WEBVTT - Getting Back Up

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<v Speaker 1>As a dad, actor, producer for an activist, my schedule

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<v Speaker 1>fills up fast and as we all know, a life

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<v Speaker 1>Hey everyone, it's warmer vol drama. When it comes to insurance,

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<v Speaker 1>from in our Own World podcast and just like Hyundai,

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<v Speaker 1>we love debunking myths, like the myth that electric cars

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<v Speaker 1>debunking myths, Hyundai is thinking of every mile. Hyundai, It's

0:01:38.800 --> 0:01:49.040
<v Speaker 1>your journey. Hearing Wisdom even suggested that I was a

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<v Speaker 1>product and not an artist was devastating, especially since none

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<v Speaker 1>of the product lines were my idea. That was all

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<v Speaker 1>my mother's doing. So I was again reminded of how

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<v Speaker 1>little control I had had over my fifteen year career. God,

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<v Speaker 1>it upset me so much that I left the house.

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<v Speaker 1>I drove for a while to cool off. Then I

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<v Speaker 1>stopped at a music shop where I used to take

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<v Speaker 1>voice guitar lessons as a team. I needed to be

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<v Speaker 1>in a place that reminded me of who I set

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<v Speaker 1>out to be an artist. M Hello, what can I

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<v Speaker 1>help you with? Hi? I'm looking for some sheet music

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<v Speaker 1>of Latin songs. Oldies are modern songs? Maybe a little

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<v Speaker 1>of both. Come with me. I think I recognize you.

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<v Speaker 1>Maybe you're Adelida pass Right. Yes, yes, but don't tell anyone. Okay,

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<v Speaker 1>don't worry. There's a head shot of you as a

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<v Speaker 1>teenager in the music room. Still wow Ah, here you go.

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<v Speaker 1>The sheet music is sorted by genre Reggaeton, boleros, rock

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<v Speaker 1>and Espanol and so forth, and then in alphabetical order

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<v Speaker 1>by song titles. Oldies on the bottom, show new songs

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<v Speaker 1>on top. Oh yeah, mom, I told you. I don't

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<v Speaker 1>want to play the flute. I want to play the

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<v Speaker 1>sack phone. But sweetie, girls don't play the saxophone. Yes

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<v Speaker 1>they do. Girls play everything. But isn't it too heavy

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<v Speaker 1>to carry around? Look? I can hold it fine. I

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<v Speaker 1>better go help those two before they kill each other.

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<v Speaker 1>Are you good? Yeah? At least look at the flutes

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<v Speaker 1>for me. That's what all the other girls at school

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<v Speaker 1>want to play. Boring. Hello, looks like we have a

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<v Speaker 1>difference of opinion. Maybe I can help, Will you please

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<v Speaker 1>tell my mom that girls play saxophones. Of course they do.

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<v Speaker 1>I still want you to look at the flutes, come

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<v Speaker 1>and see how pretty they are. Hey, yeah, girls can

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<v Speaker 1>play saxophone. Stick to your guns, all right, Okay, trust me,

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<v Speaker 1>it's been an hour. I'm not waiting for that girl

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<v Speaker 1>to get back from the drug store. Just tell her

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<v Speaker 1>I'll check in with her tomorrow. Thank you for lunch,

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<v Speaker 1>Protarigo and Wisdom. It was nice to catch up with

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<v Speaker 1>you now you too, miss bass. Damn, second time that

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<v Speaker 1>girl walks out on us. I'm pretty sure that was

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<v Speaker 1>you this time. Yeah, you're right, I'm I'm I'm I'm sorry, Rod.

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<v Speaker 1>I didn't even realize my comment was gonna set off

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<v Speaker 1>like that. Yeah, you could have been a little more diplomatic. Well,

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<v Speaker 1>I ain't got no time for that diplomatic bs man.

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<v Speaker 1>What like hip hop artists don't have endorsement deals? Give

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<v Speaker 1>me a break. Of course they do. But it's just

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<v Speaker 1>not my thing. And what I could tell from that

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<v Speaker 1>meeting is that it's not at elite this thing either.

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<v Speaker 1>She's just going along with her but that's neither here

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<v Speaker 1>nor there. Look why you brought me here to talk

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<v Speaker 1>to it? Right? I did that. Did it do anything

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<v Speaker 1>to change your mind? I guess we'll see, but we

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<v Speaker 1>gotta keep this thing moving now. You know, I'm crazy

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<v Speaker 1>about Adelida and the new arrangement is shit. It's next level, man. So,

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<v Speaker 1>like I said, I want to do your version at

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<v Speaker 1>the Grammy's with or without her. But if she can't

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<v Speaker 1>make up her mind soon, and by soon, I mean

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<v Speaker 1>like clock is ticking tonight, We're moving on with somebody else.

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<v Speaker 1>You feel me, I understand, I hope. So where have

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<v Speaker 1>you been? I've been texting and calling all afternoon. I know,

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<v Speaker 1>I'm sorry. I just needed to clear my head. Wisdom

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<v Speaker 1>is moving on if you can't commit by tonight. Is

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<v Speaker 1>he still there? All right? He's just leaving. All right.

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<v Speaker 1>I'll stop by his house and I'll talk to him.

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<v Speaker 1>Could you at least tell me what you're planning to say? Honey,

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<v Speaker 1>I'm sorry, my head is spinning. I'm going for it.

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<v Speaker 1>I have to. I just told a girl in the

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<v Speaker 1>music shop to stick to her guns. Okay, so I'm

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<v Speaker 1>taking my own advice. Bottom line is, Wisdom may have

0:07:12.160 --> 0:07:15.880
<v Speaker 1>offended me, but he wasn't wrong, and he said some

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<v Speaker 1>really powerful things during our talk in the living room.

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<v Speaker 1>So I'm going to swallow my pride and go talk

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<v Speaker 1>to him. All right, I'll see when you get back.

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<v Speaker 1>Hi and Wilma Drama. As a dad, actor, producer, and activist,

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<v Speaker 1>my schedule fills up fast, and as we all know,

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<v Speaker 1>life can be unpredictable. That's why good help is always welcome,

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<v Speaker 1>like when your friend offers you those important words of advice,

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<v Speaker 1>or when your mom makes your favorite food just because

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<v Speaker 1>he's hold an act of kindness and support. That's why

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<v Speaker 1>support order of the Michael Tuda podcast network by helping

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<v Speaker 1>Here's your glass of wine. Okay, cheers, cheers. Look, I'm

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<v Speaker 1>let me just say this. I'm sorry I've sexual Okay,

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<v Speaker 1>it seems like I've been doing that a lot later.

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<v Speaker 1>Are you kidding? Oh, it's it's me who should be apologizing.

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<v Speaker 1>I can't believe I ran out on you again. I'm

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<v Speaker 1>I'm just in a weird place right now. Is trying

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<v Speaker 1>to make too many changes all that once? Huh? They

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<v Speaker 1>had something like that must be terrifying though, knowing how

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<v Speaker 1>many people you might disappoint. Yeah, but you know what, man,

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<v Speaker 1>I was so proud of you standing up to your

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<v Speaker 1>mother back there and not backing down because you know what,

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<v Speaker 1>I don't know. She hate no joke. Now, now listen, listen.

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<v Speaker 1>You gotta stay firm and not let her derail you again.

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<v Speaker 1>There are ways to get out of a contract, maybe so,

0:11:16.480 --> 0:11:18.960
<v Speaker 1>but it doesn't matter either way. I'm performing with you

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<v Speaker 1>at the Grammys. Oh yeah, I'll deal with contracts after that,

0:11:24.640 --> 0:11:26.959
<v Speaker 1>but I'm hoping that the performance will make them know

0:11:27.280 --> 0:11:30.800
<v Speaker 1>and void copy. That good, all right, So let's hope

0:11:30.840 --> 0:11:34.400
<v Speaker 1>that's the case. But Atalita, I want someone on that

0:11:34.440 --> 0:11:36.280
<v Speaker 1>stage with me who's not gonna be wondering if they

0:11:36.360 --> 0:11:39.000
<v Speaker 1>made the right decision. So you better be sure because

0:11:39.040 --> 0:11:41.439
<v Speaker 1>what comes next is going to require your full confidence.

0:11:42.360 --> 0:11:44.560
<v Speaker 1>I know this may be a big risk, but it

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<v Speaker 1>could also be the smallest career move you'll ever make.

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<v Speaker 1>You know. I was driving around this afternoon. I thought

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<v Speaker 1>a lot about what you said earlier, how you made

0:11:55.320 --> 0:11:58.199
<v Speaker 1>mistakes early on in your career, but how they helped

0:11:58.200 --> 0:12:00.240
<v Speaker 1>you figure out what kind of artists you want to be,

0:12:01.120 --> 0:12:03.280
<v Speaker 1>the kind of artists you still are to this day.

0:12:06.040 --> 0:12:09.680
<v Speaker 1>I've never told you this, I've never told anyone this,

0:12:10.000 --> 0:12:12.760
<v Speaker 1>but I had a crush on you when I was

0:12:12.800 --> 0:12:17.120
<v Speaker 1>a teenager. What I say, word, I know I did.

0:12:17.280 --> 0:12:23.319
<v Speaker 1>I I found your integrity as an artist sexy, and

0:12:24.200 --> 0:12:26.920
<v Speaker 1>I love the fact that your music always had something

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<v Speaker 1>to say before I met Rodrigo. Of course, well, since

0:12:33.559 --> 0:12:37.319
<v Speaker 1>we seem to be revealing secrets today, of course. Yeah,

0:12:37.480 --> 0:12:42.600
<v Speaker 1>I had a little crush on YouTube. What no way. Yeah,

0:12:42.640 --> 0:12:44.400
<v Speaker 1>I wish I could say it was your songs, but

0:12:45.240 --> 0:12:47.440
<v Speaker 1>that would be a lie. At the time, I don't

0:12:47.480 --> 0:12:49.080
<v Speaker 1>even know what you was singing about it, I mean,

0:12:50.200 --> 0:12:54.280
<v Speaker 1>but man, Rodrigo was already in the picture, so I yeah,

0:12:54.320 --> 0:12:59.880
<v Speaker 1>that was a long time ago. Yeah, so uh began

0:13:00.000 --> 0:13:02.760
<v Speaker 1>backing to ring. Well funny you should say that because

0:13:03.040 --> 0:13:05.520
<v Speaker 1>I arrived at your place the other day thinking I

0:13:05.600 --> 0:13:10.200
<v Speaker 1>was Muhammad Ali and you knocked me down like you

0:13:10.240 --> 0:13:14.680
<v Speaker 1>were Joe Frasier. Oh you forget after Joe Frasier, Floyd

0:13:14.679 --> 0:13:17.040
<v Speaker 1>Ali with a left hook. I least it up again.

0:13:17.840 --> 0:13:21.720
<v Speaker 1>The true greats never stayed down for law m. Thanks

0:13:21.760 --> 0:13:31.120
<v Speaker 1>for saying that we're gonna kill it. Yes we are, Yeah,

0:13:31.280 --> 0:13:48.960
<v Speaker 1>we are. The minute I got back in my car,

0:13:49.120 --> 0:13:52.120
<v Speaker 1>there was a part of me that regretted telling Wisdom

0:13:52.160 --> 0:13:57.000
<v Speaker 1>about my crush, but after he revealed his own crush,

0:13:57.800 --> 0:14:00.320
<v Speaker 1>the other part of me could already feel how that

0:14:00.440 --> 0:14:03.360
<v Speaker 1>slight sexual tension between us could be the thing that

0:14:03.480 --> 0:14:28.120
<v Speaker 1>made a performance go from great two unforgettable. If you're

0:14:28.200 --> 0:14:32.520
<v Speaker 1>enjoying Adelita Changing the Key, please subscribe, rate, and review

0:14:32.560 --> 0:14:36.520
<v Speaker 1>our show wherever you're listening. Adelita Changing the Key is

0:14:36.560 --> 0:14:39.760
<v Speaker 1>a production of Sonoro in partnership with Our Hearts Michael

0:14:39.840 --> 0:14:44.640
<v Speaker 1>Tura Network. Created and written by li Jia Viaalobos. Produced

0:14:44.640 --> 0:14:50.160
<v Speaker 1>by Luisa Duardo Castillo, Guerrinzachaires and Bettina Lopez Mendoza. Directed

0:14:50.200 --> 0:14:55.240
<v Speaker 1>by Javier Perrasa, Developed by Jasmine Romeo, Bettina Lopez and

0:14:55.400 --> 0:14:59.840
<v Speaker 1>Christian Hata. Executive produced by Gisel Bances and connel byrne

0:15:00.080 --> 0:15:04.000
<v Speaker 1>or iHeart and Camilla Victoriano and Josia Weinstein for Sonoro.

0:15:04.520 --> 0:15:09.720
<v Speaker 1>Executive produced by Dayangerero and li Jiavilovos. This episode written

0:15:09.760 --> 0:15:14.080
<v Speaker 1>by Li Javalovos with help from Daniela Sarkis, Petina Lopez,

0:15:14.400 --> 0:15:19.440
<v Speaker 1>Rodrigo Bravo, Moniza Hinrich, Mariana Martinez Gomez and ed Garisteva.

0:15:19.960 --> 0:15:26.040
<v Speaker 1>Performances in this episode by Dayangerero, Wayne Ticar, Carmina Garai Britannia,

0:15:26.920 --> 0:15:39.600
<v Speaker 1>Ana Ortis, La Marquis Chasten and Jesse Garcia. As a

0:15:39.720 --> 0:15:42.840
<v Speaker 1>dad actor producer for an activist, my schedule feels up

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