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Speaker 1: Buy from the Mercedes Fenz Interview Lounge.

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Speaker 2: Can you believe it's been like at least twenty years

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Speaker 2: since we started getting some really really solid music from

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Speaker 2: Jesse McCarty. When I say solid, I mean stuff that

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Speaker 2: was successful. You know, it was kind of it was

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Speaker 2: almost kind of like a really rude, a welcome, welcoming

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Speaker 2: moment there, thank you. The music leading up to it

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Speaker 2: was just all crap. That's not what I meant, and you.

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Speaker 3: Know it's not what I meant. I'm not gonna let

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Speaker 3: you do this to me.

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Speaker 4: I like that you heard it as you were saying it.

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Speaker 2: Yeah, twenty years since we've finally gotten something like listenable

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Speaker 2: from Jesse McCarty.

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Speaker 3: No, no, yeah, I didn't. I didn't mean it that way, Jesse.

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Speaker 5: Yeah, I remember twenty years ago and I used to

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Speaker 5: listen to this radio station.

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Speaker 3: All right or even good to see it manness, Yeah,

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Speaker 3: the pleasures all night. Jesse. I do miss you guys,

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Speaker 3: and you kind of wonder why. Yeah.

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Speaker 2: Look no, seriously, well like beautiful Soul Leaven, I mean

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Speaker 2: those that's about twenty years ago.

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Speaker 5: It was twenty years beautiful little twenty years old this year,

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Speaker 5: which is crazy to think about.

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Speaker 4: And it feels like Levin has made a comeback. I'm

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Speaker 4: hearing it a lot more now.

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Speaker 2: Really, yeah, let's play now instead of interview, Let's just

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Speaker 2: play a song.

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Speaker 3: Don't even talk to him. What a great song. It

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Speaker 3: is a good song.

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Speaker 5: I feel like Levin didn't have the same sort of

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Speaker 5: lasting power that Beautiful Soul has had.

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Speaker 3: That song. We were just talking.

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Speaker 5: I was talking to your producer backstage, and that song

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Speaker 5: just seems like it's crossed over to the next generation.

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Speaker 5: I hear a lot of gen Zers that are into

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Speaker 5: it and love it. I worked with Young Gravy recently

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Speaker 5: and that's like one of his favorite songs, and he's

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Speaker 5: like in his early twenty mid twenties, like it's a yeah,

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Speaker 5: it's wild.

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Speaker 2: We love Young Gravy by the way. Yeah he's he's

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Speaker 2: a dude, he's We had so much fun with Young Gravy.

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Speaker 2: We'll get into the Young Gravy song and we've got questions. Yeah,

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Speaker 2: questions we do. Uh, Starbucks, you're getting caffe.

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Speaker 5: You're getting caffin. This is not my best hour. Usually

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Speaker 5: I only am up this early when I come to

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Speaker 5: see you guys.

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Speaker 4: So you are now, aren't you?

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Speaker 3: Yeah? So you don't even know what day time. I don't.

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Speaker 2: Hey, so so god, you started you started like doing

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Speaker 2: everything in your career around nine years old, and so

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Speaker 2: like summer Land is the name of the show. We

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Speaker 2: used to watch you based in beautiful Carpenteria, California, as

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Speaker 2: I recall. But you've been doing this a long time.

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Speaker 2: So now you're at this phase where and we can relate. Yeah,

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Speaker 2: a lot where people are coming up to you saying,

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Speaker 2: oh my god, I grew up watching you and now

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Speaker 2: my kids love your stuff, and you're like.

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Speaker 3: Ooh, it's it's great.

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Speaker 5: Honestly, it's like a new built in audience that like

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Speaker 5: they just keep pro creating my next audience.

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Speaker 2: That's really nice. It's like an a laboratory show. It's

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Speaker 2: it's amazing.

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Speaker 5: Now, yeah, it's it's cool, Like there's uh, you know,

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Speaker 5: these young women now come in with their kids and

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Speaker 5: they're now there's a whole new generation of fans with

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Speaker 5: a little ear mufs on listening to you know, coming

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Speaker 5: to the concert. It's pretty wild. I mean, it's you know,

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Speaker 5: you can't ask for a better thing. Like in pop

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Speaker 5: music especially, I just feel like there are so few

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Speaker 5: songs that that have that sort of lasting.

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Speaker 3: Power and beautiful souls one of them.

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Speaker 5: But they've just been so loyal, these fans for so

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Speaker 5: many years, and now they're kids. They're introducing their kids

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Speaker 5: to it, which great. Okay, let me let me, let

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Speaker 5: me take you to your future. Okay, this is what's

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Speaker 5: happening to us. Okay, because we started this show thirty

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Speaker 5: years ago. So now we'll have someone come up to

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Speaker 5: us and say, oh my god, I grew up listening

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Speaker 5: to your show. Mom would drive us to school in

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Speaker 5: the car, you know, and we will listen to the show.

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Speaker 5: And now look, my grandkids listen to you. Grand it's

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Speaker 5: a generation beyond. Yeah, I know, that's wild. I mean,

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Speaker 5: I mean, honestly, this is and I mean this. You know,

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Speaker 5: I grew up you know this. I grew up as

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Speaker 5: a kid listening to this show, you know, thinking one

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Speaker 5: day I would have a song on the radio with

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Speaker 5: with you guys. I mean, I think of this show

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Speaker 5: the way I think of the Yellow Cab and the

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Speaker 5: Empire State Building to New York. You guys are the

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Speaker 5: DNA of New York.

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Speaker 3: Of New York.

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Speaker 5: Actually, the station has means so much to so many people,

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Speaker 5: including me.

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Speaker 3: And much appreciation. Yeah, and we're still here.

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Speaker 2: Yeah, but at least you didn't say I think of

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Speaker 2: the show as like the rotary phone. Yeah yeah, yeah, yeah,

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Speaker 2: that's like the telegram. Yeah yeah, right, it's like writing

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Speaker 2: a check, writing.

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Speaker 3: A check of the music industry. Yeah.

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Speaker 2: Well, god, I remember Scary hosted you and dream Street

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Speaker 2: at a concert on a street and you were like

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Speaker 2: nine or ten years old, right.

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Speaker 5: Well, no, it's probably twelve thirteen, but yeah, pubescent for sure.

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Speaker 3: Yeah, my god, you guys you had thousands of people

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Speaker 3: out there for like a live street concert. It was crazy.

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Speaker 5: I mean, New York is kind of where I got

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Speaker 5: you know, cut my teeth and h dream Street was

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Speaker 5: the you know, the genesis of all of it. You know,

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Speaker 5: that was my first experience singing music in front of

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Speaker 5: a live audience. And it was all around the Tri

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Speaker 5: State area, a little local malls in Long Island, and

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Speaker 5: you know that.

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Speaker 3: Was it sort of like, yeah, mall. Remember this show

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Speaker 3: reminds me of the malls, remember them all?

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Speaker 6: Remember those team tours. Remember they put a bunch of

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Speaker 6: artists together.

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Speaker 4: The all was crazy.

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Speaker 3: Yeah, yep, yep. God.

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Speaker 2: I remember when I was much younger in San Antonio, Texas,

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Speaker 2: we have Menudo come out to the mall. I thought

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Speaker 2: we were gonna die the original Menudo. Yeah, yeah, yeah,

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Speaker 2: Just to clarify it exactly, I mean, we were on

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Speaker 2: in a van with Manudo and I'm like, what am

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Speaker 2: I doing my career? And all of a sudden the

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Speaker 2: van started rocking and these the fans were they was

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Speaker 2: pushed the van over. Yeah, I'm sure they.

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Speaker 5: I experienced that actually in Italy, I bet you did

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Speaker 5: talk about the Italian fans. They are just I mean,

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Speaker 5: they're the most passionate people. As we know, the Italians

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Speaker 5: are just very passionate, but they were rabid. I mean,

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Speaker 5: we we we did a show. I think it was

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Speaker 5: like t RL in austri and excuse me, in Italy.

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Speaker 5: I think it was in Rome or Milan. But we

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Speaker 5: left the building and they didn't have security, like figured out,

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Speaker 5: and we got in the car and they really almost

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Speaker 5: till uh tipped the town car over. I could feel

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Speaker 5: it rocking on on two wheels. It was the only

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Speaker 5: time I really felt a little scared something bad was

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Speaker 5: gonna happen. And then the driver just took off. I

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Speaker 5: think he ran over three or four phone cars. He did,

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Speaker 5: but in the Italian We got out of there and

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Speaker 5: I was safe. So whatever, you know, no prob we

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Speaker 5: got more.

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Speaker 3: We'll make more. No problem if you're just turning this on.

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Speaker 2: Jesse McCartney's here, we gotta play Make a Baby featuring

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Speaker 2: featuring Young Gravy and I want to talk about how this.

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Speaker 2: People don't understand. It's just two guys just can't get

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Speaker 2: together and sing in a microphone and it there's like

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Speaker 2: business stuff you have to take care of. There's red tape.

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Speaker 2: There's a lot of red tape. And we'll get to

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Speaker 2: that fun part in just a second. But when you

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Speaker 2: recorded it, I mean, there's no radio version for us,

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Speaker 2: for the people who are like having to we can't

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Speaker 2: say the F word.

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Speaker 5: Oh I thought there was a radio version, but maybe

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Speaker 5: maybe they just didn't get it over to you.

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Speaker 3: I'm gonna have to fire somebody for that. By the way.

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Speaker 2: Let me just let me be very clear about this, Jesse.

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Speaker 2: It just really pisses me off off that we can't

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Speaker 2: play a song with the.

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Speaker 3: F word in it.

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Speaker 2: Yeah, but it's like, what year is this? We're living

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Speaker 2: in this antiquated little system here.

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Speaker 5: Yeah, but I mean, you know, there are grand kids

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Speaker 5: listening to your show, So you gotta you know.

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Speaker 2: My grandkids, if I had them, I would make for

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Speaker 2: F and sure they knew what the met. They could

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Speaker 2: drop the F mom right as soon as little Johnny

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Speaker 2: was old enough to crawl. He needs to know what

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Speaker 2: F means.

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Speaker 3: That's there. It's a multi it's it's they have so

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Speaker 3: many meanings? What, so many memories?

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Speaker 2: Yeah, here we go. I want to hear you want

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Speaker 2: to hear some texts? Okay, sometimes they're bad. Okay, that's okay,

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Speaker 2: I can handle it. Oh my god, totally forgot Jesse

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Speaker 2: was in dream Street. Oh my god, MG, with hand

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Speaker 2: over face. I met Jesse back when he visited why

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Speaker 2: one hundred when I was fourteen years old. It's in

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Speaker 2: the Miami. I balled my eyes out the whole time.

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Speaker 2: I still love him, childhood crush.

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Speaker 3: I'm shook.

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Speaker 2: My dad got me and my friends meet and Greet

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Speaker 2: tickets to see him at a jingle ball and I

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Speaker 2: don't know what the Supring concert was, but it was amazing.

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Speaker 3: It's all. They are all love it. Sometimes we have.

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Speaker 2: To turn the screen off, oh really, because we don't

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Speaker 2: want to get this crumb ballmuss the radio. That guy

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Speaker 2: they're they're all loving you.

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Speaker 5: Yeah, they're the best so far. You got to read

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Speaker 5: a couple of bad ones at some point.

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Speaker 3: I want to. I want to hear.

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Speaker 2: So when you go into the studio to record a song, yeah,

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Speaker 2: I always remember, Okay, I have to see this line

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Speaker 2: has f in it, but.

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Speaker 3: I gotta do it again.

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Speaker 5: They did it drop on that song, on that word.

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Speaker 5: So I don't know if he has a version, but

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Speaker 5: we dropped out the word specifically for like people who

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Speaker 5: want to play it on radio.

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Speaker 3: We didn't have it.

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Speaker 2: So Garrett the back he reversed the upward. If you

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Speaker 2: can listen backward, you know exactly what the word is.

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Speaker 6: What I got, Jesse is fuman right now, no.

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Speaker 3: Idea what the email is going to be after I

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Speaker 3: leave this building. Keep in mind it could be our fault.

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Speaker 3: Do not do not turn slicing next?

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Speaker 2: Okay, but when you but when you go in, it's like, okay,

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Speaker 2: we need to come up with another word for f.

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Speaker 3: What do you what do you say in the context

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Speaker 3: of this song? The line in the.

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Speaker 5: Context of this song, I actually remember because we recorded it, and.

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Speaker 3: This is good.

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Speaker 5: I think we went in and we just said for this,

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Speaker 5: you know, there wasn't actually a really good word to

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Speaker 5: replace it, so we just said we're going to do it.

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Speaker 3: I'm lucky. He is like a little just sort of

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Speaker 3: like a sigh or something lazy. You have to do that.

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Speaker 3: I hate that, Yeah, I.

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Speaker 5: Mean there was no other you know, you don't want

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Speaker 5: to say like I'm lucky is heck?

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Speaker 6: You know kids Bop version exactly the Kids Bop version,

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Speaker 6: But there's another way they used to do this.

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Speaker 2: Rather than replacing it with a word or giving it

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Speaker 2: a whatever sound or backwards, they put like a.

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Speaker 7: Oh yeah, or like the sound effect of glass breaking.

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Speaker 7: If you find the right version of move Bitch by Ludacris,

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Speaker 7: there's glass like it's like moves like a cuckoo clock.

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Speaker 3: I could hear that that really has legitimacy. That would

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Speaker 3: really just make it even more sexy.

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Speaker 2: All right, let's talk about you working with Young Gravy.

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Speaker 2: Of course, why is there red tape? How come you

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Speaker 2: can't just go into a studio record something, Go here world,

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Speaker 2: here's our song called make a Baby.

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Speaker 5: Yeah, I wish it was that easy sometimes when first

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Speaker 5: of all, you know, this song was distributed through my

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Speaker 5: record label. So when you have another artist that's coming

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Speaker 5: on to your record and they're signed to another label.

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Speaker 5: All of a sudden, things get more complicated. I didn't

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Speaker 5: really realize that when Gravy and I met, you know,

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Speaker 5: we met backstage at a show and we were like, hey,

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Speaker 5: let's do a song together. And it was just easy, breezy.

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Speaker 5: It was like, you know, two guys writing in the

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Speaker 5: studio kind of thing. Song gets finished right relatively quickly,

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Speaker 5: and then it's like, okay, so we want to release it.

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Speaker 5: And then the label's like, well we need this, this

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Speaker 5: and this, and we have another you know, we have

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Speaker 5: him coming out with a new project, and we have

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Speaker 5: three other artists before him that we need to release,

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Speaker 5: and just like there's just so many things you don't

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Speaker 5: think about. And it almost didn't happen. It took like

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Speaker 5: nine months to get this song where they like approved

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Speaker 5: a release, and I'm like, man, and like even Gravy

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Speaker 5: was like, dude, I'm sorry, bro, I don't I don't

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Speaker 5: know what to do bro. So but it got finished

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Speaker 5: and I think it sounds great and uh and here

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Speaker 5: we are. But I don't know that I'm going to

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Speaker 5: be doing that a lot anymore.

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Speaker 2: A plan ahead and Danielle got all pissed off because

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Speaker 2: of your like, you're teasing it online.

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Speaker 4: I thought you and your wife were pregnant.

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Speaker 3: I gotchat daniel What were some of his posts saying

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Speaker 3: that led you to believe?

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Speaker 6: It was just the picture of a belly. And then

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Speaker 6: it was Jesse with his hands on the belly.

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Speaker 3: Was it Jesse's belly?

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Speaker 5: Yeah?

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Speaker 3: And I was like, oh my gosh, they're having a baby.

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Speaker 6: I'm so happy for them because you know, you know,

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Speaker 6: your wife is beautiful and guys so happy. And then no,

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Speaker 6: and then young Gravy did the same thing with a belly,

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Speaker 6: and then I knew, okay, this is he's not having kitchen.

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Speaker 6: He might be that we don't know about.

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Speaker 3: Here with my grandma that love photo that we posted,

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Speaker 3: Oh it looks okay, okay, that's late. You're in your head.

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Speaker 5: I was trolling. I was one hundred percent. This was

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Speaker 5: Gravy's idea. By the way, who is the master marketer?

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Speaker 5: That's why it's so successful on TikTok. He's mean, we were,

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Speaker 5: you know, promoting a song.

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Speaker 3: But I like you. I remember reading your comment thinking, oh, Danielle.

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Speaker 4: Is gonna all right?

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Speaker 7: So you have been doing this since you were nine

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Speaker 7: years old, and now we're starting to see all these

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Speaker 7: documentaries about what it was like as a child star

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Speaker 7: and a child actor.

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Speaker 4: Do you relate to that stuff or is it out

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Speaker 4: of left field for you? And you think, Wow, I'm

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Speaker 4: really glad I dodged that.

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Speaker 5: Well, I haven't seen the new one that just what's

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Speaker 5: the name of that new one that you on the set? Yeah,

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Speaker 5: so I've been hearing about it.

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Speaker 3: I do.

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Speaker 5: I'm a huge documentary fan, so I definitely want to

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Speaker 5: watch it. I I hear that some of it is

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Speaker 5: just really intense and like, you know, awful, awful thing criminal.

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Speaker 5: I never experienced any of that. I mean, I certainly

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Speaker 5: remember being asked to work longer than I probably should

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Speaker 5: have been legally, you know, with child hater laws and stuff,

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Speaker 5: and being exhausted all all the time because I was

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Speaker 5: on a show and promoting an album. But you know,

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Speaker 5: you don't really think about how you're gonna, you know,

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Speaker 5: say something when you're a kid and you're like feeling

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Speaker 5: really tired. But but I never experienced any of the

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Speaker 5: stuff that they're some of these kids are talking about.

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Speaker 5: But it sounds like it was a nightmare, and I

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Speaker 5: think back then there was just less accountability among adults

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Speaker 5: in the industry that were wrangling children on sets, and now.

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Speaker 3: There is which is which is good.

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Speaker 5: And I'm glad that a lot of these kids are

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Speaker 5: coming forward and making light of it because it's awful.

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Speaker 5: I mean, it's terrible. What's what's going on? But I

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Speaker 5: never experienced it firsthand. I have to say, like, I

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Speaker 5: had a very positive experience working as a kid on set.

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Speaker 4: So if you had a kid, you would let them

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Speaker 4: get into the business.

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Speaker 5: So yeah, I think so if they, you know, if

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Speaker 5: they wanted to, and I don't think I would push

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Speaker 5: them into it. But I mean I've had conversations with

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Speaker 5: people in the industry who have kids about this, and

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Speaker 5: and uh, there's like people on different sides of the fence.

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Speaker 5: Some are like, I never, like, I'm never gonna have

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Speaker 5: my child get into this. It's it's like terrible, and

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Speaker 5: then some are like, you know, maybe, but I guess

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Speaker 5: it just depends on the kid and how I feel

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Speaker 5: they're feeling and where their emotional intelligence is. And I

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Speaker 5: think it's a case by case basis. But but yeah,

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Speaker 5: but I'm I don't know, I'm not a dad yet.

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Speaker 5: You know, like, what what do you think, Danielle, You

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Speaker 5: have kids.

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Speaker 6: Yeah, well we always talk about radio and we always

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Speaker 6: talk about run the other direction.

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Speaker 2: I don't know.

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Speaker 6: I mean I want to I want my kid to

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Speaker 6: do what he wants to do, but I obviously want

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Speaker 6: them to be safe, so I would make sure that

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Speaker 6: I took all the right steps to make sure they

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Speaker 6: were safe to have the conversations like nowadays, Listen, these

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Speaker 6: things are not right. This is not how it's supposed

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Speaker 6: to go. And if anything happens, you need to tell me.

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Speaker 3: You know, I wouldn't let a kid. I wouldn't let

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Speaker 3: my kid leave the house.

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Speaker 4: Aways.

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Speaker 5: Forget letting him drop f bombs at the age of

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Speaker 5: you can use.

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Speaker 3: F bombs, but inside my house.

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Speaker 7: That's illegal too, Elvis, I'm positive.

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Speaker 4: No, I'm saying keeping the kid in the house, not

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Speaker 4: letting them.

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Speaker 2: It's like a little veal in a cage.

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Speaker 3: No.

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Speaker 2: No, I'm living in New York City. I mean we

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Speaker 2: have so much street crime and all sorts of things. Well, La,

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Speaker 2: you see everything there too. You see these things going on, Like,

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Speaker 2: how can I allow them to even see it and

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Speaker 2: know what's happening. Well, they know what's happening because they're

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Speaker 2: all online.

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Speaker 5: But I think I'm more fearful just quickly, about social

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Speaker 5: media emotional health on young children than I am about

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Speaker 5: my kid acting on a set that I would be

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Speaker 5: there to watch, because I'd be there. What happens on

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Speaker 5: social media you're not always there, and they're in front

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Speaker 5: of their phones, and you can we can see firsthand

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Speaker 5: what's happening with young children's mental health.

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Speaker 7: And even adults are struggling with totally and social media.

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Speaker 7: On a set, you have a bad day, you go home,

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Speaker 7: the day's over social media.

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Speaker 4: It lives forever.

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Speaker 6: I mean, Lizzo just talked about it two days ago

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Speaker 6: and was saying, how you know, she's tired of everybody

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Speaker 6: just being mean to her and ripping her to shreds

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Speaker 6: on social media and she just doesn't want to do it.

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Speaker 2: It's a dangerous world, it is. By the way, Jesse

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Speaker 2: McCartney's here. We got to play make a Baby in

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Speaker 2: a couple of seconds. Of course with Young Gravy. We

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Speaker 2: met Young Gravy at one of our end of summer bashes.

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Speaker 3: Is that where it was?

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Speaker 4: Yeah?

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Speaker 3: Yeah, yeah it was and uh and Hutching Yards, Oh yeah,

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Speaker 3: And I didn't want him to leave. It was like,

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Speaker 3: he's just so fun great, he's a fun guy.

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Speaker 2: But I must say, Jesse McCartney and Young Gravy, it

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Speaker 2: just seems like to me sort of an unlikely pairing

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Speaker 2: a little bit in many ways.

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Speaker 3: Yeah, what made it likely? What made it just click?

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Speaker 3: With you two?

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Speaker 5: I just like like your reaction. When I met him,

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Speaker 5: I was just like, that's a fun dude.

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Speaker 3: I like him.

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Speaker 5: And he just called him Gravy. People call him Gravy. Yeah,

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Speaker 5: it's so funny, so young Gravy like, but you know,

390
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Speaker 5: his his whole Instagram and TikTok things, just got this

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Speaker 5: character that he's built.

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Speaker 3: And then the first time I met him, he's like, hey,

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Speaker 3: I'm Matt. You know cool.

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Speaker 5: Anyway, I had the same sort of feeling that you

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Speaker 5: had when after meeting him. He's just like a nice guy.

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Speaker 5: He had this thing that I get that why people get.

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Speaker 3: I love him.

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Speaker 5: And we met backstage and you know, we're like, let's

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Speaker 5: just let's do let's do a record together. And then

400
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Speaker 5: the Pandemic hit and I was in the studio and writing,

401
00:17:14,040 --> 00:17:17,120
Speaker 5: and I wrote this chorus and I remember thinking like, oh,

402
00:17:17,240 --> 00:17:19,359
Speaker 5: this would be per this is so on brand for

403
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Speaker 5: Gravy Make a Baby, and I sent it to him

404
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Speaker 5: and he wrote, he wrote right back, He's like, dude,

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Speaker 5: I love this sounds great.

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Speaker 3: Let's let's finish it. So that's kind of how it happened.

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Speaker 2: Yeah, I mean, it's not like Martha Stewart and Snoop.

408
00:17:29,920 --> 00:17:32,400
Speaker 2: It's not that like Polar opposite.

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Speaker 5: Yeah, yeah, yeah, but yeah, there's definitely a It was

410
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Speaker 5: not on the twenty twenty four Bingo car. He's like,

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Speaker 5: you know this TikTok guy, young TikTok guy, and you know,

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Speaker 5: I'm like the old pop guy and old.

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Speaker 6: I can't the old pop guy.

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Speaker 3: You know what I mean?

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Speaker 5: Though, like it was to me, it was just like

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Speaker 5: I think, more than anything I've discovered that embracing social

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Speaker 5: media and embracing the new people who are talented and

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Speaker 5: using social media, well, like embracing this new way of

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Speaker 5: marketing music is like it's a good thing to do.

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Speaker 5: Otherwise it's like what's you know, what are you gonna do?

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Speaker 3: Just like die? You know, it's like yes, two options.

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Speaker 3: You know.

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Speaker 5: I think if you're not if you're not moving forward

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Speaker 5: and progressing and trying to find new ways to you know,

425
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Speaker 5: market your music and advertise it. Then then you do

426
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Speaker 5: kind of become a dinosaur. And I think there's a

427
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Speaker 5: lot of garbage out there, but I also think there's

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Speaker 5: a lot of really talented young people on these social

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Speaker 5: networks and it's allowed then the opportunity to get discovered

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Speaker 5: and to show their talents.

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Speaker 2: So Jesse, you were working out at the gym, something

432
00:18:45,200 --> 00:18:47,840
Speaker 2: happened to your earbuds, and then this song started playing

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00:18:47,840 --> 00:18:50,719
Speaker 2: out loud and someone heard it, okay, and that turned

434
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Speaker 2: into what is that?

435
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Speaker 3: What happened?

436
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Speaker 5: So I'm I go to this gym right down the

437
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Speaker 5: street from my house, and I love it. It's small,

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Speaker 5: it's quiet, and I work out on a stagetionary bike.

439
00:19:00,600 --> 00:19:02,280
Speaker 5: I do like forty five minutes on the bike. That's

440
00:19:02,280 --> 00:19:04,560
Speaker 5: my thing. And I was mixing this album. I was

441
00:19:04,600 --> 00:19:06,399
Speaker 5: in the middle of mixing it, so I'm listening to

442
00:19:06,520 --> 00:19:09,920
Speaker 5: my own music in my AirPods, taking notes for this

443
00:19:10,119 --> 00:19:14,600
Speaker 5: songs for this EP, and so I generally like in

444
00:19:14,640 --> 00:19:16,320
Speaker 5: the middle of this like bike station. I like to

445
00:19:16,359 --> 00:19:17,960
Speaker 5: be in the middle because it has all the TVs

446
00:19:18,000 --> 00:19:20,600
Speaker 5: and I can watch sports and ESPN whatever is going on,

447
00:19:21,119 --> 00:19:24,760
Speaker 5: and two bikes down there's a woman that's always on

448
00:19:24,800 --> 00:19:26,919
Speaker 5: this bike. She's at the end of the line. It's

449
00:19:27,240 --> 00:19:29,879
Speaker 5: it's her bike. And this woman happens to be blind,

450
00:19:30,520 --> 00:19:33,720
Speaker 5: and she also happens to be like this sort of

451
00:19:33,760 --> 00:19:37,159
Speaker 5: the Karen of the gym who's always complaining about everything,

452
00:19:37,960 --> 00:19:41,520
Speaker 5: especially loud noises, like the TV is too loud, or

453
00:19:41,640 --> 00:19:43,840
Speaker 5: she yelled a guy last week for his shorts being

454
00:19:43,840 --> 00:19:47,520
Speaker 5: too short. Like she's just like she's blind. She's yeah,

455
00:19:47,520 --> 00:19:49,879
Speaker 5: she yelled at them. I mean she can still sort of.

456
00:19:50,119 --> 00:19:52,840
Speaker 5: She wears the big like you know, glasses, but she

457
00:19:52,880 --> 00:19:54,840
Speaker 5: can tell. Like the guy gets too She's like, yeah, you.

458
00:19:54,880 --> 00:19:57,520
Speaker 3: Stink, you know. And she's like, I.

459
00:19:57,520 --> 00:20:02,280
Speaker 2: Can see these short She's like to Dan gym, Yeah, yeah, yeah,

460
00:20:02,320 --> 00:20:04,320
Speaker 2: but she has to get really close to be able

461
00:20:04,359 --> 00:20:05,119
Speaker 2: to see you, you know.

462
00:20:05,200 --> 00:20:08,680
Speaker 5: But anyway, so she she this is her bike. And

463
00:20:09,560 --> 00:20:11,760
Speaker 5: so that day I show up to the gym and

464
00:20:12,000 --> 00:20:15,000
Speaker 5: all the bikes are taken except her bike. So I

465
00:20:15,240 --> 00:20:18,439
Speaker 5: get on her bike to work out, and you know,

466
00:20:18,480 --> 00:20:21,040
Speaker 5: I'm watching I'm I'm listening to my music, I'm playing

467
00:20:21,119 --> 00:20:23,960
Speaker 5: Make a Baby. I'm actually taking mixed notes on Make

468
00:20:23,960 --> 00:20:26,920
Speaker 5: a Baby, writing everything down, finish my workout, I leave

469
00:20:26,960 --> 00:20:28,639
Speaker 5: the gym. I go downstairs and I see on my

470
00:20:28,680 --> 00:20:31,840
Speaker 5: phone your AirPods have been disconnected, and I realize I

471
00:20:31,960 --> 00:20:34,439
Speaker 5: left my phone up on the bike, so I have

472
00:20:34,480 --> 00:20:37,040
Speaker 5: to get back into the elevator, go upstairs because I

473
00:20:37,119 --> 00:20:39,639
Speaker 5: left my phone upstairs. I walk back into the gym,

474
00:20:40,119 --> 00:20:41,880
Speaker 5: and as soon as I open the door, I can

475
00:20:41,920 --> 00:20:45,080
Speaker 5: hear make a baby blasting through the gym. Right, it's

476
00:20:45,080 --> 00:20:48,199
Speaker 5: just like as loud as can be. And from the

477
00:20:48,320 --> 00:20:50,960
Speaker 5: time that I went downstairs to the garage and got up,

478
00:20:51,320 --> 00:20:53,520
Speaker 5: the blind woman had made her way to her bike

479
00:20:53,680 --> 00:20:55,520
Speaker 5: just so she came into the gym and sat down

480
00:20:55,520 --> 00:20:55,920
Speaker 5: on the bike.

481
00:20:56,080 --> 00:20:57,000
Speaker 3: And your phone's playing.

482
00:20:57,000 --> 00:20:59,879
Speaker 5: My phone is playing my song, okay, as loud as

483
00:21:00,000 --> 00:21:02,679
Speaker 5: can be. And I walk over there and I see her.

484
00:21:02,720 --> 00:21:05,639
Speaker 5: She's punching my phone. She's just slapping it, and I

485
00:21:05,640 --> 00:21:08,480
Speaker 5: walk around. I'm like, oh, I'm so sorry, I'm so sorry.

486
00:21:08,600 --> 00:21:11,239
Speaker 5: And she's like, who listens to music this loud? And

487
00:21:11,280 --> 00:21:12,960
Speaker 5: I was like, I know, I know, She's like, and

488
00:21:13,000 --> 00:21:15,040
Speaker 5: I can't turn that damn thing off, and I was like,

489
00:21:15,040 --> 00:21:17,560
Speaker 5: I'm so sorry. I hit pause and I was like,

490
00:21:17,560 --> 00:21:19,760
Speaker 5: I'm so sorry. I have a great day. Grab my phone.

491
00:21:19,800 --> 00:21:22,560
Speaker 5: I start to walk out and as I'm EXITYM about

492
00:21:22,600 --> 00:21:24,280
Speaker 5: to open the door to leave the gym, I just hear.

493
00:21:24,680 --> 00:21:28,280
Speaker 5: Oh and by the way, horrible taste in music.

494
00:21:31,920 --> 00:21:36,600
Speaker 3: Awesome, this is great. This album is gonna go very well.

495
00:21:38,440 --> 00:21:39,280
Speaker 3: Have you seen her? Said?

496
00:21:39,880 --> 00:21:40,040
Speaker 2: Oh?

497
00:21:40,080 --> 00:21:41,560
Speaker 5: I see her, see her all the time, and I

498
00:21:41,640 --> 00:21:43,359
Speaker 5: just like I work out five bikes away.

499
00:21:43,440 --> 00:21:46,520
Speaker 3: Now, stop ceting so close, keep your distance. You love that?

500
00:21:47,400 --> 00:21:48,080
Speaker 3: Don't you love that?

501
00:21:49,040 --> 00:21:49,520
Speaker 5: Oh?

502
00:21:49,800 --> 00:21:51,520
Speaker 3: See you asked for a negative text.

503
00:21:52,359 --> 00:21:55,760
Speaker 2: Oh oh, I used to think Jesse was an Aaron

504
00:21:55,800 --> 00:21:58,240
Speaker 2: Carter wanna be Oh that's nice.

505
00:21:59,119 --> 00:22:03,680
Speaker 5: Nice. Yeah, I can't touch that one right now. But

506
00:22:04,680 --> 00:22:07,040
Speaker 5: all these why you used to though? So at least

507
00:22:07,080 --> 00:22:09,280
Speaker 5: there's like some sort of redemptive quality to that.

508
00:22:09,520 --> 00:22:09,600
Speaker 3: No.

509
00:22:10,400 --> 00:22:13,800
Speaker 2: Wow, best interview ever. Great guy, I love that Jesse

510
00:22:13,880 --> 00:22:17,480
Speaker 2: seems so down to earth. Yes, these people like you

511
00:22:18,680 --> 00:22:21,399
Speaker 2: not only beautiful soul songs, but the Kingdom Hearts series.

512
00:22:21,640 --> 00:22:24,560
Speaker 2: Oh I love this song too, turn it up, found

513
00:22:24,560 --> 00:22:25,119
Speaker 2: myself speeding?

514
00:22:25,119 --> 00:22:25,879
Speaker 3: Here we go? All right?

515
00:22:25,920 --> 00:22:28,080
Speaker 4: Look, wait, can I say something quickly?

516
00:22:28,160 --> 00:22:31,560
Speaker 6: You had a song on Leaving. It was a ballad.

517
00:22:31,600 --> 00:22:33,920
Speaker 6: It was at the end of the album.

518
00:22:34,160 --> 00:22:35,760
Speaker 3: H I think the other guy.

519
00:22:35,960 --> 00:22:37,159
Speaker 6: I don't know what Yeah told you?

520
00:22:37,200 --> 00:22:39,359
Speaker 5: So maybe they have.

521
00:22:39,400 --> 00:22:40,119
Speaker 3: To talk about it.

522
00:22:40,160 --> 00:22:42,919
Speaker 6: But I thought that that that song never got its

523
00:22:43,000 --> 00:22:45,800
Speaker 6: day and it needs to be ruded so good and

524
00:22:45,840 --> 00:22:48,120
Speaker 6: it made me cry every time. I'm like, she needs

525
00:22:48,160 --> 00:22:48,720
Speaker 6: to release this.

526
00:22:48,800 --> 00:22:49,520
Speaker 4: You never released it.

527
00:22:50,600 --> 00:22:53,760
Speaker 3: She always has the ear but my mother, it's her

528
00:22:53,800 --> 00:22:54,560
Speaker 3: favorite song.

529
00:22:54,400 --> 00:22:57,359
Speaker 4: Too, Is it not a lady at the gym?

530
00:22:59,280 --> 00:23:01,040
Speaker 3: She hates every thing I do. Wait, we have a

531
00:23:01,080 --> 00:23:01,840
Speaker 3: talk back for Justin.

532
00:23:02,000 --> 00:23:04,879
Speaker 1: Oh my goodness, I had no idea Jessie McCartney was

533
00:23:04,880 --> 00:23:07,879
Speaker 1: coming on today and it just made my day. My

534
00:23:07,960 --> 00:23:10,040
Speaker 1: best friend and I have seen him every time he

535
00:23:10,119 --> 00:23:12,720
Speaker 1: comes to Akron or Cleveland. We even drove down to

536
00:23:12,760 --> 00:23:17,600
Speaker 1: Columbus and this past year I got meet and greet

537
00:23:17,640 --> 00:23:19,720
Speaker 1: tickets for her because she was my maid of honor.

538
00:23:20,119 --> 00:23:23,560
Speaker 1: She included him as part of our speech and we

539
00:23:23,640 --> 00:23:26,919
Speaker 1: also had a first dance to one of his songs

540
00:23:27,040 --> 00:23:27,960
Speaker 1: as best friends.

541
00:23:28,200 --> 00:23:31,560
Speaker 3: So very excited. That's so sweet, there you go, that's

542
00:23:31,560 --> 00:23:32,960
Speaker 3: so nice. I love.

543
00:23:33,119 --> 00:23:36,119
Speaker 5: I've been getting a lot of like requests for you know,

544
00:23:37,119 --> 00:23:39,440
Speaker 5: people to come have me play at their wedding and

545
00:23:39,480 --> 00:23:41,760
Speaker 5: the Beautiful Soul be their first dance, and I've actually

546
00:23:41,760 --> 00:23:45,240
Speaker 5: done a couple of them, and it's just so sweet,

547
00:23:45,359 --> 00:23:47,560
Speaker 5: like it's such a nice moment to have, like these

548
00:23:47,600 --> 00:23:50,400
Speaker 5: young these girls who were these women who were young

549
00:23:50,440 --> 00:23:52,320
Speaker 5: girls listening to the song, and now they're getting married

550
00:23:52,359 --> 00:23:54,800
Speaker 5: to that record. It's just like, it's pretty wild.

551
00:23:55,320 --> 00:24:03,960
Speaker 3: What's your parents feet go? Ye? She's just laughs and laughs.

552
00:24:04,040 --> 00:24:10,320
Speaker 2: It's pretty steep anyway, Mitzvn's weddings is there.

553
00:24:10,480 --> 00:24:11,840
Speaker 4: He's gotta be kind of weird though.

554
00:24:11,880 --> 00:24:13,719
Speaker 7: If like a girl is obsessed with you when they

555
00:24:13,720 --> 00:24:15,160
Speaker 7: were fourteen and they're like, I want him to sing

556
00:24:15,200 --> 00:24:17,240
Speaker 7: at our wedding, and then you're there as they're getting

557
00:24:17,240 --> 00:24:18,560
Speaker 7: married in their most beautiful moment.

558
00:24:18,600 --> 00:24:19,439
Speaker 4: You're also part of it.

559
00:24:19,600 --> 00:24:22,360
Speaker 5: Yeah, and their husband's just like, you know, looking over

560
00:24:22,440 --> 00:24:25,440
Speaker 5: like shit, bro, you know, just stay on the stage.

561
00:24:25,760 --> 00:24:29,880
Speaker 2: There's a story out today about as a psychologist write

562
00:24:29,920 --> 00:24:32,160
Speaker 2: or whatever. He was talking about the connection we still

563
00:24:32,200 --> 00:24:32,920
Speaker 2: have with music.

564
00:24:32,960 --> 00:24:33,639
Speaker 3: We grew up with.

565
00:24:33,760 --> 00:24:37,240
Speaker 2: Hell yeah, when you're in your teens, and he said, whenever,

566
00:24:37,840 --> 00:24:40,399
Speaker 2: whenever you're in a slump, whenever you're in a ditch

567
00:24:40,520 --> 00:24:44,200
Speaker 2: or you're stuck in life, simply turn on like two

568
00:24:44,280 --> 00:24:47,800
Speaker 2: or three tracks from from your days when you're growing up,

569
00:24:47,960 --> 00:24:50,159
Speaker 2: and it connects in your brain.

570
00:24:50,440 --> 00:24:52,000
Speaker 3: They can't wholly explain it.

571
00:24:53,200 --> 00:24:55,879
Speaker 2: For instance, when you were growing up, Like, what songs

572
00:24:55,920 --> 00:24:57,760
Speaker 2: could you turn on right now that would make you

573
00:24:58,400 --> 00:24:59,920
Speaker 2: happy even though you're with us?

574
00:25:00,119 --> 00:25:02,280
Speaker 3: Anything from the anything from the Born to Do It

575
00:25:02,320 --> 00:25:03,160
Speaker 3: Craig David album.

576
00:25:04,080 --> 00:25:04,880
Speaker 4: We did karaoke.

577
00:25:05,000 --> 00:25:07,879
Speaker 3: Yeah, I remember that. I remember that.

578
00:25:07,880 --> 00:25:11,320
Speaker 5: That was fun, just because it was like I loved

579
00:25:11,400 --> 00:25:14,680
Speaker 5: I've idolized him as a vocalist and as as a producer,

580
00:25:14,720 --> 00:25:17,240
Speaker 5: and I just thought his stuff was brilliant and super fresh.

581
00:25:17,280 --> 00:25:19,160
Speaker 5: You guys played this stuff all the time. It's how

582
00:25:19,160 --> 00:25:23,720
Speaker 5: I got introduced to him. Daniel Bettingfield sure, just one

583
00:25:23,720 --> 00:25:26,600
Speaker 5: of the great ballad singers of our generation. What is there?

584
00:25:26,760 --> 00:25:28,880
Speaker 3: Was there a dance song from Daniel Benningfield? We got

585
00:25:28,920 --> 00:25:29,520
Speaker 3: to get through this.

586
00:25:30,720 --> 00:25:34,120
Speaker 6: To get through this, they said, it's called neural nostalgia.

587
00:25:34,200 --> 00:25:36,840
Speaker 5: But of course his big his most famous was if

588
00:25:36,880 --> 00:25:42,600
Speaker 5: You're not on the the Big Ballad. But yeah, I

589
00:25:42,600 --> 00:25:44,800
Speaker 5: I totally feel the same way. And I actually do

590
00:25:44,880 --> 00:25:47,960
Speaker 5: that as a grown up. In my car if I'm

591
00:25:47,960 --> 00:25:50,000
Speaker 5: feeling down, I'll put on old stuff that I grew

592
00:25:50,080 --> 00:25:51,919
Speaker 5: up listening to from the early two thousands.

593
00:25:51,920 --> 00:25:54,320
Speaker 3: It makes me feel good, So I turn on Barry Mantles.

594
00:25:54,440 --> 00:25:57,240
Speaker 3: There you go I love it.

595
00:25:57,400 --> 00:26:00,159
Speaker 6: Not a fanel by the way, not your Enemy is

596
00:26:00,200 --> 00:26:00,440
Speaker 6: the song.

597
00:26:01,000 --> 00:26:02,360
Speaker 3: Not your Enemy. That's a good one.

598
00:26:02,359 --> 00:26:03,160
Speaker 6: That's a great song.

599
00:26:03,440 --> 00:26:06,440
Speaker 3: Thank you. We could either play Daniel Beddingfield or make

600
00:26:06,480 --> 00:26:09,600
Speaker 3: a baby. It's either one or the other. Well then

601
00:26:09,920 --> 00:26:11,000
Speaker 3: sorry Daniel, but.

602
00:26:15,520 --> 00:26:17,800
Speaker 2: You are just incredible and you know you always bring

603
00:26:17,800 --> 00:26:18,880
Speaker 2: a great energy to our show.

604
00:26:18,920 --> 00:26:21,240
Speaker 3: Thank you so much. I'm just to read this Will Jesse,

605
00:26:22,359 --> 00:26:22,840
Speaker 3: Oh my god.

606
00:26:22,960 --> 00:26:23,080
Speaker 2: Oh.

607
00:26:23,119 --> 00:26:24,320
Speaker 3: They want to know if you will do us and

608
00:26:24,440 --> 00:26:27,720
Speaker 3: only fans and only fans do it?

609
00:26:27,800 --> 00:26:28,160
Speaker 6: Do it?

610
00:26:28,680 --> 00:26:30,960
Speaker 3: What? What would the content be? Exactly? I guess you

611
00:26:31,080 --> 00:26:31,920
Speaker 3: play with yourself.

612
00:26:34,200 --> 00:26:37,280
Speaker 2: I mean why we actually had okay you hear me out.

613
00:26:37,280 --> 00:26:39,160
Speaker 2: We actually had this debate on our show. Once someone

614
00:26:39,200 --> 00:26:41,600
Speaker 2: said you should you guys should start an only fans page,

615
00:26:41,760 --> 00:26:44,240
Speaker 2: the other people saying no, no, only fans is for sex.

616
00:26:44,280 --> 00:26:44,760
Speaker 3: That is it.

617
00:26:44,920 --> 00:26:46,960
Speaker 2: You don't do anything on only fans and expect to

618
00:26:47,000 --> 00:26:48,879
Speaker 2: make money unless it's something kind of creepy.

619
00:26:48,960 --> 00:26:52,440
Speaker 6: You think we could do feet, stuffy Chrish Bananas were

620
00:26:52,480 --> 00:26:54,679
Speaker 6: always asking to see Gandhi in my feet, So we

621
00:26:54,720 --> 00:26:56,560
Speaker 6: think if we do something with feet, we make a

622
00:26:56,600 --> 00:26:57,080
Speaker 6: lot of money.

623
00:26:57,160 --> 00:26:59,240
Speaker 5: Yeah, you could do what would you like? What would

624
00:26:59,280 --> 00:27:01,840
Speaker 5: your price be I don't know, would you charge for

625
00:27:01,880 --> 00:27:02,719
Speaker 5: a banana squish?

626
00:27:03,080 --> 00:27:06,200
Speaker 2: Oh see, now you're talking about a different Only Fans Okay,

627
00:27:06,240 --> 00:27:10,639
Speaker 2: Scotty Scotted up, So Nate and Scottie we want to

628
00:27:10,680 --> 00:27:14,840
Speaker 2: do a daily feature of them sharing a banana? Yeah, okay, yeah,

629
00:27:14,840 --> 00:27:18,520
Speaker 2: because I don't choke on them, Scotty, I don't even

630
00:27:18,560 --> 00:27:19,320
Speaker 2: take it down that road.

631
00:27:19,880 --> 00:27:21,320
Speaker 3: You don't need to hear that. You don't have a

632
00:27:21,480 --> 00:27:25,120
Speaker 3: gag reflex giving you ideas. Yeah, yeah, I don't think.

633
00:27:25,119 --> 00:27:25,720
Speaker 3: I don't think.

634
00:27:25,840 --> 00:27:28,040
Speaker 5: There are a few artists though, aren't there I heard?

635
00:27:28,080 --> 00:27:30,200
Speaker 5: I don't know who that are on OnlyFans. Isn't like

636
00:27:30,280 --> 00:27:33,560
Speaker 5: Chris Brown or one of them. I made that up,

637
00:27:33,600 --> 00:27:33,920
Speaker 5: I think.

638
00:27:34,480 --> 00:27:36,640
Speaker 4: I mean, I know, I know some actors and actresses

639
00:27:36,640 --> 00:27:37,280
Speaker 4: that are doing.

640
00:27:37,119 --> 00:27:39,359
Speaker 3: Things like doing sexual stuff.

641
00:27:39,400 --> 00:27:40,720
Speaker 4: Though she started a foot page.

642
00:27:40,760 --> 00:27:44,399
Speaker 7: No anything sexual if you make it sexual. So I mean,

643
00:27:44,560 --> 00:27:46,399
Speaker 7: maybe you could just like show a nipple and make

644
00:27:46,440 --> 00:27:46,960
Speaker 7: weird noises.

645
00:27:47,040 --> 00:27:51,879
Speaker 2: I don't know, Okay, I'm good, by the way. So

646
00:27:51,880 --> 00:27:53,360
Speaker 2: I just sent a text in saying that you were

647
00:27:53,400 --> 00:27:57,840
Speaker 2: totally robbed on masked singer. Oh that's very sweet, very

648
00:27:57,960 --> 00:27:59,879
Speaker 2: mad when he lost Max Senior masks.

649
00:28:00,640 --> 00:28:03,359
Speaker 3: That show is tough. Talk about that. What's it like

650
00:28:03,400 --> 00:28:04,520
Speaker 3: to be on that show.

651
00:28:04,359 --> 00:28:06,320
Speaker 5: Is one of the hardest things I've ever done, believe

652
00:28:06,359 --> 00:28:08,240
Speaker 5: it or not. As silly as of a show as

653
00:28:08,240 --> 00:28:10,240
Speaker 5: it is, it made it difficult for you. First of all,

654
00:28:10,280 --> 00:28:14,359
Speaker 5: you're wearing this suit that is insanely heavy. The shell

655
00:28:14,400 --> 00:28:16,760
Speaker 5: alone was like twenty five to thirty pounds on the

656
00:28:16,800 --> 00:28:19,840
Speaker 5: back of your you know, on your back. I was

657
00:28:19,840 --> 00:28:25,439
Speaker 5: a turtle. And you know this head gear that's like

658
00:28:25,520 --> 00:28:28,440
Speaker 5: smushing your head down. It's very poorly ventilated. By the way,

659
00:28:28,480 --> 00:28:31,840
Speaker 5: I don't want to totally bag on the design and

660
00:28:31,920 --> 00:28:35,399
Speaker 5: the creative department there. I mean they're amazing, they're Emmy

661
00:28:35,400 --> 00:28:35,920
Speaker 5: Award winning.

662
00:28:36,040 --> 00:28:36,640
Speaker 3: They know it's hard.

663
00:28:36,960 --> 00:28:39,600
Speaker 5: They're beautiful. Right, So that's out of the way. Let's

664
00:28:39,600 --> 00:28:43,440
Speaker 5: talk about the ventilation. If you eat a salad for

665
00:28:43,600 --> 00:28:48,440
Speaker 5: lunch and it has red onion, yeah, you're just it's

666
00:28:48,480 --> 00:28:52,440
Speaker 5: the you're suffocating in your own stench throughout the day.

667
00:28:53,240 --> 00:28:57,840
Speaker 5: I learned that day one of dress rehearsals. It's just

668
00:28:57,880 --> 00:29:00,720
Speaker 5: getting around walking anywhere. The shell, you know, makes you

669
00:29:01,040 --> 00:29:03,480
Speaker 5: five times your body with so you're just not used

670
00:29:03,480 --> 00:29:06,960
Speaker 5: to walking through doorways. I knocked myself out four three

671
00:29:07,040 --> 00:29:10,880
Speaker 5: or four times onto the ground. So it's just hard.

672
00:29:10,880 --> 00:29:13,560
Speaker 5: It's hard to breathe. The ventilation is poor, and so

673
00:29:13,680 --> 00:29:16,320
Speaker 5: trying to catch a breath while you're singing big notes,

674
00:29:16,720 --> 00:29:19,520
Speaker 5: it's hard. And honestly, I think I could have sounded

675
00:29:19,560 --> 00:29:23,080
Speaker 5: better if it wasn't for the turtle costume. But but

676
00:29:23,120 --> 00:29:24,600
Speaker 5: it was a really fun show and I got to

677
00:29:24,640 --> 00:29:26,640
Speaker 5: sing in front of Robin Thick every night, who's like

678
00:29:26,680 --> 00:29:29,360
Speaker 5: one of also one of my heroes, you know, vocal heroes.

679
00:29:30,280 --> 00:29:30,800
Speaker 3: So it was fun.

680
00:29:31,560 --> 00:29:32,840
Speaker 6: Turtle costume for a reason.

681
00:29:33,000 --> 00:29:35,760
Speaker 5: They give you like three or four options, and the

682
00:29:35,800 --> 00:29:40,600
Speaker 5: other three were just not I honestly, I looked at

683
00:29:40,680 --> 00:29:43,240
Speaker 5: them and I was like, the turtle looks like it's

684
00:29:43,280 --> 00:29:46,240
Speaker 5: built for the most comfort. The other ones were just ridiculous.

685
00:29:46,440 --> 00:29:48,720
Speaker 5: Some of them like had metal chains, you know, a

686
00:29:48,760 --> 00:29:51,800
Speaker 5: metal skirt chain that I was like, I'm an Irish

687
00:29:51,960 --> 00:29:55,240
Speaker 5: and wearing an Irish kilt, made a metal So I

688
00:29:55,320 --> 00:29:57,160
Speaker 5: just I picked the costume. They felt like I'd be

689
00:29:57,200 --> 00:30:00,640
Speaker 5: the most mobile in right, So but yeah, wife's choice

690
00:30:00,680 --> 00:30:01,000
Speaker 5: the turtle.

691
00:30:01,120 --> 00:30:03,200
Speaker 4: Are you guys just walking around backstage with the heads off?

692
00:30:03,920 --> 00:30:07,120
Speaker 5: No, no, no, it's not sicking. It is top top secret.

693
00:30:07,200 --> 00:30:10,120
Speaker 5: You're signing like one hundred NDA's that you have to

694
00:30:10,240 --> 00:30:12,000
Speaker 5: you have to disclose who you've told. So I had

695
00:30:12,040 --> 00:30:14,000
Speaker 5: to tell my wife because I was leaving at six

696
00:30:14,040 --> 00:30:16,680
Speaker 5: in the morning and coming home very late. Wow, I

697
00:30:16,760 --> 00:30:18,880
Speaker 5: told maybe my publicist, my manager.

698
00:30:18,920 --> 00:30:21,600
Speaker 3: That's it. I didn't tell anyone in my family. Uh.

699
00:30:22,000 --> 00:30:24,440
Speaker 5: And first of all, you leave your house, they pick

700
00:30:24,520 --> 00:30:27,400
Speaker 5: you up, They make you wear gloves and socks so

701
00:30:27,440 --> 00:30:29,400
Speaker 5: that you no one can see the color of your skin.

702
00:30:30,200 --> 00:30:33,400
Speaker 5: You get to the lot and they open the door

703
00:30:33,480 --> 00:30:35,920
Speaker 5: and they have like an umbrella. It's summer in LA

704
00:30:36,000 --> 00:30:37,960
Speaker 5: and they just don't want so they're shielding you from

705
00:30:38,000 --> 00:30:39,520
Speaker 5: the rest of the staff. So they didn't put a

706
00:30:39,520 --> 00:30:41,720
Speaker 5: bag on your head something like that. No, No, they

707
00:30:41,960 --> 00:30:44,120
Speaker 5: they put it. Oh, they put a visor on. So

708
00:30:44,160 --> 00:30:45,920
Speaker 5: I leave the house every morning with a hoodie and

709
00:30:45,960 --> 00:30:49,760
Speaker 5: a like mirrored advisor. The neighbors thought I was a criminal.

710
00:30:49,960 --> 00:30:51,920
Speaker 3: Could you see? Photographer's else are trying to get shot.

711
00:30:51,960 --> 00:30:54,520
Speaker 5: Photographers everywhere trying to get shots, which is why they

712
00:30:54,560 --> 00:30:57,600
Speaker 5: do it, because they're trying to reveal the people. And

713
00:30:57,800 --> 00:30:59,960
Speaker 5: uh yeah, and but none of no one in the

714
00:31:00,080 --> 00:31:02,640
Speaker 5: camera crew or on set new just the line producer

715
00:31:02,720 --> 00:31:03,320
Speaker 5: knew who I was.

716
00:31:03,360 --> 00:31:03,959
Speaker 3: It was crazy.

717
00:31:04,040 --> 00:31:08,280
Speaker 2: So what about when the reveal happened? Yeah, and you're like, voila,

718
00:31:08,560 --> 00:31:11,480
Speaker 2: it's me. Yeah, were you afraid of? Like, god, I

719
00:31:11,480 --> 00:31:15,360
Speaker 2: hope they know who I am. I knew that they

720
00:31:15,480 --> 00:31:16,880
Speaker 2: know who I was.

721
00:31:17,600 --> 00:31:20,880
Speaker 5: But I remember thinking, I'm gonna like pull off and

722
00:31:20,920 --> 00:31:23,280
Speaker 5: reveal at the end of the show, and it was

723
00:31:23,320 --> 00:31:26,880
Speaker 5: like and in second place, it's Jesse. So like, you know,

724
00:31:27,000 --> 00:31:29,720
Speaker 5: that was not a fun moment because I'm competitive. I

725
00:31:29,760 --> 00:31:30,680
Speaker 5: wanted to win the show.

726
00:31:30,880 --> 00:31:34,280
Speaker 3: Who won that one? I forget? I forget who it was.

727
00:31:34,440 --> 00:31:38,000
Speaker 5: Wow, there's the story right, there's her name. She's the writer.

728
00:31:38,120 --> 00:31:40,480
Speaker 5: She did like the TLS a lot of TLC songs.

729
00:31:42,280 --> 00:31:43,200
Speaker 3: Oh my god, I.

730
00:31:43,120 --> 00:31:44,440
Speaker 4: Know what do you get if you win.

731
00:31:45,920 --> 00:31:49,680
Speaker 3: Nothing? You could go home and take it back. Yeah, yeah, exactly, shower,

732
00:31:49,800 --> 00:31:52,000
Speaker 3: yeah exactly. We're finding out.

733
00:31:52,080 --> 00:31:53,720
Speaker 4: Did you know who the other celebrities were?

734
00:31:53,840 --> 00:31:55,760
Speaker 3: Okay, so I did know a couple I was able

735
00:31:55,800 --> 00:31:56,240
Speaker 3: to discover.

736
00:31:56,360 --> 00:32:00,680
Speaker 5: I mean, I recognize Hunter Hayes's voice country saying, and

737
00:32:00,720 --> 00:32:06,160
Speaker 5: then I recognized Gronk Gronkowski because he's like six foot seven,

738
00:32:06,440 --> 00:32:09,120
Speaker 5: you know, And he gave me a high five backstage

739
00:32:09,160 --> 00:32:10,960
Speaker 5: and hit me so hard that was one of the

740
00:32:10,960 --> 00:32:13,160
Speaker 5: times I fell back on the turtleshell.

741
00:32:12,760 --> 00:32:14,240
Speaker 3: Damaged the costume. Wow.

742
00:32:14,600 --> 00:32:16,520
Speaker 5: And he just like the way he and he was

743
00:32:16,600 --> 00:32:19,160
Speaker 5: like not following the rules. He was talking all the

744
00:32:19,200 --> 00:32:21,320
Speaker 5: time and he was loud, and I recognized his voice.

745
00:32:23,200 --> 00:32:24,400
Speaker 4: It was Candy Burrist who won.

746
00:32:24,520 --> 00:32:27,120
Speaker 3: Oh Candy, Sorry, sorry, Candy, I forgot.

747
00:32:27,280 --> 00:32:29,880
Speaker 6: They don't even let like the celebrities that are back

748
00:32:29,920 --> 00:32:32,800
Speaker 6: there participating in the show, like hang out with each other.

749
00:32:33,160 --> 00:32:36,320
Speaker 5: No, no, no, you're like you're you're totally isolated in

750
00:32:36,360 --> 00:32:37,120
Speaker 5: your own trailer.

751
00:32:37,960 --> 00:32:40,320
Speaker 4: Yeah, you recognized from getting a s.

752
00:32:41,280 --> 00:32:43,840
Speaker 3: Yeah. Just the way he talks and the way he

753
00:32:43,920 --> 00:32:46,520
Speaker 3: kind of walks. You know, you can just tell me. Yeah, yeah,

754
00:32:46,560 --> 00:32:47,840
Speaker 3: that's so interesting. Yeah.

755
00:32:47,840 --> 00:32:49,760
Speaker 2: I don't think anyone else on the planet knows how

756
00:32:49,800 --> 00:32:52,560
Speaker 2: this goes except for you because you're listening to Jesse McCartney. Now,

757
00:32:52,560 --> 00:32:54,800
Speaker 2: we got to play makeup, baby. We had to take

758
00:32:54,840 --> 00:32:57,680
Speaker 2: out two f words. Okay, let you know, all right,

759
00:32:58,520 --> 00:33:00,600
Speaker 2: we took we took a van go and we like

760
00:33:00,880 --> 00:33:03,560
Speaker 2: had to rearrange the face, which makes I hate that

761
00:33:03,600 --> 00:33:05,080
Speaker 2: we have to do this, I do.

762
00:33:05,480 --> 00:33:07,440
Speaker 3: We got the clean version, sep over, so this is

763
00:33:07,480 --> 00:33:08,280
Speaker 3: now the actual one.

764
00:33:08,280 --> 00:33:12,320
Speaker 2: Oh no, so you know you get fired. Did they

765
00:33:12,400 --> 00:33:15,000
Speaker 2: email it? Did you got your guys in the back.

766
00:33:15,000 --> 00:33:18,240
Speaker 2: We're working on it. Okay, we actually created our own version.

767
00:33:18,280 --> 00:33:19,200
Speaker 2: Maybe it's better than yours.

768
00:33:19,240 --> 00:33:24,000
Speaker 3: I don't know. Amazing, Oh good, good they did.

769
00:33:25,680 --> 00:33:30,000
Speaker 2: Wow. He likes to throw sharp objects from tom God.

770
00:33:30,040 --> 00:33:31,680
Speaker 2: You know, I mean, you know, okay, I think I

771
00:33:31,680 --> 00:33:33,520
Speaker 2: think I started to say goodbye like seventeen times.

772
00:33:33,560 --> 00:33:35,160
Speaker 3: I'm gonna thank you so much.

773
00:33:35,280 --> 00:33:37,280
Speaker 5: I love you, I love you all, thank you so much.

774
00:33:37,320 --> 00:33:38,760
Speaker 5: It's it's so good to see you, guys.

775
00:33:40,800 --> 00:33:43,640
Speaker 3: Gravy, we said high which first were playing? Hours? Are

776
00:33:43,680 --> 00:33:45,600
Speaker 3: there fair version? All right?

777
00:33:46,440 --> 00:33:47,680
Speaker 6: You're sure it's the right one.

778
00:33:47,960 --> 00:33:50,960
Speaker 2: Okay, we'll find out in Young Gravy.

779
00:33:51,160 --> 00:33:51,960
Speaker 3: It's making baby.

780
00:33:52,240 --> 00:33:53,440
Speaker 2: I don't want to push the button that means you

781
00:33:53,440 --> 00:33:55,960
Speaker 2: have to leave, I know, say goodbye to Jesse.

782
00:33:56,920 --> 00:33:57,280
Speaker 3: Guys,