WEBVTT - The Melrose Minute (S1 EP 21)

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<v Speaker 1>Still the Place with Laura Layton, Courtney thorn Smith.

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<v Speaker 2>And daphnews Aniga and iHeartRadio podcast.

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<v Speaker 3>Hey everyone, Hello, back at thend Melrose minute.

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<v Speaker 2>It should be called well, well it doesn't have the

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<v Speaker 2>same ring, but Melrose more than a minute.

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<v Speaker 4>Yeah, that's the Melrose chunk.

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<v Speaker 1>Of let's not make the quick thing longer in the title,

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<v Speaker 1>do you guys, this is total non separatter, But do

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<v Speaker 1>you notice how long our opening credits are, Like there

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<v Speaker 1>was so much more time. Like now advertising anything takes

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<v Speaker 1>up like twenty minutes of the hour. But we had

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<v Speaker 1>so much money, our credits were like two minutes longer.

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<v Speaker 5>So long, yeah, like watching what it was in the nineties.

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<v Speaker 1>Opening credit Yeah, like people were willing to sit through

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<v Speaker 1>long credits.

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<v Speaker 2>Now you think that they were like very iconic those credits,

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<v Speaker 2>all those shots on Melrose.

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<v Speaker 3>And well it's been fun also to see like reminded,

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<v Speaker 3>oh my gosh, soon so was guest starring.

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<v Speaker 5>Oh look there's Mitchell Anderson.

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<v Speaker 3>Oh look there's you know, Wulkins, And that has been

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<v Speaker 3>really fun to like see him pop up that way.

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<v Speaker 1>Yeah, and special guest star Heather Lockler. She kept that

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<v Speaker 1>credit when she was a regular yep.

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<v Speaker 4>Yeah, he's a smart one that Heather.

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<v Speaker 3>Well, that was a super fun episode seeing her her

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<v Speaker 3>first appearance, and it also brought up some subjects with

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<v Speaker 3>us that we thought of along the way. We were

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<v Speaker 3>we were talking about blind dates, and like, it sounds

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<v Speaker 3>like Daphne has some blind dates of her own.

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<v Speaker 5>I can't wait to hear Daphne's story.

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<v Speaker 4>Had a good blind date, which is rare. I had a.

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<v Speaker 2>Very excellent blind date.

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<v Speaker 5>You want to hear about that?

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<v Speaker 2>Well, I'm well, we were. I met him in New York.

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<v Speaker 2>I was set up with a guy, a man who

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<v Speaker 2>lived in New York while outside of New York, and

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<v Speaker 2>I thought, I have nothing in common with him? What

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<v Speaker 2>am What am I going to do with a devorcee

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<v Speaker 2>in Connecticut?

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<v Speaker 5>What part of your life? How old are you?

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<v Speaker 3>Like?

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<v Speaker 5>Where are you in your life eighteen years ago?

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<v Speaker 4>However old I was then? Okay, twenty's with twenty.

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<v Speaker 2>You know you're old when, like the joke is thirty

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<v Speaker 2>or forty.

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<v Speaker 5>I like that kind of math though it's like eighteen

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<v Speaker 5>years ago.

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<v Speaker 3>But I'm not telling you how whatever it wasn't in

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<v Speaker 3>my you know, youth and childhood.

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<v Speaker 2>But I'm going to keep this short, because I want

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<v Speaker 2>to hear about your dates.

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<v Speaker 4>I need you guys to divulge.

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<v Speaker 2>But at any rate, the date started in New York

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<v Speaker 2>City one weekend and ended a week later in Miami

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<v Speaker 2>South Beach, and I am now married to him.

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<v Speaker 5>So good.

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<v Speaker 1>You know, so they do buy the cow when they

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<v Speaker 1>get the milk for Hey.

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<v Speaker 2>What's the cow with the sausage for free?

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<v Speaker 5>Such a feminist, I am. Yeah, what a beautiful, like

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<v Speaker 5>blind date story. I love that?

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<v Speaker 4>And set you up? Did you tell us?

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<v Speaker 2>I didn't tell you, just a friend, irrelevant, but someone

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<v Speaker 2>who knew him for a long time. And I was

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<v Speaker 2>it's funny because I said, what does he do? And

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<v Speaker 2>he said he works at the Bronx Zoo. And instantly

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<v Speaker 2>like a like an elephant someone shoveling elephant pool.

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<v Speaker 5>Picture, like a maintenance man who set me up with?

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<v Speaker 2>Yeah, And he's like, no, he does PR press and

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<v Speaker 2>PR for publicity and branding for the zoo.

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<v Speaker 3>Yeah.

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<v Speaker 2>And then I didn't meet him for three weeks before

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<v Speaker 2>we had the date. We were on the phone and

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<v Speaker 2>email a lot, and what was so refreshing and so

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<v Speaker 2>wonderful was just how honest you don't play games at

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<v Speaker 2>that age? I was in my mid forties, and I

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<v Speaker 2>didn't think it was going to work because he lived

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<v Speaker 2>way over in Connecticut, and you know what I mean,

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<v Speaker 2>he had a kid at home, and I just didn't

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<v Speaker 2>think it was going to work. So I had nothing

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<v Speaker 2>to lose. I wasn't trying to be anything, and he

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<v Speaker 2>wasn't trying to do either. So we were just very

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<v Speaker 2>honest with each other, and it really really created a

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<v Speaker 2>trust and a circle of you know, just friendship and

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<v Speaker 2>trust and it was and other stuff. It was just

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<v Speaker 2>really great. So I love We were long distance for

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<v Speaker 2>the first three years until moved out here once his

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<v Speaker 2>son was Wow left.

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<v Speaker 3>You did not have like the Claire problem and the

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<v Speaker 3>like the opposite taste problem that Billy had with his

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<v Speaker 3>Blain date.

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<v Speaker 2>I did not have that problem at all. Yeah, I

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<v Speaker 2>mean we were We're very different. This guy is East Coast,

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<v Speaker 2>grew up in private schools, you know, very proper mannered. I,

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<v Speaker 2>as I told you before, was very scrappy kid in Berkeley, California,

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<v Speaker 2>you know what I mean, like my public schools the

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<v Speaker 2>whole way. So we were very opposite. But again it

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<v Speaker 2>was something about he wasn't playing games. He called me

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<v Speaker 2>right away and his voice and was like, A man,

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<v Speaker 2>I don't know, there was just something I could tell

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<v Speaker 2>in his voice. And then we just really trust each

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<v Speaker 2>other because we opened up to each other before we

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<v Speaker 2>even met, and we were very honest about being nervous

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<v Speaker 2>about meeting. I was like, and then I just go,

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<v Speaker 2>can we just make a deal that if it just

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<v Speaker 2>doesn't work for whatever reason for either one of us,

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<v Speaker 2>we can just call it a day and call it

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<v Speaker 2>quits and no hard feelings. And he's like, yes, please, okay, okay, good.

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<v Speaker 2>So it was we had that kind of understanding, so

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<v Speaker 2>a fun as opposed to like pressure. And he didn't

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<v Speaker 2>live here, so I think, like Billy and Ol, when

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<v Speaker 2>you do a blind date, you usually live in the

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<v Speaker 2>same town and you just kind of feel like, oh,

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<v Speaker 2>if you don't like it, how am I going to

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<v Speaker 2>extract myself from it? But he lives so far away.

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<v Speaker 2>I was like, it doesn't work, I'll never see him again,

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<v Speaker 2>you know, so, but it did.

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<v Speaker 4>That was eighteen years.

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<v Speaker 5>Ago, very happy ending to that story.

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<v Speaker 2>Yeah, he's a great guy. I'm very very smart. So, uh,

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<v Speaker 2>what about you guys? Any blind dates that were great

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<v Speaker 2>or horrible?

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<v Speaker 4>Horrible? I never married a blind date. No, wait did I?

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<v Speaker 4>How did you meet your husband?

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<v Speaker 5>I love that you genuinely had to double think that. Wait, wait,

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<v Speaker 5>let me double check my memory.

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<v Speaker 1>Yeah, my son's dad and I met on an airplane plane.

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<v Speaker 4>But I I don't like blind dates.

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<v Speaker 1>Because I think they're so much pressure before you meet,

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<v Speaker 1>and there is so much about It's not about like

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<v Speaker 1>someone looking a specific way, but but chemistry and attraction,

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<v Speaker 1>that something that you can't really put a name on.

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<v Speaker 4>It's important. So I'm not a fan.

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<v Speaker 1>I just find that I find there's so much anxiety

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<v Speaker 1>around a blind date and it rarely works out.

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<v Speaker 4>What do you think, Laura, Well.

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<v Speaker 5>I've never been on one.

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<v Speaker 3>I've never really been on a blind date, so I'm fascinated.

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<v Speaker 3>I want to hear all about your back.

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<v Speaker 1>We, Doug, understand if we set you up on a

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<v Speaker 1>blind date, so you its timing.

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<v Speaker 5>I think it's maybe not a good idea right now.

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<v Speaker 5>This is just not a good time for Listen.

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<v Speaker 1>She's happily married, but she's gorgeous and she's funny.

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<v Speaker 3>So it's a blind and really bad idea date. Yeah, no,

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<v Speaker 3>let's not do it. But daph I'd like to hear

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<v Speaker 3>about some that were really bad. Let's I want to

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<v Speaker 3>hear some like really well, I mean, I'm prepare to tell.

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<v Speaker 3>I mean, I just remember once in I think maybe

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<v Speaker 3>it was college or shortly after. There's just no no chemistry,

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<v Speaker 3>you know what I mean, Like I remember that. But

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<v Speaker 3>I've met most of my people not through blind dates.

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<v Speaker 3>This was rare because I never, you know, met a

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<v Speaker 3>blind date. I never tried online or anything. I was

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<v Speaker 3>always through a friend or work or something.

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<v Speaker 4>You know.

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<v Speaker 2>So but my friend said, actually I had two blind

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<v Speaker 2>dates in New York. That's so funny. And I, you know,

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<v Speaker 2>I started talking to David right away on emails, and

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<v Speaker 2>then you know, I emailed the other guy who waited

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<v Speaker 2>a long time to get to me, and I was like, oh,

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<v Speaker 2>I gotta be honest with you. There's another guy that

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<v Speaker 2>I was set up on it. I was totally honest

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<v Speaker 2>with him. So if I don't meet you, that's because

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<v Speaker 2>I had a really great time Saturday night. I don't

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<v Speaker 2>meet you. And he's like, oh, man, I waited too long,

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<v Speaker 2>and I've looked him up since he's married, has kids,

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<v Speaker 2>he's very happily married. But I didn't meet with the guy.

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<v Speaker 2>I told him I'm not gonna meet him because time

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<v Speaker 2>with David.

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<v Speaker 4>Oh you already liked him and that's very sweet.

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<v Speaker 2>Yeah. Yeah, So I was wondering while we were thinking

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<v Speaker 2>about this question, like, isn't so many people meet online?

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<v Speaker 3>Now?

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<v Speaker 2>Isn't that kind of a blond?

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<v Speaker 3>Yeah, that's a whole thing that we kind of in

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<v Speaker 3>our youth we never had to contend with, right we

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<v Speaker 3>But now that's I guess.

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<v Speaker 2>I mean it's kind of blind whether the thing.

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<v Speaker 3>Yeah, but none of it is because you have social

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<v Speaker 3>media and you can actually look them up. It's not

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<v Speaker 3>blind as in like a visual you can look and

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<v Speaker 3>see what this person presents themselves to look like.

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<v Speaker 1>But it's also curated, right, so it's not like you're

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<v Speaker 1>actually knowing them. But I think what I know from

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<v Speaker 1>the kids, the kids, I know they want to get

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<v Speaker 1>back to a more organic way of meeting because all

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<v Speaker 1>of this online stuff, like I said, it's curated. They're

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<v Speaker 1>putting forth their best, this image, this idea they have

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<v Speaker 1>of themselves. But people are wanting to meet in person again,

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<v Speaker 1>They're wanting to go out, they're doing meetups. They're all

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<v Speaker 1>these apps that are about like meeting in groups. I

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<v Speaker 1>just saw something about there's like it was a it

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<v Speaker 1>was a like a walking club.

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<v Speaker 4>For people to meet, and it's got hundreds of people.

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<v Speaker 1>Now I go and they meet each other because they're

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<v Speaker 1>ready for something more.

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<v Speaker 3>Or mm hmmm. Yeah, I think that sounds like a

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<v Speaker 3>better way to do it, right, I mean back to

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<v Speaker 3>kind of like what it's supposed to be.

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<v Speaker 5>You meet.

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<v Speaker 4>Yeah, it's what we did. Apparently you have to leave

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<v Speaker 4>the house though, that's the hard part.

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<v Speaker 5>Oh there's.

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<v Speaker 4>Always something you should be able to, like delivery. I

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<v Speaker 4>guess you can, but that would be an escort.

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<v Speaker 3>So you Okay, we've just gone a firefield.

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<v Speaker 5>We have some fan questions. I think we've been Oh good,

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<v Speaker 5>let's trying to get back to right.

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<v Speaker 3>Sometimes we forget and we get off on a tangent.

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<v Speaker 3>But there were some fan questions about well, right on

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<v Speaker 3>the heels of our episode about a photo shoot. We

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<v Speaker 3>had some fan questions about photoshoots.

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<v Speaker 2>We've done a lot of them for the show.

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<v Speaker 3>Yeah, like if we if we remembered any in particular,

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<v Speaker 3>and what are our memories about our photoshoots that we did.

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<v Speaker 1>We've talked about the one for I think it was

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<v Speaker 1>was it interview magazine where we were all out in

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<v Speaker 1>the desert somewhere and it was an entire weekend from

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<v Speaker 1>like six am to eight pm both days.

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<v Speaker 4>Do you remember that? And you and Grant were on

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<v Speaker 4>a motorcycle?

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<v Speaker 2>Oh my god, do.

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<v Speaker 4>You remember that one?

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<v Speaker 2>I don't think I do.

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<v Speaker 4>I bet I have that somewhere in mine. I should

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<v Speaker 4>go look for some.

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<v Speaker 5>If it was first season, then I don't remember it.

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<v Speaker 5>I didn't. I wasn't in any in the first season.

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<v Speaker 4>You know. It came to my mind.

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<v Speaker 1>Remember the one we did for Entertainment Weekly, the reunion one.

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<v Speaker 5>The reunion shoot is fresher in our memory.

0:10:28.160 --> 0:10:30.280
<v Speaker 1>Yeah, And then we all had cell phones and that's

0:10:30.280 --> 0:10:31.680
<v Speaker 1>where we all exchange numbers.

0:10:31.920 --> 0:10:33.240
<v Speaker 5>It was so nice to reach out.

0:10:33.320 --> 0:10:35.600
<v Speaker 4>I were connected today, isn't that sweet?

0:10:36.160 --> 0:10:36.480
<v Speaker 5>Yeah?

0:10:36.520 --> 0:10:37.959
<v Speaker 2>That was a great one. That's when we were all

0:10:38.000 --> 0:10:40.080
<v Speaker 2>in black and we had a right and we have

0:10:40.120 --> 0:10:41.280
<v Speaker 2>a fig picture of the three of.

0:10:41.280 --> 0:10:43.440
<v Speaker 3>Us kind of like it was such a it was

0:10:43.480 --> 0:10:47.480
<v Speaker 3>such a nice experience, sort of like older grown ups, like, yes,

0:10:47.720 --> 0:10:50.520
<v Speaker 3>you know, being that like because our photo shoots when

0:10:50.520 --> 0:10:52.760
<v Speaker 3>we were on this show, and it was crazy and

0:10:52.760 --> 0:10:54.719
<v Speaker 3>we were already exhausted and we were shooting these things

0:10:54.760 --> 0:10:58.480
<v Speaker 3>on our weekends. You know, and there's just kind of

0:10:58.520 --> 0:11:00.560
<v Speaker 3>like a lot of stress and pressure around it trying

0:11:00.600 --> 0:11:03.839
<v Speaker 3>to have eight nine, you know, ten people in a

0:11:03.840 --> 0:11:05.640
<v Speaker 3>photo shoot, or sometimes when it was just the women,

0:11:05.679 --> 0:11:07.240
<v Speaker 3>even like it's just a lot of women and five

0:11:07.280 --> 0:11:07.959
<v Speaker 3>women or whatever.

0:11:08.000 --> 0:11:11.120
<v Speaker 5>But there it's just a little bit stressful.

0:11:11.160 --> 0:11:14.520
<v Speaker 3>There's a high pressure and getting everybody you know, into

0:11:14.559 --> 0:11:17.080
<v Speaker 3>the right wardrobe, and there's a time crunch and everything.

0:11:17.080 --> 0:11:20.120
<v Speaker 5>They're a little bit stressful. And for some reason, the.

0:11:20.080 --> 0:11:23.400
<v Speaker 3>One that was a reunion shoot in two thousand and whatever,

0:11:23.440 --> 0:11:26.560
<v Speaker 3>that was twelve two thousand and nine something like that, whatever,

0:11:26.559 --> 0:11:30.320
<v Speaker 3>the twenty fifth reunion issue was, it was we were

0:11:30.360 --> 0:11:31.600
<v Speaker 3>just not as pressured.

0:11:31.640 --> 0:11:32.920
<v Speaker 5>It just felt a lot more relaxed.

0:11:32.920 --> 0:11:33.520
<v Speaker 2>Were grown up.

0:11:34.040 --> 0:11:37.760
<v Speaker 3>Yeah, but that that iconic the Rolling Stone cover the.

0:11:39.360 --> 0:11:40.400
<v Speaker 4>And that was like time.

0:11:40.720 --> 0:11:43.640
<v Speaker 3>Yeah, that was the five women on that And that's

0:11:43.640 --> 0:11:47.720
<v Speaker 3>a photograph that kind of reappears a lot. Is like

0:11:47.800 --> 0:11:49.640
<v Speaker 3>it was a really cool thing to be on the

0:11:49.640 --> 0:11:54.200
<v Speaker 3>cover of Rolling Stone magazine And the headline or that

0:11:54.320 --> 0:11:57.840
<v Speaker 3>or that caption for the photo was Melrose Place bod Squad.

0:11:58.040 --> 0:11:59.280
<v Speaker 4>Remember that, the bod Squad?

0:11:59.360 --> 0:12:02.199
<v Speaker 2>Yeah, I remember I said this last time, and you said,

0:12:02.280 --> 0:12:04.760
<v Speaker 2>let's wait with Courtney here. It was so stressful. Do

0:12:04.800 --> 0:12:07.640
<v Speaker 2>you remember that, court I do. It was very horrible,

0:12:08.760 --> 0:12:12.800
<v Speaker 2>and it was horrible. It was so stressful. There's a

0:12:12.840 --> 0:12:14.320
<v Speaker 2>true story behind it. I don't know if I'm going

0:12:14.400 --> 0:12:17.440
<v Speaker 2>to out it here or not, but at any rate,

0:12:17.480 --> 0:12:19.080
<v Speaker 2>we got to do a lot of different shots and

0:12:19.120 --> 0:12:21.480
<v Speaker 2>I thought it was fun and creative, but there was.

0:12:21.520 --> 0:12:26.440
<v Speaker 3>And there were shots on the insight some inside photos too, right, Yeah, it.

0:12:26.600 --> 0:12:28.640
<v Speaker 1>Just felt I think as we were so young, it

0:12:28.800 --> 0:12:32.880
<v Speaker 1>just felt so intense. And when we met again as adults, Yeah,

0:12:32.920 --> 0:12:35.920
<v Speaker 1>it's all in perspective, like there was so much attention

0:12:36.080 --> 0:12:36.360
<v Speaker 1>on us.

0:12:36.360 --> 0:12:37.959
<v Speaker 4>There was so much pressure on us.

0:12:38.000 --> 0:12:40.000
<v Speaker 1>Now it's like, oh, you know, you wish you could

0:12:40.040 --> 0:12:42.240
<v Speaker 1>go back and just do it with the lightness we

0:12:42.360 --> 0:12:44.680
<v Speaker 1>have now right that we know we have a better

0:12:44.720 --> 0:12:45.760
<v Speaker 1>sense of what's important.

0:12:46.559 --> 0:12:48.400
<v Speaker 4>Then there was so much intensity.

0:12:49.040 --> 0:12:50.840
<v Speaker 1>Yeah, honest, at that time, I have it in a

0:12:50.920 --> 0:12:52.240
<v Speaker 1>much better place, you know.

0:12:52.320 --> 0:12:54.959
<v Speaker 2>I think also, you guys, that intensity didn't come from

0:12:55.040 --> 0:12:57.280
<v Speaker 2>us necessarily. It came from the people behind us. It

0:12:57.320 --> 0:13:01.319
<v Speaker 2>came from like our representatives and like you know, your

0:13:01.320 --> 0:13:03.920
<v Speaker 2>publicists were there and your managers are there, and everyone

0:13:04.040 --> 0:13:06.960
<v Speaker 2>has like an agenda that you are just doing a

0:13:06.960 --> 0:13:10.040
<v Speaker 2>shoot and working with like, you know, your friends that

0:13:10.120 --> 0:13:12.400
<v Speaker 2>you like, all of us got along, all of us

0:13:12.400 --> 0:13:14.240
<v Speaker 2>really liked each other. And then I just felt like

0:13:14.280 --> 0:13:17.959
<v Speaker 2>the soup got so mixed with the photographer and they

0:13:18.000 --> 0:13:20.520
<v Speaker 2>have an ego and the magazine wants a certain thing,

0:13:20.600 --> 0:13:22.520
<v Speaker 2>and the costumer and this and that and.

0:13:22.520 --> 0:13:24.840
<v Speaker 1>The other thing, and I just thought like, yeah, and

0:13:24.880 --> 0:13:27.000
<v Speaker 1>I can't think about how different it was when we

0:13:27.040 --> 0:13:30.280
<v Speaker 1>did our photo shoot for this podcast, and how late

0:13:30.360 --> 0:13:32.200
<v Speaker 1>it was, and it's just us and we're making our

0:13:32.200 --> 0:13:37.480
<v Speaker 1>own calls, we're driving ourselves, we're exchanging clothes, Like how

0:13:37.760 --> 0:13:38.720
<v Speaker 1>fun that was?

0:13:38.960 --> 0:13:41.960
<v Speaker 3>You guys, We've gone from being the bod Squad to

0:13:42.080 --> 0:13:49.319
<v Speaker 3>now being the pod Squad. I love it, Aura, I

0:13:49.480 --> 0:13:53.480
<v Speaker 3>like the Pod Squad. It's super like happy, relaxing and

0:13:54.200 --> 0:13:56.480
<v Speaker 3>super not streff. But you're right, daffl Like there was

0:13:56.520 --> 0:14:00.679
<v Speaker 3>always kind of an agenda from people in the shoot,

0:14:00.720 --> 0:14:03.480
<v Speaker 3>like people's managers or whatever that we weren't necessarily even

0:14:03.559 --> 0:14:07.120
<v Speaker 3>aware of that. It's just all kind of being orchestrated

0:14:07.120 --> 0:14:09.320
<v Speaker 3>behind us, and we don't even know all this stuff

0:14:09.320 --> 0:14:12.000
<v Speaker 3>that's going on, and so that that sort of stressful

0:14:12.040 --> 0:14:15.000
<v Speaker 3>feeling is just kind of behind you going on in

0:14:15.040 --> 0:14:16.760
<v Speaker 3>the background, and we're just like, I just want to,

0:14:16.960 --> 0:14:19.320
<v Speaker 3>you know, have this look good, and I just want

0:14:19.360 --> 0:14:21.960
<v Speaker 3>to do what I'm told and whatever. But there's kind

0:14:21.960 --> 0:14:25.120
<v Speaker 3>of these agendas that are you're not even always aware

0:14:25.160 --> 0:14:25.920
<v Speaker 3>of what's going on.

0:14:27.080 --> 0:14:30.080
<v Speaker 2>Courtney and I were was a fold over cover, and

0:14:30.560 --> 0:14:32.680
<v Speaker 2>Corty and I were on the back side of the

0:14:32.720 --> 0:14:35.960
<v Speaker 2>fold over when it came out, except I said for years.

0:14:36.080 --> 0:14:38.400
<v Speaker 2>I said, well, my elbow is on the actual cover,

0:14:39.480 --> 0:14:41.800
<v Speaker 2>but I am on the cover almost. And then I

0:14:41.840 --> 0:14:44.960
<v Speaker 2>remember it was because the three of you, you, Josie

0:14:45.000 --> 0:14:48.560
<v Speaker 2>and Laura, You, Josie and Amanda all were like wearing

0:14:48.720 --> 0:14:51.600
<v Speaker 2>very skimpy white things and we will like had more

0:14:51.760 --> 0:14:53.800
<v Speaker 2>a little more fabric or something. So maybe it was that,

0:14:53.920 --> 0:14:57.280
<v Speaker 2>or maybe it was your manager or whatever. And then

0:14:57.280 --> 0:15:00.240
<v Speaker 2>I remember Mark Seliger coming up to me afterwards, are

0:15:00.240 --> 0:15:02.840
<v Speaker 2>calling me we saw each other somewhere, the photographer and

0:15:02.880 --> 0:15:05.560
<v Speaker 2>just saying, you know, we always have this, he said,

0:15:05.560 --> 0:15:08.840
<v Speaker 2>there were there were, you know, agendas, but he's like,

0:15:08.880 --> 0:15:10.960
<v Speaker 2>I had this with you too. I had this with

0:15:11.080 --> 0:15:13.400
<v Speaker 2>like Bruce Fringstein in the East Street band. We do this,

0:15:13.520 --> 0:15:14.880
<v Speaker 2>you know, this is always an.

0:15:14.760 --> 0:15:16.680
<v Speaker 4>Issue, Like he had like a group.

0:15:16.760 --> 0:15:20.880
<v Speaker 2>He sees the photograph as a cover period and he

0:15:20.960 --> 0:15:25.040
<v Speaker 2>shoots these iconic you know, Rolling Stone, these these band

0:15:25.080 --> 0:15:28.320
<v Speaker 2>members all the time, and it always is a little

0:15:28.520 --> 0:15:30.560
<v Speaker 2>funky because you can't fit them all on like this.

0:15:30.680 --> 0:15:32.600
<v Speaker 2>You know, you'd all have to be like this or something.

0:15:32.880 --> 0:15:35.040
<v Speaker 4>Yeah, you have all these like all these voices. It's important.

0:15:35.040 --> 0:15:35.960
<v Speaker 4>It's important, it's important.

0:15:35.960 --> 0:15:38.880
<v Speaker 1>And now I get a perspective to go it's not important, right,

0:15:38.920 --> 0:15:40.920
<v Speaker 1>Like it was so long, but we remember most people

0:15:40.960 --> 0:15:43.200
<v Speaker 1>don't remember it, and you look at it now to

0:15:43.240 --> 0:15:45.360
<v Speaker 1>have this perspective of that's not what's important. Like, what's

0:15:45.360 --> 0:15:47.320
<v Speaker 1>important to me about this podcast is it the three

0:15:47.360 --> 0:15:49.640
<v Speaker 1>of us get to get together and hang out all

0:15:49.680 --> 0:15:51.760
<v Speaker 1>the time, Like it's so much fun. I have such

0:15:51.800 --> 0:15:55.880
<v Speaker 1>a better perspective on what's important. And even then it's

0:15:55.920 --> 0:15:58.080
<v Speaker 1>like in a used to joys. It's not brain surgery,

0:15:58.160 --> 0:16:00.360
<v Speaker 1>but it felt like it in that moment it was.

0:16:00.480 --> 0:16:02.680
<v Speaker 1>There was so much intensity put on it.

0:16:02.840 --> 0:16:05.840
<v Speaker 2>And when we were young, all those we think that

0:16:05.880 --> 0:16:08.080
<v Speaker 2>all these are the powers that be, and the stakes

0:16:08.120 --> 0:16:10.880
<v Speaker 2>are so high, and they're really we're ponds. They're kind

0:16:10.880 --> 0:16:12.600
<v Speaker 2>of just telling us where to go and do this,

0:16:12.720 --> 0:16:15.920
<v Speaker 2>and you know, you're just doing it because you're selling

0:16:15.960 --> 0:16:18.440
<v Speaker 2>the show, and you know, and.

0:16:18.400 --> 0:16:21.320
<v Speaker 3>I think we all have a framed copy of the

0:16:21.480 --> 0:16:24.160
<v Speaker 3>entire photo, which to me, like my memory of it

0:16:24.240 --> 0:16:26.480
<v Speaker 3>is the photo which is all five of us just

0:16:26.560 --> 0:16:27.120
<v Speaker 3>in a line.

0:16:27.240 --> 0:16:27.400
<v Speaker 4>Right.

0:16:27.760 --> 0:16:29.840
<v Speaker 3>The problem with the magazine cover is it's not big

0:16:29.960 --> 0:16:31.920
<v Speaker 3>enough to fit all five, so somebody got folded in

0:16:31.960 --> 0:16:35.200
<v Speaker 3>the in the inside. But like I like, I have

0:16:35.480 --> 0:16:39.200
<v Speaker 3>that rolling stone picture which is the five of us.

0:16:39.320 --> 0:16:42.960
<v Speaker 3>It's a photo just it's the framed thing that they

0:16:43.000 --> 0:16:45.240
<v Speaker 3>gave us, you know, which I think is the way

0:16:45.280 --> 0:16:47.320
<v Speaker 3>I remember it now, is just like it's the photo

0:16:47.320 --> 0:16:49.600
<v Speaker 3>of all five of us, and I love it.

0:16:49.720 --> 0:16:51.320
<v Speaker 2>You would you were in the middle on the cover,

0:16:51.920 --> 0:16:54.960
<v Speaker 2>but I'm seeing the photo on the wall.

0:16:55.960 --> 0:16:57.640
<v Speaker 5>It's like a whole thing.

0:16:58.360 --> 0:17:01.760
<v Speaker 3>I'm totally fair, Like you have a different experience of

0:17:01.840 --> 0:17:02.760
<v Speaker 3>That's totally fair.

0:17:02.800 --> 0:17:04.560
<v Speaker 5>But like I love that.

0:17:06.320 --> 0:17:10.240
<v Speaker 3>Photo itself as like all five, like the photo.

0:17:10.000 --> 0:17:12.359
<v Speaker 4>Is, Daphne says it full. Daphne has it folded the

0:17:12.400 --> 0:17:12.879
<v Speaker 4>other way.

0:17:13.400 --> 0:17:19.840
<v Speaker 2>You guys looking very love lovingly at each other, Do

0:17:19.840 --> 0:17:22.600
<v Speaker 2>you remember that, Like they were just like drape over

0:17:22.640 --> 0:17:22.959
<v Speaker 2>each other.

0:17:22.960 --> 0:17:24.439
<v Speaker 5>It was all about well, that's.

0:17:24.320 --> 0:17:26.280
<v Speaker 4>What I'm saying, Like it was this intensity.

0:17:26.320 --> 0:17:27.879
<v Speaker 1>Now you look at you go, oh that I that

0:17:27.960 --> 0:17:31.000
<v Speaker 1>I gave any of my life force to worrying about

0:17:31.040 --> 0:17:34.680
<v Speaker 1>that seems so insane today, but I remember how intense

0:17:34.720 --> 0:17:38.280
<v Speaker 1>it felt and how competitive it felt. Now it's like,

0:17:38.440 --> 0:17:40.720
<v Speaker 1>I love, but I'm just saying I love the dichotomy

0:17:40.800 --> 0:17:44.800
<v Speaker 1>of that yeah podcast shoot, and how loving and fun

0:17:44.920 --> 0:17:46.439
<v Speaker 1>and light and easy it was.

0:17:46.480 --> 0:17:48.640
<v Speaker 4>How different we are today, how much was grown up.

0:17:50.400 --> 0:17:52.840
<v Speaker 3>We can we can drape ourselves over each other now

0:17:53.000 --> 0:17:55.040
<v Speaker 3>it will just be the and it's just the.

0:17:57.040 --> 0:17:59.840
<v Speaker 2>For next season, We're gonna have a new photo. It's gonna, yeah,

0:18:00.040 --> 0:18:04.040
<v Speaker 2>dripping all over each other. I liked the Vanity Fair

0:18:04.040 --> 0:18:07.760
<v Speaker 2>shoot that we did. We did a two page spread

0:18:07.760 --> 0:18:09.600
<v Speaker 2>with Annie Leebowitz. I really loved that.

0:18:10.040 --> 0:18:11.080
<v Speaker 4>Is that a poker one?

0:18:12.240 --> 0:18:15.000
<v Speaker 3>No poker was poker, Rolling Stone on the poker was

0:18:15.000 --> 0:18:15.920
<v Speaker 3>inside rolling Stone.

0:18:15.960 --> 0:18:19.119
<v Speaker 2>Yeah, this was We're all on a bed because that's

0:18:19.160 --> 0:18:20.200
<v Speaker 2>what they did with the Yeah.

0:18:20.240 --> 0:18:21.720
<v Speaker 4>Yeah, it's for the entire decade.

0:18:22.119 --> 0:18:23.159
<v Speaker 5>And we all squeezed in.

0:18:23.280 --> 0:18:25.639
<v Speaker 2>Yeah, I think we all squeezed in. But I just

0:18:25.800 --> 0:18:28.200
<v Speaker 2>liked her Annie Leebowitz, and was felt so.

0:18:28.240 --> 0:18:31.919
<v Speaker 3>Honored to be Yeah, but a special experience to be

0:18:31.920 --> 0:18:34.000
<v Speaker 3>able to shoot with her and do some of those things.

0:18:34.200 --> 0:18:36.600
<v Speaker 1>Got a lot of cool things, right, Like I remember

0:18:36.640 --> 0:18:38.440
<v Speaker 1>going to the super Bowl super bowls coming up. I

0:18:38.520 --> 0:18:42.040
<v Speaker 1>remember going on a private plane, yeah, the super Bowl.

0:18:42.160 --> 0:18:43.600
<v Speaker 4>Because they just like, do you want to go?

0:18:43.640 --> 0:18:46.800
<v Speaker 1>And I was like all right, like yeah, I didn't

0:18:46.800 --> 0:18:48.280
<v Speaker 1>have the idea how special it was. Like I'm like,

0:18:48.359 --> 0:18:49.520
<v Speaker 1>I wish some would do that now when I have

0:18:49.600 --> 0:18:51.360
<v Speaker 1>a kid, right, Like, it would be so much fun

0:18:51.400 --> 0:18:56.560
<v Speaker 1>to take my kid on that. But he missed that whole. Yeah, yeah,

0:18:57.080 --> 0:18:59.400
<v Speaker 1>he says, I know, I know you're big in the nineties.

0:18:59.480 --> 0:19:02.640
<v Speaker 5>It doesn't matter with the super Bowl.

0:19:02.680 --> 0:19:05.280
<v Speaker 2>Doesn't matter how much you tell them, and like haul

0:19:05.359 --> 0:19:08.359
<v Speaker 2>out the photos and the magazines that are all browned

0:19:08.400 --> 0:19:10.040
<v Speaker 2>around the edges. It just doesn't matter.

0:19:10.160 --> 0:19:12.440
<v Speaker 5>They do, I know, like.

0:19:12.480 --> 0:19:16.359
<v Speaker 2>Old timey newsprint, because the nineties were two decades before.

0:19:17.480 --> 0:19:18.120
<v Speaker 4>Yeah.

0:19:18.320 --> 0:19:20.679
<v Speaker 3>So for those of you just coming to Still the Place,

0:19:21.520 --> 0:19:24.320
<v Speaker 3>the pod squad here, we were a really big deal.

0:19:24.560 --> 0:19:28.480
<v Speaker 5>Just in case, and if you forget, we'll tell you again.

0:19:28.520 --> 0:19:32.000
<v Speaker 1>We never shut up about it, so get so photographs

0:19:32.040 --> 0:19:32.440
<v Speaker 1>out there.

0:19:33.000 --> 0:19:35.720
<v Speaker 3>We're just we're just happy that you're coming and that

0:19:35.760 --> 0:19:37.879
<v Speaker 3>you're listening to Still the Place and We're always going

0:19:37.960 --> 0:19:40.920
<v Speaker 3>to be here to make fun of ourselves, and we're

0:19:40.960 --> 0:19:44.399
<v Speaker 3>so grateful that you're coming and listening to our episodes

0:19:44.440 --> 0:19:47.120
<v Speaker 3>every week, and we'll be back next week with more

0:19:47.920 --> 0:19:49.320
<v Speaker 3>silliness the best.

0:19:50.160 --> 0:19:52.879
<v Speaker 1>All right, guys, love, thank you everybody for listening.

0:19:53.320 --> 0:19:55.840
<v Speaker 4>Okay, I see you guys as always, be soon.

0:19:56.520 --> 0:19:56.920
<v Speaker 1>Bye,