you're

106
00:04:23,200 --> 00:04:25,200
Speaker 4: not going to peepad train, like long term, you want

107
00:04:25,240 --> 00:04:27,560
Speaker 4: them to go outside, do not start peap pads at all.

108
00:04:27,680 --> 00:04:31,520
Speaker 6: Oh be really confusing for the peapads or the visit

109
00:04:31,640 --> 00:04:33,160
Speaker 6: the bane, the veine of my existence.

110
00:04:33,200 --> 00:04:36,400
Speaker 4: The bane of my existence got me both. Yeah, because

111
00:04:36,560 --> 00:04:38,000
Speaker 4: they just don't quite get the peapad. They'll put their

112
00:04:38,040 --> 00:04:39,839
Speaker 4: front paws on it and they're pee on the carpet.

113
00:04:39,880 --> 00:04:42,760
Speaker 4: I mean, yeah, congratulations to people doing well with peapads.

114
00:04:42,839 --> 00:04:43,479
Speaker 7: I never have And.

115
00:04:43,480 --> 00:04:45,200
Speaker 4: There's a lot of like little dogs and high rises

116
00:04:45,200 --> 00:04:46,920
Speaker 4: that do great in the right right. But when we're

117
00:04:46,920 --> 00:04:49,440
Speaker 4: potty training some people be like, well, I'm using peapads

118
00:04:49,440 --> 00:04:50,680
Speaker 4: for now, and then I want them to go on

119
00:04:50,720 --> 00:04:54,280
Speaker 4: the grass, and that just is really difficult. So so

120
00:04:54,360 --> 00:04:57,400
Speaker 4: go outside, go to the same spot and the same spot. Yep.

121
00:04:57,560 --> 00:05:01,560
Speaker 4: Make it really consistent, really can really routine, same spot,

122
00:05:01,600 --> 00:05:04,240
Speaker 4: and then I find a really high reward treat that

123
00:05:04,279 --> 00:05:06,800
Speaker 4: they love. I had one dog that was so hard

124
00:05:06,800 --> 00:05:10,400
Speaker 4: to potty train that I got turkey hot dogs and

125
00:05:10,440 --> 00:05:13,280
Speaker 4: I slice them into tiny pieces and the only time

126
00:05:13,360 --> 00:05:14,920
Speaker 4: she got a piece of a turkey hot dog is

127
00:05:14,920 --> 00:05:16,839
Speaker 4: when she went potty outside like she was supposed to.

128
00:05:17,440 --> 00:05:19,520
Speaker 4: And that just kind of helps them. It helps it click.

129
00:05:20,160 --> 00:05:22,400
Speaker 4: So you say, good potty, here's your treat, like right then,

130
00:05:22,520 --> 00:05:23,920
Speaker 4: right then and there, so you have it with you

131
00:05:23,960 --> 00:05:25,159
Speaker 4: when you take them outside.

132
00:05:25,279 --> 00:05:27,040
Speaker 5: You want to have treats in your pockets at all

133
00:05:27,080 --> 00:05:29,360
Speaker 5: times when you have a puppy. So okay, okay, go out

134
00:05:29,400 --> 00:05:30,440
Speaker 5: with your turkey hot dogs.

135
00:05:30,480 --> 00:05:32,919
Speaker 4: As soon as soon as she goes, give her a

136
00:05:32,960 --> 00:05:34,720
Speaker 4: little bit, tell her she did a great job. And

137
00:05:34,760 --> 00:05:36,360
Speaker 4: then you go right back inside, and you want to

138
00:05:36,400 --> 00:05:38,400
Speaker 4: make it like, hey, you did an awesome job. Like

139
00:05:38,400 --> 00:05:41,919
Speaker 4: your neighbors are going to think you're insane, but you know,

140
00:05:42,160 --> 00:05:42,920
Speaker 4: lots of reward.

141
00:05:43,320 --> 00:05:45,280
Speaker 6: Okay, yeah, okay, okay, okay.

142
00:05:45,440 --> 00:05:47,880
Speaker 4: So so put in their credit at night right when

143
00:05:47,880 --> 00:05:49,719
Speaker 4: you wake up, take her outside with the treat, have

144
00:05:49,839 --> 00:05:53,640
Speaker 4: it ready, yep? Then feeder, then feeder, and then right

145
00:05:53,680 --> 00:05:54,839
Speaker 4: back out to go potty again.

146
00:05:55,200 --> 00:05:57,200
Speaker 6: And how long do you wait after they eat? I

147
00:05:57,320 --> 00:05:58,400
Speaker 6: typically will go.

148
00:05:58,360 --> 00:05:59,000
Speaker 5: Right after they eat.

149
00:05:59,040 --> 00:06:00,920
Speaker 4: It takes her a lot of poop, and like I'll

150
00:06:00,960 --> 00:06:03,200
Speaker 4: take her out and then she'll pee, and then we'll

151
00:06:03,200 --> 00:06:04,720
Speaker 4: hang out there for a while and then she just

152
00:06:04,839 --> 00:06:06,799
Speaker 4: woll poop and then she'll come in and poop inside

153
00:06:07,040 --> 00:06:10,240
Speaker 4: that what is that? That is just her being young

154
00:06:10,279 --> 00:06:12,440
Speaker 4: and not getting it yet, So just stick with it.

155
00:06:12,640 --> 00:06:15,320
Speaker 4: Once she goes potty, I would only give her like

156
00:06:15,320 --> 00:06:16,880
Speaker 4: a minute or two to go poop. If she's not

157
00:06:16,880 --> 00:06:18,960
Speaker 4: going to do her business, then it's back inside because

158
00:06:18,960 --> 00:06:21,599
Speaker 4: they can get kind of distracted a butterfly, you know,

159
00:06:21,640 --> 00:06:25,960
Speaker 4: and they're like pooop, yeah exactly, So back inside, give

160
00:06:25,960 --> 00:06:27,160
Speaker 4: them a few minutes, and then you can go back

161
00:06:27,160 --> 00:06:30,000
Speaker 4: out again and give it another shot. And then during

162
00:06:30,040 --> 00:06:32,839
Speaker 4: the day when you were not directly supervising her in

163
00:06:32,880 --> 00:06:37,159
Speaker 4: the crate. In the crate, I know it's it's soul sucking.

164
00:06:37,160 --> 00:06:39,279
Speaker 5: I'm telling we just let her when we leave, we

165
00:06:39,360 --> 00:06:42,000
Speaker 5: just leave her in the house. Oh Lord and Almighty.

166
00:06:43,760 --> 00:06:47,080
Speaker 4: That I feel about that, doctor, I don't feel great

167
00:06:47,120 --> 00:06:51,720
Speaker 4: about that. I mean, I suppose in some puppies it works,

168
00:06:51,720 --> 00:06:54,160
Speaker 4: but in ninety nine percent of them, it's a recipe

169
00:06:54,200 --> 00:06:55,040
Speaker 4: for ruby og.

170
00:06:55,600 --> 00:06:56,159
Speaker 6: Okay, okay.

171
00:06:56,200 --> 00:06:57,640
Speaker 4: So as soon as I leave here, I need to

172
00:06:57,680 --> 00:07:00,560
Speaker 4: go get a crate. Yes, definitely, you can on Amazon.

173
00:07:00,640 --> 00:07:02,760
Speaker 4: You can get them at any pet store. Get a

174
00:07:02,760 --> 00:07:04,560
Speaker 4: create immediately, yep, get it create immediately.

175
00:07:04,600 --> 00:07:05,159
Speaker 5: And the crate.

176
00:07:05,440 --> 00:07:07,440
Speaker 4: That's a whole other thing is we want it to

177
00:07:07,480 --> 00:07:09,480
Speaker 4: be a place that they want to go.

178
00:07:09,640 --> 00:07:10,440
Speaker 6: How do you make it that?

179
00:07:10,600 --> 00:07:11,080
Speaker 5: So I throw a.

180
00:07:11,080 --> 00:07:13,720
Speaker 4: Little blanky in there, not not too much stuff, but

181
00:07:13,800 --> 00:07:15,400
Speaker 4: I'll blanket if you want to put one of your

182
00:07:15,400 --> 00:07:17,840
Speaker 4: t shirts in there that smells like you.

183
00:07:17,880 --> 00:07:19,000
Speaker 5: Throw it in a room.

184
00:07:18,800 --> 00:07:22,120
Speaker 4: Where you guys are often in, typically like a living room.

185
00:07:22,400 --> 00:07:24,360
Speaker 4: Leave the door open. That way, she can kind of

186
00:07:24,560 --> 00:07:28,040
Speaker 4: come and go as she pleases. Lots of positive reinforcement,

187
00:07:28,200 --> 00:07:31,760
Speaker 4: so treats when she goes into her crate. Some people

188
00:07:31,800 --> 00:07:34,600
Speaker 4: will like even feed them there. If they're food motivated,

189
00:07:34,600 --> 00:07:37,560
Speaker 4: they'll feed them their meals in the crate, so they

190
00:07:37,640 --> 00:07:40,520
Speaker 4: just we want to associate the crate with positivity. We

191
00:07:40,560 --> 00:07:42,360
Speaker 4: don't ever really want to use it as punishment, like, oh,

192
00:07:42,360 --> 00:07:43,520
Speaker 4: you Pete in the house, I'm going to put you

193
00:07:43,560 --> 00:07:43,960
Speaker 4: in your crate.

194
00:07:44,000 --> 00:07:44,840
Speaker 5: We do not want to do that.

195
00:07:44,920 --> 00:07:46,080
Speaker 6: Oh that's good advice.

196
00:07:46,880 --> 00:07:48,560
Speaker 4: And if you don't have a Kong, I would get

197
00:07:48,600 --> 00:07:52,240
Speaker 4: a cong. Those are like those rubber volcano looking toys.

198
00:07:52,560 --> 00:07:53,400
Speaker 6: Put that in the crate.

199
00:07:53,760 --> 00:07:56,560
Speaker 4: I typically put like a little tablespoon of peanut butter,

200
00:07:56,880 --> 00:07:58,760
Speaker 4: throw it in the freezer. And then when you put

201
00:07:58,760 --> 00:08:00,200
Speaker 4: her in her crate and you're leaving to like run

202
00:08:00,240 --> 00:08:02,800
Speaker 4: an errand it's like, Hey, I'm going on my crea.

203
00:08:02,880 --> 00:08:04,320
Speaker 5: This is not the end of the world because.

204
00:08:04,080 --> 00:08:04,560
Speaker 6: I have a cong.

205
00:08:04,600 --> 00:08:06,240
Speaker 5: I have an amazing peanut butter filled kong.

206
00:08:13,400 --> 00:08:17,440
Speaker 2: The first songs you learned was it for me? It

207
00:08:17,440 --> 00:08:19,120
Speaker 2: was a lot of classic rock stuff. And I'm not

208
00:08:19,160 --> 00:08:20,560
Speaker 2: the player that you are, but I remember just.

209
00:08:20,480 --> 00:08:21,320
Speaker 1: What I what I would learn.

210
00:08:21,320 --> 00:08:22,920
Speaker 2: I would learned like Metallica stuff, because some of that

211
00:08:22,920 --> 00:08:27,640
Speaker 2: stuff was easy. I'd learn like some using like tab.

212
00:08:28,480 --> 00:08:29,840
Speaker 2: I would learn like some.

213
00:08:31,240 --> 00:08:31,800
Speaker 1: Guitar times.

214
00:08:31,920 --> 00:08:34,959
Speaker 2: Yeah, I don't even use tab anymore. But at the beginning,

215
00:08:35,000 --> 00:08:36,520
Speaker 2: it was really good for me to learn, you know,

216
00:08:36,640 --> 00:08:39,040
Speaker 2: six three. But what what was that for you? What

217
00:08:39,080 --> 00:08:41,040
Speaker 2: did you want to learn? What did you learn first?

218
00:08:41,400 --> 00:08:44,400
Speaker 8: I can't read music at all, period whatsoever. I don't

219
00:08:44,440 --> 00:08:47,720
Speaker 8: read a chart. I hardly know the Nashville skills here,

220
00:08:48,400 --> 00:08:50,679
Speaker 8: Like I know enough to understand what they're talking about,

221
00:08:51,480 --> 00:08:54,079
Speaker 8: but I don't. I've never been able to. It doesn't

222
00:08:54,160 --> 00:08:57,439
Speaker 8: translate with me. So it's all about ear. That being said,

223
00:08:58,200 --> 00:09:00,080
Speaker 8: the first things that I kind of learned when I

224
00:09:00,080 --> 00:09:03,400
Speaker 8: started playing guitar, I mean, simple Man, Smoke on the Water.

225
00:09:03,480 --> 00:09:06,120
Speaker 1: Those are all like dittymoke on the Water.

226
00:09:08,000 --> 00:09:08,360
Speaker 4: Army.

227
00:09:09,080 --> 00:09:12,520
Speaker 8: Yeah, yeah, But like when you talk about getting into

228
00:09:12,600 --> 00:09:15,959
Speaker 8: like ultimate guitar tabs and like all that kind of stuff.

229
00:09:16,040 --> 00:09:18,880
Speaker 8: Like the first ones that I remember putting together all

230
00:09:18,920 --> 00:09:24,040
Speaker 8: the way through were Drake White songs. Probably the first

231
00:09:24,040 --> 00:09:26,560
Speaker 8: ever was probably a simple Man letter Skinnered. That was

232
00:09:26,720 --> 00:09:29,040
Speaker 8: probably the first one, top to bottom that I learned

233
00:09:29,080 --> 00:09:29,680
Speaker 8: all the way through.

234
00:09:29,760 --> 00:09:31,960
Speaker 1: How long until you could actually sing and play?

235
00:09:32,240 --> 00:09:37,560
Speaker 8: Oh god, it took a while, man, it was, you know.

236
00:09:37,840 --> 00:09:40,120
Speaker 1: And I'm not the I'm not I'm.

237
00:09:40,000 --> 00:09:41,720
Speaker 8: Still not the player that I want to be when

238
00:09:41,720 --> 00:09:43,920
Speaker 8: it comes to this hand, you know, or this one,

239
00:09:44,200 --> 00:09:48,640
Speaker 8: you know. But it took a while, and my timing

240
00:09:48,760 --> 00:09:52,080
Speaker 8: used to be so weird, so weird, man.

241
00:09:55,160 --> 00:09:57,719
Speaker 2: What about because it haven't you know, we get to

242
00:09:57,800 --> 00:09:59,079
Speaker 2: know you a little bit over the past couple of

243
00:09:59,160 --> 00:10:01,600
Speaker 2: years the time that we spent together. You're not a

244
00:10:01,640 --> 00:10:05,880
Speaker 2: guy it's gonna walk into a room and just demand everybody's.

245
00:10:05,520 --> 00:10:08,400
Speaker 1: Attention when everybody's just hang around talking. You don't say

246
00:10:08,440 --> 00:10:08,800
Speaker 1: a lot.

247
00:10:09,360 --> 00:10:10,840
Speaker 2: You have a big presence because you're a big guy,

248
00:10:10,880 --> 00:10:13,040
Speaker 2: and you definitely dress like you're gonna murder someone if

249
00:10:13,040 --> 00:10:17,959
Speaker 2: they cross you. However, I would not, just by knowing

250
00:10:18,080 --> 00:10:20,280
Speaker 2: you as a person, think well, this is a guy

251
00:10:20,320 --> 00:10:24,199
Speaker 2: that wants to get on stage and sing or talk

252
00:10:24,320 --> 00:10:27,400
Speaker 2: or entertain in any way whatsoever. Now did you have

253
00:10:27,480 --> 00:10:30,640
Speaker 2: the same demeanor younger? And was your dad and your

254
00:10:30,679 --> 00:10:31,319
Speaker 2: family like.

255
00:10:31,760 --> 00:10:32,720
Speaker 3: You want to do what?

256
00:10:34,040 --> 00:10:36,920
Speaker 8: My dad never wanted us to lay brick and block,

257
00:10:37,040 --> 00:10:42,640
Speaker 8: So anything other than that was very welcome in our family. Now,

258
00:10:42,679 --> 00:10:45,000
Speaker 8: my siblings have taken over the family business and they're

259
00:10:45,000 --> 00:10:46,960
Speaker 8: doing that, you know. But they all went out and

260
00:10:47,000 --> 00:10:49,360
Speaker 8: had their time in the world and chase their dreams

261
00:10:49,400 --> 00:10:52,520
Speaker 8: and they've come home and you know, all that stuff.

262
00:10:53,400 --> 00:10:55,840
Speaker 8: But no, he wanted anything other than what he was doing.

263
00:10:55,960 --> 00:10:58,000
Speaker 2: He had to be so surprised though, and maybe he wasn't,

264
00:10:58,000 --> 00:11:01,319
Speaker 2: but that you wanted to go entertain people, because again,

265
00:11:01,640 --> 00:11:04,040
Speaker 2: if you meet you, you don't think, well, he wants

266
00:11:04,040 --> 00:11:05,600
Speaker 2: to get on stage and just rock people's face off.

267
00:11:05,600 --> 00:11:06,480
Speaker 1: You're like, that guy's.

268
00:11:06,280 --> 00:11:08,439
Speaker 2: Probably I don't know what kind of mobb he's in,

269
00:11:09,400 --> 00:11:13,880
Speaker 2: what kind of cattle he's trading, who knows, But you know,

270
00:11:13,920 --> 00:11:16,920
Speaker 2: your personality on stage is large. Your personality here it's

271
00:11:17,880 --> 00:11:22,320
Speaker 2: very compact. Your demeanor is very straightforward. People can hear

272
00:11:22,360 --> 00:11:24,520
Speaker 2: that I used to be scared of you, not anymore,

273
00:11:24,840 --> 00:11:26,400
Speaker 2: but he's scared of you when I first met you

274
00:11:26,440 --> 00:11:28,560
Speaker 2: because I was like this, dude, he hates my guts,

275
00:11:29,600 --> 00:11:32,320
Speaker 2: but I would compare like you, and I'm friends with

276
00:11:32,400 --> 00:11:36,960
Speaker 2: Kane Brown. I thought Kine hated me because Kine doesn't

277
00:11:37,000 --> 00:11:40,240
Speaker 2: say a whole lot, no, no man, a few words. Yeah,

278
00:11:40,600 --> 00:11:42,880
Speaker 2: Now that I know Kane and love Kane like, that's

279
00:11:42,880 --> 00:11:44,480
Speaker 2: one of the things I love about him. It's like

280
00:11:44,600 --> 00:11:46,520
Speaker 2: he's still who he is off stage, but then when

281
00:11:46,520 --> 00:11:49,160
Speaker 2: he gets on stage he puts it on again. Were

282
00:11:49,160 --> 00:11:50,920
Speaker 2: they surprised that you wanted to get on stage and

283
00:11:50,920 --> 00:11:51,320
Speaker 2: put it on.

284
00:11:52,520 --> 00:11:55,200
Speaker 8: It definitely took some time to grow on my mom.

285
00:11:56,360 --> 00:12:01,240
Speaker 8: She didn't quite understand. She didn't quite not fathom it

286
00:12:01,480 --> 00:12:04,880
Speaker 8: at first, but she was like, I don't know, honey,

287
00:12:05,080 --> 00:12:07,800
Speaker 8: you know, I don't know. And I'm also talk about

288
00:12:07,840 --> 00:12:10,080
Speaker 8: two and a half three years before she was like, okay,

289
00:12:10,280 --> 00:12:10,679
Speaker 8: let's go.

290
00:12:11,120 --> 00:12:12,599
Speaker 2: It's also got to be weird too, because where I

291
00:12:12,640 --> 00:12:16,360
Speaker 2: come from, nobody did anything in the art community because

292
00:12:16,360 --> 00:12:18,920
Speaker 2: they worked at the mill. Like they worked at the mill,

293
00:12:19,080 --> 00:12:21,920
Speaker 2: or they had a job, you know, just because where

294
00:12:21,960 --> 00:12:23,760
Speaker 2: you and I both come from, it's not like people

295
00:12:23,800 --> 00:12:27,440
Speaker 2: move off and are, for my case, work on radio

296
00:12:27,440 --> 00:12:29,360
Speaker 2: and TV or your case, they don't move off and

297
00:12:29,400 --> 00:12:32,040
Speaker 2: become country stars. So it's not the people say you

298
00:12:32,080 --> 00:12:34,320
Speaker 2: can't do it, but they don't know that you can

299
00:12:34,360 --> 00:12:36,520
Speaker 2: because no one else really does it around.

300
00:12:36,320 --> 00:12:39,160
Speaker 8: Yeah, and the only the only people that the only

301
00:12:39,200 --> 00:12:44,200
Speaker 8: references we had from around home, you know, coming from construction,

302
00:12:44,240 --> 00:12:47,280
Speaker 8: we don't know the music industry, right. The only references

303
00:12:47,320 --> 00:12:51,520
Speaker 8: we had were brothers Osbourne and Nuggie Rose. You know

304
00:12:51,600 --> 00:12:56,839
Speaker 8: they Maggie's from Mechanicsville and the brothers are from literally

305
00:12:56,960 --> 00:13:01,520
Speaker 8: twenty used to life fires the same place as they did.

306
00:13:01,440 --> 00:13:04,840
Speaker 2: Yeah, you know that hasful though, to see those guys

307
00:13:04,840 --> 00:13:07,920
Speaker 2: and see that they were doing it, and it because again,

308
00:13:07,960 --> 00:13:08,319
Speaker 2: there is.

309
00:13:08,280 --> 00:13:12,360
Speaker 1: Normal I know their parents. There is normal and blue collar.

310
00:13:13,280 --> 00:13:16,240
Speaker 8: And there's like two hundred and fifty of them of them,

311
00:13:16,400 --> 00:13:20,400
Speaker 8: of the of the OSBA. It's it's nuts, man, It's

312
00:13:20,440 --> 00:13:25,240
Speaker 8: it's nuts. I've met fifteen uncles of theirs.

313
00:13:25,520 --> 00:13:27,440
Speaker 6: They They've been.

314
00:13:27,240 --> 00:13:31,400
Speaker 8: Really good to us over the last couple of years.

315
00:13:32,200 --> 00:13:35,600
Speaker 8: The first big ass show that we did was Delaware

316
00:13:35,640 --> 00:13:38,560
Speaker 8: State Fair with them, and I remember choking so bad.

317
00:13:38,600 --> 00:13:40,280
Speaker 1: I choked on Hallelujah.

318
00:13:40,760 --> 00:13:43,560
Speaker 8: On Ryan Bingham's Hallelujah, I've been playing the song for

319
00:13:43,600 --> 00:13:46,320
Speaker 8: three years and just too much happening in my brain

320
00:13:46,480 --> 00:13:48,959
Speaker 8: and just completely choked on it. But that was the

321
00:13:49,000 --> 00:13:50,600
Speaker 8: biggest show that we had done to that date, and

322
00:13:50,679 --> 00:13:53,240
Speaker 8: they were so good to us and have.

323
00:13:53,440 --> 00:13:54,880
Speaker 1: And have continued to be.

324
00:13:55,280 --> 00:13:59,960
Speaker 8: But there they were the only they were the only

325
00:14:00,000 --> 00:14:03,040
Speaker 8: even close to us that we were like, that's dope,

326
00:14:04,040 --> 00:14:04,600
Speaker 8: you know what I mean?

327
00:14:04,880 --> 00:14:06,600
Speaker 1: Like and humans like us can do that?

328
00:14:07,640 --> 00:14:11,200
Speaker 2: Yeah, because that I mean, I think representation, regardless of

329
00:14:11,240 --> 00:14:14,679
Speaker 2: what it is, you were kind of being represented by

330
00:14:14,679 --> 00:14:18,199
Speaker 2: somebody showing that if you want to do it, and

331
00:14:18,200 --> 00:14:19,000
Speaker 2: you're good enough to do it, and you.

332
00:14:19,000 --> 00:14:19,800
Speaker 1: Work hard enough to do it.

333
00:14:19,800 --> 00:14:48,880
Speaker 9: It actually can be done personally.

334
00:14:50,880 --> 00:14:51,640
Speaker 10: Visuals than.

335
00:14:54,200 --> 00:14:58,280
Speaker 11: This episode is all about careers and finding happiness within success.

336
00:14:58,600 --> 00:15:00,520
Speaker 6: I have on Ashley Stall, who is a.

337
00:15:00,520 --> 00:15:03,800
Speaker 11: Career coach with years of experience, talking about the best

338
00:15:03,840 --> 00:15:06,640
Speaker 11: way to discover your direction in life and how to

339
00:15:06,680 --> 00:15:10,080
Speaker 11: find fulfillment in a career. Then Melissa Schleichner joins me.

340
00:15:10,280 --> 00:15:13,480
Speaker 11: She's a celebrity makeup and hairstylist, most known for her

341
00:15:13,520 --> 00:15:16,600
Speaker 11: salon Parlor three in Nashville. And of course we're being

342
00:15:16,800 --> 00:15:20,240
Speaker 11: Carrie Underwood's full time hair and makeup stylist for over

343
00:15:20,280 --> 00:15:32,000
Speaker 11: seventeen years. Making the leap to a new job can

344
00:15:32,040 --> 00:15:36,400
Speaker 11: also be super scary. How can one know or feel

345
00:15:36,560 --> 00:15:39,840
Speaker 11: that they're making the right move for themselves, because that's

346
00:15:39,880 --> 00:15:41,400
Speaker 11: a really terrifying place to be.

347
00:15:41,520 --> 00:15:41,720
Speaker 12: You know.

348
00:15:41,760 --> 00:15:43,960
Speaker 13: I think that life is really an experiment and you

349
00:15:44,040 --> 00:15:46,080
Speaker 13: need to be willing to take what you know and

350
00:15:46,120 --> 00:15:49,080
Speaker 13: with the best of your knowledge, move forward. Fulfilling and

351
00:15:49,200 --> 00:15:53,000
Speaker 13: successful career really has three lily pads, is what I've found.

352
00:15:53,040 --> 00:15:55,240
Speaker 13: The first lily pad is kind of what the majority

353
00:15:55,240 --> 00:15:57,960
Speaker 13: of the workforce unfortunately chooses to be in, which is

354
00:15:58,120 --> 00:16:00,680
Speaker 13: they're fine, and they're fine with being fine, and maybe

355
00:16:00,680 --> 00:16:02,640
Speaker 13: they don't love what they do, they like it enough

356
00:16:02,880 --> 00:16:04,880
Speaker 13: or it pays the bills and they stay there. There's

357
00:16:04,880 --> 00:16:08,120
Speaker 13: a certain population that swims from lily pad one to

358
00:16:08,200 --> 00:16:10,600
Speaker 13: lily Pad two, which is where my work really is

359
00:16:10,640 --> 00:16:12,800
Speaker 13: geared to take people. That's about really figuring out where

360
00:16:12,800 --> 00:16:15,120
Speaker 13: you're a gifted and where your talents are. So if

361
00:16:15,120 --> 00:16:18,120
Speaker 13: you're willing to swim from being fine to really finding

362
00:16:18,120 --> 00:16:20,920
Speaker 13: your gifts, you need to go through an unknown and

363
00:16:20,960 --> 00:16:25,040
Speaker 13: an experimental period. Clarity comes from engagement. It's never going

364
00:16:25,120 --> 00:16:27,560
Speaker 13: to just come from thinking. You can't think. It's like

365
00:16:27,720 --> 00:16:30,200
Speaker 13: rocking in a rocking chair, just thinking and ending up

366
00:16:30,240 --> 00:16:33,640
Speaker 13: in the same place. Ultimately, a certain level of thinking

367
00:16:33,800 --> 00:16:36,600
Speaker 13: got you to where you are, And as Albert Einstein

368
00:16:36,720 --> 00:16:39,320
Speaker 13: has set in many of his quotables, you need to

369
00:16:39,360 --> 00:16:42,480
Speaker 13: do something new to get somewhere new. That comes down

370
00:16:42,520 --> 00:16:45,080
Speaker 13: to experimenting. So in order to get to that second

371
00:16:45,080 --> 00:16:47,280
Speaker 13: lily pad, there comes a point where you need to

372
00:16:47,320 --> 00:16:50,040
Speaker 13: say this feels like it's aligned with my core skill

373
00:16:50,080 --> 00:16:52,920
Speaker 13: set and really understand your core skill set is a

374
00:16:53,000 --> 00:16:56,560
Speaker 13: huge umbrella with many different options beneath it and many

375
00:16:56,560 --> 00:16:58,920
Speaker 13: different ways of expressing yourself beneath it.

376
00:16:58,960 --> 00:16:59,960
Speaker 6: And once you lock.

377
00:16:59,840 --> 00:17:03,080
Speaker 13: In to a role that's using your gifts, people notice

378
00:17:03,120 --> 00:17:07,000
Speaker 13: your magic because it's actually rare, unfortunately, to see someone

379
00:17:07,040 --> 00:17:09,960
Speaker 13: in a role where they're really aligned with their skills.

380
00:17:10,080 --> 00:17:11,600
Speaker 7: And you know it, if you think about.

381
00:17:11,320 --> 00:17:13,240
Speaker 13: Your work right now or your team right now, you

382
00:17:13,359 --> 00:17:15,840
Speaker 13: know there's one person that comes to mind where they're

383
00:17:15,880 --> 00:17:18,960
Speaker 13: really shining because they're locked in with their skill set

384
00:17:19,000 --> 00:17:21,080
Speaker 13: and people always want to get and that's the thing.

385
00:17:21,119 --> 00:17:23,639
Speaker 13: A lot of research shows that the most talented and

386
00:17:23,760 --> 00:17:26,280
Speaker 13: high impact person is the most burnt out person because

387
00:17:26,280 --> 00:17:28,359
Speaker 13: people see how gifted they are and they want to

388
00:17:28,400 --> 00:17:30,200
Speaker 13: give them more work because they can trust them to

389
00:17:30,240 --> 00:17:31,959
Speaker 13: get it done with a lot of shine on it.

390
00:17:32,160 --> 00:17:35,040
Speaker 13: And so I think going into that experimental period, trying

391
00:17:35,119 --> 00:17:37,640
Speaker 13: things on that gets you onto that second lily pad

392
00:17:37,680 --> 00:17:40,000
Speaker 13: where you're working in your zone of genius, and from

393
00:17:40,119 --> 00:17:43,600
Speaker 13: there life becomes a game of opportunities. You start to

394
00:17:43,680 --> 00:17:46,800
Speaker 13: sift between your yeses and your nose because once people

395
00:17:46,840 --> 00:17:49,480
Speaker 13: start to see someone really talented, they start to ask

396
00:17:49,520 --> 00:17:52,359
Speaker 13: them and offer them different opportunities. And the thing with

397
00:17:52,440 --> 00:17:55,119
Speaker 13: opportunities is that they can be a very high form

398
00:17:55,240 --> 00:17:58,679
Speaker 13: of distraction, because sometimes opportunities are a yes for you,

399
00:17:58,760 --> 00:18:01,040
Speaker 13: other times they're just distracted you and they're not actually

400
00:18:01,119 --> 00:18:03,200
Speaker 13: what you're meant for. So your job, when you get

401
00:18:03,200 --> 00:18:05,800
Speaker 13: to that second lily pad and you finally have experimented

402
00:18:05,920 --> 00:18:08,479
Speaker 13: enough to land in a role that's really using your

403
00:18:08,520 --> 00:18:10,960
Speaker 13: skills and showing your gifts and you're shining, is to

404
00:18:10,960 --> 00:18:13,240
Speaker 13: be able to say yes to the right things for you,

405
00:18:13,359 --> 00:18:16,200
Speaker 13: be a little more discerning about who you really are,

406
00:18:16,359 --> 00:18:18,920
Speaker 13: what your values are, what your skills are, and how

407
00:18:18,960 --> 00:18:21,080
Speaker 13: you want to be growing. And once you find that

408
00:18:21,200 --> 00:18:24,520
Speaker 13: right opportunity, you have an opportunity to swim over to

409
00:18:24,560 --> 00:18:27,200
Speaker 13: the third lily pad, and not everybody makes it there.

410
00:18:27,359 --> 00:18:29,240
Speaker 13: I believe that that lily pad is kind of what

411
00:18:29,280 --> 00:18:32,560
Speaker 13: they would call your dharma you're calling, and I've only

412
00:18:32,600 --> 00:18:34,760
Speaker 13: been there once in my career. When I was writing

413
00:18:34,760 --> 00:18:37,280
Speaker 13: my book, it felt like time didn't exist. Words were

414
00:18:37,320 --> 00:18:39,480
Speaker 13: just flying through my fingers as I was typing for

415
00:18:39,560 --> 00:18:42,800
Speaker 13: deadlines with my publisher. It was like this magical experience

416
00:18:42,840 --> 00:18:45,679
Speaker 13: that was beyond me and it felt like soul work.

417
00:18:45,840 --> 00:18:48,240
Speaker 13: And I think a fulfilling life doesn't have to get

418
00:18:48,240 --> 00:18:50,840
Speaker 13: you to that part where you're really doing your dharma.

419
00:18:50,960 --> 00:18:53,119
Speaker 13: But I wish for everyone to at least have an

420
00:18:53,160 --> 00:18:56,520
Speaker 13: opportunity to access that human experience. And I would say,

421
00:18:56,520 --> 00:18:59,120
Speaker 13: you really can't get there unless you're willing to experiment,

422
00:18:59,280 --> 00:19:02,280
Speaker 13: to engage, to try on different things. And it doesn't

423
00:19:02,320 --> 00:19:04,760
Speaker 13: mean you need to be reckless, you need to be thoughtful.

424
00:19:13,080 --> 00:19:15,800
Speaker 11: What was that first connection that happened for you? I

425
00:19:15,920 --> 00:19:18,719
Speaker 11: listed so many of the country music starts you were

426
00:19:18,760 --> 00:19:21,040
Speaker 11: working with. When did that begin and what did that

427
00:19:21,080 --> 00:19:23,160
Speaker 11: look like to even get your foot in that door?

428
00:19:23,480 --> 00:19:26,439
Speaker 14: So it started there was another makeup artist, Melanie. There

429
00:19:26,480 --> 00:19:29,080
Speaker 14: was not very many makeup artists when I was started

430
00:19:29,200 --> 00:19:32,280
Speaker 14: for the celebrities, and there was a girl named Melanie

431
00:19:32,320 --> 00:19:34,639
Speaker 14: Shelley and I was kind of her assistant, and I

432
00:19:34,640 --> 00:19:37,520
Speaker 14: would do people when she couldn't do it, and she

433
00:19:37,720 --> 00:19:40,440
Speaker 14: was just amazing. She was working with the Dixie Chicks,

434
00:19:40,440 --> 00:19:42,520
Speaker 14: Alan Jackson, Lena Womack, all these different people.

435
00:19:42,640 --> 00:19:44,760
Speaker 13: Well, she got super busy with the Dixie Chicks, so

436
00:19:44,840 --> 00:19:45,320
Speaker 13: I would.

437
00:19:45,160 --> 00:19:48,679
Speaker 14: Go do Alin Jackson for her or different people, and

438
00:19:48,760 --> 00:19:50,760
Speaker 14: you know, it just kind of evolves where it wasn't

439
00:19:50,800 --> 00:19:52,560
Speaker 14: they liked me, but she was just really busy at

440
00:19:52,560 --> 00:19:56,000
Speaker 14: the time. My first real client was Alan Jackson.

441
00:19:56,400 --> 00:19:59,280
Speaker 11: And what does that look like doing makeup for a

442
00:19:59,359 --> 00:20:01,720
Speaker 11: male artist, because a lot of people are like, oh, makeup, hair,

443
00:20:01,960 --> 00:20:02,919
Speaker 11: it's all female.

444
00:20:03,040 --> 00:20:06,040
Speaker 14: I love male grooming like it's easy, but it's also me.

445
00:20:06,119 --> 00:20:08,359
Speaker 14: You think, oh, just slap some powdery. It's not that easy.

446
00:20:08,359 --> 00:20:10,840
Speaker 14: They're going on TV. You have to make sure everything

447
00:20:10,880 --> 00:20:14,080
Speaker 14: looks great. They're brows and all the good things. But

448
00:20:14,320 --> 00:20:16,160
Speaker 14: I love male grooming so much.

449
00:20:16,400 --> 00:20:18,560
Speaker 13: How did the connection to Carrie happen?

450
00:20:18,960 --> 00:20:21,880
Speaker 14: Carrie was this girl on American Idol. I didn't watch

451
00:20:21,880 --> 00:20:24,760
Speaker 14: TV much. I was weren't busy doing my freelance stuff.

452
00:20:24,760 --> 00:20:27,480
Speaker 14: Here Alan Jackson, Leo Walmack, all these people. And my

453
00:20:27,680 --> 00:20:31,040
Speaker 14: daughter Hunter was watching American Idol when bo and Carrie

454
00:20:31,080 --> 00:20:33,760
Speaker 14: were on there she won, which my daughter was obsessed

455
00:20:33,760 --> 00:20:36,080
Speaker 14: with carry and I said, oh, Hunter, they called me

456
00:20:36,160 --> 00:20:38,320
Speaker 14: for that girl you love on American Idol for her

457
00:20:38,320 --> 00:20:41,360
Speaker 14: first Afrey debut. She's like, mom, you have to do it.

458
00:20:41,880 --> 00:20:44,359
Speaker 14: And so I had Alan Jackson that night. So I

459
00:20:44,400 --> 00:20:46,200
Speaker 14: actually was like, Okay, I can come get it ready,

460
00:20:46,200 --> 00:20:47,880
Speaker 14: but I have to leave. So I did it.

461
00:20:48,200 --> 00:20:49,399
Speaker 6: Didn't think anything about it.

462
00:20:49,440 --> 00:20:50,960
Speaker 15: I just did it for my daughter.

463
00:20:51,119 --> 00:20:53,920
Speaker 14: That was eleven years old at the time to get

464
00:20:53,920 --> 00:20:57,359
Speaker 14: an autograph. And then I think like two weeks later,

465
00:20:57,480 --> 00:20:58,840
Speaker 14: I was working with other artists. They were kind of

466
00:20:58,840 --> 00:21:02,199
Speaker 14: slowing down and called me for like thirty dates for

467
00:21:02,359 --> 00:21:05,480
Speaker 14: Carrie and I was like, oh, okay, I liked her.

468
00:21:05,720 --> 00:21:06,240
Speaker 10: She's great.

469
00:21:06,320 --> 00:21:07,880
Speaker 7: And then it just went from there.

470
00:21:09,160 --> 00:21:10,240
Speaker 3: We're gonna do it live.

471
00:21:11,800 --> 00:21:16,600
Speaker 12: Oh the one, two, three, Sore Losers.

472
00:21:16,760 --> 00:21:18,440
Speaker 3: What up, everybody? I am lunchbox.

473
00:21:18,480 --> 00:21:20,119
Speaker 16: I know the most about sports, so I'll give you

474
00:21:20,160 --> 00:21:24,000
Speaker 16: the sports facts, my sports opinions, because I'm pretty much

475
00:21:24,000 --> 00:21:25,879
Speaker 16: a sports genius, y'all.

476
00:21:25,920 --> 00:21:28,240
Speaker 12: It's Susan. I'm from the North. I'm an alpha male.

477
00:21:28,280 --> 00:21:30,480
Speaker 12: I live on the North side of Nashville with Bayser,

478
00:21:30,560 --> 00:21:30,880
Speaker 12: my wife.

479
00:21:30,960 --> 00:21:31,720
Speaker 3: We do have a farm.

480
00:21:31,760 --> 00:21:35,200
Speaker 12: It's beautiful, a lot of acreage, no animals, a lot

481
00:21:35,200 --> 00:21:40,400
Speaker 12: of crops. Hopefully soon corn pumpkins, rye. I believe maybe

482
00:21:40,440 --> 00:21:45,520
Speaker 12: a little fescue to be determined. Over to you, coach.

483
00:21:46,640 --> 00:21:48,840
Speaker 16: And here's a clip from this week's episode of The

484
00:21:48,840 --> 00:21:52,119
Speaker 16: Sore Losers. The wife and I kind of got in

485
00:21:52,119 --> 00:21:57,560
Speaker 16: a little tiff because get home with the kids, you know,

486
00:21:58,480 --> 00:22:01,080
Speaker 16: and I'm outside and I'm on the phone with Granny

487
00:22:01,080 --> 00:22:05,200
Speaker 16: and Grandpa and Toolbox and you know, hat Box. We're

488
00:22:05,240 --> 00:22:06,960
Speaker 16: just chatting away and we're I'm just hanging in the

489
00:22:06,960 --> 00:22:09,000
Speaker 16: front yard. The kids keep coming in and out. They're

490
00:22:09,040 --> 00:22:12,240
Speaker 16: talking to me, get away from the moat, and I

491
00:22:12,320 --> 00:22:14,959
Speaker 16: end up talking to my parents for like forty five minutes,

492
00:22:15,000 --> 00:22:16,840
Speaker 16: just about life, how everything's going.

493
00:22:17,600 --> 00:22:21,120
Speaker 3: Hey, dad, I never asked you what's your favorite color? No, no, don't.

494
00:22:21,359 --> 00:22:23,080
Speaker 16: I don't know what his favorite color is. Don't know

495
00:22:23,080 --> 00:22:25,360
Speaker 16: what my mom's favorite color is either, never really asked

496
00:22:25,400 --> 00:22:27,639
Speaker 16: them that. But we're just talking about other things, just talking.

497
00:22:28,160 --> 00:22:31,600
Speaker 12: Hey dad, how's your sex life.

498
00:22:32,480 --> 00:22:34,679
Speaker 16: I'd rather talk to my kid about sticking his fingers

499
00:22:34,680 --> 00:22:37,600
Speaker 16: and his butt and smelling them than know about my parents'

500
00:22:37,640 --> 00:22:40,400
Speaker 16: sex life. Do you think about that like your parents

501
00:22:40,440 --> 00:22:41,399
Speaker 16: are Hey no.

502
00:22:41,440 --> 00:22:43,800
Speaker 12: No, I mean you could think of you realize your

503
00:22:43,840 --> 00:22:47,000
Speaker 12: mind's really powerful. You could think about anything any moment

504
00:22:47,000 --> 00:22:49,600
Speaker 12: of the day. But I choose the things that I

505
00:22:49,640 --> 00:22:51,880
Speaker 12: think about. But when you look at your mom and dad,

506
00:22:51,960 --> 00:22:53,800
Speaker 12: do you think, man, they still do it. No, I

507
00:22:53,840 --> 00:22:56,159
Speaker 12: don't ever think about that because that's just a gross thought.

508
00:22:56,680 --> 00:22:58,920
Speaker 12: But I have ways of blocking stuff out of my head,

509
00:22:58,960 --> 00:23:01,440
Speaker 12: like if I do something a mistake, block from the head.

510
00:23:01,480 --> 00:23:04,520
Speaker 12: Forget about it Friday afternoon. Don't care about it, so

511
00:23:04,600 --> 00:23:06,440
Speaker 12: you can block stuff. You have that power. You need

512
00:23:06,480 --> 00:23:08,399
Speaker 12: to teach your son he has that power to not

513
00:23:08,440 --> 00:23:09,840
Speaker 12: wonder about what's in his buttthole.

514
00:23:10,800 --> 00:23:13,480
Speaker 16: I agree, I need him to block that out because

515
00:23:13,480 --> 00:23:15,879
Speaker 16: I do think about that. Like I think about like

516
00:23:15,920 --> 00:23:18,720
Speaker 16: when my father in law's around, Like does he sit

517
00:23:18,760 --> 00:23:22,800
Speaker 16: there and go, man, this dude's banging my daughter. Does

518
00:23:22,840 --> 00:23:24,520
Speaker 16: he have that thought or is that not in his

519
00:23:24,560 --> 00:23:25,200
Speaker 16: head now?

520
00:23:25,720 --> 00:23:28,760
Speaker 3: I mean I originally probably yes, but now.

521
00:23:28,760 --> 00:23:31,200
Speaker 16: Like you don't think your father in law sit there going, man,

522
00:23:31,200 --> 00:23:34,040
Speaker 16: he's going to bed with my daughter. I gots so weird,

523
00:23:34,200 --> 00:23:38,040
Speaker 16: like that is a weird concept that eventually your kid

524
00:23:38,440 --> 00:23:41,000
Speaker 16: is gonna be I don't know. That's just weird to me.

525
00:23:41,440 --> 00:23:43,560
Speaker 12: Right if you choose to think about that. But I

526
00:23:43,640 --> 00:23:45,920
Speaker 12: just don't, well, I don't choose to think about it.

527
00:23:45,960 --> 00:23:48,960
Speaker 16: Just pops in my head sometimes, like man, he thinks, oh, yeah,

528
00:23:49,480 --> 00:23:51,000
Speaker 16: he's having sex with my daughter.

529
00:23:51,280 --> 00:23:55,800
Speaker 3: Like if you ever thought about hooking on with Arnold? No,

530
00:23:56,359 --> 00:23:58,560
Speaker 3: I haven't. That's what I'm saying. You have that power

531
00:23:58,720 --> 00:23:59,679
Speaker 3: to not think about them.

532
00:23:59,720 --> 00:24:03,399
Speaker 16: Okay, okay, anyway back to my original story.

533
00:24:03,560 --> 00:24:04,119
Speaker 10: I'm sorry.

534
00:24:04,200 --> 00:24:07,000
Speaker 16: So after forty five minutes, I tell my parents, all right,

535
00:24:07,000 --> 00:24:08,320
Speaker 16: I gotta go, you know what I mean. I'm gonna

536
00:24:08,320 --> 00:24:10,480
Speaker 16: go inside hopefully, you know, maybe dinner's ready by now

537
00:24:10,600 --> 00:24:14,320
Speaker 16: or something. And I go inside and the plates are

538
00:24:14,320 --> 00:24:19,879
Speaker 16: all on the counter and I'm like what. And I

539
00:24:19,920 --> 00:24:22,040
Speaker 16: go to my wife. I said, did you guys already eat?

540
00:24:22,880 --> 00:24:26,719
Speaker 16: She goes yeah. I'm like, oh, well, why didn't you

541
00:24:26,880 --> 00:24:29,240
Speaker 16: come out and say, hey, dinner's ready? She goes, Oh,

542
00:24:29,280 --> 00:24:31,560
Speaker 16: I thought you'd be in any minute.

543
00:24:33,000 --> 00:24:33,760
Speaker 3: I said, yeah, yeah.

544
00:24:33,800 --> 00:24:36,600
Speaker 16: But when I didn't come in in a minute, you

545
00:24:36,640 --> 00:24:38,480
Speaker 16: don't think you could pop your head out and say, hey,

546
00:24:38,480 --> 00:24:41,119
Speaker 16: we're gonna eat. You want to come in and eat?

547
00:24:41,320 --> 00:24:44,360
Speaker 16: And she's like oh. I was like, you could even

548
00:24:44,400 --> 00:24:47,160
Speaker 16: texted me. You could even text me instead of walking

549
00:24:47,240 --> 00:24:49,359
Speaker 16: the ten feet to the door, you could have texted

550
00:24:49,400 --> 00:24:51,080
Speaker 16: me and said, hey, you coming inside for dinner.

551
00:24:51,760 --> 00:24:53,639
Speaker 3: Instead, you guys had dinner without me.

552
00:24:53,760 --> 00:24:57,520
Speaker 16: She's like, yeah, I mean I just thought, oh, he'll

553
00:24:57,560 --> 00:24:59,639
Speaker 16: be in a minute, and then a couple of minutes

554
00:24:59,680 --> 00:25:01,800
Speaker 16: you were so I'll say, oh, he'll be in another minute,

555
00:25:02,119 --> 00:25:03,800
Speaker 16: and next thing you know, we were done eating dinner.

556
00:25:04,680 --> 00:25:07,920
Speaker 3: Is that what led to TIFF's treats or you said,

557
00:25:07,960 --> 00:25:11,600
Speaker 3: Tiff that was a tiff, Yeah, little fight. Yeah, so

558
00:25:11,680 --> 00:25:14,360
Speaker 3: I ordered TIFF's treats right, Well, why would I order

559
00:25:14,400 --> 00:25:16,840
Speaker 3: TIFF's treats. She's the one that didn't tell me, damn,

560
00:25:16,840 --> 00:25:20,600
Speaker 3: dinner was ready? I sided with your wife. How I

561
00:25:20,680 --> 00:25:22,800
Speaker 3: have real life examples, go for it.

562
00:25:23,320 --> 00:25:26,920
Speaker 12: Baser does Uber Eats. She knows exactly when it's gonna

563
00:25:26,920 --> 00:25:29,120
Speaker 12: be delivered. When it comes and she says, hey, Uber

564
00:25:29,119 --> 00:25:33,720
Speaker 12: Eats is here, I go get Uber Eats once a month.

565
00:25:33,800 --> 00:25:37,600
Speaker 3: Guys, we don't do it regularly every week in this economy,

566
00:25:38,160 --> 00:25:38,480
Speaker 3: I know.

567
00:25:39,080 --> 00:25:41,119
Speaker 12: And so get it and I put it on the

568
00:25:41,119 --> 00:25:46,120
Speaker 12: table and I'll just start eating. And sometimes she's under

569
00:25:46,160 --> 00:25:49,680
Speaker 12: the assumption that I'm gonna bring it to her in bed.

570
00:25:49,440 --> 00:25:52,920
Speaker 12: I just you know, the food's there, so come out

571
00:25:52,920 --> 00:25:58,119
Speaker 12: and get it. Yeah, no, no, Or what if I

572
00:25:58,240 --> 00:26:00,520
Speaker 12: just go get the pizza. So there's there's like about

573
00:26:00,520 --> 00:26:03,000
Speaker 12: a two minute thing where it says it's coming down

574
00:26:03,000 --> 00:26:07,840
Speaker 12: our driveway and when I start eating, I'll just go

575
00:26:07,880 --> 00:26:10,000
Speaker 12: get it, put on the table and start eating. Do

576
00:26:10,119 --> 00:26:11,959
Speaker 12: I need to go into the bedroom and say, hey,

577
00:26:11,960 --> 00:26:13,280
Speaker 12: do you want me to bring the food too? I'll

578
00:26:13,320 --> 00:26:16,480
Speaker 12: just start eating. I'm with your wife. You don't need

579
00:26:16,480 --> 00:26:19,040
Speaker 12: to know. You knew around when the meal was gonna

580
00:26:19,080 --> 00:26:22,600
Speaker 12: be made, did I? My wife knows when when the

581
00:26:22,800 --> 00:26:24,679
Speaker 12: uber is gonna come into the table.

582
00:26:26,400 --> 00:26:28,920
Speaker 16: I get that uber eats is a set time. See, guys,

583
00:26:28,920 --> 00:26:32,159
Speaker 16: here's this thing uber eats. Were you rich people?

584
00:26:32,240 --> 00:26:32,400
Speaker 10: Well?

585
00:26:32,600 --> 00:26:35,399
Speaker 12: Because my wife can't hear the door because for whatever reason,

586
00:26:35,800 --> 00:26:38,200
Speaker 12: we had a two hundred square feet that I didn't

587
00:26:38,200 --> 00:26:40,560
Speaker 12: plan on having, so she actually can't hear the door shut,

588
00:26:40,680 --> 00:26:42,919
Speaker 12: so she doesn't know that food is on the table.

589
00:26:43,280 --> 00:26:46,560
Speaker 12: Is it my job to say dinner's here when she

590
00:26:46,800 --> 00:26:49,720
Speaker 12: knows the roundabout time that that food is gonna be

591
00:26:49,720 --> 00:26:51,360
Speaker 12: put on the table from when I went and got

592
00:26:51,400 --> 00:26:52,480
Speaker 12: it from the uber eats.

593
00:26:52,920 --> 00:26:55,280
Speaker 3: Now that I understand, I just sit down and start eating.

594
00:26:55,400 --> 00:26:56,920
Speaker 3: Just like your wife. I'm hungry.

595
00:26:56,960 --> 00:26:59,679
Speaker 16: I'm gonna agree with you on your side, but mine

596
00:26:59,720 --> 00:27:01,679
Speaker 16: is not. It's an uber eat situation where there's a

597
00:27:01,720 --> 00:27:03,640
Speaker 16: set time when on an app that tells you when

598
00:27:03,640 --> 00:27:05,960
Speaker 16: they're gonna be at your freaking door. This is my

599
00:27:06,040 --> 00:27:09,440
Speaker 16: wife is in the kitchen making some dinner, and she's

600
00:27:09,440 --> 00:27:12,480
Speaker 16: gonna put it on plates, and we're gonna eat and

601
00:27:12,560 --> 00:27:14,720
Speaker 16: if she doesn't tell me it's ready, I would never

602
00:27:14,960 --> 00:27:16,920
Speaker 16: So I'm just supposed to stand there and just watch

603
00:27:16,920 --> 00:27:21,639
Speaker 16: her until it's ready. No, say hey, dinner's ready. And

604
00:27:21,680 --> 00:27:25,800
Speaker 16: I said, you usually come outside and say hey, dinner's ready,

605
00:27:26,200 --> 00:27:28,400
Speaker 16: and she goes, yeah, but you're usually outside with the kids.

606
00:27:28,400 --> 00:27:31,560
Speaker 16: The kids weren't out there, So I'm supposed to just

607
00:27:31,640 --> 00:27:33,000
Speaker 16: magically know it's ready.

608
00:27:33,359 --> 00:27:35,560
Speaker 3: It's it's the same. It's you and Bezer the same.

609
00:27:35,840 --> 00:27:38,800
Speaker 12: Y'all should date you guys need to then check on

610
00:27:38,880 --> 00:27:42,320
Speaker 12: the knead. I don't know. It's not mine and your wife.

611
00:27:42,760 --> 00:27:44,800
Speaker 12: Me and your wife are in the same boat on

612
00:27:44,840 --> 00:27:47,119
Speaker 12: this one. It's not our job to notify you of

613
00:27:47,160 --> 00:27:48,879
Speaker 12: the meal that you already know is about to be

614
00:27:48,920 --> 00:27:54,119
Speaker 12: made in some in some five minute window, the meal's made,

615
00:27:54,240 --> 00:27:56,080
Speaker 12: come check in on it. What if you just came

616
00:27:56,160 --> 00:27:58,920
Speaker 12: and just what if you on the phone just come in? Huh,

617
00:27:58,960 --> 00:28:01,120
Speaker 12: look and see if the phone's food's made. It's your

618
00:28:01,200 --> 00:28:04,960
Speaker 12: wife's job to come notify you that the food is made.

619
00:28:05,440 --> 00:28:09,800
Speaker 3: No, No, hang out for a second. Just see if

620
00:28:09,880 --> 00:28:12,000
Speaker 3: all the food's coming in. Hey, would you bring it

621
00:28:12,040 --> 00:28:13,600
Speaker 3: in the room. All the foods here.

622
00:28:14,160 --> 00:28:16,400
Speaker 16: That's the thing dude, how do you think it would

623
00:28:16,400 --> 00:28:21,400
Speaker 16: fly over if at the Dallas Cowboys facility, catering gets

624
00:28:21,440 --> 00:28:23,320
Speaker 16: put out and they just.

625
00:28:23,320 --> 00:28:24,320
Speaker 1: Leave it out and then they leave.

626
00:28:25,080 --> 00:28:27,639
Speaker 16: You're telling me they would, and if they didn't go

627
00:28:27,680 --> 00:28:31,120
Speaker 16: down the hallway and tell Zeke and Dak and Ceedee

628
00:28:31,160 --> 00:28:33,720
Speaker 16: Lamb and Jake Ferguson, if they didn't stick their head

629
00:28:33,760 --> 00:28:35,840
Speaker 16: in the other rooms say hey, guys, food's ready, Come

630
00:28:35,880 --> 00:28:36,280
Speaker 16: and eat it.

631
00:28:36,480 --> 00:28:39,440
Speaker 3: Brandon cooks, Thanks, Brandon Cooks.

632
00:28:39,760 --> 00:28:40,200
Speaker 10: Thanks.

633
00:28:40,680 --> 00:28:44,080
Speaker 16: If you don't think there would be a problem that

634
00:28:44,360 --> 00:28:46,280
Speaker 16: the person that cooked the food didn't go down and

635
00:28:46,320 --> 00:28:49,600
Speaker 16: tell freaking Mike McCarthy, I mean you think Mike McCarthy's

636
00:28:49,640 --> 00:28:51,760
Speaker 16: gonna be okay with not eating.

637
00:28:52,000 --> 00:28:54,840
Speaker 12: No, sir, that's because it's an outside catering source, somebody

638
00:28:54,920 --> 00:28:58,280
Speaker 12: that's not related or in cahoots with the person eating

639
00:28:58,280 --> 00:29:01,320
Speaker 12: the meal. You and your wife are on such a

640
00:29:01,480 --> 00:29:04,720
Speaker 12: similar thought pattern. You guys know in Baser all of it,

641
00:29:05,560 --> 00:29:09,000
Speaker 12: there's no need for the notifications of the meal. Once

642
00:29:09,440 --> 00:29:12,680
Speaker 12: you shoot a deer fifty years ago, you started eating

643
00:29:12,680 --> 00:29:16,800
Speaker 12: the fucker. You don't go tell the caveman. Hey, guys,

644
00:29:16,880 --> 00:29:18,920
Speaker 12: I got a deer. I'm gonna cook it. No man,

645
00:29:19,000 --> 00:29:20,280
Speaker 12: you just started eating that.

646
00:29:38,520 --> 00:29:48,880
Speaker 8: Good cast up little food for yourself.

647
00:29:50,000 --> 00:29:50,280
Speaker 3: Life.

648
00:29:50,560 --> 00:29:54,080
Speaker 8: Oh it's pretty bad, It's pretty beautiful, maiful.

649
00:29:54,400 --> 00:29:59,680
Speaker 1: Laugh a little more, said he k.

650
00:30:00,520 --> 00:30:05,080
Speaker 10: Y're kicking with fulling.

651
00:30:03,600 --> 00:30:04,440
Speaker 17: With Amy Brown.

652
00:30:05,000 --> 00:30:08,160
Speaker 5: So on Monday, Kat has an episode coming out on

653
00:30:08,240 --> 00:30:11,040
Speaker 5: you Need Therapy. She has episodes every Monday and Wednesday,

654
00:30:11,280 --> 00:30:13,000
Speaker 5: and I'm going to be the guest and we're going

655
00:30:13,080 --> 00:30:16,240
Speaker 5: to be talking about my recent dating life, because when

656
00:30:16,240 --> 00:30:21,120
Speaker 5: it comes to dating, I need therapy, so a lot

657
00:30:21,120 --> 00:30:24,960
Speaker 5: of people. But if you're dating like me, it can

658
00:30:25,040 --> 00:30:28,320
Speaker 5: be a little bit confusing. It can be intimidating, especially

659
00:30:28,360 --> 00:30:30,600
Speaker 5: if you're divorced and you have kids and you're older.

660
00:30:30,720 --> 00:30:32,880
Speaker 5: And I feel like it was confusing for me in

661
00:30:32,920 --> 00:30:35,840
Speaker 5: my twenties, and you would think with the maturity, which

662
00:30:35,880 --> 00:30:37,520
Speaker 5: I would say, it's a little different. I do have

663
00:30:37,640 --> 00:30:39,880
Speaker 5: some of that, but there's still stuff that creeps in

664
00:30:39,920 --> 00:30:41,680
Speaker 5: morow like I can't believe I'm having these thoughts at

665
00:30:41,920 --> 00:30:45,480
Speaker 5: forty something that I had back when I was in

666
00:30:45,520 --> 00:30:48,640
Speaker 5: my twenties, because I'll still find myself getting a little confused.

667
00:30:48,640 --> 00:30:50,640
Speaker 5: But I guess I recover from it faster or I

668
00:30:50,680 --> 00:30:53,840
Speaker 5: have more rational thoughts pop into my head that are like, Okay,

669
00:30:54,040 --> 00:30:57,040
Speaker 5: don't overthink this, don't over analyze it doesn't mean anything.

670
00:30:57,080 --> 00:30:59,920
Speaker 5: You're building a story. But I think when meeting a guy,

671
00:31:00,640 --> 00:31:03,840
Speaker 5: if you're getting to know him, it's normal to wonder

672
00:31:04,200 --> 00:31:07,200
Speaker 5: like does he really like me? Or is this going

673
00:31:07,240 --> 00:31:10,280
Speaker 5: to be like a friend thing? And so I was

674
00:31:10,360 --> 00:31:14,160
Speaker 5: looking at various sources and came across twenty seven signs

675
00:31:14,720 --> 00:31:18,200
Speaker 5: that he likes you more than a friend, but I

676
00:31:18,280 --> 00:31:19,120
Speaker 5: pulled the top six.

677
00:31:19,280 --> 00:31:21,680
Speaker 18: Okay, I was like, that's a lot of signs.

678
00:31:22,240 --> 00:31:23,920
Speaker 5: No, we're not going to go over all twenty seven,

679
00:31:24,320 --> 00:31:28,640
Speaker 5: but I'm very curious about this first one. He displays

680
00:31:28,680 --> 00:31:31,959
Speaker 5: a healthy jealousy. From a therapist standpoint, I'm curious your

681
00:31:32,000 --> 00:31:34,120
Speaker 5: thoughts on this. If he gets a little jealous when

682
00:31:34,120 --> 00:31:38,600
Speaker 5: you mention other guys, he's probably displaying his protectiveness around you.

683
00:31:39,280 --> 00:31:41,240
Speaker 5: So is there such thing as healthy jealousy?

684
00:31:41,680 --> 00:31:41,960
Speaker 1: Yeah?

685
00:31:42,040 --> 00:31:46,760
Speaker 18: I think jealousy is oftentimes healthy and it's helpful because

686
00:31:46,760 --> 00:31:50,320
Speaker 18: when we feel jealous, it's often because we see something

687
00:31:50,320 --> 00:31:51,360
Speaker 18: that we want.

688
00:31:51,800 --> 00:31:53,880
Speaker 7: So I think that that can be true.

689
00:31:54,040 --> 00:31:56,080
Speaker 18: It's what you do with that jealousy that might be

690
00:31:56,640 --> 00:31:58,720
Speaker 18: that healthy and unhealthy thing.

691
00:31:59,120 --> 00:32:00,600
Speaker 5: Yeah, Like, how far is willing to go?

692
00:32:00,720 --> 00:32:01,320
Speaker 7: But what does he do.

693
00:32:01,320 --> 00:32:03,480
Speaker 18: Does he like blame you for cheating on him or something,

694
00:32:03,600 --> 00:32:05,400
Speaker 18: or does he go like beat this guy up, or

695
00:32:05,400 --> 00:32:07,920
Speaker 18: he ask you to like never contact that person again?

696
00:32:08,360 --> 00:32:11,440
Speaker 7: That is not great. But if he's like, oh, Brad

697
00:32:11,440 --> 00:32:12,760
Speaker 7: texted you, what did he want?

698
00:32:13,440 --> 00:32:15,440
Speaker 5: Cool? What are you going to hang out with Brad?

699
00:32:15,720 --> 00:32:16,760
Speaker 7: That's passive aggressive?

700
00:32:17,040 --> 00:32:19,719
Speaker 5: Oh but I know, but I've done that joking joke. Okay,

701
00:32:19,760 --> 00:32:25,040
Speaker 5: So I've done that jokey jokey with which maybe we'll

702
00:32:25,040 --> 00:32:27,960
Speaker 5: talk about it more on Monday. We haven't recorded that

703
00:32:28,000 --> 00:32:30,920
Speaker 5: episode yet, but you've been there and I've made a

704
00:32:31,000 --> 00:32:34,720
Speaker 5: joke joke about it's cute. Let's call her Tina. I'm like, oh,

705
00:32:34,840 --> 00:32:35,880
Speaker 5: is that what Tina like to do?

706
00:32:36,000 --> 00:32:38,640
Speaker 18: But that's flirting okay, But if you take it too far,

707
00:32:38,680 --> 00:32:40,000
Speaker 18: if you were like, why don't you just go hang

708
00:32:40,000 --> 00:32:40,600
Speaker 18: out with Tina?

709
00:32:41,240 --> 00:32:42,280
Speaker 7: That is not.

710
00:32:42,640 --> 00:32:47,520
Speaker 5: Fun Lifetime movie vibes, Yes, like who's Tina? When we've

711
00:32:47,520 --> 00:32:49,440
Speaker 5: only been out like twice and he could easily still

712
00:32:49,440 --> 00:32:52,640
Speaker 5: be dating Tina and doing it in an appropriate way

713
00:32:52,680 --> 00:32:56,040
Speaker 5: because when you're usually dating, you can be dating multiple people.

714
00:32:56,640 --> 00:32:58,120
Speaker 5: And the jealousy thing. I like that you brought that

715
00:32:58,200 --> 00:33:00,200
Speaker 5: up too, So it's outside of relationships as well, Like

716
00:33:00,240 --> 00:33:02,320
Speaker 5: you could see something you want, like you could be

717
00:33:02,600 --> 00:33:05,360
Speaker 5: jealous of a career thing, but you can use as

718
00:33:05,400 --> 00:33:07,600
Speaker 5: an indicator of like, oh, it's actually good that I'm

719
00:33:07,600 --> 00:33:10,400
Speaker 5: feeling this because it's telling me what I want and

720
00:33:10,440 --> 00:33:12,800
Speaker 5: now what do I need to do to go get

721
00:33:12,840 --> 00:33:14,120
Speaker 5: that in a healthy way?

722
00:33:14,600 --> 00:33:16,120
Speaker 7: And I don't have to hate the person that has

723
00:33:16,160 --> 00:33:16,800
Speaker 7: something I want.

724
00:33:17,640 --> 00:33:21,400
Speaker 5: Observes even the small things about you, So it says

725
00:33:21,440 --> 00:33:23,920
Speaker 5: a guy who notices small changes in your daily life

726
00:33:23,960 --> 00:33:26,600
Speaker 5: is making an effort to build a deeper connection with you.

727
00:33:27,280 --> 00:33:27,720
Speaker 7: I love it.

728
00:33:28,040 --> 00:33:32,120
Speaker 5: When I topped on my hair off, he noticed, Yeah.

729
00:33:31,000 --> 00:33:32,200
Speaker 7: So you're saying this guy likes you.

730
00:33:32,800 --> 00:33:35,360
Speaker 5: I'm just kidding. That was very obvious. My hair went

731
00:33:35,400 --> 00:33:37,000
Speaker 5: from really long to really short.

732
00:33:37,280 --> 00:33:40,600
Speaker 18: I cut five inches off of my hair and colored it,

733
00:33:40,680 --> 00:33:42,280
Speaker 18: and I came home and I just stood in the

734
00:33:42,360 --> 00:33:45,440
Speaker 18: kitchen looking at Patrick, being like flipping my hair and

735
00:33:45,480 --> 00:33:47,920
Speaker 18: being like, how's your day? And then I just like

736
00:33:47,960 --> 00:33:50,000
Speaker 18: stared at him in the eyes for like thirty seconds,

737
00:33:50,000 --> 00:33:51,240
Speaker 18: and he was like, what is wrong with you?

738
00:33:51,280 --> 00:33:52,480
Speaker 7: And I was like, Oh, I don't.

739
00:33:52,280 --> 00:33:54,920
Speaker 18: Know if anything new happened or if you notice, and

740
00:33:54,960 --> 00:33:57,320
Speaker 18: he was so confused, So then I think I probably

741
00:33:57,320 --> 00:33:59,480
Speaker 18: gave him the silent treatment for like an hour after

742
00:33:59,640 --> 00:34:02,120
Speaker 18: he didn't five inches.

743
00:34:02,240 --> 00:34:05,200
Speaker 5: Chat GPT would not agree with your reaction to that. Well,

744
00:34:05,320 --> 00:34:07,400
Speaker 5: first of all, I was tricked him into trying to

745
00:34:07,480 --> 00:34:09,400
Speaker 5: notice your hair and stood there, and then you gave

746
00:34:09,480 --> 00:34:12,000
Speaker 5: him the silent treatment. It's not effective communication, It's.

747
00:34:11,880 --> 00:34:14,799
Speaker 18: Not It was very unhealthy and I will own that.

748
00:34:15,000 --> 00:34:16,600
Speaker 18: But what do you think it says about Patrick that

749
00:34:16,600 --> 00:34:19,720
Speaker 18: he didn't notice. He's a sociopath, okay, and he doesn't

750
00:34:19,760 --> 00:34:19,960
Speaker 18: like me.

751
00:34:20,000 --> 00:34:24,399
Speaker 5: I'm just kidding. Next thing, he goes the extra mile

752
00:34:24,480 --> 00:34:27,800
Speaker 5: for you. Men will go to any extent to charm

753
00:34:27,840 --> 00:34:31,080
Speaker 5: their partners, even at the cost of their inconvenience.

754
00:34:31,360 --> 00:34:32,200
Speaker 7: I love this one.

755
00:34:32,440 --> 00:34:34,279
Speaker 5: I haven't experienced it really, Yea.

756
00:34:34,560 --> 00:34:36,880
Speaker 7: I have when you had the mold.

757
00:34:37,239 --> 00:34:39,520
Speaker 5: Oh yeah, okay, thank you for the reminder.

758
00:34:40,160 --> 00:34:41,880
Speaker 18: We're like I'd like, oh I have to make a

759
00:34:41,880 --> 00:34:45,160
Speaker 18: phone call for her, and like like that's an inconvenience,

760
00:34:45,320 --> 00:34:47,440
Speaker 18: but people do it.

761
00:34:47,760 --> 00:34:48,080
Speaker 7: Okay.

762
00:34:48,400 --> 00:34:50,840
Speaker 5: That was right when it all kind of started back.

763
00:34:50,880 --> 00:34:53,440
Speaker 7: And he was happy to be inconvenienced by you.

764
00:34:53,880 --> 00:34:57,160
Speaker 5: Okay, thank you for that. He changes his body language,

765
00:34:57,440 --> 00:35:00,120
Speaker 5: does he keep his feet towards you. Does he look

766
00:35:00,160 --> 00:35:03,000
Speaker 5: you in the eye or listen attentively when you speak?

767
00:35:03,239 --> 00:35:06,080
Speaker 5: If yes, he could be attracted to you. Does he

768
00:35:06,160 --> 00:35:09,480
Speaker 5: keep his feet towards you? That's interesting me paying attention

769
00:35:09,520 --> 00:35:11,440
Speaker 5: to feat? Does he look you in the eye? But

770
00:35:11,480 --> 00:35:14,920
Speaker 5: you and Patrick Yell are married now for what seven months?

771
00:35:15,000 --> 00:35:15,200
Speaker 10: Yeah?

772
00:35:15,239 --> 00:35:18,320
Speaker 7: Whole seven months? So probably we're past the sea towards

773
00:35:18,360 --> 00:35:18,719
Speaker 7: each other.

774
00:35:18,920 --> 00:35:23,000
Speaker 5: Stage keeps you updated. Men who see you as romantic

775
00:35:23,120 --> 00:35:26,360
Speaker 5: interest will update you about their day, send you pictures,

776
00:35:27,000 --> 00:35:30,880
Speaker 5: show curiosity to know about your day, and send wishful texts.

777
00:35:31,520 --> 00:35:32,200
Speaker 7: You're smiling.

778
00:35:32,440 --> 00:35:35,680
Speaker 5: I'm smiling because I sent a text to him yesterday

779
00:35:35,920 --> 00:35:38,160
Speaker 5: because you want to see that new Reagan movie with

780
00:35:38,239 --> 00:35:38,880
Speaker 5: Dennis Quaid.

781
00:35:39,120 --> 00:35:41,080
Speaker 7: Oh I want to see that. I know about that.

782
00:35:41,280 --> 00:35:42,960
Speaker 5: So I saw a big billboard and I was out

783
00:35:43,000 --> 00:35:45,759
Speaker 5: of light, and I took a picture of the Reagan billboard,

784
00:35:45,920 --> 00:35:48,520
Speaker 5: but in front of me was a grey Honda. And

785
00:35:48,920 --> 00:35:51,879
Speaker 5: all he replied back, he was like, you must really

786
00:35:51,960 --> 00:35:55,120
Speaker 5: like that gray Honda, because you're sending it to me.

787
00:35:57,000 --> 00:35:57,520
Speaker 3: I want this.

788
00:35:58,280 --> 00:36:01,560
Speaker 7: He knew it was the billboard. He was making a joke. Oh,

789
00:36:01,600 --> 00:36:02,839
Speaker 7: that's really funny.

790
00:36:02,560 --> 00:36:04,640
Speaker 5: And so now I said, oh, yeah, you know, every

791
00:36:04,640 --> 00:36:10,960
Speaker 5: time I see Gray Honda, they are But that was

792
00:36:11,200 --> 00:36:14,480
Speaker 5: me kind of updating him. I feel like I would

793
00:36:14,520 --> 00:36:17,760
Speaker 5: probably text way more than he does, but that's okay.

794
00:36:18,200 --> 00:36:20,640
Speaker 18: Also, the way you text in general is different, Like

795
00:36:21,440 --> 00:36:23,839
Speaker 18: you're like a text like me, which is.

796
00:36:24,400 --> 00:36:26,200
Speaker 7: We send a lot of texts in a row and

797
00:36:26,239 --> 00:36:28,640
Speaker 7: then we go M I A yeah.

798
00:36:28,520 --> 00:36:30,400
Speaker 18: And then But you don't mind like being in that

799
00:36:30,480 --> 00:36:32,839
Speaker 18: constant where like some people would rather just like, Okay,

800
00:36:32,840 --> 00:36:34,120
Speaker 18: if I have something to say, I'm going to call you,

801
00:36:34,360 --> 00:36:36,000
Speaker 18: or I don't need to talk to you all day,

802
00:36:36,000 --> 00:36:37,759
Speaker 18: I'll just call you at a certain point and catch up.

803
00:36:38,280 --> 00:36:40,680
Speaker 18: Versus I'm like, every time I take a step, I

804
00:36:40,719 --> 00:36:42,319
Speaker 18: have to tell you how far I've gotten in what

805
00:36:42,400 --> 00:36:44,160
Speaker 18: I've seen and how the clouds look different and all

806
00:36:44,200 --> 00:36:45,080
Speaker 18: that true.

807
00:36:45,280 --> 00:36:47,960
Speaker 5: The final thing he introduces you to his inner circle.

808
00:36:48,080 --> 00:36:51,040
Speaker 5: If you have met his best friends or his family,

809
00:36:51,719 --> 00:36:53,360
Speaker 5: he may just be interested in you.

810
00:36:54,239 --> 00:36:56,759
Speaker 18: That is actually a good indicator because when you are

811
00:36:56,960 --> 00:36:58,680
Speaker 18: kept he's calling shut up.

812
00:36:59,040 --> 00:37:03,640
Speaker 5: It should be recorded like through it, hold on, hold on, hold.

813
00:37:03,480 --> 00:37:14,440
Speaker 10: On, Carne.

814
00:37:15,440 --> 00:37:20,400
Speaker 12: She's a queen and talking and so she's.

815
00:37:20,200 --> 00:37:23,399
Speaker 6: Get really not afraid to fing so so just.

816
00:37:23,440 --> 00:37:24,040
Speaker 10: Let it blow.

817
00:37:24,560 --> 00:37:30,960
Speaker 17: No one can do we quiet, carlne it's sound of Caroline.

818
00:37:33,200 --> 00:37:35,359
Speaker 4: So how are you doing? You have so last time

819
00:37:35,360 --> 00:37:40,040
Speaker 4: we talked, you and John weren't married. You were maybe

820
00:37:40,080 --> 00:37:43,960
Speaker 4: not even engaged. Maybe we're engaged, just engaged or right

821
00:37:44,040 --> 00:37:48,200
Speaker 4: in the Yeah, we're definitely serious and in the engagement world.

822
00:37:48,280 --> 00:37:50,080
Speaker 6: But it was all so new.

823
00:37:52,160 --> 00:37:55,120
Speaker 4: You guys met because your mom's introduced you. Yeah, can

824
00:37:55,160 --> 00:37:57,239
Speaker 4: you just refresh that story because that one's too good?

825
00:37:57,320 --> 00:38:00,560
Speaker 15: You my actually my client and John's mom.

826
00:38:00,640 --> 00:38:01,160
Speaker 6: Do you do hair?

827
00:38:01,640 --> 00:38:02,359
Speaker 15: I did hair?

828
00:38:03,200 --> 00:38:04,160
Speaker 6: Have been tired?

829
00:38:04,440 --> 00:38:05,120
Speaker 15: Oh good for you.

830
00:38:05,280 --> 00:38:06,919
Speaker 6: Hey, you've moved on to new things.

831
00:38:06,960 --> 00:38:08,359
Speaker 15: I thought for sure I was going to be back

832
00:38:08,400 --> 00:38:10,640
Speaker 15: to hair four weeks after Presley, like I was one

833
00:38:10,719 --> 00:38:13,239
Speaker 15: hundred percent I'm going to be back, And here I

834
00:38:13,280 --> 00:38:14,960
Speaker 15: am now a year and a half later, with two

835
00:38:15,000 --> 00:38:19,280
Speaker 15: babies and still not doing hair. Hey season, But it's

836
00:38:19,840 --> 00:38:22,080
Speaker 15: I feel like at peace with it, which is really nice.

837
00:38:22,520 --> 00:38:25,160
Speaker 15: So but yeah, no, John, So my client at the time,

838
00:38:26,040 --> 00:38:28,719
Speaker 15: and John's mom. John and I both grew up in California,

839
00:38:28,840 --> 00:38:31,080
Speaker 15: like three hours apart, didn't know each other. I honestly

840
00:38:31,120 --> 00:38:32,640
Speaker 15: don't even know who he was, even though I've grown

841
00:38:32,680 --> 00:38:36,680
Speaker 15: up with country music. But they set us up because

842
00:38:36,719 --> 00:38:41,279
Speaker 15: he had had failed fail after fail of girlfriends, and

843
00:38:41,280 --> 00:38:43,239
Speaker 15: same for me with boyfriends and so.

844
00:38:42,920 --> 00:38:44,160
Speaker 6: So he was looking for a good girl.

845
00:38:44,200 --> 00:38:46,080
Speaker 15: He was looking for a good girl, looking, John, All,

846
00:38:47,000 --> 00:38:48,160
Speaker 15: you're looking for a good girl.

847
00:38:48,160 --> 00:38:49,520
Speaker 6: You were looking for a good cowboy.

848
00:38:49,920 --> 00:38:52,839
Speaker 15: I was looking for a cowboy. You really probably weren't

849
00:38:52,840 --> 00:38:55,080
Speaker 15: have lived in California, but a California cowboy.

850
00:38:55,120 --> 00:38:56,600
Speaker 6: Well, he is a California cowboy.

851
00:38:57,040 --> 00:38:59,920
Speaker 15: Yeah that those exist, but they really they do.

852
00:39:00,000 --> 00:39:02,000
Speaker 4: There's a lot of land up there in California. Yeah,

853
00:39:02,239 --> 00:39:04,479
Speaker 4: he grew up as a cowboy, like on land.

854
00:39:04,640 --> 00:39:06,240
Speaker 6: Yep, doing what.

855
00:39:06,160 --> 00:39:08,640
Speaker 15: He's All of his family and stuff has been in

856
00:39:09,120 --> 00:39:11,839
Speaker 15: different family members are in farming. They'd had like almonds

857
00:39:11,840 --> 00:39:15,160
Speaker 15: and all kinds of things up north where he's from,

858
00:39:15,239 --> 00:39:18,279
Speaker 15: like outside of sacrament now. So he always grew up

859
00:39:18,640 --> 00:39:20,680
Speaker 15: just out out living the dream.

860
00:39:21,000 --> 00:39:22,520
Speaker 4: So she'll met on a blind date. Met on a

861
00:39:22,520 --> 00:39:25,239
Speaker 4: blind date because your mom, his mom came to you.

862
00:39:25,560 --> 00:39:27,319
Speaker 4: I've so was she coming to you?

863
00:39:27,360 --> 00:39:31,239
Speaker 15: That's what you said, my client, his mom, Okay, did

864
00:39:31,280 --> 00:39:34,799
Speaker 15: their whole working magic? Gave John my number. He sat

865
00:39:34,840 --> 00:39:36,880
Speaker 15: on it for a few days. Text me because he

866
00:39:36,920 --> 00:39:39,560
Speaker 15: was actually in my hometown for a concert. I think

867
00:39:39,560 --> 00:39:41,719
Speaker 15: he was trying with Dirks at the time, but I

868
00:39:41,800 --> 00:39:45,759
Speaker 15: was in Vegas, and so the next option was to

869
00:39:45,840 --> 00:39:48,200
Speaker 15: fly out to Denver the following week to meet him,

870
00:39:48,200 --> 00:39:49,160
Speaker 15: where he had two shows.

871
00:39:49,160 --> 00:39:52,239
Speaker 4: I forgot you actually flew out to meet him on

872
00:39:52,320 --> 00:39:55,240
Speaker 4: a blind date. That's so ballsy summer, Oh my gosh.

873
00:39:55,320 --> 00:39:57,320
Speaker 15: And I took my girl friend just in case it

874
00:39:57,400 --> 00:39:59,239
Speaker 15: was a disaster. Case it was a disaster, I would

875
00:39:59,239 --> 00:40:02,120
Speaker 15: at least have a girl und daed roll strip. I

876
00:40:02,200 --> 00:40:05,760
Speaker 15: tried to cancel the flight, and that didn't happen because

877
00:40:05,800 --> 00:40:08,320
Speaker 15: it was booked by his travel agents, so I couldn't

878
00:40:08,320 --> 00:40:10,799
Speaker 15: go in and edit the flight. I tried to. I

879
00:40:10,880 --> 00:40:16,360
Speaker 15: panicked last minute, and so here we are, seven years,

880
00:40:16,400 --> 00:40:17,360
Speaker 15: I think now later.

881
00:40:18,000 --> 00:40:19,719
Speaker 6: I've got a lot of grounds in seven.

882
00:40:19,520 --> 00:40:20,560
Speaker 15: Years, twenty seventeen.

883
00:40:20,719 --> 00:40:21,880
Speaker 6: So how's how was it?

884
00:40:21,880 --> 00:40:22,080
Speaker 15: Okay?

885
00:40:22,120 --> 00:40:26,359
Speaker 4: Y'all got married? Touring NonStop, career keeps blowing up. You

886
00:40:26,400 --> 00:40:29,960
Speaker 4: are like blowing up. You're such like an incredible brand ambassador.

887
00:40:30,120 --> 00:40:32,360
Speaker 4: You have so much great advice to share with people

888
00:40:32,440 --> 00:40:34,360
Speaker 4: like I. Literally, if I need to know what I

889
00:40:34,440 --> 00:40:36,120
Speaker 4: need to have for everything in my life, you are

890
00:40:36,160 --> 00:40:36,520
Speaker 4: a go to.

891
00:40:37,040 --> 00:40:38,200
Speaker 6: You're an incredible.

892
00:40:37,800 --> 00:40:40,680
Speaker 4: Resource and you just learn. You're just such like a

893
00:40:40,960 --> 00:40:44,840
Speaker 4: wonderful energy to follow too. You're so real, you're so open,

894
00:40:45,239 --> 00:40:45,839
Speaker 4: you're just.

895
00:40:46,280 --> 00:40:49,000
Speaker 6: You're just your or your dream, your total dream summer.

896
00:40:49,160 --> 00:40:49,719
Speaker 15: Thank you, thank you.

897
00:40:50,000 --> 00:40:52,879
Speaker 4: So your life has dramatically changed though, because marrying John

898
00:40:52,880 --> 00:40:54,319
Speaker 4: puts you on a different trajectory.

899
00:40:54,480 --> 00:40:55,000
Speaker 15: Definitely.

900
00:40:55,280 --> 00:40:57,000
Speaker 6: And how was that? Do you feel like you were

901
00:40:57,000 --> 00:40:57,799
Speaker 6: made for road life?

902
00:40:57,800 --> 00:41:00,120
Speaker 4: Because I really some people like it's really hard, and

903
00:41:00,160 --> 00:41:02,120
Speaker 4: other people are like, this is what I'm made for.

904
00:41:02,640 --> 00:41:06,319
Speaker 15: I mean definitely wasn't made for it. Then we talked

905
00:41:06,320 --> 00:41:09,080
Speaker 15: about this, I'm sure in the beginning too, because it

906
00:41:09,120 --> 00:41:11,640
Speaker 15: was just like I was such a routine homebody, like

907
00:41:11,760 --> 00:41:15,120
Speaker 15: same breakfast every day, same you know, wake up, jim

908
00:41:15,360 --> 00:41:21,759
Speaker 15: scrambled egg, work, home, nothing, nothing outside those lines. And

909
00:41:21,800 --> 00:41:26,480
Speaker 15: so to be thrown into this lifestyle where there's no

910
00:41:26,600 --> 00:41:30,640
Speaker 15: routine and no no schedule in a sense of like normalcy.

911
00:41:33,719 --> 00:41:36,400
Speaker 15: But I've done well, I will say I've I have.

912
00:41:37,080 --> 00:41:38,759
Speaker 15: I will pat myself on the back because I have

913
00:41:38,840 --> 00:41:40,440
Speaker 15: done better than I thought I would do.

914
00:41:40,800 --> 00:41:43,279
Speaker 4: What have you had to what were the parts that

915
00:41:43,360 --> 00:41:45,520
Speaker 4: you had to like get to And they makes you

916
00:41:45,560 --> 00:41:47,680
Speaker 4: feel a little like, oh, this is this is not

917
00:41:47,840 --> 00:41:50,600
Speaker 4: my normal that you had to push through alter your

918
00:41:50,960 --> 00:41:52,279
Speaker 4: perception on it a little bit.

919
00:41:52,719 --> 00:41:56,440
Speaker 15: Everything about road life, the shitty sleep.

920
00:41:56,880 --> 00:41:59,719
Speaker 6: Sleep is so bad, horrible, It's so bad.

921
00:41:59,680 --> 00:42:02,640
Speaker 15: Unless you get blocked out drunk. It's the only way

922
00:42:02,680 --> 00:42:03,080
Speaker 15: to sleep.

923
00:42:03,160 --> 00:42:05,279
Speaker 6: Man, You're gonna feel terrible in another way and you.

924
00:42:05,200 --> 00:42:09,560
Speaker 15: Pay for it. Yeah, there's no there's no positive. And

925
00:42:09,600 --> 00:42:10,319
Speaker 15: I get scared that.

926
00:42:10,320 --> 00:42:11,000
Speaker 6: We're going to crash.

927
00:42:11,040 --> 00:42:12,560
Speaker 4: Like I have a very hard time going to sleep,

928
00:42:12,560 --> 00:42:15,000
Speaker 4: because like you're putting your whole life in this person

929
00:42:15,080 --> 00:42:15,960
Speaker 4: driving the bus.

930
00:42:15,960 --> 00:42:17,839
Speaker 15: The guy's not think about stuff because John's never talked

931
00:42:17,840 --> 00:42:19,719
Speaker 15: about that. I'm like, I spent the first six months

932
00:42:19,800 --> 00:42:21,800
Speaker 15: waiting to get tea boned Yeah, in the back of

933
00:42:21,840 --> 00:42:22,320
Speaker 15: that bus.

934
00:42:22,600 --> 00:42:25,279
Speaker 4: Michaels never thinks about stuff like I'm always like, okay,

935
00:42:25,320 --> 00:42:27,920
Speaker 4: assessing my situation, which is kind of ironic that I

936
00:42:27,920 --> 00:42:29,480
Speaker 4: crushed my tail buone because.

937
00:42:29,520 --> 00:42:30,880
Speaker 6: I am someone I told the cmicle.

938
00:42:30,920 --> 00:42:32,839
Speaker 4: I was like, I am literally someone who I'm going

939
00:42:32,840 --> 00:42:34,600
Speaker 4: to assess the situation. I don't want to be like

940
00:42:34,640 --> 00:42:37,120
Speaker 4: a freak of nature where I'm scared of everything, but

941
00:42:37,200 --> 00:42:39,160
Speaker 4: I'm going to look at the whole thing and I'm

942
00:42:39,200 --> 00:42:42,399
Speaker 4: going to figure out where the pitfalls could be where

943
00:42:42,440 --> 00:42:45,239
Speaker 4: the danger lurks, you know, on that one where the

944
00:42:45,320 --> 00:42:45,880
Speaker 4: risk is.

945
00:42:46,120 --> 00:42:46,640
Speaker 6: How about that.

946
00:42:46,719 --> 00:42:48,560
Speaker 4: I'm going to find the risk and then I'm going

947
00:42:48,600 --> 00:42:50,480
Speaker 4: to weigh my odds, do we is this worth the

948
00:42:50,600 --> 00:42:51,040
Speaker 4: risk or not?

949
00:42:51,160 --> 00:42:51,440
Speaker 6: Okay?

950
00:42:51,480 --> 00:42:53,600
Speaker 4: So like the risk with the road life, like the

951
00:42:53,680 --> 00:42:56,680
Speaker 4: driving in the in the bus is very scary to

952
00:42:56,719 --> 00:42:58,719
Speaker 4: me to sleep at night, but I mean it's worth

953
00:42:58,719 --> 00:43:00,760
Speaker 4: the risk because you got to get to the shows,

954
00:43:00,760 --> 00:43:02,960
Speaker 4: which is why are you bus? I mean, so, you know,

955
00:43:03,160 --> 00:43:04,960
Speaker 4: and I think that's how Michael view sings is like

956
00:43:05,760 --> 00:43:07,640
Speaker 4: he's like, what are you going to do? You know,

957
00:43:07,680 --> 00:43:10,200
Speaker 4: It's like you can't worry about that kind of stuff.

958
00:43:11,200 --> 00:43:12,520
Speaker 6: But I think about it.

959
00:43:12,560 --> 00:43:14,520
Speaker 4: So the first six months you were thinking about it, Yeah,

960
00:43:14,600 --> 00:43:15,280
Speaker 4: and then what happened?

961
00:43:15,280 --> 00:43:16,760
Speaker 6: You just decided not to worry about it anymore.

962
00:43:16,840 --> 00:43:20,080
Speaker 15: I think I just got broken. I think I just

963
00:43:20,120 --> 00:43:21,320
Speaker 15: started getting drunk every.

964
00:43:21,200 --> 00:43:21,960
Speaker 1: Night or something.

965
00:43:22,160 --> 00:43:24,799
Speaker 4: I I think that's another reason why people do have

966
00:43:24,920 --> 00:43:27,040
Speaker 4: like some a little sleep aid.

967
00:43:27,320 --> 00:43:29,160
Speaker 6: I need a little help to like go to sleep.

968
00:43:29,440 --> 00:43:34,400
Speaker 15: Definitely, I mean that's definitely part of it, yeah, for sure. Sure,

969
00:43:34,520 --> 00:43:36,279
Speaker 15: But also that first year was so fun of like

970
00:43:36,360 --> 00:43:40,279
Speaker 15: the party life. You know, it's night and day from

971
00:43:40,320 --> 00:43:41,200
Speaker 15: what we were back then.

972
00:43:41,400 --> 00:43:43,040
Speaker 6: Tell me how it was then and how it is now, Like,

973
00:43:43,080 --> 00:43:43,800
Speaker 6: give me some details.

974
00:43:43,840 --> 00:43:46,959
Speaker 15: I mean, it was party central, but we were also

975
00:43:47,040 --> 00:43:49,480
Speaker 15: on one bus with like thirteen of us. It was

976
00:43:49,560 --> 00:43:54,440
Speaker 15: me and like the loving guys, which was honestly disgusting.

977
00:43:54,920 --> 00:43:57,360
Speaker 15: But in the time, I was so in that honeymoon phase,

978
00:43:57,520 --> 00:43:59,920
Speaker 15: like I said, this is amazing, Like this is so fun.

979
00:44:00,760 --> 00:44:05,319
Speaker 15: One bathroom always covered in pe fal And then I

980
00:44:05,320 --> 00:44:09,360
Speaker 15: think a year later we had graduated two buses, and

981
00:44:09,400 --> 00:44:14,200
Speaker 15: then now it's got four or five, and so we

982
00:44:14,239 --> 00:44:15,960
Speaker 15: have our own bus now, so we have our family

983
00:44:15,960 --> 00:44:18,560
Speaker 15: bus where it's just us and the girls, and then

984
00:44:18,600 --> 00:44:22,719
Speaker 15: we have automar nanny who travels with us. And so

985
00:44:22,880 --> 00:44:25,680
Speaker 15: even that, though is like it makes me laugh thinking

986
00:44:25,719 --> 00:44:28,920
Speaker 15: about the days when that first eight months of our

987
00:44:28,960 --> 00:44:31,760
Speaker 15: life together was literally thirteen of us on a bus,

988
00:44:31,800 --> 00:44:34,000
Speaker 15: just rage mode parting every night.

989
00:44:34,760 --> 00:44:37,200
Speaker 17: Hey, it's Mike d and this week All Movie Mike's

990
00:44:37,200 --> 00:44:41,319
Speaker 17: Movie Podcast, I shared my top eight movies from the

991
00:44:41,360 --> 00:44:44,000
Speaker 17: eighties that I think deserve a sequel. Now with the

992
00:44:44,040 --> 00:44:47,960
Speaker 17: success of Beetlejuice Beetlejuice, I think Hollywood is foaming out

993
00:44:47,960 --> 00:44:50,840
Speaker 17: the mouth to get more eighties movie sequels, So I

994
00:44:50,880 --> 00:44:52,840
Speaker 17: shared some of my favorite movies from the eighties that

995
00:44:52,880 --> 00:44:55,960
Speaker 17: still don't have one. Surprisingly, I also gave my spoiler

996
00:44:56,000 --> 00:44:58,319
Speaker 17: free review of Beetlejuice. Beetlejuice, so be sure to check

997
00:44:58,320 --> 00:45:00,520
Speaker 17: out this full episode. But right now, now, here's just

998
00:45:00,520 --> 00:45:04,640
Speaker 17: a little bit of movie Mike's movie podcast at number

999
00:45:04,680 --> 00:45:07,920
Speaker 17: eight a movie that came out in nineteen eighty six.

1000
00:45:08,080 --> 00:45:11,520
Speaker 17: It's one of my favorite football movies of all time. Actually,

1001
00:45:11,560 --> 00:45:15,319
Speaker 17: two of my favorite all time favorite football movies came

1002
00:45:15,360 --> 00:45:18,160
Speaker 17: out in the eighties, but it is Lucas. The reason

1003
00:45:18,200 --> 00:45:20,319
Speaker 17: I feel that this movie needs a sequel is one

1004
00:45:20,719 --> 00:45:23,560
Speaker 17: I identified a lot with the character of Lucas. If

1005
00:45:23,600 --> 00:45:26,120
Speaker 17: you're not familiar with this movie, it is a character

1006
00:45:26,200 --> 00:45:30,720
Speaker 17: named Lucas played by Corey Heim, Which how more quintessential

1007
00:45:30,840 --> 00:45:34,440
Speaker 17: eighties actor can you get than Corey Heim sadly passed away,

1008
00:45:34,840 --> 00:45:38,440
Speaker 17: but he was such a dominant force in the eighties

1009
00:45:38,480 --> 00:45:41,600
Speaker 17: when it came to childhood and teenage actors. And he

1010
00:45:41,719 --> 00:45:45,360
Speaker 17: played this character named Lucas, who was a really smart

1011
00:45:45,400 --> 00:45:48,759
Speaker 17: teenager and he was trying to get this girl, and

1012
00:45:48,800 --> 00:45:52,799
Speaker 17: in order to impress, he joined the football team. She

1013
00:45:53,000 --> 00:45:55,520
Speaker 17: was the new girl in school. Played by Carrie Green.

1014
00:45:56,080 --> 00:45:59,239
Speaker 17: Charlie Sheen was in the movie. He tried to protect Lucas,

1015
00:45:59,440 --> 00:46:01,880
Speaker 17: Y said, I know in a writer, so an incredible

1016
00:46:01,920 --> 00:46:04,520
Speaker 17: eighties cast, And the reason I want to see a

1017
00:46:04,560 --> 00:46:07,040
Speaker 17: sequel to Lucas is probably a little bit selfish. But

1018
00:46:07,080 --> 00:46:10,160
Speaker 17: in the eighties and nineties, there was this category of

1019
00:46:10,239 --> 00:46:14,200
Speaker 17: movie with a plot line nerdy boy tries to get

1020
00:46:14,320 --> 00:46:17,200
Speaker 17: hot girl, and that was a lot of movies and

1021
00:46:17,840 --> 00:46:20,960
Speaker 17: us as viewers, we love to root for the underdog.

1022
00:46:21,440 --> 00:46:24,280
Speaker 17: We love to root for the guy to get the girl,

1023
00:46:24,360 --> 00:46:27,080
Speaker 17: the girl to get the guy. The will they won't they?

1024
00:46:27,719 --> 00:46:30,680
Speaker 17: That has just been a constant in TV and movies,

1025
00:46:31,040 --> 00:46:33,160
Speaker 17: and I feel in the last ten fifteen years we

1026
00:46:33,280 --> 00:46:36,279
Speaker 17: don't really have those type of movies anymore. And it's

1027
00:46:36,360 --> 00:46:41,040
Speaker 17: probably in the same way that we've had less comedies

1028
00:46:41,080 --> 00:46:45,000
Speaker 17: in the last five, six, seven, even decade, we've also

1029
00:46:45,080 --> 00:46:47,759
Speaker 17: had less of this type of plotline because it's not

1030
00:46:47,880 --> 00:46:51,280
Speaker 17: quite a rom com, it's not quite a full on comedy.

1031
00:46:51,880 --> 00:46:54,960
Speaker 17: It is this very specific coming of age movie. That

1032
00:46:55,120 --> 00:46:56,840
Speaker 17: is why I want to see that movie. I have

1033
00:46:57,000 --> 00:47:00,600
Speaker 17: Lucas too at number eight At number V seven is

1034
00:47:00,600 --> 00:47:03,279
Speaker 17: a movie from nineteen eighty five, I want to see

1035
00:47:03,280 --> 00:47:06,960
Speaker 17: a sequel to Sesame Street Presents Follow That Bird, Give

1036
00:47:07,000 --> 00:47:09,560
Speaker 17: Me Part Two. This is a movie that I discovered

1037
00:47:10,200 --> 00:47:13,240
Speaker 17: on a VHS tape. I'm not sure exactly what movie

1038
00:47:13,800 --> 00:47:16,680
Speaker 17: that I watched so much in my childhood that I

1039
00:47:16,760 --> 00:47:19,400
Speaker 17: remembered all the trailers, and this was one of the

1040
00:47:19,440 --> 00:47:22,440
Speaker 17: trailers that when you pop into that VHS tape you

1041
00:47:22,520 --> 00:47:25,160
Speaker 17: had to sit through them. You don't have that anymore.

1042
00:47:25,520 --> 00:47:27,600
Speaker 17: Our version of that is maybe a pop up ad

1043
00:47:27,680 --> 00:47:30,719
Speaker 17: on social media. Scrolling through TikTok. Every now and then

1044
00:47:30,719 --> 00:47:33,120
Speaker 17: you get a movie trailer, you hop onto YouTube you

1045
00:47:33,120 --> 00:47:37,359
Speaker 17: see trailers. But before that, for DVDs, when you got

1046
00:47:37,360 --> 00:47:41,520
Speaker 17: a VHS, it had the baked in movie trailers of

1047
00:47:41,640 --> 00:47:44,000
Speaker 17: other movies that you could go buy right now. But

1048
00:47:44,080 --> 00:47:47,600
Speaker 17: I remember watching this trailer all the time, and I

1049
00:47:47,680 --> 00:47:51,520
Speaker 17: finally was able to actually watch the movie. And I

1050
00:47:51,760 --> 00:47:55,399
Speaker 17: love this category of movie. And the interesting thing about

1051
00:47:55,480 --> 00:47:58,719
Speaker 17: Sesame Street movies is they've only made two that came

1052
00:47:58,719 --> 00:48:01,279
Speaker 17: out in theaters. The first one was this one, Follow

1053
00:48:01,360 --> 00:48:03,880
Speaker 17: That Bird, which came out in nineteen eighty five, and

1054
00:48:03,920 --> 00:48:06,600
Speaker 17: then they had another one in nineteen ninety nine, Elmo

1055
00:48:06,760 --> 00:48:11,319
Speaker 17: and Grouchland. Sadly The thing about Sesame Street movies not

1056
00:48:11,400 --> 00:48:16,160
Speaker 17: that profitable, which is so surprising to me that a

1057
00:48:16,239 --> 00:48:20,760
Speaker 17: TV show as popular as Sesame Street would have box

1058
00:48:20,840 --> 00:48:24,840
Speaker 17: office BOMs. Follow that Bird only made thirteen million dollars

1059
00:48:24,840 --> 00:48:28,000
Speaker 17: at the box office, probably cost around ten million dollars

1060
00:48:28,080 --> 00:48:30,040
Speaker 17: to make. They didn't even release the numbers for how

1061
00:48:30,120 --> 00:48:32,319
Speaker 17: much this movie costs to make. But the Ilman movie

1062
00:48:32,320 --> 00:48:35,040
Speaker 17: in ninety nine cost twenty six million dollars to make

1063
00:48:35,120 --> 00:48:38,320
Speaker 17: and only mail eleven million dollars at the box office.

1064
00:48:38,560 --> 00:48:41,840
Speaker 17: So after that they said, Okay, no more Sesame Street movies.

1065
00:48:42,200 --> 00:48:44,920
Speaker 17: It could be the model of Sesame Street. You're having

1066
00:48:44,960 --> 00:48:47,319
Speaker 17: to go pay for something in theaters that you could

1067
00:48:47,360 --> 00:48:50,920
Speaker 17: get at home for free. And it also has a

1068
00:48:51,200 --> 00:48:54,680
Speaker 17: very young audience, so maybe it's hard to kind of

1069
00:48:54,719 --> 00:48:57,960
Speaker 17: convert that into getting people and families out to go

1070
00:48:58,040 --> 00:49:00,960
Speaker 17: to the theater to watch it. Because I feel like

1071
00:49:01,000 --> 00:49:03,080
Speaker 17: a Sesame Street movie. Now I'm kind of talking myself

1072
00:49:03,080 --> 00:49:05,080
Speaker 17: out of it, but I feel like a Sesame Street

1073
00:49:05,120 --> 00:49:09,000
Speaker 17: movie has just a very very key demographic of young

1074
00:49:09,120 --> 00:49:13,480
Speaker 17: young kids, unlike some of the Illumination or Disney movies

1075
00:49:13,520 --> 00:49:16,000
Speaker 17: that are fun for the entire family. But me as

1076
00:49:16,000 --> 00:49:19,759
Speaker 17: a kid I love follow That Bird had an amazing cast.

1077
00:49:19,840 --> 00:49:23,120
Speaker 17: You had Waylon Jennings in this movie. You had Chevy Chase,

1078
00:49:23,560 --> 00:49:27,680
Speaker 17: you had John Candy, you had the classic Sesame Street humor.

1079
00:49:28,000 --> 00:49:30,720
Speaker 17: My favorite joke out of the entire movie is whenever

1080
00:49:30,760 --> 00:49:32,880
Speaker 17: they're trying to track down Big Bird, because what happens

1081
00:49:32,880 --> 00:49:35,720
Speaker 17: in this movie. Big Bird is living in Sesame Street,

1082
00:49:36,160 --> 00:49:39,160
Speaker 17: living his normal life, loving it, and then he is

1083
00:49:39,200 --> 00:49:42,160
Speaker 17: sent to live with a bird family much like he is,

1084
00:49:42,480 --> 00:49:44,920
Speaker 17: ends up. He doesn't like that Bird family whatsoever and

1085
00:49:45,000 --> 00:49:47,279
Speaker 17: decides that he misses his friends and wants to go

1086
00:49:47,320 --> 00:49:50,480
Speaker 17: back to Sesame Street. So it's him getting away from there,

1087
00:49:50,560 --> 00:49:53,279
Speaker 17: and then all the Sesame Street characters trying to find

1088
00:49:53,280 --> 00:49:55,280
Speaker 17: Big Bird now that he is lost.

1089
00:49:55,840 --> 00:49:56,640
Speaker 1: But there is this.

1090
00:49:56,560 --> 00:49:59,040
Speaker 17: Big road trip, and I love a movie with the

1091
00:49:59,120 --> 00:50:02,239
Speaker 17: road trip. But there's joke where they're like, oh, it's

1092
00:50:02,239 --> 00:50:04,240
Speaker 17: the fork in the road, and there's like a literal

1093
00:50:04,280 --> 00:50:07,440
Speaker 17: fork in the road. Classic comedy. Me as like a

1094
00:50:07,480 --> 00:50:08,480
Speaker 17: four or five year old.

1095
00:50:08,560 --> 00:50:09,560
Speaker 10: I ate that up.

1096
00:50:09,840 --> 00:50:13,319
Speaker 17: So I know these movies have not been successful, But

1097
00:50:13,440 --> 00:50:16,879
Speaker 17: as you can hear in my voice that twenty five,

1098
00:50:17,000 --> 00:50:19,800
Speaker 17: twenty seven years after I watched this movie, I'm still

1099
00:50:19,840 --> 00:50:22,879
Speaker 17: thinking about it. Even though they didn't make a whole

1100
00:50:22,920 --> 00:50:24,920
Speaker 17: lot of money at the box office, that doesn't mean

1101
00:50:25,000 --> 00:50:28,680
Speaker 17: that these movies aren't impactful. Maybe it's a straight to

1102
00:50:28,960 --> 00:50:32,360
Speaker 17: MAX type movie, because that is just the nature of

1103
00:50:32,400 --> 00:50:34,600
Speaker 17: things now we don't have straight to videos straight to

1104
00:50:34,719 --> 00:50:39,120
Speaker 17: vhs anymore. Maybe it's a Max original give me Follow

1105
00:50:39,200 --> 00:50:42,640
Speaker 17: That Bird Too at number six from nineteen eighty three

1106
00:50:42,719 --> 00:50:45,840
Speaker 17: when the original came out. Kujo two is a sequel.

1107
00:50:45,960 --> 00:50:49,160
Speaker 17: I would love to see. Reason is I just remember

1108
00:50:49,280 --> 00:50:52,759
Speaker 17: this being the go to scary movie that everybody talked

1109
00:50:52,760 --> 00:50:55,520
Speaker 17: about when I was growing up. Have you seen Kujo

1110
00:50:55,920 --> 00:50:59,400
Speaker 17: The Story of the Killer Dog? One of I believes

1111
00:50:59,440 --> 00:51:03,120
Speaker 17: Stephen's best movies in the eighties. It is a movie

1112
00:51:03,120 --> 00:51:05,160
Speaker 17: that just feels like it gets a referenced so much

1113
00:51:05,239 --> 00:51:08,440
Speaker 17: even if you haven't seen it. But essentially what happens

1114
00:51:08,560 --> 00:51:11,480
Speaker 17: in Kujo is, well, you have a killer dog, and

1115
00:51:11,520 --> 00:51:14,080
Speaker 17: it's this family trapped in a car the entire time

1116
00:51:14,480 --> 00:51:17,040
Speaker 17: and them trying well not to be eaten by Kujo.

1117
00:51:17,360 --> 00:51:21,120
Speaker 17: And the movie is truly terrifying. His bloody snout is

1118
00:51:21,360 --> 00:51:25,160
Speaker 17: just a great, fantastic movie, and I am surprised that

1119
00:51:25,200 --> 00:51:28,040
Speaker 17: we have not had a sequel to it now. Stephen

1120
00:51:28,120 --> 00:51:31,640
Speaker 17: King did put out another book called Rattlesnakes, which does

1121
00:51:31,760 --> 00:51:37,360
Speaker 17: serve as the sequel to Kujo, primarily focusing on the

1122
00:51:37,440 --> 00:51:41,840
Speaker 17: human characters taking place in the aftermath of Kujo, which

1123
00:51:41,920 --> 00:51:45,680
Speaker 17: spoiler alert doesn't turn out so great. So you do

1124
00:51:45,840 --> 00:51:48,799
Speaker 17: have the source material here. There is a story for

1125
00:51:48,880 --> 00:51:52,120
Speaker 17: Kujo two you can throw in make it another dog,

1126
00:51:52,440 --> 00:51:54,719
Speaker 17: So I have Kujo two is a sequel I want

1127
00:51:54,760 --> 00:51:56,640
Speaker 17: to see at number six.

1128
00:52:05,239 --> 00:52:08,320
Speaker 2: Thanks for listening to this week's Sunday Sampler. New episodes

1129
00:52:08,360 --> 00:52:10,760
Speaker 2: are out weekly of every single one of those shows.

1130
00:52:11,000 --> 00:52:13,360
Speaker 2: We hope you find something that you like. Please subscribe.

1131
00:52:13,600 --> 00:52:16,080
Speaker 2: You can also check out our Instagram page, the Nashville

1132
00:52:16,080 --> 00:52:16,840
Speaker 2: Podcast Network.

1133
00:52:16,960 --> 00:52:18,040
Speaker 1: Hope you guys have a great week.