WEBVTT - Frederation Update, Greatest Match, & Smooching in Hollywood

0:00:05.680 --> 0:00:08.639
<v Speaker 1>Ladies and gentlemen, are you ready?

0:00:09.360 --> 0:00:11.120
<v Speaker 2>Shuts about to hit the fan?

0:00:11.880 --> 0:00:20.680
<v Speaker 3>Welcome to on Sanctioned Thursdays, horestling with ready.

0:00:19.920 --> 0:00:20.680
<v Speaker 1>What's up? Everyone?

0:00:20.720 --> 0:00:23.640
<v Speaker 2>Welcome to Unsanctioned Thursdays, the show that you asked for

0:00:23.840 --> 0:00:26.880
<v Speaker 2>because our episodes are too damned short, so here we go.

0:00:27.120 --> 0:00:30.080
<v Speaker 2>It's a short episode, as Thursdays always are. Don't worry,

0:00:30.080 --> 0:00:32.920
<v Speaker 2>we'll only have seventeen commercial breaks. Let's start the show,

0:00:35.400 --> 0:00:37.560
<v Speaker 2>all right. We're not gonna waste any time. Jeff're getting

0:00:37.640 --> 0:00:41.120
<v Speaker 2>right into it. This one is from Robbie Nielsen five.

0:00:42.400 --> 0:00:44.960
<v Speaker 2>I know you'll get this question a lot, but any

0:00:45.040 --> 0:00:46.120
<v Speaker 2>updates on the Federation?

0:00:46.280 --> 0:00:47.040
<v Speaker 1>Yeah, let me be.

0:00:47.479 --> 0:00:50.519
<v Speaker 2>Completely straight up and get this out of the way,

0:00:50.520 --> 0:00:53.199
<v Speaker 2>because I think I've hinted at it in an earlier episode,

0:00:53.200 --> 0:00:55.800
<v Speaker 2>but I didn't really like give the details. So this

0:00:55.960 --> 0:00:58.880
<v Speaker 2>was and still is. But right now it's a dream

0:00:58.880 --> 0:01:01.440
<v Speaker 2>that's on hold. This was a huge dream of mine

0:01:01.800 --> 0:01:04.440
<v Speaker 2>and I got really friggin close. At the end of

0:01:04.480 --> 0:01:06.640
<v Speaker 2>the day. What I wanted to buy wanted to be

0:01:06.720 --> 0:01:10.040
<v Speaker 2>sold for more than what I could bring to the table.

0:01:10.520 --> 0:01:14.520
<v Speaker 2>And other companies have like WWE and AEW have you know,

0:01:14.600 --> 0:01:18.080
<v Speaker 2>infinite amounts of cash, and I have a what's the

0:01:18.080 --> 0:01:22.040
<v Speaker 2>absite of infinite? A finite A finite a finite amount

0:01:22.040 --> 0:01:25.560
<v Speaker 2>of cash. So after the LA Fires, we decided to

0:01:25.600 --> 0:01:27.200
<v Speaker 2>move because we were really close to where all that

0:01:27.240 --> 0:01:30.480
<v Speaker 2>went down. It literally hit our street. But when we

0:01:30.480 --> 0:01:33.240
<v Speaker 2>were evacuated and so we moved. So my wrestling money

0:01:33.280 --> 0:01:36.560
<v Speaker 2>went into buying a beautiful home for my family that

0:01:36.600 --> 0:01:39.600
<v Speaker 2>we're all he feels very safe and comfortable in. And

0:01:39.680 --> 0:01:42.160
<v Speaker 2>the dream will have to come about a different a

0:01:42.200 --> 0:01:44.160
<v Speaker 2>different way. I haven't given up on it, but I

0:01:44.200 --> 0:01:47.200
<v Speaker 2>did have to shelve it based on life and circumstances

0:01:47.240 --> 0:01:50.040
<v Speaker 2>and tough business negotiations that I just wasn't able to

0:01:50.400 --> 0:01:52.920
<v Speaker 2>get a favorable position in. So I appreciate the question,

0:01:53.000 --> 0:01:55.440
<v Speaker 2>Robbie Nielsen, and that's the answer for all of you.

0:01:55.800 --> 0:01:57.320
<v Speaker 2>I'm not giving up on it. It just has to

0:01:57.320 --> 0:02:00.600
<v Speaker 2>be on hold while I make a couple movies. All right,

0:02:01.200 --> 0:02:04.400
<v Speaker 2>Coming up next, this one's coming from A Z six

0:02:04.560 --> 0:02:07.680
<v Speaker 2>six six, the number of the Devil. What are your

0:02:07.720 --> 0:02:10.800
<v Speaker 2>favorite restaurants around Los Angeles? Oh, you think I'm gonna

0:02:10.800 --> 0:02:12.880
<v Speaker 2>tell you my favorite spot? So you could be there

0:02:12.919 --> 0:02:17.000
<v Speaker 2>and then like ask me some questions about the Federation. Listen, man,

0:02:17.080 --> 0:02:18.960
<v Speaker 2>I'll give you some restaurants, but I can't give you

0:02:19.000 --> 0:02:23.119
<v Speaker 2>my top dog because then everyone knows about it. I'll

0:02:23.160 --> 0:02:25.960
<v Speaker 2>tell you this, and I screwed up. Man. Back in

0:02:25.960 --> 0:02:28.120
<v Speaker 2>the late nineties early two thousands, there was this and

0:02:28.160 --> 0:02:30.359
<v Speaker 2>it's still there. It's an amazing restaurant. I still go there.

0:02:30.360 --> 0:02:33.360
<v Speaker 2>It's called Asanebo. It's a sushi restaurant in the valley

0:02:33.639 --> 0:02:37.160
<v Speaker 2>on Ventura Boulevard and Radford, right in that area, right there,

0:02:38.040 --> 0:02:40.080
<v Speaker 2>and everybody should go there. But it used to be

0:02:40.160 --> 0:02:42.560
<v Speaker 2>this secret spot. It opened up in nineteen ninety seven,

0:02:42.840 --> 0:02:44.639
<v Speaker 2>end of ninety six, beginning of ninety seven. And I

0:02:44.720 --> 0:02:47.160
<v Speaker 2>used to go there because Japanese restaurants would always let

0:02:47.160 --> 0:02:49.080
<v Speaker 2>you drink, even if you weren't twenty one. They didn't care.

0:02:49.160 --> 0:02:51.320
<v Speaker 2>They just want your money. So that's a good tip

0:02:51.360 --> 0:02:53.000
<v Speaker 2>for all you eighteen year olds that like to drink.

0:02:53.000 --> 0:02:54.320
<v Speaker 2>Go to Japanese restaurants.

0:02:54.560 --> 0:02:56.239
<v Speaker 3>I used to have a shirt that I bought in

0:02:56.520 --> 0:03:02.160
<v Speaker 3>Japan that said, uh, Japan serves alcohol two children, and

0:03:02.200 --> 0:03:02.560
<v Speaker 3>that's all.

0:03:04.320 --> 0:03:04.600
<v Speaker 1>I thought.

0:03:04.600 --> 0:03:06.760
<v Speaker 3>It was a funny shirt I bought, ut it's the truth.

0:03:07.520 --> 0:03:11.480
<v Speaker 3>It's the truth. So anyway, I told these actors that

0:03:11.520 --> 0:03:13.799
<v Speaker 3>were on a TV show back then. I was friends

0:03:13.800 --> 0:03:16.720
<v Speaker 3>with one of them, and I told him, and I

0:03:16.720 --> 0:03:19.240
<v Speaker 3>brought him to this restaurant. I said, I said specifically,

0:03:19.280 --> 0:03:21.880
<v Speaker 3>but don't tell your friends, because his friends were like

0:03:22.000 --> 0:03:24.840
<v Speaker 3>the people who call the paparazzi and tell them where

0:03:24.840 --> 0:03:26.960
<v Speaker 3>they're gonna be so that they get photographed when they

0:03:26.960 --> 0:03:28.600
<v Speaker 3>come out, and then they act all annoyed that they're

0:03:28.639 --> 0:03:31.280
<v Speaker 3>being photographed, even though they're the ones that called. I

0:03:31.320 --> 0:03:34.760
<v Speaker 3>was like, don't tell your friends because they're all gonna,

0:03:34.840 --> 0:03:37.400
<v Speaker 3>you know, make this place super trendy and popular, and

0:03:37.400 --> 0:03:37.880
<v Speaker 3>I don't want to.

0:03:37.840 --> 0:03:39.560
<v Speaker 2>Get photographed coming in and out of here. It's like

0:03:39.600 --> 0:03:41.880
<v Speaker 2>the secret hole in the wall spot. He's like, yeah,

0:03:41.920 --> 0:03:46.040
<v Speaker 2>no problem, bro, no problem that weekend happens that Monday,

0:03:46.240 --> 0:03:49.240
<v Speaker 2>I see photos of all his whole cast coming out

0:03:49.280 --> 0:03:51.200
<v Speaker 2>of that restaurant, and I was like, I called him.

0:03:51.200 --> 0:03:54.360
<v Speaker 2>I said, damn it, bro, I told you. He was like, oh, sorry, man,

0:03:54.360 --> 0:03:55.720
<v Speaker 2>it was no big deal. I was like, no, it

0:03:55.800 --> 0:03:57.480
<v Speaker 2>is a big deal. And then the next time I went,

0:03:57.520 --> 0:03:59.360
<v Speaker 2>I got fun. So I stopped going for like two

0:03:59.440 --> 0:04:01.720
<v Speaker 2>years because I hated that crap so much. But it's

0:04:01.760 --> 0:04:04.640
<v Speaker 2>called asinabol it's in the valley. I go there again

0:04:04.720 --> 0:04:07.400
<v Speaker 2>now because now none of those a holes go there anymore.

0:04:07.760 --> 0:04:09.800
<v Speaker 2>And yeah, I called them a holes. They were a holes.

0:04:09.800 --> 0:04:12.640
<v Speaker 2>So dealers were a holes. I'll tell Jeff who they

0:04:12.640 --> 0:04:15.320
<v Speaker 2>were off the air. But yeah, so Asinebo, it's in

0:04:15.360 --> 0:04:18.520
<v Speaker 2>the valley. It's an awesome spot if you like Italian food.

0:04:18.560 --> 0:04:21.360
<v Speaker 2>There's a great place called Scratch, which is like this

0:04:21.560 --> 0:04:24.960
<v Speaker 2>sneaky speakeasy spot. You make a reservation and then you

0:04:25.000 --> 0:04:26.760
<v Speaker 2>got to kind of find it. It's in this like

0:04:27.800 --> 0:04:30.320
<v Speaker 2>not an unmarked shopping center, but just like a very

0:04:30.360 --> 0:04:32.760
<v Speaker 2>nondescript shopping center, and they don't have a sign on

0:04:32.800 --> 0:04:34.159
<v Speaker 2>the door, so you kind of just got to like

0:04:34.480 --> 0:04:36.680
<v Speaker 2>walk around until you find it, and it's annoying, but

0:04:36.720 --> 0:04:38.279
<v Speaker 2>once you get in, you're like, oh wow, this is

0:04:38.320 --> 0:04:40.880
<v Speaker 2>really worth it. So those are your two recommendations, Jeff,

0:04:40.920 --> 0:04:43.839
<v Speaker 2>what do you recommend? I'm a simple man. I'm not

0:04:43.920 --> 0:04:44.600
<v Speaker 2>a foodie.

0:04:45.080 --> 0:04:45.279
<v Speaker 1>You know.

0:04:45.480 --> 0:04:48.640
<v Speaker 3>I could tell you twelve great bars from when I

0:04:48.680 --> 0:04:51.520
<v Speaker 3>was drinking, and I could tell you five great cigar

0:04:51.680 --> 0:04:54.520
<v Speaker 3>loungers that are near where I live that I frequent.

0:04:54.839 --> 0:04:56.800
<v Speaker 3>But I'm not like a big food guy. I'm always

0:04:56.920 --> 0:04:59.680
<v Speaker 3>ordering in Like just last night I had hostmates. I

0:04:59.800 --> 0:05:02.760
<v Speaker 3>ordered sugarfish really sushi plays.

0:05:02.800 --> 0:05:03.600
<v Speaker 1>You know, it's whatever.

0:05:03.640 --> 0:05:06.400
<v Speaker 3>It's hardly a secret, but I will say, if you're

0:05:06.440 --> 0:05:09.159
<v Speaker 3>ever in the Valley of Los Angeles, there's a place

0:05:09.200 --> 0:05:13.880
<v Speaker 3>called Hugos. Yeah, it's just like a healthy diner. But

0:05:13.920 --> 0:05:16.600
<v Speaker 3>it isn't so healthy that it doesn't taste good, and

0:05:16.640 --> 0:05:20.000
<v Speaker 3>it isn't so dinery that you feel guilty about eating it.

0:05:20.000 --> 0:05:23.280
<v Speaker 3>It's just a really good diner called Hugos.

0:05:23.680 --> 0:05:26.360
<v Speaker 2>I have eaten a Hugos on many a brunch, and

0:05:26.400 --> 0:05:29.760
<v Speaker 2>I completely agree with Jeff's endorsement. Next week we'll tell

0:05:29.760 --> 0:05:33.120
<v Speaker 2>you guys where the best cigar bars in the valley are. Yeah,

0:05:33.480 --> 0:05:37.000
<v Speaker 2>next up, and we're really nice to you as considering

0:05:37.040 --> 0:05:38.360
<v Speaker 2>you have the number of the Beast.

0:05:38.600 --> 0:05:41.080
<v Speaker 3>Yeah, I thought about going. I'm not answering this for

0:05:41.160 --> 0:05:45.280
<v Speaker 3>anyone that has six six six. I tell everyone, do

0:05:45.400 --> 0:05:47.919
<v Speaker 3>what you'd like, but don't do what you'd like with

0:05:48.000 --> 0:05:48.520
<v Speaker 3>the devil.

0:05:48.680 --> 0:05:49.960
<v Speaker 1>You know that's a bad thing.

0:05:50.240 --> 0:05:53.080
<v Speaker 2>Yeah, man, the Devil's bad, all right. This one comes

0:05:53.080 --> 0:05:57.280
<v Speaker 2>from Sky's the Limit twenty twenty one. Do your respective

0:05:57.320 --> 0:06:01.000
<v Speaker 2>partners have problems when you're hooking up? In a movie?

0:06:01.480 --> 0:06:02.360
<v Speaker 2>Great question.

0:06:03.360 --> 0:06:05.159
<v Speaker 1>No, my ex.

0:06:05.040 --> 0:06:07.080
<v Speaker 2>Girlfriend did, which is one of the reasons why she's

0:06:07.160 --> 0:06:10.400
<v Speaker 2>my ex. She thought that it was like cheating, and

0:06:10.480 --> 0:06:12.960
<v Speaker 2>so we woke up and then she was the one

0:06:13.000 --> 0:06:15.520
<v Speaker 2>who actually cheated in real life, and I was like, uh,

0:06:15.680 --> 0:06:17.440
<v Speaker 2>what the hell Like, at least I got.

0:06:17.360 --> 0:06:17.919
<v Speaker 1>Hit for it.

0:06:18.320 --> 0:06:20.880
<v Speaker 3>Twenty twenty one. This is the best question ever. And

0:06:20.920 --> 0:06:23.800
<v Speaker 3>I'll tell you why. I've had a theory about this

0:06:23.960 --> 0:06:29.200
<v Speaker 3>forever because these actor guys and these actor guys and gals, yeah,

0:06:29.240 --> 0:06:33.600
<v Speaker 3>tell me about me, Yeah, I will. They always go, oh, gosh,

0:06:33.720 --> 0:06:37.480
<v Speaker 3>it's just a character. It's just a character. Oh my gosh,

0:06:37.520 --> 0:06:40.880
<v Speaker 3>it's not real. It's like, dude, when I get I

0:06:40.920 --> 0:06:43.480
<v Speaker 3>get turned on, when I get a massage, I don't

0:06:43.520 --> 0:06:47.279
<v Speaker 3>know how to turn it off, just because it's an acting. Also,

0:06:47.320 --> 0:06:50.200
<v Speaker 3>with acting, you get so into it that I don't

0:06:50.240 --> 0:06:54.000
<v Speaker 3>know how. I wouldn't have feelings or emotions if I

0:06:54.040 --> 0:06:56.960
<v Speaker 3>start kissing on someone or hooking up with someone. So

0:06:57.080 --> 0:07:00.880
<v Speaker 3>I respect actors that they're able to not make this

0:07:01.000 --> 0:07:03.440
<v Speaker 3>a thing, but I know I wouldn't be able to.

0:07:03.520 --> 0:07:05.200
<v Speaker 1>I don't know how. I don't know how the heck

0:07:05.240 --> 0:07:05.680
<v Speaker 1>they do it.

0:07:06.080 --> 0:07:08.080
<v Speaker 2>So I know a lot of actors who do have

0:07:08.200 --> 0:07:11.280
<v Speaker 2>issues with it, like what you're saying and can't deal

0:07:11.320 --> 0:07:13.720
<v Speaker 2>with it, and they don't hate. They don't date other

0:07:13.840 --> 0:07:17.000
<v Speaker 2>actors simply because of that, like they can't handle it.

0:07:17.280 --> 0:07:19.880
<v Speaker 2>I also know some actors whose spouses that are not

0:07:20.000 --> 0:07:22.640
<v Speaker 2>in the business who hate the fact that their spouse

0:07:22.680 --> 0:07:25.720
<v Speaker 2>has to kiss somebody else. So there are insecurities that

0:07:25.760 --> 0:07:28.840
<v Speaker 2>can drive those types of feelings, right, My insecurities are

0:07:29.040 --> 0:07:29.560
<v Speaker 2>other stuff.

0:07:29.600 --> 0:07:30.640
<v Speaker 1>I'm more self hate.

0:07:30.880 --> 0:07:34.160
<v Speaker 2>That stuff was like, oh, I'm probably horrible at this too. Fuck,

0:07:34.360 --> 0:07:37.120
<v Speaker 2>Like that's more where my insecurities lie. But they've never

0:07:37.200 --> 0:07:39.920
<v Speaker 2>lied in there, Like I've never worried about Sarah liking

0:07:39.960 --> 0:07:42.400
<v Speaker 2>somebody that she worked with, and she's never had to

0:07:42.440 --> 0:07:44.600
<v Speaker 2>worry about that either. I'm friends with most of the

0:07:44.840 --> 0:07:47.240
<v Speaker 2>women that I've had to have an intimate scene with

0:07:47.280 --> 0:07:49.120
<v Speaker 2>on camera, like Rachel ye Cook and I are still

0:07:49.160 --> 0:07:52.440
<v Speaker 2>super friggin tight, and she was like the first girl

0:07:52.480 --> 0:07:55.000
<v Speaker 2>I think I smooched on camera, but there was no like,

0:07:56.200 --> 0:07:58.400
<v Speaker 2>oh my gosh, we just smooched because she's more like

0:07:58.480 --> 0:08:00.880
<v Speaker 2>a sister, like I looked out for and she looked

0:08:00.880 --> 0:08:03.800
<v Speaker 2>out for me. That's sort of always been our relationship

0:08:04.040 --> 0:08:06.400
<v Speaker 2>and I think maybe because it was established like that

0:08:06.520 --> 0:08:09.560
<v Speaker 2>for me, I've just always taken that approach with every

0:08:09.600 --> 0:08:11.480
<v Speaker 2>single woman that I've had to have a smooch with

0:08:11.600 --> 0:08:13.320
<v Speaker 2>on camera, where it's just like, nah, I'm here to

0:08:13.320 --> 0:08:16.239
<v Speaker 2>look out for you. You're safe with me. Nobody's asking

0:08:16.240 --> 0:08:19.120
<v Speaker 2>you for coffee later, like this is a job. And

0:08:19.160 --> 0:08:22.080
<v Speaker 2>I think because of that, I've always maintained friendships with

0:08:22.200 --> 0:08:25.160
<v Speaker 2>just about every female that I worked with. Some may

0:08:25.160 --> 0:08:27.000
<v Speaker 2>not be friends, but we're not enemies. We just don't

0:08:27.080 --> 0:08:29.400
<v Speaker 2>know each other because we had nothing in common. But yeah,

0:08:29.400 --> 0:08:31.840
<v Speaker 2>that's an excellent question. Sky's the limit and I hope

0:08:31.840 --> 0:08:50.480
<v Speaker 2>we answered it at equipment. Next on the list, this

0:08:50.520 --> 0:08:54.120
<v Speaker 2>one comes from a friend of the show, Emma Frad

0:08:54.480 --> 0:08:57.080
<v Speaker 2>with two d's. I'm not gonna say fraud. That would

0:08:57.120 --> 0:08:59.000
<v Speaker 2>be messed up, but I almost said fraud, but it's

0:08:59.040 --> 0:09:02.400
<v Speaker 2>Frad for sure. Hey, Freddy, Alex and Jeff Alex getting

0:09:02.400 --> 0:09:04.679
<v Speaker 2>some love. I wonder why this question made the list.

0:09:05.120 --> 0:09:09.199
<v Speaker 2>What are each of your favorite wrestling matches of all time?

0:09:09.600 --> 0:09:12.640
<v Speaker 2>In all of the times, As Santino Morello would say,

0:09:13.160 --> 0:09:16.360
<v Speaker 2>Our producer Alex says he has three favorite match three

0:09:16.440 --> 0:09:19.880
<v Speaker 2>she has for one bro three favorite matches. One was

0:09:19.920 --> 0:09:23.840
<v Speaker 2>a w CW Stark nineteen ninety seven where Sting defeated

0:09:23.880 --> 0:09:28.280
<v Speaker 2>Hal Cogan to win the WCW World Heavyweight Championship. The

0:09:28.320 --> 0:09:31.040
<v Speaker 2>next this is what I was gonna say, Oh wait,

0:09:31.080 --> 0:09:35.040
<v Speaker 2>maybe not Stone Cold versus Bret Hart WrestleMania thirteen when

0:09:35.040 --> 0:09:39.640
<v Speaker 2>they did the double turn Dun Dunt dun. And finally,

0:09:39.679 --> 0:09:44.240
<v Speaker 2>and much more recently, Swerve Strickland versus Brian Danielson career

0:09:44.800 --> 0:09:48.680
<v Speaker 2>versus title match at aw All in twenty twenty four.

0:09:48.880 --> 0:09:54.120
<v Speaker 2>Nothing beats that final countdown entrance. Ever, those were excellent matches.

0:09:54.200 --> 0:09:58.240
<v Speaker 2>Producer Alex I would say one of my favorites of

0:09:58.320 --> 0:10:01.560
<v Speaker 2>all time is raymy st daddy O versus Eddie Guerrero

0:10:01.760 --> 0:10:04.960
<v Speaker 2>when Ray wore the purple. That one was pretty awesome.

0:10:05.000 --> 0:10:07.920
<v Speaker 2>I also love raymus Terio versus Dean Malinko. You can

0:10:08.040 --> 0:10:11.040
<v Speaker 2>pick a match. This was my WCW days back in

0:10:11.040 --> 0:10:13.320
<v Speaker 2>the day, watching matches with my grandma in Puerto Rico

0:10:13.360 --> 0:10:15.400
<v Speaker 2>on Christmas break and summer break, when I would hang

0:10:15.400 --> 0:10:17.080
<v Speaker 2>out and book at her own and she would tape

0:10:17.120 --> 0:10:18.760
<v Speaker 2>all the matches and we would get to watch them

0:10:18.760 --> 0:10:21.280
<v Speaker 2>over and over again. So those are something that I've

0:10:21.280 --> 0:10:24.480
<v Speaker 2>watched like probably a million freaking times, and definitely some

0:10:24.559 --> 0:10:25.240
<v Speaker 2>of my favorites.

0:10:25.280 --> 0:10:28.400
<v Speaker 1>Go ahead, Jeff. Well.

0:10:29.440 --> 0:10:33.480
<v Speaker 3>The thing about asking favorites guys, you know, is sometimes

0:10:33.520 --> 0:10:37.160
<v Speaker 3>you're gonna get really obvious answers. You know, people say, Jeff,

0:10:37.160 --> 0:10:39.240
<v Speaker 3>who's the greatest comedians, and you're like, it's not really

0:10:39.280 --> 0:10:42.320
<v Speaker 3>gonna be that exciting, because they'll be exactly you think

0:10:42.320 --> 0:10:45.120
<v Speaker 3>it's gonna be. It's gonna be the Carlins, the Priors,

0:10:45.160 --> 0:10:48.240
<v Speaker 3>it's gonna be the Chappelle's, the Louis. The answer is not.

0:10:48.800 --> 0:10:51.320
<v Speaker 3>The answer is something you probably just could have like

0:10:51.520 --> 0:10:56.720
<v Speaker 3>looked up, you know, because because it's so obvious to everyone.

0:10:57.040 --> 0:11:00.440
<v Speaker 3>So in the same way, my favorite matches and obvious one.

0:11:00.960 --> 0:11:08.120
<v Speaker 3>It's the two thousand and six Punjabi prison match, Bautista

0:11:08.440 --> 0:11:10.840
<v Speaker 3>versus the Great Khalid.

0:11:11.400 --> 0:11:13.400
<v Speaker 2>You know, it was I love that you threw a

0:11:13.440 --> 0:11:15.600
<v Speaker 2>D on the end, like it's DJ College. It was

0:11:15.720 --> 0:11:20.920
<v Speaker 2>just Khalid. There's isn't it wasn't it the great There's

0:11:20.920 --> 0:11:24.280
<v Speaker 2>no D in Khalid, the Great, Well in Khalid, there's

0:11:24.280 --> 0:11:26.960
<v Speaker 2>a D for sure, but his name was the Great Kalead,

0:11:28.400 --> 0:11:29.440
<v Speaker 2>So you were right, and.

0:11:31.200 --> 0:11:34.840
<v Speaker 3>Yeah, it was my think, my favorite match, if I'm honest,

0:11:35.120 --> 0:11:39.840
<v Speaker 3>all joking aside was Undertaker versus Mankind and the hell

0:11:39.840 --> 0:11:44.959
<v Speaker 3>in hisself. Oh yeah, it was just so cool and unpredictable.

0:11:45.000 --> 0:11:48.480
<v Speaker 3>I didn't think any of that would happen. I spent

0:11:49.120 --> 0:11:52.000
<v Speaker 3>years after that trying to convince everyone at my school

0:11:52.000 --> 0:11:54.440
<v Speaker 3>that I had some sort of inside information and that

0:11:54.880 --> 0:11:58.520
<v Speaker 3>wasn't supposed to happen. That's not how they wrote it up,

0:11:58.640 --> 0:12:01.120
<v Speaker 3>you know, like I made it, which I was basically

0:12:01.240 --> 0:12:03.680
<v Speaker 3>lying to everyone, making it sound like this match was

0:12:04.120 --> 0:12:07.360
<v Speaker 3>completely went off the rails and they really tried to

0:12:07.400 --> 0:12:10.400
<v Speaker 3>fight each other. It was just so exciting and uh,

0:12:10.720 --> 0:12:12.920
<v Speaker 3>not only do I have a tremendous amount of nostalgia

0:12:13.000 --> 0:12:14.520
<v Speaker 3>for the match, but it also was awesome.

0:12:14.559 --> 0:12:16.560
<v Speaker 1>It was just so cool, and we still talk about

0:12:16.559 --> 0:12:18.840
<v Speaker 1>that match, you know, thirty years later.

0:12:20.160 --> 0:12:22.880
<v Speaker 2>This next one is just for me Jeff so ha haha,

0:12:23.600 --> 0:12:28.040
<v Speaker 2>unreal And Jess Diaz one two one seven says, how

0:12:28.040 --> 0:12:31.760
<v Speaker 2>does it feel being back on the big screen? That's

0:12:31.840 --> 0:12:34.559
<v Speaker 2>an A never weren't on the big screen. No, I've

0:12:34.559 --> 0:12:37.200
<v Speaker 2>done some small screen stuff and some big screen stuff,

0:12:37.200 --> 0:12:39.160
<v Speaker 2>but this is the first movie I've done in quite

0:12:39.200 --> 0:12:44.240
<v Speaker 2>some time that'll be on three thousand screens plus nationwide,

0:12:44.840 --> 0:12:47.160
<v Speaker 2>uh and then worldwide I don't know how many. So

0:12:47.240 --> 0:12:49.920
<v Speaker 2>it's really exciting because a lot of movies don't get

0:12:49.960 --> 0:12:53.679
<v Speaker 2>theatrical release these days because of streaming services constantly looking

0:12:53.679 --> 0:12:57.199
<v Speaker 2>to buy product. And you know, these these film investors

0:12:57.200 --> 0:12:58.840
<v Speaker 2>are going to sell to whoever gives them the most

0:12:58.880 --> 0:13:01.760
<v Speaker 2>money upfront. They want to make that money back as

0:13:01.840 --> 0:13:04.000
<v Speaker 2>quickly as possible. You make a two million dollar movie,

0:13:04.360 --> 0:13:06.560
<v Speaker 2>you know, on the average they're only making like two

0:13:06.679 --> 0:13:09.040
<v Speaker 2>hundred three hundred thousand back on streaming, So you want

0:13:09.040 --> 0:13:11.760
<v Speaker 2>to have a sale somewhere, like a pre sale, so

0:13:11.800 --> 0:13:13.839
<v Speaker 2>you can make that money back right away as quickly

0:13:13.880 --> 0:13:16.640
<v Speaker 2>as possible, with a distributor or with investors early on,

0:13:17.040 --> 0:13:19.520
<v Speaker 2>if it's the distributor path, Like my last one sold

0:13:19.559 --> 0:13:21.480
<v Speaker 2>for more than we made it for, so that guy

0:13:21.559 --> 0:13:23.440
<v Speaker 2>was happy and now wants to make another one with me.

0:13:23.920 --> 0:13:27.959
<v Speaker 2>When you make a studio movie, it's completely friggin' different,

0:13:28.320 --> 0:13:33.480
<v Speaker 2>completely friggin different. And this experience was lengthy. You know,

0:13:33.480 --> 0:13:35.080
<v Speaker 2>when you make an indie film, you're shooting in three

0:13:35.160 --> 0:13:37.520
<v Speaker 2>four weeks. This was a matter of months that we

0:13:37.559 --> 0:13:41.640
<v Speaker 2>shot this over. There's reshoots, there's test screenings. There's test

0:13:41.720 --> 0:13:44.160
<v Speaker 2>audiences that come in and I like this person, I

0:13:44.200 --> 0:13:47.040
<v Speaker 2>don't like that person, and the studio sometimes listens to

0:13:47.120 --> 0:13:50.400
<v Speaker 2>these random opinions, which is not always a good thing.

0:13:51.360 --> 0:13:53.120
<v Speaker 2>Sometimes you have to trust in the vision of the

0:13:53.200 --> 0:13:56.480
<v Speaker 2>director and just believe in that. When I was doing

0:13:56.520 --> 0:13:58.720
<v Speaker 2>all the Mirrimax movies back in the day, like a

0:13:58.760 --> 0:14:01.920
<v Speaker 2>test screening audience with literally rewrite the movie basically, and

0:14:01.960 --> 0:14:03.760
<v Speaker 2>the director is like, what about the idea that you

0:14:03.800 --> 0:14:05.440
<v Speaker 2>bought for me? Like why don't you believe in that?

0:14:05.559 --> 0:14:08.120
<v Speaker 2>Let's let's die on the sword if we're gonna If

0:14:08.120 --> 0:14:10.599
<v Speaker 2>we're gonna die, let's not change the art, like you

0:14:10.640 --> 0:14:15.720
<v Speaker 2>wouldn't have Picasso paint a painting. And then the gallery

0:14:15.760 --> 0:14:18.199
<v Speaker 2>owner takes it and shows it to people before it's

0:14:18.200 --> 0:14:20.440
<v Speaker 2>for sale, and it says, well, we have some notes, Pablo,

0:14:20.920 --> 0:14:22.840
<v Speaker 2>and we'd like to do some changes before I put it.

0:14:22.880 --> 0:14:25.240
<v Speaker 2>Like that would never fucking happen, But in the corporate

0:14:25.320 --> 0:14:28.360
<v Speaker 2>modern world of movies, it happens on every single film.

0:14:28.560 --> 0:14:31.000
<v Speaker 2>Some people argue that it should, some people argue that

0:14:31.040 --> 0:14:33.400
<v Speaker 2>it doesn't. The truth somewhere in the middle, but yeah,

0:14:33.440 --> 0:14:36.680
<v Speaker 2>so I'm super excited because it's a rarity unless you're

0:14:36.720 --> 0:14:40.040
<v Speaker 2>Tom Cruise obviously to get to do this, so super excited.

0:14:40.120 --> 0:14:42.520
<v Speaker 2>It comes out July eighteenth. I know what you did

0:14:42.560 --> 0:14:44.640
<v Speaker 2>last summer is the name of the movie, just like

0:14:44.680 --> 0:14:47.440
<v Speaker 2>the first one. Hope you guys dig it. I think

0:14:47.480 --> 0:14:49.680
<v Speaker 2>it's really, really solid. I'm really proud of the work

0:14:49.720 --> 0:14:51.240
<v Speaker 2>that I did in it, and I hope you guys

0:14:51.400 --> 0:14:54.600
<v Speaker 2>like it too. Next up, we're running out of time,

0:14:54.640 --> 0:14:57.880
<v Speaker 2>so i'll be fast. This one comes from Jake GOUDI underscore,

0:14:58.680 --> 0:15:02.240
<v Speaker 2>how do you think wa we will change after Seena retires.

0:15:03.440 --> 0:15:05.360
<v Speaker 2>I think you've kind of already seen that Jake when

0:15:05.400 --> 0:15:07.160
<v Speaker 2>he was when he was gone the first time, So

0:15:07.800 --> 0:15:10.200
<v Speaker 2>I think it'll be this is just a quick story

0:15:10.200 --> 0:15:12.760
<v Speaker 2>for John and then it'll go back to getting this

0:15:12.880 --> 0:15:16.120
<v Speaker 2>next generation over. Hopefully there'll be some time for Carry

0:15:16.120 --> 0:15:18.800
<v Speaker 2>and Cross to finally get a freakin push once this

0:15:18.880 --> 0:15:21.120
<v Speaker 2>storyline's over it and he can get more up on

0:15:21.200 --> 0:15:23.120
<v Speaker 2>the top guys, because that dude's money on the mic

0:15:23.240 --> 0:15:25.960
<v Speaker 2>and in the ring. So you look for opportunities like

0:15:26.000 --> 0:15:28.520
<v Speaker 2>that for people when Seena retires. But yeah, I think

0:15:28.560 --> 0:15:31.480
<v Speaker 2>it'll look similar. You'll see Cody get the Cody get

0:15:31.480 --> 0:15:34.640
<v Speaker 2>the strap and lead the crusade until they find that

0:15:34.680 --> 0:15:36.960
<v Speaker 2>next guy, or they think they find that next guy.

0:15:36.960 --> 0:15:38.960
<v Speaker 1>What about you, Jeff, Yeah, I don't really know.

0:15:39.080 --> 0:15:42.400
<v Speaker 3>I don't feel like much will change reality, Like this

0:15:42.440 --> 0:15:45.560
<v Speaker 3>is how things go, you know. You you couldn't picture

0:15:45.600 --> 0:15:49.040
<v Speaker 3>a time that they don't just push Roman reigns in

0:15:49.120 --> 0:15:52.360
<v Speaker 3>every pay per view and he wins every you know,

0:15:52.520 --> 0:15:56.120
<v Speaker 3>main event, and then he goes away, and you know,

0:15:56.240 --> 0:15:59.960
<v Speaker 3>and it's it's not like anything's better because Roman isn't around,

0:16:00.120 --> 0:16:04.280
<v Speaker 3>but now there's a new person that's on everything, you know,

0:16:04.320 --> 0:16:07.000
<v Speaker 3>So like when Sena's gone, Will it's just the way

0:16:07.160 --> 0:16:10.600
<v Speaker 3>the world works, It's the way wrestling works. It'll be

0:16:10.960 --> 0:16:13.680
<v Speaker 3>you know, like I said, or like you said, Cody

0:16:13.720 --> 0:16:15.960
<v Speaker 3>will just kind of be the guy, I think, and

0:16:16.000 --> 0:16:18.760
<v Speaker 3>then hopefully we'll have I mean, we've got so many

0:16:18.800 --> 0:16:21.640
<v Speaker 3>of these young guys that are becoming big stars. So

0:16:21.720 --> 0:16:23.840
<v Speaker 3>maybe one of them will be the next Sena. I

0:16:23.840 --> 0:16:26.080
<v Speaker 3>don't know, But for right now, Cody is the guy,

0:16:26.120 --> 0:16:27.760
<v Speaker 3>and I don't think it'll change that much.

0:16:28.960 --> 0:16:31.320
<v Speaker 2>All Right, we got time for one more, Freddie, Would

0:16:31.360 --> 0:16:35.239
<v Speaker 2>you consider creative writing for WWE again? If there's an opportunity,

0:16:35.960 --> 0:16:38.400
<v Speaker 2>I'd never say no. Like, I don't have any burnt

0:16:38.400 --> 0:16:40.600
<v Speaker 2>bridges there, at least none that I burnt. I don't

0:16:40.640 --> 0:16:43.600
<v Speaker 2>think anyone burned one with me, nobody wronged me when

0:16:43.640 --> 0:16:46.560
<v Speaker 2>I was there or anything like that. So yeah, i'd

0:16:46.600 --> 0:16:49.400
<v Speaker 2>consider it, but I'm definitely on a different path right now,

0:16:49.680 --> 0:16:53.000
<v Speaker 2>so I don't see a scenario where that happens anytime

0:16:53.280 --> 0:16:56.280
<v Speaker 2>in the near future. I have a question, Jeff, if

0:16:56.360 --> 0:16:59.680
<v Speaker 2>you got an opportunity to write promos, to do dialogue,

0:16:59.720 --> 0:17:02.160
<v Speaker 2>to do that kind of stuff in WWE.

0:17:02.000 --> 0:17:03.360
<v Speaker 1>Would you take that job.

0:17:03.640 --> 0:17:05.560
<v Speaker 2>Would you take a couple months or a few months

0:17:05.600 --> 0:17:08.280
<v Speaker 2>off from comedy and actually like sit in a writer's

0:17:08.359 --> 0:17:11.920
<v Speaker 2>room and do that or would it just be too

0:17:11.960 --> 0:17:13.400
<v Speaker 2>much of a lifestyle change.

0:17:13.520 --> 0:17:16.439
<v Speaker 3>I think I would try it, but I would be

0:17:16.720 --> 0:17:21.000
<v Speaker 3>so like skeptical or like not skeptical.

0:17:21.040 --> 0:17:22.760
<v Speaker 1>I don't know if that's the right term. I would

0:17:22.840 --> 0:17:25.920
<v Speaker 1>be so like I would know right away like.

0:17:25.880 --> 0:17:27.560
<v Speaker 3>If I could do this or if I couldn't do this,

0:17:27.680 --> 0:17:30.240
<v Speaker 3>and right now, like I'm open to thinking maybe I

0:17:30.280 --> 0:17:32.119
<v Speaker 3>wouldn't be good at it, Like I don't really know,

0:17:32.600 --> 0:17:34.520
<v Speaker 3>but I would try it, just because I love wrestling

0:17:34.560 --> 0:17:34.879
<v Speaker 3>so much.

0:17:34.960 --> 0:17:36.760
<v Speaker 1>I've heard it's a pretty thankless job.

0:17:38.520 --> 0:17:40.960
<v Speaker 2>I think it's supposed to be a thankless job. That's

0:17:41.040 --> 0:17:43.600
<v Speaker 2>that was kind of the approach I took. Like, if

0:17:43.640 --> 0:17:47.240
<v Speaker 2>the your job is strictly to help get the talent over,

0:17:48.280 --> 0:17:51.479
<v Speaker 2>if somebody's saying, hey, you did great on that, like

0:17:51.640 --> 0:17:54.200
<v Speaker 2>you're supposed to defer that and go, no, they did great.

0:17:54.320 --> 0:17:57.400
<v Speaker 2>I just wrote it, they executed, Yeah, they did great.

0:17:57.560 --> 0:17:59.480
<v Speaker 2>So it is you're right in that regard. But I

0:17:59.480 --> 0:18:00.480
<v Speaker 2>think it's used to be.

0:18:00.720 --> 0:18:05.560
<v Speaker 3>And I love credit, you know, I love getting my flowers.

0:18:05.640 --> 0:18:06.960
<v Speaker 1>I love getting the attention.

0:18:07.480 --> 0:18:10.400
<v Speaker 3>I don't want to if if my guy goes out

0:18:10.440 --> 0:18:12.359
<v Speaker 3>there he does the thing real good, I go. You know,

0:18:12.440 --> 0:18:14.159
<v Speaker 3>I wrote that, you know, I came up with that,

0:18:14.520 --> 0:18:16.440
<v Speaker 3>so I don't know. Maybe I wouldn't be good at

0:18:16.440 --> 0:18:16.840
<v Speaker 3>the job.

0:18:17.400 --> 0:18:19.639
<v Speaker 2>There were guys there that'd be like, hey, Freddy, you

0:18:19.760 --> 0:18:22.119
<v Speaker 2>like that that promo, that Cane promo. I wrote that,

0:18:22.240 --> 0:18:24.040
<v Speaker 2>So there are still guys today. I'd be like, yeah, man,

0:18:24.080 --> 0:18:25.040
<v Speaker 2>it was good way to go.

0:18:25.200 --> 0:18:27.080
<v Speaker 3>Well, my love for wrestling would me and I couldn't

0:18:27.119 --> 0:18:29.040
<v Speaker 3>turn it down. I would be I'd be just so

0:18:29.200 --> 0:18:29.720
<v Speaker 3>into it.

0:18:30.000 --> 0:18:33.120
<v Speaker 2>Take a swing anyway. Yeah, all right, you guys, thanks

0:18:33.160 --> 0:18:35.439
<v Speaker 2>for tuning in, Thanks for your questions. Sorry, we couldn't

0:18:35.480 --> 0:18:38.600
<v Speaker 2>get to all of them. I'm Freddy Prince. That's Jeff Dye.

0:18:39.000 --> 0:18:40.400
<v Speaker 2>See you guys next Wednesday.

0:18:40.520 --> 0:18:41.959
<v Speaker 1>Peace, we're out.