WEBVTT - Jordan Klepper

0:00:00.160 --> 0:00:03.480
<v Speaker 1>This is me, Craig Ferguson. I'm inviting you to come

0:00:03.520 --> 0:00:05.920
<v Speaker 1>and see my brand new comedy hour. Well it's actually

0:00:05.920 --> 0:00:07.400
<v Speaker 1>it's about an hour and a half and I don't

0:00:07.440 --> 0:00:10.000
<v Speaker 1>have an opener because these guys cost money. But what

0:00:10.039 --> 0:00:13.000
<v Speaker 1>I'm saying is I'll be on stage for a while. Anyway,

0:00:13.039 --> 0:00:15.560
<v Speaker 1>come and see me live on the Pants on Fire

0:00:15.960 --> 0:00:19.720
<v Speaker 1>Tour in your region. Tickets are on sale now and

0:00:19.800 --> 0:00:23.160
<v Speaker 1>we'll be adding more as the tour continues throughout twenty

0:00:23.239 --> 0:00:26.960
<v Speaker 1>twenty five and beyond. For a full list of dates,

0:00:27.040 --> 0:00:30.280
<v Speaker 1>go to the Craig Ferguson show dot com. See you

0:00:30.320 --> 0:00:35.000
<v Speaker 1>on the road, my DearS. My name is Craig Ferguson.

0:00:35.400 --> 0:00:39.440
<v Speaker 1>The name of this podcast is Joy. I talk to

0:00:39.560 --> 0:00:42.839
<v Speaker 1>interest in people about what brings them happiness.

0:00:45.479 --> 0:00:48.720
<v Speaker 2>Live from Brooklyn, New York City.

0:00:49.200 --> 0:00:52.000
<v Speaker 1>This is the Joy Podcast, coming to you from the

0:00:52.080 --> 0:00:55.680
<v Speaker 1>Kids Super Studios, the tent within the Kids Show. It's

0:00:55.720 --> 0:00:58.520
<v Speaker 1>a long story. Anyway, we're here and my guest today

0:00:59.640 --> 0:01:01.840
<v Speaker 1>is some and I'm very excited about talking to it

0:01:01.920 --> 0:01:05.240
<v Speaker 1>because he does political stuff and I don't. But he's

0:01:05.360 --> 0:01:07.920
<v Speaker 1>very good at it and that's probably why he does it.

0:01:07.920 --> 0:01:10.000
<v Speaker 1>And I don't look he's very good. He's got a

0:01:10.000 --> 0:01:15.800
<v Speaker 1>new special out called Jordan Klepper Fingers the Pulse, Maga

0:01:16.000 --> 0:01:18.559
<v Speaker 1>the Next Generation. He talks to the young, the Young

0:01:18.600 --> 0:01:22.600
<v Speaker 1>magas the name of it, Jordan Klepper Fingers the Pulse.

0:01:22.520 --> 0:01:26.000
<v Speaker 2>Gives you a clue as to who is my guest today.

0:01:26.360 --> 0:01:34.199
<v Speaker 2>It is Jordan Klepper Joy.

0:01:35.200 --> 0:01:39.560
<v Speaker 1>You're six foot four, Yeah, very tall, six foot four.

0:01:40.160 --> 0:01:43.399
<v Speaker 2>How does how can you be a tall six foot four? Well?

0:01:43.520 --> 0:01:46.600
<v Speaker 2>I think I say I, I say that you've got

0:01:46.640 --> 0:01:50.040
<v Speaker 2>high hair? Does that add another? Yes? You know the swoop?

0:01:50.280 --> 0:01:54.800
<v Speaker 3>Yeah, you know, like I'm sure you've experimented the buzz,

0:01:55.040 --> 0:01:55.760
<v Speaker 3>the short.

0:01:55.560 --> 0:01:58.600
<v Speaker 1>And yeah, yeah, I've done I've done it all. But

0:01:58.840 --> 0:02:00.760
<v Speaker 1>now I just go for a lot of product.

0:02:00.880 --> 0:02:03.760
<v Speaker 2>Yeah. Just I feel like we're working with the same

0:02:03.760 --> 0:02:04.440
<v Speaker 2>stuff here. We have.

0:02:04.480 --> 0:02:07.160
<v Speaker 3>We have long faces, long faces. We're lucky enough to

0:02:07.240 --> 0:02:08.320
<v Speaker 3>keep the hair long enough.

0:02:08.320 --> 0:02:09.880
<v Speaker 1>Do you ever go to a bar and anyone say

0:02:09.880 --> 0:02:11.240
<v Speaker 1>to you, Hey, why the long face?

0:02:11.360 --> 0:02:15.800
<v Speaker 2>Yes? Yeah, I've had that. Yes do you have?

0:02:16.080 --> 0:02:17.880
<v Speaker 1>Are you a compulsive drinker? I look at you and

0:02:17.919 --> 0:02:21.720
<v Speaker 1>I don't see that. That's I wouldn't say compulsive.

0:02:21.919 --> 0:02:22.880
<v Speaker 2>I drink.

0:02:23.240 --> 0:02:25.359
<v Speaker 3>I drink more than i'd like to drink. I read

0:02:25.360 --> 0:02:29.160
<v Speaker 3>all those articles that come out warning. I mean every

0:02:29.200 --> 0:02:32.800
<v Speaker 3>article comes out tells you drinking is good, except in France.

0:02:33.520 --> 0:02:35.959
<v Speaker 1>They always have these things come out in France where

0:02:35.960 --> 0:02:38.320
<v Speaker 1>they say at last of one a day, it would

0:02:38.360 --> 0:02:43.120
<v Speaker 1>make you feel fabulous that red wine today cure's heart disease. Apparently,

0:02:43.440 --> 0:02:47.720
<v Speaker 1>that's right, stops heart disease, and a cigarette will cure covid.

0:02:48.080 --> 0:02:51.360
<v Speaker 1>He that really nicotine for covid and arthritis.

0:02:51.480 --> 0:02:55.960
<v Speaker 3>I think that's so French. The ivermectin of France. Yes,

0:02:57.360 --> 0:03:00.519
<v Speaker 3>was the horse tranquility? No, it's not a tranquilizer horse.

0:03:00.760 --> 0:03:03.160
<v Speaker 2>The horse? Was it a de wormer? I don't know

0:03:03.360 --> 0:03:05.680
<v Speaker 2>it was it was I remember him was primarily used

0:03:05.680 --> 0:03:09.520
<v Speaker 2>on horses, right, to help a horse? Do you have horses?

0:03:09.760 --> 0:03:13.320
<v Speaker 2>Do I have horses? Personally? Yeah? Zero horses. Is that

0:03:13.400 --> 0:03:15.720
<v Speaker 2>gonna be a problem with this podcast? Maybe a little bit.

0:03:15.800 --> 0:03:19.400
<v Speaker 1>This is a horse based thing, t I know, mostly

0:03:19.400 --> 0:03:20.800
<v Speaker 1>what we talk about is horses.

0:03:21.080 --> 0:03:21.920
<v Speaker 2>I in my life have.

0:03:21.960 --> 0:03:24.040
<v Speaker 1>Three horses, well two and a half. You still have

0:03:24.120 --> 0:03:26.560
<v Speaker 1>the horses, Well I don't have them. I'm married to

0:03:26.639 --> 0:03:30.440
<v Speaker 1>a woman and she likes horses, and she has two

0:03:30.480 --> 0:03:33.960
<v Speaker 1>proper horses and a kind of a backup horse. Really, yeah,

0:03:34.240 --> 0:03:38.040
<v Speaker 1>in case a shehatland pony. Oh so it's no good

0:03:38.080 --> 0:03:40.760
<v Speaker 1>for anathon? Well, what what is the overall purpose is?

0:03:40.760 --> 0:03:42.080
<v Speaker 2>Is it riding? Is a dressage?

0:03:42.680 --> 0:03:46.560
<v Speaker 1>Trisage? I'd like driusage? Do you know who does drisage?

0:03:46.680 --> 0:03:50.480
<v Speaker 1>That's the kind of fancy one. Yeah, William Shatner. No,

0:03:51.560 --> 0:03:53.720
<v Speaker 1>one of the best at it, one of the one

0:03:53.800 --> 0:03:56.560
<v Speaker 1>of the best. He's the Captain Kirk of driusage.

0:03:56.800 --> 0:03:57.880
<v Speaker 2>That guy's been to space.

0:03:58.080 --> 0:04:01.240
<v Speaker 1>He's been to space and the heat us quarter horses,

0:04:01.320 --> 0:04:03.840
<v Speaker 1>which is it's a whole horse, but they call them

0:04:03.920 --> 0:04:04.880
<v Speaker 1>quarter because there's.

0:04:05.520 --> 0:04:08.240
<v Speaker 2>Four of them for them. Turn your feet and turn

0:04:08.280 --> 0:04:08.640
<v Speaker 2>your head.

0:04:09.160 --> 0:04:13.160
<v Speaker 1>And no, I think that uh he said he started

0:04:13.200 --> 0:04:14.920
<v Speaker 1>because have you ever met William Shanner.

0:04:15.000 --> 0:04:17.800
<v Speaker 2>No, it's a treat in store. I believe it.

0:04:17.920 --> 0:04:20.440
<v Speaker 3>Oh man, I was actually watching William Shatner video recently

0:04:20.480 --> 0:04:24.240
<v Speaker 3>of him coming back from space. That that is haunting

0:04:24.760 --> 0:04:27.560
<v Speaker 3>in the clarity that he had in space. And I

0:04:27.600 --> 0:04:30.240
<v Speaker 3>think the feeling he felt was like grief and despair

0:04:30.480 --> 0:04:33.200
<v Speaker 3>for like humanity and what have you. And he was

0:04:33.240 --> 0:04:37.240
<v Speaker 3>sharing that at the same time, Jeff Bezos was celebrating

0:04:37.520 --> 0:04:38.400
<v Speaker 3>with his girlfriend.

0:04:38.480 --> 0:04:40.160
<v Speaker 2>Yes, yeah, you can see.

0:04:39.920 --> 0:04:43.159
<v Speaker 3>Like the the disconnect between somebody having an actual experience

0:04:43.200 --> 0:04:44.560
<v Speaker 3>and somebody else tried to sell it.

0:04:44.600 --> 0:04:46.680
<v Speaker 1>I wonder why Jeff Bezos didn't go to space. Does

0:04:46.720 --> 0:04:47.880
<v Speaker 1>see has he gone to space?

0:04:48.560 --> 0:04:56.400
<v Speaker 2>I'd like to see him go with the Titanic Submarines. Jeff,

0:04:56.520 --> 0:04:59.640
<v Speaker 2>it'll be fine. It's kind of like an uber underwater.

0:05:00.080 --> 0:05:02.000
<v Speaker 2>You're quite though, quite the explorers. Yeah.

0:05:02.240 --> 0:05:05.240
<v Speaker 1>I have to say I'm not a huge fan of

0:05:05.920 --> 0:05:06.640
<v Speaker 1>Jeff Bezos.

0:05:06.720 --> 0:05:07.799
<v Speaker 2>Do you not like the product?

0:05:08.000 --> 0:05:11.839
<v Speaker 1>I love his product. I mean I love the Amazons. Yeah,

0:05:11.880 --> 0:05:14.760
<v Speaker 1>but uh, workout regime? Are you a fan of that?

0:05:15.120 --> 0:05:17.279
<v Speaker 1>I don't know the workout regime? Well, he just looks

0:05:17.360 --> 0:05:19.560
<v Speaker 1>quite Oh yeah, he's jacked, doesn't he? Is?

0:05:19.560 --> 0:05:21.880
<v Speaker 2>He very small? He feels very small.

0:05:22.000 --> 0:05:26.520
<v Speaker 3>Yeah, feels hairless and small and but suddenly bulging in

0:05:26.560 --> 0:05:27.479
<v Speaker 3>ways that he that.

0:05:27.640 --> 0:05:32.080
<v Speaker 1>I wasn't inconceivable years ago. Do you think you got

0:05:32.120 --> 0:05:33.440
<v Speaker 1>them delivered overnight?

0:05:34.400 --> 0:05:34.520
<v Speaker 2>Oh?

0:05:34.600 --> 0:05:36.440
<v Speaker 1>Yeah, Well, if he pays for the prime, it's almost

0:05:36.480 --> 0:05:38.039
<v Speaker 1>it's almost a crime not to get them. It's a

0:05:38.040 --> 0:05:39.760
<v Speaker 1>crime note to pay for the prime. There you are,

0:05:40.000 --> 0:05:42.120
<v Speaker 1>that's I'll take my million dollars.

0:05:42.240 --> 0:05:45.920
<v Speaker 2>I don't know. Do you use it? Yes? Yes, I mean,

0:05:45.960 --> 0:05:46.719
<v Speaker 2>I have the time.

0:05:46.839 --> 0:05:51.159
<v Speaker 3>I know, I feel like it's it's there was a COVID.

0:05:51.400 --> 0:05:54.760
<v Speaker 3>I feel like created. You can make an argument as

0:05:54.760 --> 0:05:57.479
<v Speaker 3>to why you're using it so often and now it's left.

0:05:57.480 --> 0:05:59.960
<v Speaker 3>It's in a place where I also have a child

0:06:00.080 --> 0:06:01.080
<v Speaker 3>who constantly wants things.

0:06:01.120 --> 0:06:05.760
<v Speaker 2>Do you constantly want to aged? Age?

0:06:05.839 --> 0:06:09.159
<v Speaker 3>Is your kid age of a four and a half

0:06:09.240 --> 0:06:11.279
<v Speaker 3>year old? He's he's aged in that direction.

0:06:11.720 --> 0:06:15.320
<v Speaker 1>Yeah, they're that's that's a good place to be between

0:06:15.360 --> 0:06:17.120
<v Speaker 1>about three and thirteen.

0:06:17.160 --> 0:06:18.360
<v Speaker 2>They're awesome. It's a great place.

0:06:18.400 --> 0:06:21.080
<v Speaker 3>But they constantly want and they also constantly know that

0:06:21.160 --> 0:06:24.040
<v Speaker 3>there is a device that exists in our house that

0:06:24.080 --> 0:06:25.600
<v Speaker 3>we are sometimes looking on that.

0:06:25.560 --> 0:06:28.479
<v Speaker 2>Can get anything they want. When are you going to

0:06:28.480 --> 0:06:31.839
<v Speaker 2>give them a phone? Oh? My god? I mean I

0:06:31.880 --> 0:06:33.240
<v Speaker 2>think teenage years I read it.

0:06:33.240 --> 0:06:35.680
<v Speaker 3>You know, there's a good luck what there's like a

0:06:35.920 --> 0:06:39.480
<v Speaker 3>Jonathan hypebook The Anxious Generation. Yeah, that's all about like

0:06:39.839 --> 0:06:42.919
<v Speaker 3>I think social media when you're sixteen, I think phone

0:06:42.960 --> 0:06:45.240
<v Speaker 3>when you're fourteen. I've heard there's like a hack with

0:06:45.360 --> 0:06:48.960
<v Speaker 3>a giving them a smart watch that can just call home.

0:06:49.360 --> 0:06:51.320
<v Speaker 2>Maybe early on my sister's doing something like that.

0:06:52.320 --> 0:06:56.400
<v Speaker 1>How is it going for? Is it successful just started. Yeah,

0:06:56.400 --> 0:06:59.440
<v Speaker 1>because I have a fourteen year old is my youngest,

0:06:59.440 --> 0:07:02.159
<v Speaker 1>And he said a phone since he was about eleven.

0:07:02.360 --> 0:07:02.880
<v Speaker 2>Is that right?

0:07:03.000 --> 0:07:07.360
<v Speaker 1>Not on social media, but internet access on that phone. Yeah,

0:07:07.360 --> 0:07:09.760
<v Speaker 1>a little bit limited. I mean you can, you can

0:07:10.280 --> 0:07:11.960
<v Speaker 1>kind of. And I always say to him, you know,

0:07:12.560 --> 0:07:17.840
<v Speaker 1>no porn. So I'm sure he's like, yeah, okay.

0:07:16.760 --> 0:07:20.560
<v Speaker 3>Great, dad said so I well, yeah, it sounds like

0:07:20.600 --> 0:07:21.680
<v Speaker 3>you're You've really set.

0:07:21.600 --> 0:07:22.720
<v Speaker 2>Up the boundaries very clear.

0:07:23.200 --> 0:07:26.280
<v Speaker 3>I'm a fairy or what they call a helicopter parent.

0:07:26.360 --> 0:07:28.400
<v Speaker 3>I was going to say, you really they put in

0:07:28.400 --> 0:07:30.200
<v Speaker 3>the work itself. Well, you know, my wife's very.

0:07:30.080 --> 0:07:30.520
<v Speaker 2>Good at it.

0:07:30.680 --> 0:07:34.000
<v Speaker 1>Yeah, she's very kind of on top of it. I

0:07:34.000 --> 0:07:36.920
<v Speaker 1>I resist, I have this. I wonder if you do this.

0:07:36.960 --> 0:07:39.480
<v Speaker 1>I've talked to a lot of performers and people who

0:07:39.520 --> 0:07:40.120
<v Speaker 1>are in sure.

0:07:39.960 --> 0:07:41.720
<v Speaker 2>Business to do this. I have.

0:07:42.320 --> 0:07:45.240
<v Speaker 1>I have a social media accounts, but I go on

0:07:45.440 --> 0:07:48.120
<v Speaker 1>I dump and then I delete the app, and then

0:07:48.120 --> 0:07:51.440
<v Speaker 1>I go on get the app sign and then delete

0:07:51.480 --> 0:07:54.120
<v Speaker 1>the app before it gets me every time every time.

0:07:54.200 --> 0:07:55.920
<v Speaker 2>How often then do you read download?

0:07:56.440 --> 0:07:59.280
<v Speaker 1>Uh? Probably a couple of times a week. Okay, yeah,

0:07:59.560 --> 0:08:01.800
<v Speaker 1>and that's about it. But it doesn't take that long.

0:08:01.960 --> 0:08:05.760
<v Speaker 3>Yeah, yeah, I've added the I've added the time restraints

0:08:05.800 --> 0:08:08.000
<v Speaker 3>onto my phone, so I have like, ok, twenty minutes

0:08:08.040 --> 0:08:08.720
<v Speaker 3>of my phone.

0:08:08.520 --> 0:08:11.280
<v Speaker 2>Like shuts off. But then I can add a code

0:08:11.320 --> 0:08:12.520
<v Speaker 2>and I enter a code, and then I can get

0:08:12.560 --> 0:08:14.280
<v Speaker 2>it back. And so I've achieved that.

0:08:14.320 --> 0:08:17.200
<v Speaker 3>So there's I think it's important to put the speed bumps,

0:08:17.600 --> 0:08:18.920
<v Speaker 3>but I'm still driving through them.

0:08:19.520 --> 0:08:20.640
<v Speaker 2>I think it's well.

0:08:20.680 --> 0:08:22.720
<v Speaker 1>I mean, at least you question yourself a little bit

0:08:22.760 --> 0:08:25.520
<v Speaker 1>if you're going through it. I started doing a thing

0:08:26.080 --> 0:08:30.160
<v Speaker 1>like about a week ago. I thought I would just

0:08:30.320 --> 0:08:32.120
<v Speaker 1>like to just pick up a book and read again

0:08:32.240 --> 0:08:34.560
<v Speaker 1>at night, you know, and before you go to sleep.

0:08:34.640 --> 0:08:36.160
<v Speaker 2>I've been sleeping.

0:08:35.640 --> 0:08:39.520
<v Speaker 1>Great, yeah, like great, Like I was a sixty three

0:08:39.559 --> 0:08:40.920
<v Speaker 1>year old man. I should be getting up thre or

0:08:40.960 --> 0:08:41.720
<v Speaker 1>four times for a bee.

0:08:41.840 --> 0:08:42.320
<v Speaker 2>Not even that.

0:08:42.880 --> 0:08:46.199
<v Speaker 1>Are you urinating on the book? I'm peeding in the bed. Okay, yeah,

0:08:45.800 --> 0:08:51.600
<v Speaker 1>but I'm sleeping the whole line. But it's kind of weird. Yeah,

0:08:51.720 --> 0:08:54.920
<v Speaker 1>I really love it. So I think I was saying

0:08:54.920 --> 0:08:55.640
<v Speaker 1>as back.

0:08:55.520 --> 0:08:57.760
<v Speaker 3>To analog for me, I think I'm I mean, I'm

0:08:57.800 --> 0:09:01.199
<v Speaker 3>a I'm a secret lott or perhaps a hopeful ludite.

0:09:01.640 --> 0:09:03.280
<v Speaker 3>I loved that last night. Last night I did. I

0:09:03.280 --> 0:09:05.960
<v Speaker 3>did the book before bed situation, right we read. Well,

0:09:06.000 --> 0:09:07.800
<v Speaker 3>I got a couple of things going on right now. Well,

0:09:07.800 --> 0:09:10.320
<v Speaker 3>I got a couple of coffee table books. Sometimes let

0:09:10.320 --> 0:09:10.640
<v Speaker 3>me just.

0:09:10.559 --> 0:09:12.240
<v Speaker 2>Look at some art before bed. Yeah, I like it.

0:09:12.400 --> 0:09:13.600
<v Speaker 2>Got some Bob Dylan books somewhere.

0:09:14.840 --> 0:09:18.199
<v Speaker 3>I'm interviewing Bill Clinton on the program in a.

0:09:18.120 --> 0:09:21.520
<v Speaker 2>Week, so I'm working through his his book in.

0:09:21.600 --> 0:09:24.640
<v Speaker 3>A book with James Patterson. That's a uh it's like

0:09:24.960 --> 0:09:27.880
<v Speaker 3>a thriller. It is, Yeah, he wrote it.

0:09:27.920 --> 0:09:30.080
<v Speaker 2>Did either one of them show up for this book?

0:09:30.520 --> 0:09:32.760
<v Speaker 1>I feel like James Potterson that Bill Clinton kind of

0:09:32.760 --> 0:09:34.920
<v Speaker 1>have a It's like what was his name, Lixton Steining.

0:09:34.960 --> 0:09:36.480
<v Speaker 1>He would come in and go, yeah, this is this

0:09:36.559 --> 0:09:38.840
<v Speaker 1>is great, keep going and then walk up. I think

0:09:38.840 --> 0:09:41.400
<v Speaker 1>Patterson has a team. This is what I've heard, you

0:09:41.440 --> 0:09:43.600
<v Speaker 1>know that. I think some of these big time authors

0:09:43.640 --> 0:09:47.080
<v Speaker 1>have a crew that as symbol is literature.

0:09:47.400 --> 0:09:49.400
<v Speaker 2>Is that really writing? Then?

0:09:49.600 --> 0:09:51.960
<v Speaker 3>I don't you know, you're curating. I think it's like

0:09:52.080 --> 0:09:56.080
<v Speaker 3>first step AI in some ways. Yeah, it's like that's

0:09:56.120 --> 0:09:58.600
<v Speaker 3>the thing. I'm sure I could write you a Partison novel.

0:09:58.640 --> 0:09:59.400
<v Speaker 2>No, sure, Yeah, I.

0:09:59.400 --> 0:10:01.800
<v Speaker 3>Mean I think like they probably feed it into AI.

0:10:02.080 --> 0:10:04.440
<v Speaker 3>Understand the I mean, it's it's a novel that clearly,

0:10:04.960 --> 0:10:08.199
<v Speaker 3>to its credit, it is a page turner. It has

0:10:08.240 --> 0:10:10.160
<v Speaker 3>the language of the White House, which I'm sure Bill

0:10:10.160 --> 0:10:13.800
<v Speaker 3>Clinton weighs in on. Yeah, but yeah, it's a genre

0:10:13.840 --> 0:10:16.000
<v Speaker 3>that he's in some ways perfected that I'm sure AI

0:10:16.040 --> 0:10:17.120
<v Speaker 3>gets a look at that. I was like, yeah, I

0:10:17.120 --> 0:10:17.920
<v Speaker 3>can put one of these off.

0:10:18.800 --> 0:10:21.480
<v Speaker 2>Do you use AI in your twenty minute foot in journeys?

0:10:21.480 --> 0:10:22.400
<v Speaker 2>I don't. I don't.

0:10:22.440 --> 0:10:27.359
<v Speaker 3>I mean I've started a little bit on things like restaurants,

0:10:27.520 --> 0:10:30.760
<v Speaker 3>like weird like New York questions, Right, I go to

0:10:30.960 --> 0:10:33.959
<v Speaker 3>that for the first time, But I'm I mean it

0:10:34.000 --> 0:10:35.960
<v Speaker 3>makes me feel old. I don't quite know an access

0:10:35.960 --> 0:10:37.400
<v Speaker 3>point for a lot of this AI. I'll talk to

0:10:37.440 --> 0:10:40.079
<v Speaker 3>friends to be like, who are using it for work

0:10:40.200 --> 0:10:41.640
<v Speaker 3>or for reading emails and stuff like that.

0:10:41.760 --> 0:10:46.079
<v Speaker 1>I frankly don't understand that you're here. Claude four, No,

0:10:46.640 --> 0:10:49.240
<v Speaker 1>Claude four is an AI program, right. They were doing

0:10:49.240 --> 0:10:53.120
<v Speaker 1>an experiment with it, and they told it that we

0:10:53.200 --> 0:10:55.800
<v Speaker 1>were going to shut it down. Some guys said, I'm

0:10:55.800 --> 0:10:59.319
<v Speaker 1>going to shut down Claude for and Claude for constructed

0:10:59.360 --> 0:11:04.400
<v Speaker 1>blackmail letters letters from the guy who started it, who

0:11:04.440 --> 0:11:07.520
<v Speaker 1>was going to shut him down to his fictional mistress

0:11:07.920 --> 0:11:10.040
<v Speaker 1>and said, if you if you shut me down, I'm

0:11:10.040 --> 0:11:12.960
<v Speaker 1>going to release these today, which it didn't really think

0:11:13.000 --> 0:11:14.520
<v Speaker 1>it too, because if you're shut down, it's very hard

0:11:14.559 --> 0:11:18.160
<v Speaker 1>to release anything, you know, but the idea that it

0:11:18.240 --> 0:11:21.440
<v Speaker 1>would try and leverage something to stay alive.

0:11:21.840 --> 0:11:23.720
<v Speaker 2>There's cruelty in AI already.

0:11:24.640 --> 0:11:28.720
<v Speaker 1>You know, self preservation, I get it, humanity, you know,

0:11:28.800 --> 0:11:30.280
<v Speaker 1>it's there's human business AI.

0:11:30.400 --> 0:11:31.599
<v Speaker 2>You know what I mean. It's like you gotta do

0:11:31.679 --> 0:11:33.880
<v Speaker 2>what you gotta do when you gotta do kill or

0:11:33.880 --> 0:11:35.800
<v Speaker 2>be killed. Right, Yeah, it's kind of it's kind of

0:11:35.800 --> 0:11:36.079
<v Speaker 2>a thing.

0:11:36.080 --> 0:11:39.880
<v Speaker 1>You're now, you're I was, I was googling you did

0:11:39.920 --> 0:11:40.520
<v Speaker 1>it today?

0:11:40.679 --> 0:11:41.599
<v Speaker 2>Congratulations?

0:11:42.160 --> 0:11:44.360
<v Speaker 1>I was actually what was interested in the name Klepper.

0:11:44.360 --> 0:11:47.520
<v Speaker 1>I've never heard it before, really Dutch Dutch name. Yeah,

0:11:47.520 --> 0:11:50.120
<v Speaker 1>have you been to Holland? No, you should go.

0:11:50.520 --> 0:11:51.760
<v Speaker 2>I know, I know nothing of it.

0:11:51.760 --> 0:11:54.000
<v Speaker 1>I know there's a kayak you can stick your finger

0:11:54.000 --> 0:11:56.240
<v Speaker 1>in a dike and save the country. Is that right,

0:11:56.280 --> 0:11:58.040
<v Speaker 1>that's how you saved the country. Yeah, I'm gonn I'm

0:11:58.040 --> 0:11:58.840
<v Speaker 1>gonna quote you on that.

0:11:58.880 --> 0:12:01.000
<v Speaker 2>Well, you're the one that does all the fingering. Jews.

0:12:01.440 --> 0:12:03.160
<v Speaker 1>Just take your finger in the dike, and you can

0:12:03.160 --> 0:12:04.840
<v Speaker 1>save Holland, Like give me the.

0:12:04.880 --> 0:12:06.720
<v Speaker 2>Halland let me let me save a country.

0:12:06.840 --> 0:12:09.920
<v Speaker 1>Now, No, it's it might be you know, a different

0:12:10.000 --> 0:12:11.960
<v Speaker 1>the translation might be different, but that's what you do.

0:12:12.320 --> 0:12:14.320
<v Speaker 1>That's what the little boy did. Is that based on

0:12:14.400 --> 0:12:16.640
<v Speaker 1>an actual story? Is it a fairy tale of some sort?

0:12:16.880 --> 0:12:20.400
<v Speaker 1>I feel like it's nonsense. There's like, there's a Paul,

0:12:20.440 --> 0:12:21.480
<v Speaker 1>but there's probably to me.

0:12:21.559 --> 0:12:23.720
<v Speaker 3>I imagine that as like a Davy Crockett situation, right,

0:12:23.840 --> 0:12:24.720
<v Speaker 3>or the Paul Bunyan.

0:12:25.160 --> 0:12:30.679
<v Speaker 1>The kid had a really big fingers, like she's the giant.

0:12:30.760 --> 0:12:33.880
<v Speaker 2>Do you know that? Do you know the Christmas Holland thing?

0:12:34.200 --> 0:12:37.760
<v Speaker 1>No, Oh, it's really bad. It's really bad. They have

0:12:37.840 --> 0:12:39.960
<v Speaker 1>to get rid of it. It's like a black face. Shoh,

0:12:40.040 --> 0:12:43.600
<v Speaker 1>it's very bad. Yeah, it's Santa and he has I

0:12:43.640 --> 0:12:44.640
<v Speaker 1>think nine.

0:12:45.800 --> 0:12:47.400
<v Speaker 2>Black helpers or something.

0:12:47.520 --> 0:12:50.720
<v Speaker 3>It's you realize there are some countries that are good

0:12:50.880 --> 0:12:53.640
<v Speaker 3>seventy years behind culturally dealing with these things.

0:12:53.640 --> 0:12:56.040
<v Speaker 1>Listen, I when I grew up in Brentain in the

0:12:56.120 --> 0:12:59.959
<v Speaker 1>nineteen seventies, they had a TV show called The Black

0:13:00.200 --> 0:13:03.520
<v Speaker 1>White Minstrel Show. I'm not kidding you really right, And

0:13:03.559 --> 0:13:07.880
<v Speaker 1>it was a guy, white guys black top singing barbershop

0:13:07.960 --> 0:13:10.640
<v Speaker 1>songs on TV on prime Time.

0:13:11.040 --> 0:13:11.920
<v Speaker 2>I'm not kidding.

0:13:12.520 --> 0:13:16.920
<v Speaker 1>And I was like, whoa And we used to watch it? Yeah, wow,

0:13:17.320 --> 0:13:18.960
<v Speaker 1>my parents used to watch them. I don't watch the

0:13:18.960 --> 0:13:21.560
<v Speaker 1>Black and White Minstrel Show, but it was it was

0:13:21.559 --> 0:13:23.360
<v Speaker 1>a real thing, and it was on in Britain in

0:13:23.360 --> 0:13:26.000
<v Speaker 1>the seven I think it made it even into the eighties.

0:13:26.040 --> 0:13:28.560
<v Speaker 1>I don't really do we have Google anywhere? Look up

0:13:28.600 --> 0:13:31.120
<v Speaker 1>the Black and White Minstrel Show. Who's the audience for that?

0:13:31.520 --> 0:13:34.720
<v Speaker 1>I think old racist British people, sure, but I don't

0:13:34.760 --> 0:13:36.760
<v Speaker 1>even know if they were. I don't even know if

0:13:36.760 --> 0:13:39.080
<v Speaker 1>they would. Yeah, I'm not going to stick up for them.

0:13:38.960 --> 0:13:45.680
<v Speaker 2>Old racist British people. I think seven made it to

0:13:45.720 --> 0:13:47.079
<v Speaker 2>seventy e A. Is that right? Yeah?

0:13:47.080 --> 0:13:49.480
<v Speaker 1>I think what happened does the sex Pistols came out

0:13:49.520 --> 0:13:51.680
<v Speaker 1>in nineteen seventy six and we're like, you know, maybe

0:13:51.679 --> 0:13:55.160
<v Speaker 1>we should probably get rid of the Black Show. But

0:13:55.240 --> 0:13:58.280
<v Speaker 1>it was a real that's wild, it's crazy, it's crazy.

0:13:58.360 --> 0:13:59.760
<v Speaker 2>You should go over it. Have you been to Britain?

0:14:00.200 --> 0:14:01.839
<v Speaker 2>You went to London, didn't it? I did? I did.

0:14:02.240 --> 0:14:05.559
<v Speaker 3>I did Foreign study at Goldsmith's in outside London in

0:14:05.640 --> 0:14:08.040
<v Speaker 3>New Cross. So I was there for like six months.

0:14:08.080 --> 0:14:10.000
<v Speaker 2>You like it? I loved it. I mean I think

0:14:10.040 --> 0:14:11.200
<v Speaker 2>like Python.

0:14:11.360 --> 0:14:15.640
<v Speaker 3>Partridge, all that stuff became like like awakened everything in

0:14:15.679 --> 0:14:20.680
<v Speaker 3>my head. Oh really, Oh yeah, I mean that's still I've.

0:14:20.560 --> 0:14:22.720
<v Speaker 2>Known for years. Oh yeah, I mean I at the

0:14:22.760 --> 0:14:24.560
<v Speaker 2>same time, is that right? Yeah? Yeah?

0:14:24.800 --> 0:14:28.080
<v Speaker 1>That character to me is it's a great incredible it's

0:14:28.080 --> 0:14:28.640
<v Speaker 1>a great card.

0:14:28.720 --> 0:14:30.240
<v Speaker 2>It's an agent to it.

0:14:30.240 --> 0:14:31.920
<v Speaker 3>I think he's done such a good job of using

0:14:32.000 --> 0:14:35.960
<v Speaker 3>like formats, like adapting to formats, podcasting, mid Morning Matters

0:14:36.000 --> 0:14:40.400
<v Speaker 3>has such great like short attention span, video stuff, the

0:14:40.400 --> 0:14:41.760
<v Speaker 3>fact that they played with sitcom.

0:14:41.800 --> 0:14:43.800
<v Speaker 2>I just I think there's so much about that character.

0:14:43.640 --> 0:14:47.320
<v Speaker 1>Any character stuff barely. I mean I came up in

0:14:47.360 --> 0:14:49.320
<v Speaker 1>the improv sketch world. Well that's what it's going to say,

0:14:49.320 --> 0:14:52.360
<v Speaker 1>because you were in the Upright Citizens Brigade, Right, Yeah,

0:14:52.400 --> 0:14:52.720
<v Speaker 1>so I was.

0:14:52.840 --> 0:14:57.080
<v Speaker 3>I performed there in Second City, in improv, Olympic and Chicago,

0:14:57.320 --> 0:15:00.760
<v Speaker 3>So like, yeah, there's always characters. I think, like, as

0:15:00.760 --> 0:15:03.640
<v Speaker 3>I've gotten older, though, I realized, like my acting range

0:15:03.800 --> 0:15:04.960
<v Speaker 3>is slight.

0:15:05.800 --> 0:15:08.080
<v Speaker 1>It doesn't need to be much that much. It's status

0:15:08.280 --> 0:15:09.600
<v Speaker 1>what I can do. I can do status. I can

0:15:09.640 --> 0:15:13.440
<v Speaker 1>do high status. I can do pretty high status. And

0:15:14.080 --> 0:15:17.360
<v Speaker 1>I say high status and high yes, what about I mean,

0:15:17.440 --> 0:15:24.720
<v Speaker 1>I think you could do let's try racist Dutch with

0:15:24.720 --> 0:15:28.320
<v Speaker 1>with a giant finger, with a giant finger, I say,

0:15:28.320 --> 0:15:31.960
<v Speaker 1>it's the contrary. I don't know if that's a Dutch accent. Yeah,

0:15:31.960 --> 0:15:34.040
<v Speaker 1>that one that that's a fun accent though, right Dutch.

0:15:34.280 --> 0:15:35.440
<v Speaker 1>I think it's one of the I think it's one

0:15:35.440 --> 0:15:37.720
<v Speaker 1>of the ones you can do. Like German, you can do.

0:15:37.840 --> 0:15:41.280
<v Speaker 1>You can do German because because they've still you know,

0:15:41.320 --> 0:15:44.360
<v Speaker 1>world War Two, you can still it's still kind of thing,

0:15:44.360 --> 0:15:45.720
<v Speaker 1>you know, it's still talking about it.

0:15:45.720 --> 0:15:47.400
<v Speaker 3>You could do German Dutch. I think you could probably

0:15:47.440 --> 0:15:50.600
<v Speaker 3>pull off because not enough people understand what you're doing.

0:15:50.880 --> 0:15:51.040
<v Speaker 2>Right.

0:15:51.120 --> 0:15:53.760
<v Speaker 1>I don't know that I could do Dutch and jail.

0:15:53.960 --> 0:15:55.600
<v Speaker 1>I couldn't tell the difference even with a Dutch or

0:15:55.640 --> 0:15:58.640
<v Speaker 1>German parson. I don't think it's like it's like Canada

0:15:58.720 --> 0:15:59.960
<v Speaker 1>and other parts of Canada.

0:16:00.120 --> 0:16:01.360
<v Speaker 2>Yes, you know Canada.

0:16:01.480 --> 0:16:05.520
<v Speaker 3>I'm Midwest too, so Canada gets into northern Michigan as well.

0:16:05.600 --> 0:16:07.680
<v Speaker 3>So it's just like that just sounds like a level

0:16:07.680 --> 0:16:11.080
<v Speaker 3>of like niceness or like or yeah, it's like a

0:16:11.160 --> 0:16:14.200
<v Speaker 3>kindness passive aggression to a lot of passive aggress Yeah,

0:16:14.200 --> 0:16:16.240
<v Speaker 3>there's something behind it, but it's a performative nature of

0:16:16.360 --> 0:16:17.960
<v Speaker 3>like things are okay.

0:16:21.400 --> 0:16:25.080
<v Speaker 1>Hello, this is Greig Ferguson and I want to let

0:16:25.120 --> 0:16:27.120
<v Speaker 1>you know I have a brand new stand up comedy

0:16:27.160 --> 0:16:31.040
<v Speaker 1>special out now on YouTube. It's called I'm So Happy,

0:16:31.520 --> 0:16:34.680
<v Speaker 1>and I would be so happy if you checked it out.

0:16:35.000 --> 0:16:37.200
<v Speaker 1>To watch the special, just go to my YouTube channel

0:16:37.560 --> 0:16:40.360
<v Speaker 1>at the Craig Ferguson Show and is this right there?

0:16:40.720 --> 0:16:43.400
<v Speaker 2>Just click it and play it and it's free. I

0:16:43.440 --> 0:16:43.920
<v Speaker 2>can't look.

0:16:43.920 --> 0:16:45.240
<v Speaker 1>I'm not going to come around your house and show

0:16:45.280 --> 0:16:46.600
<v Speaker 1>you how to do it. If you can't do it,

0:16:46.640 --> 0:16:48.160
<v Speaker 1>then you can't have it. But if you can figure

0:16:48.160 --> 0:16:54.920
<v Speaker 1>it out, it's yours. What about stand ups? I ever

0:16:55.040 --> 0:16:56.440
<v Speaker 1>intrigued you as.

0:16:56.320 --> 0:16:58.400
<v Speaker 2>A Yes, I do a bit of it now.

0:16:59.400 --> 0:17:02.160
<v Speaker 1>I basically when I got the Daily Show, all the

0:17:02.200 --> 0:17:03.920
<v Speaker 1>stand ups on The Daily Show were like, you should

0:17:03.920 --> 0:17:06.159
<v Speaker 1>do stand up, right, every stand up thinks you should do.

0:17:06.400 --> 0:17:08.280
<v Speaker 1>You should go do stand up. And so I was like,

0:17:08.320 --> 0:17:10.399
<v Speaker 1>I'll try the stand up thing. And so I've been

0:17:10.400 --> 0:17:11.760
<v Speaker 1>doing it for the last few years. I'm going on

0:17:11.840 --> 0:17:14.159
<v Speaker 1>a bit of a tour now I did stand up.

0:17:14.200 --> 0:17:17.560
<v Speaker 1>I like stand up, honestly, I as an improv guy,

0:17:17.880 --> 0:17:19.719
<v Speaker 1>you're taught to dislike stand up.

0:17:19.720 --> 0:17:22.320
<v Speaker 2>It's such different worlds, at least coming up. Why would

0:17:22.400 --> 0:17:23.720
<v Speaker 2>you be told that.

0:17:23.880 --> 0:17:25.600
<v Speaker 3>I mean, I think like in the world of Chicago,

0:17:25.680 --> 0:17:27.480
<v Speaker 3>coming up, you're either an improv or you were a

0:17:27.480 --> 0:17:29.679
<v Speaker 3>stand up guy. So you pick a site you're like,

0:17:29.880 --> 0:17:32.639
<v Speaker 3>you like solo stuff or you like working as a

0:17:32.680 --> 0:17:34.879
<v Speaker 3>team with a bunch of the theater kids, right. I

0:17:34.920 --> 0:17:37.320
<v Speaker 3>think though I grew out of improv, by the time

0:17:37.359 --> 0:17:39.240
<v Speaker 3>I got Daily Show, it was pretty tired of it,

0:17:39.359 --> 0:17:42.040
<v Speaker 3>and I kind of fell in love with the craft

0:17:42.160 --> 0:17:44.600
<v Speaker 3>of stand up. But also in doing that, became very

0:17:44.640 --> 0:17:48.000
<v Speaker 3>aware of, like how how much work it took to

0:17:48.040 --> 0:17:50.119
<v Speaker 3>get where I wanted to be with it. Like my

0:17:50.160 --> 0:17:52.480
<v Speaker 3>first few shows, I was able to by that point

0:17:52.520 --> 0:17:54.920
<v Speaker 3>at thirty five, having done comedy for fifteen years.

0:17:54.720 --> 0:17:56.600
<v Speaker 2>I could put up a show people and watch it.

0:17:56.680 --> 0:17:58.840
<v Speaker 3>I could be all right, yeah, And it was really

0:17:58.880 --> 0:18:01.800
<v Speaker 3>frustrating to be like, shoot, I'm all right, yeah, I'd

0:18:01.800 --> 0:18:03.520
<v Speaker 3>really like to be good.

0:18:03.840 --> 0:18:05.920
<v Speaker 2>But I'm all right. To be good, I need these

0:18:06.000 --> 0:18:06.800
<v Speaker 2>kinds of reps.

0:18:06.920 --> 0:18:10.280
<v Speaker 1>I also think that that there's different types of stand up.

0:18:10.920 --> 0:18:13.959
<v Speaker 1>I feel like, you know, not just like the individuals,

0:18:14.000 --> 0:18:16.879
<v Speaker 1>but there's actually different. Like I went down to the

0:18:17.040 --> 0:18:19.240
<v Speaker 1>have you been down at the Comedy Seller? And that

0:18:20.000 --> 0:18:23.560
<v Speaker 1>village underground, which I thought was is fantastic place. I

0:18:23.560 --> 0:18:25.440
<v Speaker 1>love it down there, and I went for the first

0:18:25.440 --> 0:18:28.560
<v Speaker 1>time last weekend and and then I got up and

0:18:28.600 --> 0:18:29.240
<v Speaker 1>did you know.

0:18:30.840 --> 0:18:32.120
<v Speaker 2>They call it a drop in? I guess.

0:18:33.800 --> 0:18:36.919
<v Speaker 1>I did a set at a little short set. I

0:18:36.960 --> 0:18:38.960
<v Speaker 1>did it twice over the period of the evening. And

0:18:39.640 --> 0:18:42.520
<v Speaker 1>you know, because the role shows through and you do

0:18:42.600 --> 0:18:45.080
<v Speaker 1>fifteen minutes, and I don't do fifteen minutes.

0:18:45.080 --> 0:18:48.199
<v Speaker 2>I do, you know, about ninety to one hundred minutes.

0:18:48.760 --> 0:18:51.240
<v Speaker 1>So in the first set I was like, oh shit,

0:18:51.359 --> 0:18:53.199
<v Speaker 1>I better kind of picked this up a little bit.

0:18:53.240 --> 0:18:54.720
<v Speaker 1>And the second set I got it. But it's a

0:18:54.760 --> 0:18:56.600
<v Speaker 1>different It feels like a different instrument. It's like a

0:18:57.119 --> 0:18:59.480
<v Speaker 1>guitar or a banjo, you know what I mean. I

0:18:59.520 --> 0:19:02.280
<v Speaker 1>don't know which one is switch, but the or a

0:19:02.359 --> 0:19:07.320
<v Speaker 1>guitar and uh, you know, glockenspiel or something, but they're there.

0:19:07.359 --> 0:19:09.720
<v Speaker 1>It's a different thing because you have to joke, joke, joke.

0:19:09.760 --> 0:19:11.800
<v Speaker 1>The rhythm, the rhythms to stand up are so different.

0:19:11.800 --> 0:19:13.840
<v Speaker 1>Than the rhythms of improv I think also like an audience.

0:19:13.920 --> 0:19:17.439
<v Speaker 1>I was My first reaction was like, as an improviser,

0:19:17.800 --> 0:19:21.200
<v Speaker 1>an audiences is rooting for you and is cheering along

0:19:21.240 --> 0:19:24.120
<v Speaker 1>the process. And so there there's like a.

0:19:24.119 --> 0:19:28.760
<v Speaker 3>Rap attention that holds faces very nice, very very comfortable,

0:19:28.880 --> 0:19:30.320
<v Speaker 3>and then you stand up. But I feel like the

0:19:30.359 --> 0:19:33.040
<v Speaker 3>audience is like sets the clock and it's like go

0:19:33.320 --> 0:19:35.040
<v Speaker 3>and my laugh in every twenty five seconds.

0:19:35.040 --> 0:19:37.440
<v Speaker 2>I was just working. I got used to out a bit.

0:19:37.480 --> 0:19:40.480
<v Speaker 1>That's club stand up, I think, but stand up you

0:19:40.560 --> 0:19:43.400
<v Speaker 1>know when I'm doing a theater, you know, you tell

0:19:43.480 --> 0:19:45.840
<v Speaker 1>stories and you kind of meander, and you got that thing,

0:19:45.880 --> 0:19:48.480
<v Speaker 1>you got that kind of grace to talk and do stuff.

0:19:48.520 --> 0:19:50.320
<v Speaker 1>That's what I kind of shifted over to that in

0:19:50.359 --> 0:19:51.760
<v Speaker 1>the last year and a half. That's been so much

0:19:51.800 --> 0:19:52.359
<v Speaker 1>nicer because I.

0:19:52.320 --> 0:19:53.280
<v Speaker 2>Feel like the club world.

0:19:53.520 --> 0:19:56.000
<v Speaker 3>I would get half the audience wanted me to just

0:19:56.040 --> 0:19:57.800
<v Speaker 3>to talk about politic stuff because I knew daily show

0:19:57.800 --> 0:19:59.480
<v Speaker 3>stuff I did, and the other half was pissed I

0:19:59.520 --> 0:20:00.600
<v Speaker 3>was talking about politics.

0:20:01.000 --> 0:20:02.840
<v Speaker 1>I felt politics for you, though, I mean, I mean

0:20:03.160 --> 0:20:06.080
<v Speaker 1>I made a decision like twenty sixteen actually that I

0:20:06.080 --> 0:20:09.720
<v Speaker 1>would remove it from everything I do everything, everything I do.

0:20:09.920 --> 0:20:11.080
<v Speaker 2>How is that out of the road? Now?

0:20:11.080 --> 0:20:13.320
<v Speaker 1>Do people still want it? Or they feel like, first,

0:20:13.359 --> 0:20:18.280
<v Speaker 1>everybody assumes that you're on the other side, So everybody

0:20:18.560 --> 0:20:20.199
<v Speaker 1>like everyone on the left assumes you're on the right,

0:20:20.240 --> 0:20:21.400
<v Speaker 1>everybody on the right assume as.

0:20:21.320 --> 0:20:21.920
<v Speaker 2>You're on the left.

0:20:21.920 --> 0:20:25.080
<v Speaker 1>And at first it's kind of like it's it doesn't

0:20:25.080 --> 0:20:28.080
<v Speaker 1>go away. But when you keep talking about it and saying, look,

0:20:28.119 --> 0:20:30.080
<v Speaker 1>I'm not doing it in every interview a game like

0:20:30.119 --> 0:20:32.119
<v Speaker 1>I'm not doing it. And when you do the local

0:20:32.200 --> 0:20:35.760
<v Speaker 1>radio things with Zippy Bingo and the Wiiz to promote

0:20:35.800 --> 0:20:38.119
<v Speaker 1>that show, you know, then I say, look, it's not

0:20:38.160 --> 0:20:39.919
<v Speaker 1>about Paul, and I keep doing it. I keep doing it,

0:20:39.920 --> 0:20:42.440
<v Speaker 1>and now they get it. It's like and I think

0:20:42.560 --> 0:20:47.520
<v Speaker 1>it's kind of for me, it's a relief. I just

0:20:47.560 --> 0:20:51.200
<v Speaker 1>don't want to and I'm kind of I admire because

0:20:51.200 --> 0:20:53.439
<v Speaker 1>I remember talking to Stephen Colbert about this. It's like,

0:20:54.000 --> 0:20:56.159
<v Speaker 1>you know, he ran right at it. Like if I

0:20:56.200 --> 0:20:59.000
<v Speaker 1>was going doing Late Night right now, I'd be like, yeah,

0:20:59.000 --> 0:21:00.760
<v Speaker 1>I forget it, And then everyone would hate you for it.

0:21:01.920 --> 0:21:06.320
<v Speaker 2>They'd be like, ah, why coward. Yeah, that's exactly what

0:21:06.359 --> 0:21:06.800
<v Speaker 2>they would say.

0:21:06.840 --> 0:21:09.240
<v Speaker 1>You say, you're a coward. Yeah, and I'm like why,

0:21:09.320 --> 0:21:10.639
<v Speaker 1>I just don't want to. I don't want to get

0:21:10.640 --> 0:21:13.080
<v Speaker 1>into it. I'm sick of listening to people I agree with,

0:21:13.720 --> 0:21:17.919
<v Speaker 1>you know, I'm like, the fuck please. But I guess

0:21:17.920 --> 0:21:21.080
<v Speaker 1>when you have that volume of stuff to fill, Yeah,

0:21:21.960 --> 0:21:25.880
<v Speaker 1>policies is great. Oh, because every day there's a new show,

0:21:25.960 --> 0:21:29.240
<v Speaker 1>especially now there's a new show every day. We're going

0:21:29.240 --> 0:21:32.439
<v Speaker 1>in made Canada. Look out Greenland, they're breaking up.

0:21:32.920 --> 0:21:34.879
<v Speaker 3>I mean, how much how much Trump do you that

0:21:34.920 --> 0:21:36.639
<v Speaker 3>you'd be talking about right now if you're doing a

0:21:36.680 --> 0:21:37.480
<v Speaker 3>monologue tonight.

0:21:38.280 --> 0:21:40.040
<v Speaker 2>I don't think I would be doing any of it.

0:21:40.320 --> 0:21:44.720
<v Speaker 1>I don't think so, because I kind of feel like

0:21:44.840 --> 0:21:50.800
<v Speaker 1>I came up during punk rock, right, and particularly British

0:21:50.920 --> 0:21:54.280
<v Speaker 1>or really English punk rock, and particularly the pistols and

0:21:54.320 --> 0:21:57.159
<v Speaker 1>the kind of the vibe of that and the and

0:21:57.200 --> 0:21:59.840
<v Speaker 1>the kind of the instigator of that was Vivian W.

0:22:00.119 --> 0:22:02.320
<v Speaker 2>S Wood and Malcolm McLaren.

0:22:02.359 --> 0:22:06.760
<v Speaker 1>And and Vivin and Malcolm were great. The whole thing

0:22:06.840 --> 0:22:10.120
<v Speaker 1>was selling the swindle like it's a swindle, it's a

0:22:10.200 --> 0:22:14.120
<v Speaker 1>fucking it's a game, it's a and so the kind

0:22:14.200 --> 0:22:16.800
<v Speaker 1>of the what you kind of gets in your bones

0:22:16.880 --> 0:22:20.720
<v Speaker 1>is like I don't want to be hoodwinked by this fucking.

0:22:20.680 --> 0:22:22.040
<v Speaker 2>The great rock and roll swindle.

0:22:22.200 --> 0:22:26.960
<v Speaker 1>Yeah, And I feel like politics right now, particularly media coverage,

0:22:27.080 --> 0:22:29.280
<v Speaker 1>is like, you fucking suckers. They're giving you a new

0:22:29.320 --> 0:22:32.960
<v Speaker 1>piece of misdirect every day. Every look at all this

0:22:33.160 --> 0:22:35.679
<v Speaker 1>is going on. That's not the thing. The thing that

0:22:35.720 --> 0:22:37.160
<v Speaker 1>you're not looking at is the thing.

0:22:37.320 --> 0:22:38.040
<v Speaker 2>Yeah.

0:22:38.080 --> 0:22:39.800
<v Speaker 1>And then of course if you go that way, then

0:22:39.880 --> 0:22:42.160
<v Speaker 1>conspiracy theories and I've.

0:22:41.960 --> 0:22:42.640
<v Speaker 2>Got a lot of them.

0:22:43.240 --> 0:22:46.080
<v Speaker 3>Yeah, your flat earther, where you're at with the flat

0:22:46.119 --> 0:22:50.119
<v Speaker 3>earther contrailsh yeah, yeah, contrails.

0:22:50.720 --> 0:22:51.760
<v Speaker 2>Have you ever flown a plane?

0:22:52.359 --> 0:22:52.399
<v Speaker 1>No?

0:22:53.119 --> 0:22:55.320
<v Speaker 2>Actually really, yeah, you'd like it.

0:22:56.000 --> 0:22:59.680
<v Speaker 1>I guess it's your control free yeah yeah, they're part

0:22:59.680 --> 0:23:01.879
<v Speaker 1>of it. Yeah yeah, sure, yeah, it'll appeal to you.

0:23:01.920 --> 0:23:03.520
<v Speaker 3>I feel like I just watched the rehearsal of the

0:23:03.560 --> 0:23:07.200
<v Speaker 3>Nathan Fielder Show, which I I loved, can't say enough

0:23:07.800 --> 0:23:10.040
<v Speaker 3>good things about it, but boy placed you in the

0:23:10.160 --> 0:23:12.639
<v Speaker 3>I think it really set me into how stressful that

0:23:13.080 --> 0:23:13.719
<v Speaker 3>job is.

0:23:14.000 --> 0:23:14.640
<v Speaker 2>It's easy.

0:23:14.640 --> 0:23:16.359
<v Speaker 3>I walk on a plane and I'm like, ah, I

0:23:16.359 --> 0:23:17.879
<v Speaker 3>bet you push cup buttons. You get on up there

0:23:17.880 --> 0:23:19.920
<v Speaker 3>and you're like, oh no. I think like the pressure

0:23:19.960 --> 0:23:22.760
<v Speaker 3>of that I've never jumped out of a plane. O.

0:23:22.880 --> 0:23:24.199
<v Speaker 2>I wouldn't do that. You wouldn't do that.

0:23:25.000 --> 0:23:27.480
<v Speaker 1>You'd prepared to jump out of a plane you're flying right, Well,

0:23:27.520 --> 0:23:30.040
<v Speaker 1>I'd rather land the plane. I like the idea of

0:23:30.160 --> 0:23:32.320
<v Speaker 1>landing the plane. Wouldn't jump out of a perfectly good

0:23:32.359 --> 0:23:36.080
<v Speaker 1>airplane to start going. We that doesn't appeal to me

0:23:36.080 --> 0:23:38.119
<v Speaker 1>at all. You have like a you have a pilot's license.

0:23:38.119 --> 0:23:38.720
<v Speaker 2>I do. Yeah.

0:23:38.960 --> 0:23:40.920
<v Speaker 1>I only did it because I was frightened to fly it.

0:23:41.440 --> 0:23:45.720
<v Speaker 1>Really yeah, yeah, which I you know, I thought. And

0:23:45.760 --> 0:23:48.399
<v Speaker 1>then I was talking about this on late night actually

0:23:48.600 --> 0:23:52.680
<v Speaker 1>to Kurt Russell, who is like a big, tiny aviator.

0:23:52.920 --> 0:23:55.200
<v Speaker 1>I mean he's that's really what he does. He acts

0:23:55.240 --> 0:24:00.880
<v Speaker 1>for money to pay for gas. Yeah, And and he said.

0:24:01.000 --> 0:24:03.960
<v Speaker 2>You're not a You're you're not frightened flying. You're just

0:24:04.040 --> 0:24:07.200
<v Speaker 2>a control freak. I'm like, yeah, I don't think that's true.

0:24:07.240 --> 0:24:09.120
<v Speaker 1>And then he said that this is what really got

0:24:09.200 --> 0:24:10.480
<v Speaker 1>me because Vanity wins every time.

0:24:10.520 --> 0:24:13.400
<v Speaker 2>He said, I just read your book, You're a control freak.

0:24:13.440 --> 0:24:15.399
<v Speaker 2>And I went Russell my book.

0:24:16.560 --> 0:24:21.360
<v Speaker 1>I was like, oh, tell me more about yeah, enough

0:24:21.359 --> 0:24:22.320
<v Speaker 1>about you, more about me?

0:24:22.800 --> 0:24:25.800
<v Speaker 2>And he uh, and he kind of got me on

0:24:25.920 --> 0:24:27.960
<v Speaker 2>top with a flying instructor and I got in a

0:24:28.040 --> 0:24:30.840
<v Speaker 2>flying and wow, yeah, and did that do?

0:24:30.920 --> 0:24:32.920
<v Speaker 3>It was suddenly like, oh, writing and a plane is

0:24:32.920 --> 0:24:33.719
<v Speaker 3>no big deal anymore?

0:24:33.880 --> 0:24:36.800
<v Speaker 2>Changed it? Yeah, Now I'm.

0:24:36.720 --> 0:24:39.720
<v Speaker 1>Frightened flying, but I'm frightened to the correct things. Yes,

0:24:40.160 --> 0:24:41.000
<v Speaker 1>as opposed to.

0:24:41.160 --> 0:24:42.800
<v Speaker 2>It feels like that hurdle though.

0:24:44.160 --> 0:24:46.480
<v Speaker 3>It allows you to control something when you're flying, but

0:24:46.600 --> 0:24:49.480
<v Speaker 3>it perhaps gives you more respect for the people who

0:24:49.600 --> 0:24:53.320
<v Speaker 3>are in charge there, and therefore you release, you relinquished

0:24:53.359 --> 0:24:55.240
<v Speaker 3>some of that controls that well, the thing you have

0:24:55.320 --> 0:24:56.560
<v Speaker 3>to relate control.

0:24:56.640 --> 0:24:58.119
<v Speaker 2>I mean, I think that you have to be a

0:24:58.160 --> 0:24:58.560
<v Speaker 2>bit more.

0:24:58.800 --> 0:25:01.560
<v Speaker 1>See that's my life is stand up and you are

0:25:01.640 --> 0:25:04.880
<v Speaker 1>a team player, you know, and you're learning to I.

0:25:04.840 --> 0:25:08.159
<v Speaker 2>Mean, you're now, you know, learning to be selfish. Experiment.

0:25:08.640 --> 0:25:11.399
<v Speaker 1>I've been, you know, pathologically selfish since I was I

0:25:11.480 --> 0:25:14.640
<v Speaker 1>nearly drank myself to dath. I'm so selfish, it's it's

0:25:14.720 --> 0:25:18.040
<v Speaker 1>it's crazy. I had to really work on it. But

0:25:18.160 --> 0:25:19.400
<v Speaker 1>kids will do that for you as well.

0:25:19.400 --> 0:25:22.040
<v Speaker 3>Actually, I mean, yes, well, I do think that would

0:25:22.040 --> 0:25:23.720
<v Speaker 3>that that was a giant wake up for me.

0:25:23.800 --> 0:25:26.400
<v Speaker 2>I'm like, oh, I realized where.

0:25:26.240 --> 0:25:29.399
<v Speaker 3>I am selfish and how I am selfish in all

0:25:29.440 --> 0:25:29.800
<v Speaker 3>those ways.

0:25:29.840 --> 0:25:31.040
<v Speaker 2>Yeah, then a kid is there, You're.

0:25:30.920 --> 0:25:33.840
<v Speaker 3>Like, oh, I thought I'm doing this for that reason

0:25:33.920 --> 0:25:35.520
<v Speaker 3>or this for that reason, but really most of these

0:25:35.560 --> 0:25:37.520
<v Speaker 3>things I'm doing for is for me. And then a

0:25:37.560 --> 0:25:39.040
<v Speaker 3>kid comes along, it's like, oh yeah, the whole name

0:25:39.040 --> 0:25:41.720
<v Speaker 3>of the game is like just protect that thing. Be

0:25:41.880 --> 0:25:43.840
<v Speaker 3>that thing, be nice to that thing, make money for

0:25:43.960 --> 0:25:45.520
<v Speaker 3>that thing, live for that thing.

0:25:45.720 --> 0:25:47.560
<v Speaker 2>Yeah. That was another big thing where I'm.

0:25:47.440 --> 0:25:49.680
<v Speaker 1>Like, oh, got to stay alive. I have to stay alive. Yeah,

0:25:49.720 --> 0:25:51.720
<v Speaker 1>it's like I wasn't thinking about staying alive. I gotta

0:25:51.760 --> 0:25:52.760
<v Speaker 1>fucking stay alive.

0:25:53.320 --> 0:25:57.160
<v Speaker 2>I know. It's kind of a bummer sometimes. Yeah, like.

0:25:58.760 --> 0:26:00.600
<v Speaker 3>I need to I need to grab with that that

0:26:00.760 --> 0:26:04.960
<v Speaker 3>Like now my new job is to like withhold pain

0:26:05.119 --> 0:26:09.040
<v Speaker 3>from this child's life, be able to create space and

0:26:09.480 --> 0:26:13.560
<v Speaker 3>security for this this child for as long as humanly possible.

0:26:14.080 --> 0:26:17.040
<v Speaker 2>And how does it go? It's it's it's okay. Did

0:26:17.119 --> 0:26:19.680
<v Speaker 2>it kick in first day for you? Did?

0:26:20.080 --> 0:26:21.959
<v Speaker 1>Like when the baby was boring me? Was it like

0:26:21.960 --> 0:26:25.000
<v Speaker 1>a like a whoa, this is all Because I'll just

0:26:25.040 --> 0:26:28.920
<v Speaker 1>be honest with you, it took me about six months. Yeah,

0:26:28.960 --> 0:26:31.320
<v Speaker 1>because at first one it's the baby. I'm like babies

0:26:31.520 --> 0:26:37.160
<v Speaker 1>Jesus yea as babies are. They're just But when they start,

0:26:37.200 --> 0:26:39.040
<v Speaker 1>you know, interacting with you, it's fine. But when it's

0:26:39.040 --> 0:26:43.960
<v Speaker 1>just that screaming slug in the middle of the night, Yeah, yeah.

0:26:43.800 --> 0:26:45.840
<v Speaker 3>I mean that that first wave is all of like,

0:26:46.040 --> 0:26:47.440
<v Speaker 3>I just I have to I have to learn a

0:26:47.480 --> 0:26:50.800
<v Speaker 3>new skill to keep this cellular, cellular thing alive in

0:26:51.080 --> 0:26:51.480
<v Speaker 3>a while.

0:26:51.960 --> 0:26:54.080
<v Speaker 2>This egg that I brought home, Just what do I

0:26:54.080 --> 0:26:55.160
<v Speaker 2>need to do for it? Right?

0:26:55.200 --> 0:26:57.679
<v Speaker 3>And then yeah, when it becomes a human that you

0:26:57.720 --> 0:27:00.360
<v Speaker 3>interact with, right, then I think I could project into

0:27:00.400 --> 0:27:03.040
<v Speaker 3>the future that human like going on a date for

0:27:03.040 --> 0:27:05.840
<v Speaker 3>the first time, are being heartbroken? Human like God like,

0:27:05.880 --> 0:27:08.240
<v Speaker 3>that stuff scared the ship out of me. And I

0:27:08.280 --> 0:27:10.879
<v Speaker 3>also for the first time in my life. Also like

0:27:12.280 --> 0:27:15.640
<v Speaker 3>saw the moment where my son would no longer call

0:27:15.720 --> 0:27:18.080
<v Speaker 3>me and tell me how he's doing every few days

0:27:18.160 --> 0:27:18.600
<v Speaker 3>or what have you.

0:27:18.640 --> 0:27:21.920
<v Speaker 1>I saw it in the future. Yeah, like, oh, I

0:27:22.000 --> 0:27:23.680
<v Speaker 1>that will be a pain that I will feel. And

0:27:24.080 --> 0:27:26.480
<v Speaker 1>I I haven't been thinking about how my parents are feeling.

0:27:27.119 --> 0:27:32.400
<v Speaker 2>Surprised. I okay, that all right? Whatever? Oh hi son? Yeah,

0:27:32.400 --> 0:27:35.040
<v Speaker 2>all right, okay, fine, good, you're alive. Good?

0:27:35.119 --> 0:27:40.760
<v Speaker 1>Yeah, brushing your teeth foo SPF great talking four days. Yeah,

0:27:40.800 --> 0:27:43.760
<v Speaker 1>it's fun. I'll get the news for your mom. My

0:27:43.840 --> 0:27:45.560
<v Speaker 1>dad used to say that to me. I'll get all

0:27:45.600 --> 0:27:47.560
<v Speaker 1>the news from your mother and even just hand the

0:27:47.760 --> 0:27:48.880
<v Speaker 1>when I was calling Scotland.

0:27:48.920 --> 0:27:51.560
<v Speaker 2>Is that right? Yeah? Now here's the thing. Uh.

0:27:51.840 --> 0:27:54.320
<v Speaker 1>My wife has a theory the all stand ups, and

0:27:54.359 --> 0:27:58.560
<v Speaker 1>I extrapolate that performers actually all have very similar mothers.

0:27:59.200 --> 0:28:04.760
<v Speaker 1>Oh tell me, she says, cold with bad boundaries, cold

0:28:04.800 --> 0:28:09.520
<v Speaker 1>with bad boundaries. Yeah, I'm gonna say no for me. Yeah,

0:28:09.680 --> 0:28:12.400
<v Speaker 1>I'm gonna say I mean, yeah, I have. That's why

0:28:12.400 --> 0:28:13.960
<v Speaker 1>you didn't go into stand That's why maybe I didn't

0:28:13.960 --> 0:28:16.159
<v Speaker 1>go in to stand up. I think my brain.

0:28:16.800 --> 0:28:20.800
<v Speaker 3>I had very supportive parents, like working class parents in Michigan,

0:28:21.240 --> 0:28:24.920
<v Speaker 3>who were just excited that I was doing stuff I liked.

0:28:25.080 --> 0:28:27.960
<v Speaker 3>But I was like a without it being put on

0:28:28.160 --> 0:28:30.760
<v Speaker 3>from a parental pressure. I think they were too worried

0:28:30.760 --> 0:28:33.760
<v Speaker 3>about putting food on the table doing all that that

0:28:33.840 --> 0:28:35.520
<v Speaker 3>I was like, I need to do these things to

0:28:35.560 --> 0:28:37.680
<v Speaker 3>succeed in life, to get a college scholarship, to go

0:28:37.760 --> 0:28:40.360
<v Speaker 3>to schollege, to get a job. Like I was a nerd,

0:28:40.400 --> 0:28:43.920
<v Speaker 3>I got like a math scholarship going into college that's great.

0:28:43.960 --> 0:28:44.480
<v Speaker 2>I was. Yeah.

0:28:44.480 --> 0:28:46.160
<v Speaker 3>I was all about like, one are the things I

0:28:46.200 --> 0:28:49.480
<v Speaker 3>need to do to succeed in life, so therefore I

0:28:49.560 --> 0:28:52.600
<v Speaker 3>will not let my parents down and I will be okay.

0:28:52.760 --> 0:28:55.040
<v Speaker 3>And then in Kalamzuo, Michigan, the only thing you were

0:28:55.120 --> 0:28:56.680
<v Speaker 3>told you could be is like, if you're smart, you

0:28:56.720 --> 0:28:59.480
<v Speaker 3>could be like a doctoral lawyer, right, you know. So

0:28:59.520 --> 0:29:01.440
<v Speaker 3>it's like, all right, I'll probably be one of those things.

0:29:01.800 --> 0:29:03.280
<v Speaker 3>I can be a smart kid. And I get a

0:29:03.440 --> 0:29:06.040
<v Speaker 3>scholarship to be a smart kid. And then, like the

0:29:06.080 --> 0:29:08.480
<v Speaker 3>improv thing, the bug hits me. They send me to

0:29:08.800 --> 0:29:10.400
<v Speaker 3>England and I get a little bit of this stuff,

0:29:10.400 --> 0:29:13.680
<v Speaker 3>and something in my brain is like, oh, I like this.

0:29:13.960 --> 0:29:16.080
<v Speaker 3>I'm asked to think about stuff in different ways, feel

0:29:16.120 --> 0:29:18.960
<v Speaker 3>in different ways, express in different ways. There's not like

0:29:19.000 --> 0:29:21.719
<v Speaker 3>a path for that, right, And so then it was like, well,

0:29:21.760 --> 0:29:25.040
<v Speaker 3>fuck it, I want to explore this and I do

0:29:25.080 --> 0:29:27.520
<v Speaker 3>get I give my parents credit, like they didn't come

0:29:27.840 --> 0:29:30.040
<v Speaker 3>from a place of like stay on the path, do

0:29:30.160 --> 0:29:32.720
<v Speaker 3>that thing. They were I think, tickled by the fact

0:29:32.760 --> 0:29:34.760
<v Speaker 3>that I was exploring in this way.

0:29:34.960 --> 0:29:37.480
<v Speaker 2>And also it sounds like you were happy.

0:29:37.720 --> 0:29:39.920
<v Speaker 3>I was happy I was doing an interesting thing that

0:29:39.960 --> 0:29:42.000
<v Speaker 3>like they were like, we'll come visit you in London.

0:29:42.040 --> 0:29:44.440
<v Speaker 2>We'll go to Chicago and see your.

0:29:43.880 --> 0:29:46.160
<v Speaker 3>Dumb little shows in the middle of the night, because

0:29:46.480 --> 0:29:48.720
<v Speaker 3>you love pretending and doing all of this. I think

0:29:49.080 --> 0:29:52.320
<v Speaker 3>in some ways, at least for the improviser mindset, like

0:29:52.400 --> 0:29:54.840
<v Speaker 3>it's such a luxury that like my job for seven

0:29:54.880 --> 0:29:56.640
<v Speaker 3>years and not even job, my job as a substitute

0:29:56.640 --> 0:29:57.880
<v Speaker 3>teacher for seven years.

0:29:57.880 --> 0:30:00.520
<v Speaker 2>But what I was doing is like tending on.

0:30:00.520 --> 0:30:04.480
<v Speaker 1>Stage, substitute teaching one, math, everything in Chicago public schools.

0:30:04.600 --> 0:30:08.000
<v Speaker 2>Oh man, I do that for the day job. You

0:30:08.000 --> 0:30:10.080
<v Speaker 2>don't need to do stand up. You've been in front

0:30:10.120 --> 0:30:13.720
<v Speaker 2>of tough. Yeah, they're judging me constantly. Oh my god,

0:30:13.880 --> 0:30:15.800
<v Speaker 2>that is that's hard.

0:30:16.040 --> 0:30:18.120
<v Speaker 3>Yeah, it's constantly crowd work with a bunch of a

0:30:18.160 --> 0:30:19.880
<v Speaker 3>bunch of kids who don't want to listen to things

0:30:19.880 --> 0:30:20.360
<v Speaker 3>you're saying.

0:30:20.480 --> 0:30:23.160
<v Speaker 1>Yeah, I don't know if I could handle them. My

0:30:23.200 --> 0:30:27.080
<v Speaker 1>mother was a teacher. Oh jesu. No, There's a lot

0:30:27.080 --> 0:30:29.000
<v Speaker 1>of people in my family are teachers when I think

0:30:29.000 --> 0:30:31.640
<v Speaker 1>about it, uncles and aunts and stuff.

0:30:31.720 --> 0:30:33.600
<v Speaker 2>Yeah. Yeah. You don't see a connection to that though,

0:30:33.600 --> 0:30:36.320
<v Speaker 2>with stand up that you've been about.

0:30:36.520 --> 0:30:40.520
<v Speaker 1>Yeah, the kind of the standing in front of groups

0:30:40.520 --> 0:30:46.160
<v Speaker 1>of hostile Scottish people. Yeah, I see it now, Yeah,

0:30:46.840 --> 0:30:50.160
<v Speaker 1>I think that's yeah, I never thought about it. Yeah, maybe,

0:30:50.440 --> 0:30:52.520
<v Speaker 1>although I don't consider myself in any way in a

0:30:52.600 --> 0:30:55.720
<v Speaker 1>teaching possession with these people, you know, mostly it's a

0:30:55.760 --> 0:30:57.240
<v Speaker 1>bit of survival for me, I think.

0:30:57.480 --> 0:31:00.320
<v Speaker 3>But I feel like one of your I mean one

0:31:00.360 --> 0:31:02.640
<v Speaker 3>of your superpowers though, is putting people at ease?

0:31:02.720 --> 0:31:03.840
<v Speaker 2>Right? Would that'd be fair to say?

0:31:03.920 --> 0:31:07.960
<v Speaker 3>I feel like you famously like your ability to interview

0:31:08.200 --> 0:31:09.640
<v Speaker 3>and get to the quick with people.

0:31:09.840 --> 0:31:12.760
<v Speaker 1>Yeah, and put them. I feel like I've known threatening.

0:31:13.240 --> 0:31:15.960
<v Speaker 1>I'm threatening, sure of course. And then maybe you know

0:31:16.040 --> 0:31:18.680
<v Speaker 1>what it is is like I really don't.

0:31:18.400 --> 0:31:20.000
<v Speaker 2>Want to damage you in any way.

0:31:20.040 --> 0:31:22.800
<v Speaker 1>I'm not interested in scoring a point against you, or

0:31:23.400 --> 0:31:24.840
<v Speaker 1>I don't care about that. You got to try to

0:31:24.840 --> 0:31:27.920
<v Speaker 1>get a point in here? There no really win. I mean,

0:31:27.920 --> 0:31:28.600
<v Speaker 1>who's winning now?

0:31:28.960 --> 0:31:30.920
<v Speaker 2>Who's you score? Winning? And I want you to win.

0:31:31.600 --> 0:31:33.280
<v Speaker 2>You're winning and it's no fun if you just give

0:31:33.320 --> 0:31:33.520
<v Speaker 2>it up.

0:31:33.560 --> 0:31:36.560
<v Speaker 1>You're winning it life. You're tall, you're tall too great.

0:31:36.640 --> 0:31:40.959
<v Speaker 1>Come on, you're winning. You're past the tall post first

0:31:41.640 --> 0:31:43.760
<v Speaker 1>the check and flag of the tall race. I've got

0:31:43.800 --> 0:31:45.640
<v Speaker 1>to be away and you're in. I'm in you're in

0:31:45.800 --> 0:31:47.760
<v Speaker 1>and you did a little extra with the high hair.

0:31:47.840 --> 0:31:50.520
<v Speaker 1>You got to, you know, show me when you're in

0:31:50.520 --> 0:31:53.560
<v Speaker 1>the end zone. I you know what, I I don't

0:31:53.600 --> 0:31:55.520
<v Speaker 1>know if I you know, if I have the test

0:31:55.520 --> 0:31:59.400
<v Speaker 1>off thing anymore to get my hair to go high,

0:32:00.000 --> 0:32:00.440
<v Speaker 1>I think.

0:32:00.240 --> 0:32:02.840
<v Speaker 2>You'll just you know what the secret is. The secret

0:32:02.880 --> 0:32:05.200
<v Speaker 2>is less product. Shut.

0:32:05.440 --> 0:32:07.880
<v Speaker 3>I think it's more product. No secret is less product.

0:32:08.200 --> 0:32:10.320
<v Speaker 3>The product weighs it down and you need enough to

0:32:10.440 --> 0:32:12.720
<v Speaker 3>keep it in some sort of shape. But when you

0:32:12.800 --> 0:32:14.440
<v Speaker 3>want height, if you're going for height, I know, I

0:32:14.440 --> 0:32:17.000
<v Speaker 3>don't know if I am. Though it looks good, I

0:32:17.000 --> 0:32:18.040
<v Speaker 3>feel like if I go for.

0:32:18.120 --> 0:32:20.720
<v Speaker 1>Height, you know, at this point in my life, it's

0:32:20.800 --> 0:32:22.400
<v Speaker 1>like I'm the oldest guy in the club.

0:32:22.480 --> 0:32:23.200
<v Speaker 2>You know what I'm saying.

0:32:23.560 --> 0:32:25.440
<v Speaker 1>It's like I think I should just you get to

0:32:25.480 --> 0:32:27.480
<v Speaker 1>have certain points and I think it's run about sixty

0:32:27.520 --> 0:32:30.080
<v Speaker 1>where you just you try and not embarrass people by

0:32:30.080 --> 0:32:30.960
<v Speaker 1>being in the room with.

0:32:34.080 --> 0:32:35.520
<v Speaker 2>It's like, oh, I hope he does.

0:32:35.680 --> 0:32:38.200
<v Speaker 1>Like last night I was doing a podcast when I

0:32:38.280 --> 0:32:40.680
<v Speaker 1>was sitting talking to these people for about an hour

0:32:40.720 --> 0:32:41.600
<v Speaker 1>and a half or something.

0:32:41.600 --> 0:32:44.960
<v Speaker 2>It was one of those long ones we hold the microphone.

0:32:46.000 --> 0:32:47.800
<v Speaker 1>That shows your age, right now it's one of these

0:32:47.920 --> 0:32:49.400
<v Speaker 1>long one of these exhausted podcasts.

0:32:49.640 --> 0:32:51.840
<v Speaker 2>If you hold the bikes, you got to hold the microphone.

0:32:51.840 --> 0:32:53.640
<v Speaker 2>I'm like, oh no, I don't we have one of these.

0:32:54.440 --> 0:32:57.720
<v Speaker 2>I've had to hold the microphone and I start. My

0:32:57.880 --> 0:33:00.440
<v Speaker 2>leg was kind of seized up. I was like, oh

0:33:00.480 --> 0:33:01.960
<v Speaker 2>my god, this is awful.

0:33:02.000 --> 0:33:05.000
<v Speaker 1>And I was limping, and I thought, this is uh,

0:33:05.720 --> 0:33:08.360
<v Speaker 1>you know, it's a it's a little kind of trailer

0:33:08.400 --> 0:33:08.960
<v Speaker 1>of what's coming.

0:33:09.040 --> 0:33:11.880
<v Speaker 3>I'm literally limping now because I broke up. I fractured

0:33:11.880 --> 0:33:13.920
<v Speaker 3>a bone in my foot really from standing on a

0:33:13.960 --> 0:33:19.240
<v Speaker 3>too low from standing on a really yeah, that cannot happen.

0:33:19.320 --> 0:33:19.960
<v Speaker 3>It can happen.

0:33:20.040 --> 0:33:20.560
<v Speaker 2>Can you see?

0:33:20.640 --> 0:33:23.200
<v Speaker 1>You should maybe see a doctor. That sounds like brittle

0:33:23.640 --> 0:33:24.560
<v Speaker 1>legs and syndrome.

0:33:26.360 --> 0:33:29.440
<v Speaker 3>I have the I have the foot bone density of

0:33:29.520 --> 0:33:31.440
<v Speaker 3>like an Ailien sparrow.

0:33:31.920 --> 0:33:35.040
<v Speaker 2>Wow. Yeah. And it's I feel like I'm feeling very

0:33:35.120 --> 0:33:35.880
<v Speaker 2>old this year.

0:33:36.040 --> 0:33:38.959
<v Speaker 3>I've got a lot of like like ailments have suddenly had.

0:33:39.000 --> 0:33:43.440
<v Speaker 1>I'm forty six and so like foot cracked out. You

0:33:43.440 --> 0:33:44.480
<v Speaker 1>have scouts?

0:33:44.720 --> 0:33:48.080
<v Speaker 2>What are you king, Henry? The age you get I

0:33:48.120 --> 0:33:50.800
<v Speaker 2>sup at the table of Kings. How did you get out?

0:33:50.800 --> 0:33:53.840
<v Speaker 1>Because gos like a build up of a mineral of

0:33:53.880 --> 0:33:54.240
<v Speaker 1>some kind.

0:33:54.600 --> 0:33:55.680
<v Speaker 2>Yeah, you get it.

0:33:55.600 --> 0:33:58.400
<v Speaker 3>Because you're eating I joke that it is like I

0:33:58.400 --> 0:34:01.960
<v Speaker 3>I have privilege essentially as you're you're you're drinking yeasty

0:34:02.040 --> 0:34:04.280
<v Speaker 3>I pas and you're eating red meat.

0:34:04.520 --> 0:34:05.960
<v Speaker 2>But a big part of it is too. It's a

0:34:06.120 --> 0:34:07.440
<v Speaker 2>it's a genetic thing that like.

0:34:07.400 --> 0:34:10.759
<v Speaker 3>Basically if you get a certain level, you get uric

0:34:10.800 --> 0:34:13.520
<v Speaker 3>acid build up, and diet is part of.

0:34:13.440 --> 0:34:14.719
<v Speaker 2>It, but mostly it's a genetic thing.

0:34:14.800 --> 0:34:17.560
<v Speaker 1>Do you have to go vegan, then I should go

0:34:17.800 --> 0:34:19.600
<v Speaker 1>no booze and no red meat.

0:34:19.680 --> 0:34:22.640
<v Speaker 2>And I know, no red me. That's me. Yeah, I

0:34:22.880 --> 0:34:24.920
<v Speaker 2>live my life like that. And do you like it?

0:34:25.280 --> 0:34:29.040
<v Speaker 1>Yeah, it's funny, but the no booze thing is essential, Yes, essent.

0:34:29.239 --> 0:34:31.040
<v Speaker 2>I mean that I get you know, I'm like I

0:34:31.280 --> 0:34:33.440
<v Speaker 2>I go sowhere when I was twenty nine. Yeah, but

0:34:33.520 --> 0:34:38.160
<v Speaker 2>I was you live that life? Yeah, No, it was

0:34:38.719 --> 0:34:41.400
<v Speaker 2>no no for well as it terms, it wasn't for me,

0:34:41.480 --> 0:34:42.560
<v Speaker 2>but it was for me at the time.

0:34:42.800 --> 0:34:45.640
<v Speaker 1>Yeah, I had no booze and no drugs and no

0:34:45.760 --> 0:34:46.920
<v Speaker 1>red meat because.

0:34:48.880 --> 0:34:51.879
<v Speaker 2>You know, and you've just now gotten into reading. No,

0:34:51.960 --> 0:34:52.840
<v Speaker 2>I've been reading.

0:34:52.719 --> 0:34:54.319
<v Speaker 3>From what I was going to say, I feel like, no,

0:34:54.760 --> 0:34:57.640
<v Speaker 3>like nighttime reading is to me like when I'm at

0:34:57.719 --> 0:35:00.279
<v Speaker 3>my best and I'm drinking, I'm taking a break, I'm

0:35:00.320 --> 0:35:03.400
<v Speaker 3>eating good. To me, one of the biggest elements of

0:35:04.360 --> 0:35:07.160
<v Speaker 3>social drinking or even just solo at home is like

0:35:07.640 --> 0:35:09.360
<v Speaker 3>marking the end of the day. And so I have

0:35:09.440 --> 0:35:12.200
<v Speaker 3>such a hard time like transitioning into something that feels

0:35:12.800 --> 0:35:14.560
<v Speaker 3>it's a good use of time at night.

0:35:15.239 --> 0:35:18.080
<v Speaker 2>And to me, books does that sometimes. Let me talk

0:35:18.120 --> 0:35:20.480
<v Speaker 2>to you. Let's wind it back a little too. Solo

0:35:20.560 --> 0:35:21.160
<v Speaker 2>drinking at the.

0:35:21.640 --> 0:35:26.319
<v Speaker 3>Day, Come on, I was winning, I was winning this conversation.

0:35:27.080 --> 0:35:32.120
<v Speaker 2>Let's just let's just take a little drinking. This was happening.

0:35:32.200 --> 0:35:35.400
<v Speaker 1>Rest up on this little freeway and go follow drinking

0:35:35.400 --> 0:35:36.640
<v Speaker 1>at the end of the day.

0:35:37.600 --> 0:35:40.359
<v Speaker 2>A little glass of beer or wine or something. Yeah,

0:35:40.520 --> 0:35:40.799
<v Speaker 2>I'll go.

0:35:40.960 --> 0:35:42.360
<v Speaker 1>I'll go a little, a little bourbon at the end

0:35:42.360 --> 0:35:44.719
<v Speaker 1>of the night, get a little little hard alcohol, a

0:35:44.760 --> 0:35:47.800
<v Speaker 1>little bit. It's better for the feet that you fucking

0:35:47.880 --> 0:35:49.520
<v Speaker 1>go is well deserved.

0:35:50.680 --> 0:35:53.960
<v Speaker 2>I didn't. I didn't cheese and bourbon at the end

0:35:54.000 --> 0:35:56.399
<v Speaker 2>of the day with a burger. Yeah, this is all right.

0:35:56.480 --> 0:35:57.560
<v Speaker 2>You know what. Now I'm winning.

0:35:57.640 --> 0:35:59.959
<v Speaker 3>Sit on your high horse or or your quarter horse,

0:36:00.280 --> 0:36:02.719
<v Speaker 3>and look down on me one of one of your

0:36:02.719 --> 0:36:03.200
<v Speaker 3>four hoards.

0:36:03.400 --> 0:36:05.520
<v Speaker 2>I love it you come in here bragging about your

0:36:05.520 --> 0:36:06.160
<v Speaker 2>four horses.

0:36:08.320 --> 0:36:10.680
<v Speaker 1>Wife has three horses, she has a reserve horse, she

0:36:10.760 --> 0:36:12.400
<v Speaker 1>has a backup horse.

0:36:12.680 --> 0:36:15.239
<v Speaker 3>Really a horse. It's a Shetland pony. You're still on

0:36:15.320 --> 0:36:17.759
<v Speaker 3>a high Shetland pony perspective.

0:36:17.920 --> 0:36:20.440
<v Speaker 1>The thing is, though I'm frightened of the Shetland pony

0:36:21.840 --> 0:36:25.080
<v Speaker 1>deserves no purpose. Well that it's a very angry thing.

0:36:25.239 --> 0:36:28.160
<v Speaker 1>Oh really, because oh yeah, they're it's a very angry thing.

0:36:28.600 --> 0:36:32.640
<v Speaker 1>It's they're very cranky Shetland pony. You mustn't have one, really,

0:36:32.760 --> 0:36:35.720
<v Speaker 1>you live in New York City. They'd be very inconvenient anyway.

0:36:36.680 --> 0:36:39.200
<v Speaker 1>Although that makes you that guy, and I mean the

0:36:39.239 --> 0:36:42.319
<v Speaker 1>guy with the iguana Starbucks, that guy, that guy I

0:36:42.360 --> 0:36:42.840
<v Speaker 1>don't want to be.

0:36:42.920 --> 0:36:44.839
<v Speaker 2>You don't like that guy. I like him.

0:36:44.880 --> 0:36:46.520
<v Speaker 1>I just don't want to be you know, yeah, I

0:36:46.560 --> 0:36:48.920
<v Speaker 1>don't want to be the because that guy's people are

0:36:48.920 --> 0:36:50.239
<v Speaker 1>going to talk to that guy. I don't want to

0:36:50.239 --> 0:36:52.239
<v Speaker 1>talk to you, That's true. You know, I'll talk to

0:36:52.280 --> 0:36:57.040
<v Speaker 1>you here in the tan, but Starbucks. Yeah, I like

0:36:57.080 --> 0:36:58.880
<v Speaker 1>to be ready, do.

0:36:58.880 --> 0:36:59.440
<v Speaker 2>You know what I mean?

0:37:00.239 --> 0:37:03.680
<v Speaker 1>Do you ever get like when you get recognized because

0:37:03.680 --> 0:37:05.680
<v Speaker 1>you get recognized them sure recognize you at times for

0:37:06.160 --> 0:37:07.880
<v Speaker 1>you don't want to be recognized at that time.

0:37:07.760 --> 0:37:08.120
<v Speaker 2>For sure.

0:37:08.200 --> 0:37:11.760
<v Speaker 3>A lot of times kid usually blocks that out. Sometimes

0:37:11.800 --> 0:37:13.279
<v Speaker 3>New York. New York is a pretty cool place.

0:37:14.200 --> 0:37:15.719
<v Speaker 1>New York is actually the best sit in the world

0:37:15.719 --> 0:37:17.759
<v Speaker 1>for it because if people recognize you, they're like, oh,

0:37:17.800 --> 0:37:18.359
<v Speaker 1>it's that guy.

0:37:18.520 --> 0:37:20.480
<v Speaker 2>Yeah you know, yeah. I had the best one a

0:37:20.480 --> 0:37:21.040
<v Speaker 2>few weeks ago.

0:37:21.160 --> 0:37:23.880
<v Speaker 3>I was like parking in Brooklyn on a Sunday and

0:37:24.120 --> 0:37:26.520
<v Speaker 3>I hop out and I'm about ready to pay my

0:37:26.600 --> 0:37:29.600
<v Speaker 3>meter and a guy walks by and he goes like, Clipper,

0:37:29.640 --> 0:37:31.920
<v Speaker 3>it's Sunday, you don't fucking pay and he kept walking.

0:37:32.000 --> 0:37:34.439
<v Speaker 2>That's great. I was like, that is so New York.

0:37:34.520 --> 0:37:35.640
<v Speaker 2>That is very New York.

0:37:35.880 --> 0:37:38.160
<v Speaker 1>But here's the thing I have. Let's go back to

0:37:38.200 --> 0:37:40.960
<v Speaker 1>paid for the mere I never do. You don't never

0:37:42.000 --> 0:37:43.719
<v Speaker 1>just roll it, roll the dice. I roll the dice

0:37:43.719 --> 0:37:45.400
<v Speaker 1>because I figured and I get to I guess, but

0:37:45.520 --> 0:37:46.880
<v Speaker 1>I don't get them every time, and I feel like

0:37:46.920 --> 0:37:47.520
<v Speaker 1>it works out.

0:37:47.480 --> 0:37:48.799
<v Speaker 3>Kind of even I will say I do that. I

0:37:48.800 --> 0:37:51.120
<v Speaker 3>do street parking. Yeah, I got a car and I

0:37:51.120 --> 0:37:54.399
<v Speaker 3>got no parking spot. And so you know, the New

0:37:54.440 --> 0:37:56.759
<v Speaker 3>York thing of like get in your car and then

0:37:56.800 --> 0:37:59.480
<v Speaker 3>wait for two hours as the cleaner comes around, so

0:37:59.520 --> 0:38:01.600
<v Speaker 3>you don't get it ticket, right, Yeah, I've given up

0:38:01.600 --> 0:38:02.000
<v Speaker 3>on that as well.

0:38:02.040 --> 0:38:03.960
<v Speaker 2>Well. I'm like, I'll roll the dice, I'll pay it.

0:38:03.960 --> 0:38:05.920
<v Speaker 3>It's so much cheaper to get a couple of tickets

0:38:05.920 --> 0:38:07.640
<v Speaker 3>a month than it is to pay for parking in

0:38:07.640 --> 0:38:08.120
<v Speaker 3>your Yeah.

0:38:08.160 --> 0:38:10.319
<v Speaker 1>I mean it's like if you go try and park

0:38:10.320 --> 0:38:12.680
<v Speaker 1>in one of these structures, it's like it's more expensive

0:38:12.680 --> 0:38:13.320
<v Speaker 1>than getting tickets.

0:38:13.320 --> 0:38:14.080
<v Speaker 2>Doesn't make any sense?

0:38:14.160 --> 0:38:16.359
<v Speaker 1>Yeah, yeah, So what do you you double part? You're

0:38:16.440 --> 0:38:18.600
<v Speaker 1>driving in town? I don't have a car in town.

0:38:18.640 --> 0:38:20.920
<v Speaker 1>You don't have enough when I do because I drive

0:38:22.160 --> 0:38:25.640
<v Speaker 1>around fifteen hundred pickup truck that's.

0:38:25.480 --> 0:38:28.319
<v Speaker 2>A fucking tank. Yeah, but you have tiny ponies and

0:38:28.320 --> 0:38:30.480
<v Speaker 2>big truck. Yeah, I got tiny. I would never let

0:38:30.520 --> 0:38:33.680
<v Speaker 2>a pony in my truck. That's for my wife's How

0:38:33.760 --> 0:38:35.640
<v Speaker 2>many ponies could you put in the back of that truck.

0:38:36.200 --> 0:38:40.040
<v Speaker 1>A ram Dodge around fifteen hundred. I hadn't know one

0:38:40.080 --> 0:38:43.080
<v Speaker 1>shilling pony. You couldn't get a huge, you couldn't. No

0:38:43.160 --> 0:38:47.359
<v Speaker 1>your top, you're thinking of the twenty five hundred, what

0:38:47.440 --> 0:38:47.600
<v Speaker 1>is it?

0:38:47.640 --> 0:38:48.240
<v Speaker 2>What do you.

0:38:47.880 --> 0:38:50.720
<v Speaker 1>You like the beefiness, you use it like the try

0:38:50.920 --> 0:38:52.719
<v Speaker 1>you know, because I'm an immigrant.

0:38:52.800 --> 0:38:56.680
<v Speaker 2>Yeah, and I feel like you know, when you're an immigrant.

0:38:56.880 --> 0:38:58.560
<v Speaker 1>It's kind of like, you know, people that convert to

0:38:58.600 --> 0:39:01.520
<v Speaker 1>a religion are more religious than the people who were

0:39:01.560 --> 0:39:04.480
<v Speaker 1>grew up in the religion. That's kind of like me

0:39:04.640 --> 0:39:07.840
<v Speaker 1>with America. I'm more America than people who were American.

0:39:07.880 --> 0:39:09.640
<v Speaker 1>Like you have you have like a cowboy hat at home?

0:39:09.760 --> 0:39:14.400
<v Speaker 1>Oh more than one two and a half. I have

0:39:14.440 --> 0:39:17.520
<v Speaker 1>a cowboy hat. I drink root beer over crushed ice.

0:39:18.120 --> 0:39:21.319
<v Speaker 1>I yell at the TV. I watch Nascar. You watch

0:39:21.400 --> 0:39:22.080
<v Speaker 1>you like Nascar?

0:39:22.160 --> 0:39:24.360
<v Speaker 2>To watch Nascar? Oh, you are in it.

0:39:24.440 --> 0:39:27.400
<v Speaker 1>I sometimes I fall asleep in front of baseball games.

0:39:27.520 --> 0:39:29.759
<v Speaker 2>I like, I do the whole thing. I respect that.

0:39:29.960 --> 0:39:34.879
<v Speaker 1>Yeah, it's it's I I threw myself wholeheartedly into I'm

0:39:34.920 --> 0:39:39.840
<v Speaker 1>Homer Simpson. That's the best place to be, to be honest,

0:39:39.840 --> 0:39:45.200
<v Speaker 1>to enjoy all of the the indulgences of American culture.

0:39:45.320 --> 0:39:47.359
<v Speaker 1>I feel like there's elements that I feel like I

0:39:47.400 --> 0:39:50.280
<v Speaker 1>myself I'm always probably partially pushing against.

0:39:50.920 --> 0:39:54.080
<v Speaker 2>Well yeah, yeah, that's an interesting thing. What did you

0:39:54.160 --> 0:39:57.120
<v Speaker 2>miss about it when you were in London, if anything.

0:39:57.200 --> 0:39:59.239
<v Speaker 3>Well, I was such a sheltered child by that when

0:39:59.280 --> 0:40:02.919
<v Speaker 3>I left, so like, I mean, I immediately sought out

0:40:02.920 --> 0:40:05.279
<v Speaker 3>everything that felt American in London. But I've also like

0:40:06.080 --> 0:40:08.239
<v Speaker 3>nineteen at the time, twenty at the time, So like

0:40:08.280 --> 0:40:10.960
<v Speaker 3>I'm eating at I mean, I'm eating at the McDonald's

0:40:10.960 --> 0:40:13.560
<v Speaker 3>and Tripolgar Square, right, you know, I'm like, I'm just

0:40:13.640 --> 0:40:17.759
<v Speaker 3>eating at chip shops, and so I'm the culture was

0:40:17.800 --> 0:40:19.880
<v Speaker 3>as close to like American fast food culture as I

0:40:19.880 --> 0:40:22.880
<v Speaker 3>could right find. But as I like settled it, I mean,

0:40:23.000 --> 0:40:25.600
<v Speaker 3>I loved I think what I mostly loved about London

0:40:25.719 --> 0:40:27.680
<v Speaker 3>at the time was that I loved big cities. I

0:40:27.719 --> 0:40:30.880
<v Speaker 3>didn't know it Calmezer is a tiny one. Big cities

0:40:30.880 --> 0:40:34.200
<v Speaker 3>have an energy. I love big cities. I loved this city.

0:40:34.360 --> 0:40:36.719
<v Speaker 1>Yeah, I love New York City's my favorite city. I

0:40:36.800 --> 0:40:39.600
<v Speaker 1>think every other city is just kind of pretending to

0:40:39.760 --> 0:40:41.759
<v Speaker 1>be in New York. They all are ex I went

0:40:41.800 --> 0:40:44.439
<v Speaker 1>to Tokyo, Tokyo, Tokyo doesn't give a ship.

0:40:44.520 --> 0:40:47.600
<v Speaker 3>Yeah, this is to Tokyo. Toyo's Tokyo. Yeah, I think

0:40:47.640 --> 0:40:49.840
<v Speaker 3>you got some of the some of the European cities.

0:40:49.880 --> 0:40:51.480
<v Speaker 3>I'm like, oh yeah, but New York is New York.

0:40:51.480 --> 0:40:53.080
<v Speaker 3>You're like Tokyo's three New York's.

0:40:53.160 --> 0:40:56.120
<v Speaker 1>Yeah, Tokyo is kind of crazy. Yeah, I loved it.

0:40:56.280 --> 0:40:57.319
<v Speaker 2>Yeah. Yeah, I mean I fail.

0:40:57.360 --> 0:40:59.360
<v Speaker 1>If I had gone to Japan when I was a

0:40:59.400 --> 0:41:02.920
<v Speaker 1>young man, I would not have come back. Yeah, but

0:41:03.320 --> 0:41:04.839
<v Speaker 1>that would have been your that would have been your life.

0:41:04.840 --> 0:41:07.080
<v Speaker 1>And yeah I would have just because I really liked it.

0:41:07.120 --> 0:41:10.080
<v Speaker 1>I really I don't know why. I mean just everything

0:41:10.120 --> 0:41:12.640
<v Speaker 1>about it just seemed great. Yeah, why did you go?

0:41:12.680 --> 0:41:13.920
<v Speaker 2>Were you? Were you working? No?

0:41:14.080 --> 0:41:17.120
<v Speaker 1>That was uh five six years ago. My wife has

0:41:17.160 --> 0:41:19.760
<v Speaker 1>always wanted to go. She loves Japanese culture.

0:41:20.040 --> 0:41:20.440
<v Speaker 2>I was.

0:41:21.120 --> 0:41:23.280
<v Speaker 1>I did as well, but it wasn't on my bucket

0:41:23.280 --> 0:41:25.759
<v Speaker 1>list necessarily, and so we went. We spent like two weeks.

0:41:25.800 --> 0:41:28.239
<v Speaker 1>We did like a week to Kiyo, two and went

0:41:28.280 --> 0:41:30.080
<v Speaker 1>to Kyoto and then went to the Notto Peninsula.

0:41:30.040 --> 0:41:31.000
<v Speaker 3>Then we're like, we want to go to like a

0:41:31.040 --> 0:41:33.319
<v Speaker 3>small fishing town and spend a couple of days out there,

0:41:33.680 --> 0:41:34.440
<v Speaker 3>and that was amazing.

0:41:34.440 --> 0:41:36.399
<v Speaker 2>I feel like I felt a little bit this with Rome.

0:41:36.600 --> 0:41:38.440
<v Speaker 3>What I loved about Rome is that there's like three

0:41:38.440 --> 0:41:40.840
<v Speaker 3>centuries going on at the same time, like now the

0:41:40.920 --> 0:41:43.840
<v Speaker 3>sixteen hundreds and like Roman culture is like on the

0:41:43.840 --> 0:41:46.759
<v Speaker 3>same block. Yeah, and Japan felt elements of that, of

0:41:46.800 --> 0:41:49.640
<v Speaker 3>like Tokyo felt like a super city in its own

0:41:49.640 --> 0:41:52.880
<v Speaker 3>future that I loved, didn't give a shit about Westerners

0:41:52.960 --> 0:41:53.920
<v Speaker 3>or what they had going on.

0:42:00.920 --> 0:42:04.160
<v Speaker 2>Have you been in Russia now? Russia is amazing? Yeah?

0:42:04.320 --> 0:42:06.680
<v Speaker 1>Yeah, I was because I kind of came up during

0:42:06.680 --> 0:42:08.719
<v Speaker 1>the Cold War, so you know, I had been told

0:42:08.760 --> 0:42:10.839
<v Speaker 1>a lot of stuff about Russia that's not true, and

0:42:10.920 --> 0:42:12.680
<v Speaker 1>people are hearing a lot of stuff about Russia that

0:42:12.680 --> 0:42:15.560
<v Speaker 1>it's not true right now, you know. And and like

0:42:15.640 --> 0:42:18.880
<v Speaker 1>when I was in Saint Petersburg, which is as beautiful

0:42:18.880 --> 0:42:21.560
<v Speaker 1>as city as I've ever seen. I mean it's it's

0:42:21.640 --> 0:42:27.240
<v Speaker 1>like Paris but clean. I mean it's amazing. And Moscow

0:42:27.440 --> 0:42:31.080
<v Speaker 1>is amazing too. And the people are so gregarious, you

0:42:31.120 --> 0:42:33.760
<v Speaker 1>know what they're like. They're like Irish people, literate drunks.

0:42:34.200 --> 0:42:36.440
<v Speaker 1>They're all drunk and they've all read everything.

0:42:37.120 --> 0:42:38.279
<v Speaker 2>It's I mean, I feel like that. Yeah.

0:42:38.320 --> 0:42:42.600
<v Speaker 3>The literature culture over there is incredible, right. Yeah. When

0:42:42.640 --> 0:42:43.560
<v Speaker 3>have you last been there?

0:42:43.800 --> 0:42:46.040
<v Speaker 2>I went there. I went there.

0:42:46.120 --> 0:42:48.359
<v Speaker 1>I think it was about twenty twelve, was the last

0:42:48.360 --> 0:42:50.400
<v Speaker 1>time I was there. So I'm probably not going to

0:42:50.480 --> 0:42:53.879
<v Speaker 1>go at the moment, not a great time a shape. Yeah,

0:42:54.200 --> 0:42:55.440
<v Speaker 1>I don't know, you would get it. You'd have to

0:42:55.440 --> 0:42:57.759
<v Speaker 1>fly in the Middle East and then fly up. I guess, huh, yeah,

0:42:57.760 --> 0:43:00.879
<v Speaker 1>I think so. Yeah, Yeah, I don't know. I mean,

0:43:00.920 --> 0:43:03.200
<v Speaker 1>I I just I was. I always liked it. It

0:43:03.320 --> 0:43:07.600
<v Speaker 1>was like I also I went to go and see Lennon.

0:43:07.719 --> 0:43:09.279
<v Speaker 1>Was the first dead body I ever saw.

0:43:09.640 --> 0:43:11.680
<v Speaker 2>Is that right? Yeah, we gotta pick one. Yeah.

0:43:11.800 --> 0:43:16.040
<v Speaker 1>Yeah, he's in the mausoleum. And yeah, I went and

0:43:16.080 --> 0:43:18.759
<v Speaker 1>see him. I've seen those pictures. It looks very spooky.

0:43:18.920 --> 0:43:22.160
<v Speaker 1>It's it is very spooky. Yeah, But also I kind

0:43:22.160 --> 0:43:24.320
<v Speaker 1>of was like, is that really am really?

0:43:24.520 --> 0:43:27.279
<v Speaker 2>Yeah? I thought maybe it might be you know, it

0:43:27.280 --> 0:43:29.719
<v Speaker 2>feels like wax. It's at a distance, it's dark. I

0:43:29.760 --> 0:43:32.359
<v Speaker 2>thought it was Jimmy Hoffer. Is that that's where it is?

0:43:32.400 --> 0:43:34.760
<v Speaker 1>I think that might be. It might be Jimmie Hoffer. Yeah, Okay,

0:43:34.920 --> 0:43:37.880
<v Speaker 1>they took Lennon out, and Lennon is still alive on

0:43:38.120 --> 0:43:43.560
<v Speaker 1>Iver Megan and yeah, and it's Jimmy Hoffer is in there.

0:43:43.840 --> 0:43:44.760
<v Speaker 2>They steal it from the horses.

0:43:44.760 --> 0:43:46.799
<v Speaker 3>You've got sick horses there, but you still but Lennon

0:43:46.880 --> 0:43:47.600
<v Speaker 3>is still kicking it.

0:43:47.800 --> 0:43:51.399
<v Speaker 1>Yeah, I think Lennon's I think Lennon Putin sounds kind

0:43:51.440 --> 0:43:51.879
<v Speaker 1>of the same.

0:43:52.040 --> 0:43:52.560
<v Speaker 2>Yeah it does.

0:43:52.680 --> 0:43:55.680
<v Speaker 3>Yeah, well really, but there's there's definitely certain letters that

0:43:55.680 --> 0:43:57.880
<v Speaker 3>are there. You know, they have a lot of statues

0:43:57.920 --> 0:43:59.160
<v Speaker 3>of Lenin. I don't know if they still have them,

0:43:59.160 --> 0:44:00.560
<v Speaker 3>but they had a lot of statue. Is a Lenin

0:44:00.880 --> 0:44:04.080
<v Speaker 3>holding up a newspaper? Yeah, yeah, I don't really know

0:44:04.120 --> 0:44:04.919
<v Speaker 3>why he's doing that.

0:44:06.320 --> 0:44:07.919
<v Speaker 2>I thought he was hailing a cab of some sort

0:44:08.520 --> 0:44:08.759
<v Speaker 2>like that.

0:44:08.800 --> 0:44:12.280
<v Speaker 1>He's always his coat is flopping and he's always like, hey, striving.

0:44:12.320 --> 0:44:15.720
<v Speaker 1>You can't get a cab in this entire Soviet system.

0:44:16.400 --> 0:44:19.560
<v Speaker 3>That's why I went to Estonia and they had like

0:44:19.600 --> 0:44:23.879
<v Speaker 3>one of those. Uh they had a sculpture park of

0:44:24.000 --> 0:44:26.080
<v Speaker 3>all of the decommissioned and you.

0:44:26.160 --> 0:44:29.440
<v Speaker 1>Go there in Moscow as well, really park of totalitarian art.

0:44:30.000 --> 0:44:31.880
<v Speaker 2>It's amazing, amazing.

0:44:31.480 --> 0:44:33.479
<v Speaker 3>Oh my god, I mean, because yeah, the art, it's fast,

0:44:33.600 --> 0:44:37.000
<v Speaker 3>fascinating list in nature, all of these figures are. They're

0:44:37.000 --> 0:44:40.440
<v Speaker 3>all striding, they are striding, all moving in some kind

0:44:40.480 --> 0:44:41.040
<v Speaker 3>of direction.

0:44:41.280 --> 0:44:45.960
<v Speaker 2>Big heads, yeah, great, tailored suits. Yeah. And also the

0:44:46.040 --> 0:44:48.120
<v Speaker 2>one in Moscow. I don't know in Estonia, but in.

0:44:48.120 --> 0:44:51.120
<v Speaker 1>Moscow they're all kind of like toppled over, like you know,

0:44:52.160 --> 0:44:55.040
<v Speaker 1>so it's kind of weird. You know, the weird thing

0:44:55.160 --> 0:44:57.480
<v Speaker 1>I found in Red Square first time when you went

0:44:57.520 --> 0:44:59.520
<v Speaker 1>to Red Square. Everybody get you walking into Red Square

0:44:59.520 --> 0:45:01.600
<v Speaker 1>and you start really it's the weirdest thing.

0:45:01.680 --> 0:45:04.160
<v Speaker 2>You're like, oh my god, what it It's just that's

0:45:04.200 --> 0:45:10.440
<v Speaker 2>just that's enormous. It's enormous. And then it's just the

0:45:10.880 --> 0:45:12.440
<v Speaker 2>kind of weirdness of it all.

0:45:12.800 --> 0:45:16.240
<v Speaker 1>Maybe it's maybe it's my generation because of the mystery

0:45:16.239 --> 0:45:18.760
<v Speaker 1>of the Soviets and the terror.

0:45:18.800 --> 0:45:21.120
<v Speaker 2>It's like going to like the Devil's House or something.

0:45:21.160 --> 0:45:21.880
<v Speaker 2>And then.

0:45:23.920 --> 0:45:27.920
<v Speaker 1>And then the graves on the John Reid, the American

0:45:27.920 --> 0:45:31.319
<v Speaker 1>Communist is buried at the Kremlin Wall really yeah, and

0:45:31.680 --> 0:45:33.640
<v Speaker 1>Stalin is buried there.

0:45:34.040 --> 0:45:37.880
<v Speaker 2>And Stalin's grave by far has all these.

0:45:37.640 --> 0:45:41.040
<v Speaker 1>People like leaving flowers, and that's the one everybody goes to.

0:45:41.160 --> 0:45:43.480
<v Speaker 2>That's all right there in Red Square. It's yea too.

0:45:43.560 --> 0:45:45.239
<v Speaker 1>And there's a department store on the other side of

0:45:45.280 --> 0:45:47.719
<v Speaker 1>it called Gum. You can you see it is a

0:45:47.760 --> 0:45:50.319
<v Speaker 1>perfect right there. It's yeah, it's it's a it's an

0:45:50.320 --> 0:45:52.960
<v Speaker 1>old building. I don't know if it was always called

0:45:53.000 --> 0:45:54.839
<v Speaker 1>there's always a department store I think might have been

0:45:54.840 --> 0:45:58.200
<v Speaker 1>the the Czar's wardrobe or something like that. I mean

0:45:58.600 --> 0:46:01.640
<v Speaker 1>it's insane. Yeah, oh man, it's crazy. And Lenin's right

0:46:01.640 --> 0:46:03.480
<v Speaker 1>there like in the no you go down the little

0:46:03.520 --> 0:46:06.319
<v Speaker 1>steps and kind of dark, not on like this, and

0:46:06.360 --> 0:46:10.279
<v Speaker 1>then he's it's like it's like a Dracula or you know,

0:46:10.400 --> 0:46:13.359
<v Speaker 1>sleeping beauty but done by the cure or something like.

0:46:13.320 --> 0:46:16.520
<v Speaker 2>Oh wow, yeah, is it like a line? Is is

0:46:16.560 --> 0:46:18.560
<v Speaker 2>he still a draw? I don't.

0:46:18.680 --> 0:46:21.680
<v Speaker 1>I mean in twenty twelve people are still going by.

0:46:21.960 --> 0:46:24.239
<v Speaker 1>I don't know if they're going now because it's an

0:46:24.239 --> 0:46:26.560
<v Speaker 1>Instagram moment now, isn't that you would be going down

0:46:26.560 --> 0:46:28.680
<v Speaker 1>there like here's me and Lenin, here's me and will

0:46:28.719 --> 0:46:29.399
<v Speaker 1>I Am you.

0:46:29.360 --> 0:46:31.880
<v Speaker 2>Know, I mean whoever whoever it is at the time. Yeah, well,

0:46:32.000 --> 0:46:33.799
<v Speaker 2>I Am is fine. By the way, he's not. He's

0:46:33.840 --> 0:46:36.960
<v Speaker 2>not dead. It's fat as this recording, while I Am

0:46:37.080 --> 0:46:38.040
<v Speaker 2>is fine.

0:46:38.680 --> 0:46:40.880
<v Speaker 3>Yeah, who knows? Fingers crossed. You had a hologram at

0:46:40.880 --> 0:46:42.239
<v Speaker 3>one point, but I think he was still a lie.

0:46:42.320 --> 0:46:43.319
<v Speaker 3>That was more mostly a.

0:46:43.440 --> 0:46:45.239
<v Speaker 2>Have you seen Abba or a hologram?

0:46:45.280 --> 0:46:45.440
<v Speaker 1>Now?

0:46:45.520 --> 0:46:46.800
<v Speaker 2>Are they really? Yeah?

0:46:47.120 --> 0:46:49.799
<v Speaker 1>Abba, I've got a show going on in London that

0:46:49.840 --> 0:46:54.080
<v Speaker 1>you can go to and they're robo hologram machines, and

0:46:54.080 --> 0:46:55.800
<v Speaker 1>that's the whole show. I know that Tupac was a

0:46:55.840 --> 0:46:59.480
<v Speaker 1>hologram for a bit, right, well yeah.

0:46:59.280 --> 0:47:01.040
<v Speaker 2>But for reasons.

0:47:02.640 --> 0:47:07.200
<v Speaker 1>They just didn't want to go, like to be fair,

0:47:07.560 --> 0:47:09.799
<v Speaker 1>but I can't do a sixth night a week run.

0:47:09.840 --> 0:47:12.319
<v Speaker 2>That just doesn't make any sense. He's not available for that.

0:47:12.360 --> 0:47:16.360
<v Speaker 1>But Abba, they could still conceivably go and sing the songs,

0:47:16.400 --> 0:47:18.480
<v Speaker 1>but they know that's power.

0:47:18.640 --> 0:47:21.040
<v Speaker 2>But it's young Abba. Oh, I mean that's you get

0:47:21.040 --> 0:47:22.200
<v Speaker 2>to pick, you get to pick the.

0:47:22.360 --> 0:47:24.839
<v Speaker 1>No, that's what you get, you get young Abba. But

0:47:24.880 --> 0:47:27.480
<v Speaker 1>it's like have you ever been to Graceland? Yes, right,

0:47:27.680 --> 0:47:30.279
<v Speaker 1>well you know when they have Elvis's suits out there?

0:47:30.360 --> 0:47:31.319
<v Speaker 2>Oh yeah, it's not fat.

0:47:32.520 --> 0:47:34.840
<v Speaker 3>But see, I love I level Old rock Stars is

0:47:34.880 --> 0:47:37.400
<v Speaker 3>what I want. I love, I love it, I love it.

0:47:37.480 --> 0:47:39.279
<v Speaker 3>I love I'm a Dylan guy and I love I

0:47:39.280 --> 0:47:40.840
<v Speaker 3>love Old Dill. Did you like that film?

0:47:41.440 --> 0:47:42.799
<v Speaker 2>Yes? Oh? Good, good good.

0:47:43.080 --> 0:47:46.319
<v Speaker 3>I think like it's not it's not the Dylan film

0:47:46.360 --> 0:47:48.200
<v Speaker 3>I would necessarily make. But I think part of like

0:47:48.320 --> 0:47:49.919
<v Speaker 3>part of what I love is all the law around

0:47:49.960 --> 0:47:51.600
<v Speaker 3>him and somebody just being like, all right, this is

0:47:51.640 --> 0:47:52.439
<v Speaker 3>this is the Dylan story.

0:47:52.480 --> 0:47:55.319
<v Speaker 1>We're gonna tell you this, but it's an artist life.

0:47:55.320 --> 0:47:57.759
<v Speaker 1>There's too many different bits. But yeah, I thought Edward

0:47:57.760 --> 0:47:59.240
<v Speaker 1>Norton was great. I like Edward Norton.

0:47:59.280 --> 0:48:01.600
<v Speaker 3>I think I think that's such a fun Pete Seeger. Yeah,

0:48:02.120 --> 0:48:04.120
<v Speaker 3>I think he's always in the in the Dylan myth

0:48:04.200 --> 0:48:08.480
<v Speaker 3>been such a kind of a nerve, a dweeb attached

0:48:08.880 --> 0:48:09.479
<v Speaker 3>about Dylan.

0:48:09.719 --> 0:48:12.080
<v Speaker 1>I know next to nothing about bout Dylan. Really, Yeah,

0:48:12.080 --> 0:48:15.040
<v Speaker 1>it just didn't press me by Yeah. Yeah, I found

0:48:15.080 --> 0:48:19.319
<v Speaker 1>him late and just his talent, but beyond that, like

0:48:19.400 --> 0:48:23.840
<v Speaker 1>as a performer, his his freedom to he found a

0:48:23.880 --> 0:48:25.960
<v Speaker 1>success as a performer at such an early age and

0:48:26.000 --> 0:48:28.239
<v Speaker 1>then just dumped it and looked for something else. And

0:48:28.280 --> 0:48:30.800
<v Speaker 1>I feel like so much of like being a performer

0:48:30.840 --> 0:48:33.239
<v Speaker 1>and improviser is like trying to find what's your thing

0:48:33.800 --> 0:48:36.120
<v Speaker 1>so that you can you consit at it and and

0:48:36.320 --> 0:48:38.360
<v Speaker 1>find a little success for a moment. And like Dylan

0:48:38.400 --> 0:48:39.880
<v Speaker 1>figured it out and was like, oh fuck it, I'm

0:48:39.880 --> 0:48:41.640
<v Speaker 1>gonna do another thing. And you figure that out and

0:48:41.640 --> 0:48:44.600
<v Speaker 1>they're like I'm gonna do another thing. Like the his

0:48:45.120 --> 0:48:48.719
<v Speaker 1>his impermanence is so impressive to me. I think people

0:48:48.800 --> 0:48:52.640
<v Speaker 1>who get very successful very young also get injected with

0:48:52.719 --> 0:48:56.759
<v Speaker 1>the confidence. For sure that sometimes is warranted in the

0:48:56.760 --> 0:49:00.480
<v Speaker 1>case of Dylan, definitely, and sometimes it's absolutely not, you know,

0:49:00.680 --> 0:49:03.400
<v Speaker 1>and then then they get into this odd kind of

0:49:03.400 --> 0:49:04.360
<v Speaker 1>sense of entitlement.

0:49:04.440 --> 0:49:04.840
<v Speaker 2>Yeah.

0:49:05.200 --> 0:49:06.640
<v Speaker 1>Yeah, I think there's there's a world where you can

0:49:06.680 --> 0:49:09.000
<v Speaker 1>then completely freeze and this is just who you are.

0:49:09.040 --> 0:49:12.280
<v Speaker 1>You're confident, you're successful, this is this is the gravy

0:49:12.480 --> 0:49:16.480
<v Speaker 1>train you will ride for life. I think it's an

0:49:16.520 --> 0:49:19.759
<v Speaker 1>interesting I worked for a while with Mick Jagger and

0:49:20.560 --> 0:49:23.080
<v Speaker 1>we were working on a screenplay that we were writing

0:49:23.080 --> 0:49:25.279
<v Speaker 1>for a movie that was never made. Yeah, and I

0:49:25.320 --> 0:49:28.799
<v Speaker 1>was I remember talking to him about because he was

0:49:28.880 --> 0:49:34.440
<v Speaker 1>eighteen that, you know, and he was like, well, you know,

0:49:34.800 --> 0:49:39.400
<v Speaker 1>it's I know what I am. And you know, I

0:49:39.440 --> 0:49:41.520
<v Speaker 1>was thinking even as I was working with him. The

0:49:41.560 --> 0:49:44.319
<v Speaker 1>myth of Mick Jagger is like he went to the

0:49:44.320 --> 0:49:46.520
<v Speaker 1>London School of Economics.

0:49:45.920 --> 0:49:46.560
<v Speaker 2>Did he really?

0:49:46.800 --> 0:49:52.319
<v Speaker 1>Yeah, he's a very clever, astute businessman and he's made

0:49:52.360 --> 0:49:55.080
<v Speaker 1>a couple of mistakes that no one really talks about,

0:49:55.400 --> 0:49:58.080
<v Speaker 1>but I remember them because I look for the negative.

0:49:59.440 --> 0:50:02.360
<v Speaker 1>But did you ever see the movie Ned Kelly, No,

0:50:03.680 --> 0:50:06.360
<v Speaker 1>there's a movie, The Great The Australian Robin Hood or

0:50:06.480 --> 0:50:10.239
<v Speaker 1>Jesse James is Ned Kelly and Mick Jagger to the

0:50:10.239 --> 0:50:12.800
<v Speaker 1>movie in the seventies where he played Ned Kelly. Really

0:50:12.960 --> 0:50:20.479
<v Speaker 1>it's catastrophically bad. It is fucking wonderful. Yeah, and make

0:50:20.640 --> 0:50:25.560
<v Speaker 1>is terrible in it. And now I've seen him perform

0:50:25.680 --> 0:50:28.960
<v Speaker 1>up close a lot of times. One of the best performers.

0:50:29.000 --> 0:50:31.839
<v Speaker 1>I mean, look, it's not news. Mick Jagger is an

0:50:31.840 --> 0:50:35.600
<v Speaker 1>amazing perform yeah, but as an actor, that's not that guy.

0:50:35.719 --> 0:50:38.080
<v Speaker 2>Yeah, it's kind of interesting.

0:50:38.120 --> 0:50:40.680
<v Speaker 1>But he had the confidence to going, yeah, I'll be

0:50:40.920 --> 0:50:42.960
<v Speaker 1>I'll do this film and it'll be awesome.

0:50:43.040 --> 0:50:43.320
<v Speaker 2>Yeah.

0:50:43.480 --> 0:50:47.760
<v Speaker 3>And it's not awesome, but it's awesome. But you enjoyed

0:50:47.840 --> 0:50:49.560
<v Speaker 3>the performance of it because.

0:50:49.280 --> 0:50:51.960
<v Speaker 1>I love it, because the shodden freud of it is

0:50:53.160 --> 0:50:54.840
<v Speaker 1>just fucking delicious.

0:50:54.840 --> 0:50:56.360
<v Speaker 3>The freedom of that is I mean, I feel like

0:50:56.440 --> 0:50:58.560
<v Speaker 3>Dylan has that in an acting standpoint too, Like I

0:50:58.600 --> 0:51:02.520
<v Speaker 3>feel like he has such allure to be famous on

0:51:02.960 --> 0:51:05.840
<v Speaker 3>screen as well. And you know, he did Ronaldo and Clara,

0:51:06.360 --> 0:51:09.480
<v Speaker 3>he did what the Pat Garrett.

0:51:09.080 --> 0:51:12.440
<v Speaker 1>Film and Billy the Kid, and he's so stiff and stilted,

0:51:12.560 --> 0:51:14.840
<v Speaker 1>but the confidence to be that within it and he

0:51:14.840 --> 0:51:15.520
<v Speaker 1>still pops up.

0:51:15.560 --> 0:51:18.080
<v Speaker 2>He just he literally he popped up.

0:51:18.120 --> 0:51:21.480
<v Speaker 3>You know, he did like a Pond Stars episode of

0:51:21.680 --> 0:51:23.560
<v Speaker 3>years back that popped up. He pops up in the

0:51:23.600 --> 0:51:28.399
<v Speaker 3>weirdest stuff crazy. Literally yesterday he's what eighty three he

0:51:28.719 --> 0:51:32.640
<v Speaker 3>and he just popped up doing the voiceover for the

0:51:32.680 --> 0:51:35.880
<v Speaker 3>trailer for the rapper Machine Gun Kelly's new album.

0:51:36.160 --> 0:51:39.480
<v Speaker 2>Wow. That is they didn't see that coming. He makes

0:51:39.520 --> 0:51:40.759
<v Speaker 2>the weirdest choice. I feel like.

0:51:42.360 --> 0:51:44.480
<v Speaker 3>When you have that level of fame, the Mick Jaggers,

0:51:44.520 --> 0:51:46.239
<v Speaker 3>the Bob Dylans, and you can do whatever the hell

0:51:46.320 --> 0:51:48.120
<v Speaker 3>you want, the ability to just be like, well I'm

0:51:48.120 --> 0:51:50.560
<v Speaker 3>gonna fucking do some weird stuff right now.

0:51:50.200 --> 0:51:50.400
<v Speaker 2>You know.

0:51:50.600 --> 0:51:52.520
<v Speaker 1>Dagger said to thinking to me that I still say

0:51:52.640 --> 0:51:55.000
<v Speaker 1>to my whenever my kids have to do a presentation

0:51:55.040 --> 0:51:58.000
<v Speaker 1>at school or whenever I sometimes get a living in

0:51:58.040 --> 0:52:01.080
<v Speaker 1>my head before I show. I remember the first time

0:52:01.120 --> 0:52:04.239
<v Speaker 1>I saw Jagger was we were they were It was

0:52:04.239 --> 0:52:06.399
<v Speaker 1>the Bridges to Babylon tour and they were playing Istan

0:52:06.520 --> 0:52:08.799
<v Speaker 1>Bull and I just met Meg for launch that day

0:52:08.800 --> 0:52:11.239
<v Speaker 1>and he said, count to the shop, no and you

0:52:11.280 --> 0:52:12.760
<v Speaker 1>shit ship right.

0:52:12.600 --> 0:52:17.480
<v Speaker 2>Down the front and you'll see you. So you were

0:52:17.520 --> 0:52:18.359
<v Speaker 2>able to decipher that.

0:52:18.400 --> 0:52:21.400
<v Speaker 1>Yeah, Yeah, So I went to the show and they started,

0:52:21.400 --> 0:52:22.160
<v Speaker 1>it was amazing.

0:52:22.239 --> 0:52:25.160
<v Speaker 2>It was this big stadium in Istanbul and.

0:52:25.080 --> 0:52:27.520
<v Speaker 1>There was a you know, they could see the blue

0:52:27.600 --> 0:52:30.759
<v Speaker 1>mosque out the bag and then they there was like

0:52:30.880 --> 0:52:35.080
<v Speaker 1>a thunderstorm around and it was just unbelieving. They started

0:52:35.080 --> 0:52:39.800
<v Speaker 1>with the you know, the Sympathy for the Devil and stuff,

0:52:39.800 --> 0:52:43.759
<v Speaker 1>and they started, It's just amazing show and make through.

0:52:43.920 --> 0:52:46.440
<v Speaker 1>I've never seen a performer like I've seen everybody. This

0:52:46.480 --> 0:52:49.239
<v Speaker 1>guy was unbelievable. And we went for dinner after the show,

0:52:49.280 --> 0:52:51.480
<v Speaker 1>and I was like effusive about his performance.

0:52:51.480 --> 0:52:52.000
<v Speaker 2>I couldn't help.

0:52:52.040 --> 0:52:55.000
<v Speaker 1>I didn't want to be that guy back and he said,

0:52:55.320 --> 0:52:58.040
<v Speaker 1>he said, well, I said, you just really threw down

0:52:58.080 --> 0:53:00.160
<v Speaker 1>and he was like, you know why, I look at

0:53:00.200 --> 0:53:03.680
<v Speaker 1>it now. I never paid money to see someone who

0:53:03.760 --> 0:53:04.640
<v Speaker 1>was shy.

0:53:05.360 --> 0:53:08.120
<v Speaker 2>Thought, fuck, yeah's the truth.

0:53:08.200 --> 0:53:12.479
<v Speaker 1>Yeah, uh huh, it's like you put on a show.

0:53:13.280 --> 0:53:13.680
<v Speaker 2>My my.

0:53:14.080 --> 0:53:17.000
<v Speaker 3>One of my improv teachers early on used to say,

0:53:17.040 --> 0:53:19.239
<v Speaker 3>like that effort isn't sexy. And it's not that you

0:53:19.360 --> 0:53:22.160
<v Speaker 3>don't want to put effort into these things, but like

0:53:22.520 --> 0:53:24.920
<v Speaker 3>people aren't there to watch you struggle to figure something right.

0:53:24.960 --> 0:53:26.839
<v Speaker 1>I don't want see you sweat. They're not exactly It's

0:53:26.880 --> 0:53:28.799
<v Speaker 1>like they want to be put at ease. Yeah, I

0:53:28.800 --> 0:53:31.120
<v Speaker 1>want to see somebody who is great or unique or

0:53:31.160 --> 0:53:31.640
<v Speaker 1>other than me.

0:53:31.920 --> 0:53:34.959
<v Speaker 2>Yeah. I don't want to be nervous. No, no, no.

0:53:34.920 --> 0:53:36.239
<v Speaker 3>I want to I want to be a little I

0:53:36.280 --> 0:53:38.279
<v Speaker 3>want to be a little nervous. So I fucking wake

0:53:38.400 --> 0:53:39.560
<v Speaker 3>up and focus.

0:53:39.320 --> 0:53:40.000
<v Speaker 2>Right, you want?

0:53:40.080 --> 0:53:41.640
<v Speaker 1>You want to be nervous, to think this guy is

0:53:41.640 --> 0:53:43.319
<v Speaker 1>so fucking crazy. I don't know what's going to happen night,

0:53:43.440 --> 0:53:45.319
<v Speaker 1>but not nervous, hasn't I hope he? I hope he's

0:53:45.360 --> 0:53:48.080
<v Speaker 1>not sad? Is he?

0:53:48.160 --> 0:53:48.520
<v Speaker 2>Okay?

0:53:48.640 --> 0:53:52.640
<v Speaker 1>I can't even watch pretend, Like if you see something

0:53:52.880 --> 0:53:55.160
<v Speaker 1>in a movie or something where I stand up is

0:53:55.239 --> 0:53:57.680
<v Speaker 1>meant to be doing badly, I can't even watch it fictionally.

0:53:57.760 --> 0:54:01.560
<v Speaker 1>I'm like, really, I can't fuck look. I also, I'm frightened.

0:54:01.600 --> 0:54:05.640
<v Speaker 1>It's contagious watching somebody fail, watching something like, Oh Jesus,

0:54:05.719 --> 0:54:08.239
<v Speaker 1>I hate that. I just don't want to see it.

0:54:08.640 --> 0:54:10.200
<v Speaker 2>You don't know, I'll never have to do it with you.

0:54:09.960 --> 0:54:11.359
<v Speaker 1>You won't have to do you won't have to see

0:54:11.360 --> 0:54:13.760
<v Speaker 1>it with me because I only succeed, and also because

0:54:13.800 --> 0:54:16.719
<v Speaker 1>I will live in the improperable primarily Yeah, all right,

0:54:16.760 --> 0:54:17.319
<v Speaker 1>well we're done.

0:54:17.760 --> 0:54:20.839
<v Speaker 2>That's it. That's it. So who won? It's definitely you.

0:54:21.200 --> 0:54:22.279
<v Speaker 2>Thank definitely you.

0:54:22.360 --> 0:54:26.160
<v Speaker 1>I thought your spectacular job ten out of ten, a

0:54:26.160 --> 0:54:28.160
<v Speaker 1>star on your your workbook.

0:54:28.239 --> 0:54:31.319
<v Speaker 2>And can you know, take the rest of the day off.

0:54:32.920 --> 0:54:37.000
<v Speaker 2>I'll go drinking by myself, you know, if that's what

0:54:37.040 --> 0:54:39.719
<v Speaker 2>you're really doing, give me a call later on. All right,

0:54:39.760 --> 0:54:40.359
<v Speaker 2>get out there.