WEBVTT - Daddy Yankee: LEGENDADDY

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<v Speaker 1>I feel like I need to hear you sing. Why

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<v Speaker 1>don't we start today's episode with a few lyrics?

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<v Speaker 2>Okay, Uh, she could be rich, but I'm rich. She

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<v Speaker 2>could be thick, but I'm thick of no.

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<v Speaker 1>No no no no no no no no no no no.

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<v Speaker 1>I meant Daddy Yankee.

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<v Speaker 2>Oh yeah, yeah, of course of course that. Oh and

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<v Speaker 2>I'm keto to that.

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<v Speaker 1>Oh you know how hard I can't?

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<v Speaker 2>You know what? I really can't sing like that. So

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<v Speaker 2>we're going to leave it to him.

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<v Speaker 1>So hard to sing a Daddy Yankee song because you

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<v Speaker 1>just don't have that flow. And that's okay. It doesn't

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<v Speaker 1>mean that that song doesn't get stuck in your head.

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<v Speaker 1>And for me, that song has been in my head

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<v Speaker 1>since the last episode, but I had another song in mine.

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<v Speaker 1>Pass fucks.

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<v Speaker 2>Oh so analog.

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<v Speaker 1>Yeah, because we're not fucking around with the bluetooth in

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<v Speaker 1>my car. All right, imagine this, Okay, we are rolling

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<v Speaker 1>Toonse Okay or San Juan, wherever you're from, blasting Daddy

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<v Speaker 1>Yankee's twenty fourteen single Palavras consinfido or words with meaning.

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<v Speaker 2>We can get that barrio singy mohem.

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<v Speaker 1>Okay, So here's how the words go, I will not

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<v Speaker 1>sing because clearly Joseph has proven how hard it is

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<v Speaker 1>to sing a Reeton song.

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<v Speaker 2>Yeah no, seriously, here are the words.

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<v Speaker 1>Riquerdom yere getan solo esta musica, ta criminal the arestaban

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<v Speaker 1>violando tu derichos translation.

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<v Speaker 2>Joseph, he's telling it like it used to be. He says,

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<v Speaker 2>I remember like it was yesterday that just for listening

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<v Speaker 2>to this music, they treat you like a criminal. They'd

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<v Speaker 2>even arrest you.

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<v Speaker 1>In the here and now of twenty twenty four, bragaton

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<v Speaker 1>is the stuff of big ticket festivals Hello Coachella, and

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<v Speaker 1>major ad campaigns. So Daddy Yankee might remember it like

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<v Speaker 1>it's yesterday, but for.

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<v Speaker 2>Us, noo machinad. But we learned a couple of episodes

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<v Speaker 2>ago the police raided music stores and threw shade on

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<v Speaker 2>Rereguetondo's on the nightly news.

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<v Speaker 1>That shift from state censorship to corporate sponsorship did not

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<v Speaker 1>happen overnight, and just a decade ago. Ten years ago,

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<v Speaker 1>Dottie Yankee was still fighting for Reggaeton's reputation.

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<v Speaker 2>But he's not just calling out the cops in Puerto Rico.

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<v Speaker 2>He's saying the politicians, the media, the preacher man. All

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<v Speaker 2>of them blamed Regaton for their own.

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<v Speaker 1>Feelings exactly, and he fires back that Perreo actually lifted

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<v Speaker 1>him out of poverty and not only gave him a job,

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<v Speaker 1>but created jobs for other people. That video has school

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<v Speaker 1>kids and young Gregatondo's singing the chorus and telling all

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<v Speaker 1>these authorities before you talk about me, look at yourself.

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<v Speaker 2>You could be helping the island. You could be helping

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<v Speaker 2>the barrio. To be honest, it's a little what have

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<v Speaker 2>you done for me lately? Crossed with I'm not even

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<v Speaker 2>gonna try the greatest level all.

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<v Speaker 1>I really appreciate your restraint there.

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<v Speaker 2>I wasn't I couldn't. I couldn't do it, and.

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<v Speaker 1>I promise well bless Whitney and Janet on the streets

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<v Speaker 1>of San Juan or punts it as well. But first

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<v Speaker 1>we need to get to the B side of this track.

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<v Speaker 2>Is this a new Baby Jesus song?

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<v Speaker 1>No, it's his old baby Cheese's song. Now, if you

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<v Speaker 1>could summarize or pray for me in one sentence, I

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<v Speaker 1>think it would be something like It's lonely at the top.

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<v Speaker 2>Of course, heavy is the head that wears the reggaeton crown.

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<v Speaker 2>Even with his wife and kids and all of Puerto

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<v Speaker 2>Rico rooting for him.

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<v Speaker 1>But see that's the thing on this one. He says

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<v Speaker 1>that sometimes it's easier to deal with an outright enemy

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<v Speaker 1>than to navigate friends and brothers who need something from you.

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<v Speaker 2>You think maybe Nikki jam wasn't the only one.

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<v Speaker 1>Well, like we did say in the last episode, when

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<v Speaker 1>you're walking the path to stardom, you're likely to be

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<v Speaker 1>losing friends all along the way. As hard as you

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<v Speaker 1>might try to put the community first and avoid making enemies,

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<v Speaker 1>money and fame make things Hella complicated, But.

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<v Speaker 2>The top wouldn't be lonely for long. As Dandy Yinki

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<v Speaker 2>continued building an empire and growing the Regeton Sin, he

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<v Speaker 2>would also find himself mending bridges.

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<v Speaker 1>That's today on becoming an Icon.

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<v Speaker 2>Okay, now give me the ox back so I can

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<v Speaker 2>play you in a new ice Spice Bitch.

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<v Speaker 1>I'm your host, Liliana oscaz and I'm Joseph Carrio and

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<v Speaker 1>this is Becoming an Icon, a weekly podcast where we

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<v Speaker 1>give you the rundown on how today's most famous LATINX

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<v Speaker 1>stars have shaped pop culture.

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<v Speaker 2>And given the world some extra level.

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<v Speaker 1>Sit back and get comfortable.

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<v Speaker 2>Because we are going in the only way we know how,

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<v Speaker 2>with whenas us whenas some cheese, and a lot of opinions,

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<v Speaker 2>as we relive their greatest achievements on our journey to

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<v Speaker 2>find out what makes them still ic on it.

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<v Speaker 1>By the end of the two thousands, it was clear

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<v Speaker 1>Daddy Yankee was out from the underground.

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<v Speaker 2>Barriofino topped the charts not just in the US, but

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<v Speaker 2>in Mexico, Chile, the Jamaican Republic, Honduras, Argentina, and Colombia,

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<v Speaker 2>home to the next generation of reggaeton eros.

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<v Speaker 1>It was the first reggaeton album to ever debut at

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<v Speaker 1>number one on Billboard's Top Latin Albums.

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<v Speaker 2>Charts, and that wasn't the only first. The year after

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<v Speaker 2>Barriofino dropped, Yankee became the first Latin artist to sign

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<v Speaker 2>a deal with reeboch For the kids listening, it's like

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<v Speaker 2>a collabo exactly.

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<v Speaker 1>He was the og influencer before we had a name

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<v Speaker 1>for influencers. His accessory line dy included sporting goods, shoes,

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<v Speaker 1>and so much more.

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<v Speaker 2>Okay, let's see the kicks they're.

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<v Speaker 1>Giving a confused air Force one.

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<v Speaker 2>You know, it's so weird that you say that because

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<v Speaker 2>for me, they're giving like knockoff Tolo Cortes. But if

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<v Speaker 2>they try to add a flare, that's it. I said,

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<v Speaker 2>I said it like that, I said, how it is.

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<v Speaker 1>I did like the soul though, because I feel like

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<v Speaker 1>if you were walking in this, like if you were

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<v Speaker 1>walking at the beach in Puerto Rico, you would be

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<v Speaker 1>stamping the sand with Daddy Yankee signature and I'm here

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<v Speaker 1>for that.

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<v Speaker 2>And you know what, And there was a little bit

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<v Speaker 2>of a design to the bottom. It wasn't like straight.

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<v Speaker 2>It was kind of like it's like squiggly, you know,

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<v Speaker 2>it has like a design at the bottom of the soul.

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<v Speaker 1>He had a little bit of everything. He had some

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<v Speaker 1>camo when you were feeling like, you know, like a guerrero,

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<v Speaker 1>like you wanted to like be out there fighting for

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<v Speaker 1>the community. He had your like and white, yeah, the

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<v Speaker 1>black and white when you wanted to dress up to

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<v Speaker 1>go to the club and Perrie like. He had a

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<v Speaker 1>little bit of everything. He had a wardrobe. It was

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<v Speaker 1>a shoe wardrobe. Thank you, Daddy.

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<v Speaker 2>Ye.

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<v Speaker 1>I don't know if they would be you know what,

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<v Speaker 1>I bet if I went on stock X right now,

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<v Speaker 1>these bitches are probably selling for a thousand dollars a pair.

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<v Speaker 2>Oh my god, because he's retired.

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<v Speaker 1>Retired limited edition.

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<v Speaker 2>Oh I didn't think of that. But like, also, I

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<v Speaker 2>could just never ever ever see anybody that I know

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<v Speaker 2>on planet Earth wearing them.

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<v Speaker 1>Joseph, don't be a hater because you don't have a

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<v Speaker 1>shoe collapse.

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<v Speaker 2>Don't be a hater. It's coming now.

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<v Speaker 1>The deals for him didn't stop there. In two thousand

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<v Speaker 1>and seven, Yankee started in a campaign for Pepsi titled

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<v Speaker 1>With Us. The ad showed Yankee revisiting the scene of

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<v Speaker 1>his youth by walking through a series of doors.

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<v Speaker 2>He looks around the body he grew up in. He

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<v Speaker 2>visits his first recording studio. Then we see him getting

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<v Speaker 2>his first music award and playing a stadium show. So

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<v Speaker 2>it's basically the spark notes for this podcast.

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<v Speaker 1>It's the mythologizing of a gangri And it didn't stop

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<v Speaker 1>with Pepsi. Although Pepsi is like the pinnacle. I mean, like,

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<v Speaker 1>if you get a Pepsi ad, like you're you're golden, right.

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<v Speaker 1>But did you know, Joseph that Daddy Yankee got the

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<v Speaker 1>eight mile treatment. Wait, Mom's a spaghetti more like Mammy's Mofongo.

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<v Speaker 1>In two thousand and eight, Daddy Yankee started the film

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<v Speaker 1>Talento de Barrio. The story follows edgardinto a young ast

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<v Speaker 1>firing rapper who must overcome the gang warfare of his hometown, Gaguas,

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<v Speaker 1>Puerto Rico.

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<v Speaker 2>There were a lot of these little rap biopics back

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<v Speaker 2>in the day. No like Kuslim Flow was one I

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<v Speaker 2>Think and Get Rich or Die trying.

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<v Speaker 1>It was definitely a genre that was popping at that moment,

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<v Speaker 1>and while Valento de Barrio might not rank among the

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<v Speaker 1>best of them, it was a hit with audiences in

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<v Speaker 1>New York and across Latin America, yet more proof that

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<v Speaker 1>people identified with Daddy Yankee's story. They were rooting for.

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<v Speaker 2>Him, and Yankee rooted for them too. In two thousand

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<v Speaker 2>and eight, he founded the Fundacion Guerrero, a charitable organization

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<v Speaker 2>in Puerto Rico helping people in prison.

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<v Speaker 1>That same year, Harvard College's Presidencia Latina student organization named

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<v Speaker 1>him Latino of the Year, and at the Latin Billboard

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<v Speaker 1>Music Awards, he won the Spirit of Hope Award for

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<v Speaker 1>his work with La comonidac Our Guys.

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<v Speaker 2>Getting his props from every corner of society. The brands

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<v Speaker 2>the award shows all the way down to at Pueblo.

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<v Speaker 1>Daddy Yankee was also inspiring a new generation of reggaeton nero's,

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<v Speaker 1>and not just creatively mm hm.

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<v Speaker 2>The Carteil Records model became the strategy for reggaetonetto's throughout

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<v Speaker 2>the whole scene.

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<v Speaker 1>Up and comers used independent labels with major label distribution

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<v Speaker 1>deals to retain ownership of their music and their profits,

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<v Speaker 1>just like Daddy Yankee did. He was showing the kids

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<v Speaker 1>how to do it right.

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<v Speaker 2>Honey, honey. He was in the driver's seat for his career.

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<v Speaker 2>What do you think he played on the OX.

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<v Speaker 1>Oh easy, Pussycat Dolls?

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<v Speaker 2>Mm? Wait what Yeah?

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<v Speaker 1>Yankee closed out the two thousands with a follow up

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<v Speaker 1>to Barrio Fino and with the soundtrack to his eight

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<v Speaker 1>mile Style Kindness sort of not really.

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<v Speaker 2>Bio, and one of those albums had.

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<v Speaker 1>Nick Bull Scherzinger of Pussycat Doll's fame, along with Acon

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<v Speaker 1>Will I Am and Fergie.

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<v Speaker 2>Uh. Clearly I'm two thousand and late to Daddy Yankee

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<v Speaker 2>because I was not aware. What about the soundtrack album?

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<v Speaker 1>That one was almost all Yankee except for a couple

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<v Speaker 1>of features by fellow Briareos Aganhel and Randy Ortiz So.

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<v Speaker 1>At the same time, Yankee was topping the Billboard charts

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<v Speaker 1>and trol thinks the part to Fergie.

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<v Speaker 2>We owe hurt so much.

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<v Speaker 1>He continued to uplift up and coming artists in the Regaeton,

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<v Speaker 1>Sin and beyond, and we owe him so much. Exactly

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<v Speaker 1>years later, as Daddy Yankee was approaching retirement Icon in

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<v Speaker 1>the making, Carol G. Would tell Billboard, you never perceived

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<v Speaker 1>the guy as old because he collaborates with the hottest

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<v Speaker 1>acts but also with the hottest new acts. It's something

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<v Speaker 1>new artists are grateful for.

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<v Speaker 2>Prince Royce, Oh sooner, Carol G. Becky G, Nahi Natasha.

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<v Speaker 2>These are just a few of the artists Daddy Yankee mentored, featured,

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<v Speaker 2>and collaborated within the twenty tens. He wasn't just passing

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<v Speaker 2>the torch, he was fanning the flames.

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<v Speaker 1>Speaking of torches, Joseph, I've got a little more trivia

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<v Speaker 1>for you, but you're.

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<v Speaker 2>Doing this in the middle of the episode. Now, listen.

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<v Speaker 1>We got to keep these listeners on their toes. Okay,

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<v Speaker 1>I am changing shit up all right. Here's an easy one.

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<v Speaker 1>At the twenty seventeen Winter Olympics, which I know you

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<v Speaker 1>watched to no less than three separate figure skating contestants

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<v Speaker 1>performed routines to one Daddy Yankee song, Joseph, can you

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<v Speaker 1>name that song?

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<v Speaker 2>Okay, hold on, I have to think it's twenty seventeen. Yes,

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<v Speaker 2>the world says a load of roomy in sir Hi,

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<v Speaker 2>Oh my god, the Kendall Jenner pepsi at it makes

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<v Speaker 2>everyone spill their koffifi and Sosha Blore wins the crown.

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<v Speaker 2>Oh dang was Game of Thrones? Still on? I'm really

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<v Speaker 2>trying to figure out what the song could be.

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<v Speaker 1>Okay, you're taking this so far off topic in twenty seventeen,

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<v Speaker 1>and while I do appreciate sate the pop culture rewind,

0:12:02.679 --> 0:12:03.840
<v Speaker 1>quit playing with the listeners.

0:12:04.160 --> 0:12:06.760
<v Speaker 2>It's just fun to look back sometimes, you know. Anyways,

0:12:06.840 --> 0:12:12.080
<v Speaker 2>it can only be de spasito ding ding.

0:12:21.600 --> 0:12:25.080
<v Speaker 1>By twenty seventeen, Yankee had been beating the drum about

0:12:25.120 --> 0:12:27.679
<v Speaker 1>reggaeton's coming dominance for years.

0:12:28.440 --> 0:12:31.480
<v Speaker 2>Despite his success, skeptics of the genre in the media

0:12:31.520 --> 0:12:33.800
<v Speaker 2>and in the label offices didn't think the genre had

0:12:33.880 --> 0:12:34.760
<v Speaker 2>staying power.

0:12:35.120 --> 0:12:39.000
<v Speaker 1>And Yankee per Rolling Stone told them, with all due respect,

0:12:39.360 --> 0:12:42.120
<v Speaker 1>you guys, don't know. You guys, don't go out. You're

0:12:42.160 --> 0:12:44.439
<v Speaker 1>not going to the clubs. What people listen to on

0:12:44.520 --> 0:12:48.839
<v Speaker 1>the streets and out everywhere is reggaeton. That's a direct quote.

0:12:49.200 --> 0:12:51.679
<v Speaker 2>Again, it's so hard to imagine anyone would be as

0:12:51.720 --> 0:12:55.400
<v Speaker 2>wrong about reggaeton as these execs. It almost feels like

0:12:55.520 --> 0:12:58.680
<v Speaker 2>he wrote the esposito just to prove them wrong.

0:12:59.400 --> 0:13:03.280
<v Speaker 1>Well, actually, Luis Fonsi had been working on this pasito

0:13:03.440 --> 0:13:07.400
<v Speaker 1>with songwriter Erica Ender for a few months before calling

0:13:07.520 --> 0:13:08.520
<v Speaker 1>in Daddy Yankee.

0:13:09.120 --> 0:13:11.000
<v Speaker 2>So they had the melody, they had a beat, they

0:13:11.040 --> 0:13:13.360
<v Speaker 2>had the guitar line, and they brought in Yankee to

0:13:13.440 --> 0:13:15.160
<v Speaker 2>supply the reggaeton.

0:13:14.800 --> 0:13:19.960
<v Speaker 1>Dorisma, and as we all know, Daddy Yankee proved his point.

0:13:20.480 --> 0:13:22.400
<v Speaker 1>Let's get into some charts, shall.

0:13:22.160 --> 0:13:25.280
<v Speaker 2>We, Before you know who jumped in the remix. This

0:13:25.480 --> 0:13:28.440
<v Speaker 2>posito debuted at number two on the US Hot Latin

0:13:28.520 --> 0:13:31.720
<v Speaker 2>Songs chart on February fourth. After two weeks, they climbed

0:13:31.760 --> 0:13:32.880
<v Speaker 2>to number one.

0:13:33.320 --> 0:13:36.400
<v Speaker 1>On the US Hot one hundred. The original version debuted

0:13:36.480 --> 0:13:40.000
<v Speaker 1>at eighty eight climbed to forty four. But of course

0:13:40.240 --> 0:13:41.560
<v Speaker 1>that's not where things ended.

0:13:42.000 --> 0:13:47.280
<v Speaker 2>Enter the beaps, believe it or not, justin Bieber getting

0:13:47.280 --> 0:13:50.400
<v Speaker 2>in the mix was completely organic. Three months after this,

0:13:50.520 --> 0:13:53.920
<v Speaker 2>Posito dropped Bieber Baby heard that track at a nightclub

0:13:54.000 --> 0:13:56.080
<v Speaker 2>in Colombia and couldn't get enough.

0:13:56.800 --> 0:14:00.439
<v Speaker 1>The track was an international chart topper, and as we'll

0:14:00.480 --> 0:14:04.440
<v Speaker 1>discuss in just a minute, Colombia was becoming the epicenter

0:14:04.679 --> 0:14:06.040
<v Speaker 1>of Regathon's new wave.

0:14:06.480 --> 0:14:08.839
<v Speaker 2>Okay, so here's the tea. So Beabs called up is

0:14:08.920 --> 0:14:11.280
<v Speaker 2>able to get on the track, but he was in

0:14:11.360 --> 0:14:14.320
<v Speaker 2>Ba so they had to fly in his vocal producer

0:14:14.400 --> 0:14:18.080
<v Speaker 2>for help. Because Baby Beebes had to sing in Espanol

0:14:18.600 --> 0:14:19.800
<v Speaker 2>for the very first time.

0:14:20.560 --> 0:14:24.360
<v Speaker 1>Over just two hours, Biaber learned his verse fanatically and

0:14:24.560 --> 0:14:28.400
<v Speaker 1>overcame the biggest hurdle for any gringo learning how to

0:14:28.440 --> 0:14:33.240
<v Speaker 1>pronounce the letter R in Spanish. Actually, let's try it now, Joseph,

0:14:33.320 --> 0:14:34.040
<v Speaker 1>do your best r.

0:14:34.640 --> 0:14:37.120
<v Speaker 2>Erre carrio.

0:14:38.760 --> 0:14:41.520
<v Speaker 1>Erre. Why is that so hard for people?

0:14:42.160 --> 0:14:44.560
<v Speaker 2>You know you can't really shake your tongue fast.

0:14:46.200 --> 0:14:48.960
<v Speaker 1>Well, clearly, Justin Bieber has skills.

0:14:49.320 --> 0:14:52.080
<v Speaker 2>Dude, say what you want about Bebes. That is truly

0:14:52.120 --> 0:14:55.240
<v Speaker 2>an accomplishment. And they say that after a lifetime of

0:14:55.320 --> 0:14:58.320
<v Speaker 2>gringo's mutilating my last name.

0:14:58.640 --> 0:15:03.800
<v Speaker 1>Carillo, Joseph Carillo, I'm sorry you had it so rough,

0:15:03.920 --> 0:15:06.280
<v Speaker 1>and FYI it is gotfrio.

0:15:06.920 --> 0:15:11.280
<v Speaker 2>Mm hmm, it's good. I'm good, I mean whatever. Anyways,

0:15:11.800 --> 0:15:16.480
<v Speaker 2>the remix super charged Esposito's chart performance, topping the Billboard

0:15:16.520 --> 0:15:20.080
<v Speaker 2>Hot one hundred for sixteen consecutive weeks. It also spent

0:15:20.160 --> 0:15:23.440
<v Speaker 2>a total of fifty six weeks in the US Hot

0:15:23.560 --> 0:15:24.360
<v Speaker 2>Latin Songs chart.

0:15:25.120 --> 0:15:28.880
<v Speaker 1>All in all, this Spasibo would become the best performing

0:15:29.040 --> 0:15:32.200
<v Speaker 1>track of all time on Hot Latin Songs and the

0:15:32.280 --> 0:15:35.000
<v Speaker 1>thirty third best performing on the Hot one hundred. It

0:15:35.480 --> 0:15:39.640
<v Speaker 1>ruled the charts of forty seven different countries and at

0:15:39.720 --> 0:15:44.000
<v Speaker 1>the time was the most streamed song of all time,

0:15:44.520 --> 0:15:49.120
<v Speaker 1>and Daddy Yankee became the most streamed artist in Spotify's history,

0:15:49.600 --> 0:15:50.160
<v Speaker 1>and it.

0:15:50.280 --> 0:15:53.400
<v Speaker 2>Would be the most watched video on YouTube if it

0:15:53.600 --> 0:15:56.440
<v Speaker 2>wasn't for Baby Shark.

0:15:56.240 --> 0:15:57.360
<v Speaker 1>Do Do Do Do Do Doo.

0:15:58.600 --> 0:15:59.080
<v Speaker 2>I'm kidding.

0:15:59.160 --> 0:16:00.880
<v Speaker 1>I have tried to get that song out of my

0:16:01.040 --> 0:16:05.000
<v Speaker 1>house for years. Luckily, luckily my son does have goodtists

0:16:05.040 --> 0:16:06.880
<v Speaker 1>in music, so we only lived in that phase for

0:16:07.000 --> 0:16:11.320
<v Speaker 1>like a month. Anyway, this facito is proof of what

0:16:11.600 --> 0:16:15.160
<v Speaker 1>Carol g had said about Reggaeton's reigning king. He kept

0:16:15.240 --> 0:16:19.240
<v Speaker 1>his collapse for fresh and as a result, his dominance

0:16:19.280 --> 0:16:22.760
<v Speaker 1>and evolution and reggaetons by extension was secured.

0:16:23.280 --> 0:16:26.120
<v Speaker 2>Case in point, at the Latin Songwriters Hall of Fame induction,

0:16:26.600 --> 0:16:30.440
<v Speaker 2>this Posito was hailed as transformative. Songwriters Desmond Child and

0:16:30.600 --> 0:16:33.840
<v Speaker 2>Rudy Bettez said, not since Ricky Martin's Live in La

0:16:33.880 --> 0:16:36.680
<v Speaker 2>Vida Loca has there been a song in any genre

0:16:36.800 --> 0:16:40.280
<v Speaker 2>that has had the global impact of Desposito changing the

0:16:40.360 --> 0:16:43.680
<v Speaker 2>course of pop music forever. And it did.

0:16:44.240 --> 0:16:47.760
<v Speaker 1>This Pasito set off a global surge in Latin music

0:16:47.880 --> 0:16:52.360
<v Speaker 1>Listenership music critics would even call this the this Fasito effect.

0:16:52.640 --> 0:16:55.080
<v Speaker 1>By the way, thank you. That is so much better

0:16:55.200 --> 0:16:56.600
<v Speaker 1>than the Latin explosion.

0:16:56.800 --> 0:16:59.440
<v Speaker 2>Oh my god, Wait when you said the Desposito effect,

0:16:59.480 --> 0:17:01.960
<v Speaker 2>I literally thought you were talking about the Ashton Kutcher movie.

0:17:02.160 --> 0:17:04.520
<v Speaker 1>How did I know you would say that? And also

0:17:05.000 --> 0:17:09.440
<v Speaker 1>never the year this Pasito dropped, six out of the

0:17:09.520 --> 0:17:13.080
<v Speaker 1>ten most viewed YouTube videos were songs performed in Spanish

0:17:13.440 --> 0:17:16.720
<v Speaker 1>by Latino artists, and here in twenty twenty four, I

0:17:16.800 --> 0:17:19.560
<v Speaker 1>think it's safe to say that this Pasito effect has

0:17:19.640 --> 0:17:22.760
<v Speaker 1>only continued to ripple through the charts and across streaming services.

0:17:23.440 --> 0:17:25.640
<v Speaker 2>We said, we're living in the world Daddy Yankee built.

0:17:25.960 --> 0:17:29.440
<v Speaker 2>This Fasito was basically the last piece.

0:17:29.680 --> 0:17:32.639
<v Speaker 1>And the world Daddy Yankee built had grown far beyond

0:17:32.800 --> 0:17:35.760
<v Speaker 1>Puerto Rico and New York. You need only look at

0:17:35.800 --> 0:17:38.680
<v Speaker 1>the other reggaeton hit that smashed the charts in twenty

0:17:38.760 --> 0:17:41.000
<v Speaker 1>seventeen to see where else it had grown.

0:17:42.440 --> 0:17:45.680
<v Speaker 2>The summer of twenty seventeen was also the summer of

0:17:45.800 --> 0:17:49.880
<v Speaker 2>Mihente j Balvin and Willie Williams Beyonce boosted Mumbaton Bank.

0:17:50.600 --> 0:17:54.119
<v Speaker 1>Mihenthe was the sound of the next generation of reggaeton,

0:17:54.440 --> 0:17:58.280
<v Speaker 1>and that generation was being cultivated in Colombia and in the.

0:17:58.320 --> 0:18:01.399
<v Speaker 2>Same place where Reggaeton's the next generation was revving up.

0:18:01.720 --> 0:18:04.800
<v Speaker 2>Daddy Yankee's adoptive brother was mounting a company.

0:18:15.359 --> 0:18:17.960
<v Speaker 1>It's twenty fifteen and Daddy Yankee is boarding a flight.

0:18:18.440 --> 0:18:22.159
<v Speaker 1>It's before this bus Egal, but Yankee has already been

0:18:22.240 --> 0:18:25.920
<v Speaker 1>perfecting the viral hit formula with songs like Limbo and

0:18:26.240 --> 0:18:28.119
<v Speaker 1>with Shaky Shaky soon to follow.

0:18:28.920 --> 0:18:31.680
<v Speaker 2>What he doesn't know is that he's boarding the same

0:18:31.800 --> 0:18:35.040
<v Speaker 2>plane as the man he once called his Edmano Niki

0:18:35.119 --> 0:18:37.480
<v Speaker 2>chan Nicki looks a.

0:18:37.600 --> 0:18:40.480
<v Speaker 1>Lot different from when he and Yankee parted ways about

0:18:40.480 --> 0:18:44.159
<v Speaker 1>a decade prior. For starters, he's inked out all the

0:18:44.240 --> 0:18:48.760
<v Speaker 1>way up to his neck, but more importantly, he's older, wiser,

0:18:49.119 --> 0:18:49.880
<v Speaker 1>and clear eyed.

0:18:50.760 --> 0:18:54.440
<v Speaker 2>A few years before, in twenty eleven, Nicki had come

0:18:54.520 --> 0:18:57.520
<v Speaker 2>face to face with death and he was still in

0:18:57.640 --> 0:18:58.760
<v Speaker 2>the spiral of addiction.

0:19:00.119 --> 0:19:02.520
<v Speaker 1>Had issued him stern warnings about his drug use, but

0:19:02.680 --> 0:19:06.919
<v Speaker 1>that night he overdosed. The following morning, he woke up

0:19:07.000 --> 0:19:08.040
<v Speaker 1>partially paralyzed.

0:19:08.920 --> 0:19:11.680
<v Speaker 2>As the doctor's assessed brain scans, Nicki took in a

0:19:11.800 --> 0:19:14.720
<v Speaker 2>view from the bottom. His career was at a standstill.

0:19:15.119 --> 0:19:17.680
<v Speaker 2>All of his money had gone to maintaining his drug habit.

0:19:18.920 --> 0:19:22.080
<v Speaker 1>He had gone from making music to working odd jobs,

0:19:22.520 --> 0:19:25.320
<v Speaker 1>first since En Juan and then in Medellin, Colombia in

0:19:25.400 --> 0:19:28.320
<v Speaker 1>two thousand and seven. He would flirt with recovery but

0:19:28.480 --> 0:19:32.280
<v Speaker 1>struggle to commit. Four years later, in the hospital, thinking

0:19:32.359 --> 0:19:34.840
<v Speaker 1>about all that he had left to lose, Nicki jam

0:19:35.080 --> 0:19:37.280
<v Speaker 1>with the help of his manager, decided to kick the

0:19:37.359 --> 0:19:38.640
<v Speaker 1>habit once and for all.

0:19:39.840 --> 0:19:42.760
<v Speaker 2>It would take years of recovery before Niki decided to

0:19:42.800 --> 0:19:45.880
<v Speaker 2>step back in the booth, and that recovery took place

0:19:45.960 --> 0:19:49.880
<v Speaker 2>amid the Reggaetncin and Medeyin Home to j Balvin, Carol

0:19:49.960 --> 0:19:52.800
<v Speaker 2>Gi and Maluma. The scene was on the cusp of

0:19:52.880 --> 0:19:56.560
<v Speaker 2>blowing up, and there Niki found redemption and reinvention.

0:19:58.240 --> 0:20:01.760
<v Speaker 1>In twenty fourteen, Nikki Jammerly's two singles Bienceas and Me

0:20:02.119 --> 0:20:05.800
<v Speaker 1>and Roya de Vel. The two tracks highlighted Nicki Jam's singing,

0:20:06.240 --> 0:20:08.760
<v Speaker 1>a quality that now had a chance to really shine

0:20:09.040 --> 0:20:12.160
<v Speaker 1>thanks to reggaeton's more melodic turn in the twenty tens.

0:20:12.640 --> 0:20:15.040
<v Speaker 1>Niki was shining in a way he hadn't before, and

0:20:15.200 --> 0:20:16.720
<v Speaker 1>the listeners were loving it.

0:20:17.720 --> 0:20:19.879
<v Speaker 2>So the Niki Jam who stepped on the plane that

0:20:20.000 --> 0:20:23.440
<v Speaker 2>day was a new man, or maybe he was the

0:20:23.520 --> 0:20:25.719
<v Speaker 2>man he always could have been without drugs.

0:20:26.840 --> 0:20:29.920
<v Speaker 1>By chance, Nicki and Yankee caught each other's eyes. The

0:20:29.960 --> 0:20:32.400
<v Speaker 1>two reggaetono gs made their way to each other from

0:20:32.400 --> 0:20:35.879
<v Speaker 1>across the aisle, and immediately both of them apologized for

0:20:36.119 --> 0:20:38.040
<v Speaker 1>everything that had happened, and.

0:20:38.240 --> 0:20:41.000
<v Speaker 2>It wouldn't be long before those Gungais were back in action.

0:20:42.920 --> 0:20:45.800
<v Speaker 1>That same year, Yankee joined Nikki Jam on stage during

0:20:45.880 --> 0:20:49.400
<v Speaker 1>Nicki's concert at the Coliseo Puerto Rico, his first live

0:20:49.480 --> 0:20:51.080
<v Speaker 1>performance since moving to Colombia.

0:20:52.440 --> 0:20:56.359
<v Speaker 2>Niki Jam's comeback album, Phoenix, released in twenty seventeen to

0:20:56.520 --> 0:20:59.639
<v Speaker 2>worldwide acclaim and success. The cover of the album features

0:20:59.640 --> 0:21:02.320
<v Speaker 2>a mire of Nikki painted and medine by local artists.

0:21:02.720 --> 0:21:05.000
<v Speaker 2>Literally everyone was rooting for his comeback.

0:21:05.600 --> 0:21:09.159
<v Speaker 1>Here was the now global reggaeton community recognizing one of

0:21:09.240 --> 0:21:12.280
<v Speaker 1>its all time greats, not just for his storied past,

0:21:12.520 --> 0:21:13.920
<v Speaker 1>but the bright future ahead of him.

0:21:14.520 --> 0:21:18.440
<v Speaker 2>The album's lead single, at Betazon or Forgiveness, would spend

0:21:18.680 --> 0:21:21.440
<v Speaker 2>thirty weeks at the number one spot on the Billboard

0:21:21.560 --> 0:21:23.720
<v Speaker 2>Latin Song Chart, and it would win him his first

0:21:23.880 --> 0:21:25.080
<v Speaker 2>ever Latin Grammy.

0:21:27.000 --> 0:21:29.320
<v Speaker 1>In some ways, it shouldn't be so much of a

0:21:29.400 --> 0:21:32.400
<v Speaker 1>shock that Daddy Yankee is so public about his faith.

0:21:32.480 --> 0:21:35.600
<v Speaker 1>These days, He and his closest at mnols have experienced

0:21:35.800 --> 0:21:40.000
<v Speaker 1>life changing moments where all seems lost, only to find redemption.

0:21:40.720 --> 0:21:43.840
<v Speaker 2>Question, do you think Daddy Yankee goes fool Papito and

0:21:43.920 --> 0:21:46.280
<v Speaker 2>sends his kids long text with Bible.

0:21:46.040 --> 0:21:51.880
<v Speaker 1>Versus one hundred percent? And we're about to get why?

0:21:52.640 --> 0:21:54.720
<v Speaker 1>The year after he patched things up with Nicki Jam,

0:21:55.200 --> 0:21:58.800
<v Speaker 1>Daddy Yankee would experience a true blue born again moment

0:21:59.440 --> 0:22:02.199
<v Speaker 1>in twenty six sixteen, just before taking the stage at

0:22:02.200 --> 0:22:05.960
<v Speaker 1>a concert in Colombia, he collapsed. He narrowly avoided a

0:22:06.000 --> 0:22:10.400
<v Speaker 1>heart attack from a combination of hypoglocemia, dehydration, and high

0:22:10.440 --> 0:22:11.040
<v Speaker 1>blood pressure.

0:22:12.320 --> 0:22:15.800
<v Speaker 2>The doctors diagnosed him with pre diabetes and told him

0:22:15.840 --> 0:22:17.920
<v Speaker 2>that he had one foot in this world and the

0:22:18.040 --> 0:22:19.399
<v Speaker 2>other one in the afterlife.

0:22:19.920 --> 0:22:23.120
<v Speaker 1>So once again, Daddy Yanki was lying in a hospital bed,

0:22:23.560 --> 0:22:27.480
<v Speaker 1>faced with the possibility of losing everything, and this time

0:22:27.560 --> 0:22:29.960
<v Speaker 1>he says he thought of God and swore that he

0:22:30.040 --> 0:22:32.120
<v Speaker 1>made it out alive. He would serve him.

0:22:33.119 --> 0:22:37.040
<v Speaker 2>Which brings us finally to Daddy Yanki's retirement. He would

0:22:37.080 --> 0:22:40.360
<v Speaker 2>release one last album, Legend Daddy, in twenty twenty two,

0:22:40.800 --> 0:22:43.879
<v Speaker 2>featuring several of the torch bearers of Reggedton's next generation

0:22:44.280 --> 0:22:47.680
<v Speaker 2>from all across Reregaton's original stomping grounds.

0:22:48.359 --> 0:22:53.040
<v Speaker 1>Fellow Bourriqua's Bad Bunny and Mike Towers, Dominican Reggaetono El Alpha,

0:22:53.480 --> 0:22:57.200
<v Speaker 1>and Panama City's own set. Born and raised in Rio Abajo,

0:22:57.520 --> 0:23:02.200
<v Speaker 1>the neighborhood where it all started with regge En Espanol.

0:23:02.400 --> 0:23:04.840
<v Speaker 2>And for good measure, we've got pitple on there too,

0:23:05.200 --> 0:23:08.000
<v Speaker 2>because let us never forget that Gossol Lena came out

0:23:08.040 --> 0:23:09.880
<v Speaker 2>the same year as Gulo.

0:23:10.720 --> 0:23:14.159
<v Speaker 1>Oh my god, those club days. Thank god there were

0:23:14.240 --> 0:23:18.080
<v Speaker 1>no smartphones. Okay, thank you for saving us, because those

0:23:18.200 --> 0:23:22.200
<v Speaker 1>videos would never have died. No, the whole reggaeton community

0:23:22.400 --> 0:23:25.600
<v Speaker 1>rallied to say goodbye to its goat. Dona mand even

0:23:25.640 --> 0:23:28.920
<v Speaker 1>settled his beef with Yankee in a heartfelt Instagram post,

0:23:29.280 --> 0:23:32.320
<v Speaker 1>thanking him for everything he had done for the genre.

0:23:33.359 --> 0:23:36.560
<v Speaker 2>After more than thirty years in that reggaeton game, Daddy

0:23:36.600 --> 0:23:39.640
<v Speaker 2>Yankee went on his farewell tour La Umi West, done

0:23:40.040 --> 0:23:44.040
<v Speaker 2>eighty four performances in fourteen countries, ending with four sold

0:23:44.119 --> 0:23:47.120
<v Speaker 2>out back to back shows at the Coliseo de Puerto Rico.

0:23:48.080 --> 0:23:50.680
<v Speaker 1>With music in the rear view, Daddy Yankee had his

0:23:50.880 --> 0:23:54.000
<v Speaker 1>site set on the future, starting with executive producing me

0:23:54.200 --> 0:23:58.200
<v Speaker 1>on a Netflix series following aspiring reggaeton netos in Miami.

0:23:58.800 --> 0:24:03.240
<v Speaker 2>Except music isn't totally in the rear view, because this

0:24:03.440 --> 0:24:07.480
<v Speaker 2>year he released a song just in time for Easter Sunday,

0:24:07.960 --> 0:24:11.879
<v Speaker 2>Donantere or Blood Joiner and let me tell you It

0:24:12.080 --> 0:24:13.400
<v Speaker 2>trips like holy Water.

0:24:14.000 --> 0:24:18.480
<v Speaker 1>Okay, Joseph, you win this round. On Donante de Sanre,

0:24:18.760 --> 0:24:21.720
<v Speaker 1>Yankee impresses on his listeners that there are more important

0:24:21.720 --> 0:24:25.320
<v Speaker 1>things in life than fame, money and ego. So rather

0:24:25.400 --> 0:24:30.080
<v Speaker 1>than retiring from music, Yankees, retiring from old ways and.

0:24:30.920 --> 0:24:34.320
<v Speaker 2>Yankee be preaching. He pinned the following to the comment

0:24:34.400 --> 0:24:36.160
<v Speaker 2>section and the YouTube video from the song.

0:24:37.240 --> 0:24:40.679
<v Speaker 1>As I said in my last concert, the music, social networks, preaching,

0:24:40.920 --> 0:24:43.440
<v Speaker 1>concerts or other types of events on my platforms will

0:24:43.440 --> 0:24:46.200
<v Speaker 1>be used for the service of the Kingdom. Peter, upon

0:24:46.280 --> 0:24:49.120
<v Speaker 1>meeting Jesus, continued with the same job as a fisherman,

0:24:49.400 --> 0:24:52.280
<v Speaker 1>but with another purpose. He became a fisher of men

0:24:52.840 --> 0:24:55.360
<v Speaker 1>like me. I continue in music, but with a new

0:24:55.440 --> 0:24:58.120
<v Speaker 1>purpose to bring light and the gospel of the Lord

0:24:58.200 --> 0:24:59.560
<v Speaker 1>to all the souls of the world.

0:25:00.400 --> 0:25:05.480
<v Speaker 2>Damn, which gets me wondering, like, is this Daddy Yankees

0:25:05.560 --> 0:25:09.600
<v Speaker 2>Carlos Santana meets the Angel Metatron moment. So how do

0:25:09.680 --> 0:25:11.200
<v Speaker 2>you feel about by the Yankee.

0:25:12.000 --> 0:25:17.280
<v Speaker 1>I'm here for it because I support anybody's artistic and

0:25:17.400 --> 0:25:20.680
<v Speaker 1>musical decisions around like their art right, Like he can

0:25:20.720 --> 0:25:22.359
<v Speaker 1>do whatever he wants with it. I think it'd be

0:25:22.440 --> 0:25:26.280
<v Speaker 1>interesting to bring reggaeton sounds to I'm gonna call it

0:25:26.400 --> 0:25:28.560
<v Speaker 1>like gospel Christian music because I don't know what other

0:25:28.640 --> 0:25:32.120
<v Speaker 1>genre to call it, but listen, we have Christian rock,

0:25:32.280 --> 0:25:36.520
<v Speaker 1>we have Christian rap. Why could we also have Christian

0:25:36.800 --> 0:25:42.520
<v Speaker 1>or more spiritual regaton the Christian PreO Christian? Okay, Jesus,

0:25:42.920 --> 0:25:45.560
<v Speaker 1>do you maybe Jesus, We're sorry. I wouldn't call it

0:25:45.840 --> 0:25:49.119
<v Speaker 1>Christian Perreau would I would?

0:25:49.320 --> 0:25:51.920
<v Speaker 2>I would because it is what it is. Just because

0:25:51.960 --> 0:25:54.240
<v Speaker 2>you're serving the Lord doesn't mean you can't throw it back.

0:25:54.520 --> 0:25:57.320
<v Speaker 2>I'm just I'm not being It's just a dance move.

0:25:57.480 --> 0:25:59.359
<v Speaker 2>It doesn't have to be you know what I mean?

0:25:59.720 --> 0:26:01.880
<v Speaker 1>But what are you throwing it back into the air?

0:26:03.440 --> 0:26:03.800
<v Speaker 2>Joseph?

0:26:03.920 --> 0:26:07.359
<v Speaker 1>You know what, if there is an audience for like

0:26:08.080 --> 0:26:12.040
<v Speaker 1>niche music, this is the niche to like maybe invest

0:26:12.119 --> 0:26:15.200
<v Speaker 1>in For Daddy Yankee, I say, more power to And

0:26:15.320 --> 0:26:17.840
<v Speaker 1>by the way, he's not wrong. There is more to

0:26:17.920 --> 0:26:19.240
<v Speaker 1>life than fame, money and ego.

0:26:19.400 --> 0:26:19.880
<v Speaker 2>It's true.

0:26:20.119 --> 0:26:21.560
<v Speaker 1>So we agree.

0:26:22.080 --> 0:26:23.960
<v Speaker 2>I do want to say I am here for it.

0:26:24.119 --> 0:26:27.879
<v Speaker 2>I am here for Daddy Yankee finding his spirituality and

0:26:28.800 --> 0:26:31.399
<v Speaker 2>spreading the light. Because you know, when you are on

0:26:31.520 --> 0:26:33.040
<v Speaker 2>a mental health journey, or you can call it a

0:26:33.080 --> 0:26:38.399
<v Speaker 2>spiritual journey and energy journey, things do change, and you know,

0:26:39.080 --> 0:26:41.600
<v Speaker 2>ultimately he doesn't have to do anything from the past anymore.

0:26:41.600 --> 0:26:43.520
<v Speaker 2>He could start brand new. Who's to say.

0:26:44.280 --> 0:26:48.800
<v Speaker 1>And it's the sound of reggaeton that really brings you

0:26:48.920 --> 0:26:51.320
<v Speaker 1>into the music. So if the world is just listening,

0:26:51.320 --> 0:26:53.040
<v Speaker 1>they're like, oh, I want to hear Daddy Yankee. If

0:26:53.080 --> 0:26:55.679
<v Speaker 1>you were to do this kind of gospel and these

0:26:55.760 --> 0:26:58.000
<v Speaker 1>kinds of lyrics that support this new found faith in

0:26:58.080 --> 0:27:00.600
<v Speaker 1>his life. But put it to a reggat b and

0:27:00.680 --> 0:27:03.719
<v Speaker 1>put that dem bow on it, maybe it would make

0:27:03.760 --> 0:27:06.600
<v Speaker 1>it to the top of the Spotify playlist charts. Who knows,

0:27:06.920 --> 0:27:09.280
<v Speaker 1>But I say you do you, Daddy Yankee?

0:27:09.400 --> 0:27:10.520
<v Speaker 2>I say halle luke.

0:27:13.160 --> 0:27:16.400
<v Speaker 1>Time will have to tell what gospel badri Yankee will

0:27:16.440 --> 0:27:20.240
<v Speaker 1>come to preach whatever the future holds. Time and time again,

0:27:20.560 --> 0:27:23.800
<v Speaker 1>He's spread the light of reggaeton far and wide, and

0:27:23.960 --> 0:27:26.880
<v Speaker 1>generations of Latin artists stand in that light.

0:27:27.359 --> 0:27:29.240
<v Speaker 2>Oh that church stuff ain't going on my houte you

0:27:29.280 --> 0:27:29.879
<v Speaker 2>Daddy playlist?

0:27:29.920 --> 0:27:38.240
<v Speaker 1>Though completely fair. On the next Becoming an Icon, we're

0:27:38.320 --> 0:27:41.840
<v Speaker 1>taking a look at today's icons in the making Carol Gen,

0:27:42.280 --> 0:27:50.000
<v Speaker 1>Becky Gen, and Fmilicaba. Becoming an Icon is presented by

0:27:50.080 --> 0:27:54.800
<v Speaker 1>Sonoo and Iheart's Michael kudda podcast network. Listen to becoming

0:27:54.840 --> 0:27:58.919
<v Speaker 1>an icon on the iHeartRadio app, Apple podcast, or wherever

0:27:59.080 --> 0:28:00.040
<v Speaker 1>you get your to

0:28:00.160 --> 0:28:00.879
<v Speaker 2>Give us a book