1 00:00:02,400 --> 00:00:06,440 Speaker 1: Welcome to the Bobby Cast. Episode to thirty four. We'll 2 00:00:06,440 --> 00:00:10,399 Speaker 1: talk about the biggest feuds and music. Matt Jones from 3 00:00:10,480 --> 00:00:16,599 Speaker 1: Kentucky Sports Radio starts the Quarantine playlist, and you know, 4 00:00:16,760 --> 00:00:18,919 Speaker 1: I think in the next episode we'll do movies about music. 5 00:00:19,000 --> 00:00:21,880 Speaker 1: Mike cool, So that will be the next one. That's 6 00:00:21,880 --> 00:00:26,319 Speaker 1: for you and Mike get together and share your expertise. No, 7 00:00:26,440 --> 00:00:28,720 Speaker 1: he just he does a podcast about movie movies and music, 8 00:00:29,280 --> 00:00:32,000 Speaker 1: bringing his favorite three movies about music. Have we done 9 00:00:32,000 --> 00:00:34,720 Speaker 1: that with us? No, you guys to talk about some 10 00:00:34,760 --> 00:00:37,440 Speaker 1: of your favorites. But we talked about music movies like 11 00:00:37,880 --> 00:00:40,159 Speaker 1: biopics because I'm talking about that's what he's gonna do 12 00:00:40,200 --> 00:00:42,800 Speaker 1: his Oh yeah, we've done our list. We have all right, 13 00:00:42,840 --> 00:00:44,960 Speaker 1: So we have a lot to do this episode. Um, 14 00:00:45,000 --> 00:00:47,600 Speaker 1: and by the way, we're Quarantine. We got crap elsa do. 15 00:00:48,200 --> 00:00:50,720 Speaker 1: So this could be a two hour long Welcome to 16 00:00:50,920 --> 00:00:54,520 Speaker 1: Joe Rogan podcast. He sits there for four hours at 17 00:00:54,520 --> 00:00:56,960 Speaker 1: a friend who, by the way, the biggest podcast in 18 00:00:57,000 --> 00:01:00,240 Speaker 1: the world. Love it. Think it's he's great. Um, have 19 00:01:00,280 --> 00:01:01,680 Speaker 1: a lot of friends that have done his show, and 20 00:01:01,680 --> 00:01:03,160 Speaker 1: they're like, you better use about them before you go 21 00:01:03,160 --> 00:01:05,400 Speaker 1: because you don't get to leave. So what's the flow 22 00:01:05,440 --> 00:01:08,120 Speaker 1: of that podcast? Just constant question after questions? Are they 23 00:01:08,120 --> 00:01:10,840 Speaker 1: bouncing off each other? I think, Mike, you want to 24 00:01:10,880 --> 00:01:12,960 Speaker 1: answer this to like he talks about things that he 25 00:01:13,000 --> 00:01:18,440 Speaker 1: interviews people wonderfully and they also he will talk about 26 00:01:18,440 --> 00:01:20,200 Speaker 1: things and bring people in and get their perspective on 27 00:01:20,240 --> 00:01:21,520 Speaker 1: what he wants talk about you in the way I 28 00:01:21,520 --> 00:01:23,560 Speaker 1: listened to it. I just listened like clips. I never 29 00:01:23,640 --> 00:01:25,760 Speaker 1: sit down listen to the full four hours or anything, 30 00:01:25,840 --> 00:01:28,440 Speaker 1: but it's cool clips and he talks about cool stuff. 31 00:01:29,000 --> 00:01:31,200 Speaker 1: There you go, cool clips and cool stuff, cool stuff. 32 00:01:31,640 --> 00:01:34,440 Speaker 1: Let's start with this. Uh, do we need to take 33 00:01:34,440 --> 00:01:36,360 Speaker 1: a break before we start this or no? All right, 34 00:01:36,880 --> 00:01:38,920 Speaker 1: we've been off from one minute. I need to go 35 00:01:38,959 --> 00:01:44,520 Speaker 1: to the rest. You want to take a break. Um, 36 00:01:44,720 --> 00:01:46,720 Speaker 1: Zach Brown and Luke Bryan is the first few we're 37 00:01:46,720 --> 00:01:48,720 Speaker 1: gonna talk about. I don't know about this one. It 38 00:01:48,800 --> 00:01:52,200 Speaker 1: happened right when we came to Nashville. So the Zach 39 00:01:52,280 --> 00:01:57,360 Speaker 1: Brown band, lead singer of lead singer of the same name. 40 00:01:57,840 --> 00:02:00,960 Speaker 1: Oh it's Zach Brown alright on the lead singer. I'm 41 00:02:00,960 --> 00:02:02,320 Speaker 1: just gonna tell you what I was reading a part 42 00:02:02,320 --> 00:02:04,640 Speaker 1: of article here. I was just gonna tell I remember 43 00:02:05,880 --> 00:02:08,560 Speaker 1: Luke coming in and I didn't know Luke Brian very 44 00:02:08,560 --> 00:02:11,160 Speaker 1: well at the time. We were new to Nashville and 45 00:02:11,200 --> 00:02:13,240 Speaker 1: being like, oh man, you're gonna ask about that Zach 46 00:02:13,240 --> 00:02:15,400 Speaker 1: Brown stuff. And I was like, it just happened, and 47 00:02:15,400 --> 00:02:16,959 Speaker 1: I was like, I don't know about Zach Brown's or 48 00:02:17,000 --> 00:02:21,120 Speaker 1: I would have um, I didn't, but I think Zach 49 00:02:21,160 --> 00:02:27,040 Speaker 1: Brown had insulted Luke's music. So here's a quote. According 50 00:02:27,160 --> 00:02:30,000 Speaker 1: to Zach Brown, Luke Bryan's song That's My Kind of 51 00:02:30,120 --> 00:02:33,280 Speaker 1: Night is quote the worst song I've ever heard. That's 52 00:02:33,280 --> 00:02:36,320 Speaker 1: that I got that real good. And this is when 53 00:02:36,320 --> 00:02:40,280 Speaker 1: we first came to town Room. Zach Brown said, there's 54 00:02:40,320 --> 00:02:44,080 Speaker 1: songs out on the radio right now that makes me 55 00:02:44,160 --> 00:02:47,320 Speaker 1: ashamed to be in the same format as some other artists. 56 00:02:49,240 --> 00:02:52,880 Speaker 1: Jason Alden came to Luke Bryan's defense. To those people 57 00:02:52,960 --> 00:02:54,440 Speaker 1: running their mouths, trust me when I tell you that 58 00:02:54,440 --> 00:02:57,679 Speaker 1: nobody gives an s what you think. The two eventually 59 00:02:57,720 --> 00:03:01,959 Speaker 1: made up at the two CMA words. Carrie Underwood told 60 00:03:01,960 --> 00:03:03,760 Speaker 1: the singers they have nothing to fight about. They you 61 00:03:03,880 --> 00:03:06,120 Speaker 1: both made great records and you're both millionaires. And then 62 00:03:06,120 --> 00:03:08,480 Speaker 1: she's saying why can't we be friends? So she was 63 00:03:08,520 --> 00:03:11,560 Speaker 1: the one that, you know, the real weird part about this. 64 00:03:12,160 --> 00:03:15,840 Speaker 1: And I am a lot closer to Luke than I 65 00:03:15,880 --> 00:03:19,679 Speaker 1: am Zach, although Zach and I have a relationship ish 66 00:03:19,840 --> 00:03:24,120 Speaker 1: I could text him right, Um, quiet guy kind of 67 00:03:24,160 --> 00:03:28,200 Speaker 1: stays at everybody's business. But I will say that, you know, 68 00:03:28,320 --> 00:03:32,160 Speaker 1: Luke started to make country music with some beats in it. 69 00:03:32,200 --> 00:03:34,720 Speaker 1: Was one of those first guys too. You know, you 70 00:03:34,800 --> 00:03:37,920 Speaker 1: hear heavy bass, you know, and some of that stuff 71 00:03:37,960 --> 00:03:40,120 Speaker 1: that was called bro country at first. I think it 72 00:03:40,160 --> 00:03:44,480 Speaker 1: looks very much off of that now. But I think 73 00:03:44,600 --> 00:03:47,480 Speaker 1: Zach Brown has made a bunch of weird music since this. 74 00:03:47,720 --> 00:03:51,400 Speaker 1: He did that, but even some of the country stuff 75 00:03:51,400 --> 00:03:55,360 Speaker 1: that on the country chart was something. My only point 76 00:03:55,520 --> 00:03:58,280 Speaker 1: is there were artists that could have done the same 77 00:03:58,280 --> 00:04:00,520 Speaker 1: thing to Zach three years ago. But like the crap 78 00:04:00,600 --> 00:04:02,120 Speaker 1: is this You have a song on contradio with a 79 00:04:02,240 --> 00:04:04,520 Speaker 1: dance beat in it. Yeah, I think there's a little 80 00:04:04,520 --> 00:04:07,560 Speaker 1: bit of there's definitely a difference between. You know, you 81 00:04:07,600 --> 00:04:11,560 Speaker 1: look at the style of songs, uh, content wise, like 82 00:04:11,640 --> 00:04:14,120 Speaker 1: lyrically what they're what they're saying, you know, Like you 83 00:04:14,160 --> 00:04:16,000 Speaker 1: look at Zach brown music. A lot of his music 84 00:04:16,080 --> 00:04:20,239 Speaker 1: is pretty, there's heartful, it's deep stuff in there Highway 85 00:04:20,240 --> 00:04:23,440 Speaker 1: twenty ride, you know, even Chicken Fried a little bit, 86 00:04:23,720 --> 00:04:25,840 Speaker 1: even Chicken Fried, it's a little death to it, like this, 87 00:04:25,839 --> 00:04:27,560 Speaker 1: this is who I am and it is what we 88 00:04:27,680 --> 00:04:29,760 Speaker 1: do here from Luke Bryant. But then you got there 89 00:04:29,839 --> 00:04:32,440 Speaker 1: there's that's my kind of night, and it's like this 90 00:04:32,480 --> 00:04:35,120 Speaker 1: is pretty dumb, but it's fun and there's nothing wrong 91 00:04:35,160 --> 00:04:37,279 Speaker 1: first of all with fun music. No, it is everything 92 00:04:37,400 --> 00:04:41,880 Speaker 1: music just me all. So I understand the feud and 93 00:04:41,880 --> 00:04:45,240 Speaker 1: we're it's stupid. It's there's no feud. Mike pull up 94 00:04:45,320 --> 00:04:49,680 Speaker 1: Zack Brown's songs. I like Zach, but he's gonna pick 95 00:04:49,720 --> 00:04:52,680 Speaker 1: up random songs. No, but you can. Lukes songs aren't 96 00:04:52,760 --> 00:04:55,280 Speaker 1: all goofy songs. Got a few, a lot of them. 97 00:04:55,360 --> 00:04:59,600 Speaker 1: But so does Zach. Pull up Zach Brown. What's his 98 00:04:59,680 --> 00:05:03,440 Speaker 1: biggest streaming song? It is knee Deep actually Chicken Fried. 99 00:05:03,600 --> 00:05:05,480 Speaker 1: Chicken Fried, so all from that first record, you know, 100 00:05:05,520 --> 00:05:08,920 Speaker 1: the one the Brown cover Homegrown Anything and it's not 101 00:05:10,560 --> 00:05:11,840 Speaker 1: what's the one with a dance beat that was a 102 00:05:11,880 --> 00:05:15,560 Speaker 1: big song. Is someone that I used to know, someone 103 00:05:15,640 --> 00:05:20,120 Speaker 1: that I used to know. I don't think this is 104 00:05:20,160 --> 00:05:21,400 Speaker 1: the one he hit, a couple hit, the one that 105 00:05:21,440 --> 00:05:25,560 Speaker 1: was a big country hit drug. That's it. Oh yes, yes, yes, 106 00:05:25,720 --> 00:05:29,760 Speaker 1: very different, Yes, yes, yes yes. My only point is 107 00:05:30,400 --> 00:05:32,480 Speaker 1: that sounds putting goofy beats in his crap too. I 108 00:05:32,520 --> 00:05:34,080 Speaker 1: don't think it was about the beats, but it doesn't matter. 109 00:05:34,080 --> 00:05:38,680 Speaker 1: I don't listen to words. Really melody first, turn it up, 110 00:05:38,880 --> 00:05:51,000 Speaker 1: let's why don't we break this? Come on death wish 111 00:05:51,040 --> 00:05:54,120 Speaker 1: baby baby. I don't want you to say, and I 112 00:05:54,160 --> 00:05:56,200 Speaker 1: don't even hate lyrics. I don't hate it. I'm totally 113 00:05:56,240 --> 00:05:57,920 Speaker 1: fine with any of this. But I'm just saying that 114 00:05:58,040 --> 00:06:00,080 Speaker 1: same argument about Luke's that's my kind of Night's a 115 00:06:00,120 --> 00:06:04,000 Speaker 1: song here at the time though, before Beautiful Drug, Zach 116 00:06:04,120 --> 00:06:08,000 Speaker 1: wasn't about this. I don't know what this is. Yeah, 117 00:06:08,040 --> 00:06:10,640 Speaker 1: he wasn't, So I'm just saying this is. I understand 118 00:06:11,000 --> 00:06:13,520 Speaker 1: where their feud was coming from, where Zach Brown was trying. 119 00:06:13,720 --> 00:06:15,839 Speaker 1: My only point is Zach Brown went to what he 120 00:06:15,920 --> 00:06:18,960 Speaker 1: was hating on. Correct. He did obviously a beautiful drug. 121 00:06:20,200 --> 00:06:21,720 Speaker 1: And I have no problem with either one of them, 122 00:06:21,760 --> 00:06:24,560 Speaker 1: by the way, love them both. I didn't even know 123 00:06:24,560 --> 00:06:26,480 Speaker 1: this is a thing. I think you can make the 124 00:06:26,560 --> 00:06:29,480 Speaker 1: dumbest crap. But if it makes people smile, it's no 125 00:06:29,520 --> 00:06:31,960 Speaker 1: longer the dumbest crap. Somebody told me the best thing 126 00:06:32,000 --> 00:06:34,839 Speaker 1: about country music is there's room for everything in it. 127 00:06:35,760 --> 00:06:38,880 Speaker 1: Did you say that? Maybe it was you? You know 128 00:06:38,960 --> 00:06:41,320 Speaker 1: there's there's room for everything ready from a hot take? 129 00:06:41,400 --> 00:06:43,479 Speaker 1: Come on, you want to know a song, just a 130 00:06:43,600 --> 00:06:48,760 Speaker 1: great song, baby shark? How does that go? Baby shark? 131 00:06:49,920 --> 00:06:53,800 Speaker 1: I'm not kidding any song that will elicit that much 132 00:06:53,880 --> 00:06:57,640 Speaker 1: joy period, with the melody, with the words don't care? 133 00:06:58,120 --> 00:07:02,080 Speaker 1: Is that number one still be too? Ras? Wash your hands? Right? 134 00:07:02,760 --> 00:07:05,280 Speaker 1: Do you understand my point? You're saying, I don't care 135 00:07:05,279 --> 00:07:06,960 Speaker 1: what your song is about. If if you make that 136 00:07:07,000 --> 00:07:10,880 Speaker 1: many people happy, your net gain is happiness that you win. 137 00:07:11,440 --> 00:07:16,320 Speaker 1: Let's stop being snobs about songs art. Anybody that's art 138 00:07:16,360 --> 00:07:21,000 Speaker 1: snob is so anyway, I hate you, Eddie Um, but 139 00:07:21,040 --> 00:07:22,720 Speaker 1: that was a feud. I remember it crazy. I didn't 140 00:07:22,720 --> 00:07:24,120 Speaker 1: even see that one at all. I don't know how 141 00:07:24,120 --> 00:07:27,840 Speaker 1: about Travis Trip and Billy Ray Cyrus Make You Break 142 00:07:27,880 --> 00:07:30,840 Speaker 1: Your Heart super successful, and when asked for his opinion, 143 00:07:30,960 --> 00:07:33,880 Speaker 1: Travis Trick called the song frivolous and said he didn't 144 00:07:33,880 --> 00:07:36,960 Speaker 1: want to see country music turned into an a wiggling contest, 145 00:07:37,200 --> 00:07:40,440 Speaker 1: bad word, a wiggling hunt, like your butt, like but 146 00:07:40,560 --> 00:07:44,880 Speaker 1: wiggling hunt. Billy ray Cyrus fired back, using Travish Trip's 147 00:07:44,880 --> 00:07:49,080 Speaker 1: own lyrics. Accepting favorite country single, he raised the trophy 148 00:07:49,080 --> 00:07:52,240 Speaker 1: and declared, to those who don't appreciate it, here's a 149 00:07:52,320 --> 00:07:57,480 Speaker 1: quarter called someone who cares. He used his lyrics right 150 00:07:57,560 --> 00:08:02,080 Speaker 1: back to him in his face. Travis should apologize and 151 00:08:02,080 --> 00:08:04,320 Speaker 1: said of a piece Lily. In two thousand two, they 152 00:08:04,320 --> 00:08:08,280 Speaker 1: performed together at the memorial for Waylon Jennings. Because yes, 153 00:08:08,320 --> 00:08:10,920 Speaker 1: at the end of the day, it's okay. Yeah, at 154 00:08:10,920 --> 00:08:13,120 Speaker 1: the end of that you guys have different music, It's okay. 155 00:08:13,400 --> 00:08:16,440 Speaker 1: At the end of the day, we're talking about art 156 00:08:16,640 --> 00:08:19,440 Speaker 1: and it's not hurting anybody. And there are real problems 157 00:08:19,440 --> 00:08:21,440 Speaker 1: in the world. And like Carrie said, you're both millionaires, 158 00:08:21,480 --> 00:08:24,040 Speaker 1: so be quiet, So be good there. I just leod 159 00:08:24,120 --> 00:08:26,400 Speaker 1: up one um. Johnny Cash versus the Grand Ol Opry. 160 00:08:27,720 --> 00:08:29,160 Speaker 1: Johnny Cash was onces A banned from the Grand Ol 161 00:08:29,160 --> 00:08:32,320 Speaker 1: operation break lights in nive Cash broke the floor lights 162 00:08:32,320 --> 00:08:35,439 Speaker 1: on the opery stage and the opera was not pleased. Quote, 163 00:08:35,440 --> 00:08:36,600 Speaker 1: I don't know how bad they wanted me in the 164 00:08:36,600 --> 00:08:38,600 Speaker 1: first place, but the knighter broke all the lights on 165 00:08:38,640 --> 00:08:40,840 Speaker 1: stage with a microphone. They said they couldn't use me anymore. 166 00:08:42,240 --> 00:08:44,240 Speaker 1: They eventually got over the riff and Johnny Cash was 167 00:08:44,280 --> 00:08:46,400 Speaker 1: once again allowed back to the opery before his dead. 168 00:08:46,800 --> 00:08:49,319 Speaker 1: Here's the stupid thing about that to us telling that story, 169 00:08:49,400 --> 00:08:52,680 Speaker 1: like how bad? How awesome is that the dude went 170 00:08:52,720 --> 00:08:54,560 Speaker 1: up and started kicking all the lights And even it's 171 00:08:54,600 --> 00:08:56,760 Speaker 1: even in his movie. That scene is in the movie 172 00:08:56,760 --> 00:08:58,360 Speaker 1: where it's kicking all lights and you watched that scene, 173 00:08:58,360 --> 00:09:01,520 Speaker 1: You're like, that is a bad Like that's so cool. 174 00:09:01,640 --> 00:09:03,360 Speaker 1: But can you imagine the guys the opera back then, 175 00:09:03,840 --> 00:09:06,280 Speaker 1: what is this dude doing? If anyone did that now, 176 00:09:06,760 --> 00:09:09,520 Speaker 1: gone Gone would be the same thing. It's social media 177 00:09:09,520 --> 00:09:12,040 Speaker 1: would be all over it to correct. Yeah, you're right, 178 00:09:12,080 --> 00:09:14,000 Speaker 1: the opera would be mad, and then everyone else would 179 00:09:14,040 --> 00:09:17,240 Speaker 1: be really upset about it. Lean Rhymes versus wilbur Rhymes, 180 00:09:17,400 --> 00:09:20,599 Speaker 1: who's her dad? In two thousand, Lion Rymes filed a 181 00:09:20,679 --> 00:09:23,079 Speaker 1: lawsuit against her dad, claiming he and her manager manipulated 182 00:09:23,080 --> 00:09:25,280 Speaker 1: the singer took more than seven million dollars for earnings. 183 00:09:25,160 --> 00:09:28,760 Speaker 1: It's terrible, Wilberck countersued, calling his kid a spoiled bratt. 184 00:09:29,280 --> 00:09:31,559 Speaker 1: The next year, Lion Rymes cried in the Nashville courtroom 185 00:09:31,559 --> 00:09:33,319 Speaker 1: as a judge refused to let her out of a 186 00:09:33,320 --> 00:09:35,880 Speaker 1: recording contract with Curb Records that was approved by the 187 00:09:35,880 --> 00:09:38,880 Speaker 1: request of her parents, which he was twelve. That sucks. 188 00:09:39,000 --> 00:09:40,920 Speaker 1: Her parents signed her into a deal at twelve years old. 189 00:09:41,280 --> 00:09:43,080 Speaker 1: By the end of November, she and the label came 190 00:09:43,080 --> 00:09:45,880 Speaker 1: to an agreement, and she then resigned with CURB. So 191 00:09:45,880 --> 00:09:49,239 Speaker 1: I guess they renegotiated the duel. In two thousand one, 192 00:09:49,520 --> 00:09:51,520 Speaker 1: she hosted the a c M Awards, sporting a T 193 00:09:51,640 --> 00:09:55,920 Speaker 1: shirt reading Daddy and saying tonight, I won't bother to 194 00:09:55,960 --> 00:09:58,719 Speaker 1: think of my father. That same night, she met her 195 00:09:58,880 --> 00:10:03,080 Speaker 1: future first husband, Dean. By the time the couple in 196 00:10:03,080 --> 00:10:06,960 Speaker 1: two thousand two, they had reconciled. Wilbert walked Lean down 197 00:10:07,000 --> 00:10:09,439 Speaker 1: the aisle and suits were settled. Have you ever met 198 00:10:10,080 --> 00:10:13,040 Speaker 1: Lean right now? She just been she'd been in our studio. Yeah, 199 00:10:13,080 --> 00:10:16,360 Speaker 1: she like walked in randomly once. Right, We're in the 200 00:10:16,400 --> 00:10:19,240 Speaker 1: middle of a second, and we were like, what just happened? 201 00:10:19,240 --> 00:10:21,920 Speaker 1: This was a long time ago, it's weird, probably about 202 00:10:21,920 --> 00:10:23,800 Speaker 1: six years ago. So yeah, walks in. We're in the 203 00:10:23,840 --> 00:10:30,320 Speaker 1: middle of something, and she was like, hey, lean Ryan, 204 00:10:30,520 --> 00:10:33,120 Speaker 1: what just happened? And was like, that's Lane Ryans. They 205 00:10:33,160 --> 00:10:35,880 Speaker 1: just saw her on Housewives Crazy. Hey, let me ask 206 00:10:35,880 --> 00:10:38,600 Speaker 1: you this as a as a dad, are you allowed 207 00:10:38,679 --> 00:10:43,280 Speaker 1: to call your kid a spoiled brat and not and 208 00:10:43,360 --> 00:10:50,560 Speaker 1: not really not blame yourself for that? Yeah? Yes? If yes, 209 00:10:50,760 --> 00:10:52,679 Speaker 1: I'm going to say, if she's being spoiled by people 210 00:10:52,679 --> 00:10:55,480 Speaker 1: other than her family. Let's say she's fourteen years old 211 00:10:55,480 --> 00:10:59,880 Speaker 1: and she has record executives manage other people on her, 212 00:11:00,280 --> 00:11:01,880 Speaker 1: it does come back to the parents because they gotta 213 00:11:01,880 --> 00:11:04,760 Speaker 1: be watching all of that. But maybe that you know, 214 00:11:05,240 --> 00:11:07,520 Speaker 1: they allowed her to be spoiled by someone else in 215 00:11:07,840 --> 00:11:11,080 Speaker 1: the business. Okay. My first thought was just like, she's twelve, 216 00:11:11,520 --> 00:11:13,240 Speaker 1: calling her spoil brow, Well, that's kind of on you, 217 00:11:13,280 --> 00:11:15,360 Speaker 1: but still parents, Yeah, but you know, at twelve thirteen 218 00:11:15,400 --> 00:11:17,880 Speaker 1: years kind of doing your own thing a bit. And 219 00:11:17,920 --> 00:11:21,840 Speaker 1: if they signed her to a record dealing Charlie Rich 220 00:11:22,080 --> 00:11:25,720 Speaker 1: versus John Denver. Before there was Kanye and Taylor, there 221 00:11:25,800 --> 00:11:29,000 Speaker 1: was Charlie Rich and John Denver. Who's Charlie Rich? You 222 00:11:29,000 --> 00:11:32,200 Speaker 1: don't know Charlie Rich. When Denver was announced he's the 223 00:11:32,200 --> 00:11:35,040 Speaker 1: old white guy who burned the um at the CMA. 224 00:11:35,080 --> 00:11:37,560 Speaker 1: I think it was cmaz um. He gets up and 225 00:11:37,640 --> 00:11:39,440 Speaker 1: goes and he saw that John Denver won the award 226 00:11:39,480 --> 00:11:41,640 Speaker 1: and he lit it on. Yes, yes, I see. I 227 00:11:41,640 --> 00:11:43,440 Speaker 1: saw this clip like two years ago. I remember this 228 00:11:43,520 --> 00:11:45,160 Speaker 1: when John Denver here. It is when John Denver was 229 00:11:45,160 --> 00:11:47,720 Speaker 1: announced in the nineteen cm A Entertainer of the Year awards. 230 00:11:48,240 --> 00:11:51,200 Speaker 1: A drunk rich set fire to a piece of paper 231 00:11:51,559 --> 00:11:54,480 Speaker 1: naming his fellow singer the winner. John Denver was not 232 00:11:54,600 --> 00:11:57,160 Speaker 1: there and he appeared, remember, and it throws to him. 233 00:11:57,160 --> 00:11:58,960 Speaker 1: He's got a ear piece of putting in and he's like, oh, 234 00:11:59,000 --> 00:12:02,160 Speaker 1: I wont He's all happy, but he can't see what happened, Yes, 235 00:12:02,200 --> 00:12:05,040 Speaker 1: because he's somewhere else. It was like in Australia, right, 236 00:12:05,200 --> 00:12:08,480 Speaker 1: that's right. This was on the documentary The Country Musing documentary. Okay, 237 00:12:08,679 --> 00:12:13,199 Speaker 1: so but yeah, that's how I even know who Charlie Richard. Wow, 238 00:12:13,520 --> 00:12:15,520 Speaker 1: it's from that clip and he was saying that John 239 00:12:15,559 --> 00:12:17,840 Speaker 1: Denver doesn't deserve the country wasn't country, so he doesn't 240 00:12:17,840 --> 00:12:22,320 Speaker 1: deserve this award, by the way, about how freaking country 241 00:12:22,360 --> 00:12:26,559 Speaker 1: John didn't and how it's just constantly the same cycle. 242 00:12:27,280 --> 00:12:31,360 Speaker 1: Even in nineteen they were upset that someone wasn't country. Yeah, 243 00:12:32,000 --> 00:12:37,320 Speaker 1: almost Heaven, West Virginia. I mean, dude, thinking about West Virginia, 244 00:12:37,400 --> 00:12:42,400 Speaker 1: Blue Ridge Mountain, Shenando. What's the name of that song? 245 00:12:42,800 --> 00:12:48,280 Speaker 1: Country Roads come on? And not just that one? Other ones? Yea, yeah, 246 00:12:48,400 --> 00:12:50,800 Speaker 1: like thank God, I'm a country boy. I don't know 247 00:12:51,280 --> 00:12:55,679 Speaker 1: what is more countries and I'm a country boy. Uh 248 00:12:56,080 --> 00:13:00,000 Speaker 1: you know? I think of Paul Shore in the dry 249 00:13:00,040 --> 00:13:03,800 Speaker 1: think son in law and their drive. He's driving the tractor. 250 00:13:04,880 --> 00:13:09,959 Speaker 1: Then god, I'm a countable. Kristen Hall versus sugar Land, 251 00:13:10,040 --> 00:13:11,800 Speaker 1: Now do you know who that is? She is? I 252 00:13:11,800 --> 00:13:13,679 Speaker 1: don't know who she is. She was one of sugar Land. 253 00:13:13,760 --> 00:13:16,520 Speaker 1: Oh the third one three became two when she left 254 00:13:16,559 --> 00:13:19,520 Speaker 1: sugar Land in two thousand and six to concentrate on songwriting. 255 00:13:20,559 --> 00:13:23,320 Speaker 1: That's what they say in the story. Do you know 256 00:13:23,440 --> 00:13:25,840 Speaker 1: something different? I just I've heard many stories. I don't 257 00:13:25,840 --> 00:13:29,040 Speaker 1: think it was to concentrate on songwriting. I don't think 258 00:13:29,040 --> 00:13:31,360 Speaker 1: you'll leave a group like that to concentrate on songwright. 259 00:13:31,559 --> 00:13:34,480 Speaker 1: Was this at the peak? Right before the peak? There 260 00:13:34,520 --> 00:13:38,040 Speaker 1: was big that they were big, they were starting to 261 00:13:38,080 --> 00:13:41,240 Speaker 1: be big. The duo that remained went on to become 262 00:13:41,280 --> 00:13:43,120 Speaker 1: one of the biggest acts in country music. She filed 263 00:13:43,160 --> 00:13:45,080 Speaker 1: at one point five million dollars suit against her former 264 00:13:45,120 --> 00:13:48,400 Speaker 1: partners Christian Bush and Jennifer Nettles, claiming she was promised 265 00:13:48,440 --> 00:13:50,960 Speaker 1: to share the group's future earnings. The suit was settled 266 00:13:50,960 --> 00:13:53,080 Speaker 1: in two thousand and ten. Especially didn't go after more 267 00:13:53,120 --> 00:13:57,800 Speaker 1: than that because one five million not a lot for 268 00:13:57,840 --> 00:14:02,200 Speaker 1: what they made Massive. Dolly Parton, Porter Wagner they were 269 00:14:02,200 --> 00:14:06,640 Speaker 1: singing partners for a long time, and and port O Wagoner, 270 00:14:06,679 --> 00:14:08,120 Speaker 1: who also said that they were more for a while. 271 00:14:09,040 --> 00:14:11,839 Speaker 1: Dolly Parton said they weren't, and so she wrote I 272 00:14:11,880 --> 00:14:14,839 Speaker 1: Will always love you for him. He filed a three 273 00:14:14,880 --> 00:14:19,480 Speaker 1: million dollar breach of contracts suit against her nine because 274 00:14:19,480 --> 00:14:22,120 Speaker 1: she wanted to leave like start I mean, and she 275 00:14:22,120 --> 00:14:24,120 Speaker 1: wouldn't have been Dolly if she wouldn't have made that move. 276 00:14:24,840 --> 00:14:28,280 Speaker 1: Yeah crazy. The two made up in night they performed 277 00:14:28,280 --> 00:14:32,400 Speaker 1: together on her TV variety show. She was at Porter's 278 00:14:32,440 --> 00:14:36,080 Speaker 1: bedside when he died two thousand seven. Tim McGraw and 279 00:14:36,120 --> 00:14:42,200 Speaker 1: Curb Records, that's pretty recent. Two thousand eight. Oh yeah, 280 00:14:42,200 --> 00:14:44,800 Speaker 1: I thought you miss since we've been here. That's probably 281 00:14:45,240 --> 00:14:47,080 Speaker 1: was that five years ago. What was that, dude, it's 282 00:14:47,080 --> 00:14:49,400 Speaker 1: two thousand and twenty. That's twelve years ago. Twelve years ago, 283 00:14:49,480 --> 00:14:52,200 Speaker 1: we weren't here, So we weren't here then interesting. In 284 00:14:52,240 --> 00:14:54,520 Speaker 1: two thousand eight, Tim McGraw was working on recording new 285 00:14:54,600 --> 00:14:59,600 Speaker 1: songs when Curb Records announced Greatest Hits three mcgrawl rights. 286 00:15:00,120 --> 00:15:03,120 Speaker 1: I'm saddened and disappointed that my label chose to put 287 00:15:03,120 --> 00:15:06,240 Speaker 1: out another hits album instead of new music. A Curb 288 00:15:06,280 --> 00:15:10,240 Speaker 1: executive disagreed, saying he had numerous conversations with McGraw's reps 289 00:15:10,320 --> 00:15:13,400 Speaker 1: about all aspects of the package. Mcgrawl filed a super 290 00:15:13,400 --> 00:15:16,680 Speaker 1: breach contract, claiming Curb was keeping him in a perpetual 291 00:15:16,760 --> 00:15:22,160 Speaker 1: state of involuntary servitude. Kurb was his original label. I 292 00:15:22,160 --> 00:15:24,800 Speaker 1: don't know if it was original, because he's been around 293 00:15:24,840 --> 00:15:28,440 Speaker 1: for a long time. The official announcement of the album 294 00:15:28,480 --> 00:15:32,880 Speaker 1: was made August eight. The album included if you're reading this, 295 00:15:32,960 --> 00:15:36,680 Speaker 1: which was such a great, powerful song I saw him 296 00:15:36,680 --> 00:15:39,920 Speaker 1: doing so. This is about a soldier, and it's the 297 00:15:40,000 --> 00:15:43,320 Speaker 1: note that if you were to be killed, that you 298 00:15:43,360 --> 00:15:45,200 Speaker 1: pull the note out and you give it to And 299 00:15:45,240 --> 00:15:46,840 Speaker 1: I saw him do this. I went to watch him 300 00:15:46,960 --> 00:15:48,760 Speaker 1: and uh, when that you wrote that book. I went 301 00:15:48,800 --> 00:15:52,600 Speaker 1: to a theater and he played this acoustic freaking crazy um. 302 00:15:52,640 --> 00:15:55,960 Speaker 1: After legal wrangling, McGraw won his release from Curb and Court. 303 00:15:57,520 --> 00:16:00,400 Speaker 1: Michael Jackson and Prince I don't remember this, what's wrong 304 00:16:00,400 --> 00:16:04,040 Speaker 1: with them? The feud between two of music's biggest entertainer 305 00:16:04,040 --> 00:16:09,160 Speaker 1: started in two when Thriller out sold Prince's album The 306 00:16:09,200 --> 00:16:12,480 Speaker 1: Purple One, then followed up with Purple Rain, and Jackson 307 00:16:12,480 --> 00:16:16,240 Speaker 1: reportedly attended several of Princess shows to study him on tour. 308 00:16:17,320 --> 00:16:19,800 Speaker 1: Jackson later decided to ask Prince join the recording of 309 00:16:19,840 --> 00:16:22,040 Speaker 1: We Are the World, but Prince refused. M j then 310 00:16:22,040 --> 00:16:24,080 Speaker 1: asked people do a duet and appeared in the video 311 00:16:24,120 --> 00:16:29,720 Speaker 1: for Bad. Prince said no, and they just weren't good. 312 00:16:29,760 --> 00:16:32,000 Speaker 1: They never made up. It sounds like a little healthy competition. 313 00:16:32,720 --> 00:16:35,120 Speaker 1: It sounds like they both were probably at Yeah. I 314 00:16:35,120 --> 00:16:38,040 Speaker 1: mean they were both racing to the top. Yeah, listen, 315 00:16:38,120 --> 00:16:39,800 Speaker 1: I'm sure there's a lot of behind the scenes stuff. 316 00:16:39,800 --> 00:16:43,040 Speaker 1: It does sound like Michael clip Michael is the biggest 317 00:16:43,040 --> 00:16:48,080 Speaker 1: star I think we've ever had, the Beatles, Elvis, Michael Jackson. 318 00:16:49,680 --> 00:16:54,280 Speaker 1: I don't think there's anyone that has appeared and been 319 00:16:54,400 --> 00:16:57,320 Speaker 1: that large as a look at history and what's happened 320 00:16:57,320 --> 00:17:00,760 Speaker 1: at the time, and in our life there's been big ones, 321 00:17:00,840 --> 00:17:04,840 Speaker 1: but I don't know as all consuming as those in 322 00:17:04,880 --> 00:17:09,520 Speaker 1: our life in sinc. Bactual Boy Bay Mania, but actually 323 00:17:09,560 --> 00:17:13,639 Speaker 1: boy in Sinc. Taylor Jonas Brothers pretty big, m I 324 00:17:13,680 --> 00:17:16,280 Speaker 1: wouldn't think, yes, yes for not for not a long time, 325 00:17:16,320 --> 00:17:19,760 Speaker 1: but pretty big when. But I'm talking. But but it's 326 00:17:19,800 --> 00:17:22,600 Speaker 1: different because I mean, these these bands, the three just 327 00:17:22,640 --> 00:17:24,680 Speaker 1: compared to the Jonas Brothers, well, the three that you mentioned, 328 00:17:24,720 --> 00:17:27,399 Speaker 1: just the span of time that they had as number 329 00:17:27,440 --> 00:17:30,040 Speaker 1: one is the very top. Like, you can't compare to that. 330 00:17:30,080 --> 00:17:32,320 Speaker 1: But that's music is different, Mike. Would you put Jones 331 00:17:32,359 --> 00:17:34,520 Speaker 1: Brothers in that mix? No, Okay, just making sure. I 332 00:17:34,520 --> 00:17:37,440 Speaker 1: saw the documentary and there are lots of they were massive. 333 00:17:37,480 --> 00:17:39,920 Speaker 1: From sure, they were massive for a minute. I would 334 00:17:40,000 --> 00:17:42,960 Speaker 1: just say that those other acts that I mentioned have 335 00:17:43,040 --> 00:17:46,719 Speaker 1: been just had had some lengevity come to mind. You're 336 00:17:46,840 --> 00:17:53,520 Speaker 1: entitled from from like December the February longer than that. 337 00:17:53,520 --> 00:17:56,960 Speaker 1: But they're actually great now now the Jones Brothers put 338 00:17:56,960 --> 00:18:02,320 Speaker 1: out legitmngs are good. I like that. Um No, well 339 00:18:02,359 --> 00:18:04,479 Speaker 1: that's a good one. To what's a man gotta do? 340 00:18:05,080 --> 00:18:09,639 Speaker 1: That's a good one. I gotta do. This song is 341 00:18:09,680 --> 00:18:12,840 Speaker 1: a jam. That's how click and pivot. I was like, 342 00:18:12,880 --> 00:18:14,800 Speaker 1: Jude arout that stupid now. But there they're awesome. Here 343 00:18:14,840 --> 00:18:18,080 Speaker 1: we go. So what's a man gotta do? What's a 344 00:18:18,160 --> 00:18:23,880 Speaker 1: man gotta do to meet? They keep it up, They're 345 00:18:23,880 --> 00:18:26,280 Speaker 1: gonna they can be as big as he met the future. 346 00:18:27,119 --> 00:18:29,439 Speaker 1: He met up jonas brothers Future and keep it up, 347 00:18:29,920 --> 00:18:34,479 Speaker 1: keep doing it boys, Tupac and Biggie, which was a 348 00:18:34,480 --> 00:18:40,159 Speaker 1: weird feud because Tupac wasn't really from California. Where's he from? 349 00:18:40,359 --> 00:18:43,000 Speaker 1: Tupac was the East Coast guy was born right, Mike, 350 00:18:43,359 --> 00:18:45,840 Speaker 1: I believe so the feud that penn East Coast and 351 00:18:45,920 --> 00:18:50,080 Speaker 1: West Coast was and that was it. That was massive 352 00:18:50,200 --> 00:18:52,960 Speaker 1: right East Coast, West Coast. Tupac was robbed and shot 353 00:18:53,000 --> 00:18:55,800 Speaker 1: in the lobby of recording studio, supposed to meet Biggie 354 00:18:56,359 --> 00:18:59,640 Speaker 1: and did He and Biggie were like, we do nothing 355 00:18:59,680 --> 00:19:03,560 Speaker 1: about Tupac didn't believe it. They sort of dissing each 356 00:19:03,600 --> 00:19:08,600 Speaker 1: other like crazy. Eventually Tupac was killed, Biggie was killed. 357 00:19:08,640 --> 00:19:11,399 Speaker 1: Every guys, the record guys that made the money Is 358 00:19:11,400 --> 00:19:13,600 Speaker 1: this your number one feud? No, I just have listed 359 00:19:13,760 --> 00:19:15,760 Speaker 1: a bunch of them here. Yeah, he was born in Harlem. Yeah, 360 00:19:15,920 --> 00:19:18,840 Speaker 1: that's what was weird about the Tupac thing was and 361 00:19:18,840 --> 00:19:21,160 Speaker 1: that's why some of them was orchestrated. In my mind, 362 00:19:22,920 --> 00:19:26,080 Speaker 1: they gosh and this thing ended in death from death 363 00:19:26,080 --> 00:19:27,880 Speaker 1: of them, and you know, and still people still making 364 00:19:27,880 --> 00:19:30,440 Speaker 1: money from them. Sugar Night, He's still he's in jail. 365 00:19:31,880 --> 00:19:34,000 Speaker 1: That guy couldn't stop doing crime. Yeah, I know even 366 00:19:34,040 --> 00:19:36,560 Speaker 1: after it that. I saw a video recently where he 367 00:19:36,640 --> 00:19:38,840 Speaker 1: like ran over some people. I don't know, I don't 368 00:19:38,840 --> 00:19:40,600 Speaker 1: know what showed up on my Twitter or something I 369 00:19:40,600 --> 00:19:43,800 Speaker 1: watched that. What are you watching right now? Edie's watching 370 00:19:44,359 --> 00:19:47,960 Speaker 1: two thousand two World Stars where quarantine? What are you 371 00:19:48,000 --> 00:19:52,960 Speaker 1: talking about? Videos to start reserf Kanye Taylor Swift? Yes, 372 00:19:53,080 --> 00:19:55,920 Speaker 1: we know that one from them as Terrible Taylor Swift 373 00:19:55,960 --> 00:20:03,040 Speaker 1: Katie Perry. They were buddy ish before two. After three 374 00:20:03,080 --> 00:20:06,439 Speaker 1: backup dancers left Taylor's Red Tour to join Katie Perry's 375 00:20:06,480 --> 00:20:10,520 Speaker 1: Prism Tour, Taylor accused Katie Perry of trying to sabotage 376 00:20:10,560 --> 00:20:13,320 Speaker 1: her and then bad Blood was a song it was 377 00:20:13,359 --> 00:20:16,760 Speaker 1: about Katy Perry oh was that about Katie supposed right, 378 00:20:16,800 --> 00:20:21,439 Speaker 1: Mike that Then in May two thousand seven, Swish Swish 379 00:20:21,600 --> 00:20:27,040 Speaker 1: was released from Kati Permember Swish Swish and so it 380 00:20:27,119 --> 00:20:28,920 Speaker 1: even had Nicki Minaj. He was also kind of beefing 381 00:20:28,920 --> 00:20:30,800 Speaker 1: with Taylor at the time, and they were saying Swish 382 00:20:30,800 --> 00:20:33,280 Speaker 1: Swish was almost like Swift Swift. Did you know that? 383 00:20:33,520 --> 00:20:35,760 Speaker 1: I know that, That's what I don't know if it's true. 384 00:20:35,760 --> 00:20:37,320 Speaker 1: And listen, I have never talked to Katie about this. 385 00:20:37,359 --> 00:20:39,719 Speaker 1: We worked together a little bit, but would you ever know. 386 00:20:40,920 --> 00:20:43,920 Speaker 1: I'm not that close to kat Katy now talking for 387 00:20:44,000 --> 00:20:45,840 Speaker 1: in the same room. We're friendly, but like Luke and 388 00:20:45,880 --> 00:20:49,040 Speaker 1: Lione I hang with but you know, um that pop 389 00:20:49,080 --> 00:20:53,040 Speaker 1: world's all different world. But yeah, so what I had 390 00:20:53,080 --> 00:20:55,480 Speaker 1: heard was Swish Swish was from Katie Perry was swift 391 00:20:55,480 --> 00:20:59,360 Speaker 1: Swiss Swift? Yeah, okay, we got a couple more of these. 392 00:20:59,400 --> 00:21:01,720 Speaker 1: Axle Row was in Kurt Cobain. Oh, we didn't know 393 00:21:01,760 --> 00:21:06,000 Speaker 1: they were feuding. In addition to fighting with Slash, Axel 394 00:21:06,080 --> 00:21:08,880 Speaker 1: had another public feud with the late singer of Nirvana. 395 00:21:09,440 --> 00:21:11,399 Speaker 1: When Ravana came on the scene. Axel Rose was a 396 00:21:11,400 --> 00:21:14,160 Speaker 1: big fan of the band, but when Kurt started bad 397 00:21:14,200 --> 00:21:17,199 Speaker 1: mouthing guns and roses. They started fighting Axel or at 398 00:21:17,240 --> 00:21:19,760 Speaker 1: least a tirade during one of his shows, calling Cobain 399 00:21:19,920 --> 00:21:23,800 Speaker 1: a fin junkie with a junkie wife. Not wrong, I 400 00:21:23,840 --> 00:21:27,200 Speaker 1: mean Courtney Love was pretty junkie. When they met backstage 401 00:21:27,200 --> 00:21:30,200 Speaker 1: at the mtvm as in ninety two, Courtney Loved taunted 402 00:21:30,240 --> 00:21:34,320 Speaker 1: Axel Rose and exchange words with his girlfriend gen A's 403 00:21:34,320 --> 00:21:39,119 Speaker 1: Deaf mccagan and Nirvana's Chris Novoselic then got into it. 404 00:21:39,119 --> 00:21:42,320 Speaker 1: It wasn't until cobain suicide the members of both groups 405 00:21:42,440 --> 00:21:48,200 Speaker 1: put the feudure rest. After Kurt Cobain h I mean, 406 00:21:48,280 --> 00:21:50,520 Speaker 1: I feel like a lot of people fought with Axel 407 00:21:50,600 --> 00:21:52,840 Speaker 1: Rose to feel like he just was up for fighting. Yes, 408 00:21:53,520 --> 00:21:56,080 Speaker 1: like me the first three years of his brand, just 409 00:21:56,080 --> 00:22:01,199 Speaker 1: just swinging at me, just come at me. Sometimes I'll 410 00:22:01,240 --> 00:22:05,800 Speaker 1: still get triggered still, well, yes, but I can manage 411 00:22:05,800 --> 00:22:07,600 Speaker 1: it better for the most I went off on somebody 412 00:22:07,600 --> 00:22:10,119 Speaker 1: prey recently, just to them on Instagram. I had a 413 00:22:10,200 --> 00:22:11,760 Speaker 1: radio guy hit me up and was it was like 414 00:22:12,720 --> 00:22:15,800 Speaker 1: calling me lazy. You can call me a lot of 415 00:22:15,840 --> 00:22:20,440 Speaker 1: things wrong, ugly, stupid. I don't care about any of that. 416 00:22:20,960 --> 00:22:25,720 Speaker 1: Never call me lazy triggered because again I tried to respond, 417 00:22:25,920 --> 00:22:29,000 Speaker 1: not react. I was typing back faster than I could 418 00:22:29,000 --> 00:22:34,640 Speaker 1: finish reading the message. I just I was just ramming him, 419 00:22:34,680 --> 00:22:36,920 Speaker 1: and I probably took a couple of those shots, probably take. 420 00:22:38,040 --> 00:22:39,560 Speaker 1: I'm not proud of it, but i'll tell you what 421 00:22:39,600 --> 00:22:41,840 Speaker 1: I did. Yit me and it was like that's lazy 422 00:22:41,880 --> 00:22:43,399 Speaker 1: to do, and I was like, all right, So I 423 00:22:43,440 --> 00:22:45,640 Speaker 1: just hammered like three of them, he says on the back, 424 00:22:45,800 --> 00:22:48,000 Speaker 1: hammer him again, and then I just muted him. So 425 00:22:48,000 --> 00:22:49,320 Speaker 1: I don't even know what he wrote back. So I 426 00:22:49,440 --> 00:22:52,960 Speaker 1: never I don't know in my mind, not one because 427 00:22:53,000 --> 00:22:58,040 Speaker 1: I just muted him. Kid Rock and Tommy Lee, Yeah, 428 00:22:58,040 --> 00:23:03,800 Speaker 1: pam I Underson, Nicki Mina, your Miley Cyrus. They got 429 00:23:03,840 --> 00:23:07,679 Speaker 1: into it at the v m as after Nicki Minaj 430 00:23:07,800 --> 00:23:10,480 Speaker 1: comment on social media about Taylor Swift and all the nominations. 431 00:23:11,200 --> 00:23:13,280 Speaker 1: Prior to host on the show, Miley Cyrus told The 432 00:23:13,280 --> 00:23:17,399 Speaker 1: New York Times that the artist remarks quote sounded a 433 00:23:17,440 --> 00:23:20,919 Speaker 1: very Nicki Nicki Minaj, which, if you know Nicki Minaj 434 00:23:21,080 --> 00:23:22,879 Speaker 1: is not too kind. And then of course they're all 435 00:23:22,920 --> 00:23:26,760 Speaker 1: at it trivial sounds like high school should know, yeah, well, 436 00:23:26,760 --> 00:23:30,880 Speaker 1: my craft behind all this stuff sounds like high school 437 00:23:30,880 --> 00:23:37,560 Speaker 1: except Big Into freaking died, So that's what's up. Huh, Yeah, 438 00:23:37,560 --> 00:23:42,360 Speaker 1: it's awesome. I didn't know which what was your favorite? 439 00:23:42,720 --> 00:23:45,320 Speaker 1: I mean, obviously Big and Tupac. I like to apologize 440 00:23:45,320 --> 00:23:47,199 Speaker 1: for jumping on you for the Luke Bryan's that brown thing. 441 00:23:47,320 --> 00:23:50,080 Speaker 1: You don't apologize that you were stupid. But see, you 442 00:23:50,119 --> 00:23:52,960 Speaker 1: thought you talked about Axl Rose and Kurt Cobain find 443 00:23:53,000 --> 00:23:55,960 Speaker 1: probably about the same thing. Kurt Kurt Cobain was probably like, 444 00:23:56,000 --> 00:23:57,920 Speaker 1: what kind of music is that? Man? It's just trash. 445 00:23:58,160 --> 00:24:05,880 Speaker 1: Mine's heartfelt and grungy and cool. Mine's not glamb. My 446 00:24:05,960 --> 00:24:12,160 Speaker 1: favorite one is probably m hm m hmm. And when 447 00:24:12,200 --> 00:24:14,479 Speaker 1: you say favorite, you're not like condoning it. You're the 448 00:24:14,480 --> 00:24:16,119 Speaker 1: most interesting. I'm just kind of looking back at him 449 00:24:16,119 --> 00:24:18,760 Speaker 1: against maybe Travis Trent and Billy Ray Cyrus. Oh no, 450 00:24:18,840 --> 00:24:23,320 Speaker 1: Johnny Cash, grand ol Opery. That's the winner stuff because 451 00:24:23,359 --> 00:24:27,159 Speaker 1: nobody got that's good as good. And then it's a 452 00:24:27,200 --> 00:24:29,200 Speaker 1: big deal for them to invite him back. I feel 453 00:24:29,240 --> 00:24:32,560 Speaker 1: because didn't they do that with Hank Williams And well, no, no, 454 00:24:32,600 --> 00:24:34,800 Speaker 1: there's a difference in getting to play again and being 455 00:24:34,840 --> 00:24:37,800 Speaker 1: a member, like I think, what did they do with 456 00:24:37,800 --> 00:24:40,919 Speaker 1: with Johnny Cash? They just told not to play? I 457 00:24:40,920 --> 00:24:45,360 Speaker 1: don't know his memberships dad offhand, I would assume he's 458 00:24:45,359 --> 00:24:48,240 Speaker 1: a member of the Opery and they may have told 459 00:24:48,320 --> 00:24:51,399 Speaker 1: him don't come back and not revoked it or did revoke. 460 00:24:51,480 --> 00:24:53,960 Speaker 1: I don't know. But Hank Williams, I think they kicked 461 00:24:54,040 --> 00:24:57,080 Speaker 1: him out of the Opery and then didn't never play, 462 00:24:57,800 --> 00:24:59,920 Speaker 1: didn't read put him back. I think he died. He died. 463 00:25:00,119 --> 00:25:02,040 Speaker 1: They probably would have, I bet you over time. I 464 00:25:02,080 --> 00:25:07,360 Speaker 1: think so too. Mike, is Johnny Cash remember the operating 465 00:25:07,359 --> 00:25:10,040 Speaker 1: he is? Yeah, So they didn't kick him out, he 466 00:25:10,119 --> 00:25:14,320 Speaker 1: was just banned. He was, yeah, remember, but sorry, buddy, 467 00:25:14,480 --> 00:25:16,920 Speaker 1: you have the jacket, but you can't come back. All right, 468 00:25:16,920 --> 00:25:19,080 Speaker 1: thank you guys coming up in a stacle. I like 469 00:25:19,080 --> 00:25:21,159 Speaker 1: the Matt Jones love this guy, A big fan of 470 00:25:21,200 --> 00:25:31,120 Speaker 1: his work. And we'll get into quarantine music. So what's happening, man? 471 00:25:31,800 --> 00:25:33,959 Speaker 1: What is going on? Okay? So on with us right now? 472 00:25:34,119 --> 00:25:37,600 Speaker 1: Is Matt Jones from Kentucky Sports Radio, which there is 473 00:25:37,640 --> 00:25:41,240 Speaker 1: no sports to talk about. So what do you talk about? Well, 474 00:25:41,760 --> 00:25:45,159 Speaker 1: we're only a sports show sort of tangentially. We actually 475 00:25:45,200 --> 00:25:47,200 Speaker 1: spend most of the time just talking kind of about 476 00:25:47,240 --> 00:25:50,760 Speaker 1: my life and what's going on. So for me, it's 477 00:25:50,800 --> 00:25:53,679 Speaker 1: the ability did not have to talk about distraction of 478 00:25:53,720 --> 00:25:57,240 Speaker 1: sports very much, is to just be completely self centered 479 00:25:57,280 --> 00:25:59,439 Speaker 1: and just talk about whatever is on my mind that day. 480 00:25:59,520 --> 00:26:01,359 Speaker 1: So I'm actual we kind of looking forward to So 481 00:26:01,480 --> 00:26:05,080 Speaker 1: have you started doing the show in Corona days yet? 482 00:26:05,800 --> 00:26:09,600 Speaker 1: And well, I mean we we We've done you know, 483 00:26:09,640 --> 00:26:12,280 Speaker 1: we've done a lot of Corona stuff, but I have not. 484 00:26:12,640 --> 00:26:14,720 Speaker 1: I've left my house. I'm still going to the the studio, 485 00:26:14,760 --> 00:26:16,639 Speaker 1: although tomorrow might be the last day I do that. 486 00:26:16,800 --> 00:26:18,639 Speaker 1: I feel like now I might as well just do 487 00:26:18,720 --> 00:26:21,879 Speaker 1: it at the house. But I'm gonna be really bored. 488 00:26:21,960 --> 00:26:24,840 Speaker 1: It's not so much the sport. That's like not going anywhere, 489 00:26:24,840 --> 00:26:28,000 Speaker 1: and that's probably gonna be really exhausting after a while. 490 00:26:28,200 --> 00:26:30,399 Speaker 1: I feel like tomorrow will be my last day in 491 00:26:30,440 --> 00:26:31,960 Speaker 1: the studio as well. We were just talking about that. 492 00:26:32,000 --> 00:26:35,359 Speaker 1: By the way, Eddie, my producer from the radio show 493 00:26:35,400 --> 00:26:37,399 Speaker 1: and my comedy part in the in the Raging Idiots, 494 00:26:37,480 --> 00:26:39,160 Speaker 1: is here too, So Eddie tide of Matt. What's up, Matt? 495 00:26:39,160 --> 00:26:41,719 Speaker 1: How you doing, man? I'm doing great? How are you 496 00:26:42,280 --> 00:26:44,440 Speaker 1: what if his answer was totally different when you asked him, well, yeah, 497 00:26:44,600 --> 00:26:46,879 Speaker 1: he's told you one thing. It's like, I'm glad you have. 498 00:26:47,160 --> 00:26:48,960 Speaker 1: He just seemed I'm gonna be honest with He just 499 00:26:49,000 --> 00:26:51,680 Speaker 1: seemed more excited to talk to me. Like when you answered, 500 00:26:51,720 --> 00:26:53,920 Speaker 1: it kind of felt like you're like, yeah, whatever, it's Matt. 501 00:26:54,280 --> 00:26:56,399 Speaker 1: He seemed very eager, and so I wanted to be 502 00:26:56,440 --> 00:26:58,720 Speaker 1: happy for it. So with Matt. In a few minutes, 503 00:26:58,760 --> 00:27:01,359 Speaker 1: we're gonna do his five quarantine in songs. But Matt 504 00:27:01,359 --> 00:27:02,880 Speaker 1: and I went to dinner. And I've been a big 505 00:27:02,880 --> 00:27:05,600 Speaker 1: fan of Mat for a while and so much so 506 00:27:05,680 --> 00:27:07,240 Speaker 1: it's like you know somebody on the internet for a 507 00:27:07,280 --> 00:27:09,480 Speaker 1: long time, and you know you're you're nervous before the 508 00:27:09,520 --> 00:27:11,840 Speaker 1: first date, and it's like we both swiped R eight 509 00:27:12,040 --> 00:27:15,280 Speaker 1: and you know we're finally meeting, and so we go 510 00:27:15,400 --> 00:27:18,640 Speaker 1: we have dinner together. And I get to dinner and 511 00:27:19,359 --> 00:27:22,159 Speaker 1: I arrived probably seven or eight minutes early. You know me, 512 00:27:22,200 --> 00:27:24,520 Speaker 1: I'm always a little bit early, never late, always a 513 00:27:24,520 --> 00:27:26,400 Speaker 1: little early. And I get there and Matt is knuckles 514 00:27:26,440 --> 00:27:29,800 Speaker 1: deep and like his second entree, he's already started eating 515 00:27:30,119 --> 00:27:32,480 Speaker 1: at the restaurant when Caitlin and I are going he's 516 00:27:33,040 --> 00:27:36,520 Speaker 1: this bowl of edam mommy dumplings has gone, and I'm like, 517 00:27:36,840 --> 00:27:38,320 Speaker 1: what's up man? He's like, Man, I've been here for 518 00:27:38,320 --> 00:27:40,280 Speaker 1: like forty minutes. Just thought I would get started, like 519 00:27:40,720 --> 00:27:45,320 Speaker 1: a little bit off putting. Here's the thing you're talking about, 520 00:27:45,320 --> 00:27:48,600 Speaker 1: being nervous. Very rarely do people in the first meeting 521 00:27:49,200 --> 00:27:51,919 Speaker 1: one person brings a date and the other persons just 522 00:27:52,040 --> 00:27:55,760 Speaker 1: left solo. So I already felt sort of third wheel ish. 523 00:27:55,920 --> 00:27:59,280 Speaker 1: And then you know, I thought Nashville would be like 524 00:27:59,359 --> 00:28:01,720 Speaker 1: crazy try because you know, we're not from the big 525 00:28:01,760 --> 00:28:04,119 Speaker 1: city like you all, and so I thought, oh, I 526 00:28:04,240 --> 00:28:06,480 Speaker 1: better like make sure I give time for traffic. And 527 00:28:06,480 --> 00:28:08,800 Speaker 1: then of course no one was out because of Corona. 528 00:28:09,280 --> 00:28:12,080 Speaker 1: So when I so, I ended up arriving early and 529 00:28:12,119 --> 00:28:14,520 Speaker 1: then I'm just sitting there in this restaurant and all 530 00:28:14,520 --> 00:28:17,240 Speaker 1: the little foo foo like waiters and like everybody like, 531 00:28:17,280 --> 00:28:19,440 Speaker 1: you know, everybody's so hip, and they all have type 532 00:28:19,520 --> 00:28:22,480 Speaker 1: jeans and everybody looks kipster and I was, and you know, 533 00:28:22,640 --> 00:28:25,800 Speaker 1: I felt uncomfortable in my UK hoodie, and so I 534 00:28:25,840 --> 00:28:27,560 Speaker 1: think they had to look like, Okay, dude, are you 535 00:28:27,600 --> 00:28:29,760 Speaker 1: gonna order something? You just gonna sit here and stare 536 00:28:29,800 --> 00:28:31,840 Speaker 1: at it. And so I felt like an ed a 537 00:28:31,920 --> 00:28:35,000 Speaker 1: mom made dumpling was a good like starter course. But yeah, 538 00:28:35,040 --> 00:28:38,680 Speaker 1: you clearly we're very like, why are you eating? I 539 00:28:38,800 --> 00:28:43,560 Speaker 1: was shaken. It's our first date and you're eating. You 540 00:28:43,680 --> 00:28:46,880 Speaker 1: probably already partially full, So the butterflies are gone. We 541 00:28:46,920 --> 00:28:49,440 Speaker 1: needed to be an equal butterfly for this. And by 542 00:28:49,440 --> 00:28:51,720 Speaker 1: the way, I didn't have a date. My girlfriend and 543 00:28:51,720 --> 00:28:54,280 Speaker 1: I are quarantined together, and I was like, hey, I'm 544 00:28:54,280 --> 00:28:57,080 Speaker 1: gonna go. And she's a massive sports fan and I 545 00:28:57,160 --> 00:28:59,360 Speaker 1: was like, Hey, I'm gonna go and meet this guy 546 00:28:59,400 --> 00:29:01,160 Speaker 1: that I've been dating on internet for the past few months. 547 00:29:01,560 --> 00:29:03,640 Speaker 1: And I was like, he's cool. We won't care. So 548 00:29:03,880 --> 00:29:05,360 Speaker 1: I didn't see it as the third will. I saw 549 00:29:05,400 --> 00:29:09,360 Speaker 1: it as just like three. She was. She was delightful, 550 00:29:09,520 --> 00:29:13,280 Speaker 1: She's awesome. You you know, I don't you should like 551 00:29:13,840 --> 00:29:16,120 Speaker 1: make her a bigger part of your life because I 552 00:29:16,240 --> 00:29:19,560 Speaker 1: enjoy I enjoyed her. She was funny, she rolls her 553 00:29:19,560 --> 00:29:21,360 Speaker 1: eyes at what you do, which I think is what 554 00:29:21,480 --> 00:29:24,560 Speaker 1: somebody like you and I need. So I thought she 555 00:29:24,640 --> 00:29:26,880 Speaker 1: was great and I enjoyed it. Listen, I was worried 556 00:29:26,880 --> 00:29:29,960 Speaker 1: about this like you're the big star. You're on Dancing 557 00:29:30,040 --> 00:29:33,000 Speaker 1: with the Stars and American Idol. I did the Lexington 558 00:29:33,120 --> 00:29:35,920 Speaker 1: Dancing with the Stars and came in thirds, not quite 559 00:29:35,920 --> 00:29:38,480 Speaker 1: the same as winning the national and and then you're 560 00:29:38,480 --> 00:29:41,840 Speaker 1: on American Idol. I I do karaoke at the local bar. 561 00:29:41,960 --> 00:29:44,600 Speaker 1: So I was kind of felt a little intimidated. But 562 00:29:44,720 --> 00:29:46,960 Speaker 1: for people who listen to this and go, oh, is 563 00:29:47,040 --> 00:29:49,960 Speaker 1: Bobby as nice as he seems here, I want to say, yes, 564 00:29:50,000 --> 00:29:53,240 Speaker 1: he is. He has he is exactly like you think. 565 00:29:53,280 --> 00:29:56,200 Speaker 1: The hair is just as like, you know, has as 566 00:29:56,320 --> 00:29:58,760 Speaker 1: much product as you would think, and he's as nice 567 00:29:58,760 --> 00:30:01,240 Speaker 1: as you would say, well, and also that's very kind 568 00:30:01,280 --> 00:30:03,360 Speaker 1: of you. And he was talking about wearing a Kentucky hoodie. 569 00:30:03,440 --> 00:30:06,160 Speaker 1: I show up an oversized sweats and a T shirt 570 00:30:06,200 --> 00:30:08,280 Speaker 1: that's too long for me. Like I'm like Sam Hunt 571 00:30:08,280 --> 00:30:10,720 Speaker 1: meets christmop Patrick from the nineties, and you look like 572 00:30:10,720 --> 00:30:12,360 Speaker 1: you were about to paint a house. Yeah, I mean 573 00:30:12,400 --> 00:30:15,520 Speaker 1: if you were wearing all like so, let's not. And 574 00:30:15,560 --> 00:30:17,320 Speaker 1: it wasn't a fruit fruit place. It was a place 575 00:30:17,320 --> 00:30:20,719 Speaker 1: where you go for healthy food, which fine line, right, 576 00:30:20,800 --> 00:30:24,840 Speaker 1: there's a fine line there. But in Kentucky, seeing Kentucky 577 00:30:24,880 --> 00:30:27,440 Speaker 1: we don't have those in Kentucky. We don't have like 578 00:30:27,440 --> 00:30:29,640 Speaker 1: like when I looked at the menu, they were it 579 00:30:29,760 --> 00:30:33,080 Speaker 1: was all words I knew, but that were rarely combined 580 00:30:33,560 --> 00:30:36,760 Speaker 1: like eda mom a I knew, dumplings I knew, but 581 00:30:36,800 --> 00:30:39,120 Speaker 1: I didn't know that they put those two things together 582 00:30:39,320 --> 00:30:41,040 Speaker 1: for an ad a mom a dumpling. So it was 583 00:30:41,080 --> 00:30:43,760 Speaker 1: one of those places where everything is like you can 584 00:30:43,840 --> 00:30:45,760 Speaker 1: have this here and they don't have anywhere else. It's 585 00:30:45,760 --> 00:30:48,360 Speaker 1: a very natural thing. But I enjoyed it. This food 586 00:30:48,440 --> 00:30:51,600 Speaker 1: was great and it smelled healthy, like it smelled fresh, 587 00:30:51,960 --> 00:30:55,920 Speaker 1: and every drink Bobby got had like thirteen different proteins 588 00:30:56,000 --> 00:31:00,240 Speaker 1: in it. It was very nice. So we were talking 589 00:31:00,240 --> 00:31:03,000 Speaker 1: about music a bet and in Kentucky, Eddie, if I 590 00:31:03,040 --> 00:31:05,320 Speaker 1: say Kentucky country music, who comes to mind right now? 591 00:31:06,320 --> 00:31:08,560 Speaker 1: I mean just Blake because of his line in Kentucky, 592 00:31:08,640 --> 00:31:13,520 Speaker 1: But Kentucky music, I would go John Michael Montgomery. I 593 00:31:13,600 --> 00:31:17,000 Speaker 1: like that. Listen, that's a good call. John Michael Montgomery 594 00:31:17,080 --> 00:31:20,440 Speaker 1: is a great dude. And uh it's from Nicholasville. You know, 595 00:31:20,560 --> 00:31:25,240 Speaker 1: Kentucky has produced an unbelievable amount of country singers and 596 00:31:25,720 --> 00:31:28,560 Speaker 1: in the current world, we're kind of dominating. What I 597 00:31:28,560 --> 00:31:30,760 Speaker 1: think is the sort of new wave of country that 598 00:31:30,880 --> 00:31:36,000 Speaker 1: Chris Stapleton, Thurgle Simpson, Tyler Childer's branch. So Kentucky has 599 00:31:36,040 --> 00:31:38,880 Speaker 1: got a long history and most of the Kentucky country 600 00:31:38,880 --> 00:31:41,600 Speaker 1: singers have come from like a forty mile radius in 601 00:31:41,640 --> 00:31:44,880 Speaker 1: the mountain. What do you think that's about? You know, 602 00:31:44,920 --> 00:31:47,280 Speaker 1: it's a good question. I think a lot of it 603 00:31:47,360 --> 00:31:49,840 Speaker 1: is the culture in those places like this is a 604 00:31:50,160 --> 00:31:53,160 Speaker 1: it's kind of where a lot of modern bluegrass, well 605 00:31:53,160 --> 00:31:57,520 Speaker 1: older bluegrass music started. And then you know these generations 606 00:31:57,520 --> 00:32:00,240 Speaker 1: of singers, so it's in the Paintsful Johnson County, Eastern 607 00:32:00,320 --> 00:32:03,480 Speaker 1: Kentucky area, So you had this generation going back of 608 00:32:03,600 --> 00:32:07,040 Speaker 1: like started with Tom t. Hall, and then another generation 609 00:32:07,080 --> 00:32:11,200 Speaker 1: that had like Patty Loveless and Dwight Yoakum, and then 610 00:32:11,240 --> 00:32:14,520 Speaker 1: another generation that was like the Juds and and and 611 00:32:14,520 --> 00:32:16,920 Speaker 1: and all this group and now this new one. And 612 00:32:17,000 --> 00:32:19,320 Speaker 1: I think it's just, you know, there's a culture. Their 613 00:32:19,440 --> 00:32:23,040 Speaker 1: kids grow up playing music at an early age, playing 614 00:32:23,040 --> 00:32:26,840 Speaker 1: a very distinctive type of music. There's a university there 615 00:32:26,880 --> 00:32:31,480 Speaker 1: Morehead State that has an entire college devoted to traditional 616 00:32:31,720 --> 00:32:34,400 Speaker 1: Mountain music. And I think it just it just ends up, 617 00:32:34,440 --> 00:32:38,200 Speaker 1: spurring it from the area. Now, do you know Tyler 618 00:32:38,280 --> 00:32:40,880 Speaker 1: Childers a bit? Is that true? Yeah? I mean I 619 00:32:40,920 --> 00:32:43,400 Speaker 1: know him. Listen, I'm not. It's not like you like. 620 00:32:43,520 --> 00:32:45,480 Speaker 1: I don't. They don't. I don't hang and we don't 621 00:32:45,520 --> 00:32:49,560 Speaker 1: like send each other like uh sweet social media messages. 622 00:32:49,680 --> 00:32:52,000 Speaker 1: We don't have to roast every question by the way 623 00:32:52,000 --> 00:32:56,040 Speaker 1: we can though. I know him a little bit and 624 00:32:56,040 --> 00:32:59,400 Speaker 1: he's a great dude. And his music, I mean, it's weird. 625 00:32:59,520 --> 00:33:02,160 Speaker 1: I've got to the age where I now will say 626 00:33:02,160 --> 00:33:05,280 Speaker 1: that people younger than me are like my favorite artists, 627 00:33:05,320 --> 00:33:07,479 Speaker 1: which is really strange. I don't know if that happens 628 00:33:07,480 --> 00:33:09,800 Speaker 1: with you guys, but it's weird to say, like, your 629 00:33:09,840 --> 00:33:14,880 Speaker 1: favorite artist or comedian or whatever author is younger than you. 630 00:33:15,160 --> 00:33:17,560 Speaker 1: He's younger than me, but he is my favorite musical 631 00:33:17,640 --> 00:33:20,320 Speaker 1: artist and it's not even close. I think he's absolutely 632 00:33:20,480 --> 00:33:22,760 Speaker 1: off the chart talented, and yeah, I do know him. 633 00:33:22,800 --> 00:33:25,520 Speaker 1: He's a really good guy. It is weird when I 634 00:33:25,680 --> 00:33:30,280 Speaker 1: enjoy something like a Harry Styles record, because I'm thirty 635 00:33:30,360 --> 00:33:32,440 Speaker 1: nine and I really like the Harry Styles record, and 636 00:33:32,480 --> 00:33:34,360 Speaker 1: I have to always preface it by going, so my 637 00:33:34,400 --> 00:33:36,920 Speaker 1: girlfriends listening to Harry Styles right, and I like it, 638 00:33:37,240 --> 00:33:39,920 Speaker 1: but it's the same thing like I do. It is 639 00:33:39,960 --> 00:33:44,280 Speaker 1: an odd thing to really enjoy music made by someone 640 00:33:44,320 --> 00:33:46,000 Speaker 1: ten years younger than you, even some of the Billie 641 00:33:46,040 --> 00:33:49,440 Speaker 1: Eilish stuff. Yeah. I think it's because like when you 642 00:33:49,520 --> 00:33:53,240 Speaker 1: really like when you like a singer beyond just like 643 00:33:53,320 --> 00:33:56,040 Speaker 1: liking the beat or whatever, when you really like the 644 00:33:56,160 --> 00:33:58,840 Speaker 1: lyrics of what they're saying, there's a part of that 645 00:33:58,840 --> 00:34:01,960 Speaker 1: where you're almost saying, this person makes me think or 646 00:34:02,000 --> 00:34:04,680 Speaker 1: they're deep or whatever. And it's weird to think that 647 00:34:04,800 --> 00:34:06,960 Speaker 1: about somebody younger than you. You're like, how can you 648 00:34:07,000 --> 00:34:10,200 Speaker 1: have this life experience that seems so much more thoughtful 649 00:34:10,239 --> 00:34:12,399 Speaker 1: than mine? I mean, the older you get, like that's 650 00:34:12,400 --> 00:34:14,880 Speaker 1: gonna happen more and more and more. But for Tyler, 651 00:34:15,000 --> 00:34:17,399 Speaker 1: he's he is you know, I grew up. I love 652 00:34:17,480 --> 00:34:21,080 Speaker 1: Johnny Cash, Willie Nelson, whyl and Jenny like that kind 653 00:34:21,080 --> 00:34:23,560 Speaker 1: of group of music. And it's weird to sort of 654 00:34:23,560 --> 00:34:27,239 Speaker 1: feel that like same connection with somebody that's, you know, 655 00:34:27,520 --> 00:34:30,000 Speaker 1: younger than you, but I have with with his music, 656 00:34:30,000 --> 00:34:32,800 Speaker 1: and I think it's just it's it's awesome. Who is 657 00:34:32,840 --> 00:34:36,840 Speaker 1: your favorite artist? Pre Tyler? And I'll give you a 658 00:34:36,880 --> 00:34:39,520 Speaker 1: second to think about that. Mine has been John Mayer 659 00:34:39,680 --> 00:34:42,720 Speaker 1: and Garth Brooks. Garth because I grew up in that 660 00:34:42,719 --> 00:34:45,520 Speaker 1: that space of time was that was big in Arkansas. 661 00:34:45,640 --> 00:34:47,000 Speaker 1: That's what I think about when it was like pre 662 00:34:47,200 --> 00:34:49,719 Speaker 1: grunge when I first started the film music. But John 663 00:34:49,719 --> 00:34:51,640 Speaker 1: Mayor was the first because he's him and I roughly 664 00:34:51,640 --> 00:34:53,680 Speaker 1: the same age, and he was the first songwriter that 665 00:34:53,760 --> 00:34:55,960 Speaker 1: ever wrote lyrics where I felt like I felt that, 666 00:34:56,000 --> 00:34:57,279 Speaker 1: I felt that, I felt like I get that. I 667 00:34:57,320 --> 00:35:00,399 Speaker 1: get that. So John Mayor and Garth Brooks be mine. 668 00:35:00,400 --> 00:35:04,200 Speaker 1: What about you, Matt, I'd probably say Johnny Cash and 669 00:35:04,280 --> 00:35:08,600 Speaker 1: Tom Petty. Um, I really, Tom Petty was the first 670 00:35:08,719 --> 00:35:11,880 Speaker 1: music that like I connected to at all when I 671 00:35:11,920 --> 00:35:13,520 Speaker 1: was in high school. You know, he put that song 672 00:35:13,520 --> 00:35:15,400 Speaker 1: out when I was in high school. You don't know 673 00:35:15,440 --> 00:35:17,439 Speaker 1: how it feels to be Me, which is a great 674 00:35:17,440 --> 00:35:19,960 Speaker 1: song because everybody can think it applies to them like 675 00:35:20,120 --> 00:35:25,040 Speaker 1: every moment. You don't know how it feels to be me? Um. 676 00:35:25,160 --> 00:35:28,719 Speaker 1: But uh, and then Johnny Cash, to me is the 677 00:35:28,760 --> 00:35:32,440 Speaker 1: best musician of all time in modern music. I just 678 00:35:32,520 --> 00:35:35,040 Speaker 1: I love everything he did. I love how versatile he was. 679 00:35:35,120 --> 00:35:37,680 Speaker 1: He was a rebel. But then also dudes like gospel music. 680 00:35:37,719 --> 00:35:40,800 Speaker 1: He just did everything. And I am a a massive 681 00:35:40,880 --> 00:35:42,880 Speaker 1: Johnny Cash thing. So what I hear about you is 682 00:35:42,920 --> 00:35:47,120 Speaker 1: you love Arkansas music. Oh, listen, I love Arkansas. You know. 683 00:35:47,640 --> 00:35:50,480 Speaker 1: One of my favorite songs right now is by a 684 00:35:50,520 --> 00:35:53,239 Speaker 1: blue grass group called Town Mountain, and they have a 685 00:35:53,280 --> 00:35:56,279 Speaker 1: song called Arkansas Gambler, which I was gonna put on 686 00:35:56,360 --> 00:36:00,000 Speaker 1: my list just because of your Arkansas connection, and I didn't. 687 00:36:00,080 --> 00:36:02,880 Speaker 1: They're not from Kentucky and everybody on my list from Kentucky. 688 00:36:02,920 --> 00:36:07,000 Speaker 1: But yeah, no, I listen. I I don't really like 689 00:36:07,080 --> 00:36:09,719 Speaker 1: that you all do the pick Suey chance. But otherwise 690 00:36:09,719 --> 00:36:12,440 Speaker 1: I'm a big Arkansas fan. We Arkansas and Kentucky have 691 00:36:12,440 --> 00:36:18,640 Speaker 1: a lot of socioeconomically, yes, culturally yes, um, I would 692 00:36:18,640 --> 00:36:21,600 Speaker 1: say that we're a bet ahead in sports other than basketball. 693 00:36:22,760 --> 00:36:24,960 Speaker 1: Oh come on now, I mean you're not being like 694 00:36:25,160 --> 00:36:27,880 Speaker 1: first of all, no, no, let me talk for a second. 695 00:36:28,320 --> 00:36:31,799 Speaker 1: Except for basketball. We've had a few bad years two 696 00:36:31,960 --> 00:36:34,520 Speaker 1: and seventy five in the last few years, but you 697 00:36:34,560 --> 00:36:38,120 Speaker 1: can't look at the last few years as a macro 698 00:36:38,360 --> 00:36:40,759 Speaker 1: view of what the program means. Our program is worth 699 00:36:40,800 --> 00:36:43,520 Speaker 1: a lot more than yours. We've actually won in the SEC. 700 00:36:43,920 --> 00:36:46,680 Speaker 1: We have baseball teams that play for national championships. We 701 00:36:46,719 --> 00:36:49,080 Speaker 1: have track teams that win. Nahally we have everything except 702 00:36:49,280 --> 00:36:52,800 Speaker 1: right now. Basketball, you have everything except the two sports 703 00:36:52,840 --> 00:36:55,640 Speaker 1: people care about right like so like, I mean, listen, 704 00:36:55,680 --> 00:36:58,279 Speaker 1: I will grant you your Croka team as much better. 705 00:36:58,280 --> 00:37:00,560 Speaker 1: You have nothing in football. You won like four games. 706 00:37:00,640 --> 00:37:03,759 Speaker 1: You think you're king dealing in You know, we beat 707 00:37:03,800 --> 00:37:06,840 Speaker 1: a lot you. Yeah, it was like to the puff 708 00:37:06,880 --> 00:37:09,759 Speaker 1: powders and battling it out. We've actually beat you the 709 00:37:09,840 --> 00:37:12,480 Speaker 1: last three times we played you. Once was should we 710 00:37:12,480 --> 00:37:17,200 Speaker 1: look at look at all time record Kentucky and Arkansas 711 00:37:16,200 --> 00:37:22,040 Speaker 1: would be I don't live in the past. I mean listen, 712 00:37:22,120 --> 00:37:25,000 Speaker 1: William Howard tapped was president once. I don't really deal 713 00:37:25,040 --> 00:37:27,600 Speaker 1: with that on a daily basis. I talked about what's 714 00:37:27,640 --> 00:37:31,359 Speaker 1: happening now, and what's happening now is Arkansas. Of all 715 00:37:31,400 --> 00:37:34,360 Speaker 1: the teams in the SEC, you're the one we're second 716 00:37:34,480 --> 00:37:38,920 Speaker 1: least proud of. We are having a rough time right now. 717 00:37:39,040 --> 00:37:41,960 Speaker 1: Sometimes in life, you have a down. You've never had 718 00:37:41,960 --> 00:37:43,880 Speaker 1: a down, Matt in your life. It's all been all 719 00:37:43,960 --> 00:37:46,239 Speaker 1: up for you. Yeah yeah, but then you bounce back 720 00:37:46,280 --> 00:37:48,200 Speaker 1: better than before. Because I think right now you're thriving, 721 00:37:48,200 --> 00:37:50,560 Speaker 1: and that's what Arkansas is about to be. Yes, no, 722 00:37:50,719 --> 00:37:53,880 Speaker 1: we we we are. And listen, we both have produced presidents. 723 00:37:53,960 --> 00:37:57,440 Speaker 1: You produced Clinton, we produced Oh, I don't know Abraham Lincoln. 724 00:37:57,480 --> 00:38:01,080 Speaker 1: So we all have our We're gonna we're definitely not 725 00:38:01,080 --> 00:38:03,839 Speaker 1: gonna live in the past. No, No, you can't make 726 00:38:03,880 --> 00:38:07,719 Speaker 1: a task and then go link in right after that. 727 00:38:08,080 --> 00:38:10,680 Speaker 1: At least got a space that out a little bit. Mike, 728 00:38:10,719 --> 00:38:14,040 Speaker 1: do you have overall record? There? Not an updated one. 729 00:38:14,040 --> 00:38:15,600 Speaker 1: I don't think he knows what to look at. Matt 730 00:38:15,600 --> 00:38:18,080 Speaker 1: doesn't know anything I met. Mike does anything about sports. 731 00:38:18,880 --> 00:38:21,040 Speaker 1: Give my lifetime. I'm not I'm not even kidding. I 732 00:38:21,120 --> 00:38:23,680 Speaker 1: think in my lifetime we're either three and oh or 733 00:38:23,800 --> 00:38:25,680 Speaker 1: three and one against you. I'm not sure. But we 734 00:38:25,719 --> 00:38:28,080 Speaker 1: do have a winning record. Put it in basketball, like, 735 00:38:28,200 --> 00:38:31,080 Speaker 1: come on, you all haven't beating us. You're beating us once. 736 00:38:31,160 --> 00:38:35,160 Speaker 1: I think in like years, I'm not arguing about basketball. Yeah, 737 00:38:35,239 --> 00:38:38,960 Speaker 1: there's nothing there. Okay, what we're doing now, off, I'll 738 00:38:39,000 --> 00:38:42,120 Speaker 1: produce this information. What we're doing now is Matt has 739 00:38:42,160 --> 00:38:46,080 Speaker 1: given us five songs that he's quarantining himself up with. 740 00:38:46,560 --> 00:38:48,960 Speaker 1: Make a big playlist out of this and so he's 741 00:38:49,000 --> 00:38:50,759 Speaker 1: the first one to pop his five songs on the 742 00:38:50,800 --> 00:38:53,840 Speaker 1: list What is your first quarantine song for the playlist? 743 00:38:53,920 --> 00:38:57,520 Speaker 1: Matt Well, First of all, I picked all Kentucky artists. 744 00:38:57,600 --> 00:38:59,279 Speaker 1: I mean these I'm not gonna say these are my 745 00:38:59,360 --> 00:39:01,319 Speaker 1: five favorite artists of all time. But if I'm gonna 746 00:39:01,360 --> 00:39:05,200 Speaker 1: being quarantined in Kentucky, I'm gonna represent Kentucky. The first 747 00:39:05,200 --> 00:39:09,640 Speaker 1: one I picked was Dwight Yoakum Guitars, cadillacs and He'll 748 00:39:09,680 --> 00:39:12,759 Speaker 1: billy music. Here you go. And the reason I picked 749 00:39:12,840 --> 00:39:17,080 Speaker 1: Dwight is Dwight, to me has the most unique next 750 00:39:17,080 --> 00:39:21,200 Speaker 1: to George Jones, the most unique country voice of all time. 751 00:39:21,600 --> 00:39:24,000 Speaker 1: He's from the Hills and he sounds like it and 752 00:39:24,080 --> 00:39:26,560 Speaker 1: I'm a massive fan. And this, to me is sort 753 00:39:26,600 --> 00:39:29,560 Speaker 1: of his best song, because what else do you want? Guitars, 754 00:39:29,640 --> 00:39:31,640 Speaker 1: cadillacs and he'll billy music, all right, turn it out? 755 00:39:31,640 --> 00:39:36,919 Speaker 1: Who litle bit, here we go. You know what's weird 756 00:39:37,040 --> 00:39:39,120 Speaker 1: is and you can knock that down is I've I 757 00:39:39,560 --> 00:39:41,920 Speaker 1: think of him as being from California. Yeah, I'm not Kentucky. 758 00:39:42,440 --> 00:39:45,880 Speaker 1: Same here, So I mean you still think that he 759 00:39:46,040 --> 00:39:50,160 Speaker 1: ran I'm just saying when he still lives in California, right. 760 00:39:50,160 --> 00:39:52,560 Speaker 1: I saw him about eight months ago and he was 761 00:39:52,680 --> 00:39:55,040 Speaker 1: living in California. No, No, And he does the whole 762 00:39:55,120 --> 00:39:58,400 Speaker 1: Bakersfield thing. And I think you could say in some 763 00:39:58,520 --> 00:40:02,200 Speaker 1: ways his musical style is probably more influenced by that. 764 00:40:02,560 --> 00:40:05,760 Speaker 1: But if you listen to his lyrics, especially his early lyrics, 765 00:40:06,160 --> 00:40:09,160 Speaker 1: they're all Kentucky centric. He sings a lot about Cole, 766 00:40:09,560 --> 00:40:13,400 Speaker 1: he sings a lot about mountain life, and so he 767 00:40:13,560 --> 00:40:16,160 Speaker 1: I mean, he I think would consider himself as much, 768 00:40:16,200 --> 00:40:19,440 Speaker 1: if not more so, California. But his lyrics, especially in 769 00:40:19,520 --> 00:40:23,080 Speaker 1: the era that I really like, we're very much Kentucky centric. 770 00:40:23,320 --> 00:40:25,040 Speaker 1: And I don't want my friends from Kentucky thinking of 771 00:40:25,080 --> 00:40:27,799 Speaker 1: bagging on them. I'm just going after Matt because he goes, 772 00:40:28,080 --> 00:40:31,920 Speaker 1: you can't use Taft and then he uses Lincoln. That's 773 00:40:31,960 --> 00:40:34,919 Speaker 1: the only unfair part of the argument. To be fair, 774 00:40:35,000 --> 00:40:37,200 Speaker 1: Lincoln is a pretty good card to play. I mean, 775 00:40:37,360 --> 00:40:40,520 Speaker 1: Lincoln is, you know, the best president. Everyone agrees Lincoln 776 00:40:40,560 --> 00:40:42,680 Speaker 1: is the best president, except Trump, who tries to say 777 00:40:42,840 --> 00:40:46,719 Speaker 1: argue he is. But Lincoln is is pretty much university. 778 00:40:47,800 --> 00:40:51,520 Speaker 1: I agree. I love Abraham Lincoln. Controversial take. I love 779 00:40:51,560 --> 00:40:56,600 Speaker 1: Abam I was about to say, he's pro Abraham. Here's 780 00:40:56,640 --> 00:40:58,680 Speaker 1: the other thing. Did you know this, he's pro Martin 781 00:40:58,760 --> 00:41:04,680 Speaker 1: Luther King to absolutely listen. If we're really stretching it, 782 00:41:04,680 --> 00:41:07,000 Speaker 1: I'm gonna say this. You know who's cool? The Pope? 783 00:41:09,040 --> 00:41:12,480 Speaker 1: Yeah listen. And you know who I'd like to hang with, Jesus? Yeah, 784 00:41:12,840 --> 00:41:16,719 Speaker 1: way back? All right? What's your second song on your list? So? 785 00:41:17,480 --> 00:41:21,000 Speaker 1: I was I you I wanted to have a female artist. 786 00:41:21,200 --> 00:41:25,640 Speaker 1: I'm growing up. I'm actually grew up loving the Judge. 787 00:41:26,080 --> 00:41:27,640 Speaker 1: And then I thought about it, and I want to 788 00:41:27,760 --> 00:41:30,240 Speaker 1: though I don't Judd sing a lot of sad songs. 789 00:41:30,560 --> 00:41:33,120 Speaker 1: So I picked whine Nona or Is. My grandma used 790 00:41:33,160 --> 00:41:37,200 Speaker 1: to call her whine owner. Whine Owner Judge song girls 791 00:41:37,280 --> 00:41:40,160 Speaker 1: with guitars, which has a great So if I'm sad 792 00:41:40,239 --> 00:41:43,160 Speaker 1: while i'm quarantine, I can play this riff and I'm happy. 793 00:41:47,200 --> 00:41:51,000 Speaker 1: Do you play guitar? Not at all? No, But it 794 00:41:51,120 --> 00:41:53,680 Speaker 1: also has been skill on it. A good Nashville person 795 00:41:53,760 --> 00:41:56,520 Speaker 1: there too. He's the one singing the male part of that. Alright, 796 00:41:56,560 --> 00:42:02,880 Speaker 1: turn this up, Mike, all right, what else you got me? So? 797 00:42:03,320 --> 00:42:05,440 Speaker 1: My next one is one that probably a lot of 798 00:42:05,480 --> 00:42:08,480 Speaker 1: your listeners aren't familiar with. Don't insult my listeners by 799 00:42:08,520 --> 00:42:11,640 Speaker 1: the way, maybe they are. But Tom T. Hall. So 800 00:42:12,160 --> 00:42:15,400 Speaker 1: my uncle was a book editor and he edited Tom T. 801 00:42:15,560 --> 00:42:17,759 Speaker 1: Hall's book, and so as a kid, I would see 802 00:42:17,840 --> 00:42:19,719 Speaker 1: Tom T. Hall. He he was friends with my uncle, 803 00:42:19,800 --> 00:42:22,279 Speaker 1: and I didn't realize that he was like a songwriting lets. 804 00:42:22,560 --> 00:42:25,480 Speaker 1: He just went to the Songwriters Hall of Fame with Missy, Missdemeanor, 805 00:42:25,520 --> 00:42:29,080 Speaker 1: Elliott and John Pryme this year. But he has written, 806 00:42:29,160 --> 00:42:33,600 Speaker 1: as you know, a zillion songs, including ones that people 807 00:42:33,640 --> 00:42:35,840 Speaker 1: don't even know he wrote, like Harper Valley p p A. 808 00:42:36,600 --> 00:42:38,759 Speaker 1: But my favorite of them, and I picked this one 809 00:42:38,800 --> 00:42:42,520 Speaker 1: in part because you're Arkansas and Razorbacks is Who's Gonna 810 00:42:42,640 --> 00:42:45,040 Speaker 1: Feed Them Hall, which is about a man in a 811 00:42:45,160 --> 00:42:47,600 Speaker 1: hospital bed so he can't get out, and all he 812 00:42:47,680 --> 00:42:50,200 Speaker 1: cares about is who's gonna feed his Hall? Here, I 813 00:42:50,320 --> 00:42:56,919 Speaker 1: am Who's gonna feed them home? His face was lean 814 00:42:57,280 --> 00:43:02,040 Speaker 1: and his hands were rug his way. I don't know 815 00:43:02,080 --> 00:43:04,400 Speaker 1: I've ever heard that dig it Yeah, And you know 816 00:43:04,480 --> 00:43:10,279 Speaker 1: it sounds like feed Jake is derivative of feed them hogsty. 817 00:43:10,640 --> 00:43:13,399 Speaker 1: That's a good call. If I die before I wake, 818 00:43:13,520 --> 00:43:16,520 Speaker 1: feed Jack, that's the way. Well, the thing about that song, 819 00:43:16,640 --> 00:43:19,000 Speaker 1: it includes the line that I like he says, there's 820 00:43:19,040 --> 00:43:22,520 Speaker 1: four hundred hogs and they're just standing out there, which, 821 00:43:22,560 --> 00:43:24,560 Speaker 1: if you think about, is what hogs do? They don't 822 00:43:24,560 --> 00:43:27,000 Speaker 1: do anything, They just stand there. I like Tom t 823 00:43:27,160 --> 00:43:30,000 Speaker 1: hogs for you. I picked the hogs. Okay, what else 824 00:43:30,040 --> 00:43:34,000 Speaker 1: you got? All right? The best voice, in my opinion, 825 00:43:34,160 --> 00:43:37,520 Speaker 1: just the best pure male voice in the history of 826 00:43:37,600 --> 00:43:41,120 Speaker 1: country music, is Keith Whitley. I think Keith Whitley from 827 00:43:41,239 --> 00:43:44,520 Speaker 1: Kentucky often forgotten his most famous song when you say 828 00:43:44,600 --> 00:43:47,440 Speaker 1: Nothing at All. Most people remember more Prowess and Kraussburg. 829 00:43:48,160 --> 00:43:50,920 Speaker 1: But I think his baritone is the best voice country 830 00:43:51,000 --> 00:43:53,640 Speaker 1: music has ever had. And so I didn't want to 831 00:43:53,640 --> 00:43:56,120 Speaker 1: pick one of his really sad songs like tell Laurie 832 00:43:56,200 --> 00:43:58,160 Speaker 1: I Love Her might be as sad as song that's 833 00:43:58,160 --> 00:44:02,279 Speaker 1: ever been written. So I picked Miami, Miami, as well 834 00:44:02,560 --> 00:44:11,719 Speaker 1: as my next one, jam Bay so good. Sing along there, 835 00:44:12,040 --> 00:44:13,600 Speaker 1: all right, and we have one more? What do you got, 836 00:44:13,680 --> 00:44:15,960 Speaker 1: Matt Well? I couldn't get out of here without picking 837 00:44:16,000 --> 00:44:19,120 Speaker 1: Tyler so a lot. You know, people who know Tyler 838 00:44:19,200 --> 00:44:21,400 Speaker 1: Childer's they know like Feathered Indians and some of the 839 00:44:21,480 --> 00:44:24,840 Speaker 1: popular but its most beautiful song. It's called follow you 840 00:44:24,960 --> 00:44:28,680 Speaker 1: to Virgie. It's about going to his friend's grandma's funeral. 841 00:44:28,800 --> 00:44:30,719 Speaker 1: You won't be able to play at all, I understand, 842 00:44:30,800 --> 00:44:33,719 Speaker 1: but I would encourage people to listen to it. It's gorgeous, 843 00:44:33,840 --> 00:44:37,880 Speaker 1: it's and he sounds more like Eastern Kentucky mountains in 844 00:44:37,960 --> 00:44:41,200 Speaker 1: this song than any singer you'll ever hear. And now 845 00:44:41,200 --> 00:44:45,160 Speaker 1: I will follow you to Virgie because that's what us 846 00:44:45,320 --> 00:44:49,280 Speaker 1: boys for, to help you out when you get weird 847 00:44:50,480 --> 00:44:55,080 Speaker 1: and you can't go no more. I also looked up 848 00:44:55,120 --> 00:44:58,400 Speaker 1: while we were having this conversation famous people from Kentucky, 849 00:44:58,880 --> 00:45:06,040 Speaker 1: oddly a lot, Abraham Lincoln, Johnny Depp, Mohammad Ali. Correct, 850 00:45:06,680 --> 00:45:11,440 Speaker 1: they're all correct. You don't have to, all right if 851 00:45:11,480 --> 00:45:13,440 Speaker 1: you cut off the part that made me cry and 852 00:45:13,520 --> 00:45:15,640 Speaker 1: that's song. But yes, I was just trying to help. 853 00:45:16,360 --> 00:45:18,520 Speaker 1: I can give you other ones, George, I'm not done, 854 00:45:19,560 --> 00:45:27,920 Speaker 1: all right. Jennifer Lawrence, George Rosemary Clooney, Loretta Lynn, Jennifer Carpenter. 855 00:45:27,920 --> 00:45:30,359 Speaker 1: I don't know who that is. I don't know who 856 00:45:30,440 --> 00:45:33,200 Speaker 1: Jennifer Carpenter is. You mentioned Loretta Land when I was 857 00:45:33,200 --> 00:45:35,439 Speaker 1: talking about the cut of music theater. I forgot about 858 00:45:36,000 --> 00:45:41,839 Speaker 1: from from Coal Miner's daughter, Nicola sha is from freaking Kentucky. Yeah, 859 00:45:42,160 --> 00:45:44,160 Speaker 1: I said, Nikolay, it's a really nice guy. I was 860 00:45:44,160 --> 00:45:46,120 Speaker 1: gonna make a joke, but I won't. He's actually a 861 00:45:46,200 --> 00:45:50,279 Speaker 1: really nice dude. Have you watched Love Is Blind? I have. 862 00:45:50,640 --> 00:45:53,120 Speaker 1: I I can't get through it. I cringe. It just 863 00:45:53,280 --> 00:45:56,120 Speaker 1: everyone makes me cringe so much that I can't watch it. 864 00:45:56,200 --> 00:45:58,719 Speaker 1: Do you like it? My girlfriend got me into it, 865 00:45:58,960 --> 00:46:01,480 Speaker 1: and I wouldn't have watched it by myself, and I 866 00:46:01,520 --> 00:46:04,240 Speaker 1: wouldn't have stayed with it by myself. But we enjoyed 867 00:46:04,320 --> 00:46:07,640 Speaker 1: watching it together because, Yeah, I gave us something to 868 00:46:08,960 --> 00:46:12,240 Speaker 1: talk about what will happen. It's it's an interesting concept 869 00:46:12,320 --> 00:46:15,520 Speaker 1: to you put people together and you see what happens 870 00:46:15,520 --> 00:46:17,719 Speaker 1: if they can't see each other. So I will say, yes, 871 00:46:17,800 --> 00:46:19,320 Speaker 1: I enjoyed it, but I think it was because of 872 00:46:19,360 --> 00:46:21,919 Speaker 1: the overall experience we had more so than the show. 873 00:46:22,400 --> 00:46:24,680 Speaker 1: Well that's what we all hope is for your experience 874 00:46:24,719 --> 00:46:27,000 Speaker 1: to be good while you watched it, um, and I'm 875 00:46:27,080 --> 00:46:29,879 Speaker 1: glad about that. Two of the Backstreet Boys, by the way, 876 00:46:30,520 --> 00:46:34,080 Speaker 1: Brian Latrelle and Kevin Richardson, also from Kentucky. Jefferson C. 877 00:46:34,440 --> 00:46:38,360 Speaker 1: Jefferson Davis, Jefferson Davis. Yeah, I don't talk about now. 878 00:46:38,400 --> 00:46:40,359 Speaker 1: I think we should have been a second on Jefferson Davis. 879 00:46:40,400 --> 00:46:44,560 Speaker 1: Shall we the former president of the Confederate States, So yeah, 880 00:46:44,600 --> 00:46:47,880 Speaker 1: they Lincoln and you have Jefferson caused any controversy. But 881 00:46:47,920 --> 00:46:50,080 Speaker 1: I don't talk a lot. I can to like my 882 00:46:50,280 --> 00:46:53,200 Speaker 1: famous people to have not tried to succeed from the Union. 883 00:46:53,320 --> 00:46:55,600 Speaker 1: I prefer people who stayed with us through kick and 884 00:46:55,719 --> 00:46:58,239 Speaker 1: san So that's why I'm not a big Jefferson Davis. 885 00:46:58,480 --> 00:47:03,080 Speaker 1: Rondo is from Kentucky. Rondo played at Kentucky. But yeah, 886 00:47:03,080 --> 00:47:04,440 Speaker 1: but that doesn't mean he's from You guys should pay 887 00:47:04,440 --> 00:47:07,800 Speaker 1: athletes from all over the Yeah, well, I mean we 888 00:47:07,880 --> 00:47:09,800 Speaker 1: took your best food when we took Malik Monks, so 889 00:47:09,880 --> 00:47:11,960 Speaker 1: it worked out really well. Yeah, that's true. I can't 890 00:47:12,040 --> 00:47:16,279 Speaker 1: argue with that one. Listen, now, Rondo is from Kentucky. Uh, athletically, 891 00:47:16,400 --> 00:47:20,279 Speaker 1: let's see, um, Paul Hornick don't talk. We get with 892 00:47:20,320 --> 00:47:24,160 Speaker 1: the athletic one. Nobody cares. Yeah, exactly. You don't know 893 00:47:24,160 --> 00:47:26,880 Speaker 1: who Paul horniget like for the Packers that won the 894 00:47:26,880 --> 00:47:31,080 Speaker 1: first two old Old school art star Well, yeah, but 895 00:47:31,120 --> 00:47:34,799 Speaker 1: he's not from the same just went by a different name. Hey, Matt, 896 00:47:34,840 --> 00:47:38,120 Speaker 1: talking about your talking about your book for a second. Yeah, 897 00:47:38,160 --> 00:47:41,280 Speaker 1: So I wrote a book that is called Mitch Please. 898 00:47:41,360 --> 00:47:43,080 Speaker 1: It comes out in a couple of weeks and it 899 00:47:43,239 --> 00:47:46,120 Speaker 1: is about Mitch McConnell, but it's really about Kentucky. I 900 00:47:46,200 --> 00:47:49,640 Speaker 1: went to all hundred and twenty counties in Kentucky and 901 00:47:49,880 --> 00:47:52,600 Speaker 1: I sort of wanted to see what the effect of 902 00:47:52,680 --> 00:47:56,799 Speaker 1: having Mitch McConnell, the human turtle as our senator has 903 00:47:56,920 --> 00:47:59,920 Speaker 1: been and for people who don't know, I considered run 904 00:48:00,160 --> 00:48:02,440 Speaker 1: against him. So I sort of told the story about 905 00:48:02,520 --> 00:48:06,120 Speaker 1: considering running against him. I went to every county. It's funny, 906 00:48:06,239 --> 00:48:08,960 Speaker 1: it's kind of a travelog. It's also sort of an 907 00:48:09,000 --> 00:48:12,279 Speaker 1: indictment of McConnell. And I do think people will like it. 908 00:48:12,800 --> 00:48:15,480 Speaker 1: Um it's a little bit of everything. And I'm very excited. 909 00:48:15,520 --> 00:48:17,840 Speaker 1: And I've never written a book before and I wrote 910 00:48:17,920 --> 00:48:20,840 Speaker 1: one in just a couple of months, and I'm nervous 911 00:48:20,880 --> 00:48:23,439 Speaker 1: about it, but I had a great time. We'll take 912 00:48:23,480 --> 00:48:27,960 Speaker 1: it from this two time New York Times bestseller. Oh yeah, listen, 913 00:48:28,040 --> 00:48:31,480 Speaker 1: I will take whatever advice you have. John Grisham, I 914 00:48:31,560 --> 00:48:33,799 Speaker 1: have no advice. Just hold on tight. Because I don't 915 00:48:33,800 --> 00:48:37,480 Speaker 1: know what I was doing either. Um so this these podcasts, obviously, 916 00:48:37,800 --> 00:48:39,520 Speaker 1: these get listened to for weeks and weeks weeks, ares 917 00:48:39,560 --> 00:48:40,640 Speaker 1: do We don't really have a It's not like a 918 00:48:40,760 --> 00:48:43,120 Speaker 1: daily thing. So what what? What day does the book 919 00:48:43,120 --> 00:48:44,839 Speaker 1: come out? Though? Because some people may be hearing right now, 920 00:48:45,000 --> 00:48:47,239 Speaker 1: they say the book comes out March thirty first. Now, 921 00:48:47,360 --> 00:48:50,399 Speaker 1: of course, Corona might be changing everything. I'm not sure, 922 00:48:50,520 --> 00:48:53,560 Speaker 1: but as of now, it's Marks thirty first. You can 923 00:48:53,640 --> 00:48:56,279 Speaker 1: order it on Amazon. I don't know if bookstores will 924 00:48:56,320 --> 00:48:58,759 Speaker 1: still exist in Marks thirty one the way this is 925 00:48:58,760 --> 00:49:01,440 Speaker 1: all going, but uh, you can order it on Amazon. 926 00:49:01,480 --> 00:49:03,520 Speaker 1: They'll deliver it to you. It's a perfect thing to 927 00:49:03,600 --> 00:49:06,960 Speaker 1: read while you're quarantine. And uh, and it has a 928 00:49:07,040 --> 00:49:08,800 Speaker 1: great cartoon on the front of it as well. And 929 00:49:08,880 --> 00:49:11,600 Speaker 1: it's called Mitch Please, which you know is a play 930 00:49:11,680 --> 00:49:14,800 Speaker 1: on on on on on Bitch please. But that was 931 00:49:14,880 --> 00:49:16,680 Speaker 1: the nicest one I could do with his name. I 932 00:49:16,800 --> 00:49:22,279 Speaker 1: was gonna do Mitch better have my money. But all right, 933 00:49:22,320 --> 00:49:25,680 Speaker 1: there is follow him at k Y Sports Radio. Uh. 934 00:49:26,440 --> 00:49:29,160 Speaker 1: In all seriousness, I'm such a fan of what you do. 935 00:49:29,560 --> 00:49:31,759 Speaker 1: And you know, I was a fan long before we met. 936 00:49:31,800 --> 00:49:33,880 Speaker 1: I just think how you do it and what you do, 937 00:49:34,320 --> 00:49:36,000 Speaker 1: especially in this day of age and the day and 938 00:49:36,040 --> 00:49:39,080 Speaker 1: age when you know it's hard to find distinct voices. 939 00:49:39,120 --> 00:49:41,399 Speaker 1: And I don't mean texture or tone of how you talk, 940 00:49:41,760 --> 00:49:43,480 Speaker 1: but I mean people that you really listen to what 941 00:49:43,560 --> 00:49:45,600 Speaker 1: they have to say. And you're one of those. And 942 00:49:45,880 --> 00:49:48,800 Speaker 1: I'm happy now that I consider your friend. Well, that 943 00:49:49,000 --> 00:49:50,680 Speaker 1: is very kind. I consider you a friend and I 944 00:49:50,719 --> 00:49:52,400 Speaker 1: do want to I want to say this because I 945 00:49:52,520 --> 00:49:56,600 Speaker 1: know people, uh people have a connection to you. And 946 00:49:56,719 --> 00:49:59,080 Speaker 1: this is the thing that's the best about It is 947 00:49:59,280 --> 00:50:01,640 Speaker 1: very rare for people to have a high degree of 948 00:50:01,719 --> 00:50:04,960 Speaker 1: success and want to bring along others to sort of 949 00:50:05,160 --> 00:50:08,160 Speaker 1: like kind of reach and help people. You've done that 950 00:50:08,320 --> 00:50:10,520 Speaker 1: with me, and I can't thank you enough for that. 951 00:50:10,719 --> 00:50:13,200 Speaker 1: That's there are so few people in the industry that 952 00:50:13,280 --> 00:50:15,279 Speaker 1: will do that, and you have with me, and I 953 00:50:15,400 --> 00:50:17,560 Speaker 1: consider you a friend as well, and I really appreciate 954 00:50:17,680 --> 00:50:19,560 Speaker 1: all Right, Matt, have a good Corona quarantine and we'll 955 00:50:19,560 --> 00:50:21,000 Speaker 1: talk to you soon. Thank you very much.