1 00:00:01,360 --> 00:00:06,200 Speaker 1: These Benz Interview Lounge. That's right, it's the Mercedes Benz 2 00:00:06,280 --> 00:00:09,000 Speaker 1: Interview Lounge. Here we are. We're in the interview lounge. 3 00:00:09,000 --> 00:00:09,280 Speaker 2: Hello. 4 00:00:09,880 --> 00:00:11,960 Speaker 1: So it asked me the other day, like where is 5 00:00:12,039 --> 00:00:14,400 Speaker 1: that in the building. So it's the same room. We 6 00:00:14,560 --> 00:00:16,239 Speaker 1: just changed the logo behind me. I knew why. 7 00:00:16,320 --> 00:00:18,000 Speaker 2: We're like, oh, we walked so far to get that. 8 00:00:18,840 --> 00:00:21,680 Speaker 1: Wait down the hallway of the Mercedes Benz Interview Lounge. 9 00:00:22,040 --> 00:00:25,200 Speaker 1: WHOA held out of breath. Hey, it was what six 10 00:00:25,320 --> 00:00:26,920 Speaker 1: years ago? Said, I don't even know how many years 11 00:00:26,920 --> 00:00:29,800 Speaker 1: ago it was. Grace vander Wall was on our show. 12 00:00:30,320 --> 00:00:32,880 Speaker 1: She played a concert for us here in town, and 13 00:00:33,520 --> 00:00:36,600 Speaker 1: she was full of talent and just fun. She definitely 14 00:00:36,600 --> 00:00:38,640 Speaker 1: marches to the beat of her own drum, which we love. 15 00:00:39,120 --> 00:00:41,480 Speaker 1: We love people who lean into what they're all about. 16 00:00:42,360 --> 00:00:45,239 Speaker 1: So now she's back. She has this new song we're 17 00:00:45,240 --> 00:00:47,320 Speaker 1: going to debut. We're gonna premiere for you in a 18 00:00:47,360 --> 00:00:49,960 Speaker 1: few moments. She's in a new film coming out that 19 00:00:50,040 --> 00:00:52,720 Speaker 1: has every big star known a man in Hollywood in 20 00:00:52,800 --> 00:00:53,479 Speaker 1: this film, and she. 21 00:00:53,440 --> 00:00:54,560 Speaker 2: Wrote music for the film. 22 00:00:54,720 --> 00:00:58,840 Speaker 1: I know, crazy, We're not worthy anyway, it's been years. 23 00:00:58,880 --> 00:01:00,400 Speaker 1: I just want to bring her in. Let's catch up 24 00:01:00,440 --> 00:01:03,320 Speaker 1: with Grace vander wall where's Grace? Where does she bring 25 00:01:03,360 --> 00:01:07,360 Speaker 1: her in? Bring me Grace, come on in. And she's 26 00:01:07,440 --> 00:01:13,120 Speaker 1: carrying her stuffed animal with her. She's saying hello to 27 00:01:13,120 --> 00:01:15,080 Speaker 1: the masses, even though there's four of us in here. 28 00:01:15,120 --> 00:01:16,360 Speaker 2: Hello. Hello. 29 00:01:16,640 --> 00:01:20,080 Speaker 1: You're practicing for the red carpet for the movie. Welcome 30 00:01:20,120 --> 00:01:20,520 Speaker 1: to the show. 31 00:01:20,600 --> 00:01:22,400 Speaker 2: You look adorable. Oh my god, thank you. 32 00:01:22,480 --> 00:01:24,080 Speaker 3: I'm like, I was like, I'm gonna look like such 33 00:01:24,120 --> 00:01:27,120 Speaker 3: a diva. But guys, my eyes are like so swollen 34 00:01:27,200 --> 00:01:28,120 Speaker 3: right now I wake. 35 00:01:28,000 --> 00:01:28,640 Speaker 2: Up at noon. 36 00:01:29,360 --> 00:01:32,120 Speaker 1: Okay, so so jealous. You're wearing sunglasses to cover that up. 37 00:01:32,120 --> 00:01:34,720 Speaker 1: You're fine, You're safe with us, Okay, usually we usually 38 00:01:34,760 --> 00:01:36,080 Speaker 1: we request people to take them off. 39 00:01:36,120 --> 00:01:37,440 Speaker 2: Well, it depends on who you are. 40 00:01:37,760 --> 00:01:40,399 Speaker 1: Who was it? It was Acon or who wasn't? No, 41 00:01:40,520 --> 00:01:44,280 Speaker 1: it was Tyle Cruise crud. Yeah, you wouldn't take his 42 00:01:44,319 --> 00:01:45,080 Speaker 1: sunglasses off. 43 00:01:45,120 --> 00:01:47,200 Speaker 2: I don't know who that is exactly. 44 00:01:47,760 --> 00:01:50,760 Speaker 1: That's the point. Anyway. So, Grace, it was years ago. 45 00:01:50,880 --> 00:01:53,200 Speaker 1: I mean, it's you're an old story for you, But 46 00:01:53,240 --> 00:01:54,960 Speaker 1: I just want to bring everyone up to speed. Okay, 47 00:01:55,000 --> 00:01:57,960 Speaker 1: I think it's fair. Okay, it was never It was 48 00:01:58,000 --> 00:02:01,040 Speaker 1: the eleventh season of America's got to and you won that, 49 00:02:01,720 --> 00:02:04,200 Speaker 1: and you're I remember you came to our show and 50 00:02:04,200 --> 00:02:06,440 Speaker 1: you brought a ukulele and you sang. And now I've 51 00:02:06,440 --> 00:02:10,040 Speaker 1: heard that the ukulele ukulele you actually like bashed it 52 00:02:10,080 --> 00:02:11,519 Speaker 1: on the stage. You never want to play a ukulele. 53 00:02:12,680 --> 00:02:14,760 Speaker 2: No, oh my god. 54 00:02:15,919 --> 00:02:17,680 Speaker 1: Ukuleles are just not your thing anymore. 55 00:02:17,720 --> 00:02:20,360 Speaker 2: That isn't absolutely not true. 56 00:02:20,720 --> 00:02:21,760 Speaker 1: I'm just making stuff up. 57 00:02:21,800 --> 00:02:22,680 Speaker 2: I know you are. 58 00:02:23,280 --> 00:02:25,480 Speaker 1: I know. One of the songs we play, don't know 59 00:02:25,560 --> 00:02:31,920 Speaker 1: my name to listen to it, It's okay. How come 60 00:02:31,960 --> 00:02:33,519 Speaker 1: you don't want to hear the old songs. 61 00:02:33,280 --> 00:02:35,520 Speaker 2: Like putting water on like a witch? 62 00:02:39,160 --> 00:02:43,399 Speaker 1: It's alphaba okay, okay, it's off, it's off forture. 63 00:02:43,800 --> 00:02:46,000 Speaker 2: I'm so sorry, guys, there's nothing wrong with it. 64 00:02:46,000 --> 00:02:48,560 Speaker 1: It's just, you know, okay, we move on. If you know, 65 00:02:48,560 --> 00:02:51,280 Speaker 1: if someone plays tapes as they call them, of my 66 00:02:51,400 --> 00:02:52,760 Speaker 1: old radio shows, I'm like the. 67 00:02:52,800 --> 00:02:54,520 Speaker 2: Same, yeah, exactly, yeah, No. 68 00:02:54,480 --> 00:02:56,240 Speaker 1: I don't want to hear that. I'm with you, okay, 69 00:02:56,360 --> 00:02:59,639 Speaker 1: now I understand I'm leaning into your pain. Oh my god, 70 00:02:59,680 --> 00:03:03,840 Speaker 1: I know so uh. But you know, growing up trying 71 00:03:03,880 --> 00:03:06,760 Speaker 1: to get things rolling in this business, did you did 72 00:03:06,800 --> 00:03:10,040 Speaker 1: you have a childhood. I mean, did you what the 73 00:03:10,120 --> 00:03:12,680 Speaker 1: child who you had was all? You know? Yeah? Was it? 74 00:03:12,800 --> 00:03:16,040 Speaker 1: Was it normal compared to others that you know of now, 75 00:03:16,200 --> 00:03:17,320 Speaker 1: like what was it? What was your life? 76 00:03:17,400 --> 00:03:23,919 Speaker 3: Like? Well, oh god it was I don't know. Honestly, 77 00:03:24,040 --> 00:03:27,480 Speaker 3: I like don't remember anything. You really don't like don't 78 00:03:27,480 --> 00:03:31,560 Speaker 3: remember anything. But yeah, it would have been like very 79 00:03:31,639 --> 00:03:34,840 Speaker 3: abnormal even despite the work. Honestly, I feel like that 80 00:03:35,000 --> 00:03:41,040 Speaker 3: just added normalcy into my life. But you know, the 81 00:03:41,040 --> 00:03:45,560 Speaker 3: weird thing is that like development will stay development though 82 00:03:45,680 --> 00:03:49,440 Speaker 3: like the natural things that everyone you know goes through, 83 00:03:49,520 --> 00:03:52,080 Speaker 3: I still went through, just on a different scale. So 84 00:03:52,120 --> 00:03:54,040 Speaker 3: like I always say, when I was like on tour 85 00:03:54,240 --> 00:03:57,800 Speaker 3: and stuff, like Engineer and crew were like my cool 86 00:03:57,920 --> 00:04:00,240 Speaker 3: seniors that I looked up to, So like my brain 87 00:04:00,440 --> 00:04:03,680 Speaker 3: still worked in that way of like you know, but 88 00:04:03,880 --> 00:04:06,960 Speaker 3: just in a different setting, which ended up affecting who 89 00:04:06,960 --> 00:04:09,720 Speaker 3: I am now as an adult, which I appreciate in 90 00:04:10,240 --> 00:04:15,040 Speaker 3: really in a really great way, like artistic integrity wise, 91 00:04:15,120 --> 00:04:17,680 Speaker 3: because you know, I wasn't like really looking up to 92 00:04:18,240 --> 00:04:19,840 Speaker 3: I had such a look on the inside that yeah, 93 00:04:19,839 --> 00:04:23,640 Speaker 3: I'm not really looking up to whatever the kids. 94 00:04:23,400 --> 00:04:24,479 Speaker 2: Are listening to right now. 95 00:04:24,600 --> 00:04:27,520 Speaker 3: I don't know Sabrina Carpenter. I guess she's like the 96 00:04:27,640 --> 00:04:30,719 Speaker 3: pop star right now. I was like looking up to 97 00:04:31,279 --> 00:04:33,880 Speaker 3: producers and engineers and kind of artists in the background. 98 00:04:33,880 --> 00:04:35,880 Speaker 3: I was like, you guys are cool, you're you know 99 00:04:36,080 --> 00:04:39,760 Speaker 3: my year now my like defined coolness. 100 00:04:39,800 --> 00:04:44,640 Speaker 1: Well they were world yeah yeah right, yeah yeah. 101 00:04:44,839 --> 00:04:47,600 Speaker 2: And it affected me in like a really cool way. 102 00:04:47,640 --> 00:04:48,480 Speaker 2: I like who I am. 103 00:04:48,800 --> 00:04:50,839 Speaker 3: I think that like I value I value the things 104 00:04:50,880 --> 00:04:54,720 Speaker 3: that I would like to value, which definitely annoyed some 105 00:04:54,800 --> 00:04:57,360 Speaker 3: people in the past because they had like this really 106 00:04:57,480 --> 00:04:59,880 Speaker 3: set path for me, and like I think they really. 107 00:04:59,760 --> 00:05:02,719 Speaker 2: Want wanted me to be like, oh yeah, like I wanna, 108 00:05:02,920 --> 00:05:03,120 Speaker 2: you know. 109 00:05:03,880 --> 00:05:08,840 Speaker 3: Do all of this like major you know, across the board, 110 00:05:08,960 --> 00:05:11,440 Speaker 3: like here's my smart water and here's my new pop 111 00:05:11,560 --> 00:05:15,600 Speaker 3: song and I love everyone, right, And I was like 112 00:05:16,080 --> 00:05:18,040 Speaker 3: and I was like, oh wait, no, like I kind 113 00:05:18,080 --> 00:05:19,920 Speaker 3: of want to like do this or experiment or go 114 00:05:20,040 --> 00:05:20,320 Speaker 3: that way. 115 00:05:20,320 --> 00:05:22,680 Speaker 1: And they're like, well, well, And that's the thing, Grace. 116 00:05:22,720 --> 00:05:24,480 Speaker 1: We're learning more and more of these days, especially with 117 00:05:24,640 --> 00:05:27,880 Speaker 1: documentaries that are out about how kids who were in 118 00:05:27,960 --> 00:05:31,560 Speaker 1: the entertainment business, how they really had no choice with 119 00:05:31,680 --> 00:05:35,040 Speaker 1: their direction. Somewhat they were told to do this, told 120 00:05:35,080 --> 00:05:37,440 Speaker 1: to do that, maybe forced to play ukulele. I don't know, 121 00:05:37,720 --> 00:05:41,000 Speaker 1: you know, I don't know, but it's it's not all fun. 122 00:05:41,040 --> 00:05:43,120 Speaker 1: It's all not all funny games for a lot of 123 00:05:43,160 --> 00:05:45,440 Speaker 1: these people who are now grown up and trying to 124 00:05:45,600 --> 00:05:47,880 Speaker 1: like figure it out beyond those days. 125 00:05:48,200 --> 00:05:52,440 Speaker 3: Yeah, I would say I went through that confusion and 126 00:05:52,560 --> 00:05:56,840 Speaker 3: grievance long ago. Okay, Yeah, it's not really something that 127 00:05:56,880 --> 00:05:59,560 Speaker 3: I'm like going through now. And also it really really 128 00:05:59,720 --> 00:06:04,280 Speaker 3: wasn't that you know, violent in any way. I think 129 00:06:04,320 --> 00:06:06,560 Speaker 3: that they really just rode the wave of what was 130 00:06:06,920 --> 00:06:09,400 Speaker 3: naturally happening, and like, like I said, like there were 131 00:06:09,480 --> 00:06:14,239 Speaker 3: things behind the scenes that were also influencing this weird 132 00:06:14,400 --> 00:06:17,280 Speaker 3: brand that was naturally occurring that they were just like 133 00:06:17,600 --> 00:06:19,119 Speaker 3: let's ride that wave. 134 00:06:19,560 --> 00:06:23,880 Speaker 2: So no shade to them, but I mean, yeah, then. 135 00:06:23,960 --> 00:06:26,080 Speaker 3: On a personal scale, you're definitely right where you're just 136 00:06:26,240 --> 00:06:28,400 Speaker 3: like I, you know, I have like I think that 137 00:06:28,480 --> 00:06:31,679 Speaker 3: there's a really common denominator of like this gifted child 138 00:06:31,800 --> 00:06:34,800 Speaker 3: syndrome where you like you excel, but you're excelled as 139 00:06:34,839 --> 00:06:38,000 Speaker 3: a child, and that's always what you're commended by, so 140 00:06:38,200 --> 00:06:41,200 Speaker 3: that's what you always base your worth off of. It's like, oh, 141 00:06:41,640 --> 00:06:44,840 Speaker 3: I am worthy because I am. I am an accelerated child. 142 00:06:45,240 --> 00:06:47,599 Speaker 3: But then what happens is you're so. 143 00:06:47,839 --> 00:06:51,039 Speaker 2: Used to being excelled as a child that. 144 00:06:51,200 --> 00:06:55,200 Speaker 3: You end up actually plateauing and everyone surpasses you in adulthood. 145 00:06:55,600 --> 00:06:59,720 Speaker 2: So then in adulthood you no longer have that thing 146 00:06:59,760 --> 00:07:01,640 Speaker 2: that you base your whole identity on. 147 00:07:02,040 --> 00:07:05,840 Speaker 1: Now you're just an Oh look at that using she 148 00:07:06,000 --> 00:07:14,360 Speaker 1: used the brown word, the dump button. It's okay, she 149 00:07:14,520 --> 00:07:16,560 Speaker 1: used the brown word. Hey, moving on though, Okay, let's 150 00:07:16,640 --> 00:07:18,920 Speaker 1: let's forget about then. Let's talk about now, because here 151 00:07:19,000 --> 00:07:24,520 Speaker 1: you are twenty years old, right and uh, gosh, new music. 152 00:07:24,680 --> 00:07:26,320 Speaker 1: You're working on the album. But we have a song 153 00:07:26,400 --> 00:07:28,000 Speaker 1: we we're gonna world premiere in a few minutes, and 154 00:07:28,120 --> 00:07:30,400 Speaker 1: we already heard it in the room. It's so good. Yeah, 155 00:07:30,440 --> 00:07:34,800 Speaker 1: we we opened it up and listened early. Sorry, and 156 00:07:34,880 --> 00:07:35,280 Speaker 1: we love it. 157 00:07:35,320 --> 00:07:36,360 Speaker 2: I actually heard it playing. 158 00:07:36,760 --> 00:07:42,040 Speaker 1: And also the film Megalopolis, which is coming out September 159 00:07:42,120 --> 00:07:45,960 Speaker 1: twenty seventh, for a Cople Francis for a couple have 160 00:07:46,040 --> 00:07:48,920 Speaker 1: been working on this thing for forty years and it 161 00:07:49,120 --> 00:07:51,760 Speaker 1: has every every actor in there that wants to be 162 00:07:51,840 --> 00:07:54,440 Speaker 1: in a Frank Francis for a couple of films and 163 00:07:54,640 --> 00:07:57,520 Speaker 1: you so you are in this. How pivotal is this 164 00:07:57,680 --> 00:07:58,520 Speaker 1: role that you played in this? 165 00:07:58,600 --> 00:07:58,640 Speaker 3: What? 166 00:07:58,880 --> 00:08:00,360 Speaker 1: What is the role about? 167 00:08:00,680 --> 00:08:02,160 Speaker 2: It's I feel like it's. 168 00:08:02,000 --> 00:08:04,920 Speaker 3: A small role in the movie, honestly, and like I'm 169 00:08:04,960 --> 00:08:07,760 Speaker 3: actually getting so. I mean everyone around me is like, no, 170 00:08:07,960 --> 00:08:12,000 Speaker 3: it's not, No, it's not and I'm like okay, but yeah, 171 00:08:12,080 --> 00:08:14,680 Speaker 3: I'm like so worried because I mean, I'm obviously not 172 00:08:14,760 --> 00:08:17,760 Speaker 3: gonna say no to like the carpets and stuff, like 173 00:08:17,800 --> 00:08:19,560 Speaker 3: I'm you know, if I'm invite, I'm gonna go. 174 00:08:20,040 --> 00:08:21,760 Speaker 2: But I'm just like, dang, I think people think I'm 175 00:08:21,840 --> 00:08:25,480 Speaker 2: like a main character this, which I am not. You 176 00:08:25,560 --> 00:08:27,680 Speaker 2: have music in it too, though, So how does that happen? 177 00:08:27,800 --> 00:08:30,200 Speaker 1: Do you say, hey, I want to contribute to this 178 00:08:30,400 --> 00:08:32,120 Speaker 1: or do they come to you and say, hey, you 179 00:08:32,200 --> 00:08:33,200 Speaker 1: think you can give us something? 180 00:08:33,400 --> 00:08:36,960 Speaker 3: No, Just like Francis is just such a set character. 181 00:08:37,800 --> 00:08:45,560 Speaker 3: Francis mister mister for Cobola himself. He was talking about 182 00:08:45,559 --> 00:08:49,160 Speaker 3: the movie to me and I was just like okay, 183 00:08:49,920 --> 00:08:52,480 Speaker 3: and he's just telling me all about this movie that 184 00:08:52,600 --> 00:08:56,120 Speaker 3: he's making, and he like goes in on my character, 185 00:08:56,400 --> 00:08:58,800 Speaker 3: and like, I think that he just decided that I'm 186 00:08:58,880 --> 00:09:02,840 Speaker 3: the character. I was even part of the process. All 187 00:09:02,840 --> 00:09:04,880 Speaker 3: of a sudden, he just starts talking like, oh and 188 00:09:04,960 --> 00:09:06,800 Speaker 3: you know, and I was like, okay, so. 189 00:09:07,679 --> 00:09:08,880 Speaker 1: I mean he could make it work. 190 00:09:08,960 --> 00:09:11,439 Speaker 2: I was like, there are two songs, are you like 191 00:09:11,960 --> 00:09:14,600 Speaker 2: assuming that I'm gonna write those? He's like, oh, yeah, 192 00:09:14,640 --> 00:09:18,160 Speaker 2: well of course. And I continued. I was like, oh, okay, 193 00:09:18,160 --> 00:09:20,480 Speaker 2: I guess I'm just signed up for this. Now I'm just. 194 00:09:22,000 --> 00:09:24,240 Speaker 1: Have to do two songs. That's a big contribution for 195 00:09:24,920 --> 00:09:25,600 Speaker 1: a big film. 196 00:09:25,720 --> 00:09:29,800 Speaker 2: Well, see, now you sound like my team. I mean, 197 00:09:29,880 --> 00:09:32,599 Speaker 2: did you did you have to audition for this or 198 00:09:32,679 --> 00:09:33,000 Speaker 2: did you know? 199 00:09:33,960 --> 00:09:36,959 Speaker 3: I was pretty much scouted out And then I basically 200 00:09:37,080 --> 00:09:38,480 Speaker 3: I don't know if this is what he had to 201 00:09:38,559 --> 00:09:41,280 Speaker 3: do for everyone. I know for other people who were 202 00:09:41,320 --> 00:09:43,319 Speaker 3: being considered for the role went the exact same way, 203 00:09:43,360 --> 00:09:46,920 Speaker 3: where it was more of just coming in for a discussion. 204 00:09:47,160 --> 00:09:48,880 Speaker 2: I didn't even know what we were talking about. 205 00:09:49,200 --> 00:09:51,240 Speaker 3: My management at that time was like, Francis Forcuobla wants 206 00:09:51,280 --> 00:09:55,360 Speaker 3: to talk with you, and I was just like, well, yes. 207 00:09:56,679 --> 00:10:01,040 Speaker 2: I was just like okay, all right. Also, I was 208 00:10:01,120 --> 00:10:02,040 Speaker 2: like coming in like. 209 00:10:02,120 --> 00:10:05,280 Speaker 1: What, yeah, exactly the heck is going on? But Grace, 210 00:10:05,520 --> 00:10:08,280 Speaker 1: obviously Grace to be fair, I mean, your name obviously 211 00:10:08,480 --> 00:10:10,640 Speaker 1: was out there that I think she I think we 212 00:10:10,880 --> 00:10:14,120 Speaker 1: have an artist here who would like to consider being 213 00:10:14,200 --> 00:10:16,079 Speaker 1: in a role in a film, and then all of 214 00:10:16,080 --> 00:10:18,120 Speaker 1: a sudden, freshies just for a couple of says, I'd like, 215 00:10:18,400 --> 00:10:21,120 Speaker 1: I'd like to have a discussion with you. Okay, god, 216 00:10:21,559 --> 00:10:22,120 Speaker 1: I mean hello. 217 00:10:22,679 --> 00:10:25,080 Speaker 3: Well, Also, I think that when you watch the movie, 218 00:10:25,160 --> 00:10:27,439 Speaker 3: like there are components to her character that I think 219 00:10:27,520 --> 00:10:32,679 Speaker 3: I was like, I can like personally relate to that 220 00:10:32,880 --> 00:10:35,800 Speaker 3: and exaggerate that on a large scale, like I was 221 00:10:35,880 --> 00:10:40,800 Speaker 3: like attached to the dimension of the character, which I 222 00:10:40,880 --> 00:10:44,760 Speaker 3: think because I think like there was like a dance component, 223 00:10:44,840 --> 00:10:48,760 Speaker 3: and I remember, you know, I got close to like 224 00:10:48,920 --> 00:10:52,160 Speaker 3: the team around the thing because I just like people, 225 00:10:52,960 --> 00:10:57,400 Speaker 3: and they were like considering like majority dancers before me, 226 00:10:58,320 --> 00:10:59,800 Speaker 3: Like that's how much they wanted it to be like 227 00:10:59,840 --> 00:11:01,439 Speaker 3: a dance roles. 228 00:11:01,559 --> 00:11:03,760 Speaker 1: I was watching you dance out here. Oh my god, 229 00:11:04,360 --> 00:11:05,080 Speaker 1: does she dance? Well? 230 00:11:05,120 --> 00:11:12,080 Speaker 2: You guys are like, are we I'm sorry, that will 231 00:11:12,120 --> 00:11:13,679 Speaker 2: get me hype no matter what. 232 00:11:13,920 --> 00:11:16,800 Speaker 1: Okay, Well, so I mean it's acting something you want 233 00:11:16,840 --> 00:11:19,160 Speaker 1: to continue to roll through? Is this something or just 234 00:11:19,280 --> 00:11:20,200 Speaker 1: case by case basis. 235 00:11:20,280 --> 00:11:20,840 Speaker 2: I think it's a. 236 00:11:20,880 --> 00:11:24,360 Speaker 3: Case by case basis. Yeah, I'm stealing that. I will 237 00:11:24,400 --> 00:11:25,800 Speaker 3: be using that in the future. 238 00:11:26,040 --> 00:11:28,319 Speaker 1: No, you know, it's not always. Look, there are a 239 00:11:28,320 --> 00:11:31,120 Speaker 1: lot of people out there who are starving to act 240 00:11:31,200 --> 00:11:34,839 Speaker 1: in anything, be it stage or film or whatever. And 241 00:11:34,880 --> 00:11:36,360 Speaker 1: there's some people who go, you know what if it's 242 00:11:36,400 --> 00:11:41,000 Speaker 1: something that interests me, Yeah, okay, exactly, and it's interested you. 243 00:11:41,240 --> 00:11:42,280 Speaker 2: Yeah, that's exactly. 244 00:11:42,440 --> 00:11:45,440 Speaker 1: Interest to see this film. It's getting standing ovations around 245 00:11:45,480 --> 00:11:47,640 Speaker 1: the world, and yeah, I love it. 246 00:11:48,080 --> 00:11:50,400 Speaker 3: Honestly, I'm excited for people to see it. I'm like, 247 00:11:50,559 --> 00:11:52,800 Speaker 3: I'm happy to even be somewhat a. 248 00:11:52,840 --> 00:11:53,199 Speaker 2: Part of it. 249 00:11:53,440 --> 00:11:55,400 Speaker 1: There you go, I want to I love hearing that 250 00:11:55,920 --> 00:11:57,439 Speaker 1: because a lot of people they do these things like 251 00:11:58,160 --> 00:11:59,719 Speaker 1: but you just said that, No, you just said this 252 00:11:59,800 --> 00:12:02,200 Speaker 1: part that you play it has several components. A lot 253 00:12:02,200 --> 00:12:04,719 Speaker 1: of people in that film don't have one component. So 254 00:12:04,880 --> 00:12:08,000 Speaker 1: this is good. This is good. Yeah, yeah, absolutely. Do 255 00:12:08,120 --> 00:12:10,040 Speaker 1: you think because you look back at the first song 256 00:12:10,080 --> 00:12:11,679 Speaker 1: that we played it made you cringe? Does it make 257 00:12:11,679 --> 00:12:13,280 Speaker 1: you cringe because you feel like you've come so far 258 00:12:13,320 --> 00:12:15,600 Speaker 1: from that and you don't even identify with that person anymore? 259 00:12:15,679 --> 00:12:18,120 Speaker 2: Or did you just hate the song? Well, okay, no, 260 00:12:18,320 --> 00:12:20,599 Speaker 2: I don't hit the song. I don't hit this. 261 00:12:21,160 --> 00:12:28,080 Speaker 1: You hits like a possum. I must agree like a possum. 262 00:12:30,200 --> 00:12:33,720 Speaker 3: No, I think that's just I think that people don't 263 00:12:33,840 --> 00:12:36,959 Speaker 3: take like the humanism aspect of it. 264 00:12:37,480 --> 00:12:40,599 Speaker 2: And it's just my talent show. Like it's just my 265 00:12:40,800 --> 00:12:41,440 Speaker 2: talent show. 266 00:12:42,200 --> 00:12:44,600 Speaker 3: So you know, I think that if we pulled up 267 00:12:44,640 --> 00:12:46,640 Speaker 3: most people's sixth grade tala show, they'd probably be like. 268 00:12:47,520 --> 00:12:50,840 Speaker 1: Oh god, no sixth grade talent. 269 00:12:50,920 --> 00:12:54,839 Speaker 2: I had no talent, but you won the entire talent 270 00:12:54,920 --> 00:12:55,559 Speaker 2: show with that. 271 00:12:56,040 --> 00:13:00,680 Speaker 1: You want the word the talent show? 272 00:13:01,000 --> 00:13:03,720 Speaker 2: Yeah, exactly. I don't know. I don't think it's cringe. 273 00:13:03,960 --> 00:13:06,079 Speaker 2: I'm like, I'm my guys, just ignore me, don't read 274 00:13:06,120 --> 00:13:06,360 Speaker 2: into it. 275 00:13:06,559 --> 00:13:11,439 Speaker 1: Okay, I'm melting like someone who just poured water on 276 00:13:11,520 --> 00:13:14,440 Speaker 1: a witch. I'm gonna I'm gonna borrow that quote. By 277 00:13:14,440 --> 00:13:17,160 Speaker 1: the way, all right, I want to play your song. 278 00:13:18,040 --> 00:13:18,720 Speaker 2: I want you to play. 279 00:13:18,720 --> 00:13:21,679 Speaker 1: It's called what in and it's gonna happen whether you 280 00:13:21,840 --> 00:13:25,160 Speaker 1: like that. What It's called What's left of Me? What 281 00:13:25,679 --> 00:13:28,800 Speaker 1: is left of and so is it what is left 282 00:13:28,840 --> 00:13:28,959 Speaker 1: of me? 283 00:13:29,120 --> 00:13:29,480 Speaker 3: Or what what? 284 00:13:30,000 --> 00:13:32,520 Speaker 1: Okay? What's all right? And this is a world premiere, 285 00:13:32,559 --> 00:13:32,800 Speaker 1: by the. 286 00:13:32,800 --> 00:13:34,600 Speaker 2: Way, World premiere. 287 00:13:35,160 --> 00:13:37,400 Speaker 3: It's not even like out out. I think it's coming 288 00:13:37,400 --> 00:13:39,240 Speaker 3: out of like what one PM or something? 289 00:13:39,400 --> 00:13:41,719 Speaker 1: Right, look at that, So we're early. So but wait, 290 00:13:41,800 --> 00:13:44,040 Speaker 1: there's an album to follow, Yes, and you're already working 291 00:13:44,080 --> 00:13:48,280 Speaker 1: on music for that. It's done well, so who it's 292 00:13:48,400 --> 00:13:50,480 Speaker 1: wrapped up with a bow. Who gets to push the 293 00:13:50,480 --> 00:13:52,760 Speaker 1: button on that and say it's out? I mean there's 294 00:13:52,800 --> 00:13:54,000 Speaker 1: a date, no, no date? 295 00:13:54,400 --> 00:13:57,520 Speaker 3: Well, there is a date, but it's not announced yet. 296 00:13:58,000 --> 00:14:00,320 Speaker 3: There's like a whole like strategic plan. 297 00:14:00,600 --> 00:14:02,199 Speaker 1: They do this, they do this. They're like, well, we 298 00:14:02,280 --> 00:14:04,719 Speaker 1: can't announce it, Well what should announce? I mean, not you, 299 00:14:04,880 --> 00:14:06,160 Speaker 1: but in particular all. 300 00:14:06,200 --> 00:14:10,000 Speaker 3: Artists, because you basically what you're doing is you're just 301 00:14:10,200 --> 00:14:12,679 Speaker 3: setting up as much anticipation as possible. 302 00:14:12,679 --> 00:14:14,920 Speaker 2: So you want to wait until you've heard it. 303 00:14:15,040 --> 00:14:17,959 Speaker 3: You're like, it's like a street like breakdancer, you know, 304 00:14:18,080 --> 00:14:20,000 Speaker 3: they start kind of going like this to everyone. They're 305 00:14:20,040 --> 00:14:22,560 Speaker 3: not just gonna start break dancing and like ruin all 306 00:14:22,600 --> 00:14:24,680 Speaker 3: their energy. Now we gonna draw in a little bit 307 00:14:24,720 --> 00:14:28,760 Speaker 3: of a crap. All right, I get it you yes, 308 00:14:29,160 --> 00:14:32,320 Speaker 3: Oh god, okay, So I can't cuss and you can 309 00:14:32,400 --> 00:14:37,440 Speaker 3: say that on this morning radio, Penis you can. 310 00:14:37,400 --> 00:14:41,040 Speaker 1: Say that too, but you can say penis. 311 00:14:41,800 --> 00:14:44,000 Speaker 3: But what I love is this like a conversation that's 312 00:14:44,040 --> 00:14:48,080 Speaker 3: been discussed. Have to say penis that often, but they 313 00:14:48,120 --> 00:14:51,800 Speaker 3: needed to be discussed. Is an Elvis you're in meeting 314 00:14:52,000 --> 00:14:53,200 Speaker 3: behind the scenes. 315 00:14:52,920 --> 00:14:56,360 Speaker 1: Exactly we need to have the Penis meeting. Hold on, 316 00:14:56,600 --> 00:15:01,080 Speaker 1: this is kind of funny. Grace is local to suffer 317 00:15:02,200 --> 00:15:06,360 Speaker 1: many Rockland County. Everyone, everyone's so proud of it. But 318 00:15:06,480 --> 00:15:10,040 Speaker 1: someone says that their sister was your second grade teacher. 319 00:15:11,760 --> 00:15:16,120 Speaker 1: Do you remember who your second grade teacher was? I 320 00:15:16,120 --> 00:15:18,400 Speaker 1: don't remember, mind, but I remember mine. 321 00:15:18,440 --> 00:15:21,440 Speaker 3: Wait, I feel like I do though, because I remember 322 00:15:21,720 --> 00:15:23,200 Speaker 3: loving my second grade teacher. 323 00:15:23,400 --> 00:15:24,720 Speaker 1: See, this is good. That's all you have to say. 324 00:15:24,760 --> 00:15:26,640 Speaker 1: You don't have to give a name. You gave something 325 00:15:26,680 --> 00:15:30,400 Speaker 1: more powerful than that. So you are local, you're from 326 00:15:30,480 --> 00:15:33,840 Speaker 1: this area originally Europe. Yeah, you've been everywhere, though. 327 00:15:35,080 --> 00:15:37,480 Speaker 2: I am loyal to New York though, Yeah, do you 328 00:15:38,000 --> 00:15:38,280 Speaker 2: live here? 329 00:15:38,320 --> 00:15:39,320 Speaker 1: To live in LA? Where do you live? 330 00:15:39,440 --> 00:15:40,960 Speaker 2: Honey? I live in New York, all right. 331 00:15:41,000 --> 00:15:41,600 Speaker 1: I don't blame it. 332 00:15:41,720 --> 00:15:49,120 Speaker 2: And everyone is like, I'm like, no, okay, never the death. 333 00:15:49,520 --> 00:15:51,000 Speaker 1: It's nice peaceful here. 334 00:15:51,960 --> 00:15:54,880 Speaker 2: I know, it's just peaceful. I just love, just sleeping 335 00:15:54,960 --> 00:15:55,560 Speaker 2: in the quiet. 336 00:15:56,360 --> 00:15:58,160 Speaker 1: Yeah, there is no such thing. Okay, it's time to 337 00:15:58,200 --> 00:16:00,200 Speaker 1: world premiere the new single, and we want to thank 338 00:16:00,240 --> 00:16:04,400 Speaker 1: you for coming in today and enjoy conquering everything you're 339 00:16:04,400 --> 00:16:07,320 Speaker 1: gonna conquer. I can't wait to see the film. 340 00:16:07,640 --> 00:16:07,960 Speaker 3: Thank you. 341 00:16:08,560 --> 00:16:11,680 Speaker 2: I hope everyone really likes the song. Wait we're live right? 342 00:16:11,960 --> 00:16:12,160 Speaker 1: Yes? 343 00:16:12,680 --> 00:16:15,240 Speaker 2: Okay? Hi everyone? Are you in your car? 344 00:16:15,960 --> 00:16:18,440 Speaker 3: If you are, here's a song that you might like 345 00:16:18,560 --> 00:16:22,080 Speaker 3: driving to going through a tough time, hate men, Here 346 00:16:22,200 --> 00:16:22,440 Speaker 3: you go. 347 00:16:26,640 --> 00:16:28,760 Speaker 1: It's a song for all of us, all right. 348 00:16:29,200 --> 00:16:30,560 Speaker 2: It's a song for the people. All right. 349 00:16:31,040 --> 00:16:34,280 Speaker 1: This is Grace Vandor Wall and thank you for coming 350 00:16:34,320 --> 00:16:34,680 Speaker 1: in today. 351 00:16:34,720 --> 00:16:35,240 Speaker 2: Thank you, guys,