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Speaker 1: So you know, I got invited by Trent Reznor to

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Speaker 1: do one of his like scoring sessions. You know, I'm

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Speaker 1: like a music guy, you know, Like this was exciting

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Speaker 1: for me. I think he's one of the best guys

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Speaker 1: scoring movies today. And to see to actually see it in.

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Speaker 2: Action, I thought, was like very interesting, and like does

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Speaker 2: he use a computer? Does he use like a live orchestra?

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Speaker 1: And what he does He just sits down in front

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Speaker 1: of the microphone and opens his mouth and the whole

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Speaker 1: thing just comes out and he doesn't close it ever.

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Speaker 3: Does he have something in his mouth?

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Speaker 2: No, I looked.

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Speaker 1: I got around to the other side and I looked

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Speaker 1: in and it is black. It is black in there,

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Speaker 1: so I can't see. To be honest, I couldn't see.

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Speaker 1: But he just holds his mouth open and it produces

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Speaker 1: the entire score for the movie and one of his

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Speaker 1: eyes is closed.

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Speaker 3: Just a nine inch nails guy.

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Speaker 1: Yes, okay, so you think you oh, so you think

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Speaker 1: you know how he does it?

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Speaker 2: You look like you kind of figured it out.

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Speaker 3: Yeah, if it's a nine inch nails guy, I think

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Speaker 3: I know what he's doing. Oh what he's making it

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Speaker 3: with his mouth because he's a musician. Okay, like for

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Speaker 3: a while, is that what? At some point you just

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Speaker 3: you hear music so much. Yeah, eventually you're just like,

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Speaker 3: I'll just do it. If it's one of the new guys. Okay,

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Speaker 3: maybe he needs a guy with violin or something. But

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Speaker 3: for Trent, I think he actually as a musician can

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Speaker 3: make it with his mouth. And that's probably why it

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Speaker 3: looks so dark in there, is because.

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Speaker 2: He is a little older.

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Speaker 1: I have been noticing that starting to happen with me,

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Speaker 1: and I was okay, and I was wondering, because I've

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Speaker 1: been hanging out with him, is that why the inside

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Speaker 1: of my mouth is getting so dark?

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Speaker 2: No?

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Speaker 3: No, that's a really natural, uh, just aging thing where ultimately,

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Speaker 3: I mean, because we are all from I mean, look,

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Speaker 3: we love science. We'll talk about science. We're from batar stuff, space,

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Speaker 3: galaxy and stuff. And the ultimately become black hole.

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Speaker 1: The sky you see is blue, but when you actually

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Speaker 1: look at space, it is black.

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Speaker 3: Yes, And so you do.

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Speaker 2: It's your mouth becoming space, turning back.

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Speaker 3: To space, and so your mouth becomes a black hole

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Speaker 3: and then you your whole body is So it's a

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Speaker 3: natural part of the aging process. Can be scary, you know,

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Speaker 3: but as natural as can be.

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Speaker 1: Hey, welcome to Hollywood Handbook and Insiders, Guy to kicking

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Speaker 1: button dropping names in the red carpet lineback hallways of

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Speaker 1: this industry.

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Speaker 2: We call showbiz what we are.

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Speaker 1: We've been keeping you updated, just like giving you a

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Speaker 1: glimpse into it is still pilot season, and what a

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Speaker 1: season it is. It's been an extra exciting one. We

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Speaker 1: are shooting this pilot formerly known as.

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Speaker 3: White and Gold, formerly known as Baby Grandpa.

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Speaker 1: Formerly known as untitled Engineer Cody Boy Project.

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Speaker 3: Yes, we were ultimately unable to come to terms with

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Speaker 3: the Engineer Cody Boy and the network and all of that,

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Speaker 3: so it's changed a little bit, but it's still good.

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Speaker 1: This stuff with and I'll just say it because you're here,

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Speaker 1: this idea that you're in some kind of Cody's union

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Speaker 1: that has like a specific like it has demands just

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Speaker 1: because your name is Cody, Like you're part of a

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Speaker 1: union of boys named Cody. Right, I'm incredulous about that.

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Speaker 1: It doesn't make any sense to me that all boys

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Speaker 1: named Cody are in a union that requires them to

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Speaker 1: be paid exorbitant an amount of money.

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Speaker 3: For and the requirements on set, the we had to

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Speaker 3: have two leaders of diets, Bright Remix, and a lot

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Speaker 3: of other very specific items.

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Speaker 2: Yes, and you know you can't have Surge.

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Speaker 1: It's the demand that you be allowed to do gray,

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Speaker 1: you behave the demand that you be allowed to drink

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Speaker 1: Surge is this instant deal breaker.

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Speaker 3: We are not going to let you on that set

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Speaker 3: with Surge in your body because the things I've seen

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Speaker 3: you do on that stuff is just insane.

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Speaker 4: Well, you need to say in the terms, if you

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Speaker 4: can't stand the heat, get out of the kitchen.

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Speaker 3: And that's so strange that that's part of your union

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Speaker 3: code because it's so vague and the heat in this

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Speaker 3: instance is just letting you drink Serge, and we're not

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Speaker 3: going to do that.

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Speaker 2: It's branching off the six nine five.

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Speaker 4: And also not just people named Cody, but the other

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Speaker 4: engineers with the title Cody. We've recently acquired them as

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Speaker 4: part of the union as well. So if you want

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Speaker 4: to work with engineer.

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Speaker 1: Code, yeah, that's not canon for us, that's part of it.

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Speaker 1: That's part of the other show. That's not part of

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Speaker 1: our This whole other engineer Cody thing, don't have time.

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Speaker 2: For it, not part of our show. Bullshit here, But.

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Speaker 1: And he did say, people, Dave Cody, when you've set

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Speaker 1: these rules before, you said it was a union for

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Speaker 1: boys named Cody.

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Speaker 4: Right, but we acquired them that additional.

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Speaker 2: The additional people, yeah, non boys.

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Speaker 4: Well it's a it's a it's an additional note that

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Speaker 4: was added after the fact to the terms.

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Speaker 3: One of the things was you had to be allowed

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Speaker 3: to punch a priest on set. You wanted to punch

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Speaker 3: a priest in the stomach.

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Speaker 1: Fuck them a specific one.

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Speaker 5: Fuck them.

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Speaker 3: Uh, I don't know. I mean, look, we wanted to

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Speaker 3: work with you. We were excited, but anyway, the pilot

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Speaker 3: moved forward without you, and we're sorry it didn't work out.

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Speaker 3: We think it could have been a big opportunity for you.

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Speaker 3: But a lot of these demands were pretty insane. We've

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Speaker 3: named some of the more tame ones, a lot of

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Speaker 3: them I'd rather not filthy the mic with.

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Speaker 1: And so now they've they've backed off of the whole

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Speaker 1: like dress changing color thing they're on.

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Speaker 2: They really like this bat Kids story.

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Speaker 1: There was this kid who I guess like he got

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Speaker 1: to like fake fight the Joker and he was sick

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Speaker 1: and this was a little while ago, and they thought like,

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Speaker 1: maybe that's a show.

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Speaker 3: They just found out about it, but I remembered hearing

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Speaker 3: about it like a year ago, and so, uh, they said,

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Speaker 3: maybe that's show. And there is like a young bat

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Speaker 3: Kids show already called Gotham.

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Speaker 2: Yes, so that to us was a bump.

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Speaker 3: But they said, well, this one's gonna be funny and

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Speaker 3: it's going to be the kid is the star of it.

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Speaker 2: Mm hmm.

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Speaker 3: So that's great. It's super exciting for us. We did lose, uh,

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Speaker 3: we lost a few things when we went into actually

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Speaker 3: film it, and it's in the can now and we're

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Speaker 3: an editing process and its face love what we got.

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Speaker 1: We got, so we got great. It'll be an issue

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Speaker 1: of just cutting it down will be how do you

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Speaker 1: choose choosing what do you choose to? Yeah, we did lose.

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Speaker 3: Multiple locations on the day of, so we wound up

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Speaker 3: filming part of it in Hayes's back seat of his car.

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Speaker 1: And now it's like a fun thing where like backhead,

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Speaker 1: it was going to be back Hid like Saves the City,

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Speaker 1: but we lost the city, you know, like the city

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Speaker 1: of Los Angeles that dropped out. Yeah, and so now

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Speaker 1: it's going to be like Saves, like one of these

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Speaker 1: little small boxes of cheerios from what we were able

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Speaker 1: to get in the car to attack the cheerios, which

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Speaker 1: is just Hayes's girlfriend's dog, and we created sort of

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Speaker 1: a special effect where that little like poll down thing

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Speaker 1: that leads to the back seat comes down and Carrie

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Speaker 1: Ann's dog's head like pokes through the thing at his bark. Again,

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Speaker 1: the back kid has to like shove it back into

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Speaker 1: the acceed and and get that little compartment shut, which

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Speaker 1: is tough.

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Speaker 2: Because he is very sick. Yes, so because.

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Speaker 1: You know, had we done this a year ago, that

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Speaker 1: would be one thing, but now it's like a year later.

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Speaker 3: Yes, he's not doing as well. That's why they let

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Speaker 3: him do the thing initially. But you know, it's great.

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Speaker 3: We loved back kid, We loved working with that car.

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Speaker 3: Mister Hittleston was a whiz with the cameras and the

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Speaker 3: tech stuff. We did lose him halfway through filming and

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Speaker 3: sort of had to do it ourselves and some of

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Speaker 3: that footage doesn't match up exactly. We had a poor

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Speaker 3: understanding of eye lines.

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Speaker 1: Yeah, but they don't say is that like who's eye

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Speaker 1: line is it?

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Speaker 2: And it mostly ended up being the dogs.

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Speaker 3: Well, what we did was because we knew that you

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Speaker 3: needed to have some kind of eyeline or something for

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Speaker 3: them to look at as we can go look at me.

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Speaker 3: So the second half of the show they are looking

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Speaker 3: right down the barrel of the camera and kind of

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Speaker 3: delivering directly to audience all their line.

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Speaker 1: Yeah, and so now first, if the dog is gonna

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Speaker 1: look at the camera, the camera is going to have

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Speaker 1: to be covered in peanut butter, and that affects the

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Speaker 1: quality of the image somewhat.

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Speaker 2: What is this, Cody?

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Speaker 3: What is that sound?

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Speaker 2: What's that sound? All right?

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Speaker 3: I didn't mean to do that.

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Speaker 2: Actually, what is this?

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Speaker 3: What was that?

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Speaker 2: It's Vice News?

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Speaker 1: Vice News? Why are you playing Vice News in the

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Speaker 1: middle of the Fader?

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Speaker 3: It was up.

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Speaker 2: I didn't mean that. You were just trying to privately

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Speaker 2: watch Vice News. They caught me.

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Speaker 3: Yeah, it's about sharks, Cody engineer, Cody Boys.

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Speaker 1: So all the time we we you're we think you're

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Speaker 1: configuring the sound or whatever it is you say you're doing.

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Speaker 2: You're watching Vice News. Not always, but.

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Speaker 3: What if the news was brought to you by.

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Speaker 1: Dickheads, rich people pretending to be poor. That's the kind

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Speaker 1: of news that you like.

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Speaker 3: It's it's catchy, it's the problem and so the news.

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Speaker 2: Is catchy to you.

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Speaker 3: Maybe like thirty of the time that didn't sound catchy

200
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Speaker 3: sounding crazy.

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Speaker 2: Anyway.

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Speaker 1: So what the show is now is twenty two minutes

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Speaker 1: of this sick kid the backseat of my car try

204
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Speaker 1: to defend a mini box of cheerios from from my

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Speaker 1: girlfriend's dog that's popping out of the back seat through

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Speaker 1: that middle apartment.

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Speaker 3: We haven't got confirmation on the dog breed yet, but

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Speaker 3: we have asked her to look into it a little

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Speaker 3: bit because he's.

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Speaker 1: Doing one of those male order things. It takes a

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Speaker 1: very long time, yes.

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Speaker 3: But it looked like not. It's not a scary looking dog.

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Speaker 3: Unfortunately for the show. He's really sweet, which is great

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Speaker 3: that he.

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Speaker 2: Does not like cheerios.

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Speaker 3: Didn't want him, didn't want him, so that, you know,

217
00:11:31,080 --> 00:11:36,200
Speaker 3: look forward to that. We are going to have to

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Speaker 3: put the sound in afterwards. That became an issue during filming.

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Speaker 3: I guess we had expected engineer Cody Boy to be

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Speaker 3: on set, so we thought we'd have kind of a

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Speaker 3: sound guy around and I could hear everything that kid

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Speaker 3: was saying and the dog, but it didn't come through right,

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Speaker 3: which is an opportunity, you know, that's always anuppert you

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Speaker 3: needed to put in some hip music or whatever.

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Speaker 1: We lets us do some experimental stuff that otherwise, just

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Speaker 1: like having the normal sound, we wouldn't have necessarily thought

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Speaker 1: to do.

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Speaker 3: And I hope it runs for twenty five seasons. It's

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Speaker 3: a really great show and you're gonna love it. You're

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Speaker 3: gonna laugh, and you're gonna have fun.

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Speaker 1: Anyway, I see you looking very intently at your computer, Cody,

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Speaker 1: what did like? What are the like a guy and

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Speaker 1: a little guy in glasses went to like the desert

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Speaker 1: or something?

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Speaker 2: Yeah, no comment.

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Speaker 3: Somebody shooting a gun?

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Speaker 1: Yeah, a guy in a flannel shirt is like shooting

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Speaker 1: a big gun and like wearing a turbine or something.

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Speaker 3: Dude with a Fadora's party and with Kim Jong un

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Speaker 3: or some shit.

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Speaker 2: Tell me what's up?

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Speaker 5: He's got a hat.

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Speaker 1: We have a very nice guest today. How Rudnick is here.

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Speaker 3: He's He's at Hal Rudnick as far as I'm concerned,

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Speaker 3: follow him on Twitter on Hollywood. So then lid gown Yeah,

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Speaker 3: takes his tile yeah.

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Speaker 1: And blindfolds Christopher Plumber Yeah, and uh and shoves him

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Speaker 1: down the water slide.

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Speaker 3: We're on the tall one, the big huna.

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Speaker 2: You know the humungka cow Bunga.

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Speaker 3: What's the name of the one, the big tall one.

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Speaker 2: Yeah, it's the it's the wet Willie. Okay.

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Speaker 3: So and then so Plumber goes smashing down, you know

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Speaker 3: face first, gets up and his chest is all red

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Speaker 3: and he goes, m I think I need another take

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Speaker 3: because they're both actors. But it wasn't for wood filming,

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Speaker 3: you know, just having water park. Yeah, you weren't filming, No, no, no,

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Speaker 3: I think there was a I don't want to say

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Speaker 3: anything inappropriate, but there was a lady filming with her

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Speaker 3: phone and she was.

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Speaker 2: Very sexy.

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Speaker 1: Dangerous to blindfold somebody on the water slide because then

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Speaker 1: you don't know when you're supposed to roll off the side.

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Speaker 2: I mean, yeah.

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Speaker 3: Dangerous to be blindfolded anywhere at large, yes, but at

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Speaker 3: a water park it can be particularly problematic.

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Speaker 1: Hey, welcome to Hollywood Hambun Insider's guys to kicking button

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Speaker 1: dropping names in the red carpet line back hallways of

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Speaker 1: this industry we call showbiz.

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Speaker 2: And what up? What Up? And showbiz today is the

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Speaker 2: name of the game for serious.

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Speaker 3: Yes, for real, and we love the whole industry of showbiz.

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Speaker 2: You know that.

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Speaker 1: Yes, Sean and I love movies. And what that means

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Speaker 1: is we love talking movies. And what that means is

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Speaker 1: we love talking movies with our friends.

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Speaker 3: And we have a lot of friends who is movie

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Speaker 3: geeks like us. And and it's not embarrassing to be

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Speaker 3: a movie nerd or any kind of nerd because really, uh,

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Speaker 3: and our guest, I'm sure can attest to this. Nerds

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Speaker 3: have taken over and they are in charge.

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Speaker 5: Now it's not about the jocks anymore.

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Speaker 1: You guys, let me introduce you. How Rudnik is here? Hi,

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Speaker 1: He's the screen junkie indeed. And what does that really mean? Well,

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Speaker 1: is it meaning that a screen is junk?

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Speaker 5: No? No, A lot of people ask that, A surprising

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Speaker 5: amount of people ask that really ignorant question. But it

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Speaker 5: means that you have a lust for the screen, whether

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Speaker 5: it be the silver screen or the small screen in

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Speaker 5: your living room or gentlemen, we live in twenty fifteen.

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Speaker 5: Most of us have little screens in our pockets. We're junked.

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Speaker 5: We need them. We want to grind those screens and

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Speaker 5: put the glass into our veins.

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Speaker 2: It's so true.

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Speaker 5: Junkies for them.

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Speaker 3: Yes, And I'm always smashing screens.

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Speaker 5: Just debating about them, talking about them.

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Speaker 3: Oh, and it's okay to get in a fight sometimes

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Speaker 3: about a movie or disagree, and it's all.

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Speaker 2: Fair, the most thrilling.

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Speaker 5: Sometimes it's fun to have a fight after the movie

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Speaker 5: over pizza.

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Speaker 2: Yes, over a little pizza.

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Speaker 3: Yes, Muzzarelli.

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Speaker 2: Ohm.

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Speaker 5: M that's a tough thing.

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Speaker 1: Mm hmm.

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Speaker 2: It's all part of the ritual of watching a nice movie. Yeah.

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Speaker 5: See, I host an internet show called screen Junkies on YouTube,

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Speaker 5: and yeah, I talk movies. I didn't realize I'd be

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Speaker 5: doing it so much, but yeah.

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Speaker 3: And we should say that even though it is junkies,

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Speaker 3: that movies is not as dangerous as drugs, but they

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Speaker 3: can be as fun.

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Speaker 5: Yes when don't tell that to the production crew of

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Speaker 5: Midnight Rider.

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Speaker 3: Okay, well are we getting into the trivia already? Now,

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Speaker 3: what on earth is that?

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Speaker 5: Oh? That was the Alman Brothers biopic starring William Hurt

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Speaker 5: where that had a major tragedy and someone died.

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Speaker 1: And now so this is a total movie geek, and

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Speaker 1: so he knows all of this, like behind the scenes

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Speaker 1: information about like I mean, all kinds of stuff that

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Speaker 1: like you wouldn't normally see on the screen. That's like

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Speaker 1: secrets just for movie guys, right.

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Speaker 5: Or something that you could have heard about on NPR

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Speaker 5: this week.

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Speaker 2: Okay, and that I have like a movie nerd show show.

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Speaker 5: Yes, yeah, I suppose, or just it was an actual

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Speaker 5: news story.

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Speaker 3: Right, Okay, that's on this channel that he's talking about.

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Speaker 3: That is just sort of this like you know, movie

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Speaker 3: guy's only channel that you.

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Speaker 5: Know on terrestrial radio. All your cars, get it?

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Speaker 2: Take me to your leader?

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Speaker 5: No, not eat?

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Speaker 3: Okay?

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Speaker 1: Uh so, Heyce, should we do some questions like just

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Speaker 1: to get some movie debates going.

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Speaker 2: Yeah, it could be really interesting. Yes, let's just fire in.

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Speaker 5: Now you're wetting my app but.

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Speaker 1: Right, yes, I could see you getting hungry for some

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Speaker 1: fun movie debates.

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Speaker 5: I you, as they say in the biz, you are

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Speaker 5: whetting my movie arousal.

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Speaker 2: Okay, I can see that something.

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Speaker 3: And then the business you'll say that you know just

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Speaker 3: when yeah, like buying a ticket or.

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Speaker 5: Like you see a good trailer. Like it's a pretty

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Speaker 5: common phrase in the biz to turn to your pal

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Speaker 5: and be like, now that really wetted my movie arousal.

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Speaker 1: And we the teaser we use like the traditional lingo

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Speaker 1: here of like we we we call it a teaser, right,

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Speaker 1: like we don't want to get like two inside like

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Speaker 1: people out there in the world sort of know them

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Speaker 1: a teasers.

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Speaker 2: Yes, teasers.

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Speaker 5: Do you guys enjoy Red band trailers?

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Speaker 2: Again, they're teasers.

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Speaker 1: But I do love a good Red Band teaser that

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Speaker 1: lets me know I'm in for. I love special secret

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Speaker 1: tree that no kids are allowed to see.

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Speaker 5: Oh yeah, I love it when I'm in a restaurant.

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Speaker 5: And what you get before the entree are called APPA teasers.

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Speaker 2: That's where it comes from. And that's where it comes from.

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Speaker 5: Gotcha, Yes, God, for the entree of the major motion

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Speaker 5: picture comes the APPA teaser. That is the teaser which

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Speaker 5: I earlier called trailer.

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Speaker 3: And when it's the Red Band teaser, Uh, there's some stuff.

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Speaker 5: Yes, sometimes you'll see a big old cock flopping around.

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Speaker 2: Yes, I wanted you to.

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Speaker 3: Yes, I was just about to ask you to speak

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Speaker 3: on some of what might be in the Red Band that,

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Speaker 3: oh that.

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Speaker 5: You might you might hear Samuel L. Jackson drop one

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Speaker 5: of his trademark motherfuckers.

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Speaker 1: And so they show you the red color right beforehand,

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Speaker 1: so you get in kind of like a mood to

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Speaker 1: see my.

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Speaker 5: Exhau graphic footage of a gentleman fingering a lady.

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Speaker 3: Yes, and that and that was in so many movies

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Speaker 3: this year. And I think that.

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Speaker 5: Nympho Maniac, Nympho Maniac two and as.

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Speaker 1: The part in Theory of Everything when that becomes like

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Speaker 1: kind of all he can do to show his love

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Speaker 1: to her.

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Speaker 5: Yes, at the end, all he could do is finger

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Speaker 5: his wife. Spoiler alert. We should have said where you

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Speaker 5: guys stand on spoilers and spoiler alerts.

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Speaker 1: I love saying it to refer to stuff other than

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Speaker 1: movies and TV.

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Speaker 2: Yes, So taking.

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Speaker 3: It out into the real world, yes, applying it somewhere

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Speaker 3: like we'll do a quick example. So maybe Hayes offers

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Speaker 3: me a glass of water, I might go, uh.

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Speaker 2: Oh spoiler alert speak on.

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Speaker 5: That oh wrong context? Yeah, yeah, yes, didn't didn't work

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Speaker 5: it appropriate usage.

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Speaker 2: Didn't work for you? Okay, great?

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Speaker 3: Perfect, And that's exactly the kind of debate we want

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Speaker 3: to have on the show. And I think it was good.

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Speaker 5: Yeah, And I'm sorry guys if you wanted to bring

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Speaker 5: in someone to toss your softball's wrong guy, Because I

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Speaker 5: play I play in a men's over thirty hard ball.

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Speaker 2: Hard ball ball, Yes, and which was a movie as well.

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Speaker 5: Yeah, hardball.

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Speaker 2: Now let's ask a big Chris Matthews. Let's ask a.

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Speaker 1: Big, a nice movie question to really get sort of

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Speaker 1: the debate going. So was everyone ready, Yes, let's settle

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Speaker 1: it once and for all. Which one was supposed to

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Speaker 1: be good Will Hunting? Hmmm?

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Speaker 5: Oh, that was definitely Matt Damon.

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Speaker 1: That's interesting. Yeah, okay, that's interesting. Neat take. I think

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Speaker 1: it was the teacher who was being good will hunting,

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Speaker 1: or it could have been his third friend, because they

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Speaker 1: never say, they never say.

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Speaker 3: I think it's the fourth friend and the one who

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Speaker 3: made make a makes a car at the end.

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Speaker 2: Because is that good?

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Speaker 5: Well, okay, I don't. I only remember his one friend,

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Speaker 5: Ben Affleck.

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Speaker 2: It's not him. They do say that it's not him.

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Speaker 5: Well, isn't the titular character Matt Damon? His name is

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Speaker 5: Will Hunting? And then, right, isn't it.

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Speaker 2: I don't remember that being part.

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Speaker 3: Of it, know if that's necessarily a piece of the movie,

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Speaker 3: And even if it was, it's actually called Goodwill Hunting.

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Speaker 2: And so now you're the one who's not getting softballs.

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Speaker 5: Oh, because you know what, maybe it maybe I missed

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Speaker 5: part of it, but maybe there's kind of a Maclamore

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Speaker 5: vibe and they're looking for good wills to buy some

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Speaker 5: good buy some repurposed duds.

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Speaker 2: You know who?

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Speaker 3: It might have been the apples guy who has to

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Speaker 3: how do you how does he like the apples?

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Speaker 2: Oh?

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00:23:00,119 --> 00:23:02,800
Speaker 5: One, he said that too, Yes, how do you like

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Speaker 5: them apples?

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Speaker 2: It's a movie mystery.

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Speaker 3: It's one of the great movie mysteries.

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Speaker 5: Yeah, and they built there with Rosebud.

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Speaker 3: They don't have necessarily the newest clothes, so maybe it

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Speaker 3: is they're going to goodwill. And in that case, what

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00:23:19,040 --> 00:23:21,360
Speaker 3: a missed opportunity to not have the song where they're

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Speaker 3: gonna pop some tags.

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Speaker 5: Mm hmmm mm hmmm. Oh maybe uh Robin Williams, Uh,

447
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Speaker 5: his wife died in the movie, right, mm yeah, maybe

448
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Speaker 5: it's his wife.

449
00:23:34,240 --> 00:23:38,919
Speaker 1: Yes, you do sort of wonder is she supposed to

450
00:23:39,000 --> 00:23:44,160
Speaker 1: be haunting him because sometimes he does cry like he's.

451
00:23:44,000 --> 00:23:49,360
Speaker 5: Being scared, Yes, and haunting cry scared. Director Gus van

452
00:23:49,520 --> 00:23:56,640
Speaker 5: Zandt directed a verbatim shot shot remake of Psycho. And

453
00:23:57,000 --> 00:24:00,840
Speaker 5: it's Anne Haysh who was in Gus van Zant's.

454
00:24:00,520 --> 00:24:03,160
Speaker 2: Psycho, And how about this goodwill?

455
00:24:03,240 --> 00:24:07,560
Speaker 1: If they're saying to his wife who's a ghost, they're

456
00:24:07,600 --> 00:24:11,640
Speaker 1: saying good will haunting, goodwill haunting.

457
00:24:12,040 --> 00:24:14,880
Speaker 5: And you know who that ghost is. It's his wife

458
00:24:15,480 --> 00:24:20,159
Speaker 5: who is in heaven where all ghosts are, with the

459
00:24:20,200 --> 00:24:24,960
Speaker 5: star of Gus van Zantz, my own private Idaho River Phoenix.

460
00:24:25,800 --> 00:24:28,720
Speaker 2: We did it, yes, and we all.

461
00:24:28,560 --> 00:24:31,040
Speaker 3: Did it together, and we use our movie smarts to

462
00:24:31,080 --> 00:24:32,040
Speaker 3: get all the way there.

463
00:24:33,119 --> 00:24:38,680
Speaker 1: That's a big debate, classic movie debate. Who's better Luther

464
00:24:39,600 --> 00:24:45,080
Speaker 1: from the show or the mask? Oh, I mean, not

465
00:24:45,240 --> 00:24:49,520
Speaker 1: the mask but not wearing Stolts. No, not that one

466
00:24:49,640 --> 00:24:53,760
Speaker 1: to form Elephant Titus, not that one. This is the

467
00:24:53,800 --> 00:24:58,000
Speaker 1: one who isn't the main mask, the green face mask?

468
00:24:58,359 --> 00:25:02,960
Speaker 1: Not the when door Tyrrell puts it on, because then yes,

469
00:25:03,680 --> 00:25:06,160
Speaker 1: and he's bad, and not when Milo the Dog puts

470
00:25:06,160 --> 00:25:09,080
Speaker 1: it on. Although that is an interesting question as well, because.

471
00:25:08,880 --> 00:25:11,040
Speaker 5: Jamie Kennedy is in Son of Mask, wasn't he?

472
00:25:11,560 --> 00:25:11,840
Speaker 2: Yes?

473
00:25:12,520 --> 00:25:16,960
Speaker 1: So, but the main one, oh, Jim Carrey, Yes, the

474
00:25:17,000 --> 00:25:17,680
Speaker 1: main one.

475
00:25:17,840 --> 00:25:22,359
Speaker 5: You know, for my money, the best of the of

476
00:25:22,920 --> 00:25:25,480
Speaker 5: the people have portrayed the mask.

477
00:25:26,520 --> 00:25:27,600
Speaker 2: Jim Carrey. Yes.

478
00:25:27,760 --> 00:25:32,920
Speaker 3: Well, one thing we're forgetting is Lufer is definitely a

479
00:25:32,960 --> 00:25:36,360
Speaker 3: hard boiled cop and respects the law, but isn't necessarily

480
00:25:36,359 --> 00:25:38,560
Speaker 3: going to get let the law get in the way

481
00:25:38,560 --> 00:25:39,159
Speaker 3: of justice.

482
00:25:39,280 --> 00:25:40,560
Speaker 5: Is he going to take the law into his own

483
00:25:40,560 --> 00:25:41,960
Speaker 5: hands of it? Like from time time.

484
00:25:42,000 --> 00:25:44,200
Speaker 1: That's what makes it an interesting question, is these two

485
00:25:44,240 --> 00:25:47,560
Speaker 1: would not get along, no, if they were.

486
00:25:47,400 --> 00:25:49,960
Speaker 5: Forced to work together. Are you talking about Eatris Elba

487
00:25:50,000 --> 00:25:53,480
Speaker 5: and Jim Carrey? Mm hmmm, because Eatris Elba just wouldn't

488
00:25:53,520 --> 00:25:54,920
Speaker 5: take Jim Carrey's bullshit.

489
00:25:55,200 --> 00:25:58,160
Speaker 1: Yes, it seems like there would be some conflict there. Yeah,

490
00:25:58,240 --> 00:26:00,639
Speaker 1: but the question we're asking today is who's better.

491
00:26:00,760 --> 00:26:02,879
Speaker 5: Let me ask you guys a question, true or false?

492
00:26:02,880 --> 00:26:05,720
Speaker 5: He dress Elba fine as hell I.

493
00:26:06,560 --> 00:26:09,760
Speaker 1: We're talking about if who's better between him? And that's

494
00:26:09,800 --> 00:26:13,080
Speaker 1: not that kind of better, like we don't wanna.

495
00:26:13,080 --> 00:26:16,919
Speaker 3: That would confuse the issue, like of course yes, you know,

496
00:26:17,160 --> 00:26:18,080
Speaker 3: of course.

497
00:26:18,000 --> 00:26:20,600
Speaker 5: Like not not that this is my sexual preference. But

498
00:26:20,600 --> 00:26:22,760
Speaker 5: if I had to smooch around one of those two guys,

499
00:26:22,920 --> 00:26:24,200
Speaker 5: I'd picky dress Elba.

500
00:26:24,960 --> 00:26:28,160
Speaker 1: Well, what you're forgetting is that that was the question,

501
00:26:28,240 --> 00:26:30,000
Speaker 1: right if you were if you want to smooch the

502
00:26:30,080 --> 00:26:33,439
Speaker 1: mask though he could make his lips oh.

503
00:26:34,320 --> 00:26:37,000
Speaker 5: Yeah and long, oh yeah.

504
00:26:37,040 --> 00:26:39,600
Speaker 1: And if you remember, you're actually making a fatal mistake,

505
00:26:40,040 --> 00:26:43,480
Speaker 1: because hell me, if you if you recall Dorian Tyrrell

506
00:26:43,720 --> 00:26:48,280
Speaker 1: was tricked into taking the mask off because.

507
00:26:48,240 --> 00:26:50,040
Speaker 5: Well, you're talking about Game of Thrones.

508
00:26:49,720 --> 00:26:52,880
Speaker 1: Because the woman stay with me here, stay with me here.

509
00:26:52,960 --> 00:26:57,080
Speaker 1: How we're talking about the movie The Mask starring Cameron Dean. Yeah,

510
00:26:57,200 --> 00:27:00,640
Speaker 1: since her first Thank You break out, now we're back

511
00:27:00,680 --> 00:27:04,560
Speaker 1: in it. And she was tricking Dorian Tyrrell into taking

512
00:27:04,600 --> 00:27:08,040
Speaker 1: the mask off so she could kick it away. How

513
00:27:08,480 --> 00:27:10,639
Speaker 1: so she could kick it into the air. Wait, and

514
00:27:10,680 --> 00:27:14,000
Speaker 1: it ended up being caught in the air by Milo Stanley.

515
00:27:14,000 --> 00:27:17,320
Speaker 1: It kisses dog. Oh, and then he put the mask on.

516
00:27:17,359 --> 00:27:19,199
Speaker 1: So what you're talking about when you're talking about smooching

517
00:27:19,200 --> 00:27:21,439
Speaker 1: with the mask is, yeah, a fatal mistake because that

518
00:27:21,520 --> 00:27:25,000
Speaker 1: means the mask is removed and it can be kicked

519
00:27:25,080 --> 00:27:25,840
Speaker 1: out of your hands.

520
00:27:25,840 --> 00:27:27,960
Speaker 5: Hey, I'd rather smooch with that, Cameron Diaz, but I

521
00:27:27,960 --> 00:27:29,639
Speaker 5: gotta get Benji Madden out of the way.

522
00:27:29,520 --> 00:27:36,520
Speaker 3: For this is because it's so inside and I think

523
00:27:36,600 --> 00:27:40,800
Speaker 3: that one thing about kissing the mask is watch out.

524
00:27:40,840 --> 00:27:48,320
Speaker 3: It doesn't taste like cigarettes smoke because he's smoking. How

525
00:27:48,359 --> 00:27:48,919
Speaker 3: sweet it is?

526
00:27:49,040 --> 00:27:52,720
Speaker 1: Yes, and now you were talking about Benji Benji Madden.

527
00:27:52,880 --> 00:27:56,520
Speaker 5: Yes, not it's like a footba dog not famous cinema

528
00:27:56,520 --> 00:28:00,520
Speaker 5: dog Benji. Okay, yeah, best cinema dog of all time.

529
00:28:00,560 --> 00:28:02,760
Speaker 5: I'll throw it out there for you guys. Oh that's

530
00:28:02,840 --> 00:28:04,080
Speaker 5: a great debate question.

531
00:28:04,200 --> 00:28:05,280
Speaker 2: Wow, this is good.

532
00:28:05,359 --> 00:28:09,680
Speaker 1: So I guess the contestants would be Yo Kiero Taco Bell. Yes, yes,

533
00:28:09,760 --> 00:28:15,119
Speaker 1: Yokiara Taco Bell, Milo of course from the Masked Dog

534
00:28:15,520 --> 00:28:16,919
Speaker 1: from the Mask Oh.

535
00:28:16,800 --> 00:28:19,760
Speaker 5: But what about Milo from miloon Otis the pug who

536
00:28:19,760 --> 00:28:22,080
Speaker 5: went on that journey? Did you guys know in Milo

537
00:28:22,119 --> 00:28:25,040
Speaker 5: and Otis, so many animals were abused and killed in

538
00:28:25,080 --> 00:28:26,159
Speaker 5: the making of that film.

539
00:28:26,560 --> 00:28:29,560
Speaker 1: And see this is more good movie trivia. What are

540
00:28:29,600 --> 00:28:32,199
Speaker 1: some ways that the dogs were hurt?

541
00:28:32,480 --> 00:28:34,640
Speaker 5: There was a scene where mylon Otis have to jump

542
00:28:34,680 --> 00:28:38,600
Speaker 5: over a waterfall and they just like, like if you

543
00:28:38,640 --> 00:28:40,840
Speaker 5: had to destroy a shirt in a scene, like they

544
00:28:40,840 --> 00:28:45,400
Speaker 5: would just throw the animals over this waterfall and many

545
00:28:46,040 --> 00:28:50,200
Speaker 5: it's kind of a this is true Hollywood lore that

546
00:28:50,360 --> 00:28:52,520
Speaker 5: like many animals were killed in the making of Milo

547
00:28:52,600 --> 00:28:53,040
Speaker 5: and Otis.

548
00:28:53,320 --> 00:28:59,040
Speaker 2: It is weird that you can do that with animals.

549
00:28:59,240 --> 00:29:01,000
Speaker 5: Can't do that with it animals.

550
00:29:00,840 --> 00:29:02,960
Speaker 2: But they did, Yeah, but you can't.

551
00:29:02,960 --> 00:29:05,040
Speaker 1: It's weird that you're allowed to do that with ann

552
00:29:05,200 --> 00:29:08,520
Speaker 1: with certain kinds of animals like cats and dogs you

553
00:29:08,520 --> 00:29:10,960
Speaker 1: can do it with and like a horse you can

554
00:29:10,960 --> 00:29:13,840
Speaker 1: throw that off a waterfall, yes, but you can't do

555
00:29:13,920 --> 00:29:14,880
Speaker 1: it with like a fish.

556
00:29:14,960 --> 00:29:16,000
Speaker 2: Fish can swim.

557
00:29:16,080 --> 00:29:19,560
Speaker 1: The rules don't the rules of animal the animal treatment

558
00:29:19,800 --> 00:29:23,360
Speaker 1: make no sense so archaic. Horses are smart.

559
00:29:23,480 --> 00:29:27,120
Speaker 3: And I wish that somebody like Luther to bring it back,

560
00:29:27,160 --> 00:29:29,280
Speaker 3: would just kick down the door of some of these

561
00:29:29,320 --> 00:29:33,200
Speaker 3: movie rules guys office and say like, let's play by

562
00:29:33,240 --> 00:29:36,600
Speaker 3: my rules and really make it make sense. And I

563
00:29:36,640 --> 00:29:38,520
Speaker 3: hope that is what they do next season. And they

564
00:29:38,720 --> 00:29:40,240
Speaker 3: have been asking he.

565
00:29:40,240 --> 00:29:41,760
Speaker 5: Might kick down the door of the BBC.

566
00:29:42,760 --> 00:29:46,280
Speaker 1: The fact that you can throw somebody off a waterfall

567
00:29:46,280 --> 00:29:50,440
Speaker 1: who's just like not very smart in a movie is

568
00:29:51,640 --> 00:29:54,080
Speaker 1: bizarre to me. I think we should be treating all

569
00:29:54,080 --> 00:29:57,600
Speaker 1: these people equally. These are people as well. Yeah, you

570
00:29:57,600 --> 00:29:58,600
Speaker 1: shouldn't be allowed to do.

571
00:29:58,680 --> 00:30:00,520
Speaker 5: Yeah, don't throw them over a I don't use a

572
00:30:00,560 --> 00:30:01,760
Speaker 5: person as an ashtray.

573
00:30:01,880 --> 00:30:03,920
Speaker 2: I think we should change movies. You shouldn't.

574
00:30:04,000 --> 00:30:05,760
Speaker 1: Yes, you shouldn't be allowed to use people who you

575
00:30:05,840 --> 00:30:08,960
Speaker 1: just say like, well they're like not the smartest.

576
00:30:08,480 --> 00:30:13,960
Speaker 5: Guy, yeah, yeah, uh, don't like, don't grab someone bodily

577
00:30:14,040 --> 00:30:16,560
Speaker 5: and put them at the end of the line at Chipotle,

578
00:30:16,720 --> 00:30:19,040
Speaker 5: just because you think they're not pleasing to the eye.

579
00:30:19,160 --> 00:30:22,600
Speaker 5: Don't don't grab a like a heavy set person and

580
00:30:23,200 --> 00:30:24,440
Speaker 5: spit in their hair.

581
00:30:24,720 --> 00:30:25,840
Speaker 2: Movies need to change.

582
00:30:25,960 --> 00:30:28,680
Speaker 3: One thing that's surprising to me about movie laws is

583
00:30:28,720 --> 00:30:32,600
Speaker 3: you can fill someone with cream. I mean you can

584
00:30:33,560 --> 00:30:37,040
Speaker 3: literally hollow them out. You can use them as a cream. Yes,

585
00:30:37,720 --> 00:30:41,400
Speaker 3: if they just are from somewhere in Russia or something

586
00:30:41,480 --> 00:30:44,920
Speaker 3: like that, because because they don't think that's as good

587
00:30:44,960 --> 00:30:45,800
Speaker 3: as America.

588
00:30:46,400 --> 00:30:48,720
Speaker 5: I'll tell you what, I'd like to fill Cameron Diaz

589
00:30:48,720 --> 00:30:51,800
Speaker 5: with some cream. Okay, well, okay, I'd have to get

590
00:30:51,840 --> 00:30:55,360
Speaker 5: Benji Madden's cream out of there first, because that motherfucker

591
00:30:55,480 --> 00:30:56,680
Speaker 5: drops bombs.

592
00:30:57,080 --> 00:30:58,320
Speaker 3: Oh he has a big load.

593
00:31:00,120 --> 00:31:03,600
Speaker 1: So that's why you do sort of wonder he dates

594
00:31:03,640 --> 00:31:05,920
Speaker 1: all these very attractive women.

595
00:31:06,120 --> 00:31:08,080
Speaker 5: Well, it's because he's got tattoos on his neck.

596
00:31:08,200 --> 00:31:09,480
Speaker 2: Okay, is that what it is too?

597
00:31:09,520 --> 00:31:12,320
Speaker 1: I thought it was maybe because he just brings it

598
00:31:12,360 --> 00:31:13,880
Speaker 1: with monster ways.

599
00:31:13,920 --> 00:31:16,400
Speaker 5: I don't want to get personal here into like deep

600
00:31:16,400 --> 00:31:22,920
Speaker 5: into your personal life. Yeah, but are you are you

601
00:31:23,040 --> 00:31:24,640
Speaker 5: rolling with that grade a poone?

602
00:31:25,800 --> 00:31:32,760
Speaker 2: How this is actually a very personal yeah question for me?

603
00:31:32,920 --> 00:31:35,560
Speaker 3: Yes, it is, and.

604
00:31:35,520 --> 00:31:41,280
Speaker 1: It brings up some stuff that is we are weird.

605
00:31:40,520 --> 00:31:43,480
Speaker 1: It's it's your thing. It's fine for me to talk

606
00:31:43,520 --> 00:31:53,840
Speaker 1: about I historically. Yeah, I'll see a woman, I'll meet.

607
00:31:53,640 --> 00:31:55,160
Speaker 2: Someone I really like. Yeah.

608
00:31:55,840 --> 00:31:59,680
Speaker 1: Uh, we'll go on a few dates. Yeah, very very attractive,

609
00:31:59,680 --> 00:32:03,520
Speaker 1: beautiful woman. We get along really well. It comes time

610
00:32:04,320 --> 00:32:08,440
Speaker 1: we get in the bedroom clos Yes, close the door,

611
00:32:08,480 --> 00:32:08,840
Speaker 1: thank you.

612
00:32:09,920 --> 00:32:13,640
Speaker 2: It's time to take it to the next step. And

613
00:32:13,720 --> 00:32:15,640
Speaker 2: I find that.

614
00:32:17,560 --> 00:32:23,840
Speaker 1: Most of the time recently, especially, I can't find it.

615
00:32:24,680 --> 00:32:32,280
Speaker 5: M So, are you talking about your mojo? No, are

616
00:32:32,280 --> 00:32:33,160
Speaker 5: you talking about.

617
00:32:33,040 --> 00:32:35,480
Speaker 2: I'm talking about her. I'm talking about.

618
00:32:35,400 --> 00:32:37,240
Speaker 5: Hers, her privates.

619
00:32:37,640 --> 00:32:39,280
Speaker 2: It's like it's moving on me.

620
00:32:39,960 --> 00:32:42,760
Speaker 1: I find it for a second, and then it's it's

621
00:32:42,800 --> 00:32:45,160
Speaker 1: like it's gone.

622
00:32:45,440 --> 00:32:49,160
Speaker 5: Sounds like you're having a panic attack. Sounds like you're

623
00:32:49,200 --> 00:32:50,080
Speaker 5: having a panic attack.

624
00:32:50,120 --> 00:32:53,040
Speaker 3: I think it's just too dark in that room of yours. Well,

625
00:32:53,040 --> 00:32:56,600
Speaker 3: when the door is shut, especially until all the lights

626
00:32:56,600 --> 00:32:57,560
Speaker 3: are outside the room.

627
00:32:57,640 --> 00:32:59,560
Speaker 5: What's the light source in that room?

628
00:33:00,280 --> 00:33:05,000
Speaker 1: The light source like a loose fire and like you know,

629
00:33:05,080 --> 00:33:07,200
Speaker 1: like there's like it's not it's like a fire, but

630
00:33:07,240 --> 00:33:10,479
Speaker 1: it's not in like a fireplace. I've like set up logs, right,

631
00:33:10,520 --> 00:33:12,440
Speaker 1: and it's kind of like in the middle of the room.

632
00:33:12,520 --> 00:33:13,360
Speaker 2: It's like it's.

633
00:33:13,320 --> 00:33:17,920
Speaker 5: Natural light, kind of like the Olympic torch situation, you

634
00:33:17,920 --> 00:33:20,040
Speaker 5: know how they just like that thing and it's.

635
00:33:19,960 --> 00:33:22,480
Speaker 1: Yes, and so it is creating light. But I think

636
00:33:22,480 --> 00:33:25,720
Speaker 1: that's part of the problem. It's flickering so much that

637
00:33:25,800 --> 00:33:29,280
Speaker 1: it's making these shadows that, like, for a second, make

638
00:33:29,400 --> 00:33:33,360
Speaker 1: me think that that's where the honey is.

639
00:33:33,760 --> 00:33:36,360
Speaker 5: Oh yeah, this you're talking about that sweet honey pot.

640
00:33:36,600 --> 00:33:36,800
Speaker 2: Yes.

641
00:33:37,120 --> 00:33:40,440
Speaker 3: Oh, but this actually brings me to a great movie debate,

642
00:33:40,480 --> 00:33:42,640
Speaker 3: which is what's the sexiest movie villain?

643
00:33:43,240 --> 00:33:45,880
Speaker 5: Oh, the sexiest moviella?

644
00:33:45,960 --> 00:33:49,640
Speaker 3: Oh? And and follow up, who would you like to

645
00:33:49,680 --> 00:33:50,520
Speaker 3: see them marry?

646
00:33:52,200 --> 00:33:53,600
Speaker 2: That's a great question for you.

647
00:33:53,640 --> 00:33:57,000
Speaker 1: How so it's a two part question, the sexiest movie

648
00:33:57,080 --> 00:34:00,000
Speaker 1: villain and also who would you like to see them?

649
00:34:00,440 --> 00:34:04,080
Speaker 1: And that can be anyone from any movie they can

650
00:34:04,080 --> 00:34:09,120
Speaker 1: marry inside a different movie. And also which movie would

651
00:34:09,200 --> 00:34:11,279
Speaker 1: you like them to get married in?

652
00:34:12,000 --> 00:34:12,400
Speaker 5: Gotcha?

653
00:34:12,440 --> 00:34:15,200
Speaker 1: So you're taking a sexy movie villain, yes, And then

654
00:34:15,280 --> 00:34:17,480
Speaker 1: who you'd like to see the mary from a different movie?

655
00:34:17,920 --> 00:34:21,160
Speaker 1: And then which third movie you'd like to be the

656
00:34:21,280 --> 00:34:24,040
Speaker 1: location for the marriage?

657
00:34:24,160 --> 00:34:25,400
Speaker 2: For their marriage?

658
00:34:25,440 --> 00:34:27,840
Speaker 3: And I want to apologize, Hayes, were you hoping to

659
00:34:27,840 --> 00:34:30,440
Speaker 3: get more advice about finding the honeypop from hell. I

660
00:34:30,440 --> 00:34:31,080
Speaker 3: didn't mean to.

661
00:34:31,080 --> 00:34:34,160
Speaker 2: Sidetrack that, I am. I'm actually past the point of advice.

662
00:34:34,200 --> 00:34:37,840
Speaker 1: I've gotten to the point where it's like looking is

663
00:34:37,880 --> 00:34:39,360
Speaker 1: going to have to be all it is for me.

664
00:34:39,680 --> 00:34:41,799
Speaker 5: Heyes, what about this? What about just laying back and

665
00:34:41,840 --> 00:34:46,200
Speaker 5: going and like just kiss and letting the honey honeypot

666
00:34:46,239 --> 00:34:48,399
Speaker 5: come to you, Just let it bring it to you.

667
00:34:48,480 --> 00:34:49,919
Speaker 5: Let's bring it bring it to you.

668
00:34:50,080 --> 00:34:53,000
Speaker 2: But well, what if they what if something else comes?

669
00:34:53,080 --> 00:34:53,920
Speaker 2: I don't like these.

670
00:34:54,040 --> 00:34:56,040
Speaker 1: I don't like to be passive in that situation. Because

671
00:34:56,040 --> 00:34:57,839
Speaker 1: you close your eyes, people can't see this. But when

672
00:34:57,840 --> 00:34:59,919
Speaker 1: you did that, you yes, when you do that, you close.

673
00:35:00,320 --> 00:35:02,000
Speaker 5: Oh yeah, you can't make kissy faces of your eyes

674
00:35:02,000 --> 00:35:03,640
Speaker 5: open and that monster are.

675
00:35:03,640 --> 00:35:05,759
Speaker 1: Well, and that leaves you potentially is a victim to

676
00:35:06,200 --> 00:35:08,920
Speaker 1: any knife attack being on your face.

677
00:35:09,120 --> 00:35:09,359
Speaker 2: Yeah.

678
00:35:09,520 --> 00:35:12,240
Speaker 5: Bees, yeah, bees are a knife attack.

679
00:35:12,640 --> 00:35:15,840
Speaker 2: Short ribs short, short ribs braised.

680
00:35:16,920 --> 00:35:20,560
Speaker 3: Well because Hayes is on a new die and you

681
00:35:20,600 --> 00:35:24,719
Speaker 3: can't have short do the long ones. Yeah, and so

682
00:35:25,360 --> 00:35:28,680
Speaker 3: you know somebody all long, quite a few people in

683
00:35:28,680 --> 00:35:31,560
Speaker 3: this town who'd like to see his downfall, especially you.

684
00:35:31,520 --> 00:35:34,240
Speaker 5: Do the long ribs, just like that long dick of yours.

685
00:35:34,360 --> 00:35:37,280
Speaker 1: Dog Bam, I thought you were going to talk about

686
00:35:37,440 --> 00:35:38,440
Speaker 1: Benji Madden again.

687
00:35:38,680 --> 00:35:41,040
Speaker 5: Oh well, you got to get that long dick out

688
00:35:41,040 --> 00:35:43,080
Speaker 5: of the way if you want to get all up.

689
00:35:43,120 --> 00:35:48,040
Speaker 3: And now now you think big loads are really appeals

690
00:35:48,040 --> 00:35:48,440
Speaker 3: to wimmen.

691
00:35:49,640 --> 00:35:55,680
Speaker 1: Oh, of course, this is the Benji Madden thing, his

692
00:35:55,800 --> 00:36:00,120
Speaker 1: legendary load. I've I've read my fair share of Cosmo guy,

693
00:36:00,280 --> 00:36:04,720
Speaker 1: and I know that the ladies don't want no dribbling load, motherfuckers.

694
00:36:05,040 --> 00:36:07,600
Speaker 3: No, they need a big, huge load. And that's why

695
00:36:07,680 --> 00:36:10,160
Speaker 3: if you're out there, kids, and this isn't a religious thing,

696
00:36:10,239 --> 00:36:14,040
Speaker 3: but please save your load for marriage. And I always say,

697
00:36:14,400 --> 00:36:16,319
Speaker 3: it's not the size of the boat, it's the motion

698
00:36:16,440 --> 00:36:17,880
Speaker 3: of the ocean of semen.

699
00:36:19,719 --> 00:36:23,120
Speaker 5: There there is no load like the honeymoon load.

700
00:36:23,320 --> 00:36:28,200
Speaker 3: Yes, And and that if you can just blastom through

701
00:36:28,239 --> 00:36:32,120
Speaker 3: the roof of the building, you're gonna have quite a

702
00:36:32,160 --> 00:36:33,879
Speaker 3: long and successful relationship.

703
00:36:33,920 --> 00:36:38,280
Speaker 5: Case just sexiest movie. Who would I want to see

704
00:36:38,280 --> 00:36:41,640
Speaker 5: that person marry? And in what movie universe?

705
00:36:41,760 --> 00:36:44,920
Speaker 2: And then and what character is like?

706
00:36:45,400 --> 00:36:47,960
Speaker 1: What's a funny person to be like the ring bearer,

707
00:36:48,040 --> 00:36:49,520
Speaker 1: who's like a different that's a.

708
00:36:49,640 --> 00:36:54,000
Speaker 3: Cool if it's someone and don't use this, but Fazzy

709
00:36:54,040 --> 00:36:55,919
Speaker 3: Bear is bear, you know.

710
00:36:56,280 --> 00:36:59,120
Speaker 1: Or it It might be interesting to see what Gollam would

711
00:36:59,160 --> 00:37:00,359
Speaker 1: do and that suation.

712
00:37:00,800 --> 00:37:04,960
Speaker 5: Oh yeah, I don't know if he'd fork over the

713
00:37:05,040 --> 00:37:08,359
Speaker 5: ring so don't use that one.

714
00:37:08,680 --> 00:37:12,880
Speaker 3: It took mine, yeah, and yes his it was his

715
00:37:12,960 --> 00:37:14,080
Speaker 3: sexiest movie villain.

716
00:37:14,239 --> 00:37:16,880
Speaker 1: Who should they marry? What movie are they supposed to

717
00:37:16,920 --> 00:37:19,239
Speaker 1: get married in? And who's funny too?

718
00:37:19,440 --> 00:37:20,080
Speaker 2: And the ring bear?

719
00:37:20,120 --> 00:37:21,919
Speaker 3: It could be Smiegel.

720
00:37:23,160 --> 00:37:28,800
Speaker 5: Okay, right, yeah, yeah, yeah, all right, sexiest movie villain.

721
00:37:29,680 --> 00:37:35,160
Speaker 5: I'd go Forrest Whittaker, last King of Scotland. Okay, I'd

722
00:37:35,160 --> 00:37:39,840
Speaker 5: love to see him marry Nell, Jodie Foster's Nell and

723
00:37:40,160 --> 00:37:45,839
Speaker 5: the the universe. Oh oh, put them in scarfaces?

724
00:37:47,760 --> 00:37:52,120
Speaker 1: What beautiful starface, beautiful place to get married.

725
00:37:52,160 --> 00:37:56,640
Speaker 5: And then the ring bearer. The ring bearer would be

726
00:37:56,760 --> 00:38:00,600
Speaker 5: oh little Dakota Fanning.

727
00:38:01,360 --> 00:38:04,439
Speaker 2: Okay, how come? Oh?

728
00:38:04,480 --> 00:38:09,080
Speaker 1: Because she it could be something where like she's opening

729
00:38:09,280 --> 00:38:12,200
Speaker 1: the ring box and Sam her friend.

730
00:38:12,239 --> 00:38:14,440
Speaker 2: I am Sam? Oh yeah, I was.

731
00:38:14,440 --> 00:38:17,160
Speaker 3: Gonna say I am Sam Dakota Fanning or Push Dakota Fanning?

732
00:38:18,320 --> 00:38:19,600
Speaker 5: Oh push by Sapphire.

733
00:38:20,239 --> 00:38:21,720
Speaker 3: No no, no, no, no, oh.

734
00:38:21,560 --> 00:38:25,279
Speaker 5: You know what fuck Dakota Fanning, Gabaret Citabey.

735
00:38:25,000 --> 00:38:29,680
Speaker 1: Okay, and so he's now but now we're playing fuck Mary.

736
00:38:29,520 --> 00:38:38,200
Speaker 5: Kill Yes, yes, fuck Dakota Fanning, Mary, Gabaret Sabe And

737
00:38:38,440 --> 00:38:44,480
Speaker 5: oh you know who I'd kill is that wicked schmiegeles Yes,

738
00:38:44,520 --> 00:38:46,640
Speaker 5: but not you know, you can answer however you want.

739
00:38:46,680 --> 00:38:50,600
Speaker 5: But that's who i'd go after. Gotcha, gotcha? Yeah, I'd

740
00:38:50,680 --> 00:38:51,920
Speaker 5: kill smoug.

741
00:38:52,440 --> 00:38:55,040
Speaker 2: Oh yeah, good luck.

742
00:38:55,440 --> 00:38:58,040
Speaker 5: Yeah, we they killed him in the movie.

743
00:38:58,160 --> 00:38:59,840
Speaker 2: Good Luck is all I'm saying. Okay.

744
00:39:00,080 --> 00:39:03,200
Speaker 3: And then and so you know, to bring it back

745
00:39:03,200 --> 00:39:04,320
Speaker 3: to my water things, what's.

746
00:39:04,200 --> 00:39:07,840
Speaker 5: Whether you guys, special effects are our own imaginations?

747
00:39:08,239 --> 00:39:10,959
Speaker 3: Okay, this is a debate we get in all the time.

748
00:39:11,960 --> 00:39:13,600
Speaker 1: I like when they used to do I don't know

749
00:39:13,640 --> 00:39:15,400
Speaker 1: why they stopped doing it with clay.

750
00:39:15,920 --> 00:39:18,879
Speaker 2: It's all these computers. Now everything is computers.

751
00:39:19,600 --> 00:39:21,160
Speaker 1: But it used to be they could just take a

752
00:39:21,239 --> 00:39:23,279
Speaker 1: hunk of clay and do whatever they want with their

753
00:39:23,320 --> 00:39:26,720
Speaker 1: imaginations and it looked better than and not just clay

754
00:39:27,000 --> 00:39:27,919
Speaker 1: hamburger meat.

755
00:39:31,200 --> 00:39:33,879
Speaker 5: I'll come from a serious place for a second. I

756
00:39:33,960 --> 00:39:37,120
Speaker 5: agree with that clay thing. Because if you're familiar with

757
00:39:37,239 --> 00:39:41,640
Speaker 5: Ray Harryhausen, I wow. This documentary on Netflix his claymation

758
00:39:42,040 --> 00:39:45,560
Speaker 5: characters and his creations from like the sixties and fifties

759
00:39:45,600 --> 00:39:47,360
Speaker 5: even were mind blowing.

760
00:39:47,440 --> 00:39:51,920
Speaker 1: They looked like more real dinosaur. Yeah, they were awesome.

761
00:39:51,960 --> 00:39:54,799
Speaker 1: They were so cool. It's just like, yeah, we have

762
00:39:54,880 --> 00:39:56,720
Speaker 1: some questions for you. We want to do a segment

763
00:39:56,719 --> 00:39:59,840
Speaker 1: called the Popcorn Gallery. I don't have this my computer

764
00:40:00,080 --> 00:40:01,839
Speaker 1: ran out of battery. So you do the song real

765
00:40:01,920 --> 00:40:06,120
Speaker 1: quick guy popcorn last night. Well, you're a true movie

766
00:40:06,160 --> 00:40:10,319
Speaker 1: nerd popcorn. So normally what we do is we get

767
00:40:10,400 --> 00:40:14,680
Speaker 1: questions from our listeners to ask you a movie person.

768
00:40:15,280 --> 00:40:18,799
Speaker 1: We forgot to solicit questions this time, but since you're

769
00:40:18,800 --> 00:40:21,920
Speaker 1: a movie expert, we thought a thing for you to do.

770
00:40:22,320 --> 00:40:26,040
Speaker 1: What answer questions from that we found from the IMDb

771
00:40:26,480 --> 00:40:29,920
Speaker 1: message boards. So people, these are movie fans who like

772
00:40:30,000 --> 00:40:33,000
Speaker 1: have questions for a movie expert, and so we're going

773
00:40:33,040 --> 00:40:34,239
Speaker 1: to ask them.

774
00:40:33,960 --> 00:40:38,120
Speaker 2: To you, the screen junkie. Yeah, okay, you.

775
00:40:38,040 --> 00:40:42,040
Speaker 1: Know time, we're ready, movies and the stuff, We're ready. Yes,

776
00:40:42,440 --> 00:40:44,439
Speaker 1: So let's get a question out of the popcorn bag.

777
00:40:47,200 --> 00:40:50,600
Speaker 5: By the way, I'm going to change my answer. I'm

778
00:40:50,600 --> 00:40:53,279
Speaker 5: going to go with Cameron Diaz from The Mask.

779
00:40:53,760 --> 00:40:55,920
Speaker 2: What is that an answer to Sexiest villain.

780
00:40:56,640 --> 00:41:04,400
Speaker 5: Oh, yeah, you know what, I'm gonna go with Cameron

781
00:41:04,440 --> 00:41:06,440
Speaker 5: Diaz from Bad Teacher.

782
00:41:07,680 --> 00:41:10,040
Speaker 1: See, now that's that is a better answer because she's

783
00:41:10,120 --> 00:41:11,360
Speaker 1: much more of a villain in that.

784
00:41:11,520 --> 00:41:14,239
Speaker 5: Oh you know what, she's really a villain in last

785
00:41:14,320 --> 00:41:16,080
Speaker 5: year's blockbuster Annie.

786
00:41:17,200 --> 00:41:20,560
Speaker 1: Oh God, very mean Wallace.

787
00:41:22,080 --> 00:41:26,719
Speaker 5: That movie she was she was Miss Hannigan, a classic

788
00:41:27,680 --> 00:41:28,280
Speaker 5: movie villain.

789
00:41:29,480 --> 00:41:32,200
Speaker 2: Did you have the question? Guys, we're waiting.

790
00:41:33,360 --> 00:41:38,600
Speaker 3: It's a sword from and then pick a famous movie

791
00:41:38,600 --> 00:41:39,359
Speaker 3: with a sword in it.

792
00:41:39,480 --> 00:41:39,760
Speaker 5: Alan.

793
00:41:39,880 --> 00:41:42,080
Speaker 3: Then what we've done is kind of left and open ended.

794
00:41:42,239 --> 00:41:42,719
Speaker 1: Uh.

795
00:41:43,280 --> 00:41:45,800
Speaker 3: We always pull something out of the popcornbag to represent

796
00:41:45,840 --> 00:41:48,239
Speaker 3: the question, and then the sound drops recorded by my

797
00:41:48,239 --> 00:41:49,960
Speaker 3: friend Mark. We told him that we had a real

798
00:41:50,000 --> 00:41:50,640
Speaker 3: movie expert.

799
00:41:50,800 --> 00:41:55,160
Speaker 5: So he's picking items, and you pick the movie Princess Bride.

800
00:41:55,600 --> 00:41:59,319
Speaker 2: Oh gosh, I love it, funniest movie ever. When he

801
00:41:59,760 --> 00:42:03,840
Speaker 2: is doing the puzzle, funniest best. This is a question.

802
00:42:04,200 --> 00:42:08,800
Speaker 1: So these questions are from Jason Sudekas's IMDb message boards.

803
00:42:08,880 --> 00:42:11,200
Speaker 1: These people have a lot of questions. You're a movie expert.

804
00:42:11,560 --> 00:42:12,600
Speaker 1: You can help them.

805
00:42:12,520 --> 00:42:14,040
Speaker 5: Mister horrible boss.

806
00:42:14,160 --> 00:42:19,000
Speaker 1: You sell yes. So here's a question from Purple Bear seventeen. Yes,

807
00:42:20,440 --> 00:42:24,000
Speaker 1: should I still like him even when his girlfriend is ridiculous.

808
00:42:24,560 --> 00:42:26,880
Speaker 1: And then the tech that's the subject and the text

809
00:42:26,960 --> 00:42:30,080
Speaker 1: is she did something ridiculous at Glamour magazine.

810
00:42:30,200 --> 00:42:32,600
Speaker 5: You know what, It's all good. Jason Sudeka is done

811
00:42:32,719 --> 00:42:37,200
Speaker 5: right for himself. Got Olivia Wild, Damn, you gotta get

812
00:42:37,280 --> 00:42:39,000
Speaker 5: Jason Sadekas out of the way if you want to

813
00:42:39,000 --> 00:42:41,760
Speaker 5: get all up in that Olivia Wild. And don't forget

814
00:42:41,840 --> 00:42:44,799
Speaker 5: Olivia Wild. She's just like any other woman. She's a

815
00:42:44,880 --> 00:42:49,120
Speaker 5: human woman and she loved that big load. Now you

816
00:42:49,160 --> 00:42:51,839
Speaker 5: have a real I like Jason Sudeka. Like one thing

817
00:42:51,880 --> 00:42:54,160
Speaker 5: I like about Jason sudekas this is just stupid because

818
00:42:54,239 --> 00:42:57,560
Speaker 5: I'm really into sneakers and Jason Sidekas is a real

819
00:42:57,560 --> 00:42:58,480
Speaker 5: sneakerhead as well.

820
00:42:58,560 --> 00:43:03,080
Speaker 3: Oh cool, Oh Like now I think that one thing

821
00:43:03,200 --> 00:43:08,759
Speaker 3: is so you have a real respect for relationships and

822
00:43:08,800 --> 00:43:11,640
Speaker 3: you frequently, I feel like, want to sleep with some

823
00:43:11,760 --> 00:43:14,520
Speaker 3: kind of starlet, but only if you can get her

824
00:43:14,600 --> 00:43:17,400
Speaker 3: man out of the way, you know, Like, I just

825
00:43:17,600 --> 00:43:20,000
Speaker 3: I like that old fashioned you.

826
00:43:19,960 --> 00:43:23,040
Speaker 1: Always insist that this the man is going to have

827
00:43:23,080 --> 00:43:25,480
Speaker 1: to be out of the way before you'll do anything.

828
00:43:25,560 --> 00:43:27,600
Speaker 3: You're not going to sneak around behind his back or

829
00:43:27,719 --> 00:43:28,560
Speaker 3: anything like that.

830
00:43:28,600 --> 00:43:31,120
Speaker 5: I'm not saying that I'm completely opposed to a classic

831
00:43:31,160 --> 00:43:32,200
Speaker 5: cuckold situation.

832
00:43:33,719 --> 00:43:39,680
Speaker 3: Okay, okay, that'll make you mad. Oh I'm human now.

833
00:43:39,719 --> 00:43:42,520
Speaker 5: Even cuckholded. Did we touch a nerve?

834
00:43:43,880 --> 00:43:49,279
Speaker 3: I don't know for sure, but I have reason to suspect.

835
00:43:49,800 --> 00:43:52,760
Speaker 5: Sean. I got a little bit personal with Hayes before.

836
00:43:53,520 --> 00:43:58,360
Speaker 5: I'm gonna get personal with you now. Oh boy, have

837
00:43:58,520 --> 00:44:00,200
Speaker 5: you been cuckolded before?

838
00:44:00,440 --> 00:44:04,879
Speaker 3: Well, here's the thing. So, Stephie and I don't share

839
00:44:04,920 --> 00:44:08,520
Speaker 3: a bed. I'm married to a stuffie graft and so

840
00:44:08,920 --> 00:44:11,759
Speaker 3: I kind of stay at my dad's house at night and.

841
00:44:11,800 --> 00:44:14,440
Speaker 5: Seven time Wimbledon champion a lot.

842
00:44:14,280 --> 00:44:16,359
Speaker 3: Of times, yes, and a lot of times when I go,

843
00:44:16,400 --> 00:44:19,000
Speaker 3: and believe me, she mentions it. So when I go

844
00:44:19,560 --> 00:44:23,959
Speaker 3: to her house, our house, but her house primarily, there's

845
00:44:24,040 --> 00:44:26,280
Speaker 3: another man's car in the driveway.

846
00:44:27,160 --> 00:44:29,480
Speaker 5: And that's a euphemism, isn't it.

847
00:44:31,600 --> 00:44:32,239
Speaker 2: No?

848
00:44:32,960 --> 00:44:37,560
Speaker 3: I wish, but because I have to park like a

849
00:44:37,600 --> 00:44:42,239
Speaker 3: block away, you know, because he's got my spot. But

850
00:44:42,360 --> 00:44:46,960
Speaker 3: then when I go in, uh, he's often in the shower.

851
00:44:47,320 --> 00:44:50,120
Speaker 3: Oh so is that bad?

852
00:44:51,400 --> 00:44:53,520
Speaker 2: And I've heard her talk about this. She says he's

853
00:44:53,560 --> 00:44:54,200
Speaker 2: fixing it.

854
00:44:55,000 --> 00:44:58,200
Speaker 5: Yes, while it's running and he's nude.

855
00:44:58,320 --> 00:45:01,439
Speaker 1: Yeah, they have to test it out for yes, she's yes,

856
00:45:01,560 --> 00:45:06,080
Speaker 1: and in her defense when he's using it, yes, was

857
00:45:06,120 --> 00:45:07,480
Speaker 1: there a problem with it prior?

858
00:45:09,560 --> 00:45:10,480
Speaker 2: I take baths?

859
00:45:11,000 --> 00:45:15,520
Speaker 5: Oh oh, so this is a guy that likes to

860
00:45:15,560 --> 00:45:18,080
Speaker 5: pamper himself over there, the guy is a nice guy.

861
00:45:18,960 --> 00:45:20,520
Speaker 2: A little treat every now and then.

862
00:45:20,400 --> 00:45:22,439
Speaker 5: Oh, every now and then. I mean if he takes

863
00:45:22,440 --> 00:45:23,759
Speaker 5: a bath, he gives himself a treat.

864
00:45:23,920 --> 00:45:24,600
Speaker 2: Well, he's earned it.

865
00:45:24,719 --> 00:45:25,920
Speaker 5: How often do you bathe?

866
00:45:26,800 --> 00:45:27,239
Speaker 1: Oh uh?

867
00:45:28,560 --> 00:45:28,840
Speaker 2: Really?

868
00:45:28,960 --> 00:45:32,000
Speaker 3: Just morning and night. It's very rare that I take

869
00:45:32,040 --> 00:45:33,440
Speaker 3: a post lunch bath.

870
00:45:33,840 --> 00:45:35,800
Speaker 5: But that's more often than normal.

871
00:45:35,960 --> 00:45:37,480
Speaker 2: Let's get a question out of the bag.

872
00:45:37,840 --> 00:45:40,480
Speaker 3: Okay, sorry, sorry, sorry, anyway, the guy's.

873
00:45:40,640 --> 00:45:43,319
Speaker 5: I'm gonna go with I'm gonna go with The Avengers two,

874
00:45:43,400 --> 00:45:44,400
Speaker 5: Age of Ultron.

875
00:45:45,640 --> 00:45:48,200
Speaker 2: What is that? Is that the question you've selected?

876
00:45:48,360 --> 00:45:50,760
Speaker 5: That's my movie choice?

877
00:45:53,000 --> 00:45:54,840
Speaker 2: Okay, we just have to go with this.

878
00:45:56,520 --> 00:46:04,880
Speaker 5: Okay, Lightning around, Lightning Queen from Cars to give me

879
00:46:04,920 --> 00:46:10,920
Speaker 5: another one round? Short round from the Temple of Doom.

880
00:46:11,200 --> 00:46:14,200
Speaker 3: Okay, he's gotten into something of a movie.

881
00:46:14,560 --> 00:46:19,759
Speaker 5: Yeah, yeah, Doctor Doom from The Fantastic four.

882
00:46:21,600 --> 00:46:24,400
Speaker 2: Rocky four and I had been told that this might

883
00:46:24,440 --> 00:46:25,800
Speaker 2: happen with him. He loves movies.

884
00:46:26,040 --> 00:46:30,719
Speaker 5: I've Van Drago from Rocky four, Ivan Rightman, the director

885
00:46:30,800 --> 00:46:34,680
Speaker 5: of Ghostbusters, Ernie Hudson, the Black Ghostbuster.

886
00:46:35,520 --> 00:46:37,800
Speaker 2: You're supposed You're not supposed to interrupt.

887
00:46:38,000 --> 00:46:40,080
Speaker 3: You don't wake somebody who's sleep. You're supposed to.

888
00:46:40,560 --> 00:46:46,840
Speaker 5: The stapuff marshmallow Man from Ghostbusters. Marshmallows the best treat

889
00:46:46,920 --> 00:46:50,040
Speaker 5: to eat while you're watching a movie. Bringing your own

890
00:46:50,200 --> 00:46:54,000
Speaker 5: s'mores to the movie theater with your dad because you

891
00:46:54,000 --> 00:46:56,360
Speaker 5: were supposed to go camping but it rained. But he

892
00:46:56,480 --> 00:46:59,920
Speaker 5: still made s'mores, but on the stove, not on a campfire.

893
00:47:00,280 --> 00:47:02,920
Speaker 1: And this is him petering out like they said that

894
00:47:02,960 --> 00:47:04,160
Speaker 1: he would get into it.

895
00:47:04,200 --> 00:47:05,200
Speaker 2: Gets away from a movie.

896
00:47:05,280 --> 00:47:09,239
Speaker 5: Dad then yells at you sometimes on the drive home.

897
00:47:12,120 --> 00:47:14,480
Speaker 3: It feels like he's punching himself out a little bit.

898
00:47:15,600 --> 00:47:17,960
Speaker 5: Hell, yeah, give me another one, throw me another.

899
00:47:17,719 --> 00:47:21,000
Speaker 2: One, another question. Yeah, yeah, he's ready.

900
00:47:24,960 --> 00:47:28,040
Speaker 3: It's a famous plane from hell.

901
00:47:28,920 --> 00:47:34,200
Speaker 5: Soul Plane Snoop Dog. They're on a plane that identifies

902
00:47:34,239 --> 00:47:35,200
Speaker 5: with a certain race.

903
00:47:35,360 --> 00:47:37,880
Speaker 3: I like that movie because it's funny when people smoke weed.

904
00:47:38,280 --> 00:47:39,160
Speaker 5: Oh.

905
00:47:39,200 --> 00:47:41,759
Speaker 1: This is a question on the message board from Listen

906
00:47:41,800 --> 00:47:44,920
Speaker 1: to the format. The subject is no sense of smell,

907
00:47:45,600 --> 00:47:48,239
Speaker 1: and the text is in a People magazine interview with

908
00:47:48,280 --> 00:47:51,560
Speaker 1: Olivia Wilde, she mentioned JS was born without the sense

909
00:47:51,600 --> 00:47:55,360
Speaker 1: of smell. I had never heard that about him.

910
00:47:56,480 --> 00:48:03,719
Speaker 5: You know what I heard Terrence Howard. Have you heard

911
00:48:03,719 --> 00:48:05,840
Speaker 5: the story about Terrence Howard and baby wipes?

912
00:48:06,239 --> 00:48:10,040
Speaker 2: Yeah, yeah, he flushes them. You're not supposed to do that.

913
00:48:10,280 --> 00:48:11,000
Speaker 3: You are supposed to know.

914
00:48:11,200 --> 00:48:12,000
Speaker 2: You're supposed to know.

915
00:48:12,280 --> 00:48:14,360
Speaker 1: You wipe with them and then you throw them in

916
00:48:14,440 --> 00:48:15,560
Speaker 1: the trash.

917
00:48:15,840 --> 00:48:17,080
Speaker 2: They are flushable.

918
00:48:17,640 --> 00:48:19,880
Speaker 1: But it's like, yeah, a lot of stuff's flushable. It

919
00:48:19,920 --> 00:48:22,600
Speaker 1: doesn't mean you're supposed to do it. You throw it

920
00:48:22,680 --> 00:48:27,239
Speaker 1: in the trash. And this applies actually to all any

921
00:48:27,360 --> 00:48:30,320
Speaker 1: waiste wipes of any kind. People see all these people

922
00:48:30,320 --> 00:48:34,279
Speaker 1: flushing these things, toilet paper, wast wise toilet people, Well,

923
00:48:34,320 --> 00:48:35,520
Speaker 1: toilet paper is a waist wipe.

924
00:48:35,560 --> 00:48:36,960
Speaker 2: How you just have to accept it?

925
00:48:37,719 --> 00:48:39,160
Speaker 5: Might do you have to bring? Why do we have

926
00:48:39,160 --> 00:48:41,080
Speaker 5: to can't the waste go unmentioned?

927
00:48:41,160 --> 00:48:41,440
Speaker 2: Hayes?

928
00:48:41,480 --> 00:48:44,400
Speaker 1: You fucking and I'm saying people need to throw it

929
00:48:44,440 --> 00:48:46,680
Speaker 1: in the trash. I'm not saying what kind of wasted is.

930
00:48:46,719 --> 00:48:50,040
Speaker 1: I don't need to specify. Don't flush it, you throw

931
00:48:50,080 --> 00:48:55,600
Speaker 1: it in the garbage. Fine, okay, let's do one more question.

932
00:48:56,520 --> 00:48:59,439
Speaker 5: One more I'm just getting warmed up.

933
00:49:02,280 --> 00:49:14,719
Speaker 3: And that's from the movies. It's a famous microphone from hell.

934
00:49:15,200 --> 00:49:20,480
Speaker 5: Oh, from the King's speech that the retarded king talked

935
00:49:20,520 --> 00:49:27,000
Speaker 5: his talk to the nation of Islam.

936
00:49:27,280 --> 00:49:29,640
Speaker 1: Let's dedicate this question. Thank you so much how for

937
00:49:29,680 --> 00:49:31,440
Speaker 1: being on the show, and we'll dedicate this question. Does

938
00:49:31,440 --> 00:49:32,839
Speaker 1: someone who bought the proversion for.

939
00:49:32,840 --> 00:49:38,000
Speaker 5: Our oh you can see the agents. You can upload

940
00:49:38,040 --> 00:49:41,560
Speaker 5: more pictures IMDb pro check it out today. Want a

941
00:49:41,600 --> 00:49:46,360
Speaker 5: free trial, Just go to IMDb and enter Sean and Hayes.

942
00:49:47,000 --> 00:49:49,520
Speaker 1: And this question, it's not really a question, it's for

943
00:49:50,320 --> 00:49:53,239
Speaker 1: it's for kittens. Dedicated to user Kittens. New user bought

944
00:49:53,239 --> 00:49:54,400
Speaker 1: the proversion for oh.

945
00:49:54,320 --> 00:49:57,680
Speaker 5: Oh, I do an impression?

946
00:49:58,000 --> 00:50:03,640
Speaker 2: Oh good, good good, And physically thank you.

947
00:50:03,760 --> 00:50:07,920
Speaker 1: Physically it looked very Oh yes, physically it's indistinguishable. The

948
00:50:07,960 --> 00:50:12,799
Speaker 1: sound I didn't think was the physical component's Visually, it's

949
00:50:12,840 --> 00:50:13,920
Speaker 1: an amazing impression.

950
00:50:14,280 --> 00:50:19,840
Speaker 5: Yes, that impression is on my reel of impressions.

951
00:50:20,320 --> 00:50:22,280
Speaker 1: This is a question. This is not really a question,

952
00:50:22,360 --> 00:50:24,800
Speaker 1: but it's from I Underscore.

953
00:50:24,360 --> 00:50:26,200
Speaker 5: Love, I Heart Huckabees.

954
00:50:26,880 --> 00:50:32,640
Speaker 2: Is no, that is my fault is.

955
00:50:32,680 --> 00:50:38,000
Speaker 5: Lily Tomlin, Lily Tomlin, Incredible, Shrinking Woman, A woman is

956
00:50:38,040 --> 00:50:43,279
Speaker 5: a lady, A Lady in the water. M Night, Shyamalan,

957
00:50:43,440 --> 00:50:52,799
Speaker 5: Bryce Dallas, Howard, Ron Howard thirteen, Creed Back to rock

958
00:50:53,840 --> 00:50:57,640
Speaker 5: Apollo Creed died in Rocky for from Ivan Drago.

959
00:51:03,520 --> 00:51:06,520
Speaker 3: This has been an Earwolf Media production Executive producers Jeff

960
00:51:06,560 --> 00:51:09,480
Speaker 3: Ulrick and Scott Ackerman. For more information, visit earwolf dot.

961
00:51:09,360 --> 00:51:17,040
Speaker 1: Com, ear Warf Radio Boom dot

962
00:51:17,080 --> 00:51:24,920
Speaker 5: Com, The Worf Dead