1 00:00:09,440 --> 00:00:10,960 Speaker 1: Welcome to Desperately Devoted. 2 00:00:11,320 --> 00:00:13,600 Speaker 2: Join us as we explore the human experience through the 3 00:00:13,680 --> 00:00:15,880 Speaker 2: lens of the iconic show Desperate Comeswise. 4 00:00:16,120 --> 00:00:18,239 Speaker 3: I'm Terry Hatcher, I'm Andrea Lewen. 5 00:00:18,079 --> 00:00:22,040 Speaker 4: And I'm Emerson Tanny Hie. You guys, Hey, I am 6 00:00:22,120 --> 00:00:25,480 Speaker 4: so glad we're back here. If you cannot wait until 7 00:00:25,520 --> 00:00:28,639 Speaker 4: next Tuesday, we've been doing these little bonus episodes on 8 00:00:28,760 --> 00:00:30,200 Speaker 4: Thursday because. 9 00:00:29,960 --> 00:00:30,760 Speaker 1: We can't wait. 10 00:00:31,120 --> 00:00:33,840 Speaker 5: I can't wait, I says, I can't wait a week 11 00:00:33,920 --> 00:00:36,320 Speaker 5: to see the two of you. So, yes, I'm glad 12 00:00:36,320 --> 00:00:37,800 Speaker 5: we're doing our Thursday episodes. 13 00:00:37,840 --> 00:00:41,279 Speaker 3: Welcome back to Desperately Devoted. Yes, and I'm so I know. 14 00:00:41,360 --> 00:00:44,440 Speaker 4: We had a moment that really stood out from episode 15 00:00:44,479 --> 00:00:49,159 Speaker 4: ten come back to Me, and it was when Susan 16 00:00:49,400 --> 00:00:52,240 Speaker 4: was lighting candballs in her attempt which of course gets 17 00:00:52,240 --> 00:00:56,040 Speaker 4: thwarted by Zach but to seduce Mike, and she puts 18 00:00:56,080 --> 00:00:59,080 Speaker 4: on an al green song. Anyone know it is? 19 00:01:00,040 --> 00:01:00,960 Speaker 1: Oh man, take me. 20 00:01:02,440 --> 00:01:05,000 Speaker 5: You know, let's just spend the whole ten minutes with 21 00:01:05,080 --> 00:01:06,520 Speaker 5: Andreas singing this song. 22 00:01:06,640 --> 00:01:08,840 Speaker 3: How about that? I was okay. 23 00:01:08,880 --> 00:01:11,000 Speaker 5: I don't know how many verses we get away with 24 00:01:11,120 --> 00:01:12,160 Speaker 5: before we get sued. 25 00:01:12,319 --> 00:01:15,760 Speaker 2: I'm not or how many verses can a super pregnant 26 00:01:15,760 --> 00:01:17,360 Speaker 2: woman get through without passing out? 27 00:01:17,440 --> 00:01:19,720 Speaker 1: Because is not the same. 28 00:01:20,440 --> 00:01:22,480 Speaker 4: We can find out. I thought it was interesting that 29 00:01:22,560 --> 00:01:24,720 Speaker 4: come and take Me and come back to Me, come 30 00:01:24,760 --> 00:01:26,000 Speaker 4: back to Me as the name of the title of 31 00:01:26,000 --> 00:01:28,160 Speaker 4: the episode, come and Take Me as the Algreen song. 32 00:01:28,240 --> 00:01:29,560 Speaker 3: I don't know if anyone thought about that. 33 00:01:30,440 --> 00:01:32,720 Speaker 4: It's a very sexy song, and I know that we 34 00:01:32,720 --> 00:01:36,200 Speaker 4: were talking about after we finished recording that music and 35 00:01:36,240 --> 00:01:40,080 Speaker 4: making playlists, playlists to set the mood, whether that's romantically 36 00:01:40,280 --> 00:01:43,080 Speaker 4: or for a work experience. I know for me, I 37 00:01:43,120 --> 00:01:48,240 Speaker 4: am a huge playlist maker for literally any professional or 38 00:01:48,280 --> 00:01:51,480 Speaker 4: emotional experience I am going through in my life. So 39 00:01:51,760 --> 00:01:53,640 Speaker 4: we had more to say on this, and I'm. 40 00:01:53,480 --> 00:01:54,800 Speaker 3: Am excited to talk about it. 41 00:01:55,160 --> 00:01:59,440 Speaker 5: First of all, just within the scene itself, I just like, 42 00:01:59,560 --> 00:02:00,760 Speaker 5: that's me at. 43 00:02:00,600 --> 00:02:03,640 Speaker 3: My best, that is you know. 44 00:02:03,800 --> 00:02:07,960 Speaker 5: I've often talked about how I approach comedy from the 45 00:02:08,000 --> 00:02:10,760 Speaker 5: point of view of choreography, and I think that comes 46 00:02:10,800 --> 00:02:14,080 Speaker 5: from the dance background that I have, so getting to 47 00:02:14,360 --> 00:02:19,840 Speaker 5: actually combine literally the music, the dance sort of movement, 48 00:02:20,480 --> 00:02:23,800 Speaker 5: and the comedy all in one, like that's that's that's 49 00:02:23,880 --> 00:02:24,720 Speaker 5: my that's my. 50 00:02:24,760 --> 00:02:27,040 Speaker 3: Day at the beach. I mean that that really are. 51 00:02:27,320 --> 00:02:29,440 Speaker 4: You're singing in that in that scene when you with 52 00:02:29,639 --> 00:02:31,000 Speaker 4: your little hair around, And. 53 00:02:30,919 --> 00:02:33,680 Speaker 2: Then you remember, were you actually playing the music? I mean, 54 00:02:33,720 --> 00:02:36,280 Speaker 2: obviously they for sound, I'm sure they put it in afterwards, 55 00:02:36,280 --> 00:02:38,760 Speaker 2: but for you when you were acting out the scene, 56 00:02:38,800 --> 00:02:40,280 Speaker 2: were you playing the music for yourself? 57 00:02:40,360 --> 00:02:42,639 Speaker 5: I think what we did and I can't say that 58 00:02:42,720 --> 00:02:45,320 Speaker 5: I remember this, but I remember this as it applies 59 00:02:45,400 --> 00:02:47,639 Speaker 5: to different times in my career. 60 00:02:47,680 --> 00:02:49,600 Speaker 3: That usually the way you approach. 61 00:02:49,280 --> 00:02:52,560 Speaker 5: A scene like this with music is that you'll play 62 00:02:52,600 --> 00:02:56,960 Speaker 5: the music many times to sort of figure out what 63 00:02:57,120 --> 00:02:59,640 Speaker 5: the choreography in the movement is. And even with the 64 00:02:59,680 --> 00:03:02,800 Speaker 5: extra in a scene like if there's a bar scene, 65 00:03:03,160 --> 00:03:07,760 Speaker 5: they'll play the music. So they'll roll the camera say action, 66 00:03:07,960 --> 00:03:11,040 Speaker 5: play the music, and they and so the bar, all 67 00:03:11,080 --> 00:03:13,960 Speaker 5: the extras are on the rhythm of the music, and 68 00:03:14,000 --> 00:03:16,640 Speaker 5: then they cut the music out and it's up to 69 00:03:16,720 --> 00:03:19,079 Speaker 5: you to keep that rhythm in your head and then 70 00:03:19,120 --> 00:03:22,560 Speaker 5: the actors can start saying their dialogue. So that's kind 71 00:03:22,600 --> 00:03:26,080 Speaker 5: of how it works when music is a part of 72 00:03:26,120 --> 00:03:28,919 Speaker 5: a scene like in a bar or something. I mean, 73 00:03:28,960 --> 00:03:32,040 Speaker 5: when it's important, when it's when their people are dancing 74 00:03:32,160 --> 00:03:34,840 Speaker 5: a specific way. I had to do that once in 75 00:03:34,880 --> 00:03:38,600 Speaker 5: a Hallmark Christmas movie anyway, or maybe it wasn't. 76 00:03:38,400 --> 00:03:39,200 Speaker 3: A Christmas movie. 77 00:03:39,200 --> 00:03:43,560 Speaker 5: Maybe it was just a regular Hallmark movie anyway. So 78 00:03:43,760 --> 00:03:47,760 Speaker 5: I imagine that's what we did here. But I just think, 79 00:03:48,120 --> 00:03:50,520 Speaker 5: first of all, I can't believe they got the rights 80 00:03:50,560 --> 00:03:53,960 Speaker 5: to this. It's such a sexy song. This is definitely 81 00:03:54,000 --> 00:03:55,200 Speaker 5: a song that I would. 82 00:03:55,000 --> 00:03:57,680 Speaker 3: Have sex to. I was gonna say I ever had sex. 83 00:03:59,640 --> 00:04:02,720 Speaker 4: What are your I feel like there are so many 84 00:04:02,720 --> 00:04:05,840 Speaker 4: different sexy songs. Do you have any like right now 85 00:04:05,880 --> 00:04:08,560 Speaker 4: currently in your life? Songs that you feel like are 86 00:04:08,680 --> 00:04:11,720 Speaker 4: sort of like like this is kind of like I'm 87 00:04:11,760 --> 00:04:14,160 Speaker 4: in a vibe because I can go first, here are 88 00:04:14,200 --> 00:04:16,680 Speaker 4: a couple of songs I know you're gonna like really 89 00:04:16,720 --> 00:04:19,560 Speaker 4: get to peek into the vast that I know, fucking weirdo. 90 00:04:20,720 --> 00:04:23,240 Speaker 3: Okay, blood Bank by Bony Ver. 91 00:04:24,320 --> 00:04:24,719 Speaker 1: I don't know. 92 00:04:24,760 --> 00:04:28,880 Speaker 4: The very sexy song Win Tree. Sexy song I have 93 00:04:28,960 --> 00:04:32,440 Speaker 4: to put like all time. I think sexy song is 94 00:04:33,960 --> 00:04:36,440 Speaker 4: Van Morrison's Crazy Love. 95 00:04:37,240 --> 00:04:37,720 Speaker 1: How does that go? 96 00:04:37,920 --> 00:04:38,520 Speaker 3: Can you sing that? 97 00:04:38,600 --> 00:04:38,920 Speaker 4: Little? 98 00:04:39,560 --> 00:04:40,680 Speaker 3: Well? I'm not a singer. 99 00:04:41,000 --> 00:04:45,440 Speaker 4: It's like, but just like give me love. 100 00:04:44,680 --> 00:04:46,800 Speaker 3: Right, crazy? 101 00:04:46,880 --> 00:04:47,040 Speaker 4: Right? 102 00:04:47,560 --> 00:04:47,800 Speaker 3: Yeah? 103 00:04:49,400 --> 00:04:52,920 Speaker 5: No, you don't it's just enough. It's like happy uh, 104 00:04:53,240 --> 00:04:55,520 Speaker 5: and that's all just the right amount. 105 00:04:55,760 --> 00:04:56,160 Speaker 1: Thank you. 106 00:04:56,560 --> 00:05:00,000 Speaker 4: I think. Also another song that is like a new 107 00:05:00,320 --> 00:05:02,920 Speaker 4: song that i've if you're kind of if you're into 108 00:05:02,960 --> 00:05:08,039 Speaker 4: a more like ambient indie sexy background, may I recommend 109 00:05:09,000 --> 00:05:11,599 Speaker 4: RoadHead by Japanese Breakfast. 110 00:05:12,640 --> 00:05:15,719 Speaker 2: You can even mince words at all there. 111 00:05:18,200 --> 00:05:24,360 Speaker 5: So I'm remembering this from from actually from my teenage years. 112 00:05:24,839 --> 00:05:25,560 Speaker 3: Not in a good way. 113 00:05:25,720 --> 00:05:27,919 Speaker 4: No one's having good sex in their teenage. 114 00:05:27,680 --> 00:05:32,320 Speaker 5: Years, right, but Pink Floyd, I feel like I had 115 00:05:32,760 --> 00:05:36,920 Speaker 5: a lot of songs that you would have long episodes 116 00:05:36,920 --> 00:05:37,520 Speaker 5: of sex to. 117 00:05:38,400 --> 00:05:39,440 Speaker 1: That's teenage stuff. 118 00:05:39,520 --> 00:05:42,320 Speaker 2: Yeah, that's yeah, yeah, I mean it's very viby. 119 00:05:42,400 --> 00:05:43,200 Speaker 1: It's very viby. 120 00:05:43,279 --> 00:05:43,479 Speaker 5: Pink. 121 00:05:43,520 --> 00:05:45,159 Speaker 3: I'm wanna add when I. 122 00:05:45,160 --> 00:05:47,320 Speaker 1: Get My Hands on You by the New Basement Tapes. 123 00:05:47,680 --> 00:05:51,719 Speaker 4: Oh my god, I love this song. A dear friend 124 00:05:51,760 --> 00:05:55,600 Speaker 4: of mine who will remain nameless but they'll know who 125 00:05:55,600 --> 00:05:57,920 Speaker 4: they are, who has been in my life in many 126 00:05:57,960 --> 00:06:00,240 Speaker 4: different types of capacities and is still a very good 127 00:06:00,240 --> 00:06:02,839 Speaker 4: friend of mine, is a musician who toured with Marcus 128 00:06:02,880 --> 00:06:07,120 Speaker 4: Mumford and played that song with him. And I saw 129 00:06:07,520 --> 00:06:09,680 Speaker 4: them play this song a lot, and it is a 130 00:06:09,760 --> 00:06:10,600 Speaker 4: very sexy song. 131 00:06:11,279 --> 00:06:14,240 Speaker 2: I agree also in general about playlists. 132 00:06:14,279 --> 00:06:15,800 Speaker 1: I'm a huge playlist person. 133 00:06:16,400 --> 00:06:19,600 Speaker 2: I recently my best friend got married, and as part 134 00:06:19,640 --> 00:06:22,320 Speaker 2: of one of her wedding gifts, I had and a 135 00:06:22,360 --> 00:06:24,839 Speaker 2: few of our close friends put together a gift for 136 00:06:24,880 --> 00:06:29,919 Speaker 2: her where all of her bridesmaids created actual CDs burned CDs, 137 00:06:30,200 --> 00:06:33,440 Speaker 2: so I compiled playlists from all of them based on 138 00:06:33,480 --> 00:06:36,760 Speaker 2: their memories with her, or concerts they went to, or 139 00:06:36,800 --> 00:06:38,880 Speaker 2: songs that make them think of her, and then I 140 00:06:39,000 --> 00:06:41,360 Speaker 2: had to figure out how to get a CD burner. 141 00:06:41,839 --> 00:06:46,400 Speaker 2: In twenty twenty five, I sat and I was burning CDs, 142 00:06:46,480 --> 00:06:49,000 Speaker 2: and I just loved the experience so much because not 143 00:06:49,040 --> 00:06:52,560 Speaker 2: only did it offer a peek and insight into their 144 00:06:52,600 --> 00:06:55,800 Speaker 2: friendships individually with her, to see what kind of genres 145 00:06:55,920 --> 00:06:58,719 Speaker 2: and artists that made them think of her, but also 146 00:06:58,920 --> 00:07:02,480 Speaker 2: just sitting and being that intentional to create and curate something. 147 00:07:02,920 --> 00:07:05,560 Speaker 2: It just makes you appreciate everything so much more than 148 00:07:05,640 --> 00:07:08,280 Speaker 2: just like whatever streaming service is kind of. 149 00:07:08,560 --> 00:07:09,520 Speaker 1: Sending your way. 150 00:07:09,760 --> 00:07:12,080 Speaker 2: You being in the driver's seat of that makes the 151 00:07:12,120 --> 00:07:15,240 Speaker 2: experience so much more meaningful. 152 00:07:23,000 --> 00:07:25,560 Speaker 5: I do want to just say, like to our listeners 153 00:07:25,560 --> 00:07:28,360 Speaker 5: that I just I want to remind people, as I'm 154 00:07:28,400 --> 00:07:32,720 Speaker 5: reminding myself how important music can be in your life 155 00:07:32,800 --> 00:07:36,040 Speaker 5: and to a moment and to your mood. I once 156 00:07:36,120 --> 00:07:39,120 Speaker 5: had a friend who reads angel cards. Have you, guys 157 00:07:39,160 --> 00:07:42,000 Speaker 5: ever had your cards read? Like your friend read my 158 00:07:42,040 --> 00:07:42,760 Speaker 5: angel cards? 159 00:07:42,880 --> 00:07:44,600 Speaker 3: Oh, you read your angel cards? 160 00:07:44,680 --> 00:07:46,080 Speaker 1: Explain what angel cards are? 161 00:07:46,640 --> 00:07:48,640 Speaker 5: Well, I guess it's sort of a version of a 162 00:07:48,680 --> 00:07:51,480 Speaker 5: tarot card reading, you know, like they have a deck 163 00:07:51,560 --> 00:07:54,480 Speaker 5: and certain cards come out and then they tell you 164 00:07:54,560 --> 00:07:59,000 Speaker 5: certain things about yourself. And but it's supposedly supposedly your 165 00:07:59,040 --> 00:08:01,840 Speaker 5: angels of like what they want. They're looking out for you. 166 00:08:02,280 --> 00:08:04,800 Speaker 5: And one of my things was that I needed to 167 00:08:04,840 --> 00:08:08,720 Speaker 5: listen to more music, and she was really right, and 168 00:08:08,880 --> 00:08:11,720 Speaker 5: I that's the I bring this up just to say that, like, 169 00:08:11,880 --> 00:08:15,120 Speaker 5: I'm a you too. I think are your playlist builders? 170 00:08:15,360 --> 00:08:17,880 Speaker 5: You know you've both said like, I know Emerson builds 171 00:08:17,920 --> 00:08:20,840 Speaker 5: playlists when she's writing scripts. She's if you want to go, 172 00:08:20,960 --> 00:08:24,640 Speaker 5: you should go to Emerson Tenny's Spotify, and like, look 173 00:08:24,680 --> 00:08:27,840 Speaker 5: at her, and Andrew, I'm assuming yours also, like look 174 00:08:27,880 --> 00:08:30,240 Speaker 5: at their playlist, don't look at mine. I just but 175 00:08:31,040 --> 00:08:33,439 Speaker 5: because I don't, I don't do that, Like that wasn't 176 00:08:33,520 --> 00:08:33,920 Speaker 5: I didn't. 177 00:08:34,120 --> 00:08:36,120 Speaker 3: I don't know. I didn't grow up with. 178 00:08:36,360 --> 00:08:39,320 Speaker 5: Music in my life that way, and I think, to 179 00:08:39,440 --> 00:08:44,800 Speaker 5: my detriment, I think it's really impactful. So you know, 180 00:08:45,000 --> 00:08:47,960 Speaker 5: I put on. What I do is I find a 181 00:08:48,040 --> 00:08:50,880 Speaker 5: song that I like, Like, there's a song I've been 182 00:08:50,920 --> 00:08:53,520 Speaker 5: listening to a lot, Got to Be Real by Cheryl 183 00:08:53,600 --> 00:08:54,880 Speaker 5: Lee and if. 184 00:08:54,720 --> 00:08:57,080 Speaker 3: You see real, got to Be Real. 185 00:08:57,160 --> 00:08:59,280 Speaker 5: Yeah, I'm into the kind of like seventies R and B. 186 00:08:59,679 --> 00:09:02,760 Speaker 5: So if you go, you know, I want to listen 187 00:09:02,840 --> 00:09:05,240 Speaker 5: to God to Be Real radio, then it just like 188 00:09:05,360 --> 00:09:08,000 Speaker 5: shows you a It gives you a bunch of songs 189 00:09:08,040 --> 00:09:10,600 Speaker 5: that like kind of have that vibe. So I'm just 190 00:09:10,840 --> 00:09:14,800 Speaker 5: to the person unlike you two, who doesn't really have 191 00:09:14,840 --> 00:09:18,400 Speaker 5: a handle on music, but I imagine probably could have 192 00:09:18,720 --> 00:09:22,320 Speaker 5: their life benefited by adding more music. That's my recommendation. 193 00:09:23,240 --> 00:09:26,199 Speaker 5: Another story. I just just bringing you back to like acting, 194 00:09:26,960 --> 00:09:29,600 Speaker 5: and I think people might be interested in this. A 195 00:09:29,720 --> 00:09:33,760 Speaker 5: long time ago, I got sent a script to read 196 00:09:33,920 --> 00:09:37,040 Speaker 5: by Sean Penn like that I mean through our agents, 197 00:09:37,080 --> 00:09:39,560 Speaker 5: I mean, but it was a Sean Penn. He was 198 00:09:39,559 --> 00:09:42,920 Speaker 5: directing it, I think, And when they sent the script 199 00:09:43,040 --> 00:09:46,199 Speaker 5: it arrived with a CD that I. 200 00:09:46,240 --> 00:09:47,560 Speaker 3: Was supposed to de coded. 201 00:09:47,679 --> 00:09:48,840 Speaker 4: This is so me coded. 202 00:09:49,040 --> 00:09:51,000 Speaker 1: I was supposed to be so cool. 203 00:09:51,360 --> 00:09:54,320 Speaker 5: Yeah, I was supposed to listen to the CD while 204 00:09:54,400 --> 00:09:57,360 Speaker 5: I read the script. And that was the first time. 205 00:09:58,200 --> 00:10:00,840 Speaker 5: I mean, this is decades ago, so that was the 206 00:10:00,880 --> 00:10:05,120 Speaker 5: first time I'd been exposed to even that idea of like, oh, 207 00:10:05,200 --> 00:10:07,280 Speaker 5: but it makes so much sense to me because I 208 00:10:07,480 --> 00:10:11,840 Speaker 5: use you know, I've not necessarily on Housewives, but like 209 00:10:12,800 --> 00:10:17,200 Speaker 5: I recall using music like in my trailer before a 210 00:10:17,280 --> 00:10:18,800 Speaker 5: scene to sort of. 211 00:10:18,800 --> 00:10:20,720 Speaker 3: Set a mood in my mind. 212 00:10:21,880 --> 00:10:25,960 Speaker 5: It's very impactful, like music can make you cry, you know, 213 00:10:26,200 --> 00:10:27,719 Speaker 5: if I mean, I know. 214 00:10:27,720 --> 00:10:30,920 Speaker 4: You said this, But speaking to the Sean Penn CD. 215 00:10:31,480 --> 00:10:34,880 Speaker 4: Every script I write, as I'm working on the treatment 216 00:10:34,920 --> 00:10:37,360 Speaker 4: phase or the idea phase of the script before I 217 00:10:37,440 --> 00:10:40,880 Speaker 4: really break ground on writing the actual script itself, I 218 00:10:41,040 --> 00:10:45,000 Speaker 4: make a playlist for the project and it's, you know, 219 00:10:45,160 --> 00:10:47,480 Speaker 4: normally around it's not too long, normally it's like an 220 00:10:47,520 --> 00:10:49,960 Speaker 4: hour forty five minutes, like something kind of contained, like 221 00:10:50,000 --> 00:10:53,680 Speaker 4: a close seven or eight songs, and I will listen 222 00:10:53,720 --> 00:10:55,640 Speaker 4: to it a lot, and then I'll start writing the project. 223 00:10:55,720 --> 00:10:58,960 Speaker 4: But then sometimes if I get stuck or if I'm 224 00:10:59,040 --> 00:11:00,840 Speaker 4: trying to figure out a new element. 225 00:11:01,280 --> 00:11:03,680 Speaker 3: I'll put on the playlist. 226 00:11:03,200 --> 00:11:05,000 Speaker 4: And sometimes at that point it's a playlist I made, 227 00:11:05,040 --> 00:11:07,920 Speaker 4: you know, eight months ago, and I'll drive in my car. 228 00:11:08,120 --> 00:11:11,079 Speaker 4: I love to drive from Sunset all the way downtown 229 00:11:11,320 --> 00:11:14,480 Speaker 4: like bur Caesarshaves turns into Sunset, all the way to Malibu, 230 00:11:14,679 --> 00:11:18,160 Speaker 4: just down Sunset and then up and I will listen 231 00:11:18,160 --> 00:11:20,600 Speaker 4: to the playlist over and over again, and it really 232 00:11:20,720 --> 00:11:24,480 Speaker 4: helps me watch the movie. I'm trying to come up 233 00:11:24,520 --> 00:11:26,320 Speaker 4: with in my head, the way you would have a 234 00:11:26,360 --> 00:11:29,000 Speaker 4: soundtrack to any movie you were watching that already existed. 235 00:11:29,679 --> 00:11:30,959 Speaker 4: And I've set that to a lot of friends of 236 00:11:31,000 --> 00:11:33,680 Speaker 4: mine who are trying to break ground on a project, 237 00:11:33,800 --> 00:11:36,760 Speaker 4: that that can be a really helpful tool for becoming 238 00:11:36,800 --> 00:11:37,920 Speaker 4: creatively unstuck. 239 00:11:38,400 --> 00:11:40,480 Speaker 5: I was just gonna say, it can be incredibly helpful 240 00:11:40,520 --> 00:11:41,839 Speaker 5: for you just getting the dishes done. 241 00:11:41,960 --> 00:11:45,360 Speaker 3: I mean, you know, yeah, it's true, yes, And that's. 242 00:11:44,840 --> 00:11:45,720 Speaker 1: A mood shifter. 243 00:11:45,840 --> 00:11:48,280 Speaker 2: It's an instant mood shifter, and I think it can 244 00:11:48,320 --> 00:11:51,040 Speaker 2: be really useful for working. I think it can be 245 00:11:51,120 --> 00:11:54,199 Speaker 2: really useful for just setting you know, the vibe of 246 00:11:54,240 --> 00:11:56,600 Speaker 2: when you're having friends over. It can be really personal 247 00:11:56,640 --> 00:11:58,920 Speaker 2: and how you can help your mood throughout the day 248 00:11:58,960 --> 00:12:02,240 Speaker 2: shift depending on how you're fee or getting unstuck. I've 249 00:12:02,280 --> 00:12:06,160 Speaker 2: definitely used playlists and artists. I've changed them based on 250 00:12:06,160 --> 00:12:10,120 Speaker 2: different characters I've played. So I really love hearing how 251 00:12:10,120 --> 00:12:13,240 Speaker 2: we all incorporate music into our lives. And actually, something 252 00:12:13,240 --> 00:12:16,000 Speaker 2: you said, Terry made me think we should create a 253 00:12:16,240 --> 00:12:20,280 Speaker 2: desperately devoted playlist that people can can find where we 254 00:12:20,320 --> 00:12:22,160 Speaker 2: all contribute something to it based on. 255 00:12:22,120 --> 00:12:26,160 Speaker 3: Its great idea. Okay, we have that Love's note. We 256 00:12:26,160 --> 00:12:27,160 Speaker 3: will get right on that. 257 00:12:28,840 --> 00:12:29,080 Speaker 5: Well. 258 00:12:29,200 --> 00:12:34,840 Speaker 4: I love that we were able to revisit more of 259 00:12:34,880 --> 00:12:38,760 Speaker 4: the music in this episode, episode ten, and I'm going 260 00:12:38,800 --> 00:12:40,280 Speaker 4: to be a contributor to the playlist. 261 00:12:41,280 --> 00:12:44,400 Speaker 3: You're going to be top contributor. For sure. 262 00:12:44,520 --> 00:12:47,160 Speaker 5: You will get some very cool music in there. I 263 00:12:47,200 --> 00:12:52,240 Speaker 5: think it's sort of amazing to, you know, because Desperate 264 00:12:52,280 --> 00:12:58,480 Speaker 5: Housewives use this music so beautifully throughout the show that, 265 00:12:58,840 --> 00:13:02,360 Speaker 5: like Wisteria Lane, music on Desperate Housewives is a really 266 00:13:02,400 --> 00:13:06,760 Speaker 5: important character. And so we'll keep we'll keep exploring that. 267 00:13:06,960 --> 00:13:09,800 Speaker 5: And uh yeah, I I just I just want to 268 00:13:09,800 --> 00:13:14,440 Speaker 5: remind everybody to let music elevate your life because it's 269 00:13:14,520 --> 00:13:15,160 Speaker 5: there for you. 270 00:13:15,520 --> 00:13:19,520 Speaker 4: And maybe you can even get some unlike my Consusan. 271 00:13:21,280 --> 00:13:23,920 Speaker 2: Here's hoping that's the goal. 272 00:13:24,080 --> 00:13:26,920 Speaker 5: Go out and get some Okay, thanks everybody, see you 273 00:13:26,960 --> 00:13:38,720 Speaker 5: next week.